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• オペラ対訳プロジェクト - Berlioz,Hector/Les Troyens/I

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  このテンプレはポリウト方式で作成されています。 こちらの役名一覧に和訳を記載して管理人までお知らせください。 ACTE PREMIER （L'emplacement du camp abandonné des Grècs dans la plaine de Troie. A gauche du spectateur et à quelque distance dans l'intérieur de Troie, la Citadelle. A droite, le Simoïs et sur l'un des bords un tumulus, le tombeau d'Achille. Au loin les sommets du mont Ida. Un autel champêtre sur l'avant-scène et près de l'autel un trône élevé.） N° 1 – Chœur de la populace troyenne （Le peuple troyen se répandant joyeusement dans la plaine. Soldats, citoyens, femmes, et enfants. Danses, jeux divers. Trois bergers jouent de la double flûte au sommet du tombeau d'Achille.） ▼CHŒUR▲ Ha! ha! Après dix ans passés dans nos murailles, Ah! quel bonheur de respirer L'air pur des champs, que le cri des batailles Ne va plus déchirer. （Jeunes garçons et enfants accourant avec des débris d'armes à la main） Que de débris! – Un fer de lance! Je trouve un casque! – Et moi, deux javelots! Voyez, ce bouclier immense! Il porterait un homme sur les flots. Quels poltrons que ces Grecs! ▼UN SOLDAT▲ Savez-vous quelle tente En ce lieu même s'élevait? ▼CHŒUR▲ Non! Dites-le… C'était? ▼LE SOLDAT▲ Celle d'Achille. ▼CHŒUR▲ （se reculant avec terreur） Dieux! ▼LE SOLDAT▲ Restez, troupe vaillante! Achille est mort, vous pouvez voir ici Sa tombe, la voici. ▼CHŒUR▲ C'est vrai ; de ce monstre homicide Pâris nous délivra. – Connais-tu le cheval De bois, qu'avant de partir pour l'Aulide Construisirent les Grecs? – Ce cheval colossal, Leur offrande à Pallas, dans ses vastes entrailles Tiendrait un bataillon. On abat les murailles. Dans la ville, ce soir, nous allons le traîner; On dit que le roi vient tantôt l'examiner! Où donc est-il? – Sur le bord du Scamandre! Il faut le voir sans plus attendre! Courons! courons! Le cheval! le cheval! （Ils sortent en tumulte） N° 2 – Récitatif et air （Pendant la fin de la scène précédente, Cassandre a paru au milieu des groupes, parcourant la plaine avec agitation. Son regard est inquiet et égaré.） ▼CASSANDRE▲ Les Grecs ont disparu!… mais quel dessein fatal Cache de ce départ l'étrange promptitude? Tout vient justifier ma sombre inquiétude! J'ai vu l'ombre d'Hector parcourir nos remparts Comme un veilleur de nuit, j'ai vu ses noirs regards Interroger au loin le détroit de Sigée… Malheur! dans la folie et l'ivresse plongée La foule sort des murs, et Priam la conduit! Malheureux Roi! dans l'éternelle nuit, C'en est donc fait, tu vas descendre! Tu ne m'écoutes pas, tu ne veux rien comprendre, Malheureux peuple, à l'horreur qui me suit! Chorèbe, hélas, oui, Chorèbe lui-même Croit ma raison perdue!… A ce nom mon effroi Redouble! Ô Dieux! Chorèbe! il m'aime! Il est aimé! mais plus d'hymen pour moi. Plus d'amour, de chants d'allégresse, Plus de doux rêves de tendresse! De l'affreux destin qui m'oppresse Il faut subir l'inexorable loi! （Elle tombe dans une tendre rêverie） Chorèbe!… il faut qu'il parte et quitte la Troade. N° 3 – Duo （Chorèbe s'avance vivement） ▼CASSANDRE▲ C'est lui! ▼CHORÈBE▲ Quand Troie éclate en transports jusqu'aux cieux Vous fuyez les palais joyeux Pour les bois et les champs, pensive Hamadryade! De vous on s'inquiète… ▼CASSANDRE▲ Ah! je cache à vos yeux Le trouble affreux dont mon âme est remplie! ▼CHORÈBE▲ Cassandre! ▼CASSANDRE▲ Quitte-moi! ▼CHORÈBE▲ Viens! ▼CASSANDRE▲ Pars, je t'en supplie! ▼CHORÈBE▲ Moi, partir! Te quitter quand le plus saint des nœuds… ▼CASSANDRE▲ C'est le temps de mourir et non pas d'être heureux. ▼CHORÈBE▲ Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. ▼CASSANDRE▲ Tout est menace au ciel! Crois en ma voix qu'inspire Le barbare dieu même à nous perdre acharné. Au livre du destin mon regard a su lire, Je vois l'essaim de maux sur nous tous déchaîné! Il va tomber sur Troie! A sa fureur en proie, Le peuple va rugir Et de son sang rougir Le pavé de nos rues; Les vierges demi-nues, Aux bras des ravisseurs, Vont pousser des clameurs A déchirer les nues! Déjà le noir vautour, Sur la plus haute tour A chanté le carnage! Tout s'écroule! tout nage Sur un fleuve de sang, Et dans ton flanc Le fer d'un Grec!… Ah! （Chorèbe soutient un instant dans ses bras Cassandre à demi évanouie） ▼CHORÈBE▲ Pauvre âme égarée! Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. ▼CASSANDRE▲ La mort déjà plane dans l'air… Et j'ai vu le sinistre éclair De son froid regard homicide! Si tu m'aimes, va-t'en Pars !… va rendre à ton père Un appui nécessaire A ses vieux ans, Inutile pour nous. ▼CHORÈBE▲ Eh, de quel œil, si de tel maux sur nous Devaient tomber, chère insensée, Mon père me reverrait-il Fuyant ma fiancée Au moment du péril? Mais le ciel et la terre, Oublieux de la guerre Proclament ton erreur. Cette tiède douceur Du souffle de la brise Et cette mer qui brise Si mollement ses flots Aux caps de Ténédos; Sur la plaine ondoyante Ces tranquilles troupeaux, Ce pâtre heureux qui chante Et ces joyeux oiseaux Semblent ne faire entendre, Sous le céleste dais, Et partout ne répandre Que l'hymne de la paix. ▼CASSANDRE▲ Signes trompeurs! calme perfide! La mort déjà plane dans l'air, Et j'ai vu le sinistre éclair De son froid regard homicide! Quitte-nous dès ce soir, Entends-moi, je t'implore, Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! ▼CHORÈBE▲ Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! ▼CASSANDRE▲ Si de ton noble amour, Chorèbe, Tu me crus digne un jour, tu partiras! ▼CHORÈBE▲ Au nom des dieux du ciel et de l'Érèbe, Cassandre, tu m'écouteras! A tes genoux, je tombe Cassandre! ▼CASSANDRE▲ A tant de douleurs je succombe! Ô dieux cruels! ▼CHORÈBE▲ Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! Cassandre! Ô désespoir! ▼CASSANDRE▲ Entends-moi, je t'implore Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! Aveugle et sourd comme eux! Tu persévères A t'immoler à ton funeste amour? ▼CHORÈBE▲ Je ne te quitte pas! ▼CASSANDRE▲ L'épouvantable jour Te verra donc combattre avec mes frères? ▼CHORÈBE▲ Je ne te quitte pas! ▼CASSANDRE▲ Eh bien ! voilà ma main Et mon chaste baiser d'épouse! Reste! La mort jalouse Prépare notre lit nuptial pour demain. ▼CHORÈBE▲ Viens! Viens! （Il l'entraîne éperdue） N° 4 – Marche et hymne （Entrent Ascagne à la tête des enfants, Hécube et les princesses, Énée à la tête des guerriers troyens, Priam et les prêtres.） ▼CHŒUR▲ Dieux protecteurs de la ville éternelle, Recevez notre encens; Et du bonheur de son peuple fidèle Entendez les accents! Ô vous! divins auteurs de notre délivrance. Dieu de l'Olympe! Dieu des mers! Régulateurs de l'univers, Acceptez les présents de la reconnaissance. N° 5 – Combat de ceste – Pas de lutteurs （Danses et jeux populaires） N° 6 – Pantomime （Andromaque entre à pas lents, tenant par la main Astyanax. Ils sont en deuil – vêtus de blanc – tous les deux.） ▼CHŒUR▲ Andromaque et son fils! Ô destin! Ces clameurs de la publique allégresse… （Astyanax dépose une corbeille de fleurs au pied de l'autel. Andromaque s'agenouille à côté de lui et prie pendant quelques instants） Et cette immense tristesse, Ce deuil profond, （Andromaque se lève et conduit son fils devant le trône de Priam.） Ces muettes douleurs! （Elle présente l'enfant au roi et à la reine. Elle attire Astyanax contre son sein et l'embrasse avec une tendresse convulsive） Les épouses, les mères pleurent à leur aspect… （Priam se lève et bénit l'enfant. Hécube le bénit à son tour. Le roi et la reine reprennent place sur leurs trônes. Astyanax intimidé revient se réfugier auprès de sa mère. L'émotion douloureuse d'Andromaque augmente.） ▼CASSANDRE▲ （passant au fond du théâtre） Hélas! garde tes pleurs, Veuve d'Hector… （Andromaque abaisse son voile） A de prochains malheurs Tu dois bien des larmes amères… （Les larmes la gagnant, Andromaque reprend la main d'Astyanax et passe devant les divers groupes du peuple pour se retirer. La foule s'écarte devant les deux personnages. Plusieurs femmes troyennes pleurant, cachent leur visage sur l'épaule des hommes qui sont auprès d'elles. Les deux personnages s'éloignent à pas lents.） ▼CHŒUR▲ Ah! N° 6 bis – Scène de Sinon （coupé par Berlioz） ▼CHŒUR▲ Un traître, un espion! Pour lui, la flagellation! Sans doute c'est un Grec! qu'on l'immole à Neptune! A mort le Grec, à mort le Grec, à mort, à mort! ▼PRIAM▲ Pour cette humble infortune Ayez plus de pitié! Laissez jusques à moi Venir ce malheureux. ▼CHŒUR▲ Oui, qu'il réponde au roi, Qu'il parle! ▼PRIAM▲ Quel est-tu? Pourquoi dans ces campagnes Te trouvons-nous errant? ▼SINON▲ Pardonne au suppliant, grand roi! Je l'avouerai, je naquis aux montagnes Du royaume d'Ithaque. ▼CHŒUR▲ Ah ! c'est un Grec! ▼PRIAM▲ Ton nom? ▼CHŒUR▲ Qu'on le brûle vivant! ▼SINON▲ On me nomme Sinon. Objet de la haine d'Ulysse Je fus pour être offert en sacrifice Désigné par ce chef d'accord avec Calchas. Les dieux exigeaient mon trépas Pour nous rendre le vent au retour favorable. J'allais subir mon sort; Mais l'horreur de la mort M'ouvrit l'asile impénétrable D'un fétide marais; j'y dérobai ma fuite, Des sacrificateurs je trompai la poursuite, Caché dans les roseaux Jusqu'au départ de nos vaisseaux. Depuis ce temps, en proie à la faim dévorante J'erre éperdu, tremblant à l'idée effrayante, Après m'être soustrait à la haine des miens, De ne point éviter la fureur des Troyens. Telle est la vérité. （Depuis quelque temps Cassandre est entrée avec Chorèbe et examine Sinon d'un regard soupçonneux.） ▼CASSANDRE▲ Tout n'est que perfidie dans la bouche d'un Grec! （apaisant la foule d'un geste） ▼CHŒUR▲ Oui, Cassandre a raison! Entraînons-le! ▼PRIAM▲ Sinon, je t'accorde la vie Si tu veux me répondre en toute vérité. ▼SINON▲ Soyez témoins, ô dieux, de ma sincérité! ▼PRIAM▲ Quel est l'objet de l'œuvre merveilleuse Que l'art des Grecs au bord du Scamandre éleva? Fut-ce offrande pieuse Ou machine? ▼SINON▲ Ô Priam, Ulysse l'acheva Pour être offerte à Pallas offensée; Et la déesse courroucée Par le sacrilège qu'un jour Diomède commit sur sa divine image, A ce prix seul permit notre retour. Mais Calchas ordonna que d'étage en étage Le cheval s'élevant, devint si monstrueux Que ce présent prodigieux Ne put être introduit dans la ville troyenne. Car… oui, je l'avouerai pour moi quoi qu'il advienne, Si dans votre Ilion il parvenait jamais, Victorieuse désormais, La race de Priam ferait trembler la terre Et jusqu'aux murs d'Argos irait porter la guerre. ▼CHŒUR▲ Quoi! nous irons à notre tour Piller les Argiens? ▼CASSANDRE▲ Il ment! ▼CHŒUR▲ Quelle bataille! Quel incendie! ▼CASSANDRE▲ Il ment! ▼PRIAM▲ （descend de son trône） Qu'on abatte la tour De la porte de Scée, et qu'un pan de muraille Tombe! Allez! et malgré la ruse de Calchas Installez dans nos murs cette offrande à Pallas. ▼CHŒUR▲ A l'œuvre! obéissons! ▼CASSANDRE▲ Dieux éternels! Qu'entends-je? Par ta fille… par toi… mon père! quel étrange Dessein! je crains les Grecs jusques dans leurs présents! Révoque l'ordre! ô dieux ! ▼PRIAM▲ Reprends tes sens, chère fille! ▼CHŒUR▲ Elle est folle! allons! ▼PRIAM▲ Laisse à ton père Le soin de protéger son peuple et ses états. （Plusieurs hommes sortent comme pour aller exécuter l'ordre de Priam.） ▼CASSANDRE▲ Ah! c'est le dernier coup! ▼CHORÈBE▲ Elle me désespère! N° 7 – Récit ▼ÉNÉE▲ （accourant） Du peuple et des soldats, ô roi! la foule S'enfuit et roule Comme un torrent; on ne peut l'arrêter! Un prodige inouï vient de l'épouvanter Laocoon, voyant quelque trame perfide Dans l'ouvrage des Grecs, a d'un bras intrépide Lancé son javelot sur ce bois, excitant Le peuple indécis et flottant A le brûler. Alors, gonflés de rage, Deux serpents monstrueux s'avancent vers la plage, S'élancent sur le prêtre, en leurs terribles nœuds L'enlacent, le brûlant de leur haleine ardente, Et le couvrant d'une bave sanglante, Le dévorent à nos yeux. N° 8 – Ottetto et double chœur ▼PRIAM, PANTHÉE, CHORÈBE, ÉNÉE, HELENUS, CASSANDRE, ASCAGNE, HÉCUBE, LE PEUPLE▲ Châtiment effroyable! Mystérieuse horreur! A ce récit （cet aspect） épouvantable Le sang s'est glacé dans mon cœur. Un frisson de terreur Ébranle tout mon être! Laocoon! un prêtre! Objet de la fureur des dieux, Dévoré palpitant par ces monstres hideux! Horreur! ▼CASSANDRE▲ Ô peuple déplorable! Mystérieuse horreur! A ce récit épouvantable Le sang s'est glacé dans mon cœur. N° 9 – Récitatif et chœur ▼ÉNÉE▲ Que la déesse nous protège, Conjurons ce nouveau danger! Il est trop vrai, Pallas vient de venger Un affreux sacrilège. ▼PRIAM▲ Pour l'apaiser, suivez mes ordres sans retard. ▼ÉNÉE▲ Déjà sur des rouleaux disposés avec art, Le cheval est placé, que chacun le conduise, Vers le Palladium en pompe l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ▼ENSEMBLE▲ A cet objet sacré formez （formons） cortège, enfants, Femmes, guerriers, couvrez （couvrons） de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! ▼CASSANDRE▲ （parcourant la scène avec égarement） Malheur! ▼PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS▲ Pallas, pardonne à Troie! （Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement） N° 9 – Récitatif et chœur （version tenant compte de la scène de Sinon） ▼PRIAM▲ Que la déesse nous protège, Conjurons ce nouveau danger ! Sinon dit vrai, Pallas vient de venger Un affreux sacrilège. Pour l'apaiser, suivez mes ordres sans retard. Que sur des rouleaux disposés avec art, Le cheval soit placé, que chacun le conduise, Avec solennité le traîne et l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ▼ENSEMBLE▲ A cet objet sacré formez / formons cortège, enfants, Femmes, guerriers, couvrez / couvrons de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! ▼CASSANDRE▲ （parcourant la scène avec égarement） Malheur! ▼PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS▲ Pallas, pardonne à Troie! ▼SINON▲ Grande Junon, tu me livres donc Troie! （Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement.） N° 10 – Air ▼CASSANDRE▲ Non, je ne verrai pas la déplorable fête Où s'enivre, en espoir d'un brillant avenir, Ce peuple condamné, que rien, hélas! n'arrête Sur la pente du gouffre. Ô cruel souvenir! Gloire de la Patrie!… Et voir s'évanouir Du bonheur le plus pur la séduisante image! Ô Chorèbe! Ô Priam!… Vains efforts de courage, Des pleurs d'angoisse inondent mon visage! N° 11 – Final Marche troyenne （On entend le cortège dans un grand éloignement.） ▼CASSANDRE▲ De mes sens éperdus… est-ce une illusion? Les chœurs sacrés d'Ilion! ▼CHŒUR▲ Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, A nos destins sois favorable, Rends Ilion inébranlable, Belle Pallas, protège-nous. ▼CASSANDRE▲ Quoi, déjà le cortège!… Au loin je l'aperçois! L'ennemi vient et la ville est ouverte!… Ce peuple fou qui se rue à sa perte Semble avoir devancé les ordres de son Roi! （On entend le cortège plus près） ▼CHŒUR▲ Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Entends nos voix, vierge sublime, Aux sons des flûtes de Dindyme Se mêler au plus haut des airs. Que la trompette phrygienne Unie à la lyre troyenne Te porte nos pieux concerts! ▼CASSANDRE▲ L'éclat des chants augmente! L'énorme machine roulant S'avance!… la voici! ▼CHŒUR▲ （entrant en scène） Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Souriante guirlande, A l'entour de l'offrande Dansez, heureux enfants ! Semez sur la ramée La neige parfumée Des muguets du printemps. Pallas! protège-nous! （Les chants cessent brusquement. Le chœur s'agite en divers sens; quelques femmes sortent comme pour aller voir ce qui se passe hors de la scène et reviennent presque aussitôt.） ▼QUELQUES HOMMES DU PEUPLE▲ Qu'est-ce donc? et pourquoi ce mouvement d'alarmes? ▼CASSANDRE▲ Jupiter! on hésite! Et la foule s'agite! ▼LES FEMMES▲ Dans les flancs du colosse on entend un bruit d'armes… ▼CASSANDRE▲ On s'arrête… Ô dieux! Si… ▼LES HOMMES▲ Présage heureux! chantez, enfants! （Les chants reprennent avec plus d'éclat qu'auparavant.） ▼TOUT LE CHŒUR▲ Fiers sommets de Pergame, D'une joyeuse flamme Rayonnez triomphants! （Le chœur reprend la suite du cortège et sort.） ▼CASSANDRE▲ Arrêtez! arrêtez! Oui, la flamme, la hache! Fouillez le flanc du monstrueux cheval! Laocoon!… les Grecs!… il cache Un piège infernal… Ma voix se perd!… plus d'espérance! Vous êtes sans pitié, grands dieux, Pour ce peuple en démence! Ô digne emploi de la toute-puissance, Le conduire à l'abîme en lui fermant les yeux! （Elle écoute les derniers sons de la marche triomphale qu'on distingue encore et qui s'éteignent tout d'un coup.） Ils entrent, c'en est fait, le destin tient sa proie! Sœur d'Hector, va mourir sous les débris de Troie! （Elle sort.） ACTE PREMIER L'emplacement du camp abandonné des Grècs dans la plaine de Troie. A gauche du spectateur et à quelque distance dans l'intérieur de Troie, la Citadelle. A droite, le Simoïs et sur l'un des bords un tumulus, le tombeau d'Achille. Au loin les sommets du mont Ida. Un autel champêtre sur l'avant-scène et près de l'autel un trône élevé. N° 1 – Chœur de la populace troyenne Le peuple troyen se répandant joyeusement dans la plaine. Soldats, citoyens, femmes, et enfants. Danses, jeux divers. Trois bergers jouent de la double flûte au sommet du tombeau d'Achille. CHŒUR Ha! ha! Après dix ans passés dans nos murailles, Ah! quel bonheur de respirer L'air pur des champs, que le cri des batailles Ne va plus déchirer. Jeunes garçons et enfants accourant avec des débris d'armes à la main Que de débris! – Un fer de lance! Je trouve un casque! – Et moi, deux javelots! Voyez, ce bouclier immense! Il porterait un homme sur les flots. Quels poltrons que ces Grecs! UN SOLDAT Savez-vous quelle tente En ce lieu même s'élevait? CHŒUR Non! Dites-le… C'était? LE SOLDAT Celle d'Achille. CHŒUR se reculant avec terreur Dieux! LE SOLDAT Restez, troupe vaillante! Achille est mort, vous pouvez voir ici Sa tombe, la voici. CHŒUR C'est vrai ; de ce monstre homicide Pâris nous délivra. – Connais-tu le cheval De bois, qu'avant de partir pour l'Aulide Construisirent les Grecs? – Ce cheval colossal, Leur offrande à Pallas, dans ses vastes entrailles Tiendrait un bataillon. On abat les murailles. Dans la ville, ce soir, nous allons le traîner; On dit que le roi vient tantôt l'examiner! Où donc est-il? – Sur le bord du Scamandre! Il faut le voir sans plus attendre! Courons! courons! Le cheval! le cheval! Ils sortent en tumulte N° 2 – Récitatif et air Pendant la fin de la scène précédente, Cassandre a paru au milieu des groupes, parcourant la plaine avec agitation. Son regard est inquiet et égaré. CASSANDRE Les Grecs ont disparu!… mais quel dessein fatal Cache de ce départ l'étrange promptitude? Tout vient justifier ma sombre inquiétude! J'ai vu l'ombre d'Hector parcourir nos remparts Comme un veilleur de nuit, j'ai vu ses noirs regards Interroger au loin le détroit de Sigée… Malheur! dans la folie et l'ivresse plongée La foule sort des murs, et Priam la conduit! Malheureux Roi! dans l'éternelle nuit, C'en est donc fait, tu vas descendre! Tu ne m'écoutes pas, tu ne veux rien comprendre, Malheureux peuple, à l'horreur qui me suit! Chorèbe, hélas, oui, Chorèbe lui-même Croit ma raison perdue!… A ce nom mon effroi Redouble! Ô Dieux! Chorèbe! il m'aime! Il est aimé! mais plus d'hymen pour moi. Plus d'amour, de chants d'allégresse, Plus de doux rêves de tendresse! De l'affreux destin qui m'oppresse Il faut subir l'inexorable loi! Elle tombe dans une tendre rêverie Chorèbe!… il faut qu'il parte et quitte la Troade. N° 3 – Duo Chorèbe s'avance vivement CASSANDRE C'est lui! CHORÈBE Quand Troie éclate en transports jusqu'aux cieux Vous fuyez les palais joyeux Pour les bois et les champs, pensive Hamadryade! De vous on s'inquiète… CASSANDRE Ah! je cache à vos yeux Le trouble affreux dont mon âme est remplie! CHORÈBE Cassandre! CASSANDRE Quitte-moi! CHORÈBE Viens! CASSANDRE Pars, je t'en supplie! CHORÈBE Moi, partir! Te quitter quand le plus saint des nœuds… CASSANDRE C'est le temps de mourir et non pas d'être heureux. CHORÈBE Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. CASSANDRE Tout est menace au ciel! Crois en ma voix qu'inspire Le barbare dieu même à nous perdre acharné. Au livre du destin mon regard a su lire, Je vois l'essaim de maux sur nous tous déchaîné! Il va tomber sur Troie! A sa fureur en proie, Le peuple va rugir Et de son sang rougir Le pavé de nos rues; Les vierges demi-nues, Aux bras des ravisseurs, Vont pousser des clameurs A déchirer les nues! Déjà le noir vautour, Sur la plus haute tour A chanté le carnage! Tout s'écroule! tout nage Sur un fleuve de sang, Et dans ton flanc Le fer d'un Grec!… Ah! Chorèbe soutient un instant dans ses bras Cassandre à demi évanouie CHORÈBE Pauvre âme égarée! Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. CASSANDRE La mort déjà plane dans l'air… Et j'ai vu le sinistre éclair De son froid regard homicide! Si tu m'aimes, va-t'en Pars !… va rendre à ton père Un appui nécessaire A ses vieux ans, Inutile pour nous. CHORÈBE Eh, de quel œil, si de tel maux sur nous Devaient tomber, chère insensée, Mon père me reverrait-il Fuyant ma fiancée Au moment du péril? Mais le ciel et la terre, Oublieux de la guerre Proclament ton erreur. Cette tiède douceur Du souffle de la brise Et cette mer qui brise Si mollement ses flots Aux caps de Ténédos; Sur la plaine ondoyante Ces tranquilles troupeaux, Ce pâtre heureux qui chante Et ces joyeux oiseaux Semblent ne faire entendre, Sous le céleste dais, Et partout ne répandre Que l'hymne de la paix. CASSANDRE Signes trompeurs! calme perfide! La mort déjà plane dans l'air, Et j'ai vu le sinistre éclair De son froid regard homicide! Quitte-nous dès ce soir, Entends-moi, je t'implore, Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! CHORÈBE Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! CASSANDRE Si de ton noble amour, Chorèbe, Tu me crus digne un jour, tu partiras! CHORÈBE Au nom des dieux du ciel et de l'Érèbe, Cassandre, tu m'écouteras! A tes genoux, je tombe Cassandre! CASSANDRE A tant de douleurs je succombe! Ô dieux cruels! CHORÈBE Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! Cassandre! Ô désespoir! CASSANDRE Entends-moi, je t'implore Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! Aveugle et sourd comme eux! Tu persévères A t'immoler à ton funeste amour? CHORÈBE Je ne te quitte pas! CASSANDRE L'épouvantable jour Te verra donc combattre avec mes frères? CHORÈBE Je ne te quitte pas! CASSANDRE Eh bien ! voilà ma main Et mon chaste baiser d'épouse! Reste! La mort jalouse Prépare notre lit nuptial pour demain. CHORÈBE Viens! Viens! Il l'entraîne éperdue N° 4 – Marche et hymne Entrent Ascagne à la tête des enfants, Hécube et les princesses, Énée à la tête des guerriers troyens, Priam et les prêtres. CHŒUR Dieux protecteurs de la ville éternelle, Recevez notre encens; Et du bonheur de son peuple fidèle Entendez les accents! Ô vous! divins auteurs de notre délivrance. Dieu de l'Olympe! Dieu des mers! Régulateurs de l'univers, Acceptez les présents de la reconnaissance. N° 5 – Combat de ceste – Pas de lutteurs Danses et jeux populaires N° 6 – Pantomime Andromaque entre à pas lents, tenant par la main Astyanax. Ils sont en deuil – vêtus de blanc – tous les deux. CHŒUR Andromaque et son fils! Ô destin! Ces clameurs de la publique allégresse… Astyanax dépose une corbeille de fleurs au pied de l'autel. Andromaque s'agenouille à côté de lui et prie pendant quelques instants Et cette immense tristesse, Ce deuil profond, Andromaque se lève et conduit son fils devant le trône de Priam. Ces muettes douleurs! Elle présente l'enfant au roi et à la reine. Elle attire Astyanax contre son sein et l'embrasse avec une tendresse convulsive Les épouses, les mères pleurent à leur aspect… Priam se lève et bénit l'enfant. Hécube le bénit à son tour. Le roi et la reine reprennent place sur leurs trônes. Astyanax intimidé revient se réfugier auprès de sa mère. L'émotion douloureuse d'Andromaque augmente. CASSANDRE passant au fond du théâtre Hélas! garde tes pleurs, Veuve d'Hector… Andromaque abaisse son voile A de prochains malheurs Tu dois bien des larmes amères… Les larmes la gagnant, Andromaque reprend la main d'Astyanax et passe devant les divers groupes du peuple pour se retirer. La foule s'écarte devant les deux personnages. Plusieurs femmes troyennes pleurant, cachent leur visage sur l'épaule des hommes qui sont auprès d'elles. Les deux personnages s'éloignent à pas lents. CHŒUR Ah! N° 6 bis – Scène de Sinon coupé par Berlioz CHŒUR Un traître, un espion! Pour lui, la flagellation! Sans doute c'est un Grec! qu'on l'immole à Neptune! A mort le Grec, à mort le Grec, à mort, à mort! PRIAM Pour cette humble infortune Ayez plus de pitié! Laissez jusques à moi Venir ce malheureux. CHŒUR Oui, qu'il réponde au roi, Qu'il parle! PRIAM Quel est-tu? Pourquoi dans ces campagnes Te trouvons-nous errant? SINON Pardonne au suppliant, grand roi! Je l'avouerai, je naquis aux montagnes Du royaume d'Ithaque. CHŒUR Ah ! c'est un Grec! PRIAM Ton nom? CHŒUR Qu'on le brûle vivant! SINON On me nomme Sinon. Objet de la haine d'Ulysse Je fus pour être offert en sacrifice Désigné par ce chef d'accord avec Calchas. Les dieux exigeaient mon trépas Pour nous rendre le vent au retour favorable. J'allais subir mon sort; Mais l'horreur de la mort M'ouvrit l'asile impénétrable D'un fétide marais; j'y dérobai ma fuite, Des sacrificateurs je trompai la poursuite, Caché dans les roseaux Jusqu'au départ de nos vaisseaux. Depuis ce temps, en proie à la faim dévorante J'erre éperdu, tremblant à l'idée effrayante, Après m'être soustrait à la haine des miens, De ne point éviter la fureur des Troyens. Telle est la vérité. Depuis quelque temps Cassandre est entrée avec Chorèbe et examine Sinon d'un regard soupçonneux. CASSANDRE Tout n'est que perfidie dans la bouche d'un Grec! apaisant la foule d'un geste CHŒUR Oui, Cassandre a raison! Entraînons-le! PRIAM Sinon, je t'accorde la vie Si tu veux me répondre en toute vérité. SINON Soyez témoins, ô dieux, de ma sincérité! PRIAM Quel est l'objet de l'œuvre merveilleuse Que l'art des Grecs au bord du Scamandre éleva? Fut-ce offrande pieuse Ou machine? SINON Ô Priam, Ulysse l'acheva Pour être offerte à Pallas offensée; Et la déesse courroucée Par le sacrilège qu'un jour Diomède commit sur sa divine image, A ce prix seul permit notre retour. Mais Calchas ordonna que d'étage en étage Le cheval s'élevant, devint si monstrueux Que ce présent prodigieux Ne put être introduit dans la ville troyenne. Car… oui, je l'avouerai pour moi quoi qu'il advienne, Si dans votre Ilion il parvenait jamais, Victorieuse désormais, La race de Priam ferait trembler la terre Et jusqu'aux murs d'Argos irait porter la guerre. CHŒUR Quoi! nous irons à notre tour Piller les Argiens? CASSANDRE Il ment! CHŒUR Quelle bataille! Quel incendie! CASSANDRE Il ment! PRIAM descend de son trône Qu'on abatte la tour De la porte de Scée, et qu'un pan de muraille Tombe! Allez! et malgré la ruse de Calchas Installez dans nos murs cette offrande à Pallas. CHŒUR A l'œuvre! obéissons! CASSANDRE Dieux éternels! Qu'entends-je? Par ta fille… par toi… mon père! quel étrange Dessein! je crains les Grecs jusques dans leurs présents! Révoque l'ordre! ô dieux ! PRIAM Reprends tes sens, chère fille! CHŒUR Elle est folle! allons! PRIAM Laisse à ton père Le soin de protéger son peuple et ses états. Plusieurs hommes sortent comme pour aller exécuter l'ordre de Priam. CASSANDRE Ah! c'est le dernier coup! CHORÈBE Elle me désespère! N° 7 – Récit ÉNÉE accourant Du peuple et des soldats, ô roi! la foule S'enfuit et roule Comme un torrent; on ne peut l'arrêter! Un prodige inouï vient de l'épouvanter Laocoon, voyant quelque trame perfide Dans l'ouvrage des Grecs, a d'un bras intrépide Lancé son javelot sur ce bois, excitant Le peuple indécis et flottant A le brûler. Alors, gonflés de rage, Deux serpents monstrueux s'avancent vers la plage, S'élancent sur le prêtre, en leurs terribles nœuds L'enlacent, le brûlant de leur haleine ardente, Et le couvrant d'une bave sanglante, Le dévorent à nos yeux. N° 8 – Ottetto et double chœur PRIAM, PANTHÉE, CHORÈBE, ÉNÉE, HELENUS, CASSANDRE, ASCAGNE, HÉCUBE, LE PEUPLE Châtiment effroyable! Mystérieuse horreur! A ce récit cet aspect épouvantable Le sang s'est glacé dans mon cœur. Un frisson de terreur Ébranle tout mon être! Laocoon! un prêtre! Objet de la fureur des dieux, Dévoré palpitant par ces monstres hideux! Horreur! CASSANDRE Ô peuple déplorable! Mystérieuse horreur! A ce récit épouvantable Le sang s'est glacé dans mon cœur. N° 9 – Récitatif et chœur ÉNÉE Que la déesse nous protège, Conjurons ce nouveau danger! Il est trop vrai, Pallas vient de venger Un affreux sacrilège. PRIAM Pour l'apaiser, suivez mes ordres sans retard. ÉNÉE Déjà sur des rouleaux disposés avec art, Le cheval est placé, que chacun le conduise, Vers le Palladium en pompe l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ENSEMBLE A cet objet sacré formez formons cortège, enfants, Femmes, guerriers, couvrez couvrons de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! CASSANDRE parcourant la scène avec égarement Malheur! PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS Pallas, pardonne à Troie! Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement N° 9 – Récitatif et chœur version tenant compte de la scène de Sinon PRIAM Que la déesse nous protège, Conjurons ce nouveau danger ! Sinon dit vrai, Pallas vient de venger Un affreux sacrilège. Pour l'apaiser, suivez mes ordres sans retard. Que sur des rouleaux disposés avec art, Le cheval soit placé, que chacun le conduise, Avec solennité le traîne et l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ENSEMBLE A cet objet sacré formez / formons cortège, enfants, Femmes, guerriers, couvrez / couvrons de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! CASSANDRE parcourant la scène avec égarement Malheur! PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS Pallas, pardonne à Troie! SINON Grande Junon, tu me livres donc Troie! Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement. N° 10 – Air CASSANDRE Non, je ne verrai pas la déplorable fête Où s'enivre, en espoir d'un brillant avenir, Ce peuple condamné, que rien, hélas! n'arrête Sur la pente du gouffre. Ô cruel souvenir! Gloire de la Patrie!… Et voir s'évanouir Du bonheur le plus pur la séduisante image! Ô Chorèbe! Ô Priam!… Vains efforts de courage, Des pleurs d'angoisse inondent mon visage! N° 11 – Final Marche troyenne On entend le cortège dans un grand éloignement. CASSANDRE De mes sens éperdus… est-ce une illusion? Les chœurs sacrés d'Ilion! CHŒUR Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, A nos destins sois favorable, Rends Ilion inébranlable, Belle Pallas, protège-nous. CASSANDRE Quoi, déjà le cortège!… Au loin je l'aperçois! L'ennemi vient et la ville est ouverte!… Ce peuple fou qui se rue à sa perte Semble avoir devancé les ordres de son Roi! On entend le cortège plus près CHŒUR Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Entends nos voix, vierge sublime, Aux sons des flûtes de Dindyme Se mêler au plus haut des airs. Que la trompette phrygienne Unie à la lyre troyenne Te porte nos pieux concerts! CASSANDRE L'éclat des chants augmente! L'énorme machine roulant S'avance!… la voici! CHŒUR entrant en scène Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Souriante guirlande, A l'entour de l'offrande Dansez, heureux enfants ! Semez sur la ramée La neige parfumée Des muguets du printemps. Pallas! protège-nous! Les chants cessent brusquement. Le chœur s'agite en divers sens; quelques femmes sortent comme pour aller voir ce qui se passe hors de la scène et reviennent presque aussitôt. QUELQUES HOMMES DU PEUPLE Qu'est-ce donc? et pourquoi ce mouvement d'alarmes? CASSANDRE Jupiter! on hésite! Et la foule s'agite! LES FEMMES Dans les flancs du colosse on entend un bruit d'armes… CASSANDRE On s'arrête… Ô dieux! Si… LES HOMMES Présage heureux! chantez, enfants! Les chants reprennent avec plus d'éclat qu'auparavant. TOUT LE CHŒUR Fiers sommets de Pergame, D'une joyeuse flamme Rayonnez triomphants! Le chœur reprend la suite du cortège et sort. CASSANDRE Arrêtez! arrêtez! Oui, la flamme, la hache! Fouillez le flanc du monstrueux cheval! Laocoon!… les Grecs!… il cache Un piège infernal… Ma voix se perd!… plus d'espérance! Vous êtes sans pitié, grands dieux, Pour ce peuple en démence! Ô digne emploi de la toute-puissance, Le conduire à l'abîme en lui fermant les yeux! Elle écoute les derniers sons de la marche triomphale qu'on distingue encore et qui s'éteignent tout d'un coup. Ils entrent, c'en est fait, le destin tient sa proie! Sœur d'Hector, va mourir sous les débris de Troie! Elle sort. Berlioz,Hector/Les Troyens/II

• 毎日新聞問題の情報集積wiki - Cultures & Traditions

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  BloggerCultures Traditions 関連ページ Blogger https //www.blogger.com/ Cultures Traditions http //cultrad.blogspot.com/ Cultures and Traditions have influence a lot of things people do. Some can be construction, others destructive. Weird or reasonable. ほとんどが"Asian Sex Gazzete"からの転載。題名も"Asian Sex Gazzete"のまま。 Japanese Authority's Clean up Hits Sexual Cabaret Club http //cultrad.blogspot.com/2008/02/japanese-authoritys-clean-up-hits.html "Cops pull plug on cabaret club serving pee on the rocks, plates of pubes" Japanese Authorities Okays The Sexual Abuse Of 18-20 Year Olds http //cultrad.blogspot.com/2008/02/japanese-authorities-okays-sexual-abuse.html "Aged 18-20? Been sexually abused by a parent?" Retired Porn Star Ai Iijima Cant Live Without Sex http //cultrad.blogspot.com/2007/09/retired-porn-star-ai-iijima-cant-live.html "Sex camel Ai Iijima whines about dry spell despite cosy link with Ni-Chaneru boss" Stressed Japanese Teachers Finding Solace In Coworkers, Parents and Even Students http //cultrad.blogspot.com/2007/05/stressed-japanese-teachers-finding.html "Stressed teachers indulging their wild sides with coworkers, parents -- and students" Gay Politician Ken Togo Makes Appeal On Politics, Freedom, And Sex http //cultrad.blogspot.com/2007/03/gay-politician-ken-togo-makes-appeal-on.html "Original 'Hard Gay' Ken Togo speaks on politics, freedom, and holding cocks" Why Japanese Guys Wont Give A Head http //cultrad.blogspot.com/2007/03/why-japanese-guys-wont-give-head.html Horny housewives heading off to Bangkok to grab a slice of the Thai life http //cultrad.blogspot.com/2007/02/horny-housewives-heading-off-to.html Japan Boot camp for hookers http //cultrad.blogspot.com/2006/11/japan-boot-camp-for-hookers.html "Three-week boot camp whips humped-out hookers back into shape" Japan's oldest profession sees slide in work ethic http //cultrad.blogspot.com/2006/11/japans-oldest-profession-sees-slide-in.html "World's oldest profession sees slide in work ethic" Deadly iku iku byo reaches a climax in Japan http //cultrad.blogspot.com/2006/11/deadly-iku-iku-byo-reaches-climax-in.html Japanese Pageant winner a sex star http //cultrad.blogspot.com/2006/11/japanese-pageant-winner-sex-star.html "Hisako Shirata sheds sexy celluloid stardom for beauty queen future" Japan Surefire ways to lure the ladies http //cultrad.blogspot.com/2006/11/japan-surefire-ways-to-lure-ladies.html "Surefire ways to lure the ladies" DVD's teaching raunchy English snapped up in Japan http //cultrad.blogspot.com/2006/10/dvds-teaching-raunchy-english-snapped.html "English teaching DVDs get low down and dirty" Japanese women share the trials of a life without climax http //cultrad.blogspot.com/2006/10/japanese-women-share-trials-of-life.html "Four lusty lasses share the trials of a life without climax" Slutty schoolgirls and self-circumcisions All in a day's work for Japanese urologists http //cultrad.blogspot.com/2006/09/slutty-schoolgirls-and-self.html "Slutty schoolgirls and self-circumcisions" 関連ページ Aged 18-20? Been sexually abused by a parent? Blogger Cops pull plug on cabaret club serving pee on the rocks, plates of pubes Deadly 'iku iku byo' reaches a climax English teaching DVDs get low down and dirty Hisako Shirata sheds sexy celluloid stardom for beauty queen future Horny housewives heading off to Bangkok to grab a slice of the Thai life Slutty schoolgirls and self-circumcisions Stressed teachers indulging their wild sides with coworkers, parents -- and

• elvis @Wiki - Substores-UnknownASINs-35 3

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The Mystery of the Burnt Cottage (Mysteries) Egmont Books Ltd?　Enid Blyton?　 EgmontBooksLtd?　EnidBlyton?　ユーズドブック(洋書)-Children sBooks?　ユーズドブック(洋書)-Literature&Fiction?　Substores-UnknownASINs-35　 Subjects-Children sBooks-Literature-ScienceFiction,Fantasy,Mystery&Horror-Mysteries,Espionage,&Detectives?　Subjects-Literature&Fiction? Monster Eyeballs (Blue Bananas) Egmont Books Ltd?　Jacqueline Wilson?　 EgmontBooksLtd?　JacquelineWilson?　ユーズドブック(洋書)-Children sBooks?　ユーズドブック(洋書)-Literature&Fiction?　Substores-UnknownASINs-35　Subjects-Children sBooks-Literature?　Subjects-Literature&Fiction? 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The Kruger Experience Ecology and Management of Savanna Heterogeneity Island Pr?　A. R. Sinclair?　Brian H. Walker?　Johan Du Toit?　Harry Biggs?　Kevin H. Rogers?　 IslandPr?　A.R.Sinclair?　BrianH.Walker?　JohanDuToit?　HarryBiggs?　KevinH.Rogers?　ユーズドブック(洋書)-Outdoors&Nature　ユーズドブック(洋書)-Professional&Technical?　ユーズドブック(洋書)-Science?　Substores-UnknownASINs-35　Subjects-Outdoors&Nature-Conservation-General?　Subjects-Outdoors&Nature-Ecology-LivingontheLand?　Subjects-Outdoors&Nature-Ecology-General?　Subjects-Outdoors&Nature-Environment-Conservation?　Subjects-Outdoors&Nature-Environment-Ecology?　Subjects-Professional&Technical-Medical-BasicSciences-Biology?　 Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology?　Subjects-Science-EarthSciences-Ecology-General?　Subjects-Science-Nature&Ecology-General?　Subjects-Science-Nature&Ecology-Environment-Conservation?　Subjects-Science-Nature&Ecology-Environment-Ecology?　Subjects-Science-BiologicalSciences-Biology-General? Poppy Cat Loves (Buggy Buddies) Campbell Books?　Lara Jones?　 CampbellBooks?　LaraJones?　ユーズドブック(洋書)-Children sBooks?　Substores-UnknownASINs-35　Subjects-Children sBooks-Baby-3-BoardBooks?　 Subjects-Children sBooks-Sports&Activities-ActivityBooks-Cut&Assemble? How Children Develop Social Understanding (Understanding Children's Worlds) Blackwell Pub?　Jeremy Carpendale?　Charlie Lewis?　 BlackwellPub?　JeremyCarpendale?　CharlieLewis?　ユーズドブック(洋書)-Health,Mind&Body?　ユーズドブック(洋書)-Nonfiction?　Substores-UnknownASINs-35　Subjects-Health,Mind&Body-Psychology&Counseling-AdolescentPsychology?　 Subjects-Health,Mind&Body-Psychology&Counseling-ChildPsychology-Psychology?　Subjects-Nonfiction-SocialSciences-Sociology-General?　Subjects-Nonfiction-SocialSciences-Children sStudies? Innovation Happens Elsewhere Open Source As Business Strategy Morgan Kaufmann Pub?　Ron Goldman?　Richard P. 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Orr?　 IslandPr?　DavidW.Orr?　ユーズドブック(洋書)-Nonfiction?　ユーズドブック(洋書)-Outdoors&Nature　ユーズドブック(洋書)-Professional&Technical?　ユーズドブック(洋書)-Science?　Substores-UnknownASINs-35　Subjects-Nonfiction-Education-Policy?　 Subjects-Nonfiction-Education-EducationTheory-Philosophy&SocialAspects?　Subjects-Nonfiction-Education-General?　Subjects-Outdoors&Nature-Conservation-General?　Subjects-Outdoors&Nature-NatureWriting?　Subjects-Outdoors&Nature-Environment-Conservation?　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Education-Theory-EducationalReform-Policy&Reform?　 Subjects-Professional&Technical-Education-Theory-Philosophy&SocialAspects?　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　Subjects-Science-EarthSciences-EnvironmentalScience　Subjects-Science-EarthSciences-Ecology-General?　Subjects-Science-Nature&Ecology-Essays?　Subjects-Science-Nature&Ecology-Environment-Conservation? Delmar's Fundamental Advanced Nursing Skills Delmar Pub?　Gaylene Bouska Altman?　 DelmarPub?　GayleneBouskaAltman?　ユーズドブック(洋書)-Medicine?　ユーズドブック(洋書)-Professional&Technical?　ユーズドブック(洋書)-Science?　Substores-UnknownASINs-35　Subjects-Medicine-Administration&Policy-PublicHealth?　Subjects-Medicine-Education&Training-General?　Subjects-Medicine-Nursing-General?　Subjects-Medicine-Nursing-Fundamentals&Skills?　Subjects-Professional&Technical-Medical-Nursing-General?　Subjects-Professional&Technical-Medical-Nursing-Fundamentals&Skills?　Subjects-Science-Education-MedicalEducation?　Subjects-Science-Medicine-Administration&Policy-PublicHealth?　Subjects-Science-Medicine-Nursing-General?　Subjects-Science-Medicine-Nursing-Fundamentals&Skills? Mastering Communication (Palgrave Master Series) Palgrave Macmillan?　Nicky Stanton?　 PalgraveMacmillan?　NickyStanton?　ユーズドブック(洋書)-Business&Investing?　ユーズドブック(洋書)-Nonfiction?　ユーズドブック(洋書)-Professional&Technical?　Substores-UnknownASINs-35　Subjects-Business&Investing-BusinessLife-Communication-General?　 Subjects-Business&Investing-BusinessLife-Communication-Meetings&Presentations?　Subjects-Business&Investing-Management&Leadership-Management?　Subjects-Nonfiction-SocialSciences-Sociology-General?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? The Best Figure Skater in the Whole Wide World Kids Can Pr?　Linda Bailey?　Alan Daniel?　Lea Daniel?　 KidsCanPr?　LindaBailey?　AlanDaniel?　LeaDaniel?　ユーズドブック(洋書)-Children sBooks?　Substores-UnknownASINs-35　Subjects-Children sBooks-Ages4-8-PictureBooks?　Subjects-Children sBooks-Ages4-8-General?　 Subjects-Children sBooks-People&Places-SocialSituations-Emotions&Feelings-Fiction?　 Subjects-Children sBooks-Sports&Activities-Sports-WinterSports-Fiction?　Subjects-Children sBooks-Issues-General? Metabolism at a Glance (At a Glance) Blackwell Publishers?　Daryl K. Granner?　J. G. 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Chutney Power (Macmillan Caribbean Writers) MacMillan Caribbean?　Willi Chen?　 MacMillanCaribbean?　WilliChen?　ユーズドブック(洋書)-Literature&Fiction?　Substores-UnknownASINs-35　Subjects-Literature&Fiction-Classics-UnitedStates-General?　Subjects-Literature&Fiction-General-Classics?　Subjects-Literature&Fiction-ShortStories-General? Tintin Explores on the Moon (Tintin) Mammoth?　Herge?　 Mammoth?　Herge?　ユーズドブック(洋書)-Children sBooks?　ユーズドブック(洋書)-Comics&GraphicNovels?　Substores-UnknownASINs-35　Subjects-Children sBooks-Authors&Illustrators,A-Z-(H)-Herge?　Subjects-Children sBooks-Literature-Action&Adventure?　Subjects-Children sBooks-PopularCharacters-BookCharacters-TinTin?　Subjects-Comics&GraphicNovels-GraphicNovels-General? Victorian Shakespeare Palgrave Macmillan?　S. Well?　N. 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• elvis @Wiki - Subjects-Professional&Technical-Engineering-General 70

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Laser-And Particle-Beam Chemical Processes on Surfaces Symposium Held November 29-December 2, 1988, Boston, Massachusetts, U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society?　A. Wayne Johnson?　G. L. Loper?　T. W. Sigman?　 MaterialsResearchSociety?　A.WayneJohnson?　G.L.Loper?　T.W.Sigman?　ジャンル別?　ユーズドブック(洋書)-Engineering　Subjects-Engineering-Chemical-Materials?　Subjects-Engineering-General?　Subjects-Engineering-Materials-Properties-Physical?　Subjects-Professional&Technical-Engineering-Chemical-Materials?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Engineering-Materials-Properties-Physical?　Subjects-Science-General Multicomponent Ultrafine Microstructures Symposium Held November 30-December 1, 1988, Boston, Massachusetts, U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society?　L. E. McCandlish?　D. E. Polk?　Richard W. Siegel?　B. H. Kear?　 MaterialsResearchSociety?　L.E.McCandlish?　D.E.Polk?　RichardW.Siegel?　B.H.Kear?　ジャンル別?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-35　Subjects-Engineering-General?　Subjects-Engineering-Materials-Properties-Physical?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Engineering-Materials-Properties-Physical?　Subjects-Science-General The Materials Science and Engineering of Rigid-Rod Polymers Symposium Held November 28-December 2, 1988, Boston, Massachusetts, U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society?　W. Wade Adams?　Ronald K. Eby?　Donald E. 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(Materials Research Society Symposium Proceedings) Materials Research Society?　John Holbrook?　Jean Bussiere?　 MaterialsResearchSociety?　JohnHolbrook?　JeanBussiere?　ジャンル別?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-35　Subjects-Engineering-General?　Subjects-Engineering-Materials-Testing?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-Engineering-Materials-Testing?　Subjects-Science-General Synchrotron Radiation in Materials Research Symposium Held Novem Ber 28-30, 1988, Boston, Massachusetts, U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society?　Roy Clarke?　John Gland?　John H. Weaver?　 MaterialsResearchSociety?　RoyClarke?　JohnGland?　JohnH.Weaver?　ジャンル別?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-35　Subjects-Engineering-General?　Subjects-Engineering-Materials-Properties-Physical?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Engineering-Materials-Properties-Physical?　Subjects-Science-General Interfaces Between Polymers, Metals, and Ceramics Symposium Held April 25-27, 1989, San Diego, California, U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society?　Benjamin M. Dekoven?　Andrew J. Gellman?　Robert Rosenberg?　 MaterialsResearchSociety?　BenjaminM.Dekoven?　AndrewJ.Gellman?　RobertRosenberg?　ジャンル別?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-35　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Proceedings of the Mrs International Meeting on Advanced Materials Ionic Polymers Ordered Polymers for High Performance Materials Biomaterials (Materials Research Society Symposium Proceedings) Materials Research Society?　Masao Doyama?　Shigeyuki Somiya?　 MaterialsResearchSociety?　MasaoDoyama?　ShigeyukiSomiya?　ジャンル別?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-35　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Structural Ceramics Fracture Mechanics May 31-June 3, 1988, Sunshine City, Ikebukuro, Tokyo, Japan (Materials Research Society International Symposium Proceedings) Materials Research Society?　Japan) Mrs International Meeting on Advanced Materials 1988 (Toyko?　Yoshiteru Hamano?　Materials Research Society?　 MaterialsResearchSociety?　Japan)MrsInternationalMeetingonAdvancedMaterials1988(Toyko?　YoshiteruHamano?　MaterialsResearchSociety?　ジャンル別?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-35　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-General Superconductivity Materials Research Society International Symposium Proceedings Imam (Materials Research Society International Symposium Proceedings) Materials Research Society?　Japan) Mrs International Meeting on Advanced Materials 1988 (Tokyo?　K. 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(Materials Research Society Symposium Proceedings) Materials Research Society?　James A. Knapp?　Peter Borgesen?　Raymond A. Zuhr?　 MaterialsResearchSociety?　JamesA.Knapp?　PeterBorgesen?　RaymondA.Zuhr?　ジャンル別?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-35　Subjects-Engineering-General?　Subjects-Engineering-Materials-Properties-Physical?　Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids?　 Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Engineering-Materials-Properties-Physical?　Subjects-Science-General　Subjects-Science-Physics-Light-Lasers? Neutron Scattering for Materials Science Symposium Held November 27-30, 1989, Boston, Massachusetts, U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society?　S. M. Shapiro?　Steven C. Moss?　James D. 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Mark?　 MaterialsResearchSociety?　DaleW.Schaefer?　JamesE.Mark?　ジャンル別?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-35　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-PolymerScience?　 Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Advanced Organic Solid State Materials Symposium Held Nov 27-Dec 2, 1989, Boston, Mass (Materials Research Society Symposium Proceedings) Materials Research Society?　Long Y. Chiang?　Paul M. Chaikin?　Dwaine O. 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Buckley?　Gallagher-Daggitt?　 MaterialsResearchSociety?　DonaldR.Ulrich?　F.E.Karasz?　A.J.Buckley?　Gallagher-Daggitt?　ジャンル別?　ユーズドブック(洋書)-Engineering　ユーズドブック(洋書)-Reference?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Reference-General?　Subjects-Science-Physics-General? Specialty Cements With Advanced Properties Materials Research Society Symposium Proceedings Volume 179 Materials Research Society?　H. Jennings?　A. G. Landers?　B. E. Scheetz?　I. Odler?　 MaterialsResearchSociety?　H.Jennings?　A.G.Landers?　B.E.Scheetz?　I.Odler?　ジャンル別?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-35　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General High Resolution Electron Microscopy of Defects in Materials Symposium Held April 16-18, 1990, San Francisco, California, U.S.A. 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  Human Rights You Macmillan Education Ltd?　Rubidiri A?　 MacmillanEducationLtd?　RubidiriA?　ジャンル別?　Substores-UnknownASINs-8 Medical Malpractice Litigation Pennsylvania Bar Inst?　Penn Bar Inst?　 PennsylvaniaBarInst?　PennBarInst?　ジャンル別?　Substores-UnknownASINs-8 Myself (Piccolo Learn Together) Macmillan Children s Books?　Richard Dawson?　 MacmillanChildren sBooks?　RichardDawson?　ジャンル別?　Substores-UnknownASINs-8　Subjects-Children sBooks-Science,Nature&HowItWorks-Health-General?　Subjects-Medicine-BasicScience-Physiology?　Subjects-Science-Medicine-BasicScience-Physiology? The Notion of Equilibrium in Keynesian Theory Palgrave Macmillan?　Mario Sebastiani?　 PalgraveMacmillan?　MarioSebastiani?　ジャンル別?　Substores-UnknownASINs-8　Subjects-Business&Investing-Economics-Theory?　Subjects-Nonfiction-Economics-Theory?　Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? 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• 初音ミク Wiki - FAIRYTALES -Geschichte von Inferno-

  https://w.atwiki.jp/hmiku/pages/33547.html

  【登録タグ CD CDF SHO（キセノンP）CD 全国配信】 前作 本作 次作 FAIRYTALES -Geschichte von Inferno- (Lite Edition) FAIRYTALES -Geschichte von Inferno- ANTHEMS -Ultra Best of Xenon-P- SHO（キセノンP） 流通 即売 委託 配信 発売 2015年12月31日 2015年1月13日 2015年1月13日 価格 ￥2,000 ￥3,024（税込） ￥1,200 / 1曲￥150 サークル XM -Xenon Maiden- CD紹介 キセノンPの「グリム童話」をテーマにしたコンセプト・アルバム『FAIRYTALES』の完全盤。 人間の心で怪しく蠢くカオスを、ボカロも歌いそして喋る! 先行盤に収録の楽曲も、全て別音源にて収録。 若本規夫、白石稔、堀川千華など、17名を数える豪華声優陣が参加。さらに生々しくその世界観を浮き立たせる。 11名のVOCALOID達も「声優」としても参加。トークロイドを Louis Attmar氏 、バンシー＠北海ロイドP氏 が手掛ける。 コミックマーケット89（C89）にて頒布。 KARENTレーベルよりダウンロード販売が行われている。こちらはDisc1収録曲に1曲を加えた15曲を収録。 曲目 CD版 Disc1 Durch den dunklen Wald～暗い森を抜けて Ouvertüre～序曲 Willkommen in Märchen～お伽話へようこそ Geschichte 1 Hänsel und Gretel～第1話：ヘンゼルとグレーテル Geschichte 2 Frau Trude～第2話：トゥルーデおばさん Geschichte 3 Schneeweißchen～第3話：白雪姫 Geschichte 4 Rotkäppchen～第4話：赤ずきん Geschichte 5 Blaubart～第5話：青髭 Geschichte 6 Die Gänsemagd～第6話：がちょう番の娘 Geschichte 7 Der gestiefelte Kater～第7話：長靴を履いた猫 Geschichte 8 Das eigensinnige Kind～第8話：わがままな子供 Geschichte 9 Aschenputtel～第9話：灰かぶり（シンデレラ） Erwacht aus dem Alptraum～悪夢からの目覚め Das Ende～終劇 Disc2 CAUTION! Apropos Marchen Kommentar von Xenon-P Kommentar von Morita Akinori Kommentar von Maruyama Eleki Kommentar von Abe Ayaka Kommentar von Nekoshima Airu Kommentar von Nakamura Saaya Kommentar von Nakamura Sachiko Kommentar von Yuzuri Ai Kommentar von LUY Kommentar von Aoyama Bungo Kommentar von Kagari Yuga Kommentar von Yukita Masashi Kommentar von Saikyo Mamoru Kommentar von Yoshida Shiki Kommentar von Shiraishi Minoru Kommentar von Wakamato Norio Kommentar von Neechansan Kommentar von Kurousagi Uru Kommentar von Horikawa Chika Geschichte 10 Die Sterntaler 配信版 Durch den dunklen Wald Ouvertüre Willkommen in Märchen （feat. SHO Xenon-P，黒兎ウル，堀川千華） Geschichte 1 Hänsel und Gretel （feat. 鏡音リン＆鏡音レン） Geschichte 2 Frau Trude （feat. 結月ゆかり） Geschichte 3 Schneeweißchen （feat. メグッポイド） Geschichte 4 Rotkäppchen （feat. 初音ミク） Geschichte 5 Blaubart （feat. MEIKO＆KAITO） Geschichte 6 Die Gänsemagd （feat. 猫村いろは） Geschichte 7 Der gestiefelte Kater （feat. CUL，姉ちゃんさん） Geschichte 8 Das eigensinnige Kind （feat. v Flower） Geschichte 9 Aschenputtel （feat. 巡音ルカ） Erwacht aus dem Alptraum （feat. 黒兎ウル，SHO Xenon-P） Das Ende Geschichte 10 Die Sterntaler -Demo Version- （feat. 初音ミク） リンク 作者サイト amazon KARENT：「FAIRYTALES -Geschichte von Inferno-」 iTunes Store コメント え、これすごい。 -- 名無しさん (2015-12-31 16 37 28) 本当だ、特にわがままな子供が気になる -- 名無しさん (2015-12-31 19 33 42) 名前 コメント

• 毎日新聞問題の情報集積wiki - Long arm of the law launches lens up woman's skirt

  https://w.atwiki.jp/mainichi-matome/pages/3089.html

  The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese' behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Long arm of the law launches lens up woman's skirt遠くまで及ぶ法の腕が、レンズを女性のスカートに上へと向ける 拡散状況 関連ページ Long arm of the law launches lens up woman's skirt 遠くまで及ぶ法の腕が、レンズを女性のスカートに上へと向ける 0 Long arm of the law launches lens up woman's skirt 2006,05,29 Shukan Asahi 6/2 By Ryann Connell 遠くまで及ぶ法の腕が、レンズを女性のスカートに上へと向ける 1 A Nara Prefectural Police sergeant went from hero to villain in seconds as his quick-thinking found a little boy an ambulance, but his too-quick-thinking ended up getting him arrested for filming up the skirt of the hurt child's mother as she looked after her son, according to Shukan Asahi (6/2). ある奈良県警巡査部長が、彼の機転により小さな少年に救急車を見つけてやったが、あまりに機転が利きすぎて、怪我をした子供の母が息子の世話をしているときにスカートの中を盗撮して逮捕されたという結果に終わり、あっという間にヒーローから悪党になった。週刊朝日(6/2)より。 2 Hideo Wada was the 49-year-old sordid sergeant who is accused of taking advantage of the stricken mother's worries so he could get a digital peep at her panties. 和田英生は、打ちひしがれた母親の心配に乗じて彼女のパンティーをデジカメ盗撮したことを非難されている、49歳の下劣な巡査部長であった。 3 "We got a call from one of the paramedics to come back to the ambulance and the mother of the hurt boy said, 'That cop is doing something weird.' She handed over his digital camera to us," one of the ambulance drivers involved in the case tells Shukan Asahi. "I suppose it was a bit hard for her to tell us in front of her boy that the sergeant had been looking up her dress." 「私たちは救急医療師の一人から救急車に戻るよう呼ばれ、怪我をした少年の母親がいいました。『あの警官がおかしなことをしています』彼女は彼のデジカメを私たちに手渡しました」と、この事件と関わった救急車運転手の一人は週刊朝日に語る。 「巡査部長が彼女の衣服を覗いていたことを私たちに息子の前で語るのは、彼女にとっていささか酷だっのでしょう」 4 Nara Prefectural Police explain how Wada acted. 奈良県警はどのように和田が行動したか説明する。 5 "He had a palm-sized digital camera and he brazenly filmed from directly in front of the woman," a prefectural police spokesman says. 「彼は手のひらサイズのデジカメを持って、彼は厚かましくも女性の直接前から撮影しました」と県警のスポークスマンはいう。 6 Incredibly, even though caught in the act, Wada wasn't arrested for taking the filthy footage. 信じられないことに、現行犯で捕まったにもかかわらず、和田はみだらな映像を撮ったことで逮捕されなかった。 7 "Under the prefectural ordinance outlawing people from creating a public nuisance, the inside of an ambulance isn't regarded as being 'in public,' nor as 'public transport.' He couldn't have been arrested for that," the police spokesman says. 「人々に公共の迷惑を禁じる県条例のもとでは、救急車の内部は「公共の場所」にも「公共の乗り物」にも該当しません。 そのため彼は逮捕されませんでした」と警察のスポークスマンはいう。 8 It was only on a subsequent raid of Wada's home when investigators picked up his computer and found that it contained footage taken using hidden cameras of over 400 unsuspecting women. 捜査官が彼のコンピュータを押収して、それに隠しカメラを使って撮られた400人を超える怪しまない女性の映像がはいっていることを見つけたのは、その後ようやく和田の家宅が捜索されたときであった。 9 When just two of these photos were found to have been taken up a woman's skirt, it was enough justification to slap the salacious sergeant in cuffs. But he almost got away with it. The "public place" where he allegedly snapped the incriminating photos was the parking lot of a police station and the shots were taken during a police investigation into a car accident. Wada is alleged to have quickly taken the photos after instructing a woman who had been involved in the car crash to squat down and look at a scratched bumper bar. これらの写真のうち2枚だけが女性のスカートを覗いて撮られたことが見つかったことで、好色な巡査部長に手錠をかけることは十分正当であった。 しかし彼はもうすこしで処罰を逃れるところだった。 彼が有罪の原因となった写真を撮影したとされる「公共の場所」は、警察署の駐車場で、撮影は警察の自動車事故の調査の間に行われた。 和田は、自動車事故に巻き込まれた女性にしゃがんで傷ついたバンパーを見るよう指示した後、素早く写真を撮ったといわれている。 10 Wada admits to taking the sneaky shots, as the police spokesman elaborates. 警察のスポークスマンが詳しく述べるように、和田は隠し撮りしたことを認める。 11 "He told us he liked taking photos of women he fancied," the spokesman tells Shukan Asahi. "He had to have the digital camera to take photos of accident and crime scenes, but it seems most of the shots he really took were of women." (By Ryann Connell) 「彼は私たちに、好みの女性の写真を撮ることが好きだったと語りました」とスポークスマンは週刊朝日に語る。 「彼は事故と犯罪現場の写真を撮るためにデジカメを所持しなければならなかったのですが、彼が撮影したもののほとんどは女性のものだったようです」(ライアン・コネル記) 拡散状況 Barely 18 Movies http //www.barely18movies.com/blog/?p=252 Japundit 部分転載：http //blog.japundit.com/archives/2006/05/30/2616/ 英語サイト http //www.pantykin.com/forum/index.php?showtopic=2062 http //www.redtape.ru/forum/showthread.php?t=20083 http //referenceblog.canalblog.com/archives/2006/05/29/8942264.html 関連ページ Barely 18 Movies Japundit WaiWaiの記事を転載した英語サイト：P WaiWaiの記事を転載した英語サイト：R 毎日新聞英語版から配信された記事2006年

• elvis @Wiki - Substores-UnknownASINs-8 88

  https://w.atwiki.jp/elvis/pages/8064.html

  Ice Carving Made Easy Natl Restaurant Assn?　Joseph Amendola?　 NatlRestaurantAssn?　JosephAmendola?　ジャンル別?　Substores-UnknownASINs-8 Basics of Legal Procedure for Court Reporters Natl Court Reporters Assn?　 NatlCourtReportersAssn?　ジャンル別?　Substores-UnknownASINs-8 Systematic Guide to Medical Terminology Natl Court Reporters Assn?　N. Weiss?　 NatlCourtReportersAssn?　N.Weiss?　ジャンル別?　Substores-UnknownASINs-8 Manual of Ground Water Sampling Procedures Natl Water Well Assn?　Marion Scalf?　James McNabb?　 NatlWaterWellAssn?　MarionScalf?　JamesMcNabb?　ジャンル別?　Substores-UnknownASINs-8 Manual of Water Well Construction Practices Natl Water Well Assn?　 NatlWaterWellAssn?　ジャンル別?　Substores-UnknownASINs-8 Words of Conscience Religious Statements on Conscientious Objection Natl Interreligious Service Bd?　 NatlInterreligiousServiceBd?　ジャンル別?　Substores-UnknownASINs-8　Subjects-Religion&Spirituality? Philosophy of Education, 1986 Proceedings of the Thirty-Second Meeting of the Philosophy of Education Society Annual Philosophy of Education Society?　Nicholas C. Burbules?　 PhilosophyofEducationSociety?　NicholasC.Burbules?　ジャンル別?　Substores-UnknownASINs-8 Fatty Acids and Their Industrial Applications Soap & Detergent Assn?　Scott E. Pattison?　 Soap&DetergentAssn?　ScottE.Pattison?　ジャンル別?　Substores-UnknownASINs-8 Once upon a Thermal Soaring Society of Amer?　Richard A. Wolters?　 SoaringSocietyofAmer?　RichardA.Wolters?　ジャンル別?　Substores-UnknownASINs-8　Subjects-Sports-General? Captain Nathan Hale Major John Palsgrave Wyllys Friends and Yale Classmates, Who Died in the Country's Service Anderson House Museum of the?　George Dudley Seymour?　 AndersonHouseMuseumofthe?　GeorgeDudleySeymour?　ジャンル別?　Substores-UnknownASINs-8 Special Effects in Motion Pictures Some Methods for Producing Mechanical Special Effects Society of Motion Picture &?　Frank P. 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