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Little Elephant 2 Macmillan ELT? V. Roig? et al? MacmillanELT? V.Roig? etal? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-EnglishLanguageTeaching-General? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-EnglishLanguageTeaching-General? Shetland - Mainland North West (OS Explorer Maps) Ordnance Survey? Ordnance Survey? OrdnanceSurvey? OrdnanceSurvey? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Atlases&Maps? Subjects-Reference-Atlases&Maps? Subjects-Travel-Atlases&Maps? God's Master Plan Christian Pub Serv? Stephen S. King? ChristianPubServ? StephenS.King? ジャンル別? Substores-UnknownASINs-8 Subjects-Religion&Spirituality-Christianity-ChristianLiving-General? Psychiatry Social Epidemiologic and Legal Psychiatry Harpercollins College Div? Jesse O. Cavenar? HarpercollinsCollegeDiv? JesseO.Cavenar? ジャンル別? Substores-UnknownASINs-8 The King of Winter's Daughter Little Brown & Co (Juv)? John Howe? LittleBrown&Co(Juv)? JohnHowe? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-People&Places-FamilyLife-Parents-Fiction? Subjects-Children sBooks-People&Places-Royalty? Subjects-Nonfiction-SocialSciences-Folklore&Mythology? American People Addison-Wesley? Nash? Addison-Wesley? Nash? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Americas-UnitedStates-General? Faith of Islam Islamic Center of Detroit? Imam Mohamad Jawad Chirri? IslamicCenterofDetroit? ImamMohamadJawadChirri? ジャンル別? Substores-UnknownASINs-8 Dinosaurs Carolina Biological Supply Co? J. J. Heads? CarolinaBiologicalSupplyCo? J.J.Heads? ジャンル別? Substores-UnknownASINs-8 The Law Relating to Social Security in Northern Ireland The Stationery Office Books? Great Britain? TheStationeryOfficeBooks? GreatBritain? ジャンル別? Substores-UnknownASINs-8 Rubha Coigeach (Pathfinder Maps) Ordnance Survey? Ordnance Survey? OrdnanceSurvey? OrdnanceSurvey? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Atlases&Maps? Subjects-Reference-Atlases&Maps? Subjects-Travel-Europe-GreatBritain-Scotland-General? Subjects-Travel-Atlases&Maps? Ten Tests of Abraham Judaica Pr? Shoshana Lepon? JudaicaPr? ShoshanaLepon? ジャンル別? Substores-UnknownASINs-8 Subjects-Religion&Spirituality? Warning Health Hazards for Office Workers An Overview of Problems and Solutions in Occupational Health in the Office 9 to 5 Natl Assn of Working Women? 9to5NatlAssnofWorkingWomen? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body? Uncle Tungsten Memories of a Chemical Boyhood Picador? Oliver Sacks? Picador? OliverSacks? ジャンル別? Substores-UnknownASINs-8 Subjects-Biographies&Memoirs-General? Subjects-Medicine-InternalMedicine-Neurology? Subjects-Science-Medicine-InternalMedicine-Neurology? Auf Deutsch! 1 Photoco Pk and Cas Mcnab/O'Brien Macmillan ELT? MacmillanELT? ジャンル別? Substores-UnknownASINs-8 Southport and Chorley (Explorer Maps) Ordnance Survey? Ordnance Survey? OrdnanceSurvey? OrdnanceSurvey? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Atlases&Maps? Subjects-Outdoors&Nature-OutdoorRecreation-Hiking&Camping-Walking? Subjects-Reference-Atlases&Maps? Subjects-Sports-Hiking&Camping-Walking? Subjects-Travel-Atlases&Maps? Shine A Companion Macmillan ELT? Vassilakis? MacmillanELT? Vassilakis? ジャンル別? Substores-UnknownASINs-8 Shine B Companion Macmillan ELT? Vassilakis? MacmillanELT? Vassilakis? ジャンル別? Substores-UnknownASINs-8 Shine C Companion Macmillan ELT? Vassilakis? MacmillanELT? Vassilakis? ジャンル別? Substores-UnknownASINs-8 Blackpool and Preston (Explorer Maps) Ordnance Survey? Ordnance Survey? OrdnanceSurvey? OrdnanceSurvey? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Atlases&Maps? Subjects-Outdoors&Nature-OutdoorRecreation-Hiking&Camping-Walking? Subjects-Reference-Atlases&Maps? Subjects-Sports-Hiking&Camping-Walking? Subjects-Travel-Atlases&Maps? Development of Services for People with a Learning Disability or Mental Illness in Northern Ireland The Stationery Office Books? Health & Social Services? TheStationeryOfficeBooks? Health&SocialServices? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-MentalHealth-General? Explorer Map 0137 Ashford (OS Explorer Maps) Ordnance Survey? Ordnance Survey? OrdnanceSurvey? OrdnanceSurvey? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Atlases&Maps? Subjects-Reference-Atlases&Maps? Subjects-Travel-Atlases&Maps? Surviving Thriving With AIDS Hints for the Newly Diagnosed People With Aids Coalition? Michael Callen? PeopleWithAidsCoalition? MichaelCallen? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body? Home Economics 5 Pb Zambia Macmillan Education Ltd? Cdc? MacmillanEducationLtd? Cdc? ジャンル別? Substores-UnknownASINs-8 Macmillan Uganda Primary English Course (Mupec) (Macmillan Uganda Primary English Course) Macmillan Education Ltd? Bainomujuni Reuben? Christine Kibalama? Judith Greet? MacmillanEducationLtd? BainomujuniReuben? ChristineKibalama? JudithGreet? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? No Easy Answers Teaching the Learning Disabled Child Scott Foresman & Co? Sally L. Smith? ScottForesman&Co? SallyL.Smith? ジャンル別? Substores-UnknownASINs-8 Primary Eng P1 Wall Charts Uganda Macmillan Education Ltd? MacmillanEducationLtd? ジャンル別? Substores-UnknownASINs-8 Primary Eng P2 Wall Charts Uganda Macmillan Education Ltd? MacmillanEducationLtd? ジャンル別? Substores-UnknownASINs-8 United States Half Cents Sanford J Durst? D. Bowers? J. Ruddy? SanfordJDurst? D.Bowers? J.Ruddy? ジャンル別? Substores-UnknownASINs-8 Politics in the Middle East Addison-Wesley? James A. Bill? Robert Springborg? Addison-Wesley? JamesA.Bill? RobertSpringborg? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-General? Explorer Map 0138 Dover, Folkestone Hythe (OS Explorer Maps) Ordnance Survey? Ordnance Survey? OrdnanceSurvey? OrdnanceSurvey? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Atlases&Maps? Subjects-Reference-Atlases&Maps? Subjects-Travel-Atlases&Maps? New Baby (Carib Edn) Macmillan Caribbean? Bloom V et el? MacmillanCaribbean? BloomVetel? ジャンル別? Substores-UnknownASINs-8 Michigan S C A O Approved Forms 1995 West Group? WestGroup? ジャンル別? Substores-UnknownASINs-8 Subjects-Law? Subjects-Nonfiction-Law? Eng Course 6 Pb Part 1 Zambia Macmillan Education Ltd? Cdc? MacmillanEducationLtd? Cdc? ジャンル別? Substores-UnknownASINs-8 Iraq's Road to War Palgrave Macmillan? Amatzia Baram? Barry Rubin? PalgraveMacmillan? AmatziaBaram? BarryRubin? ジャンル別? Substores-UnknownASINs-8 Subjects-History-MiddleEast-General? Subjects-History-Military-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Eng Course 6 Pb Part 2 Zambia Macmillan Education Ltd? Cdc? MacmillanEducationLtd? Cdc? ジャンル別? Substores-UnknownASINs-8 Teddy Bear Care Kit (With Book) Little Brown & Co (Juv)? Magaret Palau? LittleBrown&Co(Juv)? MagaretPalau? ジャンル別? Substores-UnknownASINs-8 Federal Criminal Rules Handbook, 2003 West Group? Laurie Levenson? WestGroup? LaurieLevenson? ジャンル別? Substores-UnknownASINs-8 Subjects-Law-CriminalLaw-General? Subjects-Law-CriminalLaw-CriminalProcedure? Subjects-Nonfiction-Law-CriminalLaw-General? Subjects-Nonfiction-Law-CriminalLaw-CriminalProcedure? Subjects-Professional&Technical-Law-CriminalLaw-CriminalProcedure? Subjects-Professional&Technical-Law-CriminalLaw-General? Federal Sentencing Guidelines Manual United States Sentencing Commission/1995 West Group? WestGroup? ジャンル別? Substores-UnknownASINs-8 All Day Saturday Macmillan Children s Books? Charles Causley? Tony Ros? MacmillanChildren sBooks? CharlesCausley? TonyRos? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Teens-Biographies&Memoirs-General? Ashdown Forest (Explorer Maps) Ordnance Survey? Ordnance Survey? OrdnanceSurvey? OrdnanceSurvey? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Atlases&Maps? Subjects-Outdoors&Nature-OutdoorRecreation-Hiking&Camping-Walking? Subjects-Reference-Atlases&Maps? Subjects-Sports-Hiking&Camping-Walking? Subjects-Travel-Atlases&Maps? Reward Intermediate (Young Adult/adult Courses) Macmillan ELT? Simon Greenall? MacmillanELT? SimonGreenall? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-ListeningComprehension? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-BooksonCassette? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-ListeningComprehension? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-BooksonCassette? Formats-Audiocassettes-Languages-EnglishasaForeignLanguage? Bristol, Rhode Island A Town Biography Elliots Books? Howe M. Dewolfe? ElliotsBooks? HoweM.Dewolfe? ジャンル別? Substores-UnknownASINs-8 Mechanical Reliability and Design Palgrave Macmillan? A.D.S. Carter? PalgraveMacmillan? A.D.S.Carter? ジャンル別? Substores-UnknownASINs-8 Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-General Pearl Plum Pirate X Marks the Spot (Maths Frameworking) Macmillan Children s Books? Alex Gutteridge? MacmillanChildren sBooks? AlexGutteridge? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Literature-Action&Adventure? Pearl Plum Pirate 2 Making Waves Macmillan Children s Books? Alex Gutteridge? Annabel Hudson? MacmillanChildren sBooks? AlexGutteridge? AnnabelHudson? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Literature-Action&Adventure? Wedding Memory Keepbook Tree Communications? Linda C. Franklin? TreeCommunications? LindaC.Franklin? ジャンル別? Substores-UnknownASINs-8 Inside Out Intermediate Linguaviva Pack Macmillan ELT? Greenall S? MacmillanELT? GreenallS? ジャンル別? Substores-UnknownASINs-8 Inside Out Upper Intermediate Linguaviva Pack Macmillan ELT? Greenall S? MacmillanELT? GreenallS? ジャンル別? Substores-UnknownASINs-8 Exploring English in the Caribbean Macmillan Caribbean? Ian Gordon? D. Clarke? MacmillanCaribbean? IanGordon? D.Clarke? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction? Subjects-Reference-ForeignLanguages? At the Border Winter Lights /Signature Series Volume 1 Pecan Grove Pr? Carol Reposa? PecanGrovePr? CarolReposa? ジャンル別? Substores-UnknownASINs-8 Substores-UnknownASINs-8 洋書
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Virtual Enterprise Integration Technological And Organizational Perspectives Idea Group Pub? Goran Putnik? Maria Manuela Cunha? IdeaGroupPub? GoranPutnik? MariaManuelaCunha? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-NewBusinessEnterprises? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference E-health Systems Diffusion And Use The Innovation, the User And the Use It Model Idea Group Pub? Ton A. M. Spil? Roel W. Schuring? IdeaGroupPub? TonA.M.Spil? RoelW.Schuring? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Medicine? Subjects-Business&Investing-General? Subjects-Computers&Internet-Home&Office-Internet-KidsandtheNet? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-General? Subjects-Medicine-Specialties-Family&GeneralPractice? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-FamilyPractice? Subjects-Professional&Technical-Medical-MedicalInformatics? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-General? Subjects-Science-Medicine-Specialties-Family&GeneralPractice? E-health Systems Diffusion And Use The Innovation, the User And the Use It Model Idea Group Pub? Ton A. M. Spil? Roel W. Schuring? IdeaGroupPub? TonA.M.Spil? RoelW.Schuring? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Medicine? Subjects-Business&Investing-General? Subjects-Computers&Internet-Home&Office-Internet-KidsandtheNet? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-General? Subjects-Medicine-Specialties-Family&GeneralPractice? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-FamilyPractice? Subjects-Professional&Technical-Medical-MedicalInformatics? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-General? Subjects-Science-Medicine-Specialties-Family&GeneralPractice? Software Evolution with UML and XML Idea Group Pub? Hongji Yang? IdeaGroupPub? HongjiYang? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-XML? Subjects-Computers&Internet-Software-Business-General? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Software-Design&Development-UML? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Software Evolution With Uml And Xml Idea Group Pub? Hongji Yang? IdeaGroupPub? HongjiYang? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-XML? Subjects-Computers&Internet-Software-Business-General? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Software-Design&Development-UML? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Advanced Methods in Distance Education Applications and Practices for Educators, Administrators, and Learners Information Science Pub? Kim E. Dooley? James R. Lindner? Larry M. Dooley? InformationSciencePub? KimE.Dooley? JamesR.Lindner? LarryM.Dooley? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-Technology-General&Reference Advanced Methods in Distance Education Applications and Practices for Educators, Administrators and Learners Information Science Pub? Kim E. Dooley? James R. Lindner? Larry M. Dooley? InformationSciencePub? KimE.Dooley? JamesR.Lindner? LarryM.Dooley? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-Technology-General&Reference Handbook of Research on Literacy in Technology at the K-12 Level Idea Group Pub? Leo Tan Wee Hin? R. Subramaniam? Leo Tan Eee Hin? IdeaGroupPub? LeoTanWeeHin? R.Subramaniam? LeoTanEeeHin? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Teens? Subjects-Computers&Internet-General? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-Technology&DistanceLearning-General? Subjects-Nonfiction-Education-Reference-General? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Professional&Technical-Education-Reference? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Professional&Technical-Education-Technology&DistanceLearning-General? Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? Online Assessment And Measurement Foundations And Challenges Information Science Pub? Mary Hricko? Scott L. Howell? InformationSciencePub? MaryHricko? ScottL.Howell? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-EducationTheory-Assessment? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-Assessment? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-Technology-General&Reference Knowledge Management And Higher Education A Critical Analysis Information Science Pub? Amy Scott Metcalfe? InformationSciencePub? AmyScottMetcalfe? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-General? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-EducationTheory-SchoolManagement? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Administration-SchoolManagement? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Science-Technology-General&Reference Knowledge Management And Higher Education A Critical Analysis Information Science Pub? Amy Scott Metcalfe? InformationSciencePub? AmyScottMetcalfe? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-General? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-EducationTheory-SchoolManagement? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Administration-SchoolManagement? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Science-Technology-General&Reference Taxonomy For The Technology Domain Information Science Pub? Lawrence A. Tomei? InformationSciencePub? LawrenceA.Tomei? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-ComputerScience? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Administration-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Professional&Technical-Education-Pedagogy? Subjects-Science-Technology-General&Reference Taxonomy For The Technology Domain Information Science Pub? Lawrence A. Tomei? InformationSciencePub? LawrenceA.Tomei? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Administration-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Professional&Technical-Education-Pedagogy? Subjects-Science-Technology-General&Reference Mobile And Wireless Systems Beyond 3g Managing New Business Opportunities Irm Pr? Margherita Pagani? IrmPr? MargheritaPagani? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-Security? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-CellularCommunications? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-WirelessCommunications? Subjects-Computers&Internet-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-Technology-General&Reference Encyclopedia Of Information Science And Technology IGI Global? Mehdi Khosrowpour? IGIGlobal? MehdiKhosrowpour? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-ComputerScience? Subjects-Computers&Internet-Programming-Introductory&Beginning-ComputerDictionaries? Subjects-Computers&Internet-General? Subjects-Engineering-Reference? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Computer? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-Dictionaries&Thesauruses-Computer? Subjects-Science-General Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Encyclopedia Of Multimedia Technology And Networking IGI Global? Margherita Pagani? IGIGlobal? MargheritaPagani? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-General? Subjects-Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Model-based Reasoning in Science, Technology, and Medicine (Studies in Computational Intelligence) Springer-Verlag? Lorenzo Magnani? Ping Li? Springer-Verlag? LorenzoMagnani? PingLi? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-General? Mobile And Wireless Systems Beyond 3g Managing New Business Opportunities Irm Pr? Margherita Pagani? IrmPr? MargheritaPagani? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-Security? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-CellularCommunications? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-WirelessCommunications? Subjects-Computers&Internet-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-Technology-General&Reference Encyclopedia of Developing Regional Communities With Information And Communication Technology IGI Global? Stewart Marshall? Wal Taylor? Xing Huo Yu? Wallace Taylor? IGIGlobal? StewartMarshall? WalTaylor? XingHuoYu? WallaceTaylor? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-General? Subjects-Computers&Internet? Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Nonfiction-Education-Reference-Encyclopedias-Business? Subjects-Reference-Encyclopedias-Business? Subjects-Science-General Subjects-Science-Technology-General&Reference Mobile Services In The Networked Economy Irm Pr? Jarkko Vesa? IrmPr? JarkkoVesa? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-General? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-CellularCommunications? Subjects-Computers&Internet-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-Technology-General&Reference Working Virtually Challenges Of Virtual Teams Irm Pr? Robert Jones? Robert Oyung? Lise Pace? IrmPr? RobertJones? RobertOyung? LisePace? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-BusinessLife-Workplace? Subjects-Business&Investing-Management&Leadership-Leadership? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-VirtualReality? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Computers&Internet-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Leadership? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Technology-General&Reference E-Learning And Virtual Science Centers Information Science Pub? Leo Tan Wee Hin? R. Subramaniam? InformationSciencePub? LeoTanWeeHin? R.Subramaniam? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Home&Office-Internet-Web-BasedEducation? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference E-Learning And Virtual Science Centers Information Science Pub? Leo Tan Wee Hin? R. Subramaniam? InformationSciencePub? LeoTanWeeHin? R.Subramaniam? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Home&Office-Internet-Web-BasedEducation? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? 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【Tags Luka Miku Owata-P Rin sezu tR R】 Original Music title リンちゃんなう！ English music title Rin-chan now! Romaji music title Rin-chan Nau! Lyrics written by sezu / 杉の人(Suginohito) Music written, Voice edition by オワタP (Owata-P) Music arranged by オワタP (Owata-P) Singer(s) 初音ミク (Hatsune Miku), 巡音ルカ (Megurine Luka), 鏡音リン (Kagamine Rin) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! (^ω^≡^ω^) oh oh oh oh I want to go huggie-huggie with Rin-chan. Trembling with excitement, I want to pin her down and squeeze her in my embrace. Of course, it's not impossible for her to bite my arm. You can bite if you want, Rin-chan! I want to go shopping together with Rin-chan, and then, with a nonchalant expression, say to her, "This is a date, right?", just to make her extremely conscious of it. Rin'chan's ribbon is attached to an Alice band. In the morning, I want to switch it with a set of cat ears, just to see how long it'll take her to notice, but before I could notice, Rin-chan would have already gone out of the house, and when she'd finally have returned in the evening, she'd grip her cat-ear headband in her hand and glare my way with a red face, so that I could reflect on my wrongdoing. (^ω^≡^ω^) oh oh oh oh I want to make Rin-chan the center of my pampering attention. While watching Rin-chan acting nervously and suspiciously because she's not used to having others' attention, I want to give her even more attention. I want to spoil her even more. I want to do whatever I can to prevent Rin-chan from searching "Kagamine Rin R-18" on Pixiv. At the event place of the VOC@LOiD M@STER, I want to have Rin-chan cosplay as Luka. I want to subconsciously move the focus of my eyes to her out-of-place flat chest, causing her to say "I'm changing it back." and try to run away, so that I can frantically chase after her. (^ω^≡^ω^) oh oh oh oh When I wake up in the morning, I want to find a suddenly more grown Rin-chan, and I will remain quiet at my lunch table because I'll be too busy thinking about how to approach her, and I want to feel apologetic somehow for making her use a pink bowl. After the meal, even if she says to me that she will do the dishes, I still want to be polite and respectful by replying "Ah, I shall do it!" Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!! (^ω^≡^ω^) oh oh oh oh I want to come across Rin-chan working as a maid at a maid cafe when she's supposedly disallowed from having a job, and I want to fully enjoy her flustered and nervous reaction when she sees me. Since Rin-chan always speaks in a formal way, whenever she does that, I want to gear the conversation towards something on the line of "You don't need to be so tense." "Ye...Yes ma'am!" When Rin murmurs to herself "Magical Girl, huh...?" I want to say to her, "If Rin-chan is a magical girl, she would probably be called MagicaRin." But since I would most likely only get a bitter smile back, I'll want to keep that thought to myself. (^ω^≡^ω^) oh oh oh oh When Rin-chan comes back tired and sits right next to me on the sofa, I want her to lean on my shoulder and sleep, so that I'll feel warm. I want Rin to close her eyes and stick her lips my way, and then I, although feeling uneasy and unsure, would try to act cool and flick her forehead. I want to run into Rin-chan in the street when she's wearing glasses, and I want her to say some excuses such as "I normally wear contacts, okay?!" Then, when I comment honestly on how nice her glasses actually look on her, I want her to hang her head and stay quiet out of embarrassment. (^ω^≡^ω^) oh oh oh oh I want to get a text from Rin-chan that says "I've loved you for a long time." and feel startled. After I reply "You're funny lol", and get all worked up and excited from her next text that says "Oopsies, but you're about the only person I can send this kind of text to lol", I want to then get another text that says "Just kidding of course!", which will make me become jaded and unable to believe anything anymore. Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Rin-chan now! Rin-chan now!! Rin-chan Rin-chan Rin-chan now!!! Romaji lyrics (transliterated by animeyay)： Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! (^ω^≡^ω^) oh oh oh oh Rin-chan o gyuugyuu shitai na jitajita suru no o osaekonde gyuutte shitai na ude kamareru no mo ari da yo kande ii yo Rin-chan Rin-chan to futari de kaimono ni iku koto ni natte, nan de mo nai kao de "deeto da nee" tte itte mechakucha ni ishiki sasetai. Rin-chan no ribon wa kachuusha ni tsuite imasu ga, asa, kossori nekomimi ni surikaete, itsu kizuku ka naa to omotte itara, Rin-chan ga dekaketa no ni boku ga kizukazu, yuugata kaette kita Rin-chan ga nekomimi kachuusha o nigirishimete makka na kao de nirande kita tame, hansei shitai. (^ω^≡^ω^) oh oh oh oh Rin-chan o chiyahoya shitai. chiyahoya sarenarete'nai Rin-chan ga kyodou-fushin ni naru no o mite, sarani chiyahoya shitai. chiyahoya shitai. Rin-chan ga Pixiv de "Kagamine Rin R-juuhachi" de kensaku o kakeru no o zenryoku de soshi shitai. boomasu kaijou de wa Rin-chan ni ruka-kosu shite moraitai. shikashi, kyouretsu na iwakan o hassuru pettanko na mune ni muishiki ni me ga itte shimai, "mo, mou kigaeru" to nigedasou to suru Rin-chan o hisshi ni foroo shitai. (^ω^≡^ω^) oh oh oh oh asa okiru to ikinari seichou shite ita Rin-chan ni, dou sesshite ii ka wakarazu ni shokujichuu mo kotobazukuna ni nari, pinku no o-chawan to ka tsukawasete'ru no ga nazeka moushiwake naku naritai. shokugo, o-sara arau ne to ka iwarete mo "a boku ga yarimasu!" to ka keigo ni naritai. Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! (^ω^≡^ω^) oh oh oh oh Rin-chan ga baito-kinshi na no ni meido kissa de meido-san shite'ru no ni dekuwashite, gikochinai sugata o osametai. Rin-chan ga itsu made datte mo keigo na no de, sono tabi ni "sonna kinchou shinakute ii yo" "ha, hai" mitai na kaiwa o maikai yaritai. mahou shoujo ka...tte tsubuyaite'ru Rin-chan ni "Rin-chan ga mahou shoujo ni nattara majikkurin da ne" to ka koe o kaketakute, demo kitto nigawarai shika kaette konai kara gaman shitai. (^ω^≡^ω^) oh oh oh oh tsukarete kaette kita Rin-chan ga sofa de tonari ni suwatte, sono mama kata ni yorikakatte nete shimai, atatakaku naritai. Rin-chan ga me o tojite kuchibiru o kochira ni mukeru no de, shibashi douyou shite mayotte, sore o omote ni dasanai you ni, dekopin shitai. machi de deatta Rin-chan wa nanto megane o tsukete ori, koe o kakeru to "fudan wa kontakuto na'n da kedo ne!" to iiwake suru kedo, sono megane mo niatte'n ja'n, to honshin o kuchi ni shita tokoro, utsumuite mugon ni nararetai. (^ω^≡^ω^) oh oh oh oh "zutto mae kara suki deshita" tte meeru o Rin-chan kara morai, dokitto shitai. "usotsukuna" to okuru to "bareta? demo konna meeru okureru no kimi kurai dakara sa" tte kaette kite dokidoki shita ato "mochiron uso!" to kite, nani mo shinjirarenaku naritai. Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! Rin-chan nau! Rin-chan nau!! Rin-chan Rin-chan Rin-chan nau!!! [[Owata-P, OwataP, Garuna, sezu, Suginohito]
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Competition Palgrave Macmillan? Emilio Cvitkovic? PalgraveMacmillan? EmilioCvitkovic? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-NewBusinessEnterprises? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? The Many Faces of National Security in the Arab World (Macmillan International Political Economy) Palgrave Macmillan? Bahgat Korany? Paul Noble? Rex Brynen? PalgraveMacmillan? BahgatKorany? PaulNoble? RexBrynen? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-History-Military-Weapons&Warfare? Subjects-History-World-Islamic? Subjects-Nonfiction-SocialSciences-PoliticalScience-SystemsOfGovernment? Subjects-Nonfiction-Economics-EconomicPolicy&Development? 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4. Szene CHOR Bringt ihr Erhöhung, Botschaft des neuen Gottes? Schickt er als Führer euch uns zu neuer Hoffnung? Gern wollen wir ihm Geld, Gut und Leben opfern! Nehmt, fragt nicht lange Selbstliebe zwingt uns, drängt uns, uns ihm zu geben, Aussicht nicht nur auf Gnade; Hingabe selbst ist Wollust, ist höchste Gnade! (Wie bei ihrem Auftritt in dieser Szene, so ändern auch im weiteren Verlauf Moses und Aron für das Auge des Zuschauers ihre gegenseitige Stellung. Hier steht anfangs Moses im Vordergrund, Aron seitlich zurücktretend, hinter ihm) MOSES Der Einzige, Ewige, Allmächtige, Allgegenwärtige, Unsichtbare, Unvorstellbare... ARON Er hat euch vor allen Völkern auserwählt... MOSES (Hier beginnt Moses zurückzuweichen und Aron erscheint allmählich im Vordergrund) ... verlangt kein Opfer von euch ARON ... und will euch allein... MOSES ... er will nicht den Teil, er fordert das Ganze. (Moses ist weit entfernt im Hintergrund ganz allein; Aron groß im Vordergrund) ARON ... seine ganze Gnade schenken, Werft euch nieder, ihn anzubeten! CHOR Anbeten? Wen? Wo ist er? Ich sehe ihn nicht! Wo ist er? Sieht er gut oder böse aus? Sollen wir ihn lieben oder fürchten? Wo ist er? Zeig ihn uns! So wollen wir knien, so wollen wir Vieh herschleppen und Gold und Getreide und Wein! Alles soll euer Gott bekommen, wenn wir sein Volk sind, wenn er unser Gott ist, wenn er uns beschützt! Aber wo ist er? Zeig ihn uns! ARON (hier zum erstenmal feierlich; Moses ist wieder näher) Schliesset die Augen, verstopfet die Ohren! So nur könnt ihr ihn sehn und hören! Kein Lebender sieht und hört ihn anders! CHOR Ist er niemals zu sehn? Ist er ewig unsichtbar? (Moses immer näher dem Vordergrund) FRAUEN Wie? Dein allmächtiger Gott kann sich uns nicht sichtbar machen? (Aron weicht zurück, näher zu Moses; beide im Vordergrund, beide deutlich außerhalb der Volksmenge) ARON Der Gerechte sieht ihn. (Das Mädchen, der junge Mann und der Mann haben sich durch die Volksmenge hervorgearbeitet und stehen nun Moses und Aron gegenüber) MÄDCHEN Ich sah seinen Glanz! JUNGER MANN Du schwebender Gott! MANN Er ist unser Gott! (Aron weicht zurück gegen den Hintergrund, näher zu Moses) PRIESTER Dann braucht ihn der Mörder nicht zu fürchten! ARON Wer ihn nicht sieht, ist verloren! MÄNNER So sind wir alle verloren, denn wir sehen ihn nicht! (lachen) CHOR Bleib uns fern mit deinem Gott, mit dem Allmächtigen! Wir wollen durch ihn nicht befreit sein! Bleib uns so fern wie dein Gott, der Allgegenwärtige! Wir fürchten und lieben ihn nicht! So wenig als er uns belohnt und bestraft. (Chor in Bewegung; ein Teil drängt gegen Moses und Aron vor, ein anderer im Abgehen) MOSES Allmächtiger, meine Kraft ist zu Ende Mein Gedanke ist machtlos in Arons Wort! (Moses immer weiter im Hintergrund; Aron mit erhobenen Armen und geballten Fäusten, geht drohend auf Moses zu) ARON Schweige! 6 SOLOSTIMMEN Aron! ARON (entreißt Moses den Stab) Das Wort bin ich und die Tat! CHOR Aron, was tust du? ARON Dieser Stab führt euch (wirft den Stab zu Boden) Seht, die Schlange! CHOR Flieht! Die Schlange wächst; sie dreht sich, sie wendet sich gegen alle! ARON In Moses Hand ein starrer Stab Das Gesetz; in meiner Hand die bewegliche Schlange die Klugheit. Stellt euch so, wie sie euch zwingt! CHOR Weicht, zieht euch zurück! Kommt hierher, geht dorthin! Verteilt euch besser! Vergebens, sie hält uns im Bann! ARON (nimmt die Schlange beim Schwanz, legt sie als Stab wieder in Moses Hand) Erkennet die Macht, die dieser Stab dem Führer verleiht! FRAUEN (sprechen) Ein Wunder erfüllt uns mit Schrecken Der Stab, der sich wandelt zur Schlange, zeigt Aron als Herrn dieses Volkes. Wie groß ist die Macht dieses Aron! Ist Aron der Knecht dieses Moses, und Moses der Knecht seines Gottes, durch den Stab, den sein Gott ihm gegeben, ist mächtiger Moses als Aron, so muß es ein mächtiger Gott sein, der Starke zu zwingen vermag! Wie groß ist die Macht dieses Gottes, da mächtige Knechte ihm dienen! Ist Aron der Knecht dieses Moses und Moses der Knecht seines Gottes, so muß es ein mächtiger Gott sein, da mächtige Knechte ihm dienen! MÄNNER (singend) Ist Aron der Knecht dieses Moses, und Moses der Knecht seines Gottes, so muß es ein mächtiger Gott sein, da mächtige Knechte ihm dienen! MÄDCHEN Er wird uns befrein! JUNGER MANN Wir wollen ihm dienen! MANN Wir wollen ihm opfern! PRIESTER Dein Stab zwingt uns, doch Pharao zwingt er nicht, uns freizulassen! ARON Euer Mut ist gebrochen; euer Stolz geschwunden; ohne Hoffnung dient ihr und glaubt nicht an euch, noch an Gott. Euer Herz ist krank! So zwingt ihr Pharao nicht! CHOR Stark ist Pharao! Schwach sind wir! ARON Seht Moses Hand gesund ist sie und stark. Aber Moses Herz gleicht eurem jetzt, weil er euch schwach weiß und mutlos. Führt er die Hand an dies Herz, das krank ist, wie eures, seht! CHOR Aussatz! Flieht! Weicht ihm aus! Berührt ihn nicht! Ihr werdet krank! Aussatz! ARON Erkennt euch darin Mutlos, krank, verachtet, geknechtet, gepeinigt! Jetzt aber wohnt in Moses Busen der Geist des starken Gottes, der Pharao zwingt, den Frondienst aufzuheben. Seht! 6 SOLOSTIMMEN Seht! ARON Führt Moses nun an dies starke Herz die aussätzige kranke Hand... CHOR Wunder! Seht! Wunder! Gesund ist die Hand und stark! ARON Erkennet euch auch darin Euer Mut wird Pharao besiegen! MÄNNER (sprechend) Ein Wunder führt Aron vor Augen Die Hand die gesund oder krank wird, ist Zeichen vom Wesen des Gottes, der nicht sich uns selbst will zeigen! Durch Aron läßt Moses uns sehen, wie er seinen Gott selbst erschaut hat aussätzig die Hand des Ungläub gen, gesund dessen Herz, der dem Gott traut so wird dieser Gott uns vorstellbar. Das Sinnbild erweitert zum Abbild sich, das Herz glaubt voll Mut einem Gotte, den sichtbare Wunder bezeugen. Durch Aron läßt Moses uns sehen, wie er seinen Gott selbst erschaut hat, so wird dieser Gott uns vorstellbar, den sichtbare Wunder bezeugen. FRAUEN (singend) Durch Aron läßt Moses uns sehen, Wie er seinen Gott selbst erschaut hat, so wird dieser Gott uns vorstellbar; den sichtbare Wunder bezeugen. CHOR Allmächtiger Gott! MANN UND CHOR (MÄNNER) Alles für die Freiheit! Laßt uns die Ketten zerbrechen! Erschlagt die Fronvögte! Erschlagt sie! Erschlagt ihre Priester! Erschlagt sie! Zerschlagt ihre Götter! Zerschlagt sie! Auf in die Wüste! FRAUEN Auf in die Wüste! (Während die Chöre hier in großer Bewegung waren, sind Moses und Aron ganz in den Vordergrund gelangt) PRIESTER Wahnsinnige! Wovon soll euch die Wüste nähren? MOSES In der Wüste wird euch die Reinheit des Denkens nähren, erhalten und entwickeln... ARON ... und der Ewige läßt euch sehn ein Abbild eures leiblichen Glücks in jedem geistigen Wunder. Der Allwissende weiß, daß ihr ein Volk von Kindern seid und erwartet von Kindern nicht, was Großen schwierig. Er rechnet damit, daß alle Kinder reifen und alle Greise weise werden. Er gibt euch Frist, euer Leben in Freude der Vorbereitung auf die Weisheit des Alters zu widmen. Er wird es euch auch in der Wüste an Speise nicht fehlen lassen. Der Allmächtige verwandelt Sand in Frucht, Frucht in Gold, Gold in Wonne, Wonne in Geist. Wer speist den Nil, der dies Land ernährt? Er, der den Stab in die Schlange, Gesundheit in Aussatz verwandelt. Seht des Niles Wasser in diesem Krug! (gießt es aus) Nein Ihr irrt euch nicht Was ihr jetzt seht, ist Blut! Versteht ihr das? Es ist euer Blut, das dies Land ernährt, wie das Wasser des Nil. Fett macht ihr die Knechte der Lüge, der falschen Götter. Doch der Allmächtige befreit euch und euer Blut. 6 SOLO STIMMEN Auserwählt, auserwählt! ARON Er hat euch auserwählt vor allen Völkern, das Volk des einzigen Gott’s zu sein; ihm allein zu dienen, keines andern Knecht! Ihr werdet frei sein von Fron und Plage! Das gelobt er euch Er wird euch führen in das Land, wo Milch und Honig fließt; und ihr sollt genießen leiblich, was euren Vätern verheißen geistig. Doch was Pharao bleibt, seht her, ist wieder das klare Wasser des Nil. Und darin wird er untergehn! CHOR Er hat uns auserwählt vor allen Völkern, das Volk des einz gen Gottes zu sein; ihm allein zu dienen, keines andern Knecht Wir werden frei sein von Fron und Plage! Das gelobt er uns Er wird uns führen in das Land, wo Milch und Honig fließt; und wir soll n genießen, was er unsern Vätern verheißen. Allmächt ger, du bist stärker als Ägyptens Götter, Pharao und seine Knechte schlägst du nieder. Von der Fron befrein und Moses und Aron. Ewiger Gott, wir dienen dir; weihn dir unsere Opfer und unser Liebe Du hast uns auserwählt, führst uns ins gelobte Land. Wir werden frei sein! Zwischenspiel (Vor dem Vorhang ist ein kleinerer Chor, im Finstern unsichtbar) CHOR Wo ist Moses? Wo ist der Führer? Wo ist er? Lange schon hat ihn keiner gesehn! Nie kehrt er wieder! Verlassen sind wir! Wo ist sein Gott? Wo ist der Ewige? 4. Szene CHOR Bringt ihr Erhöhung, Botschaft des neuen Gottes? Schickt er als Führer euch uns zu neuer Hoffnung? Gern wollen wir ihm Geld, Gut und Leben opfern! Nehmt, fragt nicht lange Selbstliebe zwingt uns, drängt uns, uns ihm zu geben, Aussicht nicht nur auf Gnade; Hingabe selbst ist Wollust, ist höchste Gnade! (Wie bei ihrem Auftritt in dieser Szene, so ändern auch im weiteren Verlauf Moses und Aron für das Auge des Zuschauers ihre gegenseitige Stellung. Hier steht anfangs Moses im Vordergrund, Aron seitlich zurücktretend, hinter ihm) MOSES Der Einzige, Ewige, Allmächtige, Allgegenwärtige, Unsichtbare, Unvorstellbare... ARON Er hat euch vor allen Völkern auserwählt... MOSES (Hier beginnt Moses zurückzuweichen und Aron erscheint allmählich im Vordergrund) ... verlangt kein Opfer von euch ARON ... und will euch allein... MOSES ... er will nicht den Teil, er fordert das Ganze. (Moses ist weit entfernt im Hintergrund ganz allein; Aron groß im Vordergrund) ARON ... seine ganze Gnade schenken, Werft euch nieder, ihn anzubeten! CHOR Anbeten? Wen? Wo ist er? Ich sehe ihn nicht! Wo ist er? Sieht er gut oder böse aus? Sollen wir ihn lieben oder fürchten? Wo ist er? Zeig ihn uns! So wollen wir knien, so wollen wir Vieh herschleppen und Gold und Getreide und Wein! Alles soll euer Gott bekommen, wenn wir sein Volk sind, wenn er unser Gott ist, wenn er uns beschützt! Aber wo ist er? Zeig ihn uns! ARON (hier zum erstenmal feierlich; Moses ist wieder näher) Schliesset die Augen, verstopfet die Ohren! So nur könnt ihr ihn sehn und hören! Kein Lebender sieht und hört ihn anders! CHOR Ist er niemals zu sehn? Ist er ewig unsichtbar? (Moses immer näher dem Vordergrund) FRAUEN Wie? Dein allmächtiger Gott kann sich uns nicht sichtbar machen? (Aron weicht zurück, näher zu Moses; beide im Vordergrund, beide deutlich außerhalb der Volksmenge) ARON Der Gerechte sieht ihn. (Das Mädchen, der junge Mann und der Mann haben sich durch die Volksmenge hervorgearbeitet und stehen nun Moses und Aron gegenüber) MÄDCHEN Ich sah seinen Glanz! JUNGER MANN Du schwebender Gott! MANN Er ist unser Gott! (Aron weicht zurück gegen den Hintergrund, näher zu Moses) PRIESTER Dann braucht ihn der Mörder nicht zu fürchten! ARON Wer ihn nicht sieht, ist verloren! MÄNNER So sind wir alle verloren, denn wir sehen ihn nicht! (lachen) CHOR Bleib uns fern mit deinem Gott, mit dem Allmächtigen! Wir wollen durch ihn nicht befreit sein! Bleib uns so fern wie dein Gott, der Allgegenwärtige! Wir fürchten und lieben ihn nicht! So wenig als er uns belohnt und bestraft. (Chor in Bewegung; ein Teil drängt gegen Moses und Aron vor, ein anderer im Abgehen) MOSES Allmächtiger, meine Kraft ist zu Ende Mein Gedanke ist machtlos in Arons Wort! (Moses immer weiter im Hintergrund; Aron mit erhobenen Armen und geballten Fäusten, geht drohend auf Moses zu) ARON Schweige! 6 SOLOSTIMMEN Aron! ARON (entreißt Moses den Stab) Das Wort bin ich und die Tat! CHOR Aron, was tust du? ARON Dieser Stab führt euch (wirft den Stab zu Boden) Seht, die Schlange! CHOR Flieht! Die Schlange wächst; sie dreht sich, sie wendet sich gegen alle! ARON In Moses Hand ein starrer Stab Das Gesetz; in meiner Hand die bewegliche Schlange die Klugheit. Stellt euch so, wie sie euch zwingt! CHOR Weicht, zieht euch zurück! Kommt hierher, geht dorthin! Verteilt euch besser! Vergebens, sie hält uns im Bann! ARON (nimmt die Schlange beim Schwanz, legt sie als Stab wieder in Moses Hand) Erkennet die Macht, die dieser Stab dem Führer verleiht! FRAUEN (sprechen) Ein Wunder erfüllt uns mit Schrecken Der Stab, der sich wandelt zur Schlange, zeigt Aron als Herrn dieses Volkes. Wie groß ist die Macht dieses Aron! Ist Aron der Knecht dieses Moses, und Moses der Knecht seines Gottes, durch den Stab, den sein Gott ihm gegeben, ist mächtiger Moses als Aron, so muß es ein mächtiger Gott sein, der Starke zu zwingen vermag! Wie groß ist die Macht dieses Gottes, da mächtige Knechte ihm dienen! Ist Aron der Knecht dieses Moses und Moses der Knecht seines Gottes, so muß es ein mächtiger Gott sein, da mächtige Knechte ihm dienen! MÄNNER (singend) Ist Aron der Knecht dieses Moses, und Moses der Knecht seines Gottes, so muß es ein mächtiger Gott sein, da mächtige Knechte ihm dienen! MÄDCHEN Er wird uns befrein! JUNGER MANN Wir wollen ihm dienen! MANN Wir wollen ihm opfern! PRIESTER Dein Stab zwingt uns, doch Pharao zwingt er nicht, uns freizulassen! ARON Euer Mut ist gebrochen; euer Stolz geschwunden; ohne Hoffnung dient ihr und glaubt nicht an euch, noch an Gott. Euer Herz ist krank! So zwingt ihr Pharao nicht! CHOR Stark ist Pharao! Schwach sind wir! ARON Seht Moses Hand gesund ist sie und stark. Aber Moses Herz gleicht eurem jetzt, weil er euch schwach weiß und mutlos. Führt er die Hand an dies Herz, das krank ist, wie eures, seht! CHOR Aussatz! Flieht! Weicht ihm aus! Berührt ihn nicht! Ihr werdet krank! Aussatz! ARON Erkennt euch darin Mutlos, krank, verachtet, geknechtet, gepeinigt! Jetzt aber wohnt in Moses Busen der Geist des starken Gottes, der Pharao zwingt, den Frondienst aufzuheben. Seht! 6 SOLOSTIMMEN Seht! ARON Führt Moses nun an dies starke Herz die aussätzige kranke Hand... CHOR Wunder! Seht! Wunder! Gesund ist die Hand und stark! ARON Erkennet euch auch darin Euer Mut wird Pharao besiegen! MÄNNER (sprechend) Ein Wunder führt Aron vor Augen Die Hand die gesund oder krank wird, ist Zeichen vom Wesen des Gottes, der nicht sich uns selbst will zeigen! Durch Aron läßt Moses uns sehen, wie er seinen Gott selbst erschaut hat aussätzig die Hand des Ungläub gen, gesund dessen Herz, der dem Gott traut so wird dieser Gott uns vorstellbar. Das Sinnbild erweitert zum Abbild sich, das Herz glaubt voll Mut einem Gotte, den sichtbare Wunder bezeugen. Durch Aron läßt Moses uns sehen, wie er seinen Gott selbst erschaut hat, so wird dieser Gott uns vorstellbar, den sichtbare Wunder bezeugen. FRAUEN (singend) Durch Aron läßt Moses uns sehen, Wie er seinen Gott selbst erschaut hat, so wird dieser Gott uns vorstellbar; den sichtbare Wunder bezeugen. CHOR Allmächtiger Gott! MANN UND CHOR (MÄNNER) Alles für die Freiheit! Laßt uns die Ketten zerbrechen! Erschlagt die Fronvögte! Erschlagt sie! Erschlagt ihre Priester! Erschlagt sie! Zerschlagt ihre Götter! Zerschlagt sie! Auf in die Wüste! FRAUEN Auf in die Wüste! (Während die Chöre hier in großer Bewegung waren, sind Moses und Aron ganz in den Vordergrund gelangt) PRIESTER Wahnsinnige! Wovon soll euch die Wüste nähren? MOSES In der Wüste wird euch die Reinheit des Denkens nähren, erhalten und entwickeln... ARON ... und der Ewige läßt euch sehn ein Abbild eures leiblichen Glücks in jedem geistigen Wunder. Der Allwissende weiß, daß ihr ein Volk von Kindern seid und erwartet von Kindern nicht, was Großen schwierig. Er rechnet damit, daß alle Kinder reifen und alle Greise weise werden. Er gibt euch Frist, euer Leben in Freude der Vorbereitung auf die Weisheit des Alters zu widmen. Er wird es euch auch in der Wüste an Speise nicht fehlen lassen. Der Allmächtige verwandelt Sand in Frucht, Frucht in Gold, Gold in Wonne, Wonne in Geist. Wer speist den Nil, der dies Land ernährt? Er, der den Stab in die Schlange, Gesundheit in Aussatz verwandelt. Seht des Niles Wasser in diesem Krug! (gießt es aus) Nein Ihr irrt euch nicht Was ihr jetzt seht, ist Blut! Versteht ihr das? Es ist euer Blut, das dies Land ernährt, wie das Wasser des Nil. Fett macht ihr die Knechte der Lüge, der falschen Götter. Doch der Allmächtige befreit euch und euer Blut. 6 SOLO STIMMEN Auserwählt, auserwählt! ARON Er hat euch auserwählt vor allen Völkern, das Volk des einzigen Gott’s zu sein; ihm allein zu dienen, keines andern Knecht! Ihr werdet frei sein von Fron und Plage! Das gelobt er euch Er wird euch führen in das Land, wo Milch und Honig fließt; und ihr sollt genießen leiblich, was euren Vätern verheißen geistig. Doch was Pharao bleibt, seht her, ist wieder das klare Wasser des Nil. Und darin wird er untergehn! CHOR Er hat uns auserwählt vor allen Völkern, das Volk des einz gen Gottes zu sein; ihm allein zu dienen, keines andern Knecht Wir werden frei sein von Fron und Plage! Das gelobt er uns Er wird uns führen in das Land, wo Milch und Honig fließt; und wir soll n genießen, was er unsern Vätern verheißen. Allmächt ger, du bist stärker als Ägyptens Götter, Pharao und seine Knechte schlägst du nieder. Von der Fron befrein und Moses und Aron. Ewiger Gott, wir dienen dir; weihn dir unsere Opfer und unser Liebe Du hast uns auserwählt, führst uns ins gelobte Land. Wir werden frei sein! Zwischenspiel (Vor dem Vorhang ist ein kleinerer Chor, im Finstern unsichtbar) CHOR Wo ist Moses? Wo ist der Führer? Wo ist er? Lange schon hat ihn keiner gesehn! Nie kehrt er wieder! Verlassen sind wir! Wo ist sein Gott? Wo ist der Ewige? Schönberg,Arnold/Moses und Aron/II-1
https://w.atwiki.jp/oper/pages/721.html
このテンプレはポリウト方式で作成されています。 こちらの役名一覧に和訳を記載して管理人までお知らせください。 ACTE PREMIER （L'emplacement du camp abandonné des Grècs dans la plaine de Troie. A gauche du spectateur et à quelque distance dans l'intérieur de Troie, la Citadelle. A droite, le Simoïs et sur l'un des bords un tumulus, le tombeau d'Achille. Au loin les sommets du mont Ida. Un autel champêtre sur l'avant-scène et près de l'autel un trône élevé.） N° 1 – Chœur de la populace troyenne （Le peuple troyen se répandant joyeusement dans la plaine. Soldats, citoyens, femmes, et enfants. Danses, jeux divers. Trois bergers jouent de la double flûte au sommet du tombeau d'Achille.） ▼CHŒUR▲ Ha! ha! Après dix ans passés dans nos murailles, Ah! quel bonheur de respirer L'air pur des champs, que le cri des batailles Ne va plus déchirer. （Jeunes garçons et enfants accourant avec des débris d'armes à la main） Que de débris! – Un fer de lance! Je trouve un casque! – Et moi, deux javelots! Voyez, ce bouclier immense! Il porterait un homme sur les flots. Quels poltrons que ces Grecs! ▼UN SOLDAT▲ Savez-vous quelle tente En ce lieu même s'élevait? ▼CHŒUR▲ Non! Dites-le… C'était? ▼LE SOLDAT▲ Celle d'Achille. ▼CHŒUR▲ （se reculant avec terreur） Dieux! ▼LE SOLDAT▲ Restez, troupe vaillante! Achille est mort, vous pouvez voir ici Sa tombe, la voici. ▼CHŒUR▲ C'est vrai ; de ce monstre homicide Pâris nous délivra. – Connais-tu le cheval De bois, qu'avant de partir pour l'Aulide Construisirent les Grecs? – Ce cheval colossal, Leur offrande à Pallas, dans ses vastes entrailles Tiendrait un bataillon. On abat les murailles. Dans la ville, ce soir, nous allons le traîner; On dit que le roi vient tantôt l'examiner! Où donc est-il? – Sur le bord du Scamandre! Il faut le voir sans plus attendre! Courons! courons! Le cheval! le cheval! （Ils sortent en tumulte） N° 2 – Récitatif et air （Pendant la fin de la scène précédente, Cassandre a paru au milieu des groupes, parcourant la plaine avec agitation. Son regard est inquiet et égaré.） ▼CASSANDRE▲ Les Grecs ont disparu!… mais quel dessein fatal Cache de ce départ l'étrange promptitude? Tout vient justifier ma sombre inquiétude! J'ai vu l'ombre d'Hector parcourir nos remparts Comme un veilleur de nuit, j'ai vu ses noirs regards Interroger au loin le détroit de Sigée… Malheur! dans la folie et l'ivresse plongée La foule sort des murs, et Priam la conduit! Malheureux Roi! dans l'éternelle nuit, C'en est donc fait, tu vas descendre! Tu ne m'écoutes pas, tu ne veux rien comprendre, Malheureux peuple, à l'horreur qui me suit! Chorèbe, hélas, oui, Chorèbe lui-même Croit ma raison perdue!… A ce nom mon effroi Redouble! Ô Dieux! Chorèbe! il m'aime! Il est aimé! mais plus d'hymen pour moi. Plus d'amour, de chants d'allégresse, Plus de doux rêves de tendresse! De l'affreux destin qui m'oppresse Il faut subir l'inexorable loi! （Elle tombe dans une tendre rêverie） Chorèbe!… il faut qu'il parte et quitte la Troade. N° 3 – Duo （Chorèbe s'avance vivement） ▼CASSANDRE▲ C'est lui! ▼CHORÈBE▲ Quand Troie éclate en transports jusqu'aux cieux Vous fuyez les palais joyeux Pour les bois et les champs, pensive Hamadryade! De vous on s'inquiète… ▼CASSANDRE▲ Ah! je cache à vos yeux Le trouble affreux dont mon âme est remplie! ▼CHORÈBE▲ Cassandre! ▼CASSANDRE▲ Quitte-moi! ▼CHORÈBE▲ Viens! ▼CASSANDRE▲ Pars, je t'en supplie! ▼CHORÈBE▲ Moi, partir! Te quitter quand le plus saint des nœuds… ▼CASSANDRE▲ C'est le temps de mourir et non pas d'être heureux. ▼CHORÈBE▲ Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. ▼CASSANDRE▲ Tout est menace au ciel! Crois en ma voix qu'inspire Le barbare dieu même à nous perdre acharné. Au livre du destin mon regard a su lire, Je vois l'essaim de maux sur nous tous déchaîné! Il va tomber sur Troie! A sa fureur en proie, Le peuple va rugir Et de son sang rougir Le pavé de nos rues; Les vierges demi-nues, Aux bras des ravisseurs, Vont pousser des clameurs A déchirer les nues! Déjà le noir vautour, Sur la plus haute tour A chanté le carnage! Tout s'écroule! tout nage Sur un fleuve de sang, Et dans ton flanc Le fer d'un Grec!… Ah! （Chorèbe soutient un instant dans ses bras Cassandre à demi évanouie） ▼CHORÈBE▲ Pauvre âme égarée! Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. ▼CASSANDRE▲ La mort déjà plane dans l'air… Et j'ai vu le sinistre éclair De son froid regard homicide! Si tu m'aimes, va-t'en Pars !… va rendre à ton père Un appui nécessaire A ses vieux ans, Inutile pour nous. ▼CHORÈBE▲ Eh, de quel œil, si de tel maux sur nous Devaient tomber, chère insensée, Mon père me reverrait-il Fuyant ma fiancée Au moment du péril? Mais le ciel et la terre, Oublieux de la guerre Proclament ton erreur. Cette tiède douceur Du souffle de la brise Et cette mer qui brise Si mollement ses flots Aux caps de Ténédos; Sur la plaine ondoyante Ces tranquilles troupeaux, Ce pâtre heureux qui chante Et ces joyeux oiseaux Semblent ne faire entendre, Sous le céleste dais, Et partout ne répandre Que l'hymne de la paix. ▼CASSANDRE▲ Signes trompeurs! calme perfide! La mort déjà plane dans l'air, Et j'ai vu le sinistre éclair De son froid regard homicide! Quitte-nous dès ce soir, Entends-moi, je t'implore, Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! ▼CHORÈBE▲ Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! ▼CASSANDRE▲ Si de ton noble amour, Chorèbe, Tu me crus digne un jour, tu partiras! ▼CHORÈBE▲ Au nom des dieux du ciel et de l'Érèbe, Cassandre, tu m'écouteras! A tes genoux, je tombe Cassandre! ▼CASSANDRE▲ A tant de douleurs je succombe! Ô dieux cruels! ▼CHORÈBE▲ Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! Cassandre! Ô désespoir! ▼CASSANDRE▲ Entends-moi, je t'implore Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! Aveugle et sourd comme eux! Tu persévères A t'immoler à ton funeste amour? ▼CHORÈBE▲ Je ne te quitte pas! ▼CASSANDRE▲ L'épouvantable jour Te verra donc combattre avec mes frères? ▼CHORÈBE▲ Je ne te quitte pas! ▼CASSANDRE▲ Eh bien ! voilà ma main Et mon chaste baiser d'épouse! Reste! La mort jalouse Prépare notre lit nuptial pour demain. ▼CHORÈBE▲ Viens! Viens! （Il l'entraîne éperdue） N° 4 – Marche et hymne （Entrent Ascagne à la tête des enfants, Hécube et les princesses, Énée à la tête des guerriers troyens, Priam et les prêtres.） ▼CHŒUR▲ Dieux protecteurs de la ville éternelle, Recevez notre encens; Et du bonheur de son peuple fidèle Entendez les accents! Ô vous! divins auteurs de notre délivrance. Dieu de l'Olympe! Dieu des mers! Régulateurs de l'univers, Acceptez les présents de la reconnaissance. N° 5 – Combat de ceste – Pas de lutteurs （Danses et jeux populaires） N° 6 – Pantomime （Andromaque entre à pas lents, tenant par la main Astyanax. Ils sont en deuil – vêtus de blanc – tous les deux.） ▼CHŒUR▲ Andromaque et son fils! Ô destin! Ces clameurs de la publique allégresse… （Astyanax dépose une corbeille de fleurs au pied de l'autel. Andromaque s'agenouille à côté de lui et prie pendant quelques instants） Et cette immense tristesse, Ce deuil profond, （Andromaque se lève et conduit son fils devant le trône de Priam.） Ces muettes douleurs! （Elle présente l'enfant au roi et à la reine. Elle attire Astyanax contre son sein et l'embrasse avec une tendresse convulsive） Les épouses, les mères pleurent à leur aspect… （Priam se lève et bénit l'enfant. Hécube le bénit à son tour. Le roi et la reine reprennent place sur leurs trônes. Astyanax intimidé revient se réfugier auprès de sa mère. L'émotion douloureuse d'Andromaque augmente.） ▼CASSANDRE▲ （passant au fond du théâtre） Hélas! garde tes pleurs, Veuve d'Hector… （Andromaque abaisse son voile） A de prochains malheurs Tu dois bien des larmes amères… （Les larmes la gagnant, Andromaque reprend la main d'Astyanax et passe devant les divers groupes du peuple pour se retirer. La foule s'écarte devant les deux personnages. Plusieurs femmes troyennes pleurant, cachent leur visage sur l'épaule des hommes qui sont auprès d'elles. Les deux personnages s'éloignent à pas lents.） ▼CHŒUR▲ Ah! N° 6 bis – Scène de Sinon （coupé par Berlioz） ▼CHŒUR▲ Un traître, un espion! Pour lui, la flagellation! Sans doute c'est un Grec! qu'on l'immole à Neptune! A mort le Grec, à mort le Grec, à mort, à mort! ▼PRIAM▲ Pour cette humble infortune Ayez plus de pitié! Laissez jusques à moi Venir ce malheureux. ▼CHŒUR▲ Oui, qu'il réponde au roi, Qu'il parle! ▼PRIAM▲ Quel est-tu? Pourquoi dans ces campagnes Te trouvons-nous errant? ▼SINON▲ Pardonne au suppliant, grand roi! Je l'avouerai, je naquis aux montagnes Du royaume d'Ithaque. ▼CHŒUR▲ Ah ! c'est un Grec! ▼PRIAM▲ Ton nom? ▼CHŒUR▲ Qu'on le brûle vivant! ▼SINON▲ On me nomme Sinon. Objet de la haine d'Ulysse Je fus pour être offert en sacrifice Désigné par ce chef d'accord avec Calchas. Les dieux exigeaient mon trépas Pour nous rendre le vent au retour favorable. J'allais subir mon sort; Mais l'horreur de la mort M'ouvrit l'asile impénétrable D'un fétide marais; j'y dérobai ma fuite, Des sacrificateurs je trompai la poursuite, Caché dans les roseaux Jusqu'au départ de nos vaisseaux. Depuis ce temps, en proie à la faim dévorante J'erre éperdu, tremblant à l'idée effrayante, Après m'être soustrait à la haine des miens, De ne point éviter la fureur des Troyens. Telle est la vérité. （Depuis quelque temps Cassandre est entrée avec Chorèbe et examine Sinon d'un regard soupçonneux.） ▼CASSANDRE▲ Tout n'est que perfidie dans la bouche d'un Grec! （apaisant la foule d'un geste） ▼CHŒUR▲ Oui, Cassandre a raison! Entraînons-le! ▼PRIAM▲ Sinon, je t'accorde la vie Si tu veux me répondre en toute vérité. ▼SINON▲ Soyez témoins, ô dieux, de ma sincérité! ▼PRIAM▲ Quel est l'objet de l'œuvre merveilleuse Que l'art des Grecs au bord du Scamandre éleva? Fut-ce offrande pieuse Ou machine? ▼SINON▲ Ô Priam, Ulysse l'acheva Pour être offerte à Pallas offensée; Et la déesse courroucée Par le sacrilège qu'un jour Diomède commit sur sa divine image, A ce prix seul permit notre retour. Mais Calchas ordonna que d'étage en étage Le cheval s'élevant, devint si monstrueux Que ce présent prodigieux Ne put être introduit dans la ville troyenne. Car… oui, je l'avouerai pour moi quoi qu'il advienne, Si dans votre Ilion il parvenait jamais, Victorieuse désormais, La race de Priam ferait trembler la terre Et jusqu'aux murs d'Argos irait porter la guerre. ▼CHŒUR▲ Quoi! nous irons à notre tour Piller les Argiens? ▼CASSANDRE▲ Il ment! ▼CHŒUR▲ Quelle bataille! Quel incendie! ▼CASSANDRE▲ Il ment! ▼PRIAM▲ （descend de son trône） Qu'on abatte la tour De la porte de Scée, et qu'un pan de muraille Tombe! Allez! et malgré la ruse de Calchas Installez dans nos murs cette offrande à Pallas. ▼CHŒUR▲ A l'œuvre! obéissons! ▼CASSANDRE▲ Dieux éternels! Qu'entends-je? Par ta fille… par toi… mon père! quel étrange Dessein! je crains les Grecs jusques dans leurs présents! Révoque l'ordre! ô dieux ! ▼PRIAM▲ Reprends tes sens, chère fille! ▼CHŒUR▲ Elle est folle! allons! ▼PRIAM▲ Laisse à ton père Le soin de protéger son peuple et ses états. （Plusieurs hommes sortent comme pour aller exécuter l'ordre de Priam.） ▼CASSANDRE▲ Ah! c'est le dernier coup! ▼CHORÈBE▲ Elle me désespère! N° 7 – Récit ▼ÉNÉE▲ （accourant） Du peuple et des soldats, ô roi! la foule S'enfuit et roule Comme un torrent; on ne peut l'arrêter! Un prodige inouï vient de l'épouvanter Laocoon, voyant quelque trame perfide Dans l'ouvrage des Grecs, a d'un bras intrépide Lancé son javelot sur ce bois, excitant Le peuple indécis et flottant A le brûler. Alors, gonflés de rage, Deux serpents monstrueux s'avancent vers la plage, S'élancent sur le prêtre, en leurs terribles nœuds L'enlacent, le brûlant de leur haleine ardente, Et le couvrant d'une bave sanglante, Le dévorent à nos yeux. N° 8 – Ottetto et double chœur ▼PRIAM, PANTHÉE, CHORÈBE, ÉNÉE, HELENUS, CASSANDRE, ASCAGNE, HÉCUBE, LE PEUPLE▲ Châtiment effroyable! Mystérieuse horreur! A ce récit （cet aspect） épouvantable Le sang s'est glacé dans mon cœur. Un frisson de terreur Ébranle tout mon être! Laocoon! un prêtre! Objet de la fureur des dieux, Dévoré palpitant par ces monstres hideux! Horreur! ▼CASSANDRE▲ Ô peuple déplorable! Mystérieuse horreur! A ce récit épouvantable Le sang s'est glacé dans mon cœur. N° 9 – Récitatif et chœur ▼ÉNÉE▲ Que la déesse nous protège, Conjurons ce nouveau danger! Il est trop vrai, Pallas vient de venger Un affreux sacrilège. ▼PRIAM▲ Pour l'apaiser, suivez mes ordres sans retard. ▼ÉNÉE▲ Déjà sur des rouleaux disposés avec art, Le cheval est placé, que chacun le conduise, Vers le Palladium en pompe l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ▼ENSEMBLE▲ A cet objet sacré formez （formons） cortège, enfants, Femmes, guerriers, couvrez （couvrons） de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! ▼CASSANDRE▲ （parcourant la scène avec égarement） Malheur! ▼PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS▲ Pallas, pardonne à Troie! （Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement） N° 9 – Récitatif et chœur （version tenant compte de la scène de Sinon） ▼PRIAM▲ Que la déesse nous protège, Conjurons ce nouveau danger ! Sinon dit vrai, Pallas vient de venger Un affreux sacrilège. Pour l'apaiser, suivez mes ordres sans retard. Que sur des rouleaux disposés avec art, Le cheval soit placé, que chacun le conduise, Avec solennité le traîne et l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ▼ENSEMBLE▲ A cet objet sacré formez / formons cortège, enfants, Femmes, guerriers, couvrez / couvrons de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! ▼CASSANDRE▲ （parcourant la scène avec égarement） Malheur! ▼PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS▲ Pallas, pardonne à Troie! ▼SINON▲ Grande Junon, tu me livres donc Troie! （Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement.） N° 10 – Air ▼CASSANDRE▲ Non, je ne verrai pas la déplorable fête Où s'enivre, en espoir d'un brillant avenir, Ce peuple condamné, que rien, hélas! n'arrête Sur la pente du gouffre. Ô cruel souvenir! Gloire de la Patrie!… Et voir s'évanouir Du bonheur le plus pur la séduisante image! Ô Chorèbe! Ô Priam!… Vains efforts de courage, Des pleurs d'angoisse inondent mon visage! N° 11 – Final Marche troyenne （On entend le cortège dans un grand éloignement.） ▼CASSANDRE▲ De mes sens éperdus… est-ce une illusion? Les chœurs sacrés d'Ilion! ▼CHŒUR▲ Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, A nos destins sois favorable, Rends Ilion inébranlable, Belle Pallas, protège-nous. ▼CASSANDRE▲ Quoi, déjà le cortège!… Au loin je l'aperçois! L'ennemi vient et la ville est ouverte!… Ce peuple fou qui se rue à sa perte Semble avoir devancé les ordres de son Roi! （On entend le cortège plus près） ▼CHŒUR▲ Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Entends nos voix, vierge sublime, Aux sons des flûtes de Dindyme Se mêler au plus haut des airs. Que la trompette phrygienne Unie à la lyre troyenne Te porte nos pieux concerts! ▼CASSANDRE▲ L'éclat des chants augmente! L'énorme machine roulant S'avance!… la voici! ▼CHŒUR▲ （entrant en scène） Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Souriante guirlande, A l'entour de l'offrande Dansez, heureux enfants ! Semez sur la ramée La neige parfumée Des muguets du printemps. Pallas! protège-nous! （Les chants cessent brusquement. Le chœur s'agite en divers sens; quelques femmes sortent comme pour aller voir ce qui se passe hors de la scène et reviennent presque aussitôt.） ▼QUELQUES HOMMES DU PEUPLE▲ Qu'est-ce donc? et pourquoi ce mouvement d'alarmes? ▼CASSANDRE▲ Jupiter! on hésite! Et la foule s'agite! ▼LES FEMMES▲ Dans les flancs du colosse on entend un bruit d'armes… ▼CASSANDRE▲ On s'arrête… Ô dieux! Si… ▼LES HOMMES▲ Présage heureux! chantez, enfants! （Les chants reprennent avec plus d'éclat qu'auparavant.） ▼TOUT LE CHŒUR▲ Fiers sommets de Pergame, D'une joyeuse flamme Rayonnez triomphants! （Le chœur reprend la suite du cortège et sort.） ▼CASSANDRE▲ Arrêtez! arrêtez! Oui, la flamme, la hache! Fouillez le flanc du monstrueux cheval! Laocoon!… les Grecs!… il cache Un piège infernal… Ma voix se perd!… plus d'espérance! Vous êtes sans pitié, grands dieux, Pour ce peuple en démence! Ô digne emploi de la toute-puissance, Le conduire à l'abîme en lui fermant les yeux! （Elle écoute les derniers sons de la marche triomphale qu'on distingue encore et qui s'éteignent tout d'un coup.） Ils entrent, c'en est fait, le destin tient sa proie! Sœur d'Hector, va mourir sous les débris de Troie! （Elle sort.） ACTE PREMIER L'emplacement du camp abandonné des Grècs dans la plaine de Troie. A gauche du spectateur et à quelque distance dans l'intérieur de Troie, la Citadelle. A droite, le Simoïs et sur l'un des bords un tumulus, le tombeau d'Achille. Au loin les sommets du mont Ida. Un autel champêtre sur l'avant-scène et près de l'autel un trône élevé. N° 1 – Chœur de la populace troyenne Le peuple troyen se répandant joyeusement dans la plaine. Soldats, citoyens, femmes, et enfants. Danses, jeux divers. Trois bergers jouent de la double flûte au sommet du tombeau d'Achille. CHŒUR Ha! ha! Après dix ans passés dans nos murailles, Ah! quel bonheur de respirer L'air pur des champs, que le cri des batailles Ne va plus déchirer. Jeunes garçons et enfants accourant avec des débris d'armes à la main Que de débris! – Un fer de lance! Je trouve un casque! – Et moi, deux javelots! Voyez, ce bouclier immense! Il porterait un homme sur les flots. Quels poltrons que ces Grecs! UN SOLDAT Savez-vous quelle tente En ce lieu même s'élevait? CHŒUR Non! Dites-le… C'était? LE SOLDAT Celle d'Achille. CHŒUR se reculant avec terreur Dieux! LE SOLDAT Restez, troupe vaillante! Achille est mort, vous pouvez voir ici Sa tombe, la voici. CHŒUR C'est vrai ; de ce monstre homicide Pâris nous délivra. – Connais-tu le cheval De bois, qu'avant de partir pour l'Aulide Construisirent les Grecs? – Ce cheval colossal, Leur offrande à Pallas, dans ses vastes entrailles Tiendrait un bataillon. On abat les murailles. Dans la ville, ce soir, nous allons le traîner; On dit que le roi vient tantôt l'examiner! Où donc est-il? – Sur le bord du Scamandre! Il faut le voir sans plus attendre! Courons! courons! Le cheval! le cheval! Ils sortent en tumulte N° 2 – Récitatif et air Pendant la fin de la scène précédente, Cassandre a paru au milieu des groupes, parcourant la plaine avec agitation. Son regard est inquiet et égaré. CASSANDRE Les Grecs ont disparu!… mais quel dessein fatal Cache de ce départ l'étrange promptitude? Tout vient justifier ma sombre inquiétude! J'ai vu l'ombre d'Hector parcourir nos remparts Comme un veilleur de nuit, j'ai vu ses noirs regards Interroger au loin le détroit de Sigée… Malheur! dans la folie et l'ivresse plongée La foule sort des murs, et Priam la conduit! Malheureux Roi! dans l'éternelle nuit, C'en est donc fait, tu vas descendre! Tu ne m'écoutes pas, tu ne veux rien comprendre, Malheureux peuple, à l'horreur qui me suit! Chorèbe, hélas, oui, Chorèbe lui-même Croit ma raison perdue!… A ce nom mon effroi Redouble! Ô Dieux! Chorèbe! il m'aime! Il est aimé! mais plus d'hymen pour moi. Plus d'amour, de chants d'allégresse, Plus de doux rêves de tendresse! De l'affreux destin qui m'oppresse Il faut subir l'inexorable loi! Elle tombe dans une tendre rêverie Chorèbe!… il faut qu'il parte et quitte la Troade. N° 3 – Duo Chorèbe s'avance vivement CASSANDRE C'est lui! CHORÈBE Quand Troie éclate en transports jusqu'aux cieux Vous fuyez les palais joyeux Pour les bois et les champs, pensive Hamadryade! De vous on s'inquiète… CASSANDRE Ah! je cache à vos yeux Le trouble affreux dont mon âme est remplie! CHORÈBE Cassandre! CASSANDRE Quitte-moi! CHORÈBE Viens! CASSANDRE Pars, je t'en supplie! CHORÈBE Moi, partir! Te quitter quand le plus saint des nœuds… CASSANDRE C'est le temps de mourir et non pas d'être heureux. CHORÈBE Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. CASSANDRE Tout est menace au ciel! Crois en ma voix qu'inspire Le barbare dieu même à nous perdre acharné. Au livre du destin mon regard a su lire, Je vois l'essaim de maux sur nous tous déchaîné! Il va tomber sur Troie! A sa fureur en proie, Le peuple va rugir Et de son sang rougir Le pavé de nos rues; Les vierges demi-nues, Aux bras des ravisseurs, Vont pousser des clameurs A déchirer les nues! Déjà le noir vautour, Sur la plus haute tour A chanté le carnage! Tout s'écroule! tout nage Sur un fleuve de sang, Et dans ton flanc Le fer d'un Grec!… Ah! Chorèbe soutient un instant dans ses bras Cassandre à demi évanouie CHORÈBE Pauvre âme égarée! Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. CASSANDRE La mort déjà plane dans l'air… Et j'ai vu le sinistre éclair De son froid regard homicide! Si tu m'aimes, va-t'en Pars !… va rendre à ton père Un appui nécessaire A ses vieux ans, Inutile pour nous. CHORÈBE Eh, de quel œil, si de tel maux sur nous Devaient tomber, chère insensée, Mon père me reverrait-il Fuyant ma fiancée Au moment du péril? Mais le ciel et la terre, Oublieux de la guerre Proclament ton erreur. Cette tiède douceur Du souffle de la brise Et cette mer qui brise Si mollement ses flots Aux caps de Ténédos; Sur la plaine ondoyante Ces tranquilles troupeaux, Ce pâtre heureux qui chante Et ces joyeux oiseaux Semblent ne faire entendre, Sous le céleste dais, Et partout ne répandre Que l'hymne de la paix. CASSANDRE Signes trompeurs! calme perfide! La mort déjà plane dans l'air, Et j'ai vu le sinistre éclair De son froid regard homicide! Quitte-nous dès ce soir, Entends-moi, je t'implore, Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! CHORÈBE Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! CASSANDRE Si de ton noble amour, Chorèbe, Tu me crus digne un jour, tu partiras! CHORÈBE Au nom des dieux du ciel et de l'Érèbe, Cassandre, tu m'écouteras! A tes genoux, je tombe Cassandre! CASSANDRE A tant de douleurs je succombe! Ô dieux cruels! CHORÈBE Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! Cassandre! Ô désespoir! CASSANDRE Entends-moi, je t'implore Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! Aveugle et sourd comme eux! Tu persévères A t'immoler à ton funeste amour? CHORÈBE Je ne te quitte pas! CASSANDRE L'épouvantable jour Te verra donc combattre avec mes frères? CHORÈBE Je ne te quitte pas! CASSANDRE Eh bien ! voilà ma main Et mon chaste baiser d'épouse! Reste! La mort jalouse Prépare notre lit nuptial pour demain. CHORÈBE Viens! Viens! Il l'entraîne éperdue N° 4 – Marche et hymne Entrent Ascagne à la tête des enfants, Hécube et les princesses, Énée à la tête des guerriers troyens, Priam et les prêtres. CHŒUR Dieux protecteurs de la ville éternelle, Recevez notre encens; Et du bonheur de son peuple fidèle Entendez les accents! Ô vous! divins auteurs de notre délivrance. Dieu de l'Olympe! Dieu des mers! Régulateurs de l'univers, Acceptez les présents de la reconnaissance. N° 5 – Combat de ceste – Pas de lutteurs Danses et jeux populaires N° 6 – Pantomime Andromaque entre à pas lents, tenant par la main Astyanax. Ils sont en deuil – vêtus de blanc – tous les deux. CHŒUR Andromaque et son fils! Ô destin! Ces clameurs de la publique allégresse… Astyanax dépose une corbeille de fleurs au pied de l'autel. Andromaque s'agenouille à côté de lui et prie pendant quelques instants Et cette immense tristesse, Ce deuil profond, Andromaque se lève et conduit son fils devant le trône de Priam. Ces muettes douleurs! Elle présente l'enfant au roi et à la reine. Elle attire Astyanax contre son sein et l'embrasse avec une tendresse convulsive Les épouses, les mères pleurent à leur aspect… Priam se lève et bénit l'enfant. Hécube le bénit à son tour. Le roi et la reine reprennent place sur leurs trônes. Astyanax intimidé revient se réfugier auprès de sa mère. L'émotion douloureuse d'Andromaque augmente. CASSANDRE passant au fond du théâtre Hélas! garde tes pleurs, Veuve d'Hector… Andromaque abaisse son voile A de prochains malheurs Tu dois bien des larmes amères… Les larmes la gagnant, Andromaque reprend la main d'Astyanax et passe devant les divers groupes du peuple pour se retirer. La foule s'écarte devant les deux personnages. Plusieurs femmes troyennes pleurant, cachent leur visage sur l'épaule des hommes qui sont auprès d'elles. Les deux personnages s'éloignent à pas lents. CHŒUR Ah! N° 6 bis – Scène de Sinon coupé par Berlioz CHŒUR Un traître, un espion! Pour lui, la flagellation! Sans doute c'est un Grec! qu'on l'immole à Neptune! A mort le Grec, à mort le Grec, à mort, à mort! PRIAM Pour cette humble infortune Ayez plus de pitié! Laissez jusques à moi Venir ce malheureux. CHŒUR Oui, qu'il réponde au roi, Qu'il parle! PRIAM Quel est-tu? Pourquoi dans ces campagnes Te trouvons-nous errant? SINON Pardonne au suppliant, grand roi! Je l'avouerai, je naquis aux montagnes Du royaume d'Ithaque. CHŒUR Ah ! c'est un Grec! PRIAM Ton nom? CHŒUR Qu'on le brûle vivant! SINON On me nomme Sinon. Objet de la haine d'Ulysse Je fus pour être offert en sacrifice Désigné par ce chef d'accord avec Calchas. Les dieux exigeaient mon trépas Pour nous rendre le vent au retour favorable. J'allais subir mon sort; Mais l'horreur de la mort M'ouvrit l'asile impénétrable D'un fétide marais; j'y dérobai ma fuite, Des sacrificateurs je trompai la poursuite, Caché dans les roseaux Jusqu'au départ de nos vaisseaux. Depuis ce temps, en proie à la faim dévorante J'erre éperdu, tremblant à l'idée effrayante, Après m'être soustrait à la haine des miens, De ne point éviter la fureur des Troyens. Telle est la vérité. Depuis quelque temps Cassandre est entrée avec Chorèbe et examine Sinon d'un regard soupçonneux. CASSANDRE Tout n'est que perfidie dans la bouche d'un Grec! apaisant la foule d'un geste CHŒUR Oui, Cassandre a raison! Entraînons-le! PRIAM Sinon, je t'accorde la vie Si tu veux me répondre en toute vérité. SINON Soyez témoins, ô dieux, de ma sincérité! PRIAM Quel est l'objet de l'œuvre merveilleuse Que l'art des Grecs au bord du Scamandre éleva? Fut-ce offrande pieuse Ou machine? SINON Ô Priam, Ulysse l'acheva Pour être offerte à Pallas offensée; Et la déesse courroucée Par le sacrilège qu'un jour Diomède commit sur sa divine image, A ce prix seul permit notre retour. Mais Calchas ordonna que d'étage en étage Le cheval s'élevant, devint si monstrueux Que ce présent prodigieux Ne put être introduit dans la ville troyenne. Car… oui, je l'avouerai pour moi quoi qu'il advienne, Si dans votre Ilion il parvenait jamais, Victorieuse désormais, La race de Priam ferait trembler la terre Et jusqu'aux murs d'Argos irait porter la guerre. CHŒUR Quoi! nous irons à notre tour Piller les Argiens? CASSANDRE Il ment! CHŒUR Quelle bataille! Quel incendie! CASSANDRE Il ment! PRIAM descend de son trône Qu'on abatte la tour De la porte de Scée, et qu'un pan de muraille Tombe! Allez! et malgré la ruse de Calchas Installez dans nos murs cette offrande à Pallas. CHŒUR A l'œuvre! obéissons! CASSANDRE Dieux éternels! Qu'entends-je? Par ta fille… par toi… mon père! quel étrange Dessein! je crains les Grecs jusques dans leurs présents! Révoque l'ordre! ô dieux ! PRIAM Reprends tes sens, chère fille! CHŒUR Elle est folle! allons! PRIAM Laisse à ton père Le soin de protéger son peuple et ses états. Plusieurs hommes sortent comme pour aller exécuter l'ordre de Priam. CASSANDRE Ah! c'est le dernier coup! CHORÈBE Elle me désespère! N° 7 – Récit ÉNÉE accourant Du peuple et des soldats, ô roi! la foule S'enfuit et roule Comme un torrent; on ne peut l'arrêter! Un prodige inouï vient de l'épouvanter Laocoon, voyant quelque trame perfide Dans l'ouvrage des Grecs, a d'un bras intrépide Lancé son javelot sur ce bois, excitant Le peuple indécis et flottant A le brûler. Alors, gonflés de rage, Deux serpents monstrueux s'avancent vers la plage, S'élancent sur le prêtre, en leurs terribles nœuds L'enlacent, le brûlant de leur haleine ardente, Et le couvrant d'une bave sanglante, Le dévorent à nos yeux. N° 8 – Ottetto et double chœur PRIAM, PANTHÉE, CHORÈBE, ÉNÉE, HELENUS, CASSANDRE, ASCAGNE, HÉCUBE, LE PEUPLE Châtiment effroyable! Mystérieuse horreur! A ce récit cet aspect épouvantable Le sang s'est glacé dans mon cœur. Un frisson de terreur Ébranle tout mon être! Laocoon! un prêtre! Objet de la fureur des dieux, Dévoré palpitant par ces monstres hideux! Horreur! CASSANDRE Ô peuple déplorable! Mystérieuse horreur! A ce récit épouvantable Le sang s'est glacé dans mon cœur. N° 9 – Récitatif et chœur ÉNÉE Que la déesse nous protège, Conjurons ce nouveau danger! Il est trop vrai, Pallas vient de venger Un affreux sacrilège. PRIAM Pour l'apaiser, suivez mes ordres sans retard. ÉNÉE Déjà sur des rouleaux disposés avec art, Le cheval est placé, que chacun le conduise, Vers le Palladium en pompe l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ENSEMBLE A cet objet sacré formez formons cortège, enfants, Femmes, guerriers, couvrez couvrons de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! CASSANDRE parcourant la scène avec égarement Malheur! PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS Pallas, pardonne à Troie! Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement N° 9 – Récitatif et chœur version tenant compte de la scène de Sinon PRIAM Que la déesse nous protège, Conjurons ce nouveau danger ! Sinon dit vrai, Pallas vient de venger Un affreux sacrilège. Pour l'apaiser, suivez mes ordres sans retard. Que sur des rouleaux disposés avec art, Le cheval soit placé, que chacun le conduise, Avec solennité le traîne et l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ENSEMBLE A cet objet sacré formez / formons cortège, enfants, Femmes, guerriers, couvrez / couvrons de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! CASSANDRE parcourant la scène avec égarement Malheur! PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS Pallas, pardonne à Troie! SINON Grande Junon, tu me livres donc Troie! Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement. N° 10 – Air CASSANDRE Non, je ne verrai pas la déplorable fête Où s'enivre, en espoir d'un brillant avenir, Ce peuple condamné, que rien, hélas! n'arrête Sur la pente du gouffre. Ô cruel souvenir! Gloire de la Patrie!… Et voir s'évanouir Du bonheur le plus pur la séduisante image! Ô Chorèbe! Ô Priam!… Vains efforts de courage, Des pleurs d'angoisse inondent mon visage! N° 11 – Final Marche troyenne On entend le cortège dans un grand éloignement. CASSANDRE De mes sens éperdus… est-ce une illusion? Les chœurs sacrés d'Ilion! CHŒUR Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, A nos destins sois favorable, Rends Ilion inébranlable, Belle Pallas, protège-nous. CASSANDRE Quoi, déjà le cortège!… Au loin je l'aperçois! L'ennemi vient et la ville est ouverte!… Ce peuple fou qui se rue à sa perte Semble avoir devancé les ordres de son Roi! On entend le cortège plus près CHŒUR Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Entends nos voix, vierge sublime, Aux sons des flûtes de Dindyme Se mêler au plus haut des airs. Que la trompette phrygienne Unie à la lyre troyenne Te porte nos pieux concerts! CASSANDRE L'éclat des chants augmente! L'énorme machine roulant S'avance!… la voici! CHŒUR entrant en scène Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Souriante guirlande, A l'entour de l'offrande Dansez, heureux enfants ! Semez sur la ramée La neige parfumée Des muguets du printemps. Pallas! protège-nous! Les chants cessent brusquement. Le chœur s'agite en divers sens; quelques femmes sortent comme pour aller voir ce qui se passe hors de la scène et reviennent presque aussitôt. QUELQUES HOMMES DU PEUPLE Qu'est-ce donc? et pourquoi ce mouvement d'alarmes? CASSANDRE Jupiter! on hésite! Et la foule s'agite! LES FEMMES Dans les flancs du colosse on entend un bruit d'armes… CASSANDRE On s'arrête… Ô dieux! Si… LES HOMMES Présage heureux! chantez, enfants! Les chants reprennent avec plus d'éclat qu'auparavant. TOUT LE CHŒUR Fiers sommets de Pergame, D'une joyeuse flamme Rayonnez triomphants! Le chœur reprend la suite du cortège et sort. CASSANDRE Arrêtez! arrêtez! Oui, la flamme, la hache! Fouillez le flanc du monstrueux cheval! Laocoon!… les Grecs!… il cache Un piège infernal… Ma voix se perd!… plus d'espérance! Vous êtes sans pitié, grands dieux, Pour ce peuple en démence! Ô digne emploi de la toute-puissance, Le conduire à l'abîme en lui fermant les yeux! Elle écoute les derniers sons de la marche triomphale qu'on distingue encore et qui s'éteignent tout d'un coup. Ils entrent, c'en est fait, le destin tient sa proie! Sœur d'Hector, va mourir sous les débris de Troie! Elle sort. Berlioz,Hector/Les Troyens/II