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ACTE DEUXIÈME Un lever d aurore très rose dans la campagne. Les buées enveloppent encore l horizon. Les moulins sont invisibles dans le brouillard. Don Quichotte entre sur Rossinante, sa lance à l arçon. Il cherche des rimes pour des couplets en couplets en l honneur de Dulcinée. Sancho suant, soufflant, conduit à la fois par la bride Rossinante et le Grison. DON QUICHOTTE chantant C est vers ton amour... cherchant ...ton amour... mour... jour!... nuit et jour... ravi, ayant trouvé Que je soupire nuit et jour! chantant Dulcinée! cherchant …ma pensée? ayant trouvé Dame de ma pensée! fredonnant la, la, la! La, la, la, la, la, la, la, la, la! chantant De toi mon âme est oppressée... cherchant ?oppressée? trouvant la rime Dulcinée! chantant Mais j ai vu ton émoi... cherchant …ton émoi? penses à moi? chantant; ayant trouvé Je sais que tu penses à moi! cherchant …son émoi? à moi? à toi? ayant trouvé Je crois en toi! en extase Ah! ah! en accentuant les rimes; en les exagérant ?ton émoi! penses à moi! je crois en toi! sifflant Je crois en toi! Ma Dulcinée! Je crois en toi! en toi! en toi! en toi! Les yeux au ciel, Don Quichotte descend de cheval tout en continuant son improvisation. Sancho s essuie le front et va conduire les bêtes dans un fourré. ...la, la, la!?la, la, la! seul ... la, la, la!...la, la, la! la, la, la!?la, la, la! la, la, la!?la, la, la! la, la, la! SANCHO revenant, mécontent, exaspéré, interrompant les là! là! de Don Quichotte Croyez-moi, Chevalier, nous nous sommes trompées, Les ennemis qu hier vous avez dissipés En chargeant à grands cris de en hurlant Vive Dulcinée! Et mort aux mécréants! riant Ah! ah! Ah! ah! légèrement C était tout simplement la troupe combinée De petits cochons noirs et de gros moutons blancs! DON QUICHOTT très calme, tout en tirant de sa poche de quoi écrire, commence à noter une chanson d amour Tes paroles me font sourire... Don Quichotte est de suite dans le feu de la composition. SANCHO avec pitié, levant les bras au ciel Enfin il est heureux... respectons son délire. Il pousse un cri, se tâtant l échine. Aïe! Pour peu qu on marche encor, à la fin de l été Je lui rendrai des points pour la gracilité. Tout se volatilise en moi, si cela dure... geignant et se contemplant avec douleur J ai déjà resserré trois crans à ma ceinture! DON QUICHOTTE ravi, composant, composant so air La, la, la, la, la! La, la, la, la, la! La, la, la, la, la! La, la, la, la, La, la, la, la, La, la, la, La, la, la, La, la, la, La, la, la, la, la! La, la, la, SANCHO subitement fou de rage en l entendant chanter, se frappe la tête avec son pain, saute en l air, montre les poings au ciel. Tra la la!Tra la la! Tra la la! Tra la la! DON QUICHOTTE surpris, le regarde avec stupeur Deviens-tu fou, Sancho? SANCHO éclatant Oui!! Tout de mêmes être ici! il rage Parce que Doña Dulcinée Usant de son pouvoir... à part, en croquant rageusement dans son pain La coquine damnée! haut Vous a dit un beau soir imitant une voix de femme Qu il existait dans la Sierra voisine Un bandit qui pille, assassine... Mais... qui lui déroba tel bijou de valeur avec sa voix naturelle; en colère Voilà que nous courons sus au hardi voleur! Au voleur! au voleur! Cette dame se rit de nous de nous deux, De nous deux, mon bon maître. DON QUICHOTTE avec sérénité Pour en parler ainsi, c est ne pas la connaître... C est ignorer son coeur. SANCHO haussant les épaules et levant les bras au ciel Au contraire, seigneur! DON QUICHOTTE calme, doux, souriant Non, Sancho, tu m amuses. SANCHO dans une explosion de colère et d indignation Les femmes, Chevalier, c est tout mensonge et ruses! DON QUICHOTTE bondissant indigné Quoi? SANCHO cette fois, têtu comme une mule Oui. puis, se frottant les mains et clignant de l oeil Ce qui m enchante en notre beau métier C est que j ai pu laisser au logis... ma moitié! Ça me console, je le jure, se passant les mains sur les reins Quand je sens les nodosités De mon asines que monture M entrer dans les... rotondités Dont m adoté Dame Nature. avec une indignation comique Comment peut-on penser du bien De ces coquines, ces pendardes, De ces menteuses, ces bavardes, Dont la meilleure ne vaut rien. Sancho joue ce qu il dit. Regardez donc cette dévote Qui passe en baissant les yeux Et par les rues trotte, trotte, trotte, Edifiant jeunes et vieux. Régardez! Regardez! Tout à coup sous sa mantille... Pourqoui ce regard qui brille? Pourquoi? pourqoui? C est qu elle a vu s entrouvrir Une porte dérobée Par où va s évanouir Cette coquine embéguinée! se tordant de rire Ah! ah! ah! ah! ah! ah! ah! ah! Ah! ah! ah! ah! ah! ah! ah! ah! béatement Et le mari se morfond, Trouvant bien longue la messe, Tout en se grattant le front Qui le picote sans cesse Et le mari_ le mari se morfond En se grattant le front Et le mari se morfond sentencieusement La femme est un démon vicieux et malin s emballant peu à peu Créé pour le malheur du sexe masculin. s enrageant Qu elles viennent d Afrique, D Asie ou d Amérique, Qu elles aient le nez fin, camus, aquilin, Qu elles soient brunes, rousses, blondes, Plates, dodues, minces, rondes, Nous sommes les souris, les souris, de ces êtes félins. hors de lui L homme est une victime, et les maris des saints! Des saints! Des saints! L homme est une victime, et les maris des saints!! Les brumes s élèveront doucement, peu à peu les moulins apparaîtront. DON QUICHOTTE désignant l horizon Regarde! SANCHO surautant, regardant autour de lui Quoi? quoi? DON QUICHOTTE même attitude Homme de peu! regarde! SANCHO ahuri Quoi? Mais quoi? DON QUICHOTTE désignant le premier moulin Sancho! En garde! En garde! SANCHO effaré En garde!! DON QUICHOTTE Vois? là-bas? se dresser dans le fond opalin ce terrible géant? SANCHO ahuri Maître, c est un moulin! un moulin! DON QUICHOTTE transporté de noble impatience Rustre, c est les Géants qui dans leur arrogance Tentent de m arrêter… Folle est leur insolence, Je vais les châtier! SANCHO avec pitié O fatale démence! Le pauvre recommence! DON QUICHOTTE lançant le défi au premier moulin Géant, Géant, monstrueux cavalier, Géant, Géant, monstrueux cavalier, Si votre coeur n est pas cuirassé de vaillance, Faîtes-nous place, ou bien à la dague, à la lance, Je vous porte un défi, moi le Haut Chevalier! Les moulins se mettent à tourner; on entend leur tic-tac. Vos gestes ne font qu exalter mon courage. Arrière! arrière! ou bien, à l instant, Dans votre chair et votre sang, Je m ouvre un large passage! SANCHO éploré Mon Dieu! DON QUICHOTTE à Sancho Ecuyer, avec moi, d une voix tonnante, il menace terriblement Sancho Dis que je les défie! SANCHO Quelle folie! DON QUICHOTTE Géant, Géant, monstrueux cavalier, Géant, Géant, monstrueux cavalier, Si votre coeur n est pas cuirassé de vaillance, Faîtes-moi place, ou bien à la dague, à la lance, Je vous porte un défi, moi le Haut Chevalier!! SANCHO hurlant de peur Géant, Géant, monstrueux cavalier, Géant, Géant, monstrueux cavalier, si votre coeur n est pas cuirassé de vaillance, Faîtes-lui place, ou bien à la dague, à la lance, Il vous porte un défi, lui le Haut Chevalier!! DON QUICHOTTE bien couvert de son écu, la lance en arrêt, frappe furieusement les maigres flancs de Rossinante, et charge contre les moulins à vent aux cris répétés de "Dulcinée! Dulcinée! pour toi, ma Dame de Beauté!" Tandis que le pauvre SANCHO à genoux, se lamente en criant "Quel malheur! au secours! au secours! mon bon maître! Hélas! Hélas! Jésus, Marie, renez le délivrer!!" On apercevra Don Quichotte, voltigeant par les airs, lancé par une aile du moulin. Sancho poussera des cris en essayant de l arrêter au vol. Soleil levant, ciel incendié. ACTE DEUXIÈME Un lever d aurore très rose dans la campagne. Les buées enveloppent encore l horizon. Les moulins sont invisibles dans le brouillard. Don Quichotte entre sur Rossinante, sa lance à l arçon. Il cherche des rimes pour des couplets en couplets en l honneur de Dulcinée. Sancho suant, soufflant, conduit à la fois par la bride Rossinante et le Grison. DON QUICHOTTE chantant C est vers ton amour... cherchant ...ton amour... mour... jour!... nuit et jour... ravi, ayant trouvé Que je soupire nuit et jour! chantant Dulcinée! cherchant …ma pensée? ayant trouvé Dame de ma pensée! fredonnant la, la, la! La, la, la, la, la, la, la, la, la! chantant De toi mon âme est oppressée... cherchant ?oppressée? trouvant la rime Dulcinée! chantant Mais j ai vu ton émoi... cherchant …ton émoi? penses à moi? chantant; ayant trouvé Je sais que tu penses à moi! cherchant …son émoi? à moi? à toi? ayant trouvé Je crois en toi! en extase Ah! ah! en accentuant les rimes; en les exagérant ?ton émoi! penses à moi! je crois en toi! sifflant Je crois en toi! Ma Dulcinée! Je crois en toi! en toi! en toi! en toi! Les yeux au ciel, Don Quichotte descend de cheval tout en continuant son improvisation. Sancho s essuie le front et va conduire les bêtes dans un fourré. ...la, la, la!?la, la, la! seul ... la, la, la!...la, la, la! la, la, la!?la, la, la! la, la, la!?la, la, la! la, la, la! SANCHO revenant, mécontent, exaspéré, interrompant les là! là! de Don Quichotte Croyez-moi, Chevalier, nous nous sommes trompées, Les ennemis qu hier vous avez dissipés En chargeant à grands cris de en hurlant Vive Dulcinée! Et mort aux mécréants! riant Ah! ah! Ah! ah! légèrement C était tout simplement la troupe combinée De petits cochons noirs et de gros moutons blancs! DON QUICHOTT très calme, tout en tirant de sa poche de quoi écrire, commence à noter une chanson d amour Tes paroles me font sourire... Don Quichotte est de suite dans le feu de la composition. SANCHO avec pitié, levant les bras au ciel Enfin il est heureux... respectons son délire. Il pousse un cri, se tâtant l échine. Aïe! Pour peu qu on marche encor, à la fin de l été Je lui rendrai des points pour la gracilité. Tout se volatilise en moi, si cela dure... geignant et se contemplant avec douleur J ai déjà resserré trois crans à ma ceinture! DON QUICHOTTE ravi, composant, composant so air La, la, la, la, la! La, la, la, la, la! La, la, la, la, la! La, la, la, la, La, la, la, la, La, la, la, La, la, la, La, la, la, La, la, la, la, la! La, la, la, SANCHO subitement fou de rage en l entendant chanter, se frappe la tête avec son pain, saute en l air, montre les poings au ciel. Tra la la!Tra la la! Tra la la! Tra la la! DON QUICHOTTE surpris, le regarde avec stupeur Deviens-tu fou, Sancho? SANCHO éclatant Oui!! Tout de mêmes être ici! il rage Parce que Doña Dulcinée Usant de son pouvoir... à part, en croquant rageusement dans son pain La coquine damnée! haut Vous a dit un beau soir imitant une voix de femme Qu il existait dans la Sierra voisine Un bandit qui pille, assassine... Mais... qui lui déroba tel bijou de valeur avec sa voix naturelle; en colère Voilà que nous courons sus au hardi voleur! Au voleur! au voleur! Cette dame se rit de nous de nous deux, De nous deux, mon bon maître. DON QUICHOTTE avec sérénité Pour en parler ainsi, c est ne pas la connaître... C est ignorer son coeur. SANCHO haussant les épaules et levant les bras au ciel Au contraire, seigneur! DON QUICHOTTE calme, doux, souriant Non, Sancho, tu m amuses. SANCHO dans une explosion de colère et d indignation Les femmes, Chevalier, c est tout mensonge et ruses! DON QUICHOTTE bondissant indigné Quoi? SANCHO cette fois, têtu comme une mule Oui. puis, se frottant les mains et clignant de l oeil Ce qui m enchante en notre beau métier C est que j ai pu laisser au logis... ma moitié! Ça me console, je le jure, se passant les mains sur les reins Quand je sens les nodosités De mon asines que monture M entrer dans les... rotondités Dont m adoté Dame Nature. avec une indignation comique Comment peut-on penser du bien De ces coquines, ces pendardes, De ces menteuses, ces bavardes, Dont la meilleure ne vaut rien. Sancho joue ce qu il dit. Regardez donc cette dévote Qui passe en baissant les yeux Et par les rues trotte, trotte, trotte, Edifiant jeunes et vieux. Régardez! Regardez! Tout à coup sous sa mantille... Pourqoui ce regard qui brille? Pourquoi? pourqoui? C est qu elle a vu s entrouvrir Une porte dérobée Par où va s évanouir Cette coquine embéguinée! se tordant de rire Ah! ah! ah! ah! ah! ah! ah! ah! Ah! ah! ah! ah! ah! ah! ah! ah! béatement Et le mari se morfond, Trouvant bien longue la messe, Tout en se grattant le front Qui le picote sans cesse Et le mari_ le mari se morfond En se grattant le front Et le mari se morfond sentencieusement La femme est un démon vicieux et malin s emballant peu à peu Créé pour le malheur du sexe masculin. s enrageant Qu elles viennent d Afrique, D Asie ou d Amérique, Qu elles aient le nez fin, camus, aquilin, Qu elles soient brunes, rousses, blondes, Plates, dodues, minces, rondes, Nous sommes les souris, les souris, de ces êtes félins. hors de lui L homme est une victime, et les maris des saints! Des saints! Des saints! L homme est une victime, et les maris des saints!! Les brumes s élèveront doucement, peu à peu les moulins apparaîtront. DON QUICHOTTE désignant l horizon Regarde! SANCHO surautant, regardant autour de lui Quoi? quoi? DON QUICHOTTE même attitude Homme de peu! regarde! SANCHO ahuri Quoi? Mais quoi? DON QUICHOTTE désignant le premier moulin Sancho! En garde! En garde! SANCHO effaré En garde!! DON QUICHOTTE Vois? là-bas? se dresser dans le fond opalin ce terrible géant? SANCHO ahuri Maître, c est un moulin! un moulin! DON QUICHOTTE transporté de noble impatience Rustre, c est les Géants qui dans leur arrogance Tentent de m arrêter… Folle est leur insolence, Je vais les châtier! SANCHO avec pitié O fatale démence! Le pauvre recommence! DON QUICHOTTE lançant le défi au premier moulin Géant, Géant, monstrueux cavalier, Géant, Géant, monstrueux cavalier, Si votre coeur n est pas cuirassé de vaillance, Faîtes-nous place, ou bien à la dague, à la lance, Je vous porte un défi, moi le Haut Chevalier! Les moulins se mettent à tourner; on entend leur tic-tac. Vos gestes ne font qu exalter mon courage. Arrière! arrière! ou bien, à l instant, Dans votre chair et votre sang, Je m ouvre un large passage! SANCHO éploré Mon Dieu! DON QUICHOTTE à Sancho Ecuyer, avec moi, d une voix tonnante, il menace terriblement Sancho Dis que je les défie! SANCHO Quelle folie! DON QUICHOTTE Géant, Géant, monstrueux cavalier, Géant, Géant, monstrueux cavalier, Si votre coeur n est pas cuirassé de vaillance, Faîtes-moi place, ou bien à la dague, à la lance, Je vous porte un défi, moi le Haut Chevalier!! SANCHO hurlant de peur Géant, Géant, monstrueux cavalier, Géant, Géant, monstrueux cavalier, si votre coeur n est pas cuirassé de vaillance, Faîtes-lui place, ou bien à la dague, à la lance, Il vous porte un défi, lui le Haut Chevalier!! DON QUICHOTTE bien couvert de son écu, la lance en arrêt, frappe furieusement les maigres flancs de Rossinante, et charge contre les moulins à vent aux cris répétés de "Dulcinée! Dulcinée! pour toi, ma Dame de Beauté!" Tandis que le pauvre SANCHO à genoux, se lamente en criant "Quel malheur! au secours! au secours! mon bon maître! Hélas! Hélas! Jésus, Marie, renez le délivrer!!" On apercevra Don Quichotte, voltigeant par les airs, lancé par une aile du moulin. Sancho poussera des cris en essayant de l arrêter au vol. Soleil levant, ciel incendié. Massenet,Jules/Don Quichotte/ActⅢ
https://w.atwiki.jp/meet2010/pages/13.html
Sofaloft in Hannover Die Etage ist in zwei Bereiche geteilt, die zusammen etwa 700 qm groß sind. Die Raumhöhe beträgt 250 cm, an der Decke befinden sich Holzgitter. Diese sind für die Beleuchtung notwendig und können nicht abgenommen werden. Die zwei Raumbereiche sind komplett offen, es gibt jedoch kleine und große Nischen und unbewegliche Trennwände. Diese simulieren Raumecken oder Wohnbereiche, wie man sie In Möbelläden kennt. Im ersten Bereich sind einige Wände bunt gestrichen (siehe Fotos). Der gesamte Boden im ersten Bereich ist mit grauem Teppich ausgelegt. Im zweiten Bereich sind alle Wände weiß gestrichen, der Boden ist teils mit Teppich, teils mit Holzdielen belegt, es gibt einige runde, schmale Säulen. Bereich 1 Bereich 2 Die Exponate, die Sie auf den Fotos vom ersten Bereich sehen, sind in der aktuellen Kunstausstellung im SofaLOFT ausgestellt ANSICHTEN – EINSICHTEN DIE NEUEN, von Künstlerinnen der GEDOK-Hannover Marga Falkenhagen, Rosemarie Gaede, Silke Jüngst, Erika Klee, Petra Sommerhäuser. Copyright(c)Meet!2010All Right Reserved Meet!2010
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ACTE V 17. Barcarolle （Le vestibule du palais du vice-roi. A gauche, un large escalier en pierre conduisant à une terrasse. Au fond, dons le lointain, le sommet du Vésuve. Pietro, pêcheurs, jeunes filles du peuple. Ils sortent de l'appartement à gauche, qui est celui du festin. C'est la fin des agapes. Ils tiennent à la main des coupes, des vases remplis de vin; d'autres tiennent des guitares） ▼PIETRO▲ （une guitare à la main） Voyez du haut de ces rivages Ce frêle esquif voguer sur la mer en fureur! Les vents, les flots et les orages Menaçaient d'engloutir le malheureux pêcheur. Mais la Madone sainte a guidé l'équipage Par elle protégés, nous revoyons le bord. Plus de crainte, plus d'orage! Notre barque a touché le port. ▼LE CHOEUR▲ Plus de crainte, notre barque a touché le port. ▼UN PÉCHEUR▲ （bas à Pietro） De ce nouveau tyran as-tu brisé les chaînes? ▼PIETRO▲ （de même） Oui, j'ai de notre chef puni la trahison. （Montrant à gauche la salle du festin.） Et par mes soins, un rapide poison Déjà circule dans ses veines. （Il continue la chanson） Ivres de sang et de pillage, Des pirates cruels, la terreur de nos mers, Parfois le soir sur cette plage, Attendent le pêcheur Pour lui donner des fers. Mais la Madone sainte a guidé l'équipage, Par elle protégés, nous revoyons le bord. Plus de crainte, plus d'orage! Notre barque à touché le port. ▼LE CHOEUR▲ Plus de crainte, notre barque a touché le port. 18. Finale ▼PIETRO▲ On vient! silence, amis! （Borella entre de l'appartement à gauche.） ▼PIETRO▲ Quelle frayeur t'agite, Borella? ▼BORELLA▲ Compagnons, armez-vous, ou tremblez! De nombreux bataillons Qu'Alphonse a rassemblés Marchent vers ce palais, ils s'avancent… ▼PIETRO▲ O rage! ▼BORELLA▲ Le ciel même paraît combattre contre nous. De quelque grand malheur Trop sinistre présage, Les sourds gémissements Du Vésuve en courroux De ce peuple crédule ont glacé le courage. ▼LE CHOEUR DE PÊCHEURS▲ D'un juste châtiment qui peut nous préserver? ▼LE CHOEUR DE FEMMES▲ Masaniello peut seul arrêter leur furie. ▼LE CHOEUR DES HOMMES▲ Masaniello peut encore nous sauver. ▼BORELLA▲ （montrant la porte à gauche） Masaniello, n'y comptez plus! ▼LE CHOEUR▲ O ciel! il a perdu la vie! ▼BORELLA▲ Non, il respire encore; Mais, sourd à nos accents, Je ne sais quel délire a maîtrisé ses sens. ▼PIETRO▲ C'est Dieu qui l'a frappé. ▼BORELLA▲ Tantôt, sombre et farouche, Il se croit entouré De mourants et de morts; Tantôt, le sourire à la bouche, il chante Et croit guider sa barque sur nos bords. ▼LE CHOEUR▲ Misérable Pietro, tu mourras s'il expire! ▼PIETRO▲ Non, sa raison sur lui reprendra son empire. ▼BORELLA▲ Mais il vient! il vient! （Masaniello entre. Le désordre de ses vêtements annonce le trouble de ses esprits.） ▼MASANIELLO▲ Courons à la vengeance! Des armes, des flambeaux! ▼PIETRO▲ Reviens à toi! ▼MASANIELLO▲ （lui prenant la main） Parle bas, pêcheur, parle bas; Jette tes filets en silence. ▼BORELLA▲ Masaniello! ▼LE CHOEUR▲ Viens, marchons, viens, guide nos pas, Masaniello! ▼PIETRO▲ Sais-tu quel péril nous menace? Voici nos ennemis, mais guide notre audace Sois notre chef! Parais, Ils fuiront devant toi. Partons! ▼MASANIELLO▲ Oui, oui, partons! ▼PIETRO, LE CHOEUR▲ C'est l'honneur qui t'appelle. ▼MASANIELLO▲ （d'un air riant） Partons, la matinée est belle; Venez, amis, venez tous avec moi!… （A ce moment le ciel s'obscurcit, et le Vésuve, qu'on aperçoit de loin, commence à jeter quelques flammes.） Chantons gaiement la barcarolle, Charmons ainsi nos courts loisirs. ▼BORELLA▲ Mortels délais! vains souvenirs! ▼LE CHOEUR▲ Mortels délais! vains souvenirs! Masaniello si vous tardez on nous immole. ▼MASANIELLO▲ Le roi des mers ne t'échappera pas! （Fenella entre et court à Masaniello. Elle lui explique que les soldats du vice-roi s'avancent en bon ordre, enseignes déployées, et que les tambours battent aux champs. Devant eux les lazzaroni se sont enfuis effrayés les uns ont jeté leurs armes, les autres, à genoux, ont demandé la vie. Elle entraîne Masaniello vers la fenêtre du palais… Les voilà, ils avancent; ils ont juré qu'aucun de vous n'échapperait.） ▼PIETRO▲ （à Masaniello） Tu le vois, leur fureur nous devons au trépas? ▼MASANIELLO▲ （revenant un peu à lui, et serrant Fenella contre son coeur） Ma Fenella! ma soeur! qui cause tes alarmes? ▼PIETRO▲ L'ennemi!… Que ce mot te rappelle aux combats! ▼MASANIELLO▲ Qu'entends-je? ▼PIETRO▲ Ce sont eux. ▼MASANIELLO▲ Eh! qui donc? ▼PIETRO▲ Nos tyrans! ▼LE CHOEUR▲ Nos tyrans! ▼MASANIELLO▲ Nos tyrans? （revenant à lui） Mes armes! ▼LE CHOEUR▲ Victoire! il va guider nos pas; Plus de discordes, plus d'alarmes! Victoire! il va guider nos pas! （Ils sortent tous l'épée à la main en entraînant Masaniello, qui recommande à Borella de rester près de sa soeur et de veiller sur elle. Quelque temps Fenella, （seule）, suit son frère des yeux. Elle revient sur le bord du théâtre, et prie pour que le ciel le protège. C'est tout ce qu'elle demande, car pour elle il n'y a plus d'espoir de bonheur… Elle regarde encore cette écharpe qu'Alphonse lui a donnée; elle veut s'en séparer, elle ne peut s'y résoudre, elle la regarde, la couvre de baisers; elle entend marcher et la cache… C'est Elvire, c'est sa rivale qui entre pâle et échevelée; Fenella court à elle comment vous trouvez-vous seule en ces lieux? d'où venez-vous?） ▼ELVIRE▲ N'approchez pas! le meurtre et l'incendie Dévastent ce palais; Venez, fuyons de ces lieux. （Fenella n'a rien à craindre; elle veut rester.） ▼ELVIRE▲ Entendez-vous les cris Dont ils frappent les cieux? Je vois le fer sanglant qui menaçait ma vie, J'allais périr!… un mortel généreux, Votre frère lui-même a trompé leur furie. ▼BORELLA▲ Masaniello! grands dieux! Il a triomphé? Le destin se prononce! Écoutez Il revient… qu'ai-je vu? c'est Alphonse! （Alphonse entre avec sa suite. Fenella court à lui, et lui demande où est Masaniello.） ▼ALPHONSE▲ Votre frère!… Ô douleur! Ô regrets éternels! Il combattait encore… Hélas! à ces cruels Il voulait épargner un crime. Prête à périr, Elvire embrassait ses genoux… Il a sauvé ses jours, et le peuple en courroux… ▼BORELLA▲ Il en était l'idole. ▼ALPHONSE▲ Il en est la victime. （Fenella écoute ce récit en tremblant et tombe à moitié évanouie dans les bras de Borella qui la soutient.） ▼ALPHONSE▲ Et je n'ai pu le secourir! Je l'ai vengé du moins Nos bataillons fidèles Ont au loin dispersé ces hordes de rebelles. Masaniello n'est plus… Ils ne savent que fuir. （Fenella sort peu à peu de son évanouissement, aperçoit Alphonse auprès d'Elvire, se relève, jette sur Alphonse un dernier regard de regret et de tendresse et unit sa main à celle d'Elvire, puis elle s'élance rapidement vers l'escalier qui est au fond du théâtre. Surpris de ce brusque départ, Alphonse et Elvire se retournent pour lui adresser un dernier adieu. A ce moment le Vésuve commence à jeter des tourbillons de flamme et de fumée, et Fenella, parvenue en haut de la terrasse, contemple cet effrayant spectacle. Elle s'arrête et détache son écharpe, la jette du côté d'Alphonse, lève les yeux au ciel et se précipite dans l'abîme. Alphonse et Elvire poussent un cri d'effroi. Mais au même instant le Vésuve mugit avec plus de fureur; du cratère du volcan la lave en flamme se précipite. Le peuple épouvanté se prosterne.） ▼LE CHOEUR▲ Grâce pour notre crime! Grand Dieu! protège-nous! Et que cette victime Suffise à ton courroux! ACTE V 17. Barcarolle Le vestibule du palais du vice-roi. A gauche, un large escalier en pierre conduisant à une terrasse. Au fond, dons le lointain, le sommet du Vésuve. Pietro, pêcheurs, jeunes filles du peuple. Ils sortent de l'appartement à gauche, qui est celui du festin. C'est la fin des agapes. Ils tiennent à la main des coupes, des vases remplis de vin; d'autres tiennent des guitares PIETRO une guitare à la main Voyez du haut de ces rivages Ce frêle esquif voguer sur la mer en fureur! Les vents, les flots et les orages Menaçaient d'engloutir le malheureux pêcheur. Mais la Madone sainte a guidé l'équipage Par elle protégés, nous revoyons le bord. Plus de crainte, plus d'orage! Notre barque a touché le port. LE CHOEUR Plus de crainte, notre barque a touché le port. UN PÉCHEUR bas à Pietro De ce nouveau tyran as-tu brisé les chaînes? PIETRO de même Oui, j'ai de notre chef puni la trahison. Montrant à gauche la salle du festin. Et par mes soins, un rapide poison Déjà circule dans ses veines. Il continue la chanson Ivres de sang et de pillage, Des pirates cruels, la terreur de nos mers, Parfois le soir sur cette plage, Attendent le pêcheur Pour lui donner des fers. Mais la Madone sainte a guidé l'équipage, Par elle protégés, nous revoyons le bord. Plus de crainte, plus d'orage! Notre barque à touché le port. LE CHOEUR Plus de crainte, notre barque a touché le port. 18. Finale PIETRO On vient! silence, amis! Borella entre de l'appartement à gauche. PIETRO Quelle frayeur t'agite, Borella? BORELLA Compagnons, armez-vous, ou tremblez! De nombreux bataillons Qu'Alphonse a rassemblés Marchent vers ce palais, ils s'avancent… PIETRO O rage! BORELLA Le ciel même paraît combattre contre nous. De quelque grand malheur Trop sinistre présage, Les sourds gémissements Du Vésuve en courroux De ce peuple crédule ont glacé le courage. LE CHOEUR DE PÊCHEURS D'un juste châtiment qui peut nous préserver? LE CHOEUR DE FEMMES Masaniello peut seul arrêter leur furie. LE CHOEUR DES HOMMES Masaniello peut encore nous sauver. BORELLA montrant la porte à gauche Masaniello, n'y comptez plus! LE CHOEUR O ciel! il a perdu la vie! BORELLA Non, il respire encore; Mais, sourd à nos accents, Je ne sais quel délire a maîtrisé ses sens. PIETRO C'est Dieu qui l'a frappé. BORELLA Tantôt, sombre et farouche, Il se croit entouré De mourants et de morts; Tantôt, le sourire à la bouche, il chante Et croit guider sa barque sur nos bords. LE CHOEUR Misérable Pietro, tu mourras s'il expire! PIETRO Non, sa raison sur lui reprendra son empire. BORELLA Mais il vient! il vient! Masaniello entre. Le désordre de ses vêtements annonce le trouble de ses esprits. MASANIELLO Courons à la vengeance! Des armes, des flambeaux! PIETRO Reviens à toi! MASANIELLO lui prenant la main Parle bas, pêcheur, parle bas; Jette tes filets en silence. BORELLA Masaniello! LE CHOEUR Viens, marchons, viens, guide nos pas, Masaniello! PIETRO Sais-tu quel péril nous menace? Voici nos ennemis, mais guide notre audace Sois notre chef! Parais, Ils fuiront devant toi. Partons! MASANIELLO Oui, oui, partons! PIETRO, LE CHOEUR C'est l'honneur qui t'appelle. MASANIELLO d'un air riant Partons, la matinée est belle; Venez, amis, venez tous avec moi!… A ce moment le ciel s'obscurcit, et le Vésuve, qu'on aperçoit de loin, commence à jeter quelques flammes. Chantons gaiement la barcarolle, Charmons ainsi nos courts loisirs. BORELLA Mortels délais! vains souvenirs! LE CHOEUR Mortels délais! vains souvenirs! Masaniello si vous tardez on nous immole. MASANIELLO Le roi des mers ne t'échappera pas! Fenella entre et court à Masaniello. Elle lui explique que les soldats du vice-roi s'avancent en bon ordre, enseignes déployées, et que les tambours battent aux champs. Devant eux les lazzaroni se sont enfuis effrayés les uns ont jeté leurs armes, les autres, à genoux, ont demandé la vie. Elle entraîne Masaniello vers la fenêtre du palais… Les voilà, ils avancent; ils ont juré qu'aucun de vous n'échapperait. PIETRO à Masaniello Tu le vois, leur fureur nous devons au trépas? MASANIELLO revenant un peu à lui, et serrant Fenella contre son coeur Ma Fenella! ma soeur! qui cause tes alarmes? PIETRO L'ennemi!… Que ce mot te rappelle aux combats! MASANIELLO Qu'entends-je? PIETRO Ce sont eux. MASANIELLO Eh! qui donc? PIETRO Nos tyrans! LE CHOEUR Nos tyrans! MASANIELLO Nos tyrans? revenant à lui Mes armes! LE CHOEUR Victoire! il va guider nos pas; Plus de discordes, plus d'alarmes! Victoire! il va guider nos pas! Ils sortent tous l'épée à la main en entraînant Masaniello, qui recommande à Borella de rester près de sa soeur et de veiller sur elle. Quelque temps Fenella, （seule）, suit son frère des yeux. Elle revient sur le bord du théâtre, et prie pour que le ciel le protège. C'est tout ce qu'elle demande, car pour elle il n'y a plus d'espoir de bonheur… Elle regarde encore cette écharpe qu'Alphonse lui a donnée; elle veut s'en séparer, elle ne peut s'y résoudre, elle la regarde, la couvre de baisers; elle entend marcher et la cache… C'est Elvire, c'est sa rivale qui entre pâle et échevelée; Fenella court à elle comment vous trouvez-vous seule en ces lieux? d'où venez-vous? ELVIRE N'approchez pas! le meurtre et l'incendie Dévastent ce palais; Venez, fuyons de ces lieux. Fenella n'a rien à craindre; elle veut rester. ELVIRE Entendez-vous les cris Dont ils frappent les cieux? Je vois le fer sanglant qui menaçait ma vie, J'allais périr!… un mortel généreux, Votre frère lui-même a trompé leur furie. BORELLA Masaniello! grands dieux! Il a triomphé? Le destin se prononce! Écoutez Il revient… qu'ai-je vu? c'est Alphonse! Alphonse entre avec sa suite. Fenella court à lui, et lui demande où est Masaniello. ALPHONSE Votre frère!… Ô douleur! Ô regrets éternels! Il combattait encore… Hélas! à ces cruels Il voulait épargner un crime. Prête à périr, Elvire embrassait ses genoux… Il a sauvé ses jours, et le peuple en courroux… BORELLA Il en était l'idole. ALPHONSE Il en est la victime. Fenella écoute ce récit en tremblant et tombe à moitié évanouie dans les bras de Borella qui la soutient. ALPHONSE Et je n'ai pu le secourir! Je l'ai vengé du moins Nos bataillons fidèles Ont au loin dispersé ces hordes de rebelles. Masaniello n'est plus… Ils ne savent que fuir. Fenella sort peu à peu de son évanouissement, aperçoit Alphonse auprès d'Elvire, se relève, jette sur Alphonse un dernier regard de regret et de tendresse et unit sa main à celle d'Elvire, puis elle s'élance rapidement vers l'escalier qui est au fond du théâtre. Surpris de ce brusque départ, Alphonse et Elvire se retournent pour lui adresser un dernier adieu. A ce moment le Vésuve commence à jeter des tourbillons de flamme et de fumée, et Fenella, parvenue en haut de la terrasse, contemple cet effrayant spectacle. Elle s'arrête et détache son écharpe, la jette du côté d'Alphonse, lève les yeux au ciel et se précipite dans l'abîme. Alphonse et Elvire poussent un cri d'effroi. Mais au même instant le Vésuve mugit avec plus de fureur; du cratère du volcan la lave en flamme se précipite. Le peuple épouvanté se prosterne. LE CHOEUR Grâce pour notre crime! Grand Dieu! protège-nous! Et que cette victime Suffise à ton courroux! Auber,François/La Muette de Portici
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A Guide to East Santa Cruz Island Trails, Routes, and What to Bring Trafford? Morris Don? Trafford? MorrisDon? Substores-UnknownASINs-35 Subjects-Travel-Reference&Tips? Subjects-Travel-UnitedStates-Regions-West-Pacific? The Screwtape Email Trafford? Arthur H. Williams? Trafford? ArthurH.Williams? Substores-UnknownASINs-35 Subjects-Entertainment-Humor-Satire,General? Subjects-Religion&Spirituality-Christianity-Theology-General? Subjects-Religion&Spirituality-Christianity-Bibles-General? Subjects-Religion&Spirituality-General? Subjects-Religion&Spirituality-Occult-Cults&Demonism? Subjects-Religion&Spirituality-Occult-General? Subjects-Religion&Spirituality-ReligiousStudies-Theology-General? Living Well With an Ostomy Trafford? Elizabeth Rayson? Trafford? ElizabethRayson? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Disorders&Diseases-General? Subjects-Health,Mind&Body-Disorders&Diseases-Abdominal? Subjects-Nonfiction-SocialSciences-SpecialGroups-Disabled? Believing Trafford? 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ERSTER TEIL Nr. 1 Alt Solo Vor Edens Tor im Morgenprangen stand eine Peri schmerzbefangen. Und wie sie lauscht dem Lebensquelle, des Flut harmonisch drinnen hallte, und wie vom Licht ihr Fittich helle, das durch halboffne Pforten wallte, weint sie, verbannt aus diesen Au n, ihr sündiges Geschlecht zu schau n. Nr. 2 Peri; Sopran Wie glücklich sie wandeln, die sel gen Geister, im Dufte von Blumen, die nimmer verblühn! Sind mein auch die Gärten auf Landen und Meer, und pflück ich selbst Blumen auf Sternen umher; ein Blümlein des Himmels ist schöner denn alle! Glänzt Kaschemirs See auch sonnig und rein mit seiner Plataneninseln Schein, und rinnen dort Ströme auf gold nem Sand. Doch ach! Nur den Seligen ist s bekannt Ein Tropfen des Himmels ist schöner denn alle! Geh, schwing dich im Fluge von Stern zu Stern, von Welt zu leuchtender Welt, so fern als der Himmel wölbt seine Sonnenhalle, nimm alle die Wonnen von allen den Sphären und lass durch unendliche Zeiten sie währen Ein Stündlein des Himmels ist schöner denn alle. Nr. 3 Rezitativ Tenor Solo Der hehre Engel, der die Pforte des Lichts bewacht, vernimmt die Worte, und wie er lauscht und näher schleicht dem sanften Lied, entsinkt ihm eine Träne; er sprach Der Engel; Alt Dir, Kind des Stamms, schön, doch voll Sünden kann eine frohe Hoffnung ich noch künden. Im Schicksalsbuche stehn die Worte "Es sei der Schuld die Peri bar, die bringt zu dieser ew gen Pforte des Himmels liebste Gabe dar!" Geh, suche sie und werde rein Gern lass ich die Entsühnten ein! Nr. 4 Peri (Sehr lebhaft) Wo find ich sie? Wo blüht, wo liegt die Gabe, die dem Himmel g nügt? Ich kenne die Urnen mit Schätzen gefüllt, tief unter Tschelminars Säulen verhüllt; ich sah der Weihrauchinseln Grün viel Klaftern tief im Meere blühn; Ich weiß auch, wo die Genien König Jamschids Pokal verhehlen. Er ist von Gold und von Juwelen, und Lebenstropfen sind sein Getränk; Doch, will auch der Himmel solch Geschenk? Strahlt je der Demant einer Krone wie die Stufen an Allahs Wunderthrone? Und, o ihr Lebenstropfen, was seid ihr für die Tiefen der Ewigkeit! Nr. 5 Tenor Solo So sann sie nach und schwang die Flügel jetzt über Indiens Blumenhügel. Vier Stimmen (Quartett) O süßes Land! O Götterpracht! Es flüstern die Palmen sacht, es flimmert die Sternennacht, dort schäumt auf Bernsteingrund das Meer über Korallenriffe her, dort brütet heiß der Sonne Brand, im Schoß der Berge Diamant. Es rieseln, reichen Bräuten gleich, die Bächlein hold an Golde reich, dort duften Sandelhaine süß – O Paradies! Nr. 6 Chor Doch seine Ströme sind jetzt rot von Menschenblut. Es wütet fürchterlich der Tod. Er schreitet durch die blumigen Wiesen verheerend mit den ehernen Füßen. O Land der Sonne, wessen Schritt geht über deinen Boden, wirft deine Pfeiler um, zertritt die Göttersäulen und Pagoden? Er ist s, er ist s von Gazna, er naht in seinem grimmen Zorn! Chor der Eroberer Gazna lebe, der mächtige Fürst! Chor der Inder Es sterbe der Tyrann! Nr. 7 Tenor Solo Und einsam steht ein Jüngling noch, es fließt sein Blut aus manchen Wunden. Er beugt den Nacken nicht ins Joch, Ein Leu, umstellt von Waidmannshunden. Schon hat sein Schwert im Feindesschwarm mit blut gen Lettern es geschrieben, daß ungebeugt ihm Herz und Arm, ein Pfeil nur ist ihm übrig blieben. Chor der Eroberer Gazna lebe, der mächtige Fürst! Chor der Inder Es sterbe der Tyrann! Gazna (Bass) Komm, kühner Held, und huld ge mir, willst du umsonst dein Blut verspritzen? Dein eitles Kämpfen kann nichts nützen, komm, dein Leben schenk ich dir! Der Jüngling (Tenor) Du schlugst des Landes Bürger, du meiner Brüder Würger - Dir diesen letzten Pfeil! Gazna Das sollst du büßen! Nr. 8 Chor der Indier Weh, weh, weh, er fehlte das Ziel, Es lebt der Tyrann, der Edle fiel! Nr. 9 Tenor Solo Die Peri sah das Mal der Wunde, und nun vertobt des Kampfes Wut, kam sie im Strahl des Morgenrots und nahm das letzte Tröpflein Blut, das aus dem Heldenherzen drang, eh sich der freie Geist entschwang. Peri und Chor (Nach und nach immer rascher) Sei dies, mein Geschenk, willkommen dorten an Edens Pforten! Denn heilig ist das Blut, für die Freiheit verspritzt vom Heldenmut, und würde nicht trüben die klarste Flut, die durch die Haine der Sel gen fließt! O gibt es ein Opfer der Erdenwelt, ein Geschenk, das teuer der Himmel hält, ist das Blut, das der Freiheit sterbender Sohn ihr bringt als letzte Libation! Willkommen dorten sei dies Geschenk an Edens Pforten! ERSTER TEIL Nr. 1 Alt Solo Vor Edens Tor im Morgenprangen stand eine Peri schmerzbefangen. Und wie sie lauscht dem Lebensquelle, des Flut harmonisch drinnen hallte, und wie vom Licht ihr Fittich helle, das durch halboffne Pforten wallte, weint sie, verbannt aus diesen Au n, ihr sündiges Geschlecht zu schau n. Nr. 2 Peri; Sopran Wie glücklich sie wandeln, die sel gen Geister, im Dufte von Blumen, die nimmer verblühn! Sind mein auch die Gärten auf Landen und Meer, und pflück ich selbst Blumen auf Sternen umher; ein Blümlein des Himmels ist schöner denn alle! Glänzt Kaschemirs See auch sonnig und rein mit seiner Plataneninseln Schein, und rinnen dort Ströme auf gold nem Sand. Doch ach! Nur den Seligen ist s bekannt Ein Tropfen des Himmels ist schöner denn alle! Geh, schwing dich im Fluge von Stern zu Stern, von Welt zu leuchtender Welt, so fern als der Himmel wölbt seine Sonnenhalle, nimm alle die Wonnen von allen den Sphären und lass durch unendliche Zeiten sie währen Ein Stündlein des Himmels ist schöner denn alle. Nr. 3 Rezitativ Tenor Solo Der hehre Engel, der die Pforte des Lichts bewacht, vernimmt die Worte, und wie er lauscht und näher schleicht dem sanften Lied, entsinkt ihm eine Träne; er sprach Der Engel; Alt Dir, Kind des Stamms, schön, doch voll Sünden kann eine frohe Hoffnung ich noch künden. Im Schicksalsbuche stehn die Worte "Es sei der Schuld die Peri bar, die bringt zu dieser ew gen Pforte des Himmels liebste Gabe dar!" Geh, suche sie und werde rein Gern lass ich die Entsühnten ein! Nr. 4 Peri (Sehr lebhaft) Wo find ich sie? Wo blüht, wo liegt die Gabe, die dem Himmel g nügt? Ich kenne die Urnen mit Schätzen gefüllt, tief unter Tschelminars Säulen verhüllt; ich sah der Weihrauchinseln Grün viel Klaftern tief im Meere blühn; Ich weiß auch, wo die Genien König Jamschids Pokal verhehlen. Er ist von Gold und von Juwelen, und Lebenstropfen sind sein Getränk; Doch, will auch der Himmel solch Geschenk? Strahlt je der Demant einer Krone wie die Stufen an Allahs Wunderthrone? Und, o ihr Lebenstropfen, was seid ihr für die Tiefen der Ewigkeit! Nr. 5 Tenor Solo So sann sie nach und schwang die Flügel jetzt über Indiens Blumenhügel. Vier Stimmen (Quartett) O süßes Land! O Götterpracht! Es flüstern die Palmen sacht, es flimmert die Sternennacht, dort schäumt auf Bernsteingrund das Meer über Korallenriffe her, dort brütet heiß der Sonne Brand, im Schoß der Berge Diamant. Es rieseln, reichen Bräuten gleich, die Bächlein hold an Golde reich, dort duften Sandelhaine süß – O Paradies! Nr. 6 Chor Doch seine Ströme sind jetzt rot von Menschenblut. Es wütet fürchterlich der Tod. Er schreitet durch die blumigen Wiesen verheerend mit den ehernen Füßen. O Land der Sonne, wessen Schritt geht über deinen Boden, wirft deine Pfeiler um, zertritt die Göttersäulen und Pagoden? Er ist s, er ist s von Gazna, er naht in seinem grimmen Zorn! Chor der Eroberer Gazna lebe, der mächtige Fürst! Chor der Inder Es sterbe der Tyrann! Nr. 7 Tenor Solo Und einsam steht ein Jüngling noch, es fließt sein Blut aus manchen Wunden. Er beugt den Nacken nicht ins Joch, Ein Leu, umstellt von Waidmannshunden. Schon hat sein Schwert im Feindesschwarm mit blut gen Lettern es geschrieben, daß ungebeugt ihm Herz und Arm, ein Pfeil nur ist ihm übrig blieben. Chor der Eroberer Gazna lebe, der mächtige Fürst! Chor der Inder Es sterbe der Tyrann! Gazna (Bass) Komm, kühner Held, und huld ge mir, willst du umsonst dein Blut verspritzen? Dein eitles Kämpfen kann nichts nützen, komm, dein Leben schenk ich dir! Der Jüngling (Tenor) Du schlugst des Landes Bürger, du meiner Brüder Würger - Dir diesen letzten Pfeil! Gazna Das sollst du büßen! Nr. 8 Chor der Indier Weh, weh, weh, er fehlte das Ziel, Es lebt der Tyrann, der Edle fiel! Nr. 9 Tenor Solo Die Peri sah das Mal der Wunde, und nun vertobt des Kampfes Wut, kam sie im Strahl des Morgenrots und nahm das letzte Tröpflein Blut, das aus dem Heldenherzen drang, eh sich der freie Geist entschwang. Peri und Chor (Nach und nach immer rascher) Sei dies, mein Geschenk, willkommen dorten an Edens Pforten! Denn heilig ist das Blut, für die Freiheit verspritzt vom Heldenmut, und würde nicht trüben die klarste Flut, die durch die Haine der Sel gen fließt! O gibt es ein Opfer der Erdenwelt, ein Geschenk, das teuer der Himmel hält, ist das Blut, das der Freiheit sterbender Sohn ihr bringt als letzte Libation! Willkommen dorten sei dies Geschenk an Edens Pforten! Schumann,Robert/Das Paradies und die Peri/II
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CHAPTER XV UP CHAPTER XVII CHAPTER XVI Diana Is Invited to Tea with Tragic Results OCTOBER was a beautiful month at Green Gables, when the birches in the hollow turned as golden as sunshine and the maples behind the orchard were royal crimson and the wild cherry trees along the lane put on the loveliest shades of dark red and bronzy green, while the fields sunned themselves in aftermaths. Anne reveled in the world of color about her. "Oh, Marilla," she exclaimed one Saturday morning, coming dancing in with her arms full of gorgeous boughs, "I m so glad I live in a world where there are Octobers. It would be terrible if we just skipped from September to November, wouldn t it? Look at these maple branches. Don t they give you a thrill--several thrills? I m going to decorate my room with them." "Messy things," said Marilla, whose aesthetic sense was not noticeably developed. "You clutter up your room entirely too much with out-of-doors stuff, Anne. Bedrooms were made to sleep in." "Oh, and dream in too, Marilla. And you know one can dream so much better in a room where there are pretty things. I m going to put these boughs in the old blue jug and set them on my table." "Mind you don t drop leaves all over the stairs then. I m going on a meeting of the Aid Society at Carmody this afternoon, Anne, and I won t likely be home before dark. You ll have to get Matthew and Jerry their supper, so mind you don t forget to put the tea to draw until you sit down at the table as you did last time." "It was dreadful of me to forget," said Anne apologetically, "but that was the afternoon I was trying to think of a name for Violet Vale and it crowded other things out. Matthew was so good. He never scolded a bit. He put the tea down himself and said we could wait awhile as well as not. And I told him a lovely fairy story while we were waiting, so he didn t find the time long at all. It was a beautiful fairy story, Marilla. I forgot the end of it, so I made up an end for it myself and Matthew said he couldn t tell where the join came in." "Matthew would think it all right, Anne, if you took a notion to get up and have dinner in the middle of the night. But you keep your wits about you this time. And--I don t really know if I m doing right--it may make you more addlepated than ever--but you can ask Diana to come over and spend the afternoon with you and have tea here." "Oh, Marilla!" Anne clasped her hands. "How perfectly lovely! You ARE able to imagine things after all or else you d never have understood how I ve longed for that very thing. It will seem so nice and grown-uppish. No fear of my forgetting to put the tea to draw when I have company. Oh, Marilla, can I use the rosebud spray tea set?" "No, indeed! The rosebud tea set! Well, what next? You know I never use that except for the minister or the Aids. You ll put down the old brown tea set. But you can open the little yellow crock of cherry preserves. It s time it was being used anyhow--I believe it s beginning to work. And you can cut some fruit cake and have some of the cookies and snaps." "I can just imagine myself sitting down at the head of the table and pouring out the tea," said Anne, shutting her eyes ecstatically. "And asking Diana if she takes sugar! I know she doesn t but of course I ll ask her just as if I didn t know. And then pressing her to take another piece of fruit cake and another helping of preserves. Oh, Marilla, it s a wonderful sensation just to think of it. Can I take her into the spare room to lay off her hat when she comes? And then into the parlor to sit?" "No. The sitting room will do for you and your company. But there s a bottle half full of raspberry cordial that was left over from the church social the other night. It s on the second shelf of the sitting-room closet and you and Diana can have it if you like, and a cooky to eat with it along in the afternoon, for I daresay Matthew ll be late coming in to tea since he s hauling potatoes to the vessel." Anne flew down to the hollow, past the Dryad s Bubble and up the spruce path to Orchard Slope, to ask Diana to tea. As a result just after Marilla had driven off to Carmody, Diana came over, dressed in HER second-best dress and looking exactly as it is proper to look when asked out to tea. At other times she was wont to run into the kitchen without knocking; but now she knocked primly at the front door. And when Anne, dressed in her second best, as primly opened it, both little girls shook hands as gravely as if they had never met before. This unnatural solemnity lasted until after Diana had been taken to the east gable to lay off her hat and then had sat for ten minutes in the sitting room, toes in position. "How is your mother?" inquired Anne politely, just as if she had not seen Mrs. Barry picking apples that morning in excellent health and spirits. "She is very well, thank you. I suppose Mr. Cuthbert is hauling potatoes to the LILY SANDS this afternoon, is he?" said Diana, who had ridden down to Mr. Harmon Andrews s that morning in Matthew s cart. "Yes. Our potato crop is very good this year. I hope your father s crop is good too." "It is fairly good, thank you. Have you picked many of your apples yet?" "Oh, ever so many," said Anne forgetting to be dignified and jumping up quickly. "Let s go out to the orchard and get some of the Red Sweetings, Diana. Marilla says we can have all that are left on the tree. Marilla is a very generous woman. She said we could have fruit cake and cherry preserves for tea. But it isn t good manners to tell your company what you are going to give them to eat, so I won t tell you what she said we could have to drink. Only it begins with an R and a C and it s bright red color. I love bright red drinks, don t you? They taste twice as good as any other color." The orchard, with its great sweeping boughs that bent to the ground with fruit, proved so delightful that the little girls spent most of the afternoon in it, sitting in a grassy corner where the frost had spared the green and the mellow autumn sunshine lingered warmly, eating apples and talking as hard as they could. Diana had much to tell Anne of what went on in school. She had to sit with Gertie Pye and she hated it; Gertie squeaked her pencil all the time and it just made her--Diana s--blood run cold; Ruby Gillis had charmed all her warts away, true s you live, with a magic pebble that old Mary Joe from the Creek gave her. You had to rub the warts with the pebble and then throw it away over your left shoulder at the time of the new moon and the warts would all go. Charlie Sloane s name was written up with Em White s on the porch wall and Em White was AWFUL MAD about it; Sam Boulter had "sassed" Mr. Phillips in class and Mr. Phillips whipped him and Sam s father came down to the school and dared Mr. Phillips to lay a hand on one of his children again; and Mattie Andrews had a new red hood and a blue crossover with tassels on it and the airs she put on about it were perfectly sickening; and Lizzie Wright didn t speak to Mamie Wilson because Mamie Wilson s grown-up sister had cut out Lizzie Wright s grown-up sister with her beau; and everybody missed Anne so and wished she s come to school again; and Gilbert Blythe-- But Anne didn t want to hear about Gilbert Blythe. She jumped up hurriedly and said suppose they go in and have some raspberry cordial. Anne looked on the second shelf of the room pantry but there was no bottle of raspberry cordial there. Search revealed it away back on the top shelf. Anne put it on a tray and set it on the table with a tumbler. "Now, please help yourself, Diana," she said politely. "I don t believe I ll have any just now. I don t feel as if I wanted any after all those apples." Diana poured herself out a tumblerful, looked at its bright-red hue admiringly, and then sipped it daintily. "That s awfully nice raspberry cordial, Anne," she said. "I didn t know raspberry cordial was so nice." "I m real glad you like it. Take as much as you want. I m going to run out and stir the fire up. There are so many responsibilities on a person s mind when they re keeping house, isn t there?" When Anne came back from the kitchen Diana was drinking her second glassful of cordial; and, being entreated thereto by Anne, she offered no particular objection to the drinking of a third. The tumblerfuls were generous ones and the raspberry cordial was certainly very nice. "The nicest I ever drank," said Diana. "It s ever so much nicer than Mrs. Lynde s, although she brags of hers so much. It doesn t taste a bit like hers." "I should think Marilla s raspberry cordial would prob ly be much nicer than Mrs. Lynde s," said Anne loyally. "Marilla is a famous cook. She is trying to teach me to cook but I assure you, Diana, it is uphill work. There s so little scope for imagination in cookery. You just have to go by rules. The last time I made a cake I forgot to put the flour in. I was thinking the loveliest story about you and me, Diana. I thought you were desperately ill with smallpox and everybody deserted you, but I went boldly to your bedside and nursed you back to life; and then I took the smallpox and died and I was buried under those poplar trees in the graveyard and you planted a rosebush by my grave and watered it with your tears; and you never, never forgot the friend of your youth who sacrificed her life for you. Oh, it was such a pathetic tale, Diana. The tears just rained down over my cheeks while I mixed the cake. But I forgot the flour and the cake was a dismal failure. Flour is so essential to cakes, you know. Marilla was very cross and I don t wonder. I m a great trial to her. She was terribly mortified about the pudding sauce last week. We had a plum pudding for dinner on Tuesday and there was half the pudding and a pitcherful of sauce left over. Marilla said there was enough for another dinner and told me to set it on the pantry shelf and cover it. I meant to cover it just as much as could be, Diana, but when I carried it in I was imagining I was a nun--of course I m a Protestant but I imagined I was a Catholic--taking the veil to bury a broken heart in cloistered seclusion; and I forgot all about covering the pudding sauce. I thought of it next morning and ran to the pantry. Diana, fancy if you can my extreme horror at finding a mouse drowned in that pudding sauce! I lifted the mouse out with a spoon and threw it out in the yard and then I washed the spoon in three waters. Marilla was out milking and I fully intended to ask her when she came in if I d give the sauce to the pigs; but when she did come in I was imagining that I was a frost fairy going through the woods turning the trees red and yellow, whichever they wanted to be, so I never thought about the pudding sauce again and Marilla sent me out to pick apples. Well, Mr. and Mrs. Chester Ross from Spencervale came here that morning. You know they are very stylish people, especially Mrs. Chester Ross. When Marilla called me in dinner was all ready and everybody was at the table. I tried to be as polite and dignified as I could be, for I wanted Mrs. Chester Ross to think I was a ladylike little girl even if I wasn t pretty. Everything went right until I saw Marilla coming with the plum pudding in one hand and the pitcher of pudding sauce WARMED UP, in the other. Diana, that was a terrible moment. I remembered everything and I just stood up in my place and shrieked out `Marilla, you mustn t use that pudding sauce. There was a mouse drowned in it. I forgot to tell you before. Oh, Diana, I shall never forget that awful moment if I live to be a hundred. Mrs. Chester Ross just LOOKED at me and I thought I would sink through the floor with mortification. She is such a perfect housekeeper and fancy what she must have thought of us. Marilla turned red as fire but she never said a word--then. She just carried that sauce and pudding out and brought in some strawberry preserves. She even offered me some, but I couldn t swallow a mouthful. It was like heaping coals of fire on my head. After Mrs. Chester Ross went away, Marilla gave me a dreadful scolding. Why, Diana, what is the matter?" Diana had stood up very unsteadily; then she sat down again, putting her hands to her head. "I m--I m awful sick," she said, a little thickly. "I--I--must go right home." "Oh, you mustn t dream of going home without your tea," cried Anne in distress. "I ll get it right off--I ll go and put the tea down this very minute." "I must go home," repeated Diana, stupidly but determinedly. "Let me get you a lunch anyhow," implored Anne. "Let me give you a bit of fruit cake and some of the cherry preserves. Lie down on the sofa for a little while and you ll be better. Where do you feel bad?" "I must go home," said Diana, and that was all she would say. In vain Anne pleaded. "I never heard of company going home without tea," she mourned. "Oh, Diana, do you suppose that it s possible you re really taking the smallpox? If you are I ll go and nurse you, you can depend on that. I ll never forsake you. But I do wish you d stay till after tea. Where do you feel bad?" "I m awful dizzy," said Diana. And indeed, she walked very dizzily. Anne, with tears of disappointment in her eyes, got Diana s hat and went with her as far as the Barry yard fence. Then she wept all the way back to Green Gables, where she sorrowfully put the remainder of the raspberry cordial back into the pantry and got tea ready for Matthew and Jerry, with all the zest gone out of the performance. The next day was Sunday and as the rain poured down in torrents from dawn till dusk Anne did not stir abroad from Green Gables. Monday afternoon Marilla sent her down to Mrs. Lynde s on an errand. In a very short space of time Anne came flying back up the lane with tears rolling down her cheeks. Into the kitchen she dashed and flung herself face downward on the sofa in an agony. "Whatever has gone wrong now, Anne?" queried Marilla in doubt and dismay. "I do hope you haven t gone and been saucy to Mrs. Lynde again." No answer from Anne save more tears and stormier sobs! "Anne Shirley, when I ask you a question I want to be answered. Sit right up this very minute and tell me what you are crying about." Anne sat up, tragedy personified. "Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in an awful state," she wailed. "She says that I set Diana DRUNK Saturday and sent her home in a disgraceful condition. And she says I must be a thoroughly bad, wicked little girl and she s never, never going to let Diana play with me again. Oh, Marilla, I m just overcome with woe." Marilla stared in blank amazement. "Set Diana drunk!" she said when she found her voice. "Anne are you or Mrs. Barry crazy? What on earth did you give her?" "Not a thing but raspberry cordial," sobbed Anne. "I never thought raspberry cordial would set people drunk, Marilla--not even if they drank three big tumblerfuls as Diana did. Oh, it sounds so--so--like Mrs. Thomas s husband! But I didn t mean to set her drunk." "Drunk fiddlesticks!" said Marilla, marching to the sitting room pantry. There on the shelf was a bottle which she at once recognized as one containing some of her three-year-old homemade currant wine for which she was celebrated in Avonlea, although certain of the stricter sort, Mrs. Barry among them, disapproved strongly of it. And at the same time Marilla recollected that she had put the bottle of raspberry cordial down in the cellar instead of in the pantry as she had told Anne. She went back to the kitchen with the wine bottle in her hand. Her face was twitching in spite of herself. "Anne, you certainly have a genius for getting into trouble. You went and gave Diana currant wine instead of raspberry cordial. Didn t you know the difference yourself?" "I never tasted it," said Anne. "I thought it was the cordial. I meant to be so--so--hospitable. Diana got awfully sick and had to go home. Mrs. Barry told Mrs. Lynde she was simply dead drunk. She just laughed silly-like when her mother asked her what was the matter and went to sleep and slept for hours. Her mother smelled her breath and knew she was drunk. She had a fearful headache all day yesterday. Mrs. Barry is so indignant. She will never believe but what I did it on purpose." "I should think she would better punish Diana for being so greedy as to drink three glassfuls of anything," said Marilla shortly. "Why, three of those big glasses would have made her sick even if it had only been cordial. Well, this story will be a nice handle for those folks who are so down on me for making currant wine, although I haven t made any for three years ever since I found out that the minister didn t approve. I just kept that bottle for sickness. There, there, child, don t cry. I can t see as you were to blame although I m sorry it happened so." "I must cry," said Anne. "My heart is broken. The stars in their courses fight against me, Marilla. Diana and I are parted forever. Oh, Marilla, I little dreamed of this when first we swore our vows of friendship." "Don t be foolish, Anne. Mrs. Barry will think better of it when she finds you re not to blame. I suppose she thinks you ve done it for a silly joke or something of that sort. You d best go up this evening and tell her how it was." "My courage fails me at the thought of facing Diana s injured mother," sighed Anne. "I wish you d go, Marilla. You re so much more dignified than I am. Likely she d listen to you quicker than to me." "Well, I will," said Marilla, reflecting that it would probably be the wiser course. "Don t cry any more, Anne. It will be all right." Marilla had changed her mind about it being all right by the time she got back from Orchard Slope. Anne was watching for her coming and flew to the porch door to meet her. "Oh, Marilla, I know by your face that it s been no use," she said sorrowfully. "Mrs. Barry won t forgive me?" "Mrs. Barry indeed!" snapped Marilla. "Of all the unreasonable women I ever saw she s the worst. I told her it was all a mistake and you weren t to blame, but she just simply didn t believe me. And she rubbed it well in about my currant wine and how I d always said it couldn t have the least effect on anybody. I just told her plainly that currant wine wasn t meant to be drunk three tumblerfuls at a time and that if a child I had to do with was so greedy I d sober her up with a right good spanking." Marilla whisked into the kitchen, grievously disturbed, leaving a very much distracted little soul in the porch behind her. Presently Anne stepped out bareheaded into the chill autumn dusk; very determinedly and steadily she took her way down through the sere clover field over the log bridge and up through the spruce grove, lighted by a pale little moon hanging low over the western woods. Mrs. Barry, coming to the door in answer to a timid knock, found a white-lipped eager-eyed suppliant on the doorstep. Her face hardened. Mrs. Barry was a woman of strong prejudices and dislikes, and her anger was of the cold, sullen sort which is always hardest to overcome. To do her justice, she really believed Anne had made Diana drunk out of sheer malice prepense, and she was honestly anxious to preserve her little daughter from the contamination of further intimacy with such a child. "What do you want?" she said stiffly. Anne clasped her hands. "Oh, Mrs. Barry, please forgive me. I did not mean to--to--intoxicate Diana. How could I? Just imagine if you were a poor little orphan girl that kind people had adopted and you had just one bosom friend in all the world. Do you think you would intoxicate her on purpose? I thought it was only raspberry cordial. I was firmly convinced it was raspberry cordial. Oh, please don t say that you won t let Diana play with me any more. If you do you will cover my life with a dark cloud of woe." This speech which would have softened good Mrs. Lynde s heart in a twinkling, had no effect on Mrs. Barry except to irritate her still more. She was suspicious of Anne s big words and dramatic gestures and imagined that the child was making fun of her. So she said, coldly and cruelly "I don t think you are a fit little girl for Diana to associate with. You d better go home and behave yourself." Anne s lips quivered. "Won t you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do NOT think she is a well-bred woman. There is nothing more to do except to pray and I haven t much hope that that ll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn t say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne s tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child s tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XV UP CHAPTER XVII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 24 29 (Tue)
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Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Technicolor Race, Technology, and Everyday Life New York Univ Pr? Alondra Nelson? Thuy Linh N. Tu? Alicia Headlam Hines? NewYorkUnivPr? AlondraNelson? ThuyLinhN.Tu? AliciaHeadlamHines? ジャンル別? Subjects-Computers&Internet-Business&Culture-FutureofComputing? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-RaceRelations-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-SpecialGroups-EthnicStudies? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Science-Technology-General&Reference Technicolor Race, Technology, and Everyday Life New York Univ Pr? Alondra Nelson? Thuy Linh N. Tu? Alicia Headlam Hines? NewYorkUnivPr? AlondraNelson? ThuyLinhN.Tu? AliciaHeadlamHines? ジャンル別? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-SpecialGroups-EthnicStudies? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Science-Technology-General&Reference Technology Markets and Export Controls in the 1990s (Institute for East-West Security Studies) New York Univ Pr? David M. Kemme? NewYorkUnivPr? DavidM.Kemme? ジャンル別? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-General? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Science-Technology-General&Reference The North-South Science and Technology Gap (Developing Economies of the Third World) Taylor & Francis? A. A. Moghadam? Taylor&Francis? A.A.Moghadam? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Making Automation Work Successful Strategies for Managing New Technology (Studies in Entrepreneurship) Taylor & Francis? J. R. McDaniel? Taylor&Francis? J.R.McDaniel? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-Technology-General&Reference Science and Technology in Central and Eastern Europe The Reform of Higher Education (Garland Reference Library of Social Science) Routledge? A. D. Tillett? Barry Lesser? Routledge? A.D.Tillett? BarryLesser? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-ByLevel-College? Subjects-Professional&Technical-Education-General? Subjects-Science-Education-Research? Subjects-Science-Education-ScienceforKids? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technological Progress, Factor Endowments, and International Agricultural Trade (Foreign Economic Policy of the United States) Taylor & Francis? Joseph Chu Salvacruz? Taylor&Francis? JosephChuSalvacruz? ジャンル別? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-International-General? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Innovations? The Impact of Information Technology Evidence from the Healthcare Industry (Garland Studies on Industrial Productivity) Routledge? Nirup M. Menon? Routledge? NirupM.Menon? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Investing-General? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-Security? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Exploring the Energy Landscape of Protein Structure And Function Garland Pub? GarlandPub? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biophysics? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Biophysics? Subjects-Science-Technology-General&Reference Resource Recovery and Recycling Handbook of Industrial Wastes Noyes Data Corpn, US? Marshall Sittig? NoyesDataCorpn,US? MarshallSittig? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-Technology-General&Reference Hazardous Chemical Spill Cleanup Noyes Pubns? J. S. Robinson? NoyesPubns? J.S.Robinson? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-Technology-General&Reference Hazardous Chemicals Data Book Noyes Data Corpn, US? G H Weiss? NoyesDataCorpn,US? GHWeiss? ジャンル別? Subjects-Science-Technology-General&Reference Artificial Intelligence in Maintenance Noyes Pubns? J. Jeffrey Richardson? NoyesPubns? J.JeffreyRichardson? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Robotics and Flexible Manufacturing Technologies Assessment, Impacts, and Forecast Noyes Pubns? Robert U. Ayres? Steven M. Miller? NoyesPubns? RobertU.Ayres? StevenM.Miller? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Science-Technology-General&Reference Hazardous Chemicals Data Book Noyes Pubns? G. Weiss? NoyesPubns? G.Weiss? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Science-Chemistry-Safety? Subjects-Science-General Subjects-Science-Technology-General&Reference Epoxy Resins, Curing Agents, Compounds, And Modifiers An Industrial Guide Noyes Pubns? Ernest W. Flick? NoyesPubns? ErnestW.Flick? ジャンル別? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Shock Waves for Industrial Applications (Materials Science and Process Technology) Noyes Pubns? Lawrence Eugene Murr? NoyesPubns? LawrenceEugeneMurr? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-General Subjects-Science-Technology-General&Reference How to Prevent Spills of Hazardous Substances (Pollution Technology Review) Noyes Pubns? W. Unterberg? Robert W. Melvold? K. S. Roos? P. A. Scofield? NoyesPubns? W.Unterberg? RobertW.Melvold? K.S.Roos? P.A.Scofield? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-Chemistry-Safety? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-Technology-General&Reference Troubleshooting and Human Factors in Automated Manufacturing Systems Noyes Pubns? Susan R. Bereiter? Steven M. Miller? NoyesPubns? SusanR.Bereiter? StevenM.Miller? ジャンル別? Subjects-Computers&Internet-Business&Culture-ProjectManagement-Ergonomics? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Ergonomics? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Ergonomics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-Technology-General&Reference Handbook of Plasma Processing Technology Fundamentals, Etching, Deposition, and Surface Interactions (Materials Science and Process Technology) Noyes Pubns? Stephen M. Rossnagel? Jerome J. Cuomo? William D. Westwood? NoyesPubns? StephenM.Rossnagel? JeromeJ.Cuomo? WilliamD.Westwood? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Engineering-MaterialsScience-Extraction&Processing? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors? Subjects-Professional&Technical-Engineering-MaterialsScience-Extraction&Processing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Membrane Separation Systems Recent Developments and Future Directions Noyes Pubns? R. W. Baker? NoyesPubns? R.W.Baker? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-Technology-General&Reference Treating Industrial Waste Interferences at Publicly-Owned Treatment Works (Pollution Technology Review) Noyes Pubns? Edward D. Wetzel? Scott B. Murphy? NoyesPubns? EdwardD.Wetzel? ScottB.Murphy? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-Recycling? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Recycling? Subjects-Science-Technology-General&Reference Handbook of Leak, Spill and Accidental Release Prevention Techniques Noyes Pubns? Robert Noyes? NoyesPubns? RobertNoyes? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-General? Subjects-Science-Chemistry-Safety? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Recycling of Consumer Dry Cell Batteries (Pollution Technology Review) Noyes Pubns? David M. Muchnick? David J. Hurd? Michael F. Schedler? NoyesPubns? DavidM.Muchnick? DavidJ.Hurd? MichaelF.Schedler? ジャンル別? Substores-UnknownASINs-22? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-Recycling? Subjects-Science-Nature&Ecology-Environment-Recycling? Subjects-Science-Technology-General&Reference Subjects-Engineering-Energy-Batteries? Subjects-Professional&Technical-Engineering-Energy-Batteries? Transportation of Hazardous Materials A Guide to Compliance Noyes Pubns? Nicholas P. Cheremisinoff? NoyesPubns? NicholasP.Cheremisinoff? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Telecommunications Present Status and Future Trends (Advanced Computing and Telecommunications) Noyes Pubns? Robert F. Linfield? NoyesPubns? RobertF.Linfield? ジャンル別? Subjects-Business&Investing-General? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-Technology-General&Reference High Density Plasma Sources Design, Physics and Performance (Materials Science and Process Technology Series) Noyes Pubns? Oleg A. Popov? NoyesPubns? OlegA.Popov? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Solid-StatePhysics-PlasmaPhysics? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Pollution Prevention Software Systems Handbook Noyes Pubns? John A. King? Nicholas P. Cheremisinoff? Michael F. Wood? NoyesPubns? JohnA.King? NicholasP.Cheremisinoff? MichaelF.Wood? ジャンル別? Subjects-Computers&Internet-Programming-General? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-General? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Cosmetic Toiletry Formulation (Cosmetic Toiletry Formulations) Noyes Pubns? Ernest W. Flick? NoyesPubns? ErnestW.Flick? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Analytic? Subjects-Science-Chemistry-Analytic? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Nanostructured Materials Processing, Properties and Potential Applications Noyes Pubns? C. C. Koch? NoyesPubns? C.C.Koch? ジャンル別? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-Extraction&Processing? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-MaterialsScience-Extraction&Processing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Nanostructures? Subjects-Science-Technology-General&Reference Plastic Additives (Materials and Processing) Noyes Pubns? Ernest W. Flick? NoyesPubns? ErnestW.Flick? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-MaterialsScience-Extraction&Processing? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-MaterialsScience-Extraction&Processing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Machinery? Subjects-Science-General Subjects-Science-Technology-General&Reference Single Sourcing Building Modular Documentation Noyes Pubns? Kurt Ament? NoyesPubns? KurtAment? ジャンル別? Subjects-Computers&Internet-Programming-General? Subjects-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Writing-WritingSkills? Subjects-Reference-Writing-Technical? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnicalThinking&Writing? Coating Materials for Electronic Applications Polymers, Processes, Reliability, Testing Noyes Pubns? James J. Licari? NoyesPubns? JamesJ.Licari? ジャンル別? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Science-General Subjects-Science-Technology-General&Reference Water for New York A Study in State Administration of Water Resources Syracuse Univ Pr (Sd)? Roscoe C. Martin? SyracuseUnivPr(Sd)? RoscoeC.Martin? ジャンル別? Subjects-Outdoors&Nature-Conservation-Water? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-Technology-General&Reference Women, Writing, and the Reproduction of Culture in Tudor and Stuart Britain Syracuse Univ Pr (Sd)? Mary Burke? Jane Donawerth? Linda L. Dove? Karen Nelson? SyracuseUnivPr(Sd)? MaryBurke? JaneDonawerth? LindaL.Dove? KarenNelson? ジャンル別? Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Literature&Fiction-Books&Reading-WomenWriters&FeministTheory? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-Feminist? Subjects-Literature&Fiction-History&Criticism-Movements&Periods? Subjects-Literature&Fiction-WorldLiterature-British-General? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Nonfiction-SocialSciences-GenderStudies-WomeninHistory? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Women sStudies-WomenWriters? Subjects-Nonfiction-Women sStudies-FeministCriticism? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors? Subjects-Science-Technology-General&Reference Making Space Revisioning the World, 1475-1600 (Space, Place, and Society) Syracuse Univ Pr (Sd)? John Rennie Short? SyracuseUnivPr(Sd)? JohnRennieShort? ジャンル別? Substores-UnknownASINs-63? Subjects-History-Americas-UnitedStates-General? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-History-World-Renaissance? Subjects-Nonfiction-Education-Reference-Atlases&Maps-Atlases? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geography? Subjects-Reference-Atlases&Maps-Atlases? Subjects-Science-EarthSciences-Geography-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Travel-Atlases&Maps-Atlases? The Technology Pork Barrel Brookings Inst Pr? Linda R. Cohen? Roger G. Noll? BrookingsInstPr? LindaR.Cohen? RogerG.Noll? ジャンル別? Subjects-Business&Investing-Economics? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Nonfiction-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics? Subjects-Science-Technology-General&Reference The Technology Pork Barrel Brookings Inst Pr? Linda R. Cohen? Roger G. Noll? BrookingsInstPr? LindaR.Cohen? RogerG.Noll? ジャンル別? Subjects-Business&Investing-Economics? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Nonfiction-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&PublicPolicy? Creating the Computer Government, Industry, and High Technology Brookings Inst Pr? Kenneth Flamm? BrookingsInstPr? KennethFlamm? ジャンル別? Substores-UnknownASINs-22? Subjects-Business&Investing-Industries&Professions-High-Tech? Subjects-Computers&Internet-Business&Culture-ComputerIndustry? Subjects-Science-Technology-General&Reference Creating the Computer Government, Industry, and High Technology Brookings Inst Pr? Kenneth Flamm? BrookingsInstPr? KennethFlamm? ジャンル別? Subjects-Business&Investing-Industries&Professions-High-Tech? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Computers&Internet-Business&Culture-ComputerIndustry? Subjects-Computers&Internet-Databases-SpecificDatabases-Oracle-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference The China Circle Economics and Electronics in the Prc, Taiwan, and Hong Kong Brookings Inst Pr? Barry Naughton? BrookingsInstPr? BarryNaughton? ジャンル別? Subjects-Business&Investing-Economics-EconomicConditions? Subjects-Business&Investing-Economics-International? Subjects-Business&Investing-General? Subjects-Business&Investing-International-EconomicConditions? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-History-Asia-China-General? Subjects-Nonfiction-Economics-EconomicConditions? Subjects-Nonfiction-Economics-International? Subjects-Professional&Technical-Accounting&Finance-International-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicConditions? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-Technology-General&Reference Technology, R D, and the Economy Brookings Inst Pr? Bruce L. R. Smith? Claude E. Barfield? BrookingsInstPr? BruceL.R.Smith? ClaudeE.Barfield? ジャンル別? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-Economics-Labor&IndustrialRelations? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Nonfiction-Economics-Theory? Subjects-Nonfiction-Economics-Labor&IndustrialRelations? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-Labor&IndustrialRelations? Subjects-Science-Technology-General&Reference Silicon and the State French Innovation Policy in the Internet Age Brookings Inst Pr? Gunnar Trumbull? BrookingsInstPr? GunnarTrumbull? ジャンル別? Subjects-Business&Investing-Economics-EconomicConditions? Subjects-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Economics-EconomicConditions? Subjects-Nonfiction-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Professional&Technical-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicConditions? Subjects-Science-Technology-General&Reference Silicon and the State French Innovation Policy in the Internet Age Brookings Inst Pr? Gunnar Trumbull? BrookingsInstPr? GunnarTrumbull? ジャンル別? Subjects-Business&Investing-Economics-EconomicConditions? Subjects-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Economics-EconomicConditions? Subjects-Nonfiction-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Professional&Technical-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicConditions? Subjects-Science-Technology-General&Reference Technological Terrorism Devin-Adair Pub? Richard C. Clark? Devin-AdairPub? RichardC.Clark? ジャンル別? Subjects-Nonfiction-Politics-Freedom&Security-Terrorism? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Science-Technology-General&Reference Great Discoveries and Inventions (World of Science) Facts on File? David Lambert? Jane Insley? FactsonFile? DavidLambert? JaneInsley? ジャンル別? Substores-UnknownASINs-22? Subjects-Children sBooks? Subjects-Science-Technology-General&Reference Spy-Tech Facts on File? Graham Yost? FactsonFile? GrahamYost? ジャンル別? Subjects-History-Military-Intelligence&Espionage? Subjects-History-MilitaryScience? Subjects-Science-Technology-General&Reference Technology 2000 (Your World 2000) Facts on File? Peter Evans? FactsonFile? PeterEvans? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Nonfiction-SocialSciences-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書