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https://w.atwiki.jp/elvis/pages/7968.html
Frontiers in High Energy Density Physics The X-Games of Contemporary Science Natl Academy Pr? Plasma Science Comm Committee on High Energy Density Plasma Physics? NatlAcademyPr? PlasmaScienceCommCommitteeonHighEnergyDensityPlasmaPhysics? ジャンル別? Substores-UnknownASINs-7? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Subjects-Science-Technology-General&Reference Beyond Productivity Information, Technology, Innovation, and Creativity Natl Academy Pr? Alan S. Inouye? Marjory S. Blumenthal? William J. Mitchell? NatlAcademyPr? AlanS.Inouye? MarjoryS.Blumenthal? WilliamJ.Mitchell? ジャンル別? Substores-UnknownASINs-7? Subjects-Computers&Internet-ComputerScience? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Survey Automation Report and Workshop Proceedings Natl Academy Pr? D. C.) Workshop on Survey Automation (2002 Washington? Michael L. Cohen? Robert Groves? William Kalsbeek? Daniel L. Cork? NatlAcademyPr? D.C.)WorkshoponSurveyAutomation(2002Washington? MichaelL.Cohen? RobertGroves? WilliamKalsbeek? DanielL.Cork? ジャンル別? Substores-UnknownASINs-7? Subjects-Computers&Internet-General? Subjects-Nonfiction-SocialSciences-Methodology? Subjects-Nonfiction-SocialSciences-Research? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-Reference-Encyclopedias-General? Subjects-Reference-Education-Research? Subjects-Reference-Encyclopedias-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Nanotechnology? Cooperative Research in the National Marine Fisheries Service Natl Academy Pr? National Research Council? NatlAcademyPr? NationalResearchCouncil? ジャンル別? Substores-UnknownASINs-61? Subjects-Outdoors&Nature-NaturalResources-Fisheries&Aquaculture? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Aquaculture? Subjects-Science-Education-Research? Subjects-Science-Experiments,Instruments&Measurement-Methodology&Statistics? Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-Fisheries&Aquaculture? Subjects-Science-Nature&Ecology-Oceans&Seas-Oceanography-General? Subjects-Science-Technology-General&Reference Scientists, Engineers, And Two-track Diplomacy Natl Academy Pr? Glenn E. Schweitzer? NatlAcademyPr? GlennE.Schweitzer? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Future Needs in Deep Submergence Science Occupied and Unoccupied Vehicles in Basic Ocean Research Natl Academy Pr? NatlAcademyPr? ジャンル別? Substores-UnknownASINs-61? Subjects-Nonfiction-Transportation-Ships-General? Subjects-Nonfiction-Transportation-Ships-BoatBuilding? Subjects-Science-General Subjects-Science-Nature&Ecology-Oceans&Seas-Oceanography-General? Subjects-Science-Nature&Ecology-Oceans&Seas-Oceanography-Research? Subjects-Science-Technology-General&Reference Health Risks from Exposure to Low Levels of Ionizing Radiation Beir VII Phase 2 (Beir) Natl Academy Pr? NatlAcademyPr? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Medicine-Specialties-Radiology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Radiology-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Subjects-Science-Medicine-Specialties-Radiology-General? Electronic Scientific, Technical, And Medical Journal Publishing And Its Implications Natl Academy Pr? NatlAcademyPr? ジャンル別? Subjects-Medicine-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Reference-Publishing&Books-General? Subjects-Reference-General? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-General? Geospatial Framework For The Coastal Zone National Needs National Needs for Coastal Mapping and Charting Natl Academy Pr? National Research Council (U. S.)? NatlAcademyPr? NationalResearchCouncil(U.S.)? ジャンル別? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-Oceans&Seas-Oceanography-Physical? Subjects-Science-Technology-General&Reference Oil Spill Dispersants Efficacy And Effects Natl Academy Pr? National Research Council (U. S.)? NatlAcademyPr? NationalResearchCouncil(U.S.)? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-Technology-General&Reference Decreasing Energy Intensity in Manufacturing Assessing the Strategies and Future Directions of the Industrial Technologies Program Natl Academy Pr? NatlAcademyPr? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Avoiding Surprise in an Era of Global Technology Advances Natl Academy Pr? NatlAcademyPr? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Engineering-General? Subjects-History-MilitaryScience? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Assessment of the Scientific Information for the Radiation Exposure Screening And Education Program Natl Academy Pr? National Research Council (U. S.)? NatlAcademyPr? NationalResearchCouncil(U.S.)? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Medicine-Specialties-PreventiveMedicine? Subjects-Medicine-Specialties-Radiology-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Radiology-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Anatomy? Subjects-Science-Medicine-Specialties-PreventiveMedicine? Subjects-Science-Medicine-Specialties-Radiology-General? Digital People From Bionic Humans to Androids Natl Academy Pr? Sidney Perkowitz? NatlAcademyPr? SidneyPerkowitz? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Mechanical-Robotics? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Safety And Security of Commercial Spent Nuclear Fuel Storage Public Report Natl Academy Pr? National Research Council? NatlAcademyPr? NationalResearchCouncil? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-Nuclear? Subjects-Outdoors&Nature-Environment-Recycling? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Recycling? Subjects-Science-Technology-General&Reference Educating the Engineer of 2020 Adapting Engineering Education to the New Century Natl Academy Pr? National Academy of Engineering? NatlAcademyPr? NationalAcademyofEngineering? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Population, Land Use, And Environment Research Directions Natl Academy Pr? National Research Council (U. S.)? Barbara Entwisle? Paul C. Stern? NatlAcademyPr? NationalResearchCouncil(U.S.)? BarbaraEntwisle? PaulC.Stern? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-SocialSciences-Demography? Subjects-Nonfiction-SocialSciences-HumanGeography? Subjects-Outdoors&Nature-Environment? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-General Subjects-Science-Nature&Ecology-Environment? Subjects-Science-Technology-General&Reference Reopening Public Facilities After a Biological Attack A Decision-making Framework Natl Academy Pr? National Research Council (U. S.)? NatlAcademyPr? NationalResearchCouncil(U.S.)? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Nonfiction-Politics-Freedom&Security-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Administration&Policy-PublicHealth? Technological Options for User-Authorized Handguns A Technology-Readiness Assessment Natl Academy Pr? NatlAcademyPr? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Engineering-General? Subjects-History-Military-Weapons&Warfare-Conventional-General? Subjects-Nonfiction-Crime&Criminals-Criminology? Subjects-Nonfiction-CurrentEvents-GunControl? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Identification of Promising Naval Aviation Science And Technology Opportunities Natl Academy Pr? National Academies Press? NatlAcademyPr? NationalAcademiesPress? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-MilitaryScience? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference An Assessment of the National Institute of Standards And Technology Measurement And Standards Laboratories Fiscal Years 2004-2005 Natl Academy Pr? NatlAcademyPr? ジャンル別? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Tech Tally Approaches to Assessing Technological Literacy Natl Academy Pr? Elsa Garmire? Greg Pearson? NatlAcademyPr? ElsaGarmire? GregPearson? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Review of International Technologies for Destruction of Recovered Chemical Warfare Materials Natl Academy Pr? National Research Council (U. S.)? NatlAcademyPr? NationalResearchCouncil(U.S.)? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Nonfiction-Politics-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biotechnology? Validation of Toxicogenomic Technologies A Worksjop Summary Natl Academy Pr? NatlAcademyPr? ジャンル別? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Assessment of Millimeter-Wave and Terahertz Technology for Detection and Identification of Concealed Explosives and Weapons Natl Academy Pr? NatlAcademyPr? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-MilitaryScience? Subjects-Nonfiction-Crime&Criminals-Criminology? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Science and Technology in Kazakhstan Current Status and Future Prospects Natl Academy Pr? NatlAcademyPr? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-General Subjects-Science-Technology-General&Reference On the Right Lines? The Limits of Technological Innovation Palgrave Macmillan? Stephen Potter? PalgraveMacmillan? StephenPotter? ジャンル別? Subjects-Business&Investing-General? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Nonfiction-Transportation-Railroads-General? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Innovations? The Computer Revolution in Education New Technologies for Distance Teaching Palgrave Macmillan? Ann Jones? Eileen Scanlon? Tim O Shea? PalgraveMacmillan? AnnJones? EileenScanlon? TimO Shea? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Professional&Technical-Education-Administration-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Man, Nature and Technology Essays on the Role of Ideological Perceptions Palgrave Macmillan? Erik Baark? Uno Svedin? PalgraveMacmillan? ErikBaark? UnoSvedin? ジャンル別? Subjects-Computers&Internet-Business&Culture-FutureofComputing? Subjects-Entertainment-PopCulture-General? Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-PopularCulture? Subjects-Science-Technology-General&Reference Agrarian Reform in Contemporary Developing Countries Palgrave Macmillan? Ajit Kumar Ghose? PalgraveMacmillan? AjitKumarGhose? ジャンル別? Substores-UnknownASINs-7? Subjects-Business&Investing-Economics-Agricultural? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-Economics-Agricultural? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-Economics? Agricultural Fluctuations in Europe from the Thirteenth to the Twentieth Centuries Palgrave Macmillan? Wilhelm Abel? PalgraveMacmillan? WilhelmAbel? ジャンル別? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-History&Philosophy-HistoryofAgriculture? Subjects-Science-Technology-General&Reference Agriculture and International Relations Analysis and Policy Essays in Memory of Theodor Heidhues Palgrave Macmillan? Hartwig De Haen? Glenn L. Johnson? PalgraveMacmillan? HartwigDeHaen? GlennL.Johnson? ジャンル別? Substores-UnknownASINs-7? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-Economics-Agricultural? Subjects-Business&Investing-International-General? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Nonfiction-Economics-Agricultural? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-Economics? Ailing Steel The Transoceanic Quarrel Palgrave Macmillan? Walter H. Goldberg? PalgraveMacmillan? WalterH.Goldberg? ジャンル別? Substores-UnknownASINs-7? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference The Biotechnology Revolution An International Perspective Palgrave Macmillan? Alan M. Russell? PalgraveMacmillan? AlanM.Russell? ジャンル別? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Technology-General&Reference Class, Power and Technology Skilled Workers in Britain and America Palgrave Macmillan? Roger Penn? PalgraveMacmillan? RogerPenn? ジャンル別? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialGroups? Subjects-Nonfiction-SocialSciences-SpecialGroups-MinorityStudies? Subjects-Science-Technology-General&Reference Automation and World Competition New Technologies, Industrial Location, and Trade Palgrave Macmillan? Ashoka Mody? David Wheeler? PalgraveMacmillan? AshokaMody? DavidWheeler? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Decision-Aiding Software Skills, Obstacles, and Applications (Policy Studies Organization Series) Palgrave Macmillan? Stuart S. Nagel? PalgraveMacmillan? StuartS.Nagel? ジャンル別? Subjects-Business&Investing-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Nonfiction-Politics-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Science-Technology-General&Reference Appropriate Technologies for Third World Development Proceedings of a Conference Held by the International Economic Association at Teheran, Iran Palgrave Macmillan? E. A. G. Robinson? PalgraveMacmillan? E.A.G.Robinson? ジャンル別? Substores-UnknownASINs-7? Subjects-Science-Technology-General&Reference Euratom and Nuclear Safeguards Palgrave Macmillan? Darryl A. Howlett? PalgraveMacmillan? DarrylA.Howlett? ジャンル別? Subjects-Health,Mind&Body-Safety&FirstAid? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Neo-Liberal Agriculture in Rural Chile (Latin American Studies Series) Palgrave Macmillan? David E. Hojman? PalgraveMacmillan? DavidE.Hojman? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Europe in Space Palgrave Macmillan? Guy Collins? PalgraveMacmillan? GuyCollins? ジャンル別? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering? Subjects-Nonfiction-Politics-General? Subjects-Professional&Technical-Engineering? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Society and Technological Change Palgrave Macmillan? Rudi Volti? PalgraveMacmillan? RudiVolti? ジャンル別? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-Technology-General&Reference Computers in Third-World Schools Examples, Experience and Issues Palgrave Macmillan? David G. Hawkridge? John Jaworski? Harry McMahon? PalgraveMacmillan? DavidG.Hawkridge? JohnJaworski? HarryMcMahon? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Science-Technology-General&Reference Technology and the Future St Martins Pr? Albert H. Teich? StMartinsPr? AlbertH.Teich? ジャンル別? Substores-UnknownASINs-7? Subjects-Nonfiction-SocialSciences-Anthropology? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Religion&Spirituality-NewAge-Divination-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? The Possessed Individual Technology and New French Theory (Culture Texts) St Martins Pr? Arthur Kroker? StMartinsPr? ArthurKroker? ジャンル別? Subjects-Computers&Internet-Business&Culture-FutureofComputing? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? Globalizing Research and Development Palgrave Macmillan? Robert D. Pearce? Singh Satwinder? PalgraveMacmillan? RobertD.Pearce? SinghSatwinder? ジャンル別? Subjects-Business&Investing-General? Subjects-Science-Technology-General&Reference Society and Technological Change Worth Pub? Rudi Volti? WorthPub? RudiVolti? ジャンル別? Subjects-Computers&Internet-Business&Culture-FutureofComputing? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? The Existential Pleasures of Engineering St Martins Pr? Samuel C. Florman? StMartinsPr? SamuelC.Florman? ジャンル別? Substores-UnknownASINs-7? Subjects-Engineering-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-PhilosophyofTechnology? Technology and the Future Bedford/St Martins? Albert H. Teich? Bedford/StMartins? AlbertH.Teich? ジャンル別? Subjects-Nonfiction-SocialSciences-Anthropology? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Religion&Spirituality-NewAge-Divination-General? Subjects-Science-General Subjects-Science-Technology-Futurology? Subjects-Science-Technology-General&Reference The Culture of Surveillance Discipline and Social Control in the United States (Contemporary Social Issues (New York, N.Y.).) Worth Pub? William G. Staples? WorthPub? WilliamG.Staples? ジャンル別? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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Amateur Radio (Practical Handbook) Lutterworth Pr? Gordon Stokes? Peter Bubb? LutterworthPr? GordonStokes? PeterBubb? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Engineering-Telecommunications-Radio&Wireless? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-Radio&Wireless? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Substores-UnknownASINs-jp-unknown1? Art of the Engineer Lutterworth Pr? Ken Baynes? Francis Pugh? LutterworthPr? KenBaynes? FrancisPugh? ジャンル別? Subjects-Arts&Photography-Art-ArtHistory-General? Subjects-Arts&Photography-Art-Instruction&Reference-Drawing? Subjects-Arts&Photography-GraphicDesign-Commercial-General? Subjects-Arts&Photography-GraphicDesign-Drawing-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Osborne Reynolds and Engineering Science Today Manchester University Press? Donald Malcolm McDowell? John David Jackson? ManchesterUniversityPress? DonaldMalcolmMcDowell? JohnDavidJackson? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Bridgewater Manchester University Press? Hugh Malet? ManchesterUniversityPress? HughMalet? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General James Nasmyth and the Bridgewater Foundry A Study of Entrepreneurship in the Early Engineering Industry (Remains, Historical and Literary, Connected With the Palatine Counties of Lancaster and Chester 3rd Series) Manchester Univ Pr? John A. Cantrell? ManchesterUnivPr? JohnA.Cantrell? ジャンル別? Substores-UnknownASINs-17? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Engineering-General? Subjects-History-Europe-England-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Control and Optimization The Linear Treatment of Nonlinear Problems (Nonlinear Science Theory and Application) Manchester Univ Pr? J. E. Rubio? ManchesterUnivPr? J.E.Rubio? ジャンル別? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Subjects-Science-Mathematics-Applied? New Soaring Pilot J Murray? Ann, etc. Welch? JMurray? Ann,etc.Welch? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Pilot's Weather John Murray? Ann Welch? JohnMurray? AnnWelch? ジャンル別? Subjects-Engineering-General? 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DRITTER AKT Spielt im 1. Stock-Vestibul eines hocheleganten Hotels in Wien. Sowohl rechts wie links vorne führen Stiegenausschnitte zu dem höheren Stock-Werk, rechts und links rückwärts solche zu dem tieferen. Die ganze Rückwand ist eine Marmorbalustrade, in der Mitte breite Freitreppe, rechts und links von mächtigen Kandelabern flankiert. Die Freitreppe führt von der Bühne (also vom 1. Stock) ins Parterre zu einem Konzertsaal, der erleuchtet ist und aus dem leise Zigeunermusik hörbar ist. - Alle Beleuchtungskörper (Kandelaber, Luster, Stiegen und Tischlampen) von vornehmster Ausstattung, Klubmöbel, zierliche Tischchen, Teppiche aller Arten, kurz, jeder moderne Komfort. Die Personen die quer über die Freitreppe in der Mitte und über die Stiegenaussehnitte rechts und links rückwärts die Bühne betreten, sind zuerst nur mit dem Kopf, dann erst mit dem Oberkörper usw. sichtbar. Es ist nach Mitternacht - unmittelbar an die Vorgänge des zweiten Aktes anschliessend. Alles ist hell erleuchtet. Aus dem Konzertsaal im Parterre gedämpfte Klänge einer Zigeunerkapelle, hie und da Gläserklirren und lebhafte Ausrufe. Nach einer kleinen Pause kommen über die breite Freitreppe von unten nach oben - nach und nach sichtbar werdend - Sylva und Boni. Sie sind in derselben Toilette und derselben Verfassung wie im Finale des zweiten Aktes, nur hat Boni Überzieher an und Claque auf. Boni führt Sylva zu einem Etablissement rechts, wo sie sich in einen Klubfauteuil fallen lässt. Boni sinkt ihr gegenüber in einen anderen Fauteuil. Kleine Pause. ▼ERSTE SZENE▲ ▼SYLVA▲ seufzt ▼BONI▲ ebenso, nur lauter, dann zündet er sich eine Zigarette an, macht in paar Züge; mit einem missbilligenden Blick auf Sylva. Is dir jetzt leichter? ▼SYLVA▲ Ja! Tausend-, tausendmal leichter. ▼BONI▲ Also ich will dir keinen Vorwurf nicht machen, aber du hast dich benommen wie Titelrolle in “Wildente“. ▼SYLVA▲ Die Achsel zuckend Olala! Ich bin, schon so gebaut! ▼BONI▲ Ja, olala! Wütend Aber ich bin nicht so gebaut! Springt auf, läuft aufgeregt auf und ab Komm ich da unschuldig in Sauce hinein wie Lämmerchen. Was wird sich Gesellschaft von mir denken? ▼SYLVA▲ ruhig Was sie will - das ist mir Wurst! ▼BONI▲ So? - Du hast manchmal Ausdrücke! Wurst! So was nimm ich nicht einmal in Mund hinein. ▼SYLVA▲ stützt sich auf beide Ellbogen, sieht ihm ruhig ins Gesicht. Sag’ willst du mit mir streiten? ▼BONI▲ gleich besänftigt, tritt zu ihr, sagt Nein, Sylvikam, aber schau’ bin ich dein Frajnd? Wozu war notwendig ganzer Skandal. Was hätt’ er denn noch machen sollen, der Edwin? Mehr wie dich heiraten wollen, kann er doch nicht! ▼SYLVA▲ Mich hat er nicht heiraten wollen! Die Gräfin Kancsianu, die ja - aber die Sylva Varescu - die nicht! ▼BONI▲ Aber geh’ - das ist doch ein- und dasselbige sich vergessend Das ist doch ganz Wurst! Da Sylva sich bei diesem Wort zu ihm wendet, sich verlegen verbessernd Will ich sagen Salami! ▼SYLVA▲ bebend Er hat sich meiner geschämt! ▼BONI▲ Was fällt dir ein? Wann einer sich schämt, wird er doch rot - und er war immer ganz blass. ▼SYLVA▲ Du guter Kerl, du willst ihn verteidigen. Beginnt leise zu weinen. ▼BONI▲ Geh’, Mutzikam, wein nicht! Schneuzt sich. Weisst, kann ich Frau’nzimmer nicht weinen seh’n. Wirft sich in einen Fauteuil links, auf der anderen Seite der Bühne Na also, da hast es! Weint und schneuzt sich komisch. ▼ZWEITE SZENE▲ ▼FERI▲ Zigarette im Mundwinkel, Zylinder schief auf dem Kopf, Überzieher mit aufgestelltem Kragen, die Hände in den Überziehertaschen, in der Rechten den Stock, dessen Griff in der Tasche steckt, kommt pfeifend von unten über die Freitreppe, will nach links über die Stiege, erblickt Boni, dann Sylva, bleibt stehen, schaut von einem zum andern, fängt vor Freude zu lachen an Ja, schlaf’ ich oder träum’ ich! Boni! Sylva! Jaj mamam! BONI und SYLVA blicken auf, ihr Weinen geht in Lachen über, sie springen auf Feri bacsi! Feri bacsi! ▼FERI▲ macht Luftsprünge, Boni und Sylva drehen ihn übermütig vor Freude im Kreis herum, fällt Sylva um den Hals Sylva, Einziges, gut schaust aus! Umarmt Boni Bonikam, Liebliches, elend schaust aus! Was für Teifel hat den Eich dahergeschneit? ▼BONI▲ Was machst denn du da ? ▼FERI▲ mit Würde Ich bin hier - in Dienst! ▼SYLVA▲ In was ? ▼FERI▲ In Dienst! Als Beschützer von weiblicher Tugend. Sollt Ihr gleich seh’n! Eilt über die Treppe hinunter. Boni und Sylva treten neugierig zur Balustrade. Feris Stimme von unten Juliska, Aranka, Madels, kommt’s herauf - schaut’s, wer da ist! ▼DRITTE SZENE▲ ▼DIE MÄDCHEN▲ stürmen die Treppe herauf Wer denn? Wer denn? Erblicken Sylva, sind ganz ausser sich vor Freude Sylva! Sylva! Umarmen und küssen sie. ▼SYLVA▲ Nein! So was! So eine Überraschung! ▼DIE MÄDCHEN▲ erblicken Boni, stürzen auf ihn zu, umarmen ihn, rufen Boni! Boni! ▼JULISKA▲ zu Boni Hast mir was mitgebracht? eine Tüte hervorziehend Ja, Kugler Bonbons mit Seegras gefüllt. ▼FERI▲ erklärend Sind alle in Apollo engagiert - treten morgen auf. ▼SYLVA▲ lachend Was machst denn du dabei? ▼FERI▲ Ich bin mitgefahren - väterlich! Weil alle sind in mich verliebt! - Jaj, Sylva, wird das Aufsehen machen in Budapest, dass du wieder da bist! Haus wird brechen, wenn du wieder auftrittst. ▼SYLVA▲ Ich trete nicht mehr auf. ▼FERI▲ Was? ▼DIE MÄDCHEN▲ Warum denn nicht? ▼SYLVA▲ Ich heirate! ▼ALLE▲ Ah! ▼FERI▲ Ja, wen denn? ▼BONI▲ rasch Den Edwin! ▼DIE MÄDCHEN▲ in die Hände klatschend Also doch! Wir gratulieren! ▼SYLVA▲ unterbrechend Ist ja nicht wahr. Es ist ein anderer. ▼ALLE▲ Wer? Wer? ▼SYLVA▲ auf Boni deutend Er! ▼ALLE▲ brechen in grosses Gelächter aus ▼FERI▲ Also wenn du den nimmt - das wär’ grösste Dummheit von deinem Leben. ▼BONI▲ So ist es. ▼FERI▲ Der passt zu dir wie ein Elephant zu ein Klavier. ▼BONI▲ Sehr richtig! Eljen! ▼FERI▲ Was brauchst du überhaupt heiraten? Komm zurück zum Theater! ▼SYLVA▲ Nein - nie mehr! ▼FERI▲ Geht’s hinunter, Mädels, alle, lasst’s mich allein mit ihr - werd’ ich einmal zeigen, was alter Feri kann! Mädchen lachend mit Boni über die Mittelstiege ab ▼FERI▲ nimmt Sylva bei der Hand Komm, Sylva. Schau mir in Aug’ hinein. Tut dir weh um Edwin, was? ▼SYLVA▲ schweigt. ▼FERI▲ Kann dich ja versteh’n. Hab’ so was selber durchgemacht. Aber deswegen ganze Zukunft wegschmeissen - das darfst du nicht! Warm, zart Wenn L i e b e hat dein Herz gekränkt, Kunst wird wieder alles schenken - Vergessenheit. Komm zurück zum Theater. dort ist Heimat deiniges! Wann du dort oben stehst auf Brettel zufliegen alle Herzen – besonders die männlichen - dann wird vor dir versinken Welt andre und du wirst wieder sein was du warst Singvogel kleiner, goldiger, mit Glück in Schnabel, mit Glück in Herzen! Dann wirst du wieder Sylva sein - unsere Sylva! ▼SYLVA▲ gerührt Feri bacsi! ▼FERI▲ Komm zurück! Öffnet die Arme Willst du? - Ja - willst! Seh’ ich dir am Nasenspitzel an! ▼SYLVA▲ sich an ihn lehnend, bewegt Ich - kann nicht! ▼FERI▲ Kannst! Läuft zur Treppe, ruft hinunter Boni, komm mit die Zigeuner! Boni und Zigeuner kommen. Die Zigeuner im Gegensatz zum 1. Akt, wo sie im Frack waren, jetzt in roten, goldverschnürten Uniformen. ▼FERI▲ Her, Zigeuner! Spielt’s ein Stückel feuriges - was ihr geht in Blut hinein! Pickt dem Primas eine Banknote auf die Stirn; auf Sylva deutend Sie braucht noch ein Ruckerl, ein letztes! Nr. 14 Terzett ▼FERI▲ Nimm, Zigeuner, Deine Geige, Lass seh’n, was du kannst! Schwarzer Teufel, spiel’ und zeige, Wie dein Bogen tanzt! Spiel’ ein Lied, das weint und lacht, Spiele, bis der Bogen kracht, Spiele, bis heranbricht das Morgenrot, Spiele, Betyar, schlage mir die Sorgen tot ! Jaj mamam, Bruderherz, ich kauf’ mir die Welt! Jaj mamam, was liegt mir am lumpigen Geld! Weisst du, wie lange noch der Globus sich dreht, Ob es morgen nicht schon zu spät! ▼ALLE▲ Jaj mamam usw. ▼SYLVA▲ Spiel’, Zigeuner, mir was Feines, Etwas fürs Gmüt! Alles spiel’ mir, nur nicht eines - Nur kein Liebeslied! Spiele auf dem Kontrabass So zum Spass mir irgendwas! Spiel’ mir ‘einen Feuercsardas - spiel mir ihn! Bring’ das dumme Herz zum Schweigen mir da drin! Jaj mamam, Bruderherz, ich kauf mir die Welt! usw. ▼ALLE▲ Jaj mamam usw. ▼BONI▲ Ganzes Dasein ist ein Schmarren! Freunderl, sei gescheit! Heute über fünfzig Jahren Leben andre Leut’ ! Dieses ganze Jammertal Ist für mich ein Nachtlokal. Überhaupt fahr’ ich in Himmel vorderhand Und verkaufe, wenn gefällig, mein Gewand. ▼ALLE▲ Jaj mamam, Bruderherz, ich kauf’ mir die Welt! usw. Alles ab. ▼VIERTE SZENE▲ Edwin über die Wendeltreppe rechts, gefolgt von einem Hotelgroom. ▼GROOM▲ Bitte hier zu warten. Werde den Herrn Grafen verständigen. Ab. ▼EDWIN▲ Geht ungeduldig auf und ab, zündet sich nervös einige Zigaretten hintereinander an, wirft sie wieder weg. ▼BONI▲ über die Freitreppe Servus, Edwin! Hab’ gewusst, du wirst nicht schlafen können. ▼EDWIN▲ Wo ist Sylva ? ▼BONI▲ Sylva? Sieht ihn einen Augenblick zögernd an, dann Sylva is in Konzert. ▼EDWIN▲ sprachlos In was? ▼BONI▲ In Konzert - mit Feri bacsi! ▼EDWIN▲ Mit Feri? ▼BONI▲ Ja, da- schaust - nicht wahr? Wohnt zufällig auch da im Hotel der Feri bacsi! ▼EDWIN▲ Sie kann in ein Konzert geh’n, während ich … Wo ist dieses Konzert? ▼BONI▲ ausweichend Im Konzertsaal! Muss gleich aus sein. ▼EDWIN▲ Ich werde warten. Geht erregt auf und ab. ▼BONI▲ Ist zum Tisch links gegangen, lehnt sich an einen Stuhl Einen Schlaf hab’ ich , dass ich umfallen könnt’ ! ▼EDWIN▲ auf- und ablaufend Sie kann in ein Konzert geh’n! O diese Weiber! Diese Weiber! Während der folgenden Szene schläft Boni stehend langsam ein. ▼EDWIN▲ nach einer kleinen Pause, sich erregt zu Boni wendend Über dein heutiges Vorgehen sprechen wir noch! Das geht ich dir nicht so durch! Ein Jugendfreund, dem ich so blind vertraut habe! Ein Mensch, auf dessen Treue ich Häuser gebaut hätt’! Wie oft hast du mir sagt, du wirst mir jedes Opfer bringen!? Du wirst für mich durchs Feuer geh’n, du wirst für mich wachen- und jetzt! Hahaha! - Du hast Sylva die Verlobung verraten, du hast mich in diese Situation gebracht! - Du kommst in unser Haus und spielst mir eine lächerliche Posse vor - du musst mich rein für einen Idioten halten! ▼BONI▲ lässt im Schlaf den Kopf auf die Brust sinken. ▼EDWIN▲ wütend Du nickst? Das verbitt’ ich mir! Ich kann auch anders mit Dir reden! ▼BONI▲ schnarcht. ▼EDWIN▲ wie oben Du lachst? Jetzt hab’ ich’s satt! Geht auf Boni zu, rüttelt ihn bei der Schulter Was glaubst du denn eigentlich ? ▼BONI▲ erwachend Wo bin ich? Ganz erstaunt Du hier? Da ihn Edwin anfasst Mörder! Hilfe! ▼EDWIN▲ Keine Ausflüchte! Klipp und klar Warum hast du Sylva für deine Frau ausgegeben? ▼BONI▲ verschlafen Hab’ ich gar nicht! ▼EDWIN▲ Was ? ▼BONI▲ wie oben Sie hat mich für ihren Mann ausgegeben. Das is Unterschied, bitte. ▼EDWIN▲ Ich habe nur Geduld mit deiner grenzlosen Dummheit, sonst … ▼BONI▲ plötzlich, ganz munter Was Dummheit? Bitte, modernisier’ dich! Ja? Erst verlobst dich und heiratest nach allen Seiten und Richtungen und dann tunkst du mich in deine Suppen hinein! Schüttelt ihn Wie komm ich dazu? ▼EDWIN▲ Boni! ▼BONI▲ Jetzt will Sylva mich zum Mann haben! Schüttelt ihn. Wie komm ich dazu, deine Frau zu heiraten - während ich in deine Braut verliebt bin? schüttelt ihn Wie komme ich dazu, eine Frau zu heiraten, die einen Mann hat, der verlobt ist mit einer Braut, die ich zu meiner Frau machen’ will? schüttelt ihn. Wie komme ich dazu eine Braut zu meiner Frau machen zu wollen, die einen Bräutigam hat, der eine Frau hat, dich mich zu Ihrem Mann haben will? schüttelt ihn. ▼EDWIN▲ Lass mich los! Was erlaubst du dir? ▼BONI▲ Gleich für gleich bitte! Ich muss auch einmal mein Herz ausschütten! ▼GROOM▲ mit einer Visitkarte auf Boni zutretend Dieser Herr wünscht den Herrn Grafen zu sprechen. ▼BONI▲ sieht auf die Karte Der Teufel! ▼EDWIN▲ Wer ? ▼BONI▲ Der Teufel - soll’s holen! Schau, wer da is! Zeigt ihm die Karte. ▼EDWIN▲ rasch Mein Papa! Ich will ihn nicht seh’n! ▼BONI▲ Geh’ nur da hinein, zeigt Tür links ich hol’ dich schon später. Edwin links ab. ▼FÜNFTE SZENE▲ ▼FÜRST▲ sehr aufgeregt War Edwin da? ▼BONI▲ Ja! ▼FÜRST▲ Wo ist er? Wo? ▼BONI▲ verlegen In - im Kaffeehaus. ▼FÜRST▲ Ist er heil? Ist nichts passiert? ▼BONI▲ Nix. ▼FÜRST▲ Gottseidank! Stürzt zum Tischtelefon 14212! Ja, bitte! Horcht, wendet sich mit der Muschel am Ohr zu Boni Was hat er denn gesagt ? ▼BONI▲ Nix. Geschimpft hat er wie Nachtigall. ▼FÜRST▲ der Anschluss gefunden hat, spricht in den Apparat Anhilte, du? Hier Leopold Marie. Gottseidank, er ist da! Nein nein, nichts passiert! Ich bring’ ihn schon nach Haus! Läutet ab. ▼BONI▲ hat sich die Telefonnummer auf die Manchette notiert. 14121. Gut zu wissen. ▼FÜRST▲ Ohne deine alberne Komödie hätte die Verlobung stattgefunden. Jetzt ist das arme Mädel, die Stasi, kompromittiert. ▼BONI▲ O nein, bitte. Verlobung wird heute noch stattfinden. ▼FÜRST▲ barsch Was heisst das? ▼BONI▲ feierlich Das heisst - In anderem Ton Bitte nur ein Augenblick. Zieht sich seine weissen Handschuhe an, dann feierlich Ich habe die Ehre, Durchlaucht um die Hand von Fräulein Stasi zu bitten. ▼FÜRST▲ Du bist ja verrückt! Das Mädel liebt ja den Edwin. Nie würde sie einwilligen! ▼BONI▲ Werden wir ja gleich sehen. Geht zum Telefon, sieht auf die Manschette, läutet 14212, bitte! ▼FÜRST▲ Was treibst du? ▼BONI▲ Hallo! Hier Graf Kancsianu ! Bitte Komtesse Stasi zum Telefon! Zum Fürsten Scheint Gesellschaftstelefon. ▼FÜRST▲ Wieso? ▼BONI▲ Weil ich soviel Stimmen höre. Hineinsprechend - Hallo! Sehr freundlich Komtesse - verbeugt sich mehrmals Küss, die Handerln, küss’ die Handerln, bitte. Horcht. Sind bös’, bitte? Bin unschuldig wie Amen im Gebet. Horcht. Ja, ja. Bin mit Durchlaucht da mit alter, bitte. Horcht. Ja, Ja... Nur noch eine Kleinigkeit, bitte. Aber bitte sehr, nicht umfallen! Hab’ ich nämlich erlaubt bei Durchlaucht um Hand von Gnädige anzuhalten. Horcht. Sie lachen, bitte! - Bitte, sagen Sie gutes Wort - handelt es sich um mein ganzes Lebensglück. Horcht Wie bitte? Horcht mit steigender Freude. Ja! Ja? Ja! Dafür muss ich Ihnen Bussel geben! Küsst ins Telefon hinein. Ich bin glücklichster Mensch von ganzer Welt! Drückt die Muschel an sein Herz. Ja! Pah! Schluss! Läutet ab. Sehen Sie, das is einmal richtige Verbindung Schwiegerdurchlaucht, alter, kannst mir gratulieren ! Klopft ihm auf die Schulter. Du darfst mir “du” sagen, Onkel! ▼SECHSTE SZENE▲ ▼FERI▲ zu Boni Du Boni, Sylva lässt dir sagen, du sollst packen kommen. ▼BONI▲ Ich packe nicht, ich reise nicht. zum Fürsten Das ist Missverständnis. Keine Sylva, kein Weib auf ganzer Welt hat ein Recht auf mir. ▼JULISKA▲ auf der Treppe Boni! Geliebter! Komm doch! ▼BONI▲ winkt ihr lebhaft ab, verlegen, zum Fürsten Das zählt nicht, bitte. ▼GROOM▲ a tempo Herr Graf, zwei Damen lassen bitten. Sie warten im Vestibül. ▼BONI▲ Gleich zwei! zum Fürsten Die kenn’ ich gar nicht! Beiseite Wie wenn sie’s zu Fleiss täten! zum Fürsten Entschuldigen, Durchlaucht, auf einen Augenblick! zum Groom Ich komm’ schon, ich komm’ schon. Ab mit Groom. ▼SIEBTE SZENE▲ ▼FERI▲ Verzeihung - hab’ ich die Ehre mit altem Edwin? Sich vorstellend Ferencz Ritter Kerekes von Ferlsö-Mezötur und Also-Kirishaza, in Pest genannt der Feri bacsi. ▼FÜRST▲ Sehr angenehm. Leopold Maria Fürst von Lippert-Weylersheim. Verbeugung. ▼FERI▲ Verzeihung, wenn ich mich da bissel misch’ in die Familie hinein - aber Edwin is lieber junger Freund von mir, und weiss ich von alles. ▼FÜRST▲ Um so besser. - So werden Sie auch einseh’n - ▼FERI▲ Entschuldigen schon, kerem, aber seh’ ich gar nicht ein. Wann einmal Bursch Madel gern hat, dann muss Vater nachgeben. ▼FÜRST▲ Aber man kann doch schliesslich nicht von mir verlangen, dass ich eine Chansonette zur Schwiegertochter nehme! ▼FERI▲ Warum nicht, bitte? Ich selbst, bitte, bin doch auch Edelmann und hätt’ mir alle Finger abgeschleckt, wenn ich bekommen hätt’ die Kupfer Hilda von Orpheum in Miskolcz, wie sie Witwe war, is mir wieder der Graf Zentler Geza zuvorgekommen. ▼FÜRST▲ entgeistert Was sagen Sie da? Die Witwe des Grafen Zentler? Irren Sie sich auch nicht? ▼FERI▲ Aber nein! Zieht sein Portefeuille Das is sie! Trag’ ich noch Bild von ihr - in alle Ehren. Zeigt das Bild dem Fürsten, der es in die Hand nimmt. ▼FÜRST▲ wankt, beiseite Meine Frau! Eine Chansonette!! ▼FERI▲ Was ist Ihnen? Kennen Sie sie ? ▼FÜRST▲ Nein, nein - mir ist nur auf einmal so - würgend Ein bisschen Luft - ▼ACHTE SZENE▲ ▼FÜRSTIN▲ aufgeregt Wo ist mein Sohn, wo ist Edwin? ▼FÜRST▲ aufspringend Gut, dass du da bist, Ich habe mit dir zu sprechen. ▼FÜRSTIN▲ erblickt Feri, beiseite O mein Gott, Feri! ▼FERI▲ beiseite Hilda? zum Fürsten Frau Gemahlin, nicht wahr? Erlaube mich vorzustellen Ferencz Ritter Kerekes von Ferlsö-Mezötur und Also-Kirishaza. Ich schätze mich glücklich die Bekanntschaft von Euer Hochgeburt zu machen! Im Abgehen mit enttäuschtem Blick auf die Fürstin Jaj mamam! Ab. ▼FÜRST▲ Gottseidank, er hat sie nicht erkannt! ▼NEUNTE SZENE▲ ▼FÜRSTIN▲ Stasi wartet unten mit dem Grafen. - Was machst du für ein Gesicht? Was gibt es denn? ▼FÜRST▲ Was es gibt? Sich zu ihr neigend, mit finsterem Gesicht Ich sage nichts als Orpheum in Miskolcz! ▼FÜRSTIN▲ erschrocken O mein Gott! ▼FÜRST▲ Also wahr? Ich habe die Primadonna von Miskolcz geheiratet! Jetzt verstehe ich Edwin, der Bursch kann ja gar nicht anders! Er ist erblich belastet! ▼FÜRSTIN▲ Leopold Maria! ▼FÜRST▲ Ich gebe jeden Widerstand auf. Zwei Chansonetten in der Familie, mein Stammbaum zerfällt in lauter Brettl! ▼FÜRSTIN▲ Leopold Maria! ▼FÜRST▲ gebieterisch Miskolcz! ! Beide ab. Die Fürstin voraus mit gesenktem Kopf, Fürst mit ausgestrecktem Arm auf die Tür zeigend hinter ihr. ▼ZEHNTE SZENE▲ ▼STASI▲ Das ist eine Nacht! An die werd’ ich denken! ▼BONI▲ selig Ich auch. Es ist die glücklichste meines Lebens! Sie verliebt anblickend Vorläufig! ▼STASI▲ lachend Sind Sie aber komisch! ▼BONI▲ Damit is aus, bitte. Jetzt kommt Ernst des Lebens. ▼STASI▲ Nein, bleiben Sie nur wie Sie sind! ▼BONI▲ In Allem? ▼STASI▲ In Allem! ▼BONI▲ Dann erlauben schon! Küsst die ganz Überraschte plötzlich. ▼STASI▲ Was ist denn das? ▼BONI▲ Haben Sie gesagt, ich soll bleiben wie ich bin. Und ich bin so. Wenn ich verliebt bin, muss ich busseln. Küsst Sie wieder. ▼STASI▲ sich schwach wehrend Aufhören! ▼BONI▲ Aber fang’ ich ja erst an! Stasi, Stasikam, Braut süsse, liebe einzige, sag’ mir Wann machen wir Hochzeit? ▼STASI▲ Nicht eher, bis Sylva und Edwin vereint sind, das ist meine Bedingung. ▼BONI▲ Bitte, das überlassen Sie mir! Im Vereinen von Liebenden bin ich Fachmann. Noch heute Nacht bringe ich die Sache in Ordnung. ▼STASI▲ Wie werden Sie das anfangen? ▼BONI▲ Das ist mein Geheimnis. Bitte, betrachten Sie sich schon als mit mir verheiratet. Küsst sie. ▼STASI▲ Aber Boni! Wehrt sich. ▼BONI▲ Comtesse, ich liebe sie. ▼STASI▲ Und wenn ich sie nicht so lieben sollte … ▼BONI▲ Es macht nichts. Meine Liebe ist genug für beide. Nr. 15 Reminiszenz ▼BONI▲ Mädel guck Ich hab’ noch nicht genug! Es ist noch - lang nicht Schluss Gib mir schnell - noch ‘nen Kuss Mädel schau Bald sind wir - Mann und Frau - Und da nimmt man’ s nicht so genau. ▼STASI▲ Nicht so stürmisch, nur hübsch parlando! Glaub’, dass Dir das schon passen möcht’ - Kommst Du einmal erst, Freundchen, unter mein Kommando, Burscherl, dann geht’s Dir schlecht! ▼BEIDE▲ Das ist die Liebe. Die dumme Liebe! Die macht das Männchen (Weibchen) wie den Auerhahn so blind! Erst in der Ehe, So in der Nähe, Da merkt man, dass die Männchen Schwindler- (Weibchen Drachen) sind! Beide ab. ▼ELFTE SZENE.▲ Nach der Reminiszenz ▼BONI▲ eilig Sylva kommt! Jetzt mach’ ich meinen Schwindel vor. Setzt sich zum Telefon, ohne zu klingeln Hallo? Bist du’s Edwin? Hier Boni! Warum zitterst du so mit Stimme? Du siehst ja ganz blass aus! ▼SYLVA▲ ist schon einen Moment früher erschienen, hinter ihr der Groom Ja, ja, zum nächsten Zug! Groom verbeugt sich, ab. Sylva bleibt stehen und hört Boni zu, der sich stellt, als ob er sie nicht bemerkt hätte. ▼BONI▲ Edwin, was sagst du? Ich bitte dich, mach’ keine Dummheiten! Es kann ja noch alles gut werden. Was sagst du? Kannst ohne Sylva nicht leben? Aufschreiend Bitte, gib Revolver weg! ▼SYLVA▲ wankend, sich am Stuhl haltend O mein Gott! ▼BONI▲ fortfahrend Ich bitte dich, ich beschwöre dich, gib Revolver weg! In so jungen Jahren - bist ja noch Knospe! Kannst ja noch spriessen! Aufschreiend, sich die Haare verwirrend Ha! Wart’ doch noch! Noch nicht! Schiess nicht! ▼SYLVA▲ die in steigender Erregung zugehört hat, stürzt auf Boni zu Lass mich mit ihm sprechen! Will ihm das Hörrohr aus der Hand reissen. ▼BONI▲ es krampfhaft festhaltend Weg da! Stösst sie zurück Ein Menschenleben steht auf dem Spiel! ▼EDWIN▲ Erscheint im Hintergrund, von beiden unbemerkt, hört erstaunt zu. ▼BONI▲ telefoniert weiter Edwin, bin ich dein Freind? Aufschreiend Er zielt auf mich! Edwin, Sylva ist da, sie lasst dir sagen - Zu Sylva in natürlichstem Ton Was lasst du ihm sagen? ▼SYLVA▲ mit ehrlichster Empfindung Dass ich ihn liebe, dass ich seinetwegen gekommen bin. Dass ich ohne ihn nicht leben kann. Sie wankt. ▼EDWIN▲ stürzt auf sie zu, hält sie, Sylva stösst einen Schrei aus. Edwin fällt ihr zu Füssen, bedeckt ihre Hände mit Küssen. ▼BONI▲ hat davon gar nichtsbemerkt, telefoniert weiter Sie lässt dir sagen, dass ich dich liebe, dass sie meinetwegen gekommen ist, dass du ohne mich nicht leben kannst! Schiess nicht! Was soll ich ihr sagen? Was ist dein letztes Wort? Horcht ▼EDWIN▲ Dass ich sie liebe, dass ich ohne sie nicht leben kann. ▼BONI▲ Danke, Schluss. Dreht sich um, beim Anblick Edwins schreit er auf Der selige Edwin! ▼ZWÖLFTE SZENE▲ ▼STASI▲ Nun? ▼BONI▲ stolz Mein Werk! Zeigt auf Sylva und Edwin Wann machen wir Hochzeit? ▼STASI▲ Wann du willst! Umarmung. Schlussgesang ▼ALLE VIER▲ Tausend kleine Englein singen…. usw. V o r h a n g DRITTER AKT Spielt im 1. Stock-Vestibul eines hocheleganten Hotels in Wien. Sowohl rechts wie links vorne führen Stiegenausschnitte zu dem höheren Stock-Werk, rechts und links rückwärts solche zu dem tieferen. Die ganze Rückwand ist eine Marmorbalustrade, in der Mitte breite Freitreppe, rechts und links von mächtigen Kandelabern flankiert. Die Freitreppe führt von der Bühne (also vom 1. Stock) ins Parterre zu einem Konzertsaal, der erleuchtet ist und aus dem leise Zigeunermusik hörbar ist. - Alle Beleuchtungskörper (Kandelaber, Luster, Stiegen und Tischlampen) von vornehmster Ausstattung, Klubmöbel, zierliche Tischchen, Teppiche aller Arten, kurz, jeder moderne Komfort. Die Personen die quer über die Freitreppe in der Mitte und über die Stiegenaussehnitte rechts und links rückwärts die Bühne betreten, sind zuerst nur mit dem Kopf, dann erst mit dem Oberkörper usw. sichtbar. Es ist nach Mitternacht - unmittelbar an die Vorgänge des zweiten Aktes anschliessend. Alles ist hell erleuchtet. Aus dem Konzertsaal im Parterre gedämpfte Klänge einer Zigeunerkapelle, hie und da Gläserklirren und lebhafte Ausrufe. Nach einer kleinen Pause kommen über die breite Freitreppe von unten nach oben - nach und nach sichtbar werdend - Sylva und Boni. Sie sind in derselben Toilette und derselben Verfassung wie im Finale des zweiten Aktes, nur hat Boni Überzieher an und Claque auf. Boni führt Sylva zu einem Etablissement rechts, wo sie sich in einen Klubfauteuil fallen lässt. Boni sinkt ihr gegenüber in einen anderen Fauteuil. Kleine Pause. ERSTE SZENE SYLVA seufzt BONI ebenso, nur lauter, dann zündet er sich eine Zigarette an, macht in paar Züge; mit einem missbilligenden Blick auf Sylva. Is dir jetzt leichter? SYLVA Ja! Tausend-, tausendmal leichter. BONI Also ich will dir keinen Vorwurf nicht machen, aber du hast dich benommen wie Titelrolle in “Wildente“. SYLVA Die Achsel zuckend Olala! Ich bin, schon so gebaut! BONI Ja, olala! Wütend Aber ich bin nicht so gebaut! Springt auf, läuft aufgeregt auf und ab Komm ich da unschuldig in Sauce hinein wie Lämmerchen. Was wird sich Gesellschaft von mir denken? SYLVA ruhig Was sie will - das ist mir Wurst! BONI So? - Du hast manchmal Ausdrücke! Wurst! So was nimm ich nicht einmal in Mund hinein. SYLVA stützt sich auf beide Ellbogen, sieht ihm ruhig ins Gesicht. Sag’ willst du mit mir streiten? BONI gleich besänftigt, tritt zu ihr, sagt Nein, Sylvikam, aber schau’ bin ich dein Frajnd? Wozu war notwendig ganzer Skandal. Was hätt’ er denn noch machen sollen, der Edwin? Mehr wie dich heiraten wollen, kann er doch nicht! SYLVA Mich hat er nicht heiraten wollen! Die Gräfin Kancsianu, die ja - aber die Sylva Varescu - die nicht! BONI Aber geh’ - das ist doch ein- und dasselbige sich vergessend Das ist doch ganz Wurst! Da Sylva sich bei diesem Wort zu ihm wendet, sich verlegen verbessernd Will ich sagen Salami! SYLVA bebend Er hat sich meiner geschämt! BONI Was fällt dir ein? Wann einer sich schämt, wird er doch rot - und er war immer ganz blass. SYLVA Du guter Kerl, du willst ihn verteidigen. Beginnt leise zu weinen. BONI Geh’, Mutzikam, wein nicht! Schneuzt sich. Weisst, kann ich Frau’nzimmer nicht weinen seh’n. Wirft sich in einen Fauteuil links, auf der anderen Seite der Bühne Na also, da hast es! Weint und schneuzt sich komisch. ZWEITE SZENE FERI Zigarette im Mundwinkel, Zylinder schief auf dem Kopf, Überzieher mit aufgestelltem Kragen, die Hände in den Überziehertaschen, in der Rechten den Stock, dessen Griff in der Tasche steckt, kommt pfeifend von unten über die Freitreppe, will nach links über die Stiege, erblickt Boni, dann Sylva, bleibt stehen, schaut von einem zum andern, fängt vor Freude zu lachen an Ja, schlaf’ ich oder träum’ ich! Boni! Sylva! Jaj mamam! BONI und SYLVA blicken auf, ihr Weinen geht in Lachen über, sie springen auf Feri bacsi! Feri bacsi! FERI macht Luftsprünge, Boni und Sylva drehen ihn übermütig vor Freude im Kreis herum, fällt Sylva um den Hals Sylva, Einziges, gut schaust aus! Umarmt Boni Bonikam, Liebliches, elend schaust aus! Was für Teifel hat den Eich dahergeschneit? BONI Was machst denn du da ? FERI mit Würde Ich bin hier - in Dienst! SYLVA In was ? FERI In Dienst! Als Beschützer von weiblicher Tugend. Sollt Ihr gleich seh’n! Eilt über die Treppe hinunter. Boni und Sylva treten neugierig zur Balustrade. Feris Stimme von unten Juliska, Aranka, Madels, kommt’s herauf - schaut’s, wer da ist! DRITTE SZENE DIE MÄDCHEN stürmen die Treppe herauf Wer denn? Wer denn? Erblicken Sylva, sind ganz ausser sich vor Freude Sylva! Sylva! Umarmen und küssen sie. SYLVA Nein! So was! So eine Überraschung! DIE MÄDCHEN erblicken Boni, stürzen auf ihn zu, umarmen ihn, rufen Boni! Boni! JULISKA zu Boni Hast mir was mitgebracht? eine Tüte hervorziehend Ja, Kugler Bonbons mit Seegras gefüllt. FERI erklärend Sind alle in Apollo engagiert - treten morgen auf. SYLVA lachend Was machst denn du dabei? FERI Ich bin mitgefahren - väterlich! Weil alle sind in mich verliebt! - Jaj, Sylva, wird das Aufsehen machen in Budapest, dass du wieder da bist! Haus wird brechen, wenn du wieder auftrittst. SYLVA Ich trete nicht mehr auf. FERI Was? DIE MÄDCHEN Warum denn nicht? SYLVA Ich heirate! ALLE Ah! FERI Ja, wen denn? BONI rasch Den Edwin! DIE MÄDCHEN in die Hände klatschend Also doch! Wir gratulieren! SYLVA unterbrechend Ist ja nicht wahr. Es ist ein anderer. ALLE Wer? Wer? SYLVA auf Boni deutend Er! ALLE brechen in grosses Gelächter aus FERI Also wenn du den nimmt - das wär’ grösste Dummheit von deinem Leben. BONI So ist es. FERI Der passt zu dir wie ein Elephant zu ein Klavier. BONI Sehr richtig! Eljen! FERI Was brauchst du überhaupt heiraten? Komm zurück zum Theater! SYLVA Nein - nie mehr! FERI Geht’s hinunter, Mädels, alle, lasst’s mich allein mit ihr - werd’ ich einmal zeigen, was alter Feri kann! Mädchen lachend mit Boni über die Mittelstiege ab FERI nimmt Sylva bei der Hand Komm, Sylva. Schau mir in Aug’ hinein. Tut dir weh um Edwin, was? SYLVA schweigt. FERI Kann dich ja versteh’n. Hab’ so was selber durchgemacht. Aber deswegen ganze Zukunft wegschmeissen - das darfst du nicht! Warm, zart Wenn L i e b e hat dein Herz gekränkt, Kunst wird wieder alles schenken - Vergessenheit. Komm zurück zum Theater. dort ist Heimat deiniges! Wann du dort oben stehst auf Brettel zufliegen alle Herzen – besonders die männlichen - dann wird vor dir versinken Welt andre und du wirst wieder sein was du warst Singvogel kleiner, goldiger, mit Glück in Schnabel, mit Glück in Herzen! Dann wirst du wieder Sylva sein - unsere Sylva! SYLVA gerührt Feri bacsi! FERI Komm zurück! Öffnet die Arme Willst du? - Ja - willst! Seh’ ich dir am Nasenspitzel an! SYLVA sich an ihn lehnend, bewegt Ich - kann nicht! FERI Kannst! Läuft zur Treppe, ruft hinunter Boni, komm mit die Zigeuner! Boni und Zigeuner kommen. Die Zigeuner im Gegensatz zum 1. Akt, wo sie im Frack waren, jetzt in roten, goldverschnürten Uniformen. FERI Her, Zigeuner! Spielt’s ein Stückel feuriges - was ihr geht in Blut hinein! Pickt dem Primas eine Banknote auf die Stirn; auf Sylva deutend Sie braucht noch ein Ruckerl, ein letztes! Nr. 14 Terzett FERI Nimm, Zigeuner, Deine Geige, Lass seh’n, was du kannst! Schwarzer Teufel, spiel’ und zeige, Wie dein Bogen tanzt! Spiel’ ein Lied, das weint und lacht, Spiele, bis der Bogen kracht, Spiele, bis heranbricht das Morgenrot, Spiele, Betyar, schlage mir die Sorgen tot ! Jaj mamam, Bruderherz, ich kauf’ mir die Welt! Jaj mamam, was liegt mir am lumpigen Geld! Weisst du, wie lange noch der Globus sich dreht, Ob es morgen nicht schon zu spät! ALLE Jaj mamam usw. SYLVA Spiel’, Zigeuner, mir was Feines, Etwas fürs Gmüt! Alles spiel’ mir, nur nicht eines - Nur kein Liebeslied! Spiele auf dem Kontrabass So zum Spass mir irgendwas! Spiel’ mir ‘einen Feuercsardas - spiel mir ihn! Bring’ das dumme Herz zum Schweigen mir da drin! Jaj mamam, Bruderherz, ich kauf mir die Welt! usw. ALLE Jaj mamam usw. BONI Ganzes Dasein ist ein Schmarren! Freunderl, sei gescheit! Heute über fünfzig Jahren Leben andre Leut’ ! Dieses ganze Jammertal Ist für mich ein Nachtlokal. Überhaupt fahr’ ich in Himmel vorderhand Und verkaufe, wenn gefällig, mein Gewand. ALLE Jaj mamam, Bruderherz, ich kauf’ mir die Welt! usw. Alles ab. VIERTE SZENE Edwin über die Wendeltreppe rechts, gefolgt von einem Hotelgroom. GROOM Bitte hier zu warten. Werde den Herrn Grafen verständigen. Ab. EDWIN Geht ungeduldig auf und ab, zündet sich nervös einige Zigaretten hintereinander an, wirft sie wieder weg. BONI über die Freitreppe Servus, Edwin! Hab’ gewusst, du wirst nicht schlafen können. EDWIN Wo ist Sylva ? BONI Sylva? Sieht ihn einen Augenblick zögernd an, dann Sylva is in Konzert. EDWIN sprachlos In was? BONI In Konzert - mit Feri bacsi! EDWIN Mit Feri? BONI Ja, da- schaust - nicht wahr? Wohnt zufällig auch da im Hotel der Feri bacsi! EDWIN Sie kann in ein Konzert geh’n, während ich … Wo ist dieses Konzert? BONI ausweichend Im Konzertsaal! Muss gleich aus sein. EDWIN Ich werde warten. Geht erregt auf und ab. BONI Ist zum Tisch links gegangen, lehnt sich an einen Stuhl Einen Schlaf hab’ ich , dass ich umfallen könnt’ ! EDWIN auf- und ablaufend Sie kann in ein Konzert geh’n! O diese Weiber! Diese Weiber! Während der folgenden Szene schläft Boni stehend langsam ein. EDWIN nach einer kleinen Pause, sich erregt zu Boni wendend Über dein heutiges Vorgehen sprechen wir noch! Das geht ich dir nicht so durch! Ein Jugendfreund, dem ich so blind vertraut habe! Ein Mensch, auf dessen Treue ich Häuser gebaut hätt’! Wie oft hast du mir sagt, du wirst mir jedes Opfer bringen!? Du wirst für mich durchs Feuer geh’n, du wirst für mich wachen- und jetzt! Hahaha! - Du hast Sylva die Verlobung verraten, du hast mich in diese Situation gebracht! - Du kommst in unser Haus und spielst mir eine lächerliche Posse vor - du musst mich rein für einen Idioten halten! BONI lässt im Schlaf den Kopf auf die Brust sinken. EDWIN wütend Du nickst? Das verbitt’ ich mir! Ich kann auch anders mit Dir reden! BONI schnarcht. EDWIN wie oben Du lachst? Jetzt hab’ ich’s satt! Geht auf Boni zu, rüttelt ihn bei der Schulter Was glaubst du denn eigentlich ? BONI erwachend Wo bin ich? Ganz erstaunt Du hier? Da ihn Edwin anfasst Mörder! Hilfe! EDWIN Keine Ausflüchte! Klipp und klar Warum hast du Sylva für deine Frau ausgegeben? BONI verschlafen Hab’ ich gar nicht! EDWIN Was ? BONI wie oben Sie hat mich für ihren Mann ausgegeben. Das is Unterschied, bitte. EDWIN Ich habe nur Geduld mit deiner grenzlosen Dummheit, sonst … BONI plötzlich, ganz munter Was Dummheit? Bitte, modernisier’ dich! Ja? Erst verlobst dich und heiratest nach allen Seiten und Richtungen und dann tunkst du mich in deine Suppen hinein! Schüttelt ihn Wie komm ich dazu? EDWIN Boni! BONI Jetzt will Sylva mich zum Mann haben! Schüttelt ihn. Wie komm ich dazu, deine Frau zu heiraten - während ich in deine Braut verliebt bin? schüttelt ihn Wie komme ich dazu, eine Frau zu heiraten, die einen Mann hat, der verlobt ist mit einer Braut, die ich zu meiner Frau machen’ will? schüttelt ihn. Wie komme ich dazu eine Braut zu meiner Frau machen zu wollen, die einen Bräutigam hat, der eine Frau hat, dich mich zu Ihrem Mann haben will? schüttelt ihn. EDWIN Lass mich los! Was erlaubst du dir? BONI Gleich für gleich bitte! Ich muss auch einmal mein Herz ausschütten! GROOM mit einer Visitkarte auf Boni zutretend Dieser Herr wünscht den Herrn Grafen zu sprechen. BONI sieht auf die Karte Der Teufel! EDWIN Wer ? BONI Der Teufel - soll’s holen! Schau, wer da is! Zeigt ihm die Karte. EDWIN rasch Mein Papa! Ich will ihn nicht seh’n! BONI Geh’ nur da hinein, zeigt Tür links ich hol’ dich schon später. Edwin links ab. FÜNFTE SZENE FÜRST sehr aufgeregt War Edwin da? BONI Ja! FÜRST Wo ist er? Wo? BONI verlegen In - im Kaffeehaus. FÜRST Ist er heil? Ist nichts passiert? BONI Nix. FÜRST Gottseidank! Stürzt zum Tischtelefon 14212! Ja, bitte! Horcht, wendet sich mit der Muschel am Ohr zu Boni Was hat er denn gesagt ? BONI Nix. Geschimpft hat er wie Nachtigall. FÜRST der Anschluss gefunden hat, spricht in den Apparat Anhilte, du? Hier Leopold Marie. Gottseidank, er ist da! Nein nein, nichts passiert! Ich bring’ ihn schon nach Haus! Läutet ab. BONI hat sich die Telefonnummer auf die Manchette notiert. 14121. Gut zu wissen. FÜRST Ohne deine alberne Komödie hätte die Verlobung stattgefunden. Jetzt ist das arme Mädel, die Stasi, kompromittiert. BONI O nein, bitte. Verlobung wird heute noch stattfinden. FÜRST barsch Was heisst das? BONI feierlich Das heisst - In anderem Ton Bitte nur ein Augenblick. Zieht sich seine weissen Handschuhe an, dann feierlich Ich habe die Ehre, Durchlaucht um die Hand von Fräulein Stasi zu bitten. FÜRST Du bist ja verrückt! Das Mädel liebt ja den Edwin. Nie würde sie einwilligen! BONI Werden wir ja gleich sehen. Geht zum Telefon, sieht auf die Manschette, läutet 14212, bitte! FÜRST Was treibst du? BONI Hallo! Hier Graf Kancsianu ! Bitte Komtesse Stasi zum Telefon! Zum Fürsten Scheint Gesellschaftstelefon. FÜRST Wieso? BONI Weil ich soviel Stimmen höre. Hineinsprechend - Hallo! Sehr freundlich Komtesse - verbeugt sich mehrmals Küss, die Handerln, küss’ die Handerln, bitte. Horcht. Sind bös’, bitte? Bin unschuldig wie Amen im Gebet. Horcht. Ja, ja. Bin mit Durchlaucht da mit alter, bitte. Horcht. Ja, Ja... Nur noch eine Kleinigkeit, bitte. Aber bitte sehr, nicht umfallen! Hab’ ich nämlich erlaubt bei Durchlaucht um Hand von Gnädige anzuhalten. Horcht. Sie lachen, bitte! - Bitte, sagen Sie gutes Wort - handelt es sich um mein ganzes Lebensglück. Horcht Wie bitte? Horcht mit steigender Freude. Ja! Ja? Ja! Dafür muss ich Ihnen Bussel geben! Küsst ins Telefon hinein. Ich bin glücklichster Mensch von ganzer Welt! Drückt die Muschel an sein Herz. Ja! Pah! Schluss! Läutet ab. Sehen Sie, das is einmal richtige Verbindung Schwiegerdurchlaucht, alter, kannst mir gratulieren ! Klopft ihm auf die Schulter. Du darfst mir “du” sagen, Onkel! SECHSTE SZENE FERI zu Boni Du Boni, Sylva lässt dir sagen, du sollst packen kommen. BONI Ich packe nicht, ich reise nicht. zum Fürsten Das ist Missverständnis. Keine Sylva, kein Weib auf ganzer Welt hat ein Recht auf mir. JULISKA auf der Treppe Boni! Geliebter! Komm doch! BONI winkt ihr lebhaft ab, verlegen, zum Fürsten Das zählt nicht, bitte. GROOM a tempo Herr Graf, zwei Damen lassen bitten. Sie warten im Vestibül. BONI Gleich zwei! zum Fürsten Die kenn’ ich gar nicht! Beiseite Wie wenn sie’s zu Fleiss täten! zum Fürsten Entschuldigen, Durchlaucht, auf einen Augenblick! zum Groom Ich komm’ schon, ich komm’ schon. Ab mit Groom. SIEBTE SZENE FERI Verzeihung - hab’ ich die Ehre mit altem Edwin? Sich vorstellend Ferencz Ritter Kerekes von Ferlsö-Mezötur und Also-Kirishaza, in Pest genannt der Feri bacsi. FÜRST Sehr angenehm. Leopold Maria Fürst von Lippert-Weylersheim. Verbeugung. FERI Verzeihung, wenn ich mich da bissel misch’ in die Familie hinein - aber Edwin is lieber junger Freund von mir, und weiss ich von alles. FÜRST Um so besser. - So werden Sie auch einseh’n - FERI Entschuldigen schon, kerem, aber seh’ ich gar nicht ein. Wann einmal Bursch Madel gern hat, dann muss Vater nachgeben. FÜRST Aber man kann doch schliesslich nicht von mir verlangen, dass ich eine Chansonette zur Schwiegertochter nehme! FERI Warum nicht, bitte? Ich selbst, bitte, bin doch auch Edelmann und hätt’ mir alle Finger abgeschleckt, wenn ich bekommen hätt’ die Kupfer Hilda von Orpheum in Miskolcz, wie sie Witwe war, is mir wieder der Graf Zentler Geza zuvorgekommen. FÜRST entgeistert Was sagen Sie da? Die Witwe des Grafen Zentler? Irren Sie sich auch nicht? FERI Aber nein! Zieht sein Portefeuille Das is sie! Trag’ ich noch Bild von ihr - in alle Ehren. Zeigt das Bild dem Fürsten, der es in die Hand nimmt. FÜRST wankt, beiseite Meine Frau! Eine Chansonette!! FERI Was ist Ihnen? Kennen Sie sie ? FÜRST Nein, nein - mir ist nur auf einmal so - würgend Ein bisschen Luft - ACHTE SZENE FÜRSTIN aufgeregt Wo ist mein Sohn, wo ist Edwin? FÜRST aufspringend Gut, dass du da bist, Ich habe mit dir zu sprechen. FÜRSTIN erblickt Feri, beiseite O mein Gott, Feri! FERI beiseite Hilda? zum Fürsten Frau Gemahlin, nicht wahr? Erlaube mich vorzustellen Ferencz Ritter Kerekes von Ferlsö-Mezötur und Also-Kirishaza. Ich schätze mich glücklich die Bekanntschaft von Euer Hochgeburt zu machen! Im Abgehen mit enttäuschtem Blick auf die Fürstin Jaj mamam! Ab. FÜRST Gottseidank, er hat sie nicht erkannt! NEUNTE SZENE FÜRSTIN Stasi wartet unten mit dem Grafen. - Was machst du für ein Gesicht? Was gibt es denn? FÜRST Was es gibt? Sich zu ihr neigend, mit finsterem Gesicht Ich sage nichts als Orpheum in Miskolcz! FÜRSTIN erschrocken O mein Gott! FÜRST Also wahr? Ich habe die Primadonna von Miskolcz geheiratet! Jetzt verstehe ich Edwin, der Bursch kann ja gar nicht anders! Er ist erblich belastet! FÜRSTIN Leopold Maria! FÜRST Ich gebe jeden Widerstand auf. Zwei Chansonetten in der Familie, mein Stammbaum zerfällt in lauter Brettl! FÜRSTIN Leopold Maria! FÜRST gebieterisch Miskolcz! ! Beide ab. Die Fürstin voraus mit gesenktem Kopf, Fürst mit ausgestrecktem Arm auf die Tür zeigend hinter ihr. ZEHNTE SZENE STASI Das ist eine Nacht! An die werd’ ich denken! BONI selig Ich auch. Es ist die glücklichste meines Lebens! Sie verliebt anblickend Vorläufig! STASI lachend Sind Sie aber komisch! BONI Damit is aus, bitte. Jetzt kommt Ernst des Lebens. STASI Nein, bleiben Sie nur wie Sie sind! BONI In Allem? STASI In Allem! BONI Dann erlauben schon! Küsst die ganz Überraschte plötzlich. STASI Was ist denn das? BONI Haben Sie gesagt, ich soll bleiben wie ich bin. Und ich bin so. Wenn ich verliebt bin, muss ich busseln. Küsst Sie wieder. STASI sich schwach wehrend Aufhören! BONI Aber fang’ ich ja erst an! Stasi, Stasikam, Braut süsse, liebe einzige, sag’ mir Wann machen wir Hochzeit? STASI Nicht eher, bis Sylva und Edwin vereint sind, das ist meine Bedingung. BONI Bitte, das überlassen Sie mir! Im Vereinen von Liebenden bin ich Fachmann. Noch heute Nacht bringe ich die Sache in Ordnung. STASI Wie werden Sie das anfangen? BONI Das ist mein Geheimnis. Bitte, betrachten Sie sich schon als mit mir verheiratet. Küsst sie. STASI Aber Boni! Wehrt sich. BONI Comtesse, ich liebe sie. STASI Und wenn ich sie nicht so lieben sollte … BONI Es macht nichts. Meine Liebe ist genug für beide. Nr. 15 Reminiszenz BONI Mädel guck Ich hab’ noch nicht genug! Es ist noch - lang nicht Schluss Gib mir schnell - noch ‘nen Kuss Mädel schau Bald sind wir - Mann und Frau - Und da nimmt man’ s nicht so genau. STASI Nicht so stürmisch, nur hübsch parlando! Glaub’, dass Dir das schon passen möcht’ - Kommst Du einmal erst, Freundchen, unter mein Kommando, Burscherl, dann geht’s Dir schlecht! BEIDE Das ist die Liebe. Die dumme Liebe! Die macht das Männchen (Weibchen) wie den Auerhahn so blind! Erst in der Ehe, So in der Nähe, Da merkt man, dass die Männchen Schwindler- (Weibchen Drachen) sind! Beide ab. ELFTE SZENE. Nach der Reminiszenz BONI eilig Sylva kommt! Jetzt mach’ ich meinen Schwindel vor. Setzt sich zum Telefon, ohne zu klingeln Hallo? Bist du’s Edwin? Hier Boni! Warum zitterst du so mit Stimme? Du siehst ja ganz blass aus! SYLVA ist schon einen Moment früher erschienen, hinter ihr der Groom Ja, ja, zum nächsten Zug! Groom verbeugt sich, ab. Sylva bleibt stehen und hört Boni zu, der sich stellt, als ob er sie nicht bemerkt hätte. BONI Edwin, was sagst du? Ich bitte dich, mach’ keine Dummheiten! Es kann ja noch alles gut werden. Was sagst du? Kannst ohne Sylva nicht leben? Aufschreiend Bitte, gib Revolver weg! SYLVA wankend, sich am Stuhl haltend O mein Gott! BONI fortfahrend Ich bitte dich, ich beschwöre dich, gib Revolver weg! In so jungen Jahren - bist ja noch Knospe! Kannst ja noch spriessen! Aufschreiend, sich die Haare verwirrend Ha! Wart’ doch noch! Noch nicht! Schiess nicht! SYLVA die in steigender Erregung zugehört hat, stürzt auf Boni zu Lass mich mit ihm sprechen! Will ihm das Hörrohr aus der Hand reissen. BONI es krampfhaft festhaltend Weg da! Stösst sie zurück Ein Menschenleben steht auf dem Spiel! EDWIN Erscheint im Hintergrund, von beiden unbemerkt, hört erstaunt zu. BONI telefoniert weiter Edwin, bin ich dein Freind? Aufschreiend Er zielt auf mich! Edwin, Sylva ist da, sie lasst dir sagen - Zu Sylva in natürlichstem Ton Was lasst du ihm sagen? SYLVA mit ehrlichster Empfindung Dass ich ihn liebe, dass ich seinetwegen gekommen bin. Dass ich ohne ihn nicht leben kann. Sie wankt. EDWIN stürzt auf sie zu, hält sie, Sylva stösst einen Schrei aus. Edwin fällt ihr zu Füssen, bedeckt ihre Hände mit Küssen. BONI hat davon gar nichtsbemerkt, telefoniert weiter Sie lässt dir sagen, dass ich dich liebe, dass sie meinetwegen gekommen ist, dass du ohne mich nicht leben kannst! Schiess nicht! Was soll ich ihr sagen? Was ist dein letztes Wort? Horcht EDWIN Dass ich sie liebe, dass ich ohne sie nicht leben kann. BONI Danke, Schluss. Dreht sich um, beim Anblick Edwins schreit er auf Der selige Edwin! ZWÖLFTE SZENE STASI Nun? BONI stolz Mein Werk! Zeigt auf Sylva und Edwin Wann machen wir Hochzeit? STASI Wann du willst! Umarmung. Schlussgesang ALLE VIER Tausend kleine Englein singen…. usw. V o r h a n g Kalman,Emmerich/Die Csárdásfürstin
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Homiletic Meditations Cycle B Lent Through the Ascension of Our Lord Css Pub Co? Frederick C. Edwards? CssPubCo? FrederickC.Edwards? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Clergy-Sermons? Homiletic Meditations Cycle B Pentecost Through the Feast of Christ the King Css Pub Co? Frederick C. Edwards? CssPubCo? FrederickC.Edwards? undefined undefined A More Urgent Season Sermons and Object Lessons for Advent, Christmas, and Epiphany Css Pub Co? Erskine White? CssPubCo? ErskineWhite? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Clergy-Sermons? Easter Joy Exploring the Origins of Easter Symbols Css Pub Co? Jane C. Lawrence? Susan M. Imes? CssPubCo? JaneC.Lawrence? SusanM.Imes? undefined undefined This New Life Together Css Pub Co? CssPubCo? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-General? Subjects-Religion&Spirituality-Spirituality-Inspirational? Lost in the Woods A 12-Step Approach to Spiritual Growth Css Pub Co? Douglas Gast? CssPubCo? DouglasGast? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-ChristianLiving-General? From Private to Pastor Css Pub Co? Victor O. Mennicke? CssPubCo? VictorO.Mennicke? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Protestantism-General? Tools for the Carpenter Over 30 Fun Lessons for Children Css Pub Co? Jacqueline Quern? CssPubCo? JacquelineQuern? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Clergy-Sermons? Towers in the Light Rebuilding the Liberal Christian Vision and the Mainline Church Css Pub Co? James Albert Flurer? CssPubCo? JamesAlbertFlurer? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-General? His Everlasting Hand In My Grief Fairway Press? Betty M. Schnell? FairwayPress? BettyM.Schnell? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-ChristianLiving-Counseling? Hearts and Bones Expanding Compassion and Consciousness Through Relationship Css Pub Co? Michael Maloney? Mollie Summerland? CssPubCo? MichaelMaloney? MollieSummerland? Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? From the Attic of Civilization Rembrandt and His Biblical Art Css Pub Co? Leonard S. Girsh? CssPubCo? LeonardS.Girsh? Substores-UnknownASINs-35 Subjects-Arts&Photography-Art-Painting-General? Subjects-Religion&Spirituality-Christianity-Bibles-General? Evangelism The First Business of the Church Css Pub Co? E. Dale Click? CssPubCo? E.DaleClick? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Evangelism-General? Subjects-Religion&Spirituality-Christianity-Protestantism-Pentecostal? Subjects-Religion&Spirituality-Spirituality-General? Edgar and the Pink Sucker Css Pub Co? Angel Fluker? Dan Jankowski? CssPubCo? AngelFluker? DanJankowski? Substores-UnknownASINs-35 Subjects-Literature&Fiction-GenreFiction-Religious&Inspirational-General? Subjects-Religion&Spirituality-Fiction-General? Can Your Dog Hunt? Fifteen Lectionary-Based Town and Country Sermons Css Pub Co? Deborah K. Cronin? CssPubCo? DeborahK.Cronin? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Clergy-Sermons? The Sermon for Children A Research Handbook for Church Leaders Css Pub Co? Paul M. Adams? CssPubCo? PaulM.Adams? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Clergy-Preaching? Fishing on the Sea of Galilee Css Pub Co? J. Philip Klinger? CssPubCo? J.PhilipKlinger? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Clergy-Sermons? Hope for Tomorrow's Families How Will We Live? Css Pub Co? James R. Jacobson? CssPubCo? JamesR.Jacobson? Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-Sociology-Marriage&Family? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Parenting&Families-General? The Road Best Traveled Through the Bible in 365 Devotions CSS Publishing Company? G. A. Barbee? CSSPublishingCompany? G.A.Barbee? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Spirituality-Devotionals? The Old Testament/36 Audio Cassettes (King James Version) Dugan Pub Inc? DuganPubInc? undefined undefined African Americans in U.S. History Through 1877 (The Newcomers Series/Volume a) Fearon/Janus/Quercus? Barbara Reeves? Fearon/Janus/Quercus? BarbaraReeves? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates? Hispanics in United States History Through 1865 (The Newcomers Series) Globe Fearon Co? Frank De Varona? GlobeFearonCo? FrankDeVarona? undefined undefined Eastern Europe Since 1945 Globe Fearon Co? Michael Kort? GlobeFearonCo? MichaelKort? undefined undefined Exploring American Citizenship Globe Fearon Co? John R. O Connor? Robert M. Goldberg? GlobeFearonCo? JohnR.O Connor? RobertM.Goldberg? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates? Chemistry Workshop 1 Globe Fearon Co? GlobeFearonCo? ユーズドブック(洋書)-Teens? Substores-UnknownASINs-35 Subjects-Children sBooks-Science,Nature&HowItWorks-Chemistry? Subjects-Science? Subjects-Teens-Science&Technology-General? Chemistry Workshop 2 Globe Fearon Co? GlobeFearonCo? ユーズドブック(洋書)-Teens? Substores-UnknownASINs-35 Subjects-Children sBooks-Science,Nature&HowItWorks-Chemistry? Subjects-Science? Subjects-Teens-Science&Technology-General? Chemistry Workshop 3 Globe Fearon Co? GlobeFearonCo? ユーズドブック(洋書)-Teens? Substores-UnknownASINs-35 Subjects-Children sBooks-Science,Nature&HowItWorks-Chemistry? Subjects-Teens-Science&Technology-General? Earth Science Workshop 1 Globe Fearon Co? Seymour Rosen? GlobeFearonCo? SeymourRosen? Substores-UnknownASINs-35 Subjects-Science? Earth Science Workshop Two Understanding Atmosphere Globe Fearon Co? Seymour Rosen? GlobeFearonCo? SeymourRosen? Substores-UnknownASINs-35 Subjects-Science? Earth Science Workshop Three Understanding Space Globe Fearon Co? Seymour Rosen? GlobeFearonCo? SeymourRosen? Substores-UnknownASINs-35 Subjects-Science? Physics Workshop 1 Globe Fearon Co? GlobeFearonCo? Substores-UnknownASINs-35 Subjects-Science? Physics Workshop 2 Globe Fearon Co? GlobeFearonCo? undefined undefined Physics Workshop 3 Globe Fearon Co? GlobeFearonCo? Substores-UnknownASINs-35 Subjects-Science? Globe Biology Globe Fearon Co? Leonard Bernstein? GlobeFearonCo? LeonardBernstein? ユーズドブック(洋書)-Teens? Substores-UnknownASINs-35 Subjects-Children sBooks-Science,Nature&HowItWorks-Biology? Subjects-Teens-Science&Technology-General? Concepts and Challenges in Earth Science Globe Fearon Co? Alan Winkler? Leonard Bernstein? Martin Schachter? Stanley Wolfe? GlobeFearonCo? AlanWinkler? LeonardBernstein? MartinSchachter? StanleyWolfe? ユーズドブック(洋書)-Teens? Substores-UnknownASINs-35 Subjects-Children sBooks-Science,Nature&HowItWorks-EarthSciences-Nonfiction? Subjects-Teens-Science&Technology-General? Subjects-Teens-Science&Technology-EarthScience? Concepts and Challenges in Physical Science Globe Fearon Co? Alan Winkler? Leonard Bernstein? Martin Schachter? Stanley Wolfe? GlobeFearonCo? AlanWinkler? LeonardBernstein? MartinSchachter? StanleyWolfe? Substores-UnknownASINs-35 Subjects-Science? Exploring Careers (Mathematics Workshop) Fearon/Janus/Quercus? Fearon/Janus/Quercus? undefined undefined Exploring Careers (Mathematics Workshop) Fearon/Janus/Quercus? Fearon/Janus/Quercus? undefined undefined Concepts and Challenges in Life Science Globe Fearon Co? Alan Winkler? Leonard Bernstein? Martin Schachter? Stanley Wolfe? GlobeFearonCo? AlanWinkler? LeonardBernstein? MartinSchachter? StanleyWolfe? undefined undefined Globe High School Mathematics Globe Fearon Co? GlobeFearonCo? undefined undefined Mathematics Workshop Basic Skills, Book 1 Fearon/Janus/Quercus? 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Lockheed Hercules Patrick Stephens? Francis K. Mason? PatrickStephens? FrancisK.Mason? ジャンル別? Substores-UnknownASINs-24? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Flying Modern Jet Fighters Harpercollins? Robert Jackson? Harpercollins? RobertJackson? ジャンル別? Substores-UnknownASINs-24? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference 20th Century Passenger Ships of the P.and O. Patrick Stephens Ltd? Neil McCart? PatrickStephensLtd? NeilMcCart? ジャンル別? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Nonfiction-Transportation-General? Subjects-Science-Technology-General&Reference World Encyclopaedia of Aero Engines Patrick Stephens Ltd? Bill Gunston? PatrickStephensLtd? BillGunston? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Introducing the Lathe (Model Engineering Guides) Patrick Stephens Ltd? Stan Bray? PatrickStephensLtd? StanBray? ジャンル別? Subjects-Science-Technology-General&Reference Meteor Patrick Stephens Ltd? Bryan Philpott? PatrickStephensLtd? BryanPhilpott? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Comets,Meteors&Asteroids? Preserved Steam Traction Patrick Stephens Ltd? E.H. Sawford? PatrickStephensLtd? E.H.Sawford? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Turbocharging and Supercharging Patrick Stephens Ltd? Alan Allard? PatrickStephensLtd? AlanAllard? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Technology-General&Reference Fifty Famous Liners Patrick Stephens Ltd? Frank O. Braynard? William H. Miller? PatrickStephensLtd? FrankO.Braynard? WilliamH.Miller? ジャンル別? Subjects-Arts&Photography-Photography-General? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Lotus Patrick Stephens Ltd? Anthony Pritchard? PatrickStephensLtd? AnthonyPritchard? ジャンル別? ユーズドブック(洋書)-Sports? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Luxury? Subjects-Nonfiction-Automotive-Racing? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Subjects-Sports-Miscellaneous-MotorSports? Tornado Patrick Stephens? Francis K. Mason? PatrickStephens? FrancisK.Mason? ジャンル別? Subjects-History-Military-General? Subjects-Science-EarthSciences-AtmosphericSciences-Tornadoes? Subjects-Science-Technology-General&Reference Collecting, Restoring, and Riding Classic Motorcycles Harpercollins? Tim Holmes? Rebekka Smith? Harpercollins? TimHolmes? RebekkaSmith? ジャンル別? Subjects-Arts&Photography-Architecture-General? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-General? Subjects-Science-Technology-General&Reference Hawker Hunter Patrick Stephens Ltd? Francis K. Mason? PatrickStephensLtd? FrancisK.Mason? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference The Helicopter Patrick Stephens Ltd? Keith Carey? PatrickStephensLtd? KeithCarey? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Porsche Specials Patrick Stephens Ltd? Lothar Boschen? Jurgen Barth? Paul Frere? Michael Cotton? Peter Wareham? PatrickStephensLtd? LotharBoschen? JurgenBarth? PaulFrere? MichaelCotton? PeterWareham? ジャンル別? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-Luxury? Subjects-Science-Technology-General&Reference The Spitfire Patrick Stephens Ltd? Michael J.F. Bowyer? PatrickStephensLtd? MichaelJ.F.Bowyer? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Hauling Heavyweights Patrick Stephens Ltd? Bob Tuck? PatrickStephensLtd? BobTuck? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Modern British Armoured Fighting Vehicles Patrick Stephens Ltd? Terry Gander? PatrickStephensLtd? TerryGander? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Modern British Military Missiles Patrick Stephens Ltd? Paul Beaver? Terry Gander? PatrickStephensLtd? PaulBeaver? TerryGander? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Classic Sports Cars (PBK) Harpercollins? Graham Robson? Harpercollins? GrahamRobson? ジャンル別? Substores-UnknownASINs-24? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Bofors 40mm Gun Patrick Stephens Ltd? Terry Gander? PatrickStephensLtd? TerryGander? ジャンル別? Subjects-History-Military-General? Subjects-History-Military-Weapons&Warfare-Conventional-General? Subjects-Science-Technology-General&Reference Lusitania The Cunard Turbine-Driven Quadruple-Screw Atlantic Liner Harpercollins? Mark D. Warren? Harpercollins? MarkD.Warren? ジャンル別? Substores-UnknownASINs-63? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Nonfiction-Transportation-Ships-General? Subjects-Nonfiction-Transportation-Ships-Passenger? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Wellington Mainstay of Bomber Command Patrick Stephens? Peter G. Cooksley? PatrickStephens? PeterG.Cooksley? ジャンル別? Substores-UnknownASINs-63? Subjects-History-Military-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Aeromodeller's Handbook (Model Engineering Guides) Patrick Stephens Ltd? Les Netherton? PatrickStephensLtd? LesNetherton? ジャンル別? Subjects-Science-Technology-General&Reference Modern Royal Navy Warships Patrick Stephens Ltd? Paul Beaver? PatrickStephensLtd? PaulBeaver? ジャンル別? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Science-Technology-General&Reference Encyclopaedia of Modern Aircraft Armament Harpercollins? Christopher Chant? Harpercollins? ChristopherChant? ジャンル別? Substores-UnknownASINs-24? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Designed to Kill Patrick Stephens Ltd? Arthur S. Hogben? PatrickStephensLtd? ArthurS.Hogben? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Jaguar XJ40 Patrick Stephens Ltd? Andrew Whyte? PatrickStephensLtd? AndrewWhyte? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Modern Royal Air Force Aircraft Patrick Stephens Ltd? Terry Gander? PatrickStephensLtd? TerryGander? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference The British Aircraft Carrier Patrick Stephens Ltd? Paul Beaver? PatrickStephensLtd? PaulBeaver? ジャンル別? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Science-Technology-General&Reference Classic Competition Motorcycles Harpercollins? Bob Currie? Harpercollins? BobCurrie? ジャンル別? Subjects-Engineering-General? Subjects-History-Europe-England-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Short Wave Radio Listener's Handbook Patrick Stephens Ltd? Arthur Miller? PatrickStephensLtd? ArthurMiller? ジャンル別? Subjects-Science-Technology-General&Reference Passenger Ships of the Orient Line Patrick Stephens Ltd? Neil McCart? PatrickStephensLtd? NeilMcCart? ジャンル別? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Nonfiction-Transportation-General? Subjects-Science-Technology-General&Reference Modern Military Helicopters Harpercollins? Paul Beaver? Harpercollins? PaulBeaver? ジャンル別? Substores-UnknownASINs-24? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Mauretania The Cunard Turbine-Driven Quadruple-Screw Atlantic Liner Patrick Stephens? Mark Warren? PatrickStephens? MarkWarren? ジャンル別? Substores-UnknownASINs-24? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Ships-General? Subjects-Science-Technology-General&Reference Planetary Exploration Thirty Years of Unmanned Space Probes Harpercollins? Arthur Smith? Harpercollins? ArthurSmith? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Collecting, Restoring and Driving Classic Cars Harpercollins? Graham Robson? Harpercollins? GrahamRobson? ジャンル別? Substores-UnknownASINs-24? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Super-Ferries of Britain, Europe and Scandinavia Patrick Stephens? Russell Plummer? PatrickStephens? RussellPlummer? ジャンル別? Subjects-History-Military-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Professional&Technical-Engineering-Marine? Porsche Progress Patrick Stephens Ltd? Michael Cotton? PatrickStephensLtd? MichaelCotton? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Aircraft of the Vietnam War Patrick Stephens Ltd? Bill Gunston? PatrickStephensLtd? BillGunston? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Human Operator in Complex Systems Taylor & Francis Ltd? W.T. Singleton? Taylor&FrancisLtd? W.T.Singleton? ジャンル別? Subjects-Science-Technology-General&Reference Lasers and Their Applications Taylor & Francis? M. J. Beesley? Taylor&Francis? M.J.Beesley? ジャンル別? Substores-UnknownASINs-24? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Science-Technology-General&Reference Modal Control Taylor & Francis Ltd? Brian Porter? Roger Crossley? Taylor&FrancisLtd? BrianPorter? RogerCrossley? ジャンル別? Subjects-Science-Technology-General&Reference The Human Operator in Process Control John Wiley & Sons Inc? Elwyn Edwards? JohnWiley&SonsInc? ElwynEdwards? ジャンル別? Subjects-Science-Technology-General&Reference From Concept to Production Taylor & Francis Ltd? N.G. Anderson? Taylor&FrancisLtd? N.G.Anderson? ジャンル別? Subjects-Business&Investing-Management&Leadership? Subjects-Professional&Technical-BusinessManagement-Management&Leadership? Subjects-Science-Technology-General&Reference Antipersonnel Weapons Taylor & Francis Ltd? Stockholm International Peace Research Institute? Taylor&FrancisLtd? StockholmInternationalPeaceResearchInstitute? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-History-Military-Weapons&Warfare-Conventional-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Manufacturing Systems Engineering Taylor & Francis? Katsundo Hitomi? Taylor&Francis? KatsundoHitomi? ジャンル別? Substores-UnknownASINs-24? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Technology-General&Reference Complex Variable Method for Linear Multivariable Feedback System Taylor & Francis Ltd? Alistair G.J. MacFarlane? Taylor&FrancisLtd? AlistairG.J.MacFarlane? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Sipri Yearbook 1981 Taylor & Francis? SIPRI? Taylor&Francis? SIPRI? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Machine Pacing and Occupational Stress Taylor & Francis? Gavrid Salvendy? M. J. Smith? Taylor&Francis? GavridSalvendy? M.J.Smith? ジャンル別? Subjects-Business&Investing-General? Subjects-Health,Mind&Body-Psychology&Counseling-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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Chi 02 April 20-25, 2002 Minneapolis, Mn Assn for Computing Machinery? AssnforComputingMachinery? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Oopsla 02 November 4-8 2002 Seattle Washington Assn for Computing Machinery? AssnforComputingMachinery? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Mobicom 02 September 23-26,2002 Atlanta, Georgia Assn for Computing Machinery? AssnforComputingMachinery? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Popl Principles of Programming Languages, 2003 Symposium Proceedings Assn for Computing Machinery? AssnforComputingMachinery? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Recomb 04 (Conference Held Mar 2004, San Diego) Assn for Computing Machinery? AssnforComputingMachinery? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Mars? Design Connoisseur An Eclectic Collection of Imagery and Type Allworth Pr? Steven Heller Louise Fili? AllworthPr? StevenHeller? LouiseFili? ジャンル別? Subjects-Arts&Photography-GraphicDesign-Design-General? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Arts&Photography-GraphicDesign-Typography? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Science-Technology-General&Reference Texts on Type Critical Writings on Typography Allworth Pr? Steven Heller Philip B. Meggs? AllworthPr? StevenHeller? PhilipB.Meggs? ジャンル別? Subjects-Arts&Photography-Art-ArtHistory-General? Subjects-Arts&Photography-Art-ArtHistory-Schools,Periods&Styles? Subjects-Arts&Photography-Art-ArtHistory-Criticism? Subjects-Arts&Photography-Art-General? Subjects-Arts&Photography-GraphicDesign-Typography? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? 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Multiplayer The Stonehenge Chronicles - JANUARY 21, 2008 North America and Europe Only The Stonehenge Chronicles Update Notes Happy New Year! 2008 is upon us, and we’re thrilled to be kicking it off with our first major update – the Stonehenge Chronicles. We’ve got a lot in store for all of our players, so let’s get to it! In this update, you’ll see the first of the big balance sweeps we’re doing on all of the character classes. Both the Guardian and the Evoker got a lot of attention this time around, and we hope that players of those classes will dig into how the classes play now. We’re making it simple for these players to get a handle on the new balances by allowing them to completely respec their characters. PvP is starting to get more attention with the introduction of the Dueling Arena. This both makes dueling easier to accomplish and also gives us a better and more accurate way to track play habits and stats – a key to really increasing this section of the game. There’s also a whole slew of other overall improvements, tweaks, and additions, so take a couple of minutes to go through the release notes and see what’s new. For our Subscription Members, we’re opening the portal to Stonehenge! This is a completely new area that not only has new items and monsters, but also completely new ways to experience the game. The Essence Caves are the first of our non-linear style of play. You can repeat this long quest chain multiple times throughout the career of your character as it scales with your character (or party) level. The rewards are rich and many of them are unique to the Stonehenge area. The Wild is also a new type of game play since it is focused exclusively on group play. You need big groups to have success out there – and the deeper you get, the harder it gets. It’s time to get your friends together! We’ve got lots more in store, and we’re working on every aspect of the game. Thank you all for your support over the past couple of months. We’re listening and doing all we can to make Hellgate London what we all want. See you online! --- General Based on the number and depth of balance changes to skills in this update, certain characters will be provided a “respec token” that allows them to reassign their skill points. This token is automatically placed in the character’s inventory and can be used at any time. All Evokers and Guardians will receive respec tokens, as will all characters in Subscription Member accounts. 激しくスキル調整したクラスがあるんで、スキル振りなおしのアイテムあげよう。ただし、課金者には全キャラあげよう。 PvP A Dueling Arena has been built for those who wish to test their mettle against each other. When challenging another character to a duel, the invitation dialogue indicates that the duel will take place in the Arena. When the duel is accepted, both characters are instantly transported there. When both characters have loaded into the Arena, a countdown begins. During the countdown, characters can move, but they cannot use skills, activate items, cast spells, or attack their opponent. After a duel has been won, the defeated character is reset, as is their opponent and a new countdown clock begins. Players can leave the Dueling Arena by activating their Recall device. Players can still duel in other areas by joining the same party and activating their /pvp flag as before. Group Play Increased experience and treasure bonus for groups. Characters now receive more experience and treasure on a greatly accelerated scale based on number of players in a group. Fixed a bug where grouped players that were separated from the rest of their party were receiving extra experience for all of the other group members. Graphics Templar melee animations have been tweaked for smoother combat flow. Memory Manager Party members will now show up in higher resolutions. Players will not see the change until they move to a different zone and users must have Textures at least set to High. User Interface The Mini Map is now set to the top right of the screen with character state icons appearing below. The Chat Window is now scalable. To adjust the size of the chat window, hold down the ALT key. There is a small tab in the upper right hand corner of the chat interface that can be used to resize the window. The LFG interface has received new functionality. To activate the LFG Interface, simply press the ‘P’ key.The screen has been re-arranged to allow for more information and additional features. Party Leaders can advertise existing groups to add new members. Individuals can advertise themselves as being available for a group. To instead create an entirely new group, select the CREATE PARTY option. Otherwise, the character is listed as an individual looking for a group to join. New search filters have been added to better find the right group dynamic. Players can now Invite, Join and Whisper to individuals or groups listed in the LFG interface. Skills There are a wide variety of balance tweaks across the Templar and Cabalist factions. Cabalist Brom s CurseThis spell now heals a fixed amount based on the attacker s level instead of being based on a percentage of the attacker s health. The rank progression of this spell has been adjusted. Brom s Curse affects up to 4 targets for 5 seconds at rank 1. The maximum number of targets is increased by 1, the duration increased by 1 second, and the amount healed is increased by 12.5% per rank. This spell may now be cast while moving. The range of Brom s Curse has been increased to 20 meters. AfterlifeThe power cost of this spell has been reduced. Elemental DrainThe power cost of this spell has been greatly reduced. The casting time has been reduced by 1 second. Word of FearThe Fear Attack Strength of this spell now properly scales with the caster s level. The base Fear Attack Strength of this spell has been increased by 25%. The rank progression of this spell has been adjusted. Word of Fear now gains 33% more Fear Attack Strength per rank. Evoker Skill Rank bonus descriptions have been updated and normalized to be based on their initial rank 1 effect. For example, Spectral Bolt now displays no Phase Attack Strength bonus at rank 1, but displays a more clear bonus of 25% Phase Attack Strength per additional rank. Spectral CurseSpectral Curse now also reduces targets movement speed by 10%. The rank progression of this spell has been adjusted. Spectral Curse now affects up to 4 targets for a 5 seconds at rank 1. The maximum number of targets is increased by 1, the duration increased by 1 second, and movement speed penalty increased by 5% per rank. This spell may now be cast while moving. The power cost of has been reduced substantially, and the range has been increased to 20 meters. The explosion damage caused by Spectral Curse has been increased. Drain PowerThe damage of this spell has been increased significantly. Drain LifeThe damage of this spell has been doubled. Arcane ShieldThe rank progression of this spell has been adjusted, providing slightly less shields at lower ranks. Arcane Shield is unaffected by the Evoker s movement. This spell now lasts for 10 seconds with a 25 second recast time. Concentrate DamageThe rank progression of this spell has been adjusted. Concentrate Damage now provides a lower initial damage bonus, but grants a greater bonus per rank. Concentrate Damage s new damage bonus progression surpasses its previous curve damage bonus progression at rank 4. Summon EmberThe rank progression of this spell has been adjusted. Additional ranks of this skill now provide 15% more damage instead of 20%, but the base damage of the Ember pet is significantly higher across all ranks. The Ember s Health, Damage, Ignite Attack Strength, Critical Chance, Interrupt Strength, Interrupt Defense, and Armor have been increased. FirestormThe rank progression of this spell has been re-designed. Additional ranks of Firestorm now provide a 5% increase in damage rather than an increase in Ignite Attack Strength. Firestorm surpasses its previous damage at rank 3. The Ignite Attack Strength of this spell has been reduced. The range of this spell has been increased to 10 meters. FlameshardsThe Flameshards spell has been re-worked. The number of shards fired is now fixed at 7, but multiple shards stack with each other. Individual shard damage has been decreased slightly to take damage stacking into account. Increased ranks in Flameshards now increases each shard s Ignite Attack Strength by 25%. The spells now has a cool-down time of 2 seconds. This spell s power cost has been decreased. The base Ignite Attack Strength of this spell has been increased by 25%. The range of this spell has been increased to 25 meters. The explosion delay of Flameshards has been decreased to 1 second. HellfireThis spell s casting time and initial power cost have been reduced significantly. Additional ranks now provide a slightly smaller decrease in power cost. This spell now has a cool-down time of 2 seconds. The damage and Ignite Attack Strength of this spell have been increased substantially. The range of Hellfire has been decreased to 25 meters. The targeting of this spell has been fixed. Spectral BoltThe rank progression of this spell has been adjusted. Spectral Bolt now provides an additional 25% Phase Attack Strength per rank. The initial Phase Attack Strength of Spectral Bolt has been slightly increased. The power cost of this spell has been decreased, and the Phase duration has been increased by 1 second. The cooldown of Spectral Bolt has been decreased to 1 second. The base Phase Attack Strength of this spell has been increased by 25%. Spectral LashThe damage of this spell has been increased by 35%. Spectral Lash MasteryThe damage of the explosion caused by this spell has been doubled. The rank bonus of this spell is now applied to the explosion effect properly. Lightning FieldThe damage of the Lightning Field has been increased substantially. The power cost of this skill has been decreased. This spell now has a cool-down time of 2 seconds. The rank bonus tooltip now properly displays a 15% instead increase in radius. The splash damage of the initial effect has been increased by an additional 17%. TempestThe casting time, power cost, and cool-down of Tempest have been decreased. The base damage of Tempest has been decreased. The strike frequency bonus per rank of Tempest has been decreased to 10% per rank. Each Tempest cloud now lasts for 15 seconds and has a range of 15 meters. The rank bonus of this spell now properly increases the frequency of lightning strikes. Arc LegionThe rank progression bonus of this spell has been changed. Additional ranks now increase the Shock Attack Strength and Shock Effect Damage of Arc Legion by 25%. The range of this spell has been fixed at 18 meters. The damage of this spell has been increased. DemonspineThe rank bonus of this spell has been slightly adjusted to a 25% increase in Stun Attack Strength per rank. The power cost of this spell has been decreased. The damage of this skill has been increased. The base Stun Attack Strength of Demonspine has been increased by 20%. BoneshardsThe rank bonus of this spell has been slightly adjusted to a 50% increase in Stun Attack Strength per rank. The damage of this spell has been increased by 60%. The cooldown of this skill has been decreased to 6 seconds. The base Stun Attack Strength of Boneshards has been increased by 25%. The power cost of this skill has been increased. SkullsplitterThe rank progression of this spell has been adjusted. Skullsplitter now begins with 12 fragments and gains 2 additional fragments per rank. Skullsplitter now explodes into a significantly more predictable nova pattern. The power cost and cool-down of this spell have been slightly decreased. Venomous SpiritThe damage of this spell has been increased and the power cost has been decreased. The Fear Attack Strength of this spell now scales properly with the caster s level and has been increased significantly. Additional ranks of Venomous Spirit no longer provide an increase in Fear Duration. The travel speed of the Venomous Spirit has been increased significantly. Venom ArmorSeveral bugs with which allowed the swarms created by Venom Armor to bypass its intended cool-down time have been fixed. The damage of each swarm created by this spell has been increased, and each swarm now lasts for a fixed amount of time on their target. The initial armor provided by this spell has been decreased, but the absolute bonus to armor per rank has been increased, reaching the previous maximum armor bonus at rank 10. SwarmThe rank progression of this spell has changed. Additional ranks in Swarm now increase the Poison Attack Strength and Poison Duration of Swarm by 20%. The cool-down of this spell is now fixed at 6 seconds. The power cost of this spell has been decreased significantly. Templar Aura of Power, Aura of Renewal, Aura of Defense, and Aura of Salvation have been rebalanced. Additionally, their skill rank progressions have been normalized to provide a 33% increase in effectiveness per skill level. Blademasters and Guardians will now see more return on investment in these auras. Aura of PowerThe power regeneration granted by Aura of Power has been decreased. At rank 10, Aura of Power grants 94% of the power it gave previously.AoP Rank10で以前の94％程度、つまり弱体化。 Blademaster Call of the ChosenThe Taunt and Fear Attack Strengths of this skill now properly scale with the Blademaster s level.Taunt/Fearスキルの強さが、キャラレベルに合うようにで調整された。 Guardian Aura of RenewalThe initial health regeneration granted by Aura of Renewal has been slightly decreased. By rank 10, this aura provides significantly more health regeneration than it did previously.以前と比べて、Rank1は弱体化、Rank10は強化。 Aura of DefenseThe armor bonus granted by Aura of Defense has been decreased.AoD弱体化(以前の半分くらい)。 Aura of SalvationThe initial elemental attack defense granted by Aura of Salvation has been slightly decreased. By rank 10, this aura provides significantly more elemental attack defense than it did previously.AoRと同じ。 Grand AuraThis skill now provides an equal percentage increase to the Guardian s Holy Aura radius at each rank, ending with the same total increase at rank 5 as it did previously.20/30/40/50/60 - 12/24/36/48/60 ChallengeThe Taunt Attack Strength of this skill now properly scales with the Guardian s level.Tauntの強さのベースが、キャラレベルに見合った強さになった。 DenounceThe Taunt Attack Strength of this skill now properly scales with the Guardian s level.Challengeと同じ。 Quests Certain quests that could not be completed after defeating Sydonai because Emmera was no longer accessible can now be turned in to a new NPC named Sammy. Items Unique items that were found before Patch 0.5 that are missing special attributes may now be rerolled for free. The process is as follows All mods must first be removed using a Delux De-Modificator. This is available once at no cost for qualifying items. Once all the mods are removed, insert the item into an Augmentrex 3000. Now click any of the three "Add Property" buttons to reroll the item attributes. All item attributes will be rerolled and the item balance will be up-to-date. If the item level was previously upgraded with the Nano Forge, the additional item levels will be added to the newly generated base level after the item reroll. This means that the new item level may not be the same. The Stun Defense granted by the Gyro Stabilizer has been increased. Health and Power injectors now show up in high level stations. Fire Extinguishers now give the appropriate Ignite Defense. Monsters Monsters with the Infested ability have had their damage reduced. Crafting The limit on number of times an item can be upgraded has been raised to 10. Upgrading an item takes 50% less resources. A new, rare salvaged material crafting material called Nanoshards are now required to upgrade items.Nanoshards can be obtained from any item, but the chance to salvage one is increased when disassembling rarer items. The number of Nanoshards required to upgrade an item increases each time the same item is upgraded. Fixes The mini-game now has a timer. This is partly a fix for characters at level 50 who have finished all the quests and get the quest icon and therefore cannot finish it. Fixed a bug where characters would not save when they killed 65,534 monsters in one session. Grappler no longer changes a character’s position in PvP. Fixed a rare bug where equipping the Cleanser and a shield can delete the shield. Fixed a rare bug where Templar could equip both the Cleanser and a shield. --- Special Subscriber Features Stonehenge is a new, non-linear adventuring area that can be accessed through a special portal in Templar Base. The quests and areas around Stonehenge scale in difficulty to challenge characters of any level. This is to allow players to return to this section of the world numerous times and complete the longer associated quests, missions, and raid areas. Stonehenge itself is a new hub that holds a larger number of players than most Underground Stations. There are new NPCs, new quests, and most importantly, new adventuring areas that are unlike anything within the confines of London. Quests A new series of non-linear quests introduce the area surrounding the great druidic monument of Stonehenge. The Caste Caves These mystic caves can be found in the wilderness areas outside of Stonehenge. Each caste of demon - Beast, Necro, Spectral, and Primus – has a powerful overlord that resides in these caves. The caves themselves are sealed by the essential aspect of their master’s caste. These caves cannot be entered until the essence of five (5) Champions of the matching demonic caste has been collected. Essence can be collected from any Champion, so adventuring above and below the streets of London may gain you the keys to unlocking these special areas. Once a character has gathered the required essence of a single Caste, they can either solo or lead a party into the caves and battle against the resident overlord. Not only are there great and special riches to be won, but the head of the caste overlord is also claimed. Once a character has collected the heads of the Beast, Necro, Spectral, and Primus overlords, the adventure continues. Moloch’s Lair A great and powerful Demon known as Moloch resides in the rough countryside surrounding Stonehenge, and only the worthy may enter his domain. Characters that have collected the heads of the Beast, Necro, Spectral, and Primus overlords can then make their way deep into the realms of Moloch, the Pit Baron. Moloch has very unique items that can only be won by defeating him in combat, so the journey to his defeat can be well worth the effort. His soul is eternal, however, so the process of opening his sanctum and destroying his corporeal form is a never-ending challenge. The Wild The other main area that lies outside of Stonehenge is known only as The Wild. The challenges here are far greater than anywhere else in or around London, requiring raiding parties to properly navigate them. The Wild is divided into three increasingly difficult sections that are balanced for parties of six, seven, and eight. This is regardless of the number of characters that enter The Wild, so while you could try to make your way slowly with a smaller group, the going will not be easy. Items There are new weapons and armor that can only be found in the areas surrounding Stonehenge. These new items have very different appearances from those found within London, so keep a sharp lookout for them. 13 new base weapon types divided amongst the Templar, Cabalist, and Hunters. Each faction also has two all-new Helmet types. Environments Apart from the settlement that has secreted itself at the Stonehenge triliths, there are numerous new areas to explore. Chief amongst these are the various Caste Caves and grand expanses and dark forests of The Wild. There are also new undergrounds and interiors to explore scattered throughout the countryside. Monsters The areas around Stonehenge also have spawned new Demons. The Winged Imps rain death down from the skies and swoop in to sever heads of those foolish enough to seek them out. Burning Fiends move amongst the underbrush and between the windswept trees. Moloch, the Pit Baron, also makes his fiery presence felt for the first time. Patch Notes Disclaimer While we make every effort to include all upcoming changes in our patch notes, please be aware that occasionally some changes are unintentionally omitted.
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Lecture on "Counter" chips Counter is the variable that you can input and calculate any number. After you input, you can perform a variety of decision by the chips of Assess Counter, and can utilize Counter-Type Reticle or Counter And Lock-On. In any event, if it is possible to use effectively, it will help you on various situations and strengthen your programs. Lecture on "Counter" chipsPeriodic launching Focused lock-on Dispersed lock-on Maneuver direction switching Others Periodic launching It is common that you want to execute specific actions at regular time intervals. For example, launch missile periodically to deplete opponent’s anti-missile weapons efficiently, spread mines extensively while moving around, sustain the effect of Jamming Fog as long as possible, etc. In such cases, Counters are needed. Generally, two counters are used to implement periodic launching. Specific way when you launch a missile in about every 5 seconds is shown below. Get elapsed time to counter-A (Decision) Is counter-A greater than or equal to counter-B?YES → launch missile → get elapsed time to counter-B → counter-B + 5 → next process NO → next process “Elapsed time of now” is assigned to counter-A. “Elapsed time when the missile is launched” is assigned to counter-B. Counter-B that 5 are added refers to “Elapsed time when launching is allowed again”, it means “5 seconds after the launch time” in this case. By comparing “Elapsed time of now” and “5 seconds after the launch time”, decide whether to launch. Include this routine somewhere in the program that would pass through all means, then you can now complete an OKE to launch missile in about every 5 seconds. Although this is a sample implementation of standalone, by send counter-B to the channel to share with friends, it is also possible to implement periodic launching in cooperation with friends. Focused lock-on It means to focus the lock-on of the all OKEs of the local team against any one OKE of the opponents. Focused lock-on has the effect of conducting the crossfire against one OKE and put it in disadvantageous condition. Then, if it is possible to shoot down one OKE early on, so able to produce numerical advantage, it becomes more advantageous to fight. Since it is necessary to use a channel in addition to counter to implement focused lock-on, it deviates slightly from the theme of lecture on “Counter” chips, but I want to lecture because this function is used very frequently. An example of specific way to implement is shown below. (Decision) Counter-A is 0? YES → 2. NO → 5. Lock on in the maximum range Substitute the identification number of the target to counter-A Send Counter-A to channel 1 →8. Receive channel 1 to Counter-A Counter and Lock-On by value of Counter-A (Decision) Target code is 0? (Target code 0 means not locked on) YES → 2. NO → 8. To main routine Because it is hard to understand just reading text, although this is the sample in case of previous work CHP, I will introduce the sample image. http //dovecoo.seesaa.net/article/22447506.html Basically, lock on the OKE of an ID number that received Counter-A from channel 1. When it is not possible, looks for the enemy by itself and sends the ID number to channel 1 once the lock-on success. Dispersed lock-on As opposed to the focused lock-on, this is a program that does not lock on the same opponent OKE. It is used when you want to assess all opponents quickly and do not want to be free the opponent OKEs. There are various ways to implement dispersed lock-on. The simplest way is shown below. Above, 5 chips. ID numbers from 1 to 6 are assigned to the OKEs in combat. HOME First (1), Second (2), Third (3) AWAY First (4), Second (5), Third (6) The first of HOME is given as an example. 1 is assigned to Counter-A 3 is added since less than 4 Lock on first of AWAY since 4 is assigned to Counter-A Since the Counter and Lock-On takes the value of each in the other OKEs in the same way, it is based on the idea that the target does not overlap. However, If there are not 6 OKEs together of allies and foes, for example, there is Hades etc. or OKE that was shot down, failure may occurs. Since this method performs lock-on based on the ID number, depending on the formation, there is a risk of adverse positioning. Maneuver direction switching If OKE continues to jump in one direction, (it is said that avoidance rate is higher than changing direction at random) eventually escape from battle area or hit the barricade. In that position, in addition to avoidable direction is limited, you may be relegated to the corner of the field along the barricade. So, it is possible to think that, if the boundary is near, it would be good if you Assess Battle Area. But if you just leave to do so, after it comes out of assessment range, it will jump to the wall side again. The technique called wall switch solves this problem. An example of the implementation of wall switch is shown above. Assess Battle Area after executing jump, if there is outside of the area in assessment range, substitute 1 or 0 to switch direction of the next jump. Although this program performs switching by Assess Battle Area only, if actually used, by switching the direction to jump while looking battle area of course, position of the friends, opponents, mines, etc., it can be used in various ways like spreading out, surrounding the opponents, or retreating from the minefield. In addition, (chips although increased) by increasing the criteria, it is also possible to have more than one meaning to a single number. Less than or greater than x Odd or even Whether or not evenly divisible by 3 etc... Others Continues below. Please continue.