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第三幕 入り江の風景、険しい岩海岸、ダーランドの家が、前景の一方にある。背景には、ノルウエーと、オランダの二隻の船が、並んで見える。明かるい夜である。ノルウエーの船には灯りがともり、水夫達が甲板に、たむろしているのが見える。歓声があがる。これに対して、オランダ船の様子は、不気味なコントラストをなしている。不自然な暗闇が船を覆い、船上は、死の様な静けさに包まれている。 ノルウエー船の水夫達 （酒を飲みながら） 舵取りよお！見張りなんぞは置いとかれい！ 舵取りよお！わしらのとこへ来なされや！ ホ！へ！イェ！ハ！ 帆を揚げろ！錨を下ろせ！ 舵取りよお、こっちですぜ！ 風も危険な砂浜も、おいらにゃ、一向怖くない。 今日はいっ時、愉快にやろう！ 陸（おか）にゃ、おいらの、いい娘（こ）がいるさ、 極上煙草に、火酒も美味い。 フッササヘ！ 外海の、岩場に嵐 － ヨッロロホへ！ おいらは笑い飛ばすのさ！フッササヘ！ 帆をたため！錨を下ろせ！ 岩場に嵐、おいらは笑い飛ばすのさ！ 舵取りよお、見張りなんぞは置いとかれい！ 舵取りよお、わしらのとこへ来なされや！ ホ！ヘ！イェ！ハ！ 舵取りよお、あんたも一杯やんなせえ！ ホ！ヘ！イェ！ハ！ 岩場に嵐、ヘィ！もう過ぎ去った、ヘィ！ フッサへ！ハッロヘ！フッサへ！ 舵取りよお、 ホーィ！ こっちで、一緒に飲みなせえ！ （彼らは甲板で踊る。飲み物や食べ物を、手籠にいっぱい詰めて、娘たちがやってくる） 娘達 あらまぁ! あれを見て！あの人達ったら、踊ってるわよ！ 全く、女の子なんて居なくていいみたい！ （彼女達はオランダの船のほうに向かう） 水夫 おい！娘さんたち！待てよ！どっちへ行くんだい？ 娘達 あんたたち、冷たいワインが欲しいと思うでしょ？ お隣さんにも、少し分けてあげるのよ！ 飲み物や食べ物が、あんたたちの為だけにあるの？ 舵手 もっともだ！哀れなやつらにも、持ってってやんな！ 喉が渇いてぐったりしている様子だ！ 水夫達 やつら、音も立てないぜ。 舵手 オイ、見てみな！ 灯りも点ってなけりゃ！乗組員の気配もない！ 娘達 （オランダ人の船の甲板に上っていこうとする） ヘィ！船乗りさんたち！ヘィ！松明をともさないの？ あんたたちどこにいるの？ 何にも見えないじゃない！ 水夫 ハ、ハ、ハ、 起こすなよ！やつら、まだ、寝てるんだ！ 娘達 ヘィ、船乗りさんたち！ヘィ！返事をしたらどうなの！ 水夫達 ハ、ハ！ 全くだ、やつら、死んでるぜ。 食べ物も、飲み物も、要らないってことさ！ 娘達 あら、船乗りさんたち、もう寝ちまったの、物臭ね？ 今日は、あんたたちにとっても、お祝いの日じゃないの？ 水夫達 やつら、それぞれの持ち場に横たわったままだぜ。 お宝を、竜のように見張ってるというわけだ。 娘達 ヘィ、船乗りさんたち！冷たいワインが欲しくはないの？ あんたたち、とっても、喉が渇いているはずなのに。 水夫達 やつらは飲まんし、歌いもせん。 船の灯りも消えたままだ。 娘達 ねえ！あんたたちには、陸（おか）に恋人もいないの？ あんたたちを待っている浜辺で、一緒に踊らないの？ 水夫達 連中はもう年寄りで、血の気どころか、青白い！ やつらの恋人なんて、とっくに死んじまってるさ！ 娘達 ヘィ！船乗りさん！船乗りさんたち！目を覚ましなさいったら！ 食べ物と飲み物を、沢山持ってきてあげたのよ！ 水夫達と娘達 ヘィ! 船乗りよ！船乗りよ！目を覚ませったら！…（繰り返し） 娘達 本当ねー！あの人たち、死んでるみたい！ 食べ物にも、飲み物にも、用がないようよ。 水夫達 おまえたち、さまよえるオランダ人のことを、知ってるだろ？ 見ろ、これは正にあいつの船だぜ！ 娘達 だったら、乗組員達を起こさずにおきましょう。 幽霊達なんだわ、きっとそうよ！ 水夫達 海に出てから、一体、何百年経ったんだい？ 嵐も暗礁も、おまえらにゃ痛くもかゆくもないはずだよな！ 娘達 彼らは飲まない、歌わない！ 船の灯りも消えたまま。 水夫達 おまえらにゃ、手紙も、陸（おか）への言伝一つも無いのかい？ おいらの、ひいじいさんに、手渡してやれたのに！ 娘達 彼らはもう年寄りで、血の気どころか、青白い！ 恋人達は、とっくの昔に死んじゃったとさ！ 水夫達 へィ！船乗りどもよ！ 帆を掲げて、さまようオランダ人の、翔け回る様を見せてくれい！ 娘達 全然聞こえていないみたい！気味が悪いわ！ あの人たち何にも欲しくないのよ―じゃ、何の為に呼ぶのよ？ 水夫達 おまえたち、死んでる奴は放っときな、 おれたち、生きている者にサービスしてくれよ！ 娘達 （水夫達に船縁りから籠を手渡しながら） ほら、受け取って！お隣さんは要らないんだって！ 舵手 どうして？おまえたち、船に上がってこないんだい？ 娘達 あら、まだ駄目よ！まだ早いんだもの。 また、すぐに来るわ！今は、好いだけ飲んでよ。 踊りたければ、踊ったっていいわよ、 でも、草臥れてるお隣さんは、休ませてあげてね、 そっとしておいてあげて！ 水夫達 （籠の中身を取り出しながら） うわーっ！いっぱいあるぞ！ ご親切なお隣さんよ、ありがとさんで！ 舵手 グラスの縁まで、なみなみ注ごうぜ！ ご親切なお隣さんが、廻してくれた酒だ。 水夫達 ハッロホホホ！ ご親切なお隣さん、声と言葉を持ってるなら、起きておいらを真似してみろやぃ！．．．（続く） （彼らは、酒を飲み干して、グラスを乱暴に置く。このあたりから、オランダ人の船でも動きが見られ始める） 舵取りよお、見張りなんぞは置いとかれい！ 舵取りよお、わしらのとこへ来なされや！ ホ！へ！イェ！ハ！ 帆を揚げろ！錨を下ろせ！ 舵取りよお、こっちですぜ！ 嵐と恐怖のただ中で、見張り続けた夜も幾度。 塩水飲んだも、度々だ。 どんちゃん騒ぎで、今夜は明かす。 娘っ子達が持ってきた、飛び切り一品、樽酒だ。 フッササヘ！ 外海の、岩場に嵐 － ハ！ ヨッロロホへ！ おいらは笑い飛ばすのさ！ フッササヘ！ 帆をおろせ、錨を下ろせ！ 岩場に嵐、おいらは笑い飛ばすのさ！ 舵取りよお、見張りなんぞは置いとかれい！ 舵取りよお、わしらのとこへ来なされや！ ホ！ヘ！イェ！ハ！ 舵取りよお、あんたも一杯（ぺえ）やりなせえ！ ホ！ヘ！イェ！ハ！ 岩場に嵐、ヘィ！ もう過ぎ去った、ヘィ！ フッサへ！ハッロヘ！ フッサへ！舵取りよお！ホーィ！ こっちで、一緒に飲みなせえ！ 他は一面に静かな海が、オランダ船の周囲だけ、うねり始める。船上に、青い薄気味の悪い炎が燃え上がる。オランダ船の見張りの灯だ。艫綱の置かれているあたりに、暴風が巻き起る。－ 先ほどまでは何も無かったところに、乗組員達が動き始めるのが見える。 オランダ人の船の乗組員達 ヨホホエ！ヨホホエ!ホエー！ホエー！ホエー! etc. フィーッサ！ 嵐に陸（おか）へと追われてよ、 フィーッサ！ 入り江にずんずん進めとよ！ 黒服お頭、陸えのお上がり! 七年、年期が明けたからにゃ！ 金髪娘を、嫁取りに！ 金髪嫁ごよ、操をたてろ！ 今日は良い日だぞなー、ヒュー！ 花婿様だぞ！ヒュー! 婚礼の歌をば、嵐が唸り つられて海が、踊るとさ！ ヒュー！ － しっ、彼の笛だ！ キャプテン、もう早、お戻りで？ ヒュー！ － 帆を揚げろ！ 花嫁様は － どちらにおいでで？ ヒュー！ － 海に出ろ！ キャプテン！キャプテン！ 愛の操にゃ、ご運が無い！ ハハハ！ 荒海風よ、吼えたてろ！ おいらの帆布にゃ、触れまいぞ！ 悪魔がおいらに、請け負うた、 未来永劫、破れはせんと！ ホホェ！未来永劫、破れはせんと！ オランダ人たちが歌っている間、彼らの船は、波に上下される。ものすごい暴風が巻き起こり、むきだしの艫綱の間を吹きぬける。オランダ船の周り以外の大気と海は、先刻と変わりなく静かなままで、船の揺れもない。 ノルウエー船の水夫達 なんという唄だ！ありゃ幽霊かい？ なんともいやな気持だぜ！ 唄おうぜ － わしらの唄を！ 大声で唄おうぜ！ 舵取りよお、見張りなんぞは置いとかれい！ 舵取りよお、わしらのとこへ来なされよ！ ホ! ヘ! イェ！ハ！ もっと大声で唄えやい！もっと！ オランダの乗組員達の歌声は、節を繰り返すごとに、ますます大きくなる、ノルウエー人たちは、自分達の歌声で、それを打ち消そうとする。しかし、甲斐無き試みの後に、彼らの歌は、オランダ人たちの、一層荒々しくなる歌声と、波浪の音、嵐の異様な唸り、叫び、吹きすさびに、打ち負かされて、沈黙させられてしまう。彼らは後ずさって、十字を切り、甲板から立ち去って行く。これを見てとるや、オランダ人達は大声で嘲笑する。 だが、彼らの船は、たちまち亦、死の沈黙に覆われる。その瞬間、大気と海も、最前と同じように静まる。センタが、家の中から、取り乱した足取りで出てくる。その後を、興奮したエリックが追いかけて来る。 エリック なんて事を耳にするんだ？神様、なんて事を目にするんだ？ 気の迷いか？まことか？実際のことか？ センタ ああ、聞かないでちょうだい！答えられないのよ。 エリック 正義の神よ！疑いない！事実なんだ！ どんな不吉な力が、きみを攫って行こうとするのだ？ どんな暴力が、そんなに素早くきみを誘惑したんだ？ ぼくの誠実な心を無残に踏みにじってしまうのか！ きみの親父さん － へっ － 彼が、婿を連れて来たんだ．．． あの人については、何が起こり得るか、想像していた通りだ！ だがきみが．．．こともあろうに！－ きみの家の敷居を またいだばかりの男に、手を委ねるなんて。 センタ 止めて！黙って！あたし、こうしなければならないの！ エリック ああ、きみのやったことは、めくらめっぽうの従順だよ！ 親父さんの目配せを待ってましたとばかりに、 きみは、ぼくの心を、一撃で粉々にしてしまったんだ！ センタ もう止めて！もう止めて！ もうあなたに会ってはいけないのよ、 あなたのことを考えてもいけないの － 大事な義務の命令よ！ エリック 大事な義務だって？かつてぼくに、永遠の貞節を誓ったより、大事な義務があるってのかい？ センタ 何ですって？あたしがあなたに、永遠の貞節を誓った？ エリック センタ！おー、センタ！否定する気かい？ あの日のことは、もう思い出せないって言うのかい、 ぼくをあの谷へ呼び出したときのことを？ 高嶺に咲く花が欲しいと言って。 少しもひるまず、ぼくが、どんな骨折りも厭わなかったことを？ 思い出さないのかい、岸辺の切り立った岩山の上で、 船出する親父さんを一緒に見送った時のことを？ 親父さんの白い船は、船足も軽やかに去っていった。 親父さんはぼくに、きみを守るようにと言い残して行ったんだ。 そうだ、親父さんは、ぼくに、きみを預けて行ったんだ。 ぼくの首に腕を捲いて、 愛の告白を新たにした、きみじゃなかったのかい？ 握りしめたきみの手から、ぼくに伝わってきた清々しい何か、 言ってくれ、あれは、きみの貞節の証ではなかったのかい？ （この二人のやりとりを立ち聞きしていたオランダ人が、ものすごく興奮して躍り出る） オランダ人 駄目になった！ああ！失しなわれてしまった！ おれの救済は、永久に失われてしまったのだ！ エリック 誰だ？どうしたんだ！ オランダ人 センタ、さらばだ！ センタ （彼の行く手に身を投げだして） 待って、不幸な方！ エリック （センタに向かって） きみは、何をするんだ？ オランダ人 海へ！ － 永遠に海へ！ （センタに向かって） おまえの貞節は帳消しだ。 おまえの貞節 － わたしの救済！ さらばだ、わたしは、おまえを破滅させたくない！ エリック 恐ろしい！ あの眼差し．．．！ センタ （前と同様） 待って！あなた、もう決して逃げてはいけないのよ！ オランダ人 （彼の乗組員達に、船笛で鋭い合図を与える） 帆を揚げろ！錨を解け！ おまえ達、陸（おか）に永遠の別れを告げろ！ 海へと、おれは、また新たに追われて行くんだ！ おれには、 おまえが信じられない！おれには神が信じられない！ 失せた、失せた、貞節は全て失せてしまった！ おまえの誓いは、おまえにとって、笑いぐさでしかなかったのだ！ センタ は！あたしの貞節を疑うの？ 不幸な方、何が、あなたの目を眩ませるの？ 待って！あたしたちの約束を後悔することなどないのよ！ あたし、誓ったことは、絶対に守ります！ エリック なんて事を聞くのだ！神様、なんて事を見なきゃならないんだ？ どうすりゃ自分の目や耳が信じられる？ センタ！きみは、破滅する気なのか？ こっちへ来るんだ！きみは悪魔の手中にいるんだぞ！ オランダ人 お聞き、おまえを、避けてやりたい、運命について話すから！ わたしは、最もおぞましい運命に呪われた身なのだ。 それよりも、十度死ぬる方が、ずっとましだ！ 一人の女だけが、わたしをこの呪いから解き放つことができる。 死ぬる後々にまで、わたしに貞節な、一人の女が。 確かに、おまえはわたしに貞節を誓った、だが、神前での誓いは未だなされていない。それがおまえの救いだ！ わたしは、この呪われた男は、わたしへの貞節を破った者に降りかかる運命を知っている。 無間地獄がその報いなのだ！ 数知れぬ犠牲者が、わたしの為にこの判決を受けた！ だが、おまえは免れるがいい！ お別れだ！さらばわたしの救済よ、永遠に！ エリック （恐怖に慄いて） 誰か来てくれ！助けて、彼女を助けてくれ！ センタ （興奮の極みの態で） あたしはあなたを、良く知っているわ！あなたの運命も！ 一目見た途端に、あたしには、あなたが誰だか判ったの！ あなたの苦しみに終りが来るのよ！－ あたしを介して。 あたしの貞節によって、あなたは救われるの！ （エリックの助けを求める声に応じて、ダーランド、マリー、娘達、水夫達が駆けつけてくる） エリック 彼女を助けて！彼女が地獄へ落ちてしまう！ ダーランド、マリーと合唱 何ごとだ！ ダーランド おお、神様！ オランダ人 （センタに向かって） おまえは、わたしを知ってはおらぬ。 わたしが誰だかを、おまえは想像してもおらぬ！ （彼は自分の船の方を指し示す。赤い帆が揚げられ、乗組員達が幽霊らしい機敏さで、出帆の準備をしている） 世界の七つの海で問うてみよ、 大洋を渡る船乗り達に問うてみよ。 信心深い人々の恐怖の的たるこの船を、彼らは知っていよう。 人はわたしのことを、さまよえるオランダ人と呼ぶ。 オランダ人乗組員達 ヨホホエ！ヨホホホエ！ホエー！フィーッサ！ （オランダ人がすばやく乗り込むと、船は乗組員達の掛け声とともに、たちまち岸を離れる。 センタは、ダーランドと、エリックから逃れようと必死でもがく） マリー、エリック、ダーランドと合唱 センタ！センタ！どうしようというのだ？ （センタは、渾身の力で身を振りほどいて岸壁にたどりつき、岩鼻に立つ。そして、出帆しかけているオランダ人に呼びかける） センタ あなたの天使と、そのお示（しめし）を讃えませ！ あたしは、今、ここに、死ぬまで変わらぬ操をあなたに！ （彼女は海に身を投げる。その瞬間オランダ人の船は沈没し、破片となって消え失せてしまう。遥か彼方に、海から立ち昇ってゆくオランダ人とセンタの姿が浮かびだす。浄化の光に包まれた二人の姿。彼は彼女をしっかりと抱きしめている） DRITTER AUFZUG Seebucht mit felsigem Gestade; das Haus Dalands zur Seite im Vordergrunde. Den Hintergrund nehmen, ziemlich nahe beieinander liegend, die beiden Schiffe, das des Norwegers und das des Holländers, ein. Helle Nacht das norwegische Schiff ist erleuchtet; die Matrosen desselben sind auf dem Verdeck; Jubel und Freude. Die Haltung des holländischen Schiffes bietet einen unhbeimlichen Kontrast eine unnatürliche Finsternis ist über dasselbe ausgebreitet; es herrscht Totenstille auf ihm MATROSEN DES NORWEGERS trinkend Steuermann! Lass die Wacht! Steuermann! her zu uns! Ho! He! Je! Ha! Hisst die Segel auf! Anker fest! Steuermann, her! Fürchten weder Wind noch bösen Strand, wollen heute mal recht lustig sein! Jeder hat sein Mädel auf dem Land, herrlichen Tabak und guten Branntwein. Hussassahe! Klipp und Sturm drauss - Jollohohe! lachen wir aus! Hussassahe! Segel ein! Anker fest! Klipp und Sturm lachen wir aus! Steuermann, lass die Wacht! Steuermann, her zu uns! Ho! He! Je! Ha! Steuermann, her trink mit uns! Ho! He! Je! Ha! Klipp und Sturm He! sind vorbei, he! Hussahe! Hallohe! Hussahe! Steuermann, Ho! Her, komm und trink mit uns! Sie tanzen auf dem Verdeck. Die Mädchen kommen mit Körben voll Speisen und Getränken MÄDCHEN Mein! Seht doch an! Sie tanzen gar! Der Mädchen bedarf s da nicht, fürwahr! Sie gehen auf das holländische Schiff zu MATROSEN He! Mädel! Halt! Wo geht ihr hin? MÄDCHEN Steht euch nach frischem Wein der Sinn? Euer Nachbar dort soll auch was haben! Ist Trank und Speis für euch allein? STEUERMANN Fürwahr! Tragt s hin den armen Knaben! Vor Durst sie scheinen matt zu sein! MATROSEN Man hört sie nicht. STEUERMANN Ei, seht doch nur! Kein Licht! Von der Mannschaft keine Spur! MÄDCHEN im Begriff, an Bord des Holländers zu gehen He! Seeleut ! He! Wollt Fackeln ihr? Wo seid ihr doch? Man sieht nicht hier! MATROSEN Hahaha! Weckt sie nicht auf! Sie schlafen noch! MÄDCHEN He. Seeleut! He! Antwortet doch! MATROSEN Ha ha! Wahrhaftig, sie sind tot sie haben Speis und Trank nicht not! MÄDCHEN Ei, Seeleute, liegt ihr so faul schon im Nest? Ist heute für euch denn nicht auch ein Fest? MATROSEN Sie liegen fest auf ihrem Platz, wie Drachen hüten sie den Schatz. MÄDCHEN He! Seeleute! Wollt ihr nicht frischen Wein? Ihr müsset wahrlich doch durstig auch sein. MATROSEN Sie trinken nicht, sie singen nicht; In ihrem Schiffe brennt kein Licht. MÄDCHEN Sagt! Habt ihr denn nicht auch ein Schätzen am Land? Wollt ihr nicht mit tanzen auf freundlichen Strand? MATROSEN Sie sind schon alt und bleich statt rot! Und ihre Liebsten, die sind tot! MÄDCHEN He! Seeleut ! Seeleut ! Wacht doch auf! Wir bringen euch Speise und Trank zu Hauf! MATROSEN und MÄDCHEN He! Seeleut ! Seeleut ! Wacht doch auf!…usw. MÄDCHEN Wahrhaftig, ja! Sie scheinen tot! Sie haben Speis und Trank nicht not. MATROSEN Vom fliegenden Holländer wisst ihr ja? Sein Schiff, wie es liebt, wie es lebt, seht ihr da! MÄDCHEN So weckt die Mannschaft ja nicht auf; Gespenster sind s, wir schwören drauf! MATROSEN Wieviel hundert Jahre schon sied ihr zur See? Euch tut ja der Sturm und die Klippe nicht weh! MÄDCHEN Sie trinken nicht, sie singen nicht! In ihrem schiffe brennt kein Licht. MATROSEN Habt ihr keine Brief , keine Aufträg für s Land? Unsern Urgrossvätern wir bringen s zur Hand! MÄDCHEN Sie sind schon alt und bleich statt rot! Und ihre Liebsten, ach, sind tot! MATROSEN Hei, Seeleute! Spannt eure Segel doch auf und zeigt uns des fliegenden Holländers Lauf! MÄDCHEN Sie hören nicht! Uns graust es hier! Sie wollen nichts - was rufen wir? MATROSEN Ihr Mädel, lasst die Toten ruh n; Lasst s uns Lebend gen gütlich tun! MÄDCHEN den Matrosen ihre Körbe über Bord reichend So nehmt! Der Nachbar hat s verschmäht! STEUERMANN Wie? Kommt ihr denn nicht selbst an Bord? MÄDCHEN Ei, jetzt noch nicht! Es ist ja nicht spät. Wir kommen bald! Jetzt trinkt nur fort, und wenn ihr wollt, so tanzt dazu, nor gönnt dem müden Nachbar Ruh , Lasst ihm Ruh ! MATROSEN die Körbe leerend Jucche! Da gibt s die Fülle! Lieb Nachbar, habe Dank! STEUERMANN Zum Rand sein Glas ein jeder fülle! Lieb Nachbar liefert uns den Trank. MATROSEN Hallohohoho! Lieb Nachbarn, habt ihr Stimm und Sprach , so wachet auf und macht s uns nach!… usw. Sie trinken aus und stampfen die Becher heftig auf. Von hier an beginnt es sich auf dem holländischen Schiff zu regen Steuermann, lass die Wacht! Steuermann! her zu uns! Ho! He! Je! Ha! Hisst die Segel auf! Anker fest! Steuermann, her! Wachten manche Nacht bei Sturm und Graus, tranken oft des Meer s gesalz nes Nass heute wachen wir bei Saus und Schmaus, besseres Getränk gibt Mädel uns vom Fass. Hussassahe! Klipp und Sturm draus - Jollolohe! lachen wir aus! Hussassahe! Segel ein! Anker fest! Klipp und Sturm lachen wir aus! Steuermann, lass die Wacht! Steuermann, her zu uns! Ho! He! Je! Ha! Steuermann, her! Trink mit uns! Ho! He! Je! Ha! Klipp und Sturm - ha! sind vorbei, he! Hussahe! Hallohe! Hussahe! Steuermann! Ho! Her, komm und trink mit uns! Das Meer, das sonst überall ruhig bleibt, hat sich im Umkreise des holländischen Schiffes zu heben begonnen; eine düstere, bläuliche Flamme lodert in diesem als Wachtfeuer auf. Sturmwind erhebt sich in dessen Tauen. - Die Mannschaft, von der man zuvor nichts sah, belebt sich DIE MANNSCHAFT DES HOLLÄNDERS Johohoe! Johohoe! Hoe! Hoe! Hoe!… usw. Hui-ssa! Nach dem Land treibt der Sturm. Hui-ssa! In die Bucht laufet ein! Schwarzer Hauptmann, geh ans Land! sieben Jahre sind vorbei! Frei um blonden Mädchens Hand! Blondes Mädchen, sie ihm treu ! Lustig heut , hui! Bräutigam! Hui! Sturmwind heult Brautmusik Ozean tanzt dazu! Hui! - Horch, er pfeift! Kapitän, bist wieder da? Hui! - Segel auf! Deine Braut - sag , wo sie blieb? Hui! - Auf, in See! Kapitän! Kapitän! Hast kein Glück in der Lieb ! Hahaha! Sause, Sturmwind, heule zu! Unsern Sgeln lässt du Ruh ! Satan hat sie uns gefeit, reissen nicht in Ewigkeit! Hohoe! Nicht in Ewigkeit! Während des Gesanges der Holländer wird ihr Schiff von den Wogen auf und ab getragen; furchtbarer Sturmwind heult und pfeift durch die nackten Taue. Die Luft und das Meer bleiben, ausser in der nächsten Umgebung des holländischen Schiffes, ruhig Schiffes, ruhig wie zuvor MATROSEN DES NORWEGERS Welcher Sang! Ist es Spuk? Wie mich s graust! Stimmet an - unser Lied! Singet laut! Steurmann, lass die Wacht! Steurmann, her zu uns! Ho! He! Je! Ha!… usw. Singet laut! Lauter! Der Gesang der Mannschaft des Holländers wird in einzelnen Strophen immer stärker wiederholt; die Norweger suchen ihn mit ihrem Lied zu übertäuben; nach vergeblichen Versuchen bringt sie das Tosen des Meeres, das Sausen, Heulen und Pfeifen des unnatürlichen Sturmes sowie der immer wilder werdende Gesang der Holländer zum Schweigen. Sie ziehen sich zurück, schalgen das Kreuz und verlassen das Verdeck; die Holländer, als sie dies sehen, erheben ein gellendes Hohngelächter. Sodann herrscht mit einem Male auf ihrem Schiffe wieder die Totenstille; Luft und Meer werden in einem Augenblick wieder ruhig, wie zuvor. Senta kommt bewegten Schrittes aus dem Hause; ihr folgt Erik in höchster Aufregung ERIK Was musst ich hören? Gott, was muss ich sehen? Ist s Täuschung? Wahrheit? Ist es Tat? SENTA O frage nicht! Antwort darf ich nicht geben. ERIK Gerechter Gott! Kein Zweifel! Es ist wahr! Welch unheilvolle Macht riss dich dahin? Welche Gewalt verfuehrte dich so schnell, grausam zu brechen dieses treuste Herz! Dein Vater - ha - Den Bräut gam bracht er mit… Wohl kenn ich ihn mir ahnte, was geschieht! Doch du… ist s möglich! - reichest deine Hand dem Mann, der deine Schwelle kaum betrat. SENTA Nicht wieter! Schweig ! Ich muss! ich muss! ERIK O des Gehorsams, blind wie deine Tat! Den Wink des Vaters nanntest du willkommen, mit einem Stoss vernichtest du mein Herz! SENTA Nicht mehr! nicht mehr! Ich darf dich nicht mehr seh n, nicht an dich denken - hohe Pflicht gebeut s! ERIK Welch hohe Pflicht? Ist s höh re nich zu halten, was du mir einst gelobtest, ewige Treue? SENTA Wie? Ew ge Treue hätt ich dir gelobt? ERIK Senta! O Senta! Leugnest du? Willst jenes Tags dich nicht mehr entsinnen, als du zu dir mich riefest in das Tal? Als, dir des Hochlands Blume zu gewinnen, mutvoll ich trug Beschwerden ohne Zahl? Gedenkst du, wie auf steilem Felsenriffe vom Ufer wir den Vater scheiden sah n? Er zog dahin auf weiss beschwingtem Schiffe, und meinem Schutz vertraute er dich an, ja, meinem Schutz vertraute er dich an. Als sich dein Arm um meinen Nacken schlang, gestandest du mir Liebe nicht aufs neu ? Was bei der Hände Druck mich hehr durchdrang, sag , war s nicht Versich rung deiner Treu ? Der Holländer hat den Auffritt belauscht; in furchtbarer Aufregung bricht er jetzt hervor HOLLÄNDER Verloren! Ach! verloren! Ewig verlor nes Heil! ERIK Was seh ich? Gott! HOLLÄNDER Senta, leb wohl! SENTA sich ihm in den Weg werfend Halt ein, Unsel ger! ERIK zu Senta Was beginnst du? HOLLÄNDER In See! - In See für ew ge Zeiten! zu Senta Um deine Treue ist s getan, um deine Treue - um mein Heil! Leb wohl, ich will dich nicht verderben! ERIK Entsetzlich! Dieser Blick… ! SENTA wie vorher Halt ein! Von dannen sollst du nimmer flieh n! HOLLÄNDER gibt seiner Mannschaft ein gellendes Zeichen auf einer Schiffspfeife Segel auf! Anker los! Sagt Lebewohl auf Ewigkeit dem lande! Fort auf das Meer triebt s mich auf s neue! Ich zweifl an dir! Ich zweiff an Gott! Dahin, dahin, ist alle Treue! Was du gelobtest, war dir Spott! SENTA Ha! Zweifelst du an meiner Treue? Unsel ger, was verblendet dich? Halt ein! Das Bündnis nicht bereue! Was ich gelobte, halte ich! ERIK Was hör ich! Gott, was muss ich sehen? Muss ich dem Ohr, dem Auge trau n? Senta! Willst du zugrunde gehen? Zu mir! Du bist in Satans Klau n! HOLLÄNDER Erfahre das Geschick, vor dem ich dich bewahr ! Verdammt bin ich zum grässlichsten der Lose; zehnfacher Tod wär mir erwünschte Lust! Vom Fluch ein Weib allein mich kann erlösen, ein Weib, das Treu bis in den Tod mir hält. Wohl hast du Treue mir gelobt, doch vor dem Ewigen noch nicht; dies rettet dich! Denn wiss , Unsel ge, welches das Geschick, das jene trifft, die mir die Treue brechen ew ge Verdammnis ist ihr Los! Zahllose Opfer fielen diesem Spruch durch mich! du aber sollst gerettet sein! Leb wohl! Bahr him, mein Heil, in Ewigkeit! ERIK in furchtbarer Angst Zu Hilfe! Rettet, rettet sie! SENTA in höchster Aufregung Wohl kenn ich dich! Wohl kenn ich dein Geschick! Ich kannte dich, als ich zuerst dich sah! Das Ende deiner Qual ist da! - ich bin s. durch deren Treu dein Heil du finden sollst! Auf Eriks Hilferufe sind Daland, Mary die Mädchen und die Matrosen herbeigeeilt ERIK Helft ihr! Sie ist verloren! DALAND, MARY und CHOR Was erblick ich! DALAND Gott! HOLLÄNDER zu Senta Du kennst mich nicht, du ahnst nicht, wer ich bin! Er deutet auf sein Schiff, dessen rote Segel aufgespannt sind und dessen Mannschaft in gespenstischer Regsamkeit die Abfahrt vorbereitet Befrag die Meere aller Zonen, befrag den Seemann, der den Ozean durchstrich, er kennt dies Schiff, das Schrecken aller Frommen den fliegenden Holländer nennt man mich. DIE MANNSCHAFT DES HOLLÄNDERS Johohoe! Johohohoe! Hoe! Hui-ssa! Schnell langt er am Bord seines Schiffes an, das augenblicklich unter dem Seerufe der Mannschaft abfährt. Senta sucht sich mit Gewalt von Daland und Erik loszuwinden MARY, ERIK, DALAND und CHOR Senta! Senta! Was willst du tun? Senta hat sich mit wütender Kraft losgerissen und erreicht ein vorstehendes Felsenriff von da aus ruft sie dem absegelnden Holländer nach SENTA Preis deinen Engel und sein Gebot! Hier steh ich, treu dir bis zum Tod! Sie stürzt sich in das Meer; in demselben Augenblicke versinkt das Schiff des Holländers und verschwindet schnell in Trümmern. In weiter Ferne entsteigen dem Wasser der Holländer und Senta , beide in verklärter Gestalt; er hält sie umschlungen. All rights reserved © Kimiyo Wagner,Richard/Der fliegende Holländer
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The Origins of Competitive Strength 50 Years of the Auto Industry in Japan and the U.S Springer-Verlag? A. Kawahara? Springer-Verlag? A.Kawahara? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-Management&Leadership-ManagementScience? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-History-Asia-Japan? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-Automotive-Industry? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-ManagementScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Constitutive Relation in High/Very High Strain Rates Iutam Symposium, Noda, Japan, October 16-19, 1995 (I U T a M - Symposien) Springer-Verlag? K. Kawata? J. Shiori? 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CHAPTER XXIV UP CHAPTER XXVI CHAPTER XXV Matthew Insists on Puffed Sleeves Matthew was having a bad ten minutes of it. He had come into the kitchen, in the twilight of a cold, gray December evening, and had sat down in the woodbox corner to take off his heavy boots, unconscious of the fact that Anne and a bevy of her schoolmates were having a practice of "The Fairy Queen" in the sitting room. Presently they came trooping through the hall and out into the kitchen, laughing and chattering gaily. They did not see Matthew, who shrank bashfully back into the shadows beyond the woodbox with a boot in one hand and a bootjack in the other, and he watched them shyly for the aforesaid ten minutes as they put on caps and jackets and talked about the dialogue and the concert. Anne stood among them, bright eyed and animated as they; but Matthew suddenly became conscious that there was something about her different from her mates. And what worried Matthew was that the difference impressed him as being something that should not exist. Anne had a brighter face, and bigger, starrier eyes, and more delicate features than the other; even shy, unobservant Matthew had learned to take note of these things; but the difference that disturbed him did not consist in any of these respects. Then in what did it consist? Matthew was haunted by this question long after the girls had gone, arm in arm, down the long, hard-frozen lane and Anne had betaken herself to her books. He could not refer it to Marilla, who, he felt, would be quite sure to sniff scornfully and remark that the only difference she saw between Anne and the other girls was that they sometimes kept their tongues quiet while Anne never did. This, Matthew felt, would be no great help. He had recourse to his pipe that evening to help him study it out, much to Marilla s disgust. After two hours of smoking and hard reflection Matthew arrived at a solution of his problem. Anne was not dressed like the other girls! The more Matthew thought about the matter the more he was convinced that Anne never had been dressed like the other girls--never since she had come to Green Gables. Marilla kept her clothed in plain, dark dresses, all made after the same unvarying pattern. If Matthew knew there was such a thing as fashion in dress it was as much as he did; but he was quite sure that Anne s sleeves did not look at all like the sleeves the other girls wore. He recalled the cluster of little girls he had seen around her that evening--all gay in waists of red and blue and pink and white--and he wondered why Marilla always kept her so plainly and soberly gowned. Of course, it must be all right. Marilla knew best and Marilla was bringing her up. Probably some wise, inscrutable motive was to be served thereby. But surely it would do no harm to let the child have one pretty dress--something like Diana Barry always wore. Matthew decided that he would give her one; that surely could not be objected to as an unwarranted putting in of his oar. Christmas was only a fortnight off. A nice new dress would be the very thing for a present. Matthew, with a sigh of satisfaction, put away his pipe and went to bed, while Marilla opened all the doors and aired the house. The very next evening Matthew betook himself to Carmody to buy the dress, determined to get the worst over and have done with it. It would be, he felt assured, no trifling ordeal. There were some things Matthew could buy and prove himself no mean bargainer; but he knew he would be at the mercy of shopkeepers when it came to buying a girl s dress. After much cogitation Matthew resolved to go to Samuel Lawson s store instead of William Blair s. To be sure, the Cuthberts always had gone to William Blair s; it was almost as much a matter of conscience with them as to attend the Presbyterian church and vote Conservative. But William Blair s two daughters frequently waited on customers there and Matthew held them in absolute dread. He could contrive to deal with them when he knew exactly what he wanted and could point it out; but in such a matter as this, requiring explanation and consultation, Matthew felt that he must be sure of a man behind the counter. So he would go to Lawson s, where Samuel or his son would wait on him. Alas! Matthew did not know that Samuel, in the recent expansion of his business, had set up a lady clerk also; she was a niece of his wife s and a very dashing young person indeed, with a huge, drooping pompadour, big, rolling brown eyes, and a most extensive and bewildering smile. She was dressed with exceeding smartness and wore several bangle bracelets that glittered and rattled and tinkled with every movement of her hands. Matthew was covered with confusion at finding her there at all; and those bangles completely wrecked his wits at one fell swoop. "What can I do for you this evening, Mr. Cuthbert?" Miss Lucilla Harris inquired, briskly and ingratiatingly, tapping the counter with both hands. "Have you any--any--any--well now, say any garden rakes?" stammered Matthew. Miss Harris looked somewhat surprised, as well she might, to hear a man inquiring for garden rakes in the middle of December. "I believe we have one or two left over," she said, "but they re upstairs in the lumber room. I ll go and see." During her absence Matthew collected his scattered senses for another effort. When Miss Harris returned with the rake and cheerfully inquired "Anything else tonight, Mr. Cuthbert?" Matthew took his courage in both hands and replied "Well now, since you suggest it, I might as well--take--that is--look at--buy some--some hayseed." Miss Harris had heard Matthew Cuthbert called odd. She now concluded that he was entirely crazy. "We only keep hayseed in the spring," she explained loftily. "We ve none on hand just now." "Oh, certainly--certainly--just as you say," stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt. "Well now--if it isn t too much trouble--I might as well--that is--I d like to look at--at--some sugar." "White or brown?" queried Miss Harris patiently. "Oh--well now--brown," said Matthew feebly. "There s a barrel of it over there," said Miss Harris, shaking her bangles at it. "It s the only kind we have." "I ll--I ll take twenty pounds of it," said Matthew, with beads of perspiration standing on his forehead. Matthew had driven halfway home before he was his own man again. It had been a gruesome experience, but it served him right, he thought, for committing the heresy of going to a strange store. When he reached home he hid the rake in the tool house, but the sugar he carried in to Marilla. "Brown sugar!" exclaimed Marilla. "Whatever possessed you to get so much? You know I never use it except for the hired man s porridge or black fruit cake. Jerry s gone and I ve made my cake long ago. It s not good sugar, either--it s coarse and dark--William Blair doesn t usually keep sugar like that." "I--I thought it might come in handy sometime," said Matthew, making good his escape. When Matthew came to think the matter over he decided that a woman was required to cope with the situation. Marilla was out of the question. Matthew felt sure she would throw cold water on his project at once. Remained only Mrs. Lynde; for of no other woman in Avonlea would Matthew have dared to ask advice. To Mrs. Lynde he went accordingly, and that good lady promptly took the matter out of the harassed man s hands. "Pick out a dress for you to give Anne? To be sure I will. I m going to Carmody tomorrow and I ll attend to it. Have you something particular in mind? No? Well, I ll just go by my own judgment then. I believe a nice rich brown would just suit Anne, and William Blair has some new gloria in that s real pretty. Perhaps you d like me to make it up for her, too, seeing that if Marilla was to make it Anne would probably get wind of it before the time and spoil the surprise? Well, I ll do it. No, it isn t a mite of trouble. I like sewing. I ll make it to fit my niece, Jenny Gillis, for she and Anne are as like as two peas as far as figure goes." "Well now, I m much obliged," said Matthew, "and--and--I dunno--but I d like--I think they make the sleeves different nowadays to what they used to be. If it wouldn t be asking too much I--I d like them made in the new way." "Puffs? Of course. You needn t worry a speck more about it, Matthew. I ll make it up in the very latest fashion," said Mrs. Lynde. To herself she added when Matthew had gone "It ll be a real satisfaction to see that poor child wearing something decent for once. The way Marilla dresses her is positively ridiculous, that s what, and I ve ached to tell her so plainly a dozen times. I ve held my tongue though, for I can see Marilla doesn t want advice and she thinks she knows more about bringing children up than I do for all she s an old maid. But that s always the way. Folks that has brought up children know that there s no hard and fast method in the world that ll suit every child. But them as never have think it s all as plain and easy as Rule of Three--just set your three terms down so fashion, and the sum ll work out correct. But flesh and blood don t come under the head of arithmetic and that s where Marilla Cuthbert makes her mistake. I suppose she s trying to cultivate a spirit of humility in Anne by dressing her as she does; but it s more likely to cultivate envy and discontent. I m sure the child must feel the difference between her clothes and the other girls . But to think of Matthew taking notice of it! That man is waking up after being asleep for over sixty years." Marilla knew all the following fortnight that Matthew had something on his mind, but what it was she could not guess, until Christmas Eve, when Mrs. Lynde brought up the new dress. Marilla behaved pretty well on the whole, although it is very likely she distrusted Mrs. Lynde s diplomatic explanation that she had made the dress because Matthew was afraid Anne would find out about it too soon if Marilla made it. "So this is what Matthew has been looking so mysterious over and grinning about to himself for two weeks, is it?" she said a little stiffly but tolerantly. "I knew he was up to some foolishness. Well, I must say I don t think Anne needed any more dresses. I made her three good, warm, serviceable ones this fall, and anything more is sheer extravagance. There s enough material in those sleeves alone to make a waist, I declare there is. You ll just pamper Anne s vanity, Matthew, and she s as vain as a peacock now. Well, I hope she ll be satisfied at last, for I know she s been hankering after those silly sleeves ever since they came in, although she never said a word after the first. The puffs have been getting bigger and more ridiculous right along; they re as big as balloons now. Next year anybody who wears them will have to go through a door sideways." Christmas morning broke on a beautiful white world. It had been a very mild December and people had looked forward to a green Christmas; but just enough snow fell softly in the night to transfigure Avonlea. Anne peeped out from her frosted gable window with delighted eyes. The firs in the Haunted Wood were all feathery and wonderful; the birches and wild cherry trees were outlined in pearl; the plowed fields were stretches of snowy dimples; and there was a crisp tang in the air that was glorious. Anne ran downstairs singing until her voice reechoed through Green Gables. "Merry Christmas, Marilla! Merry Christmas, Matthew! Isn t it a lovely Christmas? I m so glad it s white. Any other kind of Christmas doesn t seem real, does it? I don t like green Christmases. They re not green-- they re just nasty faded browns and grays. What makes people call them green? Why--why--Matthew, is that for me? Oh, Matthew!" Matthew had sheepishly unfolded the dress from its paper swathings and held it out with a deprecatory glance at Marilla, who feigned to be contemptuously filling the teapot, but nevertheless watched the scene out of the corner of her eye with a rather interested air. Anne took the dress and looked at it in reverent silence. Oh, how pretty it was--a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashionable way, with a little ruffle of filmy lace at the neck. But the sleeves--they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon. "That s a Christmas present for you, Anne," said Matthew shyly. "Why--why--Anne, don t you like it? Well now--well now." For Anne s eyes had suddenly filled with tears. "Like it! Oh, Matthew!" Anne laid the dress over a chair and clasped her hands. "Matthew, it s perfectly exquisite. Oh, I can never thank you enough. Look at those sleeves! Oh, it seems to me this must be a happy dream." "Well, well, let us have breakfast," interrupted Marilla. "I must say, Anne, I don t think you needed the dress; but since Matthew has got it for you, see that you take good care of it. There s a hair ribbon Mrs. Lynde left for you. It s brown, to match the dress. Come now, sit in." "I don t see how I m going to eat breakfast," said Anne rapturously. "Breakfast seems so commonplace at such an exciting moment. I d rather feast my eyes on that dress. I m so glad that puffed sleeves are still fashionable. It did seem to me that I d never get over it if they went out before I had a dress with them. I d never have felt quite satisfied, you see. It was lovely of Mrs. Lynde to give me the ribbon too. I feel that I ought to be a very good girl indeed. It s at times like this I m sorry I m not a model little girl; and I always resolve that I will be in future. But somehow it s hard to carry out your resolutions when irresistible temptations come. Still, I really will make an extra effort after this." When the commonplace breakfast was over Diana appeared, crossing the white log bridge in the hollow, a gay little figure in her crimson ulster. Anne flew down the slope to meet her. "Merry Christmas, Diana! And oh, it s a wonderful Christmas. I ve something splendid to show you. Matthew has given me the loveliest dress, with SUCH sleeves. I couldn t even imagine any nicer." "I ve got something more for you," said Diana breathlessly. "Here-- this box. Aunt Josephine sent us out a big box with ever so many things in it--and this is for you. I d have brought it over last night, but it didn t come until after dark, and I never feel very comfortable coming through the Haunted Wood in the dark now." Anne opened the box and peeped in. First a card with "For the Anne-girl and Merry Christmas," written on it; and then, a pair of the daintiest little kid slippers, with beaded toes and satin bows and glistening buckles. "Oh," said Anne, "Diana, this is too much. I must be dreaming." "I call it providential," said Diana. "You won t have to borrow Ruby s slippers now, and that s a blessing, for they re two sizes too big for you, and it would be awful to hear a fairy shuffling. Josie Pye would be delighted. Mind you, Rob Wright went home with Gertie Pye from the practice night before last. Did you ever hear anything equal to that?" All the Avonlea scholars were in a fever of excitement that day, for the hall had to be decorated and a last grand rehearsal held. The concert came off in the evening and was a pronounced success. The little hall was crowded; all the performers did excellently well, but Anne was the bright particular star of the occasion, as even envy, in the shape of Josie Pye, dared not deny. "Oh, hasn t it been a brilliant evening?" sighed Anne, when it was all over and she and Diana were walking home together under a dark, starry sky. "Everything went off very well," said Diana practically. "I guess we must have made as much as ten dollars. Mind you, Mr. Allan is going to send an account of it to the Charlottetown papers." "Oh, Diana, will we really see our names in print? It makes me thrill to think of it. Your solo was perfectly elegant, Diana. I felt prouder than you did when it was encored. I just said to myself, `It is my dear bosom friend who is so honored. " "Well, your recitations just brought down the house, Anne. That sad one was simply splendid." "Oh, I was so nervous, Diana. When Mr. Allan called out my name I really cannot tell how I ever got up on that platform. I felt as if a million eyes were looking at me and through me, and for one dreadful moment I was sure I couldn t begin at all. Then I thought of my lovely puffed sleeves and took courage. I knew that I must live up to those sleeves, Diana. So I started in, and my voice seemed to be coming from ever so far away. I just felt like a parrot. It s providential that I practiced those recitations so often up in the garret, or I d never have been able to get through. Did I groan all right?" "Yes, indeed, you groaned lovely," assured Diana. "I saw old Mrs. Sloane wiping away tears when I sat down. It was splendid to think I had touched somebody s heart. It s so romantic to take part in a concert, isn t it? Oh, it s been a very memorable occasion indeed." "Wasn t the boys dialogue fine?" said Diana. "Gilbert Blythe was just splendid. Anne, I do think it s awful mean the way you treat Gil. Wait till I tell you. When you ran off the platform after the fairy dialogue one of your roses fell out of your hair. I saw Gil pick it up and put it in his breast pocket. There now. You re so romantic that I m sure you ought to be pleased at that." "It s nothing to me what that person does," said Anne loftily. "I simply never waste a thought on him, Diana." That night Marilla and Matthew, who had been out to a concert for the first time in twenty years, sat for a while by the kitchen fire after Anne had gone to bed. "Well now, I guess our Anne did as well as any of them," said Matthew proudly. "Yes, she did," admitted Marilla. "She s a bright child, Matthew. And she looked real nice too. I ve been kind of opposed to this concert scheme, but I suppose there s no real harm in it after all. Anyhow, I was proud of Anne tonight, although I m not going to tell her so." "Well now, I was proud of her and I did tell her so fore she went upstairs," said Matthew. "We must see what we can do for her some of these days, Marilla. I guess she ll need something more than Avonlea school by and by." "There s time enough to think of that," said Marilla. "She s only thirteen in March. Though tonight it struck me she was growing quite a big girl. Mrs. Lynde made that dress a mite too long, and it makes Anne look so tall. She s quick to learn and I guess the best thing we can do for her will be to send her to Queen s after a spell. But nothing need be said about that for a year or two yet." "Well now, it ll do no harm to be thinking it over off and on," said Matthew. "Things like that are all the better for lots of thinking over." CHAPTER XXIV UP CHAPTER XXVI 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 20 30 (Tue)
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Subjects-Science-EarthSciences-AtmosphericSciences-Tornadoes? Subjects-Science-Technology-General&Reference Collecting, Restoring, and Riding Classic Motorcycles Harpercollins? Tim Holmes? Rebekka Smith? Harpercollins? TimHolmes? RebekkaSmith? ジャンル別? Subjects-Arts&Photography-Architecture-General? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-General? Subjects-Science-Technology-General&Reference Hawker Hunter Patrick Stephens Ltd? Francis K. Mason? PatrickStephensLtd? FrancisK.Mason? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference The Helicopter Patrick Stephens Ltd? Keith Carey? PatrickStephensLtd? KeithCarey? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Porsche Specials Patrick Stephens Ltd? Lothar Boschen? Jurgen Barth? Paul Frere? Michael Cotton? Peter Wareham? PatrickStephensLtd? LotharBoschen? JurgenBarth? PaulFrere? MichaelCotton? PeterWareham? ジャンル別? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-Luxury? Subjects-Science-Technology-General&Reference The Spitfire Patrick Stephens Ltd? Michael J.F. Bowyer? PatrickStephensLtd? MichaelJ.F.Bowyer? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Hauling Heavyweights Patrick Stephens Ltd? Bob Tuck? PatrickStephensLtd? BobTuck? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Modern British Armoured Fighting Vehicles Patrick Stephens Ltd? Terry Gander? PatrickStephensLtd? TerryGander? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Modern British Military Missiles Patrick Stephens Ltd? Paul Beaver? Terry Gander? PatrickStephensLtd? PaulBeaver? TerryGander? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Classic Sports Cars (PBK) Harpercollins? Graham Robson? Harpercollins? GrahamRobson? ジャンル別? Substores-UnknownASINs-24? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Bofors 40mm Gun Patrick Stephens Ltd? Terry Gander? PatrickStephensLtd? TerryGander? ジャンル別? Subjects-History-Military-General? Subjects-History-Military-Weapons&Warfare-Conventional-General? Subjects-Science-Technology-General&Reference Lusitania The Cunard Turbine-Driven Quadruple-Screw Atlantic Liner Harpercollins? Mark D. Warren? Harpercollins? MarkD.Warren? ジャンル別? Substores-UnknownASINs-63? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Nonfiction-Transportation-Ships-General? Subjects-Nonfiction-Transportation-Ships-Passenger? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Wellington Mainstay of Bomber Command Patrick Stephens? Peter G. Cooksley? PatrickStephens? PeterG.Cooksley? ジャンル別? Substores-UnknownASINs-63? Subjects-History-Military-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Aeromodeller's Handbook (Model Engineering Guides) Patrick Stephens Ltd? Les Netherton? PatrickStephensLtd? LesNetherton? ジャンル別? Subjects-Science-Technology-General&Reference Modern Royal Navy Warships Patrick Stephens Ltd? Paul Beaver? PatrickStephensLtd? PaulBeaver? ジャンル別? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Science-Technology-General&Reference Encyclopaedia of Modern Aircraft Armament Harpercollins? Christopher Chant? Harpercollins? ChristopherChant? ジャンル別? Substores-UnknownASINs-24? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Designed to Kill Patrick Stephens Ltd? Arthur S. Hogben? PatrickStephensLtd? ArthurS.Hogben? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Jaguar XJ40 Patrick Stephens Ltd? Andrew Whyte? PatrickStephensLtd? AndrewWhyte? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Modern Royal Air Force Aircraft Patrick Stephens Ltd? Terry Gander? PatrickStephensLtd? TerryGander? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference The British Aircraft Carrier Patrick Stephens Ltd? Paul Beaver? PatrickStephensLtd? PaulBeaver? ジャンル別? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Science-Technology-General&Reference Classic Competition Motorcycles Harpercollins? Bob Currie? Harpercollins? BobCurrie? ジャンル別? Subjects-Engineering-General? Subjects-History-Europe-England-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Short Wave Radio Listener's Handbook Patrick Stephens Ltd? Arthur Miller? PatrickStephensLtd? ArthurMiller? ジャンル別? Subjects-Science-Technology-General&Reference Passenger Ships of the Orient Line Patrick Stephens Ltd? Neil McCart? PatrickStephensLtd? NeilMcCart? ジャンル別? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Nonfiction-Transportation-General? Subjects-Science-Technology-General&Reference Modern Military Helicopters Harpercollins? Paul Beaver? Harpercollins? PaulBeaver? ジャンル別? Substores-UnknownASINs-24? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Mauretania The Cunard Turbine-Driven Quadruple-Screw Atlantic Liner Patrick Stephens? Mark Warren? PatrickStephens? MarkWarren? ジャンル別? Substores-UnknownASINs-24? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Ships-General? Subjects-Science-Technology-General&Reference Planetary Exploration Thirty Years of Unmanned Space Probes Harpercollins? Arthur Smith? Harpercollins? ArthurSmith? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Collecting, Restoring and Driving Classic Cars Harpercollins? Graham Robson? Harpercollins? GrahamRobson? ジャンル別? Substores-UnknownASINs-24? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Super-Ferries of Britain, Europe and Scandinavia Patrick Stephens? Russell Plummer? PatrickStephens? RussellPlummer? ジャンル別? Subjects-History-Military-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Professional&Technical-Engineering-Marine? Porsche Progress Patrick Stephens Ltd? Michael Cotton? PatrickStephensLtd? MichaelCotton? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Aircraft of the Vietnam War Patrick Stephens Ltd? Bill Gunston? PatrickStephensLtd? BillGunston? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Human Operator in Complex Systems Taylor & Francis Ltd? W.T. Singleton? Taylor&FrancisLtd? W.T.Singleton? ジャンル別? Subjects-Science-Technology-General&Reference Lasers and Their Applications Taylor & Francis? M. J. Beesley? Taylor&Francis? M.J.Beesley? ジャンル別? Substores-UnknownASINs-24? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Science-Technology-General&Reference Modal Control Taylor & Francis Ltd? Brian Porter? Roger Crossley? Taylor&FrancisLtd? BrianPorter? RogerCrossley? ジャンル別? Subjects-Science-Technology-General&Reference The Human Operator in Process Control John Wiley & Sons Inc? Elwyn Edwards? JohnWiley&SonsInc? ElwynEdwards? ジャンル別? Subjects-Science-Technology-General&Reference From Concept to Production Taylor & Francis Ltd? N.G. Anderson? Taylor&FrancisLtd? N.G.Anderson? ジャンル別? Subjects-Business&Investing-Management&Leadership? Subjects-Professional&Technical-BusinessManagement-Management&Leadership? Subjects-Science-Technology-General&Reference Antipersonnel Weapons Taylor & Francis Ltd? Stockholm International Peace Research Institute? Taylor&FrancisLtd? StockholmInternationalPeaceResearchInstitute? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-History-Military-Weapons&Warfare-Conventional-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Manufacturing Systems Engineering Taylor & Francis? Katsundo Hitomi? Taylor&Francis? KatsundoHitomi? ジャンル別? Substores-UnknownASINs-24? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Technology-General&Reference Complex Variable Method for Linear Multivariable Feedback System Taylor & Francis Ltd? Alistair G.J. MacFarlane? Taylor&FrancisLtd? AlistairG.J.MacFarlane? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Sipri Yearbook 1981 Taylor & Francis? SIPRI? Taylor&Francis? SIPRI? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Machine Pacing and Occupational Stress Taylor & Francis? Gavrid Salvendy? M. J. Smith? Taylor&Francis? GavridSalvendy? M.J.Smith? ジャンル別? Subjects-Business&Investing-General? Subjects-Health,Mind&Body-Psychology&Counseling-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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Carroceria Del Automovil 2 Reparan Elementos Delmar Pub? Robert Scharff? James E. Duffy? DelmarPub? RobertScharff? JamesE.Duffy? ジャンル別? ユーズドブック(洋書)-Science? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Nonfiction-Automotive-Repair? Subjects-Science-Technology-General&Reference Industria Del Plastico Delmar Pub? Richardson & Lokensgard? Lokensgard Richardson? DelmarPub? Richardson&Lokensgard? LokensgardRichardson? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Arquitectura de Equipos y Sistemas Informaticos Paraninfo? Carlos Valdivia Miranda? Paraninfo? CarlosValdiviaMiranda? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Lineas Aereas de Media y Baja Tension Paraninfo? Fernando Bacigalupe Camarero? Paraninfo? FernandoBacigalupeCamarero? ジャンル別? 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Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Science-Technology-General&Reference Ingenieria Acustica - Con 1 CD Paraninfo? Manuel Recuero Lopez? Paraninfo? ManuelRecueroLopez? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Manual del Piloto de Ultraligero Paraninfo? Miguel del Cura? Antonio Fernandez? Paraninfo? MigueldelCura? AntonioFernandez? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Technologia Refrigeracion Aire Acondicionado (Technologia de la Refrigeracion y Aire Acondicionado) Delmar Pub? William C. Whitman? William M. Johnson? DelmarPub? WilliamC.Whitman? WilliamM.Johnson? ジャンル別? Substores-UnknownASINs-54? 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Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-Technology-General&Reference Autocad 2002 Avanzado Delmar Pub? Sham Tickoo? DelmarPub? ShamTickoo? ジャンル別? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Science? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-Technology-General&Reference Ruido Industrial y Urbano Paraninfo? Manuel Rejano de La Rosa? Paraninfo? ManuelRejanodeLaRosa? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Tratamiento de Las Humedades En Los Edificios Paraninfo? Jose Coscollano Rodriguez? Paraninfo? JoseCoscollanoRodriguez? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Dibujo Industrial - Conjuntos y Despieces Paraninfo? Jose M. Auria Apilluelo? P. Ibaez Carabantes? P. Ubieto Artur? Paraninfo? JoseM.AuriaApilluelo? P.IbaezCarabantes? P.UbietoArtur? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Metal Tecnologia Y Procesos Delmar Pub? John L. Feirer? John R. Lindbeck? DelmarPub? JohnL.Feirer? JohnR.Lindbeck? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Tecnologia Basica del Sonido 1 Paraninfo? Ignasi Cuenca David? Eduard Gomez Juan? Paraninfo? IgnasiCuencaDavid? EduardGomezJuan? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Calefaccion y Refrescamiento Por Superficies Radia Paraninfo? Mario Ortega Rodriguez? Paraninfo? MarioOrtegaRodriguez? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Gestion del Desarrollo de Instalaciones Electrotecnicas Paraninfo? Luis Blanco Barragan? Paraninfo? LuisBlancoBarragan? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Reparacion y Bobinado de Motores Electricos Paraninfo? Fernando Martinez Dominguez? Paraninfo? FernandoMartinezDominguez? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Carroceria - Preparacion de Superficies Paraninfo? Joaquin Gonzalo Gracia? Paraninfo? JoaquinGonzaloGracia? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Acondicionamiento Acustico Paraninfo? Manuel Recuero Lopez? Paraninfo? ManuelRecueroLopez? ジャンル別? Substores-UnknownASINs-54? 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