約 5,362,434 件
https://w.atwiki.jp/elvis/pages/7860.html
Technology Transfer Nine Case Studies ITDG Publishing? Sosthenes Buatsi? ITDGPublishing? SosthenesBuatsi? ジャンル別? Substores-UnknownASINs-32? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnologyTransfer? No Condition Permanent Pump-Priming Ghana's Industrial Revolution ITDG Publishing? Ian Smillie? ITDGPublishing? IanSmillie? ジャンル別? Substores-UnknownASINs-32? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnologyTransfer? Building With Earth A Handbook ITDG Publishing? John Norton? ITDGPublishing? JohnNorton? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Science-Nature&Ecology-General? Subjects-Science-Technology-General&Reference Small-Scale Soapmaking A Handbook ITDG Publishing? Peter Donkor? ITDGPublishing? PeterDonkor? ジャンル別? Subjects-Engineering-Chemical-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Crafts&Hobbies-SoapMaking? Subjects-Medicine-Pharmacology-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Pharmacology-General? Solar-Powered Electricity A Survey of Photovoltaic Power in Developing Countries ITDG Publishing? Bernard McNelis? Anthony Derrick? ITDGPublishing? BernardMcNelis? AnthonyDerrick? ジャンル別? Substores-UnknownASINs-32? Subjects-Science-Technology-General&Reference Women and the Transport of Water ITDG Publishing? Val Curtis? ITDGPublishing? ValCurtis? ジャンル別? Substores-UnknownASINs-32? Subjects-Engineering-Civil-Hydrology? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Nonfiction-SocialSciences-Sociology-Rural? Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Science-Technology-General&Reference Micro-Hydropower Sourcebook A Practical Guide to Design and Implementation in Developing Countries ITDG Publishing? Allen R. Inversin? ITDGPublishing? AllenR.Inversin? ジャンル別? Substores-UnknownASINs-32? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Science-Technology-General&Reference Subjects-Engineering-Energy-Hydroelectric? Subjects-Professional&Technical-Engineering-Energy-Hydroelectric? Running a Biogas Programme A Handbook ITDG Publishing? David Fulford? ITDGPublishing? DavidFulford? ジャンル別? Substores-UnknownASINs-32? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-Energy-General? Subjects-Professional&Technical-Engineering-Energy-General? Subjects-Science-Technology-General&Reference Scrap Metal Recovery An Experience of Intermediate Technology in Papua New Guinea (Case Study, 3) ITDG Publishing? Colin Relf? ITDGPublishing? ColinRelf? ジャンル別? Substores-UnknownASINs-32? Subjects-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-Technology-General&Reference The Operation and Maintenance of Small Irrigation Schemes ITDG Publishing? Peter Stern? ITDGPublishing? PeterStern? ジャンル別? Subjects-Business&Investing-General? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences? Water-Pumping Devices A Handbook for Users and Choosers ITDG Publishing? Peter Fraenkel? ITDGPublishing? PeterFraenkel? ジャンル別? Subjects-Engineering-Civil-Hydrology? Subjects-Engineering-Mechanical-Hydraulics? Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-Mechanical-Hydraulics? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences? Power from the People Innovation User Participation, and Forest Energy Development ITDG Publishing? Matthew S. Gamser? ITDGPublishing? MatthewS.Gamser? ジャンル別? Substores-UnknownASINs-32? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Forestry-Management? Subjects-Science-General Subjects-Science-Technology-General&Reference Cleaning Proficiency Manual Cresta Booksellers Direct? John Kenneth Parkes Edwards? CrestaBooksellersDirect? JohnKennethParkesEdwards? ジャンル別? Subjects-Home&Garden-How-to&HomeImprovements? Subjects-Science-Technology-General&Reference 53 Interesting Things to Do in Your Lectures (Interesting Ways to Teach) Technical & Educational Services Ltd? Graham Gibbs? Technical&EducationalServicesLtd? GrahamGibbs? ジャンル別? Substores-UnknownASINs-32? Subjects-Nonfiction-Education-College&University-General? Subjects-Science-Technology-General&Reference 53 Problems with Large Classes (Interesting Ways to Teach) Technical & Educational Services Ltd? Sue Habeshaw? Gibbs? Habeshaw? Technical&EducationalServicesLtd? SueHabeshaw? Gibbs? Habeshaw? ジャンル別? Substores-UnknownASINs-32? Subjects-Nonfiction-Education-EducationTheory-SchoolManagement? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Professional&Technical-Education-Administration-SchoolManagement? Subjects-Science-Technology-General&Reference Welding the Tracks of Time The Progress of Humanity Malvern Pub Co Ltd? James Cooper? MalvernPubCoLtd? JamesCooper? ジャンル別? Subjects-Business&Investing-Economics? Subjects-History-World? Subjects-Literature&Fiction-WorldLiterature-British-20thCentury? Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-Anthropology-General? Subjects-Nonfiction-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-BehavioralSciences-Anthropology? Profitability and Industrial Robots IFS? J.G. Martins? M. Svensson? IFS? J.G.Martins? M.Svensson? ジャンル別? Substores-UnknownASINs-32? Subjects-Computers&Internet-Business&Culture-ProjectManagement? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Science-Technology-General&Reference Taguchi Methods IFS? A. Bendell? J. Disney? W.A. Pridmore? IFS? A.Bendell? J.Disney? W.A.Pridmore? ジャンル別? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-Mathematics-Applied? Subjects-Science-Technology-General&Reference New Dictionary of Scientific and Technical Terms Librairie du Liban? Ahmad Shafiq Khatib? LibrairieduLiban? AhmadShafiqKhatib? ジャンル別? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage-Arabic? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage-Arabic? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Science-Technology-General&Reference Transport in Ancient Egypt Rubicon Pr? Robert B. Partridge? RubiconPr? RobertB.Partridge? ジャンル別? Subjects-Engineering-Civil-Transportation&Highway? Subjects-History-Africa-Egypt-General? Subjects-History-Ancient-Africa? Subjects-History-MiddleEast-Egypt? Subjects-History-World-Transportation-General? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Archaeology-General? Transport in Ancient Egypt Rubicon Pr? Robert B. Partridge? RubiconPr? RobertB.Partridge? ジャンル別? Subjects-Engineering-Civil-Transportation&Highway? Subjects-History-Africa-Egypt-General? Subjects-History-Ancient-Africa? Subjects-History-MiddleEast-Egypt? Subjects-History-World-Transportation-General? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Archaeology-General? Proceedings of the Eighth International Conference on Civil Structural Engineering Computing Civil Comp Pr? B. H. V. Topping? CivilCompPr? B.H.V.Topping? ジャンル別? Substores-UnknownASINs-33? Subjects-Computers&Internet? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-General Subjects-Science-Technology-General&Reference Proceedings of the Sixth International Conference on the Application of Artificial Intelligence to Civil and Structural Engineering Civil Comp Pr? B. H. V. Topping? B. Kumar? CivilCompPr? B.H.V.Topping? B.Kumar? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-General Subjects-Science-Technology-General&Reference The Other Beverley Highgate Publications (Beverley) Ltd? Roy Gregory? HighgatePublications(Beverley)Ltd? RoyGregory? ジャンル別? Subjects-History? Subjects-Science-Technology-General&Reference Multimedia Call Theory and Practice (Elm Bank Modern Language Studies) Intellect L & D E F a E? Keith Cameron? IntellectL&DEFaE? KeithCameron? ジャンル別? Substores-UnknownASINs-33? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Nonfiction-Education-Reference-Words&Language-General? Subjects-Nonfiction-Education-Reference-Words&Language-Reference? Subjects-Reference-Words&Language-General? Subjects-Reference-Words&Language-Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Professional Communication and Information Design Institute of Scientific and Technical Co? Istc? InstituteofScientificandTechnicalCo? Istc? ジャンル別? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Hardmetals and Other Hard Materials Metal Powder Industry? Kenneth J. A. Brookes? MetalPowderIndustry? KennethJ.A.Brookes? ジャンル別? Substores-UnknownASINs-33? Subjects-Science-General Subjects-Science-Technology-General&Reference Guide to the Industrial Archaeology of the Borough of Elmbridge Surrey Industrial History Group? Rowland G.M. Baker? Rowena Oliver? Steven A. Baker? SurreyIndustrialHistoryGroup? RowlandG.M.Baker? RowenaOliver? StevenA.Baker? ジャンル別? Substores-UnknownASINs-33? Subjects-Science-Technology-General&Reference Image Analysis Oxford University Press? OxfordUniversityPress? ジャンル別? Subjects-Science-Technology-General&Reference The Engineer's Conscience Prof M W Thring? M.W. Thring? ProfMWThring? M.W.Thring? ジャンル別? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Science-Technology-General&Reference The Exeter Papers (Studies in British Paper History) Plough Press? Peter Bower? PloughPress? PeterBower? ジャンル別? Substores-UnknownASINs-33? Subjects-Home&Garden-Antiques&Collectibles-Books? Subjects-Science-Technology-General&Reference Science and Technology in Germany (Guides to World Science Technology) John Harper Publishing? Frieder Meyer-Krahmer? Wilhelm Krull? JohnHarperPublishing? FriederMeyer-Krahmer? WilhelmKrull? ジャンル別? Substores-UnknownASINs-33? Subjects-History-Europe-Germany-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Riggers Bible Riggers Bible? Robert Leach? RiggersBible? RobertLeach? ジャンル別? Substores-UnknownASINs-34? Subjects-Science-Technology-General&Reference Food Service Health, Sanitation, and Safety Cleaning Consultant Service? William R. Griffin? Bruce Jackson? CleaningConsultantService? WilliamR.Griffin? BruceJackson? ジャンル別? Substores-UnknownASINs-34? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Wiring Simplified Based on the 1999 National Electrical Code Park Pub? H. P. Richter? W. Creighton Schwan? ParkPub? H.P.Richter? W.CreightonSchwan? ジャンル別? Substores-UnknownASINs-34? Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Science-General Subjects-Science-Technology-General&Reference Practical Electrical Wiring Residential, Farm, Commercial, and Industrial Based on the 2002 National Electrical Code Park Pub? Herbert P. Richter? Frederic P. Hartwell? ParkPub? HerbertP.Richter? FredericP.Hartwell? ジャンル別? Subjects-Engineering-Electrical&Electronics-General? Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? The World Was My Barnyard Mcclain Printing Co? Ralph W. Phillips? McclainPrintingCo? RalphW.Phillips? ジャンル別? Substores-UnknownASINs-34? Subjects-Science-Technology-General&Reference How to Adjust Repair Your Sewing Machine Silver Dollar Pr? Arthur W. Smith? SilverDollarPr? ArthurW.Smith? ジャンル別? Substores-UnknownASINs-34? Subjects-Science-Technology-General&Reference Virginia Tech A Portrait Howell Pr? Jack Mellott? HowellPr? JackMellott? ジャンル別? Substores-UnknownASINs-34? Subjects-Science-Technology-General&Reference Aviation Meteorolgy Unscrambled For Vfr Ifr Operations-Certifications Ratings Kenneth B Mccool? Kenneth B. McCool? KennethBMccool? KennethB.McCool? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Comets,Meteors&Asteroids? Aviation Meteorolgy Unscrambled For Vfr Ifr Operations-Certifications Ratings Kenneth B Mccool? Kenneth B. McCool? KennethBMccool? KennethB.McCool? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Comets,Meteors&Asteroids? Earthbuilders Encyclopedia The Master Alphabetical Reference for Adobe and Rammed Earth Southwest Solaradobe School? Joe Tibbets? SouthwestSolaradobeSchool? JoeTibbets? ジャンル別? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Deskref Desk Top Edition of Pocket Ref Sequoia Pub? Thomas J. Glover? SequoiaPub? ThomasJ.Glover? ジャンル別? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Material Safety Data Sheets The Writer's Desk Reference Hill & Garnett Pub? Richard P. Molinelli? Michael J. Reale? Ralph I. Freudenthal? Hill&GarnettPub? RichardP.Molinelli? MichaelJ.Reale? RalphI.Freudenthal? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Chemical-Safety? Subjects-Health,Mind&Body-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Chemical-Safety? Subjects-Reference-General? Subjects-Science-Chemistry-Safety? Subjects-Science-Technology-General&Reference Inventor's Marketing Handbook A Complete Guide to Selling and Promoting Your Invention Aaja Pub Co? Reece A. Franklin? AajaPubCo? ReeceA.Franklin? ジャンル別? Subjects-Engineering-Patents&Inventions? Subjects-Health,Mind&Body-Self-Help-General? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-Technology-General&Reference Electrostatic Loudspeaker Design and Construction Audio Amateur Pubns? Ronald Wagner? AudioAmateurPubns? RonaldWagner? ジャンル別? Substores-UnknownASINs-34? Subjects-Science-Technology-General&Reference Subjects-Engineering-Electrical&Electronics-Electronics-AudioTechnology&Engineering? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-AudioTechnology&Engineering? The Future of China World Scientific Publishing? WorldScientificPublishing? ジャンル別? Subjects-History-Asia-China-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Eliminating the Stress of Weight Loss The Recognition and Control of Stress Induced Weight Loss Saboteurs Monterey Wellness Center? Joel S. Shain? MontereyWellnessCenter? JoelS.Shain? ジャンル別? Substores-UnknownASINs-34? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Build Your Own Home from Start to Finish Go Through a Step-By-Step Process Of Determining House Specs, Finding an Owner Builder Program, Selecting a Lot, Getting a Contractor Loan, selecting Q P Pub? Dennis Swoger? QPPub? DennisSwoger? ジャンル別? Substores-UnknownASINs-34? Subjects-Science-Technology-General&Reference Using Bar Code Why Its Taking over Data Capture Pr? David Jarrett Collins? DataCapturePr? DavidJarrettCollins? ジャンル別? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
https://w.atwiki.jp/oper/pages/3444.html
ACTE DEUXIÈME (Dans les jardins de Richmond. Un carrefour de verdure auquel aboutissent plusieurs avenues. Apprêts d une fête) ▼Scène I▲ (Don Gomez) ▼CHŒUR▲ Joyeux enfants qui ne savez encore Les lourds secrets du monde et de la Cour, En doux refrains comme en jeux tour à tour S évanouit votre gaieté sonore. Quand des soucis pour vous viendra le jour Rappelez-vous les plaisirs de l aurore. ▼DON GOMEZ▲ (sombre) Norfolk avait dit vrai! J ai vainement douté! En vain, pour me rapprocher d elle À Londres j avais tout tenté, Ne pouvant la croire infidèle! Et j espérais encor, si grande était ma foi! Mais ici plus de doutes et plus d espoir qui leurre Elle est ici près de ce roi Qui déserte la ville à l heure Où la peste y sème l effroi! Tandis que la reine y demeure! Elle est ici près de ce roi! Ah! le lâche! ah! la criminelle! Je veux pour guérir ma raison Qu affola sa beauté cruelle, Savoir ce qu elle porte en elle D infamie et de trahison! Ah! par quelle ironie étrange Le ciel mit-il sous ce front d ange Le génie ami d un démon Ô mensonge d un doux visage! Ô charme trompeur de ses yeux! Je sens dans mon cœur anxieux Renaître et mourir le courage. Tout me redit son crime, hélas! Sans convaincre mon cœur rebelle. Ô sort plus dur que le trépas! Jamais je ne la vis si belle! (Anne apparaît au fond d une avenue accompagnée de femmes qui chantent sur un rythme caressant.) C est elle! La douleur a brisé ma colère! ▼CHŒUR DES FEMMES▲ Noble dame, pour vous plaire Tout s empresse autour de vous, Sans vouloir d autre salaire Que vos sourires si doux! Chants d oiseaux, parfums de roses, Cœurs épris, charmantes choses, Tout s empresse autour de vous! ▼ANNE▲ C est par vous, ô demoiselles, Que ces lieux sont embellis Mieux que par le bruit des ailes Et par la blancheur des lis. Comme aux fleurs un lit de mousse, Près de vous la vie est douce, Pleine de charme et d oublis. (En apercevant Don Gomez, Anne fait un geste de surprise et de frayeur, puis fait signe à ses femmes de s éloigner.) ▼Scène II▲ (Don Gomez, Anne) ▼DON GOMEZ▲ Elle vient de quel front va m aborder l infâme? ▼ANNE▲ (allant à lui avec une grâce forcée) Je suis heureuse sur mon âme, Gomez, de vous revoir. ▼DON GOMEZ▲ Bonheur que vous avez À Londres refusé, madame. ▼ANNE▲ J étais alors, vous le savez Toute au service de la reine. ▼DON GOMEZ▲ Assez de mensonges, vraiment, De feindre, ce n est plus la peine! Anne, qui vous a fait oublier le serment Qui pour jamais à moi vous lie? ▼ANNE▲ (tristement) Et qui vous dit que je l oublie? ▼DON GOMEZ▲ Vous m aimiez, disiez-vous? ▼ANNE▲ Et je le dis encore, Oui, votre amour me fut un immense bonheur, S il me prit mon repos, il me rendit l honneur. ▼DON GOMEZ▲ Par la fidélité seule, une âme s honore! ▼ANNE▲ (apercevant Henry VIII) Ciel! le Roi! ▼Scène III▲ (Henry, Don Gomez, Anne) ▼HENRY▲ (avec étonnement, à Don Gomez) Vous ici, monsieur, faisant la cour À la belle marquise? ▼DON GOMEZ▲ En France, autrefois, sire, J eus l honneur de la voir un jour. ▼HENRY▲ Ce fut assez pour vous soumettre à son empire! Je lui donne ce soir (d un air de menace) Une fête ici même et compte vous y voir. ▼DON GOMEZ▲ Sire, j obéirai. (Il s incline et se retire en jetant sur Anne un douloureux regard.) ▼Scène IV▲ (Henry, Anne) ▼HENRY▲ Chère Anne que j implore, Vous trouvez-vous heureuse ici? À vous plaire ai-je réussi? Puis-je espérer enfin? ▼ANNE▲ (avec fermeté) Je vous le dis encore; Sire, n espérez rien de moi! ▼HENRY▲ Rien! Pourquoi donc alors te montrer, fille ingrate, Heureuse des honneurs où mon amour éclate? ▼ANNE▲ Vous osez demander pourquoi? C est pour laver la flétrissure, Qu à mon nom jadis plein d honneur Mit le triste amour de ma sœur! ▼HENRY▲ N évoque pas, je t en conjure, Cette affreuse douleur! Ah! tes doutes sont des blasphèmes! Paix du foyer, souci du rang, Honneurs que mérite mon sang, J ai tout quitté pour que tu m aimes! ▼ANNE▲ Attendez donc encor! ▼HENRY▲ Ne désespère pas Un amour qui ferait ta fierté si contente! Ah! si tu le voulais, ingrate, sous tes pas, Tant d honneurs te feraient une route éclatante, Que ton destin serait le plus grand d ici-bas! ▼ANNE▲ N achevez pas! oh! n achevez pas, Sire! ▼HENRY▲ Oui, je comprends! que vaut l empire! Que vaut la fortune d un Roi, Auprès de ton divin sourire, Auprès d un seul regard de toi? ▼ANNE▲ (s attendrissant) Oh! malgré moi, sa voix me touche! ▼HENRY▲ Ah! ne me reste pas farouche, Laisse enfin ton cœur s attendrir, Vienne un sourire sur ta bouche Et pour moi le ciel va s ouvrir! ▼ANNE▲ Quel rêve, quel avenir! ▼HENRY▲ De ton regard la douceur me pénètre, De doux frissons il emplit tout mon être! Ô mon amour, crois donc en moi! Ton esclave, c est ton roi! ▼ANNE▲ De ses regards la chaleur me pénètre. ▼HENRY▲ Oui, pour jamais je t ai donné mon âme, Une tendresse éternelle m enflamme, Ce jour pour nous est un beau jour, Si tu crois à mon amour! ▼ANNE▲ (avec un effort) Ah! Sire, gardez votre amour! ▼HENRY▲ (essayant de la prendre dans ses bras) Je t aime, je te veux, ma belle enchanteresse! ▼ANNE▲ (se réveillant de son rêve et le repoussant) Non! non! jamais votre maîtresse! ▼HENRY▲ Ma maîtresse, dis-tu? Qui parle de cela? Ma femme! ▼ANNE▲ (avec éclat) Que dites-vous là? Votre femme? ▼HENRY▲ Oui. ▼ANNE▲ Parole vaine! ▼HENRY▲ La reine alors n est plus la reine, Et la reine, c est toi! ▼ANNE▲ (très troublée) Mais ce lien sacré Qui vous fait son époux? ▼HENRY▲ Eh bien! je le romprai. ▼ANNE▲ Rêve que tout cela! ▼HENRY▲ (tendrement) Non! ce n est pas un rêve! C est bientôt la réalité, Tu n avais pas assez compté Sur l amour profond qui m a fait, sans trêve, L humble esclave de ta beauté. Repousseras-tu donc, d un époux respecté, Avec un nom royal, la pourpre souveraine? ▼ANNE▲ (comme affolée) Reine! reine! Je serais reine! ▼HENRY▲ Refuseras-tu donc de suivre cet époux Sur le chemin d honneur où son amour t entraîne? ▼ANNE▲ (même jeu) Reine! reine! je serais reine! ▼HENRY▲ J en jure par le ciel et par ces yeux si doux! ▼ANNE▲ Je cède au rêve qui m enivre, Comment repousser un tel sort? Ah! sire, je jure de vivre Fidèle à vous jusqu à la mort! Aimons-nous d un amour puissant et fort! ▼HENRY▲ Ah! cède au rêve qui t enivre! Pourquoi repousser un tel sort? Chère Anne, jure-moi de vivre Fidèle à moi jusqu à la mort! Aimons-nous d un amour profond puissant et fort! (Anne est dans les bras d Henry VIII.) ▼HENRY▲ (tout bas) Tu seras, n est-ce pas, ma femme? ▼ANNE▲ (plus bas encore) Oui, votre femme, Jurez-le! ▼HENRY▲ (solennellement) Sur mon âme Je le jure! Je suis à toi jusqu à la mort. (Surrey apparaît et le roi s arrache des bras d Anne pour le suivre, mais non sans échanger avec elle un regard d adieu plein de tendresse) ▼Scène V▲ (Anne) ▼ANNE▲ Reine! je serai reine! Ah! ce n est plus un rêve! Plus haut que mes rêves pâlis, Mon destin glorieux se lève Sur tous mes projets abolis! Je vais donc enfin te connaître, Ivresse du pouvoir, suprême volupté! J aurai pour esclave le maître, Le maître de tous redouté! De ceux qui jadis m ont bravée, J aurai, pour défier l affront, Un sceptre dans ma main levée, Une couronne sur mon front! Sûre aujourd hui de la victoire Et d un triomphe sans retour, Enfin je saurai si la gloire Ne fait pas oublier l amour! Enfin je connaîtrai la gloire! L humble fille d hier sera reine demain! (À ce moment apparaît Catherine qui s avance lentement vers elle.) ▼Scène VI▲ (Anne, Catherine) ▼CATHERINE▲ (lui posant la main sur l épaule) Pauvre fille! que Dieu t arrête en ton chemin. (avec autorité) Regarde-moi! Je suis la reine d Angleterre! La reine au cœur clément, qui, te voyant à terre, Un jour vers toi tendit sa main! Avant d oser, pour récompense, Lever les yeux sur mon époux, Tu n as pas mesuré, je pense, Quel abîme existe entre nous? En te voyant à ce point descendue, Longtemps, oubliant mon courroux, J ai plaint l orgueil qui t a perdue, Prends garde maintenant! ▼ANNE▲ Mais, madame, je vous jure que... ▼CATHERINE▲ Crois-tu donc que mes regards jaloux Dans tes projets obscurs ne t aient pas poursuivie? ▼ANNE▲ Hélas! madame, sur ma vie Pour fuir le roi j avais tout fait. ▼CATHERINE▲ (ironiquement) C est pour le fuir qu on te vit, en effet, En accepter titres, honneurs, fortune? ▼ANNE▲ Mais je ne demandais aucune De ces faveurs dont le poids m accablait. ▼CATHERINE▲ (même jeu) Tu ne demandais rien? Sans en être enhardie, Tu souffrais, des faveurs dont t accablait le roi, N est-ce pas, pauvre enfant?... Et vous voudrais que, moi, Je crusse à cette comédie! Non!... je sais les calculs de ta feinte douceur Il te reste en effet, - à merveille, tu comptes- À te faire payer deux hontes La tienne et celle de ta sœur! ▼ANNE▲ (se relevant furieuse) Dieu m est témoin, madame, Que je voulais vous respecter ici! Mais puisqu on est pour moi sans pitié ni merci, Je saurai me venger. Soit! torturez mon âme! Votre époux est à moi. Je relève le front! ▼CATHERINE▲ Assez! C est trop longtemps écouter une infâme! C est trop longtemps subir l affront! Va! poursuis dans l ombre ta trame; Méprisée en tout lieu! Va! mais ne tente pas la justice de Dieu! Pour châtier ton cœur rebelle C est à ce Dieu que j en appelle À mon époux il rendra la fierté... Et, s il m abandonne en ce monde, C est plus haut et plus loin que mon espoir se fonde Anne, gardez le temps! j aurai l éternité! ▼Scène VII▲ (Les mêmes, Henry, Don Gomez, Lady Clarence, Surrey, Norfolk, puis le Légat) ▼HENRY▲ (avec colère) Eh! quoi, madame, vous ici? ▼ANNE▲ (s avançant résolument) Sire, défendez-moi. ▼CATHERINE▲ Sire, j y viens rappeler à mon roi Que je suis la reine. ▼HENRY▲ Pourquoi? Je n ai pas encor, sur mon âme, Dit le contraire. ▼CATHERINE▲ (épouvantée) Pas encor? ▼HENRY▲ Et vous serez reine, d accord, Jusqu au jour où la loi, par mes soins consultée, De mon trône royal vous aura rejetée. Demain vous saurez votre sort. ▼NORFOLK▲ (annonçant le légat qui le suit) Monseigneur, le légat du pape. ▼CATHERINE▲ (avec un cri d espoir) Mon refuge! ▼HENRY▲ (à Catherine) Non! c est le Parlement qui sera votre juge. (à Norfolk) Qu il soit le bienvenu. (Le légat est introduit) ▼LE LÉGAT▲ Salut, roi d Angleterre. Au nom du Pape-roi, représentant sur terre Du Dieu puissant et doux que nous servons tous deux, Sachant ton âme en proie aux desseins hasardeux, Je viens pour te parler une parole austère. ▼HENRY▲ (au légat) De l écouter demain nous aurons le loisir. (à Anne) Madame, en attendant, soyons tout au plaisir. (Un bouffon vient annoncer au roi que tout est prêt pour la fête. Le roi fait signe qu on peut commencer. Catherine et le légat se retirent. Les autres personnages se dispersent dans les jardins, Henry sort, donnant la main à Anne.) Divertissement (Fête populaire dans le parc de Richmond) 1 - Introduction. Entrée des Clans. 2 - Idylle écossaise. 3 - La fête du houblon. 4 - Danse de la gitane. 5 - Scherzetto. 6 - Gigue et Finale. ACTE DEUXIÈME (Dans les jardins de Richmond. Un carrefour de verdure auquel aboutissent plusieurs avenues. Apprêts d une fête) Scène I (Don Gomez) CHŒUR Joyeux enfants qui ne savez encore Les lourds secrets du monde et de la Cour, En doux refrains comme en jeux tour à tour S évanouit votre gaieté sonore. Quand des soucis pour vous viendra le jour Rappelez-vous les plaisirs de l aurore. DON GOMEZ (sombre) Norfolk avait dit vrai! J ai vainement douté! En vain, pour me rapprocher d elle À Londres j avais tout tenté, Ne pouvant la croire infidèle! Et j espérais encor, si grande était ma foi! Mais ici plus de doutes et plus d espoir qui leurre Elle est ici près de ce roi Qui déserte la ville à l heure Où la peste y sème l effroi! Tandis que la reine y demeure! Elle est ici près de ce roi! Ah! le lâche! ah! la criminelle! Je veux pour guérir ma raison Qu affola sa beauté cruelle, Savoir ce qu elle porte en elle D infamie et de trahison! Ah! par quelle ironie étrange Le ciel mit-il sous ce front d ange Le génie ami d un démon Ô mensonge d un doux visage! Ô charme trompeur de ses yeux! Je sens dans mon cœur anxieux Renaître et mourir le courage. Tout me redit son crime, hélas! Sans convaincre mon cœur rebelle. Ô sort plus dur que le trépas! Jamais je ne la vis si belle! (Anne apparaît au fond d une avenue accompagnée de femmes qui chantent sur un rythme caressant.) C est elle! La douleur a brisé ma colère! CHŒUR DES FEMMES Noble dame, pour vous plaire Tout s empresse autour de vous, Sans vouloir d autre salaire Que vos sourires si doux! Chants d oiseaux, parfums de roses, Cœurs épris, charmantes choses, Tout s empresse autour de vous! ANNE C est par vous, ô demoiselles, Que ces lieux sont embellis Mieux que par le bruit des ailes Et par la blancheur des lis. Comme aux fleurs un lit de mousse, Près de vous la vie est douce, Pleine de charme et d oublis. (En apercevant Don Gomez, Anne fait un geste de surprise et de frayeur, puis fait signe à ses femmes de s éloigner.) Scène II (Don Gomez, Anne) DON GOMEZ Elle vient de quel front va m aborder l infâme? ANNE (allant à lui avec une grâce forcée) Je suis heureuse sur mon âme, Gomez, de vous revoir. DON GOMEZ Bonheur que vous avez À Londres refusé, madame. ANNE J étais alors, vous le savez Toute au service de la reine. DON GOMEZ Assez de mensonges, vraiment, De feindre, ce n est plus la peine! Anne, qui vous a fait oublier le serment Qui pour jamais à moi vous lie? ANNE (tristement) Et qui vous dit que je l oublie? DON GOMEZ Vous m aimiez, disiez-vous? ANNE Et je le dis encore, Oui, votre amour me fut un immense bonheur, S il me prit mon repos, il me rendit l honneur. DON GOMEZ Par la fidélité seule, une âme s honore! ANNE (apercevant Henry VIII) Ciel! le Roi! Scène III (Henry, Don Gomez, Anne) HENRY (avec étonnement, à Don Gomez) Vous ici, monsieur, faisant la cour À la belle marquise? DON GOMEZ En France, autrefois, sire, J eus l honneur de la voir un jour. HENRY Ce fut assez pour vous soumettre à son empire! Je lui donne ce soir (d un air de menace) Une fête ici même et compte vous y voir. DON GOMEZ Sire, j obéirai. (Il s incline et se retire en jetant sur Anne un douloureux regard.) Scène IV (Henry, Anne) HENRY Chère Anne que j implore, Vous trouvez-vous heureuse ici? À vous plaire ai-je réussi? Puis-je espérer enfin? ANNE (avec fermeté) Je vous le dis encore; Sire, n espérez rien de moi! HENRY Rien! Pourquoi donc alors te montrer, fille ingrate, Heureuse des honneurs où mon amour éclate? ANNE Vous osez demander pourquoi? C est pour laver la flétrissure, Qu à mon nom jadis plein d honneur Mit le triste amour de ma sœur! HENRY N évoque pas, je t en conjure, Cette affreuse douleur! Ah! tes doutes sont des blasphèmes! Paix du foyer, souci du rang, Honneurs que mérite mon sang, J ai tout quitté pour que tu m aimes! ANNE Attendez donc encor! HENRY Ne désespère pas Un amour qui ferait ta fierté si contente! Ah! si tu le voulais, ingrate, sous tes pas, Tant d honneurs te feraient une route éclatante, Que ton destin serait le plus grand d ici-bas! ANNE N achevez pas! oh! n achevez pas, Sire! HENRY Oui, je comprends! que vaut l empire! Que vaut la fortune d un Roi, Auprès de ton divin sourire, Auprès d un seul regard de toi? ANNE (s attendrissant) Oh! malgré moi, sa voix me touche! HENRY Ah! ne me reste pas farouche, Laisse enfin ton cœur s attendrir, Vienne un sourire sur ta bouche Et pour moi le ciel va s ouvrir! ANNE Quel rêve, quel avenir! HENRY De ton regard la douceur me pénètre, De doux frissons il emplit tout mon être! Ô mon amour, crois donc en moi! Ton esclave, c est ton roi! ANNE De ses regards la chaleur me pénètre. HENRY Oui, pour jamais je t ai donné mon âme, Une tendresse éternelle m enflamme, Ce jour pour nous est un beau jour, Si tu crois à mon amour! ANNE (avec un effort) Ah! Sire, gardez votre amour! HENRY (essayant de la prendre dans ses bras) Je t aime, je te veux, ma belle enchanteresse! ANNE (se réveillant de son rêve et le repoussant) Non! non! jamais votre maîtresse! HENRY Ma maîtresse, dis-tu? Qui parle de cela? Ma femme! ANNE (avec éclat) Que dites-vous là? Votre femme? HENRY Oui. ANNE Parole vaine! HENRY La reine alors n est plus la reine, Et la reine, c est toi! ANNE (très troublée) Mais ce lien sacré Qui vous fait son époux? HENRY Eh bien! je le romprai. ANNE Rêve que tout cela! HENRY (tendrement) Non! ce n est pas un rêve! C est bientôt la réalité, Tu n avais pas assez compté Sur l amour profond qui m a fait, sans trêve, L humble esclave de ta beauté. Repousseras-tu donc, d un époux respecté, Avec un nom royal, la pourpre souveraine? ANNE (comme affolée) Reine! reine! Je serais reine! HENRY Refuseras-tu donc de suivre cet époux Sur le chemin d honneur où son amour t entraîne? ANNE (même jeu) Reine! reine! je serais reine! HENRY J en jure par le ciel et par ces yeux si doux! ANNE Je cède au rêve qui m enivre, Comment repousser un tel sort? Ah! sire, je jure de vivre Fidèle à vous jusqu à la mort! Aimons-nous d un amour puissant et fort! HENRY Ah! cède au rêve qui t enivre! Pourquoi repousser un tel sort? Chère Anne, jure-moi de vivre Fidèle à moi jusqu à la mort! Aimons-nous d un amour profond puissant et fort! (Anne est dans les bras d Henry VIII.) HENRY (tout bas) Tu seras, n est-ce pas, ma femme? ANNE (plus bas encore) Oui, votre femme, Jurez-le! HENRY (solennellement) Sur mon âme Je le jure! Je suis à toi jusqu à la mort. (Surrey apparaît et le roi s arrache des bras d Anne pour le suivre, mais non sans échanger avec elle un regard d adieu plein de tendresse) Scène V (Anne) ANNE Reine! je serai reine! Ah! ce n est plus un rêve! Plus haut que mes rêves pâlis, Mon destin glorieux se lève Sur tous mes projets abolis! Je vais donc enfin te connaître, Ivresse du pouvoir, suprême volupté! J aurai pour esclave le maître, Le maître de tous redouté! De ceux qui jadis m ont bravée, J aurai, pour défier l affront, Un sceptre dans ma main levée, Une couronne sur mon front! Sûre aujourd hui de la victoire Et d un triomphe sans retour, Enfin je saurai si la gloire Ne fait pas oublier l amour! Enfin je connaîtrai la gloire! L humble fille d hier sera reine demain! (À ce moment apparaît Catherine qui s avance lentement vers elle.) Scène VI (Anne, Catherine) CATHERINE (lui posant la main sur l épaule) Pauvre fille! que Dieu t arrête en ton chemin. (avec autorité) Regarde-moi! Je suis la reine d Angleterre! La reine au cœur clément, qui, te voyant à terre, Un jour vers toi tendit sa main! Avant d oser, pour récompense, Lever les yeux sur mon époux, Tu n as pas mesuré, je pense, Quel abîme existe entre nous? En te voyant à ce point descendue, Longtemps, oubliant mon courroux, J ai plaint l orgueil qui t a perdue, Prends garde maintenant! ANNE Mais, madame, je vous jure que... CATHERINE Crois-tu donc que mes regards jaloux Dans tes projets obscurs ne t aient pas poursuivie? ANNE Hélas! madame, sur ma vie Pour fuir le roi j avais tout fait. CATHERINE (ironiquement) C est pour le fuir qu on te vit, en effet, En accepter titres, honneurs, fortune? ANNE Mais je ne demandais aucune De ces faveurs dont le poids m accablait. CATHERINE (même jeu) Tu ne demandais rien? Sans en être enhardie, Tu souffrais, des faveurs dont t accablait le roi, N est-ce pas, pauvre enfant?... Et vous voudrais que, moi, Je crusse à cette comédie! Non!... je sais les calculs de ta feinte douceur Il te reste en effet, - à merveille, tu comptes- À te faire payer deux hontes La tienne et celle de ta sœur! ANNE (se relevant furieuse) Dieu m est témoin, madame, Que je voulais vous respecter ici! Mais puisqu on est pour moi sans pitié ni merci, Je saurai me venger. Soit! torturez mon âme! Votre époux est à moi. Je relève le front! CATHERINE Assez! C est trop longtemps écouter une infâme! C est trop longtemps subir l affront! Va! poursuis dans l ombre ta trame; Méprisée en tout lieu! Va! mais ne tente pas la justice de Dieu! Pour châtier ton cœur rebelle C est à ce Dieu que j en appelle À mon époux il rendra la fierté... Et, s il m abandonne en ce monde, C est plus haut et plus loin que mon espoir se fonde Anne, gardez le temps! j aurai l éternité! Scène VII (Les mêmes, Henry, Don Gomez, Lady Clarence, Surrey, Norfolk, puis le Légat) HENRY (avec colère) Eh! quoi, madame, vous ici? ANNE (s avançant résolument) Sire, défendez-moi. CATHERINE Sire, j y viens rappeler à mon roi Que je suis la reine. HENRY Pourquoi? Je n ai pas encor, sur mon âme, Dit le contraire. CATHERINE (épouvantée) Pas encor? HENRY Et vous serez reine, d accord, Jusqu au jour où la loi, par mes soins consultée, De mon trône royal vous aura rejetée. Demain vous saurez votre sort. NORFOLK (annonçant le légat qui le suit) Monseigneur, le légat du pape. CATHERINE (avec un cri d espoir) Mon refuge! HENRY (à Catherine) Non! c est le Parlement qui sera votre juge. (à Norfolk) Qu il soit le bienvenu. (Le légat est introduit) LE LÉGAT Salut, roi d Angleterre. Au nom du Pape-roi, représentant sur terre Du Dieu puissant et doux que nous servons tous deux, Sachant ton âme en proie aux desseins hasardeux, Je viens pour te parler une parole austère. HENRY (au légat) De l écouter demain nous aurons le loisir. (à Anne) Madame, en attendant, soyons tout au plaisir. (Un bouffon vient annoncer au roi que tout est prêt pour la fête. Le roi fait signe qu on peut commencer. Catherine et le légat se retirent. Les autres personnages se dispersent dans les jardins, Henry sort, donnant la main à Anne.) Divertissement (Fête populaire dans le parc de Richmond) 1 - Introduction. Entrée des Clans. 2 - Idylle écossaise. 3 - La fête du houblon. 4 - Danse de la gitane. 5 - Scherzetto. 6 - Gigue et Finale. Saint-Saëns,Camille/Henry VIII/III
https://w.atwiki.jp/matchmove/pages/67.html
Pre-Solve Tracker Checking 解析前のトラッカーチェック 訳者注）グラフのポイントはVelocity Spikes（速度スパイク）を見つけることにあるようです。 トラッカーが途中で間違ったものを追ってしまった場合、一瞬にして別の場所へ移動します。トラッカーの移動速度が一瞬上がるわけです。これを見つけだすことで不正なトラッカーを見つけだすことができます。 （以下本文） 手動トラッキングをしているとき、十分なトラッカーがショットを通して配置できていることを確認するために、ショットを解析し始める前に定期的にトラッカーをチェックしなければなりません。 ショットを解析し始める前、自動トラッキングの後にも、トラッカーをチェックすることができます。 （単純なショットの場合、自動トラッカーでトラッキングから解析までを直接行うことができます。） このセクションは、解析する前にトラッカーを検査する方法を記載します。 SynthEyesGraph Editorを紹介します。 解析した後に、clean-up toolを含む、他のテクニックとツールを利用できます。 Tip：以下のツール・ティプスの内、自動トラッカーは灰色、 手動トラッカーは金色の背景が表示されます。 Checking the Tracker Trails トラッカー・テイルをチェックする 以下の手順は、問題あるトラッカーと状態（例えば、あまりに役に立つトラッカーが少ないフレームなど）を直ぐにチェックする方法です。 1. カメラ・ビューへ移動してください 2.メインまたは右クリック・メニューで、View/Show Imageをオフにしてください。 3.ショットのタイム・バー上で、クリック ドラッグで左右にマウスを動かし(スクラブし)、以下を探してください ・多くのトラッカーがないイメージの領域 ・全イメージが多くのトラッカーを持っていないショットの部分 ・他と違った方向に動いているトラッカー 4. メインまたは右クリック・メニューでView/Show tracker trailsをオンにしてください。 5. ショットのタイム・バー上でスクラブし、以下を探してください ・トラックの始まりか最後のおかしいフック（特に画像の端で現れます） ・テイルが不連続にジグザグしているもの。 イメージなしの方がモーション・パスを分析しやすいはずです。おそらく、イメージ自体によって惑わされないからです。 このプロセスは、問題の多いショット(低いパースペクティブによるショット、三脚で突然撮られたショット、若干のドリーまたは揺れている三脚ショット、中央のどこかに少しズームがあるショット)の性質を決定するのに有効です。 Checking Tracker Lifetimes Graph Editorのトラックビューでショットを通してフレーム毎にどのくらい多くのトラッカーが有効か概要をみることができます。 graph editorはツールバーのボタンを使用してフローティングウインドウにすることができます。また、それは、それ自体によるビューポートとして、または、他のビューポート構成の一部とにすることができます。 グラフ・エディタを開けたあと、以前に再生していたならば、それがトラック・ビューであることを確認してください。 ショットが手動トラッキングであるならば、アルファベットソートからタイムソートにしてください。 ウインドウの大きさを変更したならば、横スケーリングもリセットしてください。 次にパネルの右下ののボタンをクリックします。選択すると、トラッカーカウントバックグラウンドが見えている状態で、キーが消え、グラフが圧縮されます。グラフエディタはこのようにみえるはずです。 各バーは一つのトラッカーに対応しています。 Tracker4は選択されていて、強調されています。 色分けされたバックグラウンドは、トラッカーの数が、左で問題が多く、中央はOKで、右で安全を示します。 あなたは好きに、セーフレベルを構成できます。 このレベル(デフォルト12)を超えると、バックグラウンドは白くなるでしょう(グレーを暗いUI設定にしてください)。 しかし、セーフレベルを下回ると、バックグラウンドは Ok の、緑色の明るい色合いになるでしょう。 トラッカーの数はOKですが、希望するセーフレベルに達するほど高いわけではありません。 この圧縮された画面はトラッカーがショットの間中どう分配されているかにおける素晴らしいクイック・ルックを与えます。 色分けは三脚台モードショットと保持領域があるショットにより異なります。 ウェイトが0のトラッカーは数えません。 Hint When the graph editor is in graph mode, you can look at a direct graph of the number of valid trackers on each frame by turning on the #Normal channel of the Active Trackers node. If there are unavoidably too few trackers on some frames, you can use the Skip Frames track on theFeature Control Panel to proceed. The graph editor is divided into three main areas a hierarchy area at top left, a canvas area at top right, and a tool area at the bottom. You can change the width of the hierarchy area by sliding the gutter on its right. You can partially or completely close the tool area with the toolbox at left. A minimal view is particularly handy when the graph editor is embedded in a viewport layout. In the hierarchy area. you can select trackers by clicking their line. You can control-click to toggle selections, or shift-drag to select a range. The scrollbar at left scrolls the hierarchy area. You can also select trackers in the canvas area in squish mode, using the same mouse operations as in the hierarchy area. The icons next to the tracker name provide quick control over the tracker visibility, color, lock status, and enable. Warning you can not change the enable, or much else, of a tracker while it is locked! The small green swatch shows the display color of a tracker or mesh. Double-clicking brings up the color selection dialog so you can change the display color. You can shift-click a color, and add all trackers of that color to the current selection, control-click the swatch of an unselected tracker to select only trackers of that color, or control-click the swatch on a selected tracker to unselect the trackers of that color. Jumping ahead, the graph editor hierarchy also shows any coordinate-system lock settings for each tracker x, y, and z for the respective axis constraints; l (lower-case L) when there is a linked tracker on the same object; i for a linked tracker on a different object (an indirect link); d for a distance constraint; 0 for a zero-weighted tracker; p for a pegged tracker; F for a tracker you specified to be far; f for a tracker not requested to be far, but solved as far for cause. Introduction to Tracker Graphs The graph editor helps you find bad trackers and identify the bad portions of their track. The graph editor has a very extensive feature set that we will begin to overview; for full details see thegraph editor reference. We won’t get to the process of how to find the worst ones until the end of the section, when you understand the viewport. To begin, open the graph editor and select the graphs mode. Selecting a tracker, or exposing its contents, causes its graphs to appear. In this example, a tracker suddenly started jumping along fence posts, from pole to pole on three consecutive frames. The red curve is the horizontal U velocity, the green is the vertical V velocity, and the purple curve is the tracker figure-of-merit (for supervised trackers). You can see the channels listed under Tracker15 at left. The green circles show which channels are shown; zoom, pan, and color controls are adjacent. Double-clicking will turn on or off all the related channels. There are a variety of different curves available, not only for the trackers but for other node types within SynthEyes. The graph editor is amult-curveeditor—any number of completely different kinds of curves can be displayed simultaneously. There is no single set of coordinate values in the vertical direction because the zoom and pan can be different for each kind of channel. To determine the numeric value at any particular point on a curve, put the mouse over it and the tooltip will pop up with the set of values. The graph editor displays curves for each node that is exposed (its channels are displayed; Enable, U. Vel, V. Vel, etc above). The graph editor also displays curves for all selected nodes (trackers, cameras, or moving objects) as long as theDraw Curves for Selected Nodesbutton is turned on. This gives you quite a bit of quick control over what is drawn, and enables you to compare a single tracker or camera s curves to any other tracker as you run through them all, for example. You zoom a channel by dragging the small zoom icon. The zoom setting is shared between all channels with the same type. For example, the U and V velocity channels are the same type, as are the X, Y, and Z position channels of the camera. But the U velocity and U position are different types. If you click on the small Zoom icon, the other zoom icons of the same type will flash. The zoom setting is also shared between nodes of the same type zooming or panning on one tracker affects the other trackers too. All related channels will zoom also, so that the channels remain comparable to one another. This saves time and helps prevents some incorrect thought patterns. The pan setting is also shared between nodes, but not between channels the U velocity and V velocity can be separated out. When you pan, you’ll see a horizontal line that is the “zero level” of the channel. It will snap slightly to horizontal grid lines, making it easier to make several different curves line up to the same location. You can later check on the zero level by tapping the zoom or pan icons. There are two kinds of auto-zooms, activated by double-clicking the zoom or pan icons. The zoom double-click auto-zooms, but makes all channel of the same type have the same zero level. The pan double-click auto-zooms, but pans the channels individually. As a result, the zoom double-click keeps the data more organized and easier to follow, but the pan double-click allows for a higher zoom factor, because the zero levels can be different. For example, consider zooming an X position that runs 0 to 1, and a Y position that runs 10 to 12. If we pan double-click, the X curve will run full-screen from 0 to 2, and Y will run full-screen from 10 to 12. Note that X is not 0 to 1, because it must have the same zoom factor as Y. X will only occupy the bottom half of the screen. If we zoom double-click, X will run from 0 to 12 full screen, and Y will run from 0 to 12 full screen. The range and zero locations of both curves will be the same, and we’ll be better-able to see the relationship between the two curves. But if we want to see details, the pan-double-click is a better choice. There is no option to have X run 0 to 1 and Y run 10 to 12, by design. Both zoom and pan settings can be reset by right-clicking on the respective icons. Interpreting Figure of Merit In this example, two trackers have been supervised-tracked with a Key Every setting of 20 frames (but starting at different frames). The tracker Figure of Merit (FOM) curve measures the amount of difference between the tracker s reference pattern and what is found in the image. You see it drop down to zero each time there is a key, because then the reference and image are the same. One tracker has a small FOM value that stays mostly constant. The other tracker has a much larger FOM, and in part of the shot it is much larger. In a supervised shot, the reason for that should be investigated. You can use this curve to help decide how often to place a key automatically. The 20 frame value shown above is plenty for those features. If you see the following, you should reduce the spacing between keys. You’ll also be able to see the effect of theKey Smoothsetting the key smoothing will flatten out a steadily increasing curve into a gently rounded hump, which will reduce spikes in the final camera path. Velocity Spikes Here s an example of a velocity curve from the graph editor At frame 217, the tracker jumped about 3 pixels right, to a very similar feature. At frame 218, it jumped back, resulting in the distinctive sawtooth pattern the U velocity curve exhibits. If left as-is, this spike will result in a small glitch in the camera path on frame 217. You can repair it using theTracker control panel in the main user interface by going to frame 217. Jiggle back and forth a few frames with the S and D keys to see what s happening, then unlock the tracker and drop down a new key or two. Step around to re-track the surrounding frames with the new keys (or rewind and play through the entire sequence, which is most reliable). DeGlitch Mode You can also repair the glitch by switching to the Deglitch mode of the graph editor, then clicking on the first (positive) peak of the U velocity at frame 217. SynthEyes will compute a new tracker location that is the average of the prior and following locations. For most shots, this will eliminate the spike. If you see a velocity spike in one direction only, it will be more difficult to correct it means that the tracker has jumped to a nearby feature, and not come back. You will have to put it back in its correct location and then play (track) through the rest of the shot. The deglitch tool can also chop off the first or last frame of a tracker, which can be affected when an object moves in front, or a feature is moving offscreen. Even if the last two or three frames are bad, you can click a few times and quickly chop them off. Finding Spikes Before Solving Learn to recognize these velocity spikes directly. There are double spikes when a tracker jumps off course and returns, single spikes when it jumps off course to a similar feature and stays there, large sawtooth areas where it is chattering between near-identical features (or needs a new position key for reference), or big takeoff ramps where it gets lost and heads off into featureless territory. To help find these issues, the graph editor features the Isolate mode. Left-click it to turn it on, then right-click it to select all the trackers (it does not have to be on for right-clicking to work). With all the trackers selected, you will usually see a common pattern for most of the trackers, plus a few spots where things stick out. If you click the mouse over the spikes that stick out, that tracker will be selected for further investigation. You can push the left button and keep it down and move around investigating different curves, before releasing it to select a particular one. It can be quicker to delete extra automatic trackers, rather than repairing them. After repairing each tracker, you can right-click the isolate button again, and look for more. With two monitors, you can put the graph editor on one, and the camera view on another. With only one monitor, it may be easiest to operate the graph editor from the Camera Graphs viewport configuration. Once you are done, do arefine-mode solving cycle. Hint You can stay in Deglitch mode, and temporarily isolate by holding down the control key. This gives a quick workflow for finding and repairing glitches.
https://w.atwiki.jp/elvis/pages/4222.html
Now We'll Make the Rafters Ring Classic and Contemporary Rounds for Everyone A Cappella Books? Edwin A. Finckel? David Morice? ACappellaBooks? EdwinA.Finckel? DavidMorice? Substores-UnknownASINs-35 Subjects-Children sBooks-Arts&Music-Music-General? Subjects-Entertainment-Music-Instruments&Performers-Voice? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(British)? Subjects-Reference-Dictionaries&Thesauruses-English(British)? Subjects-Arts&Photography-PerformingArts-General? Current Research in Arts Medicine A Compendium of the Medart International 1992 World Congress on Arts and Medicine A Cappella Books? Fadi J., M.D. Bejjani? ACappellaBooks? FadiJ.,M.D.Bejjani? Substores-UnknownASINs-35 Subjects-Medicine-General? Subjects-Medicine-Reference-General? Subjects-Medicine-AlliedHealthProfessions-OccupationalTherapy? Subjects-Professional&Technical-Medical-AlliedHealthProfessions-OccupationalTherapy? Subjects-Professional&Technical-Medical-Medicine-Reference-General? Subjects-Science-Reference-Medical-General? Subjects-Science-Medicine-General? Subjects-Science-Medicine-Reference-General? Subjects-Science-Medicine-AlliedHealthProfessions-OccupationalTherapy? Crackpot or Genius? A Complete Guide to the Uncommon Art of Inventing Chicago Review Pr? Francis D. Reynolds? ChicagoReviewPr? FrancisD.Reynolds? Substores-UnknownASINs-35 Subjects-Business&Investing-General? Subjects-Engineering-Patents&Inventions? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-General Subjects-Science-Technology-General&Reference A Field Guide to the Planet Earth Projects for Reading Rocks, Rivers, Mountains, and the Forces That Shape Them (A Ziggurat Book for Talented Begin) Chicago Review Pr? Paul Hilston? Christine Rohn Hilston? ChicagoReviewPr? PaulHilston? ChristineRohnHilston? ユーズドブック(洋書)-Teens? Substores-UnknownASINs-35 Subjects-Children sBooks-Science,Nature&HowItWorks-EarthSciences-Nonfiction? Subjects-Teens-Science&Technology-General? Subjects-Teens-Science&Technology-EarthScience? Midi for Musicians Buying, Installing, and Using Today's Electronic Music-Making Equipment A Cappella Books? Brad Hill? ACappellaBooks? BradHill? Substores-UnknownASINs-35 Subjects-Computers&Internet-DigitalMusic&ComputerAudio-General? Subjects-Entertainment-Music-Instruments&Performers-General? Subjects-Entertainment-Music-Theory,Composition&Performance-Instruction&Study? Subjects-Entertainment-Music-Theory,Composition&Performance-MIDI,Mixers,etc.? Nclex-Rn Practice Test and Review Chicago Review Pr? Linda Waide? Berta Roland? ChicagoReviewPr? LindaWaide? BertaRoland? Substores-UnknownASINs-35 Subjects-Medicine-Nursing-TestPreparation&Review? Subjects-Professional&Technical-Medical-Nursing-Reviews&StudyGuides? Subjects-Science-Medicine-Nursing-TestPreparation&Review? Oddball Florida A Guide to Some Really Strange Places (Oddball Series) Chicago Review Pr? Jerome Pohlen? ChicagoReviewPr? JeromePohlen? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates-State&Local-Florida? Subjects-Nonfiction-Education-Reference-FunFacts-Curiosities&Wonders? Subjects-Reference-FunFacts-Curiosities&Wonders? Subjects-Reference-General? Subjects-Travel-Reference&Tips-Guidebooks? Subjects-Travel-UnitedStates-Regions-South-SouthAtlantic? Subjects-Travel-UnitedStates-States-Florida-General? The Music Festival Guide For Music Lovers and Musicians Chicago Review Pr? Jon Pruett? Mike McGuirk? ChicagoReviewPr? JonPruett? MikeMcGuirk? Substores-UnknownASINs-35 Subjects-Entertainment-Music-Reference-General? Subjects-Entertainment-Music-General? Subjects-Nonfiction-Education-Reference-Encyclopedias-General? Subjects-Reference-Encyclopedias-General? Subjects-Travel-Reference&Tips-Guidebooks? Subjects-Travel-Reference&Tips-Reference? Campus of the Future Conference on Information Resources, 1987 (Oclc Library, Information, and Computer Science Series, No 5) Oclc? Oclc? Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-Library&InformationScience-InformationStorage&Retrieval? Guide to Special Collections in the OCLC Database Oclc? Philip Schieber? Virginia G. Voedisch? Becky A. Wright? Oclc? PhilipSchieber? VirginiaG.Voedisch? BeckyA.Wright? undefined undefined Integrated Planning for Campus Information Systems A Series of Conferences for Undergraduate Institutions (Oclc Library Information and Computer Sc) Oclc? Daphne Layton? Oclc? DaphneLayton? undefined undefined Telecommunications for Information Specialists (Oclc Library, Information, and Computer Science Series, 11) Oclc? Larry L. Learn? Oclc? LarryL.Learn? Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Advanced Deer Hunting Outdoor Life? John Weiss? OutdoorLife? JohnWeiss? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Fishing-General? Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-General&Anthologies? Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Hunting? Subjects-Sports-General? Subjects-Sports-Hunting&Fishing-Fishing-General? Subjects-Sports-Hunting&Fishing-General&Anthologies? Subjects-Sports-Hunting&Fishing-Hunting? Field Guide to North American Edible Wild Plants Outdoor Life? Thomas S. Elias? Peter A. Dykeman? OutdoorLife? ThomasS.Elias? PeterA.Dykeman? Substores-UnknownASINs-35 Subjects-Sports-General? Guns and Shooting Yearbook Outdoor Life? Jim Carmichael? OutdoorLife? JimCarmichael? Substores-UnknownASINs-35 Subjects-Sports-General? Erwin Bauer's Predators of North America Outdoor Life? Erwin Bauer? OutdoorLife? ErwinBauer? Substores-UnknownASINs-35 Subjects-Home&Garden-AnimalCare&Pets-General? Subjects-Outdoors&Nature-Ecology-Animals-Mammals? Subjects-Science-Nature&Ecology-Animals-Mammals? Subjects-Science-BiologicalSciences-Zoology-Mammals? Complete Turkey Hunting (Outdoor Life) Outdoor Life? John E. Phillips? OutdoorLife? JohnE.Phillips? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Fishing-General? Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-General&Anthologies? Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Hunting? Subjects-Outdoors&Nature-NatureWriting? Subjects-Science-Nature&Ecology-Essays? Subjects-Sports-General? Subjects-Sports-Hunting&Fishing-Fishing-General? Subjects-Sports-Hunting&Fishing-General&Anthologies? Subjects-Sports-Hunting&Fishing-Hunting? Do Your Own Plumbing Grolier Book Clubs? K. E. Armpriester? GrolierBookClubs? K.E.Armpriester? Substores-UnknownASINs-35 Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? The Mountain Men Stackpole Books? George Laycock? StackpoleBooks? GeorgeLaycock? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates-State&Local-West? The Complete Handloader Outdoor Life? John Wootters? OutdoorLife? JohnWootters? Substores-UnknownASINs-35 Subjects-Home&Garden-Antiques&Collectibles-Firearms&Weapons? Subjects-Home&Garden-How-to&HomeImprovements? Subjects-Home&Garden-General? Subjects-Sports-General? The Wild Bears The Story of the Grizzly, Brown and Black Bears, Their Conflicts With Man and Their Chances of Survival in the Future Outdoor Life? George Laycock? OutdoorLife? GeorgeLaycock? Substores-UnknownASINs-35 Subjects-Home&Garden-AnimalCare&Pets-General? Subjects-Sports-General? Shop Savvy Popular Science Books? Roy Moungovan? PopularScienceBooks? RoyMoungovan? Substores-UnknownASINs-35 Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-How-to&HomeImprovements? Field Guide to North American Trees Outdoor Life? Thomas S. Elias? OutdoorLife? ThomasS.Elias? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Flora-Trees-General? Subjects-Science-Nature&Ecology-Plants-Trees-General? Subjects-Sports-General? The Deer of North America Outdoor Life? Leonard Lee Rue? OutdoorLife? LeonardLeeRue? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Fauna-Wildlife? Subjects-Outdoors&Nature-Ecology-Animals-Mammals? Subjects-Science-Nature&Ecology-Animals-Mammals? Subjects-Science-Nature&Ecology-Animals-Wildlife? Subjects-Science-BiologicalSciences-Zoology-Mammals? Subjects-Sports-General? Hunting Superbucks How to Find and Hunt Today's Trophy Whitetail and Mule Deer Outdoor Life? Kathy Etling? OutdoorLife? KathyEtling? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Hunting? Subjects-Sports-General? Subjects-Sports-Hunting&Fishing-Hunting? Homeowner's Complete Guide to Plumbing Grolier Book Clubs? Merle Henkenius? GrolierBookClubs? MerleHenkenius? Substores-UnknownASINs-35 Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Trade Catalogues at Winterthur A Guide to the Literature of Merchandising, 1750 to 1980 (A Winterthur Book) Univ Pubns of Amer? E. Richard McKinstry? UnivPubnsofAmer? E.RichardMcKinstry? undefined undefined Sidewise in Time/the Strange Case of John Kingman Dercum Pr Audio? Murray Leinster? DercumPrAudio? MurrayLeinster? Substores-UnknownASINs-35 Formats-Audiocassettes-General? A Meeting With Medusa and Other Stories/Audio Cassettes Dercum Pr Audio? Arthur C. Clarke? DercumPrAudio? ArthurC.Clarke? undefined undefined Smith and the Pharaohs (Sir H. Rider) Dercum Pr Audio? H. Rider Haggard? DercumPrAudio? H.RiderHaggard? undefined undefined Isaac Asimov Presents Favorite Robot Stories from His Private Library Dercum Pr Audio? Isaac Asimov? DercumPrAudio? IsaacAsimov? Substores-UnknownASINs-35 Formats-Audiocassettes-General? Favorite American Detectives/4 Audio Cassettes (Masters of Mystery) Dercum Pr Audio? Martin Greenberg? DercumPrAudio? MartinGreenberg? Substores-UnknownASINs-35 Subjects-Mystery&Thrillers-Mystery-Anthologies? Wages Creek Dercum Pr Audio? Jeffrey Hickey? Karen Kiser? DercumPrAudio? JeffreyHickey? KarenKiser? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature-Humorous? Subjects-Children sBooks-Sports&Activities-Sports-Miscellaneous-Fiction? The Intrusions of Dr. Czissar (Mystery Library) Dercum Pr Audio? Eric Ambler? Patrick McDaid? DercumPrAudio? EricAmbler? PatrickMcDaid? Substores-UnknownASINs-35 Subjects-Mystery&Thrillers-General? Subjects-Mystery&Thrillers-Mystery-General? Steal Away Selected and New Poems Copper Canyon Pr? C. D. Wright? CopperCanyonPr? C.D.Wright? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Books&Reading-WomenWriters&FeministTheory? Subjects-Literature&Fiction-Poetry-General? Subjects-Nonfiction-Women sStudies-WomenWriters? The Lover of God (Lannan Literary Selections) Copper Canyon Pr? Rabindranath Tagore? Tony K. Stewart? Chase Twichel? CopperCanyonPr? RabindranathTagore? TonyK.Stewart? ChaseTwichel? Substores-UnknownASINs-35 Subjects-History-Asia-General? Subjects-Literature&Fiction-Poetry-General? Border of a Dream Selected Poems of Antonio Machado Copper Canyon Pr? John Dos Passos? Antonio Machado? Juan Ramon Jimenez? Willis Barnstone? CopperCanyonPr? JohnDosPassos? AntonioMachado? JuanRamonJimenez? WillisBarnstone? Substores-UnknownASINs-35 Subjects-History-Americas-CentralAmerica-General? Subjects-Literature&Fiction-ForeignLanguageFiction-Spanish? Subjects-Literature&Fiction-Poetry-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? The Black Heralds (Lannan Literary Selections) Copper Canyon Pr? Cesar Vallejo? Rebecca Seiferle? CopperCanyonPr? CesarVallejo? RebeccaSeiferle? Substores-UnknownASINs-35 Subjects-History-Americas-CentralAmerica-General? Subjects-Literature&Fiction-ForeignLanguageFiction-Spanish? Subjects-Literature&Fiction-Poetry-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? The Poem Behind the Poem Translating Asian Poetry Copper Canyon Pr? Frank Stewart? CopperCanyonPr? FrankStewart? Substores-UnknownASINs-35 Subjects-History-Asia-General? Subjects-Literature&Fiction-Essays-General? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Literature&Fiction-Poetry-General? Migration new and selected poems Copper Canyon Pr? W. S. Merwin? CopperCanyonPr? W.S.Merwin? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Authors,A-Z-(M)-Merwin,W.S.? Subjects-Literature&Fiction-Poetry-General? Subjects-Literature&Fiction-Poetry-SingleAuthors-UnitedStates? Subjects-Literature&Fiction-Poetry-UnitedStates-General? Subjects-Literature&Fiction-Poetry-UnitedStates-20thCentury? Picasso . Das Plastische Werk/in German Alan Wofsy Fine Arts? Werner Spies? AlanWofsyFineArts? WernerSpies? Substores-UnknownASINs-35 Subjects-Arts&Photography? Catalogue Raisonne of the Etchings of Charles Meryon Alan Wofsy Fine Arts? Loys Delteil? J. L. Wright? AlanWofsyFineArts? LoysDelteil? J.L.Wright? undefined undefined Jean Fautrier Les Estampes Alan Wofsy Fine Arts? Rainer M. Mason? AlanWofsyFineArts? RainerM.Mason? Substores-UnknownASINs-35 Subjects-Arts&Photography? Le Cubisme De Picasso Catalogue Raisonne De L'Oeuvre Peint 1907-1916 Alan Wofsy Fine Arts? Pierre Daix? Joan Rosselet? AlanWofsyFineArts? PierreDaix? JoanRosselet? undefined undefined Isabel Bishop, Etchings and Aquatints A Catalogue Raisonne Alan Wofsy Fine Arts? Susan Teller? AlanWofsyFineArts? SusanTeller? undefined undefined Marc Chagall The Illustrated Books Catalogue Raisonne Alan Wofsy Fine Arts? Patrick Cramer? AlanWofsyFineArts? PatrickCramer? undefined undefined Durer's Engravings, Etchings and Drypoints Alan Wofsy Fine Arts? Walter Strauss? AlanWofsyFineArts? WalterStrauss? undefined undefined Piranesi Essai De Catalogue Raisonne De Son Oeuvre Alan Wofsy Fine Arts? Henri Focillon? AlanWofsyFineArts? HenriFocillon? Substores-UnknownASINs-35 Subjects-Arts&Photography? Canaletto's Etchings Catalogue Raisonne Alan Wofsy Fine Arts? Ruth Bromberg? AlanWofsyFineArts? RuthBromberg? undefined undefined Maarc Chagall The Illustrated Books Alan Wofsy Fine Arts? Charles Sorlier? AlanWofsyFineArts? CharlesSorlier? Substores-UnknownASINs-35 Subjects-Arts&Photography? Substores-UnknownASINs-35 洋書
https://w.atwiki.jp/matchmove/pages/96.html
Control Panel Reference SynthEyes has the following control panels · Summary Panel · Rotoscope Control Panel · Feature Control Panel · Tracking Control Panel. · Lens Control Panel. · Solver Control Panel. · Coordinate System Control Panel. · 3-D Control Panel. · Lighting Control Panel. · Flex/Curve Control Panel. Select via the control panel selection portion of the main toolbar. The Graph Editor icon appears in the toolbar area to indicate a nominal workflow, but it launches a floating window. Additional panels are described below · Add Many Trackers Dialog · Advanced Features · Clean Up Trackers · Coalesce Nearby Trackers · Curve tracking control · Finalize Trackers · Fine-Tuning Panel · Green-screen control · Hard and Soft Lock Controls · Hold Tracker Preparation Tool · Image Preparation · Spinal Editing Control The shot-setup dialog is described in the sectionOpening the Shot. Spinners SynthEyes uses spinners, the stacked triangles on the right of the following graphic ( ), to permit easy adjustment of numeric fields on the control panels. The spinner control provides the following features · Click either triangle to increase or decrease the value in steps, · Drag within the control to smoothly increase and decrease the value, · Turns red on key frames, · Right-click to remove a key, or if none, to reset to a predefined value, · Shift-drag or -click to change the value much more rapidly, · Control-drag or -click to change the value slowly for fine-tuning. Tool Bar New, Open, Save, Undo, Redo. Buttons. Standard Windows (only). Use the Undo/Redo menu items instead to see what function will be undone or redone. (Control Panel buttons). Changes the active control panel. Forward/Backward (/). Button. Changes the current playback and tracking direction. Reset Time. Button. Resets the timebar so that the entire shot is visible. Fill. Button. The camera viewport is reset so that the entire image becomes visible. Shift-fill sets the zoom to 1 1 horizontally. Viewport Configuration Select. List box. Selects the viewport configuration. Use the viewport manager on the Window menu to modify or add configurations. Camera01. Active camera/object. Click to cycle through the cameras and objects. Play Bar Rewind Button. Rewind back to the beginning of the shot. Back Key Button. Go backwards to the previous key of the selected tracker or object. Frame Number. Numeric Field. Sequential frame number, starting at zero or at 1 if selected on thepreferences. Forward Key Button. Go forward to the next key of the selected tracker or object. To End Button. Go to the last frame of the shot. Frame Backwards. Button. Go backwards one frame. Auto-repeats. Play/Stop/. Button. Begin playing the shot, forwards or backwards, at the rate specified on the View menu. Frame Forward. Button. Go forwards one frame. Auto-repeats. Summary Panel Auto.(the big green one)Run the entire match-move process create features(blips), generate trackers, and solve. If no shot has been set up yet, you will be prompted for that first, so this is truly a one-stop button. See alsoSubmit for Batch. Motion Profile.Select one of several profiles reflecting the kinds of motion the image makes. UseCrash Panfor when the camera spins quickly, for example, to be able to keep up. Or useGentle Motionfor faster processing when the camera/image moves only slightly each frame. Green Screen.Brings up thegreen-screencontrol dialog. Zoom Lens.Check this box if the camera zooms. On Tripod.Check this box if the camera was on a tripod. Hold.Animated Button. Use to create hold regions to handle shots with amix of normal and tripod-modesections. Fine-tune.Performs an extra stage of re-tracking between the initial feature tracking and the solve. Thisfine-tuning passcan improve the sub-pixel stability of the trackers on some shots. Settings.Launches the settings panel for fine-tuning. Run Auto-tracker.Runs the automatic tracking stage, then stops. Solve.Runs the solver. Not solved.This field will show the overall scene error, in horizontal pixels, after solving. Coords（共同作用）.Initiates a mode where 3 trackers can be clicked to define a coordinate system. After the third, you will have the opportunity to re-solve the scene to apply the new settings. Same as *3 on the Coordinate System panel. 3つのトラッカーが座標系を定めるためにクリックすることができるモードを始めます。 第3の後、新しいセッティングを適用するためにシーンを再解析することがあると思います。 座標系パネルの*3と同じです。 Master Solution Reset ().Clear any existing solution points and object paths. Rotoscope Control Panel The roto panel controls the assignment of a shot s blips to cameras or objects. The roto mask can also be written as an alpha channel or RGB image using the image preprocessor. Spline/Object List. An ordered list of splines and the camera or object they are assigned to. The default Spline1 is a rectangle containing the entire image. A feature is automatically assigned to the camera/object of thelastspline in the list that contains the feature. Double-click a spline to rename it as desired. Camera/Object Selector. Drop-down list. Use to set the camera/object of the spline selected in the Spline/Object List. You can also selectGarbageto set the spline as a garbage matte. Show this spline. Checkbox. Turn on and off to show or hide the selected spline. Also see the View/Only Selected Splines menu item. Key all CPs if any. Checkbox. When on, moving any control point will place a key on all control points for that frame. This can help make keyframing more predictable for some splines. Enable. Button. Animatable spline enable. Create Circle. Lets you drag out circular splines. Create Box. Lets you drag out rectangular splines. Magic Wand. Lets you click out arbitrarily-shaped splines with many control points. Delete. Deletes the currently-selected spline. Move Up. Push button. Moves the selected spline up in the Spline/Object List, making it lower priority. Move Down. Push button. Moves the selected spline down in the Spline/Object List, making it higher priority. Shot Alpha Levels. Integer spinner. Sets the number of levels in the alpha channel for the shot. For example, select 2 for an alpha channel containing only 0 or 1(255), which you can then assign to a camera or moving object. Object Alpha Level. Spinner. Sets the alpha level assigned to thecurrentcamera or object. For example, with 2 alpha levels, you might assign level 0 to the camera, and 1 to a moving object. The alpha channel is used to assign a feature only if it is not contained in any of the splines. Import Tracker to CP. Button. When activated, select a tracker then click on a spline control point. The tracker s path will be imported as keys onto the control point. Feature Control Panel Motion Profile.Select one of several profiles reflecting the kinds of motion the image makes. UseCrash Panfor when the camera spins quickly, for example, to be able to keep up. Or useGentle Motionfor faster processing when the camera/image moves only slightly each frame. Clear all blips.Clears the blips from all frames. Use to save disk space after blips have been peeled to trackers. Blips this frame. Push button. Calculates features (blips) for this frame. Blips playback range. Push button. Calculates features for the playback range of frames. Blips all frames. Push button. Calculates features for the entire shot. Displays the frame number while calculating. Once started, can’t be interrupted! Delete. Button. Clears the skip frame channel from this frame to the end of the shot, or the entire shot if Shift is down when clicked. Skip Frame. Checkbox. When set, this frame will be ignored during automatic tracking and solving. Use (sparingly) for occasional bad frames during explosions or actors blocking the entire view. Camera paths are spline interpolated on skipped frames. Advanced. Push button. Brings up a panel with additional control parameters. Link frames. Push button. Blips from each frame in the shot are linked to those on the prior frame (depending on tracking direction). Useful after changes in splines or alpha channels. Peel. Mode button. When on, clicking on a blip adds a matching tracker, which will be utilized by the solving process. Use on needed features that were not selected by the automatic tracking system. Peel All. Push button. Causes all features to be examined and possibly converted to trackers. To Golden. Push button. Marks the currently-selected trackers as “golden,” so that they won’t be deleted by the Delete Leaden button. Delete Leaden. Push button. Deletes all trackers, except those marked as “golden.” All manually-added trackers are automatically golden, plus any automatically-added ones you previously converted to golden. This button lets you strip out automatically-added trackers. Tracking Control Panel The tracker panel has two variations with different sizes for the tracker view area, and slightly different button locations. The wider version gives a better view of the interior of the panel, especially on high-resolution displays. The smaller version is a more compact layout that reduces mouse motion, and because of the reduced size, is better for use on laptops. Select the desired version using theWider tracker-view panelpreference. Tracker Interior View. Shows its interior---the inner box of the tracker.Left Mouse Drag the tracker location.Middle Scroll Advance the current frame, tracking as you go.Right Mouse Add or remove a position key at the current frame. Or, cancel a drag in progress. Create. Mode Button. When turned on, depressing the left mouse button in the camera view creates new trackers. When off, the left mouse button selects and moves trackers. Delete. Button (also Delete key). Deletes the selected tracker. Finish. Button. Brings up the finalize dialog box, allowing final filtering and gap filtering as a tracker is locked down. Lock. Button. Non-animated enable, turn on when tracker is complete; will then be locked. Tracker Type.,,,. Button. Toggles the tracker type among normal match-mode, dark spot, bright spot, or symmetric spot. Direction. Button. Configures the tracker for backwards tracking it will only track when playing or stepping backwards. Enable. Button. Animated control turns tracker on or off. Turn off when tracker gets blocked by some thing, turn back on when it becomes visible again. Contrast. Number-less spinner. Enhances contrast in the Tracker Interior View window. Bright. Number-less spinner. Turns up the Tracker Interior View brightness. Color. Rectangular swatch. Sets the display color of the tracker for the camera, perspective, and 3-D views. Now. Button. Adds a tracker position key at the present location and frame. Right-click to remove a position key. Shift-right-click to truncate, removing all following keys. Key. Spinner tells SynthEyes to automatically add a key after this many frames, to keep the tracker on track. Key Smooth. Spinner. Tracker s path will be smoothed for this many frames before each key, so there is no glitch due to re-setting a key. Name. Edit field. Adjust the tracker s name to describe what it s tracking. Pos. H and V spinners. Tracker s horizontal and vertical position, from –1 to +1. You can delete a key (border is red) by right-clicking. Shift-right-clicking will truncate the tracker after this frame. Size. Size and aspect spinners. Size and aspect ratio (horizontal divided by vertical size) of the interior portion of the tracker. Search. H and V spinners. Horizontal and vertical size of the region (excluding the actual interior) that SynthEyes will search for the tracker around its position in the preceding frame. Preceding implies lower-numbered for forward tracking, higher-numbered for backward tracking. Weight. Spinner. Defaults to 1.0. Multiplier that helps determine the weight given to the 2-D data for each frame from this tracker. Higher values cause a closer match, lower values allow a sloppier match.WARNING This control is for experts and should be used judiciously and infrequently. It is easy to use it to mathematically destabilize the solving process, so that you will not get a valid solution at all. Keep near 1. Also see ZWTs below. Exact. For use after a scene has already been solved set the tracker s 2-D position to the exact re-projected location of the tracker s 3-D position. A quick fix for spurious or missing data points, do not overuse. See the section onfiltering and filling gaps. Note applied to a zero-weighted-tracker, error will not become zero because the ZWT will re-calculate using the new 2-D position, yielding a different 3-D and then 2-D position. F n.nnnhpix.(display field, right of Exact button) Shows the distance, in horizontal pixels, between the 2-D tracker location and the re-projected 3-D tracker location. Valid only if the tracker has been solved. ZWT. When on, the tracker s weight is internally set to zero—it is a zero-weighted-tracker (ZWT), which does not affect the camera or object s path at all. As a consequence, its 3-D position can be continually calculated as you update the 2-D track or change the camera or object path, or field of view. The Weight spinner of a ZWT will be disabled, because the weight is internally forced to zero and special processing engaged. The grayed-out displayed value will be the original weight, which will be restored if ZWT mode is turned off. T n.nnnhpix.(display field, right of ZWT button) Shows the total error, in horizontal pixels, for the solved tracker. This is the same error as from the Coordinate System panel. It updates dynamically during tracking of a zero-weighted tracker. Lens Control Panel Field of View. Spinner. Field of view, in degrees, on this frame. Focal Length. Spinner. Focal length, computed using the current Back Plate Width on Scene Settings. Provided for illustration only. Add/Remove Key., Button. Add or remove a key to the field of view (focal length) track at this frame. Known. Radio Button. Field of view is already known (typically from an earlier run) and is taken from the field of view seed track. May be fixed or zooming. You will be asked if you want to copy the solved FOV track to the seed FOV track—do that if you want to lock down the solved FOV. Fixed, Unknown. Radio Button. Field of view is unknown, but did not zoom during the shot. Fixed, with Estimate. Radio Button. Camera did not zoom, and a reasonable estimate of the field of view is available and has been set into the beginning of the lens seed track. This mode can make solving slightly faster and more robust.Important verify that you know, and have entered, the correct plate size before using any on-setfocal lengthvalues. A correct on-set focal length with an incorrect plate size makes the focal length useless, and this setting harmful. Zooming, Unknown. Radio Button. Field of view zoomed during shot. Lens Distortion. Spinner. Show/change the lens distortion coefficient. Calculate Distortion. Checkbox. When checked, SynthEyes will calculate the lens distortion coefficient. You should have plenty of well-distributed trackers in your shot. Add Line. Checkbox. Adds an alignment line to the image that you can line up with a straight line in the image, adjust the lens distortion to match, and/or use it for tripod or lock-off scene alignment. Kill Line. Checkbox. Removes the selected alignment line (the delete key also does this). Control-click to delete all the alignment lines at once. Axis Type. Drop-down list. Not oriented, if the line is only there for lens distortion determination, parallel to one of the three axes, along one of the three (XYZ) axes, or along one of the three axes, with the length specified by the spinner. Configures the line for alignment. - . Button. Swaps an alignment line end for end. The direction of a line is significant and displayed only for on-axis lines. Length. Spinner. Sets the length of the line to control overall scene sizing during alignment. Only a single line, which must be on-axis, can have a length. Atnnnf.Button. Shows(not set)if no alignment lines have been configured. This button shows the (single) frame on which alignment lines have been defined and alignment will take place; clicking the button takes you to this frame. Set each time you change an alignment line, or right-click the button to set it to the current frame. Align!Button. Aligns the scene to match the alignment lines defined—on the frame given by theAt…button. Other frames are adjusted correspondingly. To sequence through all the possible solutions,control-click this button. Solver Control Panel Go!Button. Starts the solving process, after tracking is complete. Master Reset. Button. Resets all cameras/objects and the trackers on them, though all Disabled camera/objects are left untouched. Control-click to clear the seed path, and optionally the seed FOV (after confirmation). Error. Number display. Root-mean-square error, in horizontal pixels, of all trackers associated with this object or tracker. Seeding Method.Upper drop-down list controlling the way the solver begins its solving process, chosen from the following methods Auto. List Item. Selects the automatic seeding(initial estimation) process, for a camera that physically moves during the shot. Refine. List item. Resumes a previous solving cycle, generally after changes in trackers or coordinate systems. Tripod. List Item. Use when the camera pans, tilts, and zooms, but does not move. Refine Tripod. List item. Resumes a previous solving cycle, but indicates that the camera was mounted on a tripod. Indirect. List Item. Use for camera/objects which will be seeded from links to other camera/objects, for example, a DV shot indirectly seeded from digital camera stills. Individual. List Item. Use for motion capture. The object s trackers are solved individually to determine their path, using the same feature on other “Individual” objects; the corresponding trackers are linked in one direction. Points. List Item. Seed from seed points, set up from the 3-D trackers panel. Use with on-set measurement data, or afterSet Allon the Coordinate Panel. You should still configure coordinate system constraints with this mode some hard locks and/or distance constraints. Path. List Item. Uses the camera/object s seed path as a seed, for example, from a previous solution or a motion-controlled camera. Disabled. List Item. This camera/object is disabled and will not be solved for. Directional Hint. Second drop-down list. Gives a hint to speed the initial estimation process, or to help select the correct solution, or to specify camera timing for “Individual” objects. Chosen from the following for Automatic objects Automatic. List Item. In automatic seeding mode, SynthEyes can be given a hint as to the general direction of motion of the camera to save time. With the automatic button checked, it doesn’t need such a hint. Left. List Item. The camera moved generally to its left. Right. List Item. The camera moved generally to its right. Up. List Item. The camera moved generally upwards. Down. List Item. The camera moved generally downwards. Push In. List Item. The camera moved forward (different than zooming in!). Pull Back. List Item. The camera moved backwards (different than zooming out!). Camera Timing Setting. The following items are displayed when “Individual” is selected as the object solving mode. They actually apply to the entire shot, not just the particular object. Sync Locked. List Item. The shot is either the main timing reference, or is locked to it (ie, gen-locked video camera). Crystal Sync. List Item. The camera has a crystal-controlled frame rate (ie a video camera at exactly 29.97 Hz), but it may be up to a frame out of synchronization because it is not actually locked. Loosely Synced. List item. The camera s frame rate may vary somewhat from nominal, and will be determined relative the reference. Notably, a mechanical film camera. Slow but sure. Checkbox. When checked, SynthEyes looks especially hard (and longer) for the best initial solution. Constrain. Checkbox for experts. When on, constraints set up using the coordinate system panel are applied rigorously, modifying the tracker positions. When off, constraints are used to position, size, and orient the solution, without deforming it. Seealignment vs constraints. Hold.Animated Button. Use to create hold regions to handle shots with amix of normal and tripod-modesections. Begin. Spinner and checkbox. Numeric display shows an initial frame used by SynthEyes during automatic estimation. With the checkbox checked, you can override the begin frame solution. Either manually or automatically, the camera should have panned or tilted only about 30 degrees. If the camera does something wild between the automatically-selected frames, or if their data is particularly unreliable for some reason, you can manually select the frames instead. The selected frame will be selected as you adjust this, and the number of frames in common shown on the status line. End. Spinner and checkbox. Numeric display shows a final frame used by SynthEyes during automatic estimation. With the checkbox checked, you can override the end frame solution. World size. Spinner. Rough estimate of the size of the scene, including the trackers and motion of the camera. Transition Frms. Spinner. When trackers first become usable or are about to become unusable, SynthEyes gradually reduces their impact on the solution, to maintain an undetectable transition. The value specifies how many frames to spread the transition over. Filter Frms. Spinner. Controls post-solving path filtering. If this control is set to 3, say, then each frame s camera position is a (weighted) average of its position within 3 frames earlier and 3 frames later in the sequence. A larger number creates a smoother path, butincreaseserrors. Overall Weight. Spinner. Defaults to 1.0. Multiplier that helps determine the weight given to the data for each frame from this object s trackers. Lower values allow a sloppier match, higher values cause a closer match, for example, on a high-resolution calibration sequence consisting of only a few frames.WARNING This control is for experts and should be used judiciously and infrequently. It is easy to use it to mathematically destabilize the solving process, so that you will not get a valid solution at all. Keep near 1. More. Button. Brings up or takes down the Hard and Soft Lock Controls dialog. Axis Locks. 7 Buttons. When enabled, the corresponding axis of the current camera or object is constrained to match the corresponding value from the seed path. These constraints are enforced either loosely after solving, with Constrain off, or tightly during solving, with Constrain on. See the section onConstraining Camera or Object Position. Animated. Right-click to remove a key on the current frame. L/R. Left/right axis (ie X) F/B. Front/back axis (Y or Z) U/D. Up/down axis (Z in Z-up or Y in Y-up) FOV. Camera field of view (available/relevant only for Zoom cameras) Pan. Pan angle around ground plane Tilt. Tilt angle up or down from ground plane Roll. Roll angle from vertical Never convert to Far.Normally, SynthEyes monitors trackers during 3-D solves, and automatically converts trackers to Far if they are found to be too far away. This strategy backfires if the shot has very little perspective to start with, as most trackers can be converted to far. Use this checkbox if you wish to try obtaining a 3-D solve for your nearly-a-tripod shot. Coordinate System Control Panel Tracker Name. Edit. Shows the name of selected tracker, or change it to describe what it is tracking. Camera/Object. Drop-down list. Shows what object or camera the tracker is associated with; change it to move the tracker to a different object or camera on the same shot (or, you can clone it there for special situations). Entries beginning with asterisk(*) are on a different shot with the same aspect and length; trackers may be moved there, though this may adversely affect constraints, lights, etc. *3. Button. Starts and controls three-point coordinate setup mode. Click it once to begin, then click on origin, on-axis, and on-plane trackers in the camera view, 3-D viewports, or perspective window. The button will sequence through Or, LR, FB, and Pl to indicate which tracker should be clicked next. Click this button to skip from LR (left/right) to FB (front/back), or to skip setting other trackers. After the third tracker, you will have the opportunity to re-solve the scene to apply the new settings. Seed Lock Group X, Y, Z.Buttons. Multi-choice buttons flip between X, X+, X-; Y, Y+, Y-; and Z, Z+,Z- respectively. These buttons control which possible coordinate-system solution is selected when there are several possibilities. Only significant when the tracker is locked on one or two axes. X, Y, Z. Spinners. An initial position used as a guess at the start of solving (if seed checkbox on), and/or a position to which the tracker is locked, depending on the Lock Type list. Seed. Mode button. When on, the X/Y/Z location will be used to help estimate camera/object position at the start of solving, if Points seeding mode is selected. Peg. Mode button. If on, and the Solver panel s Constrain checkbox is on, the tracker will be pegged exactly, as selected by the Lock Type. Otherwise, the solver may modify the constraints to minimize overall error. See documentation for details and limitations. Far. Mode button. Turn on if the tracker is far from the camera. Example If the camera moved 10 feet during the shot, turn on for any point 10,000 feet or more away. Far points are on the horizon, and their distance can not be estimated. This button states yourwish, SynthEyes may solve a tracker as far anyway, if it is determined to have too little perspective. Lock Type. Drop-down list. Has no effect if Unlocked. The other settings tell SynthEyes to force one or more tracker position coordinates to 0 or the corresponding seed axis value. Use to lock the tracker to the origin, the floor, a wall, a known measured position, etc. See the section onLock Mode Details. If you select several trackers, some with targets, some without, this list will be empty—right-click the Target Point button to clear it. Target Point. Button. Use to set up links between trackers. Select one tracker, click the Target Point button to select the target tracker by name. Or, ALT-click (Mac Command-Left-Click) the target tracker in the camera view or 3-D viewport. If the trackers are on the same camera/object, the Distance spinner activates to control the desired distance between the trackers. You can also lock one or more of their coordinates to be identical, forcing them parallel to the same axis or plane. If the trackers are on different camera/objects, you have created a link the two trackers will be forced to the same location during solving. If two trackers track the same feature, but one tracker is on a DV shot, the other on digital camera stills, use the link to make them have the same location. Right-click to remove an existing target tracker. Dist. Spinner. Sets the desired distance between two trackers on the same object. Solved. X, Y, Z numbers. After solving, the final tracker location. Error. Number. After solving, the root-mean-square error between this tracker s predicted and actual positions. If the error exceeds 1 pixel, look for tracking problems using the Tracker Graph window. [FAR]. This will show up after the error value, if the tracker has been solved as far. Set Seed. Button. After solving, sets the computed location up as the seed location for later solver passes using Points mode. All. Button. Sets up all solved trackers as seeds for subsequent passes. Exportable. Checkbox. Uncheck this box to tell savvy export scripts not to export this tracker. For example, exporting to a compositor, you may want only a half dozen of a hundred or two automatically-generated trackers to be exported and create a new layer in the compositor. Non-exportable points are shown in a different color, somewhat closer to that of the background. 3-D Control Panel Creation Mesh Type. Drop-down. Selects the type of object created by the Create Tool. Create Tool. Mode button. Clicking in a 3-D viewport creates the mesh object listed on the creation mesh type list, such as a pyramid or Earthling. Most mesh objects require two drag sequences to set the position, size, and scale. Note that mesh objects are different than objects created with the Shot Menu s Add Moving Object button. Moving objects can have trackers associated with them, but are themselves null objects. Mesh objects have a mesh, but no trackers. Often you will create a moving object and its trackers, then add a mesh object(s) to it after solving to check the track. Object name. Editable drop-down. The name of the object selected in the 3-D or camera viewports. Changeable. Delete. Button. Deletes the selected object. Lock Selection. Mode button. Locks the selection in the 3-D viewport to prevent inadvertent reselection when moving objects. World/Object. Mode button. Switches between the usual world coordinate system, and the object coordinate system where everything else is displayed relative to the current object or camera, as selected by the shot menu. Lets you add a mesh aligned to an object easily. Move Tool. Mode button. Dragging an object in the 3-D viewport moves it. Rotate Tool. Mode button. Dragging an object in the 3-D viewport rotates it about the axis coming up out of the screen. Scale Tool. Mode button. Dragging an object in the 3-D viewport scales it uniformly. Use the spinners to change each axis individually. Make/Remove Key., Button. Adds or removes a key at the current frame for the currently-selected object. Show/Hide. Button. Show or hide the selected mesh object. Object color. Color Swatch. Object color, click to change. X/Y/Z Values. Spinners. Display X, Y, or Z position, rotation or scale values, depending on the currently-selected tool. Size. Spinner. This is an overall size spinner, use it when the Scale Tool is selected to change all three axis scales in lockstep. Whole. Button. When moving a solved object, normally it moves only for the current frame, allowing you to tweak particular frames. If you turn on Whole, moving the object moves the entire path, so you can adjust your coordinate system without using locks. If you do this, you should set up some locks subsequently and switch to Point or Path seeding, or you will have to readjust the path again if you re-solve.Hint Whole mode has some rules to decide whether or not to affect meshes. To force it to include all meshes in the action, turn onWhole affects mesheson the 3-D viewport and perspective window s right-click menu. Blast. Button. Writes the entire solved history onto the object s seed path, so it can be used for path seeding mode. Reset. Button. Clears the object s solved path, exposing the seed path. Cast Shadows. (Mesh) Object should cast a shadow in the perspective window. Catch Shadows. (Mesh) Object should catch shadows in the perspective window. Back Faces. Draw the both sides of faces, not only the front. Invert Normals. Make the mesh normals point the other way from their imported values. Lighting Control Panel New Light. Button. Click to create a new light in the scene. Delete Light. Button. Delete the light in the selected-light drop-down list. Selected Light. Drop-down list. Shows the select light, and lets you change its name, or select a different one. Far-away light. When checked, light is a distant, directional, light. When off, light is a nearby spotlight or omnidirectional(point) light. Compute over frames This, All, Lock. In the (normal) This mode, the light s position is computed for each frame independently. In the All or Lock mode, the light s position is averaged over all the frames in the sequence. In the All mode, this calculation is performed repeatedly for “live updates.” In the Lock mode, the calculation occurs only when clicking the Lock button. New Ray. Button. Creates a new ray on the selected light. Delete Ray. Button. Delete the selected ray. Previous Ray ( ). Button. Switch to the previous lower-numbered ray on the selected light. Ray Number. Text field. Shows something like 1/3 to indicate ray 1 of 3 for this light. Next Ray ( ). Button. Switch to the next higher ray on the selected light. Selected Ray Source. Mode button. When lit up, click a tracker in the camera view or any 3-D view to mark it as one point on the ray. Target. Mode button. When lit up, click a tracker in the camera view or any 3-D view to mark it as one point on the ray. If the source and target trackers are the same, it is a reflected-highlight tracking setup, and the Target button will show “(highlight).” For highlight tracking to be functional, there must be a mesh object for the tracker to reflect from. Distance. Spinner. When only a single ray to a nearby light is available, use this spinner to adjust the distance to the light. Leave at zero the rest of the time. Flex/Curve Control Panel Theflex/curvecontrol panel handles both object types, which are used to determine the 3-D position/shape of a curve in 3-D, even if it has no discernable point features. If you select a curve, the parameters of its parent flex (if any) will be shown in the flex section of the dialog. New Flex. Creates and selects a new flex. Left-click successively in a 3-D view or the perspective view to lay down a series of control points. Right-click to end. Delete Flex. Deletes the selected flex (even if it was a curve that was initially clicked). Flex Name List. Lists all the flexes in the scene, allowing you to select a flex, or change its name. Moving Object List. If the flex is parented to a moving object, it is shown here. Normally, “(world)” will be listed. Show this 3-D flex. Controls whether the flex is seen in the viewports or not. Clear. Clears any existing 3-D solution for the flex, so that the flex s initial seed control points may be seen and changed. Solve. Solves for the 3-D position and shape of the flex. The control points disappear, and the solved shape becomes visible. All. Causes all the flexes to be solved simultaneously. Pixel error. Root-mean-square (~average) error in the solved flex, in horizontal pixels. Count. The number of points that will be solved for along the length of the flex. Stiffness. Controls the relative importance of keeping the flex stiff and straight versus reproducing each detail in the curves. Stretch. Relative importance of (not) being stretchy. Endiness. (yes, made this up) Relative importance of exactly meeting the end-point specification. New Curve. Begins creating a new curve—click on a series of points in the camera view. Delete. Deletes the curve. Curve NameList.Shows the currently-selected curves name among a list of all the curves attached to the current flex, or all the unconnected curves if this one is not connected. Parent Flex List.Shows the parent flex of this curve, among all of the flexes. Show.Controls whether or not the curve is shown in the viewport. Enable.Animated checkbox indicating whether the curve should be enabled or not on the current frame. For example, turn it off after the curve goes off-screen, or if the curve is occluded by something that prevents its correct position from being determined. Key all.When on, changing one control point will add a key on all of them. Rough.Select several trackers, turn this button on, then click a curve to use the trackers to roughly position the curve throughout the length of the shot. Truncate.Kills all the keys off the tracker from the current frame to the end of the shot. Tune.Snaps the curve exactly onto the edge underneath it, on the current frame. All.Brings up theCurve Tracking Controldialog, which allows this curve, or all the curves, to be tracked throughout an entire range of frames.
https://w.atwiki.jp/elvis/pages/7821.html
Recommended Practice for Space Operations and Support Documentation Amer Inst of Aeronautics &? American Institute of Aeronautics & Astr? AIAA (American Institute of Aeronautics? AmerInstofAeronautics&? AmericanInstituteofAeronautics&Astr? AIAA(AmericanInstituteofAeronautics? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-Reference? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-Airport? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Liquid Propellant Gun Technology (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Gunter Klingenberg? John Knapton? Walter F. Morrison? Gloria P. Wren? Am Inst of Aeronautics? AmerInstofAeronautics&? GunterKlingenberg? JohnKnapton? WalterF.Morrison? GloriaP.Wren? AmInstofAeronautics? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-History-MilitaryScience? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Advanced Dynamics (Aiaa Education Series) Amer Inst of Aeronautics &? Shuh-Jing Ying? AmerInstofAeronautics&? Shuh-JingYing? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Dynamics? Subjects-Science-General Subjects-Science-Physics-Dynamics-General? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Proceedings of the 4th Aiaa / Ceas Aeroacoustics Conference (Conference Proceeding Series) American Institute of Aeronautics & Astronautics (AIAA),U.S.? AmericanInstituteofAeronautics&Astronautics(AIAA),U.S.? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Science-Technology-General&Reference Case Study in Aircraft Design The Boeing 727 (Case Studies) Amer Inst of Aeronautics &? Aiaa? AmerInstofAeronautics&? Aiaa? ジャンル別? Subjects-Nonfiction-Transportation-General? Subjects-Science-Technology-General&Reference Formats-AudioCDs-General? British Aerospace Harrier Case Study in Aircraft Design (Case Studies) Amer Inst of Aeronautics &? AmerInstofAeronautics&? ジャンル別? Substores-UnknownASINs-64? Subjects-History-MilitaryScience? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Pioneer Venus Case Study in Spacecraft Design (Case Studies) Amer Inst of Aeronautics &? AmerInstofAeronautics&? ジャンル別? Subjects-History-MilitaryScience? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Technology-General&Reference International Ultraviolet Explorer (Iue) Case Study in Spacecraft Design (Case Studies) Amer Inst of Aeronautics &? Helen Ruth Freeman? AmerInstofAeronautics&? HelenRuthFreeman? ジャンル別? ユーズドブック(洋書)-Reference? Substores-UnknownASINs-64? Subjects-Reference-Education-Research? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Recent Advances in Spray Combustion (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Kenneth K. Kuo? AmerInstofAeronautics&? KennethK.Kuo? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Science-General Subjects-Science-Technology-General&Reference 29th Computational Fluid Dynamics Amer Inst of Aeronautics &? AmerInstofAeronautics&? ジャンル別? Substores-UnknownASINs-36? Subjects-Science-General Subjects-Science-Technology-General&Reference 35th Intersociety Energy Conversion Engineering Conference Exhibit (Iecec) A Collection of Technical Papers Amer Inst of Aeronautics &? AmerInstofAeronautics&? ジャンル別? ユーズドブック(洋書)-Reference? Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Reference-General? Subjects-Science-Technology-General&Reference A Collection of the Aiaa Atmospheric Flight Mechanics Conference Technical Papers American Institute of Aeronautics & Astronautics (AIAA),U.S.? AmericanInstituteofAeronautics&Astronautics(AIAA),U.S.? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Science-Technology-General&Reference Finite Element Multidisciplinary Analysis (Aiaa Education Series) Amer Inst of Aeronautics &? Kajal K. Gupta? John L. Meek? J. L. Meek? AmerInstofAeronautics&? KajalK.Gupta? JohnL.Meek? J.L.Meek? ジャンル別? ユーズドブック(洋書)-Reference? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Reference-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Tactical and Strategic Missile Guidance (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Paul Zarchan? AmerInstofAeronautics&? PaulZarchan? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Aerospace? Subjects-History-MilitaryScience? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Technology-General&Reference Advanced Hypersonic Test Facilities (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Frank K. Lu? Dan E. Marren? AmerInstofAeronautics&? FrankK.Lu? DanE.Marren? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Engineering-MaterialsScience-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Technology-General&Reference Analytical Mechanics of Space Systems (Aiaa Education Series) Amer Inst of Aeronautics &? Hanspeter Schaub? John L. Junkins? AmerInstofAeronautics&? HanspeterSchaub? JohnL.Junkins? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Astronomy? Satellite Communications in the 21st Century Trends and Technologies (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Takashi Iida? Joseph Pelton? Edward Ashford? AmerInstofAeronautics&? TakashiIida? JosephPelton? EdwardAshford? ジャンル別? Substores-UnknownASINs-36? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Performance, Stability, Dynamics, and Control of Airplanes (Aiaa Education Series) Amer Inst of Aeronautics &? Bandu N. Pamadi? AmerInstofAeronautics&? BanduN.Pamadi? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Science-General Subjects-Science-Technology-General&Reference IEEE Standard Vhdl Synthesis Packages Inst of Elect & Electronic? InstofElect&Electronic? ジャンル別? Substores-UnknownASINs-35 Subjects-Science-General Subjects-Science-Technology-General&Reference Guide Safety Of Hydrogen And Hydrogen Systems (Aiaa Standards) Amer Inst of Aeronautics &? American Institute of Aeronautics and Astronautics? AmerInstofAeronautics&? AmericanInstituteofAeronauticsandAstronautics? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Experiments in Aerodynamics (General Publication) Amer Inst of Aeronautics &? Samuel Pierpont Langley? AmerInstofAeronautics&? SamuelPierpontLangley? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Helicopter Flight Dynamics The Theory and Applications of Flying Qualities And... Amer Inst of Aeronautics &? AmerInstofAeronautics&? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference The Spec Manual Fairchild Books? Michele Wesen Bryant? Diane Demers? FairchildBooks? MicheleWesenBryant? DianeDemers? ジャンル別? ユーズドブック(洋書)-Parenting&Families? ユーズドブック(洋書)-Reference? Subjects-Arts&Photography-GraphicDesign-Commercial-FashionDesign? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Parenting&Families-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Fashion Entrepreneurship Retail Business Planning Fairchild Books? Michele Granger? Tina Sterling? FairchildBooks? MicheleGranger? TinaSterling? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Reference? Subjects-Arts&Photography-GraphicDesign-Commercial-FashionDesign? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-Retailing? Subjects-Business&Investing-Marketing&Sales? Subjects-Home&Garden-Crafts&Hobbies-Fashion? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales? Subjects-Reference-Careers-Entrepreneurship? Subjects-Science-Technology-General&Reference The Career Connection for Technical Education A Guide to Technical Training and Related Career Opportunities (Career Connection for Technical Education) Jist Works? Fred A. Rowe? JistWorks? FredA.Rowe? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Reference? Subjects-Business&Investing-Careers-General? Subjects-Business&Investing-Careers-Guides? Subjects-Reference-Careers-General? Subjects-Reference-Careers-Guides? Subjects-Science-Technology-General&Reference Advanced Beam Dynamics Workshop on Effects of Errors in Accelerators, Their Diagnosis and Corrections Corpus Christi, Tx 1991 (Aip Conference Proceedings Subseries on Particles and Fields) Amer Inst of Physics? Alex Chao? AmerInstofPhysics? AlexChao? ジャンル別? Substores-UnknownASINs-36? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-NuclearPhysics? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Optics? Subjects-Science-Physics-NuclearPhysics-Atomic&NuclearPhysics? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Subjects-Science-Physics-NuclearPhysics-ParticleAccelerators? Subjects-Science-Technology-General&Reference Laser Optoacoustics Amer Inst of Physics? V. E. Gusev? A. A. Karabutov? Kevin Hendzel? AmerInstofPhysics? V.E.Gusev? A.A.Karabutov? KevinHendzel? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Chemistry-Analytic? Subjects-Science-Chemistry-Analytic? Subjects-Science-Chemistry-Spectroscopy-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Light-Lasers? Subjects-Science-Technology-General&Reference This Gifted Age Science and Technology at the Millennium (Masters of Modern Physics) Amer Inst of Physics? John H. Gibbons? AmerInstofPhysics? JohnH.Gibbons? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Politics-U.S.? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Outdoors&Nature-Environment? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Nature&Ecology-Environment? Subjects-Science-Physics-Energy? Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Advanced Accelerator Concepts Port Jefferson, Ny 1992 (Aip Conference Proceedings) Amer Inst of Physics? Jonathan S. Wurtele? AmerInstofPhysics? JonathanS.Wurtele? ジャンル別? Substores-UnknownASINs-36? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-NuclearPhysics? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-Atomic&NuclearPhysics? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Physics-NuclearPhysics-ParticleAccelerators? Subjects-Science-Technology-General&Reference Atomic, Molecular, Optical Physics Handbook Amer Inst of Physics? Gordon W. Drake? AmerInstofPhysics? GordonW.Drake? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-NuclearPhysics? Subjects-Professional&Technical-ProfessionalScience-Physics-SolidStatePhysics? Subjects-Reference-General? Subjects-Science-Physics-General? Subjects-Science-Physics-Optics? Subjects-Science-Physics-Solid-StatePhysics-General? Subjects-Science-Physics-NuclearPhysics-Atomic&NuclearPhysics? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Technology-General&Reference Dense Z-Pinches Third International Conference London, United Kingdom 1993 (Aip Conference Proceedings) Amer Inst of Physics? Malcolm Haines? Andrew Knight? AmerInstofPhysics? MalcolmHaines? AndrewKnight? ジャンル別? Substores-UnknownASINs-36? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-NuclearPhysics? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Subjects-Science-Technology-General&Reference Towards X-Ray Free Electron Lasers Workshop on Single Pass, High Gain Fels Starting from Noise, Aiming at Coherent X-Rays Garda Lake, Italy June 1997 (Aip Conference Proceedings) Amer Inst of Physics? R. Bonifacio? W. A. Barletta? AmerInstofPhysics? R.Bonifacio? W.A.Barletta? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Professional&Technical-ProfessionalScience-Physics-Optics? Subjects-Science-General Subjects-Science-Physics-Light-Lasers? Subjects-Science-Physics-Optics? Subjects-Science-Technology-General&Reference Space Technology and Applications International Forum - 2000 Held in Alberqueque, Nm, Jan. 30-Feb.3, 2000 (Aip Conference Proceedings, 504) Amer Inst of Physics? El-Genk? AmerInstofPhysics? El-Genk? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Professional&Technical-ProfessionalScience-Physics-NuclearPhysics? Subjects-Science-General Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Physics-Astrophysics? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Astronomy? American Firsts Innovations, Discoveries, and Gadgets Born in the U. S. A New Page Books? Stephen J. Spignesi? NewPageBooks? StephenJ.Spignesi? ジャンル別? Subjects-History-Americas-UnitedStates-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference IEEE Guide for the Application of Metal-Oxide Surge Arresters for Alternating-Current Systems Inst of Elect & Electronic? InstofElect&Electronic? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Reference? Subjects-Science-General Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference The Inventions, Researches and Writings of Nikola Tesla - 1894 Kessinger Pub Co? Thomas Commerford Martin? KessingerPubCo? ThomasCommerfordMartin? ジャンル別? ユーズドブック(洋書)-Biographies&Memoirs? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Professionals&Academics-Scientists? Subjects-Biographies&Memoirs-People,A-Z-(T)-Tesla,Nikola? Subjects-Nonfiction-Philosophy-General? Subjects-Science-Technology-General&Reference Nikola Tesla Incredible Scientist Prodigal Genius The Life of Nikola Tesla Kessinger Pub Co? Morrison Colladay? John J. O Neill? KessingerPubCo? MorrisonColladay? JohnJ.O Neill? ジャンル別? ユーズドブック(洋書)-Biographies&Memoirs? Subjects-Biographies&Memoirs-Professionals&Academics-Scientists? Subjects-Biographies&Memoirs-People,A-Z-(T)-Tesla,Nikola? Subjects-Nonfiction-Philosophy-General? Subjects-Religion&Spirituality-NewAge-Mysticism? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology, Innovation, and Educational Change Intl Society for Technology in? Robert B. Kozma? IntlSocietyforTechnologyin? RobertB.Kozma? ジャンル別? Substores-UnknownASINs-64? Subjects-Science-General Subjects-Science-Technology-General&Reference Web Tricks Techniques Interactive Pages With Flash Fast Solutions for Hands-On Web Design (Graphic Design) Rockport Pub? Daniel Donnelly? RockportPub? DanielDonnelly? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Arts&Photography-Art-General? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebMultimedia? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebSiteDesign? Subjects-Computers&Internet-WebDevelopment-Multimedia-Flash-General? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-Programming-WebProgramming-General? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Xxx The Power of Sex in Contemporary Design (Graphic Design) Rockport Pub? Joshua Berger? Plazm Media? RockportPub? JoshuaBerger? PlazmMedia? ジャンル別? Subjects-Arts&Photography-Art-General? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Arts&Photography-GraphicDesign-Printmaking? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Best of 3d Graphics (Graphic Design) Rockport Pub? Epic Software Group? RockportPub? EpicSoftwareGroup? ジャンル別? Substores-UnknownASINs-36? Subjects-Arts&Photography-Art-General? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Science-Technology-General&Reference The Best of Brochure Design 6 (Best of Brochure Design) Rockport Pub? Cheryl Cullen? RockportPub? CherylCullen? ジャンル別? Substores-UnknownASINs-36? Subjects-Arts&Photography-Art-General? Subjects-Arts&Photography-GraphicDesign-Commercial-Illustration? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Science-Technology-General&Reference The Information Revolution Opposing Viewpoints (Opposing Viewpoints Series (Unnumbered).) Greenhaven Pr? Paul A. Winters? GreenhavenPr? PaulA.Winters? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Teens? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-Mathematics? Subjects-Teens-Science&Technology-Computers? The Information Revolution Opposing Viewpoints (Opposing Viewpoints Series (Unnumbered).) Greenhaven Pr? Paul A. Winters? Mary E. Williams? GreenhavenPr? PaulA.Winters? MaryE.Williams? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Teens? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-Mathematics? Subjects-Teens-Science&Technology-Computers? Tools for the Field Methodologies Handbook for Gender Analysis in Agriculture (Kumarian Press Library of Management for Development) Kumarian Pr Inc? Hilary Sims Feldstein? Janice Jiggins? KumarianPrInc? HilarySimsFeldstein? JaniceJiggins? ジャンル別? ユーズドブック(洋書)-Business&Investing? Subjects-Business&Investing-Biographies&Primers-Women&Business? Subjects-Business&Investing-Economics-Labor&IndustrialRelations? Subjects-Business&Investing-Economics-Agricultural? Subjects-Nonfiction-Women sStudies-Women&Business? Subjects-Nonfiction-Economics-Labor&IndustrialRelations? Subjects-Nonfiction-Economics-Agricultural? Subjects-Professional&Technical-Accounting&Finance-Economics-Labor&IndustrialRelations? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-Economics? The Wealth of Communities Stories of Success in Local Environmental Management Kumarian Pr Inc? Charlie Pye-Smith? Borrini Garzia Feyerabend? Richard Sandbrook? Grazia Borrini? KumarianPrInc? CharliePye-Smith? BorriniGarziaFeyerabend? RichardSandbrook? GraziaBorrini? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-Planning&Management? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Government-State&LocalGovernment? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Professional&Technical-Engineering-Civil-Environmental-Planning&Management? Subjects-Science-Technology-General&Reference Mediating Sustainability Growing Policy from the Grassroots Kumarian Pr Inc? Jutta Blauert? Simon Zadek? KumarianPrInc? JuttaBlauert? SimonZadek? ジャンル別? ユーズドブック(洋書)-Business&Investing? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Industries&Professions-General? Subjects-Nonfiction-Government-SocialPolicy? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-RenewableEnergy? Subjects-Science-AgriculturalSciences-General? Road to the Sea The Story of James B. Eads and the Mississippi River Firebird Pr? Florence Dorsey? FirebirdPr? FlorenceDorsey? ジャンル別? ユーズドブック(洋書)-Biographies&Memoirs? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-UnitedStates-General? Subjects-Biographies&Memoirs-SpecificGroups-Adventurers&Explorers? Subjects-History-Americas-UnitedStates-19thCentury-General? Subjects-History-Americas-UnitedStates-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Simulators International XIV (Simulation Series, V. 29, No. 3) Society for Computer Simulation? Ga.) Simulation Multiconference 1997 (Atlanta? Maurice Ades? Roy Fray? Society for Computer Simulation? SocietyforComputerSimulation? Ga.)SimulationMulticonference1997(Atlanta? MauriceAdes? RoyFray? SocietyforComputerSimulation? ジャンル別? Substores-UnknownASINs-36? Subjects-Science-General Subjects-Science-Mathematics-Chaos&Systems? Subjects-Science-Technology-General&Reference Middle East Models of Jurassic/ Cretaceous Carbonate Systems Sepm Society for Sedimentary? Alsharhan A. S.? SepmSocietyforSedimentary? AlsharhanA.S.? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
https://w.atwiki.jp/oper/pages/129.html
第二幕 両側に幾つかの出入り口の有る、森林官の館の玄関ホール 鹿の枝角と、狩の場面の描かれた陰気な壁紙が、ホールに古風な外見を与え、昔ここが、侯爵の森の館であったことを物語っている。正面にカーテンのかかった出口があり、ここからバルコニーに出られようになっている。片側にエンヒェンの紬車があり、もう一方には大きな机がある。その上には、灯の点ったランプがあり、傍らに白い服と緑のリボンが置いてある。 第一場 アガーテとエンヒェン No. 6 二重唱 エンヒェン （脚立の上で、初代のクーノの肖像画を掛け直し、金槌で釘をしっかりと打ち込んでいる） いたずらっ子ねぇ！しっかり止まってるのよ、 あんたに教えといてあげるから！ 幽霊騒ぎは沢山なのよ、 こんな古いふくろうの巣には。 アガーテ （額を布で縛っている） ご先祖様の肖像画に失礼を言っちゃ駄目よ！ エンヒェン はいはい、お年を召した方は、 喜んで、ご尊敬申し上げます。 でも下男にお行儀を教えても、 尊敬の妨げにはならないでしょ。 アガーテ どの下男のこと？誰のことを言ってるの？ エンヒェン 釘のことよ! 判りきってるでしょ？ お前は、旦那様を支えられないの？ 旦那様を落っことすなんて！悪いことじゃないの？ アガーテ そうね、それはよくないことだわ。 エンヒェン 旦那様を落っことすなんて、悪いことじゃないの？ 本当に、それは悪いことですよ！ （彼女は脚立から下りる） アガーテ あなたにかかると、なにもかも、お祭り騒ぎ。 あなたは、何でかんでも、冗談と笑いの種にしてしまうのね？ ああ、でも、私の心は、全く違った風に感じるのよ！ エンヒェン ふさぎの虫は、あたしにゃ、嫌なお客さん！ いつもうきうきした心、 人生、踊って過ごすのよ。 それより値打ちのある事なんてないの！ 心配事と悲しみは追っ払わなければなりません！ いつもうきうきした心！ ふさぎの虫は、あたしにゃ、嫌なお客さん！ いつもうきうきした心、 人生、踊って過ごすのよ。 それより値打ちのある事なんてないの！ アガーテ 誰がこの胸の動悸を抑えられるの？ この愛の甘い痛みを？ いつも、愛しい人、あなたの事を気遣っている、 私の予感に満ちた心。 エンヒェン ふさぎの虫は、あたしにゃ、嫌なお客さん！ いつもうきうきした心、 人生、踊って過ごすのよ。 それより値打ちのある事なんてないの！ 心配事と悲しみは追っ払わなければなりません！ それより値打ちのある事なんてないの！ ふさぎの虫は、あたしにゃ、嫌な、嫌なお客さん！ （彼女は絵を眺める） さ、これで、ご先祖様はあと百年ぐらいは、しっかり架かっててくれるでしょう。そうやって上に納まっててくだされば、あたしの気にも入りますよ！ （アガーテに向かって） あら、もう、布をとってしまったの？血はすっかり止まったの？ アガーテ 心配しなくていいのよ、優しいエンヒェン、ものすごく吃驚しただけよ！ － マックスは、一体何してるんだろう？ エンヒェン あら、きっと、もうすぐに来るわよ。クーノさんは、確かに、彼を一度家に帰えすって言ってらしたわ。 アガーテ ここ、とても静かで寂しいわね。 エンヒェン 結婚式の前夜に、こんな呪われた館に、二人っきりでいるなんて、実際良い気持ちじゃないわね。おまけに、尊敬すべき、とっくの昔に苔むしてしまわれたご先祖さまが、誰も何にもしないのに、壁から落っこちたりすと。私は生きている若い人のほうが、ずっと好きだわ！ No. 7 － アリエッタ エンヒェン （生き生きとした身振りを伴って） すらりとした若者が、やってくる。 巻き毛は金（こがね）か、栗色で、 明るい目つきに、薔薇の頬。 あらっ！もうちとばかり、よく見たい。 乙女の恥らい装って、 胴着に視線を落としたものの、 こっそり、瞼を挙げてみる、 あちらも、気付いちゃいないでしょか？ もしも、目と目が出会っても、 困るわけなどないでしょに？ 盲（めしい）になるわけないでしょに、 ちょっぴり、赤くはなってもね。 ちらり、ちらりと、眼差し交わし、 やっとこ、言葉がほぐれだす！ 彼はため息：美しい人！彼女は告げて：愛しいお方！ まもなく揃った、花婿さんと花嫁さん。 親しい皆さん、近くへ寄って！ 花嫁の冠（かんむり）着けたあたしを見たい？ ね、かわいい花嫁さんでしょ、 あちらも、負けずにいい男でしょ？ アガーテ （小唄の間、服にリボンを取り付けていたが、終りの一節を一緒に歌う） あちらも、負けずにいい男でしょ！ エンヒェン そう、それでいいわ！それで私の気に入るわ、アガーテ！それであなたは、私がいつかお嫁さんになる時と同じようよ。 アガーテ わかるものですか！だけど、あなたには本当に幸せを味わって欲しいわ。私の婚約には悩み事が無くはないけど。特に今日、隠者様のところから帰ってきてからというもの、胸の上に重石が乗ってるようだったのよ。今はずいぶん気が軽くなったけど。 エンヒェン なぜなの？話して頂戴！あの信心深いご老人が、この清めたバラの花を、あなたに下さったことのほかには、あなたが尋ねて行ったときの様子を、まだ全然聞いていないわ。 アガーテ あの方はね、私に、あの方の幻覚が予告した、大きな危険に気をつけよと申されたの。そしてその警告どおりになったわ。頭の上から落ちてきた絵に殺されたかもしれないもの！ エンヒェン うまい解釈だわ！悪い予言はそんな風に受け取るべきよね！あたしの父さんは肝っ玉の太い人で、私が彼に似なかったのが、とてもご不満なのよ。父さんが言うの、怯えは嘲ってやるべきだって、そうすれば向こうの方が逃げて行くって、そして、自分を強くするための金言は、ならず者、かかってこい！って言うんですって。 アガーテ このバラの花は私にとって、普通のバラの倍ほども大切なの、だから、大切に扱の。 エンヒェン そのお花、窓の前に置いて、冷たい夜気にあてましょうか？どちらにしても、もう着替える時間だわ。 アガーテ そうして頂戴、エンヒェン！ エンヒェン そうしたら、あたしたち、床に就きましょうよ！ アガーテ マックスが帰って来るまではだめよ。 エンヒェン 恋人達って、世話が焼けるものね！ （彼女、退場） 第二場 アガーテ独り No. 8 アガーテ あの人に会う前は、 どんな風に眠りに落ちたんだっけ？ そう、愛は常に気がかりと 手に手をとってやってくる！ あの人の帰り路に、月明かりはあるかしら？ （彼女がバルコニーのドアを開けると、星の明かるい夜景が見える） なんて、綺麗な夜！ （彼女はバルコニーの上に立ち、敬虔な気持ちにうたれて手をさし上げる） 静かに、静かに、 敬虔な調べよ、 星の軌道に舞い昇れ！ 歌よ響け！ 讃えつつ沸きいでよ、私の祈り、 御空の大広間に！ （外を見遣りながら） おお、金の星達のなんと明るい煌き、 なんと清らかに燃え立つ輝き！ でも、向こうの山のかなたでは、 雲が黒い帳を下ろし始めたよう。 向こうの森にも、黒雲の一群が 重く、陰気に垂れ込めている。 私は、あなたに向かって 手を差し伸べます 始めなく、終わりなき主よ！ 我らを危難から 守るため、 あなたの天使達を遣わしたまえ！ （また、外を見遣りながら） もう、すべてのものが、憩っている。 大好きなあなた、今、一体どこに居るの？ どんなに一生懸命聞き耳を立てても、 樅の梢がざわめくだけ、 神秘な静けさの中に、 林で樺の木が囁くだけ － ナイチンゲールとコオロギだけが 夜の空気を喜んでいるよう － あら、でも？空耳ではないかしら？ あちらの方に、足音が聞こえるようだわ！ 向こうの樅の木の間から 誰かがやってくる！ あの人よ！あの人よ！ 愛の旗を掲げよう！ （彼女は白い布を振る） あなたの恋人は起きているわよ 夜のさなかでも！ － あの人には、まだ、私が見えないんだわ！ 神様、私、月の光に 惑わされていませんように、 帽子に花束が挿してある！ きっと、あの人が一番の射手だったのよ！ 明日の幸せの前知らせ！ おお、希望の甘さよ！勇気が新しく甦る！－ 体中の血管がどくどくと脈を打ち、 心は激しく燃えながら、夢見心地で、 あの人の方に引き寄せられて行く！ 希望を持っても大丈夫かしら？ そうよ、幸運が私の大切な人に 戻ってきたんだわ。 裏切らないで、明日の試練に耐えてくれるわね！ － 惑わしじゃないでしょうね？ － 幻想じゃないでしょうね？ 天よ、希望の質草に、 私の感謝の涙を受け取りたまえ！ 体中の血管がどくどくと脈を打ち、 心は激しく燃えながら、夢見心地で、 あの人の方に引き寄せられて行く！ 第三場 アガーテ、マックス、気もそぞろな様子で、慌ただしく入ってくる。夜着のエンヒェンが彼に続く。 アガーテ やっとあなたが帰ってきた、大好きなマックス！ マックス 僕のアガーテ！ （彼らは抱き合う。彼女は、彼の帽子に、思っていた様な花束ではなく、羽根の束が付いているのを見ると、無言であとじさりする）ごめん、僕の為に起きていてくれたのなら！悪いけど、ちょっと立ち寄る時間しかないんだ。 アガーテ まさか、また出かける心算じゃないでしょう？嵐が来そうなのに。 マックス 行かなきゃならないんだ！ （彼は帽子を机の上に放り出す、羽根束のあおりでランプが消えてしまう） （バルコニーの向こうに見える夜景の照明は、先程よりかなり暗くなっている） エンヒェン 良かった、お月様があって、さも無きゃあたし達真っ暗闇の中よ。 （彼女は火打石でランプにまた火を点す） （マックスに向かって） ずいぶん威勢がいいのね！きっと、踊ってたのでしょう？ マックス そう！そう！そんなところだ！ アガーテ （心配そうに、期待を裏切られて、がっかりした様子を顕にして）あなた、ご機嫌ななめのようね！また、運が無かったの？ マックス 違う！違う！その反対さ！ アガーテ そうじゃないの？本当に？ エンヒェン （マックスに向かって） 賞品は何だったの？もしリボンだったら、従兄さんあたしに呉れなきゃだめよ。お願い、お願い！アガーテはもう、あなたから、嫌というほどリボンを貰ったでしょう！ アガーテ 何を仕留めたの、マックス。今日はそれ私にとって重要なのよ。 マックス （怯えたように、狼狽して） 僕 － 僕、射的大会には出なかったんだ！ アガーテ でも、運が良かったって言ったでしょう？ マックス そうだとも！素晴らしかった、信じられないくらいの幸運だ。見てごらん！（彼は、彼女が後退りするほどの荒っぽい動作で、帽子の羽根束を見せる） 最高にでかい猛禽を、雲の中から撃ち落としたんだ！ アガーテ そんなに勢い込まないで、私の目を刺すじゃない！ マックス ごめんよ！ （彼は、彼女の額の血に気が付く） それ、どうしたんだ？怪我したんじゃないか、巻き毛に血が付いている、一体どうしたのさ？ アガーテ 全然！なんでもないのよ、花嫁の道行きまでには治ってるわ！ （彼にそっと、身を寄せながら） このお嫁さんのことで、あなたが恥をかくようなことは無くってよ！ マックス じゃ、わけを言ってごらんよ － エンヒェン あの絵が落っこちてきたのよ － マックス あの、ご先祖のクーノさんのかい？ アガーテ なに考えてるの？他に絵なんてここにはないでしょう。 マックス あの、勇ましくて信心深いクーノさんの？ エンヒェン 半分はアガーテの自業自得よ。いつも七時過ぎには窓のところに行けなんて、誰が言った！ あなたの帰りが待ちきれないのよ。 マックス 七時だって？ エンヒェン その通りよ！向こう村の時計塔の鐘が、打ち終わった途端だったのよ。 マックス 不思議だ！ （独りごちて） 丁度その時、俺は山鷲を撃ったんだ。 アガーテ あなた、独り言なんか言って。どうしたの？ マックス なんでもない！全然、なんでもないんだよ！ アガーテ あなた、私にご不満なの？ マックス （一層、狼狽した様子で） いや！どうしてそんなことが － あ、でも！僕は君に、運が戻ってきた証拠を持って来た － とっても苦労したんだぜ、でも君は － ちっとも喜んでくれないじゃないか。それでも愛してるって言うのかい？ アガーテ それはひどいわ、マックス！私まだ知らないんですもの － そんなに大きな猛禽って、想像してみても、なんだか、恐ろしいものにしか思えないの。 エンヒェン あたしはそうは思わない！あたしには、立派な鳥に見えるわ。 アガーテ （マックスに向かって） あらそんなに塞ぎ込まないで！あなたを本当に愛しているのよ。もし明日、あなたに運がなくて、私達二人の仲が引き裂かれてしまったら、ああ、私、きっと、あんまり悲しくて死んでしまうわ！ マックス だからさ－だからこそ、僕はまた行かなきゃならないんだ！ アガーテ でも、何だってそんなに急ぐの？ マックス 僕 － 僕、もう一つ、幸運に見舞われたんだ － アガーテ もう一つ？ マックス その通りだ！ そうなんだ！ （アガーテの方を見ることができないでいる） 僕、暮れ方に、十六叉角の鹿を仕留めたんだ、そいつをここへ持って来なくちゃならない、さもないと、 夜の間に百姓共に盗まれっちまうからな。 アガーテ その鹿、どこに置いてあるの？ マックス かなり遠いところ － 深い森の中 － 狼谷のそばだ！ No.９－ 三重唱 アガーテ 何ですって？なに？とんでもない！ あの、恐ろしい谷に？ エンヒェン あそこじゃ、魔の狩人が駈け回るんですって、 それを耳にした者は、すぐさま逃げるんですって。 マックス 狩人の胸に恐れが宿って良いのかい？ アガーテ 神を試す者は、罪を犯すのよ！ マックス 僕は、そんな怖さに慣れっこだよ。 嵐が樫の木を揺さぶるとき カケスが叫び、フクロウが舞うとき、 森の夜は、活きているのさ。 （彼は帽子と、狩袋と銃を取り上げる） アガーテ 私怖いわ、ね、ここにいて！ ね、そんなに急いで行かないで！ ね、そんなに、そんなに急いで行かないで！ 私は怖いの！ エンヒェン 彼女あんなに怖がってるわ、ね、いかないで！ ね、そんなに急いで行かないで！ ね、そんなに、そんなに急いで行かないで！ ね、急いで行かないで、行かないで！ マックス （バルコニーのほうを見遣りながら、陰気に独りごちて） まだ月の面は暗くなってはいないぞ、 まだ明るく澄んで輝いている、 だが、もうすぐ、あの輝きが消えるのだ － エンヒェン 従兄さん、天体観測始めるつもり？ あたしにはそんな趣味はないわ！ アガーテ 私が心配しても、あなたは、なんとも思わないの？ マックス 向こうで、約束と責任が僕を待ってるんだ、 約束と責任が僕を待っている！ アガーテ、マックスとエンヒェン 気をつけてね！気をつけてね！ マックス （急いで出てゆくが、戸口のところまで行って、また戻ってくる） でも、君は、僕への責めと疑いを、水に流してくれるかい？ アガーテ 心が震えて、何も感じられないわ。 私の忠告を忘れないでちょうだい！ エンヒェン それが、狩人の人生ってものなのね！ 昼夜を問わず休みなし！ － アガーテ つらいけど、あなたの好きに任せるしかないわ！ アガーテの言ったことを覚えておいてね！ マックス （陰気に） まもなく月の光が失せるだろう。 運命が俺を引っ立てて行くんだ。 エンヒェン （アガーテに向かって） しっかりして、気を強くもつのよ！ （マックスに） アガーテの言葉を忘れないで！ （マックスは帽子を目深くかぶりながら、慌ただしく去る） （アガーテとエンヒェン退場） 場面転換 周りを山に囲われ、針葉樹に覆われた、不気味な森の中の峡谷。岩間の一箇所から滝が落ちている。 満月が青白く照らしている。月の反対側で、二度ほど稲光が走る。さらに前景には、落雷に引き裂かれた枯れ木が見える、木の中ほどは虚（うろ）になっており、微光を放っているように見える。その反対側には曲がりくねった枝の上に大きなふくろうが止まって、らんらんと目を光らせている。他の木々には、カラスやその他の野鳥が止まっている。 第４場 カスパー。あちこちに、目には見えない悪霊。 カスパー （帽子も上着も着けていないが、狩袋と狩猟用の銃剣を携えている。彼は黒い石を並べて輪を描いている。その真ん中には髑髏が置かれており、数歩はなれたところにイヌワシの片翼、銃弾の鋳型、鋳造に用いる取瓶（とりべ 註４ ）が置かれている） No. 10 フィナーレ 目に見えない悪霊たちの声 月の乳が草葉の上に降りかかる！ ウフィー！ウフィー！ 蜘蛛の巣には血の雫がやどる！ ウフィー！ウフィー！ 明日の日暮れが迫りくる前に － ウフィー！ウフィー！ たおやかな花嫁は死体になるのさ！ ウフィー！ウフィー！ 夜の帳が再び降りる前に － いけにえは、捧げられるのさ！ ウフィー！ウフィー！ウフィー！ 第五場 カスパー。まもなくザミエルが登場 はるか遠くで、時計が十二時を打つのが聞こえる。石の輪は完成している。 カスパー （荒々しく猟剣銃を取り出し、髑髏を突き刺す。髑髏を突き刺した猟剣銃を掲げて三遍ぐるぐると回り、呼ばわる） ザミエル様！ザミエル様！お出ましを！ 魔法使いの髑髏に賭けて！ ザミエル様！ザミエル様！お出ましを！ （猟剣銃と髑髏を輪の真ん中に戻す） ザミエル （岩の間から姿を現す） 何の用だ？ カスパー （ザミエルの前にひれ伏す。這いずりながら） 私めの期限が、すでに切れかかっておることは、 お前様ご存知で － ザミエル 明日だ！ カスパー 今一度、延ばしていただきたいんで － ザミエル だめだ！ カスパー 新しい捧げ物を持ってまいりますで － ザミエル どんな？ カスパー 私めの狩人仲間ですて、直にやってまいりやす － やつめ、お前様の領域に足を踏み入れた事は未だありませぬ！ ザミエル そいつの望みはなんだ？ カスパー 魔弾でありやす。奴はそれに希望を繋いでおりますんで！ ザミエル 六発命中、七発目はいかさま。 カスパー 七発目は、お前様のもので！ あいつの銃身から、あいつの花嫁に向かわせなされ。 そうすりゃ、あいつは絶望の淵に突き落とされ、 あいつと － それから父親も － ザミエル そいつらは、未だ、俺の取り分にはなっておらん。 カスパー （心配そうに） あいつだけで、よろしいんですかい？ ザミエル いずれ判る！ カスパー あいつをお前様の餌食にすれば！ また、三年間、手前に猶予をくださるかね？ ザミエル いずれにしろ － 明日、地獄の入り口で！ そいつか、お前か、どっちかだ！ （ザミエルは、鈍い雷鳴と共に消え去る） 第六場 カスパー。 まもなくマックス。その後、亡霊たち。だが魔法の輪には誰も触れない。最後にザミエル登場。 カスパー （憔悴した様でゆっくりと起き上がり、額の汗をぬぐう。髑髏と猟剣銃はなくなっており、その場所に小さな竈がしつらえられ、炭火が赤く燃えている、地下の深いところから粗朶（そだ）が突きでている。それを見て取ると） サービス満点だ！ （狩の水筒から、一杯、蓋に注ぐ）（ 註５ ） ザミエル様、祝福を！（飲む）－ これで体が温まったぞ。 だがマックスの野郎、何してやがるんだろう？あいつが約束を破ったら？ザミエル様、お助けを！ （彼は輪の中を、気遣わしそうに、行ったり来たりする。炭火が消えそうになる。彼はひざま付いて、粗朶を上にのせ口で吹く。ふくろうや他の鳥たちが羽をひろげ、煽るような動作をする。 火は煙をあげ、ぱちぱちとはぜる。） マックス （滝と反対側の岩山の上に姿を現し、身をかがめて崖下を見下ろす。） やや！－ 猛獣の裂けた口のような崖淵、 身の毛がよだつようだ！ まるで、地獄の泥沼を 見下ろしているようだ！ 黒雲が渦巻き、 月の明かりが薄れていく！ 霧が幽霊のようにうごめいている。 まるで岩が生きているようだ！ そしてこちら側では － バサッ、バサッと、 茂みの上を、夜鳥が飛び交う！ 赤黒い傷のある木の枝が、 俺に向かって大きな拳を突き出している！ いや！心がどんなに怖気づいても、 俺はやらなけりゃならんのだ！どんな恐怖にも負けんぞ！ （彼は崖を数歩降りる） カスパー （起き上がって彼の方を見上げる） ありがたや、ザミエル様！期限は守られた！ （マックスに向かって） 遅かったじゃないか、ご同僚？俺を独りぼっちにしておいて、いいと思うのか？俺がどんなに気を揉んだかわかるだろう！ （彼は火をいイヌワシの翼で煽り、それを、喋りながらマックスの方に向かって差し出す） マックス （鷲の翼を凝視して） その鷲を俺は高い空から撃ち落としたんだ。 もう後へは引けない － 俺の宿命だ！ － （彼は数歩下りるが、また立ち止まって、反対側にそびえる岩を凝視する。彼の母親の亡霊が岩壁に現れる） ヒャーッ、助けてくれ！ カスパー さあ、来いったら。時間がないんだ！ マックス 降りられないんだ！ カスパー 臆病者めが！いつもはカモシカのように岩場を飛び歩くくせに！ マックス 見て、あそこを！見てくれ！ （彼は岩肌を指し示す。白いヴェールに包まれた姿がみえる、それは手を挙げる） あそこに見えるのは、 俺の母親の亡霊だ！ あの姿で棺に横たわっていた、あの姿で墓に眠ってるんだ！ 危険に近寄るなと目で必至に合図している。 俺に戻れと言ってるのだ！ カスパー （独りごちて） お助けを、ザミエル様！ （大声で） 下らん事をいうな！ははは！もう一度見てみろ、臆病神にとっつかれとるお前の馬鹿さか加減が分かるだろう。 （ヴェールを被った姿は消えており、髪の毛を振り乱し、枯葉と藁で奇妙に飾り立てたアガーテの姿が見える。彼女はまるで気が違ったようであり、滝に身を投げようとしているかのように見える） マックス アガーテ！あの娘（こ）が滝に飛び込む！この崖を下るんだ、俺はやらなきゃならん！ （姿は消える。マックスはついに崖を下り終える。月蝕が始まる） カスパー （嘲るように独りごちて） 俺も、そう思うな！ マックス （カスパーに向かって興奮して） さあ, 来ましたぜ！俺は何をすりゃいいんですか？ カスパー （彼の方に狩の水筒を投げよこす。マックスはそれを脇に置く） まず飲め！夜は湿気があって冷える。お前、弾を自分で鋳るか？ マックス 嫌だ！そりゃ約束違いだ。 カスパー 嫌か？そんなら輪の外に出ろ、さもないと命を失うぞ！ マックス 魔法使いの親方、じゃ、何をすりゃいいんで？ カスパー 勇気を出せ！お前は、たとえどんなことを聞こうと見ようと、じっとしているんだ。 （自分も密かに恐怖に捉えられた様子で） 誰か見知らぬ者が我々の手助けに来ても、お前の知ったこっちゃ無かろう？何が来てもお前にゃ関係なかろう？利口な奴はそんなものは見ないんだぞ！ マックス ああ、終いにゃどんなことになるんだろう！ カスパー ただな物ぁ死ぬ事だけさ！自然界の霊は奴らの宝を、嫌々ながらにしか、人間によこさんのさ。だが俺が震え出すのを見たら助けに来い、そして俺の言う言葉を叫べ、さもなきゃ俺達二人ともお陀仏だ。 マックス （口を挟もうとする） カスパー シッ！一瞬たりともおろそかにできん！月は最後の一片を残して真っ暗だ。 （カスパーは取瓶を取り上げる。） お前もこの技術を習う為に、俺がこの中に何を入れるか、よく覚えておけ。 （彼は狩袋から材料を取り出して、順繰りに放り込む） まず、鉛だ。 － 教会の壊れた窓ガラス、どこにでもあるさ！－ 水銀をすこし！－すでに命中したことのある銃弾三発！ －ブッポウソウの右目玉！ － 大ヤマネコの左目玉！ 効き目は立証済みだ！では次に魔弾の呪文を唱える！ （地面に向かって三度お辞儀をしながら） 暗黒世界を守る射手よ！ ザミエル様！ザミエル様！お耳を拝借！ 今宵の魔術をし遂げるまで、 私めにお力をお貸しのほどを！ 七度、九度、三度の祝詞で、 この混ぜ物を鉛に清めたまえ、 役立つ弾が仕上がりまするよう！ ザミエル様！ザミエル様！お出ましを！ （取瓶の中の材料がぶくぶくと沸き立ち、シュー、シューと音を立て、真っ赤な光を放つ。雲が月の最後の一片を隠し、あたりは暗くなり、炉床と、ふくろうの目と、腐敗した木だけが光を放っている） カスパー （鉛を流し込み、弾を鋳型から振り落とす そして呼ばわる） 一つ！ こだま （繰り返す） 一つ！ （野鳥が降りてきて、輪の周囲に集まり、飛び回り、羽ばたく） カスパー （流し込み、数える） 二つ！ こだま 二つ！ （黒いイノシシががさごそと茂みから現れ、いきり立って駆けぬける） カスパー （はっとするが、また数える） 三つ！ こだま 三つ！ （つむじ風が巻き起こり、木々のこずえを曲げ、へし折り、火の粉を撒き散らしたりする） カスパー （こわごわ数える） 四つ！ こだま 四つ！ （轍のがらがら鳴る音、鞭のなる音、馬の蹄の音が聞こえる、車輪から火花を散らしながら、四輪馬車が駆け抜けるが、余りの速さに、車や、乗っている者の姿をしかと認めることはできない） カスパー （ますます恐怖に怯えながら数える） 五つ！ こだま 五つ！ （犬の吠え声と馬のいななき。馬に乗ったのや徒歩の猟師たちや、鹿や、犬の形をした霧が、高い空間を横切ってゆく） 合唱 （姿は見えない） 山越え、谷越え、絶壁の割れ目を縫って、 夜露と雲と、嵐と夜とを貫いて 洞穴を、沼地を、大地の裂け目を突き抜けて、 火をくぐり、地にもぐり、海と大気の中を行く ヤホー！ヴァゥヴァゥ！ホ！ホ！ホ！ホ！ホ！ホ！ホ！ホ！ カスパー ギャーッ！魑魅魍魎の群れだ！六つ！ギャーッ！ こだま 六つ！ギャーッ！ （空は暗闇になる、先ほどから、そこここで競い合っていた雷が、今や一丸となり、ものすごい稲妻と雷鳴を伴って炸裂する、驟雨が落ちてくる、青黒い炎が地の中から噴き出す。山には鬼火が現れる。木々がばりばりと根から引き裂かれる。滝が泡立ち荒れ狂う。岩の塊が落ちてくる。ありとあらゆる方向で雷鳴が轟く。大地が揺れているかのようである） カスパー （体をびくびく引きつらせながら叫ぶ） ザミエル！ザミエル！ （彼の体は地面に叩きつけられる） 助けてくれ！ － 七つ！ マックス （同じように、右へ左えと嵐に揺さぶられているが、輪から飛び出し、枯れ木の枝を掴んで叫ぶ） ザミエル！ （その瞬間より嵐が収まりはじめ、枯れ木の立っていた場所に魔の狩人が現れ、マックスの腕を掴む） ザミエル （恐ろしげな声で） わしは、ここにおる！ （マックスは十字を切り地面にひれふす！） （鐘が一時を打つ。急に静寂がもどる。ザミエルは消え去る。カスパーは顔を下にして地面に倒れたままである） （マックスは発作的に起き上がる） （註４）鉛を溶かす為の柄杓のようなもので、長柄の部分が熱くならないようにできている。 （註５）狩の水筒。ガラスなどで作られ皮のカバーに入っている。ただし中には水ではなく、獲物を待つ間、体を温める為の、ブランディーなどの強い酒が入っている。 ZWEITER AUFZUG Vorsaal mit Seiteneingängen im Forsthause Hirschgeweihe und düstere Tapeten mit Jagdstücken geben ihm ein altertümliches Ansehen und bezeichnen ein ehemaliges fürstliches Waldschloss. In der Mitte ein mit Vorhängen versehener Ausgang, der zu einem Altan führt. Auf einer Seite Ännchens Spinnrad, auf der andern ein grosser Tisch, worauf ein Lämpchen brennt und ein weisses Kleid mit grünem Band liegt. ERSTER AUFTRITT Agathe. Ännchen. Nr. 6 - Duett ÄNNCHEN steht auf einem Fusstritt, hat das Bild des ersten Kuno wieder aufgehängt und hämmert den Nagel fest Schelm! halt fest; Ich will dich's lehren! Spukerei'n kann man entbehren In solch altem Eulennest. AGATHE bindet einen Verband von der Stirn Lass das Ahnenbild in Ehren! ÄNNCHEN Ei, dem alten Herrn Zoll' ich Achtung gern; Doch dem Knechte Sitte lehren, Kann Respekt nicht wehren - AGATHE Sprich, wen meinst du? Welchen Knecht? ÄNNCHEN Nun, den Nagel! Kannst du fragen? Sollt' er seinen Herrn nicht tragen? Liess ihn fall'n! War das nicht schlecht? AGATHE Ja, gewiss, das war nicht recht. ÄNNCHEN Liess ihn fall'n, war das nicht schlecht? Gewiss, das war recht schlecht! Sie steigt herab AGATHE. Alles wird dir zum Feste, Alles beut dir Lachen und Scherz? O wie anders fühlt mein Herz! ÄNNCHEN Grillen sind mir böse Gäste! Immer mit leichtem Sinn Tanzen durchs Leben hin, Das nur ist Hochgewinn! Sorgen und Gram muss man verjagen! Immer mit leichtem Sinn! Grillen sind mir böse Gäste! Immer mit leichtem Sinn Tanzen durchs Leben hin, Das nur ist Hochgewinn! AGATHE Wer bezwingt des Busens Schlagen? Wer der Liebe süssen Schmerz? Stets um dich, Geliebter, zagen. Muss dies ahnungsvolle Herz. ÄNNCHEN Grillen sind mir böse Gäste! Immer mit leichtem Sinn Tanzen durchs Leben hin, Das nur ist Hochgewinn! Sorgen und Gram muss man verjagen! Das nur ist Hochgewinn! Grillen sind mir böse, böse Gäste! Sie besieht sich das Bild So! nun wird der Altvater wohl wieder ein Jahrhundertchen festhängen. Da oben mag ich ihn recht gern leiden! zu Agathe gekehrt Aber du hast das Tuch schon abgebunden? Das Blut ist doch völlig gestillt? AGATHE Sei ohne Sorgen, liebes Ännchen! Der Schreck war das schlimmste! - Wo nur Max bleibt? ÄNNCHEN Nun kommt er gewiss bald. Herr Kuno sagte ja bestimmt, dass er ihn noch einmal heimsenden werde. AGATHE Es ist recht still und einsam hier. ÄNNCHEN Unangenehm ist's freilich, in einem solchen verwünschten Schloss am Polterabend fast mutterseelenallein zu sein, zumal wenn sich so ehrwürdige, längst vermoderte Herrschaften mir nichts, dir nichts, von den Wänden herabbemühen. Da lob' ich mir die lebendigen und jungen! Nr. 7 - Ariette ÄNNCHEN mit lebhafter Pantomime Kommt ein schlanker Bursch gegangen, Blond von Locken oder braun, Hell von Aug' und rot von Wangen, Ei, nach dem kann man wohl schaun. Zwar schlägt man das Aug' aufs Mieder Nach verschämter Mädchenart; Doch verstohlen hebt man's wieder, Wenn's das Herrchen nicht gewahrt. Sollten ja sich Blicke finden, Nun, was hat das auch für Not? Man wird drum nicht gleich erblinden, Wird man auch ein wenig rot. Blickchen hin und Blick herüber, Bis der Mund sich auch was traut! Er seufzt Schönste! Sie spricht Lieber! Bald heisst's Bräutigam und Braut. Immer näher, liebe Leutchen! Wollt ihr mich im Kranze sehn? Gelt, das ist ein nettes Bräutchen, Und der Bursch nicht minder schön? AGATHE die während des Liedchens angefangen hat, das Kleid mit Band zu besetzen, fällt am Schluss mit ein Und der Bursch nicht minder schön! ÄNNCHEN So recht! So gefällst du mir, Agathe! So bist du doch, wie ich sein werde, wichtig wenn ich einmal Braut bin. AGATHE Wer weiss! Doch ich gönne dir's von Herzen, ist auch mein Brautstand nicht ganz kummerlos. Besonders seit ich heute von dem Eremiten zurückkam, hat mir's wie ein Stein auf dem Herzen gelegen. Jetzt fühle ich mich um vieles leichter. ÄNNCHEN Wieso? Erzähle doch! Noch weiss ich gar nicht, wie dein Besuch abgelaufen ist, ausser dass dir der fromme Greis diese geweihten Rosen geschenkt hat. AGATHE Er warnte mich vor einer unbekannten grossen Gefahr, welche ihm ein Gesicht offenbart habe. Nun ist seine Warnung ja in Erfüllung gegangen. Das herabstürzende Bild konnte mich töten! ÄNNCHEN Gut erklärt! So muss man böse Vorbedeutungen nehmen! Mein Vater war einst ein tapferer Degen und sehr unzufrieden, dass ich's nicht auch werden konnte. Er meinte, man müsse die Furcht nur verspotten, dann fliehe sie, und das wahre Sprüchlein, sich festzumachen, bestehe in den Worten Halunke, wehre dich! AGATHE Die Rosen sind mir nun doppelt teuer, und ich will ihrer auf das treueste pflegen. ÄNNCHEN Wie wär's, wenn ich sie in die Nachtfrische vors Fenster setzte? Es wird ohnedies Zeit, mich auszukleiden. AGATHE Tue das, liebes Ännchen! ÄNNCHEN Aber dann lass uns auch zu Bette gehn! AGATHE Nicht eher, bis Max da ist. ÄNNCHEN Hat man nicht seine Not mit euch Liebesleutchen! Sie geht ab ZWEITER AUFTRITT Agathe allein. Nr. 8 - Szene und Arie AGATHE Wie nahte mir der Schlummer, Bevor ich ihn gesehn? Ja, Liebe pflegt mit Kummer Stets Hand in Hand zu gehn! Ob Mond auf seinem Pfad wohl lacht? Sie öffnet die Altantür, so dass man in eine sternenhelle Nacht sieht Welch schöne Nacht! Sie tritt in den Altan und erhebt in frommer Rührung ihre Hände Leise, leise, Fromme Weise! Schwing dich auf zum Sternenkreise. Lied erschalle! Feiernd walle Mein Gebet zur Himmelshalle! Hinausschauend O wie hell die goldnen Sterne, Mit wie reinem Glanz sie glühn! Nur dort in der Berge Ferne, Scheint ein Wetter aufzuziehn. Dort am Wald auch schwebt ein Heer Dunkler Wolken dumpf und schwer. Zu dir wende Ich die Hände, Herr ohn' Anfang und ohn' Ende! Vor Gefahren Uns zu wahren Sende deine Engelscharen! - Wieder hinausschauend Alles pflegt schon längst der Ruh'; Trauter Freund, wo weilest du? Ob mein Ohr auch eifrig lauscht, Nur der Tannen Wipfel rauscht; Nur das Birkenlaub im Hain Flüstert durch die hehre Stille - Nur die Nachtigall und Grille Scheint der Nachtluft sich zu freun. - Doch wie? Täuscht mich nicht mein Ohr? Dort klingt's wie Schritte! Dort aus der Tannen Mitte Kommt was hervor! Er ist's! er ist's! Die Flagge der Liebe mag wehn! Sie winkt mit einem weissen Tuch Dein Mädchen wacht Noch in der Nacht! - Er scheint mich noch nicht zu sehn! Gott, täuscht das Licht Des Monds mich nicht, So schmückt ein Blumenstrauss den Hut! Gewiss, er hat den besten Schuss getan! Das kündet Glück für morgen an! O süsse Hoffnung! Neu belebter Mut! - All meine Pulse schlagen, Und das Herz wallt ungestüm, Süss entzückt entgegen ihm! Konnt' ich das zu hoffen wagen? Ja, es wandte sich das Glück Zu dem teuern Freund zurück Will sich morgen treu bewähren! - Ist's nicht Täuschung? - Ist's nicht Wahn? Himmel, nimm des Dankes Zähren Für dies Pfand der Hoffnung an! All meine Pulse schlagen, Und das Herz wallt ungestüm, Süss entzückt entgegen ihm. DRITTER AUFTRITT Agathe, Max, verstört und heftig eintretend. Ännchen gleich rach ihm, in Nachtkleidern. AGATHE Bist du endlich da, lieber Max! MAX Meine Agathe! Sie umarmen sich. Agathe tritt still zurück, als sie statt des gehofften Strausses den Federbusch erblickt. Verzeiht, wenn ihr meinetwegen aufgeblieben seid! Leider komm' ich nur auf wenig Augenblicke. AGATHE Du willst doch nicht wieder fort? Es sind Gewitter im Anzug. MAX Ich muss! Er wirft den Hut auf den Tisch, dass das Lämpchen von dem Federbusch ausgelöscht wird. Die Gegend, in die man aus dem Altan hinaussieht, zeigt sich schon in dunklerer Beleuchtung. ÄNNCHEN Gut, dass der Mond scheint; sonst sässen wir im Finstern. Sie schlägt Feuer und brennt das Lämpchen wieder an.Zu Max Wir sind ja recht lebhaft! Vermutlich getanzt? MAX Ja! ja! Vermutlich! AGATHE furchtsam, mit allen Zeichen getäuschter Hoffnung Du scheinst übel gelaunt. Wieder unglücklich gewesen? MAX Nein! nein! Im Gegenteil! AGATHE Nicht? Gewiss nicht? ÄNNCHEN zu Max Was hast du gewonnen? Wenn's ein Band ist, Vetter, musst du mir's schenken. Bitte, bitte! Agathe hat schon Bänderkram genug von dir! AGATHE Was hast du getroffen, Max. Heute ist mir's von Wichtigkeit. MAX mit ängstlicher Verlegenheit Ich habe - ich war gar nicht beim Sternschiessen! AGATHE Und sagst doch, du seist glücklich gewesen? MAX Ja doch! wunderbar, unglaublich glücklich. Sieh! Er zeigt ihr mit solcher Heftigkeit den Federbusch auf dem Hut, dass sie zurückfährt Den grössten Raubvogel hab' ich aus den Wolken geholt! AGATHE Sei doch nicht so hastig, du fährst mir in die Augen! MAX Vergib! Er bemerkt Blut an ihrer Stirn Aber was ist das? Du bist verwundet, deine Locken sind blutig, um aller Heiligen willen, was ist dir begegnet? AGATHE Nichts! soviel als nichts, es heilt noch vorm Brautgang. sich sanft an ihn schmiegend Du sollst dich drum deines Bräutchen nicht schämen! MAX Aber so sagt doch nur - ÄNNCHEN Das Bild dort fiel herunter - MAX Dort, der Urvater Kuno? AGATHE Wie bist du? Es ist sonst kein Bild hier. MAX Der wackere, gottesfürchtige Kuno? ÄNNCHEN Halb und halb war Agathe selbst schuld. Wer hiess ihr auch, schon nach sieben Uhr immer ans Fenster zu laufen! Da liess sich doch kaum erwarten, dass du schon heimkämst. MAX Um sieben Uhr? ÄNNCHEN Du hörst's ja! die Turmuhr drüben im Dorf hatte kaum ausgeschlagen. MAX Seltsam! für sich Um diese Zeit schoss ich den Bergadler. AGATHE Du sprichst mit dir selbst. Was hast du? MAX Nichts! nichts auf der Welt! AGATHE Bist du unzufrieden mit mir? MAX mit steigender Verlegenheit Nein! wie könnt' ich - Ja denn! ich bringe dir eine Bürgschaft meines wiederkehrenden Glücks - sie hat mich viel gekostet, und du - du freust dich nicht einmal darüber. Ist das auch Liebe? AGATHE Sei nicht ungerecht, Max! Noch weiss ich ja nicht - so grosse Raubvögel, wie ich diesen mir denken muss, haben immer etwas Furchtbares. ÄNNCHEN Das dächt' ich nicht! Mir sehn sie recht stattlich aus. AGATHE zu Max O steh nicht so in dich gekehrt! Ich liebe dich ja so innig. Solltest du morgen nicht glücklich sein, würdest du mir, ich dir entrissen, o gewiss, der Gram tötete mich! MAX Drum - ebendarum - muss ich wieder fort! AGATHE Aber was treibt dich? MAX Ich habe - ich bin noch einmal glücklich gewesen - AGATHE Noch einmal? MAX Ja doch! ja! ohne Agathe ansehen zu können Ich hab' in der Dämm'rung einen Sechzehnender geschossen; der muss noch hereingeschafft werden, sonst stehlen ihn des Nachts die Bauern. AGATHE Wo liegt der Hirsch? MAX Ziemlich weit - im tiefen Wald - bei der Wolfsschlucht! Nr. 9 - Terzett AGATHE Wie? Was? Entsetzen! Dort in der Schreckensschlucht? ÄNNCHEN Der wilde Jäger soll dort hetzen, Und wer ihn hört, ergreift die Flucht. MAX Darf Furcht im Herz des Weidmanns hausen? AGATHE Doch sündigt der, der Gott versucht! MAX Ich bin vertraut mit jenem Grausen, Das Mitternacht im Walde webt; Wenn sturmbewegt die Eichen sausen, Der Häher krächzt, die Eule schwebt. Er nimmt Hut, Jagdtasche und Büchse AGATHE Mir ist so bang, o bleibe! O eile nicht so schnell. O eile, eile, eile nicht! Mir ist so bang! ÄNNCHEN Ihr ist so bang, o bleibe! O eile nicht so schnell! O eile, eile nicht so schnell! O eile, eile nicht! MAX nach dem Altan hinten schauend, düster für sich Noch trübt sich nicht die Mondenscheibe; Noch strahlt ihr Schimmer klar und hell; Doch bald wird sie den Schein verlieren - ÄNNCHEN Willst du den Himmel observieren? Das wär' nun meine Sache nicht! AGATHE So kann dich meine Angst nicht rühren? MAX Mich ruft von hinnen Wort und Pflicht, Mich rufen Wort und Pflicht! AGATHE, MAX UND ÄNNCHEN Leb' wohl! Lebe wohl! MAX geht hastig fort, kehrt aber in der Tür noch einmal zurück Doch hast du auch vergeben Den Vorwurf, den Verdacht? AGATHE Nichts fühlt mein Herz als Beben, Nimm meiner Warnung acht! ÄNNCHEN So ist das Jägerleben! Nie Ruh' bei Tag und Nacht! - AGATHE Weh mir, ich muss dich lassen! Denk' an Agathens Wort! MAX düster Bald wird der Mond erblassen, Mein Schicksal reisst mich fort! ÄNNCHEN zu Agathe Such', Beste, dich zu fassen! zu Max Denk' an Agathens Wort! Max den Hut tief in die Augen drückend, stürzt heftig ab.Agathe und Ännchen ab Verwandlung Furchtbare Waldschlucht, grösstenteils mit Schwarzholz bewachsen, von hohen Gebirgen rings umgeben. Von einem derselben stürzt ein Wasserfall. Der Vollmond scheint bleich. Zwei Gewitter von entgegengesetzter Richtung sind im Anzug. Weiter vorwärts ein vom Blitz zerschmetterter, ganz verdorrter Baum, inwendig faul, so dass er zu glimmen scheint. Auf der andern Seite, auf einem knorrigen Ast, eine grosse Eule mit feurig rädernden Augen. Auf anderen Bäumen Raben und anderes Waldgevögel. VIERTER AUFTRITT Kaspar. Unsichtbare Geister von verschiedenen Seiten. KASPAR ohne Hut und Oberkleid, doch mit Jagdtasche und Hirschfänger, ist beschäftigt, mit schwarzen Feldsteinen einen Kreis zu legen, in dessen Mitte ein Totenkopf liegt; einige Schritte davon der abgehauene Adlerflügel, Giesskelle und Kugelform. Nr. 10 - Finale STIMMEN UNSICHTBARER GEISTER Milch des Mondes fiel aufs Kraut! Uhui! Uhui! Spinnweb' ist mit Blut betaut! Uhui! Uhui! Eh' noch wieder Abend graut - Uhui! Uhui! Ist sie tot, die zarte Braut! Uhui! Uhui! Eh' noch wieder sinkt die Nacht, Ist das Opfer dargebracht! Uhui! Uhui! Uhui! FÜNFTER AUFTRITT Kaspar. Bald darauf Samiel. Die Uhr schlägt ganz in der Ferne zwölf. Der Kreis von Steinen ist vollendet. KASPAR reisst heftig den Hirschfänger heraus, stösst ihn in den Totenkopf, erhebt den Hirschfänger mit dem Totenkopf, dreht sich dreimal herum und ruft. Samiel! Samiel! erschein'! Bei des Zaubrers Hirngebein! Samiel! Samiel! erschein'! Er stellt beides wieder in die Mitte des Kreises. SAMIEL tritt aus dem Felsen Was rufst du? KASPAR wirft sich vor Samiel nieder. Kriechend. Du weisst, dass meine Frist Schier abgelaufen ist - SAMIEL Morgen! KASPAR Verlängre sie noch einmal mir - SAMIEL Nein! KASPAR Ich bringe neue Opfer dir - SAMIEL Welche? KASPAR Mein Jagdgesell, er naht - Er, der noch nie dein dunkles Reich betrat! SAMIEL Was sein Begehr? KASPAR Freikugeln sind's, auf die er Hoffnung baut! SAMIEL Sechse treffen, sieben äffen. KASPAR Die siebente sei dein! Aus seinem Rohr lenk' sie nach seiner Braut; Dies wird ihn der Verzweiflung weihn, Ihn - und den Vater - SAMIEL Noch hab' ich keinen Teil an ihr! KASPAR bange Genügt er dir allein? SAMIEL Das findet sich! KASPAR Doch schenkst du Frist? und wieder auf drei Jahr', Bring ich ihn dir zur Beute dar! SAMIEL Es sei. - Bei den Pforten der Hölle! Morgen er oder du! Samiel verschwindet unter dumpfem Donner. SECHSTER AUFTRITT Kaspar. Bald darauf Max. Späterhin Erscheinungen, die jedoch sämtlich den Zauberkreis nicht berühren. Zuletzt Samiel. KASPAR richtet sich langsam und erschöpft auf und trocknet sich den Schweiss von der Stirn. Der Totenkopf mit dem Hirschfänger ist verschwunden, an dessen Stelle kommt ein kleiner Herd mit glimmenden Kohlen, dabei einige Reisbunde, aus der Tiefe. Als er sie erblickt. Trefflich bedient! Er tut einen Zug aus der Jagdflasche Gesegn' es, Samiel! Trinkt. - Er hat mir warm gemacht! - Aber wo bleibt Max? - Sollte er wortbrüchig werden. Samiel, hilf! Er geht nicht ohne Beängstigung im Kreise hin und her; die Kohlen drohen zu verlöschen; er kniet zu ihnen nieder, legt Reis auf und bläst an. Die Eule und andere Vögel heben dabei die Flügel, als wollten sie anfachen. Das Feuer raucht und knistert. MAX wird auf einer Felsenspitze, dem Wasserfall gegenüber, sichtbar und beugt sich in die Schlucht herab. Ha! - Furchtbar gähnt Der düstre Abgrund, welch ein Graun! Das Auge wähnt In einen Höllenpfuhl zu schaun! - Wie dort sich Wetterwolken ballen, Der Mond verliert von seinem Schein! Gespenst'ge Nebelbilder wallen, Belebt ist das Gestein! Und hier - husch, husch! Fliegt Nachtgevögel auf im Busch! Rotgraue narb'ge Zweige strecken Nach mir die Riesenfaust! Nein! ob das Herz auch graust, Ich muss! Ich trotze allen Schrecken! Er klettert einige Schritte herab. KASPAR richtet sich auf und erblickt ihn Dank, Samiel! die Frist ist gewonnen! Zu Max Kommst du endlich, Kamerad? Ist das auch recht, mich so allein zu lassen? Siehst du nicht, wie mir's sauer wird! Er hat das Feuer mit dem Adlerflügel angefacht und erhebt diesen im Gespräch gegen Max. MAX nach dem Adlerflügel starrend. Ich schoss den Adler aus hoher Luft; Ich kann nicht rückwärts - mein Schicksal ruft! - Er klettert einige Schritte, bleibt dann wieder stehen und blickt starr nach dem gegenüberliegenden Felsen. Der Geist seiner Mutter erscheint im Felsen. Weh mir! KASPAR So komm doch, die Zeit eilt! MAX Ich kann nicht hinab! KASPAR Hasenherz! Klimmst ja sonst wie eine Gemse! MAX Sieh dorthin! Sieh! Er deutet nach dem Felsen, man erblickt eine weissverschleierte Gestalt, die die Hand erhebt. Was dort sich weist, Ist meiner Mutter Geist! So lag sie im Sarg, so ruht sie im Grab! - Sie fleht mit warnendem Blick! Sie winkt mir zurück! KASPAR für sich Hilf, Samiel! Laut Alberne Fratzen! - Hahaha! Sieh noch einmal hin, damit du die Folgen deiner feigen Torheit erkennest. Die verschleierte Gestalt ist verschwunden, man erblickt Agathens Gestalt mit aufgelösten Locken und wunderlich mit Laub und Stroh aufgeputzt. Sie gleicht völlig einer Wahnsinnigen und scheint im Begriff, sich in den Wasserfall herabzustürzen. MAX Agathe! Sie springt in den Fluss! Hinab! Hinab! ich muss! Die Gestalt verschwindet, Max klimmt vollends herab, der Mond fängt an sich zu verfinstern. KASPAR höhnisch für sich Ich denke wohl auch! MAX heftig zu Kaspar Hier bin ich! Was hab' ich zu tun? KASPAR wirft ihm die Jagdflasche zu, die Max weglegt. Zuerst trink! die Nachtluft ist kühl und feucht. Willst du selbst giessen? MAX Nein! das ist wider die Abrede. KASPAR Nicht? So bleib ausser dem Kreise, sonst kostet's dein Leben! MAX Was hab' ich zu tun, Hexenmeister? KASPAR Fasse Mut! Was du auch hören und sehen magst, verhalte dich ruhig. Mit eigenem heimlichen Grauen Käme vielleicht ein Unbekannter, uns zu helfen, was kümmert's dich? Kommt was andres, was tut's? So etwas sieht ein Gescheiter gar nicht! MAX Oh, wie wird das enden! KASPAR Umsonst ist der Tod! Nicht ohne Widerstand schenken verborgene Naturen den Sterblichen ihre Schätze. Nur wenn du mich selbst zittern siehst, dann komm mir zu Hilfe und rufe, was ich rufen werde, sonst sind wir beide verloren. MAX macht eine Bewegung des Einwurfs. KASPAR Still! Die Augenblicke sind kostbar! Der Mond ist bis auf einen schmalen Streif verfinstert. Kaspar nimmt die Giesskelle. Merk' auf, was ich hineinwerfen werde, damit du die Kunst lernst. Er nimmt die Ingredienzien aus der Jagdtasche und wirft sie nach und nach hinein. Hier erst das Blei. - Etwas gestossenes Glas von zerbrochenen Kirchenfenstern; das findet sich! - Etwas Quecksilber! - Drei Kugeln, die schon einmal getroffen! - Das rechte Auge eines Wiedehopfs! - Das linke eines Luchses! Probatum est! - Und nun den Kugelsegen! In drei Pausen sich gegen die Erde neigend. Schütze, der im Dunkeln wacht! Samiel! Samiel! hab' acht! Steh mir bei in dieser Nacht, Bis der Zauber ist vollbracht! Salbe mir so Kraut, als Blei, Segn' es sieben, neun und drei, Dass die Kugel tüchtig sei! Samiel! Samiel! herbei! Die Masse in der Giesskelle fängt an zu gären und zu zischen und gibt einen grünlichweissen Schein. Eine Wolke läuft über den Mondstreif, dass die ganze Gegend nur noch von dem Herdfeuer, den Augen der Eule und dem faulen Holz des Baums beleuchtet ist. KASPAR giesst, lässt die Kugel aus der Form fallen und ruft Eins! DAS ECHO wiederholt Eins! Waldvögel kommen herunter, setzen sich um den Kreis, hüpfen und flattern. KASPAR giesst und zählt Zwei! ECHO Zwei! Ein schwarzer Eber raschelt durchs Gebüsch und jagt wild vorüber. KASPAR stutzt und zählt Drei! ECHO Drei! Ein Sturm erhebt sich, beugt und bricht Wipfel der Bäume, jagt Funken vom Feuer usw. KASPAR zählt ängstlich Vier! ECHO Vier! Man hört Rasseln, Peitschengeknall und Pferdegetrappel; vier feurige funkenwerfende Räder rollen vorüber, ohne dass man wegen der Schnelligkeit ihre eigentliche Gestalt oder den Wagen gewahr werden kann. KASPAR immer ängstlicher, zählt Fünf! ECHO Fünf! Hundegebell und Wiehern in der Luft; Nebelgestalten von Jägern zu Fuss und zu Ross, Hirschen und Hunden ziehen auf der Höhe vorüber. CHOR unsichtbar Durch Berg und Tal, durch Schlund und Schacht, Durch Tau und Wolken, Sturm und Nacht! Durch Höhle, Sumpf und Erdenkluft, Durch Feuer, Erde, See und Luft, Joho! Wauwau! ho! ho! ho! ho! ho! hol ho! ho! KASPAR Wehe! Das wilde Heer! Sechs! Wehe! ECHO Sechs! Wehe! Der ganze Himmel wird schwarze Nacht, die vorher miteinander kämpfenden Gewitter treffen zusammen und entladen sich mit furchtbaren Blitzen und Donnern; Platzregen fällt; dunkelblaue Flammen schlagen aus der Erde; Irrlichter zeigen sich auf den Bergen; Bäume werden prasselnd aus den Wurzeln gerissen; der Wasserfall schäumt und tobt; Felsenstücke stürzen herab; von allen Seiten Wettergeläut; die Erde scheint zu schwanken. KASPAR zuckend und schreiend Samiel! - Samiel! Er wird zu Boden geworfen Hilf! - Sieben! MAX gleichfalls vom Sturm hin und her geschleudert springt aus dem Kreis, fasst einen Ast des verdorrten Baumes und schreit Samiel! In demselben Augenblicke fängt das Ungewitter an, sich zu beruhigen, an der Stelle des verdorrten Baumes steht der schwarze Jäger, nach Maxens Hand fassend. SAMIEL mit furchtbarer Stimme Hier bin ich! Max schlägt ein Kreuz und stürzt zu Boden. Es schlägt eins. Plötzliche Stille. Samiel ist verschwunden, Kaspar liegt noch mit dem Gesicht zu Boden, Max richtet sich konvulsivisch auf. All rights reserved © Kimiyo Weber,Carl Maria von/Der Freischütz/III
https://w.atwiki.jp/csdejp/pages/37.html
?xml version="1.0" encoding="windows-1251" ? string_table string id="ui_map_desc_mp_agroprom_large" text Ein seltsamer Ort. In diesem stillen Geb舫de verbergen sich wahrscheinlich viele Geheimnisse, aber Stalker werden aus einem anderen Grund von ihm angezogen - dieses risikoreiche / lohnenswerte Gebiet beherbergt eine Vielzahl von Artefakten. Das Gl・k ist mit denen, die schnell denken und handeln. /text /string string id="ui_map_desc_mp_agroprom_short" text Ein seltsamer Ort. In diesem stillen Geb舫de verbergen sich wahrscheinlich viele Geheimnisse, aber Stalker werden aus einem anderen Grund von ihm angezogen - dieses risikoreiche / lohnenswerte Gebiet beherbergt eine Vielzahl von Artefakten... /text /string string id="ui_map_desc_mp_atp_large" text Ein Busdepot, direkt am Eingang zur Zone. Die Traktoren, Busse und LKWs sind fahrunt・htig... Hier wurden bisher keine Artefakte gefunden, aber die Gegend ist bei erfahrenen Stalkern beliebt. Sie jagen hier Anf舅ger und nehmen ihnen ihre ohnehin armseligen Habseligkeiten ab. Suche Schutz in Geb舫den und hinter Fahrzeugen und nimm dich vor auf den D臘hern lauernden Gegnern in Acht. /text /string string id="ui_map_desc_mp_atp_short" text Ein Busdepot, direkt am Eingang zur Zone. Die Traktoren, Busse und Lkws sind fahrunt・htig... /text /string string id="ui_map_desc_mp_bath_large" text Ein r舩selhafter und faszinierender Ort. Dieses Becken wurde angelegt, um irgendwelche Experimente durchzuf・ren. Sein genauer Zweck wird allerdings f・ immer ein R舩sel bleiben. Hier gibt es keine Artefakte, der einzige Grund f・ einen Stalker hierher zu kommen, besteht also in den bizarren Maschinen und Ger舩schaften. Behalte die D臘her gut im Auge und bedenke, dass hier ein sehr hohes Strahlungsniveau herrscht. /text /string string id="ui_map_desc_mp_bath_short" text Ein r舩selhafter und faszinierender Ort. Dieses Becken wurde angelegt, um irgendwelche Experimente durchzuf・ren. Sein genauer Zweck wird allerdings f・ immer ein R舩sel bleiben. /text /string string id="ui_map_desc_mp_factory_large" text Diese trostlose, verlassene Fabrik wurde zum Friedhof zahlloser Stalker. Eine Vielzahl an Anomalien erwartet die Besucher, die trotzdem in Scharen herbeistren - angezogen von den wertvollen Artefakten. Vorsicht vor der Strahlung! /text /string string id="ui_map_desc_mp_factory_short" text Diese trostlose, verlassene Fabrik wurde zum Friedhof zahlloser Stalker. /text /string string id="ui_map_desc_mp_garbage_large" text Teil eines riesigen und stinkenden Schrottplatzes, auf dem nach der Katastrophe von 1986 radioaktive Abf舁le gelagert wurden. Ein Ort voller schrottreifer Kr舅e und diverser Ger舩schaften. Zu den anderen tlichen Anziehungspunkten gehen alte, verfallene Geb舫de und ein groﾟer Hangar. Die N臧e zum Eingang der Zone und eine F・le von Artefakten ziehen Stalker an, die auf leichte Beute aus sind. /text /string string id="ui_map_desc_mp_garbage_short" text Teil eines riesigen und stinkenden Schrottplatzes, auf dem nach der Katastrophe von 1986 radioaktive Abf舁le gelagert wurden. Ein Ort voller schrottreifer Kr舅e und diverser Ger舩schaften. /text /string string id="ui_map_desc_mp_lost_village_large" text Ein verlassenes Dorf in den Tiefen der Zone. Ein ebenso kleiner wie flacher, rostfarbener See - Heimstatt unz臧liger Fahrzeuge - der einen mit namenloser Angst vor der Zone erf・lt. Achte auf Scharfsch・zen und denke daran Die Zone liebt die Mutigen. /text /string string id="ui_map_desc_mp_lost_village_short" text Ein verlassenes Dorf in den Tiefen der Zone. Ein kleiner, flacher, rostfarbener See - Heimstatt unz臧liger Fahrzeuge - der einen mit namenloser Angst vor der Zone erf・lt. /text /string string id="ui_map_desc_mp_military_1_large" text Eine verlassene Armeebasis mit fahrunt・htigen LKWs und MTWs, einem verfallenen Hauptquartier und einigen Baracken. Dass der Ort so verlassen aussieht, t舫scht Er ist eine Goldmine f・ Artefakte. Das heiﾟt, hinter jeder Ecke kann ein Gegner lauern. Zeig ihnen, was du draufhast! /text /string string id="ui_map_desc_mp_military_1_short" text Eine verlassene Armeebasis mit fahrunt・htigen LKWs und MTWs, einem verfallenen Hauptquartier und einigen Baracken. /text /string string id="ui_map_desc_mp_military_2_large" text Dieses alte Dorf ist ein wahrhaft unheiliger Ort. Wenn du mutig genug bist, hierher zu kommen, mach dich bereit f・ ein herzliches Willkommen in Form einer Kugel in den Kopf. Hier kannst du dich nirgends sicher f・len. Men dein Zielfernrohr und dein Schalld舂pfer mit dir sein. /text /string string id="ui_map_desc_mp_military_2_short" text Dieses alte Dorf ist ein wahrhaft unheiliger Ort. Wenn du mutig genug bist, hierher zu kommen, mach dich bereit f・ ein herzliches Willkommen in Form einer Kugel in den Kopf. /text /string string id="ui_map_desc_mp_prypiat_large" text Prypjat ist der ehemalige Wohnort des AKW-Personals oder dessen, was davon ・rig ist. In den ﾜberresten dieser Industrieruine lauern sehr reale Gefahren. Nimm dich in Acht. /text /string string id="ui_map_desc_mp_prypiat_short" text Prypjat, nicht weit vom AKW gelegen, ist das Erbe der Katastrophe von Tschernobyl. /text /string string id="ui_map_desc_mp_railraod_short" text Ein kleiner Bahnhof in der N臧e der Rostok-Fabrik. /text /string string id="ui_map_desc_mp_railroad_large" text Ein kleiner Bahnhof in der N臧e der Rostok-Fabrik, voller verrosteter, fahrunt・htiger Waggons und Lokomotiven. Eine F・le an Artefakten zieht furchtlose Stalker aus allen Ecken der Zone an. /text /string string id="ui_map_desc_mp_rostok_large" text Diese Fabrik, begraben unter groﾟen Mengen von Metall und Beton, liegt in bedr・kender Stille. Im letzten Jahrhundert herrschte hier rege Betriebsamkeit Arbeiter, die zum Schichtbeginn eilten, Sowjet-Parolen, die aus den Lautsprechern widerhallten... Diese Zeiten sind vorbei und die Fabrik liegt da wie tot. /text /string string id="ui_map_desc_mp_rostok_short" text Eine verlassene alte Fabrik, begraben unter groﾟen Mengen von Metall und Beton. Hier herrscht Totenstille. /text /string string id="ui_map_desc_mp_workshop_large" text Dies waren die Ausl舫fer der Rostok-Fabrik, bevor die W臘hter sich dort niederlieﾟen. Ein schauriger Ort, der dennoch reich an Artefakten ist. Jeder leere Hangar und jedes Lagerhaus birgt tliche Gefahren. Sei 舫ﾟerst wachsam und behalte den weiﾟen Turm im Auge... /text /string string id="ui_map_desc_mp_workshop_short" text Dies waren die Ausl舫fer der Rostok-Fabrik, bevor die W臘hter sich dort niederlieﾟen. Ein schauriger Ort, der dennoch reich an Artefakten ist. /text /string string id="ui_map_desc_mp_autostation_large" text Verlassenes Depot und angrenzendes Gebiet. Hier kann man etwas Ausr・tung und Vorr舩e finden - wenn man gut genug danach sucht. Nimm dich in Acht vor starken Anomalien und Sch・zen auf dem Dach des Depots, von dem man so gut wie s舂tliche Zug舅ge einsehen kann. /text /string string id="ui_map_desc_mp_autostation_short" text Verlassenes Depot und angrenzendes Gebiet. Nimm dich in Acht vor starken Anomalien und Sch・zen... /text /string string id="ui_map_desc_mp_firestation_large" text Die Feuerwache, deren gesamte Einsatzkr臟te bei der Katastrophe im AKW Tschernobyl 1986 eingesetzt wurden. Von dem Turm hat man eine gute ﾜbersicht ・er die Umgebung. Nur wenige wagen sich in die heren Stockwerke und die Untergeschosse des Geb舫des. Es wird schon einen Grund daf・ geben. In dieser Gegend prallen schon seit einiger Zeit die Fraktionen der Zone aufeinander - beim Kampf um die beste strategische Ausgangsposition. /text /string string id="ui_map_desc_mp_firestation_short" text Die Feuerwache, deren gesamte Einsatzkr臟te bei der Katastrophe im AKW Tschernobyl 1986 eingesetzt wurden. Von dem Turm hat man eine gute ﾜbersicht ・er die Umgebung... /text /string string id="ui_map_desc_mp_limansk_large" text Ein kleiner Teil der r舩selhaften Stadt Limansk - dort findet man verlassene Wohnblocks und ein halb fertiggestelltes Geb舫de. Als hier ein paar wertvolle Artefakte gefunden wurden, verbreitete sich die Nachricht wie ein Lauffeuer in der Zone. Seitdem einige Straﾟen nach Limansk gefnet wurden, wird dort ununterbrochen gek舂pft. /text /string string id="ui_map_desc_mp_limansk_short" text Ein kleiner Teil der r舩selhaften Stadt Limansk - dort findet man verlassene Wohnblocks und ein halb fertiggestelltes Geb舫de. /text /string string id="ui_map_desc_mp_pool_large" text Das ist kein Becken, sondern eher ein Blutbad. Echos von Sch・sen, Explosionen und die Schreie der Sterbenden hallen durch seine gefliesten Korridore... Nur wenige Stalker kennen den Weg hierher und noch weniger kennen einen Weg heraus. /text /string string id="ui_map_desc_mp_pool_short" text Das ist kein Becken, sondern eher ein Blutbad. Echos von Sch・sen, Explosionen und die Schreie der Sterbenden hallen durch seine gefliesten Korridore... /text /string string id="ui_map_desc_mp_rembasa_large" text Eine Reparaturbasis in der N臧e eines kleinen Dorfes. S舂tliche betriebsf臧igen Fahrzeuge wurden bei der Katastrophe von Tschernobyl eingesetzt. Inzwischen wurde der Rest der Ausr・tung zur Beschaffung von Ersatzteilen gepl・dert. Die Gegend ist voller Gefahren wie S・pfen und verschmutztem Schilf. Aber mit etwas Gl・k kann man dort etwas Wertvolles finden. /text /string string id="ui_map_desc_mp_rembasa_short" text Eine Reparaturbasis in der N臧e eines kleinen Dorfes. Die Gegend ist voller Gefahren wie S・pfen, verschmutztem Schilf und ﾄhnlichem. /text /string string id="ui_map_desc_mp_sport_center_large" text Ein Sportzentrum in Prypjat nicht weit von der verlassenen Schule. Die Sportarten, die hier trainiert werden, haben sich seit 1986 stark ver舅dert, genau wie die Anzahl der Teilnehmer. Stalker werden von zweifelhaftem Ruhm, Beute und Artefakten angezogen... Manche bleiben f・ immer hier. /text /string string id="ui_map_desc_mp_sport_center_short" text Ein Sportzentrum in Prypjat nicht weit von der leerstehenden Schule. /text /string string id="ui_map_desc_mp_darkvalley_large" text Eine lange Straﾟe und eine verlassene Universit舩... das ist alles, was im Dunklen Tal noch ・rig und interessant ist. Man weiﾟ nicht mehr genau, was fr・er an der Universit舩 gelehrt wurde... aber heutzutage kann man dort nur lernen, wie man ・erlebt. Und ja, sei sehr vorsichtig auf den D臘hern! /text /string string id="ui_map_desc_mp_darkvalley_short" text Eine lange Straﾟe und eine verlassene Universit舩... das ist alles, was im Dunklen Tal noch ・rig und interessant ist... /text /string string id="mp_autostation" text Verlassenes Depot /text /string string id="ui_map_desc_mp_training_camp_short" text Ein sehr seltsamer Ort. Gravitationsanomalien haben die Erde aufgerissen und eine Mondlandschaft hinterlassen... /text /string string id="ui_map_desc_mp_training_camp_large" text Ein sehr seltsamer Ort. Viele lachen ・er Stalker, die behaupten, dass sie den Ort schon einmal gesehen haben, aber er existiert wirklich. Gravitationsanomalien haben dort die Erde aufgerissen und eine Mondlandschaft hinterlassen. Das Gebiet wird von drei groﾟen T・men bestimmt, ﾜberbleibseln der Milit舐pr舖enz, die auf groﾟen Erdhaufen thronen. /text /string /string_table
https://w.atwiki.jp/elvis/pages/7138.html
Sinclair Collectibles (Schiffer Book for Collectors) Schiffer Pub Ltd? Wayne Henderson? Scott Benjamin? SchifferPubLtd? WayneHenderson? ScottBenjamin? ジャンル別? Subjects-Engineering-Civil-Mining? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Reference? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-General Petroleum Collectibles (Schiffer Book for Collectors) Schiffer Pub Ltd? Rick Pease? SchifferPubLtd? RickPease? ジャンル別? Subjects-Engineering-Civil-Mining? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-Transportation? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-General Memorable Japanese Motorcycles - 1959-1996 Schiffer Pub Ltd? Doug Mitchel? SchifferPubLtd? DougMitchel? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-History-Asia-Japan? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? The Complete Unauthorized Book of Hot Wheels Schiffer Pub Ltd? Bob Parker? SchifferPubLtd? BobParker? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Roadside Memories A Collection of Vintage Gas Station Photographs (Schiffer Book for Collectors Historians) Schiffer Pub Ltd? Todd P. Helms? Chip Flohe? SchifferPubLtd? ToddP.Helms? ChipFlohe? ジャンル別? Subjects-Arts&Photography-Photography-General? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Arado History of an Aircraft Company (Schiffer Military History) Schiffer Pub Ltd? Jorg Armin Kranzhoff? SchifferPubLtd? JorgArminKranzhoff? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-General? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-General The Unauthorized Encyclopedia of Corgi Toys (Schiffer Military History) Schiffer Pub Ltd? Bill Manzke? SchifferPubLtd? BillManzke? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Education-Reference-Encyclopedias-Antiques&Collectibles? Subjects-Nonfiction-Education-Reference-Encyclopedias-Military? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Encyclopedias-Antiques&Collectibles? Subjects-Reference-Encyclopedias-Military? More Motorcycle Collectibles (Schiffer Book for Collectors) Schiffer Pub Ltd? Leila Dunbar? SchifferPubLtd? LeilaDunbar? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General A Tour With Texaco (Schiffer Book for Collectors) Schiffer Pub Ltd? Rick Pease? SchifferPubLtd? RickPease? ジャンル別? Subjects-Arts&Photography-Art-Painting-OilPainting? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Victorian Pencils Tools to Jewels Schiffer Pub Ltd? Deborah Crosby? SchifferPubLtd? DeborahCrosby? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Remember Your Rubbers! Collectible Condom Containers (A Schiffer Book for Collectors) Schiffer Pub Ltd? G. K. Elliott? George Goehring? Dennis O Brien? SchifferPubLtd? G.K.Elliott? GeorgeGoehring? DennisO Brien? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Medicine-Specialties-Obstetrics&Gynecology? Subjects-Medicine-AlliedHealthProfessions-MedicalTechnology? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-AlliedHealthProfessions-MedicalTechnology? Subjects-Science-Medicine-Specialties-Obstetrics&Gynecology? Subjects-Science-Medicine-AlliedHealthProfessions-MedicalTechnology? The Incredible Ball Point Pen A Comprehensive History Price Guide (Schiffer Book for Collectors) Schiffer Pub Ltd? Henry Gostony? Stuart L. Schneider? SchifferPubLtd? HenryGostony? StuartL.Schneider? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? The Horten Brothers and Their All-Wing Aircraft (Schiffer Military/Aviation History) Schiffer Pub Ltd? David Myhra? SchifferPubLtd? DavidMyhra? ジャンル別? Substores-UnknownASINs-19? Subjects-Biographies&Memoirs-General? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-History-Europe-Germany-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Sports-General? Collectble Bells Treasures of Sight and Sound (Schiffer Book for Collectors) Schiffer Pub Ltd? Donna S. Baker? SchifferPubLtd? DonnaS.Baker? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Entertainment-Music-Instruments&Performers-Percussion? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-PerformingArts? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Last of the Flying Clippers The Boeing B-314 Story (Schiffer Military/Aviation History) Schiffer Pub Ltd? M. D. Klaas? SchifferPubLtd? M.D.Klaas? ジャンル別? Subjects-Engineering-General? Subjects-History-Military-Aviation? Subjects-History-Military-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-General Automobilia (Schiffer Book for Collectors) Schiffer Pub Ltd? Leila Dunbar? Lee Dunbar? SchifferPubLtd? LeilaDunbar? LeeDunbar? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General The History of German Aviation Kurt Tank-Focke Wulf's Designer and Test Pilot (The History of German Aviation) Schiffer Pub Ltd? Wolfgang Wagner? SchifferPubLtd? WolfgangWagner? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-History-Europe-Germany-General? Subjects-History-Military-Aviation? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Hot Wheels A Collector's Guide (Schiffer Book for Collectors) Schiffer Pub Ltd? Bob Parker? SchifferPubLtd? BobParker? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Gasoline Pump Globes Majors A-P (Schiffer Book for Woodcarvers) Schiffer Pub Ltd? Scott Benjamin? Wayne Henderson? SchifferPubLtd? ScottBenjamin? WayneHenderson? ジャンル別? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Modern Exterior Ballistics The Launch and Flight Dynamics of Symmetric Projectiles Schiffer Pub Ltd? R. L. McCoy? SchifferPubLtd? R.L.McCoy? ジャンル別? Subjects-Arts&Photography-Architecture-General? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-General? Willy Messerschmitt, Pioneer of Aviation Design Schiffer Pub Ltd? Kaiser Ebert? SchifferPubLtd? KaiserEbert? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General French Aeroplanes Before the Great War (Schiffer Military History) Schiffer Pub Ltd? Leonard Eckstein Opdycke? SchifferPubLtd? LeonardEcksteinOpdycke? ジャンル別? Subjects-Engineering-General? Subjects-History-Europe-France-General? Subjects-History-Europe-General? Subjects-History-Military-General? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Professional&Technical-Engineering-General More Gulf Oil Collectibles An Unauthorized Guide (Schiffer Book for Collectors) Schiffer Pub Ltd? Charles Whitworth? SchifferPubLtd? CharlesWhitworth? ジャンル別? Subjects-Arts&Photography-Art-Painting-OilPainting? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Reference? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General A World of Bus Toys and Models (Schiffer Book for Collectors) Schiffer Pub Ltd? Kurt M. Resch? Richard Romagnoli? SchifferPubLtd? KurtM.Resch? RichardRomagnoli? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Wristwatches History of a Century's Development (Schiffer Book for Collectors) Schiffer Pub Ltd? Helmut Kahlert? Richard Muhe? SchifferPubLtd? HelmutKahlert? RichardMuhe? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-Clocks&Watches? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Antique Motorcycle Toys Featuring the Collection of "Indian" Al Liebowitz (Schiffer Book for Collectors) Schiffer Pub Ltd? Rich Bertoia? SchifferPubLtd? RichBertoia? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General More Collectible Bells Classic to Contemporay (Schiffer Book for Collectors) Schiffer Pub Ltd? Donna S. Baker? SchifferPubLtd? DonnaS.Baker? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Entertainment-Music-Instruments&Performers-Percussion? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General American Shelf and Wall Clocks A Pictorial History for Collectors (Schiffer Book for Collectors) Schiffer Pub Ltd? Robert W. D. Ball? SchifferPubLtd? RobertW.D.Ball? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-Clocks&Watches? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Breitling The History of a Great Brand of Watches 1884 to the Present (Schiffer Book for Collectors) Schiffer Pub Ltd? Benno Richter? SchifferPubLtd? BennoRichter? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-History-Europe-Switzerland? Subjects-Home&Garden-Antiques&Collectibles-Clocks&Watches? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? The Definitive Guide to Colorful Insulators (Schiffer Book for Collectors) Schiffer Pub Ltd? Mike Bruner? SchifferPubLtd? MikeBruner? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Glass&Glassware? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-General The Unauthorized Guide to Collecting Sohio Bring Your Car Up to Standard (The Unauthorized Guide to Collecting) Schiffer Pub Ltd? W. Clark Miller? Sabra Sonewald? SchifferPubLtd? W.ClarkMiller? SabraSonewald? ジャンル別? Subjects-Arts&Photography-Art-Painting-OilPainting? Subjects-Engineering-General? Subjects-Entertainment-PopCulture-Collectibles? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-PopularCulture? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Patios, Driveways, and Plazas The Pattern Language of Concrete Pavers Schiffer Publishing? David R. Smith? Interlocking Concrete Pavement Institute? SchifferPublishing? DavidR.Smith? InterlockingConcretePavementInstitute? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-General? Subjects-Home&Garden-Gardening&Horticulture-GardenDesign? Subjects-Home&Garden-Gardening&Horticulture-Outdoor&RecreationalAreas? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-General Encyclopedia of Matchbox Toys (Schiffer Book for Collectors) Schiffer Pub Ltd? Charlie MacK? SchifferPubLtd? CharlieMacK? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Education-Reference-Encyclopedias-Antiques&Collectibles? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Encyclopedias-Antiques&Collectibles? Subjects-Reference-General? Backyards and Boulevards A Portfolio of Paver Projects Schiffer Publishing? David R. Smith? SchifferPublishing? DavidR.Smith? ジャンル別? Substores-UnknownASINs-62? Subjects-Arts&Photography-Architecture-Landscape? Subjects-Engineering-General? Subjects-Home&Garden-Gardening&Horticulture-General? Subjects-Home&Garden-InteriorDesign-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Landscape? Smart Homes for Dummies (For Dummies) Hungry Minds Inc? Daniel D. Briere? Pat Hurley? HungryMindsInc? DanielD.Briere? PatHurley? ジャンル別? Subjects-Computers&Internet-Networking? Subjects-Computers&Internet-Software-IntroductoryGuides-ForDummies General? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-General? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Home&Garden-How-to&HomeImprovements-Do-It-Yourself? Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Lego Mindstorms for Dummies (For Dummies (Computer/Tech)) For Dummies? Michael Meadhra? Peter J. Stouffer? ForDummies? MichaelMeadhra? PeterJ.Stouffer? ジャンル別? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Programming-General? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Automation? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Autocad 13 Secrets (The Secrets Series) John Wiley & Sons Inc (Computers)? David Walsh? William R. Valaski? Robert L. Knight? JohnWiley&SonsInc(Computers)? DavidWalsh? WilliamR.Valaski? RobertL.Knight? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD13? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD13? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-General? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD13? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? ByPublisher-JohnWiley&Sons-JohnWileyArchitectureStore-Design&Drawing-Computer-AidedDesign? Autocad 14 Bible (Bible) Hungry Minds Inc? Ellen Finkelstein? HungryMindsInc? EllenFinkelstein? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD14? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD14? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-General? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD14? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Audel Millwrights and Mechanics Guide (Audel Technical Trades Series) Audel Books? Thomas Bieber Davis? Carl A. Nelson? AudelBooks? ThomasBieberDavis? CarlA.Nelson? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Automotive? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Machinery? Subjects-Home&Garden-How-to&HomeImprovements-Do-It-Yourself? Subjects-Nonfiction-Automotive-Industry? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-General Electrician's Pocket Manual (Audel Technical Trades Series) Audel Books? Paul Rosenberg? AudelBooks? PaulRosenberg? ジャンル別? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Home&Garden-How-to&HomeImprovements-Do-It-Yourself? Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Science-Reference-Engineering? Audel Questions and Answers for Electrician's Examinations (Audel Technical Trades Series) Audel Books? Paul Rosenberg? AudelBooks? PaulRosenberg? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-Testing? Subjects-Science-General Audel Installion Requirements of the 2002 National Electrical Code (Audel Installation Requirements of the National Electrical Code) Audel Books? Paul Rosenberg? AudelBooks? PaulRosenberg? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Reference? Subjects-Engineering-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Auto Repair for Dummies (For Dummies (Computer/Tech)) John Wiley & Sons? Deanna Sclar? Deanne Sclar? JohnWiley&Sons? DeannaSclar? DeanneSclar? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Repair-General? Subjects-Professional&Technical-Engineering-General Buying a Car for Dummies (For Dummies (Computer/Tech)) For Dummies? Deanna Sclar? ForDummies? DeannaSclar? ジャンル別? Subjects-Business&Investing-PersonalFinance-General? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Professional&Technical-Engineering-General Visio 2003 Bible John Wiley & Sons Inc (Computers)? Bonnie Biafore? JohnWiley&SonsInc(Computers)? BonnieBiafore? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-Networking-DataintheEnterprise-Accounting? Subjects-Computers&Internet-Software-Business-General? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-Applications-Visio? Subjects-Computers&Internet-General? Subjects-Engineering-ComputerTechnology-CAD&CAM? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM? Subjects-Professional&Technical-Engineering-General Audel House Wiring (Audel Technical Trades Series) Audel Books? Paul Rosenberg? Roland E. Palmquist? AudelBooks? PaulRosenberg? RolandE.Palmquist? ジャンル別? Substores-UnknownASINs-62? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Refrigeration Home And Commercial (Audel Technical Trades Series) Audel Books? Rex Miller? Mark Richard Miller? Edwin P. Anderson? AudelBooks? RexMiller? MarkRichardMiller? EdwinP.Anderson? ジャンル別? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General HDTV For Dummies (For Dummies) Wiley Publishing? Daniel D. Briere? Patrick J. Hurley? WileyPublishing? DanielD.Briere? PatrickJ.Hurley? ジャンル別? Subjects-Computers&Internet-Software-IntroductoryGuides-ForDummies General? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-Television&Video? Subjects-Entertainment-Movies-Video-Technical? Subjects-Home&Garden-How-to&HomeImprovements-Reference? Subjects-Professional&Technical-Engineering-Telecommunications-Television&Video? Subjects-Professional&Technical-Engineering-General Guide To The 2005 National Electrical Code (Audel Guide to the National Electrical Code) Audel Books? Paul Rosenberg? AudelBooks? PaulRosenberg? ジャンル別? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Installation Requirements Of The 2005 National Electrical Code (Audel Installation Requirements of the National Electrical Code) Audel Books? Paul Rosenberg? AudelBooks? PaulRosenberg? ジャンル別? Subjects-Engineering-Civil-Construction-Contracting? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-General? Subjects-Law-EnglishLaw-Commercial? Subjects-Nonfiction-Law-EnglishLaw-Commercial? Subjects-Professional&Technical-Engineering-Civil-Construction-Contracting? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Professional&Technical-Engineering-General 洋書
https://w.atwiki.jp/elvis/pages/7837.html
Namrc 27th 1999 Industrial Engineering & Management Press,U.S.? IndustrialEngineering&ManagementPress,U.S.? ジャンル別? Substores-UnknownASINs-26? Subjects-Science-Technology-General&Reference Resisting the Virtual Life The Culture and Politics of Information City Lights Books? James Brook? Iain A. Boal? CityLightsBooks? JamesBrook? IainA.Boal? ジャンル別? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Computers&Internet-Networking? Subjects-Computers&Internet-Business&Culture-FutureofComputing? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Computers&Internet-Business&Culture-Government? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-Anthropology? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-Technology-General&Reference Information Sources in Science and Technology (Library Science Text Series) Libraries Unlimited Inc? Charlie Deuel Hurt? LibrariesUnlimitedInc? CharlieDeuelHurt? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Inventing, Inventions and Inventors A Teaching Resource Book (Gifted Treasury Series) Teacher Ideas Pr? Jerry D. Flack? Adam Burton? TeacherIdeasPr? JerryD.Flack? AdamBurton? ジャンル別? Subjects-Children sBooks-Science,Nature&HowItWorks-Inventions&Inventors? Subjects-Nonfiction-Education-EducationTheory-GiftedStudents? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-General? Subjects-Science-Technology-General&Reference Subjects-Professional&Technical-Education-SpecificSkills-Science&Technology? An Introduction to U. S. Patent Searching The Process Libraries Unlimited Inc? Susan B. Ardis? LibrariesUnlimitedInc? SusanB.Ardis? ジャンル別? Subjects-Computers&Internet-Home&Office-Internet-OnlineSearching? Subjects-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Old Outboard Motor Service Manual Covers Motors Below 30 Horsepower (Old Outboard Motor Service Manual) Primedia? Primedia? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricMachinery&Motors? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Ships-Repair&Maintenance? Subjects-Outdoors&Nature-OutdoorRecreation-Boating? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricMachinery&Motors? Subjects-Reference? Subjects-Science-Technology-General&Reference Subjects-Sports-WaterSports-Boating? Old Outboard Motor Service Manual Covers Motors 30 Horsepower and Above (Old Outboard Motor Service Manual) Primedia? Primedia? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricMachinery&Motors? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricMachinery&Motors? Subjects-Reference? Subjects-Science-Technology-General&Reference Outboard Motor Maintenance Tune-Up Manual Covers Motors Below 30 Horsepower Primedia? Primedia? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-Naval? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Boat and Motor Facts, Fixes, Tips Primedia? Primedia? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-Naval? Subjects-Nonfiction-Transportation-Ships-BoatBuilding? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Snowmobile Service Manual Intertec Publishing, US? IntertecPublishing,US? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Inboard Engine, Transmission and Drive Service Manual Primedia? Primedia? ジャンル別? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Engines-General? Subjects-History-Military-Naval? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Engines-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Reference? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Small Air-Cooled Engine Service Manual (Small Air-Cooled Engine Service Manual) Primedia? Primedia? ジャンル別? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Engines-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Engines-General? Subjects-Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Air Conditioning Service Manual/Includes Air Conditioning Theory, Maintenance and Repair Information for Cars, Trucks and Farm Equipment (Air Conditioning Service Manual) Primedia? Mike Hall? Primedia? MikeHall? ジャンル別? Substores-UnknownASINs-26? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Managing Fire Services (Municipal Management Series) Intl City County Management Assn? Ronny J. Coleman? John A. Granito? IntlCityCountyManagementAssn? RonnyJ.Coleman? JohnA.Granito? ジャンル別? Subjects-Business&Investing-Careers-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Law-CriminalLaw-LawEnforcement? Subjects-Nonfiction-Crime&Criminals-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Law-CriminalLaw-LawEnforcement? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Reference-Careers-General? Subjects-Science-Technology-General&Reference Mining Engineering Analysis Society for Mining Metallurgy? Christopher J. Bise? SocietyforMiningMetallurgy? ChristopherJ.Bise? ジャンル別? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-Mining? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-Mining? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Mineralogy-General? Subjects-Science-EarthSciences-Prospecting&Mining? Subjects-Science-General Subjects-Science-Technology-General&Reference Rapid Excavation and Tunneling Conference Proceedings (Rapid Excavation Tunneling Conference, Proceeding) Society for Mining Metallurgy & Exploration? John D. Hutton? W. Dave Rogstad? SocietyforMiningMetallurgy&Exploration? JohnD.Hutton? W.DaveRogstad? ジャンル別? Subjects-Science-Technology-General&Reference The Patent Drawing Book Nolo? Jack Lo? David Pressman? Stephanie Harolde? Stephen Elias? Nolo? JackLo? DavidPressman? StephanieHarolde? StephenElias? ジャンル別? Subjects-Arts&Photography-GraphicDesign-Drawing-General? Subjects-Engineering-Patents&Inventions? Subjects-Law-PracticalGuides-General? Subjects-Law-IntellectualProperty-General? Subjects-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Nonfiction-Law-PracticalGuides-General? Subjects-Nonfiction-Law-IntellectualProperty-General? Subjects-Nonfiction-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Professional&Technical-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Patent Searching Made Easy Nolo? David Hitchcock? Patricia Gima? Stephen Elias? Nolo? DavidHitchcock? PatriciaGima? StephenElias? ジャンル別? Subjects-Computers&Internet-Home&Office-Internet-OnlineSearching? Subjects-Engineering-Patents&Inventions? Subjects-Law-IntellectualProperty-General? Subjects-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Nonfiction-Law-IntellectualProperty-General? Subjects-Nonfiction-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Professional&Technical-Law-IntellectualProperty-General? Subjects-Professional&Technical-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Science-Technology-General&Reference How to Make Patent Drawings Yourself (How to Make Patent Drawings) Nolo? Jack Lo? David Pressman? Nolo? JackLo? DavidPressman? ジャンル別? Subjects-Law-PracticalGuides-General? Subjects-Law-IntellectualProperty-General? Subjects-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Nonfiction-Law-PracticalGuides-General? Subjects-Nonfiction-Law-IntellectualProperty-General? Subjects-Nonfiction-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Professional&Technical-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Science-Technology-General&Reference How to Make Patent Drawings Yourself (How to Make Patent Drawings Yourself) Nolo? Jack Lo? David Pressman? Richard Stim? Nolo? JackLo? DavidPressman? RichardStim? ジャンル別? Subjects-Engineering-Patents&Inventions? Subjects-Law-PracticalGuides-General? Subjects-Law-IntellectualProperty-General? Subjects-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Nonfiction-Law-PracticalGuides-General? Subjects-Nonfiction-Law-IntellectualProperty-General? Subjects-Nonfiction-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Professional&Technical-Law-IntellectualProperty-General? Subjects-Professional&Technical-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Science-Technology-General&Reference Light Metals The Minerals, Metals & Materials Society? TheMinerals,Metals&MaterialsSociety? ジャンル別? Subjects-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-Technology-General&Reference 4th Australasian Asian Pacific Conference on Aluminium Cast House Technology Theory Practice Tms? Madhu Nilmani? Tms? MadhuNilmani? ジャンル別? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-General Subjects-Science-Technology-General&Reference Modeling the Mechanical Response of Structural Materials Tms? Metals and Materials Society. Meeting (127th 1998 San Antonio, Tex.) Minerals? Metals and Materials Society Stuctural Materials Committee Minerals? Eric M. Taleff? R. Mahidhara? Tms? MetalsandMaterialsSociety.Meeting(127th 1998 SanAntonio,Tex.)Minerals? MetalsandMaterialsSocietyStucturalMaterialsCommitteeMinerals? EricM.Taleff? R.Mahidhara? ジャンル別? Substores-UnknownASINs-26? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Aluminum Technology, Applications, and Environment A Profile of a Modern Metal Aluminum from Within Tms? Dietrich G. Altenpohl? J. G. Kaufman? Tms? DietrichG.Altenpohl? J.G.Kaufman? ジャンル別? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-Metallurgy? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-MaterialsScience-Metallurgy? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Epd Congress 1999 Tms? B. Mishra? Tms? B.Mishra? ジャンル別? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-General? Subjects-Nonfiction-Politics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-Technology-General&Reference Lattice Mismatched Thin Films Proceedings of the First International Workshop on Lattice-Mismatched and Heterovalent Thin Film Epitaxy, Sponsored by the United Engineering foundati Tms? Italy) International Workshop on Lattice-Mismatched and Heterovalent Thin Film Epitaxy (1st 1998 Castelvecchio Pascoli? Eugene A. Fitzgerald? United Engineering Foundation (U. S.)? Tms? Italy)InternationalWorkshoponLattice-MismatchedandHeterovalentThinFilmEpitaxy(1st 1998 CastelvecchioPascoli? EugeneA.Fitzgerald? UnitedEngineeringFoundation(U.S.)? ジャンル別? Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Epd Congress 2000 Proceedings of Sessions and Symposia Sponsored by the Extraction and Processing Division of the Minerals, Metals Materials Society Held During the Tms? Patrick R. Taylor? Tms? PatrickR.Taylor? ジャンル別? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-General Subjects-Science-Technology-General&Reference Rare Earths and Actinides Science, Technology, and Applications IV Tms? Renato G. Bautista? Brajendra Mishra? Tms? RenatoG.Bautista? BrajendraMishra? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-Crystallography? Subjects-Science-Chemistry-Inorganic? Subjects-Science-EarthSciences? Subjects-Science-General Subjects-Science-Technology-General&Reference Chemistry and Electrochemistry of Corrosion and Stress Corrosion Cracking A Symposium Honoring the Contributions of R.W. Staehle Tms? Metals and Materials Society Structural Materials Division Minerals? Tms-Asm Joint Corrosion and Environmental Effects Committee? Russell H. Jones? R. W. Staehle? Tms? MetalsandMaterialsSocietyStructuralMaterialsDivisionMinerals? Tms-AsmJointCorrosionandEnvironmentalEffectsCommittee? RussellH.Jones? R.W.Staehle? ジャンル別? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Light Metals 2001 Tms? Joe Anjier? Tms? JoeAnjier? ジャンル別? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Epd Congress 2001 Tms? Patrick R. Taylor? Tms? PatrickR.Taylor? ジャンル別? Subjects-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-General Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Aluminum 2002 Proceedings of the Tms 2002 Annual Meeting Automotive Alloys and Aluminum Sheet and Plate Rolling and Finishing Technology Symposia Tms? Metals and Materials Society. Meeting (2002 Seattle, Wash.) Minerals? Michael H. Skillingberg? S. K. Das? Tms? MetalsandMaterialsSociety.Meeting(2002 Seattle,Wash.)Minerals? MichaelH.Skillingberg? S.K.Das? ジャンル別? Substores-UnknownASINs-26? Subjects-Engineering-Automotive? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Science-General Subjects-Science-Technology-General&Reference Exploring Careers in Industry (A Mcknight Career Publication) Mcknight Pub Co? Wilbur R. Miller? Marion Errol Maddox? Lavon Benson Smith? McknightPubCo? WilburR.Miller? MarionErrolMaddox? LavonBensonSmith? ジャンル別? Substores-UnknownASINs-26? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Science-Technology-General&Reference Handgun Digest DBI Books Inc.,U.S.? Dean A. Grennell? DBIBooksInc.,U.S.? DeanA.Grennell? ジャンル別? Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Fishing-General? Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Hunting? Subjects-Science-Technology-General&Reference Subjects-Sports-Hunting&Fishing-Fishing-General? Subjects-Sports-Hunting&Fishing-Hunting? Levine's Guide to Knives and Their Values DBI Books Inc.,U.S.? Bernard Levine? DBIBooksInc.,U.S.? BernardLevine? ジャンル別? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Science-Technology-General&Reference The Gun Digest Book of the .45 Dbi Books? Dean A. Grennell? DbiBooks? DeanA.Grennell? ジャンル別? Subjects-Home&Garden-Antiques&Collectibles-Firearms&Weapons? Subjects-Home&Garden-General? Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Hunting? Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Shooting? Subjects-Science-Technology-General&Reference Subjects-Sports-General? Subjects-Sports-Hunting&Fishing-Hunting? Subjects-Sports-Hunting&Fishing-Shooting? The Gun Digest Book of Exploded Handgun Drawings Dbi Books? Harold A. Murtz? DbiBooks? HaroldA.Murtz? ジャンル別? Subjects-Home&Garden-Antiques&Collectibles-Firearms&Weapons? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-How-to&HomeImprovements? Subjects-Home&Garden-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Gun Digest Treasury The Best from 45 Years of Gun Digest Dbi Books? Harold A. Murtz? DbiBooks? HaroldA.Murtz? ジャンル別? Substores-UnknownASINs-63? Subjects-Home&Garden-Antiques&Collectibles-Firearms&Weapons? Subjects-Home&Garden-How-to&HomeImprovements? Subjects-Home&Garden-General? Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Shooting? Subjects-Science-Technology-General&Reference Subjects-Sports-General? Subjects-Sports-Hunting&Fishing-Shooting? Hair Additions The Fourth Dimension Milady Pub Corp? Charlotte Jayne? MiladyPubCorp? CharlotteJayne? ジャンル別? Substores-UnknownASINs-26? Subjects-Health,Mind&Body-Beauty&Fashion-General? Subjects-Health,Mind&Body-Beauty&Fashion-Hair? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Science-Technology-General&Reference Using Tact With Electronic Texts A Guide to Text-Analysis Computing Tools Version 2.1 for MS-DOS and PC DOS Modern Language Assn of Amer? Ian Lancashire? John Bradley? Willard McCarty? Michael Stairs? T. R. Wooldridge? ModernLanguageAssnofAmer? IanLancashire? JohnBradley? WillardMcCarty? MichaelStairs? T.R.Wooldridge? ジャンル別? Subjects-Computers&Internet-Software-WordProcessors&Editors-General? Subjects-Computers&Internet-General? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Nonfiction-Education-Reference-Words&Language-Rhetoric? Subjects-Reference-Words&Language-Rhetoric? Subjects-Science-Technology-General&Reference Mission Mathematics Grades K-6 Natl Council of Teachers of? United States National Aeronautics and Space Administration? Mary Ellen Hynes? Nancy Belsky? NatlCouncilofTeachersof? UnitedStatesNationalAeronauticsandSpaceAdministration? MaryEllenHynes? NancyBelsky? ジャンル別? Subjects-Nonfiction-Education-ElementarySchool-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-ByLevel-ElementarySchool-General? Subjects-Science-Technology-General&Reference Mission Mathematics Grades 9-12 Natl Council of Teachers of? United States National Aeronautics and Space Administration? Peggy House? Mary Jo Aiken? NatlCouncilofTeachersof? UnitedStatesNationalAeronauticsandSpaceAdministration? PeggyHouse? MaryJoAiken? ジャンル別? Substores-UnknownASINs-26? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Study&Teaching? Subjects-Science-Technology-General&Reference Light (Robertson, William C. Stop Faking It!,) Natl Science Teachers Assn? William C. Robertson? NatlScienceTeachersAssn? WilliamC.Robertson? ジャンル別? Substores-UnknownASINs-26? Subjects-Professional&Technical-ProfessionalScience-Physics-Light? Subjects-Science-General Subjects-Science-Physics-Light-General? Subjects-Science-Technology-General&Reference Hit Man A Technical Manual for Independent Contractors Paladin Pr? Rex Feral? PaladinPr? RexFeral? ジャンル別? Substores-UnknownASINs-26? Subjects-Nonfiction-TrueAccounts-Murder&Mayhem? Subjects-Nonfiction-Crime&Criminals-Criminology? Subjects-Science-Technology-General&Reference Powerhouse Pistols The Colt 1911 and Browning Hi Power Sourcebook Paladin Pr? Duncan Long? PaladinPr? DuncanLong? ジャンル別? Substores-UnknownASINs-26? Subjects-Science-Technology-General&Reference Smart Bombs Improvised Sensory Detonation Techniques and Advanced Weapons System Paladin Pr? Lawrence Myers? PaladinPr? LawrenceMyers? ジャンル別? Substores-UnknownASINs-26? Subjects-Science-Technology-General&Reference Combat Raceguns The World's Best Custom Pistols Paladin Pr? J. M. Ramos? PaladinPr? J.M.Ramos? ジャンル別? Subjects-Home&Garden-How-to&HomeImprovements? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Pattern Welded Blade Paladin Pr? Jim Hrisoulas? PaladinPr? JimHrisoulas? ジャンル別? Subjects-Arts&Photography-Art-Sculpture-General? Subjects-Arts&Photography-Art-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-Mechanical-Machinery? Subjects-Health,Mind&Body-Exercise&Fitness-MartialArts? Subjects-Home&Garden-Antiques&Collectibles-Firearms&Weapons? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-Mechanical-Machinery? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Sports-IndividualSports-MartialArts-General? Process Modifications for Industrial Pollution Source Reduction (Industrial Waste Management Series) Lewis Pub? Lawrence L. Tavlarides? LewisPub? LawrenceL.Tavlarides? ジャンル別? Substores-UnknownASINs-26? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Science-Technology-General&Reference Principles of Hazardous Materials Management Lewis Pub? Roger D. Griffin? LewisPub? RogerD.Griffin? ジャンル別? Subjects-Engineering-Chemical-General? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Analytic? Subjects-Science-Chemistry-Analytic? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書