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全曲共通 ○合唱 復讐パートに観客も参加 宵闇の唄 ○合唱 02 53～ 歌手と一緒に歌う 《嗚呼 復讐は罪が故に～七人の女優達！》 《死せる今～紡ぎなさい さぁ》 08 44～ 同上 《嗚呼 復讐は罪が故に～君の味方さ！》 《消える影～死の歴史を！》 ○合唱 06 18～ 第九パート 《Freude, schoner Gotterfunken, Tochter aus Elysium Wir betreten feuertrunken. Himmlische, dein Heiligtum! Deine Zauber binden wieder, Was die Mode streng geteilt Alle Menschen werden Bruder, Wo dein sanfter Flugel weilt》 黒き女将の宿 ○台詞 01 47～ 将軍に続けシリーズ 【ゲーフェンバウアー将軍に続けぇー！】→《おおおおおおお！！》
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CDR 001 - DEMO RECORDING SESSIONS 1962 (16 49) 1 Little Queenie (demo) 2 Beautiful Delilah (demo) 3 Down The Road Apiece (demo) 4 I Aint Got You (demo) 5 Don t Want No Woman (demo) 6 Around Around (demo) 7 Little Queenie/Beautiful Delilah/La Bamba/Wee Baby Blues (On Your Way To School)/Around Around (demo) 8 You Can t Judge A Book By Looking At The Cover (part) (demo) ■Bill Wyman s Black Box (VGP-329) includes tracks 1-4 mono ■Down The Road Apiece (Bad Wizard BW 6167) includes tracks 5-6 mono ■Reelin Rockin (VGP-274) includes track 7 mono ■Around Around (Invasion Unlimited IU9531-1) includes track 8 mono Note; Dartford, Kent, late 1961 or early 1962 (tracks 1-7), Curly Clayton Sound Studio, London, 10.27.1962 (track 8) CDR 002 - FIRST RECORDING SESSIONS 1963 (50 36) 1 Road Runner (demo) 2 Diddley Daddy (demo) 3 I Want To Be Loved (demo) 4 Baby What s Wrong (demo) 5 Bright Lights, Big City (demo) 6 Come On (7"single) 7 I Want To Be Loved (7"single) 8 Fortune Teller (saturday club) 9 Poison Ivy (long take) (saturday club) 10 Bye Bye Johnny (EP the rolling stones) 11 You Better Move On (EP the rolling stones) 12 I Wanna Be Your Man (7"single) 13 Stoned (7"single) 14 Come On (BBC) 15 Memphis, Tennessee (BBC) 16 Roll Over Beethoven (BBC) 17 Money (EP the rolling stones) 18 Poison Ivy (short take) (EP the rolling stones) 19 Go Home, Girl (outtake) 20 That s Girl Belongs To Yesterday (outtake) 21 Leave Me Alone (outtake) 22 It Should Be You (outtake) ■IBC Demos 1963 (The Swingin Pig TSP-CDS-001) includes tracks 1-5 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 6-7,12-13 mono ■MORE HOT ROCKS (abkco 96262) includes tracks 8-10,17-18 mono ■DECEMBER S CHILDREN (abkco 94512) includes track 11 mono ■Get Satisfaction...If You Want ! (The Swingin Pig TSP-CD-003) includes tracks 14-16 mono ■Time Trip Vol. 5 (Scorpio TT5) includes track 19-22 mono Note; IBC Studios, London, 3.11.1963 (tracks 1-5), Olympic Sound Studios, London, 5.10.1963 (tracks 6-7), Decca Studios, London, 7.9.1963 (track 8), 7.16.1963 (track 9), 8.8.1963 (tracks 10-11), Saturday Club, BBC Radio, London, 10.26.1963 (tracks 14-16), De Lane Lea Music Recording Studios, London, 10.7.1963 (tracks 12-13) 11.14.1963 (tracks 17-19), Regent Sound Studios, London, 11.20-21.1963 (tracks 20-22) CDR 003 - THE ROLLING STONES SESSIONS 1964 (40 37) 1 Not Fade Away (outtake) 2 I m A King Bee (backing track) 3 Not Fade Away (7"single) 4 Little By Little (7"single) 5 Mr. Spector Mr. Pitney Come Too (outtake) 6 Andrew s Blues (outtake) 7 Wake Up In The Morning (jingle for kellog s rise krispies) 8 Tell Me (You re Coming Back) (outtake) 9 Tell Me (You re Coming Back) (UK LP full length version) 10 Good Times, Bad Times (7"single) 11 As Time Goes By (outtake) 12 Route 66 (BBC) 13 Cops Robbers (BBC) 14 You Better Move On (BBC) 15 Mona (I Need You Baby) (BBC) 16 Don t Lie To Me (outtake) ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 1,11 mono ■Record Mirror Volume 1 / 1962-1968 (Bedrock Records) includes track 2 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 3-4,10 mono ■Necrophilia (VGP-317) includes tracks 5-6 mono ■The Rolling Stones No.2 (bootleg) includes track 7 mono ■Bright Lights Big City (VGP-307) includes track 8 mono ■THE ROLLING STONES (London P25L 25031) includes track 9 mono ■Comden Thatre 1964 (The Swingin Pig TSP-CDS-004) includes tracks 12-15 stereo ■METAMORPHOSIS (abkko 90062) includes track 16 stereo Note; Regent Sound Studios, London, 1.10.1964 (tracks 1-2), 1.28-29.1964 (tracks 3),2.4.1964 (Tracks 4-6), 2.24-25.1964 (tracks 8-10), 5.12.1964 (track 16), Pye Studios, London, 2.6.1964 (track 7), De Lane Lea Music Recording Studios, London, 3.11.1964 (track 11), Blues in Rhythm, BBC Radio, London, 3.19.1964 (tracks 12-15) CDR 004 - CHESS RECORDING SESSIONS 1964 (41 56) 1 It s All Over Now (stereo version) 2 I Can t Be Satisfied (stereo version) 3 Stewed Keefed (outtake) 4 Confenssin The Blues (stereo version) 5 Around Around (stereo version) 6 Look What You ve Down (stereo version) 7 Down The Road Apiece (stereo version) 8 If You Need Me (stereo version) 9 Hi-Heel Sneakers (outtake) 10 Meet Me In The Bottom (outtake) 11 Empty Heart (stereo version) 12 Tell Me Baby, How Many More Time (outtake) 13 2120 South Michigan Avenue (full length stereo version) 14 Reelin Rockin (outtake) ■12X5 (abkco 94022) includes tracks 1, 4, 5, 8,11,13 stereo ■MORE HOT ROCKS (abkco 96262) includes track 2 stereo ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 3, 9-10,12 stereo ■DECEMBER S CHILDREN (abkco 94512) includes track 6 stereo ■THE ROLLING STONES, NOW! (abkco 94202) includes track 7 stereo ■Reelin Rockin (VGP-274) includes track 14 mono Note; Chess Studios, Chicago, Illinois, 6.10.1964 (tracks 1-3), 6.11.1964 (tracks 4-14) CDR 005 - RECORDING SESSIONS FOR ANDREW OLDHAM 1964 (44 54) 1 Some Things Just Stick In Your Mind (basic track) 2 Some Things Just Stick In Your Mind (additional pedal steel guitar) 3 Try A Little Harder (basic track) 4 Try A Little Harder (additional brass backing vocals) 5 Heart Of Stone (basic track) 6 Heart Of Stone (additional pedal steel guitar) 7 Blue Turns To Grey (basic track) 8 Blue Turns To Grey (additional female backing vocals) 9 Earch Every Day Of The Year (basic track) 10 Earch Every Day Of The Year (additional female backing vocals, brass strings) 11 (Walkin Thru The) Sleepy City (basic track) 12 (Walkin Thru The) Sleepy City 13 We re Wastin Time (basic track) 14 We re Wastin Time (additional pedal steel guitar fiddle) 15 I d Much Rather Be With The Boys (basic track) 16 I d Much Rather Be With The Boys (additional backing vocals pedal steel guitar) ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 1, 3, 7,11,13 mono ■METAMORPHOSIS (abkko 90062) includes tracks 2, 4, 6,10,12,14,16 stereo ■The Allen Klein Collection / Kleins Revenge (Midnight Beat MBCD 128) includes tracks 5, 9,15 mono ■Necrophilia (VGP-317) includes track 8 stereo Note; Regent Sound Studios, London, 2.13.1964 (tracks 1, 3), 6.29-7.7.1964 (tracks 2, 4), 7.21-23.1964 (tracks 5-6), 8.31-9.4.1964 (tracks 7-14), Decca Studios, London, 2.1965 (tracks 15-16) CDR 006 - THE ROLLING STONES NO.2 SESSIONS 1964 (34 42) 1 Little Red Rooster (7"single) 2 Off The Hook (7"single) 3 Susie Q (with count version) 4 Surprise, Surprise (fourteen) 5 We Were Falling In Love (Waving Hair) (outtake) 6 Everybody Needs Somebody To Love (long take-stereo version) 7 Heart Of Stone (stereo long version) 8 Time Is On My Side (guitar intro take-stereo version) 9 What A Shame (stereo version) 10 Mercy, Mercy (outtake) 11 Good Bye Girl (outtake) 12 Key To The Highway (outtake) ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 1-2 mono ■Time Trip Vol. 5 (Scorpio TT5) includes tracks 3,10-12 mono, track 7 stereo ■THE ROLLING STONES, NOW! (abkco 94202) includes track 4 mono, track 9 stereo ■Bill Wyman s Black Box (VGP-329) includes track 5 mono ■Bright Lights Big City (VGP-307) includes track 6 stereo ■HOT ROCKS 1964-1971 (abkco 96672) includes track 8 stereo Note; Regent Sound Studios, London, 9.2.1964 (tracks 1-2), 9.28-29.1964 (tracks 3-5), RCA Studios, Los Angeles, California, 11.2.1964 (tracks 6-7), Chess Studios, Chicago, Illinois, 11.8.1964 (tracks 8-12) CDR 007 - OUT OF OUR HEADS SESSIONS 1965 (42 01) 1 The Last Time (stereo version) 2 Play With Fire (stereo version) 3 The Under Assistant Westcoast Promotion Man (full length version) 4 (I Cant Get No) Satisfaction (backing track) 5 The Spider The Fly (backing track) 6 (I Cant Get No) Satisfaction (stereo version 1) 7 (I Cant Get No) Satisfaction (stereo version 2 acoustic guitar only) 8 The Spider The Fly (7"single) 9 Good Times (additional female backing vocals) 10 I ve Been Loving You Too Long (studio take) 11 Get Off Of My Cloud (stereo version) 12 The Singer Not The Song (stereo version) 13 Looking Tired (outtake) 14 As Tears Go By (7"single) ■Time Trip Vol. 5 (Scorpio TT5) includes track 1 stereo ■HOT ROCKS 1 (London 820141) includes tracks 2, 6,11 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 3 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 4 mono, track 13 stereo ■Ultra Rare Trax Vol. 9 (The Genuine Pig TGP-CD-132) includes track 5 mono ■HOT ROCKS 1964-1971 (abkco 96672) includes track 7 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 8,14 mono ■Necrophilia (VGP-317) includes track 9 stereo ■MORE HOT ROCKS (abkco 96262) includes track 10 stereo ■Bright Lights Big City (VGP-307) includes track 12 stereo Note; RCA Studios, Los Angeles, California, 1.17-18, 2.17.1965 (track 1), 1.17-18.1965 (track 2),5.11-12.1965 (tracks 4-10), 9.5.1965 (tracks 11-12), 9.6.1965 (track 13), Chess Studios, Chicago, Illinois, 5.10.1965 (track 3), IBC Studios, London, 10.26.1965 (track 14) CDR 008 - AFTERMATH SESSIONS 1966 (57 48) 1 19th Nervous Breakdown (outtake) 2 19th Nervous Breakdown (stereo version) 3 Sad Day (US 7"single) 4 Mother Little Helper (backing track) 5 Paint It, Black (edited backing track) 6 Paint It, Black (stereo version-different mix) 7 Paint It, Black (full length version) 8 Long Long While (7"single) 9 Lady Jane (backing track) 10 Out Of Time (backing track) 11 If You Let Me (outtake) 12 Con Le Mie Lacrime (without harpsichord version) 13 Con Le Mie Lacrime (Italia 7"single) 14 Out Of Time (outtake) 15 Have You Seen Your Mother, Baby, Standing In The Shadow ? (backing track) 16 Have You Seen Your Mother, Baby, Standing In The Shadow ? (outtake) 17 Have You Seen Your Mother, Baby, Standing In The Shadow ? (stereo version) 18 Who s Driving Your Plane (7"single) ■Time Trip Vol. 5 (Scorpio TT5) includes tracks 1-2, 6 stereo, tracks 5, 9,12,15,17 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 3, 7-8,18 mono ■Time Trip disc 3 (DAC-063) includes track 4 mono ■Masons Yard To Primrose Hill (VGP-112) includes track 10 mono ■METAMORPHOSIS (abkko 90062) includes tracks 11,14 stereo ■The Black Box Bonus CD (Yellow Dog YD 2000) includes track 13 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 16 mono Note; RCA Studios, Los Angeles, California, 12.3-8.1965 (tracks 1-4), 3.6-9.1966 (tracks 5-11), 8.3-11.1966 (track 18), IBC Studios, London, 3.15.1966 (tracks 12-13), 8,31-9.2.1966 (tracks 15-17), Pye Studios, London, 4.27-30.1966 (track 14) CDR 009 - BETWEEN THE BUTTONS SESSIONS 1966 (52 42) 1 Yesterday s Papers (outtake) 2 Yesterday s Papers (baking track) 3 My Obsession (baking track) 4 All Sold Out (baking track) 5 Please Go Home (baking track) 6 Complicated (baking track) 7 Let s Spend The Night Together (baking track) 8 Get Yourself Together (Can t Believe / I Can See It) (outtake take 1) 9 Let s Spend The Night Together (baking track with chorus) 10 Ruby Tuesday (baking track) 11 Let s Spend The Night Together (stereo version) 12 Ruby Tuesday (stereo version) 13 Dandelion (outtake) 14 Get Yourself Together (Can t Believe / I Can See It) (ourtake 2-backing track) 15 Get Yourself Together (Can t Believe / I Can See It) (outtake 2) 16 Trouble In Mind (outtake) ■Time Trip disc 4 (DAC-063) includes tracks 1,13 mono, track 8 stereo ■The Black Box CD-2 (Yellow Dog YD 047) includes tracks 2-6,14 stereo, tracks 7,10 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 9 mono ■THROUGH THE PAST, DARKLY (abkco 90032) includes tracks 11-12 stereo ■Accidents Will Happen (VGP-370) includes track 15 mono ■Hot Stuff Volume Two (Great Dane Records GDR 9417/ABCD) includes track 16 mono Note; RCA Studios, Los Angeles, California, 8.3-11.1966 (tracks 1-8), Olympic Sound Studios, London, 11.8-26.1966 (tracks 9-16) CDR 010 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 1 (19 33) 1 We Love You (7"single) 2 Dandelion (7"single) 3 We Love You (stereo version) 4 Dandelion (stereo version) 5 We Love You (rehearsal) ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 1-2 mono ■MORE HOT ROCKS (abkco 96262) includes track 3 stereo ■THROUGH THE PAST, DARKLY (abkco 90032) includes track 4 stereo ■Time Trip disc 4 (DAC-063) includes track 5 stereo Note; Olympic Sound Studios, London, 6.12-13 21.1967 (tracks 2, 4-5), 7.2-22.1967 (tracks 1, 3) CDR 011 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 2 (57 49) 1 2000 Light Years From Home (rehearsal) 2 2000 Light Years From Home (take 1) 3 2000 Light Years From Home (takes 2-4) 4 2000 Light Years From Home (takes 5-6) 5 2000 Light Years From Home (takes 7-10) 6 2000 Light Years From Home (take 11) 7 2000 Light Years From Home (takes 12-13) 8 2000 Light Years From Home (takes 14-15) 9 2000 Light Years From Home (retakes 3-4) 10 5 Part Jam Part 1 (takes 1-2) 11 5 Part Jam Part 1 (takes 3-5) 12 5 Part Jam Part 5 (takes 1-3) 13 5 Part Jam Part 4 (takes 1-10) 14 5 Part Jam Part 4 (takes 11-15) 15 5 Part Jam Part 3 (takes 1-5) 16 5 Part Jam Part 2 (takes 1-5) ■Satanic Sessions Volume One disc 1 (Midnight Beat MB CD 120) includes tracks 1-16 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-16) CDR 012 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 3 (60 32) 1 We Love You (takes 15-16) 2 We Love You (takes 17-19) 3 She s A Rainbow (takes 1-2) 4 She s A Rainbow (takes 3-7) 5 Citadel (takes 20-24) 6 Citadel (takes 25-31) 7 Citadel (takes 32-33) 8 Citadel (take 34) 9 Citadel (take with piano overdub) 10 In Another Land (takes 1-3) 11 In Another Land (takes 4-8) 12 In Another Land (take 9) 13 Child Of The Moon (take 10) ■Satanic Sessions Volume One disc 2 (Midnight Beat MB CD 121) includes tracks 1-13 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-13) CDR 013 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 4 (60 23) 1 Child Of The Moon (takes 11-12) 2 Sing This All Together (take 7) 3 Sing This All Together (intro) 4 The Lantern (take 1) 5 The Lantern (takes 2-3) 6 The Lantern (takes 4-5) 7 The Lantern (take 10) 8 The Lantern (take 11) 9 The Lantern (take 14) 10 The Lantern (take 15-17) 11 The Lantern (retakes 1-3) 12 On With The Show (takes 1-3) 13 On With The Show (takes 4-6) 14 On With The Show (takes 7-10) ■Satanic Sessions Volume One disc 3 (Midnight Beat MB CD 122) includes tracks 1-14 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-14) CDR 014 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 5 (58 09) 1 On With The Show (take 11) 2 On With The Show (takes 12+14) 3 In Another Land (chorus part, takes 1-2) 4 In Another Land (chorus part, takes 3-4) 5 In Another Land (chorus part, takes 5-14) 6 Majesties Honky Tonk (takes 1-2) 7 Majesties Honky Tonk (take 3) 8 Majesties Honky Tonk (takes 4-9) 9 Majesties Honky Tonk (takes 10) 10 Majesties Honky Tonk (takes 11-12) 11 Majesties Honky Tonk (takes 15-17) 12 Jam One (takes 1-7) 13 Jam One (takes 8-9) 14 Jam One (takes 10-15) 15 Title 15 (takes 1-3) 16 Title 15 (take 4) 17 Title 15 (takes 5) ■Satanic Sessions Volume One disc 4 (Midnight Beat MB CD 123) includes tracks 1-17 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-17) CDR 015 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 6 (49 16) 1 Title 15 (takes 6) 2 Title 15 (takes 7) 3 Gomper (take 1) 4 Gomper (take 2) 5 Gomper (take 3) 6 Gomper (take 4) 7 Gomper (take 5) 8 Gomper (part 1, take 1) 9 Gomper (part 1, take 2) 10 Soul Blues (take 1) 11 Soul Blues (take 2) 12 Soul Blues (take 3) 13 2000 Man (takes 1-2) 14 2000 Man (take 3) 15 2000 Man (takes 4-5) ■Satanic Sessions Volume Two disc 1 (Midnight Beat MB CD 124) includes tracks 1-15 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-15) CDR 016 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 7 (47 45) 1 2000 Man (take 6) 2 2000 Man (takes 7-8) 3 2000 Man (takes 9-11) 4 2000 Man (takes 13-15) 5 2000 Man (end part, takes 1-3) 6 2000 Man (intro, takes 1-2) 7 2000 Man (intro, takes 3-14) 8 Guitar/Organ Jam (similar to She Smiled Sweetly) 9 Blues 3 (takes 27-31) 10 Blues 3 (takes 32-39) 11 Blues 3 (takes 40-44) 12 Blues 3 (retakes 1-2) 13 Blues 3 (retake 3) 14 Blues 3 (retakes 4-5) ■Satanic Sessions Volume Two disc 2 (Midnight Beat MB CD 125) includes tracks 1-14 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-14) CDR 017 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 8 (47 24) 1 Gold Painted Fingernails (take 1) 2 Gold Painted Fingernails (take 2) 3 Gold Painted Fingernails (takes 3-4) 4 Gold Painted Fingernails (takes 5-9) 5 Gold Painted Fingernails (takes 10-11) 6 Gold Painted Fingernails (take 12) 7 Gold Painted Fingernails (takes 13-16) 8 Gold Painted Fingernails (take 17) 9 Gold Painted Fingernails (takes 18-22) 10 Gold Painted Fingernails (take 23) 11 2000 Man (middle part, takes 2-3) 12 2000 Man (middle part, takes 4-6) 13 2000 Man (middle part, takes 7-10) 14 2000 Man (middle part, takes 11-12) 15 2000 Man (middle part, take 13) ■Satanic Sessions Volume Two disc 3 (Midnight Beat MB CD 126) includes tracks 1-15 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-15) CDR 018 - BEGGARS BANQUET SESSIONS 1968 DISC 1 (43 35) 1 Rock Me Baby (rehearsal) 2 Stray Cat Blues (rehearsal) 3 Untitled (rehearsal) 4 Hold On, I m Comin (rehearsal) 5 Jumpin Jack Flash (rehearsal) 6 Untitled (rehearsal) 7 Some Satisfaction (rehearsal) 8 Rock Me Baby (rehearsal) 9 I ll Coming Home (rehearsal) 10 Untitled (rehearsal) 11 Conversations ■Surrey Rehearsals 1968 (VGP-108) includes tracks 1-11 mono Note; R.G. Jones Studios, Morden, Surrey, 2.21.1968 (tracks 1-11) CDR 019 - BEGGARS BANQUET SESSIONS 1968 DISC 2 (53 41) 1 Jig-Saw Puzzle (take 1) 2 Jig-Saw Puzzle (take 2) 3 Jig-Saw Puzzle (takes 3-5) 4 Jig-Saw Puzzle (take 6) 5 Jig-Saw Puzzle (takes 7-8) 6 Jig-Saw Puzzle (take 9) 7 Jig-Saw Puzzle (take 10) 8 Jig-Saw Puzzle (take 11) 9 Jig-Saw Puzzle (take 12) 10 Jig-Saw Puzzle (take 13) 11 Jig-Saw Puzzle (take 14) ■Satanic Sessions Volume Two disc 4 (Midnight Beat MB CD 127) includes tracks 1-11 stereo Note; Olympic Sound Studios, London, 3.17-4.3.1968 (tracks 1-11) CDR 020 - BEGGARS BANQUET SESSIONS 1968 DISC 3 (70 36) 1 Jumpin Jack Flash (backing track) 2 Child Of The Moon (backing track) 3 Jumpin Jack Flash (stereo version) 4 Child Of The Moon (stereo version) 5 Parachute Woman (early mix) 6 Stray Cat Blues (outtake) 7 Did Everybody Pay This Dues ? (outtake) 8 Street Fighting Man (US 7"single-mono different vocals version) 9 No Expectations (outtake) 10 Dear Doctor (outtake) 11 Dear Doctor (early mix) 12 Prodigal Son (stereo version) 13 Factory Girl (outtake) 14 Sister Morphine (outtake) 15 Hamburger To Go (Stuck Out All Alone) (outtake) 16 Blood Red Wine (outtake) 17 Family (outtake-electric version) 18 Still A Fool (outtake) ■Time Trip disc 4 (DAC-063) includes tracks 1-2 mono, tracks 9-10,14 stereo ■THROUGH THE PAST, DARKLY (abkco 90032) includes track 3 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 4 stereo ■R.S.V.P. (Cool Blokes Production) includes tracks 5-6,11-13 stereo ■Necrophilia (VGP-317) includes track 7 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes track 8 mono ■The Trident Mixes (DAC-052) includes tracks 15-18 stereo Note; Olympic Sound Studios, London, 3.17-4.3.1968 (tracks 2, 4-7), 4.20.1968 (tracks 1, 3), 5.13-23.1968 (tracks 8-18) Note; track 11 (R.S.V.P. track 17) CDR 021 - BEGGARS BANQUET SESSIONS 1968 DISC 4 (62 22) 1 Sympathy For The Devil (early takes part 1 from one plus one ) 2 Sympathy For The Devil (early takes part 2 from one plus one ) 3 Sympathy For The Devil (early takes part 3 from one plus one ) 4 Sympathy For The Devil (early takes part 4 from one plus one ) 5 Sympathy For The Devil (early takes part 5 from one plus one ) 6 Sympathy For The Devil (early takes part 6 from one plus one ) 7 Sympathy For The Devil (early takes part 7 from one plus one ) 8 Sympathy For The Devil (early takes part 8 from one plus one ) 9 Sympathy For The Devil (early takes part 9 from one plus one ) 10 Sympathy For The Devil (early takes part 10 from one plus one ) 11 Sympathy For The Devil (edited 3rd strophe) 12 Sympathy For The Devil (beggars banquet) 13 Jam (London Jam) (part 1 from one plus one ) 14 Jam (London Jam) (part 2 from one plus one ) 15 Family (acoustic version) 16 Family (with additional bass guitar percussions) ■Political Cartoons (JJ Records) includes tracks 1-10,13-14 mono ■R.S.V.P. (Cool Blokes Production) includes track 11 stereo ■BEGGARS BANQUET (London 800 084-2) includes track 12 stereo ■The Trident Mixes (DAC-052) includes track 15 stereo ■METAMORPHOSIS (abkko 90062) includes track 16 stereo Note; Olympic Sound Studios, London, 6.4-10.1968 (tracks 1-14), 6.28.1968 (tracks 15-16) CDR 022 - LET IT BLEED SESSIONS 1969 DISC 1 (42 17) 1 Honky Tonk Women (outtake) 2 You Can t Always Get What You Want (edited stereo version) 3 Gimme Shelter (outtake) 4 Gimme Shelter (different vocals version 1) 5 Gimme Shelter (different vocals version 2) 6 You Got The Silver (Mick Jagger on lead vocals version) 7 Sister Morphine (different mix) 8 I Was Just A Country Boy (outtake) 9 Downtown Suzie (Lily Street Lucie) (basic track) 10 Downtown Suzie (Lily Street Lucie) (remixed version) ■The Black Box CD-3 (Yellow Dog YD 048) includes tracks 1, 3 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 2 stereo ■Time Trip disc 1 (DAC-063) includes tracks 4, 6 stereo ■Time Trip disc 4 (DAC-063) includes track 5 stereo ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes track 7 stereo ■The Trident Mixes (DAC-052) includes tracks 8-9 stereo ■METAMORPHOSIS (abkko 90062) includes track 10 stereo Note; Olympic Sound Studios, London, 2.10-3.31.1969 (tracks 1-8), 4.23.1969 (tracks 9-10) CDR 023 - LET IT BLEED SESSIONS 1969 DISC 2 (46 54) 1 Honky Tonk Women (basic track) 2 Honky Tonk Women (stereo version) 3 Country Honk (basic track) 4 Loving Cup (outtake) 5 Jiving Sister Fanny (take 1) 6 Jiving Sister Fanny (take 2) 7 I Don t Know Why (basic track) 8 I Don t Know Why (remixed version) 9 All Down The Line (outtake-acoustic version) 10 I m Going Down (basic track) 11 Hillside Blues (I Don t Know The Reason Why) (outtake) ■Olympic Years 1967-69 (Dandelion 94003) includes track 1 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes track 2 stereo ■The Black Box CD-3 (Yellow Dog YD 048) includes track 3 mono, track 9 stereo ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes track 4 stereo ■The Trident Mixes (DAC-052) includes tracks 5, 7, 10 stereo ■METAMORPHOSIS (abkko 90062) includes tracks 6, 8 stereo ■Hillside Blues (VGP-214) includes track 11 stereo Note; Olympic Sound Studios, London, 4.17-7.2.1969 (tracks 1-8), Sunset Sound Studios Elektra Studios, Los Angeles, California, 10.17-11.2.1969 (tracks 9-11) NEXT
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Fuelling conflict Foreign arms supplies to Israel／Gaza -index Misuse of conventional arms by Israeli forces イスラエル軍による通常兵器の濫用 Flechettes フレシェット弾 Flechettes フレシェット弾映像 画像 アムネスティ報告 リンク 映像 http //www.woopie.jp/video/watch/56cd4ddfe5d06b96?src=onair page=1 画像 http //livewire.amnesty.org/2009/01/27/a-bloodstained-wall-full-of-flechettes/#more-866 imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 A flechette embedded in a wall in a Bedouin villlage in Gaza © Amnesty International http //www.guardian.co.uk/graphic/0,,2274464,00.html （引用者注） 弾底部にあるというこの図の "Fuse" の位置には、Guardian 紙の誤解があるらしい。なおM546という弾種は榴弾砲用の弾薬かも。⇒参照 http //www.palestine-info.co.uk/en/default.aspx?xyz=U6Qq7k%2bcOd87MDI46m9rUxJEpMO%2bi1s7qPllSJ%2f1icCo4vxAW1yXVU1D%2fS4vag9Vr2S9qp%2bICnBipaWMlFbUhKn%2b60lLh0yut7rX%2fm0syYeg04ciHfIbU9%2bF1pI92XQ7u02dsl%2f4aHg%3d imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 http //www.thenausea.com/elements/Israel/israel-doc1.html imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 A flechette removed from a Bedouin man at a Gaza clinic after an alleged Israeli firing incident near Betlaha on 14 May (Source ABC News) imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 The M494 APERS-T round disperses about 5,000 small flechettes (left) and is fired from the 105mm gun of main battle tanks such as the Israel Defence Force's upgraded M60s, seen here on the West Bank (Source PA) imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 （引用者注） 弾底部にあるというこの図の "Fuse" の位置には、誤解があるらしい。また、フレシェット弾の装填数についても確認の要。 imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 22 LR in the photo is only for size "guesstimating". These flechettes are hardened steel, black phosphate finished, and as can be seen in the photo are just slightly over 1" long. There are about 1000 per pound. They were removed from 106mm anti-personnel rounds, but work out just fine in 12 gauge loads. Fig. 20-1. Sharp flechettes designed for antipersonnel purposes can be used with either chemical or biological agents. The agent can be applied to the flechette’s exterior grooves, or the flechette can be drilled and filled with either a liquid or a dry agent. These types of weapons would not be permissible under the Biological Weapons Convention; however, an adversary of the United States might ignore such restrictions, as has occurred in the past. Reprinted from van Keuren RT. Chemical and Biological Warfare, An Investigative Guide. Washington, DC Office of Enforcement, Strategic Investigations Division, US Customs Service; 1990 87. imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 アムネスティ報告 Amnesty International AI Index MDE 15/012/2009 23 February 2009 Fuelling conflict Foreign arms supplies to Israel/Gaza p11 Flechettes Flechettes are not specifically prohibited under international humanitarian law.However, their use in densely-populated civilian areas in Gaza contributed to unlawful killings of and injuries to civilians. Flechettes are 4cm long metal darts that are sharply pointed at the front, with four fins at the rear. Between 5,000 and 8,000 of these darts are packed into 120mm shells which are generally fired from tanks. The shells explode in the air and scatter the flechettes in a conical pattern over an area about 300m long and 100m wide.[7] Flechette rounds are designed to be used against massed infantry attacks or squads of troops in the open and obviously pose a very high risk to civilians when fired in densely-populated civilian residential areas, as deployed by Israeli forces in the Gaza Strip. フレシェット弾は国際人道法の下で明示的には禁止されていません。しかしながら、ガザの人口密度が高い住宅地域でのそれらの使用は民間人への不法な殺害と負傷の原因となりました。フレシェット弾は4個のフィンが後部にある状態で前部が鋭く尖っている長さ4cmの金属ダーツです。 通常は、5,000～8,000個のダーツが、戦車から撃たれる120mmの砲弾に詰め込まれます。 砲弾は空中爆発を起こして、長さ約300m、幅100mの領域の上の円錐のパターンに、フレシェット弾を点在させます[7]。フレシェット弾砲撃は、戸外でひと固まりになっている歩兵の攻撃隊や分隊に対して使用されよう設計されていますが、イスラエル軍がガザ地区に発揮したように人口密度が高い民間住宅地域に撃たれますと、明らかに民間人への非常に高い危険を引き起こします。 Amnesty International investigated several deaths and injuries of civilians in Gaza caused by flechettes in January.[8] In one case, on 4 January 2009, an ambulance arrived about 15 minutes after a missile strike in Beit Lahiya that apparently targeted five unarmed young men. The ambulance was hit a few minutes later by a tank shell filled with flechettes. Two paramedics were seriously wounded in the incident and one of them, Arafa Hani Abd-al-Dayem, later died. アムネスティ・インタナショナルは、1月にフレシェット弾によって引き起こされたガザでの民間人の数個の死と負傷を調査しました[8]。2009年1月4日の事件は、武装してない5人を明らかに狙ったBeit Lahiya でのミサイル攻撃の約15分後に、救急車は到着しました。 救急車はその数分後に、フレシェット弾で満たされた戦車の砲弾によって撃たれました。その事件では2人の医療補助員が重傷を負い、そのうちの一人 Arafa Hani Abd-al-Dayem は、その後に亡くなりました。 The following morning, Israeli forces fired several flechette shells into the main road near the Abd al-Dayem family home in 'Izbet Beit Hanoun, to the south-west of the town of Beit Hanoun. Two people, a child and a woman, were killed and several others were injured. Sixteen-year-old Islam Jaber Abd-al-Dayem was struck in the neck by a flechette. He was taken to the hospital's intensive care unit but died three days later. Mizar, his brother, was injured in the same attack and still has a flechette lodged in his back. Nearby, 21-year-old Wafa’ Abu Jarad, who was pregnant, her two-year-old son, her husband, and her father and brother-in-law were all injured by flechettes in the courtyard of their home. Wafa’ Abu Jarad died of her injuries two days later. 次の朝イスラエル軍は、'Izbet Beit Hanounの町の南西にあるAbd al-Dayemzbet一家の近くのメインロードに数個のフレシェット入り砲弾を撃ちました。 2人(子供と女性)は殺され、そして他の数人が負傷しました。 16歳のIslam Jaber Abd-al-Dayem は首にフレシェット弾を打たれました。 彼は病院の集中治療室に運ばれましたが、3日後に死にました。 Mizar(彼の兄弟)は同じ攻撃で傷つけられて、彼の背中には今もフレシェット弾がまだ残っています。 近くでは、21歳の Wafa’ Abu Jarad, 妊婦ですが、彼女の2歳の息子、彼女の夫、父親、および義理の兄弟は、全て家の中庭でフレシェット弾によって傷つけられました。 Wafa’ Abu Jarad は負傷が原因で2日後に死にました。 Amnesty International has previously documented Israeli forces’ use of flechette rounds in Gaza resulting in the killing of children.[9] The manner in which shells containing flechettes were used by Israeli forces in Gaza fired in densely populated civilian areas - violates the international law prohibition on indiscriminate attack. Prior to their use during the recent military offensive, the last known incident when flechettes were used in Gaza was on 16 April 2008, when Israeli soldiers fired a flechette tank shell at Reuters journalist Fadel Shana, while he was filming the tank, killing him and three other unarmed civilians, including two children.[10] アムネスティ・インタナショナルは以前にも、イスラエル軍のガザへのFlechett弾砲撃が、子供たちの殺害を引き起こしたことを報告しました[9]。イスラエルによるフレシェット弾を含む砲弾の使用で、住宅密集地区を砲撃されたガザは制圧されました－無差別の攻撃により国際法禁止違反です。今回の軍事攻撃以前では、直近の事件として知られているのは、2008年4月16日にガザでフレシェット弾が使われた事件です。イスラエル軍が戦車から撃ったFlechett弾が、ロイターのジャーナリストFadel Shanaにあたりました。その時彼は戦車を撮影してたのですが、Shanaは殺され他の3人の非武装の市民も殺されました。そのうちの2人は子供です。[10] In 2001, Jane’s defense publication quoted an Israeli military source, who stated "The Israeli military obtained these weapons from the USA after the 1973 war and we have thousands of old shells in warehouses…The weapon is not regarded as reliable or effective and gunners have a difficult time in aiming this properly."[11] 2001年、ジェーン防衛年鑑はイスラエルの軍事筋ソースを引用して記しました 「1973年の戦争以後、イスラエル軍は米国からこれらの兵器を入手し、私たちは倉庫に何千個もの古い砲弾を持っています。この兵器は信頼できるとも有効であるとも見なされていません。砲手たちは適切に照準を定めるために苦労の時を費やします。」[11] 7 “How Flechettes Work”, The Guardian http //www.guardian.co.uk/graphic/0,,2274464,00.html 8 See New Release, ‘Israeli army used flechettes against Gaza civilians’, Amnesty International, 27 January 2009 and the blog, ‘A bloodstained wall of flechettes’, Amnesty International, 26 January 2009, http //livewire.amnesty.org/2009/01/27/a-bloodstained-wall-full-of-flechettes/#more-866 9 See ‘Israel and the Occupied Territories and the Palestinian Authority Killing the future Children in the line of fire’, Amnesty International, (Index MDE 02/005/2002). 10 http //www.amnesty.org/en/news-and-updates/news/armys-so-called-inquiry-cameramans-killinggaza- scandal-20080815 11 http //www.janes.com/defence/land_forces/news/jdw/jdw010522_2_n.shtml Amnesty International AI Index MDE 15/012/2009 リンク Tank shell that sprays deadly darts killed cameraman in Gaza, say docto http //www.independent.co.uk/news/world/middle-east/controversial-darts-from-tank-shell-killed-cameraman-in-gaza-say-doctors-811250.html Amnesty calls for investigation into killing of cameraman and other civilians http //www.palestine-info.co.uk/en/default.aspx?xyz=U6Qq7k%2bcOd87MDI46m9rUxJEpMO%2bi1s7qPllSJ%2f1icCo4vxAW1yXVU1D%2fS4vag9Vr2S9qp%2bICnBipaWMlFbUhKn%2b60lLh0yut7rX%2fm0syYeg04ciHfIbU9%2bF1pI92XQ7u02dsl%2f4aHg%3d フレシェット弾：flechettes 「フレシェット弾 知っていますか 」 http //iitaizou.at.webry.info/200607/article_34.html http //www.thenausea.com/elements/Israel/israel-doc1.html http //www2.odn.ne.jp/midi/text32.html 次へ Misuse of conventional arms by Israeli forces イスラエル軍による通常兵器の濫用 Fuelling conflict Foreign arms supplies to Israel／Gaza -index トップページ
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ACTE TROISIÈME Pastorale Mystique （Dans la chapelle de l Abbaye. Bien en vue, la statue de la Vierge. La chapelle est disposée de telle sorte que, d un côté, un puisse voir Jean sans qu il aperçoive lui-même ceux qui l observent. Les Moines achèvent de chanter l hymne et disparaissent lentement dans le cloître. Le Moine Peintre seul devant la statue peinte） ▼LES MOINES▲ （au loin peu à peu） Ave coeleste lilium Ave rosa speciosa, In hac valle lacrymarum, Da robur, fer auxilium. ▼LE MOINE PEINTRE▲ （en pieuse admiration devant la statue） Un regard, le dernier… à mon œuvre, （orgueilleusement） à ma Vierge… ▼LES MOINES▲ （de très loin） Ave coeleste lilium. ▼LE MOINE PEINTRE▲ Le chant s éloigne et meurt… Dans le silence où dort l immobile flamme des cierges, Pour son peintre jaloux Elle est plus belle encor. Mais on entre… c est Jean. Pourquoi tout ce bagage? （Il se dissimule derrière un pilier. Jean, entre encore vêtu de sa robe de moine, portant sa viele et sa besace de jongleur. Il entre à pas de loup, regardant partout avec inquiétude） ▼JEAN▲ （ému） Personne… allons, courage! Nul à cette heure, ne vient plus. （S approchant de l autel et restant devant en fervente et muette contemplation. Avec foi et tendresse） Vierge, mère adorable de Jésus, Blanche souveraine, Me voilà donc seul devant vous… Tremblant… le cœur plein d amour et de peine, Je tombe à vos genoux… écoutez ma prière Hélas, le pauvre Jean n est rien qu un vil jongleur; （timidement） Laissez-le cependant, à son humble manière, Travailler sous vos yeux, ô Vierge, en votre honneur. （Dépouillant sa robe de moine, il apparaît en surcot de jongleur, étend son tapis et, saisissant sa vièle, en tire les même accords qui annonçaient sa venue sur la place） ▼LE MOINE PEINTRE▲ （à part） Il devient fou. Je cours avertir le Prieur. （Il sort vivement） ▼JEAN▲ （à haute voix） Je commence. （d abord, il salue la Vierge, puis, avec force et rapidité, il commence son boniment） Place! Place! Place! Silence! Ecoutez Jean, Roi des Jongleurs! Mais dans ma sébile, d avance ce quelques sols… （s arrêtant confus; à la Vierge） L habitude! Pardon. （reprenant son boniment avec vivacité） Attention! Pour vous plaire, Je chante une chanson de guerre. （chaque syllabe brutalement accentuée） Il fait beau voir ces hommes d armes Quand ils sont montés et bardés; Il fait beau voir luire ces armes Dessous les étendards dorés. Pour gagner gloire et belle terre, Entre nous gentils compagnons, Suivons （presque en hurlant） la guerre! Suivons la guerre! la guerre! （à part） Mais, ce vacarme à la Vierge fait peur. （s adressant à la Vierge, naïvement） Vous préférez peut-être Le Romance d Amour? «Belle Doètte à sa fenêtre…» （la mémoire lui manque） «Belle Doètte…» （honteux） Je ne sais plus… （commençant une autre romance） «Belle Erembourg Sur la plus haute tour… （cherchant à se rappeler la suite） Sur la plus haute tour… Sur la plus haute tour…» Ah! mémoire infidèle! Eh bien, rabâche alors, imbécile histrion, L éternelle Pastourelle de Robin et Marion. （franchement） A l oré du joli bocage, Saderaladon. Chante rossignolet, Saderaladon, Marion, pastoure bien sage, A ses amours Pense toujours Saderaladon! Aé! Aé! Aé! （fièrement） Vient à passer, fier sous l armure, Saderaladon, Chante, rossignolet, Saderaladon. Chevalier de belle figure; （Le Prieur, conduit par le Moine Peintre, arrive avec Boniface. Jean ne peut les apercevoir; ils observent le manège du jongleur） «Je suis le Roi; Sois toute à moi, Saderaladon, Aé! Aé! Aé! ▼LE PRIEUR▲ （scandalisé, il fait mine de se précipiter vers Jean） Sacrilège! ▼JEAN▲ «Non, beau seigneur, je reste sage, Saderaladon, Chante rossignolet, Saderaladon ▼BONIFACE▲ （contenant le Prieur） Attendez… la fin de la chanson Catholiquement Marie La fille avec le garçon. ▼JEAN▲ Avec ma cotte et mon fromage, Toute à Robin. J aime Robin, Saderaladon! Aé! Aé! Aé! （avec volubilité, sur le mode d un rapide boniment） Et maintenant, Voulez-vous tours de jonglerie, Voire de sorcellerie? Voulez vous griffons et diables volants? （Jean s est arrêté, honteux de ce sacrilège, à la Vierge） Pardon… （avec confusion） l habitude! （se rapprochant de la Vierge, et en confidence） Entre nous, j exagère, Mais vous savez qu un boniment n est jamais absolument sincère. （reprenant） Attention! Pour finir la séance, J aurai l honneur de danser devant vous, ▼LE PRIEUR▲ （prêt à s élancer） Ah! je cours! ▼BONIFACE▲ （le retenant） Patience! ▼JEAN▲ （avec humilité） Tout simplement la danse de chez nous. （Le Jongleur se met à danser alors une sorte de bourrée avec des appels de pieds et des exclamations jetées par intervalles. Il danse de plus en plus vite, jusqu au moment où, couvert de sueur, haletant, il tombe aux pieds de la Vierge et s y prosterne dans une longue et profonde adoration. Successivement arrivent tous les Moines y compris le Moine musicien, le Moine poète, le Moine sculpteur ils entourent le Prieur. Jean ne peut savoir qu il est regardé. Il n entend aucune des imprécations de colère qui grandissent à mesure que la danse du jongleur s accentue） ▼LE PRIEUR▲ （à Boniface, désignant Jean, avec dégoût et colère） A son vomissement vois retourner le chien! ▼BONIFACE▲ （au Prieur, à part, comme pour l apaiser） Devant l arche dansa le roi David. （de bonne humeur） Je pense que David! n était pas païen. （Rumeurs de colère peu à peu grandissantes） ▼LES MOINES▲ （entre eux, désignant Jean） Sacrilège! Sacrilège! chassons-le… du Saint lieu! Quelle insulte! （d autre arrivant） Quelle insulte! Chassons-le, chassons-le du Saint lieu! Vengeance! Vengeance! Il se vautre Il se joue dans son impiété… Vengeance! Vengeance! Vengeance! ▼TOUS LES MOINES▲ （réunis） Mort à l impie! Mort! Mort à l impie! Mort! ▼LE PRIEUR▲ Anathème sur lui! ▼BONIFACE▲ （très expressif） Pitié, pitié pour lui! ▼LE PRIEUR▲ Anathème sur lui! ▼BONIFACE▲ Pitié pour lui! ▼LE PRIEUR▲ Anathème! Mort au sacrilège! ▼LE PRIEUR, LES MOINES▲ Mort! ▼BONIFACE▲ Non! （Furieux, les Moines vont se précipiter sur Jean. Mais Boniface, d un geste vers la statue de la Vierge, les arrête） Arrière tous! la Vierge le protège! （avec une terreur religieuse） Voyez-vous… （presque sans voix） le tableau… D une étrange lumière Il commence à briller… Un doux regard se lève au bord de la paupière, Sur la bouche… un sourire est près de s éveiller. ▼LES MOINES▲ （entre eux, désignant la statue） … là! là! ▼LES MOINE PEINTRE▲ … là! voyez-vous? ▼LES MOINES▲ O miracle! Voyez! ▼LES MOINES PEINTRE▲ （radieux d orgueil） O Peinture! ▼BONIFACE▲ Ah!, voyez… la main blanche Vers le Jongleur incline un geste maternel… Le front délicieux avec amour se penche… ▼PRIEUR, LE MOINE PEINTRE, MOINES▲ O miracle! ▼LES ANGES▲ （Voix invisibles au très loin; sopranos, contraltos, enfants） Hosanna! Gloire à Jean. Gloire au plus haut des cieux, Hosanna! Gloire et sérénité. Paix sur la terre Aux hommes de bonne volonté, Hosanna! （les sopranos seulement） Hosanna! ▼BONIFACE▲ （extasié） Ecoutez les musiques du ciel! Adorable mystère. ▼LES MOINES▲ （les Moine Peintre avec les barytons） Adorable mystère. ▼LE PRIEUR▲ Adorable mystère. ▼BONIFACE, PRIEUR, MOINES▲ Miracle! （Le Prieur, suivi des Moines, s approche de Jean toujours aux pieds de la Vierge, abîmé dans sa prière. Jean se relève, et se retourne au bruit, effrayé d être surpris dans son costume de jongleur） ▼JEAN▲ C est le Prieur! ah! pardon! ▼LE PRIEUR▲ （le relevant） Relevez-vous, C est à moi d être à vos genoux… Vous êtes un grand Saint. Priez, priez pour nous. ▼BONIFACE, LES MOINES▲ Priez pour nous. ▼JEAN▲ （croyant qu on le raille） Non! ne me raillez point. Punissez-moi, mon Père. ▼LE PRIEUR▲ Vous railler, vous punir, Vous, l honneur de ce monastère, （désignant la statue） Quand je vois de mes yeux la Vierge vous bénir. ▼JEAN▲ （très simplement） Je ne vois rien. ▼BONIFACE, LES MOINES▲ Etrange merveille! ▼LE PRIEUR▲ Enseignement des cieux et leçon non pareille de candide vertu, de sainte humilité. （s adressant à la Vierge） Mais cependant, ô Vierge souveraine, Mère d amour et de bonté, pour le délasser de sa peine, Aux yeux fermés encor de Votre cher Jongleur, Divine et vivante Pâleur, Révélez-vous! ▼BONIFACE, LES MOINES▲ Miracle! Miracle! （Se détachant des mains de la Vierge, l auréole des bienheureux vient briller sur la tête de Jean） ▼JEAN▲ （extasié） Rayonnement! Ah! bonheur! Délicieusement… je meurs… ▼BONIFACE, LE PRIEUR, MOINES▲ Miracle! Miracle! Miracle! Miracle! （Jean défaille） ▼LES MOINES▲ （tombant à genoux） Kyrie eleison, Christe, exaudi nos, Sancta Maria, Ora pro nobis. ▼JEAN▲ （d un ton naïf et tendre） Enfin… Je comprends le latin… （Il retombe） ▼DEUX ANGES▲ Caressé du vent de nos ailes, Souriant, le jongleur s endort; Voyez devant son humble zèle S ouvrir aux cieux la porte d or. ▼LES ANGES▲ Alléluia! Alléluia! ▼DEUX ANGES▲ Voyez s ouvrir la porte d or, Voyez s ouvrir la porte d or! ▼JEAN▲ （extasié, souriant） Spectacle radieux… Je vois s ouvrir les cieux! Parfums divins… frais palpitèments d ailes… （tendrement, ému） La Vierge de la main me fait signe… Je viens… quel doux sourire… Ah! sa main blanche… sa main… La Gloire du Paradis （La Vierge, au milieu du Paradis, entourée des Anges） ▼BONIFACE▲ （contemplant Jean avec une ardent et radieuse piété） Délivré des terrestres liens… Il s envole… au bonheur… de l Eternel Dimanche… Plus de chagrin… plus de souci… Il entre en la céleste ronde… ▼JEAN▲ （sans voix） Me voici… （Il meurt） ▼LE PRIEUR▲ Heureux les simples car ils verront Dieu. ▼LES ANGES▲ （au très loin） Amen. ▼BONIFACE, LE PRIEUR, LES MOINES▲ Amen. ACTE TROISIÈME Pastorale Mystique (Dans la chapelle de l Abbaye. Bien en vue, la statue de la Vierge. La chapelle est disposée de telle sorte que, d un côté, un puisse voir Jean sans qu il aperçoive lui-même ceux qui l observent. Les Moines achèvent de chanter l hymne et disparaissent lentement dans le cloître. Le Moine Peintre seul devant la statue peinte) LES MOINES (au loin peu à peu) Ave coeleste lilium Ave rosa speciosa, In hac valle lacrymarum, Da robur, fer auxilium. LE MOINE PEINTRE (en pieuse admiration devant la statue) Un regard, le dernier… à mon œuvre, (orgueilleusement) à ma Vierge… LES MOINES (de très loin) Ave coeleste lilium. LE MOINE PEINTRE Le chant s éloigne et meurt… Dans le silence où dort l immobile flamme des cierges, Pour son peintre jaloux Elle est plus belle encor. Mais on entre… c est Jean. Pourquoi tout ce bagage? (Il se dissimule derrière un pilier. Jean, entre encore vêtu de sa robe de moine, portant sa viele et sa besace de jongleur. Il entre à pas de loup, regardant partout avec inquiétude) JEAN (ému) Personne… allons, courage! Nul à cette heure, ne vient plus. (S approchant de l autel et restant devant en fervente et muette contemplation. Avec foi et tendresse) Vierge, mère adorable de Jésus, Blanche souveraine, Me voilà donc seul devant vous… Tremblant… le cœur plein d amour et de peine, Je tombe à vos genoux… écoutez ma prière Hélas, le pauvre Jean n est rien qu un vil jongleur; (timidement) Laissez-le cependant, à son humble manière, Travailler sous vos yeux, ô Vierge, en votre honneur. (Dépouillant sa robe de moine, il apparaît en surcot de jongleur, étend son tapis et, saisissant sa vièle, en tire les même accords qui annonçaient sa venue sur la place) LE MOINE PEINTRE (à part) Il devient fou. Je cours avertir le Prieur. (Il sort vivement) JEAN (à haute voix) Je commence. (d abord, il salue la Vierge, puis, avec force et rapidité, il commence son boniment) Place! Place! Place! Silence! Ecoutez Jean, Roi des Jongleurs! Mais dans ma sébile, d avance ce quelques sols… (s arrêtant confus; à la Vierge) L habitude! Pardon. (reprenant son boniment avec vivacité) Attention! Pour vous plaire, Je chante une chanson de guerre. (chaque syllabe brutalement accentuée) Il fait beau voir ces hommes d armes Quand ils sont montés et bardés; Il fait beau voir luire ces armes Dessous les étendards dorés. Pour gagner gloire et belle terre, Entre nous gentils compagnons, Suivons (presque en hurlant) la guerre! Suivons la guerre! la guerre! (à part) Mais, ce vacarme à la Vierge fait peur. (s adressant à la Vierge, naïvement) Vous préférez peut-être Le Romance d Amour? «Belle Doètte à sa fenêtre…» (la mémoire lui manque) «Belle Doètte…» (honteux) Je ne sais plus… (commençant une autre romance) «Belle Erembourg Sur la plus haute tour… (cherchant à se rappeler la suite) Sur la plus haute tour… Sur la plus haute tour…» Ah! mémoire infidèle! Eh bien, rabâche alors, imbécile histrion, L éternelle Pastourelle de Robin et Marion. (franchement) A l oré du joli bocage, Saderaladon. Chante rossignolet, Saderaladon, Marion, pastoure bien sage, A ses amours Pense toujours Saderaladon! Aé! Aé! Aé! (fièrement) Vient à passer, fier sous l armure, Saderaladon, Chante, rossignolet, Saderaladon. Chevalier de belle figure; (Le Prieur, conduit par le Moine Peintre, arrive avec Boniface. Jean ne peut les apercevoir; ils observent le manège du jongleur) «Je suis le Roi; Sois toute à moi, Saderaladon, Aé! Aé! Aé! LE PRIEUR (scandalisé, il fait mine de se précipiter vers Jean) Sacrilège! JEAN «Non, beau seigneur, je reste sage, Saderaladon, Chante rossignolet, Saderaladon BONIFACE (contenant le Prieur) Attendez… la fin de la chanson Catholiquement Marie La fille avec le garçon. JEAN Avec ma cotte et mon fromage, Toute à Robin. J aime Robin, Saderaladon! Aé! Aé! Aé! (avec volubilité, sur le mode d un rapide boniment) Et maintenant, Voulez-vous tours de jonglerie, Voire de sorcellerie? Voulez vous griffons et diables volants? (Jean s est arrêté, honteux de ce sacrilège, à la Vierge) Pardon… (avec confusion) l habitude! (se rapprochant de la Vierge, et en confidence) Entre nous, j exagère, Mais vous savez qu un boniment n est jamais absolument sincère. (reprenant) Attention! Pour finir la séance, J aurai l honneur de danser devant vous, LE PRIEUR (prêt à s élancer) Ah! je cours! BONIFACE (le retenant) Patience! JEAN (avec humilité) Tout simplement la danse de chez nous. (Le Jongleur se met à danser alors une sorte de bourrée avec des appels de pieds et des exclamations jetées par intervalles. Il danse de plus en plus vite, jusqu au moment où, couvert de sueur, haletant, il tombe aux pieds de la Vierge et s y prosterne dans une longue et profonde adoration. Successivement arrivent tous les Moines y compris le Moine musicien, le Moine poète, le Moine sculpteur ils entourent le Prieur. Jean ne peut savoir qu il est regardé. Il n entend aucune des imprécations de colère qui grandissent à mesure que la danse du jongleur s accentue) LE PRIEUR (à Boniface, désignant Jean, avec dégoût et colère) A son vomissement vois retourner le chien! BONIFACE (au Prieur, à part, comme pour l apaiser) Devant l arche dansa le roi David. (de bonne humeur) Je pense que David! n était pas païen. (Rumeurs de colère peu à peu grandissantes) LES MOINES (entre eux, désignant Jean) Sacrilège! Sacrilège! chassons-le… du Saint lieu! Quelle insulte! (d autre arrivant) Quelle insulte! Chassons-le, chassons-le du Saint lieu! Vengeance! Vengeance! Il se vautre Il se joue dans son impiété… Vengeance! Vengeance! Vengeance! TOUS LES MOINES (réunis) Mort à l impie! Mort! Mort à l impie! Mort! LE PRIEUR Anathème sur lui! BONIFACE (très expressif) Pitié, pitié pour lui! LE PRIEUR Anathème sur lui! BONIFACE Pitié pour lui! LE PRIEUR Anathème! Mort au sacrilège! LE PRIEUR, LES MOINES Mort! BONIFACE Non! (Furieux, les Moines vont se précipiter sur Jean. Mais Boniface, d un geste vers la statue de la Vierge, les arrête) Arrière tous! la Vierge le protège! (avec une terreur religieuse) Voyez-vous… (presque sans voix) le tableau… D une étrange lumière Il commence à briller… Un doux regard se lève au bord de la paupière, Sur la bouche… un sourire est près de s éveiller. LES MOINES (entre eux, désignant la statue) … là! là! LES MOINE PEINTRE … là! voyez-vous? LES MOINES O miracle! Voyez! LES MOINES PEINTRE (radieux d orgueil) O Peinture! BONIFACE Ah!, voyez… la main blanche Vers le Jongleur incline un geste maternel… Le front délicieux avec amour se penche… PRIEUR, LE MOINE PEINTRE, MOINES O miracle! LES ANGES (Voix invisibles au très loin; sopranos, contraltos, enfants) Hosanna! Gloire à Jean. Gloire au plus haut des cieux, Hosanna! Gloire et sérénité. Paix sur la terre Aux hommes de bonne volonté, Hosanna! (les sopranos seulement) Hosanna! BONIFACE (extasié) Ecoutez les musiques du ciel! Adorable mystère. LES MOINES (les Moine Peintre avec les barytons) Adorable mystère. LE PRIEUR Adorable mystère. BONIFACE, PRIEUR, MOINES Miracle! (Le Prieur, suivi des Moines, s approche de Jean toujours aux pieds de la Vierge, abîmé dans sa prière. Jean se relève, et se retourne au bruit, effrayé d être surpris dans son costume de jongleur) JEAN C est le Prieur! ah! pardon! LE PRIEUR (le relevant) Relevez-vous, C est à moi d être à vos genoux… Vous êtes un grand Saint. Priez, priez pour nous. BONIFACE, LES MOINES Priez pour nous. JEAN (croyant qu on le raille) Non! ne me raillez point. Punissez-moi, mon Père. LE PRIEUR Vous railler, vous punir, Vous, l honneur de ce monastère, (désignant la statue) Quand je vois de mes yeux la Vierge vous bénir. JEAN (très simplement) Je ne vois rien. BONIFACE, LES MOINES Etrange merveille! LE PRIEUR Enseignement des cieux et leçon non pareille de candide vertu, de sainte humilité. (s adressant à la Vierge) Mais cependant, ô Vierge souveraine, Mère d amour et de bonté, pour le délasser de sa peine, Aux yeux fermés encor de Votre cher Jongleur, Divine et vivante Pâleur, Révélez-vous! BONIFACE, LES MOINES Miracle! Miracle! (Se détachant des mains de la Vierge, l auréole des bienheureux vient briller sur la tête de Jean) JEAN (extasié) Rayonnement! Ah! bonheur! Délicieusement… je meurs… BONIFACE, LE PRIEUR, MOINES Miracle! Miracle! Miracle! Miracle! (Jean défaille) LES MOINES (tombant à genoux) Kyrie eleison, Christe, exaudi nos, Sancta Maria, Ora pro nobis. JEAN (d un ton naïf et tendre) Enfin… Je comprends le latin… (Il retombe) DEUX ANGES Caressé du vent de nos ailes, Souriant, le jongleur s endort; Voyez devant son humble zèle S ouvrir aux cieux la porte d or. LES ANGES Alléluia! Alléluia! DEUX ANGES Voyez s ouvrir la porte d or, Voyez s ouvrir la porte d or! JEAN (extasié, souriant) Spectacle radieux… Je vois s ouvrir les cieux! Parfums divins… frais palpitèments d ailes… (tendrement, ému) La Vierge de la main me fait signe… Je viens… quel doux sourire… Ah! sa main blanche… sa main… La Gloire du Paradis (La Vierge, au milieu du Paradis, entourée des Anges) BONIFACE (contemplant Jean avec une ardent et radieuse piété) Délivré des terrestres liens… Il s envole… au bonheur… de l Eternel Dimanche… Plus de chagrin… plus de souci… Il entre en la céleste ronde… JEAN (sans voix) Me voici… (Il meurt) LE PRIEUR Heureux les simples car ils verront Dieu. LES ANGES (au très loin) Amen. BONIFACE, LE PRIEUR, LES MOINES Amen. Massenet,Jules/Le Jongleur de Notre-Dame
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HTML5基本構造 HTML5の基礎組み立て DOCTYPE 宣言（DOCTYPE スイッチ） HTML5基本構造 参考サイト：http //www.htmq.com/html5/002.shtml より明確に文書構造を示すことができる フォームの入力補助やチェック機能を属性で指定できる 動画や音声データをHTMLからシンプルに扱える APIの追加により、ウェブアプリケーションが構築しやすくなる HTML5で追加される予定の要素（タグ） HTML5で廃止される予定の要素（タグ） HTML5の基礎組み立て !DOCTYPE html html lang="ja" [[head]] title TAG Design /title !-- 文字コード -- meta http-equiv="Content-Type" content="text/html; charset=utf-8" !-- 検索キーワード -- meta name="keywords" content="keyword1,keyword2" !-- サイト説明文 -- meta name="description" content="This is test page !" !-- 作者情報 -- meta name="author" content="miyoshi" !-- 著作権情報 -- meta name="copyright" content="miyoshi" !-- css外部参照 -- link rel="stylesheet" type="text/css" href="../css/style.css" !-- google api - jquery -- script type="text/javascript" src="https //ajax.googleapis.com/ajax/libs/jquery/1.7.2/jquery.min.js" /script /head body div id="wrapper" [[header]] h1 TAG Design /h1 h2 ~ tag design ~ /h2 /header div id="main" ul li class="about" a href="#" About Us /a /li /ul /div footer li a href="#" 個人情報の取り扱いについて /a /li li a href="#" サイトマップ /a /li p Copyright copy; 2012 TAG Design /p /footer /div /body /html DOCTYPE 宣言（DOCTYPE スイッチ） 参考サイト：http //2xup.org/log/2007/07/27-2111 各ブラウザの DOCTYPE スイッチ対応表：http //spreadsheets.google.com/pub?key=pbrvd2wQKc03fJ5QWgYr-Cw gid=3 HTML5はDTDがいらない：http //withd.jp/web/tips/standard/3947.html?page=2 DTDwiki：http //ja.wikipedia.org/wiki/Document_Type_Definition オンの状態 standards mode (標準準拠モード) 仕様に準拠した厳格な表示モード オフの状態 quirks mode (後方 (過去) 互換モード) 仕様に準拠していない古いブラウザとの互換 css3フォーマット @import url(http //fonts.googleapis.com/css?family=Fredericka+the+Great); body, header, nav, article, aside, footer, div, ul, li, h1, h2, p { margin 0; padding 0; } body { text-align center; line-height 1.5; min-width 800px; background-color #f5f5f1; color #666666; font-family 'Fredericka the Great', cursive; font-size 62.5%; }
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Farbbilder zu Mini-Preisen Zum ersten Mal ist es gelungen, Farbfotos in großer Stückzahl ohne Negativ herzustellen. Ein Fotochrome-Farbbild kostet (umgerechnet) nur 80 Pfennige. Leider läßt die Qualität noch zu wünschen übrig. Jeder kennt das brillante Polaroid-System, die Sofortbild-Kamera für Filme mit eingebautem Entwickler. Man knipst, zieht an einer Papierlasche und kann nach zehn Sekunden das fertige Bild aus der Kamera lösen. Seit gut zwei Jahren gibt es sogar Polaroid-Farbfotos, die nur ein paar Sekunden länger brauchen als Schwarzweißbilder. Technisch gesehen, ist dieses Wunderwerk kaum noch zu überbieten. Trotzdem hat auch das Polaroid-System einen Haken den Preis. Ein schwarzweißes Polaroidbild kostet eine Mark, ein farbiges jedoch rund fünf Mark. Das sei entschieden zuviel, tönt jetzt die Werbetrommel einer anderen amerikanischen Firma durch den Blätterwald, zumal es ja jetzt einen viel billigeren Weg zum Farbfoto gebe Die Fotochrome Company, New York, propagiert das Fotochrome-System Wir haben nach jahrelanger Entwicklungsarbeit und nach Tausenden von Experimenten ein revolutionäres Farbfotoaufnahmesystem fertiggestellt. Die Kamera ist so automatisch, wie sie überhaupt nur sein kann. Sie ist narrensicher. Die Bedienung ist ein Kinderspiel. Und die Hauptsache Marn lädt sie mit einem Film, der die Kosten von Farbaufnahmen praktisch halbiert. Farbaufnahmen kosten soviel wie Schwarzweißaufnahmen. Warum? Nun, Fotochrome gibt den Grund an braucht kein Negativ mehr. Das Geheimnis liegt angeblich im Entwicklungsprozeß Wir sind jetzt imstande, ein Positiv in klaren, leuchtenden Farben unmittelbar, ohne umständliche, kostspielige Zwischenstufen aus dem belichteten Film herzustellen. AußBer Geld spart das Verfahren auch Zeit Bisher dauerte es meistens zwei Tage, von der Absendung des Films an gerechnet, bis man die Bilder zurückerhielt. Beim Fotochrome-Verfahren braucht man gewöhnlich nur einen Tag. Das ist zwar gegenüber dem herkömmlichen Farbfilm recht schnell, doch mit Polaroid kann man Fotochrome in dieser Hinsicht eben doch nicht vergleichen. Bleibt als zugkräftigstes Verkaufsargument also der Preis. Die ziemlich eigenartig geformte Fotochrome-Kamera ist zunächst nur in den Vereinigten Staaten zu beziehen. Kaufpreis im Einzelhandel 50 Dollar Für das Geld bekommt man einen Apparat, der wirklich beinahe so einfach zu bedienen ist, wie der Prospekt verspricht. Die 4.5-f-Linse ist nicht besonders lichtstark (viele der billigeren Polaroidlinsen sind es auch nicht); ein Belichtungsmesser ist selbstver- ständlich eingebaut, und das Laden ist nicht schwieriger als bei den Kodak-Instamatic-Modellen. Auch sonst gibt's manches vom üblichen Kamera-Komfort Sperrvorrichtung zur Verhinderung von Doppelbelichtung, automatische Belichtungseinstellung für Blitzlichtaufnahmen und ähnliches mehr. Die Fotochrome-Filmkassette läßt sich kinderleicht einlegen. Der Film besteht aus einer beschichteten Kunststoffolie, die auch das entwickelte Positiv trägt. Die Fotochrome-Filmkassette für zehn Aufnahmen kostet knapp zwei Dollar, ein Farbbild kommt also umgerechnet auf rund 80 Pfennige. Das ist fürwahr außergewöhnlich günstig! Aber nun die wichtigste Frage Wie gut sind diese Billigst-Farbbilder? Hier sind die Kenner nicht ganz zufrieden und die Laien auch nicht. Schon bei Polaroid-Farbe gibt es unter ungünstigen Aufnahmeverhältnissen manches zu bemängeln bei Fotochrome gilt das meistens auch dann, wenn die Voraussetzungen günstig waren. Manche Bilder haben einen unmotivierten Stich ins Violette; das verschossene Blau des Himmels sieht weniger natürlich aus, als es solite; beim Betrachten der Porträtaufnahmen drängt sich der Eindruck auf, die Frauen und Kinder, die da 'bitte recht freundlich' lächeln, scheinen noch einer längeren Rekonvaleszenz zu bedürfen. Leider wird dieser Fehler, der mit dem Entwicklungsverfahren zu tun haben mag, nicht durch einen zweiten aufgehoben Selbst die Farbfotos, die die Firma zu Werbezwecken verschickt, sind nicht scharf durchgezeichnet. Feine Details gibt es nicht. Der Verdacht liegt nahe, daß die Linse optisch nicht erstklassig ist. Nun soll man deshalb über Fotochrome noch nicht den Stab brechen. Wer nicht allzu anspruchsvoll ist und die Hälfte der üblichen Farbfotokosten sparen will, kann mit Fotochrome durchaus glücklich werden. Man soll auch nicht vergessen, daß man es hier mit einem der ersten negativlosen Farbaufnahmesysteme zu tun hat. Vielleicht haben sich die Fotochrome-Leute etwas zu früh auf den Markt gewagt Sie standen unter Druck. Allerdings hatten sie den Druck selbst erzeugt. Vor rund zwei Jahren ließen sie Gerüchte über ein sensationelles Farbfotosystem kursieren; damals war das Verfahren aber noch nicht publikumsreif. Da die Gerüchte ziemlich wilde Spekulationen in Fotochrome-Aktien auslösten , ordnete die Börsenaufsichtsbehörde den vorübergehenden Ausschluß von Fotochrome-Aktien an. Bei Fotochrome ist man sehr zugeknöpft, wenn man wissen will, wie denn nun das Wunder eigentlich funktioniert. Offiziell wurde uns überhaupt nichts mitgeteilt. Wir vermuten aber, daβ das Geheimnis dieses Verfahrens, ähnlich wie bei Polaroid, im Film begraben ist. Der Fotochrome-Film ist eine beschichtete Kunststoffolie, die nach Belichtung und Entwicklung auch das positive Farbbild trägt. Es muß den Fotochrome-Leuten gelungen sein, das bei der Belichtung entstehende Negativ auf dem Film in ein Positiv umzuwandeln. Vom Positiv können selbstverständ lich auch Kopien und Vergrößerungen angefertigt werden. Welcher fotochemische Prozeß dem Verfahren zugrunde liegt, ist jedoch noch striktes Firmengeheimnis der Fotochrome Inc, in Long Island City. Und wenn die sem Verfahren noch verschiedene Kinderkrankheiten anhaften, so darf man jedoch nicht übersehen, daß hier wirkli ches Neuland betreten wurde und daß Fotochrome höchstwahrscheinlich noch uner-forschte, aber zukunftsträchtige Möglichkeiten birgt. N.D. Hebert
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