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ACTE CINQUIÈME PREMIER TABLEAU （Le bord de la mer couvert de tentes troyennes. On voit les vaisseaux troyens dans le port. Il fait nuit. Un jeune matelot phrygien chante en se balançant au haut du mât d'un navire. Deux sentinelles montent la garde devant les tentes au fond de la scène.） N° 38 – Chanson d'Hylas ▼HYLAS▲ Vallon sonore, Où dès l'aurore Je m'en allais chantant, hélas! Sous tes grands bois chantera-t-il encore, Le pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant de Dindyme! Fraîche ramée, Retraite aimée Contre les feux du jour, hélas! Quand rendras-tu ton ombre parfumée Au pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant de Dindyme! Humble chaumière Où de ma mère Je reçus les adieux, ▼PREMIÈRE SENTINELLE▲ Il rêve à son pays… ▼DEUXIÈME SENTINELLE▲ Qu'il ne reverra pas. ▼HYLAS▲ Hélas! Reverra-t-il ton heureuse misère, Le pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant… （Il s'endort.） N° 39 – Récitatif et chœur （Entrent Panthée et les chefs troyens.） ▼PANTHÉE▲ Préparez tout, il faut partir enfin. Énée en vain Voit avec désespoir l'angoisse de la reine, La gloire et le devoir sauront briser sa chaîne Et son cœur sera fort au moment des adieux. ▼PANTHÉE, LES CHEFS▲ Chaque jour voit grandir la colère des dieux. Des signes effrayants déjà nous avertissent; La mer, les monts, les bois profonds gémissent; Sous d'invisibles coups nos armes retentissent; Comme dans Troie en la fatale nuit, Hector, dont l'œil courroucé luit, En armes apparaît; un chœur d'ombres le suit; Et ces morts irrités La nuit dernière encore ont crié trois fois… ▼LES OMBRES▲ Italie! Italie! Italie! ▼PANTHÉE, LES CHEFS▲ Dieux vengeurs! c'est leur voix!… Nous avons trop longtemps bravé l'ordre céleste; Quittons sans plus tarder ce rivage funeste! A demain! à demain! Préparons tout, il faut partir enfin. （Ils entrent dans les tentes.） N° 40 – Duo （Les deux soldats en sentinelle marchent, l'un de droite à gauche, l'autre de gauche à droite. Ils s'arrêtent de temps en temps l'un près de l'autre vers le milieu du théâtre.） ▼PREMIÈRE SENTINELLE▲ Par Bacchus! ils sont fous avec leur Italie!… Je n'ai rien entendu. ▼DEUXIÈME SENTINELLE▲ Ni moi. ▼PREMIÈRE SENTINELLE▲ La belle vie, Pourtant, qu'on mène ici! ▼DEUXIÈME SENTINELLE▲ Dans plus d'une maison Nous trouvons et bon vin et grasse venaison. ▼PREMIÈRE SENTINELLE▲ A ma belle Carthaginoise, Je puis déjà parler phénicien. ▼DEUXIÈME SENTINELLE▲ La mienne comprend le Troyen, M'obéit sans me chercher noise. ▼PREMIÈRE SENTINELLE▲ La tienne comprend le Troyen? ▼DEUXIÈME SENTINELLE▲ M'obéit sans me chercher noise. La femme n'est point rude ici pour l'étranger. ▼ENSEMBLE▲ Non, la femme n'est point rude ici pour l'étranger. ▼PREMIÈRE SENTINELLE▲ Et l'on nous veut faire changer Ces douceurs contre un long voyage! ▼DEUXIÈME SENTINELLE▲ Les caresses de l'orage! ▼PREMIÈRE SENTINELLE▲ La faim. ▼DEUXIÈME SENTINELLE▲ La soif. ▼PREMIÈRE SENTINELLE▲ Vingt maux d'enfer! ▼DEUXIÈME SENTINELLE▲ Et tous les ennuis de la mer! ▼PREMIÈRE SENTINELLE▲ Maudite folie! ▼DEUXIÈME SENTINELLE▲ Pour cette Italie… ▼PREMIÈRE SENTINELLE▲ Où nous devons jouir du fruit de nos travaux… ▼ENSEMBLE▲ En nous faisant rompre les os! ▼DEUXIÈME SENTINELLE▲ Encor pâtir! ▼PREMIÈRE SENTINELLE▲ Encor pâtir! Notre lot est l'obéissance. ▼DEUXIÈME SENTINELLE▲ Silence! Je vois Énée à grands pas accourir. （Les deux sentinelles s'éloignent et disparaissent.） N° 41 – Récitatif mesuré et air ▼ÉNÉE▲ （s'avançant dans une grande agitation） Inutiles regrets!… je dois quitter Carthage! Didon le sait… son effroi, sa stupeur, En l'apprenant, ont brisé mon courage… Mais je le dois… il le faut! Non, je ne puis oublier la pâleur Frappant de mort son beau visage, Son silence obstiné, ses yeux Fixes et pleins d'un feu sombre… En vain ai-je parlé des prodiges sans nombre Me rappelant l'ordre des dieux, Invoqué la grandeur de ma sainte entreprise, L'avenir de mon fils et le sort des Troyens, La triomphale mort par les destins promise, Pour couronner ma gloire aux champs ausoniens; Rien n'a pu la toucher; sans vaincre son silence J'ai fui de son regard la terrible éloquence. Ah! quand viendra l'instant des suprêmes adieux, Heure d'angoisse et de larmes baignée, Comment subir l'aspect affreux De cette douleur indignée?… Lutter contre moi-même et contre toi, Didon! En déchirant ton cœur implorer mon pardon! En serai-je capable?… En un dernier naufrage, Ah! puissé-je périr, si je quittais Carthage Sans te revoir pourtant!… Sans la voir? lâcheté! Mépris des droits sacrés de l'hospitalité! Non, non reine adorée, Âme sublime et par moi déchirée, Bienfaitrice des miens! Non, je veux te revoir, Une dernière fois presser tes mains tremblantes, Arroser tes genoux de mes larmes brûlantes, Dussé-je être brisé par un tel désespoir. N° 42 – Scène ▼CHŒUR D'OMBRES▲ Énée!… ▼ÉNÉE▲ Encor ces voix! （Les quatre spectres voilés paraissent successivement, l'un à l'entrée des coulisses à gauche du spectateur, l'autre à l'entrée des coulisses à droite, les deux autres au fond du théâtre. Au-dessus de la tête de chacun d'eux brille une couronne de petites flammes pâles.） ▼ÉNÉE▲ De la sombre demeure, Messager menaçant, qui donc t'a fait sortir?… ▼LE SPECTRE DE PRIAM▲ （visible） Ta faiblesse et ta gloire… ▼ÉNÉE▲ Ah! je voudrais mourir! ▼LE SPECTRE DE PRIAM▲ Plus de retards! ▼LE SPECTRE DE CHORÈBE▲ （invisible） Pas un jour! ▼LES SPECTRES D'HECTOR ET DE CASSANDRE▲ （invisibles） Pas une heure! ▼LE SPECTRE DE PRIAM▲ （levant son voile devant les yeux d'Énée） Je suis Priam!… il faut vivre et partir! （Sa couronne s'éteint, il disparaît. Énée, s'élançant éperdu vers le côté droit de la scène, y rencontre le spectre de Chorèbe.） ▼LE SPECTRE DE CHORÈBE▲ （levant son voile） Je suis Chorèbe! Il faut partir et vaincre! （Sa couronne s'éteint, il disparaît. Énée, reculant vers le fond du théâtre, y rencontre les deux autres spectres. Cassandre a le bras gauche appuyé sur l'épaule d'Hector. Hector est armé de pied en cap.） ▼ÉNÉE▲ （les reconnaissant au moment où ils se dévoilent） Hector! dieux de l'Érèbe!… Cassandre!… ▼LES SPECTRES DE CASSANDRE et D'HECTOR▲ Il faut vaincre et fonder!… （Leurs couronnes s'éteignent, ils disparaissen.） ▼ÉNÉE▲ Je dois céder A vos ordres impitoyables! J'obéis, j'obéis, spectres inexorables! Je suis barbare, ingrat; vous l'ordonnez, grands dieux! Et j'immole Didon, en détournant les yeux! N° 43 – Scène et chœur ▼ÉNÉE▲ （passant devant les tentes） Debout, Troyens, éveillez-vous, alerte! Le vent est bon, la mer nous est ouverte! Éveillez-vous! Il faut partir avant le lever du soleil! ▼LES TROYENS▲ （dans les tentes） Alerte!… entendez-vous, amis, la voix d'Énée?… （Ils sortent des tentes） Donnez partout le signal du réveil… ▼ÉNÉE▲ （à un chef） Va, cours, porte cet ordre à l'oreille étonnée D'Ascagne Qu'il se lève et qu'il se rende à bord! Avant le jour il faut quitter le port. Ma tâche, jusqu'au bout, grands dieux, sera remplie, Alerte, amis! profitons des instants! Coupez les câbles, il est temps! En mer! en mer! Italie! Italie! ▼CHŒUR▲ Voici le jour, profitons des instants! Coupons les câbles, il est temps! En mer! en mer! Italie! Italie! ▼ÉNÉE▲ （se tournant du côté du palais de Didon） A toi mon âme! Adieu! digne de ton pardon, Je pars, noble Didon! L'impatient destin m'appelle; Pour la mort des héros, je te suis infidèle. （Tous se précipitent hors de la scène dans diverses directions, comme pour faire des préparatifs de départ. On voit les vaisseaux commencer à se mettre en mouvement. Éclairs et tonnerre lointain.） N° 44 – Duo et chœur ▼DIDON▲ Errante sur tes pas, Sous la foudre qui gronde, J'ai voulu voir, je vois et ne crois pas… Tu prépares ta fuite? ▼ÉNÉE▲ En ma douleur profonde, Chère Didon, épargnez-moi! ▼DIDON▲ Tu pars? tu pars? Sans remords! Quoi! Dédaigneux du sceptre de Libye, En m'arrachant le cœur tu cours en Italie! ▼ÉNÉE▲ J'ai trop tardé… des dieux les ordres souverains… ▼DIDON▲ Il part!… il suit la voix d'implacables destins, Sans écouter la mienne! à ses lâches dédains Il me voit exposer ma douleur surhumaine, （Elle voit un groupe de Troyens sourire en la regardant.） Et ma beauté de reine Aux rires insolents de ces ingrats Troyens!… ▼ÉNÉE▲ Didon! ▼DIDON▲ Sans qu'à l'aspect d'une telle misère La pitié d'une larme humecte sa paupière! Tu pars? Non ! ce n'est pas Vénus qui t'enfanta, Quelque louve hideuse aux forêts t'allaita! ▼ÉNÉE▲ Ô reine, quand à vous se dévoua mon âme, Elle subit la loi d'un immortel amour, Et jusqu'au dernier jour Mon cœur vivra de cette flamme… ▼DIDON▲ Tais-toi! rien ne t'arrête; La mort qui plane sur ma tête, Ma honte, mon amour, notre hymen commencé, Mon nom du livre d'or dès ce jour effacé! Encor, si de ta foi, j'avais un tendre gage, Oui, si d'un fils d'Énée Le fier et doux visage Me rappelant tes traits, souriait sur mon sein, Je serais moins abandonnée… ▼ÉNÉE▲ Je vous aime, Didon grâce! l'ordre divin Pouvait seul emporter la cruelle victoire. （On entend la fanfare de la marche troyenne.） ▼DIDON▲ A ce chant de triomphe où rayonne ta gloire, Je te vois tressaillir! Tu pars? ▼ÉNÉE▲ Je dois partir… ▼DIDON▲ Tu pars? ▼ÉNÉE▲ Mais pour mourir, Obéissant aux dieux, Je pars et je vous aime! ▼DIDON▲ Ne sois plus longtemps par mes cris arrêté, Monstre de piété! Va donc, va! je maudis et tes dieux et toi-même! （Elle sort. Des groupes de soldats troyens occupés des préparatifs du départ passent et se dirigent vers les vaisseaux.） ▼ÉNÉE, LES TROYENS▲ Italie! （Ascagne arrive conduit par un chef troyen. Énée monte sur un vaisseau.） DEUXIÈME TABLEAU （Un appartement de Didon. Le jour se lève.） N° 45 – Scène ▼DIDON▲ Va, ma sœur, l'implorer De mon âme abattue L'orgueil a fui. Va! ce départ me tue Et je le vois se préparer. ▼ANNA▲ Hélas! moi seule fus coupable, En vous encourageant à former d'autres nœuds. Peut-on lutter contre les dieux?… Son départ est inévitable, Et pourtant il vous aime. ▼DIDON▲ Il m'aime! non! non! son cœur est glacé! Ah! je connais l'amour, et si Jupiter même M'eût défendu d'aimer, mon amour insensé De Jupiter braverait l'anathème. Mais va, ma sœur, allez, Narbal, le supplier Pour qu'il m'accorde encore Quelques jours seulement. Humblement je l'implore Ce que j'ai fait pour lui, pourra-t-il l'oublier, Et repoussera-t-il cette instance suprême De vous, sage Narbal, de toi, ma sœur, qu'il aime?… N° 46 – Scène ▼CHŒUR▲ （au loin derrière la scène） En mer, voyez! six vaisseaux! sept! neuf! dix! ▼IOPAS▲ （entrant） Les Troyens sont partis! ▼DIDON▲ Qu'entends-je? ▼IOPAS▲ Avant l'aurore Leur flotte était en mer, on l'aperçoit encore! ▼DIDON▲ Dieux immortels! il part! Armez-vous, Tyriens! Carthaginois, courez, poursuivez les Troyens! Courbez-vous sur les rames, Volez sur les eaux, Lancez des flammes, Brûlez leurs vaisseaux! Que la ville entière… Que dis-je?… impuissante fureur! Subis ton sort et désespère, Dévore ta douleur, Ô malheureuse! Et voilà donc la foi de cette âme pieuse! J'offrais un trône!… Ah! je devais alors Exterminer la race vagabonde De ces maudits, et disperser sur l'onde Les débris de leurs corps! C'est alors qu'il fallait prévoir leur perfidie, Livrer leur flotte à l'incendie, Et me venger d'Énée et lui servir enfin Les membres de son fils en un hideux festin! A moi, dieux des enfers! l'Olympe est inflexible!… Aidez-moi! que par vous mon cœur soit enflammé D'une haine terrible Pour ce fugitif que j'aimai! Du prêtre de Pluton, qu'on réclame l'office! Pour apaiser mes douloureux transports, A l'instant même offrons un sacrifice Aux sombres déités de l'empire des morts! Qu'on élève un bûcher! Que les dons du perfide Et ceux que je lui fis, Dans la flamme livide, Souvenirs détestés, disparaissent!… Sortez! ▼NARBAL▲ （à Anna） Son regard m'épouvante, ô princesse, restez! ▼DIDON▲ Anna, suivez Narbal. ▼ANNA▲ Que ma sœur me pardonne! ▼DIDON▲ Je suis reine et j'ordonne; Laissez-moi seule, Anna. （Anna, Narbal et Iopas sortent.） N° 47 – Monologue （Didon parcourt la scène en s'arrachant les cheveux, se frappant la poitrine et poussant des cris inarticulés.） ▼DIDON▲ Ah! Ah! （Elle s'arrête brusquement.） Je vais mourir… Dans ma douleur immense submergée Et mourir non vengée!… Mourons pourtant! oui, puisse-t-il frémir A la lueur lointaine de la flamme de mon bûcher! S'il reste dans son âme quelque chose d'humain, Peut-être il pleurera sur mon affreux destin. Lui, me pleurer!… Énée!… Énée!… Oh! mon âme te suit, A son amour enchaînée, Esclave, elle l'emporte en l'éternelle nuit… Vénus! rends-moi ton fils!… Inutile prière D'un cœur qui se déchire!… A la mort tout entière Didon n'attend plus rien que de la mort. N° 48 – Air ▼DIDON▲ Adieu, fière cité, qu'un généreux effort Si promptement éleva florissante; Ma tendre sœur qui me suivis errante, Adieu, mon peuple, adieu; adieu, rivage vénéré, Toi qui jadis m'accueillis suppliante; Adieu, beau ciel d'Afrique, astres que j'admirai Aux nuits d'ivresse et d'extase infinie; Je ne vous verrai plus, ma carrière est finie!… （Elle sort à pas lents.） ▼TROISIÈME TABLEAU▲ N° 49 – Cérémonie funèbre （Une partie des jardins de Didon, sur le bord de la mer. Un vaste bûcher est élevé; on y monte par les gradins latéraux. Sur la plate-forme du bûcher sont placés un lit, une toge, un casque, une épée avec son baudrier, et un buste d'Énée.） （Entrent les Prêtres de Pluton, revêtus de costumes funèbres, ils viennent processionnellement se grouper auprès de deux autels où brillent des flammes verdâtres, puis Anna, Narbal, et enfin Didon voilée et couronnée de feuillage. Pendant la première partie du chœur des prêtres, Anna, s'approchant de sa sœur, lui dénoue sa chevelure et lui ôte le cothurne de son pied gauche.） ▼CHŒUR DE PRÊTRES DE PLUTON▲ Dieux de l'oubli, dieux du Ténare, Au cœur blessé rendez la force et le repos! Des profondeurs du noir Tartare Entendez-nous, Hécate, Érèbe, et toi Chaos! ▼ANNA ET NARBAL▲ （étendant le bras droit du côté de la mer） S'il faut enfin qu'Énée aborde en Italie, Qu'il y trouve un obscur trépas! Que le peuple latin à l'ombrien s'allie Pour arrêter ses pas! Percé d'un trait vulgaire en la mêlée ardente, Qu'il reste abandonné sur l'arène sanglante, Pour servir de pâture aux dévorants oiseaux! Entendez-nous, Hécate, Érèbe, et toi Chaos! ▼LES PRÊTRES, ANNA, NARBAL▲ Dieux de l'oubli, dieux du Ténare, Au cœur blessé rendez la force et le repos ! Des profondeurs du noir Tartare Entendez-nous, Hécate, Érèbe, et toi Chaos! N° 50 – Scène ▼DIDON▲ （parlant comme en songe） Pluton… semble m'être propice… En ce cruel instant… Narbal… ma sœur C'en est fait… achevons le pieux sacrifice… Je sens rentrer le calme… dans mon cœur. （Deux prêtres portant le premier autel s'avancent de gauche à droite, deux autres portant le second s'avancent de droite à gauche et font en se croisant ainsi le tour du bûcher. Didon, le pied gauche nu, les cheveux épars, après avoir déposé sur l'un des autels sa couronne de feuillage, le suit d'un pas saccadé. Pendant ce mouvement processionnel, Anna est à genoux à droite de la scène et Narbal à gauche. Entre eux le grand-prêtre de Pluton, debout, étend, en la tenant des deux mains, la fourche plutonique vers le bûcher. Enfin, saisi d'une énergie convulsive, Didon monte d'un pas rapide les degrés du bûcher. Parvenue au sommet, elle saisit la toge d'Énée, détache le voile brodé d'or qui couvre sa tête, et les jetant l'une et l'autre sur le bûcher, elle dit ） D'un malheureux amour, funestes gages, Dans la flamme emportez avec vous mes chagrins! （Elle considère les armes d'Énée） Ah! （Elle se prosterne sur le lit, qu'elle embrasse avec des sanglots convulsifs. Elle se relève et prenant l'épée elle dit d'un ton prophétique ） Mon souvenir vivra parmi les âges. Mon peuple accomplira d'héroïques destins. Un jour sur la terre africaine, Il naîtra de ma cendre un glorieux vengeur… J'entends déjà tonner son nom vainqueur. Annibal! Annibal! d'orgueil mon âme est pleine! Plus de souvenirs amers! C'est ainsi qu'il convient de descendre aux enfers! （Elle tire l'épée du fourreau, se frappe et tombe sur le lit.） N° 51 – Chœur ▼TOUS▲ Ah! au secours! au secours! la reine s'est frappée! （Narbal sort comme pour aller chercher du secours） ▼CHŒUR▲ （derrière la scène et accourant） Quels cris! ah! dans son sang trempée La reine meurt! （Narbal rentre, le grand chœur entre en scène） Est-il vrai? jour d'horreur! malheur! ▼DIDON▲ （se relevant appuyée sur son coude） Ah! （Elle retombe.） ▼ANNA▲ （sur le bûcher） Ma sœur! （Didon se relève.） ▼DIDON▲ Ah!… （Elle lève les yeux au ciel et retombe gémissant.） ▼ANNA▲ C'est moi, C'est ta sœur qui t'appelle… ▼DIDON▲ （se relevant à demi） Ah! Des destins ennemis… implacable fureur… Carthage périra! N° 52 – Imprécation （On voit dans une gloire lointaine le Capitole romain au fronton duquel brille ce mot ROMA. Devant le Capitole défilent des légions et un empereur entouré d'une cour de poètes et d'artistes. Pendant cette apothéose, invisible aux Carthaginois, on entend au loin la Marche troyenne transmise aux Romains par la tradition et devenue leur chant de triomphe.） ▼DIDON▲ Rome… Rome… immortelle! （Elle retombe, et meurt. Anna tombe évanouie à côté d'elle. Le peuple de Carthage, s'avançant vers l'avant-scène et tournant le dos au bûcher, lance son imprécation, premier cri de guerre punique, contrastant par sa fureur avec la solennité de la Marche triomphale.） ▼CHŒUR▲ Haine éternelle à la race d'Énée! Qu'une guerre acharnée Précipite à jamais nos fils contre ses fils! Que par nos vaisseaux assaillis Leurs vaisseaux dans la mer profonde Périssent abîmés! Que sur la terre et l'onde Nos derniers descendants, contre eux toujours armés, De leur massacre, un jour, épouvantent le monde! ACTE CINQUIÈME PREMIER TABLEAU Le bord de la mer couvert de tentes troyennes. On voit les vaisseaux troyens dans le port. Il fait nuit. Un jeune matelot phrygien chante en se balançant au haut du mât d'un navire. Deux sentinelles montent la garde devant les tentes au fond de la scène. N° 38 – Chanson d'Hylas HYLAS Vallon sonore, Où dès l'aurore Je m'en allais chantant, hélas! Sous tes grands bois chantera-t-il encore, Le pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant de Dindyme! Fraîche ramée, Retraite aimée Contre les feux du jour, hélas! Quand rendras-tu ton ombre parfumée Au pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant de Dindyme! Humble chaumière Où de ma mère Je reçus les adieux, PREMIÈRE SENTINELLE Il rêve à son pays… DEUXIÈME SENTINELLE Qu'il ne reverra pas. HYLAS Hélas! Reverra-t-il ton heureuse misère, Le pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant… Il s'endort. N° 39 – Récitatif et chœur Entrent Panthée et les chefs troyens. PANTHÉE Préparez tout, il faut partir enfin. Énée en vain Voit avec désespoir l'angoisse de la reine, La gloire et le devoir sauront briser sa chaîne Et son cœur sera fort au moment des adieux. PANTHÉE, LES CHEFS Chaque jour voit grandir la colère des dieux. Des signes effrayants déjà nous avertissent; La mer, les monts, les bois profonds gémissent; Sous d'invisibles coups nos armes retentissent; Comme dans Troie en la fatale nuit, Hector, dont l'œil courroucé luit, En armes apparaît; un chœur d'ombres le suit; Et ces morts irrités La nuit dernière encore ont crié trois fois… LES OMBRES Italie! Italie! Italie! PANTHÉE, LES CHEFS Dieux vengeurs! c'est leur voix!… Nous avons trop longtemps bravé l'ordre céleste; Quittons sans plus tarder ce rivage funeste! A demain! à demain! Préparons tout, il faut partir enfin. Ils entrent dans les tentes. N° 40 – Duo Les deux soldats en sentinelle marchent, l'un de droite à gauche, l'autre de gauche à droite. Ils s'arrêtent de temps en temps l'un près de l'autre vers le milieu du théâtre. PREMIÈRE SENTINELLE Par Bacchus! ils sont fous avec leur Italie!… Je n'ai rien entendu. DEUXIÈME SENTINELLE Ni moi. PREMIÈRE SENTINELLE La belle vie, Pourtant, qu'on mène ici! DEUXIÈME SENTINELLE Dans plus d'une maison Nous trouvons et bon vin et grasse venaison. PREMIÈRE SENTINELLE A ma belle Carthaginoise, Je puis déjà parler phénicien. DEUXIÈME SENTINELLE La mienne comprend le Troyen, M'obéit sans me chercher noise. PREMIÈRE SENTINELLE La tienne comprend le Troyen? DEUXIÈME SENTINELLE M'obéit sans me chercher noise. La femme n'est point rude ici pour l'étranger. ENSEMBLE Non, la femme n'est point rude ici pour l'étranger. PREMIÈRE SENTINELLE Et l'on nous veut faire changer Ces douceurs contre un long voyage! DEUXIÈME SENTINELLE Les caresses de l'orage! PREMIÈRE SENTINELLE La faim. DEUXIÈME SENTINELLE La soif. PREMIÈRE SENTINELLE Vingt maux d'enfer! DEUXIÈME SENTINELLE Et tous les ennuis de la mer! PREMIÈRE SENTINELLE Maudite folie! DEUXIÈME SENTINELLE Pour cette Italie… PREMIÈRE SENTINELLE Où nous devons jouir du fruit de nos travaux… ENSEMBLE En nous faisant rompre les os! DEUXIÈME SENTINELLE Encor pâtir! PREMIÈRE SENTINELLE Encor pâtir! Notre lot est l'obéissance. DEUXIÈME SENTINELLE Silence! Je vois Énée à grands pas accourir. Les deux sentinelles s'éloignent et disparaissent. N° 41 – Récitatif mesuré et air ÉNÉE s'avançant dans une grande agitation Inutiles regrets!… je dois quitter Carthage! Didon le sait… son effroi, sa stupeur, En l'apprenant, ont brisé mon courage… Mais je le dois… il le faut! Non, je ne puis oublier la pâleur Frappant de mort son beau visage, Son silence obstiné, ses yeux Fixes et pleins d'un feu sombre… En vain ai-je parlé des prodiges sans nombre Me rappelant l'ordre des dieux, Invoqué la grandeur de ma sainte entreprise, L'avenir de mon fils et le sort des Troyens, La triomphale mort par les destins promise, Pour couronner ma gloire aux champs ausoniens; Rien n'a pu la toucher; sans vaincre son silence J'ai fui de son regard la terrible éloquence. Ah! quand viendra l'instant des suprêmes adieux, Heure d'angoisse et de larmes baignée, Comment subir l'aspect affreux De cette douleur indignée?… Lutter contre moi-même et contre toi, Didon! En déchirant ton cœur implorer mon pardon! En serai-je capable?… En un dernier naufrage, Ah! puissé-je périr, si je quittais Carthage Sans te revoir pourtant!… Sans la voir? lâcheté! Mépris des droits sacrés de l'hospitalité! Non, non reine adorée, Âme sublime et par moi déchirée, Bienfaitrice des miens! Non, je veux te revoir, Une dernière fois presser tes mains tremblantes, Arroser tes genoux de mes larmes brûlantes, Dussé-je être brisé par un tel désespoir. N° 42 – Scène CHŒUR D'OMBRES Énée!… ÉNÉE Encor ces voix! Les quatre spectres voilés paraissent successivement, l'un à l'entrée des coulisses à gauche du spectateur, l'autre à l'entrée des coulisses à droite, les deux autres au fond du théâtre. Au-dessus de la tête de chacun d'eux brille une couronne de petites flammes pâles. ÉNÉE De la sombre demeure, Messager menaçant, qui donc t'a fait sortir?… LE SPECTRE DE PRIAM visible Ta faiblesse et ta gloire… ÉNÉE Ah! je voudrais mourir! LE SPECTRE DE PRIAM Plus de retards! LE SPECTRE DE CHORÈBE invisible Pas un jour! LES SPECTRES D'HECTOR ET DE CASSANDRE invisibles Pas une heure! LE SPECTRE DE PRIAM levant son voile devant les yeux d'Énée Je suis Priam!… il faut vivre et partir! Sa couronne s'éteint, il disparaît. Énée, s'élançant éperdu vers le côté droit de la scène, y rencontre le spectre de Chorèbe. LE SPECTRE DE CHORÈBE levant son voile Je suis Chorèbe! Il faut partir et vaincre! Sa couronne s'éteint, il disparaît. Énée, reculant vers le fond du théâtre, y rencontre les deux autres spectres. Cassandre a le bras gauche appuyé sur l'épaule d'Hector. Hector est armé de pied en cap. ÉNÉE les reconnaissant au moment où ils se dévoilent Hector! dieux de l'Érèbe!… Cassandre!… LES SPECTRES DE CASSANDRE et D'HECTOR Il faut vaincre et fonder!… Leurs couronnes s'éteignent, ils disparaissen. ÉNÉE Je dois céder A vos ordres impitoyables! J'obéis, j'obéis, spectres inexorables! Je suis barbare, ingrat; vous l'ordonnez, grands dieux! Et j'immole Didon, en détournant les yeux! N° 43 – Scène et chœur ÉNÉE passant devant les tentes Debout, Troyens, éveillez-vous, alerte! Le vent est bon, la mer nous est ouverte! Éveillez-vous! Il faut partir avant le lever du soleil! LES TROYENS dans les tentes Alerte!… entendez-vous, amis, la voix d'Énée?… Ils sortent des tentes Donnez partout le signal du réveil… ÉNÉE à un chef Va, cours, porte cet ordre à l'oreille étonnée D'Ascagne Qu'il se lève et qu'il se rende à bord! Avant le jour il faut quitter le port. Ma tâche, jusqu'au bout, grands dieux, sera remplie, Alerte, amis! profitons des instants! Coupez les câbles, il est temps! En mer! en mer! Italie! Italie! CHŒUR Voici le jour, profitons des instants! Coupons les câbles, il est temps! En mer! en mer! Italie! Italie! ÉNÉE se tournant du côté du palais de Didon A toi mon âme! Adieu! digne de ton pardon, Je pars, noble Didon! L'impatient destin m'appelle; Pour la mort des héros, je te suis infidèle. Tous se précipitent hors de la scène dans diverses directions, comme pour faire des préparatifs de départ. On voit les vaisseaux commencer à se mettre en mouvement. Éclairs et tonnerre lointain. N° 44 – Duo et chœur DIDON Errante sur tes pas, Sous la foudre qui gronde, J'ai voulu voir, je vois et ne crois pas… Tu prépares ta fuite? ÉNÉE En ma douleur profonde, Chère Didon, épargnez-moi! DIDON Tu pars? tu pars? Sans remords! Quoi! Dédaigneux du sceptre de Libye, En m'arrachant le cœur tu cours en Italie! ÉNÉE J'ai trop tardé… des dieux les ordres souverains… DIDON Il part!… il suit la voix d'implacables destins, Sans écouter la mienne! à ses lâches dédains Il me voit exposer ma douleur surhumaine, Elle voit un groupe de Troyens sourire en la regardant. Et ma beauté de reine Aux rires insolents de ces ingrats Troyens!… ÉNÉE Didon! DIDON Sans qu'à l'aspect d'une telle misère La pitié d'une larme humecte sa paupière! Tu pars? Non ! ce n'est pas Vénus qui t'enfanta, Quelque louve hideuse aux forêts t'allaita! ÉNÉE Ô reine, quand à vous se dévoua mon âme, Elle subit la loi d'un immortel amour, Et jusqu'au dernier jour Mon cœur vivra de cette flamme… DIDON Tais-toi! rien ne t'arrête; La mort qui plane sur ma tête, Ma honte, mon amour, notre hymen commencé, Mon nom du livre d'or dès ce jour effacé! Encor, si de ta foi, j'avais un tendre gage, Oui, si d'un fils d'Énée Le fier et doux visage Me rappelant tes traits, souriait sur mon sein, Je serais moins abandonnée… ÉNÉE Je vous aime, Didon grâce! l'ordre divin Pouvait seul emporter la cruelle victoire. On entend la fanfare de la marche troyenne. DIDON A ce chant de triomphe où rayonne ta gloire, Je te vois tressaillir! Tu pars? ÉNÉE Je dois partir… DIDON Tu pars? ÉNÉE Mais pour mourir, Obéissant aux dieux, Je pars et je vous aime! DIDON Ne sois plus longtemps par mes cris arrêté, Monstre de piété! Va donc, va! je maudis et tes dieux et toi-même! Elle sort. Des groupes de soldats troyens occupés des préparatifs du départ passent et se dirigent vers les vaisseaux. ÉNÉE, LES TROYENS Italie! Ascagne arrive conduit par un chef troyen. Énée monte sur un vaisseau. DEUXIÈME TABLEAU Un appartement de Didon. Le jour se lève. N° 45 – Scène DIDON Va, ma sœur, l'implorer De mon âme abattue L'orgueil a fui. Va! ce départ me tue Et je le vois se préparer. ANNA Hélas! moi seule fus coupable, En vous encourageant à former d'autres nœuds. Peut-on lutter contre les dieux?… Son départ est inévitable, Et pourtant il vous aime. DIDON Il m'aime! non! non! son cœur est glacé! Ah! je connais l'amour, et si Jupiter même M'eût défendu d'aimer, mon amour insensé De Jupiter braverait l'anathème. Mais va, ma sœur, allez, Narbal, le supplier Pour qu'il m'accorde encore Quelques jours seulement. Humblement je l'implore Ce que j'ai fait pour lui, pourra-t-il l'oublier, Et repoussera-t-il cette instance suprême De vous, sage Narbal, de toi, ma sœur, qu'il aime?… N° 46 – Scène CHŒUR au loin derrière la scène En mer, voyez! six vaisseaux! sept! neuf! dix! IOPAS entrant Les Troyens sont partis! DIDON Qu'entends-je? IOPAS Avant l'aurore Leur flotte était en mer, on l'aperçoit encore! DIDON Dieux immortels! il part! Armez-vous, Tyriens! Carthaginois, courez, poursuivez les Troyens! Courbez-vous sur les rames, Volez sur les eaux, Lancez des flammes, Brûlez leurs vaisseaux! Que la ville entière… Que dis-je?… impuissante fureur! Subis ton sort et désespère, Dévore ta douleur, Ô malheureuse! Et voilà donc la foi de cette âme pieuse! J'offrais un trône!… Ah! je devais alors Exterminer la race vagabonde De ces maudits, et disperser sur l'onde Les débris de leurs corps! C'est alors qu'il fallait prévoir leur perfidie, Livrer leur flotte à l'incendie, Et me venger d'Énée et lui servir enfin Les membres de son fils en un hideux festin! A moi, dieux des enfers! l'Olympe est inflexible!… Aidez-moi! que par vous mon cœur soit enflammé D'une haine terrible Pour ce fugitif que j'aimai! Du prêtre de Pluton, qu'on réclame l'office! Pour apaiser mes douloureux transports, A l'instant même offrons un sacrifice Aux sombres déités de l'empire des morts! Qu'on élève un bûcher! Que les dons du perfide Et ceux que je lui fis, Dans la flamme livide, Souvenirs détestés, disparaissent!… Sortez! NARBAL à Anna Son regard m'épouvante, ô princesse, restez! DIDON Anna, suivez Narbal. ANNA Que ma sœur me pardonne! DIDON Je suis reine et j'ordonne; Laissez-moi seule, Anna. Anna, Narbal et Iopas sortent. N° 47 – Monologue Didon parcourt la scène en s'arrachant les cheveux, se frappant la poitrine et poussant des cris inarticulés. DIDON Ah! Ah! Elle s'arrête brusquement. Je vais mourir… Dans ma douleur immense submergée Et mourir non vengée!… Mourons pourtant! oui, puisse-t-il frémir A la lueur lointaine de la flamme de mon bûcher! S'il reste dans son âme quelque chose d'humain, Peut-être il pleurera sur mon affreux destin. Lui, me pleurer!… Énée!… Énée!… Oh! mon âme te suit, A son amour enchaînée, Esclave, elle l'emporte en l'éternelle nuit… Vénus! rends-moi ton fils!… Inutile prière D'un cœur qui se déchire!… A la mort tout entière Didon n'attend plus rien que de la mort. N° 48 – Air DIDON Adieu, fière cité, qu'un généreux effort Si promptement éleva florissante; Ma tendre sœur qui me suivis errante, Adieu, mon peuple, adieu; adieu, rivage vénéré, Toi qui jadis m'accueillis suppliante; Adieu, beau ciel d'Afrique, astres que j'admirai Aux nuits d'ivresse et d'extase infinie; Je ne vous verrai plus, ma carrière est finie!… Elle sort à pas lents. TROISIÈME TABLEAU N° 49 – Cérémonie funèbre Une partie des jardins de Didon, sur le bord de la mer. Un vaste bûcher est élevé; on y monte par les gradins latéraux. Sur la plate-forme du bûcher sont placés un lit, une toge, un casque, une épée avec son baudrier, et un buste d'Énée. Entrent les Prêtres de Pluton, revêtus de costumes funèbres, ils viennent processionnellement se grouper auprès de deux autels où brillent des flammes verdâtres, puis Anna, Narbal, et enfin Didon voilée et couronnée de feuillage. Pendant la première partie du chœur des prêtres, Anna, s'approchant de sa sœur, lui dénoue sa chevelure et lui ôte le cothurne de son pied gauche. CHŒUR DE PRÊTRES DE PLUTON Dieux de l'oubli, dieux du Ténare, Au cœur blessé rendez la force et le repos! Des profondeurs du noir Tartare Entendez-nous, Hécate, Érèbe, et toi Chaos! ANNA ET NARBAL étendant le bras droit du côté de la mer S'il faut enfin qu'Énée aborde en Italie, Qu'il y trouve un obscur trépas! Que le peuple latin à l'ombrien s'allie Pour arrêter ses pas! Percé d'un trait vulgaire en la mêlée ardente, Qu'il reste abandonné sur l'arène sanglante, Pour servir de pâture aux dévorants oiseaux! Entendez-nous, Hécate, Érèbe, et toi Chaos! LES PRÊTRES, ANNA, NARBAL Dieux de l'oubli, dieux du Ténare, Au cœur blessé rendez la force et le repos ! Des profondeurs du noir Tartare Entendez-nous, Hécate, Érèbe, et toi Chaos! N° 50 – Scène DIDON parlant comme en songe Pluton… semble m'être propice… En ce cruel instant… Narbal… ma sœur C'en est fait… achevons le pieux sacrifice… Je sens rentrer le calme… dans mon cœur. Deux prêtres portant le premier autel s'avancent de gauche à droite, deux autres portant le second s'avancent de droite à gauche et font en se croisant ainsi le tour du bûcher. Didon, le pied gauche nu, les cheveux épars, après avoir déposé sur l'un des autels sa couronne de feuillage, le suit d'un pas saccadé. Pendant ce mouvement processionnel, Anna est à genoux à droite de la scène et Narbal à gauche. Entre eux le grand-prêtre de Pluton, debout, étend, en la tenant des deux mains, la fourche plutonique vers le bûcher. Enfin, saisi d'une énergie convulsive, Didon monte d'un pas rapide les degrés du bûcher. Parvenue au sommet, elle saisit la toge d'Énée, détache le voile brodé d'or qui couvre sa tête, et les jetant l'une et l'autre sur le bûcher, elle dit D'un malheureux amour, funestes gages, Dans la flamme emportez avec vous mes chagrins! Elle considère les armes d'Énée Ah! Elle se prosterne sur le lit, qu'elle embrasse avec des sanglots convulsifs. Elle se relève et prenant l'épée elle dit d'un ton prophétique Mon souvenir vivra parmi les âges. Mon peuple accomplira d'héroïques destins. Un jour sur la terre africaine, Il naîtra de ma cendre un glorieux vengeur… J'entends déjà tonner son nom vainqueur. Annibal! Annibal! d'orgueil mon âme est pleine! Plus de souvenirs amers! C'est ainsi qu'il convient de descendre aux enfers! Elle tire l'épée du fourreau, se frappe et tombe sur le lit. N° 51 – Chœur TOUS Ah! au secours! au secours! la reine s'est frappée! Narbal sort comme pour aller chercher du secours CHŒUR derrière la scène et accourant Quels cris! ah! dans son sang trempée La reine meurt! Narbal rentre, le grand chœur entre en scène Est-il vrai? jour d'horreur! malheur! DIDON se relevant appuyée sur son coude Ah! Elle retombe. ANNA sur le bûcher Ma sœur! Didon se relève. DIDON Ah!… Elle lève les yeux au ciel et retombe gémissant. ANNA C'est moi, C'est ta sœur qui t'appelle… DIDON se relevant à demi Ah! Des destins ennemis… implacable fureur… Carthage périra! N° 52 – Imprécation On voit dans une gloire lointaine le Capitole romain au fronton duquel brille ce mot ROMA. Devant le Capitole défilent des légions et un empereur entouré d'une cour de poètes et d'artistes. Pendant cette apothéose, invisible aux Carthaginois, on entend au loin la Marche troyenne transmise aux Romains par la tradition et devenue leur chant de triomphe. DIDON Rome… Rome… immortelle! Elle retombe, et meurt. Anna tombe évanouie à côté d'elle. Le peuple de Carthage, s'avançant vers l'avant-scène et tournant le dos au bûcher, lance son imprécation, premier cri de guerre punique, contrastant par sa fureur avec la solennité de la Marche triomphale. CHŒUR Haine éternelle à la race d'Énée! Qu'une guerre acharnée Précipite à jamais nos fils contre ses fils! Que par nos vaisseaux assaillis Leurs vaisseaux dans la mer profonde Périssent abîmés! Que sur la terre et l'onde Nos derniers descendants, contre eux toujours armés, De leur massacre, un jour, épouvantent le monde! Berlioz,Hector/Les Troyens
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Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Science-General Subjects-Science-Technology-General&Reference Fire Retardant Engineering Polymers and Alloys Products Applications Compounding Testing Evaluation (The Fire Retardant Chemicals Association) Technomic Pub Co? TechnomicPubCo? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Micromechanical Materials Modeling (Delaware Composites Design Encyclopedia) Technomic Pub Co? James M. Whitney? Roy L. McCullough? TechnomicPubCo? JamesM.Whitney? RoyL.McCullough? ジャンル別? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Materials-Composites? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Materials-Composites? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Processing and Fabrication Technology (Delaware Composites Design Encyclopedia) Technomic Pub Co? Michael G. Bader? TechnomicPubCo? MichaelG.Bader? ジャンル別? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Materials-Composites? Subjects-Engineering-MaterialsScience-Extraction&Processing? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-Extraction&Processing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Composites? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Failure Analysis of Composite Materials (Delaware Composites Design Encyclopedia) Technomic Pub Co? Peter W. R. Beaumont? Jerold M. Schultz? Klaus Friedrich? TechnomicPubCo? PeterW.R.Beaumont? JeroldM.Schultz? KlausFriedrich? ジャンル別? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Materials-Composites? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Materials-Composites? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Design Studies (Delaware Composites Design Encyclopedia) Technomic Pub Co? Keith T. Kedward? James M. Whitney? TechnomicPubCo? KeithT.Kedward? JamesM.Whitney? ジャンル別? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Materials-Composites? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Composites? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Test Methods (Delaware Composites Design Encyclopedia) Technomic Pub Co? R. Byron Pipes? Robert A. Blake? John W. Gillespie? Leif A. Carlsson? TechnomicPubCo? R.ByronPipes? RobertA.Blake? JohnW.Gillespie? LeifA.Carlsson? ジャンル別? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Materials-Composites? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Composites? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Blood Compatible Materials and Devices Perspectives Towards the 21st Century Technomic Pub Co? C. D. Sharma? Michael Szycher? TechnomicPubCo? C.D.Sharma? MichaelSzycher? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Science-Technology-General&Reference Foodplas Vii-90 Plastics in Food Packaging Proceedings from the Seventh Annual Foodplas Conference March 5-8, 1990 New Orleans, Louisiana Technomic Pub Co? TechnomicPubCo? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Packaging? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Packaging? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-Biotechnology&Microbiology? Subjects-Science-General Subjects-Science-Technology-General&Reference Biotechnology Current Progress (Biotechnology--Current Progress) Technomic Pub Co? Paul N. Cheremisinoff? Louise M. Ferrante? TechnomicPubCo? PaulN.Cheremisinoff? LouiseM.Ferrante? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Science-General Subjects-Science-Technology-General&Reference Packaging Foods With Plastics Technomic Pub Co? Wilmer A. Jenkins? James P. Harrington? TechnomicPubCo? WilmerA.Jenkins? JamesP.Harrington? ジャンル別? ユーズドブック(洋書)-Cooking,Food&Wine? Subjects-Cooking,Food&Wine-Canning&Preserving? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-Chemical-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Packaging? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Packaging? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-Biotechnology&Microbiology? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-FoodScience? The Positive Development of Human Resources and School District Organizations Technomic Pub Co? Jerry J. Herman? Janice L. Herman? TechnomicPubCo? JerryJ.Herman? JaniceL.Herman? ジャンル別? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Administration-General? Subjects-Science-Technology-General&Reference Changing Food Technology 3 Food Technology A View of the Future Technomic Pub Co? Allen Freed? TechnomicPubCo? AllenFreed? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-Biotechnology&Microbiology? Subjects-Science-Technology-General&Reference Applied Math for Wastewater Plant Operators (Mathematics for Water and Wastewater Treatment Plant Operators Series) Technomic Pub Co? Joanne Kirkpatrick Price? TechnomicPubCo? JoanneKirkpatrickPrice? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Mathematics? Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-Technology-General&Reference Applied Math for Wastewater Plant Operators/Workbook Technomic Pub Co? Joanne Kirkpatrick Price? TechnomicPubCo? JoanneKirkpatrickPrice? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Mathematics? Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-Technology-General&Reference Handbook of Flame Retardant Chemicals and Fire Testing Services Technomic Pub Co? Russell C. Kidder? TechnomicPubCo? RussellC.Kidder? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Engineering-MaterialsScience-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Environmental Regulations and Technology Autothermal Thermophilic Aerobic Digestion of Municipal Wastewater Sludge Technomic Pub Co? TechnomicPubCo? ジャンル別? Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-Technology-General&Reference Technologies for Upgrading Existing or Designing New Drinking Water Treatment Facilities Technomic Pub Co? Center For Environment U. S. Epa? EPA Us? TechnomicPubCo? CenterForEnvironmentU.S.Epa? EPAUs? ジャンル別? Subjects-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Outdoors&Nature-Conservation-Water? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-Technology-General&Reference Advances in Polymer Blends and Alloys Technology Technomic Pub Co? Kier Finlayson? TechnomicPubCo? KierFinlayson? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Applied Math for Water Plant Operators Technomic Pub Co? Joanne Kirkpatrick Price? TechnomicPubCo? JoanneKirkpatrickPrice? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Mathematics-Applied-General? Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-Technology-General&Reference Szycher's Dictionary of Biomaterials and Medical Devices Technomic Pub Co? Michael Szycher? TechnomicPubCo? MichaelSzycher? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Medicine-BasicScience? Subjects-Medicine-General? Subjects-Medicine-Specialties-Family&GeneralPractice? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-FamilyPractice? Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-BasicScience? Subjects-Science-Medicine-General? Subjects-Science-Medicine-Specialties-Family&GeneralPractice? Industrial Fire Protection Handbook Technomic Pub Co? R. Craig Schroll? TechnomicPubCo? R.CraigSchroll? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Food Biotechnology Techniques and Applications Technomic Pub Co? Gauri Mittal? TechnomicPubCo? GauriMittal? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-Chemical-General? Subjects-Medicine-SpecialTopics-Biotechnology? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Medical-BasicSciences-Biotechnology? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-FoodScience? Subjects-Science-Medicine-SpecialTopics-Biotechnology? Performance Appraisal of School Management Evaluating the Administrative Team Scarecrow Pr? Donald Langlois? ScarecrowPr? DonaldLanglois? ジャンル別? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-Administration-General? 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Subjects-Professional&Technical-Medical-BasicSciences-Pharmacology? Subjects-Professional&Technical-Medical-Pharmacology-Pharmacy? Subjects-Professional&Technical-Medical-Pharmacology-DrugDeliverySystems? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Pharmacology-General? Subjects-Science-Medicine-Pharmacology-Pharmacy? Advances in Urethane Science and Technology (Advances in Urethane Science and Technology) Technomic Pub Co? Kurt C. Frisch? Daniel Klempnew? TechnomicPubCo? KurtC.Frisch? DanielKlempnew? ジャンル別? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-Chemical-Plastics? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Chemical-Plastics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalPhysics? Subjects-Science-General Subjects-Science-Mathematics-MathematicalPhysics? Subjects-Science-Technology-General&Reference Society of Plastics Industry Conf Proc 1992 - Polyurethanes Technomic Publishing Co? TechnomicPublishingCo? ジャンル別? Subjects-Science-Technology-General&Reference Advances in Polymer Blends and Alloys Technology Technomic Pub Co? Kier Finlayson? TechnomicPubCo? KierFinlayson? ジャンル別? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? 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NServer Ultimate Start-up Guide This is an "Unofficial" English supportive website for NServer . ( DISCLAIMER )(El sitio sólo está disponible en inglés / O local só está disponível em inglês) This site or the author here of is in no association with NServer , its Owner(s), Administrator(s), GM(s), or GMS(s). Please read the Server Rules for fun and fair gaming BEFORE start playing. *** NServer Ultimate Start-up Guide *** This page is provided to make a life easier in NServer for English Client users in actual game play start-up. Before you proceed, make sure that About Nserver , Server Rules , and DISCLAIMER have been READ and UNDERSTOOD FULLY. (click the headings to expand/collapse) 1. Connected to NServer yet? - You need to do this first before doing anything Yes!!Game account is auto create in NServer, login, make a toon of your choice, and enter the game with it. No?Read How to Connect and make sure you can connect to NServer. 2. Playing with English Client - this is where things get tricky so follow this guide precisely. As soon as you enter the game with a new toon of yours, this "Tutorial" thing pops up and you cannot click "Exit" button with English Client, but don't worry for now, just drag it away for better view, you can close this when you hit Level 6. (3. When you hit Level 6 for more info). Click "Newbie Helper" near you, and get this dialog. (You just need to talk, no need to click within the dialog) You can close this when you hit Level 10. Kill some Gremlins, if you get a "Blue Gem Stone," pick it up and talk to "Newbie Helper" for a small reward like this one. If you don't get the Gem, you can keep killing Gremlins or give it up and level your toon up to around Lv 10. 3. When you hit Lv6 and Lv10 - don t miss here. Upon hitting Level 6 and 10, this pops up, CLICK IT! or you cannot close the "Tutorial" thing for a while... When you click , the "Tutorial" window changes to this. MAKE SURE YOU CLICK "Close Window" to exit the tutorial here. 4. Free Support - try this when you are done with the above. Open your inventory, double click an "Adventurer's Scroll of Escape" to teleport to the nearest town. Once you have arrived in town, look for "Newbie Guide" and click it. You should get a small reward like this one.Not much, but it saves you some Adena in start-up. Here are some menus from "Newbie Guide," play with it and you get weapon/armor ticket(5) and supportive buffs. 5. GM shop and Teleporter - NPCs that work with English client!! Teleporter NPC Use Blue Teleportation Cubic , same menu as in Pink Teleportation Cubic, just in English. GM shops You can use Holly for consumables or better use Broadcasting Tower - Click ENGLISH and you can buy almost anything including consumables, weapon, armor, jewels, and etc. up to S grade. 6. Buff NPC - You need to read this to make it to work with English client. NPC Buff is provided in NServer with easy-to-use preset buffs and etc. However, the menus are not fully in English YET. Please check Fox Shaman to get the most out of it. 7. Time to advance your class? - Use on-the-spot Class/Job Change or NPCs. Once you reached to Level 20, you can advance your class, or commonly known as job change. Use on-the-spot Class/Job change or Visit Miss Queen or Mr. Cat . You should not have too many problems from there once you got used to NPCs with English. When you progress you may have difficulty with - Fairy Princess for exchanging Crocodile Fang for S80 (Icarus) weapon,- Mysterious Agent for Adena/Ancient Adena/Money Item exchange,- or White Weasel for exchanging your Premium Point for Forgotten Scrolls. Frequently Used NPCs with English Client Teleporter Blue Teleportation Cubic - Fully functional with English. GM shop Broadcasting Tower - Fully functional with English. Buffer Fox Shaman - You need to know how to get it to work. Warehouse Benis - Fully functional with English. Freight Saylem - Fully functional with English. Class Change Miss Cat or Mr. Cat - Fully functional with English. Item Exchange Fairy Princess Exchange Crocodile Fang for Items - waiting for English. Ancient Adena Exchange Mysterious Agent Exchange among Adena, Ancient Adena, and Money Items - waiting for English.Use Broadcasting Tower for now. Ancient Adena for Items Turned Boy - Fully functional with English. Premium Point Exchange White Weasel for Boss Jewels, Appela gears, and Forgotten Scrolls. - partially works with English. Other NPCs, check NPCs here UP HOME ©2009 NServer "Unofficial" English Guide http //www29.atwiki.jp/nserver Edit 申し訳ありませんが、link_ref プラグインは提供を終了し、ご利用いただけません。
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Packaging Strategy Winning the Consumer Technomic Pub Co? Mona Doyle? TechnomicPubCo? MonaDoyle? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership? Subjects-Business&Investing-Marketing&Sales? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-BusinessManagement-Management&Leadership? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-FoodScience? Nonpoint Pollution and Urban Stormwater Management (Water Quality Management Library, V. 9) Technomic Pub Co? Vladimir Novotny? TechnomicPubCo? VladimirNovotny? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-General? Subjects-Medicine-SpecialTopics-Biotechnology? Subjects-Outdoors&Nature-Conservation-Water? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-BasicSciences-Biotechnology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-SpecialTopics-Biotechnology? Fundamentals and Applications (Bioremediation, Principles and Practice , Vol 1) Technomic Pub Co? Subhas K. Sikdar? Robert L. Irvine? TechnomicPubCo? SubhasK.Sikdar? RobertL.Irvine? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? 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Subjects-Science-Technology-General&Reference Engineers' Guide to Cleaner Production Technologies Technomic Pub Co? Paul M. Randall? TechnomicPubCo? PaulM.Randall? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Outdoors&Nature-Environment-Recycling? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Recycling? Subjects-Science-Technology-General&Reference Pharmacokinetic Analysis A Practical Approach Technomic Pub Co? Peter I. D. Lee? I-Der Lee? Gordon L. Amidon? TechnomicPubCo? PeterI.D.Lee? I-DerLee? GordonL.Amidon? ジャンル別? Subjects-Medicine-Pharmacology-General? 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Subjects-Science-Technology-General&Reference Conductive Electroactive Polymers Intelligent Materials Systems Technomic Pub Co? Gordon G. Wallace? Geoffrey M. Spinks? Peter R. Teasdale? TechnomicPubCo? GordonG.Wallace? GeoffreyM.Spinks? PeterR.Teasdale? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Curriculum Assessment for World-Class Schools ((the School Leader's Library Leading for Learning)) Scarecrow Pr? Betty E. Steffy? Fenwick W. English? Paula M. Short? ScarecrowPr? BettyE.Steffy? FenwickW.English? PaulaM.Short? ジャンル別? Substores-UnknownASINs-36? Subjects-Nonfiction-Education-Curricula? Subjects-Professional&Technical-Education-Curricula? Subjects-Science-Technology-General&Reference Antec, 1996 Proceedings of 54th Conference Held May 5 - 10, 1996 (Society of Plastics Engineers Annual Technical Conference and Exhibit//Antec) Technomic Pub Co? Society of Plastics Engineers? TechnomicPubCo? SocietyofPlasticsEngineers? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-64? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Subjects-Science-Technology-General&Reference The Educational Leader's Internship Meeting New Standards Scarecrow Pr? Albert S. Gibbs? C. Jay Hertzog? Virginia, Ph.D. Wylie? Lena P. Morgan? P. Lena Morgan? ScarecrowPr? AlbertS.Gibbs? C.JayHertzog? Virginia,Ph.D.Wylie? LenaP.Morgan? P.LenaMorgan? ジャンル別? Subjects-Nonfiction-Education-EducationTheory-Leadership? Subjects-Professional&Technical-Education-Theory-Leadership? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Applications of Chitin and Chitosan Technomic Pub Co? Mattheus F. A. Goosen? TechnomicPubCo? MattheusF.A.Goosen? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-Chemical-General? Subjects-Health,Mind&Body-Diets&WeightLoss-FoodCounters? Subjects-Professional&Technical-Engineering-Chemical-General? 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Subjects-Science-Technology-General&Reference The Design and Layout of Fire Sprinkler Systems Technomic Pub Co? Mark Bromann? TechnomicPubCo? MarkBromann? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Portfolios Clarifying, Constructing and Enhancing An Administrator's Guide Scarecrow Pr? Nancy Jean Johnson? Leonie Marie Rose? ScarecrowPr? NancyJeanJohnson? LeonieMarieRose? ジャンル別? Subjects-Nonfiction-Education-Pedagogy? 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FrankR.Spellman? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-Recycling? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-Recycling? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-Technology-General&Reference Advances in Concurrent Engineering Collaborative Work, Organization and Management ... Presented at Third Ispe International Conference on Concurrent Engineering Research and Technomic Pub Co? ISPE International Conference on Concurrent Engineering--Research and Applications? 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Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-Administration-General? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Functional Foods Biochemical and Processing Aspects (Functional Foods Nutraceuticals Series) Technomic Pub Co? G. Mazza? John Shi? M. Le Maguer? TechnomicPubCo? G.Mazza? JohnShi? M.LeMaguer? ジャンル別? ユーズドブック(洋書)-Cooking,Food&Wine? Subjects-Cooking,Food&Wine-Canning&Preserving? Subjects-Medicine-BasicScience-Biochemistry? Subjects-Medicine-BasicScience-Physiology? Subjects-Professional&Technical-Medical-BasicSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-FoodScience? Subjects-Science-Medicine-BasicScience-Biochemistry? Subjects-Science-Medicine-BasicScience-Physiology? Separation Processes in the Food and Biotechnology Industries Principles and Applications Technomic Pub Co? A. S. Grandison? M. J. Lewis? TechnomicPubCo? A.S.Grandison? M.J.Lewis? ジャンル別? ユーズドブック(洋書)-Cooking,Food&Wine? Subjects-Cooking,Food&Wine-Canning&Preserving? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-FoodScience? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Modifying Bitterness Mechanism, Ingredients, and Applications Technomic Pub Co? Glenn Michael Roy? TechnomicPubCo? GlennMichaelRoy? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-General? Subjects-Health,Mind&Body-Diets&WeightLoss-FoodCounters? 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Subjects-Science-Technology-General&Reference Technology and the Lifeworld From Garden to Earth (Indiana Series in Philosophy of Technology) Indiana Univ Pr? Don Ihde? IndianaUnivPr? DonIhde? ジャンル別? Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Instrumental Realism Interface Between Philosophy of Science and Philosophy of Technology (The Indiana Series in the Philosophy of Technology) Indiana Univ Pr? Don Ihde? IndianaUnivPr? DonIhde? ジャンル別? Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference John Dewey's Pragmatic Technology (The Indiana Series in the Philosophy of Technology) Indiana Univ Pr? Larry A. Hickman? IndianaUnivPr? LarryA.Hickman? ジャンル別? Subjects-Nonfiction-Philosophy-General? 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ACTE III Une plage à Nauplie 17- Entracte La galère de Vénus 18a - Choeur et chanson d Oreste CHOEUR Dansons, aimons, buvons, chantons! Et trémoussons-nous avec verve!… Allons, buvons, et foin de la chaste Minerve!… Dansons, aimons, buvons, chantons! Gloire à Vénus! Gloire à Bacchus! Et foin de la chaste Minerve! Dansons, aimons, buvons, chantons! Dansons! Et trémoussons-nous avec verve! Gloire à Vénus! Gloire à Bacchus! ORESTE Le roi Ménélas blessa la déesse en chassant Pâris. CHOEUR En chassant Pâris. ORESTE Depuis re jour, Vénus a mis au coeur des femmes de la Grèce un immense besoin de plaisir et d amour. CHOEUR Un immense besoin de plaisir et d amour. ORESTE Vénus au fond de notre âme a mis un feu dévorant. CHOEUR Vénus au fond de notre âme a mis un feu dévorant. ORESTE Malgré cette ardente flamme, s il est un mari voulant pour lui seul garder sa femme, nous lui dirons en chantant «A Leucade, l empêcheur! A Leucade, le gêneur!« CHOEUR A Leucade, le gêneur! ORESTE Agamemnon, ô mon cher père, est tout triste de cela. CHOEUR Agamemnon, ô mon cher père, est tout triste de cela. ORESTE Il dit que son caractère l oblige à crier «Holà!» s il se met trop en colère; nous lui répondrons «Papa, A Leucade, l empêcheur! A Leucade, le gêneur!» CHOEUR A Leucade, le gêneur! ORESTE L eau est-elle bonne, bouillant Achille? ACHILLE Je ne sais pas, je ne me baigne pas. AJAX DEUXIÈME Pas de sable, tout galet; ça ne doit pas vous aller! ACHILLE Et pourquoi? AJAX DEUXIÈME A cause de votre talon. ACHILLE Mon talon! Toujours! O ma mère! Entrent Agamemnon et Calchas en tenue de bain AGAMEMNON à part Mêlons-nous à la foule et écoutons sans en avoir l air. CALCHAS Si nous allions nous habiller... AGAMEMNON Tout à l heure. AJAX PREMIER Quoi de neuf à Nauplie? LÉOENA Pas mal de maris qui ont quitté leur femme. PARTHÉNIS Et puis pas mal de femmes qui ont quitté leur mari. LÉOENA à part à Parthénis Eh, t l rends, ton bouillant Achille! PARTHÉNIS Nun merci, sans façons! ACHILLE qui a entendu Et pourquoi? AGAMEMNON Vous entendez? Galanterie sur galanterie... C est la vengeance de Vénus et ça ne s arrêtera que lorsque nous aurons pris une decision. Il faut absolument que nous parlions au roi Ménélas. CALCHAS Pas avant de nous être rhabillés, j espère! AGAMEMNON Evidemnient. Vous grelottez, Calchas? CALCHAS Oui, seigneur. AGAMEMNON Moi aussi. Allons nous rhabiller. D autant plus que ma tenue manque tout à fait de dignité. Demain je me baignerai avec ma couronne. Ils sortent. LÉOENA Quelle idée a eu la reine devenir aux bains de mer avant l époque habituelle? AJAX PREMIER C est pour se remettre... Elle en avait besoin après la terrible scène d il y a huit jours. AJAX DEUXIÈME Et puis Sparte lui est devenue insupportable depuis le départ de Paris. LÉOENA Il est vraiment parti? ORESTE Oui. PARTHÉNIS Il a renoncé. ACHILLE A quoi? De toute façon il ne me plaisait pas... Un sale pressentiment... AJAX DEUXIÈME Et le roi Ménélas, il en dit quoi? ORESTE Il n en dit rien... Mais c est ma tante qui n est pas contente! PARTHÉNIS D ailleurs, la voilà! LÉOENA Et avec le roi! ORESTE Avec le roi, Leucade le gêneur! 18bis - Mélodrame L orchestre reprend piano le refrain des couplets «A Leucade... » et tous sortent par le fond. Le peuple s est éloigné peu à peu. Hélène entre alors, suivie de Ménélas. MÉNÉLAS «Mais alors, ce n était pas un rêve?» Voilà la phrase que je vous supplie de m expliquer. HÉLÈNE Oh!.... MÉNÉLAS Il y a huit jours, vous avez dit cette phrase... Et dans des circonstances... HÉLÈNE Ciel!... MÉNÉLAS Je ne la comprends pas, cette phrase, mais elle m inquiète! HÉLÈNE Sainte patience... MÉNÉLAS Mais dites-moi, qu est-ce qui n était pas un rêve? HÉLÈNE Monsieur... MÉNÉLAS Madame! HÉLÈNE Je suis venue à Nauplie pour oublier, pour me distraire en me promenant au bord de la mer, mais je n avais pas prévu que je ne pourrais pas faire un pas sans voir votre figure! Votre figure, Monsieur! Regardez-vous, et comprenez que vous m agacez, m excédez, m insupportez... MÉNÉLAS Oui, ça je comprends. Mais ce que je ne comprends pas, c est cette phrase... Il y a huit jours... HÉLÈNE Il y a huit jours!... Il parle d une chose qui s est passée il y a huit jours!… Mais je ne sais plus, moi, Monsieur! MÉNÉLAS Madame! HÉLÈNE Oh! Méfiez-vous, Monsieur, méfiez-vous! Entrent Agamemnon et Calchas. AGAMEMNON Princesse... HÉLÈNE Vous ne pouvez pas savoir comme il est insupportable! Je ne peux plus, moi! ... MÉNÉLAS Je veux une explication... Il me la faut, maintenant! HÉLÈNE N oublie pas que c est à moi que tu dois la couronne de Sparte. MÉNÉLAS Oui, merci. Mais si ça continue, cette couronne, je serai obligé de la tenir à la main, ne pouvant plus la porter sur ma tête... AGAMEMNON riant Très drôle!... MÉNÉLAS N est-ce pas? HÉLÈNE Mais de quoi m accusez-vous, enfin? MÉNÉLAS A votre avis? HÉLÈNE Très bien. Vous l aurez voulu... 19 - Couplets HÉLÈNE Là, vrai, je ne suis pas coupable... Et, ma foi, je n y comprends rien, rien, car il était adorable, roi des rois, ce prince troyen! De Vénus il était l élève, et cependant j ai résisté... Il se plaint si fort pour un rêve, que dirait-il mon Dieu pour la réalité! Je lutte avec beaucoup de peine, songez-y, ne m agacez pas... Vous êtes le mari d Hélène Prenez garde, roi Ménélas! Prenez garde que je n achève l oeuvre de la fatalité!... Vous avez crié pour un rêve... Je vous ferai crier pour la réalité! MÉNÉLAS Mais ma Nénène... HÉLÈNE Je vous ferai hurler pour la réalité! MÉNÉLAS O mon amie... AGAMEMNON Eh bien!... Et c est pour garder une femme qui vous traite comme ça que vous sacrifiez votre pays? MÉNÉLAS A quoi? CALCHAS Au terrible fléau que Vénus a déchaîné! AGAMEMNON Terrible! Les hommes quittent leurs femmes, les femmes quittent leurs maris... CALCHAS C est ainsi que Vénus se venge! AGAMEMNON Et pourquoi se venge-t-elle, Vénus? MÉNÉLAS Je ne sais pas, moi! … AGAMEMNON Elle se venge parce que vous l avez con-tra-riée! MÉNÉLAS Bien sûr, elle aurait aimé me ridiculiser. Mais j ai fait chasser Pâris, et j ai bien fait! CALCHAS Monsieur, le mari doit s effacer devant le monarque. Voyez le résultat! AGAMEMNON et CALCHAS C est la débâcle généralisée! 20 - Trio patriotique AGAMEMNON Lorsque la Grèce est un champ de carnage, quand on immole les maris, tu vis heureux au sein de ton ménage... Tu t fiches pas mal de ton pays! CALCHAS Voyez pourtant ce qui se passe! AGAMEMNON L époux lâche l épouse... CALCHAS Et l épouse â son tour, de l époux déserte l amour. MÉNÉLAS Mais que voulez-vous que j y fasse? AGAMEMNON et CALCHAS Lorsque la Grèce est un champ de carnage, quand on immole les maris, tu vis heureux au sein de ton ménage, tu t fiches pas mal de ton pays! MÉNÉLAS Je vis heureux au sein de mon ménage, je m fiche pas mal de mon pays! CALCHAS Et ces malheureux accidents dépasseront les temps présents. AGAMEMNON Dans l avenir, je vois la longue file des successeurs de Ménélas on les comptera par cent mille... CALCHAS On les comptera par cent mille, si vous ne vous décidez pas comme le prince à sauter le pas. AGAMEMNON Sautez vite, sautez, ça presse... Regardez l état de la Gréce. C est une immense bacchanale, et Vénus, Vénus Astarté anime la ronde infernale... Tout est plaisir et volupté! Vertu, devoir, honneur, morale, par le flot tout est emporté!... à Ménélas, tout bas Tu comprends qu ça n peut pas durer plus longtemps. Au lieu de mimer la pyrrhique, qu autrefois on nous enseigna, danse noble, danse classique, en tous lieux maintenant voilà qu on danse une chose excentrique et sans nom, qui ressemble à ça... il danse. Tu comprends qu ça n peut pas durer plus longtemps. CALCHAS et AGAMEMNON Tu comprends qu ça n peut pas durer plus longtemps. MÉNÉLAS Je comprends qu ça n peut pas durer plus longtemps. CALCHAS Allons! Immolez-vous! AGAMEMNON Allons! Immole-toi! CALCHAS Il faut subir la loi! AGAMEMNON Il faut subir la loi! Immole-toi! AGAMEMNON et CALCHAS Il chancelle! … A peine il respire! … MÉNÉLAS J expire! … CALCHAS et AGAMEMNON Au genre humain, il faut rendre service Immole-toi, quand tu devrais souffrir! Tu sauveras, par ce beau sacrifice les Ménélas de l avenir! MÉNÉLAS Au genre humain pourquoi rendre service? M immoler? Non! Ça me ferait souffrir! Laissons, laissons ce noble sacrifice aux Ménélas de l avenir! Des dieux l immortelle sagesse me réserve un drôle d emploi... S il en faut un à la déesse, pourquoi faut-il que ce soit moi? Son mari lui devrait suffire! AGAMEMNON et CALCHAS Il blasphème dans son délire! Au genre humain il faut rendre service. Immole-toi, quand tu devrais souffrir! Tu sauveras par ce beau sacrifice, les Ménélas de l avenir! MÉNÉLAS Au genre humain pourquoi rendre service? M immoler? Ça me ferait souffrir! Laissons, laissons ce noble sacrifice aux Ménélas de l avenir! AGAMEMNON Quand les dieux commandent, ils commandent. Regarde, ma fille Iphigenie, je l aime. Eh bien, les dieux me la demanderaient, je leur dirai «Vous y t nez, la v là!» MÉNÉLAS Il y a peut-être un autre moyen dans mon cas... CALCHAS Mais il est très bien, le premier moyen! … Très bien. AGAMEMNON Vous avez une femme … on vous la demande ... vous la donnez. CALCHAS Basique! MÉNÉLAS Vous ne voulez pas m écouter? AGAMEMNON Si... mais ça ne vaudra jamais... MÉNÉLAS Encore! … AGAMEMNON Pardon. Parlez... MÉNÉLAS Calchas... Vous allez bondir. CALCHAS Et pourquoi bondirais-je? MÉNÉLAS Eh bien... J ai écrit à Cythère... à Agamemnon Vous allez voir, il va bondir. J ai écrit à Cythére et j ai demandé qu on nous envoie le grand Augure de Vénus. CALCHAS bondissant Un autre grand Augure! ... La concurrence! ... C est une honte! ... AGAMEMNON Il bondit bien! Bon, Calchas, quand vous aurez fini de bondir... Il y a du bon dans cette idée... Il faut voir... CALCHAS furieux et bondissant toujours Un autre Augure! … MÉNÉLAS Oui. Et maintenant que les vents sont favorables, je pense que c est lui qui accoste. Entre la galère avec Pâris, déguisé en Augure. 21a - Choeur et couplets de Pâris CHOEUR La galère de Cythère! Par ici! La voici! Tous en masse prenons place pour pouvoir la recevoir, la galère de Cythère. MÉNÉLAS Et maintenant, tous à genoux pour implorer le pardon de la déesse. CHOEUR La Grèce entière suppliante, grand Augure, est à tes genoux. Sa voix est triste et chevrotante... Pitié pour nuits, pitié pour nous! 21b - Tyrolienne avec choeur LE GRAND AUGURE Et tout d abord, ô vile multitude, sachez-le bien, je n ai pas l habitude d être reçu sur un rythme plaintif Vous auriez dû chanter un choeur alerte et vif. Le culte de Vénus est un culte joyeux. CHOEUR Le culte de Vénus est un culte joyeux. LE GRAND AUGURE Je suis gai, soyez gais, il le faut, je le veux! CHOEUR Il est gai, soyons gais, il le faut, il le veut! LE GRAND AUGURE La laï tou la la la la! Tra la la la la la la! Je sais qu il est de profonds moralistes qui font état d êtres sombres et tristes, mais ces gens-là se trompent lourdement L homme vraiment honnête est rempli d enjouement. Le culte de Vénus est un culte joyeux! CHOEUR Le culte de Vénus est un culte joyeux! LE GRAND AUGURE Je suis gai, soyez gais, il le faut, je le veux! CHOEUR Il est gai, soyons gais, il le faut, il le veut! LE GRAND AUGURE La laï tou la la la la! Tra la la la la la la! CALCHAS Quelle tenue pour un augure! … LE GRAND AUGURE Vous dites, cher confrère?... CALCHAS Je dis «Quelle tenue pour un augure!» LE GRAND AUGURE Roi des rois, bouillant Achille, Ajax, Ajax, Oreste, salut et respect! Et la reine? AGAMEMNON Elle boude. LE GRAND AUGURE Vénus est bonne. Elle pardonnera. Elle pardonnera à la condition que le roi Ménélas fasse ce qu il faudra. MÉNÉLAS Cependant... LE GRAND AUGURE Il n y a pas de cependant, rien que du raisonnable. La reine devra seulement faire un petit voyage. TOUS Où ça? LE GRAND AUGURE Sur une petite île, là-bas... Très jolie! … Cythère. AGAMEMNON Cythère?... LE GRAND AUGURE Oui. Elle viendra avec moi sur la galère, et de sa main, elle sacrifiera cent génisses blanches à la déesse. MÉNÉLAS Eh bien voilà! Quand on demande des choses raisonnables! Qu est-ce que je veux, moi? Que tout s arrange! Pour ça il faut que la reine fasse un petit voyage et sacrifie cent génisses blanches. Tant mieux! Bravo! La reine fera ce voyage, j ai dit! AGAMEMNON Très joli... Et si la reine ne veut pas... LE GRAND AUGURE Mais où est-elle donc, la reine? AJAX PREMIER La voici! 22 - Finale CHOEUR Elle vient! C est elle! Elle vient! La voici! Mon dieu, qu elle est belle malgré son souci! HÉLÈNE Quels accents se sont fait entendre? Il ne m étaient pas inconnus! MÉNÉLAS présentant Paris à Hélène Le grand Augure de Vénus! … A Cythère, à Cythère il faudrait vous rendre, pour plaire à la déesse et calmer son courroux. LES ROI et ORESTE Ah! Calmez son courroux! HÉLÈNE à Ménélas Loffense vient de vous... Laisse-moi, laisse-moi! LE GRAND AUGURE Je vais lui parler! ORESTE Oui, parlez-lui sans plus attendre! AGAMEMNON et CALCHAS Mais que lui direz-vous? CHOEUR Mais que lui direz-vous? LE GRAND AUGURE Les dieux vont m inspirer. bas à Hélène Je suis celui qui t adore, Paris, le berger naïf … HÉLÈNE Qu entends-je ?.. PÂRIS Vas-tu refuser encore de monter sur mon esquif? HÉLÈNE Non! L honneur m attache au rivage! MÉNÉLAS Cédez à mon autorité! AGAMEMNON et CALCHAS Ce n est qu un tout petit voyage! HÉLÈNE à part C est encore la fatalité! CHOEUR Partez, neble reine, partez noble Hélène! Partez, partez, partez! MÉNÉLAS Allons, pars pour Cythère, pars pour Cythère, pars pour Cythère, fais-le, c est peur moi! CHOEUR Obéissez au roi! ORESTE Oui, mentez dans sa galère! dans sa galère, dans sa galère! CALCHAS Y a que que chos la-d sous! CHOEUR Nous vous implorons tous! AGAMEMNON Les voyageurs peur Cythère! … Le train va partir! HÉLÈNE et PÂRIS Ma foi, partons pour Cythère! -tons pour Cythère, -tons pour Cythère! Ça leur fait plaisir, oui, ça leur fait plaisir! La lai tou la la la la! PÂRIS Pars pour Cythère, que rien ne t arrête! CHOEUR Pars, pars, pars! MÉNÉLAS Pars pour Cythère, que rien ne t arrête! CHOEUR Pars, pars pour Cythère, pars pour Cythère! Que rien ne t arrête, pars pour Cythère! Pars, pars, pars! Paris et Hélène s embarquent sur la galère. PÂRIS se faisant reconnaître Ne l attends plus, roi Mênélas! J emporte Hélène! Elle est à moi! Je suis Pâris! CHOEUR Pars, pars pour Cythère! Sur rette galère coquette et légère, pars, pars pour Cythère! Gagne promptement ce pays charmant, gagne ce séjour où règne l amour! ACTE III Une plage à Nauplie 17- Entracte La galère de Vénus 18a - Choeur et chanson d Oreste CHOEUR Dansons, aimons, buvons, chantons! Et trémoussons-nous avec verve!… Allons, buvons, et foin de la chaste Minerve!… Dansons, aimons, buvons, chantons! Gloire à Vénus! Gloire à Bacchus! Et foin de la chaste Minerve! Dansons, aimons, buvons, chantons! Dansons! Et trémoussons-nous avec verve! Gloire à Vénus! Gloire à Bacchus! ORESTE Le roi Ménélas blessa la déesse en chassant Pâris. CHOEUR En chassant Pâris. ORESTE Depuis re jour, Vénus a mis au coeur des femmes de la Grèce un immense besoin de plaisir et d amour. CHOEUR Un immense besoin de plaisir et d amour. ORESTE Vénus au fond de notre âme a mis un feu dévorant. CHOEUR Vénus au fond de notre âme a mis un feu dévorant. ORESTE Malgré cette ardente flamme, s il est un mari voulant pour lui seul garder sa femme, nous lui dirons en chantant «A Leucade, l empêcheur! A Leucade, le gêneur!« CHOEUR A Leucade, le gêneur! ORESTE Agamemnon, ô mon cher père, est tout triste de cela. CHOEUR Agamemnon, ô mon cher père, est tout triste de cela. ORESTE Il dit que son caractère l oblige à crier «Holà!» s il se met trop en colère; nous lui répondrons «Papa, A Leucade, l empêcheur! A Leucade, le gêneur!» CHOEUR A Leucade, le gêneur! ORESTE L eau est-elle bonne, bouillant Achille? ACHILLE Je ne sais pas, je ne me baigne pas. AJAX DEUXIÈME Pas de sable, tout galet; ça ne doit pas vous aller! ACHILLE Et pourquoi? AJAX DEUXIÈME A cause de votre talon. ACHILLE Mon talon! Toujours! O ma mère! Entrent Agamemnon et Calchas en tenue de bain AGAMEMNON à part Mêlons-nous à la foule et écoutons sans en avoir l air. CALCHAS Si nous allions nous habiller... AGAMEMNON Tout à l heure. AJAX PREMIER Quoi de neuf à Nauplie? LÉOENA Pas mal de maris qui ont quitté leur femme. PARTHÉNIS Et puis pas mal de femmes qui ont quitté leur mari. LÉOENA à part à Parthénis Eh, t l rends, ton bouillant Achille! PARTHÉNIS Nun merci, sans façons! ACHILLE qui a entendu Et pourquoi? AGAMEMNON Vous entendez? Galanterie sur galanterie... C est la vengeance de Vénus et ça ne s arrêtera que lorsque nous aurons pris une decision. Il faut absolument que nous parlions au roi Ménélas. CALCHAS Pas avant de nous être rhabillés, j espère! AGAMEMNON Evidemnient. Vous grelottez, Calchas? CALCHAS Oui, seigneur. AGAMEMNON Moi aussi. Allons nous rhabiller. D autant plus que ma tenue manque tout à fait de dignité. Demain je me baignerai avec ma couronne. Ils sortent. LÉOENA Quelle idée a eu la reine devenir aux bains de mer avant l époque habituelle? AJAX PREMIER C est pour se remettre... Elle en avait besoin après la terrible scène d il y a huit jours. AJAX DEUXIÈME Et puis Sparte lui est devenue insupportable depuis le départ de Paris. LÉOENA Il est vraiment parti? ORESTE Oui. PARTHÉNIS Il a renoncé. ACHILLE A quoi? De toute façon il ne me plaisait pas... Un sale pressentiment... AJAX DEUXIÈME Et le roi Ménélas, il en dit quoi? ORESTE Il n en dit rien... Mais c est ma tante qui n est pas contente! PARTHÉNIS D ailleurs, la voilà! LÉOENA Et avec le roi! ORESTE Avec le roi, Leucade le gêneur! 18bis - Mélodrame L orchestre reprend piano le refrain des couplets «A Leucade... » et tous sortent par le fond. Le peuple s est éloigné peu à peu. Hélène entre alors, suivie de Ménélas. MÉNÉLAS «Mais alors, ce n était pas un rêve?» Voilà la phrase que je vous supplie de m expliquer. HÉLÈNE Oh!.... MÉNÉLAS Il y a huit jours, vous avez dit cette phrase... Et dans des circonstances... HÉLÈNE Ciel!... MÉNÉLAS Je ne la comprends pas, cette phrase, mais elle m inquiète! HÉLÈNE Sainte patience... MÉNÉLAS Mais dites-moi, qu est-ce qui n était pas un rêve? HÉLÈNE Monsieur... MÉNÉLAS Madame! HÉLÈNE Je suis venue à Nauplie pour oublier, pour me distraire en me promenant au bord de la mer, mais je n avais pas prévu que je ne pourrais pas faire un pas sans voir votre figure! Votre figure, Monsieur! Regardez-vous, et comprenez que vous m agacez, m excédez, m insupportez... MÉNÉLAS Oui, ça je comprends. Mais ce que je ne comprends pas, c est cette phrase... Il y a huit jours... HÉLÈNE Il y a huit jours!... Il parle d une chose qui s est passée il y a huit jours!… Mais je ne sais plus, moi, Monsieur! MÉNÉLAS Madame! HÉLÈNE Oh! Méfiez-vous, Monsieur, méfiez-vous! Entrent Agamemnon et Calchas. AGAMEMNON Princesse... HÉLÈNE Vous ne pouvez pas savoir comme il est insupportable! Je ne peux plus, moi! ... MÉNÉLAS Je veux une explication... Il me la faut, maintenant! HÉLÈNE N oublie pas que c est à moi que tu dois la couronne de Sparte. MÉNÉLAS Oui, merci. Mais si ça continue, cette couronne, je serai obligé de la tenir à la main, ne pouvant plus la porter sur ma tête... AGAMEMNON riant Très drôle!... MÉNÉLAS N est-ce pas? HÉLÈNE Mais de quoi m accusez-vous, enfin? MÉNÉLAS A votre avis? HÉLÈNE Très bien. Vous l aurez voulu... 19 - Couplets HÉLÈNE Là, vrai, je ne suis pas coupable... Et, ma foi, je n y comprends rien, rien, car il était adorable, roi des rois, ce prince troyen! De Vénus il était l élève, et cependant j ai résisté... Il se plaint si fort pour un rêve, que dirait-il mon Dieu pour la réalité! Je lutte avec beaucoup de peine, songez-y, ne m agacez pas... Vous êtes le mari d Hélène Prenez garde, roi Ménélas! Prenez garde que je n achève l oeuvre de la fatalité!... Vous avez crié pour un rêve... Je vous ferai crier pour la réalité! MÉNÉLAS Mais ma Nénène... HÉLÈNE Je vous ferai hurler pour la réalité! MÉNÉLAS O mon amie... AGAMEMNON Eh bien!... Et c est pour garder une femme qui vous traite comme ça que vous sacrifiez votre pays? MÉNÉLAS A quoi? CALCHAS Au terrible fléau que Vénus a déchaîné! AGAMEMNON Terrible! Les hommes quittent leurs femmes, les femmes quittent leurs maris... CALCHAS C est ainsi que Vénus se venge! AGAMEMNON Et pourquoi se venge-t-elle, Vénus? MÉNÉLAS Je ne sais pas, moi! … AGAMEMNON Elle se venge parce que vous l avez con-tra-riée! MÉNÉLAS Bien sûr, elle aurait aimé me ridiculiser. Mais j ai fait chasser Pâris, et j ai bien fait! CALCHAS Monsieur, le mari doit s effacer devant le monarque. Voyez le résultat! AGAMEMNON et CALCHAS C est la débâcle généralisée! 20 - Trio patriotique AGAMEMNON Lorsque la Grèce est un champ de carnage, quand on immole les maris, tu vis heureux au sein de ton ménage... Tu t fiches pas mal de ton pays! CALCHAS Voyez pourtant ce qui se passe! AGAMEMNON L époux lâche l épouse... CALCHAS Et l épouse â son tour, de l époux déserte l amour. MÉNÉLAS Mais que voulez-vous que j y fasse? AGAMEMNON et CALCHAS Lorsque la Grèce est un champ de carnage, quand on immole les maris, tu vis heureux au sein de ton ménage, tu t fiches pas mal de ton pays! MÉNÉLAS Je vis heureux au sein de mon ménage, je m fiche pas mal de mon pays! CALCHAS Et ces malheureux accidents dépasseront les temps présents. AGAMEMNON Dans l avenir, je vois la longue file des successeurs de Ménélas on les comptera par cent mille... CALCHAS On les comptera par cent mille, si vous ne vous décidez pas comme le prince à sauter le pas. AGAMEMNON Sautez vite, sautez, ça presse... Regardez l état de la Gréce. C est une immense bacchanale, et Vénus, Vénus Astarté anime la ronde infernale... Tout est plaisir et volupté! Vertu, devoir, honneur, morale, par le flot tout est emporté!... à Ménélas, tout bas Tu comprends qu ça n peut pas durer plus longtemps. Au lieu de mimer la pyrrhique, qu autrefois on nous enseigna, danse noble, danse classique, en tous lieux maintenant voilà qu on danse une chose excentrique et sans nom, qui ressemble à ça... il danse. Tu comprends qu ça n peut pas durer plus longtemps. CALCHAS et AGAMEMNON Tu comprends qu ça n peut pas durer plus longtemps. MÉNÉLAS Je comprends qu ça n peut pas durer plus longtemps. CALCHAS Allons! Immolez-vous! AGAMEMNON Allons! Immole-toi! CALCHAS Il faut subir la loi! AGAMEMNON Il faut subir la loi! Immole-toi! AGAMEMNON et CALCHAS Il chancelle! … A peine il respire! … MÉNÉLAS J expire! … CALCHAS et AGAMEMNON Au genre humain, il faut rendre service Immole-toi, quand tu devrais souffrir! Tu sauveras, par ce beau sacrifice les Ménélas de l avenir! MÉNÉLAS Au genre humain pourquoi rendre service? M immoler? Non! Ça me ferait souffrir! Laissons, laissons ce noble sacrifice aux Ménélas de l avenir! Des dieux l immortelle sagesse me réserve un drôle d emploi... S il en faut un à la déesse, pourquoi faut-il que ce soit moi? Son mari lui devrait suffire! AGAMEMNON et CALCHAS Il blasphème dans son délire! Au genre humain il faut rendre service. Immole-toi, quand tu devrais souffrir! Tu sauveras par ce beau sacrifice, les Ménélas de l avenir! MÉNÉLAS Au genre humain pourquoi rendre service? M immoler? Ça me ferait souffrir! Laissons, laissons ce noble sacrifice aux Ménélas de l avenir! AGAMEMNON Quand les dieux commandent, ils commandent. Regarde, ma fille Iphigenie, je l aime. Eh bien, les dieux me la demanderaient, je leur dirai «Vous y t nez, la v là!» MÉNÉLAS Il y a peut-être un autre moyen dans mon cas... CALCHAS Mais il est très bien, le premier moyen! … Très bien. AGAMEMNON Vous avez une femme … on vous la demande ... vous la donnez. CALCHAS Basique! MÉNÉLAS Vous ne voulez pas m écouter? AGAMEMNON Si... mais ça ne vaudra jamais... MÉNÉLAS Encore! … AGAMEMNON Pardon. Parlez... MÉNÉLAS Calchas... Vous allez bondir. CALCHAS Et pourquoi bondirais-je? MÉNÉLAS Eh bien... J ai écrit à Cythère... à Agamemnon Vous allez voir, il va bondir. J ai écrit à Cythére et j ai demandé qu on nous envoie le grand Augure de Vénus. CALCHAS bondissant Un autre grand Augure! ... La concurrence! ... C est une honte! ... AGAMEMNON Il bondit bien! Bon, Calchas, quand vous aurez fini de bondir... Il y a du bon dans cette idée... Il faut voir... CALCHAS furieux et bondissant toujours Un autre Augure! … MÉNÉLAS Oui. Et maintenant que les vents sont favorables, je pense que c est lui qui accoste. Entre la galère avec Pâris, déguisé en Augure. 21a - Choeur et couplets de Pâris CHOEUR La galère de Cythère! Par ici! La voici! Tous en masse prenons place pour pouvoir la recevoir, la galère de Cythère. MÉNÉLAS Et maintenant, tous à genoux pour implorer le pardon de la déesse. CHOEUR La Grèce entière suppliante, grand Augure, est à tes genoux. Sa voix est triste et chevrotante... Pitié pour nuits, pitié pour nous! 21b - Tyrolienne avec choeur LE GRAND AUGURE Et tout d abord, ô vile multitude, sachez-le bien, je n ai pas l habitude d être reçu sur un rythme plaintif Vous auriez dû chanter un choeur alerte et vif. Le culte de Vénus est un culte joyeux. CHOEUR Le culte de Vénus est un culte joyeux. LE GRAND AUGURE Je suis gai, soyez gais, il le faut, je le veux! CHOEUR Il est gai, soyons gais, il le faut, il le veut! LE GRAND AUGURE La laï tou la la la la! Tra la la la la la la! Je sais qu il est de profonds moralistes qui font état d êtres sombres et tristes, mais ces gens-là se trompent lourdement L homme vraiment honnête est rempli d enjouement. Le culte de Vénus est un culte joyeux! CHOEUR Le culte de Vénus est un culte joyeux! LE GRAND AUGURE Je suis gai, soyez gais, il le faut, je le veux! CHOEUR Il est gai, soyons gais, il le faut, il le veut! LE GRAND AUGURE La laï tou la la la la! Tra la la la la la la! CALCHAS Quelle tenue pour un augure! … LE GRAND AUGURE Vous dites, cher confrère?... CALCHAS Je dis «Quelle tenue pour un augure!» LE GRAND AUGURE Roi des rois, bouillant Achille, Ajax, Ajax, Oreste, salut et respect! Et la reine? AGAMEMNON Elle boude. LE GRAND AUGURE Vénus est bonne. Elle pardonnera. Elle pardonnera à la condition que le roi Ménélas fasse ce qu il faudra. MÉNÉLAS Cependant... LE GRAND AUGURE Il n y a pas de cependant, rien que du raisonnable. La reine devra seulement faire un petit voyage. TOUS Où ça? LE GRAND AUGURE Sur une petite île, là-bas... Très jolie! … Cythère. AGAMEMNON Cythère?... LE GRAND AUGURE Oui. Elle viendra avec moi sur la galère, et de sa main, elle sacrifiera cent génisses blanches à la déesse. MÉNÉLAS Eh bien voilà! Quand on demande des choses raisonnables! Qu est-ce que je veux, moi? Que tout s arrange! Pour ça il faut que la reine fasse un petit voyage et sacrifie cent génisses blanches. Tant mieux! Bravo! La reine fera ce voyage, j ai dit! AGAMEMNON Très joli... Et si la reine ne veut pas... LE GRAND AUGURE Mais où est-elle donc, la reine? AJAX PREMIER La voici! 22 - Finale CHOEUR Elle vient! C est elle! Elle vient! La voici! Mon dieu, qu elle est belle malgré son souci! HÉLÈNE Quels accents se sont fait entendre? Il ne m étaient pas inconnus! MÉNÉLAS présentant Paris à Hélène Le grand Augure de Vénus! … A Cythère, à Cythère il faudrait vous rendre, pour plaire à la déesse et calmer son courroux. LES ROI et ORESTE Ah! Calmez son courroux! HÉLÈNE à Ménélas Loffense vient de vous... Laisse-moi, laisse-moi! LE GRAND AUGURE Je vais lui parler! ORESTE Oui, parlez-lui sans plus attendre! AGAMEMNON et CALCHAS Mais que lui direz-vous? CHOEUR Mais que lui direz-vous? LE GRAND AUGURE Les dieux vont m inspirer. bas à Hélène Je suis celui qui t adore, Paris, le berger naïf … HÉLÈNE Qu entends-je ?.. PÂRIS Vas-tu refuser encore de monter sur mon esquif? HÉLÈNE Non! L honneur m attache au rivage! MÉNÉLAS Cédez à mon autorité! AGAMEMNON et CALCHAS Ce n est qu un tout petit voyage! HÉLÈNE à part C est encore la fatalité! CHOEUR Partez, neble reine, partez noble Hélène! Partez, partez, partez! MÉNÉLAS Allons, pars pour Cythère, pars pour Cythère, pars pour Cythère, fais-le, c est peur moi! CHOEUR Obéissez au roi! ORESTE Oui, mentez dans sa galère! dans sa galère, dans sa galère! CALCHAS Y a que que chos la-d sous! CHOEUR Nous vous implorons tous! AGAMEMNON Les voyageurs peur Cythère! … Le train va partir! HÉLÈNE et PÂRIS Ma foi, partons pour Cythère! -tons pour Cythère, -tons pour Cythère! Ça leur fait plaisir, oui, ça leur fait plaisir! La lai tou la la la la! PÂRIS Pars pour Cythère, que rien ne t arrête! CHOEUR Pars, pars, pars! MÉNÉLAS Pars pour Cythère, que rien ne t arrête! CHOEUR Pars, pars pour Cythère, pars pour Cythère! Que rien ne t arrête, pars pour Cythère! Pars, pars, pars! Paris et Hélène s embarquent sur la galère. PÂRIS se faisant reconnaître Ne l attends plus, roi Mênélas! J emporte Hélène! Elle est à moi! Je suis Pâris! CHOEUR Pars, pars pour Cythère! Sur rette galère coquette et légère, pars, pars pour Cythère! Gagne promptement ce pays charmant, gagne ce séjour où règne l amour! (libretto Henri Meilhac et Ludovic Halévy) Offenbach,Jacques/La belle Hélène
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Market Overview The Global Virtual Dressing Room Market is expected to cross USD 6.81 Billion by 2025 at a CAGR of 15.21%. Virtual dressing rooms are able to superimpose clothes on users and induce a purchase intent in customers. The technology has made use of augmented reality to help customers in their shopping experience and save time on decisions. The global Virtual Dressing Room Market report by Market Research Future (MRFR) has been conceptualized for clothing stores and malls looking to increase their sales over the forecast period (2020-2027). The COVID-19 pandemic has been included to predict growth and revenue trajectories. This is attributed to preference of shopping online and new customer experience journeys for retaining customers. Large number of online apparel stores and increased purchasing power of customers can influence the market growth. Benefit over traditional dressing rooms and use of augmented reality to purchase clothes to attract new generation of customers can propel the market size. Innovations such as mobile body measuring, AR, and try-on technology can disrupt the market positively. This is exemplified by rapid purchases of technological breakthroughs by large companies to expand their footprint in cosmetics and apparel. The technology can store customer preferences and customer measurements to display clothing and accessories of their liking. But lack of awareness of the product in developing countries can hamper market growth. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8294 COVID-19 Analysis The onslaught of the COVID-19 pandemic had slowed down the apparel sector mainly, but many brands are now resorting to virtual based selling methods, and this is estimated to benefit the virtual dressing room market trends in the approaching period. The use of virtual dressing rooms is estimated to gain impetus further due to the protection it provides to the merchandise that is displayed in the shops, thus, promoting the virtual dressing room market share. Segmentation By Component The global virtual dressing room maker is divided into solutions and services by component. Of the two, solutions have the larger market size. Solutions are important within the market since every retailer has a specific requirement for virtual dressing rooms along with different investment potential. Their customer base, the preference of their customer base, the amount of capital retailers are ready to invest along with a host of other factors must be considered before a unique virtual dressing room solution can be created for the retailers. Services is the smaller market within this segment but is as critical as solution. Services oversee the maintenance and customization of the offered virtual dressing room solutions. In today’s dynamic commercial landscape, shifting customer preferences, the introduction of new products, and the opening of new markets results in a need to customize existing solutions. This is where services come in. By End User The E-commerce virtual dressing room market is the fastest growing within this segment due to its affordable pricing, unique solutions, and extreme utility. Cloth retailers of all sizes can now avail of the benefits of the huge e-commerce market and customer base. The advances in logistics ensure that the retailers can market their products to virtually any corner of the globe. The only drawback to the sale of clothing online was the lack of a mechanism to try the clothes on. This impediment is easily removed by virtual dressing rooms, a fact that retailers across the globe are quick to take note of. The physical store virtual dressing room market must increasingly compete with its e-commerce counterpart. Physical stores offer virtual dressing rooms with many factors that are unavailable to e-retailers. This is due to the customization available in the virtual dressing room machines which can range from simple screen outputs to huge screens that monitor the movements of the customer and offer changes in dress size, shape, and color at the behest of the customers. Regional Analysis North America to be Lucrative for Global Virtual Dressing Room Market North America is deemed to be revenue-worthy for the virtual dressing room market owing to presence of recognizable fashion stores and influence of social media to create peer pressure for looking good. Effective use of data to attain repeat customers and drive loyalty membership programs can bode well for the market. Competitive Analysis The emphasis on innovation is estimated to rise in the coming years, as the consumer needs have to be addressed in a better manner to ensure the resurgence of the global market. Also, the need to encourage business to include the environmental impact of their decisions is estimated to shape the development of the market in future. The need to mitigate losses sustained by the current public health crisis is estimated to be the sole focus of the market contenders in the upcoming years. The disharmony in the forces of demand and supply is estimated to create a slow growth background in the market. Furthermore, the need to adopt a rapid and cost-effective method of operation is estimated to shape the market in the impending period. The capability of contenders to influence change in the market is increasing at a stable rate in the impending period. The support from government bodies around the world is rising because the market needs an extra stimulus to achieve normalcy in such a scenario. Fitle, Elpro Technologies, ELSE Corp srl, Fitnect Interactive, 3D-A-PORTER LTD., 3DLOOK Inc., Coitor IT Tech, REACTIVE REALITY GMBH, SIZEBAY, Dressformer, Fit Analytics, SenseMi, triMirror, Zugara, Inc., and True Fit Corporation are reputed players in the global market. Mergers, acquisitions, and continuous development of technology are major growth strategies of players. Industry News Walmart has acquired Zeekit, a startup in Israel, in an attempt to attract customers towards its site and virtually try on clothes to drive purchases. Access Report Details @ https //www.marketresearchfuture.com/reports/virtual-dressing-room-market-8294 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** https //market-research-future.tribe.so/post/forensic-accounting-market-enormous-growth-with-recent-trends-demand-by-top--6220bd59d9cf5f4d8b4a0b3e https //ict268262635.wordpress.com/2022/04/08/infrastructure-as-a-service-industry-magnificent-growth-with-an-impressive-cagr-changing-business-needs-factors-that-will-drive-industry-forecast-year-2030/ https //ict268262635.wordpress.com/2022/04/08/telecom-expense-management-market-size-magnificent-growth-with-an-impressive-cagr-changing-business-needs-factors-that-will-drive-industry-forecast-year-2030/ About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue view Report Video https //lumen5.com/user/ubellapranali/parking-management-m-f4kz6/
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Fluid Mechanics With Engineering Applications Mcgraw-Hill College? Joseph B. Franzini? E. John Finnemore? Robert L. Daugherty? Mcgraw-HillCollege? JosephB.Franzini? E.JohnFinnemore? RobertL.Daugherty? ジャンル別? Subjects-Computers&Internet? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? 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