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Systems RequirementsFor Windows System CheckOpenGL Check SiS (Silicon Integrated Systems) Chips Tips64Bit OS (windows7) When load is slow though Multi Core Proccessor is used ATi Radeon chips More better system Performance Check Systems Requirements http //www.cosmicbreak.com/download/index.html For Windows Standard System Recommended System OS Microsoft Windows 2000 / XP / Vista / 7 Windows2000/XP CPU Pentium3 1.2GHz or higher Pentium4 1.6GHz or higher memory 256MB or higher 512MB or higher graphics board (*1) VRAM 32MB or higher VRAM 64MB or higher Windows Vista CPU Pentium4 1.6GHz or higher Pentium4 2.0GHz or more memory 512MB or higher 1GB or higher graphics board (*1) VRAM 64MB or more VRAM 128MB or more DirectX DirectX9.0c or more(*1) Hard Disc at least 800MB of open space System Requirements 128kbps or more(*2) 1Mbps or more (*3) If using a firewall, please make sure that the game application can receive TCP/UDP packets on ports 23456 thru 23458 Supported Devices USB game pad (8 keys or more) (*1) Video card must be DirectX9.0c compatible(*2) on ISDN/DSL connection(*3) always-connected broadband internet is suggested System Check 1. Click the Start button on the Windows Taskbar 2. Select Run 3. Type dxdiag in the available text field 4. Click OK System tab - Processor, Memory, DirectX version Display tab - Device Name, Manufactuerer, Chip Type, Approx, Total Memory OpenGL Check Install Graphics version checker (OpenGL) http //www.topicscape.com/download3.php (Windows 2000/XP/Vista) this game use OpenGL. require OpenGL v1.2 or higher SiS (Silicon Integrated Systems) Chips Not supported Tips 64Bit OS (windows7) set XP Compatibility mode. CosmicBreak.exe cosmic.exe When load is slow though Multi Core Proccessor is used Right-click on an empty spot in the Taskbar and then choose "Task Manager" from the context menu. Select Processes Tab Right Click cosmic.exe setting processor affinity to 1 (setting 1 CPU the process can execute on) ATi Radeon chips open CatalystControlCenter check 3D setting Enable TripleBuffering More better system CPU Dual Core Processor 3.0GHz or more clock memory 1GB or more graphics board PCI Express x16 interface, VRAM 256MB or more Performance Check Install FRAPS http //www.fraps.com/ FPS MODE system 1~20 Union Wars 30vs30 standard system 12~30 Union Wars 30vs30 Recommended System 40~60 Union Wars 30vs30 more better system
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CHAPTER XXIX UP CHAPTER XXXI CHAPTER XXX The Queens Class Is Organized Marilla laid her knitting on her lap and leaned back in her chair. Her eyes were tired, and she thought vaguely that she must see about having her glasses changed the next time she went to town, for her eyes had grown tired very often of late. It was nearly dark, for the full November twilight had fallen around Green Gables, and the only light in the kitchen came from the dancing red flames in the stove. Anne was curled up Turk-fashion on the hearthrug, gazing into that joyous glow where the sunshine of a hundred summers was being distilled from the maple cordwood. She had been reading, but her book had slipped to the floor, and now she was dreaming, with a smile on her parted lips. Glittering castles in Spain were shaping themselves out of the mists and rainbows of her lively fancy; adventures wonderful and enthralling were happening to her in cloudland--adventures that always turned out triumphantly and never involved her in scrapes like those of actual life. Marilla looked at her with a tenderness that would never have been suffered to reveal itself in any clearer light than that soft mingling of fireshine and shadow. The lesson of a love that should display itself easily in spoken word and open look was one Marilla could never learn. But she had learned to love this slim, gray-eyed girl with an affection all the deeper and stronger from its very undemonstrativeness. Her love made her afraid of being unduly indulgent, indeed. She had an uneasy feeling that it was rather sinful to set one s heart so intensely on any human creature as she had set hers on Anne, and perhaps she performed a sort of unconscious penance for this by being stricter and more critical than if the girl had been less dear to her. Certainly Anne herself had no idea how Marilla loved her. She sometimes thought wistfully that Marilla was very hard to please and distinctly lacking in sympathy and understanding. But she always checked the thought reproachfully, remembering what she owed to Marilla. "Anne," said Marilla abruptly, "Miss Stacy was here this afternoon when you were out with Diana." Anne came back from her other world with a start and a sigh. "Was she? Oh, I m so sorry I wasn t in. Why didn t you call me, Marilla? Diana and I were only over in the Haunted Wood. It s lovely in the woods now. All the little wood things--the ferns and the satin leaves and the crackerberries--have gone to sleep, just as if somebody had tucked them away until spring under a blanket of leaves. I think it was a little gray fairy with a rainbow scarf that came tiptoeing along the last moonlight night and did it. Diana wouldn t say much about that, though. Diana has never forgotten the scolding her mother gave her about imagining ghosts into the Haunted Wood. It had a very bad effect on Diana s imagination. It blighted it. Mrs. Lynde says Myrtle Bell is a blighted being. I asked Ruby Gillis why Myrtle was blighted, and Ruby said she guessed it was because her young man had gone back on her. Ruby Gillis thinks of nothing but young men, and the older she gets the worse she is. Young men are all very well in their place, but it doesn t do to drag them into everything, does it? Diana and I are thinking seriously of promising each other that we will never marry but be nice old maids and live together forever. Diana hasn t quite made up her mind though, because she thinks perhaps it would be nobler to marry some wild, dashing, wicked young man and reform him. Diana and I talk a great deal about serious subjects now, you know. We feel that we are so much older than we used to be that it isn t becoming to talk of childish matters. It s such a solemn thing to be almost fourteen, Marilla. Miss Stacy took all us girls who are in our teens down to the brook last Wednesday, and talked to us about it. She said we couldn t be too careful what habits we formed and what ideals we acquired in our teens, because by the time we were twenty our characters would be developed and the foundation laid for our whole future life. And she said if the foundation was shaky we could never build anything really worth while on it. Diana and I talked the matter over coming home from school. We felt extremely solemn, Marilla. And we decided that we would try to be very careful indeed and form respectable habits and learn all we could and be as sensible as possible, so that by the time we were twenty our characters would be properly developed. It s perfectly appalling to think of being twenty, Marilla. It sounds so fearfully old and grown up. But why was Miss Stacy here this afternoon?" "That is what I want to tell you, Anne, if you ll ever give me a chance to get a word in edgewise. She was talking about you." "About me?" Anne looked rather scared. Then she flushed and exclaimed "Oh, I know what she was saying. I meant to tell you, Marilla, honestly I did, but I forgot. Miss Stacy caught me reading Ben Hur in school yesterday afternoon when I should have been studying my Canadian history. Jane Andrews lent it to me. I was reading it at dinner hour, and I had just got to the chariot race when school went in. I was simply wild to know how it turned out-- although I felt sure Ben Hur must win, because it wouldn t be poetical justice if he didn t--so I spread the history open on my desk lid and then tucked Ben Hur between the desk and my knee. I just looked as if I were studying Canadian history, you know, while all the while I was reveling in Ben Hur. I was so interested in it that I never noticed Miss Stacy coming down the aisle until all at once I just looked up and there she was looking down at me, so reproachful-like. I can t tell you how ashamed I felt, Marilla, especially when I heard Josie Pye giggling. Miss Stacy took Ben Hur away, but she never said a word then. She kept me in at recess and talked to me. She said I had done very wrong in two respects. First, I was wasting the time I ought to have put on my studies; and secondly, I was deceiving my teacher in trying to make it appear I was reading a history when it was a storybook instead. I had never realized until that moment, Marilla, that what I was doing was deceitful. I was shocked. I cried bitterly, and asked Miss Stacy to forgive me and I d never do such a thing again; and I offered to do penance by never so much as looking at Ben Hur for a whole week, not even to see how the chariot race turned out. But Miss Stacy said she wouldn t require that, and she forgave me freely. So I think it wasn t very kind of her to come up here to you about it after all." "Miss Stacy never mentioned such a thing to me, Anne, and its only your guilty conscience that s the matter with you. You have no business to be taking storybooks to school. You read too many novels anyhow. When I was a girl I wasn t so much as allowed to look at a novel." "Oh, how can you call Ben Hur a novel when it s really such a religious book?" protested Anne. "Of course it s a little too exciting to be proper reading for Sunday, and I only read it on weekdays. And I never read ANY book now unless either Miss Stacy or Mrs. Allan thinks it is a proper book for a girl thirteen and three-quarters to read. Miss Stacy made me promise that. She found me reading a book one day called, The Lurid Mystery of the Haunted Hall. It was one Ruby Gillis had lent me, and, oh, Marilla, it was so fascinating and creepy. It just curdled the blood in my veins. But Miss Stacy said it was a very silly, unwholesome book, and she asked me not to read any more of it or any like it. I didn t mind promising not to read any more like it, but it was AGONIZING to give back that book without knowing how it turned out. But my love for Miss Stacy stood the test and I did. It s really wonderful, Marilla, what you can do when you re truly anxious to please a certain person." "Well, I guess I ll light the lamp and get to work," said Marilla. "I see plainly that you don t want to hear what Miss Stacy had to say. You re more interested in the sound of your own tongue than in anything else." "Oh, indeed, Marilla, I do want to hear it," cried Anne contritely. "I won t say another word--not one. I know I talk too much, but I am really trying to overcome it, and although I say far too much, yet if you only knew how many things I want to say and don t, you d give me some credit for it. Please tell me, Marilla." "Well, Miss Stacy wants to organize a class among her advanced students who mean to study for the entrance examination into Queen s. She intends to give them extra lessons for an hour after school. And she came to ask Matthew and me if we would like to have you join it. What do you think about it yourself, Anne? Would you like to go to Queen s and pass for a teacher?" "Oh, Marilla!" Anne straightened to her knees and clasped her hands. "It s been the dream of my life--that is, for the last six months, ever since Ruby and Jane began to talk of studying for the Entrance. But I didn t say anything about it, because I supposed it would be perfectly useless. I d love to be a teacher. But won t it be dreadfully expensive? Mr. Andrews says it cost him one hundred and fifty dollars to put Prissy through, and Prissy wasn t a dunce in geometry." "I guess you needn t worry about that part of it. When Matthew and I took you to bring up we resolved we would do the best we could for you and give you a good education. I believe in a girl being fitted to earn her own living whether she ever has to or not. You ll always have a home at Green Gables as long as Matthew and I are here, but nobody knows what is going to happen in this uncertain world, and it s just as well to be prepared. So you can join the Queen s class if you like, Anne." "Oh, Marilla, thank you." Anne flung her arms about Marilla s waist and looked up earnestly into her face. "I m extremely grateful to you and Matthew. And I ll study as hard as I can and do my very best to be a credit to you. I warn you not to expect much in geometry, but I think I can hold my own in anything else if I work hard." "I dare say you ll get along well enough. Miss Stacy says you are bright and diligent." Not for worlds would Marilla have told Anne just what Miss Stacy had said about her; that would have been to pamper vanity. "You needn t rush to any extreme of killing yourself over your books. There is no hurry. You won t be ready to try the Entrance for a year and a half yet. But it s well to begin in time and be thoroughly grounded, Miss Stacy says." "I shall take more interest than ever in my studies now," said Anne blissfully, "because I have a purpose in life. Mr. Allan says everybody should have a purpose in life and pursue it faithfully. Only he says we must first make sure that it is a worthy purpose. I would call it a worthy purpose to want to be a teacher like Miss Stacy, wouldn t you, Marilla? I think it s a very noble profession." The Queen s class was organized in due time. Gilbert Blythe, Anne Shirley, Ruby Gillis, Jane Andrews, Josie Pye, Charlie Sloane, and Moody Spurgeon MacPherson joined it. Diana Barry did not, as her parents did not intend to send her to Queen s. This seemed nothing short of a calamity to Anne. Never, since the night on which Minnie May had had the croup, had she and Diana been separated in anything. On the evening when the Queen s class first remained in school for the extra lessons and Anne saw Diana go slowly out with the others, to walk home alone through the Birch Path and Violet Vale, it was all the former could do to keep her seat and refrain from rushing impulsively after her chum. A lump came into her throat, and she hastily retired behind the pages of her uplifted Latin grammar to hide the tears in her eyes. Not for worlds would Anne have had Gilbert Blythe or Josie Pye see those tears. "But, oh, Marilla, I really felt that I had tasted the bitterness of death, as Mr. Allan said in his sermon last Sunday, when I saw Diana go out alone," she said mournfully that night. "I thought how splendid it would have been if Diana had only been going to study for the Entrance, too. But we can t have things perfect in this imperfect world, as Mrs. Lynde says. Mrs. Lynde isn t exactly a comforting person sometimes, but there s no doubt she says a great many very true things. And I think the Queen s class is going to be extremely interesting. Jane and Ruby are just going to study to be teachers. That is the height of their ambition. Ruby says she will only teach for two years after she gets through, and then she intends to be married. Jane says she will devote her whole life to teaching, and never, never marry, because you are paid a salary for teaching, but a husband won t pay you anything, and growls if you ask for a share in the egg and butter money. I expect Jane speaks from mournful experience, for Mrs. Lynde says that her father is a perfect old crank, and meaner than second skimmings. Josie Pye says she is just going to college for education s sake, because she won t have to earn her own living; she says of course it is different with orphans who are living on charity--THEY have to hustle. Moody Spurgeon is going to be a minister. Mrs. Lynde says he couldn t be anything else with a name like that to live up to. I hope it isn t wicked of me, Marilla, but really the thought of Moody Spurgeon being a minister makes me laugh. He s such a funny-looking boy with that big fat face, and his little blue eyes, and his ears sticking out like flaps. But perhaps he will be more intellectual looking when he grows up. Charlie Sloane says he s going to go into politics and be a member of Parliament, but Mrs. Lynde says he ll never succeed at that, because the Sloanes are all honest people, and it s only rascals that get on in politics nowadays." "What is Gilbert Blythe going to be?" queried Marilla, seeing that Anne was opening her Caesar. "I don t happen to know what Gilbert Blythe s ambition in life is-- if he has any," said Anne scornfully. There was open rivalry between Gilbert and Anne now. Previously the rivalry had been rather onesided, but there was no longer any doubt that Gilbert was as determined to be first in class as Anne was. He was a foeman worthy of her steel. The other members of the class tacitly acknowledged their superiority, and never dreamed of trying to compete with them. Since the day by the pond when she had refused to listen to his plea for forgiveness, Gilbert, save for the aforesaid determined rivalry, had evinced no recognition whatever of the existence of Anne Shirley. He talked and jested with the other girls, exchanged books and puzzles with them, discussed lessons and plans, sometimes walked home with one or the other of them from prayer meeting or Debating Club. But Anne Shirley he simply ignored, and Anne found out that it is not pleasant to be ignored. It was in vain that she told herself with a toss of her head that she did not care. Deep down in her wayward, feminine little heart she knew that she did care, and that if she had that chance of the Lake of Shining Waters again she would answer very differently. All at once, as it seemed, and to her secret dismay, she found that the old resentment she had cherished against him was gone--gone just when she most needed its sustaining power. It was in vain that she recalled every incident and emotion of that memorable occasion and tried to feel the old satisfying anger. That day by the pond had witnessed its last spasmodic flicker. Anne realized that she had forgiven and forgotten without knowing it. But it was too late. And at least neither Gilbert nor anybody else, not even Diana, should ever suspect how sorry she was and how much she wished she hadn t been so proud and horrid! She determined to "shroud her feelings in deepest oblivion," and it may be stated here and now that she did it, so successfully that Gilbert, who possibly was not quite so indifferent as he seemed, could not console himself with any belief that Anne felt his retaliatory scorn. The only poor comfort he had was that she snubbed Charlie Sloane, unmercifully, continually, and undeservedly. Otherwise the winter passed away in a round of pleasant duties and studies. For Anne the days slipped by like golden beads on the necklace of the year. She was happy, eager, interested; there were lessons to be learned and honor to be won; delightful books to read; new pieces to be practiced for the Sunday-school choir; pleasant Saturday afternoons at the manse with Mrs. Allan; and then, almost before Anne realized it, spring had come again to Green Gables and all the world was abloom once more. Studies palled just a wee bit then; the Queen s class, left behind in school while the others scattered to green lanes and leafy wood cuts and meadow byways, looked wistfully out of the windows and discovered that Latin verbs and French exercises had somehow lost the tang and zest they had possessed in the crisp winter months. Even Anne and Gilbert lagged and grew indifferent. Teacher and taught were alike glad when the term was ended and the glad vacation days stretched rosily before them. "But you ve done good work this past year," Miss Stacy told them on the last evening, "and you deserve a good, jolly vacation. Have the best time you can in the out-of-door world and lay in a good stock of health and vitality and ambition to carry you through next year. It will be the tug of war, you know--the last year before the Entrance." "Are you going to be back next year, Miss Stacy?" asked Josie Pye. Josie Pye never scrupled to ask questions; in this instance the rest of the class felt grateful to her; none of them would have dared to ask it of Miss Stacy, but all wanted to, for there had been alarming rumors running at large through the school for some time that Miss Stacy was not coming back the next year--that she had been offered a position in the grade school of her own home district and meant to accept. The Queen s class listened in breathless suspense for her answer. "Yes, I think I will," said Miss Stacy. "I thought of taking another school, but I have decided to come back to Avonlea. To tell the truth, I ve grown so interested in my pupils here that I found I couldn t leave them. So I ll stay and see you through." "Hurrah!" said Moody Spurgeon. Moody Spurgeon had never been so carried away by his feelings before, and he blushed uncomfortably every time he thought about it for a week. "Oh, I m so glad," said Anne, with shining eyes. "Dear Stacy, it would be perfectly dreadful if you didn t come back. I don t believe I could have the heart to go on with my studies at all if another teacher came here." When Anne got home that night she stacked all her textbooks away in an old trunk in the attic, locked it, and threw the key into the blanket box. "I m not even going to look at a schoolbook in vacation," she told Marilla. "I ve studied as hard all the term as I possibly could and I ve pored over that geometry until I know every proposition in the first book off by heart, even when the letters ARE changed. I just feel tired of everything sensible and I m going to let my imagination run riot for the summer. Oh, you needn t be alarmed, Marilla. I ll only let it run riot within reasonable limits. But I want to have a real good jolly time this summer, for maybe it s the last summer I ll be a little girl. Mrs. Lynde says that if I keep stretching out next year as I ve done this I ll have to put on longer skirts. She says I m all running to legs and eyes. And when I put on longer skirts I shall feel that I have to live up to them and be very dignified. It won t even do to believe in fairies then, I m afraid; so I m going to believe in them with all my whole heart this summer. I think we re going to have a very gay vacation. Ruby Gillis is going to have a birthday party soon and there s the Sunday school picnic and the missionary concert next month. And Mr. Barry says that some evening he ll take Diana and me over to the White Sands Hotel and have dinner there. They have dinner there in the evening, you know. Jane Andrews was over once last summer and she says it was a dazzling sight to see the electric lights and the flowers and all the lady guests in such beautiful dresses. Jane says it was her first glimpse into high life and she ll never forget it to her dying day." Mrs. Lynde came up the next afternoon to find out why Marilla had not been at the Aid meeting on Thursday. When Marilla was not at Aid meeting people knew there was something wrong at Green Gables. "Matthew had a bad spell with his heart Thursday," Marilla explained, "and I didn t feel like leaving him. Oh, yes, he s all right again now, but he takes them spells oftener than he used to and I m anxious about him. The doctor says he must be careful to avoid excitement. That s easy enough, for Matthew doesn t go about looking for excitement by any means and never did, but he s not to do any very heavy work either and you might as well tell Matthew not to breathe as not to work. Come and lay off your things, Rachel. You ll stay to tea?" "Well, seeing you re so pressing, perhaps I might as well, stay" said Mrs. Rachel, who had not the slightest intention of doing anything else. Mrs. Rachel and Marilla sat comfortably in the parlor while Anne got the tea and made hot biscuits that were light and white enough to defy even Mrs. Rachel s criticism. "I must say Anne has turned out a real smart girl," admitted Mrs. Rachel, as Marilla accompanied her to the end of the lane at sunset. "She must be a great help to you." "She is," said Marilla, "and she s real steady and reliable now. I used to be afraid she d never get over her featherbrained ways, but she has and I wouldn t be afraid to trust her in anything now." "I never would have thought she d have turned out so well that first day I was here three years ago," said Mrs. Rachel. "Lawful heart, shall I ever forget that tantrum of hers! When I went home that night I says to Thomas, says I, `Mark my words, Thomas, Marilla Cuthbert ll live to rue the step she s took. But I was mistaken and I m real glad of it. I ain t one of those kind of people, Marilla, as can never be brought to own up that they ve made a mistake. No, that never was my way, thank goodness. I did make a mistake in judging Anne, but it weren t no wonder, for an odder, unexpecteder witch of a child there never was in this world, that s what. There was no ciphering her out by the rules that worked with other children. It s nothing short of wonderful how she s improved these three years, but especially in looks. She s a real pretty girl got to be, though I can t say I m overly partial to that pale, big-eyed style myself. I like more snap and color, like Diana Barry has or Ruby Gillis. Ruby Gillis s looks are real showy. But somehow--I don t know how it is but when Anne and them are together, though she ain t half as handsome, she makes them look kind of common and overdone-- something like them white June lilies she calls narcissus alongside of the big, red peonies, that s what." CHAPTER XXIX UP CHAPTER XXXI 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 18 36 (Tue)
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PaulKing? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-General? Subjects-Arts&Photography-Architecture-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Home&Garden-Gardening&Horticulture-Outdoor&RecreationalAreas? Subjects-Home&Garden-HomeDesign-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Architecture-Drawing&Modelling-General? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Reference? Land Rover Series I,Ii,Iia III 1948-85 Service Guide Owner's Manual (Porter Manuals) Porter Pub Ltd? L. Porter? John Williams? PorterPubLtd? L.Porter? JohnWilliams? ユーズドブック(洋書)-Engineering Subjects-Engineering-Automotive? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Automotive? Diesel Car Engines Step-By-Step Service Guide (Porter Manuals) Porter Pub Ltd? Ivor Carroll? PorterPubLtd? IvorCarroll? ユーズドブック(洋書)-Engineering Subjects-Engineering-Automotive? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Automotive? Vauxhall Nova (Including Opel Corsa) Service Guide Owner's Manual All Models 1983 to 1993 (Porter Manuals) Porter Pub Ltd? Chilton Book Company PorterPubLtd? ChiltonBookCompany? ユーズドブック(洋書)-Engineering Subjects-Engineering-Automotive? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Automotive? Peugeot 205 Service Guide Owner's Manual (Porter Manuals) Porter Pub Ltd? Chilton Book Company PorterPubLtd? ChiltonBookCompany? ユーズドブック(洋書)-Engineering Subjects-Engineering-Automotive? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Automotive? Land Rover Discovery Range Rover 'Classic' Service Guide Owner's Manual (Porter Manuals) Porter Pub Ltd? L. Porter? Andrew MacQuillan? A. McQuillan? PorterPubLtd? L.Porter? AndrewMacQuillan? A.McQuillan? ユーズドブック(洋書)-Engineering Subjects-Engineering-Automotive? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Automotive? The Telecoms Trading Revolution Risk Books? Risk Books? RiskBooks? RiskBooks? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Finance? Subjects-Engineering-Telecommunications-General? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Guyana Latin America Bureau? Marcus Colchester? LatinAmericaBureau? MarcusColchester? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Green Guerrillas Latin America Bureau? Helen Collinson? LatinAmericaBureau? HelenCollinson? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-42? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-SocialSciences-Anthropology? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Science-EarthSciences-EnvironmentalScience Muscle and Curves TVR 1975-1994 Fountain Press? Iain Ayre? FountainPress? IainAyre? ユーズドブック(洋書)-Engineering Subjects-Engineering-Automotive? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Automotive? Wings Over the Island Coach House Publications Ltd? David L. Williams? CoachHousePublicationsLtd? DavidL.Williams? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace? Subjects-History? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Inside Cowley Porcupine Press? Alan Thornett? PorcupinePress? AlanThornett? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-42? Subjects-Engineering-Automotive? Subjects-Nonfiction-Politics-LaborUnions? Subjects-Nonfiction-SocialSciences-PoliticalScience-General? Subjects-Professional&Technical-Engineering-Automotive? Register of London and North Eastern Railway Locomotives Challenger Publications? Willie B. Yeadon? ChallengerPublications? WillieB.Yeadon? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Transportation&Highway? 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StephenPotter? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-42? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Reference? Caspian Pipelines (Former Soviet South Papers, 2nd Series) Brookings Inst Pr? John Roberts? BrookingsInstPr? JohnRoberts? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-Transportation-General? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? The International GIS Dictionary The Geoinformation Group? McDonnell? Kemp? TheGeoinformationGroup? McDonnell? Kemp? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-RemoteSensing? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(British)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Geography? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-Civil-RemoteSensing? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geography? Subjects-Reference-Dictionaries&Thesauruses-English(British)? Subjects-Reference-Dictionaries&Thesauruses-Geography? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Science-EarthSciences-Geography-General? Subjects-Science-EarthSciences-Geography-InformationSystems? Subjects-Science-Reference-General? Intelligent GIS The Geoinformation Group? M. Birkin? G.P. Clarke? M. Clarke? A.G. Wilson? TheGeoinformationGroup? M.Birkin? G.P.Clarke? M.Clarke? A.G.Wilson? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-Software-Business-GIS? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-EarthSciences-Geography-General? Subjects-Science-EarthSciences-Geography-InformationSystems? The House College of Estate Management? Graham Hough? CollegeofEstateManagement? GrahamHough? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-History-Europe-England-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Changing Places Children s Society, The? Angela Eagle? Eileen Adams? Sue Ingham? Children sSociety,The? AngelaEagle? EileenAdams? SueIngham? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-42? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Proud Heritage A Pictorial History of Britain Aerospace Aircraft Orion? Phil Coulson? Orion? PhilCoulson? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Photography-Collections,Catalogues&Exhibitions? Subjects-Engineering-Aerospace? Subjects-History-Europe-England-General? Subjects-History-HistoricalStudy-SocialHistory? Subjects-History-Military-Aviation? Subjects-History-Military-General? Subjects-History-Military-Pictorials? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Astronomy-Aeronautics&Astronautics? Wright to Fly RAF Benevolent Fund Enterprises? Peter March? RAFBenevolentFundEnterprises? PeterMarch? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-42? Subjects-Engineering-Aerospace? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Three-Wheelers Blueprint Books Ltd? Chris Rees? BlueprintBooksLtd? ChrisRees? ユーズドブック(洋書)-Engineering Subjects-Engineering-Automotive? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Science-History&Philosophy-HistoryofTechnology? LNWR Carriages Atlantic Transport Publishers? David Jenkinson? AtlanticTransportPublishers? DavidJenkinson? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Transportation&Highway? Subjects-Nonfiction-Transportation-Railroads-General? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? History of British Railway Carriages, 1900-53 Atlantic Transport Publishers? David Jenkinson? AtlanticTransportPublishers? DavidJenkinson? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Transportation&Highway? Subjects-Nonfiction-Transportation-Railroads-General? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Science-History&Philosophy-HistoryofTechnology? Historic Carriage Drawings (Pendragon Book) Atlantic Transport Publishers? Nicholas Campling? AtlanticTransportPublishers? NicholasCampling? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-65? Subjects-Arts&Photography-Art-Instruction&Reference-Drawing? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Nonfiction-Transportation-Railroads-General? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? ユーズドブック(洋書)-Engineering 洋書
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template クラス テンプレートには３つのクラスがあります lineクラス、sylクラス、furiクラス （pre-lineはlineクラス、charはsylクラスに属します） テンプレートは現れる順序に関わらす、lineクラス、sylクラス、furiクラスの順で実行されます。 同じクラスのテンプレートは現れた順に実行されます。 テンプレートが適用されるとカラオケ行の\kタグはfx行に出力されません。(keeptagsを使用しても出力されません) sylクラス、furiクラスのテンプレートではカラオケ行が音節や文字単位に分割して出力されるためカラオケ行内の改行\Nタグは機能しません。 lineクラス(lineとpre-line)のテンプレートは名前を付けることができます。同じ名前のテンプレートはそれら全体で１つのfx行を出力します。 template syl 音節単位でエフェクトをかける場合に適したテンプレートです。 カラオケ行を\kタグで区切られた音節単位に分割してfx行を出力します。 各音節のテキストの前に式を評価したテンプレートのtext欄の内容を追加します。 音節単位に分割して出力されるため、\pos（または\move）タグを使う必要があります。 template char 文字単位でエフェクトをかける場合に適したテンプレートです カラオケ行を文字単位に分割してfx行を出力します。 各文字の前に式を評価したテンプレートのtext欄の内容を追加します。 文字単位に分割して出力されるため、\pos（または\move）タグを使う必要があります。 template furi ルビ付きのカラオケ行を\kタグで区切られた音節単位に分割してfx行を出力します。 各音節（ルビ）の前に式を評価したテンプレートのtext欄の内容を追加します。 音節単位に分割して出力されるため、\pos（または\move）タグを使う必要があります。 template syl furiとすると１つのテンプレートでメインテキストとルビを１度に出力することができます。 template line カラオケ行の分割はされません。 各音節のテキスト前に式を評価したテンプレートのtext欄の内容を追加します。 template pre-line カラオケ行の分割はされません。 行の先頭に式を評価したテンプレートのtext欄の内容が追加されます。 pre-lineテンプレートではnotextは機能しません。 名前付きテンプレート lineとpre-lineテンプレートには名前を付けることができます。
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Seventh International Symposium on String Processing and Information Retrieval Proceedings, Spire 2000, September 27-29, 2000 a Curuna, Spain Ieee? Spain) International Symposium on String Processing and Information Retrieval (7th 2000 La Coruna? Ieee? Spain)InternationalSymposiumonStringProcessingandInformationRetrieval(7th 2000 LaCoruna? ジャンル別? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-General? Subjects-Computers&Internet-ComputerScience-Algorithms-General? Subjects-Computers&Internet-Databases-General? Subjects-Computers&Internet-General? Subjects-Nonfiction-SocialSciences-Library&InformationScience-InformationStorage&Retrieval? Subjects-Science-Technology-General&Reference 15th International Conference on Pattern Recognition 2000 Proceedings Barcelona, Spain September 3-7, 2000 (International Conference on Pattern Recognition//Proceedings) Ieee? Spain) International Conference on Pattern Recognition (15th 2000 Barcelona? Ieee? Spain)InternationalConferenceonPatternRecognition(15th 2000 Barcelona? ジャンル別? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Programming-PatternRecognition? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Software Maintenance (Icsm 2000) 2000 International Conference (International Conference on Software Maintenance) Ieee? Calif) International Conference on Software Maintenance (2000 San Jose? Ieee? Calif)InternationalConferenceonSoftwareMaintenance(2000 SanJose? ジャンル別? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Temporal Representation and Reasoning (Time 2000) 7th International Workshop Ieee? Scott Goodwin? Andre Trudel? Ieee? ScottGoodwin? AndreTrudel? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference The Second Nasa/Dod Workshop on Evolvable Hardware Palo Alto, California, Usa, July 13-15, 2000 Ieee? Jason Lohn? Adrian Stoica? Didier Keymeulen? Silvano Colombano? Ieee? JasonLohn? AdrianStoica? DidierKeymeulen? SilvanoColombano? ジャンル別? Substores-UnknownASINs-19? Subjects-Science-General Subjects-Science-Technology-General&Reference International Conference on Parallel Processing Proceedings 21-24 August 2000 Toronto, Canada Ieee? David J. Lilja? Ieee? DavidJ.Lilja? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-Hardware-SystemArchitecture-ParallelComputing? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Euromicro 2000 Conference 26th Conference Ieee? Netherlands) Symposium on Microprocessing and Microprogramming (26th 2000 Maastricht? Ieee? Netherlands)SymposiumonMicroprocessingandMicroprogramming(26th 2000 Maastricht? ジャンル別? Subjects-Computers&Internet-ComputerScience-SystemsAnalysis&Design? Subjects-Computers&Internet-Hardware-SystemArchitecture-ParallelComputing? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Computers&Internet-Hardware-SystemArchitecture-General? Subjects-Science-General Subjects-Science-Technology-General&Reference 25th Annual IEEE Conference on Local Computer Networks, Lcn 2000 November 8-12, 2000 Tampa, Florida, USA Proceedings (Conference on Local Computer Networks//Proceedings) Ieee? IEEE Computer Society? Ieee? IEEEComputerSociety? ジャンル別? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-LAN? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Applied Image Pattern Recognition Workshop (Aipr 2000) Ieee? Applied Imagery Pattern Recognition Workshop? Ieee? AppliedImageryPatternRecognitionWorkshop? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference System Sciences (Hicss '01) 34th Annual Hawaii International Conference (Hawaii International Conference on System Sciences//Proceedings) Ieee? Hawaii International Conference on Social Sciences? Ieee? HawaiiInternationalConferenceonSocialSciences? ジャンル別? Subjects-Computers&Internet-Hardware-General? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference IEEE International Conference on Advanced Learning Technologies 6-8 August 2001 Madison, Wisconsin, USA Ieee? Toshio Okamoto? Roger Hartley? Kinshuk? John P. Klus? Ieee? ToshioOkamoto? RogerHartley? Kinshuk? JohnP.Klus? ジャンル別? Subjects-Business&Investing-Reference-Education? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Science-General Subjects-Science-Technology-General&Reference Computer Design, 2001 Ieee? Germany) IEEE International Conference on Computer Design (2002 Freiburg im Breisgau? Ieee? Germany)IEEEInternationalConferenceonComputerDesign(2002 FreiburgimBreisgau? ジャンル別? Subjects-Computers&Internet-ComputerScience? Subjects-Computers&Internet-Hardware-SystemArchitecture-DigitalDesign? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference International Symposium on Technology and Society 6-7 July 2001 Stamford, Connecticut Proceedings Ieee? Conn.) International Symposium on Technology and Society (2001 Stamford? Ieee? Conn.)InternationalSymposiumonTechnologyandSociety(2001 Stamford? ジャンル別? Subjects-Computers&Internet-ComputerScience? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Computers&Internet-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? Digital Systems Design 2001 Ieee? Poland) Euromicro Symposium on Digital Systems Design (2001 Warsaw? Ieee? Poland)EuromicroSymposiumonDigitalSystemsDesign(2001 Warsaw? ジャンル別? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitDesign? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Computers&Internet-ComputerScience-SystemsAnalysis&Design? Subjects-Computers&Internet-Hardware-SystemArchitecture-DigitalDesign? Subjects-Computers&Internet-Hardware-General? Subjects-Computers&Internet-General? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Electrical&Electronics-Circuits-DigitalIntegratedCircuitDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits-DigitalIntegratedCircuitDesign? Subjects-Science-Technology-General&Reference Sixth International Conference on Document Analysis and Recognition September 10-13, 2001 Seattle, Washington, USA Proceedings (IEEE Conference Proceedings) Ieee? International Conference on Document Analysis and Recognition? Ieee? InternationalConferenceonDocumentAnalysisandRecognition? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-General? Subjects-Computers&Internet-Programming-PatternRecognition? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-Electrical&Electronics-DataProcessing? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DataProcessing? Subjects-Science-Technology-General&Reference IEEE Symposium on Software Metrics 4-7 June 2002 Ottawa, Canada Ieee? International Software Metrics Symposium? Ieee? InternationalSoftwareMetricsSymposium? ジャンル別? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Software-Design&Development-QualityControl? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference 10th Euromicro Workshop on Parallel, Distributed and Network-Based Processing Proceedings Canary Islands, Spain January 9-11, 2002 Ieee? Ferenc Vajda? Norbert Podhorszki? Ieee? FerencVajda? NorbertPodhorszki? ジャンル別? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-Networking-DataintheEnterprise-Client-ServerSystems? Subjects-Computers&Internet-Networking-DataintheEnterprise-DistributedComputing? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-Hardware-SystemArchitecture-ParallelComputing? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference 2002 Symposium on Applications and the Internet (Saint 2002)N Proceedings January 28-February 1, 2002, Nara City, Nara, Japan Ieee? Symposium on Applications and the Internet? Ieee? SymposiumonApplicationsandtheInternet? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? 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Harold W. Sorenson? Ieee? HaroldW.Sorenson? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Chaos&Systems? Subjects-Professional&Technical-ProfessionalScience-Physics-SystemTheory? Subjects-Science-Mathematics-Chaos&Systems? Subjects-Science-Physics-Acoustics&Sound? Subjects-Science-Physics-SystemTheory? Subjects-Science-Technology-General&Reference Fuzzy Models for Pattern Recognition Methods That Search for Structures in Data (Ieee Press Selected Reprint Series) Ieee? James C. Bezdek? Sankar K. Pal? Ieee? JamesC.Bezdek? SankarK.Pal? ジャンル別? Subjects-Computers&Internet-General? Subjects-Computers&Internet-Programming-PatternRecognition? 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BloggerCultures Traditions 関連ページ Blogger https //www.blogger.com/ Cultures Traditions http //cultrad.blogspot.com/ Cultures and Traditions have influence a lot of things people do. Some can be construction, others destructive. Weird or reasonable. ほとんどが"Asian Sex Gazzete"からの転載。題名も"Asian Sex Gazzete"のまま。 Japanese Authority's Clean up Hits Sexual Cabaret Club http //cultrad.blogspot.com/2008/02/japanese-authoritys-clean-up-hits.html "Cops pull plug on cabaret club serving pee on the rocks, plates of pubes" Japanese Authorities Okays The Sexual Abuse Of 18-20 Year Olds http //cultrad.blogspot.com/2008/02/japanese-authorities-okays-sexual-abuse.html "Aged 18-20? Been sexually abused by a parent?" Retired Porn Star Ai Iijima Cant Live Without Sex http //cultrad.blogspot.com/2007/09/retired-porn-star-ai-iijima-cant-live.html "Sex camel Ai Iijima whines about dry spell despite cosy link with Ni-Chaneru boss" Stressed Japanese Teachers Finding Solace In Coworkers, Parents and Even Students http //cultrad.blogspot.com/2007/05/stressed-japanese-teachers-finding.html "Stressed teachers indulging their wild sides with coworkers, parents -- and students" Gay Politician Ken Togo Makes Appeal On Politics, Freedom, And Sex http //cultrad.blogspot.com/2007/03/gay-politician-ken-togo-makes-appeal-on.html "Original 'Hard Gay' Ken Togo speaks on politics, freedom, and holding cocks" Why Japanese Guys Wont Give A Head http //cultrad.blogspot.com/2007/03/why-japanese-guys-wont-give-head.html Horny housewives heading off to Bangkok to grab a slice of the Thai life http //cultrad.blogspot.com/2007/02/horny-housewives-heading-off-to.html Japan Boot camp for hookers http //cultrad.blogspot.com/2006/11/japan-boot-camp-for-hookers.html "Three-week boot camp whips humped-out hookers back into shape" Japan's oldest profession sees slide in work ethic http //cultrad.blogspot.com/2006/11/japans-oldest-profession-sees-slide-in.html "World's oldest profession sees slide in work ethic" Deadly iku iku byo reaches a climax in Japan http //cultrad.blogspot.com/2006/11/deadly-iku-iku-byo-reaches-climax-in.html Japanese Pageant winner a sex star http //cultrad.blogspot.com/2006/11/japanese-pageant-winner-sex-star.html "Hisako Shirata sheds sexy celluloid stardom for beauty queen future" Japan Surefire ways to lure the ladies http //cultrad.blogspot.com/2006/11/japan-surefire-ways-to-lure-ladies.html "Surefire ways to lure the ladies" DVD's teaching raunchy English snapped up in Japan http //cultrad.blogspot.com/2006/10/dvds-teaching-raunchy-english-snapped.html "English teaching DVDs get low down and dirty" Japanese women share the trials of a life without climax http //cultrad.blogspot.com/2006/10/japanese-women-share-trials-of-life.html "Four lusty lasses share the trials of a life without climax" Slutty schoolgirls and self-circumcisions All in a day's work for Japanese urologists http //cultrad.blogspot.com/2006/09/slutty-schoolgirls-and-self.html "Slutty schoolgirls and self-circumcisions" 関連ページ Aged 18-20? Been sexually abused by a parent? Blogger Cops pull plug on cabaret club serving pee on the rocks, plates of pubes Deadly 'iku iku byo' reaches a climax English teaching DVDs get low down and dirty Hisako Shirata sheds sexy celluloid stardom for beauty queen future Horny housewives heading off to Bangkok to grab a slice of the Thai life Slutty schoolgirls and self-circumcisions Stressed teachers indulging their wild sides with coworkers, parents -- and
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Samuel S. White Catalogue of Dental Instruments and Equipment (Norman Surgery, No 8) Jeremy Norman Co? Samuel S. White? Audrey B. Davis? JeremyNormanCo? SamuelS.White? AudreyB.Davis? ジャンル別? Subjects-Engineering-General? Subjects-Medicine-Dentistry-General? Subjects-Medicine-AlliedHealthProfessions-MedicalTechnology? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-AlliedHealthProfessions-MedicalTechnology? Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-History? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Medicine? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Medicine-Dentistry-General? 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Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Applied? Dr. Sparkplug A Car Owners Bible Sutherland Pub? A. J. Anderson? SutherlandPub? A.J.Anderson? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Auto Mechanics for the Complete Dummy Motormatics Pubns? Philip R. Martin? MotormaticsPubns? PhilipR.Martin? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-General An Easy Course in Using the Hp 19B Grapevine Pubns? Chris Coffin? Dan Coffin? GrapevinePubns? 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Subjects-Professional&Technical-Engineering-General Trash to Cash New Business Opportunities in the Post-Consumer Waste Stream Investor Responsibility? Susan Williams? InvestorResponsibility? SusanWilliams? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Biological Degradation and Bioremediation of Toxic Chemicals Timber Pr? G. Rasul Chaudhry? TimberPr? G.RasulChaudhry? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-General? Subjects-Home&Garden-Gardening&Horticulture-General? Subjects-Home&Garden-Gardening&Horticulture-Reference? Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-General Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-General? Subjects-Science-BiologicalSciences-Botany-General? Hydrodynamics of Offshore Structures Wit Pr/Computational Mechanics? S. K. Chakrabarti? WitPr/ComputationalMechanics? S.K.Chakrabarti? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Dynamics? Subjects-Science-General Subjects-Science-Physics-Dynamics-General? Computer Aided Engineering Systems Handbook Computational Mechanics? J. Puig-Pey? C. A. Brebbla? ComputationalMechanics? J.Puig-Pey? C.A.Brebbla? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Knowledge-Based Approaches for Structural Design (Topics in Engineering, Vol 1) Computational Mechanics? D. Sriram? ComputationalMechanics? D.Sriram? ジャンル別? Subjects-Computers&Internet-Networking-DataintheEnterprise-ExpertSystems? Subjects-Engineering-Civil-Structural? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-General Subjects-Science-General 52 Programs for Engineers and Architects Polymus Pub Co? George Yassinsky? PolymusPubCo? GeorgeYassinsky? ジャンル別? Subjects-Arts&Photography-Architecture-General? Subjects-Engineering-ComputerTechnology-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-General? Radiography and Radiation Testing (Nondestructive Testing Handbook, Volume 3) Amer Society for Nondestructive? AmerSocietyforNondestructive? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? Subjects-Science-Physics-Nanostructures? Substores-UnknownASINs-jp-unknown2? Electromagnetic Testing Eddy Current, Flux Leakage, and Microwave Nondestructive Testing (Nondestructive Testing Handbook, Vol 4) Amer Society for Nondestructive? Robert Charles Mcmaster? Michael L. Mester? AmerSocietyforNondestructive? RobertCharlesMcmaster? MichaelL.Mester? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-Electrical&Electronics-ElectromagneticTheory? Subjects-Engineering-General? Subjects-Engineering-Materials-Testing? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectromagneticTheory? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Testing? Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? Subjects-Science-Physics-Nanostructures? Ultrasonic Testing (Nondestructive Testing Handbook, Vol 7) Amer Society for Nondestructive? A. S. Birks? Robert E. Green? Paul McIntire? AmerSocietyforNondestructive? A.S.Birks? RobertE.Green? PaulMcIntire? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Materials-Testing? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Testing? Subjects-Science-General All About Your Car Dimi Pr? David Nigel Kline? Jamie Robertson? DimiPr? DavidNigelKline? JamieRobertson? ジャンル別? Subjects-Engineering-General? Subjects-History-World-Transportation-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Handbook on Discontinuously Reinforced Ceramic Matrix Composites Purdue Univ Office Pubns? Keith J. Bowman? Said K. El-Rahaiby? John B. Wachtman? PurdueUnivOfficePubns? KeithJ.Bowman? SaidK.El-Rahaiby? JohnB.Wachtman? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-Ceramics? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-Ceramics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Handbook on Continuous Fiber-Reinforced Ceramic Matrix Composites Purdue Univ Office Pubns? Richard L. Lehman? Said K. El-Rahaiby? John B. Wachtman? PurdueUnivOfficePubns? RichardL.Lehman? SaidK.El-Rahaiby? JohnB.Wachtman? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-Ceramics? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-Ceramics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Databook on Mechanical and Thermophysical Properties of Whisker-Reinforced Ceramic Matrix Composites Purdue Univ Office Pubns? Christian X. Campbell? Said K. El-Rahaiby? PurdueUnivOfficePubns? ChristianX.Campbell? SaidK.El-Rahaiby? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-Ceramics? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-Ceramics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Databook on Mechanical and Thermophysical Properties of Particulate-Reinforced Ceramic Matrix Composites Purdue Univ Office Pubns? Christian X. Campbell? Said K. El-Rahaiby? PurdueUnivOfficePubns? ChristianX.Campbell? SaidK.El-Rahaiby? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-Ceramics? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-Ceramics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Oxidation and Corrosion of Intermetallic Alloys Purdue Univ Office Pubns? Gerhard Welsch? Pramod D. Desai? PurdueUnivOfficePubns? GerhardWelsch? PramodD.Desai? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-General? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-Metallurgy? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-Metallurgy? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? Subjects-Science-Chemistry-Organic-General? Subjects-Science-General Subjects-Science-Physics-Nanostructures? International Metallic Materials Cross Reference, 1983 Asm Intl? James V. Arcuri? AsmIntl? JamesV.Arcuri? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Constitution of Binary Alloys Genium Pub Corp? Max Hansen? Kurt Anderko? GeniumPubCorp? MaxHansen? KurtAnderko? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Constitution of Binary Alloys Second Supplement Genium Pub Corp? Francis A. Shunk? GeniumPubCorp? FrancisA.Shunk? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General International Metallic Materials Cross-Reference Genium Pub Corp? John G. Gensure? Daniel L. Potts? GeniumPubCorp? JohnG.Gensure? DanielL.Potts? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Very High Strength Cement-Based Materials Symposium Held November 27-28, 1984, Boston, Massachusetts, U.S.A. Materials Research Society? J. F. Young? MaterialsResearchSociety? J.F.Young? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Applied Materials Characterization Symposium Held April 15-18, 1985, San Francisco, California, U.S.A. Materials Research Society? MaterialsResearchSociety? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Beam-Solid Interactions and Phase Transformations Symposium (Materials Research Society Symposia Proceedings, Vol 51) Materials Research Society? H. Kurz? MaterialsResearchSociety? H.Kurz? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Materials-Properties-Physical? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Properties-Physical? Rapidly Solidified Alloys and Their Mechanical and Magnetic Properties Symposium (Materials Research Society Symposium Proceedings) Materials Research Society? B. C. Giessen? MaterialsResearchSociety? B.C.Giessen? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Oxygen, Carbon, Hydrogen and Nitrogen in Crystalline Silicon Symposiumheld December 2-5, 1985, Boston, Massachusetts, U.S.A. (Materials Research Society Symposia Proceedings, Vol 59) Materials Research Society? J. C. Mikkelsen? S. J. Pearton? J. W. Corbett? Stephen J. Pennycook? MaterialsResearchSociety? J.C.Mikkelsen? S.J.Pearton? J.W.Corbett? StephenJ.Pennycook? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-EarthSciences-Crystallography? Defect Properties and Processing of High-Technology Nonmetallic Materials (Materials Research Society Symposia Proceedings, Vol 60) Materials Research Society? Y. Chen? MaterialsResearchSociety? Y.Chen? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-Ceramics? Subjects-Engineering-MaterialsScience-Extraction&Processing? Subjects-Engineering-Chemical-Coatings,Ceramics&Glass? Subjects-Professional&Technical-Engineering-MaterialsScience-Ceramics? Subjects-Professional&Technical-Engineering-MaterialsScience-Extraction&Processing? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Chemical-Coatings,Ceramics&Glass? Defects in Glasses Symposium (Materials Research Society Symposium Proceedings) Materials Research Society? Frank L. Galeener? MaterialsResearchSociety? FrankL.Galeener? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-Chemical-StructuralProperties? Subjects-Engineering-Chemical-Coatings,Ceramics&Glass? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Chemical-StructuralProperties? Subjects-Professional&Technical-Engineering-Chemical-Coatings,Ceramics&Glass? Subjects-Professional&Technical-Engineering-General Materials Problem Solving With the Transmission Electron Microscope (Materials Research Society Symposium Proceedings) Materials Research Society? L. W. Hobbs? MaterialsResearchSociety? L.W.Hobbs? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Materials-Properties-Physical? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Properties-Physical? Computer-Based Microscopic Description of the Structure and Properties of Materials (Materials Research Society Symposium Proceedings) Materials Research Society? J. Broughton? MaterialsResearchSociety? J.Broughton? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Materials-Properties-Physical? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Properties-Physical? Cement-Based Composites Strain Rate Effects on Fracture Symposium (Materials Research Society Symposium Proceedings) Materials Research Society? Sidney Mindess? MaterialsResearchSociety? SidneyMindess? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Materials-Composites? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Composites? Frontiers in Materials Education Symposium Held December 2-4, 1985, Boston, Massachusetts, USA (Materials Research Society Symposia , Vol 66) Materials Research Society? L. W. Hobbs? MaterialsResearchSociety? L.W.Hobbs? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Materials Characterization Symposium Held April 15-17, 1986, Palo Alto, California U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society? Nathan Cheung? MaterialsResearchSociety? NathanCheung? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Materials-Testing? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Testing? Beam-Solid Interactions and Transient Processes Symposium (Materials Research Society Symposium Proceedings) Materials Research Society? Michael O. Thompson? S. Thomas Picraux? James S. Williams? MaterialsResearchSociety? MichaelO.Thompson? S.ThomasPicraux? JamesS.Williams? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Materials-Properties-Physical? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Properties-Physical? Photon, Beam, and Plasma Stimulated Chemical Processes at Surfaces (Materials Research Society Symposia Proceedings, Vol 75) Materials Research Society? Vincent M. Donnelly? Irving O. Herman? Masataka Hirose? MaterialsResearchSociety? VincentM.Donnelly? IrvingO.Herman? MasatakaHirose? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Scattering, Deformation, and Fracture in Polymers Symposium Held December 1-4, 1986, Boston, Massachusetts, U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society? G. D. Wignall? B. Crist? Thomas P. Russell? E. L. Thomas? MaterialsResearchSociety? G.D.Wignall? B.Crist? ThomasP.Russell? E.L.Thomas? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-General Characterization of Defects in Materials (Materials Research Society Symposia Proceedings, Vol 82) Materials Research Society? Richard W. Siegel? Julia R. Weertman? Robert Sinclair? MaterialsResearchSociety? RichardW.Siegel? JuliaR.Weertman? RobertSinclair? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-Chemical-StructuralProperties? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Chemical-StructuralProperties? Subjects-Professional&Technical-Engineering-General Physical and Chemical Properties of Thin Metal Overlayers and Alloy Surfaces (Materials Research Society Proceedings, Vol 83) Materials Research Society? D. M. Zehner? Denise W. Goodman? MaterialsResearchSociety? D.M.Zehner? DeniseW.Goodman? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Microstructural Development During Hydration of Cement Symposium Held Dec 2-4, 1986, Boston Mass, U.S.A. (Materials Research Society Symposia Proce) Materials Research Society? Leslie J. Struble? Paul W. Brown? MaterialsResearchSociety? LeslieJ.Struble? PaulW.Brown? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-General? Subjects-Engineering-Materials-Concrete? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Concrete? Subjects-Professional&Technical-Engineering-General 洋書
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The Inventor's Guide Gower Publishing Ltd? Paul Baxter? GowerPublishingLtd? PaulBaxter? ジャンル別? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Law-EnglishLaw-Business? Subjects-Nonfiction-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Nonfiction-Law-EnglishLaw-Business? Subjects-Reference-Careers-Entrepreneurship? Subjects-Science-General Subjects-Science-Technology-General&Reference Safe Manual Handling (A Gower Health Safety Workbook) Gower Pub Co? Graham Roberts-Phelps? GowerPubCo? GrahamRoberts-Phelps? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Training? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Training? 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このテンプレはポリウト方式で作成されています。 こちらの役名一覧に和訳を記載して管理人までお知らせください。 ACTE PREMIER （L'emplacement du camp abandonné des Grècs dans la plaine de Troie. A gauche du spectateur et à quelque distance dans l'intérieur de Troie, la Citadelle. A droite, le Simoïs et sur l'un des bords un tumulus, le tombeau d'Achille. Au loin les sommets du mont Ida. Un autel champêtre sur l'avant-scène et près de l'autel un trône élevé.） N° 1 – Chœur de la populace troyenne （Le peuple troyen se répandant joyeusement dans la plaine. Soldats, citoyens, femmes, et enfants. Danses, jeux divers. Trois bergers jouent de la double flûte au sommet du tombeau d'Achille.） ▼CHŒUR▲ Ha! ha! Après dix ans passés dans nos murailles, Ah! quel bonheur de respirer L'air pur des champs, que le cri des batailles Ne va plus déchirer. （Jeunes garçons et enfants accourant avec des débris d'armes à la main） Que de débris! – Un fer de lance! Je trouve un casque! – Et moi, deux javelots! Voyez, ce bouclier immense! Il porterait un homme sur les flots. Quels poltrons que ces Grecs! ▼UN SOLDAT▲ Savez-vous quelle tente En ce lieu même s'élevait? ▼CHŒUR▲ Non! Dites-le… C'était? ▼LE SOLDAT▲ Celle d'Achille. ▼CHŒUR▲ （se reculant avec terreur） Dieux! ▼LE SOLDAT▲ Restez, troupe vaillante! Achille est mort, vous pouvez voir ici Sa tombe, la voici. ▼CHŒUR▲ C'est vrai ; de ce monstre homicide Pâris nous délivra. – Connais-tu le cheval De bois, qu'avant de partir pour l'Aulide Construisirent les Grecs? – Ce cheval colossal, Leur offrande à Pallas, dans ses vastes entrailles Tiendrait un bataillon. On abat les murailles. Dans la ville, ce soir, nous allons le traîner; On dit que le roi vient tantôt l'examiner! Où donc est-il? – Sur le bord du Scamandre! Il faut le voir sans plus attendre! Courons! courons! Le cheval! le cheval! （Ils sortent en tumulte） N° 2 – Récitatif et air （Pendant la fin de la scène précédente, Cassandre a paru au milieu des groupes, parcourant la plaine avec agitation. Son regard est inquiet et égaré.） ▼CASSANDRE▲ Les Grecs ont disparu!… mais quel dessein fatal Cache de ce départ l'étrange promptitude? Tout vient justifier ma sombre inquiétude! J'ai vu l'ombre d'Hector parcourir nos remparts Comme un veilleur de nuit, j'ai vu ses noirs regards Interroger au loin le détroit de Sigée… Malheur! dans la folie et l'ivresse plongée La foule sort des murs, et Priam la conduit! Malheureux Roi! dans l'éternelle nuit, C'en est donc fait, tu vas descendre! Tu ne m'écoutes pas, tu ne veux rien comprendre, Malheureux peuple, à l'horreur qui me suit! Chorèbe, hélas, oui, Chorèbe lui-même Croit ma raison perdue!… A ce nom mon effroi Redouble! Ô Dieux! Chorèbe! il m'aime! Il est aimé! mais plus d'hymen pour moi. Plus d'amour, de chants d'allégresse, Plus de doux rêves de tendresse! De l'affreux destin qui m'oppresse Il faut subir l'inexorable loi! （Elle tombe dans une tendre rêverie） Chorèbe!… il faut qu'il parte et quitte la Troade. N° 3 – Duo （Chorèbe s'avance vivement） ▼CASSANDRE▲ C'est lui! ▼CHORÈBE▲ Quand Troie éclate en transports jusqu'aux cieux Vous fuyez les palais joyeux Pour les bois et les champs, pensive Hamadryade! De vous on s'inquiète… ▼CASSANDRE▲ Ah! je cache à vos yeux Le trouble affreux dont mon âme est remplie! ▼CHORÈBE▲ Cassandre! ▼CASSANDRE▲ Quitte-moi! ▼CHORÈBE▲ Viens! ▼CASSANDRE▲ Pars, je t'en supplie! ▼CHORÈBE▲ Moi, partir! Te quitter quand le plus saint des nœuds… ▼CASSANDRE▲ C'est le temps de mourir et non pas d'être heureux. ▼CHORÈBE▲ Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. ▼CASSANDRE▲ Tout est menace au ciel! Crois en ma voix qu'inspire Le barbare dieu même à nous perdre acharné. Au livre du destin mon regard a su lire, Je vois l'essaim de maux sur nous tous déchaîné! Il va tomber sur Troie! A sa fureur en proie, Le peuple va rugir Et de son sang rougir Le pavé de nos rues; Les vierges demi-nues, Aux bras des ravisseurs, Vont pousser des clameurs A déchirer les nues! Déjà le noir vautour, Sur la plus haute tour A chanté le carnage! Tout s'écroule! tout nage Sur un fleuve de sang, Et dans ton flanc Le fer d'un Grec!… Ah! （Chorèbe soutient un instant dans ses bras Cassandre à demi évanouie） ▼CHORÈBE▲ Pauvre âme égarée! Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. ▼CASSANDRE▲ La mort déjà plane dans l'air… Et j'ai vu le sinistre éclair De son froid regard homicide! Si tu m'aimes, va-t'en Pars !… va rendre à ton père Un appui nécessaire A ses vieux ans, Inutile pour nous. ▼CHORÈBE▲ Eh, de quel œil, si de tel maux sur nous Devaient tomber, chère insensée, Mon père me reverrait-il Fuyant ma fiancée Au moment du péril? Mais le ciel et la terre, Oublieux de la guerre Proclament ton erreur. Cette tiède douceur Du souffle de la brise Et cette mer qui brise Si mollement ses flots Aux caps de Ténédos; Sur la plaine ondoyante Ces tranquilles troupeaux, Ce pâtre heureux qui chante Et ces joyeux oiseaux Semblent ne faire entendre, Sous le céleste dais, Et partout ne répandre Que l'hymne de la paix. ▼CASSANDRE▲ Signes trompeurs! calme perfide! La mort déjà plane dans l'air, Et j'ai vu le sinistre éclair De son froid regard homicide! Quitte-nous dès ce soir, Entends-moi, je t'implore, Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! ▼CHORÈBE▲ Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! ▼CASSANDRE▲ Si de ton noble amour, Chorèbe, Tu me crus digne un jour, tu partiras! ▼CHORÈBE▲ Au nom des dieux du ciel et de l'Érèbe, Cassandre, tu m'écouteras! A tes genoux, je tombe Cassandre! ▼CASSANDRE▲ A tant de douleurs je succombe! Ô dieux cruels! ▼CHORÈBE▲ Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! Cassandre! Ô désespoir! ▼CASSANDRE▲ Entends-moi, je t'implore Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! Aveugle et sourd comme eux! Tu persévères A t'immoler à ton funeste amour? ▼CHORÈBE▲ Je ne te quitte pas! ▼CASSANDRE▲ L'épouvantable jour Te verra donc combattre avec mes frères? ▼CHORÈBE▲ Je ne te quitte pas! ▼CASSANDRE▲ Eh bien ! voilà ma main Et mon chaste baiser d'épouse! Reste! La mort jalouse Prépare notre lit nuptial pour demain. ▼CHORÈBE▲ Viens! Viens! （Il l'entraîne éperdue） N° 4 – Marche et hymne （Entrent Ascagne à la tête des enfants, Hécube et les princesses, Énée à la tête des guerriers troyens, Priam et les prêtres.） ▼CHŒUR▲ Dieux protecteurs de la ville éternelle, Recevez notre encens; Et du bonheur de son peuple fidèle Entendez les accents! Ô vous! divins auteurs de notre délivrance. Dieu de l'Olympe! Dieu des mers! Régulateurs de l'univers, Acceptez les présents de la reconnaissance. N° 5 – Combat de ceste – Pas de lutteurs （Danses et jeux populaires） N° 6 – Pantomime （Andromaque entre à pas lents, tenant par la main Astyanax. Ils sont en deuil – vêtus de blanc – tous les deux.） ▼CHŒUR▲ Andromaque et son fils! Ô destin! Ces clameurs de la publique allégresse… （Astyanax dépose une corbeille de fleurs au pied de l'autel. Andromaque s'agenouille à côté de lui et prie pendant quelques instants） Et cette immense tristesse, Ce deuil profond, （Andromaque se lève et conduit son fils devant le trône de Priam.） Ces muettes douleurs! （Elle présente l'enfant au roi et à la reine. Elle attire Astyanax contre son sein et l'embrasse avec une tendresse convulsive） Les épouses, les mères pleurent à leur aspect… （Priam se lève et bénit l'enfant. Hécube le bénit à son tour. Le roi et la reine reprennent place sur leurs trônes. Astyanax intimidé revient se réfugier auprès de sa mère. L'émotion douloureuse d'Andromaque augmente.） ▼CASSANDRE▲ （passant au fond du théâtre） Hélas! garde tes pleurs, Veuve d'Hector… （Andromaque abaisse son voile） A de prochains malheurs Tu dois bien des larmes amères… （Les larmes la gagnant, Andromaque reprend la main d'Astyanax et passe devant les divers groupes du peuple pour se retirer. La foule s'écarte devant les deux personnages. Plusieurs femmes troyennes pleurant, cachent leur visage sur l'épaule des hommes qui sont auprès d'elles. Les deux personnages s'éloignent à pas lents.） ▼CHŒUR▲ Ah! N° 6 bis – Scène de Sinon （coupé par Berlioz） ▼CHŒUR▲ Un traître, un espion! Pour lui, la flagellation! Sans doute c'est un Grec! qu'on l'immole à Neptune! A mort le Grec, à mort le Grec, à mort, à mort! ▼PRIAM▲ Pour cette humble infortune Ayez plus de pitié! Laissez jusques à moi Venir ce malheureux. ▼CHŒUR▲ Oui, qu'il réponde au roi, Qu'il parle! ▼PRIAM▲ Quel est-tu? Pourquoi dans ces campagnes Te trouvons-nous errant? ▼SINON▲ Pardonne au suppliant, grand roi! Je l'avouerai, je naquis aux montagnes Du royaume d'Ithaque. ▼CHŒUR▲ Ah ! c'est un Grec! ▼PRIAM▲ Ton nom? ▼CHŒUR▲ Qu'on le brûle vivant! ▼SINON▲ On me nomme Sinon. Objet de la haine d'Ulysse Je fus pour être offert en sacrifice Désigné par ce chef d'accord avec Calchas. Les dieux exigeaient mon trépas Pour nous rendre le vent au retour favorable. J'allais subir mon sort; Mais l'horreur de la mort M'ouvrit l'asile impénétrable D'un fétide marais; j'y dérobai ma fuite, Des sacrificateurs je trompai la poursuite, Caché dans les roseaux Jusqu'au départ de nos vaisseaux. Depuis ce temps, en proie à la faim dévorante J'erre éperdu, tremblant à l'idée effrayante, Après m'être soustrait à la haine des miens, De ne point éviter la fureur des Troyens. Telle est la vérité. （Depuis quelque temps Cassandre est entrée avec Chorèbe et examine Sinon d'un regard soupçonneux.） ▼CASSANDRE▲ Tout n'est que perfidie dans la bouche d'un Grec! （apaisant la foule d'un geste） ▼CHŒUR▲ Oui, Cassandre a raison! Entraînons-le! ▼PRIAM▲ Sinon, je t'accorde la vie Si tu veux me répondre en toute vérité. ▼SINON▲ Soyez témoins, ô dieux, de ma sincérité! ▼PRIAM▲ Quel est l'objet de l'œuvre merveilleuse Que l'art des Grecs au bord du Scamandre éleva? Fut-ce offrande pieuse Ou machine? ▼SINON▲ Ô Priam, Ulysse l'acheva Pour être offerte à Pallas offensée; Et la déesse courroucée Par le sacrilège qu'un jour Diomède commit sur sa divine image, A ce prix seul permit notre retour. Mais Calchas ordonna que d'étage en étage Le cheval s'élevant, devint si monstrueux Que ce présent prodigieux Ne put être introduit dans la ville troyenne. Car… oui, je l'avouerai pour moi quoi qu'il advienne, Si dans votre Ilion il parvenait jamais, Victorieuse désormais, La race de Priam ferait trembler la terre Et jusqu'aux murs d'Argos irait porter la guerre. ▼CHŒUR▲ Quoi! nous irons à notre tour Piller les Argiens? ▼CASSANDRE▲ Il ment! ▼CHŒUR▲ Quelle bataille! Quel incendie! ▼CASSANDRE▲ Il ment! ▼PRIAM▲ （descend de son trône） Qu'on abatte la tour De la porte de Scée, et qu'un pan de muraille Tombe! Allez! et malgré la ruse de Calchas Installez dans nos murs cette offrande à Pallas. ▼CHŒUR▲ A l'œuvre! obéissons! ▼CASSANDRE▲ Dieux éternels! Qu'entends-je? Par ta fille… par toi… mon père! quel étrange Dessein! je crains les Grecs jusques dans leurs présents! Révoque l'ordre! ô dieux ! ▼PRIAM▲ Reprends tes sens, chère fille! ▼CHŒUR▲ Elle est folle! allons! ▼PRIAM▲ Laisse à ton père Le soin de protéger son peuple et ses états. （Plusieurs hommes sortent comme pour aller exécuter l'ordre de Priam.） ▼CASSANDRE▲ Ah! c'est le dernier coup! ▼CHORÈBE▲ Elle me désespère! N° 7 – Récit ▼ÉNÉE▲ （accourant） Du peuple et des soldats, ô roi! la foule S'enfuit et roule Comme un torrent; on ne peut l'arrêter! Un prodige inouï vient de l'épouvanter Laocoon, voyant quelque trame perfide Dans l'ouvrage des Grecs, a d'un bras intrépide Lancé son javelot sur ce bois, excitant Le peuple indécis et flottant A le brûler. Alors, gonflés de rage, Deux serpents monstrueux s'avancent vers la plage, S'élancent sur le prêtre, en leurs terribles nœuds L'enlacent, le brûlant de leur haleine ardente, Et le couvrant d'une bave sanglante, Le dévorent à nos yeux. N° 8 – Ottetto et double chœur ▼PRIAM, PANTHÉE, CHORÈBE, ÉNÉE, HELENUS, CASSANDRE, ASCAGNE, HÉCUBE, LE PEUPLE▲ Châtiment effroyable! Mystérieuse horreur! A ce récit （cet aspect） épouvantable Le sang s'est glacé dans mon cœur. Un frisson de terreur Ébranle tout mon être! Laocoon! un prêtre! Objet de la fureur des dieux, Dévoré palpitant par ces monstres hideux! Horreur! ▼CASSANDRE▲ Ô peuple déplorable! Mystérieuse horreur! A ce récit épouvantable Le sang s'est glacé dans mon cœur. N° 9 – Récitatif et chœur ▼ÉNÉE▲ Que la déesse nous protège, Conjurons ce nouveau danger! Il est trop vrai, Pallas vient de venger Un affreux sacrilège. ▼PRIAM▲ Pour l'apaiser, suivez mes ordres sans retard. ▼ÉNÉE▲ Déjà sur des rouleaux disposés avec art, Le cheval est placé, que chacun le conduise, Vers le Palladium en pompe l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ▼ENSEMBLE▲ A cet objet sacré formez （formons） cortège, enfants, Femmes, guerriers, couvrez （couvrons） de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! ▼CASSANDRE▲ （parcourant la scène avec égarement） Malheur! ▼PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS▲ Pallas, pardonne à Troie! （Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement） N° 9 – Récitatif et chœur （version tenant compte de la scène de Sinon） ▼PRIAM▲ Que la déesse nous protège, Conjurons ce nouveau danger ! Sinon dit vrai, Pallas vient de venger Un affreux sacrilège. Pour l'apaiser, suivez mes ordres sans retard. Que sur des rouleaux disposés avec art, Le cheval soit placé, que chacun le conduise, Avec solennité le traîne et l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ▼ENSEMBLE▲ A cet objet sacré formez / formons cortège, enfants, Femmes, guerriers, couvrez / couvrons de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! ▼CASSANDRE▲ （parcourant la scène avec égarement） Malheur! ▼PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS▲ Pallas, pardonne à Troie! ▼SINON▲ Grande Junon, tu me livres donc Troie! （Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement.） N° 10 – Air ▼CASSANDRE▲ Non, je ne verrai pas la déplorable fête Où s'enivre, en espoir d'un brillant avenir, Ce peuple condamné, que rien, hélas! n'arrête Sur la pente du gouffre. Ô cruel souvenir! Gloire de la Patrie!… Et voir s'évanouir Du bonheur le plus pur la séduisante image! Ô Chorèbe! Ô Priam!… Vains efforts de courage, Des pleurs d'angoisse inondent mon visage! N° 11 – Final Marche troyenne （On entend le cortège dans un grand éloignement.） ▼CASSANDRE▲ De mes sens éperdus… est-ce une illusion? Les chœurs sacrés d'Ilion! ▼CHŒUR▲ Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, A nos destins sois favorable, Rends Ilion inébranlable, Belle Pallas, protège-nous. ▼CASSANDRE▲ Quoi, déjà le cortège!… Au loin je l'aperçois! L'ennemi vient et la ville est ouverte!… Ce peuple fou qui se rue à sa perte Semble avoir devancé les ordres de son Roi! （On entend le cortège plus près） ▼CHŒUR▲ Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Entends nos voix, vierge sublime, Aux sons des flûtes de Dindyme Se mêler au plus haut des airs. Que la trompette phrygienne Unie à la lyre troyenne Te porte nos pieux concerts! ▼CASSANDRE▲ L'éclat des chants augmente! L'énorme machine roulant S'avance!… la voici! ▼CHŒUR▲ （entrant en scène） Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Souriante guirlande, A l'entour de l'offrande Dansez, heureux enfants ! Semez sur la ramée La neige parfumée Des muguets du printemps. Pallas! protège-nous! （Les chants cessent brusquement. Le chœur s'agite en divers sens; quelques femmes sortent comme pour aller voir ce qui se passe hors de la scène et reviennent presque aussitôt.） ▼QUELQUES HOMMES DU PEUPLE▲ Qu'est-ce donc? et pourquoi ce mouvement d'alarmes? ▼CASSANDRE▲ Jupiter! on hésite! Et la foule s'agite! ▼LES FEMMES▲ Dans les flancs du colosse on entend un bruit d'armes… ▼CASSANDRE▲ On s'arrête… Ô dieux! Si… ▼LES HOMMES▲ Présage heureux! chantez, enfants! （Les chants reprennent avec plus d'éclat qu'auparavant.） ▼TOUT LE CHŒUR▲ Fiers sommets de Pergame, D'une joyeuse flamme Rayonnez triomphants! （Le chœur reprend la suite du cortège et sort.） ▼CASSANDRE▲ Arrêtez! arrêtez! Oui, la flamme, la hache! Fouillez le flanc du monstrueux cheval! Laocoon!… les Grecs!… il cache Un piège infernal… Ma voix se perd!… plus d'espérance! Vous êtes sans pitié, grands dieux, Pour ce peuple en démence! Ô digne emploi de la toute-puissance, Le conduire à l'abîme en lui fermant les yeux! （Elle écoute les derniers sons de la marche triomphale qu'on distingue encore et qui s'éteignent tout d'un coup.） Ils entrent, c'en est fait, le destin tient sa proie! Sœur d'Hector, va mourir sous les débris de Troie! （Elle sort.） ACTE PREMIER L'emplacement du camp abandonné des Grècs dans la plaine de Troie. A gauche du spectateur et à quelque distance dans l'intérieur de Troie, la Citadelle. A droite, le Simoïs et sur l'un des bords un tumulus, le tombeau d'Achille. Au loin les sommets du mont Ida. Un autel champêtre sur l'avant-scène et près de l'autel un trône élevé. N° 1 – Chœur de la populace troyenne Le peuple troyen se répandant joyeusement dans la plaine. Soldats, citoyens, femmes, et enfants. Danses, jeux divers. Trois bergers jouent de la double flûte au sommet du tombeau d'Achille. CHŒUR Ha! ha! Après dix ans passés dans nos murailles, Ah! quel bonheur de respirer L'air pur des champs, que le cri des batailles Ne va plus déchirer. Jeunes garçons et enfants accourant avec des débris d'armes à la main Que de débris! – Un fer de lance! Je trouve un casque! – Et moi, deux javelots! Voyez, ce bouclier immense! Il porterait un homme sur les flots. Quels poltrons que ces Grecs! UN SOLDAT Savez-vous quelle tente En ce lieu même s'élevait? CHŒUR Non! Dites-le… C'était? LE SOLDAT Celle d'Achille. CHŒUR se reculant avec terreur Dieux! LE SOLDAT Restez, troupe vaillante! Achille est mort, vous pouvez voir ici Sa tombe, la voici. CHŒUR C'est vrai ; de ce monstre homicide Pâris nous délivra. – Connais-tu le cheval De bois, qu'avant de partir pour l'Aulide Construisirent les Grecs? – Ce cheval colossal, Leur offrande à Pallas, dans ses vastes entrailles Tiendrait un bataillon. On abat les murailles. Dans la ville, ce soir, nous allons le traîner; On dit que le roi vient tantôt l'examiner! Où donc est-il? – Sur le bord du Scamandre! Il faut le voir sans plus attendre! Courons! courons! Le cheval! le cheval! Ils sortent en tumulte N° 2 – Récitatif et air Pendant la fin de la scène précédente, Cassandre a paru au milieu des groupes, parcourant la plaine avec agitation. Son regard est inquiet et égaré. CASSANDRE Les Grecs ont disparu!… mais quel dessein fatal Cache de ce départ l'étrange promptitude? Tout vient justifier ma sombre inquiétude! J'ai vu l'ombre d'Hector parcourir nos remparts Comme un veilleur de nuit, j'ai vu ses noirs regards Interroger au loin le détroit de Sigée… Malheur! dans la folie et l'ivresse plongée La foule sort des murs, et Priam la conduit! Malheureux Roi! dans l'éternelle nuit, C'en est donc fait, tu vas descendre! Tu ne m'écoutes pas, tu ne veux rien comprendre, Malheureux peuple, à l'horreur qui me suit! Chorèbe, hélas, oui, Chorèbe lui-même Croit ma raison perdue!… A ce nom mon effroi Redouble! Ô Dieux! Chorèbe! il m'aime! Il est aimé! mais plus d'hymen pour moi. Plus d'amour, de chants d'allégresse, Plus de doux rêves de tendresse! De l'affreux destin qui m'oppresse Il faut subir l'inexorable loi! Elle tombe dans une tendre rêverie Chorèbe!… il faut qu'il parte et quitte la Troade. N° 3 – Duo Chorèbe s'avance vivement CASSANDRE C'est lui! CHORÈBE Quand Troie éclate en transports jusqu'aux cieux Vous fuyez les palais joyeux Pour les bois et les champs, pensive Hamadryade! De vous on s'inquiète… CASSANDRE Ah! je cache à vos yeux Le trouble affreux dont mon âme est remplie! CHORÈBE Cassandre! CASSANDRE Quitte-moi! CHORÈBE Viens! CASSANDRE Pars, je t'en supplie! CHORÈBE Moi, partir! Te quitter quand le plus saint des nœuds… CASSANDRE C'est le temps de mourir et non pas d'être heureux. CHORÈBE Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. CASSANDRE Tout est menace au ciel! Crois en ma voix qu'inspire Le barbare dieu même à nous perdre acharné. Au livre du destin mon regard a su lire, Je vois l'essaim de maux sur nous tous déchaîné! Il va tomber sur Troie! A sa fureur en proie, Le peuple va rugir Et de son sang rougir Le pavé de nos rues; Les vierges demi-nues, Aux bras des ravisseurs, Vont pousser des clameurs A déchirer les nues! Déjà le noir vautour, Sur la plus haute tour A chanté le carnage! Tout s'écroule! tout nage Sur un fleuve de sang, Et dans ton flanc Le fer d'un Grec!… Ah! Chorèbe soutient un instant dans ses bras Cassandre à demi évanouie CHORÈBE Pauvre âme égarée! Reviens à toi, vierge adorée! Cesse de craindre en cessant de prévoir; Lève vers la voûte azurée L'œil de ton âme rassurée. Laisse entrer dans ton cœur un doux rayon d'espoir. CASSANDRE La mort déjà plane dans l'air… Et j'ai vu le sinistre éclair De son froid regard homicide! Si tu m'aimes, va-t'en Pars !… va rendre à ton père Un appui nécessaire A ses vieux ans, Inutile pour nous. CHORÈBE Eh, de quel œil, si de tel maux sur nous Devaient tomber, chère insensée, Mon père me reverrait-il Fuyant ma fiancée Au moment du péril? Mais le ciel et la terre, Oublieux de la guerre Proclament ton erreur. Cette tiède douceur Du souffle de la brise Et cette mer qui brise Si mollement ses flots Aux caps de Ténédos; Sur la plaine ondoyante Ces tranquilles troupeaux, Ce pâtre heureux qui chante Et ces joyeux oiseaux Semblent ne faire entendre, Sous le céleste dais, Et partout ne répandre Que l'hymne de la paix. CASSANDRE Signes trompeurs! calme perfide! La mort déjà plane dans l'air, Et j'ai vu le sinistre éclair De son froid regard homicide! Quitte-nous dès ce soir, Entends-moi, je t'implore, Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! CHORÈBE Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! CASSANDRE Si de ton noble amour, Chorèbe, Tu me crus digne un jour, tu partiras! CHORÈBE Au nom des dieux du ciel et de l'Érèbe, Cassandre, tu m'écouteras! A tes genoux, je tombe Cassandre! CASSANDRE A tant de douleurs je succombe! Ô dieux cruels! CHORÈBE Te quitter, dès ce soir! Cassandre! et je t'adore! Sauve-moi, je t'implore, D'un affreux désespoir. Tu veux donc que j'expire? Sans pitié peux-tu dire Pars ce soir, pars ce soir! Cassandre! Ô désespoir! CASSANDRE Entends-moi, je t'implore Dans nos murs que l'aurore Ne puisse te revoir! D'épouvante j'expire Et mon cœur se déchire! Pars ce soir, pars ce soir! Aveugle et sourd comme eux! Tu persévères A t'immoler à ton funeste amour? CHORÈBE Je ne te quitte pas! CASSANDRE L'épouvantable jour Te verra donc combattre avec mes frères? CHORÈBE Je ne te quitte pas! CASSANDRE Eh bien ! voilà ma main Et mon chaste baiser d'épouse! Reste! La mort jalouse Prépare notre lit nuptial pour demain. CHORÈBE Viens! Viens! Il l'entraîne éperdue N° 4 – Marche et hymne Entrent Ascagne à la tête des enfants, Hécube et les princesses, Énée à la tête des guerriers troyens, Priam et les prêtres. CHŒUR Dieux protecteurs de la ville éternelle, Recevez notre encens; Et du bonheur de son peuple fidèle Entendez les accents! Ô vous! divins auteurs de notre délivrance. Dieu de l'Olympe! Dieu des mers! Régulateurs de l'univers, Acceptez les présents de la reconnaissance. N° 5 – Combat de ceste – Pas de lutteurs Danses et jeux populaires N° 6 – Pantomime Andromaque entre à pas lents, tenant par la main Astyanax. Ils sont en deuil – vêtus de blanc – tous les deux. CHŒUR Andromaque et son fils! Ô destin! Ces clameurs de la publique allégresse… Astyanax dépose une corbeille de fleurs au pied de l'autel. Andromaque s'agenouille à côté de lui et prie pendant quelques instants Et cette immense tristesse, Ce deuil profond, Andromaque se lève et conduit son fils devant le trône de Priam. Ces muettes douleurs! Elle présente l'enfant au roi et à la reine. Elle attire Astyanax contre son sein et l'embrasse avec une tendresse convulsive Les épouses, les mères pleurent à leur aspect… Priam se lève et bénit l'enfant. Hécube le bénit à son tour. Le roi et la reine reprennent place sur leurs trônes. Astyanax intimidé revient se réfugier auprès de sa mère. L'émotion douloureuse d'Andromaque augmente. CASSANDRE passant au fond du théâtre Hélas! garde tes pleurs, Veuve d'Hector… Andromaque abaisse son voile A de prochains malheurs Tu dois bien des larmes amères… Les larmes la gagnant, Andromaque reprend la main d'Astyanax et passe devant les divers groupes du peuple pour se retirer. La foule s'écarte devant les deux personnages. Plusieurs femmes troyennes pleurant, cachent leur visage sur l'épaule des hommes qui sont auprès d'elles. Les deux personnages s'éloignent à pas lents. CHŒUR Ah! N° 6 bis – Scène de Sinon coupé par Berlioz CHŒUR Un traître, un espion! Pour lui, la flagellation! Sans doute c'est un Grec! qu'on l'immole à Neptune! A mort le Grec, à mort le Grec, à mort, à mort! PRIAM Pour cette humble infortune Ayez plus de pitié! Laissez jusques à moi Venir ce malheureux. CHŒUR Oui, qu'il réponde au roi, Qu'il parle! PRIAM Quel est-tu? Pourquoi dans ces campagnes Te trouvons-nous errant? SINON Pardonne au suppliant, grand roi! Je l'avouerai, je naquis aux montagnes Du royaume d'Ithaque. CHŒUR Ah ! c'est un Grec! PRIAM Ton nom? CHŒUR Qu'on le brûle vivant! SINON On me nomme Sinon. Objet de la haine d'Ulysse Je fus pour être offert en sacrifice Désigné par ce chef d'accord avec Calchas. Les dieux exigeaient mon trépas Pour nous rendre le vent au retour favorable. J'allais subir mon sort; Mais l'horreur de la mort M'ouvrit l'asile impénétrable D'un fétide marais; j'y dérobai ma fuite, Des sacrificateurs je trompai la poursuite, Caché dans les roseaux Jusqu'au départ de nos vaisseaux. Depuis ce temps, en proie à la faim dévorante J'erre éperdu, tremblant à l'idée effrayante, Après m'être soustrait à la haine des miens, De ne point éviter la fureur des Troyens. Telle est la vérité. Depuis quelque temps Cassandre est entrée avec Chorèbe et examine Sinon d'un regard soupçonneux. CASSANDRE Tout n'est que perfidie dans la bouche d'un Grec! apaisant la foule d'un geste CHŒUR Oui, Cassandre a raison! Entraînons-le! PRIAM Sinon, je t'accorde la vie Si tu veux me répondre en toute vérité. SINON Soyez témoins, ô dieux, de ma sincérité! PRIAM Quel est l'objet de l'œuvre merveilleuse Que l'art des Grecs au bord du Scamandre éleva? Fut-ce offrande pieuse Ou machine? SINON Ô Priam, Ulysse l'acheva Pour être offerte à Pallas offensée; Et la déesse courroucée Par le sacrilège qu'un jour Diomède commit sur sa divine image, A ce prix seul permit notre retour. Mais Calchas ordonna que d'étage en étage Le cheval s'élevant, devint si monstrueux Que ce présent prodigieux Ne put être introduit dans la ville troyenne. Car… oui, je l'avouerai pour moi quoi qu'il advienne, Si dans votre Ilion il parvenait jamais, Victorieuse désormais, La race de Priam ferait trembler la terre Et jusqu'aux murs d'Argos irait porter la guerre. CHŒUR Quoi! nous irons à notre tour Piller les Argiens? CASSANDRE Il ment! CHŒUR Quelle bataille! Quel incendie! CASSANDRE Il ment! PRIAM descend de son trône Qu'on abatte la tour De la porte de Scée, et qu'un pan de muraille Tombe! Allez! et malgré la ruse de Calchas Installez dans nos murs cette offrande à Pallas. CHŒUR A l'œuvre! obéissons! CASSANDRE Dieux éternels! Qu'entends-je? Par ta fille… par toi… mon père! quel étrange Dessein! je crains les Grecs jusques dans leurs présents! Révoque l'ordre! ô dieux ! PRIAM Reprends tes sens, chère fille! CHŒUR Elle est folle! allons! PRIAM Laisse à ton père Le soin de protéger son peuple et ses états. Plusieurs hommes sortent comme pour aller exécuter l'ordre de Priam. CASSANDRE Ah! c'est le dernier coup! CHORÈBE Elle me désespère! N° 7 – Récit ÉNÉE accourant Du peuple et des soldats, ô roi! la foule S'enfuit et roule Comme un torrent; on ne peut l'arrêter! Un prodige inouï vient de l'épouvanter Laocoon, voyant quelque trame perfide Dans l'ouvrage des Grecs, a d'un bras intrépide Lancé son javelot sur ce bois, excitant Le peuple indécis et flottant A le brûler. Alors, gonflés de rage, Deux serpents monstrueux s'avancent vers la plage, S'élancent sur le prêtre, en leurs terribles nœuds L'enlacent, le brûlant de leur haleine ardente, Et le couvrant d'une bave sanglante, Le dévorent à nos yeux. N° 8 – Ottetto et double chœur PRIAM, PANTHÉE, CHORÈBE, ÉNÉE, HELENUS, CASSANDRE, ASCAGNE, HÉCUBE, LE PEUPLE Châtiment effroyable! Mystérieuse horreur! A ce récit cet aspect épouvantable Le sang s'est glacé dans mon cœur. Un frisson de terreur Ébranle tout mon être! Laocoon! un prêtre! Objet de la fureur des dieux, Dévoré palpitant par ces monstres hideux! Horreur! CASSANDRE Ô peuple déplorable! Mystérieuse horreur! A ce récit épouvantable Le sang s'est glacé dans mon cœur. N° 9 – Récitatif et chœur ÉNÉE Que la déesse nous protège, Conjurons ce nouveau danger! Il est trop vrai, Pallas vient de venger Un affreux sacrilège. PRIAM Pour l'apaiser, suivez mes ordres sans retard. ÉNÉE Déjà sur des rouleaux disposés avec art, Le cheval est placé, que chacun le conduise, Vers le Palladium en pompe l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ENSEMBLE A cet objet sacré formez formons cortège, enfants, Femmes, guerriers, couvrez couvrons de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! CASSANDRE parcourant la scène avec égarement Malheur! PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS Pallas, pardonne à Troie! Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement N° 9 – Récitatif et chœur version tenant compte de la scène de Sinon PRIAM Que la déesse nous protège, Conjurons ce nouveau danger ! Sinon dit vrai, Pallas vient de venger Un affreux sacrilège. Pour l'apaiser, suivez mes ordres sans retard. Que sur des rouleaux disposés avec art, Le cheval soit placé, que chacun le conduise, Avec solennité le traîne et l'introduise! A cet objet sacré formez cortège, enfants, Femmes, guerriers, couvrez de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos chants! ENSEMBLE A cet objet sacré formez / formons cortège, enfants, Femmes, guerriers, couvrez / couvrons de fleurs la voie, Et que jusques dans Troie La trompette et la lyre accompagnent vos / nos chants! CASSANDRE parcourant la scène avec égarement Malheur! PRIAM, HÉCUBE, ÉNÉE, PANTHÉE, CHORÈBE, HELENUS Pallas, pardonne à Troie! SINON Grande Junon, tu me livres donc Troie! Ils sortent. Cassandre reste seul sur l'avant-scène. Après avoir fait quelques pas pour suivre la foule, elle rentre brusquement. N° 10 – Air CASSANDRE Non, je ne verrai pas la déplorable fête Où s'enivre, en espoir d'un brillant avenir, Ce peuple condamné, que rien, hélas! n'arrête Sur la pente du gouffre. Ô cruel souvenir! Gloire de la Patrie!… Et voir s'évanouir Du bonheur le plus pur la séduisante image! Ô Chorèbe! Ô Priam!… Vains efforts de courage, Des pleurs d'angoisse inondent mon visage! N° 11 – Final Marche troyenne On entend le cortège dans un grand éloignement. CASSANDRE De mes sens éperdus… est-ce une illusion? Les chœurs sacrés d'Ilion! CHŒUR Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, A nos destins sois favorable, Rends Ilion inébranlable, Belle Pallas, protège-nous. CASSANDRE Quoi, déjà le cortège!… Au loin je l'aperçois! L'ennemi vient et la ville est ouverte!… Ce peuple fou qui se rue à sa perte Semble avoir devancé les ordres de son Roi! On entend le cortège plus près CHŒUR Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Entends nos voix, vierge sublime, Aux sons des flûtes de Dindyme Se mêler au plus haut des airs. Que la trompette phrygienne Unie à la lyre troyenne Te porte nos pieux concerts! CASSANDRE L'éclat des chants augmente! L'énorme machine roulant S'avance!… la voici! CHŒUR entrant en scène Du roi des dieux, ô fille aimée, Du casque et de la lance armée, Sage guerrière aux regards doux, Souriante guirlande, A l'entour de l'offrande Dansez, heureux enfants ! Semez sur la ramée La neige parfumée Des muguets du printemps. Pallas! protège-nous! Les chants cessent brusquement. Le chœur s'agite en divers sens; quelques femmes sortent comme pour aller voir ce qui se passe hors de la scène et reviennent presque aussitôt. QUELQUES HOMMES DU PEUPLE Qu'est-ce donc? et pourquoi ce mouvement d'alarmes? CASSANDRE Jupiter! on hésite! Et la foule s'agite! LES FEMMES Dans les flancs du colosse on entend un bruit d'armes… CASSANDRE On s'arrête… Ô dieux! Si… LES HOMMES Présage heureux! chantez, enfants! Les chants reprennent avec plus d'éclat qu'auparavant. TOUT LE CHŒUR Fiers sommets de Pergame, D'une joyeuse flamme Rayonnez triomphants! Le chœur reprend la suite du cortège et sort. CASSANDRE Arrêtez! arrêtez! Oui, la flamme, la hache! Fouillez le flanc du monstrueux cheval! Laocoon!… les Grecs!… il cache Un piège infernal… Ma voix se perd!… plus d'espérance! Vous êtes sans pitié, grands dieux, Pour ce peuple en démence! Ô digne emploi de la toute-puissance, Le conduire à l'abîme en lui fermant les yeux! Elle écoute les derniers sons de la marche triomphale qu'on distingue encore et qui s'éteignent tout d'un coup. Ils entrent, c'en est fait, le destin tient sa proie! Sœur d'Hector, va mourir sous les débris de Troie! Elle sort. Berlioz,Hector/Les Troyens/II