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目次 ↑ 概要 URL インストール 設定 クライアント／サーバを使い分ける起動用バッチファイル クライアント／サーバを使い分ける起動用バッチファイルを使ってorg-rememberでのquick note-takingを実現するためのAutoHotkeyスクリプト /.emacsのサンプル （22.2向け） /.emacsのサンプル （23.x向け） タグ 概要 Windowsで動作するEmacs MeadowよりもオリジナルのEmacsに近い ただしIMEを使うと変換中の文字がウィンドウ外に表示されてしまうという問題がある（それを解消するIME patchはあるが・・・） 22.2： NTEmacsJPプロジェクトがNTEmacsの日本語対応バイナリをSourceForgeで配布している 日本語IME使用時の表示上の問題を解決済み（IME patch適用済みバイナリ） 本家NTEmacsには日本語フォントを直接指定できない問題があるが、それを解決する方法が組み込まれている 23.1： NTEmacsJPプロジェクトからバイナリは配布されていない、IME patchを個人ベースで適用したバイナリを入手可能 23.xからは、本家NTEmacsそのままで日本語フォントを指定できるようになった URL NTEmacsJPプロジェクト http //ntemacsjp.sourceforge.jp/ http //ntemacsjp.sourceforge.jp/matsuan/IndexJp.html （このページに書かれた日本語環境向けの設定のしかたがとても重要、ただし22.x向け） http //sourceforge.jp/projects/ntemacsjp/releases/ （NTEmacsJPプロジェクトによるバイナリ、ただし22.2までしかない [2010.03.07現在]） http //sourceforge.jp/projects/ntemacsjp/releases/?package_id=9847 （NTEmacsJPプロジェクトによる23.1向け日本語IME patch、ただしソースだけ） NTEmacs 23.x ベースの日本語対応について http //d.hatena.ne.jp/galaxy9est/20091206/1260073096 （日本語IME patch適用済み NTEmacs 23.1 ビルド） ~/.emacs.d/init.el が読み込まれないという不具合がある（対応方法は後述） http //developmemo.seesaa.net/article/140320917.html （日本語IME patchを適用しない NTEmacs 23.1 でもLEIMで日本語入力可能という話） LEIM自体は使えなくもないが、MS-IMEを使う他のアプリと同じデスクトップで共存させて使うのが苦痛 gnupack (Cygwin + NTEmacs Package) http //sourceforge.jp/projects/gnupack/ Cygwinとセットのパッケージのほかに、NTEmacs（日本語IME patch適用済み）だけでもダウンロードできる http //aikotobaha.blogspot.com/search/label/Emacs （設定Tips; 日本語） インストール アーカイブを展開して特定のフォルダに置くだけ 特別なポータブル版を用意しなくても、USBメモリに入れて使うことができる 設定 環境変数HOMEの設定をしないと、%USERPROFILE% が HOME として使われる HOME は Emacs 内からは ~/ として見え、.emacs などを置く場所となる ビルド依存の不具合（？）によって ~/.emacs.d/init.el が読み込まれない場合、仲介専用の .emacs を使うとよい（init.elを将来そのまま使うため） (add-to-list load-path "~/.emacs.d") (load "init") gnupackのNTEmacsにはそのような問題はない模様 %USERPROFILE% がHOMEでは具合が悪い場合は、バッチスクリプトなどで明示的に環境変数 HOME を設定する クライアント／サーバを使い分けてインスタンスを一つだけにすることができる： 最初は、.emacs内に (server-start) と記述して emacs.exe （もしくは runemacs.exe）を起動する → Emacsサーバが立ち上がる それ以降は、emacsclientw.exe の第1引数にファイル名を指定すると、最初に起動したインスタンスの新たなバッファとして開かれる Emacsサーバのロックファイル ~/.emacs.d/server/server が自動的に削除されない問題があるので、明示的に削除してやる必要がある emacsclientw.exe で開いたバッファを閉じるときに以下のような警告が出るのが邪魔な場合は、.emacs にそれを回避する設定を追加する Buffer `hogehoge still has clients; kill it? (yes or no) emacsclientw.exe を引数なしで呼ぶと、エラーになる 透明度設定をすると起動が遅くなるので使わない クライアント／サーバを使い分ける起動用バッチファイル REM REM Emacs クライアント／サーバ REM REM ・%HOME%\.emacs または %HOME%\.emacs.d\init.el に以下の4行を追加しておくこと： REM REM (server-start) REM (remove-hook REM kill-buffer-query-functions REM server-kill-buffer-query-function) REM REM 参考URL： REM http //d.hatena.ne.jp/hirukiyo/20091204/1259938895 REM http //aki.issp.u-tokyo.ac.jp/itoh/hiChangeLog/html/clsearch.cgi?from=10 cat=Emacs REM set EMACS_BIN=%~dp0\emacs\23.1\bin set EMACS_SERVER=%EMACS_BIN%\emacs.exe set EMACS_CLIENT=%EMACS_BIN%\emacsclientw.exe set ALTERNATE_EDITOR=%EMACS_BIN%\runemacs.exe set HOME=%~d0\home set EMACS_SERVER_FILE=%HOME%\.emacs.d\server\server set ARG=%1 if not exist %EMACS_SERVER_FILE% goto SERVER if "%ARG%"=="" goto NOP goto CLIENT SERVER %EMACS_SERVER% %ARG% %2 %3 %4 %5 %6 %7 %8 %9 if exist %EMACS_SERVER_FILE% del %EMACS_SERVER_FILE% goto END CLIENT %EMACS_CLIENT% %ARG% %1 %2 %3 %4 %5 %6 %7 %8 %9 goto END NOP goto END END クライアント／サーバを使い分ける起動用バッチファイルを使ってorg-rememberでのquick note-takingを実現するためのAutoHotkeyスクリプト ; Ctrl + Alt + R で org-remember ^!r IfWinNotExist, ahk_class Emacs { ;; Emacsサーバが起動していなかったらまずそれを起動する（ウィンドウは最小化） Run, %comspec% /c C \path\to\emacs.bat --iconic, , min WinWait, ahk_class Emacs } ;; Emacsクライアントでのorg-remember専用ウィンドウを起動する Run, C \path\to\emacs.bat -e "(remember-other-frame)" return 関連URL http //www.emacswiki.org/emacs/RememberMode#toc8 ~/.emacsのサンプル （22.2向け） ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ;; system settings ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ;; client/server (server-start) (remove-hook kill-buffer-query-functions server-kill-buffer-query-function) ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ;; encodings ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ;; Unicodeをメインにする場合の設定 (prefer-coding-system utf-8) (set-default-coding-systems utf-8) (set-terminal-coding-system utf-8) (set-keyboard-coding-system sjis) (setq default-buffer-file-coding-system utf-8) ;; MS-Windows shell-mode (add-hook shell-mode-hook (lambda () (set-buffer-process-coding-system sjis sjis))) ;; MS Windows clipboard (set-clipboard-coding-system utf-16le-dos) ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ;; directories ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ;; default directory (setq default-directory "~/") ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ;; apperance (generic) ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ;; color-theme (add-to-list load-path "~/lib/emacs/color-theme") (require color-theme) (eval-after-load "color-theme" (progn (color-theme-initialize) (color-theme-clarity))) ;; *NOTE* another favorite color-theme ;; color-theme-hober ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ;; apperance (NTEmacsJP-specific) ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ;; splash screen (setq inhibit-startup-message t) ;; window transparency (*heavy*) ;(set-alpha (85 35)) ;; fonts (add-to-list load-path "~/lib/emacs/fixed-width-fontset") (if (eq window-system w32) (require ntemacs-font)) (fixed-width-set-fontset "msgothic" 14) ;; window title/size (setq frame-title-format (format "emacs@%s %%f" (system-name))) (setq initial-frame-alist (append ( (top . 10) (left . 20) (width . 161) ; C-x 3 - 80 + 1 + 80 (height . 65)) initial-frame-alist)) ;; lose the UI (if (fboundp scroll-bar-mode) (scroll-bar-mode -1)) ;(if (fboundp tool-bar-mode) (tool-bar-mode -1)) ;(if (fboundp menu-bar-mode) (menu-bar-mode -1)) ;;; --- end of settings --- ~/.emacsのサンプル （23.x向け） ;; fonts -- fixed-width-fontset は不要 ;(add-to-list load-path "~/lib/emacs/fixed-width-fontset") ;(if (eq window-system w32) (require ntemacs-font)) ;(fixed-width-set-fontset "msgothic" 14) ;; fonts -- Windowsの日本語フォントを直接指定（IME使用時に文字幅がちょっと変わるのは我慢する） (set-default-font "ＭＳ ゴシック-10") (set-fontset-font (frame-parameter nil font) japanese-jisx0208 ("ＭＳ ゴシック" . "unicode-bmp")) ;; デフォルトフォントを全てのフレームに指定する ;; http //www.bookshelf.jp/texi/emacs-man/21-3/jp/emacs_20.html (add-to-list default-frame-alist (font . "ＭＳ ゴシック-10")) fixed-width-fontsetライブラリを使わなくても日本語フォントを指定できるようになった 情報源： http //d.hatena.ne.jp/itouhiro/20091027 /.emacs に全ての設定を書くやりかたはもう古い、~/.emacs.d/init.el を使うべき（移行中） ~/.emacs.d/init.el をバイトコンパイルしておくと起動が速くなる 設定内容は分割して ~/.emacs.d/conf/init-*.el のように分け、 ~/.emacs.d/init.el から順次読み込むようにするとよい タグ @モバイル @会社 @自宅
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Maintenance Of Waterfront Facilities Univ Pr of the Pacific? United States Army? United States Navy? United States Air Force? UnivProfthePacific? UnitedStatesArmy? UnitedStatesNavy? UnitedStatesAirForce? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Propulsion Engineering Study For Small-scale Mars Missions Univ Pr of the Pacific? John Whitehead? UnivProfthePacific? JohnWhitehead? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Mars? Living Aloft Human Requirements For Extended Spaceflight Univ Pr of the Pacific? Mary M. Connors? Albert A. Harrison? Faren R. Akins? UnivProfthePacific? MaryM.Connors? AlbertA.Harrison? FarenR.Akins? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Tree-covered Land-forms For Noise Control Univ Pr of the Pacific? David I. Cook? David F. Van Haverbeke? UnivProfthePacific? DavidI.Cook? DavidF.VanHaverbeke? ジャンル別? 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Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? Subjects-Teens-Science&Technology-Ecology? The Wild Side of Pet Birds (The Wild Side of Pets) Heinemann Library? Jo Waters? HeinemannLibrary? JoWaters? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Animals-Birds-Nonfiction? Subjects-Home&Garden-AnimalCare&Pets-Birds? Subjects-Science-Technology-General&Reference Animals In The House (Animal Worlds) Heinemann Library? Sue Barraclough? HeinemannLibrary? SueBarraclough? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Animals-Pets-Nonfiction? Subjects-Home&Garden-AnimalCare&Pets-General? Subjects-Science-Technology-General&Reference Patent Searching Made Easy Lulu.Com? David Hitchcock? Lulu.Com? DavidHitchcock? ジャンル別? Subjects-Computers&Internet-Programming-WebProgramming-Cybercopyrights? 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Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-BiologicalSciences-Bioinformatics? The Digital Dictionary Trafford? Michael Phillips? Trafford? MichaelPhillips? ジャンル別? Subjects-Computers&Internet-ComputerScience? Subjects-Computers&Internet-Programming-Introductory&Beginning-ComputerDictionaries? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Reference? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Computer? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-Dictionaries&Thesauruses-Science? 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TraffordPublishing? DealTom? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Modern High-power Rocketry 2 Trafford? Mark Canepa? Trafford? MarkCanepa? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Unconventional Transportation Trafford Publishing? Robert H. Vollmerhausen? TraffordPublishing? RobertH.Vollmerhausen? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Science-Technology-General&Reference Red Book Trafford Publishing? Patrick Johnston? TraffordPublishing? PatrickJohnston? ジャンル別? Subjects-Science-Technology-General&Reference L'acupunture Revisitee Trafford Publishing? Francois Beyens? TraffordPublishing? FrancoisBeyens? ジャンル別? ユーズドブック(洋書)-Parenting&Families? Subjects-Health,Mind&Body-General? Subjects-Nonfiction-ForeignLanguageNonfiction-French? 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Subjects-Nonfiction-SocialSciences-Research? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-General Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Technology-General&Reference Industrial Relations A Current Review Sage Pubns? Richard Hall? SagePubns? RichardHall? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-IndustrialRelations? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-Technology-General&Reference Technology Studies (Issues for the 21st Century) SAGE Publications Ltd? Rayvon David Fouche? SAGEPublicationsLtd? RayvonDavidFouche? ジャンル別? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-Technology-General&Reference Technical Communications Heinle & Heinle? 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Subjects-Science-Technology-General&Reference Technical Communication A Reader-centered Approach Heinle? Paul V. Anderson? Heinle? PaulV.Anderson? ジャンル別? Subjects-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Nonfiction-Education-College&University-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Reference-Writing-Academic&Commercial? Subjects-Reference-Writing-General? Subjects-Reference-Writing-Technical? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnicalThinking&Writing? Technical Communication Brooks Cole? Paul Anderson? BrooksCole? PaulAnderson? ジャンル別? Subjects-Reference-Writing? Subjects-Science-Technology-General&Reference How to Make Patent Drawings A Patent It Yourself Companion (How to Make Patent Drawings Yourself) Nolo? David Pressman? Jack Lo? Nolo? DavidPressman? JackLo? ジャンル別? Subjects-Engineering-ComputerTechnology-TechnicalWriting? 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Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-StudyGuides,History&Reference-Reference-Criticism&Interpretation-General? Subjects-Science-Technology-General&Reference Sometimes You Feel Like a Nut An Insider's Look at the California Almond Belt Xlibris Corp? David O. Smith? XlibrisCorp? DavidO.Smith? ジャンル別? Subjects-Home&Garden-Gardening&Horticulture-General? Subjects-Science-Technology-General&Reference U.s. Design Patent Do It Yourself! The Easy Guide to Applying And Getting a Design Patent Simple And Easy Instructions for the Prose Inventor Xlibris Corp? Kay H. Chin? XlibrisCorp? KayH.Chin? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Science-General Subjects-Science-Technology-General&Reference The Grand Unified Theory A Scientific Theory Of Everything Publishamerica Inc? Chaul Ryu? PublishamericaInc? 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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 "Gross groupies gather to gab about gal-groping"「痴漢について、井戸端会議をするやつら」 オオホリ・シゲルは痴漢として世界で有名人になっている 拡散状況 関連ページ "Gross groupies gather to gab about gal-groping" 「痴漢について、井戸端会議をするやつら」 http //groups.google.com/group/soc.culture.thai/browse_thread/thread/d21df3c0c504c447/cdcff66e66e34b3a?lnk=st q=Kamiyama+Masuo （2003年10月3日配信） Shigeru Oohori (a pseudonym) is a 35-year-old "elite salaryman" at a major corporation and loving father of a 10-year-old daughter. He s also a dedicated chikan (groper) who gets his thrills running his hands over thebodies of young women on commuter trains. Five years ago, Oohori was posting messages on an Internet bulletin board set up for aficionados of train groping. (Example "Today, I got my hands on a girl with a big ass...") and proposed that his fellow correspondents get together for drinks. "I never could have imagined it could be so enjoyable to get together and discuss our fetishes," he tells Hanashi no Channel (11/6). オオホリ・シゲル（仮）は、35歳のエリートサラリーマン。大企業に勤める、10歳の娘のよき父親だ。 そして、熱心な痴漢でもある。通勤電車で若い女性の体に手を這わせて興奮する。 5年前、彼はネットの電車内での痴漢用掲示板に、メッセージを投稿していた （例：「今日は、とても大きなお尻の子に触りました…」）。そこで掲示板の仲間に、集まって飲もうと提案したのだ。 「集まって、自分たちのフェチシズムについて話すのがこんなに楽しいとは思いませんでした」彼は『話のチャンネル』(11/6)にそう語った。 Oohori was quite impressed to see that many of the participants at the gathering were of high social standing. 会合参加者の多くは高い社会的地位にある人だったことに、オオホリはとても感銘を受けた。。 "We had Buddhist priests, school principals, government bureaucrats, doctors and others," he relates. 「仏教の僧侶や、校長、政府官僚、医者、その他」と、彼は言う。 This initial encounter led to the formal establishment of the Chikan Tomo-no-Kai (The Gropers Brotherhood), whose membership currently numbers 50 nationwide, and of which Oohori serves as chairman. この初対面が、痴漢友の会の正式な設立へとつながった。現在、会員数は全国に50人、中でもオオホリは議長を務める。 While the members range from students to septuagenarians, the largest age segment is composed of salaried wage earners in their 30s, an overwhelming number of whom are married. メンバーは学生から70台までと幅広いが、メインの層は30台のサラリーマンで、そのほとんどが結婚している。 According to Oohori, there are two types of chikan. One is the "orthodox" type, who become excited by seeing the expression of disgust on a girl s face at the moment they begin running their hands over her body. The other type, the "technician," aims at subtly titillating the woman using practiced erotic techniques that succeed in getting her wet before she even realizes what s happening. オオホリによれば、痴漢には2種類があるとのこと。1つは“オーソドックス”型、手を体に這わせたときの、女性の嫌がる表情を見て興奮するタイプ。 もう1つは“テクニシャン”型、鍛えた性的テクニックで女性を巧妙に興奮させるのが狙いのタイプ。こちらは、彼女に、何が起きているか気づかせないうちに濡らせれば成功になる。 Some 80 percent of chikan are estimated to belong to the former category. 痴漢のうちの、80％程度は前者に属すると考えられる。 Once monthly, the groper groupies gather at a pub somewhere in Tokyo to swap stories about theirconquests. At a recent meeting, one relayed an account of his special technique for perforating girls pantyhose in order to get closer to the land of milk and honey. While some members listened in with rapturous envy, others energetically transcribed his advice into their memo books. 痴漢仲間は、月に一度都内のパブに集合し、“征服したもの”についての話を交わす。 最近の会合では、あるメンバーが女性のパンストに穴を開ける（“蜜と乳の流れる地”へいっそう接近するため(*1)）特殊なやり口を伝えた。 他のメンバーはやきもちを焼きながらそれを聞いたり、一生懸命メモに取ったりするのである。 Another speaker warned his fellow enthusiasts that plainclothes detectives would be on duty in the Ikebukuroarea in the coming month, so they should take added precautions not to be nabbed. もう一人は、熱心な仲間たちに、来月は雌伏捜査官が池袋エリアに出動するかもしれない、捕まらぬよう警戒せよと警告した。 "Groping was once a solitary activity, but now thanks to the Internet it s become easy to link up with people who share the same kind of sexual interests," enthuses Oohori. "We swap information. This nurtures a sense of competition and spurs us to bolder activities. Another purpose of our group is to warn members from getting so carried away they risk arrest." 「かつて、痴漢は孤独な行為でしたが、今ではネットのおかげで同じ性的興味を持つ人と連携が取れるようになってます。」と、オオホリは熱く語る。 「我々は情報交換をします。これは競争心を育て、もっと大胆な行動にでる刺激になります。 また、逮捕されるリスクを避けるため、調子に乗りすぎないようメンバーに注意するのも、会の目的です」 Aside from being able to attend lectures on groping techniques and proper etiquette, Hanashi no Channel adds that members of Oohori s group become eligible for hands-on training sessions, aboard actual commuter trains. 痴漢のテクニックやエチケットの講習に参加できるだけではない。オオモリの会のメンバーには、実際に通勤電車に乗って、実践トレーニングをする資格までもらえるのだ。話のチャンネルはそう付け加えた。 "We all pool our money and employ several girls who let us grope them while actually on the train," he explains. "We do it in teams of six, and take turns on the girl, while the others observe from a slightly detached location. Then when it s over, we ll go to a coffee shop and critique the others, telling one, If you look around suspiciously before touching her, people will take notice, or You squeezed her too hard at the beginning; you can t do it that way. " 「我々は資金をプールして、実際に電車の中で触るための女性を何人か雇ってるんです。 6人編成のチームで一人ずつ、順番に触ります。それ以外の5人は少し離れたところから、それを観察します。 これが終わったらコーヒーショップへ向かい、批評を行うのです。『触る前にあやしげな様子で周りをうかがうと、人に気づかれるぞ』とか『強くつかみすぎだ、初めはこんな風にやるんだ』とかね。」 A proper performance in front of the brotherhood s chairman can earn the accomplished groper a "black belt" ranking, with the level proficiency based on how effectively the candidate conducts such movements as groping while carrying a briefcase (basic), or how effectively he succeeds in getting fingers inside a girl s panties (advanced). So far, Oohori has reached the exalted level of 7th dan; 12 others are ranked 1st dan and five have reached the 2nd dan level. 議長の前で、正確な実演できたら、痴漢の“黒帯”合格である。レベルは次のような動作を、候補者がいかに効率的に実行できるかで決まる － “ブリーフケースを運びつつ痴漢（基本）”、“パンティの中へ、効率的に指を入れる（上級）” －。 目下、オオモリは7段まで到達、12名が初段、5名が2段を取得している。 A 5th dan is expected to maintain the prestige of his rank by fondling the buttocks of at least 100 women a month. 5段の場合、その名誉を維持するためには月に最低100人のお尻を撫で回すのが望ましい。 Oohori was honored with his advanced 7th dan level by his ability to flee police pursuers. To do this, he keeps himself in top physical shape, arising each morning at six for an hour or more of jogging. オオホリは、その警官の追跡から逃れる能力によって7段の栄誉に輝いた。 このために、彼は毎朝6時に起床し、1時間、ときにはそれ以上ジョギングをすることで、常にフィジカル・コンディションを最高に保ち続けているのだ。 October 3, 2003 2003年10月3日配信 オオホリ・シゲルは痴漢として世界で有名人になっている Chikan (Train groping) http //www.japanfortheuninvited.com/articles/train-groping.html Chikan! http //nonozeroblog.blogspot.com/2008/05/chikan.html Chikan http //iaponia.pl/chikan,52.html News Nasce il club dei buddisti-mano morta http //it.groups.yahoo.com/group/maidiredharma/message/21 Stranezze nipponiche, i giapponesi sono fuori http //gonagai.forumfree.net/?t=1873931 I found a site with stories about groping http //www.frottophilia.com/frottage/1070767960.html 拡散状況 英語サイト http //galven.org/2004/check-this-out/chikan/ http //groups.google.com/group/soc.culture.thai/browse_thread/thread/d21df3c0c504c447/cdcff66e66e34b3a http //peepest.com/voyeursinmedia.html http //pervscan.com/2003/10/07/brotherhood-of-gropers/ http //forums.vteen.com/index.php?showtopic=7986 Blogger 部分転載：http //gssq.blogspot.com/2003/10/fools-and-their-freedoms-are-soon.html 関連ページ Blogger WaiWaiの記事を転載した英語サイト：G WaiWaiの記事を転載した英語サイト：P 元記事一覧 毎日新聞英語版から配信された記事2003年
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Welfare and Work in the Open Economy Vol. 2 ' Diverse Responses to Common Challenges ' Fritz W. Scharpf?Vivien A. Schmidt? Welfare Work in the Open Economy Diverse Response to Common Challenges in Twelve Countries Fritz W. Scharpf?Vivien A. Schmidt? The German Financial System Jan Pieter Krahnen?Reinhard H. Schmidt? The Futures of European Capitalism Vivien A. Schmidt? The Futures of European Capitalism Vivien A. Schmidt? Democracy in Europe The EU and National Polities Vivien A. Schmidt? Marketing Your Software 26 Steps to Success (Micro Computer Books) William G. Nisen?Allan Schmidt?Ira Alterman? Principles and Techniques of Surgical Pathology Waldemar Schmidt? Frontiers An Active Introduction to English Grammar J. Schmidt? Frontiers Active Intro English Grammar Vl1 (Frontiers) J. Schmidt? The Scsi Bus and Ide Interface Protocols, Applications and Programming Friedhelm Schmidt? Cultural Awareness for Children Judy Allen?Earldene McNeill?Velma Schmidt? 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Dictionary of Cults, Sects, Religions and the Occult George A. Mather?Larry A. Nichols?Alvin J. Schmidt? The Economics of Military Expenditures Military Expenditures, Economic Growth and Fluctuations Proceedings of a Conference Held by the Internatio Christian Schmidt? Peace, Defence, and Economic Analysis Proceedings of a Conference Held in Stockholm Jointly by the International Economic Association and the Stock Christian Schmidt?Frank Blackaby? Albert Speer The End of a Myth Matthias Schmidt? Writing Science Fiction and Fantasy (Writer's Library) Tina Lee?S. Schmidt?I. Strock?Gardner R. Dozois?S. Williams? Writing Science Fiction and Fantasy Gardner R. Dozois?Tina Lee?S. Schmidt?R. Strock?S. Williams? The Rational Foundations of Economic Behaviour Proceedings of the Iea Conference Held in Turin, Italy (Iea Conference Volume) International Economic Association?Kenneth J. Arrow?Enrico Colombatto?Mark Perlman?Christian Schmidt? The Aftermath of 'Real Existing Socialism' in Eastern Europe Between Western Europe and East Asia (International Political Economy Series) Jacques Hersh?Johannes Dragsbaek Schmidt? Making Space for Science Territorial Themes in the Shaping of Knowledge (Science, Technology, and Medicine in Modern History) technology University of Manchester Centre for the History of Science?Crosbie Smith?Jon Agar?Gerald Schmidt? Beyond Privatization A Global Perspective (Advances in Political Science (New York, N.Y.).) Klaus-Dieter Schmidt?Asha Gupta? Kentucky Illustrated The First Hundred Years Martin F. Schmidt?James C. Klotter? American Government and Politics Today Steffen W. Schmidt?MacK C., Iii Shelley?Barbara A. Bardes? Darling Heidi Jon Schmidt? The Rose Thieves Heidi Jon Schmidt? Foe into Friend The Makers of the New Germany from Konrad Adenauer to Helmut Schmidt Marion Donhoff?Gabriele Annan? Darling? Heidi Jon Schmidt? The Eye of the Abyss (Franz Schmidt, 1) Marshall Browne? Helmut Schmidt Helmsman of Germany Jonathan Carr? The Bride of Catastrophe A Novel Heidi Jon Schmidt? Maurice Merleau-Ponty Between Phenomenology and Structuralism (Theoretical Traditions in the Social Sciences) James Schmidt? Policy and Politics in the Federal Republic of Germany Klaus Von Beyme?Manfred G. Schmidt? The Politics and Economics of Appeasement British Foreign Policy in the 1930s Gustav Schmidt? Argonaut Stanley Schmidt? Argonaut Stanley Schmidt? Tweedlioop Stanley Schmidt? Fraternal Organizations (Contributions in Afro-American African Studies) Alvin J. Schmidt?Nicholas Babchuk? Religious Knowledge Paul F. Schmidt? The Voice of the Narrator in Children's Literature Insights from Writers and Critics (Contributions to the Study of World Literature) Charlotte F. Otten?Gary D. Schmidt? Sitting at the Feet of the Past Retelling the North American Folktale for Children (Contributions to the Study of World Literature) Gary D. Schmidt?Donald E. Hettinga? The World Religions Cookbook Arno Schmidt?Paul Fieldhouse? American Government and Politics Today Steffen W. Schmidt?MacK C. Shelley?Barbara A. Bardes? American Government and Politics Today The Essentials 1994-1995 Barbara A. Bardes?MacK C., Ii Shelley?Steffen W. Schmidt? American Government and Politics Today/1995-1996 Steffen W. Schmidt?MacK C., Ii Shelley?Barbara A. Bardes? American Government and Politics Today The Essentials 1996-1997 Edition (American Government and Politics Today) Steffen W. Schmidt? American Government and Politics Today 1997-1998 Steffen W. Schmidt? Handbook of Selected Court Cases to Accompany American Government and Politics Today 1997-1998 Edition and American Government and Politics Today th E Essentials 1998-1999 Edition Steffen Schmidt?Mack C. Shelley?Barbara Bardes? American Government Politics Today 97-98 Political Science Steffen W. Schmidt?Mack C., Iii Shelley?Barbara Bardes? Handbook of Selected Legislation and Other Documents to Accompany American Government and Politics Today 1997-1998 Edition and American Government and Steffen W. Schmidt?Mack C. Shelley?Barbara A. Bardes? Statutory Supplement to Legal Protection for the Individual Employee (American Casebook Series) Matthew W. Finkin?Alvin L. Goldman?Clyde W. Summers?Kenneth G. Dau-Schmidt? Legal Protection for the Individual Employee (American Casebook Series) Alvin L. Goldman?Clyde W. Summers?Kenneth G. Dau-Schmidt?Matthew W. Finkin? Statutory Supplement to Labor and Employment Law, Problems, Cases and Materials in the Law of Work (American Casebook Series and Other Coursebooks) Robert J. Rabin?Eileen Silverstein?George Schatzki?Kenneth G. Dau-Schmidt? Labor and Employment Law Problems, Cases and Materials in the Law of Work (American Casebook Series and Other Coursebooks) Robert J. Rabin?Eileen Silverstein?George Schatzki?Kenneth G. Dau-Schmidt?Labor Law Group (U. S.)? A History of NATO The First Fifty Years Gustav Schmidt? American Government and Politics Today Steffen W. Schmidt?MacK C.Ii Shelley?Barbara A. Bardes? American Government and Politics Today The Essentials Barbara A. Bardes?MacK C., Ii Shelley?Steffen W. Schmidt? American Government and Politics Today, 1991-1992 Steffen W. Schmidt?MacK C. Ii Shelley?Barbara A. Bardes? American Government and Politics Today The Essentials 1992-93 Barbara A. Bardes?MacK C. Shelley?Steffen W. Schmidt? Jingo Django Sid Fleischman?Eric Von Schmidt? Me and the Man on the Moon-Eyed Horse Sid Fleischman?Eric Von Schmidt? By the Great Horn Spoon Sid Fleischman?Eric Von Schmidt? The Ghost on Saturday Night Sid Fleischman?Eric Von Schmidt? American Government and Politics Today 2006-2007 (Thomson Advantage Books) Steffen W. Schmidt?Mack C. Shelley?Barbara A. Bardes? Humbug Mountain Sid Fleischman?Eric Von Schmidt? Writing in Political Science A Practical Guide Diane E. Schmidt? Macromedia Coldfusion Mx Training from the Source Kevin A. Schmidt?Nate Weiss? Writing In Political Science Diane E. Schmidt? Ngna Core Curriculum for Gerontological Nursing Ann Schmidt Luggen?Sue Meiner?National Gerontological Nursing Association? Toward Healthy Aging Human Needs and Nursing Response (Toward Healthy Aging (Ebersole)) Priscilla Ebersole?Patricia Hess?Ann Schmidt Luggen? Mosby's Review Questions For The Nclex-rn Examination (Mosby's Review Questions for NCLEX-RN) Dolores F. Saxton?Phyllis K. Pelikan?Patricia M. Nugent?Judith S. Green?Jane K. Brody?Phyllis Portnoy Cohen?JoAnn Schmidt-Festa?Colleen Glavinspiehs?Christina A. Kasprisin? Wake Up Calls Classic Cases in Business Ethics Lisa H. Newton?David P. Schmidt? Gardening in the Minefield A Survival Guide for School Administrators Laurel Schmidt? Classroom Confidential The 12 Secrets Of Great Teachers Laurel Schmidt? Mobilizing The Masses Gender, Ethnicity, and Class in the Nationalist Movement in Guinea, 1939-1958 (Social History of Africa) Elizabeth Schmidt? Mobilizing The Masses Gender, Ethnicity, And Class In The Nationalist Movement in Guinea, 1939-1958 (Social History of Africa) Elizabeth Schmidt? African Modernities Entangled Meanings in Current Debate Jan-Georg Deutsch?Peter Probst?Heike Schmidt? African Modernities Jan-Georg Deutsch?Peter Probst?Heike Schmidt? An Introduction to Fifty Modern British Poets (Pan Literature Guides) Michael Schmidt? Gorbachev Christian Schmidt-Hauer?E. Osers?C. Romberg? Complete Works (Picador Books) Arthur Rimbaud?Paul Schmidt? Maurice Merleau-Ponty (Traditions in Social Theory) James Schmidt? Financial Aspects of Marketing Ruth A. Schmidt?Helen Wright? Financial Aspects of Marketing (Macmillan Business) Ruth A. Schmidt?Helen Wright? Contemporary Cases in Retail Operations Brenda Oldfield?Ruth A. Schmidt?Ian Clarke?Malcolm A. Kirkup?Cathy Hart? A History of NATO The First Fifty Years Gustav Schmidt? Relations and Graphs Discrete Mathematics for Computer Scientists (E a T C S Monographs on Theoretical Computer Science) Gunther Schmidt?Thomas Strohlein? Justice at Nuremberg Leo Alexander and the Nazi Doctors' Trial (St. Antony's Series) Ulf Schmidt? A History of NATO The First Fifty Years Gustav Schmidt? Inclusive Branding The Why and How of a Holistic Approach to Brands Klaus Schmidt?Chris Ludlow? A Global Ethic and Global Responsibilities Hans Kung?Helmut Schmidt? Buddhism And Christianity in Dialogue The Gerald Weisfield Lectures 2004 Perry Schmidt? Mediaeval English Romances (London Mediaeval Renaissance) A.V.C. Schmidt?Nicolas Jacobs? Mediaeval English Romances (London Mediaeval Renaissance) A.V.C. Schmidt?Nicolas Jacobs? Mediaeval English Romances (London Mediaeval Renaissance) A.V.C. Schmidt?Nicolas Jacobs? The Thought-A-Week Guides How to Cope With Grief Judith Sara Schmidt? 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The First Poets Lives of the Ancient Greek Poets Michael Schmidt? What Kind of a Man? The Life of Henry Smith Leiper William J. Schmidt? The Fantasticks Tom Jones?Harvey Schmidt? From Mind to Mind Tales of Communication from 'Analog' Stanley Schmidt? The Brave Little Toaster A Bedtime Story for Small Appliances Thomas M. Disch?Karen Schmidt? Analogs Lighter Side Stanley Schmidt? Aliens from Analog Stanley Schmidt? Thermodynamische Eigenschaften Von Wasser Und Wasserdampf 0-800 Thermodynamische Eigenschaften Von Wasser Und Wasserdampf 0-800 Ernst Schmidt? The Chemistry of Organophosphorus Pesticides Monograph C. Fest?K. Schmidt? Advances in Nonlinear Parameter Optimization R. Schmidt? Health Evaluation of Heavy Metals in Infant Formula and Junior Food E. H. F. Schmidt?A. G. Hildegrandt? Relational Database Systems Analysis and Comparison Joachim Schmidt? Amarts and Set Function Processes (Lecture Notes in Mathematics) A. Gut?K. D. Schmidt? 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Turbulent Shear Flows 9 Selected Papers from the Ninth International Symposium on Turbulent Shear Flows, Kyoto, Japan, August 16-18, 1993 (International Symposium on Turbulent Shear Flows//Turbulent Shear Flows) F. Durst?N. Kasagi?B. E. Launder?F. W. Schmidt? Mathematical Foundations of Programming Semantics 9th International Conference New Orleans, La, Usa, April 7-10, 1993 Proceedings (Lecture Notes in Computer Science) International Conference on the Mathematical Foundations of programmin?S. D. Brookes?M. Main?Austin Melton?M. Mislove?D. Schmidt? Scheduling in Computer and Manufacturing Systems Jacek Blazewicz?Klaus H. Ecker?Gunter Schmidt?Jan Weglarz? Algorithm Theory-- Swat '94 4th Scandinavian Workshop on Algorithm Theory, Aarhus, Denmark, July 1994, Proceedings (Lecture Notes in Computer Science) Denmark) Scandinavian Workshop on Algorithm Theory 1994 (Arhus?Sven Skyum?E. M. Schmidt? Bandwidth Extension of Speech Signals Bernd Iser?Wolfgang Minker?Gerhard Schmidt? Drug Addiction And AIDS N. Loimer?R. Schmidt?A. Springer? C2 Compiler Concepts B. Teufel?S. Schmidt?T. Teufel? On Conceptual Modelling Perspectives from Artificial Intelligence, Databases, and Programming Languages (Topics in Information Systems) Michael L. Brodie?J. Mylopoulos?J. W. Schmidt? Fundamentals of Neurophysiology (Springer Study Edition) Robert Schmidt? New Directions for Medical Education Problem-Based Learning and Community-Oriented Medical Education (Frontiers of Primary Care) Henk G. Schmidt?Mack Lipkin?Network of Community-Oriented Educational Institutions for Health scie?O. K. Alausa? The Simulator Gpss-Fortran Version 3 Bernd Schmidt? Predicting Recidivism Using Survival Models (Research in Criminology) Peter Schmidt?Ann Dryden Witte? Computer Aided Proofs in Analysis (Ima Volumes in Mathematics and Its Applications) Kenneth R. Meyer?Dieter S. Schmidt? A Reader's Guide to 50 British Poets 1300-1900 Michael Schmidt? 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Urdu An Essential Grammar (Routledge Grammars) Ruth Laila Schmidt? Urdu An Essential Grammar (Routledge Grammars) Ruth Laila Schmidt? Federalism and Political Performance (Routledge/Ecpr Studies in European Politicalscience) Ute Wachendorfer-Schmidt? Archaeologies of Sexuality Robert A. Schmidt?Barbara L. Voss? Archaeologies of Sexuality Robert A. Schmidt?Barbara L. Voss? Anthropology of Violence and Conflict (European Association of Social Anthropologists) European Association of Social Anthropologists?Bettina Schmidt?Ingo W. Schroder? Anthropology of Violence and Conflict (European Association of Social Anthropologists) European Association of Social Anthropologists?Bettina Schmidt?Ingo W. Schroder? Globalization and Social Change (Routledge Research Advances Inipe) Johannes Dragsbaek Schmidt?Jacques Hersh? Game Theory and Economic Analysis A Quiet Revolution in Economics (Routledge Advances in Game Theory, 001) Christian Schmidt? Hayek and Economic Analysis SchmidtChristian Schmidt? Policy Change And Discourse In Europe Claudio M. Radaelli?Vivien A. Schmidt? Wise Women Reflections of Teachers at Mid-Life Phyllis R. Freeman?Jan Zlotnik Schmidt? Wise Women Reflections of Teachers at Midlife Phyllis R. Freeman?Jan Zlotnik Schmidt? Artistic Citizenship A Public Voice for the Arts Mary Schmidt Campbell?Randy Martin? Eleven British Poets Michael Schmidt? Peasants, Traders, and Wives Shona Women in the History of Zimbabwe, 1870-1939 (Social History of Africa) Elizabeth Schmidt? Science Workshop A Whole Language Approach Wendy Saul?Jeanne Reardon?Anne Schmidt?Charles Pearce? Introduction to Fifty Modern British Poets (Readers Guides) Michael Schmidt? Wednesday Wars Library Edition Gary Schmidt? Scholastic Success With Alphabet Grades Pre K-K (Scholastic Success With) Janie Schmidt? Scholastic Success With Rhyming Grades Pre K-K (Scholastic Success) Janie Schmidt? Racing Stripes (Scholastic Readers) Tracey West?David Schmidt? Racing Stripes A Junior Novelization (Junior Novelization (Scholastic)) David Schmidt? Wednesday Wars Gary D. Schmidt? Kensho Dennis Schmidt? Lotta Schmidt and Other Stories (Selected Works of Anthony Trollope) Anthony Trollope? Cell Biology Charlotte J. Avers? City of Crystal Shadow (Questioner Trilogy, Book II) Dennis Schmidt? Satori Dennis Schmidt? Groa's Other Eye (Twilight of the Gods Book II) Dennis Schmidt? Three Trumps Sounding (Twilight of the Gods, Book III) Dennis Schmidt? Way-Farer Dennis Schmidt? Art of Garnishing Inja Nam?Arno Schmidt?James Gerard Smith? Assessment and Control of Voc Emissions from Waste Treatment and Disposal Facilities Thomas T. Shen?Charles E. Schmidt?Thomas R. Card? Classical Cooking the Modern Way Recipes Philip Pauli?Eugen Pauli?Arno Schmidt?Margaret Schmidt?Hannelore Dawson-Holt? The Book of Hors D'Oeuvres and Canapes Arno Schmidt?Inja Nam?J. Gerad Smith? Chef's Book of Formulas, Yields, and Sizes Arno Schmidt? The Geek's Guide to Internet Business Success Bob Schmidt? Contributions to Lattice Theory A.P. Huhn?E.T. Schmidt? Fundamentals of Surveying William Horace Rayner?Milton O Schmidt? Food and Beverage Management in Hotels Arno Schmidt?
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DANGEREUX Jigga What / Faint life's a bitch l'Americano Art de Rue LA FURIE ET LA FOI street dreams stan paquito L'ECOLE DU MICRO D'ARGENT ELLE DONNE SON CORPS AVANT SON NOM La face B Petit Frere DANGEREUX Je pose du verbe sur un papier Compose des textes et les scande, oui ma langue est déliée Mon délit est de parler haut Relater ce que mes consorts, n exprimeront jamais dans un micro Les camps sont marqués, nous sommes simples électeurs Mais rien n empêche d apporter plus de terreur dans leurs erreurs Je pensais, ne même pas les effleurer, mais j ai dû Déjanter, quand le juge a voulu me convoquer Ce n était pas la première fois pour un groupe de rap Que la censure frappe et les citations tapent Va donc je me suis dit, le texte est cool, y a pas de hic Faux, j étais devenu l ennemi public des ASSEDIC C était clair, les hauts placés voulaient mon trophée Un mois après ces endophés bloquaient mon dossier Ce que le cinéma se permet, la télé, les livres Et les magazines, pour nous c est prohibé Incitation à la violence C est comme si pour chaque meurtre on inculpait Jack Palance J ai des problèmes de communication Les R.G. écoutent toutes mes conversations J en ai des frissons, et ça perturbe ma vie Ma haine grandit chaque fois que Minute écrit A déblatérer des mensonges malsains Demandez à ma mère, si son fils est un assassin lls déclenchent ma revanche à leurs dépends Si je pouvais vivre loin des serpents Je croyais être un type sympa, un père exemplaire, merveilleux Pour eux, je suis dangereux I am dangerous Si on m avait dit qu un jour je serais classé, fiché Tout simplement pour avoir exprimé mes idées Abordé des sujets jugés tabous Mis sur papier tout ce qui se passe autour de nous Je pensais vivre dans un pays libre, naïf J ai compris qu indésirables sont les esprits non passifs En refusant d être un mouton, de rentrer dans le troupeau De fermer les yeux et de tourner le dos Au format dans lequel ils ont tenté de me faire entrer Je me suis vu qualifié de rebelle d une société Hypocrite, où certains ont tant de pouvoir Qu en toute impunité, ils peuvent cracher sur l histoire Ce noir constat m oblige à prendre des risques A libérer ma pensée, à devenir un journaliste Un fugitif, un dénonciateur, un haut-parleur Trop souvent, placé au centre du viseur De ceux qui se croient à l abri de l oeil avisé De gens comme moi à l affût et qui ne laissent rien passer La liberté d expression, vaste plaisanterie L écart est grand entre ce qui s entend et se qui est dit J énonce des faits bien que ça me coûte Des photos sur des murs, des téléphones sur tables d écoute On me reproche de crier trop fort ce que je pense De mettre un miroir en face des gens, ça, ça les déranger Et si le blanc représente la pureté Même en plein soleil, tout les chats sont gris Je voudrais faire le bien et rien d autre, mais pour eux Je suis un mouton galeux, un mec dangereux Jigga What / Faint Jigga what, Jigga who? Jigga what, Jigga who? Jigga what, Jigga who? You gon need a vocal in, right? Motherfuckers wanna act loco, hit em wit, numerous shots with the fo -fo Faggots wanna talk to Po-Po s, smoke em like cocoa Fuck rap, coke by the boatload Fuck dat, on the run-by, gun high, one eye closed Left holes through some guy clothes Stop your bullshittin, glock with the full clip Motherfuckers better duck when the fool spit One shot could make a nigga do a full flip See the nigga layin shocked when the bullet hit Oh hey ma, how you, know niggaz wanna buy you But see me I wanna Fuck for Free like Akinyele Now I gotta let her take this ride, make you feel it inside your belly, if it s tight get the K-Y Jelly All night get you wide up inside the telly Side to side, til you say Jay-Z you re too much for me I am a little bit of loneliness a little bit of disregard Handful of complaints but I can t help the fact that everyone can see these scars I am what I want you to want what I want you to feel But it s like no matter what I do, I can t convince you, to just believe this is real So I let go, watching you, turn your back like you always do Face away and pretend that I m not But I ll be here cause you re all that I got Got a condo with nuttin but condoms in it The same place where the rhymes is invented So all I do is rap and sex, imagine how I stroke See how I was flowin on my last cassette? Rapid-fire like I m blastin a Tec, never jam though Never get high, never run out of ammo Niggaz hatin n shit cause I slayed your bitch You know your favorite, I know it made you sick And now you re, actin raw but you never had war Don t know how to carry your hoe, wanna marry your hoe Now she s mad at me, causer Your Majesty, just happened to be A pimp with a tragedy She wanted, us to end, cause I fucked with friends She gave me one more chance and I fucked her again I seen her tears as she busted in, I said, "Shit.. there s a draft, shut the door bitch and come on in!" I am a little bit insecure a little unconfident Cause you don t understand I do what I can but sometimes I don t make sense I am what you never wanna say but I ve never had a doubt It s like no matter what I do I can t convince you for once just to hear me out So I let go watching you turn your back like you always do Face away and pretend that I m not But I ll be here cause you re all that I ve got I can t feel the way I did before Don t turn your back on me I won t be ignored Time won t heal this damage anymore Don t turn your back on me I won t be ignored No Hear me out now You re gonna listen to me, like it or not Right now Hear me out now You re gonna listen to me, like it or not Right now I can t feel the way I did before Don t turn your back on me I won t be ignored I can t feel the way I did before Don t turn your back on me I won t be ignored Time won t heal this damage anymore Don t turn your back on me I won t be ignored I can t feel Don t turn your back on me I won t be ignored Time won t heal Don t turn your back on me I won t be ignored life s a bitch [Verse One AZ the Visualiza] Visualizin the realism of life and actuality Fuck who s the baddest a person s status depends on salary And my mentality is, money orientated I m destined to live the dream for all my peeps who never made it cause yeah, we were beginners in the hood as five percenters But somethin must of got in us cause all of us turned to sinners Now some, restin in peace and some are sittin in San Quentin Others such as myself are tryin to carry on tradition Keepin the schwepervesence street ghetto essence inside us Cause it provides us with the proper insight to guide us Even though, we know somehow we all gotta go but as long as we leavin thievin we ll be leavin with some kind of dough so, and to that day we expire and turn to vapors me and my capers-ll be somewhere stackin plenty papers Keepin it real, packin steel, gettin high Cause life s a bitch and then you die [Chorus AZ the Visualiza] Life s a bitch and then you die; that s why we get high Cause you never know when you re gonna go Life s a bitch and then you die; that s why we puff lye Cause you never know when you re gonna go Life s a bitch and then you die; that s why we get high Cause you never know when you re gonna go Life s a bitch and then you die; that s why we puff lye -- chorus #1 echoes at the end Cause you never know when you re gonna go Life s a bitch and then you die -- chorus #2 includes these lines, echoes at the end [Verse Two Nas] I woke up early on my born day, I m twenty years of blessing The essence of adolescent leaves my body now I m fresh in My physical frame is celebrated cause I made it One quarter through life some God-ly like thing created Got rhymes 365 days annual plus some Load up the mic and bust one, cuss while I puffs from my skull cause it s pain in my brain vein money maintain Don t go against the grain simple and plain When I was young at this I used to do my thing hard Robbin foreigners take they wallets they jewels and rip they green cards Dipped to the projects flashin my quick cash and got my first piece of ass smokin blunts with hash Now it s all about cash in abundance, niggaz I used to run with is rich or doin years in the hundreds I switched my motto -- instead of sayin fuck tomorrow That buck that bought a bottle could ve struck the lotto Once I stood on the block, loose cracks produce stacks I cooked up and cut small pieces to get my loot back Time is Illmatic keep static like wool fabric Pack a four-matic that crack your whole cabbage [Chorus] {**Olu Dara plays trumpet until fade**} l Americano Le Babi, Napolitain Fana Oui, j ai bouffe du poulpe pendant 20 ans, comme Antonio Montana Pour moi, tous les francais etaient de la sorte Mais que savais-je de la vie enferme derriere une porte? Quelque chose dans le sang parle tout bas A Paris je suis perdu, en Sicile je suis chez moi La Mediterrannee chante dans mes paroles Qui s envolent, je me rappelle a l ecole Je voulais etre different, original, dans le vent Ca criait l Amerique dans tous mes vetements Interloques les ignorants gloussaient comme des idiots Ma chi e questo? Uno nuovo?! OK, j ai laisse passer les rires J ai flippe puis pardonne car j aime mon peuple a en mourir Je fais l americain, c est un fait, mais qui se la joue francais? Et baise les pieds du petit Megret Minchia Je hais ces types aux origines truquees Que Dieu fasse misericorde a la memoire etriquee Si tu n es pas de ma famille et que ton crane sonne creux Chante moi tant que tu veux {Refrain } Tout gosse deja, j etais fascine par le pays Des buildings, des taxis jaunes et sing-sing Des filles en maillot bronzes sur la plage, des limousines et des mechants indiens Des policiers qui gagnent toujours a la fin Moi qui voulait devenir flic a New-York paye Desormais les afres d etre une crapule a Marseille La tele faisait tout pour que mon songe vive Je ne nommais Philippe et revait de m appeler Steve Jusqu au jour ou j ai pris l avion en 84 Et tout a change dans ma tete ce fut une belle claque! En fait, tres vite, j eus une honte terrible Pour les 4 millions d indiens d Amerique Jete mon casque de base-ball Qui faisait rigoler mes amis a l ecole et pourtant Ils etaient aussi tous des petits ritals pourquoi? Ils voulaient danser le disco comme John Travolta Le reve americain ruine J irais poser des fleurs sur la tombe de pepe Joseph a Brooklyn S il m avait vu a 15 ans, il aurait surement dit Avec son accent {au Refrain} Le pays des reves americains je peux en parler puisque j en viens De toutes ces choses etranges qui font rire les anciens Les moqueries qui redoublaient pour que je craque Fili che cazzo a fatto, na autostrada n coppa a capa J avais un trait dans ma coupe et c etait cool Ils appellaient ca une autoroute et pour eux j etais fou Mon blouson Starter qui valait tant de thunes A leurs yeux etait une veste pour marcher sur la Lune Mon style, ma vie, Che cosa strana C est un drame. Tu vuo fa l americano Je suis ne dans cette generation moderne Ou "I love you" est plus facile a dire que "je t aime" Mais les vieux ont garde cette antipathie, depuis Que les soldats Americains ont debarque Quand leurs filles tomberent amoureuses des yeux bleus Et que ces hommes achetaient leurs nuits avec un chewing-gum Alors quand on me taquine je souris et Si je ne suis pas d accord, je respecte et je me tais Je ne m etonne plus quand mon peuple vit de passions Tant est vraie cette chanson {au Refrain} Art de Rue Gloire a l art de Rue Jusqu au bout art de rue Ambiance scandale Danse de vandale Sens d ou vient la chaleur Gloire a l art de rue Dj, Brakeur, B-Boy, grapheur, BeatBox X2 Le Rat Luciano Le theme c est art de rue Dedie a ceux qui pratiquent et ceux qui aiment c putain d art de rue Ceux qui dansent sur la piste Sur la pierre ou a la zonz Ceux qui mixent Ceux qui parlent sur la zic Et ceux qui taguent sur les fourgons C est un mode de vie Une chose qui nous rend serieux Un besoin unique vecu jour et nuit On desire toujours faire mieux Vu que la vie n est qu un test Et toutes les situations sont complexes On pense et l esprit dit fais le Fonce tant qu on respire et qu on est libre Y a qu a ose vieux Savourer l existence comme on peut L essentiel est de faire ce qu on aime et comme on veut Morveux Le rap c est bon quand tu fais ca par amour Mais pas quand y a beaucoup de fric en jeux On s en rend compte qu une fois coince dans le cercle vicieux C est un salut aux anges et aux dangereux C est un salut aux jeunes de France, de la zone et de l opera Aux anciens qu ont pratique l art de la danse comme 5 DA Ceux qui taguent sur les trains les murs crades et la ou ca craint Comme sur les palais et commissariats Salut a ceux qui parlent sur de la musique Ceux qui decrivent joie, angoisse, haine et amour Sans methodes precises Et sans etre alleches par l appat du gain Mais juste parce qu ils en eprouvent le besoin On en a marre de rire Gloire a l art de rue Dedie aux gens dures Et a tous ceux de ta rue Le theme c est art de rue Dedie a ceux qui pratiquent et ceux qui aiment c putain d art de rue Refrain X2 Don Choa Scandale, vandale Art de Rue bordelique T as reconnu notre style ou tu connais pas C est qu on est la Degommez ca Stop les debats Etonnez-moi Les femmes les gars Faites du degat Deconnez pas Troisieme millenaire rien qui change B-Boy Dedicace a ceux qui rappaient sur beatbox Maintenant les MC veulent tous parler de la meme chose Mais ils font pas baigner leur texte dans la meme sauce On explose, extorque, exporte, explore, s extorpe, s instaure, verspor et fuck Si t aime pas le rap C est quoi qui te derange Tu veux p tetre nous abattre C est ca qui te demange Des petites phrases et des phases faces aux drames de la rue On s emballe tu te sens mal si tout crame c est de l abus Les ordures pensent qu on est bon qu a prendre, vendre des drogues dures Qu ils s approchent ressentent la morsure Le truc c est forge dans la penombre L attente etait longue Goute l elixir, bois une gorgee et tombe T as reconnu c putain d art de rue Faut le suivre a la trace ou pas le perdre de vue Dedie a ceux qui dorment pas et la Z.O.N.E D.J.E.L.S.S.O.O.N.S.O.U.N.E Menzo J entends dire que nos hommes sont synonymes d echec C est vrai que chez nous c est plutot ouvrier qu architecte Que nous payons en liquide et rarement par cheque Gardons la foi dans ces periodes ou tout est sec Ne nous fous pas dans la merde On lachera pas le steak On la deja dit mec c est nous contre eux Dans tout duel on abat Il en reste jamais deux Dans nos ruelles saignantes Ne vient pas qui veut Votre politique on l ignore Dans nos quartiers c est sauf qui peut Si ca va pas on s en remet a Dieu Que sa puissance exauce nos v?ux Que la gloire soit dans nos rues et dans cet art qui tue Ca a encourage tous ceux qui y ont cru Ma famille Fonky F et le crew Dans ce monde ou tout est fou On essaiera de faire notre trou Dans cette ambiance scandale Danse de chacal Destin de vandale Tous pousses par la dalle Dans ce qu on entreprend Faut etre des morfales Y a toujours une faille Gloire a l art de rue Refrain X2 Sat Vu ou ca m a mene J aurai pu me passer d aller a l ecole Fumer de la drogue ou boire de l alcool Mais comment me passer de rapper sur ma vie Cette musique constitue encore un des rares trucs qui m anime J fais pas confiance en l argent Ca passe d un compte ou d une main D une poche a une autre Et fais meme s entretuer les notres J fais pas confiance aux femmes Ca passe d un homme a un autre De l arriere d une caisse D un lit a un autre Note que dans nos tetes c est le vrai desordre Pour preuve j rappe des trucs qu on rien avoir les uns avec les autres Si c est ces memes soirs J me rend compte quand je suis au plus mal…… Je suis pas doue pour le vol ni pour le deal J rappe pour vivre C est toujours mieux que d avoir des flics qui me poursuivent Je fais pas ca pour les femmes ni avoir trop de fans Ni pour voir ces rimes qu a ces profanes Gloire a l art de rue Si tu vivais ce qu on voit Je suis pret a parier que t exprimerai les memes faits que moi On est pas si loin du chaos Nul n est a l abri d etre au plus bas Pense s y au cas ou Tu serais amener a fumer ce qu on fume, voir ce qu on voit Vivre ce qu on voit ou livrer ce combat Dehors c est la guerre meme si tu peux pas le croire Y a aussi de la mort partout meme dans mon rap meme si tu peux pas le voir Dedie a nos rues L art qui s en degagent ceux qui expriment la rage Tous nos apaches Fonky Family l histoire continue Jusqu au bout dans l art de rue LA FURIE ET LA FOI Le micro marche Pas besoin de ploum pour le prendre De la main sur un joint Ca part sur un boum Son, tous bombent dessus Meme decu, bon sang, faut que tu sues Les proxos viennent du sud Passe ou alors suit Je dois dire public merci Comment faire si on me siffle Je m’imagine sur sur Percier Et je persiste Le Rat maniait le mic, l’amis Comme Mani manie le flingue Dans les rues de Miami La nuit ?? Gates mais pas feintes Si tu viens zapeter Beaute, ca va se gater Mes potes peuvent te guinter et te minter nokch Le Hip Hop marche et nous onse torche Je ne suis pas un prince de galere Comme Brus, cracheur de rimes Dans une vie de gelbouz et de kepouz Des fois j’esbrouffe encore a l’aluminium Je bouffe, je bois, je flambe, jure-le, mignone De toute facon rester nature dans ce dur metier FF represente nique tout plus de pitie present pour piller FF surprend a sec a froid Viens live, y voir y croire a la furie et a la foi FF sur beat c’est un fusil a te prendre Jouer des trous dans les vitres FF s’infiltre en France sans chercher le hit Les chacals faches fument le shit Avec des rimes prennent du liquide et ciao CHORUS On defend le Hip Hop de rue avec furie On descend les fous et les intrus, c’est une turie Bouges mec, cherches pas ce qui cloche On represente nos proches Avant de penser a nos poches, gazier On defend le Hip Hop de rue avec furie On descend les fous et les intrus, c’est une turie Bouges fille, cherches pas ce qui cloche Vas-y, remues tes fesses Fais honneur a la FF, beaute ??shetan, motive ta generation Attention, furie et foi en mission FF de Mars a travers la France On represente nos proches avant nos poches Et ce a tout prix Faut que mon rap de rue cree la surprise Dans ce putain de pays Quel est le crime Si ce n’est de dire ce que l’on vit J’evince le faux Avance et fout le feu Fau, en garde, pahamou Section fong-fa Action fong-fu Tant qu’on nique tout au mic Sans coup de kung-fu Tu sais, je viens pas pour defiler Ni meme pour me filer Mais si des mecs voulent nous defier On ne va pas se defiler 97, necket, FF debarque Coup de coktel explosif Lyrics corrosifs La Familie en furie On se bat pour le Hip Hop Celui de la rue Je fume, je prend des cuites Mais pour des hits Je donne pas mon cul Faut que le rap sauvage perce Je persevere sans cesses Pour que les truffes se dressent Se taisent et disparaissent net Meme combat Paris a Marseille Rien a voir avec les embrouilles bidon New York Bailey Si tu donnes avec ca Vas-y, leve ton bras Bebe, leve ton bas Je me le met sur la tete On fais la nouba Au fait, moi c’est Sat Je rappe pour la Fonky Rien a voir avec ces putains d simples et funky J’ai ete berce a coup de Kool and the Gang Je pretends pas etre dans le rap depuis ma naissance C’est dingue, mais On defend le Hip Hop de rue avec furie On descend les fous et les intrus, c’est une turie Bouges mec, cherches pas ce qui cloche On represente nos proches Avant de penser a nos poches, gazier On defend le Hip Hop de rue avec furie On descend les fous et les intrus, c’est une turie Bouges fille, cherches pas ce qui cloche Vas-y, remues tes fesses Fais honneur a la FF, beaute On defend les jeunes fiers et decides Pas la peine d’etre aide La FF se faufile Fonce pour acceder a la salle des coffres Effractions, dangereux sons Chaud comme le sang Offre une belle recompense Pour les services de mon clan Celui des rataclans A qui je dedie mes mots Don Choa, mon mic et mon manche sont raidis la demodement On crie vengeance L’etat tient trop de monde a l’ecart Regarde ces bourges en cabriolet Ma parole, ils ont tout, ces batards Qu’est-ce qui nous reste? Meme l’espoir se barre Il me faudrait juste un peu de chance Merde, j’en ai marre de cette routine La misere et la deprime poussent au crime Les minots revent de la carriere de Jacques Mesrine FF de Mars defend le Hip Hop de rue avec furie Nique les intrus street dreams Chorus Street dreams are made of these niggas pushin bimas and 300 e s a drug dealer destiny is reaching the keys Everyody s looking for something Street dreams are made of these shorties on their knees for niggas with big g s Who am I to disagree Everybody looking for something My man put me up for the share on fourth of a square headed for delaware with one change of gear nothing on my mind but the dime sack we blazed with thw glaze in my ete, that we find when we crave dollars and cents, a fugutive with two attempts Jakes had no trace of the face now they drew a print though I m innocent till proven guilty I m gonna try to filthy, purchase a club And start up a realty for real g, I m a fullfill my dream If I conceal my scheme then precisely I ll build my cream the first tip without the clique, send the bitch With the quarter brick, this is it fresh face, n.y. plate got a crooked eye for them jakes I want it all, armorall benz with endless papes for God s sakes what nigga got to do to make a half million without the FBI catchin feeling Chorus From fat cat to pappy niggas see the cat, 25 to flat push a thousand feet back holding gats wasn t making me fat snitches on my back living with my moms, getting it on flushing crack down toilet two sips from being alcoholic nine hundred ninety nine thou for being rich but now I m all for it my man saw it like Dionne warmick a wiser team, for a wiser dream We could all score with the cartel argentina coke with the nine up in a hotel smoking on sesamina trina got the fish scale between her the way the bitch shook her ass yo the dogs never seen her she got my back living sweeter, fresh caesar guess, David robinson, wally moccasins bitches blow me while hopping in the drop top bm word is born son, I had the bitch down on my shit like this Chorus blowing up projects struck, looking for luck dreaming scoping, the large niggas beaming check what I m seeing cars, ghetto stars pushing I ll europeans. G-ing, heard about the old timers o-d-ing young early 80 s throwing rocks at the crazy ladies workshipping every word, these low rocking nigga gave me the street raised me up, giving a fuck I thought Jordans and a gold chain was living it up I knew the dopes, the pushers the addicts everybody cut out of class, just to smoke blunts and drink notty. Ain t that funny getting put on to crack money with all the gun play, painting the kettle black hungry a case of beers in the staircase I wasted years some niggas went to theirs, flipping coke as their career. But I m a rebel stressing to pull out of the heat no doubt, when jeeps jetted out Spinning, never holding out Chorus stan My tea s gone cold I m wondering why I.. got out of bed at all The morning rain clouds up my window.. and I can t see at all And even if I could it ll all be gray, but your picture on my wall It reminds me, that it s not so bad, it s not so bad.. 1st Chorus volume gradually grows over raindrop background 2nd Chorus full volume with beat right after "thunder" noise [Eminem as Stan ] Dear Slim, I wrote but you still ain t callin I left my cell, my pager, and my home phone at the bottom I sent two letters back in autumn, you must not-a got em There probably was a problem at the post office or somethin Sometimes I scribble addresses too sloppy when I jot em but anyways; fuck it, what s been up? Man how s your daughter? My girlfriend s pregnant too, I m bout to be a father If I have a daughter, guess what I ma call her? I ma name her Bonnie I read about your Uncle Ronnie too I m sorry I had a friend kill himself over some bitch who didn t want him I know you probably hear this everyday, but I m your biggest fan I even got the underground shit that you did with Skam I got a room full of your posters and your pictures man I like the shit you did with Rawkus too, that shit was fat Anyways, I hope you get this man, hit me back, just to chat, truly yours, your biggest fan This is Stan My tea s gone cold I m wondering why I.. got out of bed at all The morning rain clouds up my window.. and I can t see at all And even if I could it ll all be gray, but your picture on my wall It reminds me, that it s not so bad, it s not so bad.. [Eminem as Stan ] Dear Slim, you still ain t called or wrote, I hope you have a chance I ain t mad - I just think it s FUCKED UP you don t answer fans If you didn t wanna talk to me outside your concert you didn t have to, but you coulda signed an autograph for Matthew That s my little brother man, he s only six years old We waited in the blistering cold for you, four hours and you just said, "No." That s pretty shitty man - you re like his fuckin idol He wants to be just like you man, he likes you more than I do I ain t that mad though, I just don t like bein lied to Remember when we met in Denver - you said if I d write you you would write back - see I m just like you in a way I never knew my father neither; he used to always cheat on my mom and beat her I can relate to what you re saying in your songs so when I have a shitty day, I drift away and put em on cause I don t really got shit else so that shit helps when I m depressed I even got a tattoo of your name across the chest Sometimes I even cut myself to see how much it bleeds It s like adrenaline, the pain is such a sudden rush for me See everything you say is real, and I respect you cause you tell it My girlfriend s jealous cause I talk about you 24/7 But she don t know you like I know you Slim, no one does She don t know what it was like for people like us growin up You gotta call me man, I ll be the biggest fan you ll ever lose Sincerely yours, Stan -- P.S. We should be together too {Chorus Dido} [Eminem as Stan ] Dear Mister-I m-Too-Good-To-Call-Or-Write-My-Fans, this ll be the last package I ever send your ass It s been six months and still no word - I don t deserve it? I know you got my last two letters; I wrote the addresses on em perfect So this is my cassette I m sending you, I hope you hear it I m in the car right now, I m doing 90 on the freeway Hey Slim, I drank a fifth of vodka, you dare me to drive? You know the song by Phil Collins, "In the Air of the Night" about that guy who coulda saved that other guy from drowning but didn t, then Phil saw it all, then at a a show he found him? That s kinda how this is, you coulda rescued me from drowning Now it s too late - I m on a 1000 downers now, I m drowsy and all I wanted was a lousy letter or a call I hope you know I ripped +ALL+ of your pictures off the wall I love you Slim, we coulda been together, think about it You ruined it now, I hope you can t sleep and you dream about it And when you dream I hope you can t sleep and you SCREAM about it I hope your conscience EATS AT YOU and you can t BREATHE without me See Slim; {**screaming**} Shut up bitch! I m tryin to talk! Hey Slim, that s my girlfriend screamin in the trunk but I didn t slit her throat, I just tied her up, see I ain t like you cause if she suffocates she ll suffer more, and then she ll die too Well, gotta go, I m almost at the bridge now Oh shit, I forgot, how m I supposed to send this shit out? {**car tires squeal**} {**CRASH**} .. {**brief silence**} .. {**LOUD splash**} {Chorus Dido} [Eminem] Dear Stan, I meant to write you sooner but I just been busy You said your girlfriend s pregnant now, how far along is she? Look, I m really flattered you would call your daughter that and here s an autograph for your brother, I wrote it on the Starter cap I m sorry I didn t see you at the show, I musta missed you Don t think I did that shit intentionally just to diss you But what s this shit you said about you like to cut your wrists too? I say that shit just clownin dogg, c mon - how fucked up is you? You got some issues Stan, I think you need some counseling to help your ass from bouncing off the walls when you get down some And what s this shit about us meant to be together? That type of shit ll make me not want us to meet each other I really think you and your girlfriend need each other or maybe you just need to treat her better I hope you get to read this letter, I just hope it reaches you in time before you hurt yourself, I think that you ll be doin just fine if you relax a little, I m glad I inspire you but Stan why are you so mad? Try to understand, that I do want you as a fan I just don t want you to do some crazy shit I seen this one shit on the news a couple weeks ago that made me sick Some dude was drunk and drove his car over a bridge and had his girlfriend in the trunk, and she was pregnant with his kid and in the car they found a tape, but they didn t say who it was to Come to think about, his name was.. it was you Damn! paquito Paquito de la coca a nueva york, sur la segunda avenida loin de puerto rico, il veux devenir rico american dream toutes les nuits para el chico paco n`a que 12 ans, n`est qu`un enfant, possedant encore ses 32 dents l`une est deja doree, il pourra bientot se payer la machoire facon cartier dans le barrio, tout-le-monde connait le mauvais nino ici l`on noie facilement un dealer dans la foule los hispanicos sont monbreux dans la ville tels des rapaces faire face aux situations les plus difficiles avec la black community, let`s come back to the reality la seule couleur qui compte ici, c`est le vert, le do, le seul dieu que l`on venere le gosse le sait bien, c`est un malin, c`est pour ca qu`il a toujours una pistola a portee de main chorus a quien no le gusta mi estilo, a quien no le caye bien tu estilo queda para mi un buen recurdo a quien no le gusta mi estilo, a quien no le caye bien tu estilo queda para mi un buen recurdo paquito ne touche pas la coca il me disait toujour esto est la muerte de blanco vestida ok et meme si su madre en prenait il me repetait que deja plus rien ne le choquait un soir que l`on jouait au seelo, une bagnole aux initiales nypd s`est garee dans le coin de la calle he! Paquito acerate! Merde, j`ai pense les embrouilles commencent pour toi la policia voulait juste deux tuyaux ou trois cette pute sait tres bien que les loups se bouffent entre eux et ce si tot qu`ils ont un creux, c`est malhereux tu sors de l`arene comme tu peux c`est le fameux juego de la vida, le jeu dans son walkman, le dealer de speed ecoute du merenge, du krs one ou m.e.t.h.o.d man, les gouts musicaux sont lrs memes pour le homies de lausanne, paname ou manhatan j`en ai passe des siorees a chiller et ui demander la raison pour laquelle il ne voulait pas etudier olvida! Pas de meilleure ecole que celle de la calle. Parce que dis-moi ici qui viendra t`aider? Nadie chorus j`ai pris le flight sw496, retrouve la tranquillite des rues de suisse de la pomme que de bons souvenirs mais pas de la statue, de la 5eme ou de l`empire non! Du pur son en action de la salsa sortant du moindre trou de chaque maison un amigo, el pequenito paquito carnale recurdo del hispano suizo quelques mois plus tard, j`avais remis du fric de cote pu retraverser la grande bleue pour retrouver la mecque du r.a.p mec, j`ai attrape le premier yellow cab et me suis precipite dans le corner de la blanca, la soeur de paco etait la hola! Dis-moi donde esta la rata carlos, desole mais c`est fini pour le gosse ah merde! J`aurais pu voir crever tous les dealers de la planete mais pas le gamin, pas ce bamberro, pas cette forte tete aujourd`hui, il m`arrive encore de pleurer celui que l`on appelait le mini king du quartier surtout quand je pense a un detail j`ai connu paquito lors d`un freestyle. Alors que je lui balancais des rimrs en francais le gosse d`un air tranquille me chantant chorus a quien no lr gusta mi estilo de puerto rico, rico siempre muy rico, ah ah ah, carnalr latino y un ponchi ponchi para toda la raza a quien no le gusta mi estilo hey carnale L ECOLE DU MICRO D ARGENT Assis en tailleur, voila des heures que je medite Sur ma montagne et je n arrive pas a faire le vide. Je focalise sur le diaphragme, j augmente mon energie, Reveille la bete qui dans mon ame est tapie. Je viens de terminer ma preparation mentale. Ils vont gouter a l incomparable style su Serval. Le souffle des 4 vents decuple ma puissance. De longs mois de travail ont exacerbe mes sens. J ai cree un desequilibre interne volontairement Afin que le cote Yang soit le dominant. Les pieds solidement ancres dans la Terre, Je tire les dernieres forces de la nature, mere nourriciere. Je mene les troupes au combat pour defaire Les guerriers en contre-plaque de l ecole du micro en bois. Notre barriere flotte au dessus de Tsunami Annoncant fierement la charge du micro d argent. En plein coeur de la bataille, Je seme la terreur quand je frappe d estoc et de taille. Je sens l esprit du felin m envahir. A ce stade, seul le sang me procure du plaisir. Mes griffes graves les couloirs de l Empire Plus grand que celui d Alexandre dont je suis le defenseur. Mon sabre scintille, je medite, accroupi sous les branches d un saule. Pleure, je defends l honneur de mon ecole, fils. Le troisieme oeil scrute le terrain, la tactique A pratiquer, pour balayer l ennemi, statique. Physiquement, les deplacements furtifs De l essence de mon esprit elabore les bases de ma strategie. Donc je me dresse dans les cliquetis, barde d armes. J ai une armee entiere sous le charme, Prete a mourir, a la gloire de mon etendard, J ai rassemble la clique des valeureux guerriers barbares. Dare-dare j ai envoye paitre les lettres, Pourchasses les traitres, selon l enseignement de mes maitres. Sans relache, je crache des cendres Et poursuivrai les massacres jusqu a ce que le nom d AKH soit legende, Car le soldat, guerrier alpha, est adroit Et lance l assaut la, sur l ecole du micro en bois. La bataille a debute, tiens ce coup vient D un expert a la guerre, vaillant praticien des arts martiens Delegue pour mettre un terme a ces horreurs. Tel est mon labeur, tu sais de qui je defends l honneur. L ecole du micro d argent... L ecole du micro d argent... L ecole du micro d argent... L ecole du micro d argent... L ecole du micro d argent... L ecole du micro d argent... L ecole du micro d argent... L ecole du micro d argent... ELLE DONNE SON CORPS AVANT SON NOM On etait assis a la terrasse d un cafe, relax, Deux verres de Perrier sur la table en train de deguster une glace. Neuf heures du soir la place etait presque pleine Mais pas assez pour ne pas voir arriver le phenomene. Mediterraneenne, mixee comme chez nous Basses, aigus a fond, "Wooou" elle envoyait le ganzou. Elle est venue s asseoir a cote de nous. Une clope cousine? Quoi, t as ton mec, nous on est pas jaloux. Deux metres, cent dix kilos, il s est pointe. Illico aussi sec on est retournes a nos Perriers. Je suis pas fou, le type etait balaise. Pas question de s embrouiller, de se faire plier par Golgoth 13, Mais la gadji reluquait, regard aguicheur. Elle essayait quand meme de me faire du pied. Une vodka, la commande est passee. Son mec va au comptoir, elle nous fait glisser un billet "Rendez-vous a dix heures a votre apparte, dites moi ou c est. Une copine va m accompagner." Elle se leva, la main crispee sur le papier un clin d oeil discret. La soiree etait bien commencee, ouais. REFRAIN Dans toutes les situations, sans inhibition, Elle donne son corps avant son nom. Je preparais la piece et les armures de latex Les sticks de "popo", le stand de tir sur le Bultex Et moi a peine arrive en bas, elles etaient deja la. La pure motivation, mon gars Dans l ascenseur il ne faisait pas chaud Mais une autre chaleur leur fit deja sauter les tricots. Elles arriverent dans la maison en Wonderbra, Vision irreelle, fracture nette de l oeil droit. On leur proposa de boire ou de manger un truc, Un cappuccino, deux sucres roux, elles aimaient le luxe. Je leur ai dit "Excusez-moi, prenez le bien certes. Vous etes raffinees mais vous avez l air de deux filles ouvertes." Dix secondes apres c etait la cavalcade Et comme Jackie Chan, on faisait nous-memes nos cascades. Au matin, ce ne sont que des draps que j ai sentis Les cascadeuses etaient parties. En m habillant, je palpais mes poches vides. Plus de cheques, plus de cartes, plus de liquide. Le plan etait simple et sans accroc. Si on rattrape les gazieres, on les eclate a coup de marteau. On a fonce au centre ville, on a apercu les filles Penetrer dans un bar americain. Devant la porte, y avait le type du bar, la baraque. On a compris, mais trop tard, que ce mec etait leur mac. J ai du trouver un exutoire pour passer mas nerfs Et un skin a morfle des coups de Black et Decker. Traitez les filles avec respect mais attention. Prenez garde a celles qui ne donnent pas leur nom. REFRAIN La face B Je m immisce dans le rythme comme la pieuvre peut flinguer. Mes potes sont tous dingues, et la musique commence a schlinguer Une odeur qui pue de hangar moite Car le rap est ne dans les caves et pas dans les boites, vu ? L.A.I. range ta panoplie de DJ, Mets de la dance, pour les izes qui n ont rien pige Mais sers-moi, un rythme qui frappe, un ascete (1) A multiples facettes quand je pique une nouvelle cassette. Pour le plaisir, pas de ramage, ni de fromage (2), De racolage, je prend le mic pour faire des dommages Et j assure plus que l UAP (3), mon style est impec. Le sec, a la tech, mec declenche le plan Orsec. Fini, donc plus d embrouillaminis, les regles ainsi definies Enoncent le rap appartient a l infini. Eloge a la memoire, des evapores, unique. Jamais autant de types sont mort pour l amour d une musique. Une combinaison d instruments, de scratches, de samplers. C est sur la face B quel e hip hop prend de l ampleur. Cut Killer, voila de l espace, en masse, avec classe. Scratche, cute en place, que je claque l autre face. Refrain Rock the other side, la face B. This is the B side, la face B. Chill a debute sur la face B. C est du nouveau son qui frappe dans tes woofers. Pas un discours d esbrouffeur, qui confere cette couleur a tes boomers. Les boeufs badent Balla (4), les stresses croient en Pasqua Les FAF deviennent fadas, Akhenaton nique la hala. J ai choisi un eventail d instrus de disques moisis. Il y avait Said, Majid, Mourad et son frere Razi Puis Houari, c etait l ete 85. Au centre ville de Marseille on entendait le bruit des flingues, dingue. Les escaliers du centre Bourse, le quartier Belsunce, Les Carmes, le Panier, c est la que tout a commence. Les jeunes troquaient les cyclos pour les GTI pas pareil. Ainsi se forgea le style des bad boys de Marseille. Des histoires de barbares tous les soirs Dans les bars, il n etait jamais trop tard pour une bagarre Tu es jeune, tu es le roi, tu as peur de rien, Jusqu au jour ou tu prends un pain des Marines americain. Je pesais 65 kg et ce type 120. Je suis tombe sec, un cocard, et deux dents en moins, Mais fils, qu est-ce que j ai pu rigoler Chaque fois qu un se faisait balafrer par les clandos du quartier. Maintenant je vis tranquille. Toujours dans la meme ville, mais plus d embrouilles debiles. Je suis passe sur la face A, j ai eu la renommee Mais putain ce que j aime dechirer sur la face B. Refrain Je fonce, avec fougue, dans le fond du microsillon (5). Nous sommes des Attilas (6) ce sont des sons que nous pillons. J aime, je respecte les artistes que je sample obsede Par la destinee du vinyl alors fuck le CD, ouais. Si j ai pu debuter ce metier, C est qu on a pu disposer des faces B, des nouveautes Sarcastiques (7), textes sur du plastique. 100 personnes maximum, mais c etait fantastique. J aurais pu parler d amour sur la face A Mais cette trace-la ne m interesse pas. Je suis de l autre cote de la force, De l autre cote du risque, de l autre cote du disque. La partie emergee d une puissance occulte. Je demande a ce pays, la dignite pour mon culte, Et tot ou tard, ils seront bouche bee, Confondus d avoir ignore le pouvoir de la face B. Refrain Petit Frere Petit frere n a qu un souhait devenir grand C est pourquoi il s obstine a jouer les sauvages des l age de 10 ans Devenir adulte, avec les infos comme mentor C est eclater les tronches de ceux qui ne sont pas d accord A l epoque ou grand frere etait gamin On se tapait des delires sur Blanche Neige et les Sept Nains Maintenant les nains ont gicle Blanche Neige et tapent Eclatent des types claquent dans Mortal Combat A 13 ans, il aime deja l argent avide Mais les poches sont arides, alors on fait le caid Dans les boums, qui sont desormais des soirees, plus de sirop Teisseire Petit frere veut des bieres Je ne crois pas que c etait volontaire, mais l adulte c est certain Indirectement a montre que faire le mal c est bien Demain ses cahiers seront plein de ratures Petit frere fume des spliffs et casse des voitures Refrain Petit frere a deserte les terrains de jeux Il marche a peine et veut des bottes de sept lieues Petit frere veut grandir trop vite Mais il a oublie que rien ne sert de courir, petit frere Petit frere reve de bagnoles, de fringues, de tunes De reputation de dur, pour tout ca, il volerait la lune Il collectionne les mefaits sans se soucier Du mal qu il fait, tout en demandant du respect Peu lui importe de quoi demain sera fait De donner a certains des raisons de mepriser son cadet Dans sa tete le rayonnement du tube cathodique A etouffe les vibrations des tam-tams de l Afrique Il n a plus de cartable, il ne saurait pas quoi en faire Il ne joue plus aux bill es, il veut jouer du revolver Petit frere a jete ses soldats pour devenir un guerrier et Penser au butin qu il va amasser Refrain Petit frere a deserte les terrains de jeux Il marche a peine et veut des bottes de sept lieues Petit frere veut grandir trop vite Mais il a oublie que rien ne sert de courir, petit frere Les journalistes font des modes la violence a l ecole existait deja De mon temps, les rackets, les bastons, les degats Les coups de batte dans les pare-brises des tires des instituteurs Embrouilles a coup de cutter Mais en parler au journal tous les soirs, ca devient banal Ca s imprime dans la retine comme situation normale Et si petit frere veut faire parler de lui Il reitere ce qu il a vu avant 8 heures et demie Merde, en 80 c etait des etats de faits, mais la Ces journalistes ont fait des etats Et je ne crois pas que petit frere soit pire qu avant Juste surexpose a la pub, aux actes violents Pour les grands, le gosse est le meilleur citron La cible numero 1, le terrain des produits de consommation Et pour etre sur qu il s en procure Petit frere s assure, flingue a la ceinture On sait ce que tu es quand on voit ce que tu possedes Petit frere le sait et garde ce fait en tete L argent lui ouvrirait les portes sur un ciel azur aussi Facilement que ses tournevis ouvrent celles des voitures Le grand standing, c est tout ce dont il a envie Ca passe mieux quand tu portes Giorgio Armani Soucieux du regard des gens Malgre son jeune age petit frere fume pour paraitre plus grand Il voudrait prendre l autoroute de la fortune Et ne se rend pas compte qu il pourrait y laisser des plumes Il vient a peine de sortir de son oeuf Et deja petit frere veut etre plus gros que le boeuf Refrain Petit frere a deserte les terrains de jeux Il marche a peine et veut des bottes de sept lieues Petit frere veut grandir trop vite Mais il a oublie que rien ne sert de courir, petit frere Akhenaton IAM
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第３幕 （地中のドーム。舞台を斜めに横切る厚い壁で、二つの部屋に仕切られている。右の部屋にはバラクが、暗い物思いにふけりつつ固い石の上に座っているのが見える。左手には髪を乱したバラクの妻が、涙にかきくれている。 二人は互いのことに気付いていないし、互いの声も聞こえない。バラクの妻は、びくっと身震いする） （オーケストラは、第１幕における「生まれていない子供たちの声」の音楽を演奏する） バラクの妻 そんな声を、立てないで！ あたしは、しなかったのよ！ バラク、あなた、 ああ、あたしの声を聞いて！ 死ぬ前に一度でいいから、 あたしを信じてほしいの！ あたしは、あなたを捨てようとした。 ああ、ほんとうは今まで一度も あなたを見たことがなかったの！ あなたを忘れようとしたわ。 あなたの目の前から去ろうとした・・・ でも、あなたの目は やっぱり戻って来たわ・・・ ああ、あたしの声を聞いて！ ああ、あたしを信じて・・・ 不幸せな私が 永遠に失ってしまった あなたの目・・・戻って来て。 あなたを忘れようとしたの。 なのに、思い出さずにはいられなかった・・・ 行ってはならない道を どんなに進もうとも、 どんなにそこから 逃れようとしても、 あなたの目は、また戻ってきて、 あたしを見つけようとするの。 心が、事をなす前に！ 見知らぬ男を あたしは部屋に入れ、 その男は、あたしのすぐそばにいた・・・ でも、すべてが終わったわけではない・・・ バラク、バラク、 あなたを目覚ますことはできないの？ 知らないの？このことを・・・ バラク （独り言で） 今、俺の手に委ねられたこと･･･ それは、あの人を抱きしめることだ・・・ あの人を 両手にとらえ、 あの人のことを思い、 その若い心を やわらげることだ！ バラクの妻 （一部バラクと声を合わせて） あなたへの愛に尽くすことができれば・・・ あなたに会いたい！ 呼吸したいの、生きたいの！ 良い子供たちをあなたに授けたいの・・・！ バラク 今、俺の手に委ねられたこと･･･ （地面によろめき倒れる） 俺の手にかかると思って死ぬほど怖がっていた！ 俺はいったい何てことを！ ああ、もう一度だけ会って、こう言えれば・・・ 怖がらないでくれって。 （静寂） 声 （天上から、バラクへと） さあ、天に来なさい！道は開かれています！ （声と同時に、一条の光線が天井からバラクの地下牢に落ちて来る。すると、らせん階段の踏み段が岩山に穿たれているのが見えて来る） （バラクは立ち上がり、その階段を登りはじめる） バラクの妻 バラク、あなた！ 厳しい裁き手、 尊敬する夫よ！ 剣をあたしに 振り下ろすとしても、 その閃光の中で 死にながら、もう一度だけ あなたに会いたい！ （天から一条の光がバラクの妻の地下牢に落ちる。バラクの空っぽの部屋の光は消えてしまっている） 声 （舞台左手で） あなたも、天に来なさい！ 道が開かれたのですから。 （バラクの妻も急いで上に登っていく） 舞台転換 （地中のドームは沈む。雲が湧き出し、千切れると、岩山のテラスが見えて来るが、これは「皇妃の夢の場面（第2幕）」で見えていた風景と同じである。水の湧きだしている所から、石段が上につながっており、大きな寺院の門につながるが、この門は山の内部に続いている。黒い水が、岩山の地面を切り取るようにして、こちらに流れ込んでくる） （舞台中央寄りにある入口の扉が開く。その最上段には、「使者」が待ち構えている。左右には、手下の精霊たちが控えている） （小舟が水の上を流れて来るが、漕ぎ手はいない。皇妃はその中でまどろみ、乳母はその脇にひざまずき、皇妃に腕を巻き付け、小舟がどこに行くのか気にしながら辺りを見渡している） （使者は小舟が近付くのを待ち構えていたが、小舟は止まる） 手下の精霊たち 来ましたぞ！ 使者 去れ！ （使者は、精霊たちと一緒に山中に引っ込み、金属製の扉が背後で閉じる） （皇妃は目を覚ます） （乳母は皇妃を押しとどめようとし、空いている方の手で小舟を岸から突き放そうとするが、うまくいかない） （一帯は明るくなってくる） （皇妃は立ち上がり、辺りを見渡し、陸に上がろうとする） 乳母 （あわてて興奮して、皇妃を押さえつけようとする） 早くここから去りましょう！ この岩山から舟を発たせますから、 手を貸してください！ （小声で） 超自然の力が 働いておりますわ！ こんなぞっとするような所には・・・ （強情に） 木偶（でく）の坊しか やってまいりません！ 私をないがしろにするお積り？ どうしようというのです！？ 皇妃 舟はずっとここに置いておくのよ・・・ わからないの？ あの階段は、何なの！？ 乳母 （舟を岸から離すのを諦め、熱に浮かされたようにせわしなく、あちこち歩き回る） じゃあ、舟はいいですよ！ さっさとここから 行きましょう！ 道なら分かっておりますとも。 七つの月の峰が ございますが、 この山は、その最高峰でございます。 一番ひどい所ですよ！ 着物をはしょって、 足を早めてくださいませ・・・ 下界にお連れ申し上げます。 早く行きましょう！ 皇妃 （階段のほうに向かいながら） この扉は！ （考えこみ、探りを入れながら） 前に一度、 この扉を見たわ！ （ラッパの響きが、山の中から聞こえて来る） この音が聞こえて？ 裁きのお触れよ！ （小声で、やや不安げに） お父さんなの？ カイコバート？ねえ？ 久しく、お父様を見なかったけど、 あたしには分かるわ・・・ お父様は、 ソロモンのように玉座に座り、 闇を払うのが お好きだった。 玉座は高く、 想いは底知れぬほど深い・・・ そして、清らかで気高い方。 そうよ、あたしは、その子だもの・・・ おそれはしないわ。 （乳母は不安げに脇の方を見やり、出口が見つからないか探す） （ラッパが、先ほどより大きな音で、また鳴る） 皇妃 （両手を上げて、恐怖にみちて） あたしの愛するお父さま！ あなたは、あの人を 裁くのですか・・・ この、あたしゆえに！ でも、あの人を縛り付けているもの・・・ それは、あたしをも縛っています。 あの人の苦しみ。それを、あたしも苦しんでいます。 あたしは、あの人の中にいて、 あの人は、あたしの中にいます！ あたしたちは、ひとつです。 あの方のもとに参ります。 （上に行こうと、向きを変える） 乳母 （不安に満ちて） こんな所は去りましょう！ あたしが影を手配します！ そう約束し、 誓ったはずじゃありませんか！ あなたは、今も昔のまま。 大事なお嬢様・・・ 今でも、あなたの体の中は 光が突き抜けて行く・・・ でも、あの女の 悲しい影は、 あなたに貼りつき、 かかとにくっついている！ だから今、 あなたは、あの女のようであって、 しかも、そうではないのです・・・ まだ、あなたは、定められたことを 果たすことができるのですよ！ （皇妃に取り入るように） さあ、愛するお人を 胸に抱きしめて下さい！ あたしが手伝って差し上げますよ。 あたしも、きっと辛抱しますわ・・・ あなたが、あの男の 腕に抱かれるのを目にし、 何年間も 雌犬のように あの家にとどまろうとも！ （諦めて、ため息をつくと、もはや熱を込めずに） なんてこった！ （きわめて力強く） ここからは去りましょう！ この戸口からは。 こんな戸口をまたぐなんて 死より辛いこと！ 皇妃 ならば、この戸口を知っているのね？ この扉がどこに向かっているかも 知っているんでしょう？ 答えなさい！ 乳母 （低い声で） 命の水へと。 皇妃 答えなさい！ （突然ぱっとひらめいて） 死の戸口へ！ 叫び声はそう言ってたわ。 話しなさい！ お前は、秘められた 事情を知っているはず。 答えなさい！ （乳母は黙ったまま） 皇妃 意地悪をして黙っていようというの？ そんなにも、あたしの心を くもらせようとと言うの？ あたし、わかっているのよ！ 見えているのよ！ （情熱を込めて） あたしは、あの人のもとへ行かねばならない！ 命の水を 感じ取り、 あの人に降り注がねばならない・・・ 命の水・・・？ それは、もしや、この血管を 流れる血のことかしら？ 血よ、流れゆけ！ あの人を目覚めさせるために！ （決然と、入口の方へ向かって行く） 乳母 （皇妃の前に身を投げ、服をつかんで） 後生ですから！ つかまっちゃいますよ・・・ 幾千ものクモの巣と ひどいぺてんと まやかしだらけです！ 命の水なぞ、 ひどいまやかしなのです・・・ あたしの血をみんな 差し出さねばなりません・・・ あなた様の こころも魂も あきらめねばなりません！ たしかに、山中には 水が湧き出ています。 きらめく噴水が 地中から吹き上げ、 金の柱となっています・・・ 命の水ですって！？ 我らが、それに 口をつけると・・・ 霊界の住人たる 我らは・・・ 死ぬよりもひどいことになります。 言いようもない ひどい災いを 我らの中に吸い込むことになり、 もはや救われることはないのです。 （しかし、皇妃は最上段に足を踏み入れる） 乳母 （この上ない恐怖にみちて） 聞こえないの？ カイコバート様は 怖ろしい方ですよ！ あの方のことを知っておいでですか！ あなたは、あの方の子供なのに、 人間の手に 自分を引き渡し、 死に行く定めの人間の一人に こころを無駄に捧げようとは！ あなたは、あの方から 怖ろしい罰を受けますよ・・・ あの方の手に落ちた暁には。 なぜなら、あの方にとって、 こんな怖ろしいことは前代未聞なのだから。 一族の誰かが 醜い者たちと交わって、 呪われた者の 一員になるなんてことは！ ああ、呪われよ！ あなたを産んだ人・・・ そして、あなたの血を流れる 人間への憧れ！ ああ、呪われろ！ 皇妃 （浄化された面持ちで、きっぱりと） 我らの行いゆえに 裁きは下るの！ 我らの心ゆえに ラッパが鳴ったの。 出廷を求められているんだわ！ （決然と乳母に手を差し伸ばし、命令する） 乳母よ、もう永久に 会うことは無いわ。 人間の求めるものを あなたは余りに知らなさすぎた。 心に抱く秘密が どの方向を指していたか、 あなたにはまるで分からなかった。 （きわめて荘厳に、威厳を込めて） いかなる代償を 払っても、 重き罪から よみがえり、 不死鳥のように、 永久の死から、 永久の生へと、 どんどん高みを指して登って行くのよ・・・ 夢にも見たことのない高みを指して・・・ あなたには決してわからないわ。 あたしは、もはや彼ら人間の一族。 （力強く） あなたなど、もはや役には立たない！ （皇妃が扉に進むと、扉は音も無く開き、中に入ると、扉が閉まる） 乳母 （後を追おうとするが、どうしてもその場所に踏み込めず、階段の上で絶望する） 人間の求めるものですって？ あいつらの欲するものは 騙し合いじゃないか。 詐欺ばっかりだ！ 人間どもよ、呪われろ！ 果てしない探索、 虚無への前進、 不安混じりの 欲望じみた狂気・・・ そんなものが、あたしの可愛いお嬢さまの 水晶のように透き通った心に 入るとは！ 人間どもよ、呪われよ！ （暗くなり、赤い霧が立ち込めてくる） バラクの声 （風の中で） ああ！ バラクの妻の声 （反対側から） ああ！ バラクの声 会いたいのに！ バラクの妻の声 （泣きながら） ああ、大好きなひと！ バラクの声 おそれないで！ こっちだよ、こっちだ！ バラクの妻の声 （声を合わせて） 見つけて。 殺して！ 二人 ああ、ダメだ、ああ！ 乳母 人間め！人間め！ 憎ったらしい！ うなぎのようにうようよし、 鷲のように、つんざき声を上げ、 大地を我が物のようにしやがって！ みんな死んじまえ！ バラク （霧の中を、舞台の右側から入って来る） いくら探しても、逃げて行ってしまう。 （乳母に気付き、恐怖に満ち、抑えた声で、ほとんど呻き声のように）妻を見なかったか・・・ おお、女中よ？ 乳母 （左上を指しながら） あっちに行ったわ！ あの上のほうよ！ あんたのことを、死ねと ののしっていたわ！ 罰を与えなさい・・・ 報復しなさい・・・ 早く！ バラク （舞台左手の上のほうへ退場） あの人のもとへ！ バラクの妻 （舞台左手の、ずっと下の方から現れて） ああ・・・あなた・・・どこなの？・・・あなた・・・ あなたのもとに行きたい！ 乳母 （舞台右手を指し） あっちだよ！ 夫の手で 殺されるわよ。 逃げなさい、 さあ！ バラクの妻 （舞台右手の風と霧の中に駆け去って行き、荒々しく、きっぱりと） バラク！ここよ！ 剣を振るって。 あたしを殺して。 さあ、早く！ （舞台右手に消えると、舞台は暗くなる） 乳母 おお、お嬢さま、 敵の手中に引き渡されて、 眼の前にあるものは、 まやかしばかり。 足の前には、 落し穴と罠ばかり！ 行ってしまった！ 飲むのですか！？ 金色の災いの液が 唇に跳ね、 体内深く落ちて行きますよ！ すると、お嬢さまの顔は、 ピクリとふるえ、 傷ついた喉からは 人間の叫び声が あふれ出て来ますよ！ お嬢さまを助けねば！ 私も死なねば！ カイコバート様！ （乳母自身も扉に行こうとする） 使者 （扉の中から出て来て、冷たく） 主の名を呼ぶのか？ 雌犬め！誰に向かって 物を言うのだ？ この戸口から 去るがいい！ 永久に消え失せろ！ 乳母 （興奮のあまり狂ったように） あたしの役目は・・・ おお、使者よ！ この３日間！ あたしは、お嬢さまをお守りしたわ。 そして言い争った・・・ ですが、お嬢さまは、あたしを拒み、 もう言うことを聞いてくれない・・・ カイコバート様！ あたしの言うことをお聞きください！ （使者の脇を通り過ぎようとする） 使者 （行く手をさえぎって、冷たく） お嬢さまは、もう御前に立っているのだ！ 誰が、お前なぞ必要だと言うのだ？ いらぬわ。 自分の道を見つけるがいい！ 乳母 カイコバート様！ 下女が 叫んでおるのです・・・ 罰するというのならともかく、 こんな前代未聞の 追放はしないでください！ あなたの手に委ねられれば、 申し開きをいたします！ カイコバート様！ （霧が入って来て、厚い雷雲と嵐はますます激しくなって行く。辺りはどんどん暗くなって行く。 嵐の中に、染物師たちの声が響いて来て、むだに互いに呼び掛け合っている。使者は、その声と合わせるようにして） 使者 （力を込めて、嘲りの色を込めて） 何様のつもりだ、お前は？ あの方に呼びかけるとは？ いったい何を知っていると言うのだ？ あの方の意図と、 お嬢さまを試した 真意について・・・。 あの方が、お前に お嬢さまを守るよう命じた時、 誰がお前に言っただろうか？ お嬢さまがお前の手から離れることを 望んでいないなどと・・・。 （ますます恐ろしさを増していき） もはやお前は 永久に追放の身・・・ もう、お嬢さまを 守る事もできない！ バラク （目には見えない） ああ、お前！ バラクの妻 （目には見えない） ああ、あなた！ バラク どこにいるの？ バラクの妻 どこにいるの？ バラク 逃げないで！ バラクの妻 見つけてよ！ バラク ここにお出で！ バラクの妻 ここに来て！ バラク 会いたい・・・呼吸をして、生きたいんだ！ バラクの妻 かわいい子供を、あなたにあげたい！ バラク ああ、おしまいだ！ バラクの妻 ああ、もうダメだわ！ バラク この両手を・・・！ バラクの妻 ああ、こんな若いのに！ バラク 自分をゆるし、元気になってくれ！ バラクの妻 この身をあなたへの愛に尽くせれば！ バラク ああ、おしまいだ！ バラクの妻 お願いよ！ バラク 死ぬのか！死ぬ！ バラクの妻 ああ、みじめな！ バラク 私の役目は、 あなたを抱きしめ、 あなたを両手に かき抱くことだ。 乳母 あの方の怒りが あたしに向かうとは！ お嬢さまの所に行くわよ！ 使者 あの方の怒りは お前に向けられている。 お前は、お嬢さまのお顔を もう二度と見られまい！ 乳母 ああ、お嬢さま！ あたしは、もうだめだ！ 呪われよ、破滅せよ、 人間ども・・・ お前らの体よ、 炎に食いつくされよ！ 使者 （嘲りを込めて） その人間どもの間を うろつくことが、 お前の運命だ！ お前の憎しみの相手達と いっしょに住まい、 そいつらの息に まざりあうのさ。 毎日、新たにな！ 乳母 （我を失ったかのように） 憎しんでやまない奴らと いっしょに住まい、 そいつらの吐く息に まざりあうですって？ 毎日、新たに！ （乳母は使者の方に迫り、その脇をすり抜けようとする） 使者 （荒々しく乳母をつかまえると、階段から突き落とす） さあ、舟よ。 この女を乗せて 月の峰を下り、 人間達のもとへ向かえ！ 乳母 お前らの体よ、 炎に食いつくされよ！ （乳母が小舟に倒れ込むと、小舟は岸を離れて激しく川を下って行く。乳母の叫び声は突き抜けるように響いてくるが、それも次第にやむ） 使者 （冷たく） 滅びるがいい！ お前は、 掟に逆らったのだから！ （稲妻、雷鳴、ラッパの響き） 舞台転換 （幕が開いたままの舞台転換。寺院風の舞台は、次第に明るくなって来るが、まだ完全には明るくならない。舞台中央の壁の穴にはカーテンがかかっている。皇妃は、ただ一人、下から登って来る。部下の霊たちが、松明を持って、皇妃を迎えるが、その姿はまだ闇の中にある） 第一の霊 うやまえ！ 第二の霊 勇気を出して！ 第三の霊 運命を成就せよ！ （霊たちは消えてしまう） 人間達の声 （外から響いてくるが、その声は、あたかも扉が閉まったかのように、どんどん弱くなって行く） 皇妃 （カーテンのかかった壁の穴へと向かう） お父様、あなたなの？ 暗闇から 脅しつけるつもりね？ さあ、あなたの子供が参りました！ 献身を 学ぶことはできたけど、 影を 手に入れることは できませんでした。 あたしの居場所を教えて下さい。 影を投げる者達の間で、 あたしにふさわしい 場所はどこ？ （黄金の噴水が、きらきらと輝きながら、地面から水を吹き上げる） 皇妃 （一歩、後じさりしながら） 金色の水、 命の水で この身を強める 必要はない！ あたしの中には、愛があり、 愛は、どんなものにも勝るのだから。 一人の声 （天上から） 愛する者よ、この水を飲みなさい！ 飲めば、あの女のものだった影は、お前のもの。 お前は、あの女のようになるのです。 皇妃 ですが、あの女はどうなるのです？ バラクの妻の声 バラク！ バラクの声 どこなんだ？ バラクの妻の声 ああ、どこなの？ バラクの声 お出で、ここへ！ バラクの妻の声 ああ、ダメだわ！ バラクの声 ああ！おしまいだ！ 皇妃 バラクの声！ バラクの眼差し！ あたしの罪よ、 ここも、かしこも、 かしこも、ここも！ （水は、ゆっくりと沈んで行く） （身ぶるいしながら） 星たちの名を あたしは呼んで願うわ。 人間の罪から きれいなままでいさせてほしいと！ あの水には血が付いている。 だから、あたしは飲まないの！ （水は完全に沈み切ってしまう） でも、あたしは逃げたりしない！ あたしの居場所は、この世界。 ここに、あたしは罪があり、 あたしは、ここの一員だもの。 あなたがどんな暗闇に 隠れていても、 あたしの胸には 光があって、 あなたの闇を掃います！ あたしのことを裁いてちょうだい！ 出て来て、お父様！ 裁き手よ、現れて！ （カーテンの後ろの光はどんどん強まっていき、ついにその明るさが最高潮に達した時、カーテンは透明なヴェールに変わる。 光を放っている穴の中には、石造りの玉座があり、そこに皇帝が座っている。 皇帝は固まって、石になっており、両眼だけが生きているように見える） 皇妃 （語り） ああ！つらいわ！ あの人が、固まってしまった！ 自分の体の中に 生き埋めにされている！ 呪いが現実のものに！ あたしという存在が 知らずに犯した罪が あの人に下されたのだわ。 なぜなら、あの人は あたしの秘密をことのほか愛し、あたしを その秘密のゆえに妻に選んだのだから・・・ 無慈悲に、 そして夢中になって、 あの人は、あたしの秘密に 恋の心を捧げてしまった！ でも、あたしの心の結び目は、 人の手なんかじゃ ほどけない・・・ 今や、その手も固まっている・・・ 心をほどけなかった手は。 心臓も石になったのね、 あたしの心の冷たさゆえに！ あたしの運命こそ、 あの人の罪！ あたしの罪こそ、 あの人の運命！ ああ、星たちよ。 この人をこうしたのは、 あなたたちよ！ （絶望したまま、石になった皇帝に近寄って行く） あなたと死ぬわ。 起きて！起きてよ！ 目には目、 口には口、 あなたと一緒に 死なせて下さい！ （石になった皇帝を抱きしめるために出て来るが、そうする勇気が出ない。自分に向けられる視線から恐怖のあまり目を背けても、皇帝の両眼は皇妃をずっと追いかけて来る） （この上ない苦しみを感じつつ） その眼差しはやめて！ あたしには助けられないの。 どうしようもないの！ （崩れ落ちるように倒れ、手で目を覆う） （石像は強い光を受けて赤々と輝き、その両眼は物言わぬまま哀願するように王妃に向けられている） この世ならざる声 （深淵からのように、こもった音でどよめいて来る） 女は、影を地に投げず、 ミカドは、石にされるとは！ （石像は鉛のように黒くなっていく。王妃の足下から、以前と同様に、金色の水がきらきら輝きながら高く吹き上がる） 声 （天上から） 言えばいいのです・・・そうします！と。 そうすれば、あの女の影は、お前のものです！ この男は立ち上がって生き返り、 お前とともに帰れるのです！ そのしるしとして、身を投げ出して、飲むのです！ 皇妃 （恐ろしい内心の葛藤の中で地面に横たわっている。語りで） あたしを試さないでください。 カイコバートよ！ あたしは、あなたの子供です！ あたしを死なせて・・・ あたしが屈服する前に！ バラクの声 もう助けられないのか！ バラクの妻の声 ああ、死ぬんだわ！ 皇妃 （ひざまずいて上体を起こすと、その口元からは、苦しみに満ちた、呻くような叫び声がこぼれ出て、その合間に言葉が出る・・・） そうは・・・しない・・・わ・・・！ （この言葉が聞こえると、すぐに水は下に沈み、舞台はいったん暗闇になった後で、上から明るくなってくる。気を失いながら床から身をもたげた皇妃からは、輪郭のくっきりした「影」が、舞台を横切って伸びて行く・・・。皇帝は玉座から立ち上がり、階段を降りていく） 皇帝 「水晶の、心が壊れて 叫び出し、 生まれていない者たちが、 星の光のように落ちて来る時・・・ 夫を見つめる妻の 腰まわりと頭と毛髪から、 この世の影が落ちてくる時・・・ その時、死者は、 肉の墓場から起き上がり、 天の御使い達すらも 空の上から飛んでくる！」 私には、そんな歌が聞こえていたのだ・・・ 死んでいた間じゅう、ずっと。 今や、私は、生き返ったのだ！ 聖霊たちも、すぐに来る。 歌を歌いつつ、ただよってくる・・・ （丸天井から落ちる光は、どんどん強まって行く。天上からは、「生まれていない者達」の声が落ちて来る） 生まれていない者達の声 （数人） さあ、みんなで言おう・・・お父さん！ （別の数人） さあ、みんなで呼ぼう・・・お母さん！ （さらに数人） 登っておいで！ （また別の数人） やだよ、降りてこいよ！ どの階段も、ぼくらの所につながっているから！ 皇妃 （上を指して） 声を上げているのは、 天使たちかしら？ 皇帝 （階段の最下段から） まだ生まれていない者達だ。 今や、彼らも生を得て、 日の出のような赤い翼で、危うく破滅しかけた 私たちのもとに降りて来るのだ・・・ この強き子供たちも、星の光に乗って 私たちのもとにやって来る。 あなたは自分に打ち勝った。 天の御使いが授けてくれたのだ・・・ 子供達と、その父親とを。 生まれていない者達は、いまや自由になったのだ！ 彼らは、我らを見出だして、 今や勇んで降りて来る！ （皇帝は、階段の最後の段からも降りる。皇妃は、それを迎えに行こうとし、天を指し示すと、そこからはますます明るい光が降り注いで来て、銀色の鈴の音が「生まれていない者達の歌」の前奏となる。皇妃はひざまずく。皇帝は皇妃と向かい合い、同じようにひざまずく。生まれていない者達が歌い始める。皇妃と皇帝は、お互いに顔を手にうずめ合う） 生まれていない者達の声 （天上から） さあ、あなた方に命じるよ・・・ 輪になって踊って、抱きしめ合おう。 ぼくらの生が 楽しいものになるように！ 試練をけなげに 耐えたから きらきら光る冠が ぼくらのために造られたんだ！ （皇帝と皇妃は、感極まって上の方を見つめながら、立ち上がる） 皇妃 （皇帝の手と自分の手とを触れ合わせながら） 天使たちが、自分たちのことを歌っているわ！ 歌の力が、あたし達をとらえるわ！ 錨も持たず、行くあてもなく、 生まれずに捨てられていた子供たち・・・ あの子たちが、呼びかけながら、二人の周りを 飛び交えば、あたしは、あたしは、あなたのものよ！ 皇帝 どこにも休む場所は無く、 錨も無ければ、港も無くて、 どこにも休めず・・・ただ飛んでいく。 一つの場所から、別の場所へと。 あの子たちが、呼びかけながら、二人の周りを 飛び交えば、あなたは、あなたは、私のものだ！ （二人はしっかと抱きしめ合ったままでいる。明るい雲が二人を取り巻く） 舞台転換 （険しい登り坂になっている綺麗な風景が出現する。中央には、金色の滝が、大地の裂け目を流れ落ちている。皇帝と皇妃が滝の上にいて、その高い所から降りて来るのが見える） バラクの妻 （舞台左手の細い歩道を通って） あの人の愛が与えられないなら、 あたしに裁きをくだしてください・・・ そうよ、あの人の剣で！ （谷の脇のところまで舞台前方に走って来る） バラク （舞台の反対側にいて） 待つんだ。見つけたよ。 ずっと、あなたを守るから。 永遠の伴侶よ！ （バラクの妻がバラクを見つけ、手を差し出すと、谷を横切って、バラクの妻の影が射す） バラク （歓喜して） 影だよ、あなたの影だ。 影が、あなたのもとへと連れて行ってくれる。 バラクの妻 妻があなたのもとへ参ります！ あたしの大切な人！ 生まれていない者達の声 お母さん、あなたの影だ！ ああ、何て美しい！ あなたの夫が あなたのもとへ！ （その瞬間、影のある場所には、谷を横切って金色の橋が掛けられる） （バラクとバラクの妻は橋の上を通り、互いの腕と腕を重ね合わせる） （皇帝と皇妃は、上のほうで、断崖の縁まで進み出て来る。彼らは下の方に目をやり、別のもう二人は、上の方に目をやる） バラク 今、私は誰も味わったことの無い歓喜を味わおうとしている。誰もしたことのない事をしようとしている。 私の中に、両手が伸びていく。 かがやく両眼、子供のような口、 聖なる力のおかげで、 私は戸口を踏み破ったのだ！ 皇帝 （下の二人を指差し、さらに下の人間界をも指差して） 遠くから響いてくるのは、 不安と混乱・・・ だが、良く耳を傾けるのだ・・・ この音の、なんと人間的なことか！ なんと心を揺さぶる音か・・・ この音を、お前の中に受け入れるのだ、 兄弟たちよ、親しき友よ！ 合唱 （見えないところから、舞台に歓声を上げて） 兄弟たちよ、親しき友よ！ 皇妃とバラクの妻 影を投げることが あたしたち二人に許されたわ・・・ 試練の炎に 鍛えられたわ。 死の瀬戸際にまで行き、あやうく 殺し殺されるところだったけれど、 いまや、幸せな子供たちの 母親になったのです！ （ヴェールが舞台前方に垂れ、登場人物と風景を覆い隠す） 生まれていない者達の声 （オーケストラの中で） とうさま、怖れはしないでね。 かあさま、悩みはもうないよ。 二人を、怖がらせていたものは、 ほうら、もうすぐ消えて行く。 いつか、祭りがあるときは、 きっと、ひそかに、こうなるよ・・・ 招待客のぼくたちこそが、 ほんとは祭りの主催者なのさ！ DRITTER AUFZUG Unterirdische Gewölbe, durch eine querlaufende dicke Mauer in zwei Kammern geteilt. In der rechten wird Barak sichtbar in düsterem Brüten auf dem harten Stein sitzend, zur Linken die Frau, in Tränen, mit aufgelöstem Haar. Sie wissen nicht voneinander, hören einander nicht. Die Frau zuckt zusammen.Im Orchester ertönen die Stimmen der ungeborenen Kinder wie im ersten Aufzug. FRAU Schweiget doch, ihr Stimmen! Ich hab es nicht getan! – – – – – – – – Barak, mein Mann, oh, dass du mich hörtest, dass du mir glaubtest vor meinem Tode! – – – – – – – – Dich wollt ich verlassen, o du, den zuvor niemals ich sah! Dich wollt ich vergessen und meinte zu fliehen dein Angesicht dein Angesicht, es kam zu mir – O dass du mich hörtest, o dass du mir glaubtest. – dein Angesicht, daß ich Unselge für immer verlor. Dich wollt ich vergessen – da musste ich dich denken und wo ich ging verbotene Wege, und meinte zu fliehen dein Angesicht... es kam zu mir und suchte mich zuvor die Seele die Tat getan! Ein fremder Mann, ich zog ihn her, er war mir nah – aber nicht völlig – Barak, Barak, dich weckt ich doch, weisst du es nicht? BARAK für sich Mir anvertraut, dass ich sie hege, dass ich sie trage auf diesen Händen und ihrer achte und ihrer schone um ihres jungen Herzens willen! FRAU teilweise zusammen mit ihm Dienend, liebend dir mich bücken dich zu sehen! atmen, leben! Kinder, Guter, dir zu geben! – BARAK Mir anvertraut – und taumelt zur Erde in Todesangst vor meiner Hand! Weh mir! Dass ich sie einmal noch sähe und zu ihr spräche Fürchte dich nicht. Stille. EINE STIMME von oben, auf Baraks Seite Auf, geh nach oben, Mann, der Weg ist frei! Es fällt zugleich mit der Stimme ein Lichtstrahl von oben in Baraks Verlies; die Stufen einer Wendeltreppe, in den Fels gehauen, werden sichtbar.Barak richtet sich auf und beginnt hinaufzusteigen. FRAU Barak, mein Mann! Strenger Richter, hoher Gatte! Schwängest du auch dein Schwert über mir, in seinem Blitzen sterbend noch sähe ich dich! Ein Lichtstrahl fällt von oben in ihr Verlies, der Schein in Baraks leerer Kammer ist erloschen. EINE STIMME auf der Linken Frau, geh nach oben, denn der Weg ist frei. Die Frau eilt nach oben. Verwandlung Das Gewölbe versinkt. Wolken treten vor, teilen sich, enthüllen eine Felsterrasse, jener gleich, die während des Schlafes der Kaiserin sichtbar wurde. Steinerne Stufen führen vom Wasser aufwärts zu einem mächtigen tempelartigen Eingang ins Berginnere. Ein dunkles Wasser, in den Felsgrund eingeschnitten, fliessend gegenüber.Die Tür zum mittleren Eingang offen. Auf der obersten Stufe der Bote, wartend. Dienende Geister rechts und links.Ein Kahn kommt auf dem Wasser geschwommen, ohne Lenker. Die Kaiserin liegt darin, schlummernd, die Amme kniet neben ihr hält sie umschlungen, bewegt um sich schauend, wohin der Kahn treibe.Der Bote hat das Herankommen des Kahnes abgewartet. Der Kahn hält an. DIENENDE GEISTER Sie kommen! BOTE Hinweg! Er tritt ins Innere zurück, die Geister zugleich, die eherne Tür schliesst sich hinter ihnen.Die Kaiserin erwacht.Die Amme sucht sie zurückzuhalten, mit dem freien Arm den Kahn vom Ufer wegzustossen, vergeblich.Die Gegend erhellt sich.Die Kaiserin erhebt sich, blickt um sich, will ans Land. AMME drückt sie nieder hastig, aufgeregt Fort von hier! Hilf mir vom Fels lösen den Kahn! leise Übermächte spielen mit uns! Zum greulichsten Ort eigenwillig strebt das Gemächte aus bösem Holz! Wär ich nicht gewitzigt, was würde aus dir! KAISERIN Der Kahn will bleiben – siehst du denn nicht? Die Treppe, schau! AMME gibt s auf den Kahn vom Ufer zu stossen, treibend, mit fieberhafter Ungeduld So lass den Kahn! Nun fort von hier! Ich weiss den Weg, Mondberge sieben sind gelagert, dies ist der höchste ein böser Bereich! Geschürzt dein Kleid und hurtig die Füsse ich führ dich hinunter, ich finde hinaus! KAISERIN ist auf die Treppe hinausgetreten Hier ist ein Tor! sinnend, suchend Einmal vordem sah ich dies Tor! Posaunenruf wie aus dem Innern des Berges Hörst du den Ton? Der läd t zu Gericht! leise, etwas beklommen Mein Vater, ja? Keikobad? Sag? Lang sah ich ihn nicht, doch weiss ich wohl er liebt es zu thronen wie Salomo und aufzulösen, was dunkel ist. Hoch ist sein Stuhl und abgründig sein Sinn – rein und mutig doch, ich bin sein Kind ich fürchte mich nicht. Amme ängstlich, späht nach der Seite, ob sich ein Ausweg finden liesse.Die Posaune ruft abermals, stärker. KAISERIN die Hände erhoben, angstvoll Mein Herr und Geliebter! Sie halten Gericht über ihn um meinetwillen! Was ihn bindet, bindet mich. Was er leidet, will ich leiden, ich bin in ihm, er ist in mir! Wir sind eins. Ich will zu ihm. wendet sich, hinaufzuschreiten AMME angstvoll Fort mit uns! Ich schaff dir den Schatten! So ist es gesetzt und so beschworen! Du bleibst die gleiche, Töchterchen, liebes, und durch deinen Leib gleitet das Licht – allein des Weibes trauriger Schatten, dir verfallen, haftet der Ferse! Ihresgleichen scheinst du dann und bist es nicht doch du erfüllst, was bedungen war! schmeichelnd So hab deinen Liebsten und herze ihn! Ich helf dir ihn finden, ich will es tragen, dass ich ihn sehe in deinen Armen auf Jahr und Tag und bleibe die Hündin in seinem Hause! resigniert seufzend, nicht heftig Wehe mir! sehr stark Nur fort von hier! Fort von der Schwelle, sie zu betreten, ist mehr als Tod! KAISERIN So kennst du die Schwelle? So weisst du, wohin dies Tor sich öffnet? Antworte mir! AMME dumpf Zum Wasser des Lebens. KAISERIN Antworte mir! plötzlich erleuchtet Zur Schwelle des Todes! So scholl der Ruf. Steh mir Rede! Du weisst das Geheime und kennst die Bewandtnis. Antworte mir! Die Amme schweigt. KAISERIN Schweigst du tückisch? Willst du mit Fleiss den Sinn mir verdunkeln? Hell ist in mir! Hell ist vor mir! leidenschaftlich Ich muss zu ihm! Wasser des Lebens, ich muss es erspüren, ihn besprengen – Wasser des Lebens – ist es das Blut aus diesen Adern? Fliesse es hin, dass ich ihn wecke! Sie wendet sich entschieden dem Eingang zu. AMME wirft sich vor sie hin, fasst sie am Gewand Hab Erbarmen! Du verfängst dich tausend Netze, Gaukelspiel, greulicher Trug! Wasser des Lebens, greuliches Blendwerk – müsst ich darüber mein Blut hingeben –, halte ich ab von deiner Seele und deinem Herzen! Ein Wasser springt wirklich im Berge. Leuchtend steigt es, goldene Säule, aus dem Grund Wasser des Lebens! Wer daran die Lippen legte – einer der unsern, von Geistern stammend – mehr als Tod, greulich unsagbar teuflisches Unheil schlürft er in sich rettungslos. Die Kaiserin ist auf die oberste Stufe getreten. AMME in höchster Angst Hörst du mich nicht? Fürchterlich ist Keikobad! Was weisst du von ihm! Du bist sein Kind und hast dich gegeben in Menschenhand und dein Herz vergeudet an einen von den Verwesenden! Fürchterlich straft er dich, wenn du fällst in seine Hand. Denn er kennt kein Greuel über diesem, dass eines spiele mit den Verhassten und sich mische mit den Verfluchten! Weh über sie, die dich gebar, und Menschensehnsucht dir flösste ins Blut! Weh über dich! KAISERIN verklärt, entschlossen Aus unsern Taten steigt ein Gericht! Aus unserm Herzen ruft die Posaune, die uns lädt. – entschieden, die Hand gegen sie ausstreckend, gebietend Amme, auf immer scheid ich mich von dir. Was Menschen bedürfen, du weisst es zu wenig, worauf ihrer Herzen Geheimnis zielet, dir ist es verborgen. sehr feierlich und gross Mit welchem Preis sie alles zahlen, aus schwerer Schuld sich wieder erneuern, dem Phönix gleich, aus ewigem Tode zu ewigem Leben sich immer erhöhen – kaum ahnen sie s selber – dir kommt es nicht nah. Ich gehöre zu ihnen, mächtig du taugst nicht zu mir! Sie tritt ans Tor das sich lautlos öffnet, sie tritt hinein, das Tor schliesst sich. AMME will ihr nach, wagt sich nicht in den Bereich, verzweifelnd auf der Treppe Was Menschen bedürfen? Betrug ist die Speise, nach der sie gieren. Betrüger sie selber! Fluch über sie! Das ewige Trachten, Vorwärts ins Leere, der angstvermischte gierige Wahnsinn – hinübergeträufelt in meines Kindes kristallene Seele! Fluch über sie! Es dunkelt, rötlicher Nebel tritt herein. DIE STIMME BARAKS im Wind Ah! DIE STIMME DER FRAU von der anderen Seite Ah! DIE STIMME BARAKS Dass ich dich fände! DIE STIMME DER FRAU klagend O mein Geliebter! DIE STIMME BARAKS Fürchte nichts! Sieh, o sieh! DIE STIMME DER FRAU zugleich Finde mich, töte mich! BEIDE Weh, weh, o weh! AMME Menschen! Menschen! Wie ich sie hasse! Wimmelnd wie Aale, schreiend wie Adler, schindend die Erde! Tod über sie! BARAK im Nebel herein, von rechts Ich suche meine Frau, die vor mir flieht. erkennt die Amme, angstvoll, gepresst, fast stöhnend Hast du sie nicht gesehn – O meine Muhme? AMME zeigt nach links aufwärts Dort hinüber! Dort hinauf! Sie verflucht dich in den Tod! Strafe sie – räche dich – schnell! BARAK ab nach links aufwärts Zu ihr! Zu ihr! FRAU erscheint von links weiter unten O du – o du – wo ist mein Mann? O du – ich will zu ihm! AMME zeigt nach rechts Dort hinüber! Dich zu töten mit seinen Händen. Rette dich, flieh! FRAU eilt nach rechts in den Wind und Nebel, wild entschlossen Barak! Hier! Schwinge dein Schwert. Töte mich schnell! verschwindet rechts; es dunkelt AMME Wehe, mein Kind, ausgeliefert, Gaukelspiel vor ihren Augen, Fallen und Stricke vor ihrem Fuss! Sie ist hinein! Sie trinkt! Das goldne, flüssige Unheil springt auf die Lippen, wühlt sich hinab! Ihr Gesicht greulich zuckt, ein menschlicher Schrei ringt sich aus der wunden Kehle! Ihr zu Hilfe! Müsste ich sterben! Keikobad! Sie will ans Tor BOTE tritt aus dem Tor, ehern Den Namen des Herrn? Hündin, zu wem hebst du die Stimme? Fort mit dir von der Schwelle! Pack dich, für immer! AMME wie wahnsinnig vor Erregung Mir anvertraut – du selber, Bote! Drei Tage lang! Ich hab sie gehütet, ich rang mit ihr – sie stiess mich von sich – sie kennt mich nicht mehr – Keikobad! Er muss mich hören! will an ihm vorbei BOTE vertritt ihr den Weg; ehern Sie ist vor ihm! Wer bedarf deiner? Niemand. Such dir den Weg! AMME Keikobad! Deine Dienerin schreit zu dir – Strafe sie, aber verwirf sie nicht ungehört! Mir übergeben, ich steh dir Rede! Keikobad! Der Nebel tritt herein, wird immer dichter Gewitter und Sturm nehmen zu an Heftigkeit. Es dunkelt mehr und mehr. Im Sturm tönen die Stimmen der Färbersleute, die einander vergeblich rufen und suchen. Zugleich. BOTE gewaltig, mit einem Anflug von Hohn Wer bist du, dass du ihn rufest? Was weisst du von seinem Willen und wie er verhängt hat ihr die Prüfung? Wenn er dich hiess des Kindes hüten, wer heisst dich raten, ob er nicht wollte, dass sie dir entliefe? immer schrecklicher Und trotzdem dich verwirft auf ewig dass du nicht vermochtest, ihrer zu hüten! BARAK unsichtbar O du! FRAU unsichtbar O du! BARAK Wo bist du? FRAU Wo bist du? BARAK Fliehe nicht! FRAU Finde mich! BARAK Komm zu mir! FRAU Komm zu mir! BARAK Dich zu sehen – atmen, leben! FRAU Kinder, Guter, dir zu geben! BARAK Weh, verloren! FRAU Weh, vertan! BARAK Diese Hände –! FRAU Weh, so jung! BARAK Dir vergeben, dich erquicken! FRAU Liebend, dienend dir mich bücken! BARAK Weh, verloren! FRAU Hab Erbarmen! BARAK Sterben! Sterben! FRAU Weh, uns Armen! BARAK Mir anvertraut, dass ich dich hege und dich trage auf diesen Händen. AMME Schlage er mich mit seinem Zorn! Ich will zu ihr! BOTE Mit seinem Zorn schlägt er dich, dass du ihr Antlitz nicht wiedersiehst! AMME Weh, mein Kind! Mir verloren! Fluch und Verderben über die Menschen – fressendes Feuer in ihr Gebein! BOTE mit Hohn Unter den Menschen umherzuirren, ist dein Los! Die du hassest, mit ihnen zu hausen, ihrem Atem dich zu vermischen immer aufs neu ! AMME wie von Sinnen Die ich hasse, mit ihnen zu hausen, ihrem Atem mich zu vermischen immer aufs neu ! Sie drängt sich dicht an den Boten, will an ihm vorbei. BOTE fasst sie gewaltig und stösst sie die Treppe hinab Auf, du Kahn, trage dies Weib Mondberge hinab den Menschen zu! AMME Fressendes Feuer in ihr Gebein! Die Amme stürzt im Kahn zusammen, der Kahn löst sich und treibt jäh hinab. Ihr Schrei, durchdringend, verhallt. BOTE ehern Verzehre dich! Dir widerfährt nach dem Gesetz! Blitz, Donner, Posaune Verwandlung Offene Verwandlung. Allmählich erhellt sich, aber noch nicht zu völliger Klarheit, das Innere eines tempelartigen Raumes. – Eine Nische, die mittelste, ist verhängt. Die Kaiserin, allein, steigt von unten empor. Dienende Geister, fackeltragend, ihr entgegen, noch im Dunkel. ERSTER GEIST Hab Ehrfurcht! ZWEITER GEIST Mut! DRITTER GEIST Erfülle dein Geschick! sie verschwinden MENSCHENSTIMMEN tönen von draussen herein, doch schwächer und schwächer, als wären Türen zugefallen KAISERIN geht auf die verhängte Nische zu Vater, bist du s? Drohest du mir aus dem Dunkel her? Hier siehe dein Kind! Mich hinzugeben, hab ich gelernt, aber Schatten hab ich keinen mir erhandelt. Nun zeig mir den Platz, der mir gebührt inmitten derer, die Schatten werfen. Ein Springquell goldenen Wassers steigt leuchtend aus dem Boden auf. KAISERIN einen Schritt zurückgehend Goldenen Trank, Wasser des Lebens, mich zu stärken, bedarf ich nicht! Liebe ist in mir, die ist mehr. EINE STIMME von oben So trink, du Liebende, von diesem Wasser! Trink, und der Schatten, der des Weibes war, wird deiner sein, und du wirst sein wie sie. KAISERIN Jedoch was wird aus ihr? DIE STIMME DER FRAU Barak! DIE STIMME BARAKS Wo bist du? DIE STIMME DER FRAU Wehe, wo? DIE STIMME BARAKS Herzu mir! DIE STIMME DER FRAU Ach, vergebens! DIE STIMME BARAKS Weh! Verloren! KAISERIN Baraks Stimme! Baraks Blick! Meine Schuld hier wie dort, dort wie hier! {Das Wasser fällt langsam. schaudernd} Sternennamen rief ich an, rein zu bleiben von Menschenschuld! Blut ist in dem Wasser, ich trinke nicht! Das Wasser versinkt gänzlich. Doch weich ich nicht! Mein Platz ist hier in dieser Welt. Hier ward ich schuldig, hierher gehör ich. Wo immer du dich birgst im Dunkel – in meinem Herzen ist ein Licht, dich zu enthüllen! Ich will mein Gericht! Zeige dich, Vater! Mein Richter, hervor! Das Licht hinter dem Vorhang wird stärker und stärker, endlich ist seine Kraft so gross, dass der Vorhang zum durchsichtigen Schleier wird. In der strahlend erhellen Nische sitzt auf steinernem Thron der Kaiser. Er ist starr und steinern, nur seine Augen scheinen zu leben. KAISERIN gesprochen Ach! Weh mir! Mein Liebster starr! Lebendig begraben im eigenen Leib! Erfüllt der Fluch! Meines Wesens unschuldige Schuld an ihm gestraft, weil er zu sehr mein Geheimnis geliebt, um das er mich wählte – erbarmungslos, dahingeopfert, meinem Geheimnis sein liebendes Herz! Ungelöst meiner Seele Knoten von Menschenhand – Starr nun die Hand, die ihn nicht löste – Versteinert sein Herz von meiner Härte! Mein Geschick seine Schuld! Meine Schuld sein Geschick! Weh, ihr Sterne, also tut ihr an den Menschen! Sie nähert sich in Verzweiflung dem Versteinerten. Mit dir sterben, auf, wach auf! Aug in Aug , Mund an Mund mit dir vereint, lass mich sterben! Sie will hervor, den Versteinerten zu umschlingen, und wagt es nicht. Wie sie in Angst vor dem auf sie gerichteten Blick nach der Seite zurückgeht, folgen ihr die Augen des Kaisers nach.in höchster Qual Nicht diesen Blick! Ich kann nicht helfen, ich kann nicht! Sie fällt zusammen, bedeckt die Augen mit den Händen.Die Statue glüht im stärksten Licht, die Augen mit stummer Bitte auf die Kaiserin gerichtet. UNIRDISCHE STIMMEN dumpfdröhnend wie aus Abgründen Die Frau wirft keinen Schatten, der Kaiser muss versteinen! Die Statue verdunkelt sich wie Blei. Vor ihren Füssen hebt sich wie früher das goldene Wasser leuchtend empor. EINE STIMME von oben Sprich aus Ich will! Und jenes Weibes Schatten wird dein! Und dieser stehet auf und wird lebendig und geht mit dir! Und des zum Zeichen neige dich und trink! KAISERIN in furchtbarem Kampfe auf dem Boden liegend, gesprochen Versuch mich nicht, Keikobad! Ich bin dein Kind! Lass mich sterben, eh ich erliege! DIE STIMME BARAKS Nirgend Hilfe! DIE STIMME DER FRAU Wehe, sterben! Die KAISERIN erhebt sich auf die Knie, ihren Lippen entringt sich ein qualvoller, stöhnender Schrei, in dessen Intervallen die Worte – Ich – will – nicht! – hörbar sind. – Sogleich, wie diese Worte hörbar werden, sinkt das Wasser hinab, der Raum, nach einer kurzen Dunkelheit, erhellt sich von oben. – Von der Kaiserin, die sich wie unbewusst vom Boden erhoben hat, fällt ein scharfer Schatten quer über den Boden des Raumes. – Der Kaiser erhebt sich von seinem Thron und schickt sich an, die Stufen hinabzusteigen. KAISER »Wenn das Herz aus Kristall zerbricht in einem Schrei, die Ungebornen eilen wie Sternenglanz herbei. Die Gattin blickt zum Gatten, ihr fällt ein irdischer Schatten von Hüfte, Haupt und Haar. Der Tote darf sich heben aus eignen Leibes Gruft – die Himmelsboten eilen hernieder aus der Luft!« So ward mir zugesungen, da ich im Sterben war. Nun darf ich wieder leben! Schon kommt die heil ge Schar mit Singen und mit Schweben – Das Licht von der Kuppel herab ist stärker und stärker geworden. Nun dringen, von oben her die Stimmen der Ungeborenen hernieder. STIMMEN DER UNGEBORENEN (EINZELNE) Hört, wir wollen sagen Vater! (ANDERE) Hört, wir wollen Mutter rufen! (EINIGE) Steiget auf! (ANDERE) Nein, kommt herunter! Zu uns führen alle Stufen! KAISERIN deutet nach oben Sind das die Cherubim, die ihre Stimmen heben? KAISER von der untersten Stufe Das sind die Nichtgeborenen, nun stürzen sie ins Leben mit morgenroten Flügeln zu uns, den fast Verlorenen; uns eilen diese Starken wie Sternenglanz herbei. Du hast dich überwunden. Nun geben Himmelsboten den Vater und die Kinder die Ungebornen frei! Sie haben uns gefunden, nun eilen sie herbei! Er ist von der untersten Stufe herabgestiegen. Die Kaiserin will ihm entgegen, deutet nach oben, von wo ein immer hellerer Schein herabdringt, ein silbernes Klingen dem Gesang der Ungeborenen präludiert, sie sinkt in die Knie. Der Kaiser, der Kaiserin gegenüber fällt gleichfalls auf die Knie. Die Ungeborenen fangen an zu singen. Die Kaiserin und der Kaiser bergen jedes ihr Gesicht in den Händen. DIE STIMMEN DER UNGEBORENEN von oben Hört, wir gebieten euch ringet und traget, dass unser Lebenstag herrlich uns taget! Was ihr an Prüfungen standhaft durchleidet, uns ist s zu strahlenden Kronen geschmeidet! Der Kaiser und die Kaiserin haben sich, mit Entzücken aufwärtsblickend, erhoben. KAISERIN indem ihre und des Kaisers Hände sich berühren Engel sind s, die von sich sagen! Ihre Stärke will uns tragen! Ungeboren, preisgegeben, ohne Anker, ohne Ziel! Wie sie rufend uns umschweben, bin ich, bin ich dir gegeben! KAISER Nirgend Ruhe, still zu liegen, nirgend Anker, nirgend Port, nichts ist da – nur aufzufliegen ist ein Ort an jedem Ort, wie sie rufend uns umschweben bist du, bist du mir gegeben! Sie halten einander umschlungen. Helles Gewölk umschliesst sie. Verwandlung Eine schöne Landschaft, steil aufsteigend, hebt sich heraus. Inmitten ein goldener Wasserfall, durch eine Kluft abstürzend. Kaiser und Kaiserin werden über dem Wasserfall sichtbar von der Höhe herabsteigend. FRAU von links auf schmalem Fusspfad Trifft mich sein Lieben nicht, treffe mich das Gericht, er mit dem Schwerte! eilt vor bis an den Abgrund BARAK auf der gegenüberliegenden Seite Steh nur, ich finde dich. Schützend umwinde dich, ewig Gefährte! Indem sie ihn gewahr wird, ihm die Arme entgegenstreckt, fällt ihr Schatten quer über den Abgrund. BARAK jubelt Schatten, dein Schatten, er trägt mich zu dir! FRAU Gattin zum Gatten! Einziger mir! DIE STIMMEN DER UNGEBORENEN Mutter, dein Schatten! Sieh, wie schön! Sieh deinen Gatten zu dir gehn! Im Augenblick fällt an Stelle des Schattens eine goldene Brücke quer über dem Abgrund.Barak und die Frau betreten die Brücke, liegen einander in den Armen.Der Kaiser und die Kaiserin sind oben dicht an den Rand des Absturzes herausgetreten. Sie wenden sich nach abwärts, die beiden anderen blicken zu ihnen empor. BARAK Nun will ich jubeln, wie keiner gejubelt, nun will ich schaffen, wie keiner geschafft, denn durch mich hin strecken sich Hände, blitzende Augen, kindische Münder, und ich zerschwelle vor heiliger Kraft! KAISER weist hinunter auf die beiden, weiter hinunter auf die Menschenwelt Nur aus der Ferne war es verworren bang, hör es nun ganz genau, menschlich ist dieser Klang! Rührende Laute – nimmst du sie ganz in dich, Brüder, Vertraute! CHOR unsichtbar, hineinjauchzend Brüder! Vertraute! KAISERIN und FRAU Schatten zu werfen, beide erwählt, beide in prüfenden Flammen gestählt. Schwelle des Todes nah, gemordet zu morden, seligen Kindern Mütter geworden! Schleier vorfallend, die Gestalten und die Landschaft einhüllend DIE STIMMEN DER UNGEBORENEN im Orchester Vater, dir drohet nichts, siehe, es schwindet schon, Mutter, das Ängstliche, das euch beirrte. Wäre denn je ein Fest, wären nicht insgeheim wir die Geladenen, wir auch die Wirte! (libretto Hugo von Hofmannsthal) この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Strauss,Richard/Die Frau ohne Schatten
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Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Multiply Periodic Functions (Cambridge Mathematical Library) Cambridge Univ Pr (Txp)? H. F. Baker? CambridgeUnivPr(Txp)? H.F.Baker? ジャンル別? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Substores-UnknownASINs-61? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-FunctionalAnalysis? Subjects-Science-General Subjects-Science-Mathematics-PureMathematics-FunctionalAnalysis? Subjects-Science-Technology-General&Reference From the American System to Mass Production, 1800-1932 Development of Manufacturing Technology in the United States (St in Industry Technology 4) Johns Hopkins Univ Pr? David Hounshell? JohnsHopkinsUnivPr? DavidHounshell? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Guide to the Industrial Archaeology of Europe Adams & D? Kenneth Hudson? Adams&D? KennethHudson? ジャンル別? Subjects-Science-Technology-General&Reference Modern Compiler Design (Worldwide Series in Computer Science) John Wiley & Sons Inc? H. E. Bal? Ceriel J. H. Jacobs? Koen G. Langendoen? Dick Grune? JohnWiley&SonsInc? H.E.Bal? CerielJ.H.Jacobs? KoenG.Langendoen? DickGrune? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Programming-Languages&Tools-CompilerDesign? Subjects-Computers&Internet-Programming-Languages&Tools-Compilers? Subjects-Computers&Internet-Programming-Languages&Tools-General? Subjects-Computers&Internet-OperatingSystems-General? Subjects-Science-Technology-General&Reference Vogel's Textbook of Practical Organic Chemistry Longman Group United Kingdom? Arthur Israel Vogel? LongmanGroupUnitedKingdom? ArthurIsraelVogel? ジャンル別? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Science-Chemistry-Organic-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Hydrogen Economy Opportunities, Costs, Barriers, and R D Needs Natl Academy Pr? NatlAcademyPr? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Engineering-Chemical-General? Subjects-Engineering-Energy-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Energy-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Physics-Energy? Subjects-Science-Technology-General&Reference Fluid Mixing and Gas Dispersion in Agitated Tanks Gary Tatterson? Gary B. Tatterson? GaryTatterson? GaryB.Tatterson? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Substores-UnknownASINs-34? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-Technology-General&Reference Technology, Growth, and Development An Induced Innovation Perspective Oxford Univ Pr on Demand? Vernon W. Ruttan? OxfordUnivPronDemand? VernonW.Ruttan? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-Theory? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Innovations? Pharmaceutical Preformulation CRC Press? Jens Thuro Carstensen? CRCPress? JensThuroCarstensen? ジャンル別? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Medicine-Pharmacology-General? Subjects-Medicine-Pharmacology-Pharmacy? Subjects-Professional&Technical-Medical-BasicSciences-Pharmacology? Subjects-Professional&Technical-Medical-Pharmacology-Pharmacy? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Pharmacology-General? Subjects-Science-Medicine-Pharmacology-Pharmacy? Numerical Heat Transfer and Fluid Flow (Hemisphere Series on Computational Methods in Mechanics and Thermal Science) Hemisphere Pub? S. V. Patankar? HemispherePub? S.V.Patankar? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-Dynamics-Thermodynamics? Subjects-Science-Physics-General? Subjects-Science-Physics-FluidMechanics? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Encyclopedia of Ethics in Science and Technology (Facts on File Science Library) Facts on File? Nigel Barber? FactsonFile? NigelBarber? ジャンル別? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-Philosophy-Science? Subjects-Reference? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Theory and Practice of Histotechnology Battelle Pr? Dezna C. Sheehan? Barbara B. Hrapchak? BattellePr? DeznaC.Sheehan? BarbaraB.Hrapchak? ジャンル別? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-History? Subjects-Medicine-BasicScience-Histology? Subjects-Medicine-Specialties-Pathology-General? Subjects-Professional&Technical-Medical-BasicSciences-Histology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-MolecularBiology? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-BasicScience-Histology? Subjects-Science-Medicine-Specialties-Pathology-General? Shaping Technology/Building Society Studies in Socio-Technical Change (Inside Technology) Mit Pr? Wiebe E. Bijker? John Law? MitPr? WiebeE.Bijker? JohnLaw? ジャンル別? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Science? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Defining an Identity The Evolution of Science Education As a Field of Research (Science and Technology Education Library) Kluwer Academic Pub? Peter J. Fensham? KluwerAcademicPub? PeterJ.Fensham? ジャンル別? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Policy? Subjects-Nonfiction-Education-EducationTheory-Research? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-EducationalReform-Policy&Reform? Subjects-Professional&Technical-Education-Theory-Research? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-SpecificSkills-Science&Technology? Subjects-Science-Education-Research? Subjects-Science-Experiments,Instruments&Measurement-Methodology&Statistics? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Technology Today and Tomorrow Glencoe/Mcgraw-Hill? Sharon A. Brusic? James Fales? Vincent F. Kuetemeyer? Glencoe/Mcgraw-Hill? SharonA.Brusic? JamesFales? VincentF.Kuetemeyer? ジャンル別? ユーズドブック(洋書)-Children sBooks? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? ユーズドブック(洋書)-Teens? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? Synchronizing Science And Technology With Human Behaviour Earthscan Pubns Ltd? Ralf Brand? EarthscanPubnsLtd? RalfBrand? ジャンル別? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Science? Subjects-Nonfiction-Politics-RegionalPlanning? Subjects-Nonfiction-SocialSciences-Sociology-Urban? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-RenewableEnergy? Soils and Environment (Routledge Physical Environment Series) Routledge? Steve Ellis? A. Mellor? Routledge? SteveEllis? A.Mellor? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geography? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geography-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-Agronomy? Innovation and Growth in the Global Economy (M I T Press Readings in Economics) Mit Pr? Gene M. Grossman? Elhanan Helpman? MitPr? GeneM.Grossman? ElhananHelpman? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-Economics-Labor&IndustrialRelations? Subjects-Business&Investing-General? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-Theory? Subjects-Nonfiction-Economics-Labor&IndustrialRelations? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-Labor&IndustrialRelations? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference How to Make Your Car Handle Hp Books? Fred Puhn? HpBooks? FredPuhn? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Network Security Principles and Practices (CCIE Professional Development) Cisco Systems? Saadat Malik? CiscoSystems? SaadatMalik? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-Security? Subjects-Computers&Internet-WebDevelopment-Security&Encryption-NetworkSecurity? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-CertificationCentral-Exams-CCIE? Subjects-Computers&Internet-CertificationCentral-Publisher-Cisco? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-Business&Culture-Privacy? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Introduction to Biomedical Equipment Technology Prentice Hall College Div? Joseph J. Carr? John M. Brown? PrenticeHallCollegeDiv? JosephJ.Carr? JohnM.Brown? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Medicine-General? Subjects-Medicine-Reference-Instruments&Supplies? Subjects-Medicine-SpecialTopics-Biotechnology? Subjects-Medicine-AlliedHealthProfessions-MedicalTechnology? Subjects-Professional&Technical-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Medical-BasicSciences-Biotechnology? Subjects-Professional&Technical-Medical-AlliedHealthProfessions-MedicalTechnology? Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-General? Subjects-Science-Medicine-Reference-Instruments&Supplies? Subjects-Science-Medicine-SpecialTopics-Biotechnology? Subjects-Science-Medicine-AlliedHealthProfessions-MedicalTechnology? Warren Buffett Speaks Wit and Wisdom from the World's Greatest Investor John Wiley & Sons Inc? Warren Buffett? Janet Lowe? JohnWiley&SonsInc? WarrenBuffett? JanetLowe? ジャンル別? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Biographies&Memoirs-People,A-Z-(B)-Buffett,Warren? Subjects-Business&Investing-Biographies&Primers-Inspiration? Subjects-Business&Investing-Economics-PublicFinance? Subjects-Business&Investing-General? Subjects-Business&Investing-Investing-General? Subjects-Nonfiction-Economics-PublicFinance? Subjects-Professional&Technical-Accounting&Finance-Economics-PublicFinance? Subjects-Science-Technology-General&Reference A User's Guide to Vacuum Technology Wiley-Interscience? John F. O Hanlon? Wiley-Interscience? JohnF.O Hanlon? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Nanotechnology A Gentle Introduction to the Next Big Idea Pearson P T R? Mark A. Ratner? Daniel Ratner? PearsonPTR? MarkA.Ratner? DanielRatner? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-General? Subjects-Medicine-SpecialTopics-Biotechnology? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-BasicSciences-Biotechnology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Nanotechnology? Subjects-Science-Technology-Innovations? Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-Medicine-SpecialTopics-Biotechnology? Primitive Technology II Ancestral Skills from the Society of Primitive Technology Gibbs Smith? Society of Primitive Technology? David Wescott? GibbsSmith? SocietyofPrimitiveTechnology? DavidWescott? ジャンル別? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Outdoors&Nature-Ecology-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Nature&Ecology-General? Subjects-Science-Technology-General&Reference Subjects-Science-Archaeology-General? Chemical Engineering (Chemical Engineering Monographs) Pergamon? J.M. Coulson? J.F. Richardson? Pergamon? J.M.Coulson? J.F.Richardson? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-Technology-General&Reference Extracellular Polymeric Substances The Construction Material of Biofilms (Water Science Technology) Intl Water Assn? H. C. Flemming? A. Leis? IntlWaterAssn? H.C.Flemming? A.Leis? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Substores-UnknownASINs-42? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Writing for Science and Engineering Papers, Presentations and Reports Butterworth-Heinemann? Heather, Ph.D. Silyn-Roberts? Butterworth-Heinemann? Heather,Ph.D.Silyn-Roberts? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Engineering-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Reference-Writing-WritingSkills? Subjects-Reference-Writing-Technical? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnicalThinking&Writing? Cognitive Technology Essays On The Transformation Of Thought And Society Mcfarland & Co Inc Pub? W. Richard Walker? Douglas J. Herrmann? Mcfarland&CoIncPub? W.RichardWalker? DouglasJ.Herrmann? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Health,Mind&Body-Psychology&Counseling-General? Subjects-Health,Mind&Body-Psychology&Counseling-Cognitive? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-ProfessionalScience-BehavioralSciences-CognitivePsychology? Subjects-Professional&Technical-ProfessionalScience-BehavioralSciences-CognitiveScience? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? Subjects-Science-BehavioralSciences-CognitivePsychology? Subjects-Science-BehavioralSciences-General? The Great Exhibition of 1851 A Nation on Display Yale Univ Pr? Jeffrey Auerbach? YaleUnivPr? JeffreyAuerbach? ジャンル別? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Science? Subjects-History-Europe-England-General? Subjects-History-Europe-England-19thCentury? Subjects-History-Europe-England-London? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference From the Fryer to the Fuel Tank The Complete Guide to Using Vegetable Oil As an Alternative Fuel Greenteach Pub? Joshua Tickell? Kaia Tickell? Kaia Roman? GreenteachPub? JoshuaTickell? KaiaTickell? KaiaRoman? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Science-General Subjects-Science-Technology-General&Reference The Electromagnetics Problem Solver (Rea's Problem Solvers) Research & Education Assn? Research and Education Association? M. Fogiel? Research&EducationAssn? ResearchandEducationAssociation? M.Fogiel? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Engineering-Electrical&Electronics-ElectromagneticTheory? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectromagneticTheory? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Reference-Education-General? Subjects-Reference-TestPrepCentral-General? Subjects-Science-Physics-General? Subjects-Science-Physics-Electromagnetism-General? Subjects-Science-Physics-Electromagnetism-Electricity? Subjects-Science-Technology-General&Reference Explosives And Blasting Procedures Univ Pr of the Pacific? U. S. Bureau of Mines? Richard A. Dick? Larry R. Fletcher? UnivProfthePacific? U.S.BureauofMines? RichardA.Dick? LarryR.Fletcher? ジャンル別? ユーズドブック(洋書)-Science? Subjects-Science-General Subjects-Science-Technology-General&Reference Innovation and Technology in Korea Challenges of a Newly Advanced Economy Springer-Verlag? Jorg Mahlich? Springer-Verlag? JorgMahlich? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-ManagementScience? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-ManagementScience? Subjects-Science-Technology-General&Reference Theory of Sound (Dover Classics of Science Mathematics) Dover Pubns? Strutt Rayleigh? DoverPubns? StruttRayleigh? ジャンル別? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Physics-Acoustics&Sound? Subjects-Science-Physics-Acoustics&Sound? Subjects-Science-Technology-General&Reference A Study of a Prototype Floating Community Univ Pr of the Pacific? Triton Foundation? Buckminster R. Fuller? UnivProfthePacific? TritonFoundation? BuckminsterR.Fuller? ジャンル別? ユーズドブック(洋書)-Science? Subjects-Science-General Subjects-Science-Technology-General&Reference Scheduling Computer and Manufacturing Processes Springer? Jacek Bazewicz? Klaus H. Ecker? Erwin Pesch? Gunter Schmidt? Jan Weglarz? Springer? JacekBazewicz? KlausH.Ecker? ErwinPesch? GunterSchmidt? JanWeglarz? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-ManagementScience? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-General? Subjects-Computers&Internet-Home&Office-Windows-Scheduling&E-mail? Subjects-Computers&Internet-Hardware-SystemArchitecture-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-ManagementScience? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-Technology-General&Reference Marketing High Technology An Insider's View Free Pr? William H. Davidow? FreePr? WilliamH.Davidow? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Business&Investing-General? Subjects-Business&Investing-Marketing&Sales-Advertising? Subjects-Business&Investing-Marketing&Sales-Marketing-General? Subjects-Business&Investing-Marketing&Sales-Marketing-Industrial? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Advertising? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Marketing-General? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Marketing-Industrial? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Elementary Decision Theory Dover Pubns? Herman Chernoff? Lincoln Moses? DoverPubns? HermanChernoff? LincolnMoses? ジャンル別? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Technology-General&Reference Fundamentals of Vehicle Dynamics Society of Automotive Engineers? Thomas D. Gillespie? SocietyofAutomotiveEngineers? ThomasD.Gillespie? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Substores-UnknownASINs-36? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference The Stress-Strength Model and Its Generalizations Theory and Applications World Scientific Publishing? Samuel Kotz? Yan Lumelskii? Marianna Pensky? WorldScientificPublishing? SamuelKotz? YanLumelskii? MariannaPensky? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Substores-UnknownASINs-56? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Technology-General&Reference Science at the Bar Law, Science, and Technology in America (Twentieth Century Fund Book) Harvard Univ Pr? Sheila Jasanoff? HarvardUnivPr? SheilaJasanoff? ジャンル別? ユーズドブック(洋書)-Law? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Law-One-L-CivilProcedure? Subjects-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Law-PerspectivesonLaw-Science&Technology? Subjects-Law-General? Subjects-Nonfiction-Law-One-L-CivilProcedure? Subjects-Nonfiction-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Nonfiction-Law-PerspectivesonLaw-Science&Technology? Subjects-Nonfiction-Law-General? Subjects-Professional&Technical-Law-General? Subjects-Professional&Technical-Law-One-L-CivilProcedure? Subjects-Professional&Technical-Law-PerspectivesonLaw-Science&Technology? Subjects-Reference-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Creating the Twentieth Century Technical Innovations of 1867-1914 and Their Lasting Impact (Technical Revolutions and Their Lasting Impact) Oxford Univ Pr (Txt)? Vaclav Smil? OxfordUnivPr(Txt)? VaclavSmil? ジャンル別? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Science? Subjects-Arts&Photography-Art-ArtHistory-Schools,Periods&Styles-Modern? Subjects-History-Americas-General? Subjects-History-World-19thCentury? Subjects-History-World-20thCentury? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Making the Nation Safer The Role of Science and Technology in Countering Terrorism Natl Academy Pr? Bruce Alberts? William A. Wulf? NatlAcademyPr? BruceAlberts? WilliamA.Wulf? ジャンル別? ユーズドブック(洋書)-Law? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Law-CriminalLaw-LawEnforcement? 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Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? Handbook of Science and Technology Studies Sage Pubns? Gerald E. Markle? James C. Petersen? Trevor Pinch? Sheila Jasanoff? SagePubns? GeraldE.Markle? JamesC.Petersen? TrevorPinch? SheilaJasanoff? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Entertainment? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Reference-Education? Subjects-Engineering-Reference? Subjects-Entertainment-PopCulture-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-PopularCulture? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Reference-Engineering? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書