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Stability of Rock Structures Proceedings of the 5th International Conference on Analysis of Discontinuous Deformation, Icadd-5, Ben-Gurion University of the Negev, Beer Sheva Aa Balkema? International Conference on Analysis of Discontinuous Deformation 2002? Yossuf H. Hatzor? AaBalkema? InternationalConferenceonAnalysisofDiscontinuousDeformation2002? YossufH.Hatzor? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Science-EarthSciences-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Vibratory Pile Driving and Deep Soil Compaction Aa Balkema? A. Holeyman? INTERNATIONAL CONFERENCE ON VIBRATORY PI? J. F. Vanden Berghe? N. Charue? AaBalkema? A.Holeyman? INTERNATIONALCONFERENCEONVIBRATORYPI? J.F.VandenBerghe? N.Charue? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Science-EarthSciences-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Seismicity Associated With Mines, Reservoirs and Fluid Injections (Pageoph Topical Volumes) Birkhauser? Shahriar Talebi? Birkhauser? ShahriarTalebi? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Substores-UnknownASINs-48? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-Physics-Geophysics? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Seismology? Subjects-Science-EarthSciences-Earthquakes&Volcanoes? Subjects-Science-EarthSciences-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geology-Volcanology? Subjects-Science-EarthSciences-Geophysics? Subjects-Science-EarthSciences-Seismology? Subjects-Science-General Geothermal Energy Resources for Developing Countries Aa Balkema? D. Chandrasekharam? AaBalkema? D.Chandrasekharam? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Science-General Subjects-Science-Physics-Energy? Subjects-Science-Technology-RenewableEnergy? Groups and Geometries Siena Conference, September 1996 (Trends in Mathematics) Birkhauser? Lino Di Martino? William M. Kantor? Guglielmo Lunardon? Antonio Pasani? Maria Clara Tamburini? Birkhauser? LinoDiMartino? WilliamM.Kantor? GuglielmoLunardon? AntonioPasani? MariaClaraTamburini? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-GraphTheory? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-Topology? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Combinatorics? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-GroupTheory? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-Algebra-General? Subjects-Science-Mathematics-PureMathematics-Combinatorics? Subjects-Science-Mathematics-PureMathematics-GroupTheory? Subjects-Science-Mathematics-Applied-GraphTheory? Subjects-Science-Mathematics-Geometry&Topology? Electrolyte Data Collection Conductivities, Transference Numbers, and Limiting Lonic Conductivities of Ethanol (Chemistry Data Series, Vol. XII, Part 1a) Dechema? Josef Barthel? R. Neueder? Dechema? JosefBarthel? R.Neueder? Substores-UnknownASINs-53? Subjects-Science-General Geosynthetics State of the Art, Recent Developments Aa Balkema? Ph Delmas? J. P. Gourc? H. Girard? AaBalkema? PhDelmas? J.P.Gourc? H.Girard? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Structural? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Geochemistry? Subjects-Professional&Technical-ProfessionalScience-Physics-Geophysics? Subjects-Science-Chemistry-Geochemistry? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geophysics? Subjects-Science-General Electrolyte Data Collection Conductivities, Transference Numbers, and Limiting Lonic Conductivities of Solutions of Propanol, Butanol, and Higher Alcohols (Chemistry Data Series, V. 12.) Dechema? Josef Barthel? R. Neueder? P. Schroder? Dechema? JosefBarthel? R.Neueder? P.Schroder? Substores-UnknownASINs-53? Subjects-Science-General Vitamin A and Retinoids An Update of Biological Aspects and Clinical Applications (Molecular and Cell Biology Upd) Birkhauser (Architectural)? M. A. Livera? Birkhauser(Architectural)? M.A.Livera? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Medicine-BasicScience-Biochemistry? Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-Pharmacology-General? Subjects-Medicine-Specialties-Dermatology? Subjects-Medicine-InternalMedicine-Endocrinology&Metabolism? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Physiology? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-BasicSciences-Pharmacology? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-BiologicalSciences-Anatomy? Subjects-Science-Medicine-BasicScience-Biochemistry? Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-Medicine-Pharmacology-General? Subjects-Science-Medicine-Specialties-Dermatology? Subjects-Science-Medicine-InternalMedicine-Endocrinology&Metabolism? New Cytokines As Potential Drugs (Porgress in Inflammation Research) Birkhauser (Architectural)? Satwant K. Narula? Robert L. Coffman? Birkhauser(Architectural)? SatwantK.Narula? RobertL.Coffman? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Subjects-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Medicine-BasicScience-Genetics? Subjects-Medicine-BasicScience-Immunology? Subjects-Medicine-Pharmacology-General? Subjects-Medicine-Pharmacology-Pharmacy? Subjects-Medicine-InternalMedicine-General? Subjects-Professional&Technical-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Professional&Technical-Medical-BasicSciences-Immunology? Subjects-Professional&Technical-Medical-BasicSciences-Genetics? Subjects-Professional&Technical-Medical-BasicSciences-Pharmacology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-General? Subjects-Professional&Technical-Medical-Pharmacology-Pharmacy? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-Medicine-BasicScience-Genetics? Subjects-Science-Medicine-BasicScience-Immunology? Subjects-Science-Medicine-Pharmacology-General? Subjects-Science-Medicine-Pharmacology-Pharmacy? Subjects-Science-Medicine-InternalMedicine-General? Echinoderm Research 2001 Proceedings of the Sixth European Conference on Echinoderm Research/Banyuls-Sur-Mer/France/3-7 September 2001 Aa Balkema? Jean-Pierre Feral? Bruno David? AaBalkema? Jean-PierreFeral? BrunoDavid? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-MarineBiology? Subjects-Science-General Subjects-Science-Nature&Ecology-Oceans&Seas-MarineBiology-General? Bioassays for Soils Dechema? Dechema? ユーズドブック(洋書)-Engineering Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Finite Elements in Civil Engineering Applications Proceedings of the Third Diana World Conference, Tokyo, Japan, 9-11 October 2002 Aa Balkema? Japan) Diana World Conference 2002 (Tokyo? J. A. Rots? AaBalkema? Japan)DianaWorldConference2002(Tokyo? J.A.Rots? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Structural? Subjects-Engineering-MaterialsScience-Extraction&Processing? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-MaterialsScience-Extraction&Processing? Subjects-Science-General Pattern Recognition Proceedings of the NATO Advanced Study Institute Held at St. Anne's College, Oxford, March 29-April 10, 1981 (NATO Advanced Study Institutes Series) D Reidel Pub Co? England) NATO Advanced Study Institute (1981 Oxford? Josef Kittler? K. S. Fu? L. F. Pau? North Atlantic Treaty Organization. Scientific Affairs Division? DReidelPubCo? England)NATOAdvancedStudyInstitute(1981 Oxford? JosefKittler? K.S.Fu? L.F.Pau? NorthAtlanticTreatyOrganization.ScientificAffairsDivision? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Computers&Internet-Software-Business-SpeechProcessing? Subjects-Computers&Internet-Software-VoiceRecognition? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-TheoryofComputing? Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-General? Subjects-Computers&Internet-Programming-PatternRecognition? Subjects-Computers&Internet-General? Subjects-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Professional&Technical-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Reference-Education-Questions&Answers? Subjects-Reference-General? Subjects-Science-General Problem Solving in Soil Mechanics Aa Balkema? A. Aysen? AaBalkema? A.Aysen? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Science-EarthSciences-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-General? Risk Based Standards for Arsenic, Lead, and Cadmium in Urban Soils Dechema? Rebecca Long Chaney? J. A. Ryan? Dechema? RebeccaLongChaney? J.A.Ryan? ユーズドブック(洋書)-Engineering Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-Technology-Risks? Subjects-Science-AgriculturalSciences-SoilScience? Electrolyte Data Collection Conductivities, Transference Numbers, and Limiting Lonic Conductivities of Solutions of Aprotic, Protophobic Solvents (Chemistry Data Series, V. 12.) Dechema? Josef Barthel? R. Neueder? P. Schroder? Dechema? JosefBarthel? R.Neueder? P.Schroder? Substores-UnknownASINs-53? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Numerical Modeling in Micromechanics Via Particle Methods Proceedings of the 1st International Pfc Symposium, Gelsenkirchen, Germany, 6-8 November 2002 Aa Balkema? Germany) International Pfc Symposium 2002 (Gelsenkirchen? Heinz Konietzky? AaBalkema? Germany)InternationalPfcSymposium2002(Gelsenkirchen? HeinzKonietzky? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Electrolyte Data Collection Viscosity of Nonaqueous Solutions I Alcohol Solutions (Chemistry Data Series, V. 12.) Dechema? Josef Barthel? R. Neueder? R. Meier? Dechema? JosefBarthel? R.Neueder? R.Meier? Substores-UnknownASINs-53? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Hydromechanical and Thermohydromechanical Behaviour of Deep Argillaceous Rockck Theory and Experiments Aa Balkema? Nasser Hoteit? Kun Su? Michel Tijani? Jian-Fu Shao? AaBalkema? NasserHoteit? KunSu? MichelTijani? Jian-FuShao? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Dryland Agriculture Agrobios? S. C. Panda? Agrobios? S.C.Panda? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Subjects-Outdoors&Nature-Reference? Subjects-Science-General Subjects-Science-AgriculturalSciences-General? Dam Maintenance and Rehabilitation Proceedings of the International Congress on Conservation and Rehabilitation of Dams, Madrid, Spain, 11-13 November 2002 Aa Balkema? J. A. Llanos? M. Cabrera? J. Yague? F. Saenz De Ormijana? AaBalkema? J.A.Llanos? M.Cabrera? J.Yague? F.SaenzDeOrmijana? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Hydrology? Subjects-Engineering-Civil-Structural? Subjects-Engineering-Petroleum,Mining&Geological-ReservoirEngineering? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-ReservoirEngineering? Subjects-Science-General Computational Modelling of Concrete Structures Proceedings of the Euro-C Conference 2003, St. Johann Im Pongau, Austria, 17-20 March 2003 Aa Balkema? N. Bicanic? R. De Borst? H. Mang? G. Meschke? AaBalkema? N.Bicanic? R.DeBorst? H.Mang? G.Meschke? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Engineering-Civil-Construction-Materials? Subjects-Engineering-Civil-Construction-Masonry? Subjects-Engineering-Civil-Structural? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Materials? Subjects-Professional&Technical-Engineering-Civil-Construction-Masonry? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Characterisation and Engineering Properties of Natural Soils Proceedings of the International Workshop, Singapore, 2-4 December 2002 Aa Balkema? T. S. Tan? K. K. Phoon? Donald W. Hight? S. Leroueil? AaBalkema? T.S.Tan? K.K.Phoon? DonaldW.Hight? S.Leroueil? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Vapor-Liquid Equilibrium Data Collection 1A Aqueous-Organic Systems (Supplement 1) (Chemistry Data Series Vol.1 Part 1a) Dechema? Jurgen Gmehling? Dechema? JurgenGmehling? undefined undefined Electrolyte Data Collection Viscosity of Aqueous Solutions (Chemistry Data Series, V. 12.) Dechema? Josef Barthel? R. Neueder? R. Meier? Dechema? JosefBarthel? R.Neueder? R.Meier? Substores-UnknownASINs-53? Subjects-Science-General (Re)Claiming the Inderground Space Aa Balkema? J. Saveur? AaBalkema? J.Saveur? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Science-General Advances in Biotechnology Agrobios? P. C. Trivedi? Agrobios? P.C.Trivedi? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Outdoors&Nature-Reference? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Science-General Subjects-Science-BiologicalSciences-Biotechnology? Vapor-Liquid Equilibrium Data Collection Ethers (Supplement 2) Tables and Diagrams of Data for Binary and Multicomponent Mixtures Up to Moderate Pressures. Constants of Correlation equatio Dechema? Jurgen Gmehling? U. Onken? Dechema? JurgenGmehling? U.Onken? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Hermetic Astrology Towards a New Wisdom of the Stars Golden Stone Pr? Robert A. Powell? GoldenStonePr? RobertA.Powell? ユーズドブック(洋書)-Religion&Spirituality? Substores-UnknownASINs-53? Subjects-Religion&Spirituality-NewAge-Astrology-General? Subjects-Religion&Spirituality-Occult-Occultism? Subjects-Science-General General Relativity and Matter A Spinor Field Theory from Fermis to Light-Years (Fundamental Theories of Physics) D Reidel Pub Co? Mendel Sachs? DReidelPubCo? MendelSachs? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalPhysics? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Mathematics-MathematicalPhysics? Subjects-Science-Physics-General? Subjects-Science-Physics-Relativity? The Premixing Method Principle, Design, and Construction Aa Balkema? Coastal Development Institute of Technology? AaBalkema? CoastalDevelopmentInstituteofTechnology? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Hydrology and Water Resources International Conference on Water Resources Management in Arid Regions, 23-27 March 2002, Kuwait Aa Balkema? M. M. Sherif? V. P. Singh? M. Al-Rashed? AaBalkema? M.M.Sherif? V.P.Singh? M.Al-Rashed? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? Subjects-Science-EarthSciences-Geology-Hydrology? Subjects-Science-General Safety and Reliability Proceedings of the Esrel 2003 Conference, the Netherlands, 15-18 June 2003 Aa Balkema? T. Bedford? Netherlands) European Safety and Reliability Conference (2003 Maastricht? P. H. A. J. M. Van Gelder? P. Van Gelder? AaBalkema? T.Bedford? Netherlands)EuropeanSafetyandReliabilityConference(2003 Maastricht? P.H.A.J.M.VanGelder? P.VanGelder? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Civil-Structural? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? Subjects-Science-General Subjects-Science-Physics-Nanostructures? Subjects-Science-Technology-Risks? Subjects-Science-Technology-Safety&Health? Tubular Structures X Proceedings of the 10th International Symposium, Madrid, Spain... Aa Balkema? M. A. Jaurrieta? A. Alonso? J. A. Chica? AaBalkema? M.A.Jaurrieta? A.Alonso? J.A.Chica? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-67? Subjects-Engineering-Civil-Structural? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Reference-Engineering? Systemische Perspektiven. Interdisziplinaere Beitraege zu Theorie und Praxis Auer-System-Verlag Carl -? Karl W. Kratky? Auer-System-VerlagCarl-? KarlW.Kratky? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Science-General Subjects-Science-Mathematics-Chaos&Systems? Monitor Lizards Natural History, Biology Husbandry Chimaira Bucnhandelsgesellschaft? Daniel Bennett? Thomas Wilms? Breck Batholomew? ChimairaBucnhandelsgesellschaft? DanielBennett? ThomasWilms? BreckBatholomew? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-Ichthyology? Subjects-Science-BiologicalSciences-Biology-General? John Fowler, Benjamin Baker Forth Bridge (Opus, 18) Axel Menges? John Fowler? Benjamin Baker? Iain Boyd Whyte? Angus J. MacDonald? Colin Baxter? AxelMenges? JohnFowler? BenjaminBaker? IainBoydWhyte? AngusJ.MacDonald? ColinBaxter? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Travel? Subjects-Arts&Photography-Photography-Collections,Catalogues&Exhibitions? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-International-British? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? 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CHAPTER I UP CHAPTER II つづき CHAPTER II Matthew Cuthbert is surprised 第2章 マシュー・カスバートの驚き（松本訳） Matthew Cuthbert and the sorrel mare jogged comfortably over the eight miles to Bright River. 「eight miles」 13 km弱。1マイル＝1760ヤード＝1.609 km It was a pretty road, running along between snug farmsteads, with now and again a bit of balsamy fir wood to drive through or a hollow 「balsamy fir wood」バルサム臭のするモミの木。Abies balsamea バルサムモミ。ウィキペディア日本語版には、モミの分布のコメントがあるのですが、プリンスエドワード島に生えている fir（モミの木の仲間）は、balsam fir バルサムモミ（カナダバルサム）のようです。ウィキペディア英語版によると、バルサムモミの分布はバッチリです *1 where wild plums hung out their filmy bloom. 「wild plums」野生のスモモ Prunus。ウィキペディア英語版によると、plumは1種ではなく、Prunus属の中のPrunus亜属の種を指すらしい。花の写真はウィキペディアをどうぞ。種が違っても花の様子はあまり違わないはず。なお、新世界plumと旧世界plumとがあるそうなので、日本のスモモとプリンスエドワード島の野生スモモは種が違う可能性大 以下余談：同じPrunus属のモモ（peach）はAmygdalus亜属Go to Wikipedia、サクラ（cherry）はCerasus亜属、Go to Wikipedia、bird cherry（black cherryの仲間）はPadus亜属Go to Wikipedia、なのだそうです。へぇ～。ウィキペディアへのリンクをつけときました The air was sweet with the breath of many apple orchards and the meadows sloped away in the distance to horizon mists of pearl and purple; while "The little birds sang as if it were The one day of summer in all the year." 「"The little birds sang as if it were／The one day of summer in all the year."」松本訳注第2章(1) p. 453参照 Matthew enjoyed the drive after his own fashion, except during the moments when he met women and had to nod to them-- for in Prince Edward island you are supposed to nod to all 「Prince Edward island」松本訳注第2章(2) p. 454参照 and sundry you meet on the road whether you know them or not. Matthew dreaded all women except Marilla and Mrs. Rachel; he had an uncomfortable feeling that the mysterious creatures were secretly laughing at him. 「creatures」生き物。creaturesと表現することで、いやーな感じが強調されている He may have been quite right in thinking so, for he was an odd-looking personage, with an ungainly figure and long iron-gray hair that touched his stooping shoulders, and a full, soft brown beard which he had worn ever since he was twenty. In fact, he had looked at twenty very much as he looked at sixty, lacking a little of the grayness. When he reached Bright River there was no sign of any train; he thought he was too early, so he tied his horse in the yard of the small Bright River hotel and went over to the station house. The long platform was almost deserted; the only living creature in sight being a girl who was sitting on a pile of shingles at the extreme end. 「the only living creature in sight being a girl」唯一の生き物で、見えたのは女の子だった、とマシューの認識。いやーな感じありあり…… 「a pile of shingles」shingleは、「丸石、ごろ石」という意味と「屋根板」の意味と両方ある。石の場合は、少し大きめなものを言うらしい。駅にはジャリが必要なので、石のほうがいいのかもと思ったりしますが、大きめの丸石ではヘンだし、かといって、屋根板というのも唐突。当時の様子がわかれば簡単なのですが 松本訳 p. 22では、「ホームの端につんだ屋根板」 Matthew, barely noting that it WAS a girl, sidled past her as quickly as possible without looking at her. 「sidle」横向きに歩く、こそこそ歩く。これはマシューに対して女の子たちがやるのと一緒（後にでてくる） Had he looked he could hardly have failed to notice the tense rigidity and expectation of her attitude and expression. 「attitude and expression」似たような言葉の繰り返し。強調するときの通常の方法だと思いますが、『Anne』ではよくでてきます She was sitting there waiting for something or somebody and, 「something or somebody」似たような言葉の繰り返し。ここでも since sitting and waiting was the only thing to do just then, 「sitting and waiting」似たような言葉の繰り返し。ここでも she sat and waited with all her might and main. 「sat and waited」似たような言葉の繰り返し。ここは上の「sitting and waiting」を受けて強調しまくり 「with might and main」成句：全力を尽して。Chapter XXXI with impressionもどうぞ Matthew encountered the stationmaster locking up the ticket office preparatory to going home for supper, and asked him if the five-thirty train would soon be along. "The five-thirty train has been in and gone half an hour ago," answered that brisk official. "But there was a passenger dropped off for you--a little girl. She s sitting out there on the shingles. I asked her to go into the ladies waiting room, but she informed me gravely that she preferred to stay outside. `There was more scope for imagination, she said. 「scope for imagination」ついに出た！想像の余地。しかし、初出はアン本人の言葉ではなく、駅長さんの伝聞 「scope for imagination」松本訳注第2章(3) p. 455参照 She s a case, I should say." 「case」ここでは、変人という意味がいちばんよさそう "I m not expecting a girl," said Matthew blankly. "It s a boy I ve come for. He should be here. Mrs. Alexander Spencer was to bring him over from Nova Scotia for me." The stationmaster whistled. "Guess there s some mistake," he said. "Mrs. Spencer came off the train with that girl and gave her into my charge. Said you and your sister were adopting her from an orphan asylum 「Said」She said の略 and that you would be along for her presently. That s all I know about it--and I haven t got any more orphans concealed hereabouts." "I don t understand," said Matthew helplessly, wishing that Marilla was at hand to cope with the situation. "Well, you d better question the girl," said the station- master carelessly. "I dare say she ll be able to explain-- she s got a tongue of her own, that s certain. Maybe they were out of boys of the brand you wanted." 「brand」品種、種類。ここではブランド品の意味ではない He walked jauntily away, being hungry, 「jauntily」あくまで陽気な駅長さん。unfortunateなマシューと対比させるためでしょう and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den-- 「bearding a lion in its den」松本訳注第2章(4) p. 455参照 walk up to a girl--a strange girl--an orphan girl--and demand of her why she wasn t a boy. 「girl」の繰り返し。３回！ とまどいというか、いやな様子を強調 Matthew groaned in spirit as he turned about and shuffled gently down the platform towards her. She had been watching him ever since he had passed her and she had her eyes on him now. Matthew was not looking at her and would not have seen what she was really like if he had been, but an ordinary observer would have seen this ここで、きちんとアンの様子が記述される。なんだかお芝居の脚本のような、むしろ、映画のような映像的な表現のような記述。この場面では、全身からアンの表情がわかるくらいまでざっとアップで撮られているけれども、見ている人にはその人物の「意思」のようなものまで読み取る間は与えないくらいの時間で、カメラが引いて（またはパンして）しまうように A child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish-gray wincey. 「garbe」（他動）職業や地位などがわかる服装をさせる。和訳が難しい動詞ですね She wore a faded brown sailor hat and beneath the hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled; 「much freckled」そばかすだらけ her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others. So far, the ordinary observer; an extraordinary observer might have seen that the chin was very pointed and pronounced; 「very pointed and pronounced」ここでも似たような言葉の繰り返し。あごが「とがって、はっきりした輪郭」／同じ単語で「言葉や意見が鋭い、決然たる」という意味もある。似たような言葉を繰り返すだけではなく、意味を二重に使っている。なので、「no commonplace soul inhabited」と最後に結論づけることになる。源氏物語を読むときに気をつけなければならないのと同じような言葉の遊びがある、とするのは考えすぎでしょうか that the big eyes were full of spirit and vivacity; 「spirit and vivacity」ここでも似たような言葉の繰り返し that the mouth was sweet-lipped and expressive; 「sweet-lipped and expressive」ここでも that the forehead was broad and full; 「broad and full」ここでも in short, 「in short」ここまでしつこく書いてきたのにまだ書くことはなかろう、とちょっと突っ込みたくなってしまったり…… our discerning extraordinary observer might have concluded that no commonplace soul inhabited the body of this stray woman- child of whom shy Matthew Cuthbert was so ludicrously afraid. 「stray woman-child」stray は、迷っている、はぐれた。ここでは、あまり深い意味がなく、孤児の女の子を言い替えているだけのような気はしますが、何か連想するものがあるのかもしれません Matthew, however, was spared the ordeal of speaking first, for as soon as she concluded that he was coming to her she stood up, grasping with one thin brown hand the handle of a shabby, old-fashioned carpet-bag; the other she held out to him. バッグを左手、握手は右手、でしょう、ふつうなら "I suppose you are Mr. Matthew Cuthbert of Green Gables?" 「I suppose you are...?」ちょっと丁寧に尋ねている。少なくとも Are you ...? と尋ねてしまったら、尋問になってしまう。マシューが尋ねるなら、子供に対してだからいいけど she said in a peculiarly clear, sweet voice. 「in a peculiarly clear, sweet voice」読者がアンのおしゃべりに引き込まれる仕組みがここにも。独特な澄んだかわいらしい声 "I m very glad to see you. I was beginning to be afraid you weren t coming for me and I was imagining all the things that might have happened to prevent you. I had made up my mind that if you didn t come for me to-night I d go down the track to that big wild cherry-tree at the bend, 「at the bend」曲ったところで、とするのでいいと思うのですが、around the bend で、気がおかしくなって、という意味がある。この a case である女の子のおしゃべりの中で使われると、気がおかしい、の意味が連想されるのではないでしょうか and climb up into it to stay all night. I wouldn t be a bit afraid, and it would be lovely to sleep in a wild cherry-tree all white with bloom in the moonshine, don t you think? You could imagine you were dwelling in marble halls, couldn t you? 「You could imagine you were dwelling in marble halls, couldn t you?」松本訳注第2章(5) p. 455参照 And I was quite sure you would come for me in the morning, if you didn t to-night." 「to-night」これはtonightではないでしょうか。スキャン（グーテンベルグプロジェクトでの）の具合でハイフンが入っただけではないかと思います。PUffin Books版では、tonight Matthew had taken the scrawny little hand awkwardly in his; then and there he decided what to do. He could not tell this child with the glowing eyes that there had been a mistake; he would take her home and let Marilla do that. She couldn t be left at Bright River anyhow, no matter what mistake had been made, so all questions and explanations might as well be deferred until he was safely back at Green Gables. "I m sorry I was late," he said shyly. "Come along. The horse is over in the yard. Give me your bag." "Oh, I can carry it," the child responded cheerfully. "It isn t heavy. I ve got all my worldly goods in it, 「all my worldly goods」松本訳注第2章(6) p. 456参照 but it isn t heavy. And if it isn t carried in just a certain way the handle pulls out--so I d better keep it because I know the exact knack of it. It s an extremely old carpet-bag. Oh, I m very glad you ve come, even if it would have been nice to sleep in a wild cherry-tree. We ve got to drive a long piece, haven t we? Mrs. Spencer said it was eight miles. 「it was eight miles」時制の一致をしているのですが、今、英作文をするなら、it is eight miles と現在形にするのが望ましいと指導されようというところ。eight milesはスペンサー夫人が話したときでも、アンが話しているときでも変わらない真実として扱っていいので。でも、この『アン』が書かれた100年前は時制の一致は、事実関係よりも話したことに忠実に時制をずらす（it isと言ったことを、saidと過去形で表現するため）のが適切だったのかもしれません I m glad because I love driving. Oh, it seems so wonderful that I m going to live with you and belong to you. 「live with you and belong to you」ここでも繰り返し。これはアンの言葉なので切実さになるし、かわいらしい。また、houseとhomeを区別している表現と考えることもできるのでしょう I ve never belonged to anybody--not really. But the asylum was the worst. I ve only been in it four months, but that was enough. I don t suppose you ever were an orphan in an asylum, so you can t possibly understand what it is like. It s worse than anything you could imagine. Mrs. Spencer said it was wicked of me to talk like that, but I didn t mean to be wicked. It s so easy to be wicked without knowing it, isn t it? They were good, you know--the asylum people. But there is so little scope for the imagination in an asylum-- 「scope for the imagination」やっとアンの口から出た、想像の余地。でも、imagination に the がついていて、駅長さんの言ったのとちょっと違います。in an asylum と特定されているからかもしれません。次に出てくるときは、the なしですし only just in the other orphans. It was pretty interesting to imagine things about them--to imagine that perhaps the girl who sat next to you was really the daughter of a belted earl, 「a belted earl」beltedは、礼帯を着けた、筋のいい。earlは伯爵（イギリスの。イギリス以外の伯爵はcount）。a belted earl は、礼帯を着けた伯爵。それとも、やんごとなき伯爵（？）と訳したほうがいいかしら who had been stolen away from her parents in her infancy by a cruel nurse who died before she could confess. 「nurse」この文脈では、乳母 「confess」告白する。アンにとっては、重要な言葉（行為？） I used to lie awake at nights and imagine things like that, because I didn t have time in the day. I guess that s why I m so thin--I AM dreadful thin, ain t I? There isn t a pick on my bones. 「pick」一時期の収穫量。辞書に？？？ I do love to imagine I m nice and plump, with dimples in my elbows." 「with dimples in my elbows」ひじにえくぼができる。ふっくらとしているのがよいとの考え。今とかなり違う。CHAPTER XIII? The Delights of Anticipation では、毎朝ひじにえくぼができていないかと見ている。アラン夫人の頬のえくぼにあこがれているし（CHAPTER XXI? A New Departure in Flavorings）、ダイアナには（顔に）えくぼがあるのにアンにはないと嘆く場面がCHAPTER XXXIII The Hotel Concert にある。と、ふっくらにあこがれ続けるアンなのです With this Matthew s companion stopped talking, 「With this」こう言ってから 「Matthew s companion」もちろんアンのこと。英語らしく言い替えが頻繁 partly because she was out of breath and partly because they had reached the buggy. Not another word did she say until they had left the village and were driving down a steep little hill, the road part of which had been cut so deeply into the soft soil, that the banks, fringed with blooming wild cherry-trees and slim white birches, were several feet above their heads. The child put out her hand and broke off a branch of wild plum that brushed against the side of the buggy. 「The child」もちろんアンのこと "Isn t that beautiful? What did that tree, leaning out from the bank, all white and lacy, make you think of?" she asked. "Well now, I dunno," said Matthew. 「Well now」マシューの口癖。翻訳する人は、花岡訳が「そうさな」だったので、違いを出しても出さなくても大変。「そうさな」（松本訳）、「さァてね／そうだね」（中村訳）、「そうさのう」（神山訳）、「そうさな」（茅野訳）、「その、なんだ」（掛川訳） 「Well now」はマシューの口癖ではありますが、『アン』の中では48回しか出てきません（十分多い？） 「I dunno」これはもちろん I don t know の t の音が出ていないしゃべり方の音のとおりに表わしたもの "Why, a bride, of course--a bride all in white with a lovely misty veil. I ve never seen one, but I can imagine what she would look like. I don t ever expect to be a bride myself. I m so homely nobody will ever want to marry me-- 「homely」家庭的な、質素な、不器量な。アンが自分が美人じゃないと言っている。homelyが器量よしではないという表現なのは裏返すと、美人は家事ができないという（暗黙の）前提があるのかもしれません（洋の東西を問わない、のかもしれませんが） unless it might be a foreign missionary. I suppose a foreign missionary mightn t be very particular. 「particular」好みにやかましい But I do hope that some day I shall have a white dress. That is my highest ideal of earthly bliss. 「my highest ideal of earthly bliss」big words! earthly 地上の／この世の。bliss 無上の幸福、至福 I just love pretty clothes. And I ve never had a pretty dress in my life that I can remember--but of course it s all the more to look forward to, isn t it? And then I can imagine that I m dressed gorgeously. This morning when I left the asylum I felt so ashamed because I had to wear this horrid old wincey dress. All the orphans had to wear them, you know. A merchant in Hopeton last winter donated three hundred yards of wincey to the asylum. 「three hundred yards」300ヤード。1ヤード＝3フィート＝91.4 cm なので、274 m 「yards」掛川 訳では「ヤール」。業界用語ではヤールのほうがいいのかもしれません。岩波国語辞典 第二版（ちょっと古いですが）には、「織物の長さの単位。ヤードと同じ。▽yardをオランダ語風に読んだなまり。」とあります。 Some people said it was because he couldn t sell it, but I d rather believe that it was out of the kindness of his heart, wouldn t you? When we got on the train I felt as if everybody must be looking at me and pitying me. But I just went to work and imagined that 「went to work and imagined that」that以下のことを想像することに取りかかった。and を to に置きかえるとわかりやすいような気がしますが、そんな使いかたがあるのかどうかは不明。to が二重になるのはよくないように思いますし I had on the most beautiful pale blue silk dress--because when you ARE imagining you might as well imagine something worth while--and a big hat all flowers and nodding plumes, 「a big hat all flowers and nodding plumes」花と揺れる大きな羽飾りのついた帽子。[[CHAPTER XI CHAPTER XI with impression]]Anne s Impressions of Sunday-School で実現しようとする。ここに伏線あり and a gold watch, and kid gloves and boots. I felt cheered up right away and I enjoyed my trip to the Island with all my might. 「the Island」もちろんプリンスエドワード島 「with all my might」これはbig wordsではない？ I wasn t a bit sick coming over in the boat. Neither was Mrs. Spencer although she generally is. She said she hadn t time to get sick, watching to see that I didn t fall overboard. She said she never saw the beat of me for prowling about. 「beat」まさる人物 But if it kept her from being seasick it s a mercy I did prowl, isn t it? And I wanted to see everything that was to be seen on that boat, because I didn t know whether I d ever have another opportunity. Oh, there are a lot more cherry-trees all in bloom! This Island is the bloomiest place. I just love it already, 「it」もちろんプリンスエドワード島。hereと言ってしまいそうですが、itですよね and I m so glad I m going to live here. I ve always heard that Prince Edward Island was the prettiest place in the world, and I used to imagine I was living here, プリンスエドワード島が世界一と、モードの思いをアンに語らせている。この思いが、プリンスエドワード島のその後の歴史に大きく影響したに違いありません but I never really expected I would. It s delightful when your imaginations come true, isn t it? But those red roads are so funny. When we got into the train at Charlottetown 「Charlottetown」松本訳注第2章(7) p. 456参照 and the red roads began to flash past 「red roads」松本訳注第2章(8) p. 456参照 I asked Mrs. Spencer what made them red and she said she didn t know and for pity s sake not to ask her any more questions. She said I must have asked her a thousand already. I suppose I had, too, but how you going to find out about things if you don t ask questions? And what DOES make the roads red?" "Well now, I dunno," said Matthew. "Well, that is one of the things to find out sometime. Isn t it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive-- it s such an interesting world. アンのこの前向きな性格が、この物語をすばらしいものにしている It wouldn t be half so interesting if we know all about everything, would it? There d be no scope for imagination then, would there? 「scope for imagination」想像の余地は結構安売りしているような気がする But am I talking too much? People are always telling me I do. Would you rather I didn t talk? If you say so I ll stop. I can STOP when I make up my mind to it, although it s difficult." Matthew, much to his own surprise, was enjoying himself. Like most quiet folks he liked talkative people when they were willing to do the talking themselves and did not expect him to keep up his end of it. But he had never expected to enjoy the society of a little girl. 「society」一緒にいること Women were bad enough in all conscience, but little girls were worse. He detested the way they had of sidling past him timidly, 「sidling past him」自分がされるのはいやなのに、マシューはアンに対しても同じことをした（上のほうで、sidled past her） with sidewise glances, as if they expected him to gobble them up at a mouthful if they ventured to say a word. That was the Avonlea type of well-bred little girl. But this freckled witch was very different, 「this freckled witch」このそばかすの魔女。CHAPTER III? Marilla Cuthbert is Surprised では、マシューはマリラに「Matthew Cuthbert, I believe that child has bewitched you!」と魔法をかけられたに違いないと言われる。CHAPTER VII? Anne Says Her Prayers にも「this freckled witch」とアンが表現されるけれども、キリスト教をよく知らないという文脈でのwitchなので、異教徒のニュアンスがある。しかし、ここでは、そういう意味はないはず。アンがwitchと言われるのはこの2ヶ所だけ and although he found it rather difficult for his slower intelligence to keep up with her brisk mental processes he thought that he "kind of liked her chatter." 「kind of」（副）［話］幾分、やや、ちょっと。ダブルクォーテーションで囲んで、「魔法」をかけられたのを示すのはわかるのですが、そこに kind of との見慣れない副詞句があるとわかりづらさ倍増。英語の口語を体験として知らないとこうなるのね…… So he said as shyly as usual "Oh, you can talk as much as you like. I don t mind." "Oh, I m so glad. I know you and I are going to get along together fine. It s such a relief to talk when one wants to and not be told that children should be seen and not heard. 「children should be seen and not heard」松本訳注第2章(9) p. 456参照 I ve had that said to me a million times if I have once. And people laugh at me because I use big words. But if you have big ideas you have to use big words to express them, haven t you?" 「big words」大げさな言葉。big wordsを連発するのはアンのおしゃべりの特徴ですが、big words そのものの話題は、意外にも、ここのほかは、CHAPTER XXVI with impression The Story Club Is Formed と CHAPTER XXXI with impression Where the Brook and River Meet だけ "Well now, that seems reasonable," said Matthew. "Mrs. Spencer said that my tongue must be hung in the middle. But it isn t--it s firmly fastened at one end. Mrs. Spencer said your place was named Green Gables. I asked her all about it. And she said there were trees all around it. I was gladder than ever. I just love trees. これは、前章CHAPTER I with impression Mrs. Rachel Lynde is Surprised で レイチェル夫人が「Trees aren t much company」と言っているのに呼応しているように思います。では、グリーンゲイブルズに住むようになってから、アンがどのように木が好きなのかが具体的に表わされるのは、CHAPTER XI with impression? Anne s Impressions of Sunday-School で、アンは独り言を言っているか木や花に話し掛けると、ジェリー・ブートが話をしていた、というところでしょうか And there weren t any at all about the asylum, only a few poor weeny-teeny things out in front with little whitewashed cagey things about them. 「weeny-teeny」繰り返して音が心地いいコトバ。どちらも（口）でちっちゃい、の意味。teeny は、tinyから、かも They just looked like orphans themselves, those trees did. It used to make me want to cry to look at them. I used to say to them, `Oh, you POOR little things! If you were out in a great big woods with other trees all around you and little mosses and Junebells growing over your roots 「Junebells」松本訳注第2章(10) p. 457参照 and a brook not far away and birds singing in you branches, you could grow, couldn t you? But you can t where you are. I know just exactly how you feel, little trees. I felt sorry to leave them behind this morning. You do get so attached to things like that, don t you? 「attached」好きだ Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there s one right below the house." "Fancy. 「Fancy.」Puffin Books では、Fancy! とエクスクラメーショーンマーク付き。この喜びの言葉は珍しくはないのでしょうか…… It s always been one of my dreams to live near a brook. I never expected I would, though. Dreams don t often come true, do they? Wouldn t it be nice if they did? But just now I feel pretty nearly perfectly happy. I can t feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew s eyes. Matthew was not used to deciding on the tints of ladies tresses, but in this case there couldn t be much doubt. "It s red, ain t it?" he said. 「ain t it」ここは、isn t it ではないでしょうか。「正しい」文法なら。と書いてみたのですが念のため辞書を見ると、ain t は am not だけでなく、are ［is, have, has］ not でもあるようです。話しことばは難しい The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. 「the ages」積年の、という感じでしょうか "Yes, it s red," she said resignedly. "Now you see why I can t be perfectly happy. Nobody could who has red hair. 「Nobody could who has red hair.」松本訳注第2章(11) p. 457参照 I don t mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. 「violet eyes」アンは自分の作ったお話の中で Geraldine Seymour がpurple の眼を持つことにするが、ダイアナにそんな人は見たことがないと付っ込まれる（CHAPTER XXVI with impression The Story Club Is Formed） But I CANNOT imagine that red hair away. I do my best. I think to myself, `Now my hair is a glorious black, black as the raven s wing. But all the time I KNOW it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn t red hair. Her hair was pure gold rippling back from her alabaster brow. 「brow」松本訳注第2章(12) p. 457参照 What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I m afraid I can t," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go- round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven t," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don t know exactly." "Neither do I. I can never decide. But it doesn t make much real difference for it isn t likely I ll ever be either. It s certain I ll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" つづきはこちら CHAPTER I UP CHAPTER II つづき 8 October 2007 *1 ウィキペディアが全て正しいと考えているわけではありません。 とはいえ、写真は有用であること、また、読んでみて、それなりに適切と思う ものはリンクしてもいいと考えています。そこで、いい情報になりそうなもの にはリンクを張りました。ただし、リンク先は時間が経つと変わってしまう可 能性がありますので、ご注意を 今日 - | 昨日 - | Total - since 8 October 2007 last update 2007-10-08 17 07 40 (Mon)
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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese' behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Kiddy fiddlers quivering after teacher's arrest blows lid on Hokkaido child porn biz教師が逮捕されたので震えおののく、子供をくいものにする連中が、北海道の児童ポルノ犯罪の内情をぶちまける 参考資料 拡散状況 関連ページ Kiddy fiddlers quivering after teacher's arrest blows lid on Hokkaido child porn biz 教師が逮捕されたので震えおののく、子供をくいものにする連中が、北海道の児童ポルノ犯罪の内情をぶちまける 0 Kiddy fiddlers quivering after teacher's arrest blows lid on Hokkaido child porn biz 2008,01,07 Weekly Playboy 12/24-31 By Ryann Connell 教師が逮捕されたので震えおののく、子供をくいものにする連中が、北海道の児童ポルノ犯罪の内情をぶちまける 週刊プレイボーイ 12/24-31 ライアン・コネル記 1 Shockwaves continue to reverberate months after the arrest of public elementary school vice principal Takayuki Hosoda on kiddy porn charges, according to Weekly Playboy (12/24-31). 公立小学校教頭・細田孝幸が児童ポルノの容疑で逮捕されて数カ月たっていまだ、衝撃の余波が鳴り響いている。 週刊プレイボーイ(12/24-31)より。 2 Hosoda is on remand awaiting trial on a charge of violating the law banning child pornography following his arrest in October last year for allegedly paying a 16-year-old schoolgirl 6,000 yen for sex. 細田は、セックスの代価として16歳の女子生徒に六千円を払ったとして、昨年の十月に逮捕された後、再拘留されて、児童ポルノ禁止法違反の容疑にたいする裁判を待っている。 3 A subsequent police raid on the vice principal's home is said to have unearthed photos of 260 underage girls, 330 DVDs featuring obscene images and a brace of schoolgirl uniforms. Police say Hosoda took obscene photos of over 600 underage girls and sent the images to various lowbrow publications, earning over 18 million yen in the seven years from 2000. 逮捕の結果行われた、教頭の自宅への警察の家宅捜査によって、未成年の少女二百六十人の写真、わいせつな映像がうつっているDVD三百三十枚、そして女子生徒の制服ひと揃いが発見されたといわれている。 警察によると、細田は六百人を超える未成年の少女のわいせつな写真をとり、その写真をいろいろな低俗雑誌あてに送り、2000年から七年間の間に千八百万円以上の報酬を得た。 4 Hosoda's arrest shocked Hokkaido and some of the more unsavory elements of Japan's publishing industry. 細田の逮捕は、北海道と、日本の出版業界におけるますます不道徳になっていくいくつかの出版社に、衝撃を与えた。 5 "We adored Hosoda because he'd send us absolutely loads of photos of cute young girls. Photos from Hosoda almost guaranteed better sales," the editor one magazine, made up of readers' photos, tells Weekly Playboy. 「細田は私たちにかわいい若い少女の写真をとてもたくさん送ってくれたので、私たちは細田をありがたく思っていました。細田の写真があれば、大いに売れることがまず間違いありませんでした」と、ある読者投稿写真雑誌の編集者は、週刊プレイボーイに語る。 6 There's nothing illegal in taking erotic photos. That is, unless the subject is underage and, like Hosoda is accused of doing, also lured into having sex. Magazines that publish photos of girls under 17 are also liable to prosecution and in the ensuing months since Hosoda's arrest, his apprehension has made the magazines re-think how they do business. エロティックな写真を撮る事自体は、なんら違法なことではない。ただし、被写体が未成年で、細田がそうしたと訴えられているように、セックスするように誘惑した場合は別である。 十七歳未満の少女の写真を出版する雑誌もまた起訴されそうで、細田が拘束されたことで、その後数カ月の間に、雑誌社は商売のやり方を考え直した。 7 "Frankly speaking, the only way you can tell if a girl in a photo is over 18 is by looking at her. It's a fact that this case has made police look much closer at what we're doing. If we do run a photo of an underage girl and the police can find out exactly who she is and how old she is, that's the end of our magazine," another editor of a readers' contribution magazine says. "Even if we know a girl is 18 or 20, we won't run her photos now if she even looks younger than that because it's too risky. Hokkaido, where Hosoda came from, has traditionally been a great supplier of young girls' photos. I think one reason may be because the girls in the wide open spaces of Hokkaido are a bit more relaxed than in other parts of the country. So we've made sure we pay extra special attention to any submissions we get from Hokkaido." 「正直なところ、写真の少女が十八歳より年上かどうかは、見た目で判断するしかありません。この事件によって、私たちがしていることを警察がより注意深く調べるようになったことは、事実です。もし、私たちが未成年の少女の写真を印刷して、警察がいったいその少女は誰で何歳かを突き止めることができれば、雑誌はおしまいです」と、別の読者投稿写真雑誌の編集者はいう。 「今では、たとえ少女が十八歳か二十歳かが私たちにわかっている時ですら、彼女がそれより年下に見える場合は、私たちは彼女の写真を印刷しません。あまりに危険が大きすぎますから。細田の出身地である北海道は、伝統的に若い少女の写真を大いに供給してきました。その理由はもしかすると、北海道の広く開放的な空間の中の少女は、日本の別の場所と比べて、ややおおらかだから、かもしれません。そんなわけで、私たちは北海道から送られてきた写真なら何でも、確実に特別に注目するようにしました。」 8 One man -- described only as "M", a Hokkaido resident and a reader of the magazines of the type that Hosoda used to contribute to -- says teenage girls in the northernmost island prefecture are ripe for plucking by predators. ある男――”M”とのみ記されていて、北海道の住民であり、細田が投稿したようなタイプの雑誌の読者である――は、日本の最北端・北海道のティーンエイジの少女は、ケダモノたちによる被害に遭いやすいという。 9 "Once women reach their 20s, they've picked up a bit of knowledge about how the world works and they'll very rarely let you take photos of them in the nude. Considering the likelihood they could be used against them, by being posted somewhere or to blackmail them, it's an understandable situation. But girls in their teens are defenseless and will soon strip off for about 5,000 yen in cash," M tells Weekly Playboy. "If someone goes to a matchmaking cafe, they can confirm with their own eyes whether a girl is cute and then negotiate a price if they want to. Since Hosoda's arrest, though, the police have been much stricter on matchmaking cafes. The cafes themselves are also stringently checking the girls' IDs. 「女性は二十代になると、世の中がある程度わかってきて、自分のヌード写真を撮らせることはめったにありません。どこかに投稿したり、彼女たちを脅迫したりといった、彼女たちとって写真を不利に使われる可能性を考えると、これは無理もない状況です。しかしティーンの少女は無防備で、現金約五千円のためにすぐに服を脱いでしまうでしょう」と、Mは週刊プレイボーイに語る。 「出会い喫茶に行けば、少女がかわいいかどうか自分の目で確認でき、そしてそうしたければ値段の交渉をできます。とはいえ細田の逮捕以来、警察の出会い喫茶に対する目はずっと厳重になりました。出会い喫茶自身、少女の身元を厳しく確認しています。 10 "The magazines are still attractive, though. If they run one of your photos, they'll pay around 5,000 yen for it. Send in a few photos of the same girl and you can get around 20,000 yen. That's enough to pay for the girl, the entrance fee to the matchmaking cafe and a love hotel afterward. It's one way to be able to mix business and pleasure." (By Ryann Connell) 「それでもまだ、投稿雑誌は魅力的です。写真が採用されて印刷されれば、彼らは一枚につき約五千円を払います。同一の少女の写真を数枚送れば、約二万円を手に入れられます。これだけあれば、少女、出会い喫茶の入店料、その後にいくラブホテルへの代金を、十分払えます。これは、趣味と実益を兼ねることができる、ひとつの方法です」(ライアン・コネル記) 参考資料 細田孝幸 http //blog.livedoor.jp/gakkou_news/archives/64801537.html 拡散状況 CRNジャパン(日本の子供の人権ネットワーク) http //www.crnjapan.com/abuse/aarticles/2008/en/20080107-porn_biz_hokkaido.html Japanese Style Noodles http //www.japanesestylenoodles.com/waiwai/archive20080107 SeekJapan http //www.seekjapan.jp/news/other/2008-01-08 WaiWai Archive http //www.mainichiwaiwai.com/waiwai/2008/01/ 関連ページ CRNジャパン(日本の子供の人権ネットワーク) Japanese Style Noodles SeekJapan WaiWai Archive 優先的に翻訳すべき記事リスト 北海道
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American Community, Technical, and Junior Colleges Oryx Pr? Dale Parnell? J. W. Peltason? OryxPr? DaleParnell? J.W.Peltason? ジャンル別? Substores-UnknownASINs-1? Subjects-Nonfiction-Education-College&University-General? Subjects-Science-Technology-General&Reference Myth, Oil, and Politics Introduction to the Political Economy of Petroleum Free Pr? Charles F. Doran? FreePr? CharlesF.Doran? ジャンル別? Substores-UnknownASINs-1? Subjects-Business&Investing-Economics-EconomicConditions? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-EconomicConditions? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicConditions? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Caring and Curing Health and Medicine in the Western Religious Traditions Macmillan Pub Co? MacmillanPubCo? ジャンル別? 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The Economic consequences of the peace Chapter II-Europe before the War Before 1870 different parts of the small continent of Europe had specialized in their own products; but, taken as a whole, it was substantially self-subsistent. And its population was adjusted to this state of affairs. After 1870 there was developed on a large scale an unprecedented situation, and the economic condition of Europe became during the next fifty years unstable and peculiar. The pressure of population on food, which had already been balanced by the accessibility of supplies from America, became for the first time in recorded history definitely reversed. As numbers increased, food was actually easier to secure. Larger proportional returns from an increasing scale of production became true of agriculture as well as industry. With the growth of the European population there were more emigrants on the one hand to till the soil of the new countries, and, on the other, more workmen were available in Europe to prepare the industrial products and capital goods which were to maintain the emigrant populations in their new homes, and to build the railways and ships which were to make accessible to Europe food and raw products from distant sources. Up to about 1900 a unit of labor applied to industry yielded year by year a purchasing power over an increasing quantity of food. It is possible that about the year 1900 this process began to be reversed, and a diminishing yield of Nature to man s effort was beginning to reassert itself. But the tendency of cereals to rise in real cost was balanced by other improvements; and—one of many novelties—the resources of tropical Africa then for the first time came into large employ, and a great traffic in oil-seeds began to bring to the table of Europe in a new and cheaper form one of the essential foodstuffs of mankind. In this economic Eldorado, in this economic Utopia, as the earlier economists would have deemed it, most of us were brought up. That happy age lost sight of a view of the world which filled with deep-seated melancholy the founders of our Political Economy. Before the eighteenth century mankind entertained no false hopes. To lay the illusions which grew popular at that age s latter end, Malthus disclosed a Devil. For half a century all serious economical writings held that Devil in clear prospect. For the next half century he was chained up and out of sight. Now perhaps we have loosed him again. What an extraordinary episode in the economic progress of man that age was which came to an end in August, 1914! The greater part of the population, it is true, worked hard and lived at a low standard of comfort, yet were, to all appearances, reasonably contented with this lot. But escape was possible, for any man of capacity or character at all exceeding the average, into the middle and upper classes, for whom life offered, at a low cost and with the least trouble, conveniences, comforts, and amenities beyond the compass of the richest and most powerful monarchs of other ages. The inhabitant of London could order by telephone, sipping his morning tea in bed, the various products of the whole earth, in such quantity as he might see fit, and reasonably expect their early delivery upon his doorstep; he could at the same moment and by the same means adventure his wealth in the natural resources and new enterprises of any quarter of the world, and share, without exertion or even trouble, in their prospective fruits and advantages; or be could decide to couple the security of his fortunes with the good faith of the townspeople of any substantial municipality in any continent that fancy or information might recommend. He could secure forthwith, if he wished it, cheap and comfortable means of transit to any country or climate without passport or other formality, could despatch his servant to the neighboring office of a bank for such supply of the precious metals as might seem convenient, and could then proceed abroad to foreign quarters, without knowledge of their religion, language, or customs, bearing coined wealth upon his person, and would consider himself greatly aggrieved and much surprised at the least interference. But, most important of all, he regarded this state of affairs as normal, certain, and permanent, except in the direction of further improvement, and any deviation from it as aberrant, scandalous, and avoidable. The projects and politics of militarism and imperialism, of racial and cultural rivalries, of monopolies, restrictions, and exclusion, which were to play the serpent to this paradise, were little more than the amusements of his daily newspaper, and appeared to exercise almost no influence at all on the ordinary course of social and economic life, the internationalization of which was nearly complete in practice. It will assist us to appreciate the character and consequences of the Peace which we have imposed on our enemies, if I elucidate a little further some of the chief unstable elements already present when war broke out, in the economic life of Europe. I. Population In 1870 Germany had a population of about 40,000,000. By 1892 this figure had risen to 50,000,000, and by June 30, 1914, to about 68,000,000. In the years immediately preceding the war the annual increase was about 850,000, of whom an insignificant proportion emigrated.[1] This great increase was only rendered possible by a far-reaching transformation of the economic structure of the country. From being agricultural and mainly self-supporting, Germany transformed herself into a vast and complicated industrial machine, dependent for its working on the equipoise of many factors outside Germany as well as within. Only by operating this machine, continuously and at full blast, could she find occupation at home for her increasing population and the means of purchasing their subsistence from abroad. The German machine was like a top which to maintain its equilibrium must spin ever faster and faster. In the Austro-Hungarian Empire, which grew from about 40,000,000 in 1890 to at least 50,000,000 at the outbreak of war, the same tendency was present in a less degree, the annual excess of births over deaths being about half a million, out of which, however, there was an annual emigration of some quarter of a million persons. To understand the present situation, we must apprehend with vividness what an extraordinary center of population the development of the Germanic system had enabled Central Europe to become. Before the war the population of Germany and Austria-Hungary together not only substantially exceeded that of the United States, but was about equal to that of the whole of North America. In these numbers, situated within a compact territory, lay the military strength of the Central Powers. But these same numbers—for even the war has not appreciably diminished them[2]—if deprived of the means of life, remain a hardly less danger to European order. European Russia increased her population in a degree even greater than Germany—from less than 100,000,000 in 1890 to about 150,000,000 at the outbreak of war;[3] and in the year immediately preceding 1914 the excess of births over deaths in Russia as a whole was at the prodigious rate of two millions per annum. This inordinate growth in the population of Russia, which has not been widely noticed in England, has been nevertheless one of the most significant facts of recent years. The great events of history are often due to secular changes in the growth of population and other fundamental economic causes, which, escaping by their gradual character the notice of contemporary observers, are attributed to the follies of statesmen or the fanaticism of atheists. Thus the extraordinary occurrences of the past two years in Russia, that vast upheaval of Society, which has overturned what seemed most stable—religion, the basis of property, the ownership of land, as well as forms of government and the hierarchy of classes—may owe more to the deep influences of expanding numbers than to Lenin or to Nicholas; and the disruptive powers of excessive national fecundity may have played a greater part in bursting the bonds of convention than either the power of ideas or the errors of autocracy. II. Organization The delicate organization by which these peoples lived depended partly on factors internal to the system. The interference of frontiers and of tariffs was reduced to a minimum, and not far short of three hundred millions of people lived within the three Empires of Russia, Germany, and Austria-Hungary. The various currencies, which were all maintained on a stable basis in relation to gold and to one another, facilitated the easy flow of capital and of trade to an extent the full value of which we only realize now, when we are deprived of its advantages. Over this great area there was an almost absolute security of property and of person. These factors of order, security, and uniformity, which Europe had never before enjoyed over so wide and populous a territory or for so long a period, prepared the way for the organization of that vast mechanism of transport, coal distribution, and foreign trade which made possible an industrial order of life in the dense urban centers of new population. This is too well known to require detailed substantiation with figures. But it may be illustrated by the figures for coal, which has been the key to the industrial growth of Central Europe hardly less than of England; the output of German coal grew from 30,000,000 tons in 1871 to 70,000,000 tons in 1890, 110,000,000 tons in 1900, and 190,000,000 tons in 1913. Round Germany as a central support the rest of the European economic system grouped itself, and on the prosperity and enterprise of Germany the prosperity of the rest of the Continent mainly depended. The increasing pace of Germany gave her neighbors an outlet for their products, in exchange for which the enterprise of the German merchant supplied them with their chief requirements at a low price. The statistics of the economic interdependence of Germany and her neighbors are overwhelming. Germany was the best customer of Russia, Norway, Holland, Belgium, Switzerland, Italy, and Austria-Hungary; she was the second best customer of Great Britain, Sweden, and Denmark; and the third best customer of France. She was the largest source of supply to Russia, Norway, Sweden, Denmark, Holland, Switzerland, Italy, Austria-Hungary, Roumania, and Bulgaria; and the second largest source of supply to Great Britain, Belgium, and France. In our own case we sent more exports to Germany than to any other country in the world except India, and we bought more from her than from any other country in the world except the United States. There was no European country except those west of Germany which did not do more than a quarter of their total trade with her; and in the case of Russia, Austria-Hungary, and Holland the proportion was far greater. Germany not only furnished these countries with trade, but, in the case of some of them, supplied a great part of the capital needed for their own development. Of Germany s pre-war foreign investments, amounting in all to about $6,250,000,000, not far short of $2,500,000,000 was invested in Russia, Austria-Hungary, Bulgaria, Roumania, and Turkey.[4] And by the system of "peaceful penetration" she gave these countries not only capital, but, what they needed hardly less, organization. The whole of Europe east of the Rhine thus fell into the German industrial orbit, and its economic life was adjusted accordingly. But these internal factors would not have been sufficient to enable the population to support itself without the co-operation of external factors also and of certain general dispositions common to the whole of Europe. Many of the circumstances already treated were true of Europe as a whole, and were not peculiar to the Central Empires. But all of what follows was common to the whole European system. III. The Psychology of Society Europe was so organized socially and economically as to secure the maximum accumulation of capital. While there was some continuous improvement in the daily conditions of life of the mass of the population, Society was so framed as to throw a great part of the increased income into the control of the class least likely to consume it. The new rich of the nineteenth century were not brought up to large expenditures, and preferred the power which investment gave them to the pleasures of immediate consumption. In fact, it was precisely the inequality of the distribution of wealth which made possible those vast accumulations of fixed wealth and of capital improvements which distinguished that age from all others. Herein lay, in fact, the main justification of the Capitalist System. If the rich had spent their new wealth on their own enjoyments, the world would long ago have found such a régime intolerable. But like bees they saved and accumulated, not less to the advantage of the whole community because they themselves held narrower ends in prospect. The immense accumulations of fixed capital which, to the great benefit of mankind, were built up during the half century before the war, could never have come about in a Society where wealth was divided equitably. The railways of the world, which that age built as a monument to posterity, were, not less than the Pyramids of Egypt, the work of labor which was not free to consume in immediate enjoyment the full equivalent of its efforts. Thus this remarkable system depended for its growth on a double bluff or deception. On the one hand the laboring classes accepted from ignorance or powerlessness, or were compelled, persuaded, or cajoled by custom, convention, authority, and the well-established order of Society into accepting, a situation in which they could call their own very little of the cake that they and Nature and the capitalists were co-operating to produce. And on the other hand the capitalist classes were allowed to call the best part of the cake theirs and were theoretically free to consume it, on the tacit underlying condition that they consumed very little of it in practice. The duty of "saving" became nine-tenths of virtue and the growth of the cake the object of true religion. There grew round the non-consumption of the cake all those instincts of puritanism which in other ages has withdrawn itself from the world and has neglected the arts of production as well as those of enjoyment. And so the cake increased; but to what end was not clearly contemplated. Individuals would be exhorted not so much to abstain as to defer, and to cultivate the pleasures of security and anticipation. Saving was for old age or for your children; but this was only in theory,—the virtue of the cake was that it was never to be consumed, neither by you nor by your children after you. In writing thus I do not necessarily disparage the practices of that generation. In the unconscious recesses of its being Society knew what it was about. The cake was really very small in proportion to the appetites of consumption, and no one, if it were shared all round, would be much the better off by the cutting of it. Society was working not for the small pleasures of to-day but for the future security and improvement of the race,—in fact for "progress." If only the cake were not cut but was allowed to grow in the geometrical proportion predicted by Malthus of population, but not less true of compound interest, perhaps a day might come when there would at last be enough to go round, and when posterity could enter into the enjoyment of our labors. In that day overwork, overcrowding, and underfeeding would have come to an end, and men, secure of the comforts and necessities of the body, could proceed to the nobler exercises of their faculties. One geometrical ratio might cancel another, and the nineteenth century was able to forget the fertility of the species in a contemplation of the dizzy virtues of compound interest. There were two pitfalls in this prospect lest, population till outstripping accumulation, our self-denials promote not happiness but numbers; and lest the cake be after all consumed, prematurely, in war, the consumer of all such hopes. But these thoughts lead too far from my present purpose. I seek only to point out that the principle of accumulation based on inequality was a vital part of the pre-war order of Society and of progress as we then understood it, and to emphasize that this principle depended on unstable psychological conditions, which it may be impossible to recreate. It was not natural for a population, of whom so few enjoyed the comforts of life, to accumulate so hugely. The war has disclosed the possibility of consumption to all and the vanity of abstinence to many. Thus the bluff is discovered; the laboring classes may be no longer willing to forego so largely, and the capitalist classes, no longer confident of the future, may seek to enjoy more fully their liberties of consumption so long as they last, and thus precipitate the hour of their confiscation. IV. The Relation of the Old World to the New The accumulative habits of Europe before the war were the necessary condition of the greatest of the external factors which maintained the European equipoise. Of the surplus capital goods accumulated by Europe a substantial part was exported abroad, where its investment made possible the development of the new resources of food, materials, and transport, and at the same time enabled the Old World to stake out a claim in the natural wealth and virgin potentialities of the New. This last factor came to be of the vastest importance. The Old World employed with an immense prudence the annual tribute it was thus entitled to draw. The benefit of cheap and abundant supplies resulting from the new developments which its surplus capital had made possible, was, it is true, enjoyed and not postponed. But the greater part of the money interest accruing on these foreign investments was reinvested and allowed to accumulate, as a reserve (it was then hoped) against the less happy day when the industrial labor of Europe could no longer purchase on such easy terms the produce of other continents, and when the due balance would be threatened between its historical civilizations and the multiplying races of other climates and environments. Thus the whole of the European races tended to benefit alike from the development of new resources whether they pursued their culture at home or adventured it abroad. Even before the war, however, the equilibrium thus established between old civilizations and new resources was being threatened. The prosperity of Europe was based on the facts that, owing to the large exportable surplus of foodstuffs in America, she was able to purchase food at a cheap rate measured in terms of the labor required to produce her own exports, and that, as a result of her previous investments of capital, she was entitled to a substantial amount annually without any payment in return at all. The second of these factors then seemed out of danger, but, as a result of the growth of population overseas, chiefly in the United States, the first was not so secure. When first the virgin soils of America came into bearing, the proportions of the population of those continents themselves, and consequently of their own local requirements, to those of Europe were very small. As lately as 1890 Europe had a population three times that of North and South America added together. But by 1914 the domestic requirements of the United States for wheat were approaching their production, and the date was evidently near when there would be an exportable surplus only in years of exceptionally favorable harvest. Indeed, the present domestic requirements of the United States are estimated at more than ninety per cent of the average yield of the five years 1909-1913.[5] At that time, however, the tendency towards stringency was showing itself, not so much in a lack of abundance as in a steady increase of real cost. That is to say, taking the world as a whole, there was no deficiency of wheat, but in order to call forth an adequate supply it was necessary to offer a higher real price. The most favorable factor in the situation was to be found in the extent to which Central and Western Europe was being fed from the exportable surplus of Russia and Roumania. In short, Europe s claim on the resources of the New World was becoming precarious; the law of diminishing returns was at last reasserting itself and was making it necessary year by year for Europe to offer a greater quantity of other commodities to obtain the same amount of bread; and Europe, therefore, could by no means afford the disorganization of any of her principal sources of supply. Much else might be said in an attempt to portray the economic peculiarities of the Europe of 1914. I have selected for emphasis the three or four greatest factors of instability,—the instability of an excessive population dependent for its livelihood on a complicated and artificial organization, the psychological instability of the laboring and capitalist classes, and the instability of Europe s claim, coupled with the completeness of her dependence, on the food supplies of the New World. The war had so shaken this system as to endanger the life of Europe altogether. A great part of the Continent was sick and dying; its population was greatly in excess of the numbers for which a livelihood was available; its organization was destroyed, its transport system ruptured, and its food supplies terribly impaired. It was the task of the Peace Conference to honor engagements and to satisfy justice; but not less to re-establish life and to heal wounds. These tasks were dictated as much by prudence as by the magnanimity which the wisdom of antiquity approved in victors. We will examine in the following chapters the actual character of the Peace. FOOTNOTES [1] In 1913 there were 25,843 emigrants from Germany, of whom 19,124 went to the United States. [2] The net decrease of the German population at the end of 1918 by decline of births and excess of deaths as compared with the beginning of 1914, is estimated at about 2,700,000. [3] Including Poland and Finland, but excluding Siberia, Central Asia, and the Caucasus. [4] Sums of money mentioned in this book in terms of dollars have been converted from pounds sterling at the rate of $5 to £1. [5] Even since 1914 the population of the United States has increased by seven or eight millions. As their annual consumption of wheat per head is not less than 6 bushels, the pre-war scale of production in the United States would only show a substantial surplus over present domestic requirements in about one year out of five. We have been saved for the moment by the great harvests of 1918 and 1919, which have been called forth by Mr. Hoover s guaranteed price. But the United States can hardly be expected to continue indefinitely to raise by a substantial figure the cost of living in its own country, in order to provide wheat for a Europe which cannot pay for it.
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DRITTER AKT （Hügelland. Ein Weg im Hintergrund oben und ein Weg im Vordergrund unten, durch einen Pfad verbunden. Nacht; bewölkter Himmel mit manchmal durchbrechendem Mondschein.） ERSTE SZENE ▼FRASQUITA▲ （kommt den oberen Weg und läuft den Pfad herunter; sieht sich lauschend um） Sonderbare Nachtgeräusche folgen mir von Ort zu Ort. Wie ich mich beständig täusche! Schritte hör ich fort und fort. （Lukas lauft auf dem oberen Wege vorüber） Oder ist's mein eignes Blut, das mir in den Ohren saust? （Der Mond kommt hervor） Neugier'ger Mond, du hast uns belauscht, als wir der Liebe Geständnis getauscht. Erster Bezeigung Glühender Neigung warst du ein lieber Vertrauter. （Repela kommt auf dem untern Weg und bleibt in einiger Entfernung stehen） So hilf mir nun treu, verrate mich nicht. Birg heute in Wolken dein strahlendes Licht! Nächtlich sich Schleichenden, heimlich Hinstreichenden bist du kein lieber Vertrauter. ZWEITE SZENE （Die Vorigen, Repela näherkommend） ▼FRASQUITA▲ （erschrickt, fasst sich aber gleich） Wer ist's? Was wollt ihr? ▼REPELA▲ Kein Wolf, ein zahmes Tier! ▼FRASQUITA▲ Ach du! Was suchst du hier? ▼REPELA▲ （nimmt eine Priese, niest） Wenn sich schöne Frauen rüsten, nächtlich über Lend zu gehn, sollten sie doch die Begleitung eines Ritters nicht verschmähn! ▼FRASQUITA▲ Hat dein Herr nach mir geschickt? Will er zurück mich holen lassen, der Schändliche, der Bösewicht? ▼REPELA▲ Deiner Tugend opferfreud'gen Herold, warum schmähst du ihn? ▼FRASQUITA▲ Opferfreudig? Ha, ha! Er ist meiner Tugend sittenloser Feind. ▼REPELA▲ Unerprobt, wär sie denn Tugend? Der die Prüfung dir bereitet, dich zu mut'ger Tat verleitet, höher als der Freunde besten schätze einen solchen Feind. ▼FRASQUITA▲ Willst du spottend mich verhöhnen? Oder suchst mich auszusöhnen mit den Lastern und Gebrechen, die dein Herr in sich vereint? Aber die Künste der Überredung, lieber Repela, lassen mich kalt. Mich zurück zu bringen wird dir nicht gelingen, weder mit Güte, noch mit Gewalt! （will davoneilen） ▼REPELA▲ （geheimnisvoll） Schlecht geraten! Andre Pläne führ ich gegen dich im Schild. ▼FRASQUITA▲ （umkehrend） Sag sie mir, ich bitte dich! ▼REPELA▲ Wenn du schmeichelst, fürcht ich mich. Sei doch wieder stolz und wild. ▼FRASQUITA▲ （schmeichlerisch） Herzens-Repela, was hast du im Sinn? ▼REPELA▲ Unwiderstehliche Schmeichlerin! ▼FRASQUITA▲ （ihn bei der Hand fassend） Repela, du bist ein Schelm. Nicht dart man im Ernste dich fassen. So kannst du dir ja im Scherz ein Wörtchen entschlüpfen lassen. （ihn streichelnd） Was führest du heimlich im Schild? Was ist dein Plan, dein Geheimnis? ▼REPELA▲ Ich fühl es, ich werde schwach plauder' ich aus mein Geheimnis? Es ist - ▼FRASQUITA▲ O, sprich! ▼REPELA▲ Es ist - ▼FRASQUITA▲ O, sprich! ▼REPELA▲ Es ist - Frasquita （dringend） O, sprich nur! ▼REPELA▲ Zeitversäumnis! ▼FRASQUITA▲ （sich ärgerlich zum Gehen wendend） So versäume denn deine Zeit allein! ▼REPELA▲ Also gehst du doch zum Arzt? ▼FRASQUITA▲ Kümmert's dich, wohin ich geh? ▼REPELA▲ Nein, so wenig wie den Schatten, der dir folgt, wohin es sei. ▼FRASQUITA▲ Nun, dann höre Zum Alkalden geh ich suchen meinen Mann! ▼REPELA▲ Lass das lieber sein und laufe nicht vom Regen in die Traufe! Weisst du auch, dass der Alka!de schönen Frauen seine Dienste nicht umsonst zu Füssen legt? ▼FRASQUITA▲ Ha, der sollte mir nur kommen! Ihr und euer Herr im Bunde wolltet alle mich verderben! Und nun liegt zur bösen Stunde der Corregidor im Sterben. Ah, die üppigen Gedanken werden ihm da wohl vergeh'n! ▼REPELA▲ Sage nicht nein, schicke dich drein! Dort oder hier immer bei dir bleibe ich gern nach dem Befehl des Herrn. Schlüpf in den Busch, eilig, husch, husch, über das Feld, wie's dir gefällt, ich hinterdrein, lasse dich nicht allein! Sähe uns wer von ungefähr, hielt er wohl gar uns für ein Paar, das auf der Flucht Freuden der Liebe sucht. Doch diese Frau nimmt es genau! Ehliche Treu' knüpft sie auf's Neu, ehe Gefahr noch im Verzuge war.... ▼FRASQUITA▲ （gleichzeitig） Muss es denn sein, schick ich mich drelnl Dort oder hier immer mit mir nehm ich dich gern Auf den Befehl des Herrn. Komm durch den Busch, eilig, husch, husch, über das Feld, schnurriger Held! Geh hinterdrein, lasse mich nicht allein! Sähe uns wer von ungefähr, hielt er wohl gar uns für ein Paar, das auf der Flucht Rettung vor Feinden sucht. Doch deiner Frau, Lukas, vertrau! Standhaft und treu steht sie dir bei! Dein immerdar, so im Glück wie in Gefahr! （Beide ab） Verwandlung Ein Instrumentalsatz leitet zur nächsten Szene über. （Küche in der Mühle wie zu Anfang des zweiten Aktes. Die Kleider des Corregidors hängen noch vor dem Feuer, welches beinahe niedergebrannt ist. Die Tür steht offen） DRITTE SZENE ▼LUKAS▲ （tritt herein） Nicht geschlossen? Nicht geschlossen! （besieht die Tür） Nur Frasquita konnte öffnen. Aber wie? Warum? Wozu? Auf Befehl? Aus freier Wahl? （lehnt sich fassungslos an den Türpfosten） Welches Todesschweigen! Ist sie wohl mit ihm gefloh'n? Oder hat er sie geraubt? Oder werd ich - werde beide finden hinter jener Tür? Jeder Schritt ein Schritt zum Tode! Lieber möcht ich an der Schwelle sterben, eh' Gewissheit, - ha! （erblickt die Kleider des Corregidors, stürzt auf sie hin und untersucht sie） Grässliche Gewissheit, ja! Aber nein, es ist nicht wahr! Meine Augen sind Betrüger. Lügner meine Hände! Welcher Teufel hat dem Schurken Macht gegeben, dieses Weib, freventlich mir zu entreissen! （Das Dokument auf dein Tisch bemerkend） Die Ernennung ihres Neffen! （sardonisch） Ich verstehe! ------- Hab ich immer doch geargwohnt, dass sie ihre Anverwandten mehr als ihren Gatten liebt! Aber Antwort, meine Antwort will ich ihr nicht schuldig bleiben! （ergreift die Donnerbüchse und ladet） Niemand kann mich sehen - Gott nur, Gott - und der hat dies gewollt! （schleicht zur Tür des Schlafzimmers, auf der ersten Stufe hält er inne） Wenn es dennoch Täuschung wäre? Muss es denn nicht Täuschung sein? Viele Möglichkeiten gibt es, tausend Möglichkeiten gäb es! （schleicht die Stufen hinauf） Wenn es Gott gefallen hätte, mich durch schlimmen Schein zu prüfen? （schaut durch das Schlüsselloch und prallt zurück） Sein Gesicht! Auf dem Kissen sein Gesicht! Nein, ich habe mich getäuscht! Eifersüchtiger Gedanken böse Hirngespinste sind's! （sieht noch einmal hin, Mit einer verzweiflungsvollen Gebärde gibt er zu erkennen, dass sein Verdacht sich bewahrheitet. Dann geht er stumm die Stufen herab und verbirgt sein Gesicht in den Händen. Pause） Da sieh ich betrogen, da sieh ich entehrt, und doch ist mir Ärmsten die Rache verwehrt. Ich könnte sie töten. Doch wären sie tot, so hätten die Leute mit mir ihren Spott. Verlachten, verhöhnten den buckligen Mann, der sich vor der Hochzeit nicht besser besann. Lachen würden sie, ja lachen, weil ich bucklig war und wagte, eine schöne Frau zu haben. Lachen aber will ich selbst, wenn ich meine Rache fand. Aber welche Rache, welche? Wenn ich -? Nein, so geht es nicht! Aber seine Frau? Auch sie ist ja eine schöne Frau! Und auch ich hab einen Buckel! （lacht auf） Ha, ha! Ja, das ist sublim! Entzückend! Das soll meine Rache sein! Ha, ha, ha, ha, ha, ha, ha! （beginnt, von Anfallen sarkastischen Gelächters unterbrochen, die Kleider des Corregidors anzuziehen） Schöne Frau Corregidora! Hätten Sie das wohl gedacht? Schöne Frau Corregidora! Guter Rat kommt über Nacht! （besieht sich mit Hohnlachen, ergreift Stock und Handschuhe, stülpt den Dreispitz tief in die Stirn. Mit einer drohenden Gebärde wendet er sich noch einmal der Tür des Schlafzimmers zu und geht langsam ab） FÜNFTE SZENE ▼CORREGIDOR▲ （im Nachtkleid, eine Zipfelmütze auf dem Kopfe, vorsichtig die Türe öffnend） Welcher Spuk tobt hier im Haus? Sässe nicht bei dem Alkalden Tio Lukas fest, ich schwüre, dass desselben rauhe Stimme und sein Lachen hier erscholl. Sind die Kleider erst getrocknet, so verlass ich dieses Haus, eh' der Morgen graut. （sucht seine Kleider） Was, zum Henker? Fremdes Zeug? Oh verdammt! Ward ich bestohlen? Liess ein Vagabund die Kleider hier zurück? Nun, um so besser! Unerkannt komm ich zur Stadt. （Während er sich ankleidet） Einst haben in toller Verwandlung auch Götter um Liebe gebuhlt, doch hol' mich der Teufel, es lohnte sich ihnen zuletzt die Geduld. Drum hüte dich, Müllerin! Länger nicht bin ich dein williger Tor! Es wandelt zum Herrn und Gebieter zurück sich der Corregidor. （Er hat des Müllers Kleider angezogen und die Felbelmütze aufgesetzt. Das Feuer im Kamin ist erloschen） SECHSTE SZENE Der Vorige. Frasquita, Repela, der Alkalde, Tonuelo ▼ALKALDE▲ （an der Tür, nach rückwärts gewendet） Ich als Amtsperson der Erste, Tonuelo, du der Zweite! Ihr, Frasquita, wartet draussen! （den Corregidor erblickend） Ha, da ist er ja! Im Namen Seiner Majestät! Ergebt Euch, Tio Lukas! （Der Corregidor will in das Schlafzimmer zurückflüchten） ▼TONUELO▲ Halt, Verräter! Fahren sollst du nun zur Hölle! （Er versetzt dem Corregidor einen Stoss ins Rückgrat und wirft ihn auf die Erde） ▼FRASQUITA▲ （gleichzeitig, sich auf Tonuelo stürzend und ihn ohrfeigend） Hund, lass meinen Lukas los! Lass ihn los, und auf der Stelle! ▼ALKALDE▲ （gleichzeitig, seinen Fuss dem Corregidor in den Magen pflanzend） Dein Entkommen dieses Mal hindre ich auf alle Fälle! ▼REPELA▲ （der sich mit ausgebreiteten Armen vor der Schlafzimmertür aufgestellt hat, gleichzeitig） Eines sag' ich Es betritt lebend keiner diese Schwelle! ▼CORREGIDOR▲ Hilfe! Hilf, Alkalde, Schaf! Siehst du nicht, dass ich es bin? ▼ALLE▲ （entsetzt） Der Corregidor! ▼CORREGIDOR▲ （wütend） Ins Gefängnis, an den Galgen! ▼ALKALDE▲ （niederkniend） Ach, hoher Herr, verzeiht! Wer hätte euer Gnaden erkannt in diesem Kleid? ▼CORREGIDOR▲ Weisst du nicht, dass eine Bande Räuber unter Tio Lukas meine Kleider mir geraubt? ▼FRASQUITA▲ （mit äusserster Heftigkeit auf den Corregidor zutretend） Lüge und Verrat! ▼REPELA▲ （während der Corregidor weiter mit dem Alkalden spricht） Liebe Müllerin, nun trachte deine Sache beizulegen, ehe des Gebieters Gunst sich von dir und Lukas wendet. Denn auf seiner Stirne seh ich schlimme Wetterzeichen stehn. ▼FRASQUITA▲ Hätte Lukas etwa Grund, diesen Mann um Gunst zu bitten? Weiss der Himmel, wo der Ärmste jetzt herumirrt, frech vertrieben aus dem eignen Haus! ▼REPELA▲ Tio Lukas geht zur Stunde, als Corregidor verkleidet, in der Stadt umher. ▼FRASQUITA▲ Was mag er verkleidet wollen? ▼REPELA▲ （zuckt die Achseln） Sicher ist nur, dass er hier offen fand die Eingangstür. Fand die Kleider meines Herrn - ▼FRASQUITA▲ Jesus! Also hält der Ärmste seine Gattin für entehrt? （zum Corregidor） Don Eugenio de Zurtiga! Fort ging mein unselger Mann, glaubend an die Schmach der Gattin, ging er fort von hier! ▼CORREGIDOR▲ （kalt） Wünscht, dass ihm nichts Schlimm'res droht! ▼FRASQUITA▲ Eurer Gattin zu berichten, was sich hier ereignet hat, ging er zürnend in die Stadt. ▼CORREGIDOR▲ （bestürzt） Eingebildete Geschichten! Dennoch wollen wir ihm nach, dass er mit erfundner Schmach meine Gattin nicht belüge. ▼REPELA▲ Ja, und gebe Gott, dass Lukas mit Erzählen sich begnüge! Die Verkleidung gibt zu denken. ▼CORREGIDOR▲ （aufbrausend） Glaubst du, dass er fähig wäre -? ▼FRASQUITA▲ O, zu allem ist er fähig! Geht es doch um seine Ehre! ▼REPELA▲ （zum Corregidor） Was mich auch so sehr erschreckt, dass in eures Rockes Schössen eures Hauses Schlüssel steckt! Glaubt ihr nicht, der Unbedachte strebt nach der Gebieterin -? ▼CORREGIDOR▲ （auffahrend） Meiner Frau? Wo denkst du hin? Ist sie nicht Corregidora? ▼FRASQUITA▲ Seht ihr's - euer Beispiel machte aus der Mühle ein Gomorrha. ▼CORREGIDOR▲ Juan Lopez, Tonuelo, Auf den Flüchtling geht zu fahnden! Bringt ihr ihn mir nicht zur Stelle, fürchterlich werd' ich es ahnden. ALKALDE und TONUELO Euer Gnaden, untertänigst bitten wir, uns zu vertraun. Unbegrenzt ist unser Eifer, Häuser dürft ihr auf uns baun! Treulich sorgend, dass das Auge des Gesetzes immer wacht, gönnen wir in unserm Amte Ruh uns weder Tag noch Nacht. Und wir schwören's! Den Verräter holen wir in Eile ein. Doch vor allem, euer Gnaden, müssen wir zur Stadt hinein. ▼FRASQUITA▲ （gleichzeitig） Solche Pläne, armer Lukas, mochte Rachsucht in dir braun! Deine Wege, deine Pläne, sie erfüllen mich mit Graun. Gegen deines Weibes Treue, Lukas, schöpftest du Verdacht, und Vergeltung willst du üben in des Nebenbuhlers Tracht? Aber noch in meinem Herzen sag ich "nein", es kann nicht sein! Doch vor allem ohne Säumen müssen wir zur Stadt hinein. ▼CORREGIDOR▲ （gleichzeitig） Uber dir soll nun der Himmel meiner Gunst nicht länger blaun; fühlen grimmiglich, Frasquita, wirst du bald des Löwen Klaun. Die du mich verspotten wolltest, Ubermütige, gib acht! Wenn ich grolle, wenn ich zürne, hab ich zu verderben Macht. Steckt nur Lukas erst im Kerker, dann, Frasquita, bist du mein! Doch vor allem, ich befehl es, müssen wir zur Stadt hinein. ▼REPELA▲ （gleichzeitig） Tugend hab ich nie bezweifelt, schmähe nicht das Herz der Fraun, doch verwechselt ist im Dunkeln leicht der Braune mit dem Graun. Und es kann gar wohl geschehen, da das Kleid die Leute macht, dass sich dieser Schwerenöter schliesslich noch ins Fäustchen lacht! Deshalb möchte ich zur Stunde nicht Corregidora sein. Doch vor allem, das ist sicher, müssen wir zur Stadt hinein. ▼CORREGIDOR▲ （mit gebieterischer Gebärde） Doch vor allem, ich befehl' es, Gehn wir nun zur Stadt hinein! （Alle rüsten sich zum Aufbruch, Ein Knecht führt vor dem offenen Tor zwei Mülleresel herbei, die von Frasquita und dem Corregidor bestiegen werden） DRITTER AKT Hügelland. Ein Weg im Hintergrund oben und ein Weg im Vordergrund unten, durch einen Pfad verbunden. Nacht; bewölkter Himmel mit manchmal durchbrechendem Mondschein. ERSTE SZENE FRASQUITA kommt den oberen Weg und läuft den Pfad herunter; sieht sich lauschend um Sonderbare Nachtgeräusche folgen mir von Ort zu Ort. Wie ich mich beständig täusche! Schritte hör ich fort und fort. Lukas lauft auf dem oberen Wege vorüber Oder ist's mein eignes Blut, das mir in den Ohren saust? Der Mond kommt hervor Neugier'ger Mond, du hast uns belauscht, als wir der Liebe Geständnis getauscht. Erster Bezeigung Glühender Neigung warst du ein lieber Vertrauter. Repela kommt auf dem untern Weg und bleibt in einiger Entfernung stehen So hilf mir nun treu, verrate mich nicht. Birg heute in Wolken dein strahlendes Licht! Nächtlich sich Schleichenden, heimlich Hinstreichenden bist du kein lieber Vertrauter. ZWEITE SZENE Die Vorigen, Repela näherkommend FRASQUITA erschrickt, fasst sich aber gleich Wer ist's? Was wollt ihr? REPELA Kein Wolf, ein zahmes Tier! FRASQUITA Ach du! Was suchst du hier? REPELA nimmt eine Priese, niest Wenn sich schöne Frauen rüsten, nächtlich über Lend zu gehn, sollten sie doch die Begleitung eines Ritters nicht verschmähn! FRASQUITA Hat dein Herr nach mir geschickt? Will er zurück mich holen lassen, der Schändliche, der Bösewicht? REPELA Deiner Tugend opferfreud'gen Herold, warum schmähst du ihn? FRASQUITA Opferfreudig? Ha, ha! Er ist meiner Tugend sittenloser Feind. REPELA Unerprobt, wär sie denn Tugend? Der die Prüfung dir bereitet, dich zu mut'ger Tat verleitet, höher als der Freunde besten schätze einen solchen Feind. FRASQUITA Willst du spottend mich verhöhnen? Oder suchst mich auszusöhnen mit den Lastern und Gebrechen, die dein Herr in sich vereint? Aber die Künste der Überredung, lieber Repela, lassen mich kalt. Mich zurück zu bringen wird dir nicht gelingen, weder mit Güte, noch mit Gewalt! will davoneilen REPELA geheimnisvoll Schlecht geraten! Andre Pläne führ ich gegen dich im Schild. FRASQUITA umkehrend Sag sie mir, ich bitte dich! REPELA Wenn du schmeichelst, fürcht ich mich. Sei doch wieder stolz und wild. FRASQUITA schmeichlerisch Herzens-Repela, was hast du im Sinn? REPELA Unwiderstehliche Schmeichlerin! FRASQUITA ihn bei der Hand fassend Repela, du bist ein Schelm. Nicht dart man im Ernste dich fassen. So kannst du dir ja im Scherz ein Wörtchen entschlüpfen lassen. ihn streichelnd Was führest du heimlich im Schild? Was ist dein Plan, dein Geheimnis? REPELA Ich fühl es, ich werde schwach plauder' ich aus mein Geheimnis? Es ist - FRASQUITA O, sprich! REPELA Es ist - FRASQUITA O, sprich! REPELA Es ist - Frasquita dringend O, sprich nur! REPELA Zeitversäumnis! FRASQUITA sich ärgerlich zum Gehen wendend So versäume denn deine Zeit allein! REPELA Also gehst du doch zum Arzt? FRASQUITA Kümmert's dich, wohin ich geh? REPELA Nein, so wenig wie den Schatten, der dir folgt, wohin es sei. FRASQUITA Nun, dann höre Zum Alkalden geh ich suchen meinen Mann! REPELA Lass das lieber sein und laufe nicht vom Regen in die Traufe! Weisst du auch, dass der Alka!de schönen Frauen seine Dienste nicht umsonst zu Füssen legt? FRASQUITA Ha, der sollte mir nur kommen! Ihr und euer Herr im Bunde wolltet alle mich verderben! Und nun liegt zur bösen Stunde der Corregidor im Sterben. Ah, die üppigen Gedanken werden ihm da wohl vergeh'n! REPELA Sage nicht nein, schicke dich drein! Dort oder hier immer bei dir bleibe ich gern nach dem Befehl des Herrn. Schlüpf in den Busch, eilig, husch, husch, über das Feld, wie's dir gefällt, ich hinterdrein, lasse dich nicht allein! Sähe uns wer von ungefähr, hielt er wohl gar uns für ein Paar, das auf der Flucht Freuden der Liebe sucht. Doch diese Frau nimmt es genau! Ehliche Treu' knüpft sie auf's Neu, ehe Gefahr noch im Verzuge war.... FRASQUITA gleichzeitig Muss es denn sein, schick ich mich drelnl Dort oder hier immer mit mir nehm ich dich gern Auf den Befehl des Herrn. Komm durch den Busch, eilig, husch, husch, über das Feld, schnurriger Held! Geh hinterdrein, lasse mich nicht allein! Sähe uns wer von ungefähr, hielt er wohl gar uns für ein Paar, das auf der Flucht Rettung vor Feinden sucht. Doch deiner Frau, Lukas, vertrau! Standhaft und treu steht sie dir bei! Dein immerdar, so im Glück wie in Gefahr! Beide ab Verwandlung Ein Instrumentalsatz leitet zur nächsten Szene über. Küche in der Mühle wie zu Anfang des zweiten Aktes. Die Kleider des Corregidors hängen noch vor dem Feuer, welches beinahe niedergebrannt ist. Die Tür steht offen DRITTE SZENE LUKAS tritt herein Nicht geschlossen? Nicht geschlossen! besieht die Tür Nur Frasquita konnte öffnen. Aber wie? Warum? Wozu? Auf Befehl? Aus freier Wahl? lehnt sich fassungslos an den Türpfosten Welches Todesschweigen! Ist sie wohl mit ihm gefloh'n? Oder hat er sie geraubt? Oder werd ich - werde beide finden hinter jener Tür? Jeder Schritt ein Schritt zum Tode! Lieber möcht ich an der Schwelle sterben, eh' Gewissheit, - ha! erblickt die Kleider des Corregidors, stürzt auf sie hin und untersucht sie Grässliche Gewissheit, ja! Aber nein, es ist nicht wahr! Meine Augen sind Betrüger. Lügner meine Hände! Welcher Teufel hat dem Schurken Macht gegeben, dieses Weib, freventlich mir zu entreissen! Das Dokument auf dein Tisch bemerkend Die Ernennung ihres Neffen! sardonisch Ich verstehe! ------- Hab ich immer doch geargwohnt, dass sie ihre Anverwandten mehr als ihren Gatten liebt! Aber Antwort, meine Antwort will ich ihr nicht schuldig bleiben! ergreift die Donnerbüchse und ladet Niemand kann mich sehen - Gott nur, Gott - und der hat dies gewollt! schleicht zur Tür des Schlafzimmers, auf der ersten Stufe hält er inne Wenn es dennoch Täuschung wäre? Muss es denn nicht Täuschung sein? Viele Möglichkeiten gibt es, tausend Möglichkeiten gäb es! schleicht die Stufen hinauf Wenn es Gott gefallen hätte, mich durch schlimmen Schein zu prüfen? schaut durch das Schlüsselloch und prallt zurück Sein Gesicht! Auf dem Kissen sein Gesicht! Nein, ich habe mich getäuscht! Eifersüchtiger Gedanken böse Hirngespinste sind's! sieht noch einmal hin, Mit einer verzweiflungsvollen Gebärde gibt er zu erkennen, dass sein Verdacht sich bewahrheitet. Dann geht er stumm die Stufen herab und verbirgt sein Gesicht in den Händen. Pause Da sieh ich betrogen, da sieh ich entehrt, und doch ist mir Ärmsten die Rache verwehrt. Ich könnte sie töten. Doch wären sie tot, so hätten die Leute mit mir ihren Spott. Verlachten, verhöhnten den buckligen Mann, der sich vor der Hochzeit nicht besser besann. Lachen würden sie, ja lachen, weil ich bucklig war und wagte, eine schöne Frau zu haben. Lachen aber will ich selbst, wenn ich meine Rache fand. Aber welche Rache, welche? Wenn ich -? Nein, so geht es nicht! Aber seine Frau? Auch sie ist ja eine schöne Frau! Und auch ich hab einen Buckel! lacht auf Ha, ha! Ja, das ist sublim! Entzückend! Das soll meine Rache sein! Ha, ha, ha, ha, ha, ha, ha! beginnt, von Anfallen sarkastischen Gelächters unterbrochen, die Kleider des Corregidors anzuziehen Schöne Frau Corregidora! Hätten Sie das wohl gedacht? Schöne Frau Corregidora! Guter Rat kommt über Nacht! besieht sich mit Hohnlachen, ergreift Stock und Handschuhe, stülpt den Dreispitz tief in die Stirn. Mit einer drohenden Gebärde wendet er sich noch einmal der Tür des Schlafzimmers zu und geht langsam ab FÜNFTE SZENE CORREGIDOR im Nachtkleid, eine Zipfelmütze auf dem Kopfe, vorsichtig die Türe öffnend Welcher Spuk tobt hier im Haus? Sässe nicht bei dem Alkalden Tio Lukas fest, ich schwüre, dass desselben rauhe Stimme und sein Lachen hier erscholl. Sind die Kleider erst getrocknet, so verlass ich dieses Haus, eh' der Morgen graut. sucht seine Kleider Was, zum Henker? Fremdes Zeug? Oh verdammt! Ward ich bestohlen? Liess ein Vagabund die Kleider hier zurück? Nun, um so besser! Unerkannt komm ich zur Stadt. Während er sich ankleidet Einst haben in toller Verwandlung auch Götter um Liebe gebuhlt, doch hol' mich der Teufel, es lohnte sich ihnen zuletzt die Geduld. Drum hüte dich, Müllerin! Länger nicht bin ich dein williger Tor! Es wandelt zum Herrn und Gebieter zurück sich der Corregidor. Er hat des Müllers Kleider angezogen und die Felbelmütze aufgesetzt. Das Feuer im Kamin ist erloschen SECHSTE SZENE Der Vorige. Frasquita, Repela, der Alkalde, Tonuelo ALKALDE an der Tür, nach rückwärts gewendet Ich als Amtsperson der Erste, Tonuelo, du der Zweite! Ihr, Frasquita, wartet draussen! den Corregidor erblickend Ha, da ist er ja! Im Namen Seiner Majestät! Ergebt Euch, Tio Lukas! Der Corregidor will in das Schlafzimmer zurückflüchten TONUELO Halt, Verräter! Fahren sollst du nun zur Hölle! Er versetzt dem Corregidor einen Stoss ins Rückgrat und wirft ihn auf die Erde FRASQUITA gleichzeitig, sich auf Tonuelo stürzend und ihn ohrfeigend Hund, lass meinen Lukas los! Lass ihn los, und auf der Stelle! ALKALDE gleichzeitig, seinen Fuss dem Corregidor in den Magen pflanzend Dein Entkommen dieses Mal hindre ich auf alle Fälle! REPELA der sich mit ausgebreiteten Armen vor der Schlafzimmertür aufgestellt hat, gleichzeitig Eines sag' ich Es betritt lebend keiner diese Schwelle! CORREGIDOR Hilfe! Hilf, Alkalde, Schaf! Siehst du nicht, dass ich es bin? ALLE entsetzt Der Corregidor! CORREGIDOR wütend Ins Gefängnis, an den Galgen! ALKALDE niederkniend Ach, hoher Herr, verzeiht! Wer hätte euer Gnaden erkannt in diesem Kleid? CORREGIDOR Weisst du nicht, dass eine Bande Räuber unter Tio Lukas meine Kleider mir geraubt? FRASQUITA mit äusserster Heftigkeit auf den Corregidor zutretend Lüge und Verrat! REPELA während der Corregidor weiter mit dem Alkalden spricht Liebe Müllerin, nun trachte deine Sache beizulegen, ehe des Gebieters Gunst sich von dir und Lukas wendet. Denn auf seiner Stirne seh ich schlimme Wetterzeichen stehn. FRASQUITA Hätte Lukas etwa Grund, diesen Mann um Gunst zu bitten? Weiss der Himmel, wo der Ärmste jetzt herumirrt, frech vertrieben aus dem eignen Haus! REPELA Tio Lukas geht zur Stunde, als Corregidor verkleidet, in der Stadt umher. FRASQUITA Was mag er verkleidet wollen? REPELA zuckt die Achseln Sicher ist nur, dass er hier offen fand die Eingangstür. Fand die Kleider meines Herrn - FRASQUITA Jesus! Also hält der Ärmste seine Gattin für entehrt? zum Corregidor Don Eugenio de Zurtiga! Fort ging mein unselger Mann, glaubend an die Schmach der Gattin, ging er fort von hier! CORREGIDOR kalt Wünscht, dass ihm nichts Schlimm'res droht! FRASQUITA Eurer Gattin zu berichten, was sich hier ereignet hat, ging er zürnend in die Stadt. CORREGIDOR bestürzt Eingebildete Geschichten! Dennoch wollen wir ihm nach, dass er mit erfundner Schmach meine Gattin nicht belüge. REPELA Ja, und gebe Gott, dass Lukas mit Erzählen sich begnüge! Die Verkleidung gibt zu denken. CORREGIDOR aufbrausend Glaubst du, dass er fähig wäre -? FRASQUITA O, zu allem ist er fähig! Geht es doch um seine Ehre! REPELA zum Corregidor Was mich auch so sehr erschreckt, dass in eures Rockes Schössen eures Hauses Schlüssel steckt! Glaubt ihr nicht, der Unbedachte strebt nach der Gebieterin -? CORREGIDOR auffahrend Meiner Frau? Wo denkst du hin? Ist sie nicht Corregidora? FRASQUITA Seht ihr's - euer Beispiel machte aus der Mühle ein Gomorrha. CORREGIDOR Juan Lopez, Tonuelo, Auf den Flüchtling geht zu fahnden! Bringt ihr ihn mir nicht zur Stelle, fürchterlich werd' ich es ahnden. ALKALDE und TONUELO Euer Gnaden, untertänigst bitten wir, uns zu vertraun. Unbegrenzt ist unser Eifer, Häuser dürft ihr auf uns baun! Treulich sorgend, dass das Auge des Gesetzes immer wacht, gönnen wir in unserm Amte Ruh uns weder Tag noch Nacht. Und wir schwören's! Den Verräter holen wir in Eile ein. Doch vor allem, euer Gnaden, müssen wir zur Stadt hinein. FRASQUITA gleichzeitig Solche Pläne, armer Lukas, mochte Rachsucht in dir braun! Deine Wege, deine Pläne, sie erfüllen mich mit Graun. Gegen deines Weibes Treue, Lukas, schöpftest du Verdacht, und Vergeltung willst du üben in des Nebenbuhlers Tracht? Aber noch in meinem Herzen sag ich "nein", es kann nicht sein! Doch vor allem ohne Säumen müssen wir zur Stadt hinein. CORREGIDOR gleichzeitig Uber dir soll nun der Himmel meiner Gunst nicht länger blaun; fühlen grimmiglich, Frasquita, wirst du bald des Löwen Klaun. Die du mich verspotten wolltest, Ubermütige, gib acht! Wenn ich grolle, wenn ich zürne, hab ich zu verderben Macht. Steckt nur Lukas erst im Kerker, dann, Frasquita, bist du mein! Doch vor allem, ich befehl es, müssen wir zur Stadt hinein. REPELA gleichzeitig Tugend hab ich nie bezweifelt, schmähe nicht das Herz der Fraun, doch verwechselt ist im Dunkeln leicht der Braune mit dem Graun. Und es kann gar wohl geschehen, da das Kleid die Leute macht, dass sich dieser Schwerenöter schliesslich noch ins Fäustchen lacht! Deshalb möchte ich zur Stunde nicht Corregidora sein. Doch vor allem, das ist sicher, müssen wir zur Stadt hinein. CORREGIDOR mit gebieterischer Gebärde Doch vor allem, ich befehl' es, Gehn wir nun zur Stadt hinein! Alle rüsten sich zum Aufbruch, Ein Knecht führt vor dem offenen Tor zwei Mülleresel herbei, die von Frasquita und dem Corregidor bestiegen werden Wolf,Hugo/Der Corregidor/IV
https://w.atwiki.jp/aesthetica/pages/101.html
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