約 5,853,098 件
https://w.atwiki.jp/stones/pages/440.html
Voodoo Lounge Mexico Tour 1995 01/14/1995 Autodromo Hermanos Rodriguez - Mexico City, Mexico 01/16/1995 Autodromo Hermanos Rodriguez - Mexico City, Mexico 01/18/1995 Autodromo Hermanos Rodriguez - Mexico City, Mexico 01/20/1995 Autodromo Hermanos Rodriguez - Mexico City, Mexico Voodoo Lounge South American Tour 1995 01/27/1995 Estádio do Pacaembu - São Paulo, Brazil 01/28/1995 Estádio do Pacaembu - São Paulo, Brazil 01/30/1995 Estádio do Pacaembu - São Paulo, Brazil 02/02/1995 Estádio do Maracanã - Rio de Janeiro, Brazil 02/04/1995 Estádio do Maracanã - Rio de Janeiro, Brazil 02/09/1995 Estadio River Plate - Buenos Aires, Argentina 02/11/1995 Estadio River Plate - Buenos Aires, Argentina 02/12/1995 Estadio River Plate - Buenos Aires, Argentina 02/14/1995 Estadio River Plate - Buenos Aires, Argentina 02/16/1995 Estadio River Plate - Buenos Aires, Argentina 02/19/1995 Estadio Nacional de Chile - Santiago, Chile Voodoo Lounge South Africa Tour 1995 02/24/1995 Ellis Park Stadium - Johannesburg, South Africa 02/25/1995 Ellis Park Stadium - Johannesburg, South Africa Voodoo Lounge Japan Tour 1995 03/06/1995 Tokyo Dome - Tokyo, Japan 03/08/1995 Tokyo Dome - Tokyo, Japan 03/09/1995 Tokyo Dome - Tokyo, Japan 03/12/1995 Tokyo Dome - Tokyo, Japan 03/14/1995 Tokyo Dome - Tokyo, Japan 03/16/1995 Tokyo Dome - Tokyo, Japan 03/17/1995 Tokyo Dome - Tokyo, Japan 03/22/1995 Fukuoka Dome - Fukuoka, Japan 03/23/1995 Fukuoka Dome - Fukuoka, Japan Voodoo Lounge Australia Tour 1995 03/27/1995 Melbourne Cricket Ground - Melbourne, Australia 03/28/1995 Melbourne Cricket Ground - Melbourne, Australia 04/01/1995 Sydney Cricket Ground - Sydney, Australia 04/02/1995 Sydney Cricket Ground - Sydney, Australia 04/05/1995 Adelaide Football Park - Adelaide, Australia 04/08/1995 Perry Lakes Stadium - Perth, Australia 04/12/1995 ANZ Stadium - Brisbane, Australia Voodoo Lounge New Zealand Tour 1995 04/16/1995 Western Springs Stadium - Auckland, New Zealand 04/17/1995 Western Springs Stadium - Auckland, New Zealand Voodoo Lounge European Tour 1995 05/26/1995 The Paradiso - Amsterdam, Netherlands 05/27/1995 The Paradiso - Amsterdam, Netherlands 06/03/1995 Stockholm Olympic Stadium - Stockholm, Sweden 06/06/1995 Helsinki Olympic Stadium - Helsinki, Finland 06/09/1995 Valle Hovin - Oslo, Norway 06/11/1995 Idraetsparken - Copenhagen, Denmark 06/13/1995 Stadspark de Goffert - Nijmegen, Netherlands 06/14/1995 Stadspark de Goffert - Nijmegen, Netherlands 06/18/1995 Draf en Renbaan - Landgraaf, Netherlands 06/20/1995 Mungersdorferstadion - Cologne, Germany 06/22/1995 Niedersachsenstadion - Hannover, Germany 06/24/1995 Festival Ground - Werchter, Belgium 06/25/1995 Festival Ground - Werchter, Belgium 06/30/1995 Hippodrome de Longchamp - Paris, France 07/01/1995 Hippodrome de Longchamp - Paris, France 07/03/1995 L’Olympia - Paris, France 07/09/1995 Don Valley Stadium - Sheffield, England 07/11/1995 Wembley Stadium - London, England 07/15/1995 Wembley Stadium - London, England 07/16/1995 Wembley Stadium - London, England 07/19/1995 Brixton Academy - London, England 07/22/1995 El Molinón - Gijon, Spain 07/24/1995 Estadio Avalade - Lisbon, Portugal 07/27/1995 Espace Grammont - Montpellier, France 07/29/1995 Fussballstadion St. Jakob - Basel, Switzerland 07/30/1995 Fussballstadion St. Jakob - Basel, Switzerland 08/01/1995 Österreich-Ring - Zeltweg, Austria 08/03/1995 Olympiastadion - Munich, Germany 08/05/1995 Strahov Stadium - Prague, Czechoslovakia 08/08/1995 Nepstadion - Budapest, Hungary 08/12/1995 Festivalgelaende - Schüttorf, Germany 08/15/1995 Festwiese - Leipzig, Germany 08/17/1995 Olympiastadion - Berlin, Germany 08/19/1995 Hockenheimring - Hockenheim, Germany 08/22/1995 Maimarktgelände - Mannheim, Germany 08/25/1995 VW-Werksgelände/Parkplatz - Wolfsburg, Germany 08/27/1995 Kirchberg - Luxembourg City, Luxembourg 08/29/1995 Feijenoord Stadion - Rotterdam, Netherlands 08/30/1995 Feijenoord Stadion - Rotterdam, Netherlands BACK / NEXT
https://w.atwiki.jp/vocaloidenglishlyric/pages/660.html
【Tags IA Shizennoteki-P tC C】 Original Music title チルドレンレコード English music title Children Record Romaji music title Chirudoren Rekoodo Music Lyrics written, Voice edited by じん(Jin) / 自然の敵P(Shizen noteki-P) Music arranged by by じん(Jin) / 自然の敵P(Shizen noteki-P) Singer IA Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson): With white earphones in my ears, I give the signal with a little grin The moment I knocked on the door, the heat permeating me floods out... "You still don t see?" A staring contest with strained eyes When I faltered then, the chord rang out "Now s the time, take it back!", as if from inside my mind... The world so lovable yet harsh, there were some who loathed it, With their cruelly irrational "system"; If I approve, then the future won t exist... Boys and girls, face forwards, finding hope in even the unbearable heat "Bring it back!" "Bring it back!" The crescent moon rises in red flames... Now, come, write the code in 0 s; Head to the world outside the imaginary, to the overstated warfront of fantasy... "Go on ahead," you stick out your tongue, simple eyes feigning cockiness With their password, "Hey, it s my turn," the awoken, restless child won t stop The night s getting dark; for the "children," they re brightly-burning extra innings Adversity is the cool thing, isn t it? Can t sleep, not yet; come, hurry, hurry!! In-tempo, we meet our gazes, and when the beat resounds with a high touch, Isn t it too late to think about it? Come on, just get with us! With one chord, we meet our gazes, and when you re wrapped in the bouncing groove, You should see it s not a joke, between the gaps of the high-end scenery... So what do you think of this heat, and our values that just so happen to meet? "Not so bad, is it?" When we open our eyes, and clasp our hands... Even these surprisingly cheap words, we dispute them as "passwords." And I face forward just a little... Boys and girls, face forwards, finding hope in only the shimmering heat Recall, and bring to words, your miraculous encounters and farewells... "You know, about that wild world; I laughed it off as being just too harsh..." So ends the signal... Boys and girls, face forwards! Find hope in only the dizzying heat! "Take it in hand!" "Take it in hand!" The blazing sun rises in red flames... Now, come, it s the call. Let s make this the end; the best plan of action has opened your eyes From the overstated warfront of daydream, to beyond a mobius strip of emotion... Romaji lyrics (transliterated by vgboy / vgperson): Shiroi iyahon o mimi ni ate sukoshi niya tto shite aizu suru Shimikonda kono ondo ga doa o nokku shita shunkan ni afuresou ni naru yo "Mada mienai?" Me o korashite nozomu soudatsusen Ano hi choucho shita nouri kara "Ima da, torimodose" to koodo ga naridashisou Itoshikute, tsurakute, sekai o kiratta hito no Hidoku rifujin na "kousei" Koutei shiteicha mirai wa umidasenai Shounen shoujo mae o muku kureru enten sae kibouron datte "Tsuremodose" "Tsuremodose" Mikadzuki ga akaku moeagaru Saa saa, koodo o zero de kizame Souzouryoku no sotogawa no sekai e oobaa na kuusou sensen e "O-saki ni douzo" tte shita o dasu yoyuu butta mujaki na me "Hora deban da" pasuwaado de me o semashita jajauma wa tomaranai Mou yoru ga fukaku naru "okosama" nara moeru enchousen Gyakkyou guai ga kuuru daro? Nemurenai ne madamada hora hayaku! Hayaku!! In-tenpo de shisen o awasete hai tacchi de biito ga naridaseba Kangaetecha osoi deshou? Hora nokkattekou ze Wan koodo de shisen o awasete buttonda guruuvu ga uzumakeba Joudan janai mieru hazu sono hai-endo no fuukei no sukima ni Saa dou dai, kono atsusa mo surechigaisou datta kachikan mo "Warukunai kana" me o hiraki, te o toriattara Angai chiipu na kotoba mo "aikotoba da" tte iiaeru. Sukoshi dake mae o mukeru Shounen shoujo, mae o muku yureru enten sura kibouron datte Omoidashi, kuchi ni dasu fukashigi na deai to wakare o "Nee nee, toppi na sekai no koto sanzan datte waraitobasetanda" Aizu ga owaru Shounen shoujo, mae o muke kuramu enten sura kibouron datte "Tsukamitore" "Tsukamitore" to taiyou ga akaku moeagaru Saa saa, kooru da. Saigo ni shiyou saizen-saku wa sono me o mihiraita Oobaa na mousou sensen kanjou-sei no mebiusu no saki e [Shizennoteki-P, ShizennotekiP, Shizen-no-teki-P, Jin]
https://w.atwiki.jp/vocaloidenglishlyric/pages/301.html
【Tags Luka M No.D tI】 Original Music Title 巡姫舞踊曲 Itineranting Diva s Dance Music (Meguri Hime Buyou-kyoku) Music Lyrics written, Voice edited by No.D Music arranged by No.D Singer 巡音ルカ (Megurine Luka) Click here for the Japanese Lyrics English Lyrics (translated by rabilince0912): From the gods in Heaven, I was bestowed A sexy and sultry physique and a sirenic voice For all eternity, women comparable to me Will never appear While I look down upon men Who are apt to fool around naked right away From those who yearn by surrendering I only derive a sublime enjoyment Where do you want to touch? The lips? The hair? Or ××? Don’t approach me so readily! You foul pigs! It suits you to kneel! Circulating around and around, I’m truly a songstress The magic mirror reflects so, too With a seductive figure and my singing voice I’ll show you I’ll turn you into my prisoner Holding the spot where I want to be tickled At the deepest point within my hard body At the moment when you reach your hand there A sincere smile will spill Where do you want to be touched? The lips? The cheeks? Or ××? You may rejoice, you may grieve What I want is just that one thing! In the world where the finale will soon approach there I’m the most beautiful I shall never become A woman fallen into being an intoxicated, lost child From the ends of the world to inside people’s bodies I echo across places that exist and existed With a seductive figure and my singing voice I show you I’ll turn you into my prisoner Circulating around and around, I’m truly a songstress With the romance left behind on the grass If I were able to defile a new man again Then I’ll show you I’ll turn you into my prisoner Romaji lyrics (transliterated by haru47): ten no kami yori atae rare shi wa youshi bitai to karyoubinga mirai eigou hiruisuru beki onna nado aware nai sa sugu ni hadaka de tawamure ta garu otoko-domo o misage nagara ne itaburu koto de motomeru mono wa yori suukou na kairaku dake omae wa doko ni sawari tai no sa kuchibiru? kami? sore to mo koko? kiyasuku yoru na! geretsuna buta me! hizamazuku no ga o-niai yo! meguri meguru watashi wa masani utahime mahou no kagami mo utsushidasu youennaru karada to kono utagoe de anata mo toriko ni shite mise mashou katai karada no ichiban oku ni kusugu rare tai basho o kakae soko ni te nobasu sono shunkan ni honshin kara emi ga koboreru omae wa doko ni fure rare tai no? kuchibiru? hoho? sore to mo koko? yorokobi nasai kurushimi nasai hoshii no wa sono hitotsu dake! owari ga sugu soko made semaru sekai de watashi ga ichiban utsukushii yowasare maigo ni dasu onna nado ni watashi wa kesshite nari wa shi nai sekai no hate kara hito no karada no naka ari to aru basho hibiki wataru youennaru karada to kono utagoe de anata mo toriko ni shite miseru meguri meguru watashi ga masani utahime gurasu ni nokoshi ta romansu de mata aratana otoko o miotose ta nara anata mo toriko ni shite mise mashou
https://w.atwiki.jp/mrfrtech/pages/129.html
Market Overview The Social Media Security Market Companies is anticipated to grow by US$1.9 billion by 2027 rapidly growing at a CAGR of 17% during the forecast period. The drivers for the growth of the social media security market are the rising number of attacks across social media networks, growing social media site use on computers and the recognition of BYOD trends by businesses.. These factors have helped shape the social media security market and are expected to boost the growth. Companies in the social media security market could also face challenges such as lack of awareness among companies as well as weak data protection policies. The details covered in the social media security market report cover all the aspects of the industry. Analysts studying the social media security market have also shared growth projections in the report and have suggested social media security market players to plan business strategies accordingly. Market Segmentation The global social media security market has been segmented based on vertical, solution, security type, organization size, and deployment. On the basis of vertical, the market for social media security is segmented based on BFSI. Additionally, the market on the basis of solution, is segmented into advanced threat protection. The global market for social media security is also covered based on the security type segment which is further split into cloud security, data security. On the basis of deployment, the market for social media security is segmented based on on-cloud. Additionally, the market on the basis of organization size, is segmented into large enterprises. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6842 Factors like no acceptable protection procedures, no corporate social media policies and no staff training, support the social media security market growth. The performance of the social media security market has also been studied for the past and current years. Additionally, the social media security market report provides analysis of these segments. The social media security market segmental analysis provided in the report offers major details about the social media security market based on the data and forecasts till 2027. Regional Overview Companies in the social media security market are spread across the world. The social media security market report provides major information about regional markets of North America, Europe, Asia-Pacific (APAC), and the rest of the world. The North American social media security market has many companies across the United States, Canada, and Mexico. The social media security market of the Middle East, Africa, and other regions has also been studied by analysts. The regional analysis of the social media security market can be found in the market research report. Europe has companies in the social media security market across Germany, France, Spain, Italy, and the United Kingdom. A detailed analysis of the social media security market across India, China, and Japan in the Asia-Pacific region is also presented in the report. Competitive Landscape The social media security market is supported by big leaders from well-established companies across the United States, and Canada who spend heavily on research and development to protect information security for the enactment of enterprise data are growing.. The population growth around the world and increasing demand of social media security market based services and products also support the market growth. However, the social media security market growth can be affected due to lack of safety and data protection policies even during the increasing adoption of social media platforms. The report covers all such details which will help companies in the social media security market to strengthen their business plan and improve their product portfolio. The social media security market research report also provides company profiles of major companies. The company profiles of many organizations operating in the social media security market report highlights crucial details like company size, revenue growth, and details of mergers and acquisitions taking place in the social media security market. New companies and established businesses can plan their strategies based on this data provided in the social media security market research report. Industry News Francisco Partners, the world s top science innovator that specializes in engaging with data and technology companies, today confirmed that it is closing the previously announced Raytheon Technologies purchase of the full contract. Forcepoint is a marketing supplier of information protection tools that secure the primary data and networks of thousands of users around the globe. The board of directors of the company has immediately named Manny Rivelo as chief executive officer (CEO), at the same time that the agreement was closed and opened. On the contrary, risk associated with social engineering, failure to understand the organizations exact needs, and lack of common laws across countries and cross-boundary location of servers may limit the global social media security market growth over the forecast period. Access Report Details @ https //www.marketresearchfuture.com/reports/social-media-security-market-6842 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Markets Structure 3 Market Research Methodology 3.1 Research Process 3.2 Secondary Research 3.3 Primary Research 3.4 Forecast Model Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/vocaloidenglishlyric/pages/412.html
【Tags Gumi N Takanon tD tT】 Original Music title ナンカイレンアイ English music title Difficult Love Romaji music title Nankai Ren ai / Nankai Renai Music Lyrics written, Voice edition by タカノン (Takanon) Music arranged by タカノン (Takanon) Singer(s) Gumi (Megpoid) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain): I want to see you, I want to see you now But, I don t have the courage to express love There s no point in reaching my hand for I think I don t like the world like this I want to see you, I want to see you even if it s a fake But, that s not enough, I want to express my love But, as I wish upon the stars, nothing seems to be solved The one-way red thread of fate Today I ll tie it to you again Though I told myself it was not surprising even if my wish would not come true I knew I just couldn t, I couldn t lie to myself And my heart is filled with you Without asking you I fell for you, I m to blame for it So I won t ask you anything Just seeing your figure, watching your gestures And hearing your voice are enough for me Cause, you know, since I fell in love, those alone have made me feel uneasy Having you all for myself is too much to ask, isn t it? "Is it destiny?" I m confusing myself, thinking that way As I ve never experienced something like this It might change rapidly, maybe I don t hate the world Since that day, I haven t cared about others, but you The more I love you, the more I can t give up on love I dare to solve the difficult question, it can t be helped It would take time a little, but, there s no time limit on love, right? I m not crying at all I haven t even given up yet I knew I just couldn t I couldn t lie to myself And my heart is filled with you Without asking you I fell for you I m sorry But, I can t stop loving you When it comes to this, I want to tell you “I love you” to know Cause, you know, love should be free, right? I don t need to back away from it any longer Though I m still in one-sided love Someday I want to tell it to you Till we meet and see each other and I tell you I love you No one knows what will happen I want to close the distance little by little, so I can go in front of you Without asking you I chose the goal as I like This is "the answer" I provided by myself Someday I want to hand in it to you Someday I want to tell the love I decided to you Romaji lyrics (transliterated by blacksaingrain): aitai imasugu aitai demo yuuki ga nai todokanai kono ai te wo nobashitemo imi nante nai kono sekai kirai mitai aitai uso demo aitai demo monotarinai todoketai kono ai demo hoshi ni negattemo nani mo kaiketsushinai mitai katahoukou no akai ito kyou mo tsunagu no anata e to kanawanakutemo shikatanai tte jibun niwa iikikaseta kedo yappari dame de uso tsukenakute anata no koto de ippai de katte ni suki ni natta watashi ga warui no dakara nani mo motomenai no anata no sugata anata no shigusa anata no koe de juubun de datte ne koi ni ochita watashi wa sore dake de mune ga kurushikunacchau no takanozomi desho? hitorijime nante kore tte unmei? tte kanchigai shichau kurai kako ni keiken nai kyuutenkai suru kamo shirenai kono sekai kiraijanai kamo ano hi irai anata igai doudemo ii tte kurai suki ni nareba naru hodo akiramerarenai kono ai aete nankaina toi tokou to shiteru no shikatanai no sukoshi jikan wa kakarukedo koi ni jikanseigen nai desho? naite nanka nai yo mada akiramete nanka nai yo yappari dame de uso tsukenakute anata no koto de ippaide katte ni suki ni nacchatta gomen ne dakedo omoi osaekirenai no anata ni kono sai watashi no kono ai tashikamete mitai "sukida yo" tte datte ne koi suru no wa jiyuu desho? itsumademo mi wo hiku hitsuyou nai no mada kataomoi demo itsuka anata e to atte mitsumeatte anata ga sukidatte tsutaete minakya wakaranai yo anata no me no mae made ikeru kurai kyori chijimetai sukoshi zutsu ne katte ni suki ni mokuhyou kimechatta kore ga watashi nari ni dashita "kaitou" teishutsushitai no itsuka anata e to ketsuishita ai wo itsuka anata e to
https://w.atwiki.jp/battlefield1918/pages/279.html
TSINGTAO -青島の戦い- 目次 ブリーフィング 全体マップ チケット設定 陣地 登場兵器 解説 史実 コメント ブリーフィング Der Angriff der Entente auf die einzige deutsche Kolonie in Ostasien - Tsingtao - lässt nicht lange auf sich warten. Nachdem das Kaiserreich Japan, die gewichtigste nicht-koloniale Macht in diesem Erdteil, am 23. August 1914 den Deutschen den Krieg erklärt ist Hilfe aus dem Mutterland, welches tausende Kilometer entfernt einen Zweifrontenkrieg fährt, kaum zu erwarten. Dennoch muss die nordchinesische Küstenstadt verteidigt werden, auch wenn angreifenden Feind in Gestalt der japanischen 18.Infanteriedivisdon und des 1. englischen Batallions zahlenmäßig weit überlegen ist. Allerdings ist die Stadt schwer befestigt worden - die einzige Trumpfkarte. 青島、東アジアで唯一ドイツの植民地であるこの場所に連合軍が攻め込むのは早かった。大日本帝国、世界のこの地域で最も有力なこの国家は1914年8月23日、ヨーロッパの東西戦線から数千km離れた場所からドイツに宣戦布告した。そのため、中国北部の沿岸都市を防衛しなければならない。日本軍第18師団とイギリス軍部隊の攻撃によって戦局は大幅に不利となっている。しかし、都市の防衛は着実に強化されている。 全体マップ チケット設定 陣営 比率(COOP) 減少速度(COOP) 120% (-%) 10 (-) 100% (-%) 10 (-) 陣地 コンクエストモード 陣地名 初期陣営 価値 白旗時間 確保時間 補足 Tsingtao 26 10 10 Rail 26 10 10 Brit_Ships 26 - - ドイツ軍確保不可。 Lower_City 26 10 10 Small_Bunkers 26 10 10 beach 中立 26 15 15 ドイツ軍確保不可。 Big_Bunker 26 10 10 登場兵器 コンクエストモード 海上兵器 ランチ・ボート 航空兵器 エトリッヒ・タウベ 固定兵器 QF 18ポンド野砲砲隊鏡 FK96 n.A. 7.7cm野砲グラナートヴェルファー16MG02MG08砲隊鏡 解説 未編集 史実 未編集 コメント コメントは最新20件が表示されます。 (過去のコメントを参照) 名前 コメント すべてのコメントを見る
https://w.atwiki.jp/englishlanguage/pages/14.html
MAR... Marchand, H.1938."Children Will Play". NM 39 166-85. Marchand, H.1938."Remarks about English Negative Sentences". ES 20 198-204. Marchand, H.1938-9."Syntactische Homonymie Das umschreibende DO". EStn 73 227-92. Marchand, H.1939.A Review of Engblom (1938). ES 21 121-5. Marchand, Hans 1949. "L'étude des onomatopées. Quelques points méthododiques", in Dialogues, cahiers de litterature et de linguistique, Fabulté des Lettres 1 124-134, Université d'Istanbul, Istanbul. Marchand, Hans.1951."The Syntactical Change from Inflectional to Word Order System and Some Effects of this Change on the Relation 'Verb/Object' in English A Diachronic-synchronic Interpretation". Anglia 70 70-89. Marchand, Hans. 1952. "Alliteration, Ablaut und Reim in den Türkischen Zwillingsformen", Oriens, 5 60-69. Marchand, Hans. 1953. "Über die Bildung der Lautsymbolism Wörter im Türkischen", Oriens, 6. Marchand, Hans. 1957. "Motivation by Linguistic Form English Ablaut and Rime-Combinations and their Relevancy to Word Formation", Studia Neophilologica, 29 54-56. Marchand, H.1959."The Negative Verbal Prefixes in English" in J. Vendryes (1959), pp. 268-76. Marchand, Hans. 1959. "Phonetic Symbolism in English Word Formation", Indogermanische Forschungen, 64 146-168. Marchand, Hans.1967The Categories and Types of Present-day English Word-Formation. Munich Beck. Marchand, Hans.1969.The Categories and Types of Present-Day English Word-formation A Synchronic-Diachronic Approach. 2nd edn. Munich Beck'sche Verlags Buchhandlung. Marcus, Imogen. 2018. The Linguistics of Spoken Communication in Early Modern English Writing Exploring Bess of Hardwick's Manuscript Letters. Springer. Marcus, Imogen Mel Evans. 2019. "'Right Trusty and Well-Beloved' The Socio-Pragmatics of Gender, Power, and Stance in Sixteenth-Century English Letters", in Reference and Identity in Public Discourses, ed. Ursula Lutzky Minna Nevala, pp. 67-96. Amsterdam John Benjamins. Margaret, A.1978."Black English Vernacular A Comparative Description", in A Pluralistic Nation The Language Issue in the U.S., ed. M. A. Lourie N. F. Conklin. Newbury House. Margerie, Helene. 2008. "A Historical and Collexeme Analysis of the Development of the Compromiser fairly". Journal of Historical Pragmatics 9 288-314. Margeson, Robert W.1977."Structure and Meaning in Sir Gawain and the Green night". Papers on Language and Literature (Edwardsville, IL) 13 16-24. Margherita, G.1994.The Romance of Origins Language Sexual Difference in Middle English Literature. Pennsylvania UP. Marino, John B.2004.The Grail Legend in Modern Literature. D. S. Brewer. Maritti, Arthur F. Britstol, Michael D. (eds.)2000.Print, Manuscript, and Performance The Changing Relations of the Media in Early Modern England. Ohio State University Press. Markey, T. L.1972."West Germanic he/er-hiu/siu and English 'she'". JEGP 71 390-405. Markey, Thomas L.1998English dung 'manure' Early Animal Husbandry and Etymology.' North-Western European Lang. Evolution 34 3-13. Markey, Thomas L.1976.A North Sea Germanic Reader. Wilhelm Fink Verlag. Marks, Jonathan. 2007. English Pronunciation in Use Elementary. Cambridge Cambridge University Press. Markus, Manfred.2006. "Bed Board The role of alliteration in twin formulas of middle english prose." Folia linguistica historica 26 1-2, pp.71-93. Markus, Manfred.2002."The Innsbruck Prose Corpus Its Concept and Usability in Middle English Lexicology", in A Changing World of Words Studies in English Historical Lexicography, Lexicology and Semantics, ed. Javier E. Díaz Vera, pp. 463-83. Amsterdam Rodopi. Markus, Manfred.2002."Towards and Analysis of Pragmatic and Stylistic Features in 15th and 17th Century English Letters", in new Frontiers of Corpus Research Papers from the Twenty First International Conference on English Language Research on Computerized Corpora, 179-98. Markus, Manfred."ME can and gan in Context", in Language History and Linguistic Modelling A Festschrift for Jacek Fisiak on his 60th Birthday, ed. R. Hickey S. Puppel, pp. 343-56. Berlin Mouton de Gruyter. Markus, Manfred.1999."Getting to grips with chips and Early Middle English text variants sampling Ancrene Riwle and Hali Meidenhad". ICAME Journal 23 35-51. Markus, Manfred.2004.A Review of Roswitha Fischer, Tracing the History of English A Textbook for Students (2003). Anglia122 286-89. Markus, Manfred.1992."Die Negation im Englischen als Problem enier Didaktischen Grammatik", in Language and Civilization A Concerted Profusion of Essays and Studies in Honour of Otto Hietsch, ed. Claudia Blank, pp. 659-76. Frankfurt am Main Peter Lang. Markus, Manfred.1997."'The Men Present' vs. 'The Present Case' Word order Rules Concerning the Position of the English Adjective". Anglia 115 487-506. Markus, Manfred.2000."Wherefore therefore Causal connectives in Middle English prose as opposed to Present-day English", in Corpus Linguistics and Linguistic Theory, ed. Ch. Mair M. Hundt, pp. 215-32. Amsterdam Rodopi. Markus, Manfred.1998."A-adjectives (asleep etc.) in postnominal position Etymology as a cause of word order (corpus-based)", Explorations in Corpus Linguistics, ed. A. Renouf, pp. 135-46. Rodopi. Markus, Manfred.2000."Normalizing the word forms in the Ayenbite of Inwyt", in Placing Middle English in Context, ed. I. Taavitsainen, et al. (eds.) Berlin Mouton de Gruyter. Markus, Manfred.2001."Duplications of Vowels in Middle English Spelling", in Languge Contact in the History of English, ed. Dieter Kastovsky Arthur Mettinger, pp. 217-31. Markus, Manfred."Normalization of Middle English Prose Possibilities and Limits", in Corpus-based Studies in English Papers from the 17th International Conference on English Language Research on Computerized Corpora, Stockholm May 15-19, 1996, ed. M. Ljung, pp. 213-26. Markus, Manfred.1995."On the growing role of semantic and pragmatic features in Middle English", in Linguistic Change under Contact Conditions, ed. J. Fisiak, pp. 161-78. Mouton de Gruyter. Markus, Manfred Heuberger, Reinhard. 2007. "The Architecture of Joseph Wright's English Dialect Dictionary Preparing the Computerised Version". International Journal of Lexicography 20(4) 355-368. Markve, Stephen.2002.Scots, the Other English. Handout. Marlberg, Machaela.2005.English Genral Nouns A Corpus Theoretical Approach. John Benjamins. Marlina, Roby. 2017. Teaching English as an International Language Implementing, Reviewing, and Re-Envisioning World Englishes in Language Education. Taylor Francis. Marner, Dominic.2000.St Cuthbert His Life and Cult in Medieval Durham. British Library. Marotti, Arthur F.2000.Manuscript, Print, the English Renaissance Lyric. Marquardt, H.1938.Die altenglischen Kenningar, ein Beitrag zur Stilkunde altgermanischer Dichtung. Halle. Marquez, Miguel Fuster.1991."Aspects of Vocabulary Bubilding in Caxton's Recuyell of the Historyes of Troy". English Studies 72 328-49. Marquis, T.1908."Brunanburgh". Transactions of the Lancashrie and Cheshire Antiquarian Society 26 35-52. Marsden, Peter V. Friedkin, Noah E.1994."Network Studies of Social Influence", in Advances in Social Network Analysis Research in the Social and Behavioral Sciences, ed. Wasserman Galaskiewicz. London Sage Publications. Marsden, Richard.2003.The Cambridge Old English Reader. CUP. Marshall, Simone Celine.2002."Notes on Cambridge University Library MS Ff.1.6". Notes and Queries 49 439-442. Marshall, I.1987"Tag selection using probabilistic methods." In Garside et al (eds) 1987 42-56. [BUC, LOB] Marshall, J. F. McDonald (eds)1994.Questions of English. Oxford University Press. Marshall, Jonathan.2004.Language Change and Sociolinguistics Rethinking Social Networks. Palgrave. Martin, A. 2004. "The ‘katakana effect’ and teaching English in Japan". English Today 77, 20(1) 50-55. Martin, James R. and Peter R.R. White. 2005. The Language of Evaluation Appraisal in English. Basingstoke Palgrave Macmillan. Martin Arista, Javier.1997'The Role of VN in Functional Syntax OE Patterns.' Miscelanea (Zaragoza) 18 169-92. Martin, E.1882-7.Le Roman de renart. 3 vols. supplement. Strassburg. Martin, E.1874.Reinaert Willems Gedicht van den Vos Reinaerde und die Umarbeitung und Fortsetzung reinaerts Historie. Paderborn. Martin, Elizabeth. 2020. "World Englishes in the Media", in The Handbook of World Englishes, 2nd ed., ed. Cecil L. Nelson, Zoya G. Proshina Daniel R. Davis, pp. 597-615. London Blackwell. Martin, Isabel Pefianco. 2014. "Beyond Nativization? Philippine English in Schneider's Dynamic Model", in The Evolution of Englishes The Dynamic Model and Beyond, ed. Sarah Buschfeld, Thomas Hoffman, Magnus Huber Alexander Kautzsch, pp. 70-85. Amsterdam John Benjamins. Martin, James E. Thomas E. Ferb.1973."Contextual Factors in Preferred Adjective Ordering". Lingua 32 75-81. Martín, Javier Calle. 2017. "When That Wounds Are Evil Healed” Revisiting Pleonastic That in Early English Medical Writing". Studia Anglica Posnaniensia 52(1) 5-20. Martin, L. C. (ed.)1931.Marlowe's Poems. New York Gordian Press. Martin, Stefan Edmund.1993."Topics in the Syntax of Nonstandard English. Dissertation Abstracts International, 2351A DA923467. Martin-Conzalez, Javier.2000."(Non-)occurrence of sentential no in Spanish negative sentences". TPS 98 161-83. Martinez, Ignacio M. Palacios.2003."Multiple Negation in Modern English A Preliminary Corpus-based Study". Neuphilologische Mitteilungen 104 477-98. Martinez, Ignacio M. Palacios.1999."Negative polarity idioms in Modern English". ICAME Journal 23 65-115. Martyna, Wendy.1983."Behond the He/Man Approach The Case for Nonsexist Langauge", in Language, Gender and Society, ed. B. Thorne, et al, pp. 25-37. Rowley, Lodnon, Tokyo Newsbury House Publishers. Martyna, Wendy. 1978. "What does ‘He’ Mean? Use of the Generic Masculine". Journal of Communication 28(1) 131-138. Marx, William (ed.)2003.An English Chronicle, 1377-1461 A New Edition. Medieval Chronicles. Boydell Brewer. Marx, William.1999.The Index of Middle English Prose Handlist XIV Manuscripts in the National Library of Wales. Boydell Brewer.
https://w.atwiki.jp/djmuro/pages/4.html
Lesson 1 1. Sirocalot / Sirocalot 2. Hot Day Master Mix / D.Franklin 3. Let s Get Small (inst) / Trouble Funk 4. Name And Number / Curiosity Killed The Cat 5. It s Family Affair / Experience "EU" Unlimited 6. The Water Dance / DJ Flexxx 7. Say Kid What Time Is It ? / Cold Cut 8. Listen to The Man / Kev-E-Kev AK-B 9. Any Love / Massive Attack feat Daddy Gee And Carlton 10. Power Cuts / Power Cuts Crew 11. Just Buggin / Whitsle 12. Bump And Hutstle Music / Tommy Steweart 13. Feelin James / TD Records 14. Stone Fox Chase (Remix)/ Area Code 615 15. I Know You Got Soul(The Richie Rich Megamix) / Eric B Rakim 16. Gangster Nine (Inst) / M.C.Tee Lord Tasheem 17. My Uptown Beat / Divine Force 18. Hold The Lafta (Inst) / The Bizzie Boyz 19. Free Our Brother (Inst) / Boogie Down Keyboard Band 20. Rock The House / The B Boys 21. Scratchin / Magic Disco Machine 22. You Made Your Bed / Reuben Howell 23. Majestic Control s Music / Majestic Productions 24. I Wouldn t Change A Thing / Coke Escovedo 25. You re So Right For Me / East Side Connection 26. Love Is The Message / Tee Scott 27. Rock The Message Rap / Grand Master Chilly-T Stevie G 28. Fire It Up / Rick James 29. I ll Do Anything For You (Remix) / Denroy Morgan Lesson 2 1. REGGAE GOT SOUL / THE BIG ONE CREW 2. Tall,Dark Handsome / Tall,Dark Handsome 3. Turn Your Radio On (Inst) / Stretch 4. Two,Three,Break / The B Boys 5. London Beats / Jazzy B 6. Jazzy Sensation (Bronx Version) / Afrika Bambaataa Jazzy 5 7. Funky Sensation / Gwen McCrae 8. Action (Inst) / Don Baron 9. The Ultimate Rap / Nice Nasty 3 10. It s Your Sweet Love / Jimmy "BO" Horne 11. To All The Party People / Grandmaster Caz 12. Bustin Loose / Chuck Brown The Soul Searchers 13. Bon Bon Vie / T.S.Monk 14. Brick / Dazz 15. Black And Proud (Inst) / Dismasters 16. Alladin s Scratch / The World Famous Supreme Team 17. Lesson Two / Double,Dee Steinski 18. Old School / Busy Bee 19. Super Rappin / Grand Master Flash And The Furious Five 20. Get Up And Dance / Freedom 21. I Got A Big Bee / Bumblebee Unlimited 22. Ain t No Steppin Us Now / Risco Connection Lesson 3 1. Rappin Ain t No Thing / The Boogie Boys 2. Do The Do / Kurtis Blow 3. Razor Blade / Little Royal The Swing Masters 4. Soul Flower (Remix Inst) / The Pharcyde 5. Remember The Time / Michael Jackson ※Blend Mix - Sucker M.C. s (Inst) / Run-DMC 6. Just Rhymin / MC EZ Troup 7. Boo-Boo s Break / Boo-Boo "B" 8. Dope On A Rope / Greg Nice Smooth Bee 9. Black Water Gold / The Sunshine Band 10. Getting Uptown (To Get Down) / United 8 11. Western Gangster Town / Trickeration 12. Joyous / Pleasure 13. Anybody Can Do It / Super-Wolf 14. I m So Hot / Denise Lasalle 15. The Lover In You (Inst) / Sugarhill Gang 16. The Breaks / Kurtis Blow 17. Caught Up (In One Night Love Affairs) / Terry Gonzalez 18. It s Good To Be The King (Inst) / Mel Brooks 19. It s Good To Be The Queen / Sylvia 20. Dance And Shake Your Tambourine / Universal Robot Band 21. Can t Nobody Love Me Like You Do / General Johnson 22. Spring Rain / Silvetti ※Edit Version from 「Salsoul Jam 2000 / Grandmaster Flash」 23. Radio Song (Monster Remix) / R.E.M. Feat KRS-One 24. Make It Funky / Seville feat Jazzy J Shameek 25. Release Yourself / Aleem ※Edit Version from 「Mix-Trix #3 The Break Mixer / Kut-Up Records」 26. Hack One / Think Tank 27. Papa s Got A Brand New Pig Bag / Pig Bag Lesson 4 1. It s Your Rock / Fantasy Three 2. Patty Duke / Cloud One 3. Tricky Tee Rap / Troy Rainey 4. When You re Standing On The Top / Super 3 5. Sitting In The Park / Risco Connection 6. Check It Out / Trilark 7. Standing Right Here / Melba Moore 8. The Micstro / Radiance feat.DJ "R.C." 9. Sweet Talk / Robin Beck 10. We Got The Funk / Positive Force 11. Hooked On You / Cerrone feat Jocelyn Brown 12. I Just Wanna Do My Thing / Edwin Starr 13. Get The Party Jumpin / Solo Sound 14. Rapture (Guru s Fly Party Mix) / Blondie 15. Let s Go All The Way (Down) / Brenda The Tabulation 16. Are You Ready / T.J.Swan + Pee Wee Mel + Barry B 17. I Had To Say It / Millie Jackson 18. It s Began In Africa / The Urban Allstars Lesson 5 1. We Will Rock You (Remix) / Queen 2. Make The Music With Your Mouth / Biz Markie 3. Something s Gotta Give / Afro Cuban Band 4. You Can Make It / Omega Force 5. Tutti Frutti / Lee Austin 6. Shack Up / Banbarra 7. Why Did You Do It / Stretch 8. Chain Gang Rap / Shinehead 9. My Little Donkey / Choco The New Harlem Sound 10. Let Me Show You / Chill Rob G 11. Dance,Dance,Dance / Claudja Barry 12. Do That Right / Disco Twins Starchild 13. It s You Turn / MC B 14. Have A Nice Day ! / Roxanne Shante 15. Hot Pants / Diana Brown The Brothers 16. Joke s On You Jack / Kid Capri 17. Most Valuable Poet (M.V.P.) / Just The Two Of Us 18. Big Bad John / Big John Hamilton 19. Sesame Street / Blow Fly 20. Rappin All Over / The Marvelous Three The Younger Generation 21. Come Back Lover / Fresh Band Lesson 6 1. I Like Cherries / The Audio Two 2. Let Me Love You / 5 Star Most 3. KICK IT WICKED / MR X MR Z 4. All Night Long / Kevie Kev 5. On Your Face / Earth,Wind Fire 6. Sugar Daddy / The Electric Power Band 7. I Want You Back / Ultimate Ⅲ 8. ABC / The Mafia 9. ABC / G-Force 10. Where Is He DJ ? / Hi School Breaks 11. Groove Me / Owen Gray 12. Too Cool To Be True / Baba Yaga 13. Lesson 3 / Double Dee Steinski 14. Encore / Tongue N Cheek 15. Amazon Queen / Gary Criss 16. Se Voce Pensa / Erasmo Carlos Convid 17. It s A Small World / Mickey Mouse Disco 18. Ain t No Stoppin Us Now (Break) / Mcfadden Whitehead 19. I Hear the Music in the Street / Unlimited Touch 20. Ain t No Stoppin Us Now (Break) / Mcfadden Whitehead 21. I Got My Mind Made Up / Instant Funk 22. Ain t No Stoppin Us Now (Break) / Mcfadden Whitehead 23. You Can Do It / Al Hudson The Parters 24. Ladies Nigth (Remix) / Kool The Gang 25. Rock The Boat / Forrest 26. Copacabana / Shirley Bassey Lesson 7 1. Spread Love / Take 6 2. Do It, Do It / The Alliance 3. Wild Style Theme Rap No.2 / Grand Master Caz Chris Stein 4. You Need A Change Of Mind / Brooklyn Express 5. Sessomatto / O.S.T. 6. Music Man Part 2 / Pleasure Web 7. Get Up Stand Up / Malcom s Locks 8. Urban Sound Surgeon / 4 Ever Fresh 9. It s My Beat / Sweet Tee Jazzy Joyce ※Blend Mix 「GANGSTER BOOGIE (Inst) / LIFE-N-DEF」 10. Hit The Road Jack / Helen Reddy 11. Super Rappin No.5 / Tim Love Lee 12. Spanglish / Spanish Fly And The Terrible Two 13. Bounce.Rock.Skate.Roll / Vaughan Mason Crew 14. Take It Away / J.V.C.F.O.R.C.E. 15. Trans-Am / Kings Of The Wild Fron Tier! 16. Do You Wanna Get Funky-Remix / C+C Music Factory 17. Love Call / Ramsey Co 18. Trinidad / John Gibbs U.S.Steel Orchesta 19. I m Caught Up / Risco Connection Lesson 8 1. It s Your Thing / Rockaway Three 2. Country Rock And Rap / The Disco Four 3. Philosophy Rappin Spree / Super 3 4. (Oh No! Not) The Beast Day / Marsha Hunt 5. Hot Pants Break Down / The Soul Toranodoes 6. Sample The Dope Noise / Lakim Shabazz 7. I m large / Chuck Chillout Kool Chip 8. I Hope It Rains Coffee / Choco The New Harlem Sound 9. Somber Guitar / Creation One 10. Happy Soul With A Hook / Dave "Baby" Cortez 11. Venus / Tom Jones 12. Give It Up Or Turnit A Loose (In The Jungle Groove Remix) / James Brown 13. Apparenly Nothing (Big Funk Mix) / The Brand New Heavies 14. Sounds Of Safari (Remix) / Jungle Brothers 15. Jungle Boogie / Kool The Gang 16. How Ya Like Us Now / Flip Sguad All Star DJ s 17. Human Beat Box / Disco 3 18. That s The Joint / Funky 4+1 19. Get Up And Dance / West Street Mob 20. It s A Shame / Netwerk 21. Sing.Sing.Sing. / The Charlie Calello Orchestra 22. A Night In New York / Elbow Bones And The Raketters 名前 コメント
https://w.atwiki.jp/aesthetica/pages/101.html
Leon Battista Alberti, 1404-1472. De pictura, 1435-36. De re aedificatoria, 1450頃-72執筆. Breve compendium de componenda Statua, 1464頃執筆. Carlo Borromeo, 1538-1584. Instructiones fabricae et supellectilis ecclesiasticae, Mediolani (Milano), 1577. Pietro Accolti Discorso intorno al disegno con gl inganni del occhio, 1625. [***] Prospettiva pratica, 1625. [***] Franciscus Junius De Pictura Veterum, 1637. The Painting of the Ancients, 1638. Abraham Bosse Manière universelle de M. des Argues pour pratiquer la perspective par petit-pied comme le géométral, 1648. Sentiments sur la distinction des diverses manières de peinture, dessin et gravure, et des originaux d avec leurs copies, 1649. Moyen universel de pratiquer la perspective sur les tableaux ou surfaces irrégulières, 1653. Le peintre converti aux précises et universelles règles de son art, 1667. R. Fréart de Chambray, 1606-1676. Idée de la perfection de la peinture démonstrée par les principes de l art et par des exemples, etc..., 1662. Ch. A. du Fresnoy, 1611-1668. De Arte graphica, 1668. Henri Testelin, 1616-1695. Sentiments des plus habiles peintres du temps sur la pratique de la peinture, Paris, 1680. [***] (in Mérot[1996], p. 311-380.) Mémoires pour servir à l histoire de l Académie royale de peinture et de sculpture, depuis 1648 jusqu en 1664, Paris, 1853. André Félibien, 1619-1695. Les reines de perse aux pieds d Alexandre, 1663.[***] Entretiens sur les vies et sur les ouvrages des plus excellents peintres anciens et modernes. 1666 I, II 1672 III, IV 1679 V, VI 1685 VII, VIII 1688 IX, X Principes de l architecture, de la sculpture, de la peinture, c., 1676-1690. William Aglionby, -1705? Painting illustrated, in three dialogues, London, 1685. Antoine Coypel, 1661-1722. Discours prononcez dans les conferences de l academie royale de peinture et de sculpture, 1721. Antoine-Marin Lemierre, 1733-1793. La Peinture, poème en trois chants, 1769. Ireneo Affò, 1741-1797. Vita di Francesco Mazzola, detto il Parmigianino, Parma, 1784. Il Parmigiano servitore di piazza, o note sulle pitture di Parma, Parma, 1794. [***] Ragionamento sopra una stanza dipinta del Corregio nel monastero di Monache Benedettine di S. Paolo in Parma, Carmign, 1794. Bonafous de Fontenay Dictionnaire des artistes ou Notice historique et raisonnée des architectes, peintres, graveurs, sculpteurs, musiciens, acteurs et danseurs, 1776. **********************************************
https://w.atwiki.jp/vocaloidenglishlyric/pages/618.html
【Tags Ienourademanbougashinderu-P VY2 tA tS tT E】 Original Music title エイは育ち、僕はプロポーズに鉄を曲げる English music title Stingray Grows and I Bend Iron At A Proposal Romaji music title Ei wa Sodachi, Boku wa Puropoozu ni Tetsu wo Mageru Music Lyrics written, Voice edited by タカハシヨウ (Takahashi You) / 家の裏でマンボウが死んでるP (Ienourademanbougashinderu-P) Music arranged by タカハシヨウ (Takahashi You) / 家の裏でマンボウが死んでるP (Ienourademanbougashinderu-P) Singer VY2 勇馬 (Yuuma) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson): As I wandered by the nearby riverside, I thought about how I would propose I had finally obtained a ring; Shall I put it on your hand tomorrow...? Though I d only stumbled a little, The gleaming ring left my palm, Heading at an extremely precise angle, And bounced off to the other shore There were no bridges to go get it, And no boat, or anything so helpful As I put both feet in to swim across, An old man watching said "This is the Sanzu River!" Who would have thought such a legend Would be casually running through town? Is the other shore the afterlife?! I thought this was just Kanagawa! I tried just swimming a little ways, But the further I got, the more it hurt And when I got even further, I felt better; If I went to the other shore, I d die... Learning this, I went back home, And brought back an old fishing rod Believing the hook could snag the ring, I cast my line with hope... "Hope for a miracle!" I fished up eight stingrays in a row... I didn t mean THAT kind of miracle! Take up residence somewhere else! And where were you when I was swimming?! Casting my line to no avail, The sun went down, and back up... I got blisters, and they broke; Blood flowed, and it dried... And I still hadn t caught it, But that ring... Is so precious to me... I had promised to meet you, so you arrived, And you passed by me on the way You saw me exhausted, you saw me in tears; You ran over, and I told you everything... What an awful proposal... As I went to cast the line again, You grabbed me from behind Then I realized how cold I was, And it made my heart break... The hook had warped over time, And had taken on a circular shape So you put it on your finger, And cried, smiling... "Thank you for the wonderful ring..." Romaji lyrics (transliterated by vgboy / vgperson): Kinjo no kawabe o urotsukinagara Puropoozu no kotoba o kangaeteita Youyaku te ni ireta kono yubiwa ga Ashita kimi no te ni wataru kana Sukoshi tsumazuita dake no hazu datta Tenohira no ue de hikaru yubiwa ga Kore ijou nai tekikaku na kakudo de Mukougishi made tonde itta Tori ni ikou ni mo hashi ga nai Booto nante ki no kiita mono mo nai Oyoide watarou to ryouashi o ireta toki Miteita roujin ga iu "Koko Sanzu no Kawa da zo" Sonna rejendo ga kono kinjo ni Kajuaru ni nagareteru nante Mukougishi wa ano yo nano ka yo Kanagawa-ken dato omotteta wa! Ichiou chikaku made oyoide mita ga Chikadzuku hodo kurushiku natteikushi Sara ni chikadzuku to kimochi yoku naru Mukougishi ni ikeba shinu no da Sore naraba to jitaku ni modori Nemutteita tsurizao o motte kita Fukku-jou no hari ni yubiwa ga kakaru koto o Shinjite sao o furu no da "Kiseki o shinjite!" Hattou renzoku ei ga tsureta Sono te no kiseki wa ima iranee Youshoku nara yoso de yatte yo Sakki oyoida toki doko itanda! Futte mo futte mo kakarazu Hi ga ochite mata nobotta Mame ga deki tsuburete wa Chi ga nagare katamatta Mada kakaranai Demo are wa Taisetsu na yubiwa nanda Kimi ni au yakusoku o shiteta kimi ni au jikan ga kita Bokunchi ni mukau kimi ga toorisugaru Tsukarehateta boku o mite nakisou na boku o mite Kakeyoru kimi ni subete hanashita Sanzan na puropoozu Sao o mada furou to suru boku o Kimi wa ushiro kara dakishimeta Jibun no karada no tsumetasa o Shitte kokoro ga orekaketa toki Achikochi ni hari wa atatte yugami Kidzukeba wakka ni natteita Kimi wa sore o yubi ni hamete Waratta mama naita "Suteki na yubiwa o arigatou" [Ienourademanbougashinderu-P, IenourademanbougashinderuP, Ie no Ura de Manbou ga Shinderu-P, Takahashi You]