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Just a Country Boy from Kansas My Life Story Authorhouse? Harold Riechers? Authorhouse? HaroldRiechers? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-Memoirs? IEEE Recommended Practice for Inductive Coordination of Electric Supply and Communication Lines/IEEE Std 776-1992 Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Computers&Internet-General? Subjects-Engineering-Reference? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Subjects-Science-Technology-General&Reference IEEE Standard Software Quality Management System Part 1 Requirements Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Computers&Internet-ComputerScience-SoftwareEngineering? Subjects-Computers&Internet-Software-Design&Development-QualityControl? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Revelation The Seven Stages of the Journey Back to God Authorhouse? Walter Donavan? Authorhouse? WalterDonavan? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-NewTestament? Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-StudyGuides,History&Reference-General? Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-StudyGuides,History&Reference-Reference-NewTestament-Study? Ten Minutes to Showtime Authorhouse? George Parker? Authorhouse? GeorgeParker? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? The Heart of Knowing A Sufi Perspective (1stbooks Library (Series).) Authorhouse? J. P. Gallien? Authorhouse? J.P.Gallien? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Islam-Sufism-General? Chaos Happens Authorhouse? Richard Kutter? Authorhouse? RichardKutter? 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Bear Branch University A Story of Education in a One-Room School in the 1930's Authorhouse? Edwin R. Chubbuck? Authorhouse? EdwinR.Chubbuck? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Memoirs? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-Education-EducationTheory-History? Subjects-Professional&Technical-Education-Theory-History? Acting in Film An Actor's Take on Movie Making (The Applause Acting) Applause Theatre & Cinema Books? Michael Caine? Maria Aitken? ApplauseTheatre&CinemaBooks? MichaelCaine? MariaAitken? Substores-UnknownASINs-35 Subjects-Arts&Photography-PerformingArts-Theater-General? Subjects-Entertainment-Movies-General? Subjects-Entertainment-PerformingArts-Theater-General? Demolition Man The Book of the Film Applause Theatre & Cinema Books? Daniel Waters? Jonathan Lemkin? ApplauseTheatre&CinemaBooks? DanielWaters? JonathanLemkin? Substores-UnknownASINs-35 Subjects-Entertainment? 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Subjects-Professional&Technical-Engineering-General Encyclopedia of Microcomputers Electronic Dictionaries in Machine Translation to Evaluation of Software Microsoft Word Version 4.0 (Encyclopedia of Microcomputers) Marcel Dekker Inc? Allen Kent? James G. Williams? MarcelDekkerInc? AllenKent? JamesG.Williams? ジャンル別? Subjects-Computers&Internet-Hardware-PCs? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Encyclopedia of Microcomputers Evolution of Computerized Maintenance Management to Generation of Random Numbers (Encyclopedia of Microcomputers) Marcel Dekker Inc? Allen Kent? James G. Williams? Rosalind Kent? MarcelDekkerInc? AllenKent? JamesG.Williams? RosalindKent? ジャンル別? Subjects-Computers&Internet-Hardware-PCs? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Professional&Technical-Engineering-General 洋書
https://w.atwiki.jp/niya/pages/18.html
そんなこんなで戯言書き込み用のページを作りました。改行も利きます。タグは使えません。最新２０件表示、過去ログも表示できます。将来的には、機種別ページ＋コメントという風に頑張っていきたい。 -- (ニヤ) 2005-05-18 12 49 38 bita さんにも編集権限付与しときますね。 -- (ニヤ) 2005-05-18 13 17 19 ００９で初めて加速引いた！ 1780枚！でも大勝難しい機種ですね... -- (ニヤ) 2005-05-19 11 56 25 鬼浜と鬼武者に画像追加してみました。 -- (bita) 2005-05-19 12 56 13 そして見事に画像あげ間違えてるｗ削除ってどこでやればいいんでしょう？ -- (bita) 2005-05-19 13 00 23 http //www1.atwiki.jp/faq/pages/58.html の「アップロードしたファイルの削除」に書いてあります。わかりづらいですが、ログインしていればメニューのアップロードを選ぶと「削除」が出るようです。 -- (ニヤ) 2005-05-19 14 45 07 加速2ループした。 -- (Cranky-R) 2005-05-20 01 51 10 大花で一杯引いた。 -- (Cranky-R) 2005-05-20 01 51 30 削除項目出てこないっす（涙 -- (bita) 2005-05-20 08 51 12 ここ携帯で見れるけどカキコできないのね・・昨日携帯から書いたのにｗ -- (bita) 2005-05-20 08 51 46 あれー、ログイン後に「アップロード」選ぶとひっそり添付ファイル一覧の横に「削除」が出るはずですが... 管理者じゃないとダメなのかな。-- (ニヤ) 2005-05-20 11 36 20 うわー、加速２ループっすか...-- (ニヤ) 2005-05-20 11 37 42 出ませんでした（涙 -- (bita) 2005-05-20 17 43 27 あれー、なんでだろう...俺のほうで消しときますんで、ドコのナニか教えてください。 -- (ニヤ) 2005-05-23 17 32 22 カエルA +22K花火 -2Kあれ -9K -- (Cranky-R) 2005-05-24 03 03 59 鬼武者画像に鬼浜のなめ猫がいますｗ -- (bita) 2005-05-24 12 16 10 ↑おもしろい。久々に笑った。 -- (Cranky-R) 2005-05-25 23 33 12 けしときましたー。ねこかわいいよねこ。最近はシャチかわいいよシャチ、ですけど海物語そのものはキライ。 -- (ニヤ) 2005-05-26 12 36 14 有難うございます。海物語なかなか連してくれません（涙お～とこには～ですよやっぱｗ -- (bita) 2005-05-27 12 27 29 いやホント連しないよね。blog に書きましたが 150G 内実質 48%強で 50G 超えるとな～り望み薄。爆連モードも無理っぽいし... -- (ニヤ) 2005-05-27 18 24 48 そこそこ海シミュが形になってきました。どうやっても50Gヤメがベストだという結果しか出ないんですが、実際問題ヤメれるかと言われれば...ゾーン狙い関係はそれなりに出来たので、後は統計関係の充実とＭ４の実装くらいで誤魔化そうかと。因みに雑誌によって平均獲得枚数にバラツキがあるんですが、HBIG 600枚はウソですよね？ パンク含めると 550枚がいいトコなんじゃと思っていますが。 -- (ニヤ) 2005-06-07 20 08 26 詳しくは blog で。http //niya.txt-nifty.com/bootleg/ -- (ニヤ) 2005-06-07 20 11 00 全然海が連荘してくれない・・・・某Cに試行回数増やせと言われました。M4引いてみたいなぁ。 -- (bita) 2005-06-16 17 51 37 自分としては、「ショボ連主体でたまに爆発する裏物」って感じで海を見ていますんで、かな～り運試し要素が強いですね。でも、シミュレートした結果では思ったよりよく出来ていると思います。設定１で 500G から打って割りはぎりぎり 100% 超えます。50G で止めれば割りはもっと上がりますが、爆連チャンスを逃す事にもなり、この辺は打ち手にまかされているってのも実は練りこまれた結果かなと。M4 は俺も引いてみたいんですが、なんか１発落ちしそうでｗ（カイジの沼勝った時も B1R2 しゅうりょう...） -- (ニヤ) 2005-06-17 18 00 27 結局あれだけ騒いでたカイジを一番打っていない気がします。M4は実は何回か引いてるんじゃないかと不安です。海甘いですよー。月間激プラス機種の3冠王です。あと、客がぬるくなってきた銭形が甘すぎ。そして引きｗ -- (Cranky-R) 2005-06-27 01 02 16 以外に「結果として」甘かったのは鬼浜。端折ったシミュしてみましたが確かに400G から打ってもメーター２以上で 100% 超えますわ... ただ、BIG 即連ループが有る分、大負けも多いです。つまりは引きｗ-- (ニヤ) 2005-06-27 10 10 41 密かに画像更新。 -- (Cranky-R) 2005-07-07 00 30 44 密かに Livedoor Wiki も作ってたりしますが、中身が出来るのは先です。 -- (ニヤ) 2005-07-08 20 16 44 見ました、マニアックでしゅね。さすがと思いました。これからも期待してますｗ -- (Cranky-R) 2005-07-14 01 05 18 そのうち何か書いてもらいます...（意味深あー、bita さん家の８男が元気なうちにビデオ撮影もしたいなーとか思ってます。（マジで） -- (ニヤ) 2005-07-14 17 37 33 俺も見ました。マニアックですね。でもかなり好きですｗ家の８男ですか？もうご老体ですよｗまぁ叩けば何とかなるんですけどね（爆） -- (bita) 2005-07-15 12 18 03 エイトマンの話出てましたがユニコーンＳＰもあげて欲しかったｗあの120Ｇごとの期待感最高です！ -- (bita) 2005-07-15 12 51 21 現在、総力を挙げて裏モノ情報収集中ですｗぜひご協力を。御代は...鈍器の昔の金色３０パイメダル２５枚でｗ -- (ニヤ) 2005-07-20 01 30 57 裏物情報？まともに裏物打ったことあまりないからなぁｗ自分の打ったことのある中で思い出のあるやつら。ファンキービートル：大東音響 たぶん状態物仮面ライダーV3 ：サミー たぶん状態物チェリーキューブ ：バルテック たぶんチェリー前兆物バルデビッグ ：バルテック 当然貯金物クレイジーチェリー：バークレスト たぶん状態物ロカビリー ：バルテック たぶん状態物トムキャット ：オリンピア たぶん32G Ver-- (Cranky-R) 2005-07-20 03 03 36 打ったことあるので状態じゃないようなやつ・・・風神雷神、ボルキャ：時間？ｗ、3連セットビックアンドスモール：丁半Ver？後はほとんどリプ連かチェリもしくは小役連。 -- (bita) 2005-07-20 12 53 07 チェリーキューブ、風神雷神は見たことが無いですね... ビッグアンドスモールは打ったんですけど、ノーマルっぽくてガッカリした記憶が。ロカビリーは大黒天で打ちました。たぶん状態モノでしょう。仮面ライダーＶ３は、これまた大黒天。状態かどうかはわかりませんでした。３連セットっぽかったんですけど...で、花火＆サンダーＶの面白い Ver 知りませんか？不発前兆とかゼブイとか有名なのしかしらないし、当時ほとんど打ってなかったんで... -- (ニヤ) 2005-07-20 16 36 41 花火＆サンダーはあんまり聞かないですね～チェリ連とか聞いたことないしなぁ。ニューパルRの2チェ連なら打ってたんですが。忘れてましたよ！GOジャグREG光ッパVerをｗ-- (bita) 2005-07-20 18 24 00 花火も同じ大黒天で打ちましたよ。一撃8000枚でました。恐らく上乗せしまくった感じです。50G以内の遅れは88％ぐらいでボーナスでしたｗちなみにニヤさんの言っている大黒天と僕の言っている大黒天は恐らく同じ店でしょうｗ同じ店のサンダーも怪しかったです。ただ、、、サンダーはノーマルでも平気で一撃3000枚でる荒波機なのでたぶん裏としかいいようがありませんが。後は・・・、リプ連とえばマツヤの夜叉ですねｗリプ3連で確定。4連でガセっていうのは本当におもしろかったｗ -- (Cranky-R) 2005-07-20 23 27 06 アレも忘れてた！REGトリガーのB-MAX！クレジット内でBIGのみ連荘する仕様だったなぁ。ダイナマイトキッズRの0枚役前兆とかもあったような気がしたなぁ。やっぱ俺かなり裏もの打ってるｗｗ -- (bita) 2005-07-21 09 02 53 みんな（２人だけど）裏モノ打ってますねぇ。うれしいです。ちょっと忙しい状況なので、詳しい返事は後日。ってか、みんな（２人だけど）スロ好きですねぇ。うれしいです。 -- (ニヤ) 2005-07-22 17 37 30 裏モノは中身知ってれば勝てましたからねぇ。まぁ沖スロにはあんまり知識は必要なかったんですけど。必要だったのは己の引きｗスロ大好きですよ！猿がアレ覚えた位に（爆） -- (bita) 2005-07-25 12 19 23 僕はあまり好きではないですねぇ。何度も言ってますが「生きがい」ですからｗなくてはならない存在のひとつですｗそれにしてもbootlegに来ているあの方、気になりますねぇ。 -- (Cranky-R) 2005-07-26 01 36 24 はい、すげー気になります。フェィクでなければ開発の方ではなさそうで、営業系なのかなと思ったり...しかし、変な火種になるとアレなので、そっとしておきましょう。 -- (ニヤ) 2005-07-27 09 39 15 ええ。そのつもりです。やっと引きが戻りました（笑これからどれだけマイナスを減らせるかの勝負どこですｗ -- (Cranky-R) 2005-07-27 23 49 40 引きでスロット打つと大変です。どうにか安定してくれる台がでてほしい今日この頃。（意外と鬼武が安定して勝てるのは気のせいでしょうか） -- (Cranky-R) 2005-08-01 00 51 10 俺はぜんぜんヒキ戻ってません。因みにパチ成績は８月、４戦２勝２敗、+0.8K 15R 引いたの２回しかないのに耐えてます。 -- (ニヤ) 2005-08-03 23 22 16 んでー、しばらくしたらココを全あぼーんして人生をやり直そうかと思ってます。（人生はムリ裏モノ wiki は別に作っちゃったし、どうしようか思案中。そうだ、Ｂちゃんに「定住」してもらおうか...（ムリ -- (ニヤ) 2005-08-03 23 23 59 もえるまりんばとるで-46Kいきましたよ。むかつくのでまた打ちます。大嫌いな秘宝伝で5000枚でたのでかなり遊び打ちしてる今日この頃。 -- (りょうた。) 2007-02-17 15 23 41 毎日更新具合だけは見てたのにコメントに気付かなかった（汗最近は鬼浜かパチばっかり打ってます。鬼浜400Gからでも打ったりしてますよｗｗ -- (bita) 2007-03-05 12 40 52 あ、気づいたｗおいらはチャンピオンつぶれてJで負けてモチベーションがっつりさがったｗ今家帰ってきてドラクエ６やってるとこｗｗｗ -- (りょうた。) 2007-03-05 21 43 34 俺昨日の鬼浜＆スパイダーマンで一気にモチベーション上がったｗスパイダーマンって一撃1500位簡単に出るのねｗ -- (bita) 2007-03-06 12 31 35 リプパン5号機は確率にさえ見放されなければ勝てると思うよ。終日打てれば5号機はかなり安定して勝てるから好きだ。-- (りょうた。) 2007-03-07 23 13 34 確率にさえ見放されなければこれがひじょ～に難しいｗすぐ見放されちまうからな！4号機ﾉｰﾏﾙA打ってた時みたく終日打ち切れる体に戻さないと！！ -- (bita) 2007-03-08 12 17 16 ジャグラーマンセー。 -- (りょうた。) 2007-03-08 23 03 01 ガッチャマンセー -- (bita) 2007-03-22 12 14 59 ガッチャマンセー -- (りょうた。) 2007-04-12 23 38 28 イ・ミ・ソ～レ♪ -- (bita) 2007-04-13 12 16 03 ガオガオマンセー -- (りょうた。) 2007-04-14 22 59 49 ｷｭｷｭｷｭｷｭｷｭｷｭｷｭｰﾝ♪ -- (bita) 2007-04-17 12 30 55 「ｲ」が入ってなかったｗｗｗ -- (bita) 2007-04-17 12 31 14 ｷｭｰﾝ♪ -- (りょうた。) 2007-04-17 23 20 39 胸がｷｭﾝｷｭﾝ♪ -- (bita) 2007-04-18 12 13 23 こっそりageってか某所の日報が・・・ -- (bita) 2007-05-21 12 20 07 今度は某所がなくなった・・・ -- (bita) 2007-06-01 12 23 41 次はここか。 -- (りょうた。) 2007-06-02 17 41 59 いったいどうしてしまったんだろう・・・誰か情報しらないのかな？ -- (bita) 2007-06-04 12 19 30 誰も何も聞いてないの？ -- (りょうた。) 2007-06-09 00 30 32 某スロ専の掲示板に本人カキコあった～！ -- 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Ich kenne die Urnen mit Schätzen gefüllt, tief unter Tschelminars Säulen verhüllt; ich sah der Weihrauchinseln Grün viel Klaftern tief im Meere blühn; Ich weiß auch, wo die Genien König Jamschids Pokal verhehlen. Er ist von Gold und von Juwelen, und Lebenstropfen sind sein Getränk; Doch, will auch der Himmel solch Geschenk? Strahlt je der Demant einer Krone wie die Stufen an Allahs Wunderthrone? Und, o ihr Lebenstropfen, was seid ihr für die Tiefen der Ewigkeit! Nr. 5 Tenor Solo So sann sie nach und schwang die Flügel jetzt über Indiens Blumenhügel. Vier Stimmen (Quartett) O süßes Land! O Götterpracht! Es flüstern die Palmen sacht, es flimmert die Sternennacht, dort schäumt auf Bernsteingrund das Meer über Korallenriffe her, dort brütet heiß der Sonne Brand, im Schoß der Berge Diamant. Es rieseln, reichen Bräuten gleich, die Bächlein hold an Golde reich, dort duften Sandelhaine süß – O Paradies! Nr. 6 Chor Doch seine Ströme sind jetzt rot von Menschenblut. 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Der Jüngling (Tenor) Du schlugst des Landes Bürger, du meiner Brüder Würger - Dir diesen letzten Pfeil! Gazna Das sollst du büßen! Nr. 8 Chor der Indier Weh, weh, weh, er fehlte das Ziel, Es lebt der Tyrann, der Edle fiel! Nr. 9 Tenor Solo Die Peri sah das Mal der Wunde, und nun vertobt des Kampfes Wut, kam sie im Strahl des Morgenrots und nahm das letzte Tröpflein Blut, das aus dem Heldenherzen drang, eh sich der freie Geist entschwang. Peri und Chor (Nach und nach immer rascher) Sei dies, mein Geschenk, willkommen dorten an Edens Pforten! Denn heilig ist das Blut, für die Freiheit verspritzt vom Heldenmut, und würde nicht trüben die klarste Flut, die durch die Haine der Sel gen fließt! O gibt es ein Opfer der Erdenwelt, ein Geschenk, das teuer der Himmel hält, ist das Blut, das der Freiheit sterbender Sohn ihr bringt als letzte Libation! Willkommen dorten sei dies Geschenk an Edens Pforten! ERSTER TEIL Nr. 1 Alt Solo Vor Edens Tor im Morgenprangen stand eine Peri schmerzbefangen. Und wie sie lauscht dem Lebensquelle, des Flut harmonisch drinnen hallte, und wie vom Licht ihr Fittich helle, das durch halboffne Pforten wallte, weint sie, verbannt aus diesen Au n, ihr sündiges Geschlecht zu schau n. Nr. 2 Peri; Sopran Wie glücklich sie wandeln, die sel gen Geister, im Dufte von Blumen, die nimmer verblühn! Sind mein auch die Gärten auf Landen und Meer, und pflück ich selbst Blumen auf Sternen umher; ein Blümlein des Himmels ist schöner denn alle! Glänzt Kaschemirs See auch sonnig und rein mit seiner Plataneninseln Schein, und rinnen dort Ströme auf gold nem Sand. Doch ach! Nur den Seligen ist s bekannt Ein Tropfen des Himmels ist schöner denn alle! Geh, schwing dich im Fluge von Stern zu Stern, von Welt zu leuchtender Welt, so fern als der Himmel wölbt seine Sonnenhalle, nimm alle die Wonnen von allen den Sphären und lass durch unendliche Zeiten sie währen Ein Stündlein des Himmels ist schöner denn alle. Nr. 3 Rezitativ Tenor Solo Der hehre Engel, der die Pforte des Lichts bewacht, vernimmt die Worte, und wie er lauscht und näher schleicht dem sanften Lied, entsinkt ihm eine Träne; er sprach Der Engel; Alt Dir, Kind des Stamms, schön, doch voll Sünden kann eine frohe Hoffnung ich noch künden. Im Schicksalsbuche stehn die Worte "Es sei der Schuld die Peri bar, die bringt zu dieser ew gen Pforte des Himmels liebste Gabe dar!" Geh, suche sie und werde rein Gern lass ich die Entsühnten ein! Nr. 4 Peri (Sehr lebhaft) Wo find ich sie? Wo blüht, wo liegt die Gabe, die dem Himmel g nügt? Ich kenne die Urnen mit Schätzen gefüllt, tief unter Tschelminars Säulen verhüllt; ich sah der Weihrauchinseln Grün viel Klaftern tief im Meere blühn; Ich weiß auch, wo die Genien König Jamschids Pokal verhehlen. Er ist von Gold und von Juwelen, und Lebenstropfen sind sein Getränk; Doch, will auch der Himmel solch Geschenk? Strahlt je der Demant einer Krone wie die Stufen an Allahs Wunderthrone? Und, o ihr Lebenstropfen, was seid ihr für die Tiefen der Ewigkeit! Nr. 5 Tenor Solo So sann sie nach und schwang die Flügel jetzt über Indiens Blumenhügel. Vier Stimmen (Quartett) O süßes Land! O Götterpracht! Es flüstern die Palmen sacht, es flimmert die Sternennacht, dort schäumt auf Bernsteingrund das Meer über Korallenriffe her, dort brütet heiß der Sonne Brand, im Schoß der Berge Diamant. Es rieseln, reichen Bräuten gleich, die Bächlein hold an Golde reich, dort duften Sandelhaine süß – O Paradies! Nr. 6 Chor Doch seine Ströme sind jetzt rot von Menschenblut. Es wütet fürchterlich der Tod. Er schreitet durch die blumigen Wiesen verheerend mit den ehernen Füßen. O Land der Sonne, wessen Schritt geht über deinen Boden, wirft deine Pfeiler um, zertritt die Göttersäulen und Pagoden? Er ist s, er ist s von Gazna, er naht in seinem grimmen Zorn! Chor der Eroberer Gazna lebe, der mächtige Fürst! Chor der Inder Es sterbe der Tyrann! Nr. 7 Tenor Solo Und einsam steht ein Jüngling noch, es fließt sein Blut aus manchen Wunden. Er beugt den Nacken nicht ins Joch, Ein Leu, umstellt von Waidmannshunden. Schon hat sein Schwert im Feindesschwarm mit blut gen Lettern es geschrieben, daß ungebeugt ihm Herz und Arm, ein Pfeil nur ist ihm übrig blieben. Chor der Eroberer Gazna lebe, der mächtige Fürst! Chor der Inder Es sterbe der Tyrann! Gazna (Bass) Komm, kühner Held, und huld ge mir, willst du umsonst dein Blut verspritzen? Dein eitles Kämpfen kann nichts nützen, komm, dein Leben schenk ich dir! Der Jüngling (Tenor) Du schlugst des Landes Bürger, du meiner Brüder Würger - Dir diesen letzten Pfeil! Gazna Das sollst du büßen! Nr. 8 Chor der Indier Weh, weh, weh, er fehlte das Ziel, Es lebt der Tyrann, der Edle fiel! Nr. 9 Tenor Solo Die Peri sah das Mal der Wunde, und nun vertobt des Kampfes Wut, kam sie im Strahl des Morgenrots und nahm das letzte Tröpflein Blut, das aus dem Heldenherzen drang, eh sich der freie Geist entschwang. Peri und Chor (Nach und nach immer rascher) Sei dies, mein Geschenk, willkommen dorten an Edens Pforten! Denn heilig ist das Blut, für die Freiheit verspritzt vom Heldenmut, und würde nicht trüben die klarste Flut, die durch die Haine der Sel gen fließt! O gibt es ein Opfer der Erdenwelt, ein Geschenk, das teuer der Himmel hält, ist das Blut, das der Freiheit sterbender Sohn ihr bringt als letzte Libation! Willkommen dorten sei dies Geschenk an Edens Pforten! Schumann,Robert/Das Paradies und die Peri/II
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Conqueror FAQ/Feats/Builds**** UPDATE** guys i'm almost level 80 and then i'll be testing all our final tier talents. For now **BLESSED CONQUEST** 6 seconds of invulnerability on a 2 minute cool down. using it while stunned, jumping or cc'd triggers the cooldown with no effect. UPDATED** Formations -- New info on Hulk and Heroic call under brute feats Also REAPING BLADE INFO updated some leveling tips with feats and skills** ok guys i know theres alot of the same things being passed around on this forum and i figure we can reduce the clutter by concentrating it into this thread. keeping it bumped our stickied would be a great help, and feel free to post anything you would like me to add. Sorry for anything i left out or spelling errors, i'm writing this as we group XP in thunder river. Charge Tips** There is only 1 rank of charge, and yes as i'm sure you all noticed it has many fun bugs, and by fun i mean shoot me now. Some tips to not have this happen to you when charging do not use any abilities until after you have swung your weapon. charge only closes the distance, it has no root or stun component but it can be used in combat. also if you are sure the target wont move, queuing up burst of aggression, cunning deflection or crushing onslaught is a good idea. Armor** at lvl 10 you get medium and at lvl 30 you upgrade to heavy armor Conqueror Abilities FAQ** Furious Inspiration what the heck is that? Furious inspiration is a group proc, basically when you are in a party and someone is attacked there is a chance Furious inspiration will become active. This Buff you get stacks up to 10 times and can be refreshed and stay at this mark for as long as someone takes damage, duration is 15 seconds. What does Furious Inspiration do? Each stack adds a 2% damage increase, at 4 stacks you proc a 20 point group heal, and at 10 stacks group in combat instant rez. Once the stack is at ten, each additional application seems to heal the party for 20 again, and everytime you attack you can proc the group ressurection. Aura's** Conquerors are allowed 1 defensive and 1 offensive aura up at a time, they last for 4 hours or unless killed in PvE. Most aura's when you first get them aren't exactly the greatest buffs ever, but as you level they increase in rank and of course there are ones preferred over others OFFENSIVE Incite the Ranks Adds DPS to the groups weapons, it does not add to your top end by the listed amount, it adds to your DPS, at rank 2 it can add 10 top end to your weapon. (from personal experience i have never used this buff over Fire weave, it might be used if flame weave doesn't stack with HoX damage proc) FireWeave Adds a Fire damage Proc to your weapon, when it hits it increases fire damage taken by the listed amount, this buff is affected by frenzy stance. (a very good skill, and becomes amazing with feats) Hoarfrost Adds a Cold damage proc to your weapon, when it procs it also decreases the targets DPS for a short time. (Obtained at 50, i've only tested it a few times but on average the damage was around 10-11 couldn't find the listed amount of DPS is decreased) DEFENSIVE Inspire the rank obtained at level 45, our group stam regen, ticks every 3 seconds. rank 1 is 42 and currently rank 2 is 60 stam every 3 seconds. (stacks with warlord) Marshal the ranks Group -% miss chance and increases with each rank. -4% miss chance at rank 4 Shield of retribution Reflects damage, rank 3 reflects 11 damage.. Vitalize the ranks Obtained at level 60, restores 64 mana every 3 seconds at rank 1. Orders and Commands** Orders you get at 10 or 15 (need someone to confirm) you get 3 of them Note on Scaling** WHen i mention does not scale, it means as you level this ability never increases, ie be it lvl 15 or lvl 80 Battle Orders will always be a 2% damage multiplier. Battle Orders 2% damage increase last 20 seconds, so far does not scale with level Resolute Orders Each swing restores 10 health and 4 stamina, doesn't scale Skirmish Orders 2% threat reduction doesn't scale Commands these work on the conqueror Steadfast Command restores 9 stam every 2 seconds for 30 seconds to everyone behind you, seems to give 1 extra stamina each level. Barrage Command adds ranged and spells damage to everyone behind you, 53 spelldamage and 12 ranged damage at level 60, scales with level. Cover Command Ranged and magical attacks have a chance to heal everyone behind you when attacked. Heals for about 30 and scales with level. Formations** Formation of steel Everyone in front of the conqueror gains a damage absorption, First rank at lvl 60 is 10 damage absorbed seems to scale 1 point a level. Formation of Resolve Everyone in front of the conqueror will gain a small amount of health and stam when attacked. Looks like it heals 15-20 stam and health a hit, scales about a 1 point with each level past 60. Formation of retribution Everyone in front of the conqueror has a chance to deal retribution damage on their attack. Damage dealt was 10 at lvl 60, adds 1 point per level after it so far. FEATS** I'm going to add common builds and general Feat questions to this section, not what every single feat does but if theres one you want i will add it. Going to keep it small for now Carnage Warlord group stam and mana regen every 6 seconds, scales with level. Blade Weave for every FI stack on you, you will gain 7% offhand chance when used. so fully stacked(10 stacks) it gives 70% chance to hit with offhand and consumes the FI buff blade weave will show up as a debuff by your stance so once it is used FI can instantly be reapplied. 30 second cooldown. Reaping Blade for 5 seconds you have a 100% chance to hit with your offhand, 45 second cooldown. Brute NOTE* after testing, both Lumbering Hulk (improved) and Heroic call (improved) Scale with level making them very nice abilities. Throat Slash(DW/2H) 2 second cast time, duration 1 second to everyone infront of you. Burst of aggression (DW/2H) next attack will knock down the opponent, 1 minute cooldown (no cooldown if you don't use it) Crushing onslaugh(DW/2H) next attack will snare the target by 95% for 6 seconds, 1 minutecooldown (no cooldown if you don't use it) Angel Of Fury might be bugged, group or not i cannot seem to proc any FI myself. Soldier Volcanic Rage 20% damange increase for 30 second on a 2 minute cooldown. Common Builds*** (note i currently avoid most bottom tier abilities because they're either not that great or have a really long reuse time where something just as useful can be gotten instead) Group 2h PVP http //hybes.de/featPlaner.php?class...011-23,4013-21 you can sub out hulk if you want, it's optional Solo 2h PVP http //hybes.de/featPlaner.php?class...011-23,4013-21 DW Group PVP http //hybes.de/featPlaner.php?class...011-23,4013-21 or http //hybes.de/featPlaner.php?class...000-25,4010-25 DW PVE DPS http //hybes.de/featPlaner.php?class...010-25,4012-23 Leveling Tips*** For leveling i'd recommend spending points in the soldier tree, being able to kill in frenzy stance and using cunning deflection is a great help. As for Brute and Carnage either are good to level up, on a pvp server Brute would help alot with the snare and knock down i know some people want to get those before going soldier. Skills For leveling solo or group i'd recommend bandaging with fast healing and recovery with fast recovery. They both take effect during rest and if kept at least 1/2 of the max amount of skill they can restore 20-25% of your health and stam bar per tick. Also putting points into climb when necessary isn't a bad idea either. at 80 i would max endurance, hide, climb. ALso as a tank maxing taunt is very helpful. Some tips for skills hold Ctrl and clicking the + will add all available points into that skill. holding alt and clicking + will respec that skill line, cost 1c, 1s or 50s which is a bug i think
https://w.atwiki.jp/oper/pages/1487.html
Dritter Akt Im Palais dar Hanna Glawari Kurze Bühne, abgeschlossen von der Hinterbühne durch einen Gobelin. Links und rechts eine Karyatide im modernsten Sinn, nämlich je eine Dame in modernster Toilette, die in koketter Haltung den Saal zu stützen scheint. Nr. 12b Zwischenspiel ▼ZETA▲ Also, also, also! Wo sind die versprochenes Grisetten? ▼NJEGUS▲ Sie sind alle da, Exzellenz! ▼ZETA▲ Aber wo sind sie, wo? ▼NJEGUS▲ Pomali, Pomali, Excellenz. Wie mir Pontevedriner zu sagen pflegen. ▼ZETA▲ Was ist denn das für eine Musik? ▼NJEGUS▲ Diese verführerischen Klänge erklingen aus dem Kabarett l des Grisetterl, das ich hier im Palais der Frau Glawari mit Verlaub imitiert habe. ▼ZETA▲ Imitiert? Keinn echten Grisettchen? ▼NJEGUS▲ Doch, alle echt, auch Frau Baronin… ▼ZETA▲ Meine Frau? ▼NJEGUS▲ Siet tut natürlich nur so! ▼ZETA▲ Ach so! ▼NJEGUS▲ Also los, Excellenz! ▼ZETA▲ Los! Nr. 13 Tanz-Szene (Niegus toca un interruptor y el gobelín se eleva. Todos podemos ver un elegante y moderno Cabaret-restaurante. Mesas, butacas, lámparas con luz íntima sobre las mesas, con pantallas de colores variados y con recipientes para botellas de champagne. A derecha e izquierda pequeños palcos. Al fondo a derecha e izquierda escaleras que conducen al piso superior. Entre ellas hay un espacio en el que se encuentra situada un pequeña orquesta. Al fondo a la derecha y a la izquierda hay una puerta guardada por un portero cada una. Kromov, Pritschitch, Bodganowitch está cada uno en una mesa instalados y acompañados de una dama; los camareros vestidos de blanco sirven. Se ve el trasiego habitual de un restaurante. Sobre el escenario entre las escaleras está la orquesta (cinco músicos con fraks de color rojo, y otro que les dirige y toca el violín) y que tocarán cada uno de los números acompañando a la orquesta principal excepto en los dúos. ▼NJEGUS▲ Graf Danilowitsch… ▼DANILO▲ (erscheint auf der Galerie oben, überrascht) Ja, was seh ich? Ja, wo bin ich denn hier? (entzückt) Ah! (Er läßt sich von der Stimmung hinreißen, tanzt die Treppe hinunter und tanzt mit. Drei Damen kommen von rechts, drei von links hinten in feschesten Toiletten mit Hüten, dann ebenso Valencienne.) Nr. 14 Chanson ▼VALENCIENNE, DIE GRISETTEN▲ Ja, wir sind es, die Grisetten, von Pariser Kabaretten! ▼VALENCIENNE▲ (eine nach der anderen vorstellend) Lolo! Dodo! Jou-jou! Frou-frou! Clo-clo! Margot! Et moi! Auf dem Boulevard am Abend, Trippel-trapp und trippel-trapp, da flanieren wir Grisetten kokettierend auf und ab! ▼VALENCIENNE, DIE GRISETTEN▲ Trippel-trippel trippel trapp! Trippel-trippel trippel-trapp! Trippel-trippel trippel-trappel, Trippel-trappel trippel-trapp! ▼VALENCIENNE▲ Und mit Goldlack-Halbstiefletten, trippel-trippel trippel-trapp, und mit Hüten, pschütt-koketten, gehen wir dort aut und ab! ▼VALENCIENNE, DIE GRISETTEN▲ Ja, wir sind es, die Grisetten, von Pariser Kabaretten! ▼VALENCIENNE▲ Lolo! Dodo! Jou-jou! Frou-frou! Clo-clo! Margot! Et moi! Grisetten La, la, la… ▼VALENCIENNE▲ Ritantouri tantirette. Eh voilà les belles grisettes! Les grisettes de Paris. Ritantouri tantiri! ▼VALENCIENNE, DIE GRISETTEN▲ Ritantouri tantirette. Eh voilà les belles grisettes! Les grisettes de Paris. Ritantouri tantiri! ▼VALENCIENNE▲ Wie die Spinnen in ihr Netzchen, Zippel-zippel zippel-zapp! Sich die kleinen Falter fangen, fangen wir die Männer, schwapp! ▼VALENCIENNE, DIE GRISETTEN▲ Zippel-zippel zippel-zapp, zippel-zippel zippel-zapp, zippel-zippel zippel-zappel, zippel-zappel zippel-zapp! ▼VALENCIENNE▲ Lassen sie gern zippeln zappeln, trippel-trippel trippel-trapp, und dann geh n wir wieder weiter kokettierend auf und ab! ▼VALENCIENNE, DIE GRISETTEN▲ Ja, wir sind es, die Grisetten, von Pariser Kabaretten! ▼VALENCIENNE▲ Lolo! Dodo! Jou-jou! Frou-frou! Clo-clo! Margot! Er moi! Grisetten La, la, la, la… ▼VALENCIENNE, DIE GRISETTEN▲ Ritantouri tantirette. Eh voilà les belles grisettes! Les grisettes de Paris. Ritantouri tantiri! (Der Refrain wird nun von allen auf dr Bühne und in den Logen mitgejohlt, mitgepfiffen, mitgetanzt; dabei turbulentes Her un Hin im Saal, viele tanzen in geschlossener Kette die Treppen und die Galerie. Währenddessen hat Hanna den Saal betreten. Die Grisetten verlassen das Kabaret; ein Diener tritt auf.) ▼EIN DIENER▲ Exzellenz, Excellenz, Graf, eine Expreßdepesche! (ab) ▼DANILO▲ (liest) Wenn Glawari-Millionen nichtim Land verbleiben, dann droht Staatsbankrott ▼ZETA▲ Graf Danilowitsch! Ich muß an Ihren Patriotismus appellieren! Sie müssen ihr Herz erobern! ▼DANILO▲ Nun gut, ich werde sondieren, aber das eine sage ich Ihnen, wenn Hanna trotzdem den Rosillon ehelicht, dann gehe ich in ein Kloster! ▼ZETA▲ Bravo! Sie sind ein Patriot! ▼DANILO▲ In ein Nonnenkloster! ▼ZETA▲ Hahaha! (Zeta zieht sich zurück; das Kabaret leert sich.) ▼DANILO▲ Gospodina! ▼HANNA▲ Ja! ▼DANILO▲ Ich und der Vaterland verbieten Ihnen, daß Sie Rosillon heiraten! ▼HANNA▲ Ich heirate Herrn Rosillon… ▼DANILO▲ Wie? ▼HANNA▲ …nicht! ▼DANILO▲ Ja, aber das Rendezous im Pavillon! ▼HANNA▲ Ich habe kein Rendezvous mit Herrn Rosillon gehabt, sondern eine verheiratete Dame! Um diese zu retten, habe ich mich vorgeschoben! So ist s einmal und fertig! ▼DANILO▲ (ausser sich vor Freude) Eine andere Dame! - Und das sagen Sie mir erst jetzt? ▼HANNA▲ Und warum nicht jetzt erst? ▼DANILO▲ (will ehrlich sein) Ja weil ich - weil… (bricht ab) ▼HANNA▲ So machen Sie doch den Mund auf, oder fühlen Sie sich nur wohl, wenn Sie Grisetten um sich haben? Nr. 15 Duett ▼DANILO▲ Aber dort bin ich zu Hause… ▼HANNA▲ O, Sie sind… ▼DANILO▲ Was bin ich?… O, du bist… ▼HANNA▲ Was bin ich? ▼DANILO▲ Sie sind… Lippen schweigen, s flüstern Geigen, hab mich lieb! All die Schritte sagen bitte, hab mich lieb! Jeder Druck der Hände deutlich mir s beschrieb. Er sagt klar s ist wahr, s ist wahr, Du hast mich lieb! ▼HANNA▲ Bei jedem Walzerschritt, tanzt euch die Seele mit, da hüpft des Herzchen klein, es klopft und pocht Sei mein, Sei mein! Und der Mund, er spricht kein Wort, doch tönt es fort und immerfort Ich hab dich ja so lieb… Ich hab dich lieb! ▼HANNA, DANILO▲ Jeder Druck der Hände deutlich mir s beschrieb. Er sagt klar s ist wahr, s ist wahr, Du hast mich lieb! (Hanna geht ab. Zeta, Kromow, Bodganowitsch, Pritschitsch, Valencienne mit den Grisetten, Njegus, Damen und Herren kommen zurück.) ▼ZETA▲ (zu Valencienne) Valencienne, unsere lustige Witwe heiratet Herrn Rosillon nicht! ▼VALENCIENNE▲ Gott sei Dank! ▼ZETA▲ Denn er hat gar nicht mit ihr das Rendezvous gehabt! ▼VALENCIENNE▲ Ah! ▼ZETA▲ Sie hat sich vorgeschoben für eine andere! Aber für wen, Graf? ▼DANILO▲ Ja, für wen? ▼NJEGUS▲ (hält den Fächer in der Hand) Exzellenz, Exzellenz, diesen Fächer, man hat gefunden in Pavillon! ▼VALENCIENNE▲ (erschrickt für sich) Da ist ja mein Fächer! ▼ZETA▲ Ah! (zum Grafen) Diesen Fächer habe ich ja Ihnen gegeben, Graf! ▼DANILO▲ (sich betastend) Ja, ja, ich habe ihn verloren… ▼ZETA▲ (lächelnd, vielsagend) Im Pavillon! Die Schrift meiner Frau…! Ich liebe Dich. ▼VALENCIENNE▲ (für sich) Ich bin verloren! ▼ZETA▲ Ah, jetzt ist mir alles klar! Es war doch meine Frau! (zu Valencienne) Madame, ich lasse mich scheiden! Bin schon geschieden! ▼HANNA▲ Meine Herren, da sind Sie ja! ▼ZETA▲ (auf Hanna zutretend) Ah, Gospodina, ich bin frei! Ledig! Geschieden. Und ich erlaub mir im Namen meines Vaterlandes, um Ihre Hand anzuhalten! ▼DANILO▲ (für sich) Das ist ein sarkes Stück. ▼HANNA▲ Ihr Antrag ehrt mich - aber, ich muß Ihnen sagen, daß ich laut Testament meines seligen Mannes im Falle einer Wiederverheiratung das ganze Vermögen verliere - ▼ZETA▲ Verliere? Ich ziehe meinen Antrag wieder zurück. ▼DANILO▲ (aufjubelnd) Hanna! Du hast dann kein Geld mehr? ▼HANNA▲ Nein, nix! ▼DANILO▲ Hanna, Ich liebe Dich, Sie! Ich liebe Sie, Dich! ▼HANNA▲ Endlich! ▼ZETA▲ Er nimmt sie ohne Geld? ▼HANNA▲ (lächelnd) Nicht so ganz! Denn im Testament meines Seligen Gatten heißt es, daß ich das Geld verliere, weil es in den Besitz meines Gatten übergehen muß! ▼DANILO▲ Was? ▼HANNA▲ So ist s einmal und fertig! ▼DANILO▲ Ich würde Dich jetzt auch heiraten, wenn Du doppelt viele Millionen hättest! ▼ZETA▲ (wütend) Aber dieser Fächer! Valencienne! ▼VALENCIENNE▲ Lies doch, was ich darauf geschrieben habe! ▼ZETA▲ (liest) Ich bin eine anständige Frau! (zu Valencienne) Verzeih , das hab ich nicht gewußt! (küsst ihre Hand) Nr. 16 Schlußgesang ▼HANNA▲ Ja, das Studium der Weiber isf schwer. ▼KROMOW, BOGDANOWITSCH, PRITSCHITSCH UND HERREN▲ Ach die Weiber, diese Weiber! ▼ZETA▲ Nimmt uns Männer verteufelt auch her! ▼DANILO▲ Niemals kennt doch an Seele und Leib man das Weib - ▼ALLE▲ Weib, Weib, Weib, Weib! Mädchen zart, Gretchenart, blondes Haar, mit dem treuesten Blauäugleinpaar! Ob sie schwarz oder rot oder blond sind gefärbt, s ist egal, man wird doch gegerbt. Dritter Akt Im Palais dar Hanna Glawari Kurze Bühne, abgeschlossen von der Hinterbühne durch einen Gobelin. Links und rechts eine Karyatide im modernsten Sinn, nämlich je eine Dame in modernster Toilette, die in koketter Haltung den Saal zu stützen scheint. Nr. 12b Zwischenspiel ZETA Also, also, also! Wo sind die versprochenes Grisetten? NJEGUS Sie sind alle da, Exzellenz! ZETA Aber wo sind sie, wo? NJEGUS Pomali, Pomali, Excellenz. Wie mir Pontevedriner zu sagen pflegen. ZETA Was ist denn das für eine Musik? NJEGUS Diese verführerischen Klänge erklingen aus dem Kabarett l des Grisetterl, das ich hier im Palais der Frau Glawari mit Verlaub imitiert habe. ZETA Imitiert? Keinn echten Grisettchen? NJEGUS Doch, alle echt, auch Frau Baronin… ZETA Meine Frau? NJEGUS Siet tut natürlich nur so! ZETA Ach so! NJEGUS Also los, Excellenz! ZETA Los! Nr. 13 Tanz-Szene (Niegus toca un interruptor y el gobelín se eleva. Todos podemos ver un elegante y moderno Cabaret-restaurante. Mesas, butacas, lámparas con luz íntima sobre las mesas, con pantallas de colores variados y con recipientes para botellas de champagne. A derecha e izquierda pequeños palcos. Al fondo a derecha e izquierda escaleras que conducen al piso superior. Entre ellas hay un espacio en el que se encuentra situada un pequeña orquesta. Al fondo a la derecha y a la izquierda hay una puerta guardada por un portero cada una. Kromov, Pritschitch, Bodganowitch está cada uno en una mesa instalados y acompañados de una dama; los camareros vestidos de blanco sirven. Se ve el trasiego habitual de un restaurante. Sobre el escenario entre las escaleras está la orquesta (cinco músicos con fraks de color rojo, y otro que les dirige y toca el violín) y que tocarán cada uno de los números acompañando a la orquesta principal excepto en los dúos. NJEGUS Graf Danilowitsch… DANILO (erscheint auf der Galerie oben, überrascht) Ja, was seh ich? Ja, wo bin ich denn hier? (entzückt) Ah! (Er läßt sich von der Stimmung hinreißen, tanzt die Treppe hinunter und tanzt mit. Drei Damen kommen von rechts, drei von links hinten in feschesten Toiletten mit Hüten, dann ebenso Valencienne.) Nr. 14 Chanson VALENCIENNE, DIE GRISETTEN Ja, wir sind es, die Grisetten, von Pariser Kabaretten! VALENCIENNE (eine nach der anderen vorstellend) Lolo! Dodo! Jou-jou! Frou-frou! Clo-clo! Margot! Et moi! Auf dem Boulevard am Abend, Trippel-trapp und trippel-trapp, da flanieren wir Grisetten kokettierend auf und ab! VALENCIENNE, DIE GRISETTEN Trippel-trippel trippel trapp! Trippel-trippel trippel-trapp! Trippel-trippel trippel-trappel, Trippel-trappel trippel-trapp! VALENCIENNE Und mit Goldlack-Halbstiefletten, trippel-trippel trippel-trapp, und mit Hüten, pschütt-koketten, gehen wir dort aut und ab! VALENCIENNE, DIE GRISETTEN Ja, wir sind es, die Grisetten, von Pariser Kabaretten! VALENCIENNE Lolo! Dodo! Jou-jou! Frou-frou! Clo-clo! Margot! Et moi! Grisetten La, la, la… VALENCIENNE Ritantouri tantirette. Eh voilà les belles grisettes! Les grisettes de Paris. Ritantouri tantiri! VALENCIENNE, DIE GRISETTEN Ritantouri tantirette. Eh voilà les belles grisettes! Les grisettes de Paris. Ritantouri tantiri! VALENCIENNE Wie die Spinnen in ihr Netzchen, Zippel-zippel zippel-zapp! Sich die kleinen Falter fangen, fangen wir die Männer, schwapp! VALENCIENNE, DIE GRISETTEN Zippel-zippel zippel-zapp, zippel-zippel zippel-zapp, zippel-zippel zippel-zappel, zippel-zappel zippel-zapp! VALENCIENNE Lassen sie gern zippeln zappeln, trippel-trippel trippel-trapp, und dann geh n wir wieder weiter kokettierend auf und ab! VALENCIENNE, DIE GRISETTEN Ja, wir sind es, die Grisetten, von Pariser Kabaretten! VALENCIENNE Lolo! Dodo! Jou-jou! Frou-frou! Clo-clo! Margot! Er moi! Grisetten La, la, la, la… VALENCIENNE, DIE GRISETTEN Ritantouri tantirette. Eh voilà les belles grisettes! Les grisettes de Paris. Ritantouri tantiri! (Der Refrain wird nun von allen auf dr Bühne und in den Logen mitgejohlt, mitgepfiffen, mitgetanzt; dabei turbulentes Her un Hin im Saal, viele tanzen in geschlossener Kette die Treppen und die Galerie. Währenddessen hat Hanna den Saal betreten. Die Grisetten verlassen das Kabaret; ein Diener tritt auf.) EIN DIENER Exzellenz, Excellenz, Graf, eine Expreßdepesche! (ab) DANILO (liest) Wenn Glawari-Millionen nichtim Land verbleiben, dann droht Staatsbankrott ZETA Graf Danilowitsch! Ich muß an Ihren Patriotismus appellieren! Sie müssen ihr Herz erobern! DANILO Nun gut, ich werde sondieren, aber das eine sage ich Ihnen, wenn Hanna trotzdem den Rosillon ehelicht, dann gehe ich in ein Kloster! ZETA Bravo! Sie sind ein Patriot! DANILO In ein Nonnenkloster! ZETA Hahaha! (Zeta zieht sich zurück; das Kabaret leert sich.) DANILO Gospodina! HANNA Ja! DANILO Ich und der Vaterland verbieten Ihnen, daß Sie Rosillon heiraten! HANNA Ich heirate Herrn Rosillon… DANILO Wie? HANNA …nicht! DANILO Ja, aber das Rendezous im Pavillon! HANNA Ich habe kein Rendezvous mit Herrn Rosillon gehabt, sondern eine verheiratete Dame! Um diese zu retten, habe ich mich vorgeschoben! So ist s einmal und fertig! DANILO (ausser sich vor Freude) Eine andere Dame! - Und das sagen Sie mir erst jetzt? HANNA Und warum nicht jetzt erst? DANILO (will ehrlich sein) Ja weil ich - weil… (bricht ab) HANNA So machen Sie doch den Mund auf, oder fühlen Sie sich nur wohl, wenn Sie Grisetten um sich haben? Nr. 15 Duett DANILO Aber dort bin ich zu Hause… HANNA O, Sie sind… DANILO Was bin ich?… O, du bist… HANNA Was bin ich? DANILO Sie sind… Lippen schweigen, s flüstern Geigen, hab mich lieb! All die Schritte sagen bitte, hab mich lieb! Jeder Druck der Hände deutlich mir s beschrieb. Er sagt klar s ist wahr, s ist wahr, Du hast mich lieb! HANNA Bei jedem Walzerschritt, tanzt euch die Seele mit, da hüpft des Herzchen klein, es klopft und pocht Sei mein, Sei mein! Und der Mund, er spricht kein Wort, doch tönt es fort und immerfort Ich hab dich ja so lieb… Ich hab dich lieb! HANNA, DANILO Jeder Druck der Hände deutlich mir s beschrieb. Er sagt klar s ist wahr, s ist wahr, Du hast mich lieb! (Hanna geht ab. Zeta, Kromow, Bodganowitsch, Pritschitsch, Valencienne mit den Grisetten, Njegus, Damen und Herren kommen zurück.) ZETA (zu Valencienne) Valencienne, unsere lustige Witwe heiratet Herrn Rosillon nicht! VALENCIENNE Gott sei Dank! ZETA Denn er hat gar nicht mit ihr das Rendezvous gehabt! VALENCIENNE Ah! ZETA Sie hat sich vorgeschoben für eine andere! Aber für wen, Graf? DANILO Ja, für wen? NJEGUS (hält den Fächer in der Hand) Exzellenz, Exzellenz, diesen Fächer, man hat gefunden in Pavillon! VALENCIENNE (erschrickt für sich) Da ist ja mein Fächer! ZETA Ah! (zum Grafen) Diesen Fächer habe ich ja Ihnen gegeben, Graf! DANILO (sich betastend) Ja, ja, ich habe ihn verloren… ZETA (lächelnd, vielsagend) Im Pavillon! Die Schrift meiner Frau…! Ich liebe Dich. VALENCIENNE (für sich) Ich bin verloren! ZETA Ah, jetzt ist mir alles klar! Es war doch meine Frau! (zu Valencienne) Madame, ich lasse mich scheiden! Bin schon geschieden! HANNA Meine Herren, da sind Sie ja! ZETA (auf Hanna zutretend) Ah, Gospodina, ich bin frei! Ledig! Geschieden. Und ich erlaub mir im Namen meines Vaterlandes, um Ihre Hand anzuhalten! DANILO (für sich) Das ist ein sarkes Stück. HANNA Ihr Antrag ehrt mich - aber, ich muß Ihnen sagen, daß ich laut Testament meines seligen Mannes im Falle einer Wiederverheiratung das ganze Vermögen verliere - ZETA Verliere? Ich ziehe meinen Antrag wieder zurück. DANILO (aufjubelnd) Hanna! Du hast dann kein Geld mehr? HANNA Nein, nix! DANILO Hanna, Ich liebe Dich, Sie! Ich liebe Sie, Dich! HANNA Endlich! ZETA Er nimmt sie ohne Geld? HANNA (lächelnd) Nicht so ganz! Denn im Testament meines Seligen Gatten heißt es, daß ich das Geld verliere, weil es in den Besitz meines Gatten übergehen muß! DANILO Was? HANNA So ist s einmal und fertig! DANILO Ich würde Dich jetzt auch heiraten, wenn Du doppelt viele Millionen hättest! ZETA (wütend) Aber dieser Fächer! Valencienne! VALENCIENNE Lies doch, was ich darauf geschrieben habe! ZETA (liest) Ich bin eine anständige Frau! (zu Valencienne) Verzeih , das hab ich nicht gewußt! (küsst ihre Hand) Nr. 16 Schlußgesang HANNA Ja, das Studium der Weiber isf schwer. KROMOW, BOGDANOWITSCH, PRITSCHITSCH UND HERREN Ach die Weiber, diese Weiber! ZETA Nimmt uns Männer verteufelt auch her! DANILO Niemals kennt doch an Seele und Leib man das Weib - ALLE Weib, Weib, Weib, Weib! Mädchen zart, Gretchenart, blondes Haar, mit dem treuesten Blauäugleinpaar! Ob sie schwarz oder rot oder blond sind gefärbt, s ist egal, man wird doch gegerbt. Lehár,Franz/Die Lustige Witwe