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Write a Super Sentence Evan-Moor Corp? Jo E. Moore? Evan-MoorCorp? JoE.Moore? Substores-UnknownASINs-35 Subjects-Children sBooks-Reference&Nonfiction-LanguageArts-Composition&CreativeWriting? Subjects-Reference-Writing-General? How to Live Without Electricity -- And Like It Breakout Productions? Anita Evangelista? BreakoutProductions? AnitaEvangelista? Substores-UnknownASINs-35 Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Reference-General? Subjects-Science-Physics-Applied? Always Authorhouse? Dedra Stone? Authorhouse? DedraStone? Substores-UnknownASINs-35 Subjects-Romance-Contemporary-General? Subjects-Romance-General? A Long and Lonely Ride Breakwater Books Ltd? Helen Fogwell Porter? BreakwaterBooksLtd? HelenFogwellPorter? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Laws of the Kingdom Lane Center Pub Co? Frances Bird? LaneCenterPubCo? FrancesBird? 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EllenObed? undefined undefined Study of the Gospel According to John/7764 Fairway Pr? Gales? FairwayPr? Gales? Substores-UnknownASINs-35 Subjects-Religion&Spirituality? Abused? How You Can Find God's Help Css Pub Co? Richard Klempel? Lois Klempel? CssPubCo? RichardKlempel? LoisKlempel? Substores-UnknownASINs-35 Subjects-Religion&Spirituality? Silent Night Pinnacle Books (Mm)? Gary Amo? PinnacleBooks(Mm)? GaryAmo? Substores-UnknownASINs-35 Subjects-Mystery&Thrillers-General? Subjects-Mystery&Thrillers-Mystery-General? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Labrador Fiasco And the Lure of the Labrador Wild Breakwater Books Ltd? Margaret Eleanor Atwood? BreakwaterBooksLtd? MargaretEleanorAtwood? undefined undefined Volcano Management in the United States and Japan (Contemporary Studies in Applied Behavioral Science) Jai Pr Ronald W. Perry? Hirotada Hirose? JaiPr RonaldW.Perry? HirotadaHirose? 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Music Makes the Party A Seventies Party Rutledge Hill Pr? RutledgeHillPr? undefined undefined Authenticity of the Pauline Apostles (Dissertation Series (Society of Biblical Literature)) Scholars Pr? Kenneth J. Neumann? ScholarsPr? KennethJ.Neumann? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Bibles-General? Reborn in the U.S.A. Personal Privacy Through a New Identity Breakout Productions? Trent Sands? BreakoutProductions? TrentSands? Substores-UnknownASINs-35 Subjects-Nonfiction-Politics-History&Theory? Subjects-Nonfiction-SocialSciences-Sociology-General? Amazonia Recorded Books? James Rollins? George Guidall? RecordedBooks? JamesRollins? GeorgeGuidall? Substores-UnknownASINs-35 Subjects-Mystery&Thrillers-Thrillers-General? French Impressnst 1995 Engagmt Bk Thunder Bay Press? ThunderBayPress? Substores-UnknownASINs-35 Subjects-Arts&Photography-Art-General? Sailors Horny Wife Greenleaf Classics? Norma Egan? GreenleafClassics? NormaEgan? undefined undefined Stubborn Ounces - Just Scales With Witness for Peace in Nicaragua A Gringo's Reflections, Observations, and Sermons Css Pub Co? Donovan Roberts? CssPubCo? DonovanRoberts? Substores-UnknownASINs-35 Subjects-History? The Hasmoneans and Their Supporters From Mattathias to the Death of John Hyrcanus I (South Florida Studies in the History of Judaism) Rowman & Littlefield Pub Inc? Joseph Sievers? Rowman&LittlefieldPubInc? JosephSievers? Substores-UnknownASINs-35 Subjects-History-Ancient-General? Subjects-History-Asia? Subjects-History-HistoricalStudy-SocialHistory? Subjects-History-MiddleEast-Palestine? Subjects-History-World-Jewish-General? Subjects-Reference-Genealogy-General? Subjects-Religion&Spirituality-Judaism-General? Billy's Horny Mother Greenleaf Classics? Robert Kelly? GreenleafClassics? RobertKelly? Substores-UnknownASINs-35 Subjects-Literature&Fiction? Cal 95 Post-Impressionists/Deluxe Engagement Book Abbeville Pr? Abbeville? AbbevillePr? Abbeville? undefined undefined Windows of Provence Abbeville Pr? Dolce & Gabbana? AbbevillePr? Dolce&Gabbana? Substores-UnknownASINs-35 Formats-Accessories? Ezekiel 18 and the Rhetoric of Moral Discourse (Dissertation Series (Society of Biblical Literature)) Scholars Pr? Gordon H. Matties? ScholarsPr? GordonH.Matties? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Bibles-General? The Golden Bells Css Pub Co? Henry Scholberg? CssPubCo? HenryScholberg? Substores-UnknownASINs-35 Subjects-Arts&Photography-PerformingArts-Theater-General? Subjects-Entertainment-PerformingArts-Theater-General? Subjects-Literature&Fiction-Drama-General? On the Summer Wind (Notecubes) Abbeville Pr? AbbevillePr? undefined undefined King Bobble (Easy-to-Read Books) North South Books? Marianne Busser? Ron Schroder? J. Alison James? Hans De Beer? NorthSouthBooks? MarianneBusser? RonSchroder? J.AlisonJames? HansDeBeer? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? 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Maintenance Of Waterfront Facilities Univ Pr of the Pacific? United States Army? United States Navy? United States Air Force? UnivProfthePacific? UnitedStatesArmy? UnitedStatesNavy? UnitedStatesAirForce? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Propulsion Engineering Study For Small-scale Mars Missions Univ Pr of the Pacific? John Whitehead? UnivProfthePacific? JohnWhitehead? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Mars? Living Aloft Human Requirements For Extended Spaceflight Univ Pr of the Pacific? Mary M. Connors? Albert A. Harrison? Faren R. Akins? UnivProfthePacific? MaryM.Connors? AlbertA.Harrison? FarenR.Akins? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Tree-covered Land-forms For Noise Control Univ Pr of the Pacific? David I. Cook? David F. Van Haverbeke? UnivProfthePacific? DavidI.Cook? DavidF.VanHaverbeke? ジャンル別? 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Subjects-Science-Technology-General&Reference Technical Communication A Reader-centered Approach Heinle? Paul V. Anderson? Heinle? PaulV.Anderson? ジャンル別? Subjects-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Nonfiction-Education-College&University-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Reference-Writing-Academic&Commercial? Subjects-Reference-Writing-General? Subjects-Reference-Writing-Technical? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnicalThinking&Writing? Technical Communication Brooks Cole? Paul Anderson? BrooksCole? PaulAnderson? ジャンル別? Subjects-Reference-Writing? Subjects-Science-Technology-General&Reference How to Make Patent Drawings A Patent It Yourself Companion (How to Make Patent Drawings Yourself) Nolo? David Pressman? Jack Lo? Nolo? DavidPressman? JackLo? ジャンル別? Subjects-Engineering-ComputerTechnology-TechnicalWriting? 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Saber Ambiental - Sustentabilidad, Racionalidad Siglo XXI? Enrique Leff? SigloXXI? EnriqueLeff? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Manual De Embobinado De Motores Trillas? Luis Lesur? Trillas? LuisLesur? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Manual De Carpinteria Ii Trillas? Luis Lesur? Trillas? LuisLesur? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-Carpentry? Subjects-Home&Garden-How-to&HomeImprovements-Carpentry? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? 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Subjects-Science-Technology-General&Reference Manual De Plomeria / Plumbing Manual Una guia Paso a Paso / Step by Step Guide (Como Hacer Bien Y Facilmente / How to Do Well and Easily) Luis Lesur? undefined LuisLesur? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-Plumbing? Subjects-Home&Garden-How-to&HomeImprovements-Plumbing&HouseholdAutomation? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Plumbing? Instalaciones Electricas/How to Make Electrical Installations Trillas? Luis Lesur? Trillas? LuisLesur? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Reference-ForeignLanguages-Instruction-Spanish? Manual de Herreria - Una Guia Paso a Paso Trillas? Luis Lesur? Trillas? LuisLesur? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-Technology-General&Reference Adobe Como construir facilmente / How to Construct Easily Trillas? Paul Graham, Jr. Mchenry? Trillas? PaulGraham,Jr.Mchenry? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-56? Subjects-Arts&Photography-Architecture-Drawing&Modelling-General? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Architecture-Drawing&Modelling-General? Subjects-Science-Technology-General&Reference Manual De Carpinteria I / Carpentry Manual I Una Guia Paso a Paso / A Step by Step Guide (Como Hacer Bien Y Facilmente / How to Do Well and Easily) Trillas? Luis Lesur? Trillas? LuisLesur? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-Carpentry? Subjects-Home&Garden-How-to&HomeImprovements-Carpentry? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Carpentry? Materiales y Procedimientos de Construccion Tomo 2 Trillas? Vicente Perez Alama? Trillas? VicentePerezAlama? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Manual De Refrigeracion Y Aire Acondicionado Una Guia a Paso A Paso / A Step-by-Step Guide (Coleccion Como Hacer Bien Y Facilmente/How to Do It Right and Easy Colection) Luis Lesur? undefined LuisLesur? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Tratamientos Termicos De La a a La Z/ Thermal Treatments from a to Z Maria Elena Sanchez? undefined MariaElenaSanchez? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Autocad 2004 En Un Solo Libro/ in a Single Book Carlos Boque? undefined CarlosBoque? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Ecologia Compaia Editorial Continental? Eugene P. Odum? CompaiaEditorialContinental? EugeneP.Odum? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Principios de Refrigeracion Compaia Editorial Continental? Roy J. Dossat? CompaiaEditorialContinental? RoyJ.Dossat? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Electricidad Basica/basic Electricity Patria Editorial? Van Valkenburgh? PatriaEditorial? VanValkenburgh? ユーズドブック(洋書)-Children sBooks? ユーズドブック(洋書)-Engineering Subjects-Children sBooks-Science,Nature&HowItWorks-Electricity&Electronics? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? La Maduracion de Los Mercados Compania Editorial Continental? Juan Ginebra Torra? CompaniaEditorialContinental? JuanGinebraTorra? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Diccionario Tecnico Y De Ingenieria Gulf Pub Co? R. L. Guinle? GulfPubCo? R.L.Guinle? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Reference? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage? Subjects-Reference-Dictionaries&Thesauruses-General? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Science-General Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Seis Sigma / Six Sigma Guia Para Principiantes / Guide for Beginners Panorama Mexico? Luis Nestor Miranda Rivera? PanoramaMexico? LuisNestorMirandaRivera? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Business&Investing-Management&Leadership-TotalQualityManagement? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-TotalQualityManagement? Colmos Pelados/Absurdities (Jokes for Adults Selector? Vega Gil Armando? Selector? VegaGilArmando? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Entertainment? Substores-UnknownASINs-56? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Entertainment-Humor-Jokes&Riddles? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Hablemos de Calidad MC Graw Hill? Philip Crosby? MCGrawHill? PhilipCrosby? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Fundamentos de Electromagnetismo Para Ingenieria Addison Wesley Longman? David K. Cheng? AddisonWesleyLongman? DavidK.Cheng? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Metodos Numericos Para Ingenieros McGraw-Hill Companies? R. Canale? Steven Chapra? McGraw-HillCompanies? R.Canale? StevenChapra? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Atrevase A Ser Rico Juan Granica S a? Suze Orman? JuanGranicaSa? SuzeOrman? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Business&Investing-Management&Leadership-TotalQualityManagement? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-TotalQualityManagement? Interferencias Electromagneticas En Sistemas Electronicos Alfaomega Grupo Editor? Josep Balcells? Francesc Daura? AlfaomegaGrupoEditor? JosepBalcells? FrancescDaura? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Acoustic Emission Study Of Martensitic Bainitic Transformations In Carbon Steel Delft Univ Pr? Stefanus Van Bohemen? DelftUnivPr? StefanusVanBohemen? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Ciencia Ambiental y Desarrollo Sostenible I.T.P. Latin America? Jeronimo Cano? Ernesto Enkerlin? I.T.P.LatinAmerica? JeronimoCano? ErnestoEnkerlin? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Ciencia E Ingenieria de Los Materiales International Thomson Editores? Donald R. Askeland? InternationalThomsonEditores? DonaldR.Askeland? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Ingenieria Mecanica Dinamica - 7 Edicion Prentice Hall? R. C. Hibbeler? PrenticeHall? R.C.Hibbeler? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Microelectronica Circuitos y Dispositivos - 2b* EDI Prentice Hall? Mark N. Horenstein? PrenticeHall? MarkN.Horenstein? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Mnl Del Ingeniero Quimico, 2 Mcgraw-Hill Spanish? Robert Perry? Mcgraw-HillSpanish? RobertPerry? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-56? Subjects-Engineering-Chemical-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-General? Subjects-Nonfiction-Education-LanguageInstruction-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-ForeignLanguages-Instruction-General? Subjects-Reference-ForeignLanguages-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-EarthSciences-EnvironmentalScience Ecologia y Formacion Ambiental McGraw-Hill Companies? Vazquez? McGraw-HillCompanies? Vazquez? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Analisis de Circuitos En Ingenieria MC Graw Hill? William H. Hayt? MCGrawHill? WilliamH.Hayt? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Completeness - Calidad Para El Siglo XXI MC Graw Hill? Philip Crosby? MCGrawHill? PhilipCrosby? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Sistemas De Control De Procesos Mcgraw-Hill Spanish? F. Greg Shinskey? Mcgraw-HillSpanish? F.GregShinskey? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-68? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-General? Subjects-Nonfiction-Education-LanguageInstruction-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-ForeignLanguages-Instruction-General? Subjects-Reference-ForeignLanguages-General? Subjects-Science-EarthSciences-EnvironmentalScience Introduccion a la Termodinamica Ing. Quimica 5b*ed McGraw-Hill Interamericana? M. M. Abbott? J. M. Smith? H. C. Van Ness? McGraw-HillInteramericana? M.M.Abbott? J.M.Smith? H.C.VanNess? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Packaging 2 - Dispositivos de Cierre Con CD ROM McGraw-Hill Companies? Enne Emblem? McGraw-HillCompanies? EnneEmblem? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-Architecture-Drawing&Modelling-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Maquinas Electricas McGraw-Hill Companies? Jimmie E. Cathey? McGraw-HillCompanies? JimmieE.Cathey? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Administracion de La Produccion y Operaciones McGraw-Hill Companies? Jacobs Chase? McGraw-HillCompanies? JacobsChase? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Diseno de Maquinaria Sintesis y Analisis de Maquinas y Mecanismos with CDROM McGraw-Hill Interamericana? Robert L. Norton? Rodolfo Navarro Salas? McGraw-HillInteramericana? RobertL.Norton? RodolfoNavarroSalas? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Instrumentacion Electronica Alfaomega Grupo Editor? Enrique Mandado? Perfecto Marino? Alfonso Lago? AlfaomegaGrupoEditor? EnriqueMandado? PerfectoMarino? AlfonsoLago? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Ingenieria Electrica Para Todos Los Ingenieros Alfaomega Grupo Editor? Roadstrum? AlfaomegaGrupoEditor? Roadstrum? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Analisis y Diseno de Estructuras Tomo 2 Estructura Alfaomega Grupo Editor? Juarez Antonio Heberto Castillo? Martinez Heberto Castillo? AlfaomegaGrupoEditor? JuarezAntonioHebertoCastillo? MartinezHebertoCastillo? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Electricidad, Teoria de Circuitos y Magnetismo Alfaomega Grupo Editor? Goncal Fernandez Mills? AlfaomegaGrupoEditor? GoncalFernandezMills? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Economia del Medio Ambiente En America Latina Alfaomega Grupo Editor? Juan I. Varas? AlfaomegaGrupoEditor? JuanI.Varas? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General La Puesta a Tierra de Instalaciones Electricas y El R.A.T. Alfaomega Grupo Editor? Rogelio Garcia Marquez? AlfaomegaGrupoEditor? RogelioGarciaMarquez? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Ingenieria Industrial - 10b* Edicion Alfaomega Grupo Editor? Benjamin Niebel? AlfaomegaGrupoEditor? BenjaminNiebel? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Tecnologia De Las Maquinas Herramienta / Technology of Machine Tools Editores Alphaomega? Steve Krar? Albert Check? EditoresAlphaomega? SteveKrar? AlbertCheck? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Television Practica Y Sistemas De Video / Basic Television and Video Systems Editores Alphaomega? Bernard Grob? Charles E. Herndon? EditoresAlphaomega? BernardGrob? CharlesE.Herndon? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Entertainment? Subjects-Engineering-Telecommunications-Television&Video? Subjects-Entertainment-Movies-Video-Technical? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Telecommunications-Television&Video? Subjects-Science-Technology-General&Reference ユーズドブック(洋書)-Engineering 洋書
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へロデの宮殿、饗宴の間に続いている大きなテラス。数人の兵士が胸壁に凭れている。右手に壮大な階段、左手後方に、青銅の枠の嵌め込まれた、古い地下水構。月が白々と輝いている。 第一場 ＜ナッラボート＞ 今宵のサロメ姫は、また一段と、麗（うるわ）しゅうておわす！ ＜小姓＞ あの鏡のごとき月を見てたもれ、いかにも奇態なる様なれば。墓穴より抜け出したる女子のごと。 ＜ナッラボート＞ いかにも、大きに奇態よな。 白鳩の如き足をつけし、小さき姫君の姿に似たり。 舞を舞うておるように見ゆる。 ＜小姓＞ 身罷（みまか）りし女子（おなご）のようよな。 ゆるり、ゆるり、滑（ぬ）めるごとく行き行くよな。 （饗宴の間より騒音が響いてくる） ＜兵士 一＞ 何ぞの騒動（そうどく）ぞ！ かくのごとく吠えおるは、いかなる獣（けだもの）ぞや？ ＜兵士 二＞ ユダヤ人にてやある。 （そっけなく） 彼等（あいら）には常なる事ぞ。 己等の宗旨に拘（かかずろう）て、諍（あらごう）ておる。 ＜兵士 一＞ 戯（たわ）けよな、さしたることにて諍うなど。 ＜ナッラボート＞ 今宵のサロメ姫は、また一段と、麗しゅうておわす！ ＜小姓＞ （不安げに） お前さまは、間なしに姫君を打見やりておわす。 見やり過ぎというものぞ。 危うきことにてそうろう。 禍（まが）事の、いで来るやもあらむ。 ＜ナッラボート＞ 今宵の姫君は、まことに麗しゅうておわす。 ＜兵士 一＞ 太守の殿には、気鬱なご様子にておわす。 ＜兵士 二＞ いかにも、殿には気鬱なご様子にておわす。 ＜兵士 一＞ 太守の殿には、いずれの方を打ち見やりておわすや？ ＜兵士 二＞ 己は、存ぜぬ。 ＜ナッラボート＞ 姫君の、さても青褪むておわしまする。 かつて、かように青褪むる姫君を見掛くる事はあらず。 今宵の姫君は、白金の鏡に映す、白薔薇（そうび）の花影のごとくにておわす。 ＜小姓＞ （非常に不安げに） 姫君を見やりなされまするな。 お前さまは、姫君を見やり過ぎにておわす。 禍（まが）事の、いで来るやもあらむ。 ＜ヨカナアンの声＞ （地下水溝の中から） 吾が後より来たる人やある、その人は吾より強（こわ）し。 吾は彼の人の沓紐解くだに値わず。 ひとたび彼の人の来たるれば、荒（あばら）の地も歓呼し迎えむ。 ひとたび彼の人の来たるれば、光無き者の眼（まなこ）も白日を覚えむ。 ひとたび彼の人の来たるれば、音無き者の耳も開かむ。 ＜兵士 二＞ 彼奴の口、封ぜよ！ やくたいも無きことばかり、言い罵りおる。 ＜兵士 一＞ あの者は聖（ひじり）にておわす。 きわめて、おとなしき男にておわす。 日毎、己が食い物を持て参ずるに、ねんごろに返り言をもうす。 ＜一人のカッパドキア人＞ 彼は、何者ぞ？ ＜兵士 一＞ 予言（かねごと）をなす者なり。 ＜一人のカッパドキア人＞ 名は何ともうす？ ＜兵士 一＞ ヨカナアン。 ＜一人のカッパドキア人＞ いずくより来たりし者か？ ＜兵士 一＞ 砂漠の彼方より来たりし者にてそうろう。 彼の地では明暮、あまたの門徒衆、あの者をば囲みておりし。 ＜一人のカッパドキア人＞ あの者は、如何なる予言（かねごと）をなすや？ ＜兵士 一＞ 如何なる予言（かねごと）やら、己には、一向合点がゆかぬ。 ＜一人のカッパドキア人＞ あの者を一目見るは、叶うや？ ＜兵士 一＞ 叶い申さぬ。太守殿が封じられもうした。 ＜ナッラボート＞ （非常に興奮して） 姫君がお立ちめさる！ 卓を離れめさるぞ。 いたく、お苛（いらち）のご気配なり。 我等の方にお成り召さるご様子ぞ。 ＜小姓＞ 姫君の方をば、打ち見遣りなされますな！ ＜ナッラボート＞ まことに、我等の方にお成り召さるぞ。 ＜小姓＞ 後生にてそうろう、姫君を打ち見遣りなされますな！ ＜ナッラボート＞ 姫君は、まこと、迷い子の鳩のごとくにておわす。 第二場 （興奮した様子でサロメが現れる） ＜サロメ＞ 酒宴の座ぞ疎ましや。 堰（せき）かぬるとはこのことぞ。 などて太守の殿は、かの如く目蓋（まなぶた）をひく付かせ、むぐらもちのごとき眼（まなこ）持て、間なしに妾を見遣りさるのか？奇態なことよ。母君の夫（つま）なるお人が、かのごとき眼もて妾をば見遣りなさるとは。 なんと、此処なる夜気の旨きことよ！ようよう、甦りし心地なり．．．彼処にては、エルサレムより参りしユダヤの族（やから）、彼等の痴（おこ）なる慣わしにかかづりおうて、気狂いせむばかりに諍うておる．．． エジプト人（びと）は無口なれど小賢し。荒びて、むくつけきローマ人（びと）の言語（ごんご）し下種下種なり．．． おお、ローマ人（びと）なる、まことに、うとましや！ ＜小姓＞ （ナッラボートに向かって） 禍（まが）事の、いで来るやもあらむ。 などて、さほどに姫君を見遣りなさる？ ＜サロメ＞ 月眺むるは、まことに、心地良きことよ。 月は白金の花のごと、冷ややかにして清らなり。 さなり、月は穢れ無き処女（おとめ）の麗しさなり。 ＜ヨカナアンの声＞ 見よ、主（しゅう）は来たりたもうた、人の子はいまや近きにおわす。 ＜サロメ＞ 何者なるか、いま、呼ばわりしは？ ＜兵士 二＞ 予言（かねごと）をなす者にてそうろう。姫君。 ＜サロメ＞ ああ、かの予言（かねごと）をなす者なろう！ 太守殿が怖れおわさるは？ ＜兵士 二＞ 姫君、われら左様な事はとんと無沙汰にて居り申す。 最前呼ばわり申したは、予言（かねごと）をなすヨカナアンにてそうろう。 ＜ナッラボート＞ （サロメに向かって） 御気に召しますなれば、御輿、運びまいらせましょうや？ 姫君、 夜（よさ）の御園生（みそのう）は、一際心地良きにてそうらえば。 ＜サロメ＞ 彼の者は、吾が母を構うて、忌まわしき事共言い散らしためれ、さならずや？ ＜兵士 二＞ 姫君、彼奴の語るる事、我等には一向合点が行きもうさずにてそうろう。 ＜サロメ＞ さなり、彼は、吾が母を構うて、忌まわしき事共言い散らしつあるべし。 （一人の奴隷が登場） ＜奴隷＞ 姫君、宴（うたげ）の座に返りたまわりませ。太守の殿のお頼みてそうらえば。 ＜サロメ＞ （激しく） 妾は、座には立ち返らぬ。 （奴隷退場） ＜サロメ＞ 彼の予言（かねごと）語りは、年長けたる男（おのこ）なるや？ ＜ナッラボート＞ （切迫して） 姫君、お立ち返りめさるるがよろしきに、 お許したまわりますれば、僕（やつかれ）お供つかまつりまする。 ＜サロメ＞ （さらに言い募って） 予言（かねごと）語りは、年長けた男（おのこ）なるや？ ＜兵士 一＞ 否、姫君、いまだ若き男（おのこ）にてそうろう。 ＜ヨカナアンの声＞＝＝＝＝＝＝＝＝－－ 歓ぶなかれ、パレスチナの民よ、汝を打ちし鞭は折れたりといえども。 蛇の種よりバジリスク*は生まれ、そ奴の孵化せしものは、あまたの飛鳥を飲み込むのじゃ。 ＜サロメ＞ さても不可思議なる声じゃ！ 妾は、あの男と語り合うて見まほし．．． ＜兵士 二＞ 姫君様、太守殿には、いかなるお方といえども、彼の男と語リ合う事、お許しにはござりませぬ。 大僧正殿**にさえ、彼の男と語り合う事は禁じなされ申した。 ＜サロメ＞ 妾は、あの男と語り合うて見まほし。 ＜兵士 二＞ 無理にてござります。姫君様。 ＜サロメ＞ （ますます、興奮して） 妾は、あの男と語り合いたし．．． 予言（かなごと）語りを引き出してまいれ！ ＜兵士 二＞ われらには許されておりませぬ。姫君様。 ＜サロメ＞ （地下水構に近寄り、中を覗き込む） 何と、中は暗闇ではないか！ 恐ろしき事じゃろうのう、このような暗き穴の中に棲もうておるのは．．． 墓穴のようじゃ．．． （荒々しく） 聞こえぬのか？ 預言（かねごと）語りを引き出せい！ 妾は、あの男が見まほし！ ＜兵士 一＞ 姫君様御望みなれど、われらには致し方ございませぬ。 ＜サロメ＞ (ナッラボートに目が止まる) あ！ ＜小姓＞ おお、如何なることになろうや？私には分かる、禍がしき事が起きるのじゃ。 ＜サロメ＞ （ナッラボートに近づき、小声で、生き生きと喋る） そちが、叶のうてくれようのう、ナッラボートや？ 妾は日頃より、そちを心よく思うておったぞ。 そちが、妾がために、為してくれるのじゃろう。 妾は、その不可思議なる予言（かねごと）語りを、一目見るのみじゃ。皆の者が、その男の噂をしておる。 妾は、太守殿は、あの男を恐れてござると見た。 ＜ナッラボート＞ 太守殿は、何者の願いにあれ、水構の蓋を開けることはならぬと、固く禁じなされ申した。 ＜サロメ＞ そちは、妾のために叶えてくりょう、ナッラボート。 （非常に、性急に） すれば、明日、妾が、神像の立ち並ぶ城門の路を輿でまかり行く折に、汝に、小さき花を落として遣わしょうぞ、小さき翠の花をな。 ＜ナッラボート＞ 姫君様、私めには叶えられませぬ、叶えられませぬ。 ＜サロメ＞ （きっぱりと） そちは、妾のために叶えてくりょうぞ、ナッラボートや。 そちは、妾のために叶えてくりょうことを、先刻承知済みじゃ。すれば、明日の朝まだき、妾は唐縮緬の被衣（かづき）の陰から、そちを一目、見遣ってやろうぞ、ナッラボートや、 妾がそちを見遣ってやるのじゃぞ。その折、微笑みをかけてくれるやも知れぬぞえ。妾を見や、ナッラボート。 ああ！そちは、よくよく承知しておるのじゃ、妾の頼みごとを、聞き入れてくりょうことを！ そちは、最前より、承知しておるのじゃ！ （強く） 妾には、分かっておるぞえ、そちが叶えてくりょうことが。 ＜ナッラボート＞ （兵士達に合図を送る） 預言（かねごと）語りを引き出してまいれ．．． あの男を見せよと、サロメ姫がご所望じゃ。 ＜サロメ＞ ああ！ (預言者が地下水構から上ってくる) 第三場 （吾を忘れて予言者の姿に見とれていたサロメは、やがて彼の前から徐々に後じさりし始める） ＜ヨカナアン＞ （強く） 彼の男、何処（いずく）にやある、罪業の杯を溢るばかりに満たしたる者は？ 彼の男、何処（いずく）にやある、群がる民の眼前にて、一日、銀の上着を身に纏うて死に行く者は？ その男をば、此処に来さしめよ、砂漠に、はたまた、王達の棲家に轟き渡りし、世に告知する者の声をば聴かせむ。 ＜サロメ＞ 誰の事を言うておるのじゃ？ ＜ナラボート＞ 誰にも思い及びませぬ、姫君様。 ＜ヨカナアン＞ その女、何処にや在る、彩色ほどこさるる男共の絵姿の前に佇みて、眼（まなこ）の法楽に負け、 カルデアの国に特使を遣わせし者は？ ＜サロメ＞ （抑揚の無い声で） 彼は、妾が母上の事を言いなしておる。 ＜ナラボート＞ （激しく） そのような事はござりませぬ、姫君様。 ＜サロメ＞ （無気力に） そうじゃ、彼は、妾が母上の事を言いなしておる。 ＜ヨカナアン＞ その女、何処にや在る、アッシリアの首領どもに身を任せし者は？ その女、何処にや在る、細やかに織り成しし麻衣を、大入道の如き体躯に纏いて、風信子石をひけらかせ、黄金の盾を手にせる、エジプトの若人（わこうど）共に身をまかせしは者は？ 疾く行きて、かの女を罪業の閨（ねや）、畜生道の臥所（ふしど）より起たしめよ、しこうして、主が為に路踏み分くる者の言葉（ことのは）を聞かしめよ、かくて女、己が罪業をば悔ゆるべし。 はたまた女直ちに悔い改めねば、この場へ引き連れてまいれ、主の鞭は、告知者の手にあれば。 ＜サロメ＞ 恐ろしき男じゃ。 誠に恐ろしき男じゃ。 ＜ナラボート＞ 此処に留まりくださりますな、姫君様、お願いでござりまする！ ＜サロメ＞ 彼の目こそは、分けても恐ろしい。 暗闇の洞窟のようじゃ、中には竜が棲みついておろう。 水底に月明かりのひらめき揺るる、黒き湖（みずうみ）のようじゃ そち等は、あの者が、今一度、口を利くと見るかえ？ ＜ナラボート＞ （益々興奮して） 此処に留まりくださりますな、姫君様、 お願いでござりまする、どうか、彼処（かしこ）へ。 ＜サロメ＞ さても、さても、細やかにて居らす！ 象牙（きさのき）細工の如き体じゃ。 彼は、あの月の如、穢れ無き体であろうよのう。 彼の肌えは、さぞや、冷や冷やとしておろうよのう。 も、ちっと、近こう寄りて見たいものじゃ。 ＜ナラボート＞ 姫君様、お止めくださりませ。 ＜サロメ＞ 妾は、あの者を、いま、些（ち）っと、よう見たいのじゃ。 ＜ナラボート＞ 姫君様、姫君様．．．。 ＜ヨカナアン＞ 吾に、見入りておる、彼の女子（おなご）は、誰（た）れじゃ？吾は、あのような目で見られとうは無いわ。 綺羅らに塗り上げられたる目蓋の下より、金色の眼（まなこ）持て、何故、かくの如く吾に見入るのじゃ？ 吾は、あの女子が誰なるかを知らぬ。 吾は、あの女子が誰なるかを知りとうもないわ。 女子を、去らせい！ あの者に、口を利きとうはない。 ＜サロメ＞ 妾は、サロメじゃ、ヘロディアの娘、ユダヤの太守の娘じゃ。 ＜ヨカナアン＞ 下がれ、バビロンの娘！ 主に選ばれたる者に近寄るでない！ 汝の母はこの世を快楽の酒で満たし、その罪業の深きは、神の耳にも届いておる。 ＜サロメ＞ いざいざ、物言うてたもれ、ヨカナアンや、汝の声音は楽の音のようじゃ。 ＜ナラボート＞ 姫君様、姫君様、姫君様！ ＜サロメ＞ 物言うてたも！ 言うてたも、ヨカナアンや、妾は、如何様にすべきとや？ ＜ヨカナアン＞ ソドムの娘よ、吾が傍らに寄るな！ 早々に、そなたの顔（かんばせ）をば被衣（かづき）で隠し、その髪に灰を被（かぶ）りて、砂漠の彼方に行き行きて、人の子の居ませる方（かた）を尋ぬるべし。 ＜サロメ＞ 人の子とは、たれの事じゃな？ 彼もまた、そなたのごとく、麗しいかのう、ヨカナアンや？ ＜ヨカナアン＞ 吾に 近寄るな！ 吾はすでに、宮殿に死の使いの羽ばたくを聴きし．．． ＜サロメ＞ ヨカナアン！ ＜ナラボート＞ 姫君様、後生でござります、中へお入りくだされ！ ＜サロメ＞ ヨカナアン！ 妾は、そなたの身体（からど）に惚れたぞえ、ヨカナアン！ そなたの身体は、未だ鎌の切っ先も触れぬ、野辺の百合の如くに白し。 そなたの身体は、ユダヤの山稜の雪の如くに白し。 アラビアの女王の庭に咲く、薔薇の花すら、そなたの身体ほど白くはあらぬ、女王の庭の薔薇すら、 木々の葉に降り来る夕暮れの脛（はぎ）すら、海原に浸さるる月の乳房すら、地上のありとあらゆる物だにすら、そなたの身体の白さには勝てぬ！ そなたの身体に、触れさせてたも！ ＜ヨカナアン＞ 下がりおろう、バビロンの娘！ 女子こそは、この世に悪を持ち来たりものなり。 吾に、物言うなかれ。 汝の声聞くだに穢らわしい！ 吾は、唯一、吾が主、神の御声を聴くのみなり。 ＜サロメ＞ そなたの身体はうたてじゃ。 そなたの身体は、かったい病みのごとしじゃ。 漆喰で塗り固めた壁の様じゃ、毒蛇の這うた跡がある。 漆喰で塗り固めた壁の様じゃ、さそりの巣食うた跡がある。 そなたの体は、うたてなる物あまた塗り込めし、塚穴の様じゃ。そなたは、うたてじゃ、そなたの身体は、さても、うたてじゃ。そなたの髪に、妾は惚れたぞえ、ヨカナアン。 そなたの髪は葡萄（えび）の様じゃ、エドムの葡萄園に熟す、黒き葡萄の房の様じゃ。 そなたの髪は、杉の様じゃ、獅子や盗人に蔭を貸す、レバノンの大杉の様じゃ。 あらたまの月は面を隠し、天の星おののき瞬く、長き闇夜も、そなたの髪ほどには暗からず。 黙（もだ）せる森のごと．．． 世の中の如何なる物とて、そなたの、ぬばたまの髪に似たるは無し。そなたの髪に触れさせてたも！ ＜ヨカナアン＞ 下がれ、ソドムの娘！ 吾を弄（いら）うな！ 吾が神、吾が主の御座所をば、汚すなかれ！ ＜サロメ＞ そなたの髪は、うたてじゃ！ そなたの髪は、塵芥にまみれておる。 茨の冠りを被いておるように見ゆるぞえ。 そなたの首をば、蛇（じゃ）の如く取り巻きて居るぞえ。 妾は、そなたの髪をば愛ではせぬ。 （激情をこめて） 妾の愛ずるは、そなたの口じゃぞ、ヨカナアン。 そなたの口は象牙（きさのき）造りの櫓（やぐら）に引き渡されし、紅（くれない）の細紐の様じゃ。 そなたの口は、白金の太刀にて断ち割られたる柘榴の実の様じゃ。 ティルスの庭に咲き出る薔薇の花よりなお紅き、 柘榴の花さえ、さほどに紅うはない。 王達の出陣を告げ、敵どもを震撼さす喇叭の音すら、 そなたの紅（くれない）の口ほどには燃えはせぬ。 そなたの口は葡萄（えび）の実を踏み潰す、地下蔵の酒作りの足より紅し。 そは、神殿に住みつきし、鳩鳥の足より紅し。 そなたの口は、海底のほの明かりにはびこる珊瑚の小枝の様じゃ、 モアブの鉱坑の丹砂より取り出ずる朱（あか）、王者の朱色じゃ。 （吾を忘れるほど興奮して） この世に、そなたの口ほど朱（あか）きものは、ゆめあるまじ。そなたの口、吸わせてたも。 ＜ヨカナアン＞ （低く、嫌悪を込めて） ゆめにも、許さじ、バビロンの娘、ソドムの娘よ．．．． ゆめにも！ ＜サロメ＞ 妾は、そなたに口吸いするのじゃ、ヨカナアン。 妾は、そなたに口吸いするのじゃ．．． ＜ナラボート＞ （恐怖と絶望の極みにあって） 姫様、姫様、没薬（もつやく）の園のごとく芳しく、無垢なる小鳩のごとき姫様、この男をごらんになり召さるな。 かくのごとき言葉を、この男にお掛け召さるな。 私奴には、耐えられませぬ．．．。 ＜サロメ＞ 妾は、そなたに口吸いするのじゃ、ヨカナアン。 妾は、そなたに口吸いするのじゃ．．．。 （ナラボートは、吾と吾身を刺しつらぬき、サロメとヨカナアンの間に倒れて死ぬ） ＜サロメ＞ そなたの口、吸わせてくりょう、ヨカナアン！ ＜ヨカナアン＞ 汝は、怖れを知らぬのか、ヘロディアスの娘よ？ ＜サロメ＞ そなたの口、吸わせてくりょう、ヨカナアン！ ＜ヨカナアン＞ 淫乱の申し子たる娘、汝を助け得る人は、ただ独りなり。 行きて、かの人を尋ねよ。 （温かさに溢れた声で） かの人を尋ねよ。 その人は、ガリレアの湖（うみ）の上の小舟に座して、徒弟等に法（のり）を説いておわす。 （非常に厳かに） 湖の岸辺に跪き、その人の名をば呼ばわるべし、その人は、彼を呼ばわるなべての者の傍らに来ますれば、やがて汝の傍らにも来らるるべし、さすればその御足の下（もと）に身を屈（くぐ）み、汝の罪の許しを受くるべし。 ＜サロメ＞ （気も狂わんばかりに） そなたの口、吸わせてたも、ヨカナアン！ ＜ヨカナアン＞ 呪われてあれ、人の道ならぬ交じわりに身を任せたる母人の娘、呪われてあれ！ ＜サロメ＞ そなたの口、吸わせてたも、ヨカナアン！ ＜ヨカナアン＞ 吾は、汝を見とうもないわ。 汝、呪われてあれ、サロメ。 汝、呪われてあれ。 （彼は、再び、水構の中へ降りてゆく） Eine große Terrasse im Palast des Herodes, die an den Bankettsaal stößt. Einige Soldaten lehnen sich über die Brüstung. Rechts eine mächtige Treppe, links im Hintergrund eine alte Cisterne mit einer Einfassung aus grüner Bronze. Der Mond scheint sehr hell. Erste Szene NARRABOTH Wie schön ist die Prinzessin Salome heute nacht! PAGE Sieh die Mondscheibe, wie sie seltsam aussieht. Wie eine Frau, die aufsteigt aus dem Grab. NARRABOTH Sie ist sehr seltsam. Wie eine kleine Prinzessin, deren Füße weiße Tauben sind. Man könnte meinen, sie tanzt. PAGE Wie eine Frau, die tot ist. Sie gleitet langsam dahin. (Lärm im Bankettsaal) ERSTER SOLDAT Was für ein Aufruhr! Was sind das für wilde Tiere, die da heulen? ZWEITER SOLDAT Die Juden. (Trocken) Sie sind immer so. Sie streiten über ihre Religion. ERSTER SOLDAT Ich finde es lächerlich, über solche Dinge zu streiten. NARRABOTH Wie schön ist die Prinzessin Salome heute abend! PAGE (unruhig) Du siehst sie immer an. Du siehst sie zuviel an. Es ist gefährlich, Menschen auf diese Art anzusehn. Schreckliches kann geschehn. NARRABOTH Sie ist sehr schön heute abend. ERSTER SOLDAT Der Tetrarch sieht finster drein. ZWEITER SOLDAT Ja, er sieht finster drein. ERSTER SOLDAT Auf wen blickt er? ZWEITER SOLDAT Ich weiß nicht. NARRABOTH Wie blaß die Prinzessin ist. Niemals habe ich sie so blaß gesehn. Sie ist wie der Schatten einer weißen Rose in einem silbernen Spiegel. PAGE (sehr unruhig) Du mußt sie nicht ansehn. Du siehst sie zuviel an. Schreckliches kann geschehn. DIE STIMME DES JOCHANAAN (aus der Cisterne) Nach mir wird Einer kommen, der ist stärker als ich. Ich bin nicht wert, ihm zu lösen den Riemen an seinen Schuh n. Wenn er kommt, werden die verödeten Stätten frohlocken. Wenn er kommt, werden die Augen der Blinden den Tag sehn. Wenn er kommt, die Ohren der Tauben geöffnet. ZWEITER SOLDAT Heiß ihn schweigen! Er sagt immer lächerliche Dinge. ERSTER SOLDAT Er ist ein heil ger Mann. Er ist sehr sanft. Jeden Tag, den ich ihm zu essen gebe, dankt er mir. EIN CAPPADOCIER Wer ist es? ERSTER SOLDAT Ein Prophet. EIN CAPPADOCIER Wie ist sein Name? ERSTER SOLDAT Jochanaan. EIN CAPPADOCIER Woher kommt er? ERSTER SOLDAT Aus der Wüste. Eine Schar von Jüngern war dort immer um ihn. EIN CAPPADOCIER Wovon redet er? ERSTER SOLDAT Unmöglich ist s, zu verstehn, was er sagt. EIN CAPPADOCIER Kann man ihn sehn? ERSTER SOLDAT Nein, der Tetrarch hat es verboten. NARRABOTH (sehr erregt) Die Prinzessin erhebt sich! Sie verläßt die Tafel. Sie ist sehr erregt. Sie kommt hierher. PAGE Sieh sie nicht an! NARRABOTH Ja, sie kommt auf uns zu. PAGE Ich bitte dich, sieh sie nicht an! NARRABOTH Sie ist wie eine verirrte Taube. Zweite Szene (Salome tritt erregt ein) SALOME Ich will nicht bleiben. Ich kann nicht bleiben. Warum sieht mich der Tetrarch fortwährend so an mit seinen Maulwurfsaugen unter den zuckenden Lidern? Es ist seltsam, daß der Mann meiner Mutter mich so ansieht. Wie süß ist hier die Luft! Hier kann ich atmen ... Da drinnen sitzen Juden aus Jerusalem, die einander über ihre närrischen Gebräuche in Stücke reißen ... Schweigsame, list ge Ägypter und brutale ungeschlachte Römer mit ihrer plumpen Sprache ... O, wie ich diese Römer hasse! PAGE (zu Narraboth) Schreckliches wird geschehn. Warum siehst du sie so an? SALOME Wie gut ist s, in den Mond zu sehn. Er ist wie eine silberne Blume, kühl und keusch. Ja, wie die Schönheit einer Jungfrau, die rein geblieben ist. DIE STIMME DES JOCHANAAN Siehe, der Herr ist gekommen, des Menschen Sohn ist nahe. SALOME Wer war das, der hier gerufen hat? ZWEITER SOLDAT Der Prophet, Prinzessin. SALOME Ach, der Prophet! Der, vor dem der Tetrarch Angst hat? ZWEITER SOLDAT Wir wissen davon nichts, Prinzessin. Es war der Prophet Jochanaan, der hier rief. NARRABOTH (zu Salome) Beliebt es Euch, daß ich Eure Sänfte holen lasse, Prinzessin? Die Nacht ist schön im Garten. SALOME Er sagt schreckliche Dinge über meine Mutter, nicht wahr? ZWEITER SOLDAT Wir verstehen nie, was er sagt, Prinzessin. SALOME Ja, er sagt schreckliche Dinge über sie. (Ein Sklave tritt ein) SKLAVE Prinzessin, der Tetrarch ersucht Euch, wieder zum Fest hineinzugehn. SALOME (heftig) Ich will nicht hineingehn. (Der Sklave geht ab) SALOME Ist dieser Prophet ein alter Mann? NARRABOTH (dringender) Prinzessin, es wäre besser hineinzugehn. Gestattet, daß ich Euch führe. SALOME (gesteigert) Ist der Prophet ein alter Mann? ERSTER SOLDAT Nein, Prinzessin, er ist ganz jung. DIE STIMME DES JOCHANAAN Jauchze nicht, du Land Palästina, weil der Stab dessen, der dich schlug, gebrochen ist. Denn aus dem Samen der Schlange wird ein Basilisk kommen, und seine Brut wird die Vögel verschlingen. SALOME Welch seltsame Stimme! Ich möchte mit ihm sprechen ... ZWEITER SOLDAT Prinzessin, der Tetrarch duldet nicht, daß irgend wer mit ihm spricht. Er hat selbst dem Hohenpriester verboten, mit ihm zu sprechen. SALOME Ich wünsche mit ihm zu sprechen. ZWEITER SOLDAT Es ist unmöglich, Prinzessin. SALOME (immer heftiger) Ich will mit ihm sprechen ... Bringt diesen Propheten heraus! ZWEITER SOLDAT Wir dürfen nicht, Prinzessin. SALOME (tritt an die Cisterne heran und blickt hinunter) Wie schwarz es da drunten ist! Es muß schrecklich sein, in so einer schwarzen Höhle zu leben ... Es ist wie eine Gruft ... (wild) Habt ihr nicht gehört? Bringt den Propheten heraus! Ich möchte ihn sehn! ERSTER SOLDAT Prinzessin, wir dürfen nicht tun, was Ihr von uns begehrt. SALOME (erblickt Narraboth) Ah! PAGE O, was wird geschehn? Ich weiß, es wird Schreckliches geschehn. SALOME (tritt an Narraboth heran, leise und lebhaft sprechend) Du wirst das für mich tun, Narraboth, nicht wahr? Ich war dir immer gewogen. Du wirst das für mich tun. Ich möchte ihn bloß sehn, diesen seltsamen Propheten. Die Leute haben soviel von ihm gesprochen. Ich glaube, der Tetrarch hat Angst vor ihm. NARRABOTH Der Tetrarch hat es ausdrücklich verboten, daß irgend wer den Deckel zu diesem Brunnen aufhebt. SALOME Du wirst das für mich tun, Narraboth, (sehr hastig) und morgen, wenn ich in meiner Sänfte an dem Torweg, wo die Götzenbilder stehn, vorbeikomme, werde ich eine kleine Blume für dich fallen lassen, ein kleines grünes Blümchen. NARRABOTH Prinzessin, ich kann nicht, ich kann nicht. SALOME (bestimmter) Du wirst das für mich tun, Narraboth. Du weißt, daß du das für mich tun wirst. Und morgen früh werde ich unter den Musselinschleiern dir einen Blick zuwerfen, Narraboth, ich werde dich ansehn, kann sein, ich werde dir zulächeln. Sieh mich an, Narraboth, sieh mich an. Ah! wie gut du weißt, daß du tun wirst, um was ich dich bitte! Wie du es weißt! (Stark) Ich weiß, du wirst das tun. NARRABOTH (gibt den Soldaten ein Zeichen) Laßt den Propheten herauskommen ... die Prinzessin Salome wünscht ihn zu sehn. SALOME Ah! (Der Prophet kommt aus der Cisterne) Dritte Szene (Salome, in seinen Anblick versunken, weicht langsam vor ihm zurück) JOCHANAAN (stark) Wo ist er, dessen Sündenbecher jetzt voll ist? Wo ist er, der eines Tages im Angesicht alles Volkes in einem Silbermantel sterben wird? Heißt ihn herkommen, auf daß er die Stimme Dessen höre, der in den Wüsten und in den Häusern der Könige gekündet hat. SALOME Von wem spricht er? NARRABOTH Niemand kann es sagen, Prinzessin. JOCHANAAN Wo ist sie, die sich hingab der Lust ihrer Augen, die gestanden hat vor buntgemalten Männerbildern und Gesandte ins Land der Chaldäer schickte? SALOME (tonlos) Er spricht von meiner Mutter. NARRABOTH (heftig) Nein, nein Prinzessin. SALOME (matt) Ja, er spricht von meiner Mutter. JOCHANAAN Wo ist sie, die den Hauptleuten Assyriens sich gab? Wo ist sie, die sich den jungen Männern der Ägypter gegeben hat, die in feinem Leinen und Hyazinthgesteinen prangen, deren Schilde von Gold sind und die Leiber wie von Riesen? Geht, heißt sie aufstehn von dem Bett ihrer Greuel, vom Bett ihrer Blutschande; auf daß sie die Worte Dessen vernehme, der dem Herrn die Wege bereitet, und ihre Missetaten bereue. Und wenn sie gleich nicht bereut, heißt sie herkommen, denn die Geißel des Herrn ist in seiner Hand. SALOME Er ist schrecklich. Er ist wirklich schrecklich. NARRABOTH Bleibt nicht hier, Prinzessin, ich bitte Euch! SALOME Seine Augen sind von allem das Schrecklichste. Sie sind wie die schwarzen Höhlen, wo die Drachen hausen! Sie sind wie schwarze Seen, aus denen irres Mondlicht flackert. Glaubt ihr, daß er noch einmal sprechen wird? NARRABOTH (immer aufgeregter) Bleibt nicht hier, Prinzessin. Ich bitte Euch, bleibt nicht hier. SALOME Wie abgezehrt er ist! Er ist wie ein Bildnis aus Elfenbein. Gewiß ist er keusch wie der Mond. Sein Fleisch muß sehr kühl sein, kühl wie Elfenbein. Ich möchte ihn näher besehn. NARRABOTH Nein, nein, Prinzessin. SALOME Ich muß ihn näher besehn. NARRABOTH Prinzessin! Prinzessin ... JOCHANAAN Wer ist dies Weib, das mich ansieht? Ich will ihre Augen nicht auf mir haben. Warum sieht sie mich so an mit ihren Goldaugen unter den gleißenden Lidern? Ich weiß nicht, wer sie ist. Ich will nicht wissen, wer sie ist. Heißt sie gehn! Zu ihr will ich nicht sprechen. SALOME Ich bin Salome, die Tochter der Herodias, Prinzessin von Judäa. JOCHANAAN Zurück, Tochter Babylons! Komm dem Erwählten des Herrn nicht nahe! Deine Mutter hat die Erde erfüllt mit dem Wein ihrer Lüste, und das Unmaß ihrer Sünden schreit zu Gott. SALOME Sprich mehr, Jochanaan, deine Stimme ist wie Musik in meinen Ohren. NARRABOTH Prinzessin! Prinzessin! Prinzessin! SALOME Sprich mehr! Sprich mehr, Jochanaan, und sag mir, was ich tun soll? JOCHANAAN Tochter Sodoms, komm mir nicht nahe! Vielmehr bedecke dein Gesicht mit einem Schleier, streue Asche auf deinen Kopf, mach dich auf in die Wüste und suche des Menschen Sohn. SALOME Wer ist das, des Menschen Sohn? Ist er so schön wie du, Jochanaan? JOCHANAAN Weiche von mir! Ich höre die Flügel des Todesengels im Palaste rauschen ... SALOME Jochanaan! NARRABOTH Prinzessin, ich flehe, geh hinein! SALOME Jochanaan! Ich bin verliebt in deinen Leib, Jochanaan! Dein Leib ist weiß wie die Lilien auf einem Felde, von der Sichel nie berührt. Dein Leib ist weiß wie der Schnee auf den Bergen Judäas. Die Rosen im Garten von Arabiens Königin sind nicht so weiß wie dein Leib, nicht die Rosen im Garten der Königin, nicht die Füße der Dämmerung auf den Blättern, nicht die Brüste des Mondes auf dem Meere, nichts in der Welt ist so weiß wie dein Leib. Laß mich ihn berühren, deinen Leib! JOCHANAAN Zurück, Tochter Babylons! Durch das Weib kam das Übel in die Welt. Sprich nicht zu mir. Ich will dich nicht anhör n! Ich höre nur auf die Stimme des Herrn, meines Gottes. SALOME Dein Leib ist grauenvoll. Er ist wie der Leib eines Aussätzigen. Er ist wie eine getünchte Wand, wo Nattern gekrochen sind; wie eine getünchte Wand, wo die Skorpione ihr Nest gebaut. Er ist wie ein übertünchtes Grab voll widerlicher Dinge. Er ist gräßlich, dein Leib ist gräßlich. In dein Haar bin ich verliebt, Jochanaan. Dein Haar ist wie Weintrauben, wie Büschel schwarzer Trauben, an den Weinstöcken Edoms. Dein Haar ist wie die Cedern, die großen Cedern vom Libanon, die den Löwen und Räubern Schatten spenden. Die langen schwarzen Nächte, wenn der Mond sich verbirgt, wenn die Sterne bangen, sind nicht so schwarz wie dein Haar. Des Waldes Schweigen .... Nichts in der Welt ist so schwarz wie dein Haar. Laß mich es berühren, dein Haar! JOCHANAAN Zurück, Tochter Sodoms! Berühre mich nicht! Entweihe nicht den Tempel des Herrn, meines Gottes! SALOME Dein Haar ist gräßlich! Es starrt von Staub und Unrat. Es ist wie eine Dornenkrone auf deinen Kopf gesetzt. Es ist wie ein Schlangenknoten gewickelt um deinen Hals. Ich liebe dein Haar nicht. (Mit höchster Leidenschaft) Deinen Mund begehre ich, Jochanaan. Dein Mund ist wie ein Scharlachband an einem Turm von Elfenbein. Er ist wie ein Granatapfel, von einem Silbermesser zerteilt. Die Granatapfelblüten in den Gärten von Tyrus, glüh nder als Rosen, sind nicht so rot. Die roten Fanfaren der Trompeten, die das Nah n von Kön gen künden und vor denen der Feind erzittert, sind nicht so rot, wie dein roter Mund. Dein Mund ist röter als die Füße der Männer, die den Wein stampfen in der Kelter. Er ist röter als die Füße der Tauben, die in den Tempeln wohnen. Dein Mund ist wie ein Korallenzweig in der Dämm rung des Meer s, wie der Purpur in den Gruben von Moab, der Purpur der Könige. (Außer sich) Nichts in der Welt ist so rot wie dein Mund. Laß mich ihn küssen, deinen Mund. JOCHANAAN (leise, in tonlosem Schauder) Niemals, Tochter Babylons, Tochter Sodoms ... Niemals! SALOME Ich will deinen Mund küssen, Jochanaan. Ich will deinen Mund küssen. ... NARRABOTH (in höchster Angst und Verzweiflung) Prinzessin, Prinzessin, die wie ein Garten von Myrrhen ist, die die Taube aller Tauben ist, sieh diesen Mann nicht an. Sprich nicht solche Worte zu ihm. Ich kann es nicht ertragen. ... SALOME Ich will deinen Mund küssen, Jochanaan. Ich will deinen Mund küssen. (Narraboth ersticht sich und fällt tot zwischen Salome Jochanaan) SALOME Laß mich deinen Mund küssen, Jochanaan! JOCHANAAN Wird dir nicht bange, Tochter der Herodias? SALOME Laß mich deinen Mund küssen, Jochanaan! JOCHANAAN Tochter der Unzucht, es lebt nur Einer, der dich retten kann. Geh , such ihn. (Mit größter Wärme) Such ihn. Er ist in einem Nachen auf dem See von Galiläa und redet zu seinen Jüngern, (sehr feierlich) Knie nieder am Ufer des Sees, ruf ihn an und rufe ihn beim Namen, wenn er zu dir kommt, und er kommt zu allen, die ihn rufen, dann bücke dich zu seinen Füßen, daß er dir deine Sünden vergebe. SALOME (wie verzweifelt) Laß mich deinen Mund küssen, Jochanaan! JOCHANAAN Sei verflucht, Tochter der blutschänderischen Mutter, sei verflucht! SALOME Laß mich deinen Mund küssen, Jochanaan! JOCHANAAN Ich will dich nicht ansehn. Du bist verflucht, Salome. Du bist verflucht. (Er geht wieder in die Cisterne hinab) All rights reserved © Kimiyo Strauss,Richard/Salome/2
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TROISIÈME ACTE Le boudoir de Pluton (Mélange de sévérité et de confortable. Fauteuil et bureau de Pluton au deuxième plan de face. Au lever du rideau Eurydice est seule, dans l attitude de l ennui et de l impatience.) No. 18 Couplets des Regrets EURYDICE Personne encore Pas de nouvelles. Ah, ça, mais c est intolérable! Je m ennuie épouvantablement ici! Ah! quelle triste destinée me fait ici le dieu Pluton! Me laisser seule abandonnée! Que veut dire cet abandon! Lorsqu avec lui je suis venue, de tendresse il était pétri! Ah! mais si cela continue je vais regretter mon mari! Ah mais oui je vais regretter mon mari! L amour des dieux, disait le traître, contient d ineffables douceurs! Je vais te les faire connaître... Les dieux seraient-ils des lâcheurs? Ou donc est l ivresse inconnue que je devais goûter ici! Ah! mais si cela continue etc. Voilà deux jours que je suis seule, n ayant d autre récréation que la compagnie de ce gros bête de domestique dont on a tait mon geôlier! Ah! Encore lui!… (John Styx s avance.) JOHN (à part) Elle est bien belle! bien belle! bien belle! Ah ! si j osais!… EURYDICE C est encore toi Que me veux-tu ? JOHN Madame n a pas sonné? EURYDICE Moi? Non! JOHN Est-ce que Madame sonnera bientôt? EURYDICE Est-ce que je sais? Pourquoi? JOHN Parce que si Madame sonnait, je m empresserais d accourir… Ah! je suis bien malheureux! EURYDICE Qu est-ce que cela me fait! JOHN Puisque Madame paraît s intéresser à moi, je vais tout lui dire. (Ils s assied près d Eurydice qui se lève indignés et lui fait signe de s éloigner John se lève et époussette son siège.) Figurez-vous, Madame, que je suis la meilleure nature du monde j ai un coeur sensible et une tète faible. (Il se ressied près d Eurydice.) La femme qui m aimerait serait bien heureuse! EURYDICE Ne m approche pas! (à part) Il est affreux! JOHN Madame me repousse après un tel aveu? Ah! c est parce que je ne suis qu un domestique, n est-ce pas? Mais je n étais par mort pour porter cette livrée,Madame! Quand j étais sur terre, j étais le fils d un grand prince de Béotie! N 19 Couplets du Roi de Béotie Quand j étais roi de Béotie, j avais des sujets, des soldats, mais un jour, en perdant la vie, j ai perdu tous ces biens, hélas! Et pourtant, point ne les envie ce que je regrette en ce jour c est de ne point t avoir choisie pour te donner tout mon amour! Quand j étais roi de Béotie, quand j étais roi de Béotie! Si j étais roi de Béotie, tu serais reine sur ma foi, je ne puis plus qu en effigie t offrir ma puissance de roi. La plus belle ombre, ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le cœur d un roi de Béotie, le cœur d un roi de Béotie. Voyez-vous il est une chose que le n oublierai jamais, c est l image de la femme adorable dont mon maître m a donné la garde depuis deux jours... EURYDICE Insolent! N 19 bis. Mélodrame JOHN Ah ! tenez, Madame… (On entend jouer au dehors la marche du deuxième acte.) De la musique! EURYDICE Et de la musique gaie! JOHN Mon maître… c est mon maître… il amène du monde! EURYDICE Et beaucoup de monde! JOHN Rentrez, Madame, rentrez! EURYDICE Je ne veux t pas! JOHN Ce sont les ordres de Monsieur. Vous me feriez flanquer a la porte! EURYDICE Mon petit John Styx… je t en supplie… JOHN Non, non! Rentrez.. rentrez!... EURYDICE Ah! Pluton! Tu me le paieras! JOHN Allons, allons! (Il fait entrer Eurydice au fond au moment où paraissent Pluton et Jupiter.) Il était temps! (Jupiter et Pluton entrent en se bousculant et tâchant de se devancer l un l autre.) PLUTON (bas à John) Eurydice! JOHN (bas à Pluton) Sous clef! JUPITER Où est-elle? Ou est-elle? JOHN Qui elle? Qui elle! JUPITER Eurydice! Par ma foudre, parle! PLUTON Eurydice? Comment, tu crois encore que j ai enlevé cette petite? JUPITER Parfaitement! Et je verrai bien… j ai saisi la justice! Il y a eu enlèvement et tu vas être juge par les juges des Enfers! (Paraît un huissier, chaîne d argent au cou.) L HUISSIER La Cour! JUPITER Les voici! (Minos, Eaque et Rhademente font leur entrée.) N 20 Septuor du Tribunal MINOS, EAQUE ET RHADAMANTE Minos, Eaque et Rhadamante, Rhadamante, Eaque et Minos, sous les yeux de Thémis clémente, nous présidons les tribuns les tribuns infernaux! MINOS Nul n échappe à notre colère! RHADAMANTE Ceux que Minos ne punit pas... EAQUE Rhadamante en fait son affaire! RHADAMANTE Eaque est la dans tous les cas! TOUS Minos, Eaque et Rhadamante Rhadamante, Eaque et Minos! Sous les yeux de Thémis clémente. Tous trois président - Nous présidons les tribuns, les tribuns infernaux! L HUISSIER La séance est ouverte! MINOS (à l Huissier) Faites entrer le témoin Cerbère. PLUTON (à part) Pourvu qu il! n aille pas me trahir! L HUISSIER (appelant) Le témoin Cerbère! (Aboiements au dehors. Entre Cerbère.) MINOS Témoin Cerbère, dans la soirée des Ides de Mars, le dieu Pluton revenant de la terre, est-il rentré seul ou avec une femme? CERBÈRE (à qui Pluton vient de marcher sur le pied avec intention.) Aou!... aou!... aou!... aou!... MINOS Vous l entendez? Il affirme que Pluton est rentré seul aux Enfers! (Pendant ce temps l Huissier est venu apporter des galettes a Pluton. Pluton, en cachette, donne des galettes à Cerbère.) JUPITER Attendez donc un peu ! Pluton !e bourre de galettes depuis un quart d heure. Je vais vous la montrer la vérité dans la bouche de Cerbère! (Jupiter se jette sur Cerbère et veut lui ouvrir la gueule Cerbère attrape le bras de Jupiter.) N 20 bis Mélodrame JUPITER Ah! mon bras! PLUTON Tiens bon, Cerbère! JUPITER (se dégageant, à John Styx) A moi, ma foudre! Rends-moi ma foudre que je les foudroie tous! PLUTON (à John) Ne rends pas la foudre! LES JUGES (à John) Ne rends pas la foudre! (Mélodrame à l orchestre avec crépitement et roulement de tonnerre jusqu à l apparition de l Amour. Lutte entre John Stix et Jupiter. Jupiter voulant reprendre sa foudre et John Stix ne voulant pas la lâcher.) JUPITER (qui a repris sa foudre) En poudre! En poudre, tous ces gens-là. (Au moment où Jupiter a saisi la foudre, violent coup da tonnerre, nuit complète. Pluton, John, huissiers, greffiers, juges, tout la monde se sauve. Le bureau de Pluton et les fauteuils disparaissant. Sur un fauteuil à gauche, dans un rayon de lumière, paraît Cupidon, Jupiter brandit sa foudre.) Ah! Ah! CUPIDON (riant et se carrant dans la fauteuil) Ah! ah! ah! ah! JUPITER (l apercevant) Tiens, Cupidon! CUPIDON Oh! Papa! Papa! tu me tais de la peine! JUPITER Qu est-ce qu il vient faire là ce méchant galopin? CUPIDON Il vient te sauver, ce méchant galopin! JUPITER Me sauver! CUPIDON Comment, tu cherches une femme et pour la retrouver, tu fais venir ces vieilles perruques? JUPITER Quoi, mon petit chéri, tu te chargerais… CUPIDON Il faut donc que je te la rende, ton Eurydice? JUPITER (avec élan) Oh! oui! CUPIDON (se lavant) Eh bien on va te la retrouver… A moi, ma police! A moi, les policemen de l Amour! (A peine Cupidon at-il dit cela que a paraissent de tous les côtés une vingtaine de petits agents de police de l Amour, bonnets phyrigiens, bâtons de policemen) N 21. Ronde des Policemen CHOEUR DES POLICEMEN Nez au vent oeil au guet, clairvoyant et discret, le limier de l amour doit veiller nuit et jour. Aussi fin qu un renard, très malin, peu bavard sachant tout découvrir et partout se blottir! À l amant au mari, apportant son appui, il surprend tous les jours plus de cent jolis tours. Nez au vent, etc. Doux aveux dans un coeur plein de feux et d ardeur demi-mots, tendre amour frais éclos plat du jour… Trahison, faux serments, abandon des amants, tout ceci sarpejeu, pour bibi n est qu un jeu. Nez au vent, etc. N 22. Récit et Couplets des Baisers CUPIDON Allons, mes fins limiers visitez et fouillez! Ce que de vous l on réclame c est de découvrir la femme! Cherchez bien, cherchez bien! JUPITER Ne voyez-vous rien ? LES POLICEMEN Rien! Rien! Nous ne voyons rien! CUPIDON Vous ne trouvez rien? JUPITER Vous ne trouvez rien? LES POLICEMEN Rien! Nous ne trouvons rien! CUPIDON Attendez, j ai mon moyen! JUPITER ET LES POLICEMEN Voyons, voyons ton moyen! CUPIDON Attendez, attendez! JUPITER, POLICEMEN Voyons, voyons le moyen. CUPIDON Pour attirer du fond de sa retraite une souris qui cache son museau non loin du nez de la petite bête, il faut semer quelque friand morceau. Je sais un autre stratagème qui doit faire de son réduit sortir une femme qu on aime ce stratagème, c est un bruit; mais il faut que ce joli bruit soit bien mignon et bien gentil! Ah! (imitant le bruit des baisers.) Allez-y, la petit bête va répondre au bruit, la petit bête va répondre au bruit! LE CHOEUR (imitent les baisers) Allez-y la petit bête, etc. CUPIDON Lorsque l on veut attirer l alouette, on fait briller un miroir à ses yeux et sans retard on b voit la coquette en voltigeant accourir à ses feux! Une femme, c est tout de même, par ses faiblesses on la séduit; tout ce qu elle veut, c est qu on l aime et c est t ainsi qu on le lui dit, mais il faut que cela soit dit d un air bien mignon bien gentil! Ah! etc. UN POLICEMAN (montrant la porte du fond) Elle est là! DEUXIÈME POLICEMAN Ce n est qu une serrure à faire sauter. JUPITER Halte là! Pas de bêtises! Nous n avons pas le droit, entre dieux de première classe, de nous faire sauter nos serrures. Par ruse, tout est permis, par violence, rien! CUPIDON Il faut donc, ô Papa, trouver un déguisement! PREMIER POLICEMAN Qui vous permettra de passer par le trou de la serrure. CUPIDON Laisse-moi faire, j ai ce qu il te faut! Je vais le métamorphoser séance tenante. Tu connais ça. JUPITER Me métamorphoser en quoi! CUPIDON Je veux que tu en aies la surprise. JUPITER La surprise! La surprise! J ai besoin d être joli, très joli, tu sais! CUPIDON Tu seras joli très joli! Attention au changement papa attention au changement! JUPITER (très inquiet) En quoi va-t-il me mettre, le petit malheureux! CUPIDON Une…deux…trois… (Le changement se fait. Jupiter paraît en mouche.) TOUS Une mouche! CUPIDON Comme çà. on passe partout! N 23. Petite Ronde du Bourdon CHOEUR DES POLICEMEN Le beau bourdon que voilà est-il joli comme çà! Bonne chance papa, passe, passe, passe là et la belle y restera. (Au moment ou le chœur se retire, Jupiter s est rapproche en sautillant de la porte du fond il prend plusieurs fois son élan et finit par piquer une tête dans le trou de la serrure qui s élargit peu à peu. Le fond du décor disparaît et laisse voir un délicieux boudoir. Eurydice est étendue sur un divan. Le meuble s avance jusqu au second plan.) JUPITER C est elle! Qu elle est belle! (Jupiter voltige autour d Eurydice en effleurant son épaule de droite et de gauche.) N 24 Duo de la Mouche EURYDICE Il m a semblé sur mon épaule sentir un doux frémissement!... JUPITER (à part) Il s agit de jouer mon rôle plus un mot! Car dès ce moment je n ai droit qu au bourdonnement! (Imitant b bourdonnement de la mouche) Zi! Zi! EURYDICE Ah! la belle mouche! Le joli frelon JUPITER Zi! Ma chanson la touche, chantons, chantons ma chanson! EURYDICE La belle mouche! JUPITER Ma chanson la touche, chantons ma chanson! EURYDICE Ah, la belle mouche! Le joli frelon! Bel insecte à l aile dorée veux-tu rester mon compagnon? JUPITER (imitent la mouche) Zi! EURYDICE Ces lieux dont du forças l entrée, hélas, me servent de prison. JUPITER Zi! EURYDICE Ne me quitte pas, je t en prie, reste, on prendra bien soin de toi! Ah! je t aimerai, mouche jolie, reste avec moi, reste avec moi! JUPITER Quand on veut se faire adorer il faut se laisser désirer… EURYDICE (courent à lui) Je la tiens par son aile d or! JUPITER Pas encore! Pas encore! EURYDICE Fi, la méchante, la méchante! JUPITER J ai pris des ailes, ma charmante, j ai bien le droit de m en servir! EURYDICE Elle ne cherche qu a me fuir! De cette gaze légère, sans l étouffer, je puis faire un filet à papillon. (Elle s approche sur la pointe des pieds.) JUPITER Attention! Attention! EURYDICE Ah! la voilà prise! plus de résistance! JUPITER La plus prise des deux n est pas celle qu on pense! EURYDICE Chante, chante! JUPITER Zi! ENSEMBLE Zi! Zi! EURYDICE Ah! je la tiens! Ah! c est charmant! JUPITER Ah! je la tiens! Ah! c est charmant! EURYDICE Ah, je savais bien que je t attraperais, mon joli bijou ailé! Mais voyez donc, qu elle est gracieuse! Quelles belles couleurs! Et quelle taille fine! (Jupiter fait des grâces. Elle embrasse.) JUPITER (tombant à genoux) Eh bien, tout cela est à toi, si tu le veux, mortelle adoré! EURYDICE Ah, grands dieux, elle parle! Au secours! JUPITER Tais-toi! J ai pris ce costume pour tromper les regards jaloux d un tyran qui ne veut que te torturer… EURYDICE Jupiter! Le roi des dieux! JUPITER Oui, c est moi. Ah! si je t avais connue plus tôt, Pluton ne t aurait pas enlevée. Je t aurais emmenée dans l Olympe. EURYDICE Voir! l Olympe et quitter cet affreux séjour! Oh! fuyons, emmène-moi! JUPITER Nous n avons qu un moyen pour ne pas éveiller les soupçons il faut que je retourne à la fête que me donne cet idiot de Pluton! Rejoins-m y! (Eurydice sort à gauche et Jupiter à droite Pluton entre tout bouleversé.) PLUTON Où est elle? La mouche? Où est la mouche? Ah I qu est-ce que c est que çà? N 25 Scène et Ballet des Mouches (Une foule de petits John Styx sort de dessous terre.) PLUTON Trahi, trahi par tout le monde! LES ENFANTS Si j étais roi de Béotie, tu serais reine sur ma foi! Je ne puis plus qu en effigie t offrir ma puissance de roi! La plus belle ombre ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le coeur d un roi de Béotie, le coeur d un roi de Béotie! (Ils disparaissent dans une trappe) PLUTON (hors de lui) La mouche!... Qui me livrera la mouche! CUPIDON (paraissent à gauche) Tu veux la retrouver? Eh bien, attends! (Il étend la main le théâtre change et représente une serre merveilleuse. Parmi les buns sont groupées des mouches aux corsages dorées et aux aile étincelantes. Elles s élancent, entourent Pluton et l entraînent) Galop TROISIÈME ACTE Le boudoir de Pluton (Mélange de sévérité et de confortable. Fauteuil et bureau de Pluton au deuxième plan de face. Au lever du rideau Eurydice est seule, dans l attitude de l ennui et de l impatience.) No. 18 Couplets des Regrets EURYDICE Personne encore Pas de nouvelles. Ah, ça, mais c est intolérable! Je m ennuie épouvantablement ici! Ah! quelle triste destinée me fait ici le dieu Pluton! Me laisser seule abandonnée! Que veut dire cet abandon! Lorsqu avec lui je suis venue, de tendresse il était pétri! Ah! mais si cela continue je vais regretter mon mari! Ah mais oui je vais regretter mon mari! L amour des dieux, disait le traître, contient d ineffables douceurs! Je vais te les faire connaître... Les dieux seraient-ils des lâcheurs? Ou donc est l ivresse inconnue que je devais goûter ici! Ah! mais si cela continue etc. Voilà deux jours que je suis seule, n ayant d autre récréation que la compagnie de ce gros bête de domestique dont on a tait mon geôlier! Ah! Encore lui!… (John Styx s avance.) JOHN (à part) Elle est bien belle! bien belle! bien belle! Ah ! si j osais!… EURYDICE C est encore toi Que me veux-tu ? JOHN Madame n a pas sonné? EURYDICE Moi? Non! JOHN Est-ce que Madame sonnera bientôt? EURYDICE Est-ce que je sais? Pourquoi? JOHN Parce que si Madame sonnait, je m empresserais d accourir… Ah! je suis bien malheureux! EURYDICE Qu est-ce que cela me fait! JOHN Puisque Madame paraît s intéresser à moi, je vais tout lui dire. (Ils s assied près d Eurydice qui se lève indignés et lui fait signe de s éloigner John se lève et époussette son siège.) Figurez-vous, Madame, que je suis la meilleure nature du monde j ai un coeur sensible et une tète faible. (Il se ressied près d Eurydice.) La femme qui m aimerait serait bien heureuse! EURYDICE Ne m approche pas! (à part) Il est affreux! JOHN Madame me repousse après un tel aveu? Ah! c est parce que je ne suis qu un domestique, n est-ce pas? Mais je n étais par mort pour porter cette livrée,Madame! Quand j étais sur terre, j étais le fils d un grand prince de Béotie! N 19 Couplets du Roi de Béotie Quand j étais roi de Béotie, j avais des sujets, des soldats, mais un jour, en perdant la vie, j ai perdu tous ces biens, hélas! Et pourtant, point ne les envie ce que je regrette en ce jour c est de ne point t avoir choisie pour te donner tout mon amour! Quand j étais roi de Béotie, quand j étais roi de Béotie! Si j étais roi de Béotie, tu serais reine sur ma foi, je ne puis plus qu en effigie t offrir ma puissance de roi. La plus belle ombre, ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le cœur d un roi de Béotie, le cœur d un roi de Béotie. Voyez-vous il est une chose que le n oublierai jamais, c est l image de la femme adorable dont mon maître m a donné la garde depuis deux jours... EURYDICE Insolent! N 19 bis. Mélodrame JOHN Ah ! tenez, Madame… (On entend jouer au dehors la marche du deuxième acte.) De la musique! EURYDICE Et de la musique gaie! JOHN Mon maître… c est mon maître… il amène du monde! EURYDICE Et beaucoup de monde! JOHN Rentrez, Madame, rentrez! EURYDICE Je ne veux t pas! JOHN Ce sont les ordres de Monsieur. Vous me feriez flanquer a la porte! EURYDICE Mon petit John Styx… je t en supplie… JOHN Non, non! Rentrez.. rentrez!... EURYDICE Ah! Pluton! Tu me le paieras! JOHN Allons, allons! (Il fait entrer Eurydice au fond au moment où paraissent Pluton et Jupiter.) Il était temps! (Jupiter et Pluton entrent en se bousculant et tâchant de se devancer l un l autre.) PLUTON (bas à John) Eurydice! JOHN (bas à Pluton) Sous clef! JUPITER Où est-elle? Ou est-elle? JOHN Qui elle? Qui elle! JUPITER Eurydice! Par ma foudre, parle! PLUTON Eurydice? Comment, tu crois encore que j ai enlevé cette petite? JUPITER Parfaitement! Et je verrai bien… j ai saisi la justice! Il y a eu enlèvement et tu vas être juge par les juges des Enfers! (Paraît un huissier, chaîne d argent au cou.) L HUISSIER La Cour! JUPITER Les voici! (Minos, Eaque et Rhademente font leur entrée.) N 20 Septuor du Tribunal MINOS, EAQUE ET RHADAMANTE Minos, Eaque et Rhadamante, Rhadamante, Eaque et Minos, sous les yeux de Thémis clémente, nous présidons les tribuns les tribuns infernaux! MINOS Nul n échappe à notre colère! RHADAMANTE Ceux que Minos ne punit pas... EAQUE Rhadamante en fait son affaire! RHADAMANTE Eaque est la dans tous les cas! TOUS Minos, Eaque et Rhadamante Rhadamante, Eaque et Minos! Sous les yeux de Thémis clémente. Tous trois président - Nous présidons les tribuns, les tribuns infernaux! L HUISSIER La séance est ouverte! MINOS (à l Huissier) Faites entrer le témoin Cerbère. PLUTON (à part) Pourvu qu il! n aille pas me trahir! L HUISSIER (appelant) Le témoin Cerbère! (Aboiements au dehors. Entre Cerbère.) MINOS Témoin Cerbère, dans la soirée des Ides de Mars, le dieu Pluton revenant de la terre, est-il rentré seul ou avec une femme? CERBÈRE (à qui Pluton vient de marcher sur le pied avec intention.) Aou!... aou!... aou!... aou!... MINOS Vous l entendez? Il affirme que Pluton est rentré seul aux Enfers! (Pendant ce temps l Huissier est venu apporter des galettes a Pluton. Pluton, en cachette, donne des galettes à Cerbère.) JUPITER Attendez donc un peu ! Pluton !e bourre de galettes depuis un quart d heure. Je vais vous la montrer la vérité dans la bouche de Cerbère! (Jupiter se jette sur Cerbère et veut lui ouvrir la gueule Cerbère attrape le bras de Jupiter.) N 20 bis Mélodrame JUPITER Ah! mon bras! PLUTON Tiens bon, Cerbère! JUPITER (se dégageant, à John Styx) A moi, ma foudre! Rends-moi ma foudre que je les foudroie tous! PLUTON (à John) Ne rends pas la foudre! LES JUGES (à John) Ne rends pas la foudre! (Mélodrame à l orchestre avec crépitement et roulement de tonnerre jusqu à l apparition de l Amour. Lutte entre John Stix et Jupiter. Jupiter voulant reprendre sa foudre et John Stix ne voulant pas la lâcher.) JUPITER (qui a repris sa foudre) En poudre! En poudre, tous ces gens-là. (Au moment où Jupiter a saisi la foudre, violent coup da tonnerre, nuit complète. Pluton, John, huissiers, greffiers, juges, tout la monde se sauve. Le bureau de Pluton et les fauteuils disparaissant. Sur un fauteuil à gauche, dans un rayon de lumière, paraît Cupidon, Jupiter brandit sa foudre.) Ah! Ah! CUPIDON (riant et se carrant dans la fauteuil) Ah! ah! ah! ah! JUPITER (l apercevant) Tiens, Cupidon! CUPIDON Oh! Papa! Papa! tu me tais de la peine! JUPITER Qu est-ce qu il vient faire là ce méchant galopin? CUPIDON Il vient te sauver, ce méchant galopin! JUPITER Me sauver! CUPIDON Comment, tu cherches une femme et pour la retrouver, tu fais venir ces vieilles perruques? JUPITER Quoi, mon petit chéri, tu te chargerais… CUPIDON Il faut donc que je te la rende, ton Eurydice? JUPITER (avec élan) Oh! oui! CUPIDON (se lavant) Eh bien on va te la retrouver… A moi, ma police! A moi, les policemen de l Amour! (A peine Cupidon at-il dit cela que a paraissent de tous les côtés une vingtaine de petits agents de police de l Amour, bonnets phyrigiens, bâtons de policemen) N 21. Ronde des Policemen CHOEUR DES POLICEMEN Nez au vent oeil au guet, clairvoyant et discret, le limier de l amour doit veiller nuit et jour. Aussi fin qu un renard, très malin, peu bavard sachant tout découvrir et partout se blottir! À l amant au mari, apportant son appui, il surprend tous les jours plus de cent jolis tours. Nez au vent, etc. Doux aveux dans un coeur plein de feux et d ardeur demi-mots, tendre amour frais éclos plat du jour… Trahison, faux serments, abandon des amants, tout ceci sarpejeu, pour bibi n est qu un jeu. Nez au vent, etc. N 22. Récit et Couplets des Baisers CUPIDON Allons, mes fins limiers visitez et fouillez! Ce que de vous l on réclame c est de découvrir la femme! Cherchez bien, cherchez bien! JUPITER Ne voyez-vous rien ? LES POLICEMEN Rien! Rien! Nous ne voyons rien! CUPIDON Vous ne trouvez rien? JUPITER Vous ne trouvez rien? LES POLICEMEN Rien! Nous ne trouvons rien! CUPIDON Attendez, j ai mon moyen! JUPITER ET LES POLICEMEN Voyons, voyons ton moyen! CUPIDON Attendez, attendez! JUPITER, POLICEMEN Voyons, voyons le moyen. CUPIDON Pour attirer du fond de sa retraite une souris qui cache son museau non loin du nez de la petite bête, il faut semer quelque friand morceau. Je sais un autre stratagème qui doit faire de son réduit sortir une femme qu on aime ce stratagème, c est un bruit; mais il faut que ce joli bruit soit bien mignon et bien gentil! Ah! (imitant le bruit des baisers.) Allez-y, la petit bête va répondre au bruit, la petit bête va répondre au bruit! LE CHOEUR (imitent les baisers) Allez-y la petit bête, etc. CUPIDON Lorsque l on veut attirer l alouette, on fait briller un miroir à ses yeux et sans retard on b voit la coquette en voltigeant accourir à ses feux! Une femme, c est tout de même, par ses faiblesses on la séduit; tout ce qu elle veut, c est qu on l aime et c est t ainsi qu on le lui dit, mais il faut que cela soit dit d un air bien mignon bien gentil! Ah! etc. UN POLICEMAN (montrant la porte du fond) Elle est là! DEUXIÈME POLICEMAN Ce n est qu une serrure à faire sauter. JUPITER Halte là! Pas de bêtises! Nous n avons pas le droit, entre dieux de première classe, de nous faire sauter nos serrures. Par ruse, tout est permis, par violence, rien! CUPIDON Il faut donc, ô Papa, trouver un déguisement! PREMIER POLICEMAN Qui vous permettra de passer par le trou de la serrure. CUPIDON Laisse-moi faire, j ai ce qu il te faut! Je vais le métamorphoser séance tenante. Tu connais ça. JUPITER Me métamorphoser en quoi! CUPIDON Je veux que tu en aies la surprise. JUPITER La surprise! La surprise! J ai besoin d être joli, très joli, tu sais! CUPIDON Tu seras joli très joli! Attention au changement papa attention au changement! JUPITER (très inquiet) En quoi va-t-il me mettre, le petit malheureux! CUPIDON Une…deux…trois… (Le changement se fait. Jupiter paraît en mouche.) TOUS Une mouche! CUPIDON Comme çà. on passe partout! N 23. Petite Ronde du Bourdon CHOEUR DES POLICEMEN Le beau bourdon que voilà est-il joli comme çà! Bonne chance papa, passe, passe, passe là et la belle y restera. (Au moment ou le chœur se retire, Jupiter s est rapproche en sautillant de la porte du fond il prend plusieurs fois son élan et finit par piquer une tête dans le trou de la serrure qui s élargit peu à peu. Le fond du décor disparaît et laisse voir un délicieux boudoir. Eurydice est étendue sur un divan. Le meuble s avance jusqu au second plan.) JUPITER C est elle! Qu elle est belle! (Jupiter voltige autour d Eurydice en effleurant son épaule de droite et de gauche.) N 24 Duo de la Mouche EURYDICE Il m a semblé sur mon épaule sentir un doux frémissement!... JUPITER (à part) Il s agit de jouer mon rôle plus un mot! Car dès ce moment je n ai droit qu au bourdonnement! (Imitant b bourdonnement de la mouche) Zi! Zi! EURYDICE Ah! la belle mouche! Le joli frelon JUPITER Zi! Ma chanson la touche, chantons, chantons ma chanson! EURYDICE La belle mouche! JUPITER Ma chanson la touche, chantons ma chanson! EURYDICE Ah, la belle mouche! Le joli frelon! Bel insecte à l aile dorée veux-tu rester mon compagnon? JUPITER (imitent la mouche) Zi! EURYDICE Ces lieux dont du forças l entrée, hélas, me servent de prison. JUPITER Zi! EURYDICE Ne me quitte pas, je t en prie, reste, on prendra bien soin de toi! Ah! je t aimerai, mouche jolie, reste avec moi, reste avec moi! JUPITER Quand on veut se faire adorer il faut se laisser désirer… EURYDICE (courent à lui) Je la tiens par son aile d or! JUPITER Pas encore! Pas encore! EURYDICE Fi, la méchante, la méchante! JUPITER J ai pris des ailes, ma charmante, j ai bien le droit de m en servir! EURYDICE Elle ne cherche qu a me fuir! De cette gaze légère, sans l étouffer, je puis faire un filet à papillon. (Elle s approche sur la pointe des pieds.) JUPITER Attention! Attention! EURYDICE Ah! la voilà prise! plus de résistance! JUPITER La plus prise des deux n est pas celle qu on pense! EURYDICE Chante, chante! JUPITER Zi! ENSEMBLE Zi! Zi! EURYDICE Ah! je la tiens! Ah! c est charmant! JUPITER Ah! je la tiens! Ah! c est charmant! EURYDICE Ah, je savais bien que je t attraperais, mon joli bijou ailé! Mais voyez donc, qu elle est gracieuse! Quelles belles couleurs! Et quelle taille fine! (Jupiter fait des grâces. Elle embrasse.) JUPITER (tombant à genoux) Eh bien, tout cela est à toi, si tu le veux, mortelle adoré! EURYDICE Ah, grands dieux, elle parle! Au secours! JUPITER Tais-toi! J ai pris ce costume pour tromper les regards jaloux d un tyran qui ne veut que te torturer… EURYDICE Jupiter! Le roi des dieux! JUPITER Oui, c est moi. Ah! si je t avais connue plus tôt, Pluton ne t aurait pas enlevée. Je t aurais emmenée dans l Olympe. EURYDICE Voir! l Olympe et quitter cet affreux séjour! Oh! fuyons, emmène-moi! JUPITER Nous n avons qu un moyen pour ne pas éveiller les soupçons il faut que je retourne à la fête que me donne cet idiot de Pluton! Rejoins-m y! (Eurydice sort à gauche et Jupiter à droite Pluton entre tout bouleversé.) PLUTON Où est elle? La mouche? Où est la mouche? Ah I qu est-ce que c est que çà? N 25 Scène et Ballet des Mouches (Une foule de petits John Styx sort de dessous terre.) PLUTON Trahi, trahi par tout le monde! LES ENFANTS Si j étais roi de Béotie, tu serais reine sur ma foi! Je ne puis plus qu en effigie t offrir ma puissance de roi! La plus belle ombre ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le coeur d un roi de Béotie, le coeur d un roi de Béotie! (Ils disparaissent dans une trappe) PLUTON (hors de lui) La mouche!... Qui me livrera la mouche! CUPIDON (paraissent à gauche) Tu veux la retrouver? Eh bien, attends! (Il étend la main le théâtre change et représente une serre merveilleuse. Parmi les buns sont groupées des mouches aux corsages dorées et aux aile étincelantes. Elles s élancent, entourent Pluton et l entraînent) Galop Offenbach,Jacques/Orpheé aux Enfers/IV
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Subjects-Science-Technology-General&Reference McGraw-Hill Concise Encyclopedia of Science Technology (Mcgraw Hill Concise Encyclopedia of Science and Technology) Mcgraw-Hill (Tx)? Sybil P. Parker? Mcgraw-Hill(Tx)? SybilP.Parker? ジャンル別? Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Nonfiction-Education-Reference-Encyclopedias-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-Dictionaries&Thesauruses-General? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-Encyclopedias-General? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-Engineering? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference McGraw Hill Yearbook of Science Technology 2000 (Mcgraw Hill Yearbook of Science and Technology) Mcgraw-Hill (Tx)? McGraw-Hill? Mcgraw-Hill(Tx)? McGraw-Hill? ジャンル別? Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-Almanacs&Yearbooks? Subjects-Reference-General? Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-Engineering? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Total Engineering Project Management (Mcgraw Hill Engineering and Technology Management Series) Mcgraw-Hill (Tx)? George J. Ritz? Mcgraw-Hill(Tx)? GeorgeJ.Ritz? ジャンル別? Substores-UnknownASINs-2? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Computers&Internet-Business&Culture-ProjectManagement? Subjects-Engineering? Subjects-Professional&Technical-Engineering? 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Autodynamics Fundamental Basis for a New Relativistic Mechanics Saa Society for the Advancement? Saa? SaaSocietyfortheAdvancement? Saa? ジャンル別? Substores-UnknownASINs-34? Subjects-Science-General Subjects-Science-Technology-General&Reference Glass Fiber Auto Body Construction Simplified John a Wills? John A. Wills? JohnaWills? JohnA.Wills? ジャンル別? Substores-UnknownASINs-64? Subjects-Nonfiction-Automotive-Repair? Subjects-Science-General Subjects-Science-Technology-General&Reference DB2 for Os-390 Z/os Development for Performance Gabrielle & Associates? Gabrielle Wiorkowski? Gabrielle&Associates? GabrielleWiorkowski? ジャンル別? Subjects-Computers&Internet-Databases-RelationalDatabases-IBMDB2? Subjects-Computers&Internet-Databases-DatabaseManagementSystems? Subjects-Computers&Internet-Databases-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Achieving Energy Independence - One Step at a Time Dunimis Technology Inc? Jeffrey R. Yago? DunimisTechnologyInc? 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Subjects-Science-Technology-General&Reference Workbook to Accompany Illustrated Changes to the NEC (Mike Holt's Illustrated Guides) Delmar Pub? Mike Holt? DelmarPub? MikeHolt? ジャンル別? Substores-UnknownASINs-64? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Science-General Subjects-Science-Technology-General&Reference An Illustrated Guide to Electrical Calculations (Mike Holt's Illustrated Guides) Mike Holt Enterprises Inc? Mike Holt? MikeHoltEnterprisesInc? MikeHolt? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? 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