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Subjects-Science-General The Effects of Uv Radiation in the Marine Environment (Cambridge Environmental Chemistry, 10) Cambridge Univ Pr (Sd)? Stephen De Mora? Serge Demers? Maria Vernet? CambridgeUnivPr(Sd)? StephenDeMora? SergeDemers? MariaVernet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Environment-Weather? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-MarineBiology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? 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p_zendar|Zendar p_town_1|Wien, Oesterreich p_town_2|Pressburg p_town_3|Königsberg p_town_4|Nantes p_town_5|Berlin, Preußen p_town_6|Paris, France p_town_7|Bordeaux p_town_8|London, England p_town_9|Cardiff p_town_10|Frankfurt, Aschaffenburg p_town_11|Edinburgh p_town_12|Prag p_town_13|Dublin p_town_14|München p_town_15|Stettin p_town_16|Toulouse p_town_17|Stuttgart p_town_18|Ratisbon p_town_19|Sankt-Peterburg, Rossiya p_town_20|Moskva p_town_21|Kiev p_town_22|Minsk p_town_23|Warszawa, Polska p_town_24|Napoli, Napoli p_town_25|L'Aquila p_town_26|Matera p_town_27|Milano, Italia p_town_28|Amsterdam, Holland p_town_29|Orléans p_town_30|Hanovre p_town_31|Rome p_town_32|Liège p_town_33|Arnhem p_town_34|Groningen p_town_35|Sheffield p_town_36|Wilton p_town_37|Inveraray p_town_38|Gießen p_town_39|Göttingen p_town_40|Salzburg p_town_41|Laibach p_town_42|Venezia p_town_43|Konitz p_town_44|Poznan p_town_45|Torun p_town_46|Ostrog p_town_47|Kherson p_town_48|Pskov p_town_49|Grodno p_town_50|Lublin 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Was ist koshinko? Koshinko ist ein japanischer Volksbrauch. Nach dem Taoismus, einer in China entstandenen Religion, sollen im Körper eines Menschen drei Käfer wohnen, jeweils einer im Kopf, in den Eingeweiden und im Unterleib. Diese drei Käfer nennt man sanshi. Diese sanshi sollen Bauch-, Kopfschmerzen und anderes auslösen, aber nicht nur das; sie verlassen unsere Körper in der Nacht von koshin. In der Nacht von koshin, die einem 60-Tage-Zyklus folgt, berichten diese sanshi Tentei, einem Gott von unseren schlechten Taten. Tentei, der Gott, der über die Leben der Menschen walten soll, bestimmt unsere Lebensspanne gemäß den Berichten der sanshi. Um zu verhindern, dass die sanshi dem Gott unsere Taten berichten, bleiben wir die ganze Nacht wach und halten Ausschau nach diesen Käfern, damit sie unsere Körper nicht verlassen – das nennt man koshinko. Dieses koshinko wurde im 8. Jahrhundert (Nara-Zeit) aus China eingeführt und bis ins 12. Jahrhundert (Heian-Zeit) von Adeligen eifrig praktiziert. Um das 17. bis zum 19. Jahrhundert (Edo-Zeit) wurde es mit Buddhismus und Shintoismus verbunden, es verbreitete sich und wurde in der allgemeinen Bevölkerung populär. Auch heute kann man Monumente wie Gedenksteine und -türme, die von der damaligen Blüte erzählen, in ganz Japan sehen. Tokyo Koshindo ist eine Gruppe von Menschen, die koshinko praktizieren und es wieder aufleben lassen wollen. TOKYO KOSHINDO Adresse Mukoujima 3-7-4 Sumida-ku, Tokyo Website www.koshindo.com
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anne11.txtのはじめの文章 Anne of Green Gables 本文の前にいろいろ書いてあるものです。Anne of Green Gablesはpublic domainであると書いてある。日本でも著作権の期間は切れているので問題なし、です。 ******The Project Gutenberg Etext of Anne of Green Gables****** ******This file should be named anne11.txt or anne11.zip******* Scanned by Charles Keller [Date last updated December 6, 2005] ________________________________________ Corrected EDITIONS of our etexts get a new NUMBER, anne11.txt. VERSIONS based on separate sources get new LETTER, anne10a.txt. This choice was made by popular demand for a seasonal literature release, and several other books are being considered, including the rest of the Green Gables series in the Public Domain and the works of Willa Cather. Information about Project Gutenberg (one page) We produce about one million dollars for each hour we work. 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第２幕 第１場 スルタン・ゾーリマンと親衛隊長のオスミン Nr. 9 - メローロゴ 【ゾーリマン】 ツァイーデが逃げただと！ このひどい侮辱にわしは耐えられるのか？ キリスト教徒のイヌめの 奴隷ごときの誘惑に乗せられるとは！ 蛇め あんなにこのスルタンの愛に対して 抵抗しておったが なぜなのだ - なぜわしは軽蔑しなかったのだ あんな恩知らずめを？ なぜあんな女の偽りの謙虚さが わしの心を燃え立たせたのだ？ なぜわしはあの偽善者に許したのだ あり得ないような自由を？ おお裏切り者め！ 【オスミン】 偉大なるスルタン閣下！ この裏切り者どもの首謀者はすぐに察しがつきます アラツィームもまた逃げましたから ですが必ずや 閣下 奴らには追いつくことができましょう 閣下の御領地の境界に達することができる前に 私はあらゆる瞬間に期待しております 逃亡者共が連れ戻されてくるのを 【ゾーリマン】 おおマホメットよ それが実現しますように 見つけ次第 わしはあの裏切り者共の体を バラバラに切り裂いてやりたいぞ わしはこの心を石にして この限りない侮辱に 不貞な奴隷の女に復讐してやるのだ いまいましい恋め！ 心の苦しみめ！ 永遠に呪ってやるぞ 恋の甘美さなど 貴様はわれらの妄想を裏切ったのだ 遠くにあっては手が届きそうでありなから 現実に近くなると ろくでもないことにしかならぬ甘美さだ わしの胸から消え去れ！ 消え去るのだ！ どんな形であれ貴様に耽溺するなどわしには忌わしい 賤しい強制などわしには耐えられぬ 贈り物によって征服するなどわしには恥なのだ だから消え去れ 恥ずかしき隷属など去って行け！ そしてそれでもまだ十分ではないぞ 束縛を引き裂くだけでは！ 容赦なく！ 容赦なくわしは復讐するぞ あの女の重荷を背負ったことに！ 第２場 アリア 【ゾーリマン】 誇り高き獅子でも 飼いならすことができる 可愛がる者なら鎖にも繋がれよう だが奴隷のように辱めれば 怒りが嵩じて暴君となるのだ 獅子は咆える 恐ろしい声で そして投げつけるのだ 激しい憤怒で 鎖をずたずたにして大地へと そして向かって行く者はみな その一撃を受けて 死んで 死んで打ち捨てられるのだ 第３場 モノローグ 【オスミン】 さてと アラツィームがいなくなった！これで誰がスルタンの右腕になれる？誰が権力者の金持ちになれる？ ハ ハ ハ 俺だ オスミンさまだ！俺はチャンスは逃さないぞ！ Nr. 10 - アリア 【オスミン】 腹が減ってテーブルについても やつれ果てて食い物を受けつけなけりゃ 幸運をつかめやしねえんだ そいつぁ 全くの愚か者だぜ そいつを笑わん奴がいるか？ ハ...ハ！ 寒さに震えてガタガタ叫んでも 火で暖を取らねえ奴は 幸運をつかめやしねえんだ そいつぁ 全くの．．． 泣き言やら 呻きやら 叫びやら罵りやら上げても 今持ってる物だけをおずおず探してるだけの奴は 幸運をつかめやしねえんだ そいつぁ 全くの．．． 第４場 ダイアローグ 【ゾーリマン】 とうとうわしの目の前に現れたな、裏切り者め！ ハ、ハ、ハ、ハ！貴様らはわしの捕吏から逃げおおせると思っておったのか？こやつらを牢獄へ連れて行け！明日には最大の苦痛を与えて処刑してやる！ 【ツァイーデ】 おお偉大なゾーリマンさま それが私に感じておられた愛と優しさなのですか？ 【ゾーリマン】 黙れ ツァイーデ！アラツィーム こやつらを逃亡させたお前は自分の目の前でこやつらが罰を受けているのを見るのだ Nr. 11 - アリア 【ゾーリマン】 わしはこれ以上ないほど怒っておるぞ わしは勲功には報いてやるが 十分すぎるほどの褒美でな わしの怒りを掻き立てる者には わし自ら武器を取って その罪を罰してやるのだ この武器は血に飢えておるぞ 第５場 モノローグ 【ツァイーデ】 なぜ私は暗い牢屋の中で苦しまなくてはいけないの？なぜなの？ただ自由を愛したというだけで？ - 私は拷問と死を受け入れなければいけないのね 奴隷にはなりたくないのだから Nr. 12 - アリア 【ツァイーデ】 絶望にすすり泣くフィロメール 鳥カゴに閉じ込められて そして叫ぶの 喉を鳴らして 自分の自由が奪われたと 昼も夜も 眠ることはできず 飛び跳ねて逃げる場所を探している ああ 誰がこの鳥を罰することができるの ただ見つけたというだけで 探し求めていたものを 第６場 ダイアローグ 【ゾーリマン】 聞け ツァイーデよ わしはそなたに自由を与えよう だがひとつ条件がある：そなたがわしに真実を告白することだ！ - なぜそなたは逃げたのだ わしがこれほど可愛がってやったというに？ 【ツァイーデ】 偉大なゾーリマンさま 故郷への憧れが私を動かしたのです！そして - あなたさまの寛大さが私を許して下さいますように - 私はあなたさまを愛することができないのです！あのゴーマッツのことが 私は何よりも大好きなのです！ 【ゾーリマン】 はっきり申したな わしが恐れていたことを わしの復讐は残酷なものとなろうぞ そなたはわしを子羊と思っておったろうが 知ることになろう わしが虎だということを Nr. 13 - アリア 【ツァイーデ】 虎よ！ただ爪だけを研ぐがいいわ 喜びなさい 捕らえた獲物を 罰するのよ 愚かにも信じたことを 偽りの愛情を さあ早く 私たち二人を殺しなさい 啜りなさいよ 無実な者の熱い血を 虎よ！ はらわたから心臓をえぐり出しなさい そして満たすのよ お前の怒りを ああ 私のゴーマッツ！哀れな私たちには 運命はお慈悲を下さいません ただ死だけが 私たちのつらい苦痛を終わらせてくれるのです 虎よ！ただ爪だけを研ぐがいいわ．．． 第７場 ダイアローグ 【ゾーリマン】 さて お前 アラツィームよ どうしてわしの信頼を裏切った？ お前はわしの奴隷ではあったが わしはお前にすべてを与えたのではなかったか？ 【アラツィーム】 ただ自由だけは頂けませんでした！自由のない人が幸せになれるものでしょうか？ 【ゾーリマン】 わしにはたくさんの奴隷がおる どうして個々の幸せのケアなどできようか？ Nr. 14 - アリア 【アラツィーム】 あなた方 権力をお持ちの方は冷たく見おろします あなた方の奴隷のことを そしてあなた方は幸運や名声に飾られている故 あなた方の兄弟を認識できないのです ただ知る者だけが 思いやりを 慈悲と恵みを 高い地位に昇りつめる前に 転変する運命の試練を 卑しい塵から積み上げてきているのだ ダイアローグ 【ゾーリマン】 無駄なことだ こやつらを連れて行け！ 【アラツィーム】 （小声で） おお残酷な運命よ！今日ひとつの善行が私を殺すことになるのか かつて別の善行が私の自由を奪ったように 【ゾーリマン】 お前は何のことを話しているのだ？お前の意味ありげな言葉はどういうことだ？ 【アラツィーム】 15年前のことです 私は艦長としてスペインの軍艦を指揮しオランのあたりにおりました 私たちの目の前で海賊がトルコの民間のガレー船を捕らえていたので 私たちは救助に駆けつけ 船を解放し攻撃者を追い払うことに成功しました ところが私たちは海賊の大船団に遭遇 こうして捕虜となる運命だったのです 【ゾーリマン】 おお奇跡よ！何とアラツィーム そなたはあの時の海賊からわしを救った高貴な船長だったのか？それなのに15年もの間沈黙しておったと！すぐに鉄鎖から解放せよ！ 【アラツィーム】 偉大なるスルタンよ 私は幸せには生きられない もしあの二人にも慈悲を与えて下さらないのであれば 【ゾーリマン】 それは頼まれても無理だ わが高貴なる友人よ 奴らにはわしの復讐を思い知らせねばならぬのだ！ 第８場 Nr. 15 - 四重唱 【ゴーマッツ】 恋人よ！涙を止めて 死をこの愛で飾ろう 【アラツィーム】 何という苦しみ！私の心は砕けてしまう 【ゾーリマン】 どんな涙も役には立たぬぞ 【ツァイーデ】 私だけを ご主人さま 一人殺してください 罪は私にあります ゴーマッツではありません 【ゾーリマン】 お前ら二人とも死なねばならぬのだ 【アラツィーム】 何という苦しみ！私の心は砕けてしまう！ 【ツァイーデ、ゴーマッツ】 スカイは、私の祈りをお聞きください 私だけを死なせてください 【アラツィーム】 ゾーリマンさま ああ私の願いをお聞きください 彼らを死なせてはなりません 【ゾーリマン】 去れ 無駄なのだ そなたの嘆願も 彼らはただ 死ぬだけなのだ 【ツァイーデ、ゴーマッツ】 ああ 命は私にとっては もう何の意味もない （あなたなしでは） 【アラツィーム】 憐れみを ご主人さま どうかお聞きください 憐れみを ご主人さま お気持ちを静めてください 【ゾーリマン】 去れ 無駄なのだ そなたの努力は 行け そなたの願いはわしには侮辱だ ダイアローグ 【アラツィーム】 おお偉大なるゾーリマンさま 私はあなたの感謝の気持ちなど必要ありません それはむしろもっと命の長いこの若者たちに与えてやって頂きたいのです １５年間私はあなた様に仕えて参りました そこで私の年老いた命を彼らの命の代わりに奪って頂きたいのです 私をツァイーデとゴーマッツの代わりに死なせてください 【ゾーリマン】 そなたの高潔な心が アラツィームよ わしの心に通じたのだ ムスリムもまたスペイン人のように寛大になれようぞ 今こそ彼らを解放し 故郷へ向かう船に彼らを乗せてやろう さらば ツァイーデ さらば ゴーマッツ 彼女を得る努力をせよ - しかしそなた アラツィームよ わしのもとを去るではないぞ わしがそなたのように高貴であることを助けてくれ そなたの主人が頼んでいるのではない それはそなたの兄弟の頼みなのだ ZWEITER AUFZUG ERSTER AUFTRITT Sultan Soliman und Osmin, Oberster der Leibwache Nr. 9 - Melologo SOLIMAN Zaide entflohen! Kann ich den entsetzlichen Schimpf überleben? Von einem Christenhunde, von einem Sklaven lässt sie sich verführen! Die Schlange, die sich so gegen die Liebe eines Sultans gewehrt hat. Warum - warum habe ich sie nicht verachtet, diese Undankbare? Warum musste mir ihre gleissnerische Sittsamkeit mein Herz entflammen? Warum gestattete ich der Heuchlerin so ungewöhnliche Freiheiten? O Verräterei! OSMIN Grossmächtigster Sultan! Das Haupt dieser Verräterei ist leicht zu erraten. Allazim ist ebenfalls entflohen. Aber seid gewiss, Herr, man wird sie einholen, ehe sie die Grenzen eures Gebiets erreichen können. Ich erwarte mit jedem Augenblick die Einbringung der Flüchtigen. SOLIMAN O Mahomed, lass es wahr sein. Beim ersten Anblick will ich die verräterische Brut in Stücke hauen lassen. Ich werde mein Herz in Stein verwandeln, die grenzenlose Beleidigung der treulosen Sklavenbuhlerin rächen. Verfluchte Liebe! Folter des Herzens! Verwünschen will ich auf immer die Süssigkeit, die du unserer betrogenen Einbildung in der Ferne vorspiegeln und beim Ziele der Wirklichkeit so schlecht gewähren kannst. Fort aus meinem Busen! Fort! Jede Art dir zu fronen ist mir verhasst! Unedler Zwang bringt mir Ekel, durch Geschenke erobern ist Schande für mich. Fort also, weg mit der schandvollen Dienstbarkeit! Und es soll mir nicht genug sein, die Fessel zu zerreissen! Grausam! Grausam will ich auch ihre gefühlte Bürde rächen! ZWEITER AUFTRITT Arie SOLIMAN Der stolze Löw lässt sich zwar zähmen, er nimmt vom Schmeichler Fessel an, doch will man sklavisch ihn beschämen, steigt seine Wut bis zum Tyrann. Er brüllet mit furchtbarer Stimme und schleudert im wütenden Grimme die Ketten in Trümmern zur Erd , und was ihm entgegen, wird von seinen Schlägen zum Tode, zum Tode verheert. DRITTER AUFTRITT Monolog OSMIN Nun, so wären wir den Allazim los! Und wer wird zur rechten Hand des Sultans? Wer wird mächtig und reich? Ha, ha, ha, ich selber, Osmin! Die Gelegenheit lass ich mir nicht entgeh n! Nr. 10 - Arie OSMIN Wer hungrig bei der Tafel sitzt und schmachtend Speis und Trank nicht nützt, mag selbst sein Glück nicht machen. Er ist fürwahr ein ganzer Narr. Wer soll nicht drüber lachen? Ha…ha! Wer schnatternd über Kälte lärmt und sich bei naher Glut nicht wärmt, mag selbst sein Glück nicht machen. Er ist fürwahr, etc. Wer winselt, jammert, schreit und flucht, und was er hat, erst ängstlich sucht, mag selbst sein Glück nicht machen. Er ist fürwahr, etc. VIERTER AUFTRITT Dialog SOLIMAN Da steht ihr also vor mir, Verräter! Ha, ha, ha, ha! Glaubtet ihr meinen Häschern zu entfliehen? Bringt sie ins Gefängnis! Schon morgen werden sie mit den grössten Qualen hingerichtet! ZAIDE Oh grosser Soliman, ist das die Liebe und die Zärtlichkeit, die ihr gegen mich zu fühlen vorgabt? SOLIMAN Schweigt, Zaide! Du, Allazim, der sie zur Flucht verleitet, wirst zusehen, wie sie vor deinen Augen gezüchtigt werden. Nr. 11 - Arie SOLIMAN Ich bin so bös auch als gut. Ich lohne die Verdienste mit reichlichem Gewinnste; doch reizt man meine Wut, so hab ich auch wohl Waffen, das Laster zu bestrafen, und diese fordern Blut. FÜNFTER AUFTRITT Monolog ZAIDE Weshalb muss ich im dunklen Kerker schmachten? Weshalb? Nur weil ich die Freiheit liebte? - Ich soll Folter und Tod erleiden, weil ich nicht Sklavin sein will. Nr. 12 - Arie ZAIDE Trostlos schluchzet Philomele, in dem Käfig eingeschränkt, und beweint mit reger Kehle, dass man ihre Freiheit kränkt. Tag und Nacht mag sie nicht schlafen, hüpfend sucht sie Raum zur Flucht. Ach, wer könnte sie wohl strafen, wenn sie findet, was sie sucht. SECHSTER AUFTRITT Dialog SOLIMAN Hört, Zaide, ich werde euch die Freiheit schenken, aber um eine Bedingung dass du mir die Wahrheit gestehst! - Warum bist du entflohen, da ich dir alle Vergünstigung gewährte? ZAIDE Grosser Soliman, die Sehnsucht nach der Heimat hat mich getrieben! Und - eure Grossmut möge mir verzeihen - ich kann euch nicht lieben! Ihn, Gornatz, lieb ich über alles! SOLIMAN Du sprichst aus, was ich befürchtet habe. Meine Rache wird grausam sein. Du hieltest mich für ein Lamm, aber du wirst erfahren, dass ich ein Tiger bin. Nr. 13 - Arie ZAIDE Tiger! wetze nur die Klauen, freu dich der erschlichnen Beut . Straf ein törichtes Vertrauen auf verstellte Zärtlichkeit . Komm nur schnell und töt uns beide, saug der Unschuld warmes Blut. Tiger! reiss das Herz vom Eingeweide und ersätt ge deine Wut. Ach mein Gomatz! mit uns Armen hat das Schicksal kein Erbarmen. Nur der Tod endigt unsre herbe Not. Tiger! wetze nur die Klauen, etc. SIEBENTER AUFTRITT Dialog SOLIMAN Nun zu dir, Allazim, warum hast du mein Vertrauen getäuscht? Du warst mein Sklave, aber gab ich dir nicht alles? ALLAZIM Nur meine Freiheit nicht! Kann ein Mensch ohne Freiheit glücklich sein? SOLIMAN Ich habe viele Sklaven. Wie könnt ich mich um das Glück jedes einzelnen kümmern? Nr. 14 - Arie ALLAZIM Ihr Mächtigen seht ungerühr auf eure Sklaven nieder, und weil euch Glück und Anseh n ziert, verkennt ihr eure Brüder. Nur der kennt Mitleid, Huld und Gnad , der, eh man ihn zum Rang erhoben, des wandelbaren Schicksals Proben im niedern Staub gesammelt hat. Dialog SOLIMAN Es ist umsonst. Führt sie hinweg! ALLAZIM leise O grausames Geschick! Heut bringt mich eine gute Tat ums Leben und eine andere gute Tat bracht einst mich um die Freiheit. SOLIMAN Was sprichst du da? Was ist deiner dunklen Worte Sinn? ALLAZIM Vor fünfzehn Jahren war s. Das spanische Kriegsschiff, das ich als Kapitän befehligte, lag bei Oran. Vor unsern Augen kaperten Piraten eine friedliche türkische Galeere. Wir eilten ihr zu Hilfe, und es gelang uns, sie zu befreien und den Angreifer zu verjagen. Dabei jedoch gerieten wir in eine ganze Flotte von Piraten. Gefangenschaft war unser Los. SOLIMAN O Wunder! Wie, Allazim, du warst der edle Kapitän, der damals mich vor den Piraten gerettet hat? Und das blieb mir fünfzehn Jahre lang verschwiegen! Man nehme ihm sofort die Eisen ab! ALLAZIM Grosser Sultan, ich könnt nicht glücklich leben, wenn ihr nicht auch den beiden Gnade schenken würdet. SOLIMAN Vergeblich bittest du, mein edler Freund, sie sollen meine ganze Rache spüren! ACHTER AUFTRITT Nr. 15 - Quartett GOMATZ Freundin! stille deine Tränen, lass den Tod die Liebe krönen. ALLAZIM Welch ein Schmerz! mein Herze bricht. SOLIMAN Alle Tränen nützen nicht. ZAIDE Lass mich, Herr, allein verderben, ich bin schuldig, Gomatz nicht. SOLIMAN Alle beide müsst ihr sterben! ALLAZIM Welch ein Schmerz! mein Herze bricht! ZAIDE, GOMATZ Himmel, höre doch mein Flehen, lass allein (mit ihr) mich untergehen. ALLAZIM Soliman, ach hör mein Flehen, lass sie nicht zugrunde gehen. SOLIMAN Fort, vergebens ist dein Flehen, lass sie nur zugrunde gehen. ZAIDE, GOMATZ Ach das Leben hat für mich keine Reize mehr in sich (ohne dich). ALLAZIM Mitleid, Herr, erhöre mich, Mitleid, Herr, besänft ge dich. SOLIMAN Fort, umsonst bemühst du dich, geh . dein Fleh n beleidigt mich. Dialog ALLAZIM O grosser Soliman, ich bedarf nicht deiner Dankbarkeit. Gewähre sie lieber diesen jungen Menschen, die noch das Leben vor sich haben. Fünfzehn Jahre habe ich dir gedient, drum nimm mein altes Leben jetzt an ihrer Stelle und lass mich für Zaide und Gomatz sterben. SOLIMAN Dein Edelmut, Allazim, hat den Weg zu meinem Herzen gefunden. Ein Muselmann kann ebenso grossmütig sein wie ein Spanier. Befreit sie denn und bringt sie auf ein Schiff, das in ihre Heimat segelt. Leb wohl, Zaide. Leb wohl, Gomatz, trachte sie zu verdienen. - Aber du, Allazim, verlass mich nicht. Hilf mir, so edel zu sein wie du. Es befiehlt nicht dein Herr, es bittet dich dein Bruder. この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Mozart,Wolfgang Amadeus/Zaide
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Dead Tech A Guide to the Archeology of Tomorrow Hennessey & Ingalls? Manfred Hamm? Rolf Steinberg? Robert Jungk? Hennessey&Ingalls? ManfredHamm? RolfSteinberg? RobertJungk? ジャンル別? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-Technology-General&Reference Subjects-Science-Archaeology-General? Industrial and Technological Development Inter-American Development Bank? Simon Teitel? Inter-AmericanDevelopmentBank? SimonTeitel? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-Economics-Development&Growth? 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Content Delivery Network Industry Insight The fast uptake and development of a content delivery network are progressively becoming a crucial component of any enterprise. Market Research Future predicts the potentiality of the global Content Delivery Network Industry 2020. It can achieve a high valuation by the year 2023. Such a high valuation will garner at a growth rate of 26.5% in the forecast years (2018 to 2024). The market expansion can be accredited to the escalating volumes of content being exchanged over the internet in line with the continued rapid network rollouts. Effective so lutions would be needed to ensure uninterrupted content delivery over a high-speed data network, mainly to cater to the growing demand for Video-on-Demand (VOD) and Over the Top (OTT) services. In fact, plummeting data costs coupled with rising affordability and accessibility of broadband and mobile network access are some of the other foremost factors anticipated to motivate the demand for content delivery network solutions. Request a Free Sample @ https //www.marketresearchfuture.com/reports/content-delivery-network-market-2796 Top Market Contenders The top market players of global CDN market are listed as Limelight Networks Inc. (US), Akamai Technologies Inc. (US), Tata Communications Ltd (India), CenturyLink (US), StackPath, LLC (US), Fastly Inc (US), Verizon Communications Inc. (US), CDNetworks Co. Ltd (South Korea), AT T Inc. (US), Amazon.com Inc. (US) and Comcast Corporation (US). Market Analysis MRFR also spotlights on the fact that the e-commerce industry is sprouting continuously in line with shifting consumer behavior. As such, CDN solutions are employed to ensure that consumers have access to all the content necessary to make an informed buying decision. CDN solutions are also employed aggressively to optimize delivery as consumers shift from conventional television to video content delivery. At the same time, the performance of digital solutions based on an IoT network across various industries is also prompting content delivery network providers to introduce customized industry-specific content delivery network solutions. The mounting adoption of advanced technologies, such as artificial intelligence (AI) and augmented reality (AR), are also opening opportunities to launch innovative content delivery network solutions in the future. All these factors are ready to contribute to the global content delivery network market in the forecast period. Furthermore, in countries, such as India and China, the fame of online gaming and the preference for digital marketing is escalating. The advances in technology, coupled with the rollout of smart cities and 4G network rollouts, are also encouraging opportunities to come into the market. On this line, large access providers and platform companies are pursuing integration initiatives to withstand the intense competition globally. As such, companies offering technology solutions are moving into content market space. The mounting population, coupled with the advent of new network technologies, is also motivating content consumption and content delivery network. The digitization of the media entertainment industry is particularly driving market growth to a great extent. Segmentation of Market Content Delivery Solutions The global content delivery solutions market has further been studied among segmentation, including segments of type, solutions, application, service providers, and vertical. By the segment of type, the market has included a standard content delivery network, video content delivery network. By the segment of solutions, the market has included media delivery, web performance optimization, and cloud security. By the segment of the application, the market has included network optimization, OTT streaming, analytics performance monitoring, and website API management. By the segment of service providers, the market has included traditional content delivery networks, Telco content delivery networks,, and cloud services providers. By the segment of vertical, the market has included retail e-commerce, media entertainment, BFSI, gaming, IT telecommunication, education, and others. Regional Outlook North America, Europe, Asia-Pacific, and the rest of the world are the key regions mentioned in the global content delivery solutions market’s regional analysis. Among these regions, the North American region is anticipated to lead the content delivery network market during the study period. The early adoption of IoT technology and smart devices such as Smartphones and smart TV in North America are some of the factors motivating the growth of the regional market. Furthermore, the incidence of technology leaders such as Verizon Digital Media, Amazon Web Services, Akamai Technologies Inc., and CenturyLink is likely to contribute to the growth of the content delivery network market in the region. The US, after Canada, leads the market in North America. The market in Asia-Pacific is also anticipated to occupy a significant share where China is likely to lead the market. Europe trails North America in the global content delivery network market. The Asia Pacific is forecasted to outpace all other regions by growth owing to enhancements in technology in emerging countries of the region. Table of Content 1 Executive Summary 1.1 Market Attractiveness Analysis 17 1.1.1 Global Content Delivery Network Market, By Type 17 1.1.2 Global Content Delivery Network Market, By Solutions 18 1.1.3 Global Content Delivery Network Market, By Application 19 1.1.4 Global Content Delivery Network Market, By Service Providers 20 1.1.5 Global Content Delivery Network Market, By Vertical 21 1.2 Global Content Delivery Network Market, By Region 22 Continued…. List of Tables Table 1 List of Assumptions 29 Table 2 Regional Data Transfer Out to Internet (Per Gb) 39 Table 3 Request Pricing for All Http Methods (Per 10,000) 40 Table 4 Global Content Delivery Network Market, By Type, 2020–2027 (Usd Million) 45 Table 5 Global Content Delivery Network Market, By Video Content Delivery Network, 2020–2027 (Usd Million) 47 Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/content-delivery-network-market-2796 List of Figures Figure 1 Market Synopsis 16 Figure 2 Market Attractiveness Analysis Global Content Delivery Network Market 17 Figure 3 Global Content Delivery Network Market Analysis By Type, 2020 (%) 17 Figure 4 Global Content Delivery Network Market Analysis By Solutions, 2020 (%) 18 Figure 5 Global Content Delivery Network Market Analysis By Application, 2020 (%) 19 Continued…. 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Fletcher Class フレッチャー級 Type DD 種別：ＤＤ In Service 1942 配備：１９４２年 Displacement 2924brt 排水量：２９２４トン Dimensions 376 5"x39 7"x13 9" 寸法：３７６フィート５インチ×３９フィート７インチ×１３フィート９インチ Crew 273 乗員：２７３名 Speed 40kts 速度：４０ノット Armour 50 装甲：５０ Weapons 兵装： 5x5"/38 DP gun ５インチ３８口径両目的砲 ５門 4x20mm Oerlikon AA gun エリコン２０ミリ対空機関砲 ４門 1x28mm quad AA gun ２８ミリ４連装対空砲 １門 6xtorpedo tubes 魚雷発射管 ６基 Depth Charge racks 爆雷ラック The Fletcher-class is an absolutely state-of-the-art destroyer フレッチャー級は１９４２年に配備が計画された design,scheduled to come into service in early 1942.Much larger 最高水準設計の駆逐艦です。 than normal destroyers,it is nearly comparable to a light cruiser 通常の駆逐艦よりも極めて大きく、サイズ、武装共に both in size and armament.Armed with the new dual-purpose 5" guns, ほとんど軽巡洋艦に匹敵します。新型の両目的５インチ砲で武装し、 it is particularly strong in an AA role,though it is also a 対空任務に特に強い上に、同様に２基の爆雷発射機により formidable submarine hunter thanks to its dual depth-charge 潜水艦ハンターとしても極めて手強い存在と launchers. なっています。 Another interesting aspect of its design is the fact that both its もう一つの興味深い設計上の面は、両方の魚雷発射管架が、 torpedo-tube mounts can swivel to fire to either side of the ship, あらゆるサイズの敵を沈める能力を持つ allowing it to unleash a formidable salvo of torpedoes that is 手強い魚雷の一斉射撃を放つことが出来るように capable of putting down an opponent of any size.These are very 船のどちらの側にも撃てるように回転できることです。これらはまったくもって potent warships indeed. とても強力な戦船です。 Ships in class Dewey,Jenkins,Monaghan,John D.Ford,Perkins,Hotspur,Sands 同級艦：デーウィー、ジェンキンス、モナガン、ジョン・Ｄ・フォード、パーキンス、ホットスパー、サンズ
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TROISIÈME ACTE Le boudoir de Pluton (Mélange de sévérité et de confortable. Fauteuil et bureau de Pluton au deuxième plan de face. Au lever du rideau Eurydice est seule, dans l attitude de l ennui et de l impatience.) No. 18 Couplets des Regrets EURYDICE Personne encore Pas de nouvelles. Ah, ça, mais c est intolérable! Je m ennuie épouvantablement ici! Ah! quelle triste destinée me fait ici le dieu Pluton! Me laisser seule abandonnée! Que veut dire cet abandon! Lorsqu avec lui je suis venue, de tendresse il était pétri! Ah! mais si cela continue je vais regretter mon mari! Ah mais oui je vais regretter mon mari! L amour des dieux, disait le traître, contient d ineffables douceurs! Je vais te les faire connaître... Les dieux seraient-ils des lâcheurs? Ou donc est l ivresse inconnue que je devais goûter ici! Ah! mais si cela continue etc. Voilà deux jours que je suis seule, n ayant d autre récréation que la compagnie de ce gros bête de domestique dont on a tait mon geôlier! Ah! Encore lui!… (John Styx s avance.) JOHN (à part) Elle est bien belle! bien belle! bien belle! Ah ! si j osais!… EURYDICE C est encore toi Que me veux-tu ? JOHN Madame n a pas sonné? EURYDICE Moi? Non! JOHN Est-ce que Madame sonnera bientôt? EURYDICE Est-ce que je sais? Pourquoi? JOHN Parce que si Madame sonnait, je m empresserais d accourir… Ah! je suis bien malheureux! EURYDICE Qu est-ce que cela me fait! JOHN Puisque Madame paraît s intéresser à moi, je vais tout lui dire. (Ils s assied près d Eurydice qui se lève indignés et lui fait signe de s éloigner John se lève et époussette son siège.) Figurez-vous, Madame, que je suis la meilleure nature du monde j ai un coeur sensible et une tète faible. (Il se ressied près d Eurydice.) La femme qui m aimerait serait bien heureuse! EURYDICE Ne m approche pas! (à part) Il est affreux! JOHN Madame me repousse après un tel aveu? Ah! c est parce que je ne suis qu un domestique, n est-ce pas? Mais je n étais par mort pour porter cette livrée,Madame! Quand j étais sur terre, j étais le fils d un grand prince de Béotie! N 19 Couplets du Roi de Béotie Quand j étais roi de Béotie, j avais des sujets, des soldats, mais un jour, en perdant la vie, j ai perdu tous ces biens, hélas! Et pourtant, point ne les envie ce que je regrette en ce jour c est de ne point t avoir choisie pour te donner tout mon amour! Quand j étais roi de Béotie, quand j étais roi de Béotie! Si j étais roi de Béotie, tu serais reine sur ma foi, je ne puis plus qu en effigie t offrir ma puissance de roi. La plus belle ombre, ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le cœur d un roi de Béotie, le cœur d un roi de Béotie. Voyez-vous il est une chose que le n oublierai jamais, c est l image de la femme adorable dont mon maître m a donné la garde depuis deux jours... EURYDICE Insolent! N 19 bis. Mélodrame JOHN Ah ! tenez, Madame… (On entend jouer au dehors la marche du deuxième acte.) De la musique! EURYDICE Et de la musique gaie! JOHN Mon maître… c est mon maître… il amène du monde! EURYDICE Et beaucoup de monde! JOHN Rentrez, Madame, rentrez! EURYDICE Je ne veux t pas! JOHN Ce sont les ordres de Monsieur. Vous me feriez flanquer a la porte! EURYDICE Mon petit John Styx… je t en supplie… JOHN Non, non! Rentrez.. rentrez!... EURYDICE Ah! Pluton! Tu me le paieras! JOHN Allons, allons! (Il fait entrer Eurydice au fond au moment où paraissent Pluton et Jupiter.) Il était temps! (Jupiter et Pluton entrent en se bousculant et tâchant de se devancer l un l autre.) PLUTON (bas à John) Eurydice! JOHN (bas à Pluton) Sous clef! JUPITER Où est-elle? Ou est-elle? JOHN Qui elle? Qui elle! JUPITER Eurydice! Par ma foudre, parle! PLUTON Eurydice? Comment, tu crois encore que j ai enlevé cette petite? JUPITER Parfaitement! Et je verrai bien… j ai saisi la justice! Il y a eu enlèvement et tu vas être juge par les juges des Enfers! (Paraît un huissier, chaîne d argent au cou.) L HUISSIER La Cour! JUPITER Les voici! (Minos, Eaque et Rhademente font leur entrée.) N 20 Septuor du Tribunal MINOS, EAQUE ET RHADAMANTE Minos, Eaque et Rhadamante, Rhadamante, Eaque et Minos, sous les yeux de Thémis clémente, nous présidons les tribuns les tribuns infernaux! MINOS Nul n échappe à notre colère! RHADAMANTE Ceux que Minos ne punit pas... EAQUE Rhadamante en fait son affaire! RHADAMANTE Eaque est la dans tous les cas! TOUS Minos, Eaque et Rhadamante Rhadamante, Eaque et Minos! Sous les yeux de Thémis clémente. Tous trois président - Nous présidons les tribuns, les tribuns infernaux! L HUISSIER La séance est ouverte! MINOS (à l Huissier) Faites entrer le témoin Cerbère. PLUTON (à part) Pourvu qu il! n aille pas me trahir! L HUISSIER (appelant) Le témoin Cerbère! (Aboiements au dehors. Entre Cerbère.) MINOS Témoin Cerbère, dans la soirée des Ides de Mars, le dieu Pluton revenant de la terre, est-il rentré seul ou avec une femme? CERBÈRE (à qui Pluton vient de marcher sur le pied avec intention.) Aou!... aou!... aou!... aou!... MINOS Vous l entendez? Il affirme que Pluton est rentré seul aux Enfers! (Pendant ce temps l Huissier est venu apporter des galettes a Pluton. Pluton, en cachette, donne des galettes à Cerbère.) JUPITER Attendez donc un peu ! Pluton !e bourre de galettes depuis un quart d heure. Je vais vous la montrer la vérité dans la bouche de Cerbère! (Jupiter se jette sur Cerbère et veut lui ouvrir la gueule Cerbère attrape le bras de Jupiter.) N 20 bis Mélodrame JUPITER Ah! mon bras! PLUTON Tiens bon, Cerbère! JUPITER (se dégageant, à John Styx) A moi, ma foudre! Rends-moi ma foudre que je les foudroie tous! PLUTON (à John) Ne rends pas la foudre! LES JUGES (à John) Ne rends pas la foudre! (Mélodrame à l orchestre avec crépitement et roulement de tonnerre jusqu à l apparition de l Amour. Lutte entre John Stix et Jupiter. Jupiter voulant reprendre sa foudre et John Stix ne voulant pas la lâcher.) JUPITER (qui a repris sa foudre) En poudre! En poudre, tous ces gens-là. (Au moment où Jupiter a saisi la foudre, violent coup da tonnerre, nuit complète. Pluton, John, huissiers, greffiers, juges, tout la monde se sauve. Le bureau de Pluton et les fauteuils disparaissant. Sur un fauteuil à gauche, dans un rayon de lumière, paraît Cupidon, Jupiter brandit sa foudre.) Ah! Ah! CUPIDON (riant et se carrant dans la fauteuil) Ah! ah! ah! ah! JUPITER (l apercevant) Tiens, Cupidon! CUPIDON Oh! Papa! Papa! tu me tais de la peine! JUPITER Qu est-ce qu il vient faire là ce méchant galopin? CUPIDON Il vient te sauver, ce méchant galopin! JUPITER Me sauver! CUPIDON Comment, tu cherches une femme et pour la retrouver, tu fais venir ces vieilles perruques? JUPITER Quoi, mon petit chéri, tu te chargerais… CUPIDON Il faut donc que je te la rende, ton Eurydice? JUPITER (avec élan) Oh! oui! CUPIDON (se lavant) Eh bien on va te la retrouver… A moi, ma police! A moi, les policemen de l Amour! (A peine Cupidon at-il dit cela que a paraissent de tous les côtés une vingtaine de petits agents de police de l Amour, bonnets phyrigiens, bâtons de policemen) N 21. Ronde des Policemen CHOEUR DES POLICEMEN Nez au vent oeil au guet, clairvoyant et discret, le limier de l amour doit veiller nuit et jour. Aussi fin qu un renard, très malin, peu bavard sachant tout découvrir et partout se blottir! À l amant au mari, apportant son appui, il surprend tous les jours plus de cent jolis tours. Nez au vent, etc. Doux aveux dans un coeur plein de feux et d ardeur demi-mots, tendre amour frais éclos plat du jour… Trahison, faux serments, abandon des amants, tout ceci sarpejeu, pour bibi n est qu un jeu. Nez au vent, etc. N 22. Récit et Couplets des Baisers CUPIDON Allons, mes fins limiers visitez et fouillez! Ce que de vous l on réclame c est de découvrir la femme! Cherchez bien, cherchez bien! JUPITER Ne voyez-vous rien ? LES POLICEMEN Rien! Rien! Nous ne voyons rien! CUPIDON Vous ne trouvez rien? JUPITER Vous ne trouvez rien? LES POLICEMEN Rien! Nous ne trouvons rien! CUPIDON Attendez, j ai mon moyen! JUPITER ET LES POLICEMEN Voyons, voyons ton moyen! CUPIDON Attendez, attendez! JUPITER, POLICEMEN Voyons, voyons le moyen. CUPIDON Pour attirer du fond de sa retraite une souris qui cache son museau non loin du nez de la petite bête, il faut semer quelque friand morceau. Je sais un autre stratagème qui doit faire de son réduit sortir une femme qu on aime ce stratagème, c est un bruit; mais il faut que ce joli bruit soit bien mignon et bien gentil! Ah! (imitant le bruit des baisers.) Allez-y, la petit bête va répondre au bruit, la petit bête va répondre au bruit! LE CHOEUR (imitent les baisers) Allez-y la petit bête, etc. CUPIDON Lorsque l on veut attirer l alouette, on fait briller un miroir à ses yeux et sans retard on b voit la coquette en voltigeant accourir à ses feux! Une femme, c est tout de même, par ses faiblesses on la séduit; tout ce qu elle veut, c est qu on l aime et c est t ainsi qu on le lui dit, mais il faut que cela soit dit d un air bien mignon bien gentil! Ah! etc. UN POLICEMAN (montrant la porte du fond) Elle est là! DEUXIÈME POLICEMAN Ce n est qu une serrure à faire sauter. JUPITER Halte là! Pas de bêtises! Nous n avons pas le droit, entre dieux de première classe, de nous faire sauter nos serrures. Par ruse, tout est permis, par violence, rien! CUPIDON Il faut donc, ô Papa, trouver un déguisement! PREMIER POLICEMAN Qui vous permettra de passer par le trou de la serrure. CUPIDON Laisse-moi faire, j ai ce qu il te faut! Je vais le métamorphoser séance tenante. Tu connais ça. JUPITER Me métamorphoser en quoi! CUPIDON Je veux que tu en aies la surprise. JUPITER La surprise! La surprise! J ai besoin d être joli, très joli, tu sais! CUPIDON Tu seras joli très joli! Attention au changement papa attention au changement! JUPITER (très inquiet) En quoi va-t-il me mettre, le petit malheureux! CUPIDON Une…deux…trois… (Le changement se fait. Jupiter paraît en mouche.) TOUS Une mouche! CUPIDON Comme çà. on passe partout! N 23. Petite Ronde du Bourdon CHOEUR DES POLICEMEN Le beau bourdon que voilà est-il joli comme çà! Bonne chance papa, passe, passe, passe là et la belle y restera. (Au moment ou le chœur se retire, Jupiter s est rapproche en sautillant de la porte du fond il prend plusieurs fois son élan et finit par piquer une tête dans le trou de la serrure qui s élargit peu à peu. Le fond du décor disparaît et laisse voir un délicieux boudoir. Eurydice est étendue sur un divan. Le meuble s avance jusqu au second plan.) JUPITER C est elle! Qu elle est belle! (Jupiter voltige autour d Eurydice en effleurant son épaule de droite et de gauche.) N 24 Duo de la Mouche EURYDICE Il m a semblé sur mon épaule sentir un doux frémissement!... JUPITER (à part) Il s agit de jouer mon rôle plus un mot! Car dès ce moment je n ai droit qu au bourdonnement! (Imitant b bourdonnement de la mouche) Zi! Zi! EURYDICE Ah! la belle mouche! Le joli frelon JUPITER Zi! Ma chanson la touche, chantons, chantons ma chanson! EURYDICE La belle mouche! JUPITER Ma chanson la touche, chantons ma chanson! EURYDICE Ah, la belle mouche! Le joli frelon! Bel insecte à l aile dorée veux-tu rester mon compagnon? JUPITER (imitent la mouche) Zi! EURYDICE Ces lieux dont du forças l entrée, hélas, me servent de prison. JUPITER Zi! EURYDICE Ne me quitte pas, je t en prie, reste, on prendra bien soin de toi! Ah! je t aimerai, mouche jolie, reste avec moi, reste avec moi! JUPITER Quand on veut se faire adorer il faut se laisser désirer… EURYDICE (courent à lui) Je la tiens par son aile d or! JUPITER Pas encore! Pas encore! EURYDICE Fi, la méchante, la méchante! JUPITER J ai pris des ailes, ma charmante, j ai bien le droit de m en servir! EURYDICE Elle ne cherche qu a me fuir! De cette gaze légère, sans l étouffer, je puis faire un filet à papillon. (Elle s approche sur la pointe des pieds.) JUPITER Attention! Attention! EURYDICE Ah! la voilà prise! plus de résistance! JUPITER La plus prise des deux n est pas celle qu on pense! EURYDICE Chante, chante! JUPITER Zi! ENSEMBLE Zi! Zi! EURYDICE Ah! je la tiens! Ah! c est charmant! JUPITER Ah! je la tiens! Ah! c est charmant! EURYDICE Ah, je savais bien que je t attraperais, mon joli bijou ailé! Mais voyez donc, qu elle est gracieuse! Quelles belles couleurs! Et quelle taille fine! (Jupiter fait des grâces. Elle embrasse.) JUPITER (tombant à genoux) Eh bien, tout cela est à toi, si tu le veux, mortelle adoré! EURYDICE Ah, grands dieux, elle parle! Au secours! JUPITER Tais-toi! J ai pris ce costume pour tromper les regards jaloux d un tyran qui ne veut que te torturer… EURYDICE Jupiter! Le roi des dieux! JUPITER Oui, c est moi. Ah! si je t avais connue plus tôt, Pluton ne t aurait pas enlevée. Je t aurais emmenée dans l Olympe. EURYDICE Voir! l Olympe et quitter cet affreux séjour! Oh! fuyons, emmène-moi! JUPITER Nous n avons qu un moyen pour ne pas éveiller les soupçons il faut que je retourne à la fête que me donne cet idiot de Pluton! Rejoins-m y! (Eurydice sort à gauche et Jupiter à droite Pluton entre tout bouleversé.) PLUTON Où est elle? La mouche? Où est la mouche? Ah I qu est-ce que c est que çà? N 25 Scène et Ballet des Mouches (Une foule de petits John Styx sort de dessous terre.) PLUTON Trahi, trahi par tout le monde! LES ENFANTS Si j étais roi de Béotie, tu serais reine sur ma foi! Je ne puis plus qu en effigie t offrir ma puissance de roi! La plus belle ombre ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le coeur d un roi de Béotie, le coeur d un roi de Béotie! (Ils disparaissent dans une trappe) PLUTON (hors de lui) La mouche!... Qui me livrera la mouche! CUPIDON (paraissent à gauche) Tu veux la retrouver? Eh bien, attends! (Il étend la main le théâtre change et représente une serre merveilleuse. Parmi les buns sont groupées des mouches aux corsages dorées et aux aile étincelantes. Elles s élancent, entourent Pluton et l entraînent) Galop TROISIÈME ACTE Le boudoir de Pluton (Mélange de sévérité et de confortable. Fauteuil et bureau de Pluton au deuxième plan de face. Au lever du rideau Eurydice est seule, dans l attitude de l ennui et de l impatience.) No. 18 Couplets des Regrets EURYDICE Personne encore Pas de nouvelles. Ah, ça, mais c est intolérable! Je m ennuie épouvantablement ici! Ah! quelle triste destinée me fait ici le dieu Pluton! Me laisser seule abandonnée! Que veut dire cet abandon! Lorsqu avec lui je suis venue, de tendresse il était pétri! Ah! mais si cela continue je vais regretter mon mari! Ah mais oui je vais regretter mon mari! L amour des dieux, disait le traître, contient d ineffables douceurs! Je vais te les faire connaître... Les dieux seraient-ils des lâcheurs? Ou donc est l ivresse inconnue que je devais goûter ici! Ah! mais si cela continue etc. Voilà deux jours que je suis seule, n ayant d autre récréation que la compagnie de ce gros bête de domestique dont on a tait mon geôlier! Ah! Encore lui!… (John Styx s avance.) JOHN (à part) Elle est bien belle! bien belle! bien belle! Ah ! si j osais!… EURYDICE C est encore toi Que me veux-tu ? JOHN Madame n a pas sonné? EURYDICE Moi? Non! JOHN Est-ce que Madame sonnera bientôt? EURYDICE Est-ce que je sais? Pourquoi? JOHN Parce que si Madame sonnait, je m empresserais d accourir… Ah! je suis bien malheureux! EURYDICE Qu est-ce que cela me fait! JOHN Puisque Madame paraît s intéresser à moi, je vais tout lui dire. (Ils s assied près d Eurydice qui se lève indignés et lui fait signe de s éloigner John se lève et époussette son siège.) Figurez-vous, Madame, que je suis la meilleure nature du monde j ai un coeur sensible et une tète faible. (Il se ressied près d Eurydice.) La femme qui m aimerait serait bien heureuse! EURYDICE Ne m approche pas! (à part) Il est affreux! JOHN Madame me repousse après un tel aveu? Ah! c est parce que je ne suis qu un domestique, n est-ce pas? Mais je n étais par mort pour porter cette livrée,Madame! Quand j étais sur terre, j étais le fils d un grand prince de Béotie! N 19 Couplets du Roi de Béotie Quand j étais roi de Béotie, j avais des sujets, des soldats, mais un jour, en perdant la vie, j ai perdu tous ces biens, hélas! Et pourtant, point ne les envie ce que je regrette en ce jour c est de ne point t avoir choisie pour te donner tout mon amour! Quand j étais roi de Béotie, quand j étais roi de Béotie! Si j étais roi de Béotie, tu serais reine sur ma foi, je ne puis plus qu en effigie t offrir ma puissance de roi. La plus belle ombre, ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le cœur d un roi de Béotie, le cœur d un roi de Béotie. Voyez-vous il est une chose que le n oublierai jamais, c est l image de la femme adorable dont mon maître m a donné la garde depuis deux jours... EURYDICE Insolent! N 19 bis. Mélodrame JOHN Ah ! tenez, Madame… (On entend jouer au dehors la marche du deuxième acte.) De la musique! EURYDICE Et de la musique gaie! JOHN Mon maître… c est mon maître… il amène du monde! EURYDICE Et beaucoup de monde! JOHN Rentrez, Madame, rentrez! EURYDICE Je ne veux t pas! JOHN Ce sont les ordres de Monsieur. Vous me feriez flanquer a la porte! EURYDICE Mon petit John Styx… je t en supplie… JOHN Non, non! Rentrez.. rentrez!... EURYDICE Ah! Pluton! Tu me le paieras! JOHN Allons, allons! (Il fait entrer Eurydice au fond au moment où paraissent Pluton et Jupiter.) Il était temps! (Jupiter et Pluton entrent en se bousculant et tâchant de se devancer l un l autre.) PLUTON (bas à John) Eurydice! JOHN (bas à Pluton) Sous clef! JUPITER Où est-elle? Ou est-elle? JOHN Qui elle? Qui elle! JUPITER Eurydice! Par ma foudre, parle! PLUTON Eurydice? Comment, tu crois encore que j ai enlevé cette petite? JUPITER Parfaitement! Et je verrai bien… j ai saisi la justice! Il y a eu enlèvement et tu vas être juge par les juges des Enfers! (Paraît un huissier, chaîne d argent au cou.) L HUISSIER La Cour! JUPITER Les voici! (Minos, Eaque et Rhademente font leur entrée.) N 20 Septuor du Tribunal MINOS, EAQUE ET RHADAMANTE Minos, Eaque et Rhadamante, Rhadamante, Eaque et Minos, sous les yeux de Thémis clémente, nous présidons les tribuns les tribuns infernaux! MINOS Nul n échappe à notre colère! RHADAMANTE Ceux que Minos ne punit pas... EAQUE Rhadamante en fait son affaire! RHADAMANTE Eaque est la dans tous les cas! TOUS Minos, Eaque et Rhadamante Rhadamante, Eaque et Minos! Sous les yeux de Thémis clémente. Tous trois président - Nous présidons les tribuns, les tribuns infernaux! L HUISSIER La séance est ouverte! MINOS (à l Huissier) Faites entrer le témoin Cerbère. PLUTON (à part) Pourvu qu il! n aille pas me trahir! L HUISSIER (appelant) Le témoin Cerbère! (Aboiements au dehors. Entre Cerbère.) MINOS Témoin Cerbère, dans la soirée des Ides de Mars, le dieu Pluton revenant de la terre, est-il rentré seul ou avec une femme? CERBÈRE (à qui Pluton vient de marcher sur le pied avec intention.) Aou!... aou!... aou!... aou!... MINOS Vous l entendez? Il affirme que Pluton est rentré seul aux Enfers! (Pendant ce temps l Huissier est venu apporter des galettes a Pluton. Pluton, en cachette, donne des galettes à Cerbère.) JUPITER Attendez donc un peu ! Pluton !e bourre de galettes depuis un quart d heure. Je vais vous la montrer la vérité dans la bouche de Cerbère! (Jupiter se jette sur Cerbère et veut lui ouvrir la gueule Cerbère attrape le bras de Jupiter.) N 20 bis Mélodrame JUPITER Ah! mon bras! PLUTON Tiens bon, Cerbère! JUPITER (se dégageant, à John Styx) A moi, ma foudre! Rends-moi ma foudre que je les foudroie tous! PLUTON (à John) Ne rends pas la foudre! LES JUGES (à John) Ne rends pas la foudre! (Mélodrame à l orchestre avec crépitement et roulement de tonnerre jusqu à l apparition de l Amour. Lutte entre John Stix et Jupiter. Jupiter voulant reprendre sa foudre et John Stix ne voulant pas la lâcher.) JUPITER (qui a repris sa foudre) En poudre! En poudre, tous ces gens-là. (Au moment où Jupiter a saisi la foudre, violent coup da tonnerre, nuit complète. Pluton, John, huissiers, greffiers, juges, tout la monde se sauve. Le bureau de Pluton et les fauteuils disparaissant. Sur un fauteuil à gauche, dans un rayon de lumière, paraît Cupidon, Jupiter brandit sa foudre.) Ah! Ah! CUPIDON (riant et se carrant dans la fauteuil) Ah! ah! ah! ah! JUPITER (l apercevant) Tiens, Cupidon! CUPIDON Oh! Papa! Papa! tu me tais de la peine! JUPITER Qu est-ce qu il vient faire là ce méchant galopin? CUPIDON Il vient te sauver, ce méchant galopin! JUPITER Me sauver! CUPIDON Comment, tu cherches une femme et pour la retrouver, tu fais venir ces vieilles perruques? JUPITER Quoi, mon petit chéri, tu te chargerais… CUPIDON Il faut donc que je te la rende, ton Eurydice? JUPITER (avec élan) Oh! oui! CUPIDON (se lavant) Eh bien on va te la retrouver… A moi, ma police! A moi, les policemen de l Amour! (A peine Cupidon at-il dit cela que a paraissent de tous les côtés une vingtaine de petits agents de police de l Amour, bonnets phyrigiens, bâtons de policemen) N 21. Ronde des Policemen CHOEUR DES POLICEMEN Nez au vent oeil au guet, clairvoyant et discret, le limier de l amour doit veiller nuit et jour. Aussi fin qu un renard, très malin, peu bavard sachant tout découvrir et partout se blottir! À l amant au mari, apportant son appui, il surprend tous les jours plus de cent jolis tours. Nez au vent, etc. Doux aveux dans un coeur plein de feux et d ardeur demi-mots, tendre amour frais éclos plat du jour… Trahison, faux serments, abandon des amants, tout ceci sarpejeu, pour bibi n est qu un jeu. Nez au vent, etc. N 22. Récit et Couplets des Baisers CUPIDON Allons, mes fins limiers visitez et fouillez! Ce que de vous l on réclame c est de découvrir la femme! Cherchez bien, cherchez bien! JUPITER Ne voyez-vous rien ? LES POLICEMEN Rien! Rien! Nous ne voyons rien! CUPIDON Vous ne trouvez rien? JUPITER Vous ne trouvez rien? LES POLICEMEN Rien! Nous ne trouvons rien! CUPIDON Attendez, j ai mon moyen! JUPITER ET LES POLICEMEN Voyons, voyons ton moyen! CUPIDON Attendez, attendez! JUPITER, POLICEMEN Voyons, voyons le moyen. CUPIDON Pour attirer du fond de sa retraite une souris qui cache son museau non loin du nez de la petite bête, il faut semer quelque friand morceau. Je sais un autre stratagème qui doit faire de son réduit sortir une femme qu on aime ce stratagème, c est un bruit; mais il faut que ce joli bruit soit bien mignon et bien gentil! Ah! (imitant le bruit des baisers.) Allez-y, la petit bête va répondre au bruit, la petit bête va répondre au bruit! LE CHOEUR (imitent les baisers) Allez-y la petit bête, etc. CUPIDON Lorsque l on veut attirer l alouette, on fait briller un miroir à ses yeux et sans retard on b voit la coquette en voltigeant accourir à ses feux! Une femme, c est tout de même, par ses faiblesses on la séduit; tout ce qu elle veut, c est qu on l aime et c est t ainsi qu on le lui dit, mais il faut que cela soit dit d un air bien mignon bien gentil! Ah! etc. UN POLICEMAN (montrant la porte du fond) Elle est là! DEUXIÈME POLICEMAN Ce n est qu une serrure à faire sauter. JUPITER Halte là! Pas de bêtises! Nous n avons pas le droit, entre dieux de première classe, de nous faire sauter nos serrures. Par ruse, tout est permis, par violence, rien! CUPIDON Il faut donc, ô Papa, trouver un déguisement! PREMIER POLICEMAN Qui vous permettra de passer par le trou de la serrure. CUPIDON Laisse-moi faire, j ai ce qu il te faut! Je vais le métamorphoser séance tenante. Tu connais ça. JUPITER Me métamorphoser en quoi! CUPIDON Je veux que tu en aies la surprise. JUPITER La surprise! La surprise! J ai besoin d être joli, très joli, tu sais! CUPIDON Tu seras joli très joli! Attention au changement papa attention au changement! JUPITER (très inquiet) En quoi va-t-il me mettre, le petit malheureux! CUPIDON Une…deux…trois… (Le changement se fait. Jupiter paraît en mouche.) TOUS Une mouche! CUPIDON Comme çà. on passe partout! N 23. Petite Ronde du Bourdon CHOEUR DES POLICEMEN Le beau bourdon que voilà est-il joli comme çà! Bonne chance papa, passe, passe, passe là et la belle y restera. (Au moment ou le chœur se retire, Jupiter s est rapproche en sautillant de la porte du fond il prend plusieurs fois son élan et finit par piquer une tête dans le trou de la serrure qui s élargit peu à peu. Le fond du décor disparaît et laisse voir un délicieux boudoir. Eurydice est étendue sur un divan. Le meuble s avance jusqu au second plan.) JUPITER C est elle! Qu elle est belle! (Jupiter voltige autour d Eurydice en effleurant son épaule de droite et de gauche.) N 24 Duo de la Mouche EURYDICE Il m a semblé sur mon épaule sentir un doux frémissement!... JUPITER (à part) Il s agit de jouer mon rôle plus un mot! Car dès ce moment je n ai droit qu au bourdonnement! (Imitant b bourdonnement de la mouche) Zi! Zi! EURYDICE Ah! la belle mouche! Le joli frelon JUPITER Zi! Ma chanson la touche, chantons, chantons ma chanson! EURYDICE La belle mouche! JUPITER Ma chanson la touche, chantons ma chanson! EURYDICE Ah, la belle mouche! Le joli frelon! Bel insecte à l aile dorée veux-tu rester mon compagnon? JUPITER (imitent la mouche) Zi! EURYDICE Ces lieux dont du forças l entrée, hélas, me servent de prison. JUPITER Zi! EURYDICE Ne me quitte pas, je t en prie, reste, on prendra bien soin de toi! Ah! je t aimerai, mouche jolie, reste avec moi, reste avec moi! JUPITER Quand on veut se faire adorer il faut se laisser désirer… EURYDICE (courent à lui) Je la tiens par son aile d or! JUPITER Pas encore! Pas encore! EURYDICE Fi, la méchante, la méchante! JUPITER J ai pris des ailes, ma charmante, j ai bien le droit de m en servir! EURYDICE Elle ne cherche qu a me fuir! De cette gaze légère, sans l étouffer, je puis faire un filet à papillon. (Elle s approche sur la pointe des pieds.) JUPITER Attention! Attention! EURYDICE Ah! la voilà prise! plus de résistance! JUPITER La plus prise des deux n est pas celle qu on pense! EURYDICE Chante, chante! JUPITER Zi! ENSEMBLE Zi! Zi! EURYDICE Ah! je la tiens! Ah! c est charmant! JUPITER Ah! je la tiens! Ah! c est charmant! EURYDICE Ah, je savais bien que je t attraperais, mon joli bijou ailé! Mais voyez donc, qu elle est gracieuse! Quelles belles couleurs! Et quelle taille fine! (Jupiter fait des grâces. Elle embrasse.) JUPITER (tombant à genoux) Eh bien, tout cela est à toi, si tu le veux, mortelle adoré! EURYDICE Ah, grands dieux, elle parle! Au secours! JUPITER Tais-toi! J ai pris ce costume pour tromper les regards jaloux d un tyran qui ne veut que te torturer… EURYDICE Jupiter! Le roi des dieux! JUPITER Oui, c est moi. Ah! si je t avais connue plus tôt, Pluton ne t aurait pas enlevée. Je t aurais emmenée dans l Olympe. EURYDICE Voir! l Olympe et quitter cet affreux séjour! Oh! fuyons, emmène-moi! JUPITER Nous n avons qu un moyen pour ne pas éveiller les soupçons il faut que je retourne à la fête que me donne cet idiot de Pluton! Rejoins-m y! (Eurydice sort à gauche et Jupiter à droite Pluton entre tout bouleversé.) PLUTON Où est elle? La mouche? Où est la mouche? Ah I qu est-ce que c est que çà? N 25 Scène et Ballet des Mouches (Une foule de petits John Styx sort de dessous terre.) PLUTON Trahi, trahi par tout le monde! LES ENFANTS Si j étais roi de Béotie, tu serais reine sur ma foi! Je ne puis plus qu en effigie t offrir ma puissance de roi! La plus belle ombre ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le coeur d un roi de Béotie, le coeur d un roi de Béotie! (Ils disparaissent dans une trappe) PLUTON (hors de lui) La mouche!... Qui me livrera la mouche! CUPIDON (paraissent à gauche) Tu veux la retrouver? Eh bien, attends! (Il étend la main le théâtre change et représente une serre merveilleuse. Parmi les buns sont groupées des mouches aux corsages dorées et aux aile étincelantes. Elles s élancent, entourent Pluton et l entraînent) Galop Offenbach,Jacques/Orpheé aux Enfers/IV