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Achiote Albizzia Alfalfa Aloe Vera Amla (indian gooseberry, amalaki, amlaki ) Andrographis Angelica Anise Arjuna Arnica Montana Artemisia Annua Artemisia, Wormwood Artemisinin Artichoke Asafoetida Herb Ashwagandha, (Withania Somnifera) Asparagus Astragalus Avena Sativa ( Wild Oats ) Avenca Bacopa ( Brahmi ) Banaba Leaf Barberry Bayberry Bark Beanpod Teas Beet Powder, Root Belladonna Bilberry Bitter Melon Bitter Orange Black Cohosh Black Haw Black Seed, (Black Cumin) Black Walnut Blackberry Bladderwrack Blazing Star Blessed Thistle Bloodroot Blue Flag Blue Vervain Blueberry Boldo Boneset Boswellia Brigham Tea Buchu Bugleweed Bupleurum Burdock Root Butcher s Broom Butterbur Calaguala Extract, ( Kalawalla ) Calendula California Poppy Camphor Oil Cardamom Cascara Sagrada Cassava Root Catnip Cat s Claw (Uña de Gato) Catuaba Cayenne Pepper ( Capsicum ) Cedarwood Oil Celandine Celery Seed Cha de Bugre Leaf Chamomile Chaparral Chaste Berry ( Vitex ) Cherry ( Fruit, Black, Wild ) Chickweed Chlorella Cilantro Cinnamon Clavo Huasca Cleavers Clematis Clove Coffee Bean Extract Coleus Forskohlii Coltsfoot Comfrey Copaiba Coptis Cordyceps Mushrooms Corn Silk Cotton Root Couch Grass Cramp Bark Cranberry Culver s Root Damiana Dandelion Tea, Root Devil s Claw Devil s Club Dong Quai Echinacea Echinacea Goldenseal Ecklonia Cava Extract Elderberry ( Sambucus ) Elecampane Eleuthero Essiac Formulas ( Esiak ) Eucalyptus Eyebright Fennel Fenugreek Feverfew Flax Seed Flower Pollen Extract Fo Ti ( He Shou Wu ) Fringe Tree Gambir Leaf Garlic Gentian Geranium Ginger Root Ginkgo Biloba Ginseng Ginseng, Chinese Glucomannan ( Konjac Root ) Goldenrod Goldenseal Gotu Kola Grapefruit Grapefruit Seed Extract Gravel Root Graviola Green Tea Grifron Maitake Grindelia Guaco Guarana Guduchi Guggul ( Commiphora Mukul ) Gumweed Gymnema Hawthorn Helonias (False Unicorn) Hemp Products Herbal Coffee Alternative Herbal Salve Hibiscus Holy Basil Hops Horehound Horny Goat Weed Horse Chestnut Horseradish Horsetail Huckleberry Huito Huperzine ( Huperzin ) Hydrangea Hyssop Ivy Extract Jamaican Dogwood Jambul Jatoba Jiaogulan Juniper Kava Kava Kelp Khella Kola Nut Kombucha Kudzu Lady s Mantle Larix ( Larch Tree Extract ) Lavender Lemonbalm ( Lemon Balm, Melissa ) Lettuce Licorice Root ( DGL ) Ligustrum Linden Lions Mane Mushrooms Lobelia Lomatium Long Jack ( Tongkat Ali, Malaysian Ginseng ) Loquat Maca Magnolia Bark (Phellodendron) Marshmallow Meadowsweet Milk Thistle ( Silymarin ) Mistletoe Motherwort Muira puama, Marapuama Mullein Mushroom Combinations Myricetin Myrrh Gum Nature s Way, Thisilyn Neem Nettles, Stinging Noni Juice, Extract Nopal ( Prickly Pear Cactus, Opuntia ) Ocotillo Olive Extract Olive Leaf Oregon Grape Root Osha Paico Parsley Partridge Berry Passion Flower Pau D Arco Peppermint Periwinkle Phyllanthus ( Chanca Peidra ) Pipsissewa Plantain Pleurisy Root Poplar Prickly Ash Bark Psyllium Husk Pycnogenol, ( Pine ) Pygeum Quebracho Red Clover Red Raspberry Red Root Rehmannia Reishi Mushrooms Rhodiola Rosea Rhubarb Root Rose Hips Rosemary Rue Sage Salvinol Sarsaparilla Extract Smilax Sassafras Saw Palmetto Schizandra ( Schisandra ) Scotch Broom Senna Leaves Shatavari Sheep Sorrel Shepherd s Purse Siliphos ( Silybin Phytosome ) Skullcap Skunk Cabbage Slimaluma Caralluma Slippery Elm Soy Isoflavone Spearmint Spilanthes Squawvine St. John s Wort Stillingia Stone Root Suma ( Brazilian Ginseng ) Tayuya Tea Tree Thuja Thyme Tribulus Triphala Tulsi Tea Turkey Tail ( Coriolus versicolor psk ) Mushrooms Turmeric ( Curcumin ) Urinary Health, Herbs Usnea Uva Ursi Valerian Vassourinha Venus Fly Trap Violet Vitamin C Plus Herbs Wasabi Watercress White Oak White Pond Lily White Tea White Willow Bark Wild Cherry Bark Wild Indigo Wild Yam Witch Hazel Wood Betony Yarrow Flower Yellow Dock Yerba Mansa Yerba Mate Yerba Santa Yin Chiao Yohimbe Yucca Amla (indian gooseberry, amalaki, amlaki ) Andrographis Arjuna Ashwagandha, (Withania Somnifera) Bacopa ( Brahmi ) Boswellia Chyavanprash Coleus Forskohlii Guduchi Guggul ( Commiphora Mukul ) Gymnema Himalaya USA Mucuna Neem Phyllanthus ( Chanca Peidra ) Shatavari Trikatu Triphala Turmeric ( Curcumin )
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Basic Automotive Jobs Study Guide Delmar Pub? Delmar? DelmarPub? Delmar? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference A46 Automotive Safety Systems Explained Delmar Pub? Bergwall Productions Inc.? DelmarPub? BergwallProductionsInc.? ジャンル別? Substores-UnknownASINs-21? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-Automotive-Industry? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-General Subjects-Science-Technology-General&Reference Formats-Audiocassettes-General? A46-M Automotive Safety System Bergwall Productions? Bergwall Productions Inc.? BergwallProductions? BergwallProductionsInc.? ジャンル別? Substores-UnknownASINs-21? Subjects-Science-General Subjects-Science-Technology-General&Reference A46.1 Active Safety Systems Delmar Pub? Bergwall Productions Inc.? DelmarPub? BergwallProductionsInc.? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-General Subjects-Science-Technology-General&Reference Formats-Audiocassettes-General? A46.2 Passive Safety Systems Delmar Pub? Bergwall Productions Inc.? DelmarPub? BergwallProductionsInc.? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-General Subjects-Science-Technology-General&Reference Formats-Audiocassettes-General? A46.3 Inflatable Restraints Delmar Pub? Bergwall Productions Inc.? DelmarPub? BergwallProductionsInc.? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? 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The Almanac of Fascinating Beginnings From the Academy Awards to the Xerox Machine Citadel Pr? Norman King? CitadelPr? NormanKing? ジャンル別? Subjects-Reference-Almanacs&Yearbooks-Almanacs? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Peculiar Patents A Collection of Unusual and Interesting Inventions from the Files of the U.S. Patent Office Citadel Pr? Rick Feinberg? CitadelPr? RickFeinberg? ジャンル別? Subjects-Engineering-Patents&Inventions? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Reference-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Bipquiz Inventions Sterling Pub Co Inc? Bruno Heitz? SterlingPubCoInc? BrunoHeitz? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Arts&Music-Crafts&Hobbies? Subjects-Entertainment-Puzzles&Games-General? Subjects-Entertainment-Puzzles&Games-Quizzes? 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Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-Carpentry? Subjects-Home&Garden-Crafts&Hobbies-Woodworking-General? Subjects-Home&Garden-HomeDesign-Remodeling&Renovation-General? Subjects-Home&Garden-How-to&HomeImprovements-Carpentry? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Construction-Carpentry? Subjects-Science-Technology-General&Reference Green Gold Japan, Germany, the United States, and the Race for Environmental Technology Beacon Pr? Curtis Moore? Alan Miller? BeaconPr? CurtisMoore? AlanMiller? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-International-General? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? 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Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Nonfiction-SocialSciences-HumanGeography? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown1? Machine-Age Ideology Social Engineering and American Liberalism, 1911-1939 Univ of North Carolina Pr? John M. Jordan? UnivofNorthCarolinaPr? JohnM.Jordan? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Entertainment-PopCulture-General? Subjects-History-Americas-UnitedStates-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-PopularCulture? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? Technology in the Garden Research Parks and Regional Economic Development Univ of North Carolina Pr? Michael I. Luger? Harvey A. Goldstein? UnivofNorthCarolinaPr? MichaelI.Luger? HarveyA.Goldstein? ジャンル別? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Reference? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Nature&Ecology-General? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown1? A Very Different Age Americans of the Progressive Era Hill & Wang Pub? Steven J. Diner? Hill&WangPub? StevenJ.Diner? ジャンル別? Subjects-History-Americas-UnitedStates-19thCentury-Reconstruction? Subjects-History-Americas-UnitedStates-19thCentury-TurnoftheCentury? Subjects-History-Americas-UnitedStates-20thCentury-Depression? Subjects-History-Americas-UnitedStates-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Civilizing the Machine Technology and Republican Values in America, 1776-1900 Hill & Wang Pub? John F. Kasson? Hill&WangPub? JohnF.Kasson? ジャンル別? Subjects-History-Americas-UnitedStates-19thCentury-General? Subjects-History-Americas-UnitedStates-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&PublicPolicy? Subjects-Science-Technology-Technology&Society? Beyond Oil The View From Hubbert's Peak Farrar Straus & Giroux (T)? Kenneth S. Deffeyes? FarrarStraus&Giroux(T)? KennethS.Deffeyes? ジャンル別? Subjects-Engineering-Energy-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Engineering-Petroleum,Mining&Geological-PetroleumGeology? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? 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■100 Years Ago (Kam Loon Mig Pte Ltd. 0501W) (1CDR transferred from 1LP) Live at Stadthalle, Vienna, Austria, September 1, 1973 ■The Rolling Stones (CBM) (1CDR transferred from 1LP) Live at Empire Pool, Wembley, Middlesex, September 8, 1973 (2nd show) ■Live in London (Forbidden Fruit Productions) (1CDR transferred from 1LP) Live at Empire Pool, Wembley, Middlesex, September 8, 1973 (2nd show) ■Comeback To England (Underground Record OG-787) (1LP) (1CD transferred from tape) Live at Empire Pool, Wembley, Middlesex, September 9, 1973 More ■Down In The Graveyard (Outsider Bird Records OBR 93007) (1CD transferred from 1LP) Live at City Hall, Newcastle-upon-Tyne, Northumberland, September 13, 1973 (1st show) (SBD) More ■Wonderful Wonderful Copenhagen (No.006) (1CDR transferred from 1LP) Live at Brondby-Hallen, Copenhagen, Denmark, October 7, 1973 (1st show) ■Brown Sugar White Snow (AS.TS-198 810) (1CDR transferred from 1LP) Live at Grugahalle, Essen, West Germany, October 9, 1973 ■The Jean Clarke Memorial Sonic Barbecue (TAKRL 1919) (1CDR transferred from 1LP) Live at Grugahalle, Essen, West Germany, October 10, 1973 More ■The Stars In The Sky They Never Lie (Caution 810/197 811) (1CD transferred from 1LP) Live at Grugahalle, Essen, West Germany, October 10, 1973 More ■Bedspring Symphony (TAKRL 1941) (1CDR transferred from 1LP) Live at Forest National, Brussels, Belgium, October 17, 1973 (1st show) (SBD) More ■Nasty Music (Worlds Records SODD 012) (2CD transferred from 2LP) Live at Forest National, Brussels, Belgium, October 17, 1973 (1st show) (SBD) More ■Nasty Songs (TAKRL 24909) (2LP), Another classic bootleg LP. This is actually a copy of the more common Nasty Music LP (SODD-012). Excellent quality 1973 European Tour on vinyl. ■Cherrie Oh Baby (No Credit) (5LP) Live at Forest National, Brussels, Belgium, October 17, 1973 (1st show) (SBD) More ■A Tour De Force (Saturated Recordworks 2S 701) (2LP), 10-17-73 (1st show). Soundboard Recording. Acopy of the above bootleg Nasty Music ■Jump (Flashback Worldproductions 04.90.0118) (2CD transferred from 2LP) Live at Forest National, Brussels, Belgium, October 17, 1973 (1st show) (SBD) More ■Recorded Live in Belgium-U.K.-U.S.A. 72/73 (Saturated Recordworks 2S 701) (2CD transferred from 2LP) Live at Forest National, Brussels, Belgium, October 17, 1973 (1st show) (SBD) More ■European Tour 1973 (Trade Mark Of Quality 71086) (1LP) Live at Forest National, Brussels, Belgium, October 17, 1973 (1st show) (SBD) More ■Rock Out-Cock Out (Duck Records GLC-211) (1CDR transferred from 1LP) Live at Forest National, Brussels, Belgium, October 17, 1973 (1st show) (SBD) More ■Europe 73 (Royal Sound Records RS 002), Probably the most famous vinyl release based on the KBFH FM broadcasts of the 1973 European Tour. Absolutely excellent sound quality on this deluxe release. (1CD transferred from 2LP) ■Keif Riff-Hard (No Credit) (1LP) Live at Forest National, Brussels, Belgium, October 17, 1973 (1st show) (SBD) More ■The King Biscuit Flower Hour (No Credit) (1LP) Live at Forest National, Brussels, Belgium, October 17, 1973 (1st show) (SBD) More BACK / NEXT
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?xml version="1.0" encoding="windows-1251" ? string_table string id="cant_walk" text Sie sind zu erschft, um zu gehen. /text /string string id="cant_walk_weight" text Sie sind zu schwer beladen, um fortzufahren. /text /string string id="car_character_use" text T・ fnen ($$ACTION_USE$$) /text /string string id="character_use" text Reden ($$ACTION_USE$$) /text /string string id="dead_character_use" text Kper durchsuchen ($$ACTION_USE$$) /text /string string id="dead_character_use_or_drag" text Kper durchsuchen ($$ACTION_USE$$) \n Kper schleifen (UMSCHALTEN+$$ACTION_USE$$) /text /string string id="general_complete_task" text Auftrag erf・lt /text /string string id="general_fail_task" text Auftrag fehlgeschlagen /text /string string id="general_in_item" text Gegenstand erhalten /text /string string id="general_in_money" text Geld erhalten /text /string string id="general_new_task" text Neuer Auftrag /text /string string id="general_out_item" text Gegenstand verloren /text /string string id="general_out_money" text Geld verloren /text /string string id="general_reverse_task" text Auftrag abgebrochen /text /string string id="general_update_task" text Auftrag aktualisiert /text /string string id="gun_jammed" text Ihre Waffe klemmt. 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このテンプレはポリウト方式で作成されています。 こちらの役名一覧に和訳を記載して管理人までお知らせください。 SINFONIA ATTO PRIMO (Presso la reggia di Creonte, in vista del mare a Corinto. Ancorata al fondo e la nave Argo) Introduzione ▲PRIMA ANCELLA▼ (a Glauce) Che? Quando già corona Amor i vostri sospir, Sugli occhi ancor vi sta si profonda tristezza? Su, venite a gioir della nostra allegrezza Il cielo a voi darà i dolci suoi favor, A voi il ciel darà ▲SECONDA ANCELLA▼ (a Glauce) Domani , allor che in ciel l'aurora Sul lieto patrio suol verrà compagna al sol, Faranno Imene e Amor A vostra legge schiavo il cor Di lui che v'ama e adora ▲CORO▼ Che? Quando già corona Amor, ecc ▲GLAUCE▼ Ahimè! Gioir vorrei; Ho timor del domani; Invan gli dei su me piover fanno Dolce gaudio d'amor. Al mio pensier Imen Ormai non è che affanno Imen sarà domani Cagion d'aspre lagrime al cor ▲PRIMA ANCELLA▼ Gettate lungi l'infausto presagio, E date lieto il cor Alle gioie d'amor Presagio amaro duol Non è che nube vana, Che mai potrà velar Di si bel giorno il sol. ▲PRIMA, SECONDA ANCELLA, CORO▼ La rea vision crudel scordar farà l'Imene! Amor d'un cor fedel ben può sanar le pene. Illusion , sogno Che vi offese il cor Imene avrà virtù di farvi lieta ancor. ▲CORO▼ Il reo dubbiar così da voi sia ognor lontano; Il dio d'amor gentil Dal ciel pregar v'udì; Ne invan sperò giammai chi il dio d'amor pregò. Recitativo ▲GLAUCE▼ Io cedo alla buona preghiera Cara amistà, tu conforti il mio cor! E tu, che a me divin prometti il destin, O Amore, sii fido a me, Sii fido a un cor che spera Aria O Amore, vieni a me! Fa cessar questo duol; Si confida in te sol la tua Glauce fedele. Vien! Penetra i sensi miei; Vien, vien! Accendi il mio cor Del tuo divino ardore! Amor, tua fiamma accendi, in me discendi, Amore! E per te, sol beata sarò! Scendi in me, sì, Per te sol lieta un dì io sarò! Deh, bel foco d'amor, i sensi miei ravviva Al tuo calor il reo dubbiar dileguar io vedrò. Scendi in me, vieni, Amor, ecc. Da me sia lungi ognor la fatal maga torva Che a sua malia legò D'un eroe l'alto cor! La rabbia sua, la sua presenza Non turbi mai il nostro amor. A noi l'Imen ponga ristor! Amor, deh vieni a me! Ecc. Se tu in me scendi, amor, Ogni dubbio si parte dal cor; È per te sol ch'io spero ancor e tremar più non so! No, Medea non può spezzar i dolci nodi; Forza più su Giason, Medea non avrà La virtù sua fatal vinta è già, Vien, ah vieni, amor, Solo in te spera il cor! Recitativo ▲CREONTE▼ (Entrando con Giasone.) No, non temer t'affidi il mio parlar. Del figli tuoi proteggerò la vita. Son cari, sono senza colpa ancor; Dovranno espiar La colpa della madre? ▲GLAUCE▼ (A Creonte) Incontro a me tu vieni incerto Soffrir mi fa la lunga attesa! ▲CREONTE▼ Tu sai che i figli di Giasone diedi Al tempio già per educar; Gentil, ardente è il cor Del popol mio fedel egli odia ed ama; Ed or la vil maliarda a morte vuol E poiché aver la madre ancor non può; Domanda i figli a far giustizia pronta! ▲GLAUCE▼ Li salva, padre mio! ▲CREONTE▼ Qual pegno gentil li presi un dì, Ed io li salverò da fido amico. ▲GIASONE▼ O re, ti fanno omaggio Qui gli eroi, Recanti il vello d'oro, gli Argonauti. Deh, lascia que porgiamo il bel tesor A grande onor Di Glauce bella ai piedi. Marcia e Coro ▲CORO▼ O bella Glauce, il grande Giason Dell'alta impresa reca a voi le spoglie; Le sue glorie e l'allor Offre a voi per omaggio, Col vello d'oro che a Colco strappò. ▲GLAUCE▼ Ah, Colco! ▲CORO▼ O bella Glauce, ecc Recitativo ▲GLAUCE▼ Colco! Pensier fatal! O funesto presagio! ▲GIASONE▼ Che vedo? Che triste pensiero V'oscura gli occhi così? ▲CREONTE▼ Che mai ti turbò? Perché ti fai smorta in viso? ▲GLAUCE▼ Ahimè! Lo splendor di questa eroica gesta Grave il duol mi fa! È di Colco il suol fatato dove il drago fu domato Il potere di Medea del gran mostro avea ragione. La vedremo presto giunger qui, Chiederà Giasone; Preci e astuzie adoprerà Se non valgon sue minacce, Della maga l'arte fosca Struggerà paese e reggia! ▲GIASONE▼ Sparito, o buona Glauce, è il suo poter No, no, contro l'amor non può lottare. ▲GLAUCE▼ Mio protettor sei tu Da te nel perigli avrò coraggio Aria ▲GIASONE▼ Or que più non vedrò Quella sposa crudele, Che a me vergogna e pianto fu, Del lungo error non ho la memoria più, Il mio destin si rinnovella. Fu Imene il mio dolor, Avrò gioia da Imen! Felice ai vostri piè Giasone or vuol giurar Forza umana giammai Da lui vi può strappar! Recitativo ▲CREONTE▼ Ah, già troppo turbò Questo dubbio la mente Aiuto a voi verrà Solo dal ciel clemente. Agli dei appartien i sacri nodi unir; A lor del vostro imen Noto è già l'avvenir Terzetto e Coro ▲CREONTE▼ Pronube dive, dei custodi, Vegliate i figli miei Discenda sopra lor la grazia vostra ognor! Non sdegnate , o dei , questa prece! Deh, sia felice il loro Imen, Così sarò anch'io felice appieno! Ecc Ed io sarò il padre più beato. ▲CORO▼ Dio d'amor! Dolce Imen! Scendi e lega con mite virtù Tue catene qua giù! Ascolta, dio d'amor, nostre lodi Ascolta , Amore, dolci nodi lega, Amore! ▲GLAUCE, GIASONE, CORO▼ Vieni Imen! Dolce Imen! Dei belli amanti in cor accendi il divo ardor! Un serto al capo lor D'Immortal mirto posa! Gran gioie promette l'amor, Ma sol per te il cor riposa, È sol in te, perfetto amore, ecc Recitativo ▲UN CAPO DELLE GUARDIE▼ Signor! Ferma una donna A vostre soglie sta L'aspetto suo è strano e misterioso Un fitto velo copre il volto suo, Ha breve e dura al labbro la parola. ▲CREONTE▼ Il nome? ▲UN CAPO DELLE GUARDIE▼ Non so. Aveva il braccio teso a minacciar! Signor! Già vien! L'udremo alfin parlar. ▲MEDEA▼ È forse qui Che il vil sicuro sta? È qui che amor dà gioie ai traditor? ▲GIASONE▼ Ah! Quale voce! ▲CREONTE▼ Chi sei tu? ▲MEDEA▼ Io? Medea ▲GLAUCE, GIASONE, CREONTE, CORO▼ Medea, Ah! ▲MEDEA▼ Popolo, no! Non devi tu tremar Ti fida in me. (indicando Giasone e Glauce.) Per essi io sono qui! ▲CORO▼ La rea scacciam! Ah, no! Fuggiam! Che qui restar è sciagura! ▲MEDEA▼ (A Giasone) Or parla tu! Perché muto stai? Nulla hai tu da dire a me, tua donna? ▲CREONTE▼ Perché sei tu venuta al regno mio? ▲MEDEA▼ Con quel poter che il mio dolor mi dà! Col dritto mio che a me strappar si vuol! Perché Giasone è mio! ▲GIASONE▼ Tuo sono? Io? Davvero un di La tua malia mi vinse! Or sciolto son da te! ▲CREONTE▼ Medea, va! Ascolta per tua norma il mio voler. Scende su te, non schiava ancor, Il sole All'alba il sol Ti può trovar prigione! ▲MEDEA▼ Minacci tu , minaccio anch'io! Se sposo sarà Giasone A Glauce tua figliuola Io giuro qui La sposa a lui strappar, E lei straziar così Che alfin ne muoia. Aria ▲CREONTE▼ Qui tremar devi tu, donna rea, empia maga! Empia donna crudele! Creonte in suo poter Dell'arte tua fatal il corso arresterà. Fremer tu devo ormai Del destin que t'aspetta Su di te più crudel scenderà la vendetta! Sotto i pie s'apre a te L'infernal bolgia orrenda Doman sarà il supremo tuo di! Empia maga crudele, donna rea senza cor, Già l'averno ti chiede! Ormai tremar, donna rea, devi tu! Doman sarà il supremo tuo dì! ▲GLAUCE▼ Infelice! ▲CORO▼ Numi! ▲CREONTE▼ Trema, empia donna fatale, Fosca maga crudele! Dell'opra vil il corso arresterò! ▲GLAUCE▼ Infelice! ▲CREONTE▼ Donna rea, te ormai l'infernal bolgia attende! Te doman ingoiar dee la bolgia infernal! Fremer tu devi ormai del destin que t'aspetta ▲GLAUCE▼ O ciel! Sol mi puoi tu salvar! ▲CREONTE▼ Per te spuntò....il supremo tuo dì! ▲CORO▼ O ciel! Glauce tu puoi salvar! ▲CREONTE▼ Ah, venne il dì tuo fatal! Empia donna funesta, Crudel, aspro duol, già l'averno t'aspetta! Per te Spuntò il fatal dì mortal! Trema ormai...ecc (Creonte esce con Glauce.) Recitativo ▲MEDEA▼ Taci, Giason, e affissi immoto il suolo? Un'aspra guerra si combatte in te Il nuovo e il vecchio Amore in te fan guerra. ▲GIASONE▼ Non più! Me stesso un di tradii, Quel dì que amore a te giurai! Del mio valor fu traditor, Nel fango l'onor mio gettai! ▲MEDEA▼ Falsa è la tua parola E ben crudel Indegna di Giason! Ricordi il giorno tu La prima volta Quando m'hai veduta? Sognato abbiam celesti gioie in terra, Insiem legati in sacro eterno amor! Non io vegliai allor a tua difesa? Non io spezzai de tuoi nemici il vanto? E man regal, per darmi a te, sdegnai? Non mio fratello a te sacrificai? Giasone ascolta! Senti, senti ancor! Aria Dei tuoi figli la madre Tu vedi vinta e afflitta, Fatta trista per te, E pur da te proscritta. Tu lo sai quanto un giorno t'amò, crudel, A te fu cara un dì, crudel! Ecc Sola qui, senza amor, scacciata, dolorosa, Se mai mi fossi apparso, Io sarei buona ancora, ecc Sarei pietosa! Il cor non sapea le orrende passioni; Scorrea la notte in sogni buoni, Splendea a me sereno il dì. Ero felice allor, Avevo un padre, un nido, Ho dato tutto a te; Torna sposo per me! Crudel! Io non voglio che te, Lo sdegno mio dimentico; Medea t'implora qui, Medea ai piedi tuoi starà! Pietà! Per tanto amor che volli a te. Torna a me! Torna sposo per me! Ecc Torna ancor! Pietà! Recitativo ▲GIASONE▼ Son vane qui minacce, prieghi, duol! Va via di qui! Creonte minacciò; Rammenta il suo parlar! Me lieto aspetta l'alba Al talamo di Glauce mia diletta. ▲Duetto▼ ▲MEDEA▼ Nemici senza cor, astuta mia rival, Che me straziar volete, Dell'orco i numi qui io chiamo a testimon Del giuro mio fatal d'Olimpo ancor gli dei! Questo Imen traditor Niun verrà a benedir! No! 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Corinto ed il suo re siano, O dei, salvi ognor! ▲MEDEA▼ Giammai per te verrà il nuzial dì per te! ▲GIASONE, MEDEA▼ O tu fatal Toson, Gran dolor dèi costar. Ah! D'eroi gentil virtù fatal, Gran dolor dei costar! O fatal vello d'or! SINFONIA ATTO PRIMO (Presso la reggia di Creonte, in vista del mare a Corinto. Ancorata al fondo e la nave Argo) Introduzione PRIMA ANCELLA (a Glauce) Che? Quando già corona Amor i vostri sospir, Sugli occhi ancor vi sta si profonda tristezza? Su, venite a gioir della nostra allegrezza Il cielo a voi darà i dolci suoi favor, A voi il ciel darà SECONDA ANCELLA (a Glauce) Domani , allor che in ciel l'aurora Sul lieto patrio suol verrà compagna al sol, Faranno Imene e Amor A vostra legge schiavo il cor Di lui che v'ama e adora CORO Che? Quando già corona Amor, ecc GLAUCE Ahimè! Gioir vorrei; Ho timor del domani; Invan gli dei su me piover fanno Dolce gaudio d'amor. Al mio pensier Imen Ormai non è che affanno Imen sarà domani Cagion d'aspre lagrime al cor PRIMA ANCELLA Gettate lungi l'infausto presagio, E date lieto il cor Alle gioie d'amor Presagio amaro duol Non è che nube vana, Che mai potrà velar Di si bel giorno il sol. PRIMA, SECONDA ANCELLA, CORO La rea vision crudel scordar farà l'Imene! Amor d'un cor fedel ben può sanar le pene. Illusion , sogno Che vi offese il cor Imene avrà virtù di farvi lieta ancor. CORO Il reo dubbiar così da voi sia ognor lontano; Il dio d'amor gentil Dal ciel pregar v'udì; Ne invan sperò giammai chi il dio d'amor pregò. Recitativo GLAUCE Io cedo alla buona preghiera Cara amistà, tu conforti il mio cor! E tu, che a me divin prometti il destin, O Amore, sii fido a me, Sii fido a un cor che spera Aria O Amore, vieni a me! Fa cessar questo duol; Si confida in te sol la tua Glauce fedele. Vien! Penetra i sensi miei; Vien, vien! Accendi il mio cor Del tuo divino ardore! Amor, tua fiamma accendi, in me discendi, Amore! E per te, sol beata sarò! Scendi in me, sì, Per te sol lieta un dì io sarò! Deh, bel foco d'amor, i sensi miei ravviva Al tuo calor il reo dubbiar dileguar io vedrò. Scendi in me, vieni, Amor, ecc. Da me sia lungi ognor la fatal maga torva Che a sua malia legò D'un eroe l'alto cor! La rabbia sua, la sua presenza Non turbi mai il nostro amor. A noi l'Imen ponga ristor! Amor, deh vieni a me! Ecc. Se tu in me scendi, amor, Ogni dubbio si parte dal cor; È per te sol ch'io spero ancor e tremar più non so! No, Medea non può spezzar i dolci nodi; Forza più su Giason, Medea non avrà La virtù sua fatal vinta è già, Vien, ah vieni, amor, Solo in te spera il cor! Recitativo CREONTE (Entrando con Giasone.) No, non temer t'affidi il mio parlar. Del figli tuoi proteggerò la vita. Son cari, sono senza colpa ancor; Dovranno espiar La colpa della madre? GLAUCE (A Creonte) Incontro a me tu vieni incerto Soffrir mi fa la lunga attesa! CREONTE Tu sai che i figli di Giasone diedi Al tempio già per educar; Gentil, ardente è il cor Del popol mio fedel egli odia ed ama; Ed or la vil maliarda a morte vuol E poiché aver la madre ancor non può; Domanda i figli a far giustizia pronta! GLAUCE Li salva, padre mio! CREONTE Qual pegno gentil li presi un dì, Ed io li salverò da fido amico. GIASONE O re, ti fanno omaggio Qui gli eroi, Recanti il vello d'oro, gli Argonauti. Deh, lascia que porgiamo il bel tesor A grande onor Di Glauce bella ai piedi. Marcia e Coro CORO O bella Glauce, il grande Giason Dell'alta impresa reca a voi le spoglie; Le sue glorie e l'allor Offre a voi per omaggio, Col vello d'oro che a Colco strappò. GLAUCE Ah, Colco! CORO O bella Glauce, ecc Recitativo GLAUCE Colco! Pensier fatal! O funesto presagio! GIASONE Che vedo? Che triste pensiero V'oscura gli occhi così? CREONTE Che mai ti turbò? Perché ti fai smorta in viso? GLAUCE Ahimè! Lo splendor di questa eroica gesta Grave il duol mi fa! È di Colco il suol fatato dove il drago fu domato Il potere di Medea del gran mostro avea ragione. La vedremo presto giunger qui, Chiederà Giasone; Preci e astuzie adoprerà Se non valgon sue minacce, Della maga l'arte fosca Struggerà paese e reggia! GIASONE Sparito, o buona Glauce, è il suo poter No, no, contro l'amor non può lottare. GLAUCE Mio protettor sei tu Da te nel perigli avrò coraggio Aria GIASONE Or que più non vedrò Quella sposa crudele, Che a me vergogna e pianto fu, Del lungo error non ho la memoria più, Il mio destin si rinnovella. Fu Imene il mio dolor, Avrò gioia da Imen! Felice ai vostri piè Giasone or vuol giurar Forza umana giammai Da lui vi può strappar! Recitativo CREONTE Ah, già troppo turbò Questo dubbio la mente Aiuto a voi verrà Solo dal ciel clemente. Agli dei appartien i sacri nodi unir; A lor del vostro imen Noto è già l'avvenir Terzetto e Coro CREONTE Pronube dive, dei custodi, Vegliate i figli miei Discenda sopra lor la grazia vostra ognor! Non sdegnate , o dei , questa prece! Deh, sia felice il loro Imen, Così sarò anch'io felice appieno! Ecc Ed io sarò il padre più beato. CORO Dio d'amor! Dolce Imen! Scendi e lega con mite virtù Tue catene qua giù! Ascolta, dio d'amor, nostre lodi Ascolta , Amore, dolci nodi lega, Amore! GLAUCE, GIASONE, CORO Vieni Imen! Dolce Imen! Dei belli amanti in cor accendi il divo ardor! Un serto al capo lor D'Immortal mirto posa! Gran gioie promette l'amor, Ma sol per te il cor riposa, È sol in te, perfetto amore, ecc Recitativo UN CAPO DELLE GUARDIE Signor! Ferma una donna A vostre soglie sta L'aspetto suo è strano e misterioso Un fitto velo copre il volto suo, Ha breve e dura al labbro la parola. CREONTE Il nome? UN CAPO DELLE GUARDIE Non so. Aveva il braccio teso a minacciar! Signor! Già vien! L'udremo alfin parlar. MEDEA È forse qui Che il vil sicuro sta? È qui che amor dà gioie ai traditor? GIASONE Ah! Quale voce! CREONTE Chi sei tu? MEDEA Io? Medea GLAUCE, GIASONE, CREONTE, CORO Medea, Ah! MEDEA Popolo, no! Non devi tu tremar Ti fida in me. (indicando Giasone e Glauce.) Per essi io sono qui! CORO La rea scacciam! Ah, no! Fuggiam! Che qui restar è sciagura! MEDEA (A Giasone) Or parla tu! Perché muto stai? Nulla hai tu da dire a me, tua donna? CREONTE Perché sei tu venuta al regno mio? MEDEA Con quel poter che il mio dolor mi dà! Col dritto mio che a me strappar si vuol! Perché Giasone è mio! GIASONE Tuo sono? Io? Davvero un di La tua malia mi vinse! Or sciolto son da te! CREONTE Medea, va! Ascolta per tua norma il mio voler. Scende su te, non schiava ancor, Il sole All'alba il sol Ti può trovar prigione! MEDEA Minacci tu , minaccio anch'io! Se sposo sarà Giasone A Glauce tua figliuola Io giuro qui La sposa a lui strappar, E lei straziar così Che alfin ne muoia. Aria CREONTE Qui tremar devi tu, donna rea, empia maga! Empia donna crudele! Creonte in suo poter Dell'arte tua fatal il corso arresterà. Fremer tu devo ormai Del destin que t'aspetta Su di te più crudel scenderà la vendetta! Sotto i pie s'apre a te L'infernal bolgia orrenda Doman sarà il supremo tuo di! Empia maga crudele, donna rea senza cor, Già l'averno ti chiede! Ormai tremar, donna rea, devi tu! Doman sarà il supremo tuo dì! GLAUCE Infelice! CORO Numi! CREONTE Trema, empia donna fatale, Fosca maga crudele! Dell'opra vil il corso arresterò! GLAUCE Infelice! CREONTE Donna rea, te ormai l'infernal bolgia attende! Te doman ingoiar dee la bolgia infernal! Fremer tu devi ormai del destin que t'aspetta GLAUCE O ciel! Sol mi puoi tu salvar! CREONTE Per te spuntò....il supremo tuo dì! CORO O ciel! Glauce tu puoi salvar! CREONTE Ah, venne il dì tuo fatal! Empia donna funesta, Crudel, aspro duol, già l'averno t'aspetta! Per te Spuntò il fatal dì mortal! Trema ormai...ecc (Creonte esce con Glauce.) Recitativo MEDEA Taci, Giason, e affissi immoto il suolo? Un'aspra guerra si combatte in te Il nuovo e il vecchio Amore in te fan guerra. GIASONE Non più! Me stesso un di tradii, Quel dì que amore a te giurai! Del mio valor fu traditor, Nel fango l'onor mio gettai! MEDEA Falsa è la tua parola E ben crudel Indegna di Giason! Ricordi il giorno tu La prima volta Quando m'hai veduta? Sognato abbiam celesti gioie in terra, Insiem legati in sacro eterno amor! Non io vegliai allor a tua difesa? Non io spezzai de tuoi nemici il vanto? E man regal, per darmi a te, sdegnai? Non mio fratello a te sacrificai? Giasone ascolta! Senti, senti ancor! Aria Dei tuoi figli la madre Tu vedi vinta e afflitta, Fatta trista per te, E pur da te proscritta. Tu lo sai quanto un giorno t'amò, crudel, A te fu cara un dì, crudel! Ecc Sola qui, senza amor, scacciata, dolorosa, Se mai mi fossi apparso, Io sarei buona ancora, ecc Sarei pietosa! Il cor non sapea le orrende passioni; Scorrea la notte in sogni buoni, Splendea a me sereno il dì. Ero felice allor, Avevo un padre, un nido, Ho dato tutto a te; Torna sposo per me! Crudel! Io non voglio che te, Lo sdegno mio dimentico; Medea t'implora qui, Medea ai piedi tuoi starà! Pietà! Per tanto amor che volli a te. Torna a me! Torna sposo per me! Ecc Torna ancor! Pietà! Recitativo GIASONE Son vane qui minacce, prieghi, duol! Va via di qui! Creonte minacciò; Rammenta il suo parlar! Me lieto aspetta l'alba Al talamo di Glauce mia diletta. Duetto MEDEA Nemici senza cor, astuta mia rival, Che me straziar volete, Dell'orco i numi qui io chiamo a testimon Del giuro mio fatal d'Olimpo ancor gli dei! Questo Imen traditor Niun verrà a benedir! No! Io ne atteso gli dei, benedir niun potrà Questo Imen traditor, ecc. GIASONE Fate o numi, Cader la feral sua minaccia Serbate immune ognor Da sue vendette il re! E reggia e sacro suol, O dei salvate ognor! MEDEA, GIASONE O fatal vello d'or, Trionfal gloria amara! Di sangue e pianto Un di molto hai tu da costar! MEDEA Per far penar l'ingrato ch'io detesto, I tuoi più crudi orror m'ispira, o Colco, tu! GIASONE Fatal maliarda vil, crudel dal cor reietta, Va via, va via di qui! Il tuo castigo aspetta. MEDEA Fuggir? GIASONE Te vai, di qui! MEDEA Fuggire? GIASONE Il tuo castigo aspetta, ecc Va via! MEDEA Ah fuggir! Fuggir? Se questo è il suo destin, crudel, Medea col suo fuggir Il cor ti strapperà! Crudel! GIASONE, MEDEA O Fatal vello d'or, Trionfal gloria amara, ecc GIASONE Possente è il re Gli sdegni temer tu ne devi! Corinto ed il suo re siano, O dei, salvi ognor! MEDEA Giammai per te verrà il nuzial dì per te! GIASONE, MEDEA O tu fatal Toson, Gran dolor dèi costar. Ah! D'eroi gentil virtù fatal, Gran dolor dei costar! O fatal vello d'or! Cherubini,Luigi/Medea/II
https://w.atwiki.jp/mainichi-matome/pages/140.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese' behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 "The Cook, the Beast, the Vice and its Lover"「料理、獣、悪徳とその愛好者」 タイトルについてのコメント 元記事との違い 拡散状況 関連ページ "The Cook, the Beast, the Vice and its Lover" 「料理、獣、悪徳とその愛好者」 http //mdn.mainichi-msn.co.jp/waiwai/news/20070917p2g00m0dm002000c.html (2007年9月17日配信) A disgusting and twisted restaurant in the Tokyo entertainment district of Roppongi is enticing warped rich folk with the opportunity to figuratively have their cake and eat it, too — with animals, according to Jitsuwa Knuckles (9/25). Roppongi’s bestiality restaurant is being regarded by its main nouveau riche patronage of young company presidents and venture capitalists as a decadent practice only possible among the wealthy. 『実話ナックルズ』(9月25日号)によると、東京の盛り場・六本木である忌まわしいレストランが、一度で二度おいしいあるお楽しみの機会を -- 動物によって -- 提供し、リッチで倒錯した顧客を惹きつけている。 六本木の「獣レストラン」は、主な顧客層である青年実業家たちやベンチャー投資家といった成金族から、金持ち専用のデカダンな趣味と受けとめられている。 “Apparently, the restaurant started off quietly in the basement of a building that a real estate agent in Roppongi who couldn’t find any other tenants,” an S M club worker identified only as M tells Jitsuwa Knuckles. “News about the restaurant spread through word of mouth and it became popular.” M says she visited the members-only restaurant about half a year ago after being invited there by one of her regulars, a well-heeled lawyer. 「そのレストランは最初、不動産屋がだれも他に借り手を見つけられなかったビルの地下でひっそり開店した。 ニュースは噂で広がり、いまや人気スポットになっているわ」と、 「M」とだけしか名のわからない六本木のあるSMクラブの従業員が実話ナックルズに話してくれた。 At first glance, the first floor restaurant appears fairly nondescript. When a customer goes in, they give their name to a receptionist. When they are approved, they pass through a wooden door to be greeted by another door, this one made of metal. Passing a membership card over a scanner outside the door will automatically open it. Inside is an eatery that resembles just about any other Italian restaurant. Membership in the restaurant is open only to those with an annual salary of at least 20 million yen, and a minimum cash flow of 100 million yen. 最初にそこに行ったのは半年前、彼女の常連客の売れっ子弁護士に招待されたのだという。 一見したところ、レストランの１階は別に変わったところはないように見えた。 客は入るとまず受付に名前を申告する。承認がすむと彼等は木のドアを通り別の扉に向かうが、これは金属製である。 メンバーズカードをスキャンさせるとこのドアが自動で開く。 中は他のイタリアンレストランと特に変わらないレストランである。 このレストランの会員資格は最低2000万円の年収と1億円の現金資産があるものにだけ与えられる。 “After we got into the main restaurant, an employee escorted us down to the basement,” M says. “The walls were pitch black and the floor covered in a blood red carpet, so I guess the place must be a refurbished S M club. ”Once the customer feels prepared, they will be presented with beast of their choice. In the lawyer’s case, it was a sow. “I’d been told what to expect, but when I actually saw what was happening, it was as shocking as you’d imagine it to be,” M tells Jitsuwa Knuckles. “Later, the lawyer told me the appeal of the place just came about because when people have got money and done everything else, they turn toward bestiality.” 「私たちがレストランに入った後、従業員は私たちを地下まで案内した」とMは言う。 「壁が真っ黒で絨毯は血のような赤だったので、ここは改装したSMクラブだろうと思った」 客は腰をおちつけると、まず好みの動物をオーダーするのである。 この弁護士の場合、それはメス豚だった。 「何が起きるか前もって聞いてはいたけど、実際に目にすると衝撃的だった」、Mが語る。 「後でその弁護士は、遊び尽くした金持ちはしまいに獣姦趣味に走る、だからここが流行ってると言ってた」 Once the lawyer had finished porking the pig, the couple returned to the first floor and sat at a table to dine. M says she was totally shocked when staff members carried in roast pork — made of the same sow the lawyer had earlier been with. “I was about to vomit,” M says. “It was the same pig that had been squealing just moments before. Now, it had been roasted whole. I managed to avoid eating it by only having salad.” Incidentally, prices range from 200,000 yen to 500,000 yen for a chicken, dogs cost somewhere between 300,000 yen and 800,000 yen, while pigs and goats start at around 800,000 yen. Charges are higher depending on whether the creature is female and how active it is. さてひとしきり事が済むと、カップルは1階に戻って、食事のためにテーブルについた。 Mはウエイターが運んできた豚のローストを見て肝をつぶした--それはまさに、さっきこの弁護士がお釜を掘った豚が丸焼きにされた姿だったのだ。 「もう少しで吐きそうだった。なんとかサラダだけ食べてごまかした」 ちなみに予算はトリが20万円から50万円、犬が30万円から80万くらいの幅があり、ブタとヤギはおよそ80万からである。 動物がメスであるかどうか、生きがいいかによって勘定はもっと高くなる。 “The owner says he is prepared to cook up any kind of animal at all,” M tells Jitsuwa Knuckles. “He even said he’d prepare elephants … but I think he might have been joking about that.” (By Ryann Connell) 「オーナーはどんな動物でも用意できるって言うの。」とMは『実話ナックルズ』に言う。 「ゾウでも用意するって言ってたけど、さすがにあれは冗談だと思う」(ライアン・コネル） タイトルについてのコメント タイトルはグリーナウェイの映画「コックと泥棒、その妻と愛人」(THE COOK, THE THIEF, HIS WIFE HER LOVER)からとられたもの。 「コックと獣、悪徳とその愛人」とでもすべきか。 元記事との違い 実話ナックルズのオリジナル記事は「都市伝説」とはっきり明記してあった。 しかし、毎日新聞waiwaiの記事では、都市伝説との記述は一切ない。 269 ：名無しさん＠九周年：2008/07/20(日) 17 00 47 ID rDtXpkkz0 毎日新聞変態記事について、一つ重要な確認がとれたので書いておく。 毎日は客が家畜を犯した後で食べるという"獣姦レストラン"の記事を2007年9月17日に 配信している。 http //www8.atwiki.jp/mainichi-matome/pages/140.html ところが、毎日が引用先として書いている「実話GON!ナックルズ2007年9月25日号」を 確認したところ、該当記事はP60-63の「エロバカ都市伝説」という特集内の記事だった。 特集の最初のページ(P60)には「世の中には、世間に埋もれて日の目を見ない都市伝説がある。 そんな都市伝説を一挙公開！あなたはいくつ知っていますか―？」とある。 引用先の雑誌ではっきり都市伝説として紹介されているにも関わらず、毎日は そのことを隠してさも事実であるかのように報じていたわけだ。 拡散状況 Barely 18 Movies http //www.barely18movies.com/blog/?p=738 Craracked.com 部分転載：http //www.cracked.com/blog/2008/09/11/9-restaurants-designed-to-ruin-your-appetite/ Daily Kos 部分転載：http //www.dailykos.com/story/2007/9/18/81133/1402 Daze Reader http //www.dazereader.com/24001110.htm Japan Stippy http //www.stippy.com/japan-waiwai-archives/the-cook-the-beast-the-vice-and-its-lover/ Japanese Style Noodles http //www.japanesestylenoodles.com/waiwai/archive20070917 The Black Ship http //www.theblackship.com/forum/japan-tabloid-news/2009-cook-beast-vice-its-lover.html WaiWai Archive http //www.mainichiwaiwai.com/waiwai/2007/09/20070917.php Blogger：その他 http //legendsrumors.blogspot.com/2007/09/japanese-bestiality-restaurant.html 部分転載：http //thermiteandanarchy.blogspot.com/2007/09/cook-beast-vice-and-its-lover.html http //tnk86tkhk.blogspot.com/2008/06/forgery-article-of-mainichi-daily-news.html 海外ブログ 部分転載：ｈｔｔｐ //www.bebo.com/BlogView.jsp?MemberId=2213588763 BlogId=4772978639 http //community.livejournal.com/japanophile/259667.html http //blog.myspace.com/index.cfm?fuseaction=blog.view friendID=30082438 blogID=313549009 http //blog.myspace.com/index.cfm?fuseaction=blog.view friendID=206338281 blogID=313540117 部分転載：ｈｔｔｐ //fullmetalcynic.wordpress.com/2007/09/18/place-gives-new-meaning-to-the-filthy-rich/ ｈｔｔｐ //logipundit.wordpress.com/2007/09/27/beastiality-restaurant-opens-in-tokyo/ 英語サイト 部分転載：http //chineseknees.com/post/12448625/the-cook-the-beast-the-vice-and-its-lover 部分転載：http //inezha.com/p/4263702/item23?hl=en 部分転載：http //inventorspot.com/articles/pork_your_pork_6934 http //www.606studios.com/bendisboard/showthread.php?t=127184 http //www.landoverbaptist.net/showthread.php?t=4605 文中の「実話ナックルズ」が消されている。 部分転載：http //porkyourpork.bestuncensored.com/pork-your-pork 部分転載：http //www.moonbuggy.org/archive/2007/09/20/the-cook-the-beast-the-vice-and-its-lover/ http //www.neowin.net/forum/index.php?showtopic=588430 http //www.peoplesrepublicofcork.com/forums/showthread.php?t=114509 http //pervscan.com/2007/09/27/beast-du-jour/ 部分転載：http //www.blog.rupromportal.info/uncategorized/mainichidailynews-the-cook-the-beast-the-vice-and-its-lover/ http //www.sankakucomplex.com/2008/06/21/hentai-rag-forced-to-back-down/ http //www.shanghaiexpat.com/MDForum-viewtopic-p-719908.phtml#719908 http //www.theforum.com/showthread.php?t=98238 関連ページ Barely 18 Movies Blogger：その他 Craracked.com Daily Kos Daze Reader Japan Stippy Japanese Style Noodles The Black Ship WaiWai Archive WaiWaiの記事を転載した英語サイト：C WaiWaiの記事を転載した英語サイト：I WaiWaiの記事を転載した英語サイト：J WaiWaiの記事を転載した英語サイト：L WaiWaiの記事を転載した英語サイト：M WaiWaiの記事を転載した英語サイト：N WaiWaiの記事を転載した英語サイト：P WaiWaiの記事を転載した英語サイト：R WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：T ビラのキャッチフレーズとコネル氏の記事との対応表(仮) ビラ作成のガイドライン 元記事一覧 問合せ先一覧 毎日新聞英語版から配信された記事2007年(7月 - 12月) 海外ブログに記事が及ぼした影響 良識のある見方の一例 記事元ネタとwaiwaiとの違い
https://w.atwiki.jp/in_extremo/pages/62.html
Lieb Vaterland, magst ruhig sein 「愛する祖国よ、安らかなれ」 詞／In Extremo 曲／In Extremo 言語／ドイツ語 歌詞 Im Frühjahr, wenn die Blumen blühen Ist es Zeit für mich zu ziehen Der Flaum am Kinn, zu jung an Jahren Die erste Liebe kaum erfahren Für Ruhm und Ehr , fürs Vaterland So ist mir auch vorm Tod nicht bang Die Pflicht, sie ruft, auf in die Schlacht Auf dass sie mich zum Manne macht Nun zieh ich in ein fremdes Land Hab das eigene kaum gekannt Die Heimat schwindet Stück für Stück Die Brüder kehrten nie zurück Kanonendonner, Feuerschein Werden meinen Liebsten sein Die Fahne flattert stolz im Wind Das Herz pocht schnell, ich folge blind Lieb Vaterland, magst ruhig sein Ein jeder stirbt für sich allein Ich bin klein, mein Herz ist rein Kann niemand darin wohnen, nur der Tod allein Lieb Vaterland, magst ruhig sein Ein jeder stirbt für sich allein Ich bin klein, mein Herz ist rein Kann niemand darin wohnen, nur der Tod allein Das Säbelrasseln ist nicht mehr weit Herrgott nochmal, jetzt wird es Zeit Mutters Tränen sind mir leid Der Waffenrock mein stolzes Kleid Wir stürmern vor, die Herzen brennen Und töten das, was wir nicht kennen Hab sorglos all den Tod verlacht Was hat die Welt aus mir gemacht? Aus Schützengraben stöhnt es matt Weh dem, der keine Freunde hat Die Stiefel hart, die Wangen blass Die Wunden rot, den Blick voll Hass Auf blutgetränkter Erde dann Bricht der Zweifel seinen Bann Am Ende steht mir zu der Lohn Es rollt mein Kopf vor deinen Thron Lieb Vaterland, magst ruhig sein Ein jeder stirbt für sich allein Ich bin klein, mein Herz ist rein Kann niemand darin wohnen, nur der Tod allein Lieb Vaterland, magst ruhig sein Ein jeder stirbt für sich allein Ich bin klein, mein Herz ist rein Kann niemand darin wohnen, nur der Tod allein 日本語訳 春になり、花々が咲きほころぶ 私が出征したのはそんな頃だった あごには産毛が残り、年はまだ若く 初恋というものも知らなかった 栄誉や名声、そして祖国のためなら 死すらも恐れはしなかった 義務、そいつはこう呼びかけた、戦いに向かえと 戦いは自分を男にしてくれると そして私は知らない国にやってきた 自分のことすらあまり分からぬまま 故郷の思い出は一つまた一つと消えていき 兄弟達は二度と帰って来なかった 大砲の轟音、火炎の光 そういったものをこよなく愛するようになった 旗は誇らしげに風にはためき 高揚する心とともに、私は盲従していった 愛する祖国よ、安らかなれ あらゆる人間は、たった一人で死んでゆく 私はまだ小さく、心はあまりにも純粋だ 死だけが孤独な世界に、耐えられる者などいるのだろうか 愛する祖国よ、安らかなれ あらゆる人間は、たった一人で死んでゆく 私はまだ小さく、心はあまりにも純粋だ 死だけが孤独な世界に、耐えられる者などいるのだろうか 武力による威嚇が間近に迫った 何ということだ！ついに時は来たのだ 母の涙を思い出すとつらかったが 自らの軍服姿に私は誇りを持っていた 敵に突撃し、心を燃やし 見知らぬ者はとにかく殺した あらゆる死をにべもなく嗤った そんな私から世界は何を得たのだろう 塹壕からはか細いうめき声が聞こえた 友無き者に災いあれと 長靴は硬く、頬は青白く 傷口は赤く、眼差しは憎悪に満ちていた 血の染み込んだ大地の上では 疑念は呪縛を解かれていた そして最後にその報いは私に降りかかった 私の首は、玉座の前に転がったのだ 愛する祖国よ、安らかなれ あらゆる人間は、たった一人で死んでゆく 私はまだ小さく、心はあまりにも純粋だ 死だけが孤独な世界に、耐えられる者などいるのだろうか 愛する祖国よ、安らかなれ あらゆる人間は、たった一人で死んでゆく 私はまだ小さく、心はあまりにも純粋だ 死だけが孤独な世界に、耐えられる者などいるのだろうか
https://w.atwiki.jp/vocaloidenglishlyric/pages/480.html
【Tags Meiko Shigotoshite-P tC tT Y】 Original Music title 黄泉桜 English music title The Cherry Tree of The Land of The Dead / The Cherry Tree of the Afterworld Romaji music title Yomizakura Music Lyrics written, Voice edition by hinayukki / 仕事してP(Shigotoshite-P) Music arranged by hinayukki / 仕事してP(Shigotoshite-P) Singer(s) Meiko Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： What appeared from the depth of the darkness is the hazy moon Please send your faint golden light to the earth I, who turn into light crimson, is a cherry tree from the land of the dead, I'll bloom all over to see off the wandering souls To let them get free from the feelings that bind themselves to the place in this world, And not to make them regret at parting I'll bloom beautiful blossoms as farewell gifts for them who go on to their next journey Not to make people cry over being left behind, curse the future and sink to the depths of sorrow I'll bloom beautiful blossoms and deliver the light crimson color to them tonight again By the time in the lunar February when I lost you who I've shared time in a long while with as our fate You depart at the dawn of the spring, my beloved To let you get free from the feelings that bind yourself to the place in this world, And not to make you regret at parting I'll bloom beautiful blossoms as farewell gifts for you who go on to your next journey I'm not even allowed to cry over being left behind and the only thing I can do is Blooming beautiful blossoms and I'll cry by making them fall as my tears Ah, flower petals falling flutteringly, let's see off the souls Till they get to the far-away land of the dead with the feelings of many people The hearts of the people who left behind, please do not be disconsolate Just blossom beautifully with the falling light crimson By the time in the lunar February when I lost you who I've shared time in a long while with as our fate I send the flower petals to you who I parted with, my beloved I, who turn into light crimson, is a cherry tree from the land of the dead I'll let the blossoms fall and wish them to be farewell gifts for you who set off on your next journey Romaji lyrics (transliterated by blacksaingrain)： fukaku yami yori ideshi wa oboro-zuki awaki kin iro no hikari chi eto todoke tamou usubeni ni somaru watashi wa yomi-zakura koyoi sakimidare samayou mitama okuri mashou chi ni shibari shibarareru sono kokoro wo toki wakare wo oshimu koto naki you utsukushiki hana sakase tsuginaru tabiji e mukau karera no hanamuke ni nokosareru koto nageki sono mirai wo noroi kanashimi no soko shizumanu you utsukushiki hana sakase usubeni iro wo koyoi mo karera ni todoke mashou nagaki enishi tsuieta kisaragi no koro haru akatsuki ni tabidatsu waga itoshi kimi yo chi ni shibari shibarareru sono kokoro wo toki wakare wo oshimu koto naki you utsukushiki hana sakase tsuginaru tabiji e mukau kimi eno hanamuke ni nokosareru koto nageku koto mo yurusarenai watashi ni hitotsu dekiru koto utsukushiki hana sakase usubeni iro wo namida ni kaete chirasete nakou hirari maichiru hanabira yo haruka yomotsukuni made amata no kokoro to tomoni karera no mitama wo okuri mashou nokosa reshi hito no omoi yo douka shizumu koto naku chiri yuku usubeni iro to tomoni utsukushiku sakihokore nagaki enishi ga tsuieta tooki kisaragi no koro haru akatsuki ni wakareta itoshi kimi e okuru hanabira wo usubeni iro ni somariyuku watashi wa yomi-zakura utsukushiki hana chirasete tabidatsu kimi eno hanamuke to nare [hinayukki, Shigotoshite-P, ShigotoshiteP]
https://w.atwiki.jp/englishlanguage/pages/38.html
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