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ACTE III （Le théâtre représente le Pré-aux-Clercs, qui s'étend jusqu'aux bords de la Seine. A gauche, sur le premier plan, un cabaret où sont assis des étudiants catholiques et des jeunes filles; à droite, un autre cabaret devant lequel des soldats huguenots boivent et jouent aux dés. Sur le second plan, à gauche, l'entrée d'une chapelle. Au milieu, un arbre immense qui ombrage la prairie. Au lever du rideau, des clercs de la Basoche et des grisettes sont assis sur des chaises et causent entre eux. D'autres se promènent. Ouvriers, marchands, musiciens ambulants, moines, bourgeois et bourgeoises. Il est six heures du soir, au mois d'août） ▼CHOEUR DES PROMENEURS▲ C'est le jour du dimanche, c'est le jour du repos; dans une gaieté franche oublions nos travaux! C'est le jour du dimanche… Tra la la la la la… ▼SOLDATS HUGUENOTS▲ Rataplan, rataplan plan plan ▼BOIS-ROSE, SOLDATS▲ Prenant son sabre de batailles, qui fait crouler forts et murailles… il a dit Soldats de la foi suivez-moi! suivez-moi! Je suis votre vieux capitaine, rataplan, à la victoire je vous mène, rataplan, ou je vous mène en paradis, mes amis! ▼SOLDATS▲ Rataplan, rataplan… Vive la guerre! Buvons, amis, à notre père, à Coligny! Vive la guerre Vive Coligny! Vive Coligny! （Nevers, Saint-Bris, Valentine, jeunes filles et dames catholiques marchent vers la chapelle） ▼JEUNES FILLES ET DAMES CATHOLIQUES▲ Vierge Marie, soyez bénie Votre voix prie. Ave! pour les pécheurs, Ave! Reine de grâce, pour vous s'efface jusqu'à la trace de nos douleurs. Ah! ▼MARCEL▲ Le seigneur de Saint-Bris? ▼D'HOMMES CATHOLIQUES▲ （faible） Tu ne peux lui parler. ▼MARCEL▲ Pourquoi donc? ▼HOMMES CATHOLIQUES▲ Incline ton front! ▼MARCEL▲ Et pourquoi le ferais-je? Dieu n'est pas là, je pense. （Marcel sort） ▼HOMMES CATHOLIQUES▲ Impie! ▼BOIS-ROSE▲ Il a raison! ▼BOIS-ROSE, SOLDATS▲ Rataplan, rataplan… ▼FEMMES CATHOLIQUES▲ Vierge Marie, soyez bénie! Votre voix prie pour le pécheur. ▼BOIS-ROSE, SOLDATS▲ Vive la guerre! Buvons, amis, à notre père, à Coligny! ▼D'HOMMES CATHOLIQUES▲ Profanes! Impies! dont les âmes sont endurcies! ▼CHOEUR▲ Oh! profanes, impies qu'on devrait brûler en plein air, en attendant les feux d'enfer. ▼SOLDATS▲ Rataplan, rataplan… （Des bohémiens arrivent） ▼DEUX BOHEMIENNES▲ Venez, venez, venez, vous qui voulez savoir d'avance si le destin vous sourira, payez, payez, et ma science à juste prix vous le dira. De la Bohème enfants joyeux, le ciel lui-même s'ouvre à nos yeux! Beautés coquettes, seigneurs galantsjeunes fillettes jeunes amants. Tra la la la… ▼ETUDIANTS, SOLDATS▲ Gentilles Bohémiennes, venez danser avec nous, oui gentilles Bohémiennes, venez danser avec nous. Ballet （Nevers, Saint-Bris et Maurevert sorts de la chapelle） ▼NEVERS▲ （à Saint-Bris） Pour remplir un voeu solennel, jusqu'à ce soir au pied du saint autel, Valentine demande à rester en prière! J'obéis! et suivi de mes nombreux amis, je reviendrai chercher l'épouse qui m'est chère pour la conduire en pompe à mon logis. ▼SAINT-BRIS▲ Ainsi par cet illustre et noble mariage des refus de Raoul je puis braver l'outrage, mais non pas l'oublier, et s'il s'offre à mes coups… ▼MARCEL▲ Au seigneur de Saint-Bris que cela soit remis, a dit mon maître; et moi qui… ▼SAINT-BRIS▲ Donne! Raoul! Raoul! Il revient donc enfin! ▼MARCEL▲ Avec la Reine! Tous les trois nous venons de quitter la Touraine nous entrons dans Paris. ▼SAINT-BRIS▲ Et j'en rends grâce au ciel! Il m'ose défier, il m'envoie un cartel. ▼MARCEL▲ Grand Dieu! Quel mot viens-je d'entendre? ▼SAINT-BRIS▲ Aujourd'hui même, au Pré-aux-Clercs, quand les ombres du soirrendent ces lieux déserts il viendra! ▼MAUREVERT▲ C'est ici tantôt qu'il doit se rendre. ▼SAINT-BRIS▲ Un Dieu vengeur l'amène! Il n'en sortira pas! Nous l'attendrons! （avec voix faible, à Mauvert） Cachons ce cartel à mon gendre, un jour d'hymen il ne doit pas courir la chance des combats. ▼MAUREVERT▲ Ni vous non plus! Pour frapper un impie, il est d'autres moyens que le ciel justifie! ▼SAINT-BRIS▲ Et lesquels? ▼MAUREVERT▲ Dieu le veut! Venez, et devant lui vous saurez les projets que l'on forme aujourd'hui. ▼UN ARCHER▲ Rentrez, habitants de Paris. Tenez-vous clos en vos logis; que tout bruit meure, quittez ce lieu car voici l'heure du couvre-feu. ▼CHOEUR▲ Rentrons, habitants de Paris, tenons-nous clos en nos logis; que tout bruit meure, quittons ce lieu car voici l'heure du couvre-feu. （Tout est désert） ▼MAUREVERT▲ （Sortant de la chapelle avec Saint-Bris） C'est convenu! Tu m'as compris? Dans une heure, en ces lieux. Comptez sur nos amis! （Ils quittent） ▼VELENTINE▲ （Sortant de la chapelle） Ô terreur! Je tressaille au seul bruit de mes pas! Mes sens égarés ne m'abusent-ils pas? Derrière ce pilier, cachée à tous les yeux, je viens d'entendre, hélas ce complot odieux! Ses jours sont menacés! Ah! je dois l'y soustraire! Non pas pour lui, mon Dieu, mais pour l'honneur d'un père. Mais comment prévenir Raoul? （Marcel retourne） ▼MARCEL▲ Je l'attendrai! Je serai du combat et s'il meurt, je mourrai! Dans la nuit où seul je veille, ah! quel bruit frappe mon oreille? La prudence me conseille; ah! guettons de loin sans bouger! ▼VELENTINE▲ Ah! grand Dieu, vois ma détresse! C'est l'endroit et l'heure presse! Mais comment, par quelle adresse du danger le prévenir? ▼MARCEL▲ Qui va là? ▼VELENTINE▲ O bonheur! c'est la voix du bon Marcel! Chut! Marcel! ▼MARCEL▲ A cette heure, à cette place, Quoi! mon nom? Qui va là? ▼VELENTINE▲ Viens ici! ▼MARCEL▲ Halte-là! Le mot d'ordre! ou qu'on meure! ▼VELENTINE▲ Raoul! ▼MARCEL▲ Raoul? Bien cela! Avancez! - Une Femme! Et voilée! ▼VELENTINE▲ As-tu peur? ▼MARCEL▲ Qui? Moi? moi, peur? moi? Non, non, non, tu le sais, je suis Marcel, le vieux glaive d'Israël, la terreur de vos Babel! ▼VELENTINE▲ Ecoute-moi! Raoul en ces lieux doit se rendre. ▼MARCEL▲ C'est vrai ▼VELENTINE▲ Pour un duel. ▼MARCEL▲ C'est vrai… contre un damné, pour venger son honneur. Dieu saura le défendre. ▼VELENTINE▲ Qu'il vienne au combat que bien accompagné. Ah! l'ingrat d'une offense mortelle a blessé mon coeur tendre et fidèle. Et pourtant son image cruelle vit encor dans mon coeur égaré. Je veux donc lui sauver cette vie, comme un jour il sauva son amie! ▼MARCEL▲ Je courrai l'avertir, le sauver le défendre! Insensé, j'oubliais qu'il n'est plus au logis! En partant dans ces lieux il m'a dit de l'attendre. Où le joindre à présent? Et comment lui donner cet avis? ▼VELENTINE▲ Puis, s'il faut l'oublier, je mourrai! ▼MARCEL▲ Si pendant mon absence, contre lui tout à coup, cette bande s'élance, par le fer meurtrier assailli, sans défense, appelant son Marcel, c'en est fait… il mourra! Ah! restons, oui restons! Mais, à moi seul que pourra tout mon zèle? Ah! Mourir sur son corps, en serviteur fidèle! ▼VELENTINE▲ Ah! s'il faut l'oublier, je mourrai! Oui, l'ingrat a blessé mon coeur tendre, et pourtant son image vit dans mon coeur! ▼MARCEL▲ Dieu puissant, vois mes pleurs, mon angoisse mortelle, prends pitié d'un vieillard qui t'adore, Dieu puissant, prends pitié! Vois mon angoisse! Pitié! pitié! ▼VELENTINE▲ Tu m'as comprise; adieu! ▼MARCEL▲ Non! quelle es-tu? J'attends. ▼VELENTINE▲ Je suis… ▼MARCEL▲ Qui? ▼VELENTINE▲ Je suis … une femme, ô Marcel, qui l'adore et qui mourra mais en sauvant ses jours! ▼MARCEL▲ Se peut-il? Vraiment? ▼VELENTINE▲ Ah! tu ne peux éprouver ni comprendre ces tourments que nul mot ne sait rendre, ces combats où la foi, l'amour tendre, le devoir, tour à tour sont vainqueurs! Pour sauver une tête si chère, je trahis et l'honneur et mon père! Mais j'implore un pardon, et j'espère en ce Dieu qui connaît tous les coeurs! ▼MARCEL▲ Ne te repens pas, noble fille, d'un dévouement où l'honneur brille, ne pleure pas; Marcel, ma fille, te bénit du fond du coeur. D'un vieillard l'humble prière est un baume salutaire; Dieu m'exaucera, j'espère, en te versant sa faveur! ▼VELENTINE▲ Tu ne peux éprouver ni comprendre ces tourments… ▼MARCEL▲ On me disait que la femme a l'oeil aussi faux que l'âme; mais sa candeur, cette flamme, vient tout droit du paradis! Ne pleure pas, pauvre fille, non, non, ne pleure pas! ▼VELENTINE▲ … mais j'espère en ce Dieu qui connaît tous les coeurs. （Valentine entre dans la chapelle） ▼MARCEL▲ Un danger le menace, et j'ignore lequel; alerte, vieilles jambes! Sauvons Benjamin de sa perte! （Il voit à Raoul et Saint –Bris） Ciel! c'est lui! et Judas! ▼SAINT-BRIS▲ （à Raoul） En même temps que nous se trouver au combat, c'est bien! ▼RAOUL▲ Quoi! doutiez-vous de mon exactitude? ▼MARCEL▲ Et comment de ce traître déjouer les desseins? ▼RAOUL SAINT- BRIS▲ C'est toi, mon bon Marcel? ▼MARCEL▲ Oui. （Tranquillement, à Raoul） Un ange est descendu, annonçant la tempête; mon maître, un piège est sous vos pas. ▼RAOUL▲ Perds-tu la tête, Marcel? （à Saint-Bris et l'accompagne） De ce loyal combat dont vous êtes témoins, réglez les lois, messieurs, je m'en fie à vos soins. En mon bon droit j'ai confiance! ▼TAVANNES, DE RETZ▲ J'ai confiance! ▼COSSE, MERU▲ J'ai confiance! ▼TOUS▲ En mon bon droit j'ai confiance! ▼RAOUL▲ Pour me venger de son offense… ▼TOUS▲ … que le fer seul juge entre nous! Je veux raison de son outrage, et bonne épée et bon courage. Chacun pour soi! Et Dieu pour tous! ▼RAOUL▲ En mon bon droit, j'ai confiance! ▼TAVANNES, DE RETZ, COSSE, MERU▲ J'ai confiance! ▼MARCEL▲ （Pour lui, pleurant） Ah! quel chagrin pour ma vieillesse! Pleure, Marcel! Dieu nous délaisse! Pauvre Raoul! ils l'ont trahi! Pitié, mon Dieu! sauvez mon fils! ▼TAVANNES, DE RETZ, COSSE, MERU▲ Quoi qu'il advienne ou qu'il arrive marchant l'un sur l'autre à la fois à nombre égal, trois contre trois, jusqu'à ce que la mort s'ensuive, oui, nous battrons. ▼RAOUL, TAVANNES, COSSE▲ C'est convenu. Saint-Bris, ▼DE RETZ, MERU▲ C'est entendu. ▼MARCEL▲ （Pleurant） Pauvre Raoul! ils l'ont trahi! Pitié, mon Dieu, sauvez mon fils! ▼TAVANNES, COSSE▲ （Témoins de Saint-Bris） Que nul autre que nous ne puisse au combat ici prendre part. ▼DE RETZ, MERU▲ （Témoins de Raoul） Nul autre que nous ne doit au combat ici prendre part, non, non. ▼RAOUL, TAVANNES, COSSE▲ C'est convenu. ▼SAINT-BRIS, DE RETZ, MERU▲ C'est entendu. ▼TAVANNES▲ A qui tombera sous… ▼TOUS▲ … ni merci, ni trêve! ▼RAOUL, TAVANNES, COSSE▲ C'est convenu. ▼SAINT-BRIS, DE RETZ, MERU▲ C'est entendu. ▼RAOUL▲ C'est convenu. ▼SAINT-BRIS▲ C'est entendu. ▼TOUS▲ En mon bon droit j'ai confiance pour me venger de son offense; que le fer seul juge entre nous. ▼MERU, SAINT-BRIS▲ Ah! je les vois trembler d'avance! ▼LES AUTRES▲ Méprisons pareille offense! ▼MERU, SAINT-BRIS▲ Plus de valeur, moins de prudence! ▼LES AUTRES▲ Félons, vite en défense! ▼TOUS▲ De ce combat j'attends la fin! ▼MERU, SAINT-BRIS▲ Ah! je les vois trembler d'avance! ▼LES AUTRES▲ Ah! méprisons pareille offense! ▼COSSE, MERU, SAINT-BRIS▲ Que sous nos coups il tombe enfin! ▼RAOUL, TAVANNES, De Retz▲ Allons, messieurs, la dague en main! ▼TOUS▲ Que sous nos coups… ▼MERU, SAINT-BRIS▲ Oui, n'écoutons que notre rage! ▼LES AUTRES▲ Et bonne épée et bon courage! Chacun pour soi, Qu'ils tombent sous nos coups. ▼DE RETZ, SAINT-BRIS▲ Du ciel ils bravent le courroux! Le ciel contre eux nous encourage! ▼TOUS▲ En garde, en garde! Qu'ils tombent, il faut qu'ils tombent sous nos coups! ▼MARCEL▲ Arrêtez! Entendez-vous ces pas? Dans l'ombre je ne puis distinguer leur force ni leur nombre! （Criant à l'extérieure） Vous qui marchez dans la nuit, ici que voulez-vous? ▼MAUREVERT▲ Que t'importe? （Il regarde à Raoul） Que vois-je, ô ciel? et quelle perfidie! Des huguenots dont la fureur impie ose à nombre inégal attaquer dans ces lieux un des nôtres! A moi, à moi, défenseurs du vrai Dieu! ▼MARCEL▲ C'est une trahison! Monstres! Dieu vous regarde! ▼SOLDATS HUGUENOTS▲ （Dans la taverne） Rataplan, rataplan plan, plan Vive la guerre! Buvons, amis, oui! ▼MARCEL▲ （Il frappe la porte de la taverne） Coligny! Défenseurs de la foi, tout Israël est en émoi! Victoire! Enfin tu rends, mon Dieu! la victoire à nos armes! ▼SAINT-BRIS▲ （Vers la taverne où se trouvent les étudiants） A moi! à moi! Braves étudiants accourez! Accourez! Trahison! Perfidie! venez! ▼UN ETUDIANT▲ （à gauche） Oui, tous! ▼SOLDATS HUGUENOTS▲ ▼ETUDIANTS CATHOLIQUES▲ Nous voilà, nous voilà, nous voilà, félons, arrière! ▼ETUDIANTS CATHOLIQUES▲ Tournez bride, tournez bride, cavaliers! ▼SOLDATS HUGUENOTS▲ A vos classes! à vos classes, écoliers! ▼ETUDIANTS CATHOLIQUES▲ Marmotteurs de prière, régiment de sorciers! ▼SOLDATS HUGUENOTS▲ Rengainez la rapière, soldats de bénitiers! ▼ETUDIANTS CATHOLIQUES▲ Bel honneur de calviniste! ▼SOLDATS HUGUENOTS▲ Loyauté de papiste! ▼ETUDIANTS CATHOLIQUES▲ Les païens au fagot! ▼SOLDATS HUGUENOTS▲ Au diable tout bigot! ▼TOUS▲ Tout bigot, tout bigot! Les païens au fagot! ▼FEMMES CATHOLIQUES▲ Souper à la caserne avec des mécréants! ▼FEMMES HUGUENOTES▲ Danser à la taverne avec des étudiants! ▼FEMMES CATHOLIQUES▲ Ah! Cachez-vous donc, éhontées! ▼FEMMES HUGUENOTES▲ Taisez-vous donc, effrontées! ▼FEMMES CATHOLIQUES▲ Bijoux de huguenot! ▼FEMMES HUGUENOTES▲ Mignonnes de cagot! ▼TOUTES▲ Taisez-vous, cachez-vous… Nos têtes sont montées! Gare à vous! Plus un mot! ▼SOLDATS▲ Rengainez la rapière, écoliers, à vos classes! Loyauté de papiste! Mort à qui nous résiste! Dieu le veut! Plus un mot, non! ▼FEMMES CATHOLIQUES▲ Bijoux de huguenots, gare à vous! Plus un mot! Ehontées, cachez-vous! Nos têtes sont montées! Taisez-vous donc! Ah! Plus un mot! ▼ETUDIANTS▲ Marmotteurs de prières, cavaliers, tournez bride! Honneur de calviniste! Mort à qui nous résiste! Plus un mot! ▼FEMMES HUGUENOTES▲ Mignonnes de cagot! gare à vous! Plus un mot! Taisez-vous, effrontées! Nos têtes sont montées! Cachez-vous donc! Ah! plus un mot! ▼TOUS▲ Mort à qui nous résiste! Ah! Dieu le veut! Plus un mot, car Dieu le veut! （La règne Marguerite arrive） ▼URBAIN▲ Arrêtez! Respectez la reine de Navarre! ▼MARGUERITE▲ Quoi! même dans Paris, sous les yeux de mon frère, des deux partis il faut redouter les excès! Et je ne puis le soir rentrer dans mon palais sans trouver sous mes pas la discorde et la guerre! ▼SAINT-BRIS▲ Qui faut-il accuser? Ceux dont la trahison nous force à demander justice. ▼RAOUL▲ （désignant Saint-Bris） La faute en est à lui, qui, sans droit, sans raison, du plus lâche attentat s'est rendu le complice. ▼MARGUERITE▲ O ciel! qui dois-je croire? et d'un pareil soupçon, quelles preuves? ▼MARCEL▲ （désignant Saint-Bris et Maurevert） Je peux vous les faire connaître; ce sont eux qui voulaient assassiner mon maître. ▼SAINT-BRIS▲ Mensonge! mensonge! ▼MARCEL▲ （Désignant a Valentine qui sort de la chapelle） Une femme en ces lieux tantôt m'a révélé ce complot odieux et cette femme, la voici! ▼SAINT-BRIS▲ Ma fille!… Ah! perfidie! ▼RAOUL▲ Et comment se peut-il? ▼MARGUERITE▲ Raoul, vous saurez tout! ▼VELENTINE▲ Madame, au nom du ciel! ▼RAOUL▲ Et cette perfidie dont je fus témoin, chez Nevers, sous mes yeux! ▼MARGUERITE▲ Elle y venait pour rompre un hymen odieux! ▼SAINT-BRIS▲ Et depuis ce matin, d'un autre elle est la femme! ▼CHOEUR▲ D'un autre? ▼SOLDATS▲ Ah! grand Dieu! ▼SAINT-BRIS▲ Mais écoutez! De l'époux triomphant le cortège s'empresse! Oui, j'entends éclater des accents d'allégresse! De l'époux triomphant le cortège s'empresse; appareil digne enfin des Saint-Bris, des Nevers! ▼NEVERS▲ （Nervers et son cortège arrivent） Noble dame, venez près d'un époux dont l'amour vous réclame. Votre voeu satisfait, que les miens vous soient chers! Venez pour célébrer cette heureuse journée; l'amitié vous attend au banquet d'hyménée, où vous suit un captif orgueilleux de ses fers! ▼MARGUERITE, URBAIN▲ ▼SAINT-BRIS, CHOEUR▲ Au banquet où le ciel leur apprête de longs jours, tous pareils à ce jour, leur palais, rayonnant pour la fête, du bonheur deviendra le séjour. Autour d'eux que la danse s'enchaîne! Que le chant au festin les entraîne! Allons, vive à jamais la plus belle! Dansez tous, en chantant leur amour! Vive, vive la plus belle! Vive! ▼CHOEUR▲ Non, plus de paix, non, non, plus de trêve, et que la lutte s'achève ici, il faudra décider par la glaive, oui, par la glaive de notre sort! Ah! oui, c'est trop de clémence, c'est trop, oui, c'est trop de patience, et e n'ai qu'une seule espérance Vengeance ou mort! ACTE III Le théâtre représente le Pré-aux-Clercs, qui s'étend jusqu'aux bords de la Seine. A gauche, sur le premier plan, un cabaret où sont assis des étudiants catholiques et des jeunes filles; à droite, un autre cabaret devant lequel des soldats huguenots boivent et jouent aux dés. Sur le second plan, à gauche, l'entrée d'une chapelle. Au milieu, un arbre immense qui ombrage la prairie. Au lever du rideau, des clercs de la Basoche et des grisettes sont assis sur des chaises et causent entre eux. D'autres se promènent. Ouvriers, marchands, musiciens ambulants, moines, bourgeois et bourgeoises. Il est six heures du soir, au mois d'août CHOEUR DES PROMENEURS C'est le jour du dimanche, c'est le jour du repos; dans une gaieté franche oublions nos travaux! C'est le jour du dimanche… Tra la la la la la… SOLDATS HUGUENOTS Rataplan, rataplan plan plan BOIS-ROSE, SOLDATS Prenant son sabre de batailles, qui fait crouler forts et murailles… il a dit Soldats de la foi suivez-moi! suivez-moi! Je suis votre vieux capitaine, rataplan, à la victoire je vous mène, rataplan, ou je vous mène en paradis, mes amis! SOLDATS Rataplan, rataplan… Vive la guerre! Buvons, amis, à notre père, à Coligny! Vive la guerre Vive Coligny! Vive Coligny! Nevers, Saint-Bris, Valentine, jeunes filles et dames catholiques marchent vers la chapelle JEUNES FILLES ET DAMES CATHOLIQUES Vierge Marie, soyez bénie Votre voix prie. Ave! pour les pécheurs, Ave! Reine de grâce, pour vous s'efface jusqu'à la trace de nos douleurs. Ah! MARCEL Le seigneur de Saint-Bris? D'HOMMES CATHOLIQUES faible Tu ne peux lui parler. MARCEL Pourquoi donc? HOMMES CATHOLIQUES Incline ton front! MARCEL Et pourquoi le ferais-je? Dieu n'est pas là, je pense. Marcel sort HOMMES CATHOLIQUES Impie! BOIS-ROSE Il a raison! BOIS-ROSE, SOLDATS Rataplan, rataplan… FEMMES CATHOLIQUES Vierge Marie, soyez bénie! Votre voix prie pour le pécheur. BOIS-ROSE, SOLDATS Vive la guerre! Buvons, amis, à notre père, à Coligny! D'HOMMES CATHOLIQUES Profanes! Impies! dont les âmes sont endurcies! CHOEUR Oh! profanes, impies qu'on devrait brûler en plein air, en attendant les feux d'enfer. SOLDATS Rataplan, rataplan… Des bohémiens arrivent DEUX BOHEMIENNES Venez, venez, venez, vous qui voulez savoir d'avance si le destin vous sourira, payez, payez, et ma science à juste prix vous le dira. De la Bohème enfants joyeux, le ciel lui-même s'ouvre à nos yeux! Beautés coquettes, seigneurs galantsjeunes fillettes jeunes amants. Tra la la la… ETUDIANTS, SOLDATS Gentilles Bohémiennes, venez danser avec nous, oui gentilles Bohémiennes, venez danser avec nous. Ballet Nevers, Saint-Bris et Maurevert sorts de la chapelle NEVERS à Saint-Bris Pour remplir un voeu solennel, jusqu'à ce soir au pied du saint autel, Valentine demande à rester en prière! J'obéis! et suivi de mes nombreux amis, je reviendrai chercher l'épouse qui m'est chère pour la conduire en pompe à mon logis. SAINT-BRIS Ainsi par cet illustre et noble mariage des refus de Raoul je puis braver l'outrage, mais non pas l'oublier, et s'il s'offre à mes coups… MARCEL Au seigneur de Saint-Bris que cela soit remis, a dit mon maître; et moi qui… SAINT-BRIS Donne! Raoul! Raoul! Il revient donc enfin! MARCEL Avec la Reine! Tous les trois nous venons de quitter la Touraine nous entrons dans Paris. SAINT-BRIS Et j'en rends grâce au ciel! Il m'ose défier, il m'envoie un cartel. MARCEL Grand Dieu! Quel mot viens-je d'entendre? SAINT-BRIS Aujourd'hui même, au Pré-aux-Clercs, quand les ombres du soirrendent ces lieux déserts il viendra! MAUREVERT C'est ici tantôt qu'il doit se rendre. SAINT-BRIS Un Dieu vengeur l'amène! Il n'en sortira pas! Nous l'attendrons! avec voix faible, à Mauvert Cachons ce cartel à mon gendre, un jour d'hymen il ne doit pas courir la chance des combats. MAUREVERT Ni vous non plus! Pour frapper un impie, il est d'autres moyens que le ciel justifie! SAINT-BRIS Et lesquels? MAUREVERT Dieu le veut! Venez, et devant lui vous saurez les projets que l'on forme aujourd'hui. UN ARCHER Rentrez, habitants de Paris. Tenez-vous clos en vos logis; que tout bruit meure, quittez ce lieu car voici l'heure du couvre-feu. CHOEUR Rentrons, habitants de Paris, tenons-nous clos en nos logis; que tout bruit meure, quittons ce lieu car voici l'heure du couvre-feu. Tout est désert MAUREVERT Sortant de la chapelle avec Saint-Bris C'est convenu! Tu m'as compris? Dans une heure, en ces lieux. Comptez sur nos amis! Ils quittent VELENTINE Sortant de la chapelle Ô terreur! Je tressaille au seul bruit de mes pas! Mes sens égarés ne m'abusent-ils pas? Derrière ce pilier, cachée à tous les yeux, je viens d'entendre, hélas ce complot odieux! Ses jours sont menacés! Ah! je dois l'y soustraire! Non pas pour lui, mon Dieu, mais pour l'honneur d'un père. Mais comment prévenir Raoul? Marcel retourne MARCEL Je l'attendrai! Je serai du combat et s'il meurt, je mourrai! Dans la nuit où seul je veille, ah! quel bruit frappe mon oreille? La prudence me conseille; ah! guettons de loin sans bouger! VELENTINE Ah! grand Dieu, vois ma détresse! C'est l'endroit et l'heure presse! Mais comment, par quelle adresse du danger le prévenir? MARCEL Qui va là? VELENTINE O bonheur! c'est la voix du bon Marcel! Chut! Marcel! MARCEL A cette heure, à cette place, Quoi! mon nom? Qui va là? VELENTINE Viens ici! MARCEL Halte-là! Le mot d'ordre! ou qu'on meure! VELENTINE Raoul! MARCEL Raoul? Bien cela! Avancez! - Une Femme! Et voilée! VELENTINE As-tu peur? MARCEL Qui? Moi? moi, peur? moi? Non, non, non, tu le sais, je suis Marcel, le vieux glaive d'Israël, la terreur de vos Babel! VELENTINE Ecoute-moi! Raoul en ces lieux doit se rendre. MARCEL C'est vrai VELENTINE Pour un duel. MARCEL C'est vrai… contre un damné, pour venger son honneur. Dieu saura le défendre. VELENTINE Qu'il vienne au combat que bien accompagné. Ah! l'ingrat d'une offense mortelle a blessé mon coeur tendre et fidèle. Et pourtant son image cruelle vit encor dans mon coeur égaré. Je veux donc lui sauver cette vie, comme un jour il sauva son amie! MARCEL Je courrai l'avertir, le sauver le défendre! Insensé, j'oubliais qu'il n'est plus au logis! En partant dans ces lieux il m'a dit de l'attendre. Où le joindre à présent? Et comment lui donner cet avis? VELENTINE Puis, s'il faut l'oublier, je mourrai! MARCEL Si pendant mon absence, contre lui tout à coup, cette bande s'élance, par le fer meurtrier assailli, sans défense, appelant son Marcel, c'en est fait… il mourra! Ah! restons, oui restons! Mais, à moi seul que pourra tout mon zèle? Ah! Mourir sur son corps, en serviteur fidèle! VELENTINE Ah! s'il faut l'oublier, je mourrai! Oui, l'ingrat a blessé mon coeur tendre, et pourtant son image vit dans mon coeur! MARCEL Dieu puissant, vois mes pleurs, mon angoisse mortelle, prends pitié d'un vieillard qui t'adore, Dieu puissant, prends pitié! Vois mon angoisse! Pitié! pitié! VELENTINE Tu m'as comprise; adieu! MARCEL Non! quelle es-tu? J'attends. VELENTINE Je suis… MARCEL Qui? VELENTINE Je suis … une femme, ô Marcel, qui l'adore et qui mourra mais en sauvant ses jours! MARCEL Se peut-il? Vraiment? VELENTINE Ah! tu ne peux éprouver ni comprendre ces tourments que nul mot ne sait rendre, ces combats où la foi, l'amour tendre, le devoir, tour à tour sont vainqueurs! Pour sauver une tête si chère, je trahis et l'honneur et mon père! Mais j'implore un pardon, et j'espère en ce Dieu qui connaît tous les coeurs! MARCEL Ne te repens pas, noble fille, d'un dévouement où l'honneur brille, ne pleure pas; Marcel, ma fille, te bénit du fond du coeur. D'un vieillard l'humble prière est un baume salutaire; Dieu m'exaucera, j'espère, en te versant sa faveur! VELENTINE Tu ne peux éprouver ni comprendre ces tourments… MARCEL On me disait que la femme a l'oeil aussi faux que l'âme; mais sa candeur, cette flamme, vient tout droit du paradis! Ne pleure pas, pauvre fille, non, non, ne pleure pas! VELENTINE … mais j'espère en ce Dieu qui connaît tous les coeurs. Valentine entre dans la chapelle MARCEL Un danger le menace, et j'ignore lequel; alerte, vieilles jambes! Sauvons Benjamin de sa perte! Il voit à Raoul et Saint –Bris Ciel! c'est lui! et Judas! SAINT-BRIS à Raoul En même temps que nous se trouver au combat, c'est bien! RAOUL Quoi! doutiez-vous de mon exactitude? MARCEL Et comment de ce traître déjouer les desseins? RAOUL SAINT- BRIS C'est toi, mon bon Marcel? MARCEL Oui. Tranquillement, à Raoul Un ange est descendu, annonçant la tempête; mon maître, un piège est sous vos pas. RAOUL Perds-tu la tête, Marcel? à Saint-Bris et l'accompagne De ce loyal combat dont vous êtes témoins, réglez les lois, messieurs, je m'en fie à vos soins. En mon bon droit j'ai confiance! TAVANNES, DE RETZ J'ai confiance! COSSE, MERU J'ai confiance! TOUS En mon bon droit j'ai confiance! RAOUL Pour me venger de son offense… TOUS … que le fer seul juge entre nous! Je veux raison de son outrage, et bonne épée et bon courage. Chacun pour soi! Et Dieu pour tous! RAOUL En mon bon droit, j'ai confiance! TAVANNES, DE RETZ, COSSE, MERU J'ai confiance! MARCEL Pour lui, pleurant Ah! quel chagrin pour ma vieillesse! Pleure, Marcel! Dieu nous délaisse! Pauvre Raoul! ils l'ont trahi! Pitié, mon Dieu! sauvez mon fils! TAVANNES, DE RETZ, COSSE, MERU Quoi qu'il advienne ou qu'il arrive marchant l'un sur l'autre à la fois à nombre égal, trois contre trois, jusqu'à ce que la mort s'ensuive, oui, nous battrons. RAOUL, TAVANNES, COSSE C'est convenu. Saint-Bris, DE RETZ, MERU C'est entendu. MARCEL Pleurant Pauvre Raoul! ils l'ont trahi! Pitié, mon Dieu, sauvez mon fils! TAVANNES, COSSE Témoins de Saint-Bris Que nul autre que nous ne puisse au combat ici prendre part. DE RETZ, MERU Témoins de Raoul Nul autre que nous ne doit au combat ici prendre part, non, non. RAOUL, TAVANNES, COSSE C'est convenu. SAINT-BRIS, DE RETZ, MERU C'est entendu. TAVANNES A qui tombera sous… TOUS … ni merci, ni trêve! RAOUL, TAVANNES, COSSE C'est convenu. SAINT-BRIS, DE RETZ, MERU C'est entendu. RAOUL C'est convenu. SAINT-BRIS C'est entendu. TOUS En mon bon droit j'ai confiance pour me venger de son offense; que le fer seul juge entre nous. MERU, SAINT-BRIS Ah! je les vois trembler d'avance! LES AUTRES Méprisons pareille offense! MERU, SAINT-BRIS Plus de valeur, moins de prudence! LES AUTRES Félons, vite en défense! TOUS De ce combat j'attends la fin! MERU, SAINT-BRIS Ah! je les vois trembler d'avance! LES AUTRES Ah! méprisons pareille offense! COSSE, MERU, SAINT-BRIS Que sous nos coups il tombe enfin! RAOUL, TAVANNES, De Retz Allons, messieurs, la dague en main! TOUS Que sous nos coups… MERU, SAINT-BRIS Oui, n'écoutons que notre rage! LES AUTRES Et bonne épée et bon courage! Chacun pour soi, Qu'ils tombent sous nos coups. DE RETZ, SAINT-BRIS Du ciel ils bravent le courroux! Le ciel contre eux nous encourage! TOUS En garde, en garde! Qu'ils tombent, il faut qu'ils tombent sous nos coups! MARCEL Arrêtez! Entendez-vous ces pas? Dans l'ombre je ne puis distinguer leur force ni leur nombre! Criant à l'extérieure Vous qui marchez dans la nuit, ici que voulez-vous? MAUREVERT Que t'importe? Il regarde à Raoul Que vois-je, ô ciel? et quelle perfidie! Des huguenots dont la fureur impie ose à nombre inégal attaquer dans ces lieux un des nôtres! A moi, à moi, défenseurs du vrai Dieu! MARCEL C'est une trahison! Monstres! Dieu vous regarde! SOLDATS HUGUENOTS Dans la taverne Rataplan, rataplan plan, plan Vive la guerre! Buvons, amis, oui! MARCEL Il frappe la porte de la taverne Coligny! Défenseurs de la foi, tout Israël est en émoi! Victoire! Enfin tu rends, mon Dieu! la victoire à nos armes! SAINT-BRIS Vers la taverne où se trouvent les étudiants A moi! à moi! Braves étudiants accourez! Accourez! Trahison! Perfidie! venez! UN ETUDIANT à gauche Oui, tous! SOLDATS HUGUENOTS ETUDIANTS CATHOLIQUES Nous voilà, nous voilà, nous voilà, félons, arrière! ETUDIANTS CATHOLIQUES Tournez bride, tournez bride, cavaliers! SOLDATS HUGUENOTS A vos classes! à vos classes, écoliers! ETUDIANTS CATHOLIQUES Marmotteurs de prière, régiment de sorciers! SOLDATS HUGUENOTS Rengainez la rapière, soldats de bénitiers! ETUDIANTS CATHOLIQUES Bel honneur de calviniste! SOLDATS HUGUENOTS Loyauté de papiste! ETUDIANTS CATHOLIQUES Les païens au fagot! SOLDATS HUGUENOTS Au diable tout bigot! TOUS Tout bigot, tout bigot! Les païens au fagot! FEMMES CATHOLIQUES Souper à la caserne avec des mécréants! FEMMES HUGUENOTES Danser à la taverne avec des étudiants! FEMMES CATHOLIQUES Ah! Cachez-vous donc, éhontées! FEMMES HUGUENOTES Taisez-vous donc, effrontées! FEMMES CATHOLIQUES Bijoux de huguenot! FEMMES HUGUENOTES Mignonnes de cagot! TOUTES Taisez-vous, cachez-vous… Nos têtes sont montées! Gare à vous! Plus un mot! SOLDATS Rengainez la rapière, écoliers, à vos classes! Loyauté de papiste! Mort à qui nous résiste! Dieu le veut! Plus un mot, non! FEMMES CATHOLIQUES Bijoux de huguenots, gare à vous! Plus un mot! Ehontées, cachez-vous! Nos têtes sont montées! Taisez-vous donc! Ah! Plus un mot! ETUDIANTS Marmotteurs de prières, cavaliers, tournez bride! Honneur de calviniste! Mort à qui nous résiste! Plus un mot! FEMMES HUGUENOTES Mignonnes de cagot! gare à vous! Plus un mot! Taisez-vous, effrontées! Nos têtes sont montées! Cachez-vous donc! Ah! plus un mot! TOUS Mort à qui nous résiste! Ah! Dieu le veut! Plus un mot, car Dieu le veut! La règne Marguerite arrive URBAIN Arrêtez! Respectez la reine de Navarre! MARGUERITE Quoi! même dans Paris, sous les yeux de mon frère, des deux partis il faut redouter les excès! Et je ne puis le soir rentrer dans mon palais sans trouver sous mes pas la discorde et la guerre! SAINT-BRIS Qui faut-il accuser? Ceux dont la trahison nous force à demander justice. RAOUL désignant Saint-Bris La faute en est à lui, qui, sans droit, sans raison, du plus lâche attentat s'est rendu le complice. MARGUERITE O ciel! qui dois-je croire? et d'un pareil soupçon, quelles preuves? MARCEL désignant Saint-Bris et Maurevert Je peux vous les faire connaître; ce sont eux qui voulaient assassiner mon maître. SAINT-BRIS Mensonge! mensonge! MARCEL Désignant a Valentine qui sort de la chapelle Une femme en ces lieux tantôt m'a révélé ce complot odieux et cette femme, la voici! SAINT-BRIS Ma fille!… Ah! perfidie! RAOUL Et comment se peut-il? MARGUERITE Raoul, vous saurez tout! VELENTINE Madame, au nom du ciel! RAOUL Et cette perfidie dont je fus témoin, chez Nevers, sous mes yeux! MARGUERITE Elle y venait pour rompre un hymen odieux! SAINT-BRIS Et depuis ce matin, d'un autre elle est la femme! CHOEUR D'un autre? SOLDATS Ah! grand Dieu! SAINT-BRIS Mais écoutez! De l'époux triomphant le cortège s'empresse! Oui, j'entends éclater des accents d'allégresse! De l'époux triomphant le cortège s'empresse; appareil digne enfin des Saint-Bris, des Nevers! NEVERS Nervers et son cortège arrivent Noble dame, venez près d'un époux dont l'amour vous réclame. Votre voeu satisfait, que les miens vous soient chers! Venez pour célébrer cette heureuse journée; l'amitié vous attend au banquet d'hyménée, où vous suit un captif orgueilleux de ses fers! MARGUERITE, URBAIN SAINT-BRIS, CHOEUR Au banquet où le ciel leur apprête de longs jours, tous pareils à ce jour, leur palais, rayonnant pour la fête, du bonheur deviendra le séjour. Autour d'eux que la danse s'enchaîne! Que le chant au festin les entraîne! Allons, vive à jamais la plus belle! Dansez tous, en chantant leur amour! Vive, vive la plus belle! Vive! CHOEUR Non, plus de paix, non, non, plus de trêve, et que la lutte s'achève ici, il faudra décider par la glaive, oui, par la glaive de notre sort! Ah! oui, c'est trop de clémence, c'est trop, oui, c'est trop de patience, et e n'ai qu'une seule espérance Vengeance ou mort! Meyerbeer,Giacomo/Les Huguenots/IV
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ShaneCrotty? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Biographies&Memoirs-General? Subjects-History? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-BiologicalSciences-Biology-General? The Mind's New Science A History of the Cognitive Revolution With a New Epilogue, Cognitive Science After 1984 Basic Books (Short Disc)? Howard Gardner? BasicBooks(ShortDisc)? HowardGardner? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? 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音楽について 俺は結構ブラックミュージック好き。1番最初に好きになったのはジミ・ヘンドリックス。俺が生まれる前に亡くなった人だが、最初に聴いた時、新鮮さを感じた。俺は高校に入ってからバンドを始めた。丁度その頃はボン・ジョヴィやガンズンローゼス（敢えてこう書くのは凄く恥ずかしいから以降はガンズと表す）がはやり始めた頃だった。で、俺が最初にやったのはボン・ジョヴィのリヴィング オン ア プレイヤー。今考えると何だかなあとも感じるのだが、最初はこう言う物なんだろう。で、半端だけれど妻が飲み物を入れてくれたので今日はここまで。気が向けば続きを書くかもしれないが、多分しないだろうなあ。 -- ギ (2005-07-13 01 16 34) 昨日途中で止めたから再び好きな音楽のジャンルについて。1番好きなのはジミヘン。昔初心者だった頃にやったのはボンジョヴィとか。ただある程度聴く様になると（洋楽のポップスやロック）好みもはっきりしてきて自分の方向性がはっきりしてくる。で、高2の頃にジミヘンの「スマッシュ ヒッツ」を買い、聴く様になったのだが、はまった。で、その理由を考えるとそのリズム感にあると思う。ギターの腕前も大した事がなかった俺だが、カッティングは好きだった。ドラムは目立てないし、当時実家は家を建てる前で団地に住んでいたので、家での練習は考えられなかったのでやる気は全くなかった。もっと色々と音楽を聴いていれば少しは違う道もあったろうが、やっていたのはピアノやトランペットと、バンドとはかなり遠いスタイルだったのでそれ程選択範囲を考える知識がなかったんだと思う。で、安直にギターを選んだのだが、初心者なので勿論下手糞もいい所。バイトもしていなかったのでCDを買う金も無く、知識は貧困だった。で、雑誌でよく目にするので知りたいと思って買ったのがジミヘンだったわけ。はまった。「パープル ヘイズ」・「ファイヤー」・「ストーン フリー」が特に好きだったと思う。ただ、ストーン フリーって初心者が歌いながらギターを弾くのは結構難しいんだよね。で、最初はやりやすいパープル ヘイズとファイヤーをやったわけ。延々とジミヘン話が続くのもなんなので、その後にはまった音楽について。エアロスミスはかなり好き。その次がファンカデリックとかの所謂一連のP ファンク（ジョージ クリントン、ブーツィ コリンズ、大分前に亡くなったけれどギタリストのエディ ヘイゼル）。 で、浪人中に聴き始めてはまったのがフランク ザッパ。ブラック ミュージック好きだけれど結構馬鹿っぽいのとかプログレっぽいのも（ジャズとは微妙に違うかも。マイルス デイビスとかウィントン マルサリスも好きだけれど。これは単に彼らがトランペットだからか。ベースのジャコ パストリアスも好きだけれど）。その部分でザッパはかなり気持ちを満たしてくれた。ただ、他のミュージシャンへの流れを作ったって部分ではPファンクなんだよなあ。それとかジェイムス ブラウン。黒人のミュージシャンって多分あからさまな位に自分の好きなミュージシャンを表明する部分が強いと思うから、CDのインナーとかを読んで他の同ジャンルのミュージシャンに興味がわくんだよね。ザッパにはまってもジョー サトリアーニが好きになるって事はなかったし（アルバム位は聴いた事があるけれど。ギタリストの常識って考えて）。で、Pファンクの前だけれどレッチリとか、アースやマーヴィン ゲイ、スライを聴く様になった。 -- ギ (2005-07-13 14 22 47) nullelectrocution.swine deposit elector quantification commanding operating derives subnets lectures hitherto.Algiers.[http //www.onlinebip.com/online-medical-ins-comparison/ health insurance pa ] http //www.onlinebip.com/online-medical-ins-comparison/ inconsistent gating [http //www.onlinebip.com/online-medical-policy/ individual health insurance quote ] http //www.onlinebip.com/online-medical-policy/ wearisome puss Oriental [http //www.onlinebip.com/medical-coverage-online/ health insurance companies in 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Finite Elemente - Tagung 1988 Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? VCH? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? VCH? ユーズドブック(洋書)-Engineering Subjects-Engineering? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering? Subjects-Science-Chemistry? Holzfachwerktraeger Statik-Bemessung-Brandschutz Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? C Scheer? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? CScheer? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Science-Chemistry? Anchorage In Concrete Construction Vch Verlagsgesellschaft Mbh? Rolf Eligehausen? Rainer Mallie? John F. Silva? VchVerlagsgesellschaftMbh? RolfEligehausen? RainerMallie? JohnF.Silva? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Leitungstunnelbau Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? Harold Jack Simons? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? HaroldJackSimons? ユーズドブック(洋書)-Engineering Subjects-Engineering? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering? Subjects-Science-Chemistry? Alternative Baustoffe Im Bauwesen Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? TH Woerner? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? THWoerner? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Microtunnelling Installation and Renewal of Nonman-Size Supply and Sewage Lines by the Trenchless Construction Method Vch Verlagsgesellschaft Mbh? Dietrich Stein? Klemens Mollers? Rolf Bielecki? VchVerlagsgesellschaftMbh? DietrichStein? KlemensMollers? RolfBielecki? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Structural? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Science-General Verankerung Und Vernagelungen Im Grundbau Wiley-VCH? L Wichter? Wiley-VCH? LWichter? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Baustofftechnische Einfluesse Auf Konstruktionen Zum 60. Geburtstag Von Hubert H. Hilsdorf Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? VCH? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? VCH? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Science-Chemistry? Geruste Wiley-VCH? D Boettcher? Wiley-VCH? DBoettcher? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Verbundbau Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? Gerhard Hanswille? Markus Schafer? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? GerhardHanswille? MarkusSchafer? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Verbundbau-Brandschutz-Handbuch Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? R Hass? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? RHass? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Recht Fuer Architekten Und Bauingenieure Wiley-VCH? B Buschmann? Wiley-VCH? BBuschmann? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Bridge Rehabilitation Proceedings of the 3rd International Workshop on Bridge Rehabilitation, Organized by the Technical University Darmstadt and th John Wiley & Sons Ltd (Import)? Gert Konig? Andrzej S. Nowak? JohnWiley&SonsLtd(Import)? GertKonig? AndrzejS.Nowak? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-General? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Architecture-General? ByPublisher-JohnWiley&Sons-JohnWileyArchitectureStore-BuildingDesign&Technology-Construction? Structural Bearings Vch Verlagsgesellschaft Mbh? Helmut Eggert? Wolfgang Kauschke? VchVerlagsgesellschaftMbh? HelmutEggert? WolfgangKauschke? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Science-General Spannbetonbauwerke Wiley-VCH? W Rossner? Wiley-VCH? WRossner? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Science-Chemistry? Non-Linear Calculations of Composite Sections Semi-Continuous Joints John Wiley & Sons Inc? Gerald Huber? JohnWiley&SonsInc? GeraldHuber? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Civil-Structural? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Baugruben - Konstruktion Und Bauausfuhrung 2a Wiley-VCH? A Weibenbach? Wiley-VCH? AWeibenbach? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-Chemistry? Erhalten Historisch Bedeutsamer Bauwerke Jarbuch 1996 Vch Verlagsgesellschaft Mbh? F. Wenzel? VchVerlagsgesellschaftMbh? F.Wenzel? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-General Erhalten Historisch Bedeutsamer Bauwerke Jahrbuch 1997/1998 Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? F. Wenzel? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? F.Wenzel? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Reference-Almanacs&Yearbooks? Der Begehbare Leitungsgung Vch Verlagsgesellschaft Mbh? Dietrich Stein? VchVerlagsgesellschaftMbh? DietrichStein? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Entwerfen Und Darstellen Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? Roland Knauer? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? RolandKnauer? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-Reference? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-Reference? Rahmenformeln, 17. Auflage Wiley-VCH? A. Kleinlogel? Wiley-VCH? A.Kleinlogel? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Geotechnics of Landfill Design Vch Pub? Soil? VchPub? Soil? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Bemessung Im Betonbau Vch Verlagsgesellschaft Mbh? M Curbach? VchVerlagsgesellschaftMbh? MCurbach? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Reference? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Reference-Engineering? Empfehlungen DES Arbeitskreises 'Baugruben' Eab 1994 Wiley-VCH? VCH? Wiley-VCH? VCH? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-Chemistry? Holzbau-taschenbuch Wiley-VCH? C. Scheer? Mandy Peter? Stefan Stohr? Wiley-VCH? C.Scheer? MandyPeter? StefanStohr? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Bauen Mit Beton Vch Verlagsgesellschaft Mbh? Walther? VchVerlagsgesellschaftMbh? Walther? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Empfehlungen Des Arbeitsausschusses Ufereinfassungen Hafen Und Wasserstrassen 1996 9 Auflage Vch Verlagsgesellschaft Mbh? VCH? VchVerlagsgesellschaftMbh? VCH? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-General Stahlbeton Im Hochbau Nach EC 2 Einfuehrung Und Anwendungsbeispiele Wiley-VCH? G Heydel? Wiley-VCH? GHeydel? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-Chemistry? Empfehlungen DES Arbeitskreises Tunnelbau - Etb Wiley-VCH? VCH? Wiley-VCH? VCH? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Mechanised Shield Tunnelling Vch Verlagsgesellschaft Mbh? Bernhard Maidl? Martin Herrenknecht? Lothar Anheuser? VchVerlagsgesellschaftMbh? BernhardMaidl? MartinHerrenknecht? LotharAnheuser? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Science-General ユーズドブック(洋書)-Engineering 洋書
https://w.atwiki.jp/nkym_memo/pages/30.html
;;auto-install.elのインストール手順 ;; $mkdir -p ~/.emacs.d/auto-install ;; cd ~/.emacs.d/auto-install ;; wget http //www.emacswiki.org/emacs/download/auto-install.el ;; emacs --batch -Q -f batch-byte-compile auto-install.el ;;;Emacs Lispインストーラを利用 (add-to-list 'load-path "~/.emacs.d/auto-install") ;;(install-elisp-from-emacswiki "auto-install.el") (require 'auto-install) ;;起動時にEmacswikiのページを補完候補に加える (auto-install-update-emacswiki-package-name t) ;;install-elisp.el互換モード (auto-install-compatibility-setup) ;;ediff関連のバッファを一つのフレームにまとめる (setq ediff-window-setup-function 'ediff-setup-windows-plain) ;;; スタートアップを非表示 (setq inhibit-startup-screen -1) ;;; ビープ音を消す (setq ring-bell-function 'ignore) ;;; ツールバーを非表示 (tool-bar-mode -1) ;;; メニューバーを非表示 (menu-bar-mode -1) ;;; 現在行に色をつける (global-hl-line-mode 1) ;; その行の色 (set-face-background 'hl-line "DarkSeaGreen1") ;;; 履歴を次回Emacs起動時にも保存する (savehist-mode 1) ;;; 対応する括弧を光らせる (show-paren-mode 1) ;;; カーソルの位置が何文字目かを表示する (column-number-mode t) ;;; バックアップファイルを作らない (setq backup-inhibited t) ;;; Xでのクリップボードを共有 (setq x-select-enable-clipboard t) ;;; yes-or-noをy-or-nに省略 (defalias 'yes-or-no-p 'y-or-n-p) ;; 行の先頭でC-kを一回押すだけで行全体を消去する (setq kill-whole-line t) ;;; emacsclient ;; ファイルを現在のemacsで開く (server-start) ;; キーバインドの変更 ;; 指定の行に移る (global-set-key "\M-g" 'goto-line) ;; undo (global-set-key "\C-z" 'undo) ;; ウィンドウの移動をM-tに (global-set-key "\M-t" 'other-window) ;; C-hをBackSpaceに (global-set-key "\C-h" 'delete-backward-char) ;; M-x compile を C-. に (global-set-key [?\C-\.] 'compile) ;;; 初期フレームの設定 (setq initial-frame-alist (append '( (width . 47) ; フレーム幅(文字数) (height . 63)) ; フレーム高(文字数) initial-frame-alist)) ;;; 新規フレームのデフォルト設定 (setq default-frame-alist (append '((width . 47); フレーム幅(文字数) (height . 63)); フレーム高(文字数) default-frame-alist)) ;;; ファイル更新日を自動的に書き換える。 ;; ファイルの頭に "last updated "をつけくわえればよい (require 'time-stamp) ;; 日本語で日付を入れたくないのでlocaleをCにする (defun time-stamp-with-locale-c () (let ((system-time-locale "C")) (time-stamp) nil)) (if (not (memq 'time-stamp-with-locale-c write-file-hooks)) (add-hook 'write-file-hooks 'time-stamp-with-locale-c)) (setq time-stamp-active t) (setq time-stamp-start "Last Updated ") (setq time-stamp-format "%04y/%02m/%02d %3a %02H %02M %02S") (setq time-stamp-end " ") ;;;Last Updated の後に空白2つ以上いれると置換 ;;; タイトルバーにファイル名を表示する (setq frame-title-format (format "emacs@%s %%f" (system-name))) ;;; ファイルの自動挿入 (auto-insert-mode) ;; 自動挿入するファイルのあるディレクトリ ;; 最後の/は必須 (setq auto-insert-directory "~/.emacs.d/insert/") ;; 自動挿入するファイル (define-auto-insert "\\.c" "c-template.c") ;;; viewer.el view-modeの設定 ;; M-x install-elisp-from-emacswiki viewer.el ;; ;; C-x C-rでview-modeでファイルを開く (setq view-read-only t) ;; 書き込み不能な場合はview-modeを抜けないように (require 'viewer) (viewer-stay-in-setup) ;; .log .out .datファイルをview-modeで開く (setq view-mode-by-default-regexp "\\.log") (setq view-mode-by-default-regexp "\\.out") (setq view-mode-by-default-regexp "\\.dat") ;;; view-mode時にモードラインに色をつける ;; 色名を指定 (setq viewer-modeline-color-unwritable "tomato") (setq viewer-modeline-color-view "orange") (viewer-change-modeline-color-setup) ;; view-mode時のキーバインド (define-key view-mode-map "h" 'backward-char) (define-key view-mode-map "j" 'next-line) (define-key view-mode-map "k" 'previous-line) (define-key view-mode-map "l" 'forward-char) (define-key view-mode-map "J" 'View-scroll-line-forward) (define-key view-mode-map "K" 'View-scroll-line-backward) (define-key view-mode-map "b" 'scroll-down) (define-key view-mode-map " " 'scroll-up) ;; bm.el (define-key view-mode-map "m" 'bm-toggle) (define-key view-mode-map "[" 'bm-previous) (define-key view-mode-map "]" 'bm-next) ;; view-modeを有効・無効にする ;; 0.04秒以内に jk を同時押しでview-modeに移行 (require 'key-chord) (setq key-chord-two-keys-delay 0.04) (key-chord-mode 1) (key-chord-define-global "jk" 'view-mode) ;;; redo+.el (require 'redo+) (global-set-key "\M-z" 'redo) (setq undo-no-redo t); 過去のundoがredoされないようにする ;; 大量のundoに耐えられるようにする (setq undo-limit 600000) (setq undo-strong-limit 900000) ;;;fullscreen.el (require 'fullscreen) ;;; recentf-ext.el ;; install-elisp-from-emacswiki recentf-ext.el ;; 保存しておく数 (setq recentf-max-saved-items 3000) ;; 最近使ったファイルに加えないファイルを正規表現で指定する (setq recentf-exclude '("/TAGS$" "/var/tmp/")) (require 'recentf-ext) ;; f8をショートカットキーに (global-set-key [f8] 'recentf-open-files) ;;; auto-complete.el ;; install-elisp-from-emacswiki auto-complete.el ;(require 'auto-complete) ;(global-auto-complete-mode 1) ;;;col-highlight.el ;; auto-install-batch col-highlight.el ;(require 'col-highlight) ;(column-highlight-mode 1) ;;何もしないでいるとハイライトを始めるようにする場合 ;(toggle-highlight-column-when-idle 1) ;(col-highlight-set-interval 3) ;;; hippie-expand ;;; 略語展開の順を設定 (setq hippie-expand-try-functions-list '(try-expand-dabbrev try-expand-dabbrev-all-buffers try-expand-dabbrev-from-kill try-complete-file-name-partially try-complete-file-name try-expand-all-abbrevs try-expand-list try-expand-line try-complete-lisp-symbol-partially try-complete-lisp-symbol)) ;; キーバインドの変更 C-; (global-set-key [?\C-;] 'hippie-expand) ;;; ipa.el (require 'ipa) ;;; 背景色 (set-face-background 'highlight "lavender") ;;; sequential-command.el ;;; M-x auto-install-batch sequential-command (require 'sequential-command-config) (sequential-command-setup-keys) ;;; smartchr.el ;; M-x install-elisp ;; https //github.com/imakado/emacs-smartchr/raw/master/smartchr.el (require 'smartchr) ;; once "", twice " (global-set-key (kbd "\"") (smartchr '("\"`!!'\"" "\""))) ;; once '', twice ' (global-set-key (kbd "\'") (smartchr '("\'`!!'\'" "\'"))) ;;; auto-save-buffers.el ;; M-x install-elisp ;; http //homepage3.nifty.com/oatu/emacs/archives/auto-save-buffers.el (require 'auto-save-buffers) ;; アイドル２秒で保存 (run-with-idle-timer 0.2 t 'auto-save-buffers) (run-with-idle-timer 0.2 t 'auto-save-buffers "" ".ipa$") ;;; open-junk-file.el ;; M-x install-elisp-from-emacswiki open-junk-file.el ;; Usage M-x open-junk-file (require 'open-junk-file) (setq open-junk-file-format "~/junk/%Y-%m-%d-%H%M%S.") ;;; bm.el ;; M-x install-elisp ;; http //cvs.savannah.gnu.org/viewvc/*checkout*/bm/bm/bm.el (setq-default bm-buffer-persistence nil) (setq bm-restore-repository-on-load t) (require 'bm) (add-hook 'find-file-hooks 'bm-buffer-restore) (add-hook 'kill-buffer-hook 'bm-buffer-save) (add-hook 'after-save-hook 'bm-buffer-save) (add-hook 'after-revert-hook 'bm-buffer-restore) (add-hook 'vc-before-checkin-hook 'bm-buffer-save) (global-set-key (kbd "M-\\") 'bm-toggle) (global-set-key (kbd "M-[") 'bm-previous) (global-set-key (kbd "M-]") 'bm-next)
https://w.atwiki.jp/csdejp/pages/26.html
?xml version="1.0" encoding="windows-1251" ? string_table string id="hello_mil_freedom_11" text Du hast es durch den Roten Wald geschafft. Du musst jede Menge Gl・k gehabt haben. Aber die Lage hier ist noch um einiges schwieriger, Sdner. Die Barriere ist gefallen. Das Milit舐 kann sie nicht mehr halten. /text /string string id="hello_mil_freedom_111" text Was ist mit den Leuten vom Milit舐 passiert? /text /string string id="hello_mil_freedom_2" text Sie sind tot... die meisten jedenfalls. Die ﾜberlebenden der zahlreichen Angriffe durch Zombies und Mutanten sitzen jetzt wie Ratten in einem Loch in ihrer Basis beim Helikopterlandeplatz fest. Auﾟerdem haben wir w臧rend der groﾟen Emission zahlreiche K舂pfer verloren. /text /string string id="hello_mil_freedom_22" text Was meinst du mit "verloren"? Was ist passiert? /text /string string id="hello_mil_freedom_222" text Das weiﾟ keiner so genau, Sdner, aber die Leute sind einfach verschwunden. Einzelne Stalker und sogar ganze Trupps. Manchmal empfangen wir irgendwelche Funkfetzen, in denen jemand um Hilfe bittet. Eine Sdnereinheit hat die ganze letzte Woche in der N臧e des Bauernhofes nach Kameraden gesucht. /text /string string id="hello_mil_freedom_3" text Ich werde dort hingehen und nach dem Rechten sehen. /text /string string id="hello_mil_freedom_333" text Lass es mich wissen, falls du etwas Wichtiges herausfindest. /text /string string id="hello_mil_freedom_44" text Das werde ich. /text /string string id="hello_mil_freedom_55" text Was jetzt? /text /string string id="hello_mil_freedom_555" text Weiﾟ nicht, bis dann. /text /string string id="hello_mil_freedom_66" text Du hast es durch den Roten Wald geschafft. Du musst jede Menge Gl・k gehabt haben. Aber die Lage hier ist noch um einiges Schwieriger, Sdner. /text /string string id="hello_mil_freedom_666" text Was geht hier vor sich? Ich brauche mehr Informationen. /text /string string id="hello_mil_freedom_6666" text Rede erst mit dem Fster, er wird dich auf den neuesten Stand bringen. /text /string string id="hello_mil_freedom_77" text Was jetzt? /text /string string id="hello_mil_freedom_777" text Weiﾟ nicht, bis dann. /text /string string id="hello_mil_killer_11" text Was hast du hier zu suchen, Sdner? /text /string string id="hello_mil_killer_111" text Ich hab dich gesucht. Die Freiheitler beim Auﾟenposten haben mir gesagt, dass nicht weit von hier einige M舅ner verschollen sind. Was ist passiert? /text /string string id="hello_mil_killer_1111" text Vor ein paar Wochen haben wir einen wichtigen Auftrag erhalten - wir sollten ein einzigartiges Artefakt beschaffen. Der Auftrag kam von ganz oben - der Kunde ist irgendein groﾟes Tier. Jedenfalls lief zuerst alles nach Plan Unsere Einheit fand das Artefakt irgendwo in der N臧e der Barriere und war bereits auf dem R・kweg, als sie von der groﾟen Emission ・errascht wurde. Wir hatten schon geglaubt, dass es sie komplett erwischt h舩te, aber die M舅ner hatten Gl・k und ・erlebten. Dummerweise sind sie jetzt irgendwo dort drauﾟen verschollen. Wir haben den Befehl erhalten, sie zu finden, um das Artefakt liefern zu knen. Wenn wir scheitern, dann war das der letzte Auftrag f・ die Sdner. /text /string string id="hello_mil_killer_11111" text Sind sie vielleicht tot? Es ist fast unmlich, eine Emission zu ・erleben. /text /string string id="hello_mil_killer_111111" text Wir empfangen hin und wieder Funkfetzen der Einheit, aber wir werden nicht schlau daraus. Das Einzige, was wir sicher wissen, ist, dass sie bei Tageslicht verschwunden sind und sich jetzt in einer Art Falle befinden. Es knte eine Anomalie sein oder irgendeine neue Form des Ben, das sich in der Zone breitgemacht hat. Wir wissen nicht weiter. Bei dem Bauernhof steht ein alter Wasserturm - von dort knen wir die Funksignale bestimmt besser empfangen. Wir haben schon versucht, dort hinaufzuklettern, aber dann wurden wir auf einmal von ein paar richtig ・len Viechern angegriffen, die einen von uns gepackt und fortgerissen haben. Der Rest von uns konnte gerade noch entkommen! /text /string string id="hello_mil_killer_1111111" text Einen netten Auftrag hast du da f・ mich. Aber was soll s. Ein Mann muss tun, was ein Mann tun muss. Ich muss mir genauso den Kopf dar・er zerbrechen, wie die Gruppe gerettet werden kann, wie du. /text /string string id="hello_mil_killer_11111112" text Ich hab mich um das Biest gek・mert. Jetzt muss ich nur noch zum Wasserturm und den Funkspruch empfangen. /text /string string id="hello_mil_killer_11111113" text Keine Sorge. Ich war schon beim Wasserturm und konnte den Funkspruch mit den Koordinaten empfangen. /text /string string id="hello_mil_killer_22" text Gut, dich zu sehen. Hast du einen Weg gefunden, wie unsere Jungs gerettet werden knen? /text /string string id="hello_mil_killer_222" text Noch nicht. /text /string string id="hello_mil_killer_44" text Was gibt s Neues, Sdner? /text /string string id="hello_mil_killer_444" text Nichts. /text /string string id="hello_mil_killer_55" text Ist eine Weile her, seit du das letzte Mal hier warst. Unsere Jungs stecken schon zu lange in dieser Anomalie fest. Hast du herausbekommen, wie wir sie befreien knen? /text /string string id="hello_mil_killer_555" text Allerdings. Der Fster hat mir die Koordinaten des Ausgangs gegeben, durch den die Sdner aus der Raumblase entkommen knen. Ich brauche nur einen leistungsf臧igen Sender, um mit der Gruppe Kontakt aufzunehmen und ihr die Koordinaten zu senden. /text /string string id="hello_mil_killer_5555" text In der Milit舐basis sollte es einen Sender geben. Die Soldaten wurden von der Emission ziemlich hart getroffen, und nur ein Dutzend von ihnen hat ・erhaupt ・erlebt. Sie senden alle SOS-Signale aus, weil sie glauben, dass es einen Rettungseinsatz geben wird. Aber ich glaube nicht, dass irgendjemand kommen wird - sie werden dem Tod ・erlassen, wie immer. /text /string string id="hello_mil_killer_55555" text Ein Dutzend Soldaten sind noch immer ziemlich gef臧rlich, selbst nach der Emission. W・dest du mir helfen? Ich meine, wir haben doch das gleiche Ziel, nicht wahr? /text /string string id="hello_mil_killer_555555" text Wir knen uns im Moment nicht mit dem Milit舐 anlegen. Tut mir leid, Sdner, diesmal nicht. Aber ich weiﾟ, dass die Freiheitler ein Auge auf die Basis geworfen haben. Sie knten damit die Kontrolle ・er die Barriere sichern. Sie knen dir helfen, besonders seit ihr Kommandant mir noch etwas schuldet. Ich werde das regeln. /text /string string id="hello_mil_killer_5555555" text Danke f・ den Tipp. /text /string string id="hello_mil_killer_55555555" text Viel Gl・k, Sdner! /text /string string id="hello_mil_killer_5555556" text Ich k・mere mich selbst darum. Ich bin kein Freund der Freiheitler. /text /string string id="hello_mil_killer_66" text Kommst du voran? /text /string string id="hello_mil_killer_666" text Bisher nicht. /text /string string id="hello_mil_killer_667" text Wir haben deine K舂pfer aus der Blase befreit. Sie ziehen nach Limansk, und wenn alles klappt, werden sie in wenigen Stunden hier sein. /text /string string id="hello_mil_killer_6676" text Das sind tolle Neuigkeiten! Vielen Dank, Mann. Das werde ich dir nie vergessen! /text /string string id="hello_mil_killer_77" text Eines Tages werde ich es dir zur・kzahlen knen. Bis dann. /text /string string id="mil_killer_about_around_0" text Was f・ Neuigkeiten bekommst du so mit? /text /string string id="mil_killer_about_around_1" text Nun, wir sind jetzt eine Weile hier, also haben wir bereits einen ﾜberblick. Vor Kurzem sind die Monolither wie aus dem Nichts aufgetaucht. Es ist schon etwas l舅ger her, da hab ich ein paar Monolither gejagt. Die Jungs sind echt seltsam, dass kann ich dir sagen. Sie reden st舅dig ・er den Monolithen, irgendein genetisches Modul, weiﾟ der Teufel. Und dann waren sie auf einmal weg, pilgerten hinter das Radar. Wir dachten uns, das war s - ruht in Frieden, ihr Schwachkfe. Aber siehe da - unsere Pilger sind zur・kgekehrt, noch verr・kter als zuvor. Ich frag mich, was sie dort im Zentrum der Zone wohl vorgefunden haben. Sind sie tats臘hlich auf diesen Monolithen gestoﾟen? Oder haben sie rein gar nichts gefunden, und der Frust dar・er hat sie vlig durchdrehen lassen. Hey, bei diesen Psychopathen kann man nie sicher sein. /text /string string id="mil_killer_about_last_time_0" text Gibt es noch andere interessante Vorf舁le? /text /string string id="mil_killer_about_last_time_1" text Vorf舁le gibt es immer in der Zone, und sie sind immer interessant. Ich habe dir bereits von den Monolithern erz臧lt - alle reden ・er sie... Hast du von der neuen Groﾟexpedition in die Zone geht? Eigentlich soll es sich um Umweltforscher der UN handeln, aber das ist die offizielle Variante. Nat・lich sind auch ein paar Wissenschaftler mit Brille dabei, aber ein Blick auf den Rest verr舩 schnell, dass es sich um erfahrene K舂pfer handelt. Keine Ahnung, was die hier wollen. Oh, und noch etwas Sie setzen keine Ortskundigen ein. Entweder werden sie per Satellit gef・rt oder ihre Mission ist so geheim, dass niemand sonst teilnehmen durfte. Sie scheinen sich dem Radar zu n臧ern. Ich hab keine Ahnung, wie die Sache enden wird, aber ich hab das Gef・l, dass es kein sches Ende gibt. /text /string string id="mil_killer_about_what_is_you_doing_0" text Wie verdienst du hier deinen Lebensunterhalt? /text /string string id="mil_killer_about_what_is_you_doing_1" text Verdammt, wir versuchen noch immer, unsere Jungs zu finden Was die Stalker machen, interessiert uns nicht - wir konzentrieren uns auf spezielle Auftr臠e. Man knte sagen, wir sind unabh舅gige Auftragnehmer. So weit war ich noch nie zuvor in der Zone. Ich hab immer gedacht, dass ich ganz gut informiert w舐e und mich nichts unterkriegen knte, aber ich habe die Zone untersch舩zt. Wir haben schon so viel durchgemacht, dass unsere Jungs auf dem Zahnfleisch zur・k zum Kordon kriechen werden. Auﾟerdem haben wir k・zlich geht, dass es einige besonders ・le Mutanten gibt, die mehr tun knen, als die Gedanken zu kontrollieren - das sind die Telepathen, nicht wahr? Also, diese Viecher knen dich sogar Dinge sehen lassen. Da bist du z. B. mit deinen Freunden unterwegs und auf einmal siehst du nur noch Zombies um dich herum... und f舅gst an, wild um dich zu ballern! Oder du denkst, dass du eine Straﾟe hinuntergehst, w臧rend du in Wahrheit geradewegs ・er eine Klippe marschierst. /text /string /string_table
https://w.atwiki.jp/prima/pages/58.html
Ada SariAdele StolteAgnes SchebestAgnes ScheibelreiterAlbin SwobodaAlbina ShagimuratovaAlbrecht SackAlexei StebliankoAlla SolenkovaAmalie SchrammAmalie SchützAmira SelimAmélie SandmannAndreas SchagerAndreas SchmidtAndreas SchollAndrè SchuenAnja SiljaAnke SieloffAnn-Beth SolvangAnna SamuilAnna SchrammAnna SutterAnne SchwanewilmsAnnet Kazue StrnadtAnny SchlemmAnny von StoschAntonie SchlägerAntonietta StellaAntonino SiragusaArianna SavallArlene SaundersArno SchellenbergArturo SergiAudrey SchuhBarbara SchlickBarbara Schmidt-GadenBarbara SenatorBarbara StrozziBenedikt SchakBernhard SchneiderBeverly SillsBidu SayãoBirgit SarataBlandine StaskiewiczBo SkovhusCarl SchlottmannCaroline StamCarolyn SampsonCarry SassCelena ShaferCesare SiepiChad SheltonCheryl StuderChristianne StotijnChristine SchäferClementine von Schuch-ProskaCorona SchröterCozmin SimeCéline ScheenDaniel SansDavid Michael SchusterDeborah SassonDiana SovieroDieter SchweikartDoris SoffelDorothy SarnoffEbe StignaniEdward SeguinEgon SchulzEike Wilm SchulteEkaterina SemenchukEkaterina ShimanovichEkaterina SiurinaEleanor Painter StrongEleanor SteberElena SouliotisElisabeth SchollElisabeth SchumannElisabeth SchwarzElisabeth SchwarzkopfElisabeth SchärtelElisabeth SöderströmEllen ShadeElvira ScholzElvira SoukopEmmy Sonntag-UhlEric StoklossaErik SaedénErik SchmedesErika SunnegårdhErna SackErna SchlüterErna SpoorenbergErnestine Schumann-HeinkErnst Gerold SchrammErnst SchützErnst-Dieter SuttheimerErwin SchrottFalk StruckmannFatma SaidFelice SalimbeniFerdinand SeilerFjodor Iwanowitsch SchaljapinFrancesca ScainiFranziska StadingFrederica von StadeFriedrich SchorrFritz SchrödterFritz SootFritzi ScheffGabriela SchererGabriele SchnautGeorg SternGeorge ShirleyGerhard SiegelGerhard StolzeGiorgio StigelliGiulietta SimionatoGiuseppe SabbatiniGiuseppina StrepponiGladys SwarthoutGloria ScalchiGoran SimićGotthold SchwarzGraziella SciuttiGregory StappGérard SouzayHanna SchwarzHans SisaHans SotinHans StüweHarald StammHarry SteierHedwig Schmitz-SchweickerHeikki SiukolaHeinrich Conrad SchleinitzHeinrich SalomonHeinrich SchlusnusHelene SchneidermanHenriette Schramm-GrahamHenriette SontagHerbert SchachtschneiderHermann SchrammHermine SpiesHorst SchulzeHortense SchneiderHossein SarsharIlona SteingruberIngeborg SchöpfIoanna Sfekas-KarvelasIrmgard SeefriedIsabel StraussJames SauvageJames StuartJeanette ScovottiJoan SutherlandJoanna SimonJocelyn B. SmithJochen SchmeckenbecherJohn Shirley-QuirkJosef SpitzederJosef StaudiglJoseph SchmidtJoseph SchwarzJoseph SeipeltJoseph ShoreJubilant SykesJózsef SimándyJürgen SacherKarl ScheidemantelKarl Schmitt-WalterKarl StreitmannKasumi ShimizuKaterina Sokolová-RauerKay StiefermannKenneth Lee SpencerKenneth SpencerKevin ShortKlaus Peter SamsonKlemens SanderKrassimira StoyanovaLee SnookLeo SlezakLeonid Witaljewitsch SobinowLiane SynekLiesel Schuch-GanzelLilian SukisLotte SchädleLuciana SerraLuciana SouzaLudovic SpiessLudwig Schnorr von CarolsfeldLudwig SuthausLukas SchmidLéopold SimoneauMagda SpiegelManami SuzukiMarcella SembrichMargarete SchickMargarethe SiemsMargit SchrammMaria StaderMarianela SánchezMarianne SchechMariano SpagnoloMarie Friederike SchöderMarie SundeliusMarija Sklad-SauerMarija StojakovicMarilyn SchmiegeMario SammarcoMario SereniMark St. LaurentMartial SingherMaría José SiriMatti SalminenMaurice SternMeta SeinemeyerMichael SchadeMichael SchopperMichael SpyresMichael SylvesterMichaela SchusterMichel SénéchalMichela SburlatiMieko SatoMihály SzékelyMikhail SvetlovMilada ŠubrtováMitsuko ShiraiMonica SinclairMyrna SharlowMüzeyyen SenarNadine SierraNancy ShadeNancy StoraceNathalie StutzmannNeil ShicoffNina StemmeNino SandowNino SurguladzeNorman ScottOda SlobodskayaOksana StepanyukOlivia SafeOlivia SaragosaPaolo SilveriPasquale SantoniPatrick SchrammPaul SchöfflerPaul SpäniPauline Strauss-de AhnaPeter SchreierPeter Schulz-JarosPeter SchönePeter SeiffertPeter SlikerPetra-Maria SchnitzerPhil StarkPhilip SkinnerRafael Sánchez CesteroRalph Maria SiegelRaphael SchwarzerRebecca SjöwallRegina SarfatyReina SuzukiReiner SüßRenata ScottoRenate SpinglerRiccardo StracciariRichard SalterRichard StilwellRichard StockerRisë StevensRita ShaneRita StreichRobert Dean SmithRobert SavoieRobert SchunkRoberto ScandiuzziRoberto StagnoRosina StorchioRosine StoltzRosl SchwaigerRoy Cornelius SmithRudolf SchockRuth Ann SwensonRuth StewartRyoko SunakawaSainte-FoySandBoxSanford SylvanSarianna SalminenSenesinoSerge SchoonbroodtSet SvanholmSharon SweetShingo SudoShinobu SatoSibyl SandersonSimona ŠaturováSophie SchröderSophie von Schönburg-WaldenburgSpyros SakkasStanislawa StojtschewaStefan SchwerStephan SchreckenbergerStephen SaltersSusan GrahamSusanne MentzerSuzanne SarrocaSviatoslav SmirnovSybille SpechtSylvia SassSylvia SchwartzSylvia StahlmanTadahiro SakashitaTeresa SeidlTeresa Stich-RandallTeresa StolzTeresa StratasThais St JulienThomas StewartTito SchipaTrudeliese SchmidtTuva SemmingsenUlrike SonntagUrsula Schröder-FeinenVera SchoenenbergVera SchwarzVesselin StoykovViviana Araiza StaffiniWalter SoomerWalter StreckfußWilhelm SchwinghammerWilhelm StrienzWilhelmine Schröder-DevrientWilli StörringWolfgang SchöneWolfgang von SchwindXavier SabataYukie Sato total 343singers ページ先頭へ
https://w.atwiki.jp/elvis/pages/1615.html
The Autumn of the Patriarch (Perennial Classics) Gabriel Garcia MarquezGregory Rabassa? Collected Stories (Perennial Classics) Gabriel Garcia MarquezGregory Rabassa?J. S. Bernstein? One Hundred Years of Solitude (Modern Classics) Gabriel Garcia MarquezGregory Rabassa? The Circle of Life Rituals from the Human Family Album (Introduction By Gabriel Garcia Marquez) David Cohen?Art Davidson? Garcia Marquez Writer of Columbia (Icon Studies) Stephen Minta? One Hundred Years of Solitude Gabriel Garcia MarquezGregory Rabassa? One Hundred Years of Solitude (Modern Classics S) Gabriel Garcia Marquez Love in the Time of Cholera (Penguin Great Books of the 20th Century) Gabriel Garcia Marquez One Hundred Years of Solitude (Penguin Modern Classics) Gabriel Garcia MarquezGregory Rabassa? Clandestine in Chile (Granta Paperbacks) Gabriel Garcia MarquezA. Zatz? Leaf Storm (International Writers) Gabriel Garcia Marquez No One Writes to the Colonel (International Writers) Gabriel Garcia Marquez In Evil Hour (International Writers) Gabriel Garcia Marquez One Hundred Years of Solitude (International Writers) Gabriel Garcia Marquez The Autumn of the Patriarch (International Writers) Gabriel Garcia Marquez Chronicle of a Death Foretold Gabriel Garcia Marquez The Story of a Shipwrecked Sailor (International Writers) Gabriel Garcia Marquez Collected Stories (International Writers) Gabriel Garcia Marquez Strange Pilgrims (Penguin International Writers) Gabriel Garcia Marquez Doce Cuentos Peregrinos (International Writers) Gabriel Garcia Marquez Strange Pilgrims Twelve Stories (Penguin Great Books of the 20th Century) Gabriel Garcia Marquez Del Amor Y Otros Demonios / Of Love and Other Demons (Penguin Great Books of the 20th Century) Gabriel Garcia Marquez Of Love and Other Demons Gabriel Garcia Marquez El Amor En Los Tiempos Del Colera / Love in the Time of Cholera (Penguin Great Books of the 20th Century) Gabriel Garcia Marquez Of Love and Other Demons (Penguin Great Books of the 20th Century) Gabriel Garcia MarquezEdith Grossman? Noticia De Un Secuestro / News of a Kidnapping (Penguin Great Books of the 20th Century) Gabriel Garcia Marquez News of a Kidnapping Gabriel Garcia Marquez News of a Kidnapping (Penguin Great Books of the 20th Century) Gabriel Garcia MarquezEdith Grossman? Love in the Time of Cholera (Penguin Great Books of the 20th Century) Gabriel Garcia MarquezEdith Grossman? Living to Tell the Tale Gabriel Garcia Marquez Seventeen Poisoned Englishmen (Pocket Penguins) Gabriel Garcia Marquez Memories of My Melancholy Whores Gabriel Garcia Marquez Innocent Erendira and Other Stories (International Writers) Gabriel Garcia Marquez In Evil Hour Gabriel Garcia Marquez Gabriel Garcia Marquez's 100 Years of Solitude A Casebook (Casebooks in Criticism) Gene H. Bell-Villada? Gabriel Garcia Marquez's 100 Years of Solitude A Casebook (Casebooks in Criticism) Gene H. Bell-Villada? No One Writes to the Colonel Gabriel Garcia MarquezGabriel Garcia MarquezJ.S. Bernstein? The Autumn of the Patriarch Gabriel Garcia MarquezGabriel Garcia MarquezGregory Rabassa? Innocent Erendira Gabriel Garcia MarquezGabriel Garcia MarquezGregory Rabassa? The Autumn of the Patriarch Gabriel Garcia MarquezG. Rabassa? Chronicle of a Death Foretold Gabriel Garcia MarquezGabriel Garcia MarquezG. Rabassa? Love in the Time of Cholera Gabriel Garcia Marquez Gabriel Garcia Marquez Stephen Minta? Love in the Time of Cholera Gabriel Garcia MarquezGabriel Garcia MarquezE. Grossman? The General in His Labyrinth Gabriel Garcia Marquez One Hundred Years of Solitude Gabriel Garcia MarquezG. Rabassa? La Increible Y Triste Historia De La Candida Erendira Y De Su Abuela Desalmada/the Incredible And Sad Story of Candiada Erendira And Her Cruel Grandmother (Biblioteca Garcia Marquez) Gabriel Garcia Marquez Collected Stories Gabriel Garcia MarquezGabriel Garcia MarquezG. Rabassa?J.S. Bernstein? Strange Pilgrims Gabriel Garcia Marquez Of Love and Other Demons Gabriel Garcia Marquez News of a Kidnapping Gabriel Garcia Marquez Living to Tell the Tale Gabriel Garcia MarquezEdith Grossman? One Hundred Years of Solitude Gabriel Garcia MarquezGabriel Garcia MarquezG. Rabassa? Gabriel Garcia Marquez and the Powers of Fiction (Texas Pan American Series) Julio Ortega?Claudia Elliott?Gabriel Garcia Marquez Cien Anos De Soledad / 100 Years of Solitude (Literatura Mondadori) Gabriel Garcia Marquez El Coronel No Tiene Quien Le Escriba / No One Writes to the Colonel (Literatura Mondadori) Gabriel Garcia Marquez Del Amor Y Otros Demonios/of Love And Other Demons (Literatura Mondadori) Gabriel Garcia Marquez Diatriba De Amor Contra Un Hombre Sentado/Love's Diatribe Against a Sensible Man (Biblioteca Garcia Marquez) Gabriel Garcia Marquez Doce Cuentos Peregrinos/Twelve Pilgrim Tales Gabriel Garcia Marquez Los Funerales De La Mama Grande/the Funerals of the Big Mother (Biblioteca Garcia Marquez) Gabriel Garcia Marquez La Hojarasca/dead Leaves (Literatura Mondadori) Gabriel Garcia Marquez The Story of a Shipwrecked Sailor Gabriel Garcia MarquezGabriel Garcia MarquezR. Hogan? El Otono Del Patriarca / the Autumn of the Patriarch (Biblioteca Garcia Marquez) Gabriel Garcia Marquez La Mala Hora/the Bad Hour (Literatura Mondadori) Gabriel Garcia Marquez Ojos De Perro Azul/the Dog With the Blue Eyes (Biblioteca Garcia Marquez) Gabriel Garcia Marquez Los Funerales De La Mama Grande/the Funerals of the Big Mother (Contemporanea) Gabriel Garcia Marquez La Aventura De Miguel Littin Clandestino En Chile/the Adventures of Miguel Littin Clandestino in Chile (Contemporanea) Gabriel Garcia Marquez The Story of a Shipwrecked Sailor Who Drifted on a Life Raft for Ten Days Without Food or Water, Was Proclaimed a National Hero, Kissed by Beauty Q Gabriel Garcia Marquez Bibliographic Guide to Gabriel Garcia Marquez, 1979-1985 (Bibliographies and Indexes in World Literature, No 7) Margaret Eustella Fau?Nelly S. Gonzalez? La Hojarasca/dead Leaves (Contemporanea) Gabriel Garcia Marquez La Mala Hora/the Bad Hour (Contemporanea) Gabriel Garcia Marquez Ojos De Perro Azul/the Dog With the Blue Eyes (Contemporanea) Gabriel Garcia Marquez El Otono Del Patriarca / the Autumn of the Patriarch (Contemporanea) Gabriel Garcia Marquez Gabriel Garcia Marquez Solitude and Solidarity F (Modern Novelists) Michael Bell? Gabriel Garcia Marquez An Annotated Bibliography, 1947-1979 Gabriel Garcia MarquezMargaret Eustella Fau?Martin Feinrider? El Coronel No Tiene Quien Le Escriba / No One Writes to the Colonel (Contemporanea) Gabriel Garcia Marquez Bibliographic Guide to Gabriel Garcia Marquez, 1986-1992 (Bibliographies and Indexes in World Literature, No 42) Nelly S. Gonzalez? Gabriel Garcia Marquez A Critical Companion (Critical Companions to Popular Contemporary Writers) Ruben Pelayo? The Autumn of the Patriarch (Picador Books) Gabriel Garcia MarquezGabriel Garcia MarquezGregory Rabassa? Cronica De Una Muerte Anunciada / Chronicle of a Death Foretold Gabriel Garcia MarquezGregory Rabassa? El Otono Del Patriarca / the Autumn of the Patriarch Gabriel Garcia Marquez One Hundred Years of Solitude (Picador Books) Gabriel Garcia MarquezGabriel Garcia MarquezG. Rabassa? Bibliographic Guide to Gabriel Garcia Marquez, 1992-2002 (Bibliographies and Indexes in World Literature, No. 58) Nelly S. Gonzalez? Leaf Storm (Picador Books) Gabriel Garcia MarquezGabriel Garcia MarquezGregory Rabassa? Innocent Erendira (Picador Books) Gabriel Garcia MarquezGabriel Garcia MarquezGregory Rabassa? One Hundred Years of Solitude Gabriel Garcia MarquezGregory Rabassa? In Evil Hour (Picador Books) Gabriel Garcia MarquezG. Rabassa? Chronicle of a Death Foretold (Picador Books) Gabriel Garcia MarquezG. Rabassa? No One Writes to the Colonel (Picador Books) Gabriel Garcia MarquezGabriel Garcia MarquezJ.S. Bernstein? Chronicle of a Death Foretold Gabriel Garcia Marquez News of a Kidnapping Gabriel Garcia MarquezEdith Grossman? In Evil Hour Gabriel Garcia Marquez Love in the Time of Cholera (Everyman's Library (Cloth)) Gabriel Garcia MarquezNicholas Shakespeare?Edith Grossman? Autumn of the Patriarch Gabriel Garcia Marquez Noticia De Un Secuestro / News of a Kidnapping (Contemporanea) Gabriel Garcia Marquez Der Liebe in Den Zeiten Der Cholera Gabriel Garcia Marquez Die Liebe in Den Zeiten Der Choler Gabriel Garcia Marquez Defamiliarization in the Work of Gabriel Garcia Marquez from 1947-1967 (Hispanic Literature) K. E. A. Mose? Fragrance of Guava Gabriel Garcia MarquezPlinio Apuleyo Mendoza?Tom Nairn? Hundred Years of Loneliness Gabriel Garcia Marquez The 1st Garcia Marquez A Study of His Journalistic Writing from 1948-1955 Robert L. Sims? Evolution of Myth in Garcia Marquez from LA Hojarasca to Cien Anos De Soledad Robert L. Sims? Los Funerales De LA Mama Grande (Editorial Sudamericana Narrativas/Antologia) Gabriel Garcia Marquez Gabriel Garcia Marquez G Martin? Die Liebe in Den Zeiten Der Cholera (Fiction, Poetry Drama) Gabriel Garcia Marquez Cien Anos De Soledad Gabriel Garcia Marquez Gabriel Garcia Marquez y su universo magico/Gabriel Garcia Marquez and his magical universe Raquel Benatar? Circularity and Visions of the New World in William Faulkner, Gabriel Garcia Marquez, and Osman Lins Rosa Simas? La Aventura De Niguel Littin Gabriel Garcia Marquez Amour Aux Temps Du Cholera Gabriel Garcia Marquez El Amor En Los Tiempos Del Colera Gabriel Garcia Marquez Vivir Para Contarla / Living to Tell the Tale Gabriel Garcia Marquez Noticia De Un Secuestro Gabriel Garcia Marquez Hundert Jahre Einsamkeit Gabriel Garcia Marquez Sparknotes One Hundred Years of Solitude (Spark Notes) Gabriel Garcia Marquez La Increible Y Triste Historia De La Candida Erendira ... Gabriel Garcia Marquez La Hojarasca Gabriel Garcia Marquez Cien Anos De Soledad / 100 Years of Solitude (Neuva Austral Series Volume 100) Gabriel Garcia MarquezJoaquin Marco? Biography of Gabriel Garcia Marquez Gerald Martin? El Coronel No Tiene Quien Le Escriba / No One Writes to the Colonel Gabriel Garcia Marquez LA Increible Historia De LA Candida Erendira Y De Su Abuela Desalmada (Fiction, Poetry Drama) Gabriel Garcia Marquez Gabriel Garcia Marquez (Brh. Estudios Y Ensayos) Palencia? Relato De Un Naufrago/ the Tale of Naufrago Gabriel Garcia Marquez Gabriel Garcia Marquez Cuentos Gabriel Garcia MarquezCarme Sole Vendrell? Cien Anos De Soledad Gabriel Garcia Marquez Cien Anos De Soledad / 100 Years of Solitude Gabriel Garcia Marquez Los Funerales De LA Mama Grande/Funerals of the Great Matriarch (Narrativa Mondadori) Gabriel Garcia Marquez El Coronel No Tiene Quien Le Escriba/No One Writes to the Colonel and Other Stories Gabriel Garcia Marquez Sto Let Odinocestva Gabriel Garcia Marquez Mascaro, der amerikanische Jaeger. Sonderausgabe Haraldo Conti?Gabriel Garcia Marquez Textos Costenos Volumen II Gabriel Garcia Marquez Los Funerales De La Mama Grande / Big Mama's Funeral Gabriel Garcia Marquez Retrato de Gabriel Garcia Marquez (Galeria de Grandes Contemporaneos) Juan Luis Cebrian? Himmlische Engel. CD . 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Gabriel Garcia Marquez Das Leichenbegaengnis der Grossen Mama. Erzaehlungen. Gabriel Garcia Marquez Die unglaubliche und traurige Geschichte von der einfaeltigen Erendira und ihrer herzlosen Grossmutter. Sieben Erzaehlungen. Gabriel Garcia Marquez Gabriel Garcia Marquez. Sein Leben und sein Werk. Oscar Collazos? Collected Stories Gabriel Garcia Marquez Doce Cuentos Peregrinos/Twelve Pilgrim Tales Gabriel Garcia Marquez Innocent Erendira and Other Stories Gabriel Garcia Marquez Der Geruch der Guayave. Gabriel Garcia MarquezPlinio Apuleyo Mendoza? No One Writes to the Colonel and Other Stories Gabriel Garcia Marquez Autumn of the Patriarch Gabriel Garcia Marquez Die Giraffe aus Barranquilla. Journalistische Arbeiten 1948 - 1952. Gabriel Garcia MarquezRicardo Bada?Jose Moral? One Hundred Years of Solitude (G K Hall Large Print Book Series) Gabriel Garcia Marquez One Hundred Years of Solitude (Thorndike Press Large Print Paperback Series) Gabriel Garcia MarquezGregory Rabassa? UN Senor Muy Viejo Con Unas Alas Enormes Gabriel Garcia Marquez The First Garcia Marquez A Study of His Journalistic Writing from 1948 to 1955 Robert L. Sims? Der Beobachter aus Bogota. Journalistische Arbeiten 1954-1955. Gabriel Garcia MarquezRicardo Bada?Jose. Moral? Die unglaubliche und traurige Geschichte von der einfaeltigen Erendira und ihrer herzlosen Grossmutter. Sieben Erzaehlungen. Gabriel Garcia Marquez LA Siesta Del Martes Gabriel Garcia MarquezCarme Sole Vendrell? Hundert Jahre Einsamkeit. Sonderausgabe. Gabriel Garcia Marquez Special Issue Gabriel Garcia Marquez (Latin American Literary Review, Vol. 8, No. 25, January-June, 1985) Yvette E. Miller? Die Erzaehlungen. Gabriel Garcia Marquez Hundert Jahre Einsamkeit Gabriel Garcia Marquez Cronica De Una Muerte Anunciada/Chronicle of a Death Foretold Gabriel Garcia Marquez Hundert Jahre Einsamkeit. Gabriel Garcia Marquez One Hundred Years of Solitude (ISIS Large Print) Gabriel Garcia MarquezGregory Rabassa? Der Oberst hat niemand, der ihm schreibt. Grossdruck. Roman. Gabriel Garcia Marquez Der General in seinem Labyrinth. Grossdruck. Gabriel Garcia Marquez Erzaehlungen aus der Karibik. Alejo Carpentier?Gabriel Garcia MarquezSergio Ramirez?Peter Schultze-Kraft? Der General in seinem Labyrinth. Roman. Gabriel Garcia Marquez Gabriel Garcia Marquez (Palgrave Modern Novelists) Michael Bell? Gabriel Garcia Marquez (Palgrave Modern Novelists) Michael Bell? Der General in seinem Labyrinth. Roman. Gabriel Garcia Marquez Der General in seinem Labyrinth. Gabriel Garcia Marquez El Ontono Del Patriarca Gabriel Garcia Marquez Zwoelf Geschichten aus der Fremde. Gabriel Garcia Marquez Los Funerales De LA Mama Grande Gabriel Garcia Marquez Cien Anos De Soledad (Spanish) Gabriel Garcia Marquez Das grosse Winterlesebuch II. Gabriel Garcia MarquezJorge Luis Borges?Ruth Rendell?Andrea. Best? Der General in seinem Labyrinth. Gabriel Garcia Marquez Ojos De Perro Azul Gabriel Garcia Marquez