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ヘロデとヘロディアス ヘロデ サロメは何処にいる。 王女は何処にいる。 宴会の席へ帰って来いといったのに。 なぜ帰って来なかったか。 はあ、ここにいたのだな。 ヘロディアス そんなに見てお出でなさるのは宜しゅうござりません。 いつもいつも見てお出でなさる。 ヘロデ 今夜は月が変に見えるな。 変に見えるではないか。 言ってみれば気の違った女子のようだ。 男を捜しているようだ。 酒に酔って雲の中をよろけながら歩いているようだ。 ヘロディアス いえ。月はやっぱり月でござります。 なんにも変わったことはござりません。 もう奥へ参ろうではござりませぬか。 ヘロデ 俺はここにいる。 マナツセー。敷物を持て来て敷け。 松明を点けい。 ここで客人達と、も少し酒を飲もう。 や。滑った。 血のようなものを踏んだ。 これは悪いしるしだ。 なぜここに血があるのだ。 そしてこの死骸があるのだ。 一体これは誰の死骸だ。 一体これは誰の死骸だ。 俺はこんなものを見たくない。 第一の兵卒 大尉殿でござります。 ヘロデ 俺はあの男を殺せと言付けた覚えはないが。 第一の兵卒 大尉は自殺せられました。 ヘロデ それは不思議な事だ。 この若いシリア人は好い男であった。 媚のある目をしておった。その目でサロメを見ていた事があったように思う。 早くあっちへ持って行け。 ここは寒い。風が吹く。 風が吹くではないか。 ヘロディアス いいえ。風は吹きませぬ。 ヘロデ いや、いや。風が吹いている。 そして其風と一しょに 大きい鳥の翼の音がする。 あれが聞こえないかい。 ヘロディアス わたしには何にも聞こえませぬ。 ヘロデ 俺にも今は聞こえないようになった、 併し先には聞こえた。 やはり風の音であったろう。 そして止んでしまったのだ。 や。どうだ聞こえるだろうが。 まるで大きい翼で羽撃きをするようだ。 ヘロディアス あなたが御病気なので。 もうあちらへ入りましょう。 ヘロデ 俺は病気ではない。 病気なのはお前の娘だ。余程重い病気と見える。 これまでついぞあんな蒼い顔をしていた事はない。 ヘロディアス あれが顔を御覧なされてはいけぬと申しますのに。 ヘロデ 俺に酒を注いで呉れい。 サロメ。来て一しょに酒を飲め。 ここに好い酒がある。 ローマの皇帝が俺にわざわざ送って呉れられたのだ。 お前のその小さい赤い唇をこの盃に付けて呉れい。 そしたら俺がこの酒を飲み干そう。 サロメ わたくしは咽は渇きませぬ。陛下。 ヘロデ （ヘロディアスに） お前の娘のあの返事を聞いたかい。 ヘロディアス 尤もな返事だと存じます。 なぜあなたはあの娘の顔ばかり見てお出でになさりますか。 ヘロデ 熟した果物を持て来い。 サロメ。俺と一しょに此果物を喰べえ。 お前のその小さい歯で果物に付けた歯形を見るのが俺は大好きだ。 この果物を少し許り噛み切って喰べて見い。 そうしたら残りを俺が喰ってしまおう。 サロメ わたくしはお腹はすいておりませぬ。陛下。 ヘロデ （ヘロディアスに） お前の娘はよく教育がしてあるな。 ヘロディアス 娘もわたしも帝王の血を受けたのでござります。 駱駝を追ったばかりではない。あなたの父親は盗人でござりました。追剥でござりました。 ヘロデ サロメ。俺の傍へ来て坐れ。 お前の母のいつも坐る、この玉座に坐らせてやろう。 サロメ わたくしは足は草臥れておりませぬ。陛下。 ヘロディアス 娘は礼儀を知っておりますから。 ヘロデ こりゃ。俺は何か云付ける筈であったが、 つい忘れてしまった。 そうそう。ようようの事で思い出した。 ヨカナーンの声 見い。時節は到来した。 先頃から俺の言った日は、いよいよ今日だ。 ヘロディアス あの男を黙らせて下さりませ。 あの男は始終わたしの悪口ばかりを言っています。 ヘロデ いや、お前の事なぞは言ってはいぬ。 それにあれは大預言者だ。 ヘロディアス 預言者というものの事はわたしは信じませぬ。 あなたはあれを恐がってお出でなさりますね。 ヘロデ 俺は誰をも恐れるという事はない。 ヘロディアス あなたはあの男を恐がってお出でなさります。 六ヶ月も前からあの男を渡して呉れいと、ユダヤ人等が騒いでおるのに、なぜお渡しなさりませぬ。 第一のユダヤ人 陛下。妃の仰る通りでござりまする。 あの男をわたくし共の手にお渡しなさりませ。 ヘロデ もう言うな。 俺はあの男をそち達の手に渡しはせぬ。 あれは聖者だ。 あれは神を見た事のある男だ。 第一のユダヤ人 そのような事はござりませぬ。 預言者エリアスよりこの方神を見た者がある筈がござりませぬ。最後に神を目の辺見たのがエリアスでござります。 今の世になっては神は出現なさりませぬ。 神は隠れてお出でなさる。 それで世界に大きな禍が来たのでござります。 第二のユダヤ人 そのエリアスが神を見たという事も真偽は中々分からぬ事でござります。 事に依ったらエリアスが見たというのも、神の影ばかりかも知れませぬ。 第三のユダヤ人 神の隠れてお出でなさる時というものはない。 神は何の時代にも、どの場処にも出現なさる。 好い者の内にも、悪い者の内にも舎られるのが神だ。 第四のユダヤ人 （第三のユダヤ人に） そのような事は言わぬものだ。 アレクサンドリア辺からそういう教の説き方が出て来る。 そしてギリシャ人は異邦人である。 第五のユダヤ人 神がどういう事をなさるやら、それは人間にはわからない。 神の道は暗い。 人間は只神の意志の下に項を曲げれば好いのだ。 神の力は偉大であるから。 第一のユダヤ人 ほんにお前のいう通りだ。 神は恐ろしい。 併し人間の方では その神を目の辺見る事は出来ない。 預言者エリアスから後には、本当に神を見た者はいない。 最後に神を目の辺見たのが etc. 第二のユダヤ人 真偽は中々分からぬ事でござります。 etc. 神は恐ろしい。 神は強者をも、弱者と同じように 取りひしぐ事ができる。 神の目には強弱の別はない。 おそらく etc. 第三のユダヤ人 神の隠れてお出でなさる時というものはない。 etc. 第四のユダヤ人 そのような事は言わぬものだ。 etc. 彼らは割礼をさえ受けてはいない。 神がどういう事をなさるやら、それはわからない。 神の力は偉大であるから。 神は強者をも、弱者と同じように取りひしぐ事ができる。 神は強い。 第五のユダヤ人 神がどういう事をなさるやら、それは人間にはわからない。 etc. 人間が悪いといっている事も、神の目から見れば好いかも知れぬ。又人間が好いといっている事も神の目から見れば悪いかも知れぬ。 人間には何事も分かってはおらぬ。 ヘロディアス （ヘロデに） もし。あれを黙らせて下さりませ。 退屈で聞いておられませぬ。 ヘロデ それでも、あのヨカナーンが、預言者エリアスだというものがあるではないか。 第一のユダヤ人 そのような事はござりませぬ。 預言者エリアスの時からは、 もう三百年立っております。 第一のナザレ人 わたくしはあれが預言者エリアスだと存じます。 第一のユダヤ人 預言者エリアスではござりませぬ。etc. 他のユダヤ人 いや、いや。預言者エリアスではござりませぬ。 ヘロディアス もし。あれを黙らせて下さりませ。 ヨカナーンの声 見い。日は近付いた。 主の日は近付いた。 世界の救済者の足音が山の上に聞こえる。 ヘロデ 世界の救済者とは何の事だ。 第一のナザレ人 メシアは出現した。 第一のユダヤ人 メシアが出現したという事はない。 第一のナザレ人 メシアは出現した。 そして到る処で奇蹟をなしているのだ。 ガレリアで婚礼があり、 水を酒にして呑ませたそうでござります。 カペルナウムのらい病二人を直した。 第二のナザレ人 手で障ったばかりで。 第一のナザレ人 盲の目を見えるようにせられた事もある。 山の上で天使と話しをしておられるのを、見た者がある。 ヘロディアス おお。奇蹟なんぞという事は、わたしは信ぜない。 奇蹟だというような事を度々見て懲りている。 第一のナザレ人 ヤイルスの娘は死んだのを、蘇らせました。 ヘロデ 何だ。その男は死んだものを活かすのか。 第一と第二のナザレ人 はい。死んだものを活かします。 ヘロデ そんな事はさせたくない。 死んだものに又出て来られては、堪ったものではない。 その男は今何処にいるのか。 第一のナザレ人 一処不住で、中々見付かりませぬ。 ヘロデ その男は見つけ出して。 第二のナザレ人 今サマリアにおられるという事でござります。 第一のナザレ人 たしか二三日前にサマリアを立たれたというから、今頃はエルサレムの近所に来ておられる事だろう。 ヘロデ どうでも好い。 死んだものは蘇らせてはならぬ。 死んだものに又出て来られては、堪ったものでない。 ヨカナーンの声 ああ。淫婦奴。ばいた奴。バビロンの娘奴。 主のお詞を聞いたか。 ヘロディアス あの男を黙らせて下さりませ。 ヨカナーンの声 そちの周囲に人が集まるであろう。そして石を拾うて投げ付けるであろう。 ヘロディアス ほんにほんに、 恥かがやかしい。 ヨカナーンの声 隊長共がそちを刃に貫くであろう。 そちを楯で押潰すであろう。 ヘロディアス あの男を黙らせて下さりませ。黙らせて下さりませ。 ヨカナーンの声 そうして穢らわしい事がこの世界にないように致そう。 あらゆる女子が、そちの踏んだ道に踏み迷わぬように致そう。 ヘロディアス わたしの事をあのようにいうのはあなたにも聞こえましょう。人が自分の女房をあのようにいっても赦してお置きなさりますか。 ヘロデ お前の名なんぞをいいはしない。 ヨカナーンの声 今にその日が来るであろう。 日は黒い布のように黒くなり、 月は血のようになり、 空の星は、熟せない無花果が無花果の木から落ちるように、地の上に落ちるであろう。 そしてその日には世界の王者達が震いおののくであろう。 ヘロディアス はあ。あの預言者は、まるで酔いどれのように、狂言をいう。 只わたしはあの声を聞くのが厭だ。 あの声が憎い。 どうぞあれを黙らせて下さりませ。 ヘロデ 舞を舞って見せい。サロメ。 ヘロディアス 舞わせる事は出来ませぬ。 サロメ 舞う事は厭でござります。陛下。 ヘロデ サロメ。ヘロディアスの娘。舞って見せい。 サロメ 舞う事は厭でござります。陛下。 ヘロディアス それ御覧なさりませ。仰る事を好く聞きます。 ヨカナーンの声 あれは玉座の上に坐っているであろう。 猩々非の袍を着て。 そして主の御使があれを打倒されるであろう。 打倒されて、蛆に食わせてしまうであろう。 ヘロデ サロメ。サロメ。俺がお前に頼むから舞え。 どうも今宵は物悲しい。それだから俺の為に舞え。 サロメ。俺の為に舞え。 舞うてさえくれるなら、 何でも欲しいものを呉れいと俺にいうが好い。 俺はお前に何でも遣る。 サロメ わたくしの欲しいものなら、たとえ何であろうとも、本当に下さりますか。陛下。 ヘロディアス 娘。舞うのではありませんよ。 ヘロデ 欲しいものは何でも遣るぞよ。 この国を半分でも。 サロメ 御誓言をなさりますか。陛下。 ヘロデ おう。誓言をするぞよ。サロメ。 サロメ 何にかけて御誓言をなさりますか。陛下。 ヘロデ 命にかけてする。 この冠にかけてする。 神々にかけてする。 ヘロディアス 娘。舞うのではありませんよ。 ヘロデ おう。サロメ。サロメ。俺の為に舞え。 サロメ あなたは御誓言をなさりましたな。陛下。 ヘロデ おう。誓言をしたぞよ。 ヘロディアス 娘。舞うのではありませんよ。 ヘロデ 俺の国を半分でもやる。 美しい女王になって見い。際限のないほど美しかろう。 ああ。ここは寒いな。 氷のように冷たい風が吹いて通る。そして又聞こえる。 なぜ俺にはあの翼で羽打つ音が虚空に聞こえるか知らん。 ああ。どうもこの階段の上あたりに、黒い羽の大鳥が羽を伸ばしているようだ。 本当に鳥がいるのなら、なぜ俺に見えんか知らん。 翼の音が凄い。 肌を切裂くような風だ。 はてな。風が冷たくはなくて、熱いぞ。 俺のこの手に水を掛けてくれい。 雪を口に入れたいから持て来い。 此袍を脱がしてくれい。 早く、早く。脱がしてくれんか。 いやいや。置け。 頭の輪飾が頭を圧してならん。 輪飾の薔薇の花が火になったようだ。 ああ。ようよう息が出来るようになった。 俺は心持が好くなった。 俺の為に舞ってくれるなあ。サロメ。 ヘロディアス 舞うのではありませんよ。 サロメ わたくしはあなたの為に舞いまする。 ヨカナーンの声 エドムから来るのは誰だ。 ボズラから来るのは誰だ。 緋に染めた着物を着て、 その着物が美しゅう輝いて、 偉大なる姿をして歩んでくる。 なぜあの着物は緋に染まっているのか。 ヘロディアス わたし共はあちらへ参りましょう。 あの男の声を聞くと気が違いそうになります。 あの男があのように叫んでおる中で、娘を舞わせとうはござりません。 あなたがそんな目で見てお出でなさる処で、娘に舞わせとうはござりません。 兎に角わたしは娘に舞わせとうござりませぬ。 ヘロデ まあ、その座を立つな。王妃。 なんと言っても駄目だ。 俺はサロメが舞わぬうちはあちらへは行かぬ。 サロメ。舞え。俺の為に舞え。 ヘロディアス 娘。舞うのではありませんよ。 サロメ さあ。舞いまするぞえ。陛下。 （サロメ舞う） Herodes und Herodias HERODES Wo ist Salome? Wo ist die Prinzessin? Warum kam sie nicht wieder zum Bankett, wie ich ihr befohlen hatte? Ah! Da ist sie! HERODIAS Du sollst sie nicht ansehn. Fortwährend siehst du sie an! HERODES Wie der Mond heute Nacht aussieht! Ist es nicht ein seltsames Bild? Es sieht aus, wie ein wahnwitziges Weib, das überall nach Buhlen sucht. Wie ein betrunkenes Weib das durch Wolken taumelt. HERODIAS Nein, der Mond ist wie der Mond, das ist alles. Wir wollen hineingehn. HERODES Ich will hier bleiben. Manassah, leg Teppiche hierher! Zündet Facklen an! Ich will noch Wein mit meinen Gästen trinken! Ah! Ich bin ausgeglitten. Ich bin in Blut getreten, das ist ein böses Zeichen. Warum ist hier Blut? Und dieser Tote? Wer ist dieser Tote hier? Wer ist dieser Tote? Ich will ihn nicht sehn. ERSTER SOLDAT Es ist unser Hauptmann, Herr. HERODES Ich erliess keinen Befehl, dass er getötet werde. ERSTER SOLDAT Er hat sich selbst getötet, Herr. HERODES Das scheint mir seltsam. Der junge Syrier, er war sehr schön. Ich erinnre mich, ich sah seine schmachtenden Augen, wenn er Salome ansah. Fort mit ihm! Es ist kalt hier. Es weht ein Wind. Weht nicht ein Wind? HERODIAS Nein, es weht kein Wind. HERODES Ich sage Euch es weht ein Wind, und in der Luft hör ich etwas, wie das Rauschen von mächt'gen Flügeln. Hört ihr es nicht? HERODIAS Ich höre nichts. HERODES Jetzt höre ich es nicht mehr. Aber ich habe es gehört. Es war das Wehn des Windes. Es ist vorüber. Horch! Hört ihr es nicht? Das Rauschen von mächt'gen Flügeln. HERODIAS Du bist krank. Wir wollen hineingehn. HERODES Ich bin nicht krank. Aber deine Tochter ist krank zu Tode. Niemals hab' ich sie so blass gesehn. HERODIAS Ich habe dir gesagt, du sollst sie nicht ansehn. HERODES Schenkt mir Wein ein! Salome, komm, trink Wein mit mir, einen köstlichen Wein. Cäsar selbst hat ihn mir geschickt. Tauche deine kleinen Lippen hinein, deine kleinen roten Lippen, dann will ich den Becher leeren. SALOME Ich bin nicht durstig, Tetrarch. HERODES zu Herodias Hörst du, wie sie mir antwortet, diese deine Tochter? HERODIAS Sie hat recht. Warum starrst du sie immer an? HERODES Bringt reife Früchte! Salome, komm, iss mit mir von diese Früchten. Den Abdruck deiner kleinen weissen Zähne in einer Frucht seh' ich so gern. Beiss nur ein wenig ab, nur ein wenig von dieser Frucht, dann will ich essen, was übrig ist. SALOME Ich bin nicht hungrig, Tetrarch. HERODES zu Herodias Du siehst, wie du diese deine Tochter erzogen hast! HERODIAS Meine Tochter und ich stammen aus königlichem Blut. Dein Vater war Kameeltreiber, dein Vater war ein Dieb und ein Räuber oben drein. HERODES Salome, komm, setz dich zu mir. Du sollst auf dem Thron deiner Mutter sitzen. SALOME Ich bin nicht müde, Tetrarch. HERODIAS Du siehst, wie sie dich achtet. HERODES Bringt mir… was wünsche ich denn? Ich habe es vergessen. Ah! Ah! Ich erinnre mich. DIE STIMME VON JOCHANAAN Sieh', die Zeit ist gekommen, der Tag von dem ich sprach, ist da. HERODIAS Heiss' ihn schweigen! Dieser Mensch beschimpft mich! HERODES Er hat nichts gegen dich gesagt. Überdies ist er ein sehr grosser Prophet. HERODIAS Ich glaube nicht an Propheten. Aber du, du hast Angst vor ihm. HERODES Ich habe vor niemanden Angst. HERODIAS Ich sage dir, du hast Angst vor ihm. Warum lieferst du ihn nicht den Juden aus, die seit Monaten nach ihm schreien? ERSTER JUDE Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben! HERODES Genug davon! Ich werde ihn nicht in Eure Hände geben. Er ist ein heil'ger Mann. Er ist ein Mann, der Gott geschaut hat. ERSTER JUDE Das kann nicht sein. Seit dem Propheten Elias hat niemand Gott gesehn. Er war der letzte, der Gott von Angesicht geschaut. In unsern Tagen zeigt sich Gott nicht. Gott verbirgt sich. Darum ist grosses Übel über das Land gekommen, grosses Übel. ZWEITER JUDE In Wahrheit weiss niemand, ob Elias in der Tat Gott gesehen hat. Möglicherweise war es nur der Schatten Gottes, was er sah. DRITTER JUDE Gott ist zu keiner Zeit verborgen. Er zeigt sich zu allen Zeiten und an allen Orten. Gott ist im schlimmen ebenso wie im guten. VIERTER JUDE zu dritter Jude Du solltest das nicht sagen, es ist eine sehr gefährliche Lehre aus Alexandria. Und die Griechen sind Heiden. FÜNFTER JUDE Niemand kann sagen, wie Gott wirkt. Seine Wege sind sehr dunkel. Wir können nur unser Haupt unter seinen Willen beugen, denn Gott ist sehr stark. ERSTER JUDE Du sagst die Wahrheit. Fürwahr, Gott ist furchtbar. Aber was diesen Menschen angeht, der hat Gott nie gesehn. Seit dem Propheten Elias hat niemand Gott gesehn. Er war der letzte, usw. ZWEITER JUDE In Wahrheit weiss niemand, usw. Gott ist furchtbar, er bricht den Starken in Stücke, den Starken wie den Schwachen, denn jeder gilt ihm gleich. Möglicherweise, usw. DRITTER JUDE Gott ist zu keiner Zeit verborgen, usw. VIERTER JUDE Du solltest das nicht sagen, usw. Sie sind nicht einmal beschnitten. Niemand kann sagen, wie Gott wirkt, denn Gott ist sehr stark. Er bricht den Starken wie den Schwachen in Stücke. Gott ist stark. FÜNFTER JUDE Niemand kann sagen, wie Gott wirkt, usw. Es kann sein dass die Dinge, die wie gut nennen, sehr schlimm sind, und die Dinge, die wir schlimm nennen, sehr gut sind. Wir wissen von nichts etwas. HERODIAS zu Herodes Heiss' sie schweigen, sie langweilen mich. HERODES Doch' hab ich davon sprechen hören, Jochanaan sei in Wahrheit Euer Prophet Elias. ERSTER JUDE Dass kann nicht sein. Seit den Tagen des Propheten Elias sind mehr als dreihundert Jahre vergangen. ERSTER NAZARENER Mir ist sicher, dass er der Prophet Elias ist. ERSTER JUDE Das kann nicht sein, usw. DIE ANDEREN JUDE Keineswegs, er ist nicht der Prophet Elias. HERODIAS Heiss' sie schweigen! DIE STIMME VON JOCHANAAN Siehe, der Tag ist nahe, der Tag des Herrn, und ich höre auf den Bergen die Schritte Dessen, der sein wird der Erlöser der Welt. HERODES Was soll das heissen, der Erlöser der Welt? ERSTER NAZARENER Der Messias ist gekommen. ERSTER JUDE Der Messias ist nicht gekommen. ERSTER NAZARENER Er ist gekommen, und allenthalben tut er Wunder. Bei einer Hochzeit in Galiläa bat er Wasser in Wein verwandelt. Er heilte zwei Aussätzige von Kapernaum. ZWEITER NAZARENER Durch blosses Berühren! ERSTER NAZARENER Er hat auch Blinde geheilt. Man hat ihn auf einem Berge im Gespräch mit Engeln gesehn! HERODIAS Oho! Ich glaube nicht an Wunder, ich habe ihrer zu viele gesehn! ERSTER NAZARENER Die Tochter des Jarus hat er von den Toten erweckt. HERODES Wie, er erweckt die Toten? ERSTER und ZWEITER NAZARENER Jawohl. Er erweckt die Toten. HERODES Ich verbiete ihm, das zu tun. Es wäre schrecklich, wenn die Toten wiederkämen! Wo ist der Mann zur Zeit? ERSTER NAZARENER Herr, er ist überall, aber es ist schwer, ihn zu finden. HERODES Der Mann muss gefunden werden. ZWEITER NAZARENER Er heisst, in Samaria weile er jetzt. ERSTER NAZARENER Vor ein paar Tagen verliess er Samaria, ich glaube, im Augenblick ist er in der Nähe von Jerusalem. HERODES So hört ich verbiete ihm die Toten zu erwecken! Es müsste schrecklich sein, wenn die Toten wiederkämen! DIE STIMME VON JOCHANAAN O, über dieses geile Weib, die Tochter Babylons, so spricht der Herr, unser Gott! HERODIAS Befiehl ihm, er soll schweigen. DIE STIMME VON JOCHANAAN Eine Menge Menschen wird sich gegen sie sammeln, und sie werden Steine nehmen und sie steinigen! HERODIAS Wahrhaftig, er ist schändlich! DIE STIMME VON JOCHANAAN Die Kriegshauptleute werden sie mit ihren Schwertern durchbohren, sie werden sie mit ihren Schilden zermalmen! HERODIAS Er soll schweigen! Er soll schweigen! DIE STIMME VON JOCHANAAN Es ist so, dass ich alle Verruchtheit austilgen werde dass ich alle Weiber lehren werde, nicht auf den Wegen ihrer Greuel zu wandeln! HERODIAS Du hörst, was er gegen mich sagt, du duldest es, dass er die schmähe, die dein Weib ist? HERODES Er hat deinem Namen nicht genannt. DIE STIMME VON JOCHANAAN Es kommt ein Tag, da wird die Sonne finster werden wie ein schwarzes Tuch. Und der Mond wird werden wie Blut, und die Sterne des Himmels werden zur Erde fallen wie unreife Feigen vom Feigenbaum. Es kommt ein Tag, wo die Kön'ge der Erde erzittern. HERODIAS Ha, ha! Dieser Prophet schwatzt wie ein Betrunkener. Aber ich kann den Klang seiner Stimme nicht ertragen, ich hasse seine Stimme. Befiehl ihm, er soll schweigen. HERODES Tanz für mich, Salome. HERODIAS Ich will nicht haben, dass sie tanzt. SALOME Ich habe keine Lust zu tanzen, Tetrarch. HERODES Salome Tochter der Herodias, tanz für mich! SALOME Ich will nicht tanzen, Tetrarch. HERODIAS Du siehst, wie sie dir gehorcht. DIE STIMME VON JOCHANAAN Er wird auf seinem Throne sitzen, er wird gekleidet sein in Scharlach und Purpur. Und der Engel de Herrn wird ihn darniederschlagen. Er wird von den Würmern gefressen werden. HERODES Salome, Salome, tanz für mich, ich bitte dich. Ich bin traurig heute Nacht, drum tanz für mich. Salome, tanz für mich! Wenn du für mich tanzest, kannst du von mir begehren was du willst. Ich werde es dir geben. SALOME Willst du mir wirklich alles geben, was ich von dir begehre, Tetrarch? HERODIAS Tanze nicht, meine Tochter. HERODES Alles, alles, was du von mir begehren wirst, und wär's die Hälfte meines Königreichs. SALOME Du schwörst, Tetrarch? HERODES Ich schwör' es, Salome. SALOME Wobei willst du das beschwören, Tetrarch? HERODES Bei meinem Leben, bei meiner Krone, bei meinen Göttern. HERODIAS Tanze nicht, meine Tochter! HERODES O Salome, Salome, tanz für mich! SALOME Du hast einen Eid Geschworen, Tetrarch. HERODES Ich habe einen Eid geschworen. HERODIAS Meine Tochter, tanze nicht. HERODES Und wär's die Hälfte meines Königreichs. Du wirst schön sein als Königin, unermesslich schön. Ah! Es ist kalt hier. Es weht ein eis'ger Wind, und ich höre… warum höre ich in der Luft dieses Rauschen von Flügeln? Ah! Es ist doch so, als ob ein ungeheurer, schwarzer Vogel über der Terrasse schwebte? Warum kann ich ihn nicht sehn, diesen Vogel? Dieses Rauschen ist schrecklich. Es ist ein schneidender Wind. Aber nein, er ist nicht kalt, er ist heiss. Giesst mir Wasser über die Hände, gebt mir Schnee zu essen, macht mir den Mantel los. Schnell, schnell, macht mir den Mantel los! Doch nein! Lasst ihn! Dieser Kranz drückt mich. Diese Rosen sind wie Feuer. Ah! Jetzt kann ich atmen. Jetzt bin ich glücklich. Willst du für mich tanzen, Salome? HERODIAS Ich will nicht haben, dass sie tanze! SALOME Ich will für dich tanzen. DIE STIMME VON JOCHANAAN Wer ist der, der von Edom kommt? Wer ist der, der von Bosra kommt, dessen Kleid mit Purpur gefärbt ist, der in der Schönheit seiner Gewänder leuchtet, der mächtig in seiner Grösse wandelt? Warum ist dein Kleid mit Scharlach gefleckt? HERODIAS Wir wollen hineingehn. Die Stimme dieses Menschen macht mich wahnsinnig. Ich will nicht haben, dass meine Tochter tanzt, während er immer dazwischen schreit. Ich will nicht haben, dass sie tanzt, während du sie auf solche Art ansiehst. Mit einem Wort Ich will nicht haben, dass sie tanzt. HERODES Steh nicht auf, mein Weib, meine Königin. Es wird dir nichts helfen, ich gehe nicht hinein, bevor sie getanzt hat. Tanze, Salome, tanz für mich! HERODIAS Tanze nicht, meine Tochter! SALOME Ich bin bereit, Tetrarch. Salome tanzt Strauss,Richard/Salome+/3
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Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-General ユーズドブック(洋書)-Engineering 洋書
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Casing And Liners for Drilling And Completion Gulf Publishing Company? Ted G. Byrom? GulfPublishingCompany? TedG.Byrom? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-Mining? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-Mining? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Subjects-Science-EarthSciences-Prospecting&Mining? Subjects-Science-General Machinery Failure Analysis Handbook Sustain Your Operations and Maximize Uptime Gulf Publishing Company? 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Subjects-Science-General Dictionary of Drilling And Boreholes English- French, French-english (Collection Colloques Et Seminaires) Technip Editions? Magdeleine Moreau? Gerald Brace? TechnipEditions? MagdeleineMoreau? GeraldBrace? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-65? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-Mining? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological? Subjects-Nonfiction-ForeignLanguageNonfiction-French? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-Mining? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological? 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Multiple Criteria Decision Making Proceedings of the Twelfth International Conference, Hagen (Germany) (Lecture Notes in Economics and Mathematical Systems) Springer? International Conference on Multiple Criteria Decision Making 1995 ha? Gunter Fandel? Tomas Gal? Thomas Hanne? Springer? InternationalConferenceonMultipleCriteriaDecisionMaking1995ha? GunterFandel? TomasGal? ThomasHanne? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Science-Mathematics-Applied? 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Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Nonfiction-SocialSciences-Anthropology? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Subjects-Religion&Spirituality-NewAge-Divination-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? High Speed Jet Flows Fundamentals in Applications Hemisphere Pub? Philip J. Morris? Dennis K. McLaughlin? Ganesh Raman? HemispherePub? PhilipJ.Morris? DennisK.McLaughlin? GaneshRaman? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? 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Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Rethinking Technologies Univ of Minnesota Pr? Ohio) Miami Theory Collective (Oxford? Verena Andermatt Conley? UnivofMinnesotaPr? Ohio)MiamiTheoryCollective(Oxford? VerenaAndermattConley? ジャンル別? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-PhilosophyofTechnology? Subjects-Science-Technology-Technology&Society? Rethinking Technologies Univ of Minnesota Pr? Ohio) Miami Theory Collective (Oxford? Verena Andermatt Conley? UnivofMinnesotaPr? 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Subjects-Business&Investing-BusinessLife-Ethics? Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-BusinessEthics? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-PhilosophyofTechnology? Technoscientific Angst Ethics + Responsibility Univ of Minnesota Pr? Raphael Sassower? UnivofMinnesotaPr? RaphaelSassower? ジャンル別? Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Digital Sensations Space, Identity, and Embodiment in Virtual Reality (Em-Electronic Mediations) Univ of Minnesota Pr? Ken Hillis? UnivofMinnesotaPr? KenHillis? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-VirtualReality? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-ComputerScience-Human-ComputerInteraction? Subjects-Literature&Fiction-Books&Reading-OnlineBooks? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Digital Sensations Space, Identity, and Embodiment in Virtual Reality (Em-Electronic Mediations) Univ of Minnesota Pr? Ken Hillis? UnivofMinnesotaPr? KenHillis? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-VirtualReality? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Appropriating Technology Vernacular Science and Social Power Univ of Minnesota Pr? Ron Eglash? Rayvon Fouche? Jennifer L. Croissant? Giovanna Di Chiro? UnivofMinnesotaPr? RonEglash? RayvonFouche? JenniferL.Croissant? GiovannaDiChiro? ジャンル別? Substores-UnknownASINs-63? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-Technology-General&Reference Appropriating Technology Vernacular Science and Social Power Univ of Minnesota Pr? Ron Eglash? Jennifer L. Croissant? Giovanna Di Chiro? Rayvon Fouche? UnivofMinnesotaPr? RonEglash? JenniferL.Croissant? GiovannaDiChiro? RayvonFouche? ジャンル別? Substores-UnknownASINs-63? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-Technology-General&Reference Cyberculture (Electronic Mediations Series, Volume 4) Univ of Minnesota Pr? Pierre Levy? Robert Bononno? UnivofMinnesotaPr? PierreLevy? RobertBononno? ジャンル別? Substores-UnknownASINs-22? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Computers&Internet-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? Cyberculture (Electronic Mediations Series) Univ of Minnesota Pr? Pierre Levy? Robert Bononno? UnivofMinnesotaPr? PierreLevy? RobertBononno? ジャンル別? Subjects-Computers&Internet-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-Technology-General&Reference Bodies in Technology (Electronic Mediations, V. 5) Univ of Minnesota Pr? Don Ihde? UnivofMinnesotaPr? DonIhde? ジャンル別? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Computers&Internet-ComputerScience-Human-ComputerInteraction? Subjects-Nonfiction-Philosophy-Consciousness&Thought? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-PhilosophyofTechnology? Bodies in Technology (Electronic Mediations, V. 5) Univ of Minnesota Pr? Don Ihde? UnivofMinnesotaPr? DonIhde? ジャンル別? Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Science-General Subjects-Science-Technology-General&Reference Biomedia (Electronic Mediations, V. 11) Univ of Minnesota Pr? Eugene Thacker? UnivofMinnesotaPr? EugeneThacker? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-BiologicalSciences-Bioinformatics? Biomedia (Electronic Mediations, V. 11) Univ of Minnesota Pr? Eugene Thacker? UnivofMinnesotaPr? EugeneThacker? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-BiologicalSciences-Bioinformatics? Residual Media Residual Technologies And Culture Univ of Minnesota Pr? Charles R. Acland? UnivofMinnesotaPr? CharlesR.Acland? ジャンル別? Subjects-Entertainment-PopCulture-General? Subjects-Nonfiction-SocialSciences-PopularCulture? Subjects-Nonfiction-SocialSciences-MediaStudies? Subjects-Science-General Subjects-Science-Technology-General&Reference Residual Media Univ of Minnesota Pr? Charles R. Acland? UnivofMinnesotaPr? CharlesR.Acland? ジャンル別? Subjects-Entertainment-PopCulture-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-PopularCulture? Subjects-Nonfiction-SocialSciences-MediaStudies? Subjects-Science-Technology-General&Reference Guidelines for Safe Storage and Handling of High Toxic Hazard Materials Amer Inst of Chemical Engineers? Richard Levine? AmerInstofChemicalEngineers? RichardLevine? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Heat Transfer Minneapolis, 1991 (Proceedings of the National Heat Transfer Conference) Amer Inst of Chemical Engineers? Salim B. Yilmaz? Brian G. Volintine? AmerInstofChemicalEngineers? SalimB.Yilmaz? BrianG.Volintine? ジャンル別? Subjects-Engineering-Aerospace-HeatTransfer? Subjects-Engineering-Energy-HeatEngineering&Transfer? Subjects-Professional&Technical-Engineering-Aerospace-HeatTransfer? Subjects-Professional&Technical-Engineering-Energy-HeatEngineering&Transfer? Subjects-Science-General Subjects-Science-Technology-General&Reference Guidelines for Chemical Transport Risk Analysis (Center for Chemical Process Safety "Guidelines" Series) Amer Inst of Chemical Engineers? AmerInstofChemicalEngineers? ジャンル別? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Safety? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Safety? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-Safety? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Subjects-Science-Technology-Safety&Health? Substores-UnknownASINs-jp-unknown2? Evaluating Process Safety in the Chemical Industry A User's Guide to Quantitative Risk Analysis (Ccps Concept Book) Amer Inst of Chemical Engineers? J. S. Arendt? D. K. Lorenzo? AmerInstofChemicalEngineers? J.S.Arendt? D.K.Lorenzo? ジャンル別? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-PlantDesign? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-PlantDesign? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-Safety? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Subjects-Science-Technology-Safety&Health? Guidelines for Process Safety in Outsourced Manufacturing Operations Amer Inst of Chemical Engineers? AmerInstofChemicalEngineers? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-Chemical-ProcessDynamics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Chemical-ProcessDynamics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-Safety? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Fifth International Conference on Foundations of Computer-Aided Process Design (Aiche Symposium Series) Amer Inst of Chemical Engineers? International Conference on Foundations of Computer-Aided Process desi? Michael F. Malone? James A. Trainham? Brice Carnahan? AmerInstofChemicalEngineers? InternationalConferenceonFoundationsofComputer-AidedProcessdesi? MichaelF.Malone? JamesA.Trainham? BriceCarnahan? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-ProcessDynamics? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-ProcessDynamics? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Reference-General? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-Technology-General&Reference Fundamentals and Numerical Modeling of Unit Operations in the Forest Products Industries 1999 Aiche Forest Products Symposium (Aiche Symposium Series) Amer Inst of Chemical Engineers? Forest Products Symposium? Brian N. Brogdon? Steven J. Severtson? Colleen C. Walker? AmerInstofChemicalEngineers? ForestProductsSymposium? BrianN.Brogdon? StevenJ.Severtson? ColleenC.Walker? ジャンル別? Subjects-Engineering-Chemical-UnitOperations&TransportPhenomena? Subjects-Professional&Technical-Engineering-Chemical-UnitOperations&TransportPhenomena? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Making Ehs an Integral Part of Process Design Amer Inst of Chemical Engineers? Arthur D. Little? AmerInstofChemicalEngineers? ArthurD.Little? ジャンル別? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-ProcessDynamics? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-ProcessDynamics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-Safety? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? What Does It Do? Inventions Then and Now (Ready-Set-Read) Heinemann Library? Daniel Jacobs? HeinemannLibrary? DanielJacobs? ジャンル別? Substores-UnknownASINs-22? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-People&Places-Biographies-Science&Technology? Subjects-Science-Technology-General&Reference Lewis Latimer Creating Bright Ideas (Innovative Minds) Heinemann Library? Eleanor H. Ayer? HeinemannLibrary? EleanorH.Ayer? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Children sBooks-History&HistoricalFiction-Biographical? Subjects-Children sBooks-People&Places-Biographies-PeopleofColor? Subjects-Science-Technology-General&Reference The Things We Use (Have You Noticed) Heinemann Library? Sally Hewitt? Jane Rowe? HeinemannLibrary? SallyHewitt? JaneRowe? ジャンル別? Subjects-Children sBooks-Science,Nature&HowItWorks-HowThingsWork? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Technology in the Time of Ancient Egypt (Technology in the Time of) Heinemann Library? Judith Crosher? HeinemannLibrary? JudithCrosher? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Ancient? Subjects-Children sBooks-People&Places-SocialScience-Customs,Traditions,Anthropology? Subjects-Children sBooks-People&Places-SocialScience-General? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology in the Time of Ancient Rome (Technology in the Time of) Heinemann Library? Robert Snedden? HeinemannLibrary? RobertSnedden? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Ancient? Subjects-Children sBooks-People&Places-SocialScience-Customs,Traditions,Anthropology? Subjects-Children sBooks-People&Places-SocialScience-General? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology in the Time of Ancient Greece (Technology in the Time of) Heinemann Library? Judith Crosher? HeinemannLibrary? JudithCrosher? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Ancient? Subjects-Children sBooks-People&Places-SocialScience-Customs,Traditions,Anthropology? Subjects-Children sBooks-People&Places-SocialScience-General? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology in the Time of the Vikings (Technology in the Time of) Heinemann Library? Peter Hicks? HeinemannLibrary? PeterHicks? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Medieval? Subjects-Children sBooks-People&Places-SocialScience-Customs,Traditions,Anthropology? Subjects-Children sBooks-People&Places-SocialScience-General? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-History-Europe? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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Fundamentals of Geophysical Fluid Dynamics Cambridge Univ Pr (Sd)? Jim McWilliams? CambridgeUnivPr(Sd)? JimMcWilliams? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-MarineBiology? Subjects-Science-EarthSciences-Geophysics? Subjects-Science-General Subjects-Science-Nature&Ecology-Oceans&Seas-Oceanography-General? Subjects-Science-Nature&Ecology-Oceans&Seas-MarineBiology-General? Subjects-Science-Physics-Dynamics-FluidDynamics? Subjects-Science-Physics-FluidMechanics? Robust Statistics (Wiley Series in Probability and Statistics) Wiley-Interscience? Peter J. Huber? Wiley-Interscience? PeterJ.Huber? Substores-UnknownASINs-61? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? 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Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Science-Evolution-General? Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-General? An Introduction to Computational Fluid Dynamics The Finite Volume Method Prentice Hall College Div? H. K. Versteeg? W. Malalasekera? PrenticeHallCollegeDiv? H.K.Versteeg? W.Malalasekera? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Hydraulics? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Hydraulics? Subjects-Professional&Technical-ProfessionalScience-Physics-Mechanics? 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The Autumn of the Patriarch (Perennial Classics) Gabriel Garcia MarquezGregory Rabassa? Collected Stories (Perennial Classics) Gabriel Garcia MarquezGregory Rabassa?J. S. Bernstein? One Hundred Years of Solitude (Modern Classics) Gabriel Garcia MarquezGregory Rabassa? The Circle of Life Rituals from the Human Family Album (Introduction By Gabriel Garcia Marquez) David Cohen?Art Davidson? Garcia Marquez Writer of Columbia (Icon Studies) Stephen Minta? One Hundred Years of Solitude Gabriel Garcia MarquezGregory Rabassa? One Hundred Years of Solitude (Modern Classics S) Gabriel Garcia Marquez Love in the Time of Cholera (Penguin Great Books of the 20th Century) Gabriel Garcia Marquez One Hundred Years of Solitude (Penguin Modern Classics) Gabriel Garcia MarquezGregory Rabassa? Clandestine in Chile (Granta Paperbacks) Gabriel Garcia MarquezA. Zatz? Leaf Storm (International Writers) Gabriel Garcia Marquez No One Writes to the Colonel (International Writers) Gabriel Garcia Marquez In Evil Hour (International Writers) Gabriel Garcia Marquez One Hundred Years of Solitude (International Writers) Gabriel Garcia Marquez The Autumn of the Patriarch (International Writers) Gabriel Garcia Marquez Chronicle of a Death Foretold Gabriel Garcia Marquez The Story of a Shipwrecked Sailor (International Writers) Gabriel Garcia Marquez Collected Stories (International Writers) Gabriel Garcia Marquez Strange Pilgrims (Penguin International Writers) Gabriel Garcia Marquez Doce Cuentos Peregrinos (International Writers) Gabriel Garcia Marquez Strange Pilgrims Twelve Stories (Penguin Great Books of the 20th Century) Gabriel Garcia Marquez Del Amor Y Otros Demonios / Of Love and Other Demons (Penguin Great Books of the 20th Century) Gabriel Garcia Marquez Of Love and Other Demons Gabriel Garcia Marquez El Amor En Los Tiempos Del Colera / Love in the Time of Cholera (Penguin Great Books of the 20th Century) Gabriel Garcia Marquez Of Love and Other Demons (Penguin Great Books of the 20th Century) Gabriel Garcia MarquezEdith Grossman? Noticia De Un Secuestro / News of a Kidnapping (Penguin Great Books of the 20th Century) Gabriel Garcia Marquez News of a Kidnapping Gabriel Garcia Marquez News of a Kidnapping (Penguin Great Books of the 20th Century) Gabriel Garcia MarquezEdith Grossman? Love in the Time of Cholera (Penguin Great Books of the 20th Century) Gabriel Garcia MarquezEdith Grossman? Living to Tell the Tale Gabriel Garcia Marquez Seventeen Poisoned Englishmen (Pocket Penguins) Gabriel Garcia Marquez Memories of My Melancholy Whores Gabriel Garcia Marquez Innocent Erendira and Other Stories (International Writers) Gabriel Garcia Marquez In Evil Hour Gabriel Garcia Marquez Gabriel Garcia Marquez's 100 Years of Solitude A Casebook (Casebooks in Criticism) Gene H. Bell-Villada? Gabriel Garcia Marquez's 100 Years of Solitude A Casebook (Casebooks in Criticism) Gene H. Bell-Villada? No One Writes to the Colonel Gabriel Garcia MarquezGabriel Garcia MarquezJ.S. Bernstein? The Autumn of the Patriarch Gabriel Garcia MarquezGabriel Garcia MarquezGregory Rabassa? Innocent Erendira Gabriel Garcia MarquezGabriel Garcia MarquezGregory Rabassa? The Autumn of the Patriarch Gabriel Garcia MarquezG. Rabassa? Chronicle of a Death Foretold Gabriel Garcia MarquezGabriel Garcia MarquezG. Rabassa? Love in the Time of Cholera Gabriel Garcia Marquez Gabriel Garcia Marquez Stephen Minta? Love in the Time of Cholera Gabriel Garcia MarquezGabriel Garcia MarquezE. Grossman? The General in His Labyrinth Gabriel Garcia Marquez One Hundred Years of Solitude Gabriel Garcia MarquezG. Rabassa? La Increible Y Triste Historia De La Candida Erendira Y De Su Abuela Desalmada/the Incredible And Sad Story of Candiada Erendira And Her Cruel Grandmother (Biblioteca Garcia Marquez) Gabriel Garcia Marquez Collected Stories Gabriel Garcia MarquezGabriel Garcia MarquezG. Rabassa?J.S. Bernstein? Strange Pilgrims Gabriel Garcia Marquez Of Love and Other Demons Gabriel Garcia Marquez News of a Kidnapping Gabriel Garcia Marquez Living to Tell the Tale Gabriel Garcia MarquezEdith Grossman? One Hundred Years of Solitude Gabriel Garcia MarquezGabriel Garcia MarquezG. Rabassa? Gabriel Garcia Marquez and the Powers of Fiction (Texas Pan American Series) Julio Ortega?Claudia Elliott?Gabriel Garcia Marquez Cien Anos De Soledad / 100 Years of Solitude (Literatura Mondadori) Gabriel Garcia Marquez El Coronel No Tiene Quien Le Escriba / No One Writes to the Colonel (Literatura Mondadori) Gabriel Garcia Marquez Del Amor Y Otros Demonios/of Love And Other Demons (Literatura Mondadori) Gabriel Garcia Marquez Diatriba De Amor Contra Un Hombre Sentado/Love's Diatribe Against a Sensible Man (Biblioteca Garcia Marquez) Gabriel Garcia Marquez Doce Cuentos Peregrinos/Twelve Pilgrim Tales Gabriel Garcia Marquez Los Funerales De La Mama Grande/the Funerals of the Big Mother (Biblioteca Garcia Marquez) Gabriel Garcia Marquez La Hojarasca/dead Leaves (Literatura Mondadori) Gabriel Garcia Marquez The Story of a Shipwrecked Sailor Gabriel Garcia MarquezGabriel Garcia MarquezR. Hogan? El Otono Del Patriarca / the Autumn of the Patriarch (Biblioteca Garcia Marquez) Gabriel Garcia Marquez La Mala Hora/the Bad Hour (Literatura Mondadori) Gabriel Garcia Marquez Ojos De Perro Azul/the Dog With the Blue Eyes (Biblioteca Garcia Marquez) Gabriel Garcia Marquez Los Funerales De La Mama Grande/the Funerals of the Big Mother (Contemporanea) Gabriel Garcia Marquez La Aventura De Miguel Littin Clandestino En Chile/the Adventures of Miguel Littin Clandestino in Chile (Contemporanea) Gabriel Garcia Marquez The Story of a Shipwrecked Sailor Who Drifted on a Life Raft for Ten Days Without Food or Water, Was Proclaimed a National Hero, Kissed by Beauty Q Gabriel Garcia Marquez Bibliographic Guide to Gabriel Garcia Marquez, 1979-1985 (Bibliographies and Indexes in World Literature, No 7) Margaret Eustella Fau?Nelly S. Gonzalez? La Hojarasca/dead Leaves (Contemporanea) Gabriel Garcia Marquez La Mala Hora/the Bad Hour (Contemporanea) Gabriel Garcia Marquez Ojos De Perro Azul/the Dog With the Blue Eyes (Contemporanea) Gabriel Garcia Marquez El Otono Del Patriarca / the Autumn of the Patriarch (Contemporanea) Gabriel Garcia Marquez Gabriel Garcia Marquez Solitude and Solidarity F (Modern Novelists) Michael Bell? Gabriel Garcia Marquez An Annotated Bibliography, 1947-1979 Gabriel Garcia MarquezMargaret Eustella Fau?Martin Feinrider? El Coronel No Tiene Quien Le Escriba / No One Writes to the Colonel (Contemporanea) Gabriel Garcia Marquez Bibliographic Guide to Gabriel Garcia Marquez, 1986-1992 (Bibliographies and Indexes in World Literature, No 42) Nelly S. Gonzalez? Gabriel Garcia Marquez A Critical Companion (Critical Companions to Popular Contemporary Writers) Ruben Pelayo? The Autumn of the Patriarch (Picador Books) Gabriel Garcia MarquezGabriel Garcia MarquezGregory Rabassa? Cronica De Una Muerte Anunciada / Chronicle of a Death Foretold Gabriel Garcia MarquezGregory Rabassa? El Otono Del Patriarca / the Autumn of the Patriarch Gabriel Garcia Marquez One Hundred Years of Solitude (Picador Books) Gabriel Garcia MarquezGabriel Garcia MarquezG. Rabassa? Bibliographic Guide to Gabriel Garcia Marquez, 1992-2002 (Bibliographies and Indexes in World Literature, No. 58) Nelly S. Gonzalez? Leaf Storm (Picador Books) Gabriel Garcia MarquezGabriel Garcia MarquezGregory Rabassa? Innocent Erendira (Picador Books) Gabriel Garcia MarquezGabriel Garcia MarquezGregory Rabassa? One Hundred Years of Solitude Gabriel Garcia MarquezGregory Rabassa? In Evil Hour (Picador Books) Gabriel Garcia MarquezG. Rabassa? Chronicle of a Death Foretold (Picador Books) Gabriel Garcia MarquezG. Rabassa? No One Writes to the Colonel (Picador Books) Gabriel Garcia MarquezGabriel Garcia MarquezJ.S. Bernstein? Chronicle of a Death Foretold Gabriel Garcia Marquez News of a Kidnapping Gabriel Garcia MarquezEdith Grossman? In Evil Hour Gabriel Garcia Marquez Love in the Time of Cholera (Everyman's Library (Cloth)) Gabriel Garcia MarquezNicholas Shakespeare?Edith Grossman? Autumn of the Patriarch Gabriel Garcia Marquez Noticia De Un Secuestro / News of a Kidnapping (Contemporanea) Gabriel Garcia Marquez Der Liebe in Den Zeiten Der Cholera Gabriel Garcia Marquez Die Liebe in Den Zeiten Der Choler Gabriel Garcia Marquez Defamiliarization in the Work of Gabriel Garcia Marquez from 1947-1967 (Hispanic Literature) K. E. A. Mose? Fragrance of Guava Gabriel Garcia MarquezPlinio Apuleyo Mendoza?Tom Nairn? Hundred Years of Loneliness Gabriel Garcia Marquez The 1st Garcia Marquez A Study of His Journalistic Writing from 1948-1955 Robert L. Sims? Evolution of Myth in Garcia Marquez from LA Hojarasca to Cien Anos De Soledad Robert L. Sims? Los Funerales De LA Mama Grande (Editorial Sudamericana Narrativas/Antologia) Gabriel Garcia Marquez Gabriel Garcia Marquez G Martin? Die Liebe in Den Zeiten Der Cholera (Fiction, Poetry Drama) Gabriel Garcia Marquez Cien Anos De Soledad Gabriel Garcia Marquez Gabriel Garcia Marquez y su universo magico/Gabriel Garcia Marquez and his magical universe Raquel Benatar? Circularity and Visions of the New World in William Faulkner, Gabriel Garcia Marquez, and Osman Lins Rosa Simas? La Aventura De Niguel Littin Gabriel Garcia Marquez Amour Aux Temps Du Cholera Gabriel Garcia Marquez El Amor En Los Tiempos Del Colera Gabriel Garcia Marquez Vivir Para Contarla / Living to Tell the Tale Gabriel Garcia Marquez Noticia De Un Secuestro Gabriel Garcia Marquez Hundert Jahre Einsamkeit Gabriel Garcia Marquez Sparknotes One Hundred Years of Solitude (Spark Notes) Gabriel Garcia Marquez La Increible Y Triste Historia De La Candida Erendira ... Gabriel Garcia Marquez La Hojarasca Gabriel Garcia Marquez Cien Anos De Soledad / 100 Years of Solitude (Neuva Austral Series Volume 100) Gabriel Garcia MarquezJoaquin Marco? Biography of Gabriel Garcia Marquez Gerald Martin? El Coronel No Tiene Quien Le Escriba / No One Writes to the Colonel Gabriel Garcia Marquez LA Increible Historia De LA Candida Erendira Y De Su Abuela Desalmada (Fiction, Poetry Drama) Gabriel Garcia Marquez Gabriel Garcia Marquez (Brh. Estudios Y Ensayos) Palencia? Relato De Un Naufrago/ the Tale of Naufrago Gabriel Garcia Marquez Gabriel Garcia Marquez Cuentos Gabriel Garcia MarquezCarme Sole Vendrell? Cien Anos De Soledad Gabriel Garcia Marquez Cien Anos De Soledad / 100 Years of Solitude Gabriel Garcia Marquez Los Funerales De LA Mama Grande/Funerals of the Great Matriarch (Narrativa Mondadori) Gabriel Garcia Marquez El Coronel No Tiene Quien Le Escriba/No One Writes to the Colonel and Other Stories Gabriel Garcia Marquez Sto Let Odinocestva Gabriel Garcia Marquez Mascaro, der amerikanische Jaeger. Sonderausgabe Haraldo Conti?Gabriel Garcia Marquez Textos Costenos Volumen II Gabriel Garcia Marquez Los Funerales De La Mama Grande / Big Mama's Funeral Gabriel Garcia Marquez Retrato de Gabriel Garcia Marquez (Galeria de Grandes Contemporaneos) Juan Luis Cebrian? Himmlische Engel. CD . Die schoensten Weihnachtsgeschichten Hans Christian AndersenSelma Lagerloef?Gabriel Garcia Marquez Cien Anos De Soledad / 100 Years of Solitude (Nueva Austral Series) Gabriel Garcia Marquez LA Candida Erendira (Relatos Cortos - Short Stories) Gabriel Garcia Marquez El Mundo De MacOndo En LA Obra De Gabriel Garcia Marquez Olga Carreras Gonzalez? Herr Nobelpreistraeger, Sie irren Willy Futterknecht?Gabriel Garcia Marquez Ich, Katze. Sonderausgabe Adriano Bacchella?Gabriel Garcia MarquezErnest Hemingway?Victor Hugo? Cronica De Una Muerte Anunciada/chronicle of a Death Foretold Gabriel Garcia Marquez Entre Cachacos / Among Coxcombs Obra Periodistica 2 (1954-1955) / Journalist Works 2 (1954-1955) (Biblioteca Garcia Marquez) Gabriel Garcia Marquez LA Mala Hora/in Evil Hour Gabriel Garcia Marquez Ojos De Perro Azul / Eyes of a Blue Dog Gabriel Garcia Marquez Entre Cachacos I Gabriel Garcia Marquez Notas De Prensa Obra Periodistica 5 (1961-1984) Gabriel Garcia Marquez Clave Diccionario De Uso Del Espanol Actual Diccionario De Uso Del Espanol Actual Concepcion Maldonado?Gabriel Garcia MarquezNieves Almarza Acedo? La Mala Hora / in Evil Hour Gabriel Garcia Marquez El Comentario De Textos, 2 Gabriel Garcia Marquez Notas de Prensa 1980-1984 Gabriel Garcia Marquez El General En Su Laberinto / the General in His Labyrinth Gabriel Garcia Marquez Relato De Un Naufrago / the Story of a Shipwrecked Sailor Gabriel Garcia Marquez Doce Cuentos Peregrinos / Twelve Pilgrim Tales Gabriel Garcia Marquez Cent' anni di solitudine Gabriel Garcia Marquez Del Amor Y Otros Demonios / of Love And Other Demons Gabriel Garcia Marquez Cien Anos De Soledad/One Hundred Years of Solitude Gabriel Garcia Marquez Noticia De UN Secuestro Gabriel Garcia Marquez El Coronel No Tiene Quien Le Escriba / No One Writes to the Colonel Gabriel Garcia Marquez Cien Anos De Soledad Gabriel Garcia Marquez La Hojarasca / Leaf Storm (Garcia Marquez, Gabriel, Biblioteca Garcia Marquez.) Gabriel Garcia Marquez Del Amor Y Otros Demonios Gabriel Garcia Marquez Gabriel Garcia Marquez Peter G. Earle? El Otono Del Patriarca/the Autumn of the Patriarch Gabriel Garcia Marquez Cien Anos de Soledad Gabriel Garcia Marquez Noticia De UN Secuestro Gabriel Garcia Marquez La Hojarasca / Leaf Storm Gabriel Garcia Marquez Cien Anos de Soledad Gabriel Garcia Marquez Cronica De Una Muerte Anunciada/Chronicle of a Death Foretold Gabriel Garcia Marquez De Europa Y America Obra Periodistica 3 1955-1960 Gabriel Garcia Marquez Entre Cachacos II Gabriel Garcia Marquez El General En Su Laberinto Gabriel Garcia Marquez Los Funerales De La Mama Grande / Big Mama's Funeral (Garcia Marquez, Gabriel, Biblioteca Garcia Marquez.) Gabriel Garcia Marquez Der Herbst des Patriarchen. Roman. Gabriel Garcia Marquez Der Geruch der Guayave. Gabriel Garcia MarquezPlinio Apuleyo. Mendoza? Lateinamerikanische Erzaehler des 20. Jahrhunderts. Isabel Allende?Mario Vargas Llosa?Gabriel Garcia MarquezGuenther Fetzer? Hundert Jahre Einsamkeit Gabriel Garcia Marquez Chronik eines angekuendigten Todes Gabriel Garcia Marquez Hundert Jahre Einsamkeit. Gabriel Garcia Marquez Garcia Marquez Writer of Colombia Stephen Minta? Bericht eines Schiffbruechigen. Gabriel Garcia Marquez Der Oberst hat niemand, der ihm schreibt. Gabriel Garcia Marquez Biography of Gabriel Garcia Marquez Gerald Martin? Augen eines blauen Hundes. Fruehe Erzaehlungen. Gabriel Garcia Marquez Memories of My Melancholy Whores. Gabriel Garcia Marquez Memories of My Melancholy Whores Gabriel Garcia Marquez The Handsomest Drowned Man in the World A Tale for Children Gabriel Garcia Marquez Der Geruch der Guayave (7270 755). Gabriel Garcia MarquezPlinio Apuleyo. Mendoza? Critical Perspectives on Gabriel Garcia Marquez Bradley A. Shaw?Nora Vera-Godwin? Chronik eines angekuendigten Todes. Roman. Gabriel Garcia Marquez The General in His Labyrinth (International Writers) Gabriel Garcia Marquez Mythos und Wirklichkeit. Materialien zum Werk von Gabriel Garcia Marquez Gabriel Garcia MarquezTom Koenigs? 100 Years of Solitude Gabriel Garcia Marquez Gabriel Garcia Marquez Life, Work, and Criticism George R. McMurray? The Presence of Hemingway in the Short Fiction of Gabriel Garcia Marquez Harley D. Oberhelman? Intertextuality in Garcia Marquez Arnold M. Penuel? Doce Cuentos Peregrinos Gabriel Garcia Marquez Gabriel Garcia Marquez. Sein Leben und sein Werk Oscar Collazos? Das Abenteuer des Miguel Littin. Illegal in Chile Gabriel Garcia Marquez Hundert Jahre Einsamkeit Gabriel Garcia Marquez Die Erzaehlungen Gabriel Garcia Marquez Das Abenteuer des Miguel Littin. Illegal in Chile. Gabriel Garcia Marquez Die Erzaehlungen. Gabriel Garcia Marquez Die Erzaehlungen. (6388 540). Gabriel Garcia Marquez Coronel No Tiene Quien Le Escriba, El Gabriel Garcia Marquez Three Novellas Gabriel Garcia Marquez El Elogio de La Utopia (Coleccion El Cronista Cultural) Gabriel Garcia Marquez Dieselbe Geschichte, nur anders / Der Mann auf der Strasse / Der Matrose von Amsterdam. Gabriel Garcia MarquezGeorges Simenon?Guillaume Apollinaire? Cien Anos De Soledad / 100 Years of Solitude Gabriel Garcia Marquez Hundert Jahre Einsamkeit Gabriel Garcia Marquez Cronica De Una Muerte Anunciada Gabriel Garcia Marquez Bericht eines Schiffbruechigen. Gabriel Garcia Marquez Die Geiselnahme Gabriel Garcia Marquez Living to Tell the Tale Gabriel Garcia Marquez Die boese Stunde. Gabriel Garcia Marquez Nachricht von einer Entfuehrung. Gabriel Garcia Marquez Der Oberst hat niemand, der ihm schreibt. Gabriel Garcia Marquez Laubsturm. Gabriel Garcia Marquez Gabriel Garcia Marquez's One Hundred Years of Solitude (Bloom's Modern Critical Interpretations) Harold Bloom? Die Erzaehlungen. Gabriel Garcia Marquez Doce Cuentos Peregrinos Gabriel Garcia Marquez Gabriel Garcia Marquez (Obra Periodistica Vol 1) Jacques Gilard? Garcia Marquez (Modern Literatures in Perspective) Robin W. Fiddian? Leaf Storm Gabriel Garcia MarquezGabriel Garcia MarquezGregory Rabassa? Garcia Marquez (Modern Literatures in Perspective) Robin W. Fiddian? Chronik eines angekuendigten Todes. Roman. Gabriel Garcia Marquez One Hundred Years of Solitude (Perennial Classics) Gabriel Garcia-Marquez? Das Abenteuer des Miguel Littin. Illegal in Chile. Gabriel Garcia Marquez Der General in seinem Labyrinth. Gabriel Garcia Marquez Hundert Jahre Einsamkeit. Gabriel Garcia Marquez Of Love and Other Demons Gabriel Garcia MarquezEdith Grossman? Gabriel Garcia Marquez Modern Critical Views Harold Bloom? Stories Gabriel Garcia Marquez Marquez Collection Gabriel Garcia Marquez La Mala Hora / in Evil Hour Gabriel Garcia Marquez In Evil Hour Gabriel Garcia Marquez Funerales De LA Mama Grande Gabriel Garcia Marquez Gabriel Garcia Marquez El Vicio Incurable De Contar Conrado Zuluaga? The Handsomest Drowned Man in the World (Best of Playboy Fiction) Gabriel Garcia Marquez Love in the Time of Cholera Gabriel Garcia Marquez Memoria De Mis Putas Tristes / Memories of My Melancholy Whores Gabriel Garcia Marquez Die schoensten Liebesgeschichten aus Lateinamerika. Von Machado de Assis bis Gabriel Garcia Marquez. William Matheson? Die verdammte Inspiration. Kolumbianische Literatur nach Gabriel Garcia Marquez El coronel no tiene quien le escriba. Vokabularien Gabriel Garcia MarquezGerhard Lang? Gabriel Garcia Marquez's One Hundred Years of Solitude A Casebook Gene H. Bell-Villada? Cronica de una muerte anunciada. Vokabularien. Zum Taschenbuch vom Verlag Mondadori Gabriel Garcia MarquezGerhard Lang? Das Leichenbegaengnis der grossen Mama (5478 839). Und andere Erzaehlungen. Gabriel Garcia MarquezCurt. Meyer-Clason? Laubsturm. Roman. Gabriel Garcia Marquez Unter dem Stern des Boesen. Gabriel Garcia Marquez Hundert Jahre Einsamkeit. Gabriel Garcia Marquez Die boese Stunde. Gabriel Garcia Marquez Gabriel Garcia Marquez. Die Magie der Wirklichkeit Harald Irnberger? Laubsturm. Roman. Gabriel Garcia Marquez Chronik eines angekuendigten Todes. 5 Expl. a DM 3.50. Roman. Gabriel Garcia Marquez Hundert Jahre Einsamkeit. Gabriel Garcia Marquez Von der Liebe und anderen Daemonen. Sonderausgabe. Gabriel Garcia Marquez Augen eines blauen Hundes. Fruehe Erzaehlungen. Gabriel Garcia Marquez El Coronel No Tiene Quien Le Escriba / No One Writes to the Colonel Gabriel Garcia Marquez Die Geiselnahme. Roman. Gabriel Garcia Marquez Bericht eines Schiffbruechigen. Gabriel Garcia Marquez Chronik eines angekuendigten Todes. Roman. Gabriel Garcia Marquez Das Leichenbegaengnis der Grossen Mama. Erzaehlungen. Gabriel Garcia Marquez Die unglaubliche und traurige Geschichte von der einfaeltigen Erendira und ihrer herzlosen Grossmutter. Sieben Erzaehlungen. Gabriel Garcia Marquez Gabriel Garcia Marquez. Sein Leben und sein Werk. Oscar Collazos? Collected Stories Gabriel Garcia Marquez Doce Cuentos Peregrinos/Twelve Pilgrim Tales Gabriel Garcia Marquez Innocent Erendira and Other Stories Gabriel Garcia Marquez Der Geruch der Guayave. Gabriel Garcia MarquezPlinio Apuleyo Mendoza? No One Writes to the Colonel and Other Stories Gabriel Garcia Marquez Autumn of the Patriarch Gabriel Garcia Marquez Die Giraffe aus Barranquilla. Journalistische Arbeiten 1948 - 1952. Gabriel Garcia MarquezRicardo Bada?Jose Moral? One Hundred Years of Solitude (G K Hall Large Print Book Series) Gabriel Garcia Marquez One Hundred Years of Solitude (Thorndike Press Large Print Paperback Series) Gabriel Garcia MarquezGregory Rabassa? UN Senor Muy Viejo Con Unas Alas Enormes Gabriel Garcia Marquez The First Garcia Marquez A Study of His Journalistic Writing from 1948 to 1955 Robert L. Sims? Der Beobachter aus Bogota. Journalistische Arbeiten 1954-1955. Gabriel Garcia MarquezRicardo Bada?Jose. Moral? Die unglaubliche und traurige Geschichte von der einfaeltigen Erendira und ihrer herzlosen Grossmutter. Sieben Erzaehlungen. Gabriel Garcia Marquez LA Siesta Del Martes Gabriel Garcia MarquezCarme Sole Vendrell? Hundert Jahre Einsamkeit. Sonderausgabe. Gabriel Garcia Marquez Special Issue Gabriel Garcia Marquez (Latin American Literary Review, Vol. 8, No. 25, January-June, 1985) Yvette E. Miller? Die Erzaehlungen. Gabriel Garcia Marquez Hundert Jahre Einsamkeit Gabriel Garcia Marquez Cronica De Una Muerte Anunciada/Chronicle of a Death Foretold Gabriel Garcia Marquez Hundert Jahre Einsamkeit. Gabriel Garcia Marquez One Hundred Years of Solitude (ISIS Large Print) Gabriel Garcia MarquezGregory Rabassa? Der Oberst hat niemand, der ihm schreibt. Grossdruck. Roman. Gabriel Garcia Marquez Der General in seinem Labyrinth. Grossdruck. Gabriel Garcia Marquez Erzaehlungen aus der Karibik. Alejo Carpentier?Gabriel Garcia MarquezSergio Ramirez?Peter Schultze-Kraft? Der General in seinem Labyrinth. Roman. Gabriel Garcia Marquez Gabriel Garcia Marquez (Palgrave Modern Novelists) Michael Bell? Gabriel Garcia Marquez (Palgrave Modern Novelists) Michael Bell? Der General in seinem Labyrinth. Roman. Gabriel Garcia Marquez Der General in seinem Labyrinth. Gabriel Garcia Marquez El Ontono Del Patriarca Gabriel Garcia Marquez Zwoelf Geschichten aus der Fremde. Gabriel Garcia Marquez Los Funerales De LA Mama Grande Gabriel Garcia Marquez Cien Anos De Soledad (Spanish) Gabriel Garcia Marquez Das grosse Winterlesebuch II. Gabriel Garcia MarquezJorge Luis Borges?Ruth Rendell?Andrea. Best? Der General in seinem Labyrinth. Gabriel Garcia Marquez Ojos De Perro Azul Gabriel Garcia Marquez
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ACTE III （Le théâtre représente le Pré-aux-Clercs, qui s'étend jusqu'aux bords de la Seine. A gauche, sur le premier plan, un cabaret où sont assis des étudiants catholiques et des jeunes filles; à droite, un autre cabaret devant lequel des soldats huguenots boivent et jouent aux dés. Sur le second plan, à gauche, l'entrée d'une chapelle. Au milieu, un arbre immense qui ombrage la prairie. Au lever du rideau, des clercs de la Basoche et des grisettes sont assis sur des chaises et causent entre eux. D'autres se promènent. Ouvriers, marchands, musiciens ambulants, moines, bourgeois et bourgeoises. Il est six heures du soir, au mois d'août） ▼CHOEUR DES PROMENEURS▲ C'est le jour du dimanche, c'est le jour du repos; dans une gaieté franche oublions nos travaux! C'est le jour du dimanche… Tra la la la la la… ▼SOLDATS HUGUENOTS▲ Rataplan, rataplan plan plan ▼BOIS-ROSE, SOLDATS▲ Prenant son sabre de batailles, qui fait crouler forts et murailles… il a dit Soldats de la foi suivez-moi! suivez-moi! Je suis votre vieux capitaine, rataplan, à la victoire je vous mène, rataplan, ou je vous mène en paradis, mes amis! ▼SOLDATS▲ Rataplan, rataplan… Vive la guerre! Buvons, amis, à notre père, à Coligny! Vive la guerre Vive Coligny! Vive Coligny! （Nevers, Saint-Bris, Valentine, jeunes filles et dames catholiques marchent vers la chapelle） ▼JEUNES FILLES ET DAMES CATHOLIQUES▲ Vierge Marie, soyez bénie Votre voix prie. Ave! pour les pécheurs, Ave! Reine de grâce, pour vous s'efface jusqu'à la trace de nos douleurs. Ah! ▼MARCEL▲ Le seigneur de Saint-Bris? ▼D'HOMMES CATHOLIQUES▲ （faible） Tu ne peux lui parler. ▼MARCEL▲ Pourquoi donc? ▼HOMMES CATHOLIQUES▲ Incline ton front! ▼MARCEL▲ Et pourquoi le ferais-je? Dieu n'est pas là, je pense. （Marcel sort） ▼HOMMES CATHOLIQUES▲ Impie! ▼BOIS-ROSE▲ Il a raison! ▼BOIS-ROSE, SOLDATS▲ Rataplan, rataplan… ▼FEMMES CATHOLIQUES▲ Vierge Marie, soyez bénie! Votre voix prie pour le pécheur. ▼BOIS-ROSE, SOLDATS▲ Vive la guerre! Buvons, amis, à notre père, à Coligny! ▼D'HOMMES CATHOLIQUES▲ Profanes! Impies! dont les âmes sont endurcies! ▼CHOEUR▲ Oh! profanes, impies qu'on devrait brûler en plein air, en attendant les feux d'enfer. ▼SOLDATS▲ Rataplan, rataplan… （Des bohémiens arrivent） ▼DEUX BOHEMIENNES▲ Venez, venez, venez, vous qui voulez savoir d'avance si le destin vous sourira, payez, payez, et ma science à juste prix vous le dira. De la Bohème enfants joyeux, le ciel lui-même s'ouvre à nos yeux! Beautés coquettes, seigneurs galantsjeunes fillettes jeunes amants. Tra la la la… ▼ETUDIANTS, SOLDATS▲ Gentilles Bohémiennes, venez danser avec nous, oui gentilles Bohémiennes, venez danser avec nous. Ballet （Nevers, Saint-Bris et Maurevert sorts de la chapelle） ▼NEVERS▲ （à Saint-Bris） Pour remplir un voeu solennel, jusqu'à ce soir au pied du saint autel, Valentine demande à rester en prière! J'obéis! et suivi de mes nombreux amis, je reviendrai chercher l'épouse qui m'est chère pour la conduire en pompe à mon logis. ▼SAINT-BRIS▲ Ainsi par cet illustre et noble mariage des refus de Raoul je puis braver l'outrage, mais non pas l'oublier, et s'il s'offre à mes coups… ▼MARCEL▲ Au seigneur de Saint-Bris que cela soit remis, a dit mon maître; et moi qui… ▼SAINT-BRIS▲ Donne! Raoul! Raoul! Il revient donc enfin! ▼MARCEL▲ Avec la Reine! Tous les trois nous venons de quitter la Touraine nous entrons dans Paris. ▼SAINT-BRIS▲ Et j'en rends grâce au ciel! Il m'ose défier, il m'envoie un cartel. ▼MARCEL▲ Grand Dieu! Quel mot viens-je d'entendre? ▼SAINT-BRIS▲ Aujourd'hui même, au Pré-aux-Clercs, quand les ombres du soirrendent ces lieux déserts il viendra! ▼MAUREVERT▲ C'est ici tantôt qu'il doit se rendre. ▼SAINT-BRIS▲ Un Dieu vengeur l'amène! Il n'en sortira pas! Nous l'attendrons! （avec voix faible, à Mauvert） Cachons ce cartel à mon gendre, un jour d'hymen il ne doit pas courir la chance des combats. ▼MAUREVERT▲ Ni vous non plus! Pour frapper un impie, il est d'autres moyens que le ciel justifie! ▼SAINT-BRIS▲ Et lesquels? ▼MAUREVERT▲ Dieu le veut! Venez, et devant lui vous saurez les projets que l'on forme aujourd'hui. ▼UN ARCHER▲ Rentrez, habitants de Paris. Tenez-vous clos en vos logis; que tout bruit meure, quittez ce lieu car voici l'heure du couvre-feu. ▼CHOEUR▲ Rentrons, habitants de Paris, tenons-nous clos en nos logis; que tout bruit meure, quittons ce lieu car voici l'heure du couvre-feu. （Tout est désert） ▼MAUREVERT▲ （Sortant de la chapelle avec Saint-Bris） C'est convenu! Tu m'as compris? Dans une heure, en ces lieux. Comptez sur nos amis! （Ils quittent） ▼VELENTINE▲ （Sortant de la chapelle） Ô terreur! Je tressaille au seul bruit de mes pas! Mes sens égarés ne m'abusent-ils pas? Derrière ce pilier, cachée à tous les yeux, je viens d'entendre, hélas ce complot odieux! Ses jours sont menacés! Ah! je dois l'y soustraire! Non pas pour lui, mon Dieu, mais pour l'honneur d'un père. Mais comment prévenir Raoul? （Marcel retourne） ▼MARCEL▲ Je l'attendrai! Je serai du combat et s'il meurt, je mourrai! Dans la nuit où seul je veille, ah! quel bruit frappe mon oreille? La prudence me conseille; ah! guettons de loin sans bouger! ▼VELENTINE▲ Ah! grand Dieu, vois ma détresse! C'est l'endroit et l'heure presse! Mais comment, par quelle adresse du danger le prévenir? ▼MARCEL▲ Qui va là? ▼VELENTINE▲ O bonheur! c'est la voix du bon Marcel! Chut! Marcel! ▼MARCEL▲ A cette heure, à cette place, Quoi! mon nom? Qui va là? ▼VELENTINE▲ Viens ici! ▼MARCEL▲ Halte-là! Le mot d'ordre! ou qu'on meure! ▼VELENTINE▲ Raoul! ▼MARCEL▲ Raoul? Bien cela! Avancez! - Une Femme! Et voilée! ▼VELENTINE▲ As-tu peur? ▼MARCEL▲ Qui? Moi? moi, peur? moi? Non, non, non, tu le sais, je suis Marcel, le vieux glaive d'Israël, la terreur de vos Babel! ▼VELENTINE▲ Ecoute-moi! Raoul en ces lieux doit se rendre. ▼MARCEL▲ C'est vrai ▼VELENTINE▲ Pour un duel. ▼MARCEL▲ C'est vrai… contre un damné, pour venger son honneur. Dieu saura le défendre. ▼VELENTINE▲ Qu'il vienne au combat que bien accompagné. Ah! l'ingrat d'une offense mortelle a blessé mon coeur tendre et fidèle. Et pourtant son image cruelle vit encor dans mon coeur égaré. Je veux donc lui sauver cette vie, comme un jour il sauva son amie! ▼MARCEL▲ Je courrai l'avertir, le sauver le défendre! Insensé, j'oubliais qu'il n'est plus au logis! En partant dans ces lieux il m'a dit de l'attendre. Où le joindre à présent? Et comment lui donner cet avis? ▼VELENTINE▲ Puis, s'il faut l'oublier, je mourrai! ▼MARCEL▲ Si pendant mon absence, contre lui tout à coup, cette bande s'élance, par le fer meurtrier assailli, sans défense, appelant son Marcel, c'en est fait… il mourra! Ah! restons, oui restons! Mais, à moi seul que pourra tout mon zèle? Ah! Mourir sur son corps, en serviteur fidèle! ▼VELENTINE▲ Ah! s'il faut l'oublier, je mourrai! Oui, l'ingrat a blessé mon coeur tendre, et pourtant son image vit dans mon coeur! ▼MARCEL▲ Dieu puissant, vois mes pleurs, mon angoisse mortelle, prends pitié d'un vieillard qui t'adore, Dieu puissant, prends pitié! Vois mon angoisse! Pitié! pitié! ▼VELENTINE▲ Tu m'as comprise; adieu! ▼MARCEL▲ Non! quelle es-tu? J'attends. ▼VELENTINE▲ Je suis… ▼MARCEL▲ Qui? ▼VELENTINE▲ Je suis … une femme, ô Marcel, qui l'adore et qui mourra mais en sauvant ses jours! ▼MARCEL▲ Se peut-il? Vraiment? ▼VELENTINE▲ Ah! tu ne peux éprouver ni comprendre ces tourments que nul mot ne sait rendre, ces combats où la foi, l'amour tendre, le devoir, tour à tour sont vainqueurs! Pour sauver une tête si chère, je trahis et l'honneur et mon père! Mais j'implore un pardon, et j'espère en ce Dieu qui connaît tous les coeurs! ▼MARCEL▲ Ne te repens pas, noble fille, d'un dévouement où l'honneur brille, ne pleure pas; Marcel, ma fille, te bénit du fond du coeur. D'un vieillard l'humble prière est un baume salutaire; Dieu m'exaucera, j'espère, en te versant sa faveur! ▼VELENTINE▲ Tu ne peux éprouver ni comprendre ces tourments… ▼MARCEL▲ On me disait que la femme a l'oeil aussi faux que l'âme; mais sa candeur, cette flamme, vient tout droit du paradis! Ne pleure pas, pauvre fille, non, non, ne pleure pas! ▼VELENTINE▲ … mais j'espère en ce Dieu qui connaît tous les coeurs. （Valentine entre dans la chapelle） ▼MARCEL▲ Un danger le menace, et j'ignore lequel; alerte, vieilles jambes! Sauvons Benjamin de sa perte! （Il voit à Raoul et Saint –Bris） Ciel! c'est lui! et Judas! ▼SAINT-BRIS▲ （à Raoul） En même temps que nous se trouver au combat, c'est bien! ▼RAOUL▲ Quoi! doutiez-vous de mon exactitude? ▼MARCEL▲ Et comment de ce traître déjouer les desseins? ▼RAOUL SAINT- BRIS▲ C'est toi, mon bon Marcel? ▼MARCEL▲ Oui. （Tranquillement, à Raoul） Un ange est descendu, annonçant la tempête; mon maître, un piège est sous vos pas. ▼RAOUL▲ Perds-tu la tête, Marcel? （à Saint-Bris et l'accompagne） De ce loyal combat dont vous êtes témoins, réglez les lois, messieurs, je m'en fie à vos soins. En mon bon droit j'ai confiance! ▼TAVANNES, DE RETZ▲ J'ai confiance! ▼COSSE, MERU▲ J'ai confiance! ▼TOUS▲ En mon bon droit j'ai confiance! ▼RAOUL▲ Pour me venger de son offense… ▼TOUS▲ … que le fer seul juge entre nous! Je veux raison de son outrage, et bonne épée et bon courage. Chacun pour soi! Et Dieu pour tous! ▼RAOUL▲ En mon bon droit, j'ai confiance! ▼TAVANNES, DE RETZ, COSSE, MERU▲ J'ai confiance! ▼MARCEL▲ （Pour lui, pleurant） Ah! quel chagrin pour ma vieillesse! Pleure, Marcel! Dieu nous délaisse! Pauvre Raoul! ils l'ont trahi! Pitié, mon Dieu! sauvez mon fils! ▼TAVANNES, DE RETZ, COSSE, MERU▲ Quoi qu'il advienne ou qu'il arrive marchant l'un sur l'autre à la fois à nombre égal, trois contre trois, jusqu'à ce que la mort s'ensuive, oui, nous battrons. ▼RAOUL, TAVANNES, COSSE▲ C'est convenu. Saint-Bris, ▼DE RETZ, MERU▲ C'est entendu. ▼MARCEL▲ （Pleurant） Pauvre Raoul! ils l'ont trahi! Pitié, mon Dieu, sauvez mon fils! ▼TAVANNES, COSSE▲ （Témoins de Saint-Bris） Que nul autre que nous ne puisse au combat ici prendre part. ▼DE RETZ, MERU▲ （Témoins de Raoul） Nul autre que nous ne doit au combat ici prendre part, non, non. ▼RAOUL, TAVANNES, COSSE▲ C'est convenu. ▼SAINT-BRIS, DE RETZ, MERU▲ C'est entendu. ▼TAVANNES▲ A qui tombera sous… ▼TOUS▲ … ni merci, ni trêve! ▼RAOUL, TAVANNES, COSSE▲ C'est convenu. ▼SAINT-BRIS, DE RETZ, MERU▲ C'est entendu. ▼RAOUL▲ C'est convenu. ▼SAINT-BRIS▲ C'est entendu. ▼TOUS▲ En mon bon droit j'ai confiance pour me venger de son offense; que le fer seul juge entre nous. ▼MERU, SAINT-BRIS▲ Ah! je les vois trembler d'avance! ▼LES AUTRES▲ Méprisons pareille offense! ▼MERU, SAINT-BRIS▲ Plus de valeur, moins de prudence! ▼LES AUTRES▲ Félons, vite en défense! ▼TOUS▲ De ce combat j'attends la fin! ▼MERU, SAINT-BRIS▲ Ah! je les vois trembler d'avance! ▼LES AUTRES▲ Ah! méprisons pareille offense! ▼COSSE, MERU, SAINT-BRIS▲ Que sous nos coups il tombe enfin! ▼RAOUL, TAVANNES, De Retz▲ Allons, messieurs, la dague en main! ▼TOUS▲ Que sous nos coups… ▼MERU, SAINT-BRIS▲ Oui, n'écoutons que notre rage! ▼LES AUTRES▲ Et bonne épée et bon courage! Chacun pour soi, Qu'ils tombent sous nos coups. ▼DE RETZ, SAINT-BRIS▲ Du ciel ils bravent le courroux! Le ciel contre eux nous encourage! ▼TOUS▲ En garde, en garde! Qu'ils tombent, il faut qu'ils tombent sous nos coups! ▼MARCEL▲ Arrêtez! Entendez-vous ces pas? Dans l'ombre je ne puis distinguer leur force ni leur nombre! （Criant à l'extérieure） Vous qui marchez dans la nuit, ici que voulez-vous? ▼MAUREVERT▲ Que t'importe? （Il regarde à Raoul） Que vois-je, ô ciel? et quelle perfidie! Des huguenots dont la fureur impie ose à nombre inégal attaquer dans ces lieux un des nôtres! A moi, à moi, défenseurs du vrai Dieu! ▼MARCEL▲ C'est une trahison! Monstres! Dieu vous regarde! ▼SOLDATS HUGUENOTS▲ （Dans la taverne） Rataplan, rataplan plan, plan Vive la guerre! Buvons, amis, oui! ▼MARCEL▲ （Il frappe la porte de la taverne） Coligny! Défenseurs de la foi, tout Israël est en émoi! Victoire! Enfin tu rends, mon Dieu! la victoire à nos armes! ▼SAINT-BRIS▲ （Vers la taverne où se trouvent les étudiants） A moi! à moi! Braves étudiants accourez! Accourez! Trahison! Perfidie! venez! ▼UN ETUDIANT▲ （à gauche） Oui, tous! ▼SOLDATS HUGUENOTS▲ ▼ETUDIANTS CATHOLIQUES▲ Nous voilà, nous voilà, nous voilà, félons, arrière! ▼ETUDIANTS CATHOLIQUES▲ Tournez bride, tournez bride, cavaliers! ▼SOLDATS HUGUENOTS▲ A vos classes! à vos classes, écoliers! ▼ETUDIANTS CATHOLIQUES▲ Marmotteurs de prière, régiment de sorciers! ▼SOLDATS HUGUENOTS▲ Rengainez la rapière, soldats de bénitiers! ▼ETUDIANTS CATHOLIQUES▲ Bel honneur de calviniste! ▼SOLDATS HUGUENOTS▲ Loyauté de papiste! ▼ETUDIANTS CATHOLIQUES▲ Les païens au fagot! ▼SOLDATS HUGUENOTS▲ Au diable tout bigot! ▼TOUS▲ Tout bigot, tout bigot! Les païens au fagot! ▼FEMMES CATHOLIQUES▲ Souper à la caserne avec des mécréants! ▼FEMMES HUGUENOTES▲ Danser à la taverne avec des étudiants! ▼FEMMES CATHOLIQUES▲ Ah! Cachez-vous donc, éhontées! ▼FEMMES HUGUENOTES▲ Taisez-vous donc, effrontées! ▼FEMMES CATHOLIQUES▲ Bijoux de huguenot! ▼FEMMES HUGUENOTES▲ Mignonnes de cagot! ▼TOUTES▲ Taisez-vous, cachez-vous… Nos têtes sont montées! Gare à vous! Plus un mot! ▼SOLDATS▲ Rengainez la rapière, écoliers, à vos classes! Loyauté de papiste! Mort à qui nous résiste! Dieu le veut! Plus un mot, non! ▼FEMMES CATHOLIQUES▲ Bijoux de huguenots, gare à vous! Plus un mot! Ehontées, cachez-vous! Nos têtes sont montées! Taisez-vous donc! Ah! Plus un mot! ▼ETUDIANTS▲ Marmotteurs de prières, cavaliers, tournez bride! Honneur de calviniste! Mort à qui nous résiste! Plus un mot! ▼FEMMES HUGUENOTES▲ Mignonnes de cagot! gare à vous! Plus un mot! Taisez-vous, effrontées! Nos têtes sont montées! Cachez-vous donc! Ah! plus un mot! ▼TOUS▲ Mort à qui nous résiste! Ah! Dieu le veut! Plus un mot, car Dieu le veut! （La règne Marguerite arrive） ▼URBAIN▲ Arrêtez! Respectez la reine de Navarre! ▼MARGUERITE▲ Quoi! même dans Paris, sous les yeux de mon frère, des deux partis il faut redouter les excès! Et je ne puis le soir rentrer dans mon palais sans trouver sous mes pas la discorde et la guerre! ▼SAINT-BRIS▲ Qui faut-il accuser? Ceux dont la trahison nous force à demander justice. ▼RAOUL▲ （désignant Saint-Bris） La faute en est à lui, qui, sans droit, sans raison, du plus lâche attentat s'est rendu le complice. ▼MARGUERITE▲ O ciel! qui dois-je croire? et d'un pareil soupçon, quelles preuves? ▼MARCEL▲ （désignant Saint-Bris et Maurevert） Je peux vous les faire connaître; ce sont eux qui voulaient assassiner mon maître. ▼SAINT-BRIS▲ Mensonge! mensonge! ▼MARCEL▲ （Désignant a Valentine qui sort de la chapelle） Une femme en ces lieux tantôt m'a révélé ce complot odieux et cette femme, la voici! ▼SAINT-BRIS▲ Ma fille!… Ah! perfidie! ▼RAOUL▲ Et comment se peut-il? ▼MARGUERITE▲ Raoul, vous saurez tout! ▼VELENTINE▲ Madame, au nom du ciel! ▼RAOUL▲ Et cette perfidie dont je fus témoin, chez Nevers, sous mes yeux! ▼MARGUERITE▲ Elle y venait pour rompre un hymen odieux! ▼SAINT-BRIS▲ Et depuis ce matin, d'un autre elle est la femme! ▼CHOEUR▲ D'un autre? ▼SOLDATS▲ Ah! grand Dieu! ▼SAINT-BRIS▲ Mais écoutez! De l'époux triomphant le cortège s'empresse! Oui, j'entends éclater des accents d'allégresse! De l'époux triomphant le cortège s'empresse; appareil digne enfin des Saint-Bris, des Nevers! ▼NEVERS▲ （Nervers et son cortège arrivent） Noble dame, venez près d'un époux dont l'amour vous réclame. Votre voeu satisfait, que les miens vous soient chers! Venez pour célébrer cette heureuse journée; l'amitié vous attend au banquet d'hyménée, où vous suit un captif orgueilleux de ses fers! ▼MARGUERITE, URBAIN▲ ▼SAINT-BRIS, CHOEUR▲ Au banquet où le ciel leur apprête de longs jours, tous pareils à ce jour, leur palais, rayonnant pour la fête, du bonheur deviendra le séjour. Autour d'eux que la danse s'enchaîne! Que le chant au festin les entraîne! Allons, vive à jamais la plus belle! Dansez tous, en chantant leur amour! Vive, vive la plus belle! Vive! ▼CHOEUR▲ Non, plus de paix, non, non, plus de trêve, et que la lutte s'achève ici, il faudra décider par la glaive, oui, par la glaive de notre sort! Ah! oui, c'est trop de clémence, c'est trop, oui, c'est trop de patience, et e n'ai qu'une seule espérance Vengeance ou mort! ACTE III Le théâtre représente le Pré-aux-Clercs, qui s'étend jusqu'aux bords de la Seine. A gauche, sur le premier plan, un cabaret où sont assis des étudiants catholiques et des jeunes filles; à droite, un autre cabaret devant lequel des soldats huguenots boivent et jouent aux dés. Sur le second plan, à gauche, l'entrée d'une chapelle. Au milieu, un arbre immense qui ombrage la prairie. Au lever du rideau, des clercs de la Basoche et des grisettes sont assis sur des chaises et causent entre eux. D'autres se promènent. Ouvriers, marchands, musiciens ambulants, moines, bourgeois et bourgeoises. Il est six heures du soir, au mois d'août CHOEUR DES PROMENEURS C'est le jour du dimanche, c'est le jour du repos; dans une gaieté franche oublions nos travaux! C'est le jour du dimanche… Tra la la la la la… SOLDATS HUGUENOTS Rataplan, rataplan plan plan BOIS-ROSE, SOLDATS Prenant son sabre de batailles, qui fait crouler forts et murailles… il a dit Soldats de la foi suivez-moi! suivez-moi! Je suis votre vieux capitaine, rataplan, à la victoire je vous mène, rataplan, ou je vous mène en paradis, mes amis! SOLDATS Rataplan, rataplan… Vive la guerre! Buvons, amis, à notre père, à Coligny! Vive la guerre Vive Coligny! Vive Coligny! Nevers, Saint-Bris, Valentine, jeunes filles et dames catholiques marchent vers la chapelle JEUNES FILLES ET DAMES CATHOLIQUES Vierge Marie, soyez bénie Votre voix prie. Ave! pour les pécheurs, Ave! Reine de grâce, pour vous s'efface jusqu'à la trace de nos douleurs. Ah! MARCEL Le seigneur de Saint-Bris? D'HOMMES CATHOLIQUES faible Tu ne peux lui parler. MARCEL Pourquoi donc? HOMMES CATHOLIQUES Incline ton front! MARCEL Et pourquoi le ferais-je? Dieu n'est pas là, je pense. Marcel sort HOMMES CATHOLIQUES Impie! BOIS-ROSE Il a raison! BOIS-ROSE, SOLDATS Rataplan, rataplan… FEMMES CATHOLIQUES Vierge Marie, soyez bénie! Votre voix prie pour le pécheur. BOIS-ROSE, SOLDATS Vive la guerre! Buvons, amis, à notre père, à Coligny! D'HOMMES CATHOLIQUES Profanes! Impies! dont les âmes sont endurcies! CHOEUR Oh! profanes, impies qu'on devrait brûler en plein air, en attendant les feux d'enfer. SOLDATS Rataplan, rataplan… Des bohémiens arrivent DEUX BOHEMIENNES Venez, venez, venez, vous qui voulez savoir d'avance si le destin vous sourira, payez, payez, et ma science à juste prix vous le dira. De la Bohème enfants joyeux, le ciel lui-même s'ouvre à nos yeux! Beautés coquettes, seigneurs galantsjeunes fillettes jeunes amants. Tra la la la… ETUDIANTS, SOLDATS Gentilles Bohémiennes, venez danser avec nous, oui gentilles Bohémiennes, venez danser avec nous. Ballet Nevers, Saint-Bris et Maurevert sorts de la chapelle NEVERS à Saint-Bris Pour remplir un voeu solennel, jusqu'à ce soir au pied du saint autel, Valentine demande à rester en prière! J'obéis! et suivi de mes nombreux amis, je reviendrai chercher l'épouse qui m'est chère pour la conduire en pompe à mon logis. SAINT-BRIS Ainsi par cet illustre et noble mariage des refus de Raoul je puis braver l'outrage, mais non pas l'oublier, et s'il s'offre à mes coups… MARCEL Au seigneur de Saint-Bris que cela soit remis, a dit mon maître; et moi qui… SAINT-BRIS Donne! Raoul! Raoul! Il revient donc enfin! MARCEL Avec la Reine! Tous les trois nous venons de quitter la Touraine nous entrons dans Paris. SAINT-BRIS Et j'en rends grâce au ciel! Il m'ose défier, il m'envoie un cartel. MARCEL Grand Dieu! Quel mot viens-je d'entendre? SAINT-BRIS Aujourd'hui même, au Pré-aux-Clercs, quand les ombres du soirrendent ces lieux déserts il viendra! MAUREVERT C'est ici tantôt qu'il doit se rendre. SAINT-BRIS Un Dieu vengeur l'amène! Il n'en sortira pas! Nous l'attendrons! avec voix faible, à Mauvert Cachons ce cartel à mon gendre, un jour d'hymen il ne doit pas courir la chance des combats. MAUREVERT Ni vous non plus! Pour frapper un impie, il est d'autres moyens que le ciel justifie! SAINT-BRIS Et lesquels? MAUREVERT Dieu le veut! Venez, et devant lui vous saurez les projets que l'on forme aujourd'hui. UN ARCHER Rentrez, habitants de Paris. Tenez-vous clos en vos logis; que tout bruit meure, quittez ce lieu car voici l'heure du couvre-feu. CHOEUR Rentrons, habitants de Paris, tenons-nous clos en nos logis; que tout bruit meure, quittons ce lieu car voici l'heure du couvre-feu. Tout est désert MAUREVERT Sortant de la chapelle avec Saint-Bris C'est convenu! Tu m'as compris? Dans une heure, en ces lieux. Comptez sur nos amis! Ils quittent VELENTINE Sortant de la chapelle Ô terreur! Je tressaille au seul bruit de mes pas! Mes sens égarés ne m'abusent-ils pas? Derrière ce pilier, cachée à tous les yeux, je viens d'entendre, hélas ce complot odieux! Ses jours sont menacés! Ah! je dois l'y soustraire! Non pas pour lui, mon Dieu, mais pour l'honneur d'un père. Mais comment prévenir Raoul? Marcel retourne MARCEL Je l'attendrai! Je serai du combat et s'il meurt, je mourrai! Dans la nuit où seul je veille, ah! quel bruit frappe mon oreille? La prudence me conseille; ah! guettons de loin sans bouger! VELENTINE Ah! grand Dieu, vois ma détresse! C'est l'endroit et l'heure presse! Mais comment, par quelle adresse du danger le prévenir? MARCEL Qui va là? VELENTINE O bonheur! c'est la voix du bon Marcel! Chut! Marcel! MARCEL A cette heure, à cette place, Quoi! mon nom? Qui va là? VELENTINE Viens ici! MARCEL Halte-là! Le mot d'ordre! ou qu'on meure! VELENTINE Raoul! MARCEL Raoul? Bien cela! Avancez! - Une Femme! Et voilée! VELENTINE As-tu peur? MARCEL Qui? Moi? moi, peur? moi? Non, non, non, tu le sais, je suis Marcel, le vieux glaive d'Israël, la terreur de vos Babel! VELENTINE Ecoute-moi! Raoul en ces lieux doit se rendre. MARCEL C'est vrai VELENTINE Pour un duel. MARCEL C'est vrai… contre un damné, pour venger son honneur. Dieu saura le défendre. VELENTINE Qu'il vienne au combat que bien accompagné. Ah! l'ingrat d'une offense mortelle a blessé mon coeur tendre et fidèle. Et pourtant son image cruelle vit encor dans mon coeur égaré. Je veux donc lui sauver cette vie, comme un jour il sauva son amie! MARCEL Je courrai l'avertir, le sauver le défendre! Insensé, j'oubliais qu'il n'est plus au logis! En partant dans ces lieux il m'a dit de l'attendre. Où le joindre à présent? Et comment lui donner cet avis? VELENTINE Puis, s'il faut l'oublier, je mourrai! MARCEL Si pendant mon absence, contre lui tout à coup, cette bande s'élance, par le fer meurtrier assailli, sans défense, appelant son Marcel, c'en est fait… il mourra! Ah! restons, oui restons! Mais, à moi seul que pourra tout mon zèle? Ah! Mourir sur son corps, en serviteur fidèle! VELENTINE Ah! s'il faut l'oublier, je mourrai! Oui, l'ingrat a blessé mon coeur tendre, et pourtant son image vit dans mon coeur! MARCEL Dieu puissant, vois mes pleurs, mon angoisse mortelle, prends pitié d'un vieillard qui t'adore, Dieu puissant, prends pitié! Vois mon angoisse! Pitié! pitié! VELENTINE Tu m'as comprise; adieu! MARCEL Non! quelle es-tu? J'attends. VELENTINE Je suis… MARCEL Qui? VELENTINE Je suis … une femme, ô Marcel, qui l'adore et qui mourra mais en sauvant ses jours! MARCEL Se peut-il? Vraiment? VELENTINE Ah! tu ne peux éprouver ni comprendre ces tourments que nul mot ne sait rendre, ces combats où la foi, l'amour tendre, le devoir, tour à tour sont vainqueurs! Pour sauver une tête si chère, je trahis et l'honneur et mon père! Mais j'implore un pardon, et j'espère en ce Dieu qui connaît tous les coeurs! MARCEL Ne te repens pas, noble fille, d'un dévouement où l'honneur brille, ne pleure pas; Marcel, ma fille, te bénit du fond du coeur. D'un vieillard l'humble prière est un baume salutaire; Dieu m'exaucera, j'espère, en te versant sa faveur! VELENTINE Tu ne peux éprouver ni comprendre ces tourments… MARCEL On me disait que la femme a l'oeil aussi faux que l'âme; mais sa candeur, cette flamme, vient tout droit du paradis! Ne pleure pas, pauvre fille, non, non, ne pleure pas! VELENTINE … mais j'espère en ce Dieu qui connaît tous les coeurs. Valentine entre dans la chapelle MARCEL Un danger le menace, et j'ignore lequel; alerte, vieilles jambes! Sauvons Benjamin de sa perte! Il voit à Raoul et Saint –Bris Ciel! c'est lui! et Judas! SAINT-BRIS à Raoul En même temps que nous se trouver au combat, c'est bien! RAOUL Quoi! doutiez-vous de mon exactitude? MARCEL Et comment de ce traître déjouer les desseins? RAOUL SAINT- BRIS C'est toi, mon bon Marcel? MARCEL Oui. Tranquillement, à Raoul Un ange est descendu, annonçant la tempête; mon maître, un piège est sous vos pas. RAOUL Perds-tu la tête, Marcel? à Saint-Bris et l'accompagne De ce loyal combat dont vous êtes témoins, réglez les lois, messieurs, je m'en fie à vos soins. En mon bon droit j'ai confiance! TAVANNES, DE RETZ J'ai confiance! COSSE, MERU J'ai confiance! TOUS En mon bon droit j'ai confiance! RAOUL Pour me venger de son offense… TOUS … que le fer seul juge entre nous! Je veux raison de son outrage, et bonne épée et bon courage. Chacun pour soi! Et Dieu pour tous! RAOUL En mon bon droit, j'ai confiance! TAVANNES, DE RETZ, COSSE, MERU J'ai confiance! MARCEL Pour lui, pleurant Ah! quel chagrin pour ma vieillesse! Pleure, Marcel! Dieu nous délaisse! Pauvre Raoul! ils l'ont trahi! Pitié, mon Dieu! sauvez mon fils! TAVANNES, DE RETZ, COSSE, MERU Quoi qu'il advienne ou qu'il arrive marchant l'un sur l'autre à la fois à nombre égal, trois contre trois, jusqu'à ce que la mort s'ensuive, oui, nous battrons. RAOUL, TAVANNES, COSSE C'est convenu. Saint-Bris, DE RETZ, MERU C'est entendu. MARCEL Pleurant Pauvre Raoul! ils l'ont trahi! Pitié, mon Dieu, sauvez mon fils! TAVANNES, COSSE Témoins de Saint-Bris Que nul autre que nous ne puisse au combat ici prendre part. DE RETZ, MERU Témoins de Raoul Nul autre que nous ne doit au combat ici prendre part, non, non. RAOUL, TAVANNES, COSSE C'est convenu. SAINT-BRIS, DE RETZ, MERU C'est entendu. TAVANNES A qui tombera sous… TOUS … ni merci, ni trêve! RAOUL, TAVANNES, COSSE C'est convenu. SAINT-BRIS, DE RETZ, MERU C'est entendu. RAOUL C'est convenu. SAINT-BRIS C'est entendu. TOUS En mon bon droit j'ai confiance pour me venger de son offense; que le fer seul juge entre nous. MERU, SAINT-BRIS Ah! je les vois trembler d'avance! LES AUTRES Méprisons pareille offense! MERU, SAINT-BRIS Plus de valeur, moins de prudence! LES AUTRES Félons, vite en défense! TOUS De ce combat j'attends la fin! MERU, SAINT-BRIS Ah! je les vois trembler d'avance! LES AUTRES Ah! méprisons pareille offense! COSSE, MERU, SAINT-BRIS Que sous nos coups il tombe enfin! RAOUL, TAVANNES, De Retz Allons, messieurs, la dague en main! TOUS Que sous nos coups… MERU, SAINT-BRIS Oui, n'écoutons que notre rage! LES AUTRES Et bonne épée et bon courage! Chacun pour soi, Qu'ils tombent sous nos coups. DE RETZ, SAINT-BRIS Du ciel ils bravent le courroux! Le ciel contre eux nous encourage! TOUS En garde, en garde! Qu'ils tombent, il faut qu'ils tombent sous nos coups! MARCEL Arrêtez! Entendez-vous ces pas? Dans l'ombre je ne puis distinguer leur force ni leur nombre! Criant à l'extérieure Vous qui marchez dans la nuit, ici que voulez-vous? MAUREVERT Que t'importe? Il regarde à Raoul Que vois-je, ô ciel? et quelle perfidie! Des huguenots dont la fureur impie ose à nombre inégal attaquer dans ces lieux un des nôtres! A moi, à moi, défenseurs du vrai Dieu! MARCEL C'est une trahison! Monstres! Dieu vous regarde! SOLDATS HUGUENOTS Dans la taverne Rataplan, rataplan plan, plan Vive la guerre! Buvons, amis, oui! MARCEL Il frappe la porte de la taverne Coligny! Défenseurs de la foi, tout Israël est en émoi! Victoire! Enfin tu rends, mon Dieu! la victoire à nos armes! SAINT-BRIS Vers la taverne où se trouvent les étudiants A moi! à moi! Braves étudiants accourez! Accourez! Trahison! Perfidie! venez! UN ETUDIANT à gauche Oui, tous! SOLDATS HUGUENOTS ETUDIANTS CATHOLIQUES Nous voilà, nous voilà, nous voilà, félons, arrière! ETUDIANTS CATHOLIQUES Tournez bride, tournez bride, cavaliers! SOLDATS HUGUENOTS A vos classes! à vos classes, écoliers! ETUDIANTS CATHOLIQUES Marmotteurs de prière, régiment de sorciers! SOLDATS HUGUENOTS Rengainez la rapière, soldats de bénitiers! ETUDIANTS CATHOLIQUES Bel honneur de calviniste! SOLDATS HUGUENOTS Loyauté de papiste! ETUDIANTS CATHOLIQUES Les païens au fagot! SOLDATS HUGUENOTS Au diable tout bigot! TOUS Tout bigot, tout bigot! Les païens au fagot! FEMMES CATHOLIQUES Souper à la caserne avec des mécréants! FEMMES HUGUENOTES Danser à la taverne avec des étudiants! FEMMES CATHOLIQUES Ah! Cachez-vous donc, éhontées! FEMMES HUGUENOTES Taisez-vous donc, effrontées! FEMMES CATHOLIQUES Bijoux de huguenot! FEMMES HUGUENOTES Mignonnes de cagot! TOUTES Taisez-vous, cachez-vous… Nos têtes sont montées! Gare à vous! Plus un mot! SOLDATS Rengainez la rapière, écoliers, à vos classes! Loyauté de papiste! Mort à qui nous résiste! Dieu le veut! Plus un mot, non! FEMMES CATHOLIQUES Bijoux de huguenots, gare à vous! Plus un mot! Ehontées, cachez-vous! Nos têtes sont montées! Taisez-vous donc! Ah! Plus un mot! ETUDIANTS Marmotteurs de prières, cavaliers, tournez bride! Honneur de calviniste! Mort à qui nous résiste! Plus un mot! FEMMES HUGUENOTES Mignonnes de cagot! gare à vous! Plus un mot! Taisez-vous, effrontées! Nos têtes sont montées! Cachez-vous donc! Ah! plus un mot! TOUS Mort à qui nous résiste! Ah! Dieu le veut! Plus un mot, car Dieu le veut! La règne Marguerite arrive URBAIN Arrêtez! Respectez la reine de Navarre! MARGUERITE Quoi! même dans Paris, sous les yeux de mon frère, des deux partis il faut redouter les excès! Et je ne puis le soir rentrer dans mon palais sans trouver sous mes pas la discorde et la guerre! SAINT-BRIS Qui faut-il accuser? Ceux dont la trahison nous force à demander justice. RAOUL désignant Saint-Bris La faute en est à lui, qui, sans droit, sans raison, du plus lâche attentat s'est rendu le complice. MARGUERITE O ciel! qui dois-je croire? et d'un pareil soupçon, quelles preuves? MARCEL désignant Saint-Bris et Maurevert Je peux vous les faire connaître; ce sont eux qui voulaient assassiner mon maître. SAINT-BRIS Mensonge! mensonge! MARCEL Désignant a Valentine qui sort de la chapelle Une femme en ces lieux tantôt m'a révélé ce complot odieux et cette femme, la voici! SAINT-BRIS Ma fille!… Ah! perfidie! RAOUL Et comment se peut-il? MARGUERITE Raoul, vous saurez tout! VELENTINE Madame, au nom du ciel! RAOUL Et cette perfidie dont je fus témoin, chez Nevers, sous mes yeux! MARGUERITE Elle y venait pour rompre un hymen odieux! SAINT-BRIS Et depuis ce matin, d'un autre elle est la femme! CHOEUR D'un autre? SOLDATS Ah! grand Dieu! SAINT-BRIS Mais écoutez! De l'époux triomphant le cortège s'empresse! Oui, j'entends éclater des accents d'allégresse! De l'époux triomphant le cortège s'empresse; appareil digne enfin des Saint-Bris, des Nevers! NEVERS Nervers et son cortège arrivent Noble dame, venez près d'un époux dont l'amour vous réclame. Votre voeu satisfait, que les miens vous soient chers! Venez pour célébrer cette heureuse journée; l'amitié vous attend au banquet d'hyménée, où vous suit un captif orgueilleux de ses fers! MARGUERITE, URBAIN SAINT-BRIS, CHOEUR Au banquet où le ciel leur apprête de longs jours, tous pareils à ce jour, leur palais, rayonnant pour la fête, du bonheur deviendra le séjour. Autour d'eux que la danse s'enchaîne! Que le chant au festin les entraîne! Allons, vive à jamais la plus belle! Dansez tous, en chantant leur amour! Vive, vive la plus belle! Vive! CHOEUR Non, plus de paix, non, non, plus de trêve, et que la lutte s'achève ici, il faudra décider par la glaive, oui, par la glaive de notre sort! Ah! oui, c'est trop de clémence, c'est trop, oui, c'est trop de patience, et e n'ai qu'une seule espérance Vengeance ou mort! Meyerbeer,Giacomo/Les Huguenots/IV
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Subjects-Engineering-MaterialsScience-General? Subjects-Home&Garden-Crafts&Hobbies-TextileArts? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Minimal Processing Technologies in the Food Industries Woodhead Publishing? T. Ohlsson? N. Bengtsson? WoodheadPublishing? T.Ohlsson? N.Bengtsson? Substores-UnknownASINs-38? Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism? Subjects-Science-General Subjects-Science-AgriculturalSciences-FoodScience? Fruit And Vegetable Processing Woodhead Publishing? W. M. F. Jongen? WoodheadPublishing? W.M.F.Jongen? Substores-UnknownASINs-38? Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Horticulture? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Botany? Subjects-Science-General Subjects-Science-BiologicalSciences-Botany-General? Subjects-Science-AgriculturalSciences-Horticulture? Subjects-Science-AgriculturalSciences-FoodScience? Safety and Quality Issues in Fish Processing Woodhead Publishing? H.A. Bremner? WoodheadPublishing? H.A.Bremner? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-38? Subjects-Outdoors&Nature-NaturalResources-Fisheries&Aquaculture? Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-Fisheries&Aquaculture? Subjects-Science-AgriculturalSciences-FoodScience? Coated and Laminated Textiles Woodhead Publishing? Walter Fung? WoodheadPublishing? WalterFung? ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-38? Subjects-Home&Garden-Crafts&Hobbies-TextileArts? Subjects-Science-General Microbiological Risk Assessment in Food Processing (Woodhead Publishing in Food Science and Technology) Woodhead Publishing? Martyn Brown? Michael Stringer? WoodheadPublishing? MartynBrown? MichaelStringer? Substores-UnknownASINs-38? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-Technology-Risks? Subjects-Science-AgriculturalSciences-FoodScience? Woollen And Worsted Woven Fabric Design Woodhead Publishing? E. Grant Gilligan? WoodheadPublishing? E.GrantGilligan? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-MaterialsScience-General? Subjects-Home&Garden-Crafts&Hobbies-TextileArts? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Surface Coatings for Protection Against Wear Woodhead Publishing? B. G. Mellor? WoodheadPublishing? B.G.Mellor? ユーズドブック(洋書)-Engineering Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Fairbairn and Relational Theory Karnac Books? Frederico Pereira? David E. Scharff? KarnacBooks? FredericoPereira? DavidE.Scharff? Subjects-Health,Mind&Body-Psychology&Counseling-Psychoanalysis? Subjects-Nonfiction-Philosophy-Consciousness&Thought? Subjects-Science-General Lacan Science Karnac Books? Jason Glynos? KarnacBooks? JasonGlynos? Substores-UnknownASINs-38? Subjects-Health,Mind&Body-Psychology&Counseling-Psychoanalysis? Subjects-Science-General Nutrient Regulation of Insulin Secretion (Portland Press Research Monograph, 1) California Princeton Fulfillment? Peter R. Flatt? CaliforniaPrincetonFulfillment? PeterR.Flatt? ジャンル別-mirror-test-test-subtier-Diabetes? ユーズドブック(洋書)-Medicine? Substores-UnknownASINs-38? Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-Diseases-Diabetes? Subjects-Medicine-InternalMedicine-Endocrinology&Metabolism? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Endocrinology&Metabolism? Subjects-Science-General Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-Medicine-Diseases-Diabetes? Subjects-Science-Medicine-InternalMedicine-Endocrinology&Metabolism? Biochemical Nomenclature And Related Documents A Compendium 1992 (International Union of Biochemistry and Molecular Biology) Portland Pr? Claude Liebecq? PortlandPr? ClaudeLiebecq? ユーズドブック(洋書)-Medicine? Substores-UnknownASINs-38? Subjects-Medicine-BasicScience-Physiology? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-Medicine-BasicScience-Physiology? Essays in Biochemistry (Vol 26) Princeton Univ Pr? K. F. Tipton? PrincetonUnivPr? K.F.Tipton? Substores-UnknownASINs-38? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General The Annexins (Portland Press Research Monograph II) California Princeton Fulfillment? Stephen E. Moss? CaliforniaPrincetonFulfillment? StephenE.Moss? ユーズドブック(洋書)-Medicine? Substores-UnknownASINs-38? Subjects-Medicine-BasicScience-Physiology? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-Medicine-BasicScience-Physiology? The Archaebacteria Biochemistry and Biotechnology (Biochemical Society Symposia) California Princeton Fulfillment? Michael J. Danson? CaliforniaPrincetonFulfillment? MichaelJ.Danson? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-BiologicalSciences-Biology-General? The Biology of Nitric Oxide Part 1 Physiological and Clinical Aspects Proceedings of the 2nd International Meeting on the Biology of Nitric Oxide (Biology of Nitric Oxide) California Princeton Fulfillment? S. Moncada? M. A. Marletta? J. B., Jr. Hibbs? E. A. Higgs? CaliforniaPrincetonFulfillment? S.Moncada? M.A.Marletta? J.B.,Jr.Hibbs? E.A.Higgs? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-65? Subjects-Medicine-BasicScience-Physiology? Subjects-Outdoors&Nature-Ecology-Animals-Mammals? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-Nature&Ecology-Animals-Mammals? Subjects-Science-BiologicalSciences-Zoology-Mammals? Subjects-Science-Medicine-BasicScience-Physiology? The Biology of Nitric Oxide Part 2 Enzymology, Biochemistry and Immunology Proceedings of the 2nd International Meeting on the Biology of Nitric (Biology of Nitric Oxide) California Princeton Fulfillment? S. Moncada? M. A. Marletta? J. B., Jr. Hibbs? E. A. Higgs? CaliforniaPrincetonFulfillment? S.Moncada? M.A.Marletta? J.B.,Jr.Hibbs? E.A.Higgs? Substores-UnknownASINs-65? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Structural and Dynamic Properties of Lipids and Membranes (Portland Press Research Monograph III) California Princeton Fulfillment? Peter J. Quinn? Richard J. Cherry? CaliforniaPrincetonFulfillment? PeterJ.Quinn? RichardJ.Cherry? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Medicine-BasicScience-Physiology? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Cytology? Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-BiologicalSciences-Biology-CellBiology? Subjects-Science-Medicine-BasicScience-Physiology? Essays in Biochemistry (Vol 27) Princeton Univ Pr? K. F. Tipton? PrincetonUnivPr? K.F.Tipton? Substores-UnknownASINs-38? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Essays in Biochemistry (Essays in Biochemistry) Princeton Univ Pr? K. F. Tipton? PrincetonUnivPr? K.F.Tipton? Substores-UnknownASINs-38? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Essays in Biochemistry (Essays in Biochemistry) Princeton Univ Pr? D. K. Apps? PrincetonUnivPr? D.K.Apps? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Essays in Biochemistry (Essays in Biochemistry) Princeton Univ Pr? D. K. Apps? K. F. Tipton? PrincetonUnivPr? D.K.Apps? K.F.Tipton? Substores-UnknownASINs-38? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Essays in Biochemistry (Essays in Biochemistry) Princeton Univ Pr? D. K. Apps? PrincetonUnivPr? D.K.Apps? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Cardiovascular Regulation (Studies in Physiology, Vol 2) Portland Pr? David Jordan? Janice Marshall? PortlandPr? DavidJordan? JaniceMarshall? ユーズドブック(洋書)-Medicine? Subjects-Medicine-BasicScience-Anatomy? Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-InternalMedicine-Cardiology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Cardiology? Subjects-Science-General Subjects-Science-BiologicalSciences-Anatomy? Subjects-Science-Medicine-BasicScience-Anatomy? Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-Medicine-InternalMedicine-Cardiology? Membrane Protein Expression Systems A Users Guide (First Practical Handbook Series) Portland Pr? G. W. Gould? PortlandPr? G.W.Gould? Substores-UnknownASINs-65? Subjects-Professional&Technical-Medical-BasicSciences-Cytology? Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-CellBiology? Embryonic Development and Manipulation in Animal Production Trends in Research and Applications Proceedings of the 1st Congress of the Italian So (Portland Press Proceeding Series, Vol 2) California Princeton Fulfillment? A. Lauria? F. Gandolfi? CaliforniaPrincetonFulfillment? A.Lauria? F.Gandolfi? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Outdoors&Nature Subjects-Medicine-VeterinaryMedicine-General? Subjects-Outdoors&Nature-Ecology-Animals-Mammals? Subjects-Professional&Technical-Medical-VeterinaryMedicine-General? Subjects-Science-General Subjects-Science-Nature&Ecology-Animals-Mammals? Subjects-Science-BiologicalSciences-Zoology-General? Subjects-Science-AgriculturalSciences-AnimalHusbandry? Subjects-Science-Medicine-VeterinaryMedicine-General? Hemicellulose and Hemicellulases (Monograph Series, No 4) Princeton Univ Pr? M. P. Coughlan? PrincetonUnivPr? M.P.Coughlan? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Science-Chemistry-Organic-General? Subjects-Science-General Subjects-Science-BiologicalSciences? Animal Experimentation and the Future of Medical Research (Portland Press Proceeding Series, Vol 3) Portland Pr? Jack H. Botting? PortlandPr? JackH.Botting? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-38? Subjects-Medicine-General? Subjects-Medicine-Physician&Patient-MedicalEthics? Subjects-Medicine-Research-General? Subjects-Outdoors&Nature-Fauna-AnimalRights? Subjects-Science-General Subjects-Science-Nature&Ecology-AnimalRights? Subjects-Science-BiologicalSciences-Zoology-Research&Ethics? Subjects-Science-Medicine-General? Subjects-Science-Medicine-Physician&Patient-MedicalEthics? Subjects-Science-Medicine-Research-General? Proteolysis and Protein Turnover (Portland Press Proceeding Series, Vol 6) Portland Pr? J. S. Bond? A. J. Barrett? PortlandPr? J.S.Bond? A.J.Barrett? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-38? Subjects-Outdoors&Nature-Ecology-Animals-Mammals? Subjects-Science-General Subjects-Science-Nature&Ecology-Animals-Mammals? Pulmonary Vascular Remodelling (Portland Press Research Monograph, 6) Princeton Univ Pr? Jill E. Bishop? John T. Reeves? Geoffrey J. Laurent? PrincetonUnivPr? JillE.Bishop? JohnT.Reeves? GeoffreyJ.Laurent? ジャンル別-mirror-test-test-subtier-Cardiovascular? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Outdoors&Nature Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-Diseases-Cardiovascular? Subjects-Medicine-InternalMedicine-Pulmonary? Subjects-Medicine-AlliedHealthProfessions-RespiratoryTherapy? Subjects-Outdoors&Nature-Ecology-Animals-Mammals? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pulmonary? Subjects-Science-General Subjects-Science-Nature&Ecology-Animals-Mammals? Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-Medicine-Diseases-Cardiovascular? Subjects-Science-Medicine-InternalMedicine-Pulmonary? Subjects-Science-Medicine-AlliedHealthProfessions-RespiratoryTherapy? Subjects-Science-General 洋書
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;;auto-install.elのインストール手順 ;; $mkdir -p ~/.emacs.d/auto-install ;; cd ~/.emacs.d/auto-install ;; wget http //www.emacswiki.org/emacs/download/auto-install.el ;; emacs --batch -Q -f batch-byte-compile auto-install.el ;;;Emacs Lispインストーラを利用 (add-to-list 'load-path "~/.emacs.d/auto-install") ;;(install-elisp-from-emacswiki "auto-install.el") (require 'auto-install) ;;起動時にEmacswikiのページを補完候補に加える (auto-install-update-emacswiki-package-name t) ;;install-elisp.el互換モード (auto-install-compatibility-setup) ;;ediff関連のバッファを一つのフレームにまとめる (setq ediff-window-setup-function 'ediff-setup-windows-plain) ;;; スタートアップを非表示 (setq inhibit-startup-screen -1) ;;; ビープ音を消す (setq ring-bell-function 'ignore) ;;; ツールバーを非表示 (tool-bar-mode -1) ;;; メニューバーを非表示 (menu-bar-mode -1) ;;; 現在行に色をつける (global-hl-line-mode 1) ;; その行の色 (set-face-background 'hl-line "DarkSeaGreen1") ;;; 履歴を次回Emacs起動時にも保存する (savehist-mode 1) ;;; 対応する括弧を光らせる (show-paren-mode 1) ;;; カーソルの位置が何文字目かを表示する (column-number-mode t) ;;; バックアップファイルを作らない (setq backup-inhibited t) ;;; Xでのクリップボードを共有 (setq x-select-enable-clipboard t) ;;; yes-or-noをy-or-nに省略 (defalias 'yes-or-no-p 'y-or-n-p) ;; 行の先頭でC-kを一回押すだけで行全体を消去する (setq kill-whole-line t) ;;; emacsclient ;; ファイルを現在のemacsで開く (server-start) ;; キーバインドの変更 ;; 指定の行に移る (global-set-key "\M-g" 'goto-line) ;; undo (global-set-key "\C-z" 'undo) ;; ウィンドウの移動をM-tに (global-set-key "\M-t" 'other-window) ;; C-hをBackSpaceに (global-set-key "\C-h" 'delete-backward-char) ;; M-x compile を C-. に (global-set-key [?\C-\.] 'compile) ;;; 初期フレームの設定 (setq initial-frame-alist (append '( (width . 47) ; フレーム幅(文字数) (height . 63)) ; フレーム高(文字数) initial-frame-alist)) ;;; 新規フレームのデフォルト設定 (setq default-frame-alist (append '((width . 47); フレーム幅(文字数) (height . 63)); フレーム高(文字数) default-frame-alist)) ;;; ファイル更新日を自動的に書き換える。 ;; ファイルの頭に "last updated "をつけくわえればよい (require 'time-stamp) ;; 日本語で日付を入れたくないのでlocaleをCにする (defun time-stamp-with-locale-c () (let ((system-time-locale "C")) (time-stamp) nil)) (if (not (memq 'time-stamp-with-locale-c write-file-hooks)) (add-hook 'write-file-hooks 'time-stamp-with-locale-c)) (setq time-stamp-active t) (setq time-stamp-start "Last Updated ") (setq time-stamp-format "%04y/%02m/%02d %3a %02H %02M %02S") (setq time-stamp-end " ") ;;;Last Updated の後に空白2つ以上いれると置換 ;;; タイトルバーにファイル名を表示する (setq frame-title-format (format "emacs@%s %%f" (system-name))) ;;; ファイルの自動挿入 (auto-insert-mode) ;; 自動挿入するファイルのあるディレクトリ ;; 最後の/は必須 (setq auto-insert-directory "~/.emacs.d/insert/") ;; 自動挿入するファイル (define-auto-insert "\\.c" "c-template.c") ;;; viewer.el view-modeの設定 ;; M-x install-elisp-from-emacswiki viewer.el ;; ;; C-x C-rでview-modeでファイルを開く (setq view-read-only t) ;; 書き込み不能な場合はview-modeを抜けないように (require 'viewer) (viewer-stay-in-setup) ;; .log .out .datファイルをview-modeで開く (setq view-mode-by-default-regexp "\\.log") (setq view-mode-by-default-regexp "\\.out") (setq view-mode-by-default-regexp "\\.dat") ;;; view-mode時にモードラインに色をつける ;; 色名を指定 (setq viewer-modeline-color-unwritable "tomato") (setq viewer-modeline-color-view "orange") (viewer-change-modeline-color-setup) ;; view-mode時のキーバインド (define-key view-mode-map "h" 'backward-char) (define-key view-mode-map "j" 'next-line) (define-key view-mode-map "k" 'previous-line) (define-key view-mode-map "l" 'forward-char) (define-key view-mode-map "J" 'View-scroll-line-forward) (define-key view-mode-map "K" 'View-scroll-line-backward) (define-key view-mode-map "b" 'scroll-down) (define-key view-mode-map " " 'scroll-up) ;; bm.el (define-key view-mode-map "m" 'bm-toggle) (define-key view-mode-map "[" 'bm-previous) (define-key view-mode-map "]" 'bm-next) ;; view-modeを有効・無効にする ;; 0.04秒以内に jk を同時押しでview-modeに移行 (require 'key-chord) (setq key-chord-two-keys-delay 0.04) (key-chord-mode 1) (key-chord-define-global "jk" 'view-mode) ;;; redo+.el (require 'redo+) (global-set-key "\M-z" 'redo) (setq undo-no-redo t); 過去のundoがredoされないようにする ;; 大量のundoに耐えられるようにする (setq undo-limit 600000) (setq undo-strong-limit 900000) ;;;fullscreen.el (require 'fullscreen) ;;; recentf-ext.el ;; install-elisp-from-emacswiki recentf-ext.el ;; 保存しておく数 (setq recentf-max-saved-items 3000) ;; 最近使ったファイルに加えないファイルを正規表現で指定する (setq recentf-exclude '("/TAGS$" "/var/tmp/")) (require 'recentf-ext) ;; f8をショートカットキーに (global-set-key [f8] 'recentf-open-files) ;;; auto-complete.el ;; install-elisp-from-emacswiki auto-complete.el ;(require 'auto-complete) ;(global-auto-complete-mode 1) ;;;col-highlight.el ;; auto-install-batch col-highlight.el ;(require 'col-highlight) ;(column-highlight-mode 1) ;;何もしないでいるとハイライトを始めるようにする場合 ;(toggle-highlight-column-when-idle 1) ;(col-highlight-set-interval 3) ;;; hippie-expand ;;; 略語展開の順を設定 (setq hippie-expand-try-functions-list '(try-expand-dabbrev try-expand-dabbrev-all-buffers try-expand-dabbrev-from-kill try-complete-file-name-partially try-complete-file-name try-expand-all-abbrevs try-expand-list try-expand-line try-complete-lisp-symbol-partially try-complete-lisp-symbol)) ;; キーバインドの変更 C-; (global-set-key [?\C-;] 'hippie-expand) ;;; ipa.el (require 'ipa) ;;; 背景色 (set-face-background 'highlight "lavender") ;;; sequential-command.el ;;; M-x auto-install-batch sequential-command (require 'sequential-command-config) (sequential-command-setup-keys) ;;; smartchr.el ;; M-x install-elisp ;; https //github.com/imakado/emacs-smartchr/raw/master/smartchr.el (require 'smartchr) ;; once "", twice " (global-set-key (kbd "\"") (smartchr '("\"`!!'\"" "\""))) ;; once '', twice ' (global-set-key (kbd "\'") (smartchr '("\'`!!'\'" "\'"))) ;;; auto-save-buffers.el ;; M-x install-elisp ;; http //homepage3.nifty.com/oatu/emacs/archives/auto-save-buffers.el (require 'auto-save-buffers) ;; アイドル２秒で保存 (run-with-idle-timer 0.2 t 'auto-save-buffers) (run-with-idle-timer 0.2 t 'auto-save-buffers "" ".ipa$") ;;; open-junk-file.el ;; M-x install-elisp-from-emacswiki open-junk-file.el ;; Usage M-x open-junk-file (require 'open-junk-file) (setq open-junk-file-format "~/junk/%Y-%m-%d-%H%M%S.") ;;; bm.el ;; M-x install-elisp ;; http //cvs.savannah.gnu.org/viewvc/*checkout*/bm/bm/bm.el (setq-default bm-buffer-persistence nil) (setq bm-restore-repository-on-load t) (require 'bm) (add-hook 'find-file-hooks 'bm-buffer-restore) (add-hook 'kill-buffer-hook 'bm-buffer-save) (add-hook 'after-save-hook 'bm-buffer-save) (add-hook 'after-revert-hook 'bm-buffer-restore) (add-hook 'vc-before-checkin-hook 'bm-buffer-save) (global-set-key (kbd "M-\\") 'bm-toggle) (global-set-key (kbd "M-[") 'bm-previous) (global-set-key (kbd "M-]") 'bm-next)