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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳(の疑い)を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Professor splits hairs over pubic profiles教授、プロファイルのため陰毛を根掘り葉掘りする 参考資料 拡散状況 関連ページ Professor splits hairs over pubic profiles 教授、プロファイルのため陰毛を根掘り葉掘りする 元記事(削除済み):http //mdn.mainichi.jp/culture/waiwai/news/20040824p2g00m0dm999000c 0 Professor splits hairs over pubic profiles 2004,8,24 Asahi Geino 8/26 教授、プロファイルのため陰毛を根掘り葉掘りする 2004,8,24 アサヒ芸能 8/26 1 "Women s pubic hair is normally shaped like an inverted triangle, but some is oblong or elliptic-shaped," pubic hair researcher Kosai Jumon tells Asahi Geino (8/26), adding that the shape of a woman s "underhair" often determines her sexual proclivities. 「女性の陰毛は通常逆三角形型をしていますが、長方形のものや楕円型のものもあります」と、陰毛研究家・樹門幸宰はアサヒ芸能(8/26)に語り、女性の「下の毛」の形はしばしばその女性の性的嗜好を決定づけると付け加える。 2 "It s not rare for women with elongated pubic hair to be the types who fall in love at first site and soon become passionate. They re not the types who re happy shut up in the home. They may cause those around them to worry about them a little. But that devilish side to them is what makes them so attractive to men." 「長い陰毛の女性が、一目惚れしてすぐに情熱的になるタイプであることは、珍しいことではありません。彼女たちは家の中に閉じ込められて幸せでいるタイプではありません。周囲の人達をちょっと心配させることを、彼女たちはすることもあります。しかし彼女たちのその悪魔的側面こそが、彼女たちを男にとって魅力的にするものなのです。 3 Jumon s recently released book "Tamashi Yura Ageman (Rising Fortunes of the Soul)" categorizes women s pubic hair into five types, each of which purportedly determines its owner s fortune. 最近発売された樹門の本「タマシイ ユラ アゲマン(魂の幸運さを上昇させる)」(*1)女性の陰毛を5種類に分類していて、それぞれの種類がそれを生やしている女性の運命を定めるらしい。 4 Viewing crotch coverings is supposed to determine whether a woman will make a good wife who makes her man happy or a virago who makes her husband s life hell on earth. 足の付根を覆うものを見ることで、その女性が夫を幸せにする良き妻となるか、あるいは夫の人生を生き地獄にするガミガミ女となるかどうかが、わかるのだそうだ。 5 Jumon says that the frisky types with elongated pubic hairstyles are not the only types of mound mustaches that require some consideration. Those with mountain delta type minge, where the pattern of the mop resembles the mouth of a river, are said to be hyper-infidels. 長い陰毛を持つ奔放なタイプだけが、検討を必要とする陰唇のまわりのボウボウのオケケではない、と樹門はいう。 山のようなデルタタイプ――その毛の生え方は河口に似ている――の女性器を持った人たちは、あまりにも不道徳だそうだ。 6 Jumon says that most Oriental women s pubic hair is shaped in what he calls the standard-type, which is an inverted triangle. 東洋の女性の陰毛はほとんど、彼が呼ぶところの標準型、すなわち逆三角形型である。 7 "It shows endurance and indicates suitability for married life. They have everything they need for enduring such home-like activities as childbirth, child-raising and caring for their husband or parents," Jumon tells Asahi Geino. "I don t think it s saying too much to say that it is these standard-type women who helped raise Japan to glory." 「これは忍耐を示し、結婚生活に向いていることの指標となっています。たとえば出産や育児、夫や義母・義父の世話などの、家庭的な行動に対する忍耐に必要なものを、彼女たちはすべて持っています」と樹門はアサヒ芸能に語る。 日本を復興させて栄光を与えるのに役立ったのは、これら標準タイプの女性たちだと言っても過言ではない、と私は思います」 8 Jumon, 70, says that years of experience with a variety of women alerted him to the finding that sexual prowess differed according to their pubic hairdo. 70歳の樹門は、様々な女性との数年間の経験によって、性的能力は陰毛の形によって異なることに彼は警戒するようになった、という。 9 "Studying intensively while I was young and building up experience led me to refer to the pubic hair area as The Zone, and I gradually learned everything about it," he says. 若かった頃熱心に学んだことと経験を積み重ねたことで、私は陰毛が生えている部分を『ゾーン』と呼ぶようになり、私はそれについてあらゆることを次第に学んできました」と彼は言う。 10 Jumon divides The Zone into five sub-zones endurance, attachment, action, emotion and receptivity -- the shape of each determines a woman s sexual persona. Jumon claims the average Japanese woman s pubic hair is a standard-type, inverted triangle shape where the base extends for 9 centimeters and it runs the same length from top to bottom, with the mean length of hairs being 7.5 centimeters. 樹門は「ゾーン」を、さらなる5つの小さなゾーン、忍耐ゾーン・愛執ゾーン・行動ゾーン・情緒ゾーン・歓待ゾーンに分割した。それぞれの形によって女性の性的イメージが規定されるのだ。 樹門は主張する。平均的な日本人女性の陰毛は標準型、逆三角形の形状で、毛根は9センチの長さにおよび上から下まで同じ長さだけ生えていて、そのためヘアの長さは7.5センチメートルということになるのだそうだ。 11 "A perfect wife has a clearly defined endurance sub-zone and slight traits of a receptivity sub-zone. Put simply, this means she doesn t care a great deal about things like ethics or morals. A woman with pubic hair like this would be able to bear a lot, but also have a sexual side that allowed for unbridled wantonness," the pubic hair expert tells Asahi Geino. "In short, hair like this would indicate a good wife during the day who turns into a whore a night." August 24, 2004 「完璧な妻は、くっきりと明確な忍耐ゾーンと、歓待ゾーンの特徴をほんの少し、持っています。つまりこのことは、その女性が倫理や品行方正さに重きを置かないことを意味します。このような陰毛を持った女性はいろいろなことを我慢できますが、奔放な浮気をゆるす性的側面もあります」と、この陰毛専門家はアサヒ芸能に語る。 「要するに、このような毛は、昼は良妻だが夜は娼婦に変わるということを示唆しています」 2004年8月24日 参考資料 樹門幸宰 http //www.e-tamayura.com/ 拡散状況 Blogger:その他 部分転載:http //nudistguide.blogspot.com/2008/10/womens-pubic-hair-determines.html http //thegirlgirl.blogspot.com/2007/09/womens-pubic-hair-determines.html イタリア語のサイト http //claudiocaprara.ilcannocchiale.it/2004/09/01/peli_e_personalita.html(*2) 英語サイト http //www.advrider.com/forums/showthread.php?t=50766(*3) http //www.buzzlife.com/forums/showthread.php?p=2516697#post2516697 http //masalatalk.com/masalaboard/showthread.php?t=207663 http //masalatalk.com/masalaboard/showthread.php?t=87765 http //pervscan.com/2004/09/09/professor-splits-hairs-over-pubic-profiles/ http //sgforums.com/forums/2427/topics/205848 http //www.upstandingfuckingcitizens.com/showthread.php?t=12581 http //www.weirdspot.com/index.php/weblog/womens_pubic_hair_determines_personality/ http //www.zgeek.com/forum/showthread.php?t=21573 関連ページ Blogger:その他 WaiWaiの記事を転載した英語サイト:A WaiWaiの記事を転載した英語サイト:B WaiWaiの記事を転載した英語サイト:M WaiWaiの記事を転載した英語サイト:P WaiWaiの記事を転載した英語サイト:S WaiWaiの記事を転載した英語サイト:U WaiWaiの記事を転載した英語サイト:W WaiWaiの記事を転載した英語サイト:Z 毎日新聞英語版から配信された記事2004年 記事が及ぼした影響
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Grimms Maerchen. CD- ROM fuer Windows 95 Terzio GmbH?Wilhelm GrimmJacob Grimm Bruederchen und Schwesterchen. Mini mit Stanzfigur Coppenrath F?Jacob GrimmWilhelm GrimmInge Sauer? Schneeweisschen und Rosenrot Coppenrath F?Jacob GrimmWilhelm GrimmIlse Kollmann-Guemmer? Wunderbare Reise ins Maerchenland. Ein Pop-up- Buch Coppenrath F?Jacob GrimmWilhelm GrimmFran Thatcher?Tracey Williamson? Die Sterntaler. Ein Leuchtbilderbuch. Mit Guckzylinder Coppenrath F?Jacob GrimmWilhelm GrimmAnne Blume? Grimms Kinder- und Hausmaerchen Rheingauer VG., Rems.?Jacob GrimmWilhelm GrimmPaul Hey? Frau Holle Coppenrath F?Jacob GrimmWilhelm GrimmKarin Blume? Maerchenschatz der Brueder Grimm Loewe Verlag GmbH?Jacob GrimmWilhelm GrimmRene Rilz? Rotkaeppchen Eco Vlg., Eltville?Jacob GrimmWilhelm Grimm Maerchen der Brueder Grimm 5. CD Onomato Hoerbuecher?Jacob GrimmWilhelm Grimm Maerchen der Brueder Grimm 6. CD Onomato Hoerbuecher?Jacob GrimmWilhelm Grimm Maerchen der Brueder Grimm 1. CD Onomato Hoerbuecher?Jacob GrimmWilhelm Grimm Maerchen der Brueder Grimm 2. CD Onomato Hoerbuecher?Jacob GrimmWilhelm Grimm Maerchen der Brueder Grimm 4. CD Onomato Hoerbuecher?Jacob GrimmWilhelm Grimm Maerchen der Brueder Grimm 5. CD Onomato Hoerbuecher?Jacob GrimmWilhelm Grimm Maerchenhaftes Schattentheater. ( Ab 6 J.) Coppenrath F?Jacob GrimmWilhelm GrimmTracey Williamson? Grimms Maerchen. Harenberg Kalender?Jacob GrimmWilhelm Grimm Irland. Mit irischen Elfenmaerchen. DBT im Bertelsm., Mchn.?Horst Zielske?Jacob GrimmWilhelm Grimm Haensel und Gretel Alibaba, Ffm.?Jacob GrimmWilhelm GrimmTony Ross?Mirjam Pressler?Reinhard. Koch? Mein liebstes Maerchenbuch BusinessVillage GmbH?Jacob GrimmWilhelm GrimmLore Hummel? Hans im Glueck BusinessVillage GmbH?Jacob GrimmWilhelm Grimm Haensel und Gretel Lappan Verlag GmbH?Jacob GrimmWilhelm GrimmSvend Otto S.? Die schoensten Maerchen der Brueder Grimm II Lappan Verlag GmbH?Jacob GrimmWilhelm GrimmSvend Otto S.? Die Schoensten Maerchen der Brueder Grimm I Lappan Verlag GmbH?Jacob GrimmWilhelm GrimmSvend Otto S.? Die Bremer Stadtmusikanten Lappan Verlag GmbH?Jacob GrimmWilhelm Grimm Frau Holle Lappan Verlag GmbH?Jacob GrimmWilhelm GrimmSvend Otto S.? Schneewittchen Lappan Verlag GmbH?Jacob GrimmWilhelm GrimmBettina Ansorge? Tischleindeckdich. Goldesel und Knueppel aus dem Sack Lappan Verlag GmbH?Jacob GrimmWilhelm GrimmSvend Otto S.? Kinder- und Hausmaerchen Magnus Verlag?Jacob GrimmWilhelm GrimmLudwig Richter? Die Bremer Stadtmusikanten Lappan Verlag GmbH?Jacob GrimmWilhelm GrimmVolker Ernsting? Die Bremer Stadtmusikanten Coppenrath F?Jacob GrimmWilhelm GrimmAntje Vogel? Hans im Glueck Coppenrath F?Jacob GrimmWilhelm GrimmChristian Kaempf? Rapunzel Coppenrath F?Jacob GrimmWilhelm GrimmKarin Blume? Brueder Grimm Gedenken XI Hirzel S. Verlag?Jacob GrimmWilhelm GrimmRuth Reiher?Berthold Friemel? Die schoensten Maerchen der Brueder Grimm Hoch, Stuttgart?Jacob GrimmWilhelm GrimmHorst Lemke? Die weisse Schlange Lappan Verlag GmbH?Jacob GrimmWilhelm GrimmSvend Otto S.? Der Wettlauf zwischen Hase und Igel Lappan Verlag GmbH?Jacob GrimmWilhelm GrimmVolker Ernsting? Schneeweisschen und Rosenrot Lappan Verlag GmbH?Jacob GrimmWilhelm GrimmGennadij Spirin? Sechs Maerchen Hyperion Verlag?Jacob GrimmWilhelm Grimm Grimms Maerchen. 2 CDs. Litraton Verlag?Jacob GrimmWilhelm Grimm Sechs Maerchen Hyperion Verlag?Jacob GrimmWilhelm Grimm Daeumerlings Wanderschaft Hugendubel Heinrich GmbH?Erika Meier-Albert?Grimm Jacob?Wilhelm Grimm Maerchen. LiteraMedia Audio- Book. 2 Cassetten Hoerverlag DHV Der GmbH?Jacob GrimmWilhelm GrimmIngeborg Schoener?Horst. Sachtleben? Das tapfere Schneiderlein Kaufmann Ernst Vlg GmbH?Jacob GrimmWilhelm GrimmHerbert Leupin? Grimms Maerchen in Farbe. ( Ab 3 Jahren) Ravensburger Buchverlag G?Jacob GrimmWilhelm GrimmLubomir Anlauf? Frau Holle Kaufmann Ernst Vlg GmbH?Jacob GrimmWilhelm GrimmHerbert Leupin? Maerchen Mueller u.K., Hanau?Jacob GrimmWilhelm GrimmJosef Hegenbarth? Deutsche Maerchen der Brueder Grimm Langewiesche-Brandt Kg?Jacob GrimmWilhelm GrimmM. Thilo-Luyken? Dornroeschen Ellermann Heinrich Verla?Jacob GrimmWilhelm GrimmLieselotte Schwarz? Maerchen Loewe Verlag GmbH?Jacob GrimmWilhelm Grimm Schneewittchen Gondrom Verlag GmbH?Jacob GrimmWilhelm GrimmAnne Suess? Grimms Maerchen Unipart-Vlg., Remseck?Jacob GrimmWilhelm GrimmGisela Fischer? El Sastrecillo Valiente Santillana S.A.?Jacob Grimm Frau Holle Parabel Vlg., Muenchen?Jacob GrimmWilhelm GrimmAntonella Bolliger-Savelli? Der Froschkoenig Parabel Vlg., Muenchen?Jacob GrimmWilhelm GrimmAntonella. Bolliger-Savelli? Frau Holle / Der Froschkoenig oder Der eiserne Heinrich Parabel Vlg., Muenchen?Jacob GrimmWilhelm GrimmAntonella Bolliger-Savelli? Haensel und Gretel Parabel Vlg., Muenchen?Jacob GrimmWilhelm GrimmAntonella Bolliger-Savelli? Frau Holle Gondrom Verlag GmbH?Jacob GrimmWilhelm GrimmGaby Holenstein?Frances E. Mahon? Der Wolf und die sieben Geislein Gondrom Verlag GmbH?Jacob GrimmWilhelm GrimmGaby Holenstein?Frances E. Mahon? Schneewittchen Gondrom Verlag GmbH?Jacob GrimmWilhelm GrimmGaby Holenstein?Frances E. Mahon? Cuentos Tradicionales Errepar?Jacob GrimmWilhelm Karl Grimm? Cuentos de Grimm Zig Zag?Jacob GrimmWilhelm Karl Grimm? Haensel und Gretel Gondrom Verlag GmbH?Jacob GrimmWilhelm GrimmGaby Holenstein?Frances E. Mahon? Los Tres Pelos de Oro del Diablo Grupo Editorial Norma?Jacob GrimmWilhelm Karl Grimm? Hans im Glueck Gondrom Verlag GmbH?Jacob GrimmWilhelm GrimmGaby Holenstein?Frances E. Mahon? Kinder- und Hausmaerchen Gondrom Verlag GmbH?Jacob GrimmWilhelm Grimm Die besten Maerchen der Gebrueder Grimm. Kinderschatz Gondrom Verlag GmbH?Jacob GrimmWilhelm Grimm Es war einmal ein Koenig... Drei Maerchen der Brueder Grimm Ellermann Heinrich Verla?Jacob GrimmWilhelm GrimmLilo Fromm? Hoerspielschaetze 2. CD. Maerchen der Gebrueder Grimm Jacob GrimmWilhelm Grimm Cuentos De LA Infancia Y Del Hogar Lectorum Pubns Inc (J)?Jacob GrimmWilhelm Grimm Cuentos Alianza Editorial Sa?Wilhelm GrimmJacob? Das singende springende Loeweneckerchen Ellermann Heinrich Verla?Jacob GrimmWilhelm GrimmRenate Seelig? Der Mond. ( Ab 6 J.). Ein kleines Welttheater Ellermann Heinrich Verla?Carl Orff?Annegert Fuchshuber?Jacob GrimmWilhelm. Grimm? Froschkoenig, Fundevogel, Rumpelstilzchen. Maerchen auf einen Blick Freies Geistesleben GmbH?Jacob GrimmWilhelm GrimmHelena van den Berg? Maerchen. Mein zweites Buch Jugend u. Volk, Wien?Jacob GrimmWilhelm GrimmRichard. Bamberger? Maerchen. Mein drittes Buch Jugend u. Volk, Wien?Jacob GrimmWilhelm GrimmRichard. Bamberger? Cenicienta Y Otros Cuentos Panamericana Editorial?Jacob GrimmWilhelm Grimm Blancanieves Panamericana Editorial?Jacob GrimmWilhelm Grimm Die schoensten Kinder- und Hausmaerchen Pabel-Moewig Verlag Kg?Jacob GrimmWilhelm GrimmLudwig Richter?Moritz von. Schwind? Hansel Y Gretel Panamericana Editorial?Jacob GrimmWilhelm Grimm Meine schoensten Maerchen Pabel-Moewig Verlag Kg?Jacob GrimmWilhelm Grimm El Pajaro De Oro Panamericana Editorial?Jacob GrimmWilhelm Grimm El Fiel Juan Panamericana Editorial?Jacob GrimmWilhelm Grimm Der suesse Brei / Dornroeschen Dausien Werner?Jacob GrimmWilhelm Grimm La Picara Cocinera Panamericana Editorial?Jacob GrimmWilhelm Grimm Juan Con Suerte Panamericana Editorial?Jacob GrimmWilhelm Grimm Hermanos Grimm Cuentos Yoyo USA?Jacob GrimmWilhelm Grimm Das Waldhaus Freies Geistesleben GmbH?Jacob GrimmWilhelm GrimmBettina Stietencron? Hundert Illustrationen aus zwei Jahrhunderten zu Maerchen der Brueder Grimm Dausien Werner?Jacob GrimmWilhelm GrimmHeinz Wegehaupt? Grossvaters beste Gartentipps von A-Z Pabel-Moewig Verlag Kg?Jacob GrimmWilhelm Grimm Es war einmal ... Die schoensten Maerchen der Brueder Grimm Pabel-Moewig Verlag Kg?Jacob GrimmWilhelm GrimmGuenther Feustel?Ingeborg Feustel?Ursula Werner-Boehnke? Cuentos de Los Hermanos Grimm Ediciones B?Helga Gebert?Wilhelm GrimmJacob Grimm El M.P.B.Caperucita Roja Diana/Mexico?Jacob GrimmWilhelm Grimm M.P.B.Blancanieves Y Los Siete Enanitos Diana/Mexico?Jacob GrimmWilhelm Grimm Bussi Baer. Grimms Maerchen neu erzaehlt Pabel-Moewig Verlag Kg?Rolf Kauka?Jacob GrimmWilhelm Grimm Cuentos de Grimm Edivision Compania Editorial, S.A.?Jacob GrimmWilhelm Grimm Grimms Maerchen. Gesamtausgabe Unipart-Vlg., Remseck?Jacob GrimmWilhelm GrimmWalt Disney?Ludwig Richter? Caperucita Roja / Little Red Riding Hood Planeta Pub Corp?Jacob Grimm Der Froschkoenig oder der eiserne Heinrich Parabel Vlg., Muenchen?Jacob GrimmWilhelm GrimmAntonella Bolliger-Savelli? Der Eisenhans Ellermann Heinrich Verla?Jacob GrimmWilhelm GrimmLilo Fromm? Rey Rana, El Lumen Espana?Jacob GrimmWilhelm GrimmBinette Schroeder? Hansel Y Gretel Planeta Pub Corp?Jacob Grimm Frau Holle Dressler Cecilie?Jacob GrimmWilhelm GrimmBernadette? Cabellos De Oro/Goldilocks and the Three Bears La Galera S a Editorial?Jacob GrimmWilhelm Grimm Die Bremer Stadtmusikanten Loewe Verlag GmbH?Jacob GrimmWilhelm GrimmRolf. Rettich? Juan Sin Miedo (Cuentos Interactivos) Oceano De Mexico?Jacob GrimmWilhelm Grimm Rumpelstilzchen Loewe Verlag GmbH?Jacob GrimmWilhelm GrimmRolf. Rettich? Der Wolf und die sieben jungen Geisslein Nord-Sued Verlag AG?Jacob GrimmWilhelm GrimmAgnes Mathieu? Das blaue Licht Ellermann Heinrich Verla?Jacob GrimmWilhelm GrimmLilo Fromm? El Principe Rana (Erase Una Vez/the Frog Prince) Jacob GrimmWilhelm Grimm Grimms Maerchen Union-Spectrum, Muenchen?Jacob GrimmWilhelm Grimm Maerchen. Grauer Band Goehring Verlag, Muenchen?Jacob GrimmWilhelm Grimm Maerchen der Brueder Grimm 6. CD Onomato Hoerbuecher?Jacob GrimmWilhelm Grimm Der gestiefelte Kater Stalling, Oldenbg.?Jacob GrimmWilhelm GrimmSvend Otto S.? El Pajaro De Oro (Cuentos Interactivos) Oceano De Mexico?Jacob GrimmWilhelm Grimm Der Wolf und die sieben Geisslein Stalling, Oldenbg.?Jacob GrimmWilhelm GrimmSvend Otto S.? Das tapfere Schneiderlein Stalling, Oldenbg.?Jacob GrimmWilhelm GrimmSvend Otto S.? Der suesse Brei Dausien Werner?Jacob GrimmWilhelm GrimmReiner Sacher? Rotkaeppchen. Ein bewegliches Aufstell- Maerchenbilderbuch Titania Verlag?Jacob GrimmWilhelm Grimm Madre Nieve (Erase Una Vez/Mother Holle) Jacob GrimmWilhelm Grimm Cuentos Tradicionales / Traditional Stories (I) (Clasicos De Siempre/Cuentos / Always Classics / Stories) Longseller?Jacob GrimmWilhelm Grimm Rapunzel (Cuentos Interactivos) Oceano De Mexico?Jacob GrimmWilhelm Grimm Kinder- und Hausmaerchen. ( Ab 6 J.) Ueberreuter Carl?Jacob GrimmWilhelm GrimmJanusz Grabianski? Die Bremer Stadtmusikanten / The Bremen Town Musicians. 5 Expl. a DM 10.80. Zweisprachige Ausgabe Coppenrath F?Jacob GrimmWilhelm GrimmAnne Mussenbrock? Kinder- und Hausmaerchen Wunderlich Verlag?Jacob GrimmWilhelm GrimmMax Slevogt? Geschichten aus dem Haensel- und Gretelwald Tr Verlagsunion GmbH?Walter Flemmer?Jacob GrimmWilhelm Grimm Wunderbare Reise ins Maerchenland. Ein dreidimensionales Pop-up- Buch mit 4 Minimaerchenbuechern Coppenrath F?Wilhelm GrimmJacob GrimmJeanne-Marie Leprince de Beaumont?Fran Thatcher? Das tapfere Schneiderlein Ehapa Comic Collection?Jacob GrimmWilhelm GrimmMazzan.? Schneewittchen. Ein Pop-up- Buch Xenos Verlagsgesellschaft?Jacob GrimmWilhelm Grimm Caperucita Roja Y Otros Cuentos/ Little Red Riding Hood and Other Stories Grupo Anaya Comercial?Jacob GrimmWilhelm GrimmJordi Vila Delclos? Die Kinder- und Hausmaerchen der Brueder Grimm Dausien Werner?Jacob GrimmWilhelm GrimmJiri Trnka-Erben? La Bella Durmiente Y Otros Cuentos/ the Sleeping Beauty and Other Stories Grupo Anaya Comercial?Jacob GrimmWilhelm GrimmJesus Gaban? Grimms Maerchen. Schneewittchen. Aschenputtel Delphin-Vlg., Koeln?Jacob GrimmWilhelm GrimmLudwig Richter? Der Froschkoenig. CD . Klassik Hoerbuecher fuer Kinder Edition See-Igel?Jacob GrimmWilhelm Grimm Piel De Oso Y Otros Cuentos/ Bear Skin and Other Stories Grupo Anaya Comercial?Jacob GrimmWilhelm GrimmPablo Auladell? Rumpelstilzchen. Ein Pop- Up- Buch Xenos Verlagsgesellschaft?Jacob GrimmWilhelm Grimm La Llave De Oro Y Otros Cuentos/ the Golden Key and Other Stories Grupo Anaya Comercial?Jacob GrimmWilhelm GrimmGabriel Pacheco? Blanvcanieves Y Los Siete Enanito/Snow White and the Seven Dwarfs Lectorum Pubns Inc (J)?Jacob Grimm A Carrapuchina Vermella (Infantil E Xuvenil) Grupo Anaya Comercial?Jacob GrimmWilhelm GrimmCarmen Segovia Moreno?Carmen Torres Paris? Rumpelstilskin (Erase Una Vez/Rumpelstiltskin) Jacob GrimmWilhelm Grimm Rapunzel Lumeneditorial?Jacob GrimmWilhelm Grimm O Lobo E OS Sete Cabuxos (Infantil E Xuvenil) Grupo Anaya Comercial?Jacob GrimmWilhelm GrimmElisa Arguile Martinez?Carmen Torres Paris? A Bela Dormente (Infantil E Xuvenil) Grupo Anaya Comercial?Jacob GrimmWilhelm GrimmAna Juan Gascon?Carmen Torres Paris? Tres Pelos Del Diablo/the Devil's Three Hairs Algaida Editores S a?Jacob GrimmWilhelm Grimm Kinder- und Hausmaerchen. Gesammelt durch die Brueder Grimm Gondrom Verlag GmbH?Jacob GrimmWilhelm Grimm Juan Sin Miedo/ Fearless John (Cuentos Classicos / Classic Stories) Algaida Editores S a?Jacob GrimmWilhelm Grimm Genio De La Botella/the Genie In The Bottle Algaida Editores S a?Jacob GrimmWilhelm Grimm Leyendas Alemanas Magoria?Jacob GrimmWilhelm Karl Grimm? Die schoensten Maerchen Gondrom Verlag GmbH?Jacob GrimmWilhelm Grimm Die Bremer Stadtmusikanten Gondrom Verlag GmbH?Jacob GrimmWilhelm GrimmAnne Suess? Aschenputtel Gondrom Verlag GmbH?Jacob GrimmWilhelm GrimmAnne Suess? Die schoensten Maerchen der Brueder Grimm Xenos Verlagsgesellschaft?Jacob GrimmWilhelm Grimm Der Wolf und die sieben Geisslein. Ein Maerchenbilderbuch nach Grimm Sauerlaender GmbH?Jacob GrimmWilhelm GrimmFelix Hoffmann? Der Wolf und die sieben Geisslein Allegra Musikverlag?Jacob GrimmWilhelm GrimmMarlene Reidel? Die schoensten Maerchenklassiker 1. Cassette Cine Plus Home Entertainm?Jacob GrimmWilhelm Grimm Die schoensten Maerchenklassiker 2. Cassette Cine Plus Home Entertainm?Jacob GrimmWilhelm Grimm Die schoensten Maerchenklassiker 3. Cassette. Gebrueder Grimm Cine Plus Home Entertainm?Jacob GrimmWilhelm Grimm Die schoensten Maerchenklassiker 4. Cassette. Gebrueder Grimm Cine Plus Home Entertainm?Jacob GrimmWilhelm Grimm Die schoensten Maerchenklassiker 5. Cassette. Gebrueder Grimm Cine Plus Home Entertainm?Jacob GrimmWilhelm Grimm Schneewittchen Allegra Musikverlag?Jacob GrimmWilhelm GrimmMarlene Reidel? Rapunzel Allegra Musikverlag?Jacob GrimmWilhelm GrimmMarlene Reidel? Mein grosses Maerchenbuch. Bekannte Maerchen der Gebrueder Grimm. ( Ab 4 J.) Favorit Verlag?Jacob GrimmWilhelm GrimmGerda Bereit?Jordi Busquet? Grimms Maerchen. Rotkaeppchen. Der Wolf und die sieben jungen Geisslein. Haensel und Gretel Delphin-Vlg., Koeln?Jacob GrimmWilhelm GrimmLudwig Richter? Der Trommler. Ein Maerchen der Brueder Grimm Urachhaus/Geistesleben?Jacob GrimmWilhelm GrimmWilfried Struening? Das Lumpengesindel Urachhaus/Geistesleben?Jacob GrimmWilhelm GrimmCarla Grillis? Jorinde und Joringel Urachhaus/Geistesleben?Jacob GrimmWilhelm GrimmKatrien van der Grient? Haensel und Gretel. Nach den aeltesten Erzaehlweisen Urachhaus/Geistesleben?Jacob GrimmWilhelm GrimmJane Ray? Grimms Maerchen. Maerchen von einem, der auszog, das Fuerchten zu lernen. Hans im Glueck. Der Sterntaler Delphin-Vlg., Koeln?Jacob GrimmWilhelm GrimmLudwig. Richter? Grimms Maerchen. Dornroeschen. Das tapfere Schneiderlein. Der Hase und der Igel Delphin-Vlg., Koeln?Jacob GrimmWilhelm GrimmLudwig. Richter? Aschenputtel Koenemann, Koeln?Jacob GrimmWilhelm GrimmClare Scott-Mitchell?Gordon Fitchett? Der gestiefelte Kater andere Maerchen. 2 CDs Deutsche Grammophon GmbH?Jacob GrimmWilhelm Grimm Grimms Maerchen Delphin-Vlg., Koeln?Jacob GrimmWilhelm GrimmLudwig Richter? Die schoensten Maerchen Honos Verlag GmbH?Jacob GrimmWilhelm Grimm Haensel und Gretel. CD. Baumhaus Buchverlag GmbH?Jacob GrimmWilhelm Grimm Grimms Maerchen Eurobooks, Heitersh.?Jacob GrimmWilhelm GrimmLudwig Richter? Haensel und Gretel Neugebauer Michael Vlg.?Jacob GrimmWilhelm GrimmLisbeth Zwerger? A Pillo Pillo Y Medio Lectorum Pubns Inc (J)?Jacob GrimmWilhelm Grimm Schneewittchen und die sieben Zwerge Sauerlaender GmbH?Jacob GrimmWilhelm GrimmNancy Ekholm Burkert? Der kleine Daeumling Stalling, Oldenbg.?Jacob GrimmWilhelm GrimmSvend Otto S.? Cuentos de Los Hermanos Grimm Everest Pub?Jacob Grimm Brueder Grimm Gedenken X Hirzel S. Verlag?Jacob GrimmWilhelm GrimmLudwig Denecke? Haensel und Gretel / Die sieben Raben / Rotkaeppchen. 3 klassische Grimm Maerchen Neugebauer Michael Vlg.?Jacob GrimmWilhelm GrimmLisbeth Zwerger? Schneewittchen und die sieben Zwerge Neugebauer Michael Vlg.?Jacob GrimmWilhelm GrimmChihiro Iwasaki? Das tapfere Schneiderlein Neugebauer Michael Vlg.?Jacob GrimmWilhelm GrimmEve Tharlet? Frau Holle Neugebauer Michael Vlg.?Jacob GrimmWilhelm GrimmKirsten Hoecker? Die schoensten Maerchen Delphin-Vlg., Koeln?Jacob GrimmWilhelm GrimmLudwig Bechstein?Ute Bogner? Rumpelstilzchen Delphin-Vlg., Koeln?Agusti Asensio Sauri?Jacob GrimmWilhelm. Grimm? Sterntaler Neugebauer Michael Vlg.?Jacob GrimmWilhelm GrimmEve Tharlet?
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Super Eurobeat Vol.216(通常盤) 発売元:Avex Trax 発売日:2011.07.06 商品型番:AVCD-10216 ■概要 Avex Traxが2011年に発売した「Super Eurobeatシリーズ」の第216作目。 ■トラックリスト トラック番号 曲名 アーティスト名 収録時間 補足 1 Power Two Hotblade 4 09 2 Passport To Dance Eurodudes 2 38 3 Mecha Fireball Jeff Driller 2 57 4 Dancin Togather Christine 2 49 5 Boom Boom Scream Domino Scream Team 3 01 6 Shalaka Boom Boris 2 18 7 Time Of Fighters Luke 2 25 8 Blackout Nine9nine 2 10 9 Beacuse Of You Jager 2 59 10 Maximisin Alix 2 10 11 Rhythmysticaltycious Lolita 3 21 12 You Are In Love Michelle Rose 2 16 13 Sunrise ~You ll Always Be Alive~ David Dima 2 46 14 Skylight Dave Rodgers 2 16 15 Take My Life Rich Hard 2 09 16 Togather Ciao Ciao 2 46 17 I ll Fly Candy More 2 35 18 Beautiful Boy Heather 2 50 19 Love Is Like A Rain Delta Queens feat.Paul Harris 2 12 20 Pretty Girl Rock Speedmaster feat. Cindy 2 39 21 Just A Dream Mc Boy 2 03 22 No More Love Cherry 2 26 23 The Magic I Feel April 2 48 24 No Turning Back Tora 2 29 25 Baby Go The Frisbees 3 31 26 Are You Ready To Fly Dream Fighters 3 03 27 Skyline Leslie Parrish 2 57 28 Tower Of Love Cindy Cy-ro 3 52
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Blockchain As A Service Market Market Scenario The Blockchain as a Service Market will grow at a whopping 20.06% CAGR in the forecast period (2020 2027), states the latest Market Research Future (MRFR) report. Rivers Growing Integration of AI and Blockchain Technologies to Boost Market Growth The growing integration of AI (artificial intelligence) and blockchain technologies with biometrics as a service (BaaS) solutions will boost the market over the forecast period. Opportunities Rising Adoption of Cloud-based Services to offer Robust Opportunities The rising adoption of cloud-based services by enterprises will offer robust opportunities for the market in the forecast period. Enterprises are adopting cloud-based services increasingly for their business functions owing to their different benefits like agility, disaster recovery, flexibility, and lower costs. Besides the cloud offers the perks of hybrid cloud deployment that offers the perks of both the public and private clouds. Due to cloud deployment, enterprises can avail the biometric security capabilities without the need for any complex infrastructure. Restraints and Challenges Security Issues and Privacy Concerns to act as Market Restraint The security issues and privacy concerns of biometric data stored on the cloud may act as a market restraint over the forecast period. Besides, the integration of biometric as a service into the existing systems may also impede market growth. COVID-19 Analysis The BaaS market has been substantially impacted owing to the increasing pandemic situation across the globe. The COVID-19 outbreak has led to reduced business activities as governments had enforced lockdowns. Owing to this, the dependency on online businesses has significantly grown to offer necessary services to consumers. Thus the increased need for biometric as a service as this offers robustness and security to the data. BaaS simplifies business processes and also affording transparency and immutability as well as increase focus on operational efficiency. Also, BaaS devices are also used in retail malls and buildings to screen people during the crisis before they enter. They can detect this using AI technology if anyone is not wearing a mask or has high temperature. Further, touchless technologies are also flooding the market now. Airports, hospitals, offices, and secure locations are making the most of non-contact biometric attendance. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7942 Competitive Outlook Prominent players profiled in the global biometric as a service market report include Idemia (France), NEC (Japan), Thales (France), M2SYS (US), Fujitsu (Japan), Aware (US), Leidos (US), Nuance (US), Certisign (Brazil), HYPR (US), BioID (Germany), Ayonix (Japan), Phonexia (US), Lexis Nexis (US), Cognitec Systems (Germany), Iritech (US), Affectiva (US), Nviso (Switzerland), Fingerprints (Sweden), Bayometric (US), Google (US), Microsoft (US), IBM (US), Amazon (US), and Accenture (Ireland). Segmentation The biometric as a service market is bifurcated based on vertical, organization size, modality, solution trait, solution type, and offering. By offering, the service segment will lead the market over the forecast period. By solution type, the face recognition segment will dominate the market over the forecast period. By solution trait, the biometric as a service market has been segmented into behavioral and physiological. By modality, the unimodal segment will spearhead the market over the forecast period. By organization size, large enterprises will have the lions share in the market over the forecast period. By vertical, the retail segment will have the largest share in the market over the forecast period. Regional Analysis North America to Command Biometric as a Service Market North America will command the biometric as a service market over the forecast period. Faster adoption of innovative technologies in Mexico, Canada, and the US, the region being most technologically advanced, the presence of several leading industry players such as Amazon, IBM, Microsoft, and Google, large scale funded programs, employee access monitoring in buildings, rapid surge in online transactions, increase in advance cyber-attacks, and high IT security spending are adding to the global biometric as a service market growth in the region. Access Report Details @ https //www.marketresearchfuture.com/reports/blockchain-service-market-7942 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Similar Report Application Management Services Market By Service-Type (System Integration, Consulting Services, Modernization Services, And Others), By Organization Size, By Deployment, And By End-Users Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. 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CHAPTER XVIII UP CHAPTER XX CHAPTER XIX A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don t see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don t think you re very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I ll warrant you it was," said Marilla emphatically. "And the next thing you ll be setting fire to the curtains with your signaling nonsense." "Oh, we re very careful, Marilla. And it s so interesting. Two flashes mean, `Are you there? Three mean `yes and four `no. Five mean, `Come over as soon as possible, because I have something important to reveal. Diana has just signaled five flashes, and I m really suffering to know what it is." "Well, you needn t suffer any longer," said Marilla sarcastically. "You can go, but you re to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana s important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana s birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you ll let me go, that is. You will, won t you, Marilla? Oh, I feel so excited." "You can calm down then, because you re not going. You re better at home in your own bed, and as for that club concert, it s all nonsense, and little girls should not be allowed to go out to such places at all." "I m sure the Debating Club is a most respectable affair," pleaded Anne. "I m not saying it isn t. But you re not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I m surprised at Mrs. Barry s letting Diana go." "But it s such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn t as if birthdays were common things, Marilla. Prissy Andrews is going to recite `Curfew Must Not Ring Tonight. That is such a good moral piece, Marilla, I m sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he s going to give an address. That will be just about the same thing as a sermon. Please, mayn t I go, Marilla?" "You heard what I said, Anne, didn t you? Take off your boots now and go to bed. It s past eight." "There s just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It s an honor you ll have to get along without. Go to bed, Anne, and don t let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly "Well now, Marilla, I think you ought to let Anne go." "I don t then," retorted Marilla. "Who s bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don t interfere then." "Well now, I ain t interfering. It ain t interfering to have your own opinion. And my opinion is that you ought to let Anne go." "You d think I ought to let Anne go to the moon if she took the notion, I ve no doubt" was Marilla s amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don t approve of this concert plan. She d go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child s disposition and what s good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly "Very well, she can go, since nothing else ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew s doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don t blame me, blame Matthew. Anne Shirley, you re dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I m a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don t make, although I might. I ll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn t know just how I felt about it, but you see Matthew did. Matthew understands me, and it s so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne s consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could not have borne it if she had not been going to the concert, for nothing else was discussed that day in school. The Avonlea Debating Club, which met fortnightly all winter, had had several smaller free entertainments; but this was to be a big affair, admission ten cents, in aid of the library. The Avonlea young people had been practicing for weeks, and all the scholars were especially interested in it by reason of older brothers and sisters who were going to take part. Everybody in school over nine years of age expected to go, except Carrie Sloane, whose father shared Marilla s opinions about small girls going out to night concerts. Carrie Sloane cried into her grammar all the afternoon and felt that life was not worth living. For Anne the real excitement began with the dismissal of school and increased therefrom in crescendo until it reached to a crash of positive ecstasy in the concert itself. They had a "perfectly elegant tea;" and then came the delicious occupation of dressing in Diana s little room upstairs. Diana did Anne s front hair in the new pompadour style and Anne tied Diana s bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement. True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana s jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it. Then Diana s cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl and sapphire brimmed with wine and fire. Tinkles of sleigh bells and distant laughter, that seemed like the mirth of wood elves, came from every quarter. "Oh, Diana," breathed Anne, squeezing Diana s mittened hand under the fur robe, "isn t it all like a beautiful dream? Do I really look the same as usual? I feel so different that it seems to me it must show in my looks." "You look awfully nice," said Diana, who having just received a compliment from one of her cousins, felt that she ought to pass it on. "You ve got the loveliest color." The program that night was a series of "thrills" for at least one listener in the audience, and, as Anne assured Diana, every succeeding thrill was thrillier than the last. When Prissy Andrews, attired in a new pink-silk waist with a string of pearls about her smooth white throat and real carnations in her hair--rumor whispered that the master had sent all the way to town for them for her--"climbed the slimy ladder, dark without one ray of light," Anne shivered in luxurious sympathy; when the choir sang "Far Above the Gentle Daisies" Anne gazed at the ceiling as if it were frescoed with angels; when Sam Sloane proceeded to explain and illustrate "How Sockery Set a Hen" Anne laughed until people sitting near her laughed too, more out of sympathy with her than with amusement at a selection that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony s oration over the dead body of Caesar in the most heartstirring tones--looking at Prissy Andrews at the end of every sentence--Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way. Only one number on the program failed to interest her. When Gilbert Blythe recited "Bingen on the Rhine" Anne picked up Rhoda Murray s library book and read it until he had finished, when she sat rigidly stiff and motionless while Diana clapped her hands until they tingled. It was eleven when they got home, sated with dissipation, but with the exceeding sweet pleasure of talking it all over still to come. Everybody seemed asleep and the house was dark and silent. Anne and Diana tiptoed into the parlor, a long narrow room out of which the spare room opened. It was pleasantly warm and dimly lighted by the embers of a fire in the grate. "Let s undress here," said Diana. "It s so nice and warm." "Hasn t it been a delightful time?" sighed Anne rapturously. "It must be splendid to get up and recite there. Do you suppose we will ever be asked to do it, Diana?" "Yes, of course, someday. They re always wanting the big scholars to recite. Gilbert Blythe does often and he s only two years older than us. Oh, Anne, how could you pretend not to listen to him? When he came to the line, "THERE S ANOTHER, not A SISTER, he looked right down at you." "Diana," said Anne with dignity, "you are my bosom friend, but I cannot allow even you to speak to me of that person. Are you ready for bed? Let s run a race and see who ll get to the bed first." The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then--something--moved beneath them, there was a gasp and a cry--and somebody said in muffled accents "Merciful goodness!" Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--WHAT was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine," said Diana, gasping with laughter. "Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It s dreadful--it s really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She s father s aunt and she lives in Charlottetown. She s awfully old--seventy anyhow--and I don t believe she was EVER a little girl. We were expecting her out for a visit, but not so soon. She s awfully prim and proper and she ll scold dreadfully about this, I know. Well, we ll have to sleep with Minnie May--and you can t think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn t disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde s on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She s feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry s temper is no joke, I can tell you that. She wouldn t speak to Diana at all." "It wasn t Diana s fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it s made a nice lot of trouble, that s what. Old Miss Barry came out to stay for a month, but she declares she won t stay another day and is going right back to town tomorrow, Sunday and all as it is. She d have gone today if they could have taken her. She had promised to pay for a quarter s music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they d like to keep on the good side of her. Of course, Mrs. Barry didn t say just that to me, but I m a pretty good judge of human nature, that s what." "I m such an unlucky girl," mourned Anne. "I m always getting into scrapes myself and getting my best friends--people I d shed my heart s blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It s because you re too heedless and impulsive, child, that s what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment s reflection." "Oh, but that s the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven t you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that s what. The proverb you need to go by is `Look before you leap --especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde s she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn t she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won t stay and I m sure I don t care. But Father and Mother do." "Why didn t you tell them it was my fault?" demanded Anne. "It s likely I d do such a thing, isn t it?" said Diana with just scorn. "I m no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I m going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you d never! why--she ll eat you alive!" "Don t frighten me any more than I am frightened," implored Anne. "I d rather walk up to a cannon s mouth. But I ve got to do it, Diana. It was my fault and I ve got to confess. I ve had practice in confessing, fortunately." "Well, she s in the room," said Diana. "You can go in if you want to. I wouldn t dare. And I don t believe you ll do a bit of good." With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I m Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I ve come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we ve apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana s heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I ve been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady s eyes by this time and was replaced by a twinkle of amused interest. But she still said severely "I don t think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don t know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you." "I don t KNOW, but I can IMAGINE," said Anne eagerly. "I m sure it must have been very disturbing. But then, there is our side of it too. Have you any imagination, Miss Barry? If you have, just put yourself in our place. We didn t know there was anybody in that bed and you nearly scared us to death. It was simply awful the way we felt. And then we couldn t sleep in the spare room after being promised. I suppose you are used to sleeping in spare rooms. But just imagine what you would feel like if you were a little orphan girl who had never had such an honor." All the snap had gone by this time. Miss Barry actually laughed--a sound which caused Diana, waiting in speechless anxiety in the kitchen outside, to give a great gasp of relief. "I m afraid my imagination is a little rusty--it s so long since I used it," she said. "I dare say your claim to sympathy is just as strong as mine. It all depends on the way we look at it. Sit down here and tell me about yourself." "I am very sorry I can t," said Anne firmly. "I would like to, because you seem like an interesting lady, and you might even be a kindred spirit although you don t look very much like it. But it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla Cuthbert is a very kind lady who has taken me to bring up properly. She is doing her best, but it is very discouraging work. You must not blame her because I jumped on the bed. But before I go I do wish you would tell me if you will forgive Diana and stay just as long as you meant to in Avonlea." "I think perhaps I will if you will come over and talk to me occasionally," said Miss Barry. That evening Miss Barry gave Diana a silver bangle bracelet and told the senior members of the household that she had unpacked her valise. "I ve made up my mind to stay simply for the sake of getting better acquainted with that Anne-girl," she said frankly. "She amuses me, and at my time of life an amusing person is a rarity." Marilla s only comment when she heard the story was, "I told you so." This was for Matthew s benefit. Miss Barry stayed her month out and over. She was a more agreeable guest than usual, for Anne kept her in good humor. They became firm friends. When Miss Barry went away she said "Remember, you Anne-girl, when you come to town you re to visit me and I ll put you in my very sparest spare-room bed to sleep." "Miss Barry was a kindred spirit, after all," Anne confided to Marilla. "You wouldn t think so to look at her, but she is. You don t find it right out at first, as in Matthew s case, but after a while you come to see it. Kindred spirits are not so scarce as I used to think. It s splendid to find out there are so many of them in the world." CHAPTER XVIII UP CHAPTER XX 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 22 55 (Tue)
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CHAPTER XXXII UP CHAPTER XXXIV CHAPTER XXXIII The Hotel Concert "Put on your white organdy, by all means, Anne," advised Diana decidedly. They were together in the east gable chamber; outside it was only twilight--a lovely yellowish-green twilight with a clear-blue cloudless sky. A big round moon, slowly deepening from her pallid luster into burnished silver, hung over the Haunted Wood; the air was full of sweet summer sounds--sleepy birds twittering, freakish breezes, faraway voices and laughter. But in Anne s room the blind was drawn and the lamp lighted, for an important toilet was being made. The east gable was a very different place from what it had been on that night four years before, when Anne had felt its bareness penetrate to the marrow of her spirit with its inhospitable chill. Changes had crept in, Marilla conniving at them resignedly, until it was as sweet and dainty a nest as a young girl could desire. The velvet carpet with the pink roses and the pink silk curtains of Anne s early visions had certainly never materialized; but her dreams had kept pace with her growth, and it is not probable she lamented them. The floor was covered with a pretty matting, and the curtains that softened the high window and fluttered in the vagrant breezes were of pale-green art muslin. The walls, hung not with gold and silver brocade tapestry, but with a dainty apple-blossom paper, were adorned with a few good pictures given Anne by Mrs. Allan. Miss Stacy s photograph occupied the place of honor, and Anne made a sentimental point of keeping fresh flowers on the bracket under it. Tonight a spike of white lilies faintly perfumed the room like the dream of a fragrance. There was no "mahogany furniture," but there was a white-painted bookcase filled with books, a cushioned wicker rocker, a toilet table befrilled with white muslin, a quaint, gilt-framed mirror with chubby pink Cupids and purple grapes painted over its arched top, that used to hang in the spare room, and a low white bed. Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn t think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don t think it s as pretty as my blue-flowered muslin--and it certainly isn t so fashionable." "But it suits you ever so much better," said Diana. "It s so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen s taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I m going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don t pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he d like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne s slim milk-white throat. "There s something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it s your figure. I am just a dumpling. I ve always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn t complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn t she look lovely?" Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. I like that way of fixing her hair. But I expect she ll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy s the most unserviceable stuff in the world anyhow, and I told Matthew so when he got it. But there is no use in saying anything to Matthew nowadays. Time was when he would take my advice, but now he just buys things for Anne regardless, and the clerks at Carmody know they can palm anything off on him. Just let them tell him a thing is pretty and fashionable, and Matthew plunks his money down for it. Mind you keep your skirt clear of the wheel, Anne, and put your warm jacket on." Then Marilla stalked downstairs, thinking proudly how sweet Anne looked, with that "One moonbeam from the forehead to the crown" and regretting that she could not go to the concert herself to hear her girl recite. "I wonder if it IS too damp for my dress," said Anne anxiously. "Not a bit of it," said Diana, pulling up the window blind. "It s a perfect night, and there won t be any dew. Look at the moonlight." "I m so glad my window looks east into the sunrising," said Anne, going over to Diana. "It s so splendid to see the morning coming up over those long hills and glowing through those sharp fir tops. It s new every morning, and I feel as if I washed my very soul in that bath of earliest sunshine. Oh, Diana, I love this little room so dearly. I don t know how I ll get along without it when I go to town next month." "Don t speak of your going away tonight," begged Diana. "I don t want to think of it, it makes me so miserable, and I do want to have a good time this evening. What are you going to recite, Anne? And are you nervous?" "Not a bit. I ve recited so often in public I don t mind at all now. I ve decided to give `The Maiden s Vow. It s so pathetic. Laura Spencer is going to give a comic recitation, but I d rather make people cry than laugh." "What will you recite if they encore you?" "They won t dream of encoring me," scoffed Anne, who was not without her own secret hopes that they would, and already visioned herself telling Matthew all about it at the next morning s breakfast table. "There are Billy and Jane now-- I hear the wheels. Come on." Billy Andrews insisted that Anne should ride on the front seat with him, so she unwillingly climbed up. She would have much preferred to sit back with the girls, where she could have laughed and chattered to her heart s content. There was not much of either laughter or chatter in Billy. He was a big, fat, stolid youth of twenty, with a round, expressionless face, and a painful lack of conversational gifts. But he admired Anne immensely, and was puffed up with pride over the prospect of driving to White Sands with that slim, upright figure beside him. Anne, by dint of talking over her shoulder to the girls and occasionally passing a sop of civility to Billy--who grinned and chuckled and never could think of any reply until it was too late--contrived to enjoy the drive in spite of all. It was a night for enjoyment. The road was full of buggies, all bound for the hotel, and laughter, silver clear, echoed and reechoed along it. When they reached the hotel it was a blaze of light from top to bottom. They were met by the ladies of the concert committee, one of whom took Anne off to the performers dressing room which was filled with the members of a Charlottetown Symphony Club, among whom Anne felt suddenly shy and frightened and countrified. Her dress, which, in the east gable, had seemed so dainty and pretty, now seemed simple and plain--too simple and plain, she thought, among all the silks and laces that glistened and rustled around her. What were her pearl beads compared to the diamonds of the big, handsome lady near her? And how poor her one wee white rose must look beside all the hothouse flowers the others wore! Anne laid her hat and jacket away, and shrank miserably into a corner. She wished herself back in the white room at Green Gables. It was still worse on the platform of the big concert hall of the hotel, where she presently found herself. The electric lights dazzled her eyes, the perfume and hum bewildered her. She wished she were sitting down in the audience with Diana and Jane, who seemed to be having a splendid time away at the back. She was wedged in between a stout lady in pink silk and a tall, scornful-looking girl in a white-lace dress. The stout lady occasionally turned her head squarely around and surveyed Anne through her eyeglasses until Anne, acutely sensitive of being so scrutinized, felt that she must scream aloud; and the white-lace girl kept talking audibly to her next neighbor about the "country bumpkins" and "rustic belles" in the audience, languidly anticipating "such fun" from the displays of local talent on the program. Anne believed that she would hate that white-lace girl to the end of life. Unfortunately for Anne, a professional elocutionist was staying at the hotel and had consented to recite. She was a lithe, dark-eyed woman in a wonderful gown of shimmering gray stuff like woven moonbeams, with gems on her neck and in her dark hair. She had a marvelously flexible voice and wonderful power of expression; the audience went wild over her selection. Anne, forgetting all about herself and her troubles for the time, listened with rapt and shining eyes; but when the recitation ended she suddenly put her hands over her face. She could never get up and recite after that--never. Had she ever thought she could recite? Oh, if she were only back at Green Gables! At this unpropitious moment her name was called. Somehow Anne--who did not notice the rather guilty little start of surprise the white-lace girl gave, and would not have understood the subtle compliment implied therein if she had--got on her feet, and moved dizzily out to the front. She was so pale that Diana and Jane, down in the audience, clasped each other s hands in nervous sympathy. Anne was the victim of an overwhelming attack of stage fright. Often as she had recited in public, she had never before faced such an audience as this, and the sight of it paralyzed her energies completely. Everything was so strange, so brilliant, so bewildering--the rows of ladies in evening dress, the critical faces, the whole atmosphere of wealth and culture about her. Very different this from the plain benches at the Debating Club, filled with the homely, sympathetic faces of friends and neighbors. These people, she thought, would be merciless critics. Perhaps, like the white-lace girl, they anticipated amusement from her "rustic" efforts. She felt hopelessly, helplessly ashamed and miserable. Her knees trembled, her heart fluttered, a horrible faintness came over her; not a word could she utter, and the next moment she would have fled from the platform despite the humiliation which, she felt, must ever after be her portion if she did so. But suddenly, as her dilated, frightened eyes gazed out over the audience, she saw Gilbert Blythe away at the back of the room, bending forward with a smile on his face--a smile which seemed to Anne at once triumphant and taunting. In reality it was nothing of the kind. Gilbert was merely smiling with appreciation of the whole affair in general and of the effect produced by Anne s slender white form and spiritual face against a background of palms in particular. Josie Pye, whom he had driven over, sat beside him, and her face certainly was both triumphant and taunting. But Anne did not see Josie, and would not have cared if she had. She drew a long breath and flung her head up proudly, courage and determination tingling over her like an electric shock. She WOULD NOT fail before Gilbert Blythe--he should never be able to laugh at her, never, never! Her fright and nervousness vanished; and she began her recitation, her clear, sweet voice reaching to the farthest corner of the room without a tremor or a break. Self-possession was fully restored to her, and in the reaction from that horrible moment of powerlessness she recited as she had never done before. When she finished there were bursts of honest applause. Anne, stepping back to her seat, blushing with shyness and delight, found her hand vigorously clasped and shaken by the stout lady in pink silk. "My dear, you did splendidly," she puffed. "I ve been crying like a baby, actually I have. There, they re encoring you-- they re bound to have you back!" "Oh, I can t go," said Anne confusedly. "But yet--I must, or Matthew will be disappointed. He said they would encore me." "Then don t disappoint Matthew," said the pink lady, laughing. Smiling, blushing, limpid eyed, Anne tripped back and gave a quaint, funny little selection that captivated her audience still further. The rest of the evening was quite a little triumph for her. When the concert was over, the stout, pink lady--who was the wife of an American millionaire--took her under her wing, and introduced her to everybody; and everybody was very nice to her. The professional elocutionist, Mrs. Evans, came and chatted with her, telling her that she had a charming voice and "interpreted" her selections beautifully. Even the white-lace girl paid her a languid little compliment. They had supper in the big, beautifully decorated dining room; Diana and Jane were invited to partake of this, also, since they had come with Anne, but Billy was nowhere to be found, having decamped in mortal fear of some such invitation. He was in waiting for them, with the team, however, when it was all over, and the three girls came merrily out into the calm, white moonshine radiance. Anne breathed deeply, and looked into the clear sky beyond the dark boughs of the firs. Oh, it was good to be out again in the purity and silence of the night! How great and still and wonderful everything was, with the murmur of the sea sounding through it and the darkling cliffs beyond like grim giants guarding enchanted coasts. "Hasn t it been a perfectly splendid time?" sighed Jane, as they drove away. "I just wish I was a rich American and could spend my summer at a hotel and wear jewels and low-necked dresses and have ice cream and chicken salad every blessed day. I m sure it would be ever so much more fun than teaching school. Anne, your recitation was simply great, although I thought at first you were never going to begin. I think it was better than Mrs. Evans s." "Oh, no, don t say things like that, Jane," said Anne quickly, "because it sounds silly. It couldn t be better than Mrs. Evans s, you know, for she is a professional, and I m only a schoolgirl, with a little knack of reciting. I m quite satisfied if the people just liked mine pretty well." "I ve a compliment for you, Anne," said Diana. "At least I think it must be a compliment because of the tone he said it in. Part of it was anyhow. There was an American sitting behind Jane and me--such a romantic-looking man, with coal-black hair and eyes. Josie Pye says he is a distinguished artist, and that her mother s cousin in Boston is married to a man that used to go to school with him. Well, we heard him say--didn t we, Jane?--`Who is that girl on the platform with the splendid Titian hair? She has a face I should like to paint. There now, Anne. But what does Titian hair mean?" "Being interpreted it means plain red, I guess," laughed Anne. "Titian was a very famous artist who liked to paint red-haired women." "DID you see all the diamonds those ladies wore?" sighed Jane. "They were simply dazzling. Wouldn t you just love to be rich, girls?" "We ARE rich," said Anne staunchly. "Why, we have sixteen years to our credit, and we re happy as queens, and we ve all got imaginations, more or less. Look at that sea, girls--all silver and shadow and vision of things not seen. We couldn t enjoy its loveliness any more if we had millions of dollars and ropes of diamonds. You wouldn t change into any of those women if you could. Would you want to be that white-lace girl and wear a sour look all your life, as if you d been born turning up your nose at the world? Or the pink lady, kind and nice as she is, so stout and short that you d really no figure at all? Or even Mrs. Evans, with that sad, sad look in her eyes? She must have been dreadfully unhappy sometime to have such a look. You KNOW you wouldn t, Jane Andrews!" "I DON T know--exactly," said Jane unconvinced. "I think diamonds would comfort a person for a good deal." "Well, I don t want to be anyone but myself, even if I go uncomforted by diamonds all my life," declared Anne. "I m quite content to be Anne of Green Gables, with my string of pearl beads. I know Matthew gave me as much love with them as ever went with Madame the Pink Lady s jewels." CHAPTER XXXII UP CHAPTER XXXIV 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 17 20 (Tue)