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https://w.atwiki.jp/mainichi-matome/pages/42.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese' behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 "Deadly 'iku iku byo' reaches a climax"「致命的な'イクイク病'は頂点に達している」 関連情報 拡散情報 関連ページ "Deadly 'iku iku byo' reaches a climax" 「致命的な'イクイク病'は頂点に達している」 2006年11月15日配信 元記事（削除済み)：http //mdn.mainichi-msn.co.jp/waiwai/archive/news/2006/11/20061115p2g00m0dm040000c.html 引用元：http //www.jref.com/forum/archive/index.php/t-28151.html Growing numbers of Japanese women are afflicted with an illness that gives them orgasms virtually 24 hours a day. And with suggestions that it could be deadly, the women hardly know whether they're coming or going, according to Shukan Post (11/24). 24時間オーガズムを感じ続ける病気に悩まされている女性の数が増えている。 週刊ポスト(11/24） によれば、それらの女性たちは自分がイキつつあるのかどうか判らなくなるほど致命的なことになる可能性もあるらしい。 "If a guy simply taps me on the shoulder, I just swoon. Even when I go to the toilet, my body reacts. I'm a little bit scared of myself," one woman sufferer tells Shukan Post. 「男性に単に肩を叩かされただけで、恍惚となるんです。トイレに行っただけでも体が反応するし。自分のことが少し怖くなる」と、ある女性は週刊ポストに語る。 Another adds "When I got on the train one day, I could feel blood gushing toward a certain part of my body and it felt so good I almost let out a moan. It was sheer murder when everybody got pushed into the carriage." 別の女性も言う。「ある日電車に乗ってたんですが、自分の体の特定の場所に向かって血液が奔流となって流れるのを感じました。凄く気持ちよくて思わず喘ぎそうになりました。 車両で皆に押されると死んじゃいそうでした」 Yet another woman has her say. またある女性も語る。 "Even the vibration of my mobile phone is enough to set me off," she says. "My friend said there's something called Iku Iku byo (Cum Cum Disease). I guess I've got that." 「私に火をつけるには携帯電話のバイブレーションだけで十分」と彼女は言う。 「友人はイクイク病（Cum Cum Disease)っていう病気があると言ってたんで私もそれじゃないかと思うんです」 What may be afflicting these women, the best-selling weekly says, is an ailment called persistent sexual arousal syndrome (PSAS). これらの女性を悩ませているのは、人気週刊誌によれば、持続性性喚起症候群（PSAS)という病気ではないかということだ。 PSAS has been described as an affliction that brings about orgasm through the slightest of jolts regardless of whether they're aroused, or even thinking about sex. What's more, orgasms experienced by PSAS sufferers are not just momentary phenomena, instead affecting women over anywhere from a few days to a week, with one reported case seeing 300 orgasms in a single day. PSASは患者が性的に興奮しているか、セックスのことを考えているかどうかとは関係なしに、わずかな刺激でオーガズムを引き起こす病気とされてきた。 さらにPSASの患者が経験するオーガズムは瞬間的な現象ではなく、数日間から一週間に渡ってどこにいても感じることができる。一日に300回オーガズムを感じたというケースも報告されている。 Awareness in Japan of PSAS -- which was first documented by Dr. Sandra Leiblum in the United States five years ago -- is growing, especially in the blogsphere, where it is being called Iku Iku byo. PSASは5年前にアメリカのSandra Leiblumによって初めて報告された病気だが、日本でもPSASに対する意識が高まりつつあるが、特にブログではそうで、イクイク病と呼ばれている。 Hideo Yamanaka, a doctor at the Toranomon Hibiya Clinic in Tokyo says the disease can be debilitating. 虎ノ門日比谷クリニック の山中秀男医師によると、この病気は女性を衰弱させる可能性があるそうだ。 "For women to orgasm, they need to have some sort of sexual stimulation. There are nerves around the female genitals which react to sexual stimulation. The body gradually builds up to a crescendo, that ascends to a climax," the doctor tells Shukan Post. "However, with this disease, women are mysteriously reaching climax without any external sexual stimulation at all. One possible cause that I can think of is an irregularity in the sensory nerves." 「女性にとってオーガズムを感じるには、何らかの性的な刺激が必要です。 女性器の周りには性的な刺激に反応する神経があります。 女性の体は徐々に興奮していき、頂点に達するものです」と医師は週刊ポストに語った。 「しかしながらこの病気にかかっていると、女性は外部からの性的刺激なしで神秘的に頂点に達するわけです。 感覚神経に異常があるのではないかと考えられます」 PSAS discover Leiblum says that the disease has a tendency to strike post-menopausal women in their 40s and 50s or those who've undergone hormonal treatment. But she adds that there have also been cases reported among women in their 30s, stressing that too little is known about the syndrome to pinpoint anything and adds that the nature of the ailment means that many sufferers may be too ashamed to report it. PSASを発見したLeiblum医師によれば、更年期前の40代から50代の女性、もしくはホルモン療法を受けている女性がこの病気にかかりやすい傾向があるとのこと。 30代の女性のケースもかなり報告されてきているが、この症候群については多くの患者が医者に話すことを恥じる性質の病気であるため、詳しいことはなにもわかっていないそうだ。 PSAS numbers in the U.S. are high enough for support groups to have popped up, suggesting it won't be too long before Japan sees the same. アメリカでのPSAS患者は支援団体が出来るほどに増えているが、近い将来日本でも同じようなじょうきょうになるだろう。 "Awareness levels are still too low," Jeannie Allen, the head of PSAS Support, tells Shukan Post. "I think there's a strong possibility that there are Japanese patients." 「この病気に対する認識はまだ非常に低いのです」と、PSAS支援団体の代表であるJeannie Allenは週刊ポストに語る。 「日本人の患者がもっといる可能性は強いと思います」 Manga artist Akira Narita, who says he has slept with over 1,000 different women, says he has come across some he believes may have had PSAS. 漫画家である成田アキラは1000人もの女性と寝たことがあると豪語しているが、PSASに罹患した女性に遭遇したことがあるという。 "There must have been about 15 who came without me doing a thing. We'd only need to stare in each other's eyes and they'd start wiggling about, gripping tightly onto whatever was around them and their bodies would start to shake. There were others who'd orgasm repeatedly just because I'd stroked their hands," the self-professed sexpert says. "I'd always thought of these women as types who got off in their minds, but I think perhaps they may have had PSAS." 「僕が何をしなくてもイった女性が15人くらいいましたね。 お互いに目を見つめあっただけで彼女たちは小刻みに動き始め、彼女たちの体の周りについているものを強く引っ張っただけで、体が震え始めるんです。 手を撫でただけで何度もオーガズムに達した女性たちもいましたね」と自称セックス専門家は言う。 「彼女たちは頭の中でオーガズムに達するタイプなのかと思ってましたが、多分PSASだったんでしょうね」 PSAS is not sex addiction and, considering the constant orgasms can be draining, can often be a painful and demeaning experience. Many sufferers are driven to the verge of suicide, prompting medical experts to recommend anybody who suspects they have the ailment to seek a doctor's advice immediately. PSASはセックス中毒ではなく、持続するオーガズムは精根を尽きさせ、しばしば苦痛であり屈辱的な経験となりえる。 多くの患者は自殺寸前に追い込まれることがあるため、医療の専門家はこの症候群にかかっていることが疑わしい場合はすぐに医師の診断を受けるようにと薦めている。 "Anybody who has the slightest suspicion," physician Yamanaka tells Shukan Post, "should get to a gynecologist or neurologist straight away." (By Ryann Connell) 「少しでも疑いをもったら、すぐに婦人科か神経科にいくべきです」と山中医師は週刊ポストに語っている。（ライアン・コネル） 訳文を送ってくださった方、ありがとうございます(by 管理人) 関連情報 こちらのページもぜひ読んでください。 病気を患う人を小ばかにする毎日新聞 『イクイク病』について この記事でイクイク病とされているものは本当は持続性性喚起症候群といい、イクイク病などではありません。 ウィキペディア より 『持続性性喚起症候群は、特発性かつ持続性の性的興奮を引き起こすが、オーガズムや性器の充血はあることもないこともあり、性欲とも関係がない。 特に、女子色情症（ニンフォマニア）や男子色情症（サチリアージス）として知られる色情症とはまったく関係がない。』 週刊ポスト(2006/11/24号） http //skygarden.shogakukan.co.jp/skygarden/owa/sol_magcode?sha=1 neoc=2005411106 keitai=0 虎ノ門・日比谷クリニック http //www7.ocn.ne.jp/~hibikuri/ 拡散情報 Asian Sex Gazzete http //www.asiansexgazette.com/asg/japan/japan06news13.htm Barely 18 Movies http //www.barely18movies.com/blog/?p=429 Japan Stippy http //www.stippy.com/japan-waiwai-archives/deadly-iku-iku-byo-reaches-a-climax/ Japundit http //blog.japundit.com/archives/2006/11/16/4174/ JREF http //www.jref.com/forum/archive/index.php/t-28151.html 英語サイト http //www.atheistnetwork.com/viewtopic.php?t=15720 http //belablack.com/2006/11/18/deadly-iku-iku-byo-reaches-a-climax/ http //bruneistudent.com/board/index.php?showtopic=35700 http //www.buzzlife.com/forums/showthread.php?p=2191701#post2191701 http //enart.dballastages.com/iku/iku-iku-byo-502014.htm http //discardedlies.com/entry/?23048_ http //doncasterhaikupoet.blog.co.uk/2006/12/19/japanese_cum_cum_disease~1455254 http //www.dragoon-networks.net/forum/showthread.php? t=3629 部分転載：http //www.drudge.com/archive/90899/retort-thursday-nooner#1515644 部分転載：http //www.dvorak.org/blog/?p=8033 部分転載；http //www.encircling.us/index.php?page=nov2006 部分転載；http //forum.eroplanet.com/viewtopic.php?t=3445 http //enart.gazages.com/iku/iku-iku-byo-502014.htm 部分転載：http //gloriabrame.typepad.com/inside_the_mind_of_gloria/2006/11/iku_iku_byo_bs.html 部分転載：http //www.houston-imports.com/forums/showthread.php?t=345537 http //enart.investmentpany.com/iku/iku-iku-byo-502014.htm http //www.606studios.com/bendisboard/showthread.php?t=93458 http //www.mail-archive.com/wryting-l@listserv.wvu.edu/msg02797.html http //enart.mercebank.com/iku/iku-iku-byo-502014.htm http //enart.mercialleasing.com/iku/iku-iku-byo-502014.htm 部分転載：http //www.moonbuggy.org/archive/2006/12/12/deadly-iku-iku-byo-reaches-a-climax/ http //www.peoplesrepublicofcork.com/forums/showthread.php?t=87918 http //enart.printingpany.com/iku/iku-iku-byo-502014.htm http //www.punterslounge.com/forum/f25/iku-iku-byo-strange-sex-disease-38566/ http //forum.scanlover.com/archive/index.php/t-10052.html http //forum.scanlover.com/archive/index.php/t-8469.html http //www.shaman-australis.com/forum/index.php?showtopic=12340 部分転載：http //skirmisher.org/human-sexuality/japanese-women-afflicted-with-deadly-24-hour-orgasms/ http //yanai.blackmage.org/sky2/?p=1925 http //www.soompi.com/forums/index.php?showtopic=96632 http //www.squaregamer.com/forum/viewtopic.php?t=1637 部分転載：http //www.thatsjustnotright.com/forum/index.php?showtopic=20763 部分転載：http //www.tribalwar.com/forums/showthread.php?t=461065 http //www.truepunk.com/Forum/viewtopic.php?t=30516 部分転載；http //www.trulyunusual.com/wards/showthread.php?t=6378 http //forum.wgaul.com/showpost.php?p=2741939 部分転載：http //news.3yen.com/2006-11-16/orgasmatronic-247-japanese-women/ ベトナム語サイト http //www.bacbaphi.com.vn/entertainment/showthread.php?p=2783190#post2783190 http //bloggioitinh.com/2008/10/26/“iku-iku-byo”-can-bệnh-tinh-dục-kho-hiểu-tại-nhật/ ｈｔｔｐ //s14.invisionfree.com/Nstyle_Entertainment/index.php?showtopic=598 http //www.shopnguoilon.vn/kienthuc/benh-kin/2008/07/426.snl http //www.svko.jp/index.php?option=com_content task=view id=2393 http //vysa.jp/index.php?option=com_content task=view id=897 Itemid=93 ドイツ語サイト http //www.maclan.ch/forum/thread.php?postid=6414#post6414 Cultures & Traditions http //cultrad.blogspot.com/2006/11/deadly-iku-iku-byo-reaches-climax-in.html jrocknyc 部分転載：http //jrocknyc.blogspot.com/2006/12/transvestite-troubadour-sucker-for_10.html Blogger：その他 http //carondeletstreet.blogspot.com/2006/11/there-are-worse-conditions-to-have.html 部分転載：http //gathara.blogspot.com/2006/11/persistent-sexual-arousal-syndrome.html http //maridirhye.blogspot.com/2007/03/sindromi-strane.html Blogger 部分転載：http //chanweiyee.blogspot.com/2006/11/persistent-sexual-arousal-syndrome.html 部分転載：http //gssq.blogspot.com/2006/12/i-do-not-feel-obliged-to-believe-that_17.html 海外ブログ ｈｔｔｐ //cpyrexia.blog.friendster.com/2006/12/cum-cum-disease/ http //blog.myspace.com/index.cfm?fuseaction=blog.view friendID=3528245 blogID=194331290 http //blog.myspace.com/index.cfm?fuseaction=blog.view friendID=72155015 blogID=194747663 ｈｔｔｐ //blog.360.yahoo.com/blog-LhZWTrA8Yqqq.tDnS4bJyfp7iMo-?cq=1 p=67 イタリア語のブログ http //stewino.spaces.live.com/blog/cns!EDECD6225FA5846F!1572.entry スペイン語のブログ http //www.tauzero.org/2006/12/iku-iku-byo/ 関連ページ AsianIdols.Net Barely 18 Movies Blogger Blogger：その他 Cultures Traditions Japan Stippy Japundit JREF jrocknyc WaiWaiの記事を転載した英語サイト：B WaiWaiの記事を転載した英語サイト：D WaiWaiの記事を転載した英語サイト：E WaiWaiの記事を転載した英語サイト：G WaiWaiの記事を転載した英語サイト：H WaiWaiの記事を転載した英語サイト：I WaiWaiの記事を転載した英語サイト：J WaiWaiの記事を転載した英語サイト：L WaiWaiの記事を転載した英語サイト：M WaiWaiの記事を転載した英語サイト：P WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：T WaiWaiの記事を転載した英語サイト：数字 『イクイク病』について ビラのキャッチフレーズとコネル氏の記事との対応表(仮) ビラ作成のガイドライン 元記事一覧 毎日新聞英語版から配信された記事2006年 海外ブログに記事が及ぼした影響 英語版Wikipediaに記事が及ぼした影響 記事が及ぼした影響
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https://w.atwiki.jp/vocalive/pages/172.html
LIVEと行事一覧DB データベース (DataBase for Live Concerts and Events) メニューMENU + ←クリック目次 [←Click here for CONTENTS] ↓↓↓このページ名（Current Page Name）↓ 自動作成目次(contents) 行事紹介（Live Concert and Event Information） 【LIVE/海外/Hatsune MIKU EXPO in Los Angeles New York USA 2014】 HATSUNE MIKU EXPO 2014 in Los Angeles* HATSUNE MIKU EXPO 2014 in New Yorkダイジェスト映像・動画配信・写真等（Summary Video, Live Streaming Photo） チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト（演奏曲目）・その他 (Set List, name of music) Summary in English and other language（英語等での紹介） 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) Contest of making 3D Video for Hako Vision (Box Vision) Hako Vision (Box Vision) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) International News （国際ニュース） New Project and collaboration Blog (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 EDIT Page 行事紹介（Live Concert and Event Information） ↓このページ名（Current Page Name）↓ 【LIVE/海外/Hatsune MIKU EXPO in Los Angeles New York USA 2014】 LIVE/海外/Hatsune MIKU EXPO in Los Angeles & New York USA 2014 Related page LIVE/海外/Hatsune MIKU EXPO 【[MIKU EXPO]HATSUNE MIKU COMING BACK TO the US! [初音ミク]】 https //www.youtube.com/watch?v=hbvLLHbWfKs "HATSUNE MIKU EXPO", an event of the virtual singer Hatsune Miku, is being held in Los Angeles and New York, U.S. in October this year! Find Your Concert Tickets! LA http //mikuexpo.com/la_ticket NY http //mikuexpo.com/ny_ticket HATSUNE MIKU EXPO 2014 in Los Angeles* Live Concerts Date October 11th 12th Live Concert Venue NOKIA Theatre Exhibition Event Venue TBA Website http //mikuexpo.com/la http //mikuexpo.com/ny HATSUNE MIKU EXPO 2014 in New York Live Concerts Date October 17th 18th Concert Venue Hammerstein Ballroom Exhibition Event Venue TBA Website http //mikuexpo.com/ny Official Website http //mikuexpo.com NOKIA Theatre 1st Show Oct. 11, 2014 START 7 00pm (DOORS OPEN 6 00pm) 2nd Show Oct. 12, 2014 START 12 30pm (DOORS OPEN 11 30am) Hammerstein Ballroom 1st Show] Oct. 17, 2014 START 8 30pm (DOORS OPEN 7 00pm) 2nd Show Oct. 18, 2014 START 6 30pm (DOORS OPEN 5 00pm) ■イベント名称：MIKU EXPO ■会場：NOKIA Theatre ■日程： ■イベント名称：MIKU EXPO ■会場：Hammerstein Ballroom ■日程： 【 チケット販売について 】 ＜一般発売＞ Twitter # Tag #mikupa タグ http //twitter.com/#!/search/%23mikupa facebook Hatsune-Miku http //www.facebook.com/pages/Hatsune-Miku/10150149727825637 公式の観覧ツアー MIKUEXPO公式ツアー 1)LA コース 10月11土-15水 3泊5日 2) NYコース 10月16木-20月 3泊5日 1)LA+NY コース 10月11土-20月 8泊10日 近畿日本ツーリスト（株） トラベルサービスセンター東日本 「HATSUNE MIKU EXPO 2014 IN LA NY オフィシャルツアー」事務局 〒160-0023 東京都新宿区西新宿8-14-24 西新宿KFビル3F TEL：03-6730-3220 FAX：03-6730-3229 E-mail http //entame.knt.co.jp/2014/mikuexpous/ http //mikuexpo.com/ny http //mikuexpo.com/la 会場詳細 MIKUEXPOのLiveのNY会場の正式名称は、Manhattan Center TVスタジオが２個 Manhattan Center 311 West 34th Street, New York, NY 10001 http //www.mcstudios.com/ http //www.themanhattancenter.com/ Hammerstein Ballroom http //www.mcstudios.com/the-hammerstein/ Hammerstein Ballroom Google MAP https //www.google.co.jp/maps/place/Hammerstein+Ballroom/@40.752738,-73.994274,15z/data=!4m2!3m1!1s0x0 0xb817f7c5b81b1633?hl=ja Hammerstein Ballroom wikipedia Manhattan Center Promo Video http //www.youtube.com/watch?v=F_R9NkXmtcU Introduction of the equipments and technical rooms of Manhattan Center by Darren Moore, Chief Engineer, Manhattan Center Manhattan Center Quick Tour http //www.youtube.com/watch?v=7s7_kHv9rXM NOKIAシアター L.A. LIVE Nokia Theatre L.A. LIVE 777 Chick Hearn Ct Los Angeles, CA 90015 Map of Nokia Theatre https //www.google.co.jp/maps/place/L.A.%E3%83%A9%E3%82%A4%E3%83%96/@34.044429,-118.267074,17z/data=!3m1!4b1!4m2!3m1!1s0x0 0xc71d771bd9c0cf0f?hl=ja Public Transportation http //www.nokiatheatrelalive.com/parking/public-transportation 座席表 Seating map http //www.nokiatheatrelalive.com/seating-map ダイジェスト映像・動画配信・写真等（Summary Video, Live Streaming Photo） wowow 話題沸騰のバーチャル・シンガー“初音ミク”。世界各地で開催中の「HATSUNE MIKU EXPO」より初のニューヨーク単独公演を番組化。 http //www.wowow.co.jp/pg_info/release/003155/index.php 関連映像 (Related Videos) Rehearsal (リハーサル) Miku 39's Giving Day EXTRA http //www.youtube.com/watch?v=IAyXqV0hlMw HatsuneMiku channel http //www.youtube.com/user/HatsuneMiku 【Hatsune Miku】 CONCERT!! 【初音ミク】 http //www.youtube.com/playlist?list=PL-pKPpZ1Q5NZqi-pHqc2zKXk8GG3U2fkW 【初音ミク】MIKUNOPOLISダイジェスト映像 http //www.youtube.com/watch?v=WzYssX-CcSY Summary video of the Live concert 2012 at Tokyo, Japan 初音ミク】「ミクの日大感謝祭」ダイジェスト映像 http //www.youtube.com/watch?v=rqg4Eun7fgs#t=325 5分25秒目からが「ミクの日大感謝祭」=325sec from the beginning is the opening. チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 http //mikuexpo.com/la_ticket http //mikuexpo.com/ny_ticket official goods ニコ生 (Nico NIco Video LIVE streaming) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 Hatsune Miku Kagamine Rin Kagamine Len Megurine Luka Meiko Kaito 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) 投影スクリーンの種類 (Screen Type)：ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 投影スクリーンの形状 (Shape of Screen)： スクリーンの素材（Materials for making screen）： スクリーン素材の網の目等のメッシュのサイズ：Mesh number # or Mesh size of Screen： スクリーン素材の製品カタログ番号等（Product Number of materials for making screen）： スクリーン素材の透過率(%)及び色等（Light Transmittance (%) of screen, Color）： 投影スクリーン等への映り込み状態(Reflection)： 舞台の高さ（stage height）： スクリーンの高さ（Screen height）： スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度)： スクリーンの大きさ又は横の長さ (Screen Size)： スクリーンの継ぎ目の数=(つないで使用された投影ボード等の枚数-1、?)： 使用された投影ボード等の枚数（Number of board used）： ? 音響設備及び音響状態 (Sound)： プロジェクタの種類・台数 (Projector)： 使用ソフト (Software)： VFエンジン 3D model： スクリーン及び映像の解像度（Resolution of Screen and video）： 投影時の色補正（Color Adjustment to view on screen）： MMDのモデルの種類（Model Type of MikuMikuDance）： Computer and OS： リアルタイム レンダリングの有無(real-time rendering or not) レンダリング速度等 fps フレーム速度 fps カメラ等 (Camera)： 技術説明動画・写真等 (Tech Video Photo)： 会場設備のホームページ (Homepage of the Event Hall)： 会場設備 その他 (others)： 衣装モジュール及びデザイン (Clothing design of the models) 選曲： 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ ■フロントアクト 各公演のゲスト出演Pが決定しました！ セットリスト（演奏曲目）・その他 (Set List, name of music) Set List LIVE SET LIST Hatsune Miku Concert Final 39's Giving Day http //mikubook.com/setlist/mikupa2012inTokyo http //www.mikubook.com/index.php/home/specials SET LIST and Producer links of Vocaloid wiki Vocaloid concert directory http //vocaloid.wikia.com/wiki/Vocaloid_concert_directory Live Events http //vocaloid.wikia.com/wiki/Live_Events http //hatsunemikusetlists.wordpress.com/ for listings that are already in English, there will be no ‘romaji’. Summary in English and other language（英語等での紹介） http //www.niconico.com/ http //live.niconico.com/ ※This show will be pay per view. If you would like to purchase the single tickets for each shows, please refer to the following link. You will be directed to Paypal for your payment. You can purchase the ticket until (JST). You can watch the timeshift until (JST). LIve viewing 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) please find the separate page. TECH/日本/Hatsune Miku Hako Vision (Box Vision) Production Contest of making 3D Video for Hako Vision (Box Vision) Detail is listed in following Japanese Official page. http //www.bandai.co.jp/candy/hakovision/tlive/ 「ハコビジョン 初音ミク」に投影できる、3DCG映像を募集いたします。 ★応募は「ニコニコ動画」で、指定タグ「てのひらいぶフェス」を付けて動画を投稿して行ってください。 ※投稿時には、「てのひらいぶフェス」のタグを使用し、タグはロックをかけて投稿してください。 初音ミク ハコビジョン プロモーションムービー http //www.nicovideo.jp/watch/1402886230 http //www.youtube.com/watch?v=vDCHCSm5v7Y Product description http //www.bandai.co.jp/candy/hakovision/products/03/ わかむらPによるHOW TO HAKOVISION LIVE How to make Hako Vision Live by Wakamura-P (for contest) http //www.youtube.com/watch?v=X9gXc6LU4cU 1)Make a video for Hako Vision. 2)Upload your video with tag name 「てのひらいぶフェス」. (make sure to lack the Tab for 「てのひらいぶフェス」. (「てのひらいぶフェス」 means hand on live festival.) 3)Recommended video size is 960pixel × 540pixel. ※サイズは（推奨）横960pixel × 縦540pixel でご制作ください。 http //www.upload.nicovideo.jp/upload 4)Use the suggested 3D model. ※3Dモデルは指定のモデルを使用してください。 5) ※配布素材内のステージデータを使用するなどして、「ハコビジョン 初音ミク」に投影できる映像をご制作ください。 Please make the 3D video to screen on 「ハコビジョン 初音ミク」(Hako Vision Hatsune Miku). Some stage data is available from this official site. ) 公式配布素材は、本コンテストの応募作品に使用する限りにおいて、改変することを可とします。 Modification of official data is permitted only for participant of this contest. ) Deadline 2014年8月31日（日） 23 59 59 ■募集期間 2014年8月1日（金）～2014年8月31日（日） 23 59 59まで ■受賞作品発表・無料配信 2014年9月末予定 ■受賞に関して 大賞1作品、優秀賞2作品の計3作品を受賞作品とします。受賞作品の選出にあたっては、ニコニコ動画での作品の再生数・マイリスト登録数を参考にしながら、バンダイ、クリプトン・フューチャー・メディア、わかむらPによる合同の審査を行います。受賞作品については、バンダイで加工・調整のうえ、ハコビジョン公式動画として無料配信致します。大賞にはAmazonギフト券3万円分、優秀賞には1万円分を贈呈予定です。 ) Contest participant needs to use following official song or new song which have not released yet. Official Music for Hako Vision ＜ハコビジョン 初音ミク収録楽曲＞ ●Tell Your World／livetune ●Story Rider／エレキ ●二次元ドリームフィーバー／PolyphonicBranch ＜初音ミク「マジカルミライ 2014」 OFFICIAL ALBUM収録楽曲＞ ●39／sasakure.UK×DECO*27 sasakure.UK x DECO*27 - 39 feat. Hatsune Miku http //www.youtube.com/watch?v=ecU_uJRzhfk Help us caption translate this video! http //amara.org/v/CHoQ/ ●shake it!／emon 【初音ミク】 shake it！ 【鏡音リン・レン】 http //www.nicovideo.jp/watch/sm17608134 ●からくりピエロ／40mP http //40mp.jp/Chiisana/ ●深海少女／ゆうゆ ●新規に創作した未発表楽曲 (Newly made song which have not released yet) ) 3D models Following 3D models need to be used for this contest ●あにまさ式ミク (Animasa model) ●Tda式Appendミク ●ままま式あぴミク (Mamama model) ●Lat式ミク Official Date for the contest video Data Download vc.channel.or.jp/hakovision/miku/design_data.zip 公式モーションデータ (Motion data) 「shake it!」 モーションデータ作成 わかちん様 振付nanashi様 「Tell Your World」(Motion data) モーションデータ作成・振付 ラジ様 ●公式ステージデータ (Stage Data) 制作協力 6次元アニメーション様 ================================== Effect Data and accessory Data which already get the permission for this contest. Do not use NON-Commercial data ビームマンP エフェクト集 http //www43.atwiki.jp/beamman/ Technical info http //www.bandai.co.jp/candy/hakovision/info/list.html Selection 審査・選考 動画の再生回数・マイリスト登録数・コメント数を参考にして、バンダイ、クリプトン・フューチャー・メディア、わかむらPによる合同の審査を行います。 ※選考過程、内容、結果等についてのご質問はお受けできかねますのでご了承ください。 Play number, My list number, comment numbers Awarding notice to your Nico Nico Video account from Dowango. The winner need toreply to Bandai by e-mail. 受賞した作品の応募者には、株式会社ドワンゴよりメールにてご連絡いたします。 ※連絡用メールアドレスは動画を投稿した「niconico」アカウントに登録されたメールアドレスになります。 応募の前に登録メールアドレスの確認を行ってください。 ※メール内に記載された、株式会社バンダイのメールアドレスに、指定された情報をお送りください。株式会社ドワンゴ宛に返信頂いた場合、賞品の発送が出来ませんのでご注意ください。 ※指定する期日までにご提出いただけないときは、当該受賞を取り消しさせていただく場合がございます。 ※賞品送付は、10月末までに行われます。 受賞作品の発表は、「niconico」内、バンダイキャンディトイ公式チャンネルでも行う予定です。 Selection notice will be also published in バンダイキャンディトイ channel on Nico Nico DOuga. http //ch.nicovideo.jp/candytoy １．参加資格 応募作品は、応募者本人が制作した作品に限られるものとします。 尚、個人・団体は問いませんが、複数人で創作された作品の場合、制作者全員の承諾を得た上で応募者が代表者となり御応募下さい。 ※応募は、日本国内在住者に限られます。 Contact phone number for contest candidate 03-3847-0128 受付時間 10時〜17時（土、日、祝日、夏期・冬期休業日を除く） 【その他（グッズ）】「ハコビジョン 初音ミク てのひらいぶフェス」映像募集開始！ http //blog.piapro.net/2014/08/z1407311-1.html ==================================================================== Hako Vision (Box Vision) http //www.bandai.co.jp/candy/hakovision/products/03/ Hand on Hologram Live. 【最新】バンダイ「ハコビジョン」プロモーションムービー／世界初！スマホを使って楽しむ驚愕の映像エンターテインメント食玩 http //www.youtube.com/watch?v=ok4yixTYRjI What is Hako Vision http //www.bandai.co.jp/candy/hakovision/about/ http //www.nicovideo.jp/watch/1402886230 Using Projection Mapping tech. http //www.bandai.co.jp/candy/hakovision/about/images/img2.jpg Product description http //www.bandai.co.jp/candy/hakovision/products/03/ Amazon ハコビジョン 初音ミク 2個入 BOX (食玩・ガム) バンダイ 『ハコビジョン 初音ミク』 500円（税別） 全2種・各2曲 【商品内容】 ステージ1個、クリアプレート1枚、ガム1個 http //www.amazon.co.jp/dp/B00JVEEZ6Q 手のひらサイズのホログラムライブ♪ 2014/8/11発売予定 User Manual http //www.bandai.co.jp/candy/hakovision/info/pdf/011.pdf http //www.bandai.co.jp/candy/hakovision/info/pdf/012.pdf hakovisiontv http //www.youtube.com/channel/UCkESLSAQyDJn9S8setQ1_1A http //wakamura.livedoor.biz/ 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 情報一覧MEMO International News （国際ニュース） New Project and collaboration Blog MikuFan Interview With Crypton Future Media at Anime Expo 2014 http //www.mikufan.com/mikufan-interview-with-crypton-future-media-at-anime-expo-2014/ http //39mikustream.blogspot.jp/2014/07/mikufancom.html (このサイト内での関連内部リンク・補助リンク・Internal Link) LIVE/日本/大感謝祭 Special 39 s Giving Day in Tokyo Japan 2012-Miku LIVE Memo・メモ帳 ライブ技術一覧/過去のライブの反省会等の一部 The New York Times ニューヨーク・タイムズ 620 8th Ave New York, NY 10018 http //www.nytimes.com/ The New York Times Google Map http //www.nytimes.com/pages/national/index.html?action=click pgtype=Homepage region=TopBar module=HPMiniNav contentCollection=U.S. WT.nav=page http //www.nytimes.com/content/help/contact/directory.html ニューヨーク・タイムズ wikipedia The Wall Street Journal, WSJ http //online.wsj.com/home-page?_wsjregion=na,us _homepage=/home/us http //jp.wsj.com/home-page The Wall Street Journal Wikipadia http //www.usatoday.com/ USA Today wikipedia EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/27.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser's window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page #facebook_comment コメント・Comment 名前 コメント
https://w.atwiki.jp/mat0220tun/pages/32.html
3 In order to save those trees, he first had to study them. He also had to make medicine for their treatment. Those things take time and money, but Dr. Yamano had very little money. His family understood his wish and they stood behind him when he worked at night and studied during the day. In those days, damaged trees were treated by filling holes and cracks with concrete. But Dr. Yamano thought, “The trees are living things just like us. They may feel ill if they have concrete in their holes.” In order to allow them to take in water, air and food, he decide to use earth, not concrete, to fill any cracks. “The trees will feel better,” he thought. To save sick trees he cut off damaged parts and then cleaned the cut place with a brush. He also gave them special medicine and food. Thought his treatment, many old trees began living again. Dr. Yamano is now known all over the world as the tree doctor. He always tries to give comfort to a tree. He strokes the tree and says kind things such as “Thank you for living so long,” while he treat it. =================================================== [問題1] 以下の単語の意味を調べなさい。 ・ medicine ・ treatment ・ treat ・ hole ・ concrete ・ allow ・ comfort ・ stroke ・ in order to do ・ stand behind ・ fill～with ・ take～in ・ cut～off ・ be known as ・ such as [問題2] 本文の内容と合うように、( )の中に適当な単語を入れなさい。(※内容はpart1～part3) Dr. Yamano is a tree ( ① ). He spent many years ( ② ) forest management. After the ( ③ ) World War, he discovered many old trees were weak. He used ( ④ ) to fill holes and cracks in trees. To Dr. Yamano, all trees are ( ⑤ ) things just like us. He saved a famous tree in Hiroshima in 1984. It was a ( ⑥ ) to the atomic bomb. [問題3] 本文中の下線を和訳しなさい。
https://w.atwiki.jp/seismostat/pages/8.html
- 人目の訪問です。今日は - 番です。 Research Topics：Statistical Seismology, Non-equilibrium Physics, and Complex systems Thesis Bachelor Thesis Simulation Study of Earthquake Generation Model based on SOC Master Thesis Statistical Properties of Earthquakes Exhibiting SOC Doctor Thesis Statistical properties of earthquakes in view of complex systems Papers Tomohiro Hasumi, "Interoccurrence Time Statistics in the two-dimensional Burridge-Knopoff Earthquake Model", Phys. Rev. E., 76, 026117, (2007) arXiv.0708.0372 [cond.mat.stat-mech] Tomohiro Hasumi, "Hypocenter interval statistics between successive earthquakes in the two-dimensional Burridge-Knopoff model", Physica A, 388, 477--482, (2009), arXiv 0807.3828 [cond.mat.other]. Tomohiro Hasumi, Takuma Akimoto, and Yoji Aizawa, "The Weibull - log Weibull transition of the interoccurrence time statistics in the two-dimensional Burridge-Knopoff earthquake model" Physica A, 388, 483--490, (2009), arXiv 0808.0615 [physics.geo-ph]. Tomohiro Hasumi, Takuma Akimoto, and Yoji Aizawa, "The Weibull - log Weibull distribution for interoccurrence times of earthquakes" Physica A, 388, 491--498, (2009), arXiv 0807.0485 [physics.geo-ph] Ya-Ting Lee, Chien-chih Chen, Tomohiro Hasumi, and Han-Lun Hsu, "Precursory phenomena associated with large avalanches in the long-range connective sandpile model II An implication to the relation between the b-value and the Hurst exponent in seismicity", Geophys. Res. Lett., 36, L02308, doi 10.1029/2008GL036548, (2009). Tomohiro Hasumi, Chien-chih Chen, Takuma Akimoto, and Yoji Aizawa, "The Weibull - log Weibull transition of interoccurrence time for synthetic and natural earthquakes", Tectonophysics, 485, 9-16, (2010). Takuma Akimoto, Tomohiro Hasumi, and Yoji Aizawa, "Characterization of intermittency in renewal processes Application to earthquakes", Phys. Rev. E, 81, 031133, (2010). Chien-chih Chen,Ya-Ting Lee, Tomohiro Hasumi, Han-Lun Hsu, "Transition on the relationship between fractal dimension and Hurst exponent in the long-range connective sandpile models" Physics Letters A, 375, 324--328, (2011). Books Tomohiro Hasumi, Chien-chih Chen, Takuma Akimoto, and Yoji Aizawa, "The Weibull - log Weibull statistics of interoccurrence time of earthquakes", - Statistical Studies, Observations and Planning, Intech publishers, 2012. Tomohiro Hasumi, Chien-chih Chen, Takuma Akimoto, and Yoji Aizawa, "Statistical seismicity in view of complex systems", Earthquakes Triggers, Environmental Impact and Potential Hazards, Nova Science publishers, in press. Proceedings (with referees) Tomohiro Hasumi, Shin-ya Kumura, Masashi Kamogawa and Yoshihiro Yamazaki, "Model of Earthquake Generation Exhibiting Self-Organized Criticality with Self-Affine Surfaces", Journal of Physics Conference Series, 31, 237-238, (2006). Tomohiro Hasumi and Yoji Aizawa, "Statistical Properties of the Inter-occurrence Times in the Two-dimensional Stick-slip Model of Earthquakes", Physics of Self-Organization Systems, 113-122, World Scientific, arXiv 0801.0565 [cond-mat.stat-mech], (2008). Proceedings (no referees) Tomohiro Hasumi, Masashi Kamogawa, Yoshihiro Yamazaki, "Model of Earthquakes Exhibiting Self-Organized Criticality with Roughness of Self-affine Fault Surfaces Statistical Properties of Constant Stress Drop and b-value of 1", Geophysical Research Abstracts 7, 09265, 2005 (PDF). Tomohiro Hasumi, "Time-Interval Statistics between Successive Earthquakes Based on Burridge-Knopoff Model", Eos Trans. AGU,86(52), Fall Meet. Suppl., Abstract, 2005. Tomohiro Hasumi and Masashi Kamogawa, "Numerical Study of Burridge-Knopoff Model with Self-Affine Fault Surfaces", Eos Trans. AGU, 86(52), Fall Meet. Suppl., Abstract, 2005. Tomohiro Hasumi, "Spatial-temporal statistics between successive earthquakes on 2D Burridge-Knopoff model", 東京数理研究所 研究活動報告 23, The 4th International Workshop on Statistical Seismology, 104-107, 2006. Tomohiro Hasumi and Yoji Aizawa, "Seismicity patterns and phase transitions in the two-dimensional spring-block model of earthquakes", Eos Trans. AGU, 88(52), Fall Meet. Suppl., Abstract, 2007. #NG21C-0711. Tomohiro Hasumi, Precursory measure of interoccurrence time associated with large earthquakes in the Burridge-Knopoff model, Let s face chaos through nonlinear dynamics, 76--79, American Institute of Physics, 2008. Tomohiro Hasumi, Chien-chih Chen, Takuma Akimoto, and Yoji Aizawa, " The Weibull - log Weibull transition of interoccurrence times for synthetic and natural earthquakes", Eos Trans. AGU, 89(53), Fall Meet. Suppl., Abstract, 2008. #NG23A-1110. Ya-Ting Lee, Chien-chih Chen, Tomohiro Hasumi, and Han-Lun Hsu, "Precursory phenomena associated with large avalanches in the long-range connective sandpile model II An implication to the relation between the b-value and the Hurst exponent in seismicity", Geophysical Research Abstracts 11, EGU2009-1931, 2009. Chien-chih Chen, Ya-Ting Lee, and Tomohiro Hasumi, "Transition on the relationship between fractal dimension and Hurst exponent in the long-range connective sandpile models", Geophysical Research Abstracts 11, EGU2009-3904, 2009. Presentation International Conference Tomohiro Hasumi, Masashi Kamogawa and Yoshihiro Yamazaki, Earthquake Generation Model Exhibiting Self-organized Criticality -Relation between Fault Surface Structure and Statistical Properties-, Complexity and Nonextensively –New trend statistical mechanics-, Abstract pp.19, The Yukawa Institute for Theoretical Physics, Kyoto University, Kyoto, Japan, 14-18, March, 2005. Tomohiro Hasumi, Masashi Kamogawa and Yoshihiro Yamazaki, Model of Earthquakes Exhibiting Self-Organized Criticality with Roughness of Self-affine Fault Surfaces Statistical Properties of Constant Stress Drop and b-value of 1, General Assembly of European Geosciences Union 2005, EGU05-A-09265, Vienna, Austria, 24-29 April, 2005. Tomohiro Hasumi, Time interval statistics between successive earthquakes on earthquake generation model based on SOC, Spatial and Temporal Fluctuations in the Solid Earth - Clues to the Future of Our Planet -, Sendai, Japan, 22-24 July, 2005. Tomohiro Hasumi, Shin-ya Kumura, Masashi Kamogawa and Yoshihiro Yamazaki Earthquake Generation Model Exhibiting Self-Organized Criticality with Self-Affine Surfaces of a Fault, The Third 21COE Symposium Astrophysics as Interdisciplinary Science, Waseda University, Tokyo, Japan , 1-3 September, 2005. Tomohiro Hasumi, Time-Interval Statistics between Successive Earthquakes Based on Burridge-Knopoff Model, American Geosciences Union FALL MEETING 2005, NG33A-0168, Moscone Center West, San Francisco, America, 5-9, December, 2005. Tomohiro Hasumi, Masashi Kamogawa "Numerical Study of Burridge-Knopoff Model with Self-Affine Fault Surfaces”, American Geosciences Union FALL MEETING 2005, NG33A-0165, Moscone Center West, San Francisco, America, 5-9, December, 2005. Tomohiro Hasumi, Spatial-temporal statistics between successive earthquakes on 2D Burridge-Knopoff model, The 4th International Workshop on Statistical Seismology (Statsei4) in memory of Tokuji Utsu, The Graduate University for Advanced Studies, Shonan Village campus, Kanagawa Prefecture, Japan, 9-13, January, 2006. Tomohiro Hasumi, The waiting-time statistics in 2-D stick-slip model for earthquakes, 21 COE the 4th COE Symposium, Condensed Matter Physics in Self-organized Systems, Waseda University, Tokyo, Japan , 4-6 September, 2006. Tomohiro Hasumi, The statistical properties of earthquakes based on the spring-block model, The 8th Japan-Slovenia Seminar, Maribor, Slovenia, 2-6, July, 2007. Tomohiro Hasumi and Yoji Aizawa, "Statistical properties in the spring-block model for earthquakes", 21 COE the 5th COE Symposium, Toward the next generation physics, Waseda University, Tokyo, Japan, 13-14 September, 2007. ポスター賞を受賞 Tomohiro Hasumi and Yoji Aizawa, "Seismicity patterns and phase transitions in the two-dimensional model of earthquakes", American Geosciences Union FALL MEETING 2007, NG21C-0711, Moscone Center West, San Francisco, America, 11-14, December, 2007. Tomohiro Hasumi, Takuma Akimoto, and Yoji Aizawa, "The Weibull - log Weibull distribution of Inter-occurrence time of Earthquakes", 7th International Conference Let s face Chaos, Maribor, Slovenia, 28-13 July, 2008. Tomohiro Hasumi, Takuma Akimoto, and Yoji Aizawa, "The statistical law for time intervals between successive earthquakes with temporal correlated earthquakes removed", The 5th International Conference on Nonlinear Science Dynamics Days Asia-Pacific (DDAP5), Nara, Japan, 9-12 September, 2008. Tomohiro Hasumi, Chien-chih Chen, Takuma Akimoto, and Yoji Aizawa, "The Weibull - log Weibull transition of interoccurrence time for synthetic and natural earthquakes", American Geosciences Union FALL MEETING 2008, Moscone Center West, San Francisco, USA, 15-19, December, 2008. Ya-Ting Lee, Chien-chih Chen, Tomohiro Hasumi, and Han-Lun Hsu, "Precursory phenomena associated with large avalanches in the long-range connective sandpile model II An implication to the relation between the b-value and the Hurst exponent in seismicity", General Assembly of European Geosciences Union 2005, EGU2009-1931, Vienna, Austria, 19-24 April, 2009. Chien-chih Chen, Ya-Ting Lee, and Tomohiro Hasumi, "Transition on the relationship between fractal dimension and Hurst exponent in the long-range connective sandpile models", General Assembly of European Geosciences Union 2005, EGU2009-1931, Vienna, Austria, 19-24 April, 2009.
https://w.atwiki.jp/xbox360score/pages/2019.html
Family Game Night 4 The Game Show 項目数 31 総ポイント 1000 難易度 ★☆☆☆☆ 全てオフライン。コンプまで 12 時間ほど。 欧州版は別実績。欧州本体リージョンロック。 なお、欧州版は「Scrabble Flash」の名称が「Boggle Flash」に差し替えられている。ゲーム内容に違いはない。 Kinect 対応だがなくても問題ない。コントローラは二つあったほうがいい。 A Star is Born Complete an episode of the Game ShowGame Show を 1 回終了。 10 Celebrity Complete 10 episodes of the Game ShowGame Show を 10 回終了。 20 "A" Lister Complete 25 episodes of the Game ShowGame Show を 25 回終了。 30 Super Star! Complete 50 episodes of the Game ShowGame Show を 50 回終了。 50 Snack Time Play any game outside of Game Show formatGame Show 以外でいずれかのゲームをプレイ。 10 Snack Pack Finish each of the 5 games outside of Game Show (against Computer Player)Game Show 以外ですべてのゲームを COM 相手にプレイ。 20 Jr. Bopitologist Hit 10 Bop It! commands in a row without missingBop It! で 10 回連続成功。 20 Boptician Hit 20 Bop It! commands in a row without missingBop It! で 20 回連続成功。 30 Whack-a-Matic Hit 30 Bop It! commands in a row without missingBop It! で 30 回連続成功。 40 2 the Max Hit 30 Bop It! commands in a row without missing in Extreme Bop It!Bop It! の Extreme で 30 回連続成功。 50 Bop It! Master Finish 25 games of Bop It!Bop It! を 25 回プレイ。 40 Hot Shot Win a game of Connect 4 Basketball against the Computer Player in under 45 secondsConnect 4 Basketball で 45 秒以内に COM に勝利。 20 Strong Arm Shoot at least 100 balls, lifetime total, in all Connect 4 Basketball gamesConnect 4 Basketball でボールを通算 100 個投げる。 30 Flawless Victory Win a round in 4 shots in Connect 4 Basketball Connect 4 Basketball でボール 4 つで勝利。 50 Speed Shot Shoot 10 balls in under 35 seconds in Connect 4 Basketball Connect 4 Basketball で 35 秒以内にボールを 10 個投げる。 20 Connect 4 Basketball Master Finish 25 games of Connect 4 Basketball Connect 4 Basketball を 25 回プレイ。 40 Quick Thinking Create 7 words in one game of Scrabble Five-Letter FlashScrabble Flash の Five-Letter モード一回で 7 つの単語を作る。 50 Human Dictionary Create 50 unique words in Scrabble Flash (lifetime)Scrabble Flash で異なる単語を通算 50 作る。 30 High Score Score 28 points or higher in one game of Scrabble FlashScrabble Flash で 28 点以上取る。 30 Scrabble Flash Veteran Earn 1,500 total points (lifetime) in Scrabble FlashScrabble Flash で通算 1500 点取る。 20 Scrabble Flash Master Finish 25 games of Scrabble FlashScrabble Flash を 25 回プレイ。 40 Denied! Knock an opponent out of the five-point zone in Sorry Sliders or be knocked outSorry Sliders で 5 点ゾーンから弾き飛ばすか、弾き飛ばされる。 20 Sorry. . . NOT! Finish a game of Sorry Sliders where the opponent doesn't earn a pointSorry Sliders で 0 封する。 40 Sorry Sliders Sumo! Play a game of Sumo Sliders in which two Sumo Sliders are knocked into the Sorry zoneSorry Sliders の Sumo モードでふたつの Sumo を押し出す。 50 Sorry! Win a game of Sorry Sliders against the Computer PlayerSorry Sliders で COM に勝利。 20 Sorry Sliders Master Finish 25 games of Sorry SlidersSorry Sliders を 25 回プレイ。 40 Turkey Win a game of Yahtzee Bowling against the Computer PlayerYahtzee Bowling で COM に勝利。 20 Dead Eye Knock over every pin with one throw in Yahtzee Bowling Crazy LaneYahtzee Bowling の Crazy Lane 中、一投ですべて倒す。 50 Yahtzee! Get YahtzeeYahtzee Bowling で役の Yahtzee を完成させる。 40 Knock 'em Down Knock over 600 pins in Yahtzee (lifetime total)Yahtzee Bowling で通算 600 ピン倒す。 30 Yahtzee Bowling Master Finish 25 games of Yahtzee BowlingYahtzee Bowling を 25 回プレイ。 40 Game Show を 50 回プレイする、Super Star! の解除をはじめに目指すのがいい。 この過程で他の累積実績はほぼ解除される。 Game Show の 1 周にかかる時間は、コントローラ二つ使って 11 分ほど。 Bop It! 連続成功はポーズかければ余裕。 COMは自滅してしまうので、勝敗を決めずに 30 回連続成功するには、二人分操作必須。一人二役でも大丈夫なレベル。 Connect 4 Basketball Hot Shot は 2 ラウンド合わせて 45 秒以内、だと思う。 真ん中だけに投げてたらそのうち成功する。 Speed Shot は Speed Shot モードじゃないと無理。 Scrabble Flash 'text twist solver' でぐぐる。 Sorry Sliders Sorry. . . NOT! は的まで届かないようにして 0 にするのが楽。 Crazy Lane Dead Eye は、照準を一番左に向けて左手前のピンにそっと当てる。
https://w.atwiki.jp/tljtrans/pages/206.html
I m a friend of Reza Temiz. If this is Damien, he would know Reza Jericho. I don t work here. I m a friend of Reza Temiz. Jericho. Jesus, how did you―? Wait, let me just― Did Jericho send you? I haven t been able to contact him. What did you just do? I made sure that this remains a private conversation. How did you get in here? This place is a bloody fortress. I m getting good at finding my way into impenetrable fortresses. I m Zoë. Damien Cav― Right, you already know who I am. Which I find sort of disturbing. I told Jericho that he couldn t talk to anyone about this. Jericho s gone. Something s happened to him. But he left me enough info to locate you. He s disappeared? Jesus. That s not good. What about Rio? She went to see Jericho. Five days ago. Is she...are you close? We work together. Why, what s happened? I think she s dead. Are you serious? Jesus. I m in way over my head on this one. I shouldn t have asked her to go. What happened to her? I don t know. I found her in Jericho s apartment. She was hooked up to this white plastic thing, and there were wires going into her head. The Dreamer. That s what it s called. A Dreamer. It s not supposed to kill you. I know. They hooked me up to one. Who hooked you up to a Dreamer? Two girls. Twins. I don t know who they work for, but I m guessing they re connected to your company. I ve seen them around. They work for Ms Gilmore, the president. I think maybe they got to Rio as well. And they re after Jericho...after Reza. I was hoping he d made it here. I haven t heard from him since Thursday. Sorry. Rio rang me when she got into Casablanca and told me she d met with Jericho. That must have been right before... I found her in Jericho s apartment, and minutes later the EYE raided the place. I was arrested, but they let me go the next morning. Is there anyone who isn t involved in this? This what? I decided to track Reza down in order to help him. He s my best friend. But I don t know what this is, or what I ve gotten myself involved in. Now Reza s vanished, and you re the only lead I have left. Can you please just tell me what this is? You don t know anything? Only what I ve picked up on the way here. Reza never shares his stories with me. I know that WATIcorp is working on something, and that they ve been testing it out on people in Newport. You called it the Dreamer . I know that the Dreamer is probably connected to the Static somehow, and that s most likely what Reza was investigating in the first place. And I also know that WATIcorp is keen to keep all of this under wraps. Keen enough to kill people. Apart from that... I have no idea who you are, what you ve told Reza, what Rio was doing in his apartment, and what this Dreamer thing is all about. So you re going to have to fill me in, and I m not leaving here until you do. I ve come too far to go back now. If I can t help Reza, at least I want to know why. I want the truth. Right. Wow. Okay. I understand you want the truth. I wish I could tell you... I m putting myself at great risk here, Zoë. I don t know who you are. For all I know, you could be working for the corporation. Then again, if you do, I m already done for anyway, so... You re right about all of it. We...WATIcorp s working on something big. The Dreamer. It s a device that ll let you dream anything you ve got a mind to dream. Lucid dreams. You re awake and in control. Can you just imagine the possibilities? Every other entertainment medium would simply disappear overnight. Why watch a movie when you can dream it? However... About three months ago, something happened. There was a...contamination in the network that connects each Dreamer console with the central processor, Dreamcore. I used to work on the network code, the parts that link the Dreamers with DreamNet. When the problem appeared, my bosses asked me to head up the group charged with identifying the problem on this end, to weed out the bugs. What we discovered was that DreamNet was beginning to slip out of our control. There was a contamination, but it wasn t a bug. It wasn t internal. We figured someone had hacked into the network, and introduced a virus or worm. Something sneaky and adaptable. It didn t take me long to realise there was a link between the Static and our problems. The Static wasn t the cause...it was the effect. Whatever had infiltrated DreamNet was, for lack of a better word, leaking out onto the Wire, causing glitches and system crashes. When I told my supervisors, I was instructed to not ask any questions, and to just keep working on the problem. So I did what they told me. But at the same time I started digging deeper on my own. And that s when I met Rio. She was working with the biological systems that run our code and operates DreamNet - the central processor known as Dreamcore. She d been digging, too, and, like me, she d reached an impasse. So we started working together to identify and nail down the contamination. So we kept digging, and then one day, about a week ago, we discovered something that changed everything... WATI isn t making these things to entertain people. They re making them to spy on and to control people. DreamNet was designed to record people s dreams. And Dreamcore was designed to analyse them. And that s just the beginning. By feeding data back through the Dreamer, they can plant thoughts, instructions...even hypnotic suggestions in people s heads. DreamNet is the biggest brainwashing experiment of all time, disguised as mindless entertainment. What? Oh. Right. Exactly. Someone s trying to take control of the network. The most dangerous weapon of all time... Rio and I, we realised we had to tell someone, but we also knew that the corporation would do anything to protect their secret. If we went to the media, we d be dead. We had to find someone with the guts to expose WATI, while protecting our identities. The Hand That Bites. Who better to expose this conspiracy than Jericho and his notorious feed? We knew he wouldn t be afraid to go up against WATIcorp. This is... And you re sure about this, Damien? It sounds like, like science-fiction. The people behind it seem to believe that it s possible, and the Dreamer works. I ve tried it many times. It s incredible, like nothing you ve ever experienced. But to know they have free access to your innermost thoughts... I won t use it again, that s for sure. Not with everything I know now. I go down to sub-level fifty-eight. In exactly half an hour from now, you ll disengage the alarm, and I ll open the door. Remember that once you re through, the door will be tagged for maintenance by the security systems. I got that. And the rest of it? Thanks, Damien. You too. Good. Keep in mind that I can t call you while we re inside the building, so we won t be in touch until this is over. Best of luck, Zoë. I got it. All of it. I m not sure that s the right word, but I don t know how else to describe it. I could hear the voices of thousands of people around me. It does sound as though the Azadi have plans with this tower, April-an. But I cannot see what that would be. As for this place you discovered deep below us, this...chamber of dreams? This worries me, April-an. Dreams are powerful things. Combined with this Azadi machine, if that is what it is, it could have serious consequences. I tried going back through, but the rock s solid. There s a half mile of mountain between us and the caves. Without the portal, there s no way down there. I will look at the wall in the cellar where you said the portal opened up. Perhaps I can learn how this musical magic works. I must say that I am intrigued. Keep this under wraps, Na ane. Don t let anyone get wind of what you re doing. Not even Benrime. We don t know what we re dealing with yet. Of course. I shall be cautious. Perhaps this is the opportunity we have been praying for. If we do not soon find a weakness in the Azadi front... Then we keep fighting them with the weapons we already have. What else can we do? I am not suggesting we lay down our arms, April-an. But we are fast dwindling in numbers. We re not dead yet, Na ane. And it might be that this new information will help us. Not a day goes by when someone is not killed, captured and sent west to an unknown fate, or abandons the cause. We may soon need an alternative to force. They are many, we are few, and the Azadi support amongst the common people grows daily. If that tower is as important as I suspect it is, we have a new target. I ll talk to some contacts, see what they know, and what they ve heard. Tell Brynn and Chawan to get the remaining supplies on their own. They ll need to leave tomorrow evening as planned. We can t afford any delays. Will you not go with them? I haven t decided yet. It depends on what information I manage to dig up. If I get a lead, I ll have to follow it. So be it. I may wait for you, but I will leave a message with Benrime if I, too, set course for home. He is eager. He is open. He is perfect. 彼は熱心です。率直です。彼なら大丈夫です。 I hope you are right. He is our last hope... そうだと良いのだが。彼は我々の最後の望みだ…。 Have faith. The undreaming will be unleashed, and it will― 信じてください。アンドリーミングは解き放たれるでしょう、そして― Quiet, brother. The walls have ears. 静かに。壁に耳ありだ。 Oops. Sorry! Did you want something? No, it s nothing! Sorry! You all right, girl? Where...where am I? You re still at The Fringe. You don t remember? I don t know. I... How did I get back here? Back? You haven t moved all night. Couple of guests found you passed out. You were drugged. That s what it looks like. I checked the cameras, but there was nothing on them. The crystals were wiped. When we found you last night, I called a friend of mine. A doctor. She came by and checked you out. She said you were on some kind of synth, but that you d sleep it off. So I closed the room and kept an eye on you all night. That s not possible. I was...somewhere else. April, she― I met April. April Ryan! I was in Arcadia, the place she spoke about. I was there! So...so I couldn t possibly have been here. Zoë... Look, I ve been checking in on you every fifteen minutes all night long. You couldn t have gone anywhere without me noticing. You were fed some kind of hallucinogenic. You ve probably been having very vivid dreams. Maybe you re right. But it felt real enough. Dreams Was it all just a dream? That s impossible! I was there! I spoke with April. She was...she wasn t very cooperative. But I did speak with her. Real There s no way it was just a dream! All I know is that you ve been sleeping right here since we found you. Sorry about that. It was a potent drug. My friend couldn t identify it - like I said, some kind of synth - but she said the readings were off the chart. Your mind was on fire. She also said you d be fine, once the drugs had worn off. I would ve called a hospital, but I figured we d both be happier without corporates sniffing around. My clientele is a bit...sensitive about their privacy. And I figured you d feel the same way. I m glad you didn t call anyone. As far as the EYE s concerned, I m still in Casablanca. You left Emma and me at the table to make a call. Twenty minutes later some guests found you passed out in the booth. They gave up their reservation quite willingly. They didn t want to get involved. Sorry? Girl, it s not your fault that someone drugged you. But you might want to consider getting out of this before you get hurt. You don t remember anything? I can t just abandon Reza. No. Last night s a blur. The first thing I remember is waking up in... No, I don t remember anything from The Fringe. Huh. Actually, I m not receiving any signal here. You re, uh, a ghost. Thanks. That sounds perfect. I could definitely use a shower and a change of clothes. I didn t see anyone. But apparently our friend Marcus Crozier checked in just before the incident. Did you see whoever did this to me? And he brought two guests. Wait, I remember...part of it. Marcus, the twins... Hi, this is Reza. I m either busy or I m sleeping. Either way, let me know what s up, and I ll call you right back. Thanks. Come on. Let s move out. Your journey is about to begin. Follow me. あなたの旅は始まろうとしています。こちらへ。 April. I m pleased to see you. Pleased...and surprised. I m just as surprised as you are, Gordon. How, uh, how have you been? I...don t know. This place... I m both a part of it and apart from it. I m no longer who I once was, though I remain who I once was. There is natural dichotomy to the Balance. Positive and negative, reality and dream...being and unbeing. Sounds confusing. I don t envy your role. You re standing in the middle of a very busy intersection. I don t know any other way to be anymore. I...remember. But my memories feel like they belong to someone else. So, April... You have come to me with questions? I didn t know where else to turn. Something s going on with the twin worlds, and I need to know what you know. You re right. Something touches the Balance between the twin worlds. Dreams. Threads that weave through the Divide. But the Balance remains undisturbed. Dreams have always passed between the world of Stark and the world of Arcadia. That is how the worlds stay connected, how magic and science remain inextricably tied to each other. The laws of nature, of the universe, are stronger than the artifice of the Divide. So it s not something dangerous? Not you I don t know, April. There are forces far stronger than the Balance at play here. Dreams make up the fabric of cosmos. Yet my responsibility lies solely with the channeling of energies between Stark and Arcadia, between science and magic. And you don t know anything about these dreams? I know this. Your role in these events has come to an end. You are not the one who will set things right this time. I m...not. Who will? That s not for me to see. Your fate has always been tied to the Balance, April. I see where our paths intersect. I can t see into the Dreaming. The Dreaming? What s that? The Dreaming? The place where everything begins. You, me, this realm, the twin worlds...time, matter, cosmos. Everything. It all begins in the Dreaming. You re being obtuse. You know I hate it when people are being obtuse. I m sorry. I don t know any more than that. But you don t have to carry the burden on your shoulders this time around, April. You re free. Go live your life. Let the past go. That s easy for you to say. There s meaning to your existence. Me? I wasn t who I thought I was. I honestly have no idea who I am anymore. Everyone kept telling me I was important, that I was needed. Then one day, I...wasn t. I was just lost. So don t tell me I m free. Don t tell me to go live my life. You don t know. You have a purpose. We all do, April. You just haven t found yours yet. But this isn t it. Let it go. Okay. Done. I m officially letting this one go. There s nothing more you can tell me? Only what I sense. Dreams are passing from Stark to Arcadia, but not the other way around. A slow trickle that may grow to a torrent. But this does not concern the Balance, and so it does not concern me. I guess that s good news. Thank you. Thank you. Safe journeys, April. I am at the crossroads between waking and dream. 私は夢と現実との岐路に立っている。 One path leads back to the world I left behind. The other path... 一方は私が後にした世界に通じている。もう一方は…。 The other path leads to a place of shadows. もう一方は影の世界へと通じている。 But in truth, it is too late. My choice was made many years ago, when I first embarked on this journey. I cannot turn back. だが、もう遅い。私は何年も前に選択し、そして旅が始まった。後戻りはできない。 I am at a crossroads, but for me there is only one path. 私は岐路にいるが、選択の余地はない。 I leave behind these words in the hope that, someday, they will serve as a map for someone else. いつか、だれかの道しるべとなることを願い、これを書き残す。 To whomever reads this, Godspeed on your journey. If you ever decide to follow in my footsteps, look me up. これを読む者へ、旅の無事を祈る。もし私の足跡をたどるなら、私を訪ねてほしい。 Ex-calling Hi, Reza. Hello. Are you busy? Mmm, not really. Why? I need to talk to you. Can you meet me at Moca Loco? Sure. When? Now? I m already on my way there. All right. I ll see you in a couple of minutes. Great. See you there. One Brian Westhouse. Brian Westhouse。 I don t usually look this pale, but that s what you get for being in a coma. But that would be a lie. The only thing I could have said...is goodbye. It might just be the most important thing ever. I think he ll be very lonely when I m gone. Security spider. I hate spiders. Security spider. Shit. I really hate those things. Spider revealed What was that? Must be some kind of viral ad... Wonkers, I don t have time to― ―but remember the time we hopped the Vactrax to Europolis without telling anyone, and you got completely shitfaced? Wh-what? I had to carry you to that sleazy hotel down on Jarl Street, and you spent half the night throwing up. Zoë, this is Reza. I, uh, modified Wonkers a bit to make him play a pre-recorded message in case something happened to me. I don t want you to worry. All this means is that I haven t checked in with him for twenty-four hours. I m probably okay. However, in case something s happened, I need you to do me a favour. I keep an updated copy of my notebook in my apartment at all times. It contains everything about the story I m currently working on. I wire over my notes and research twice a day. I need you to get that notebook now, and take it somewhere safe. If I m... If I m in trouble, get the information inside to my editor. You ll need to decrypt it first, so talk to you-know-who. She can take care of that, I m sure. To find the notebook - I keep it somewhere safe - go to my apartment and tell Lucia what I told you the day you left for Cape Town. She will find the notebook for you. Like I said earlier, I m probably okay. Maybe I just forgot to check in. Maybe Wonkers has malfunctioned. But get the notebook, just in case. You re the only person I can trust with this, Zoë. Keep it safe, and I ll see you soon, okay? ―which is why men wear cups. Diane? Well, that s a kick in the groin, Ryan. Thanks! Now, who are you, and what were you doing in my laboratory? The next morning you bought me that antique lighter. Remember? Wonkers, my best mechanical friend. He s a genuine Watilla, but he s a bit...outdated by now. Second examine Poor old Wonker is brainless. Literally. Examine brainless Pick up Reza doesn t have a cat... And why is the door to his apartment open? Oh, my God...the building s being raided! Commandos On your knees! Hands behind your head! Listen, I― I warned you! Please deliver it to Jericho as soon as possible. My mobile s beeping! Beeping I spoke with Jericho a couple of days ago. He called me, asked me some questions, I answered them. That s all. Okay, well, I guess that s a start. Victory Hotel. Return encounter Oh, hello dear. I see. So Benrime sent you to find Magda. Now why would she do a thing like that? And why would she say something like that? Because I m...I m, um, not from around here. That much is quite obvious. Because... Probably because I m not from around here, and I need help. Anyone can see that. You stick out like a black beetle in a flour sack. And that is a very dangerous thing to do. Very well, I will do what I can to assist you. You will certainly need it. I just want to go home again April... I may have heard that name before. What would you with her? I don t know. I need to find her. We have something in common, and I think...I think she s in trouble. And you intend to save her? How do you propose to do that? I don t know that either. I just need to find her. Hmm. Well, I apologise, but I cannot help you there. 201 Twins? They re working together. They were in Reza s apartment back in Casablanca. And they were here last night. So they must ve been the ones who drugged you. Maybe. But I don t understand why they didn t just...kill me. I mean, that s the second time they ve attacked me, and I m still walking. If there s one thing I ve learned it s to not look a gift horse in the mouth. You re alive. Don t ask too many questions. Ow. Maybe you re right. Maybe I should just go home while I m still... You okay, Zoë? Just my head. Yeah, I m okay. You can stay here as long as you need to. And I can call my doctor friend again. No need to go to a hospital. No, I should go home. Thanks, Charlie. I really appreciate it. No problem, girl. Drop by if you re ever in town again. And keep me updated. If you find your friend, or if you...if you hear from April. I will, Charlie. Thanks for everything. Hi, it s me again. I m in― I met Charlie, and I followed your tracks to the hotel. It s too noisy here. I should use one of the VIP rooms upstairs like Charlie suggested. Can t use I hope everything s okay, Reza. Please call me if you― when you get this message. That must be Charlie. Examine, haven t met Charlie seems like a really nice guy. Examine, have met Emma. Her full name is Emma de Vrijer. I read an article about her a while back. She s a performance sculptor. Emma s really down-to-earth. Marcus! I was just about to― Reaction That guy should be selling cars, not junk. Examine far met He looks like he could sell pretty much anything. And, okay, he does. He s a friendly guy. Examine near met He s selling something. Well-stocked store...or garbage dump? There s a door up there. A...mysterious door. There s a neon sign on that wall. The Fringe . Liv s been my best friend through thick and thin. She s awesome. Examine Olivia If Liv doesn t have it in stock, she can get it for you in twenty-four hours - whatever it is. There s so much crap in here, it s a miracle Liv keeps track of it all. Jama Mbaye, my martial arts teacher. Information. He ll know what to do with it. Yes. Yes, I m Helena Chang. How do you know my name? Why did you react to my name earlier? Do you know my father, Gabriel? Castillo She acted a bit strange when I told her my name Your father? No. No, I...I knew a Castillo once. A long time ago. I m sorry, but I don t have time for chit chat. I have to leave. Wait, I need to ask you― What kind of information? Information What s in that package? I m sorry, but that s really none of your business. The package is for Jericho s eyes only. I have to leave. Please deliver the package to Jericho right away. And thanks again for your help. I shall not forget it, Zoë Castillo. Hey. Hey, wait! Dammit. Reza has some serious explaining to do. Between the familiar and the unknown, between certainty and doubt, my choice would seem obvious. 既知と未知、確信と疑念とに関わらず、私の選択は明白だった。 Any sane man would turn around, return to the world he knows, forget what he has learned, and live his life in blissful ignorance. まともな者なら、自分の世界に戻り、すべてを忘れ、屈託のない幸福な人生を送っただろう。 Hiya, Wonkers. Wonkers? Don t you get bored, just sitting here in my room? I know I do. Bored Doesn t Wonkers ever get bored? Zoë! Do you want to play a game? Not today. I m just not in the mood. Oh. Okay, then. Yes, Zoë? Remind me what s on my schedule today, Wonkers. Wonkers can interface with our home server and remind me about appointments I don t get bored. I think a lot. You do? About what? About the fun times we ve had together, Zoë. The memories make me happy. Wonkers, that s...sad. Why? I m not programmed to feel sad, Zoë. I m programmed to feel happy, always. Lucky you. I wish I knew what that was like... Well, there s the gym at eleven thirty. Right. And after that? No, Zoë. That s all. I really need a job... What s on my schedule again? Just the gym, Zoë. You don t have anything else on your schedule. Right. I m absolutely pathetic. So what are the headlines today? He keeps track of all the headlines that might interest me Gagan Garlanka was spotted with Chinese model Vivian Zhu last evening at the swanky Europolis nightclub Bitte . Witnesses told― Mmm, no. Next story, please. Casawi playboy Baptiste Messod shocked audiences at― Skip the entertainment news. Is there anything else? It turns out that Bingo! branded diet wine has more calories than― Do you have any real news? You ve programmed me to track entertainment news and diet related headlines, Zoë. If you want to reprogram my newsfilter, that s easy. Oh. No, I guess I ll...access a newsfeed. I need to get going. Exit Are you sure you don t want to play a game? We haven t played a game in so long. I m sorry, Wonkers. I just...haven t felt much like playing lately. Okay, then. Thanks, Wonkers. Talk to Wonkers Yes? Can I help you? After meeting Charlie What were they talking about? 何のことを話していたのだろう？ Whispering monks comment 囁いていた僧侶のコメント He s meditating. I shouldn t disturb him. During ritual He s waiting for me to step into the circle. After ritual Please, traveller. Step onto the dais. どうぞ、旅の方。台座に上がってください。 Step up again Hey, Zoë. Are we still on for tonight? Definitely. We have the house to ourselves. Just bring a bottle of wine and a date. Wine, I can do - but a date? You ll just have to invite some more guys over. See you tonight, Zoë! I m looking for Charlie. Charlie I can t find Charlie Charlie s right over there. Has talked to Charlie After meeting Emma He s down there, past the bar. Time to move on Whatever. Uh-huh. The place is kinda quiet, isn t it? Quiet This place looks completely dead Look, it s a cocktail lounge, not a café. Right now, it s the middle of the afternoon. Things heat up around midnight, and everyone stays until sunup. Right. That makes sense. Where s Charlie again? He s right over on the other side of the bar. It s not like he s hard to find or anything. So...have you worked here long? Small talk Make with the small talk Why are you asking me questions? Uh...no reason. Okay, so stop. It s annoying. Charlie said I could use one of the VIP rooms to make a call. Private Where s that private room Charlie spoke about? Upstairs. There s an empty one all the way down on your left. Don t stay long. It s been reserved. And don t talk to the VIPs. Because you re...not. Where s the VIP room you said I could use? Upstairs. All the way down on your left. Does it get any more crowded than this? Lounge There aren t exactly a whole lot of people here This is an exclusive cocktail lounge. People don t come here for the crowds. They come here to chill out. It just seems a little dull, that s all. Look, this is how the rich and famous like to party, okay? If you don t like it, you can go back to...to...wherever. Casablanca. Whatever. I. Don t. Care. Time to run That s the hostess. Carlita s coming over tonight for the, uh, soirée . I don t know Jawhar very well, but I ve met him a few times. He s, uh, nice. I guess. Jawhar...something. I don t know his last name. Hey, how are you? I hear you re having a party tonight. Is that right? No. Well, yes, a few close friends are dropping by. You re, um, welcome to join us. If you want. Sorry. I m going nightcrawling with some buddies from college. We ll be running the gauntlet until Monday. Cool. Sounds fun. Good luck with that. Enjoy your weekend. Olivia s store, Alien the Cat . She does quite well for herself. She s got lots of regular customers. So how about them Casawi Critters, Ryan? Well, Diane, funny you should ask. Cricket s coming home, folks, and the Critters are knocking them down like there s no tomorrow! In the opening innings, the Casawi fast-bowlers came out gunning for glory with the fire-power to back it up. Blessed be the Six, child, you startled me! You speak English! Oh, thank God. Listen, I m not sure what s happ― Speak what? Who are you? Where do you come from? I― I don t know. I think I m...I m dreaming. It s just that, no matter what I do, I can t seem to wake up. Dream? This is no dream, child. Do you need me to pinch your arm? What? No. N-no, that s... I m... The twins, they did something to me, something― How did you get in? We don t open until midday. Open what? The inn, child! What do you think? Are you soft-witted or... By the Balance, you are from...from the other side, aren t you? Gracious me, another Shifter. (Sighs) Why do they always end up here? Another what? You must go see Minstrum Magda immediately. She will explain everything. Minstrum Magda? Leave now, but be cautious, and don t speak a word of this to anyone. They have ears everywhere. L-look, I don t know what s going on, and I don t know what a Shifter is or why I m supposed to see this Magda person, and― I understand that you re frightened, child. You don t understand! I have absolutely no idea what s going on! Did you say April Ryan ? Yeah! Do you know her? No. I don t recognise the name. You need to see Minstrum Magda, child. (Deep breath) I guess I don t have a choice, dream or no dream. Where can I find her? She moves around, but Blind Bob ought to know where she is. He s right outside. You can t miss him. Blind Bob, Minstrum Magda, underground cities and strange monsters... I feel like I m inside some kind of fairytale. All right. I ll go talk to, uh, Blind Bob. Thank you. What s your name? Benrime Salmin, child. I m the innkeeper of the Journeyman Inn. I m Zoë. And thank you. I m sure I will see you again. You re the only person I know in this...this place. Blind Bob Just a quick reminder about how we fight. You have light and heavy attacks. Excellent work, Zoë. Have I taught you nothing, Zoë? You need to focus. Where s your mind at? (Fighting noises) Oof! Aah! Ugh! I know this already. It is worth repeating. Light attacks are fast, but can be blocked. Heavy attacks are slow, but they are also unblockable. If you re quick, however, you can dodge a heavy attack. And that will give you the upper hand, since an opponent needs time to recover. Don t get too cocky now. Remember, keep your guard up, block my punches, and attack only when my defenses are down. Got it? Got it. Let s go. Those are Mani wheels, imprinted with the mantra Om Mani Padme Hum . It s a blessing. Liv s been my best friend for years. Dad. "This is an automatic reminder sent by..." Shit. The gym. I have to hurry. I think Dad misses wearing a lab coat. He usually has to wear a suit these days. My backpack. Nothing much in there. Jardin des Roses. The definition of a godforsaken cul-de-sac. Dad hasn t bought any new furniture since I left for university. Dad s carry-on luggage. I should clean up that mess...at some point. I need some new clothes. I don t have anything to wear. My backpack s in here, somewhere. Backpack My backpack s in here. Backpack again Wonkers. Third examine I ll have to put Wonkers together again after all this is over, or I won t be able to live with myself. Examine brainless again Huh? Those clothes are clean...I think. Dad and I have a great system for keeping the kitchen clean. We don t use it. The kitchen hasn t seen much use lately. I m not cooking anything. Not as long as there s take-away. When was the last time anyone pruned anything back there? We so need a new gardening bot. There s the party tonight. There s nothing before that? Hey, Wonkers, I...need you to switch yourself off for me. Switch off Because... Because I just need you to go to sleep for a bit. All right, Zoë. Promise to wake me up later? Sorry. I ll put you back together once this is all over. I just need to twist the neck like... ...that. Ouch. That s it. The processing crystal. I promise. Nighty-night. Home sweet home. I never thought I d be moving back here. It s a weekday, and no one s working, not even a maintenance bot. What s happened to this city? Liv s having her lunch. It s an ancient postbox. Jardin des Roses. Carlita.
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Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Infection Control Professional's Handbook Renee Patterson? undefined ReneePatterson? ジャンル別? ジャンル別-mirror-test-test-subtier-Communicable? Subjects-Medicine-Diseases-Communicable? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-InfectiousDisease-CommunicableDiseases? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Medicine-Diseases-Communicable? Indoor Air Quality During Construction A Guide to Best Engineering Practices And Regulatory Compliance Kenneth Weinberg? undefined KennethWeinberg? ジャンル別? Subjects-Medicine-Education&Training-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? 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【登録タグ B いぬみぎさうんど すばる 上海紅茶館 ～ Chinese Tea 明治十七年の上海アリス 曲 最速最強！KUROKOMA-Yeah！cover REMIX】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/5142.html
【登録タグ B めらみぽっぷ 凋叶棕 報 曲 月時計 ～ ルナ・ダイアル】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*