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https://w.atwiki.jp/touhoukashi/pages/6293.html
【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/eriax/pages/121.html
制限 セクション構造からのアウトライン抽出は HTML 4.4.11.1 に準拠。効率は考慮外。 Microdata アイテム抽出は HTML 5.2.5, 5.5.1 に準拠。ただし絶対 URI のチェックはしない。 どちらも抽出するだけ。 使用例 アウトライン var hapi = HTML_Outlines_and_Microdata_for_HTML_Browsers; // 文字列として確認 alert(hapi.createOutlineString(document)); // ul 要素を生成 var toc = hapi.createOutlineList(document); Microdata var hapi = HTML_Outlines_and_Microdata_for_HTML_Browsers; // 文書内のアイテムを JSON で抽出 var items = hapi.findAllItems(document); var jsonData = JSON.stringify(items); ソースコード if ( undefined === typeof Array.prototype.map) { Array.prototype.map = function (callbackfn) { var thisArg = arguments[1]; var result; var count; var i; if ( function !== typeof callbackfn) { throw new Error; } count = this.length; result = new Array(count); for (i = 0; i count; i++) { if (i in this) { result[i] = callbackfn.call(thisArg, this[i], i, this); } } return result; }; } if ( undefined === typeof Array.prototype.indexOf) { Array.prototype.indexOf = function (ceil, floor) { return function (searchElement) { var fromIndex = arguments[1]; var count = this.length; var i = Number(fromIndex) || 0; i = (i 0) ? ceil(i) floor(i); if (i 0) { i += count; } for (; i count; i++) { if (i in this) { if (this[i] === searchElement) { return i; } } } return -1; }; }(Math.ceil, Math.floor); } if ( undefined === typeof Array.prototype.filter) { Array.prototype.filter = function (callbackfn) { var thisArg = arguments[1]; var result; var count; var i; var v; if ( function !== typeof callbackfn) { throw new Error; } count = this.length; result = new Array; for (i = 0; i count; i++) { if (i in this) { if (callbackfn.call(thisArg, v = this[i], i, this)) { result[result.length] = v; } } } return result; }; } //////////////////////////////////////////////////////////////////////// var HTML_Outlines_and_Microdata_for_HTML_Browsers = new function () { /*@cc_on@*/ ////////////////////// // Outlines // var isSectioningContent = function () { var Names = /^(? section|nav|article|aside)$/i; return function (node) { return node (node.nodeType === 1) Names.test(node.tagName); }; }(); var isSectioningRoot = function () { var Names = /^(? body|blockquote|details|fieldset|figure|td)$/i; return function (node) { return node (node.nodeType === 1) Names.test(node.tagName); }; }(); var isHeadingContent = function () { var Names = /^(? h[1-6]|hgroup)$/i; return function (node) { return node (node.nodeType === 1) Names.test(node.tagName); }; }(); var isHeadingGroupContent = function () { var Names = /^hgroup$/i; return function (node) { return node (node.nodeType === 1) Names.test(node.tagName); }; }(); var getLevel = function (elt) { if (isHeadingGroupContent(elt)) { return getHeadingGroupLevel(elt); } return getSingleHeadingLevel(elt); }; var getSingleHeadingLevel = function (elt) { return parseInt(elt.tagName.slice(-1)); }; var getHeadingGroupLevel = function (elt) { var maxLevel = Infinity; var currentLevel; var nodes = elt.childNodes; var node; var i; for (i = 0; node = nodes[i++];) { if (isHeadingContent(node)) { currentLevel = getSingleHeadingLevel(node); if (currentLevel maxLevel) { maxLevel = currentLevel; } } } return maxLevel; }; // function HTMLOutlinee(arg) { if (arguments.length 0) { if (arg) { var p; for (p in arg) { if (arg.hasOwnProperty(p)) { this[p] = arg[p]; } } } } } HTMLOutlinee.create = function (element) { return new HTMLOutlinee({ element element, sections [], parent null }); }; HTMLOutlinee.prototype = new function () { this.element = null; this.sections = null; this.parent = null; this.type = #outlinee ; this.addSection = function (section) { this.sections.push(section); section.outlinee = this; return section; }; this.getFirstSection = function () { return this.sections[0]; }; this.getLastSection = function () { var sections = this.sections; return sections[sections.length - 1]; }; this.toString = function () { return [object HTMLOutlinee] ; }; }; function HTMLSection(arg) { if (arguments.length 0) { if (arg) { var p; for (p in arg) { if (arg.hasOwnProperty(p)) { this[p] = arg[p]; } } } } } HTMLSection.create = function (heading, parent, outlinee) { return new HTMLSection({ heading heading, parent parent, children [], outlinee outlinee, associated [] }); }; (function () { this.heading = null; this.parent = null; this.children = null; this.outlinee = null; this.associated = null; this.type = #section ; this.appendChild = function (div) { this.children.push(div); div.parent = this; return div; }; this.hasChildSections = function () { var nodes = this.children; var nodeCount = nodes.length; var i; for (i = 0; i nodeCount; i++) { if (nodes[i] instanceof HTMLSection) { return true; } } return false; }; this.getLastSection = function () { var nodes = this.children; var nodeCount = nodes.length; var node; var i; for (i = nodeCount; i 0;) { node = nodes[i -= 1]; if (node instanceof HTMLSection) { return node; } } return null; }; this.associate = function (node) { this.associated.push(node); return node; }; this.toString = function () { return [object HTMLSection] ; }; }).call(HTMLSection.prototype); function createOutlinee(root) { var currentOutlinee = null; var currentSection = null; var stack = []; (function (root, callbackfn) { var node = root; var n; while (node) { callbackfn(node, enter ); if ((n = node.firstChild)) { node = n; continue; } do { callbackfn(node, exit ); if (node == root) { node = null; break; } if ((n = node.nextSibling)) { node = n; break; } } while ((node = node.parentNode)) } })(root, function (node, mode) { var top = stack[stack.length - 1]; if (top === node mode === exit ) { stack.pop(); } else if (isHeadingContent(top)) { ; } else if (mode === enter (isSectioningContent(node) || isSectioningRoot(node))) { if (currentOutlinee !== null currentSection.heading === null) { currentSection.heading = undefined; } if (currentOutlinee !== null) { stack.push(currentOutlinee); } currentOutlinee = HTMLOutlinee.create(node); currentSection = HTMLSection.create(null, currentSection, currentOutlinee); currentOutlinee.addSection(currentSection); } else if (mode === exit (isSectioningContent(node) stack.length 0)) { var outlinee = currentOutlinee; currentOutlinee = stack.pop(); currentSection = currentOutlinee.getLastSection(); currentSection.appendChild(outlinee); } else if (mode === exit (isSectioningRoot(node) stack.length 0)) { var outlinee = currentOutlinee; currentOutlinee = stack.pop(); currentSection = currentOutlinee.getLastSection(); while (currentSection.hasChildSections()) { currentSection = currentSection.getLastSection(); } currentSection.appendChild(outlinee); } else if (mode === exit (isSectioningContent(node) || isSectioningRoot(node))) { currentSection = currentOutlinee.getFirstSection(); } else if (currentOutlinee === null) {} else if (mode === enter isHeadingContent(node)) { if (currentSection.heading == null) { currentSection.heading = node; } else if (getLevel(node) = getLevel(currentOutlinee.getLastSection().heading)) { currentSection = currentOutlinee.addSection(HTMLSection.create(node, currentSection.parent, currentOutlinee)); } else { var candidateSection = currentSection; while (true) { if (getLevel(node) getLevel(candidateSection.heading)) { currentSection = candidateSection.appendChild(HTMLSection.create(node, candidateSection.parent, currentOutlinee)); break; } var newCandidateSection = candidateSection.parent; candidateSection = newCandidateSection; } } stack.push(node); } else {} if (mode === exit currentSection !== null) { currentSection.associate(node); } }); if (currentOutlinee === null) { return null; } return currentOutlinee; } var getTextContent = function (n) { switch (n.nodeType) { case 1 if (/^img$/i.test(n.nodeName)) { return n.alt; } if (/^input$/i.test(n.nodeName)) { return n.value; } return Array.prototype.concat.apply([], Array.prototype.map.call(n.childNodes, arguments.callee)).join( ); case 3 case 4 return n.data; default return ; } }; (function () { this.isSectioningRoot = function () { return isSectioningRoot(this.element); }; this.hasEffectiveSections = function () { var sections = this.sections; var section; switch (sections.length) { case 0 return false; case 1 return sections[0].isEffectiveSection(); default return true; } }; this.toJSON = function (internal) { var children = []; var sections = this.sections; var sectionCount = sections.length; var i; for (i = 0; i sectionCount; i++) { children = children.concat(sections[i].toJSON(true)); } if (internal !this.isSectioningRoot()) { return children; } return { type #root , context this.element.tagName, children children }; }; }).call(HTMLOutlinee.prototype); (function () { this.isEffectiveSection = function () { return isSectioningContent(this.outlinee.element) || this.hasChildSections() || this.heading !== null; }; this.toJSON = function () { var heading = this.heading; var tagName = this.outlinee.element.tagName; var id; var label; if (heading) { id = heading.id; label = getTextContent(heading); } else { if (heading === null) { label = (anonymous\x20 + tagName + ) ; } else { label = (undefined\x20 + tagName + ) ; } } var children = this.children; var childCount = children.length; var result = []; var i; for (i = 0; i childCount; i++) { result = result.concat(children[i].toJSON(true)); } return { context tagName, type #section , id id, label label, children result }; }; }).call(HTMLSection.prototype); // var outlineToList = function (jsonData, params) { var doc = params.ownerDocument; var list0 = doc.createElement(params.tagName || ul ); var item0 = doc.createElement( li ); var frag0 = doc.createDocumentFragment(); item0.appendChild(doc.createElement( a )).appendChild(doc.createTextNode( _ )); return (function (data) { var list; var item; var frag = frag0.cloneNode(false); var children = data.children; var childCount = children.length; var child; var i; var n; var s; if (childCount 0) { for (i = 0; i childCount; i++) { child = children[i]; item = item0.cloneNode(true); n = item.firstChild; if (child.type === #section ) { if ((s = child.id)) { n.href = # + encodeURIComponent(s); } n.firstChild.data = child.label; frag.appendChild(item); frag.appendChild(arguments.callee(child)); } } list = list0.cloneNode(false); list.appendChild(frag); } else { list = frag; } return list; })(jsonData); }; this.createOutlineList = function (root, doc) { var outlinee = createOutlinee(root); if (!doc) { doc = (root.nodeType === 9) ? root root.ownerDocument; } return outlineToList(outlinee.toJSON(), { ownerDocument doc, tagName ul }); }; var outlineToString = function (jsonData, level) { var tab = 2; if (!level) { level = 1; } var padding; var result = []; if (jsonData.type === #root ) { padding = new Array(level).join( \x20\x20 ) + = ; result.push(padding + [ + jsonData.context + ] ); level += tab; } var children = jsonData.children; var childCount = children.length; var child; var i; var c; if (childCount 0) { padding = new Array(level).join( \x20\x20 ) + + ; for (i = 0; i childCount; i++) { child = children[i]; if (child.type === #section ) { result.push(padding + [ + child.context + ] + child.label.replace(/^\s+|\s+$/g, ).replace(/(? \r\n|\r|\n)+/g, -- ).replace(/\s{2,}/g, \x20 )); } if ((c = arguments.callee(child, level + tab))) { result.push(c); } } } return result.join( \n ); }; this.createOutlineString = function (root) { var outlinee = createOutlinee(root); return outlineToString (outlinee.toJSON()); }; ////////////////////// // Microdata // var findItemProperties = function (root) { var push = Array.prototype.push; var filter = Array.prototype.filter; var isElement = function (n) { return n.nodeType === 1; }; var results = []; var memory = []; var pending = []; results.push(root); push.apply(pending, filter.call(root.childNodes, isElement)); /*@if(1)var a;if((a=root.getAttributeNode( itemref )) a.specified){@else@*/ if (root.hasAttribute( itemref )) { /*@end@*/ var refs; var TrailWS = /^\s+|\s+$/g; var WS = /\s+/; if ((refs = root.getAttribute( itemref /*@,0@*/)) (refs = refs.replace(TrailWS, ))) { refs = refs.split(WS); var refCount = refs.length; var doc = root.ownerDocument; var m; var i; for (i = 0; i refCount; i++) { if ((m = doc.getElementById(refs[i]))) { pending.push(m); } } } } while (pending.length 0) { var current = pending.shift(); if (memory.indexOf(current) = 0) { continue; } memory.push(current); /*@if(1)var a;if(!(a=current.getAttributeNode( itemscope ))||!a.specified){@else@*/ if (!current.hasAttribute( itemscope )) { /*@end@*/ push.apply(pending, filter.call(current.childNodes, isElement)); } /*@if(1)var a;if((a=current.getAttributeNode( itemprop )) a.specified){@else@*/ if (current.hasAttribute( itemprop )) { /*@end@*/ results.push(current); } } if ( undefined !== typeof root.compareDocumentPosition) { results.sort(function (e1, e2) { if (e1.isSameNode(e2)) { return 0; } if (0 !== (e1.compareDocumentPosition(e2) Node.DOCUMENT_POSITION_FOLLOWING)) { return -1; } return 1; }); } else { /*@if(1)results.sort(function(e1,e2){return e1.sourceIndex-e2.sourceIndex});@else@*/ var r1 = root.ownerDocument.createRange(); var r2 = root.ownerDocument.createRange(); results.sort(function (e1, e2) { r1.selectNode(e1); r2.selectNode(e2); return r1.compareBoundaryPoints(Range.START_TO_START, r2); }); /*@end@*/ } return results; }; var findAllItems_JSON = function (root) { var result = {}; var items = []; var elems = root.getElementsByTagName( * ); var elemCount = elems.length; var elem; var i; for (i = 0; i elemCount; i++) { elem = elems[i]; /*@if(1)var a;if(elem.nodeType===1 (a=elem.getAttributeNode( itemscope )) a.specified){@else@*/ if (elem.hasAttribute( itemscope )) { /*@end@*/ items.push(getObject_JSON(elem, [])); } } result[ items ] = items; return result; }; var getObject_JSON = function (item, memory) { var result = {}; memory.push(item); /*@if(1)var a;if((a=item.getAttributeNode( itemtype )) a.specified){@else@*/ if (item.hasAttribute( itemtype )) { /*@end@*/ result[ type ] = item.getAttribute( itemtype /*@,0@*/ ); } /*@if(1)var a;if((a=item.getAttributeNode( itemid )) a.specified){@else@*/ if (item.hasAttribute( itemid )) { /*@end@*/ result[ id ] = item.getAttribute( itemid /*@,0@*/ ); } var properties = {}; var elems = findItemProperties(item); var elemCount = elems.length; var elem; var i; var TrailWS = /^\s+|\s+$/g; var WS = /\s+/; for (i = 0; i elemCount; i++) { elem = elems[i]; /*@if(1)var a;if(!(a=elem.getAttributeNode( itemprop ))||!a.specified){@else@*/ if (!elem.hasAttribute( itemprop )) { /*@end@*/ continue; } var names = elem.getAttribute( itemprop /*@,0@*/ ).replace(TrailWS, ); if (!names) { continue; } names = names.split(WS); var value; /*@if(1)var a;if((a=elem.getAttributeNode( itemscope )) a.specified){@else@*/ if (elem.hasAttribute( itemscope )) { /*@end@*/ if (memory.indexOf(elem) 0) { value = getObject_JSON(elem, memory); } else { value = ERROR ; } } else { switch (elem.tagName.toUpperCase()) { case META value = elem.content || ; break; case EMBED case IFRAME case IMG value = elem.src || ; break; case AUDIO case SOURCE case TRACK case VIDEO value = elem.src; if ( undefined === typeof value) { value = elem.getAttribute( src /*@,0@*/ ) || ; } break; case A case AREA case LINK value = elem.href; break; case OBJECT value = elem.data; break; case TIME value = elem.dateTime; if ( undefined === typeof value) { value = elem.getAttribute( datetime /*@,0@*/ ) || ; } break; default /*@if(1)var s;if( undefined !==typeof(s=elem.innerText)){value=s}@else@*/ value = elem.textContent; /*@end@*/ break; } } var nameCount = names.length; var name; var j; for (j = 0; j nameCount; j++) { name = names[j]; if (properties.hasOwnProperty(name)) { properties[name].push(value); } else { properties[name] = [value]; } } } result[ properties ] = properties; return result; }; this.findAllItems = findAllItems_JSON; }; 初出 2011-09-04/05 修正 2012-03-05
https://w.atwiki.jp/testlink/pages/35.html
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https://w.atwiki.jp/stones/pages/339.html
CDR 001 - DEMO RECORDING SESSIONS 1962 (16 49) 1 Little Queenie (demo) 2 Beautiful Delilah (demo) 3 Down The Road Apiece (demo) 4 I Aint Got You (demo) 5 Don t Want No Woman (demo) 6 Around Around (demo) 7 Little Queenie/Beautiful Delilah/La Bamba/Wee Baby Blues (On Your Way To School)/Around Around (demo) 8 You Can t Judge A Book By Looking At The Cover (part) (demo) ■Bill Wyman s Black Box (VGP-329) includes tracks 1-4 mono ■Down The Road Apiece (Bad Wizard BW 6167) includes tracks 5-6 mono ■Reelin Rockin (VGP-274) includes track 7 mono ■Around Around (Invasion Unlimited IU9531-1) includes track 8 mono Note; Dartford, Kent, late 1961 or early 1962 (tracks 1-7), Curly Clayton Sound Studio, London, 10.27.1962 (track 8) CDR 002 - FIRST RECORDING SESSIONS 1963 (50 36) 1 Road Runner (demo) 2 Diddley Daddy (demo) 3 I Want To Be Loved (demo) 4 Baby What s Wrong (demo) 5 Bright Lights, Big City (demo) 6 Come On (7"single) 7 I Want To Be Loved (7"single) 8 Fortune Teller (saturday club) 9 Poison Ivy (long take) (saturday club) 10 Bye Bye Johnny (EP the rolling stones) 11 You Better Move On (EP the rolling stones) 12 I Wanna Be Your Man (7"single) 13 Stoned (7"single) 14 Come On (BBC) 15 Memphis, Tennessee (BBC) 16 Roll Over Beethoven (BBC) 17 Money (EP the rolling stones) 18 Poison Ivy (short take) (EP the rolling stones) 19 Go Home, Girl (outtake) 20 That s Girl Belongs To Yesterday (outtake) 21 Leave Me Alone (outtake) 22 It Should Be You (outtake) ■IBC Demos 1963 (The Swingin Pig TSP-CDS-001) includes tracks 1-5 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 6-7,12-13 mono ■MORE HOT ROCKS (abkco 96262) includes tracks 8-10,17-18 mono ■DECEMBER S CHILDREN (abkco 94512) includes track 11 mono ■Get Satisfaction...If You Want ! (The Swingin Pig TSP-CD-003) includes tracks 14-16 mono ■Time Trip Vol. 5 (Scorpio TT5) includes track 19-22 mono Note; IBC Studios, London, 3.11.1963 (tracks 1-5), Olympic Sound Studios, London, 5.10.1963 (tracks 6-7), Decca Studios, London, 7.9.1963 (track 8), 7.16.1963 (track 9), 8.8.1963 (tracks 10-11), Saturday Club, BBC Radio, London, 10.26.1963 (tracks 14-16), De Lane Lea Music Recording Studios, London, 10.7.1963 (tracks 12-13) 11.14.1963 (tracks 17-19), Regent Sound Studios, London, 11.20-21.1963 (tracks 20-22) CDR 003 - THE ROLLING STONES SESSIONS 1964 (40 37) 1 Not Fade Away (outtake) 2 I m A King Bee (backing track) 3 Not Fade Away (7"single) 4 Little By Little (7"single) 5 Mr. Spector Mr. Pitney Come Too (outtake) 6 Andrew s Blues (outtake) 7 Wake Up In The Morning (jingle for kellog s rise krispies) 8 Tell Me (You re Coming Back) (outtake) 9 Tell Me (You re Coming Back) (UK LP full length version) 10 Good Times, Bad Times (7"single) 11 As Time Goes By (outtake) 12 Route 66 (BBC) 13 Cops Robbers (BBC) 14 You Better Move On (BBC) 15 Mona (I Need You Baby) (BBC) 16 Don t Lie To Me (outtake) ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 1,11 mono ■Record Mirror Volume 1 / 1962-1968 (Bedrock Records) includes track 2 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 3-4,10 mono ■Necrophilia (VGP-317) includes tracks 5-6 mono ■The Rolling Stones No.2 (bootleg) includes track 7 mono ■Bright Lights Big City (VGP-307) includes track 8 mono ■THE ROLLING STONES (London P25L 25031) includes track 9 mono ■Comden Thatre 1964 (The Swingin Pig TSP-CDS-004) includes tracks 12-15 stereo ■METAMORPHOSIS (abkko 90062) includes track 16 stereo Note; Regent Sound Studios, London, 1.10.1964 (tracks 1-2), 1.28-29.1964 (tracks 3),2.4.1964 (Tracks 4-6), 2.24-25.1964 (tracks 8-10), 5.12.1964 (track 16), Pye Studios, London, 2.6.1964 (track 7), De Lane Lea Music Recording Studios, London, 3.11.1964 (track 11), Blues in Rhythm, BBC Radio, London, 3.19.1964 (tracks 12-15) CDR 004 - CHESS RECORDING SESSIONS 1964 (41 56) 1 It s All Over Now (stereo version) 2 I Can t Be Satisfied (stereo version) 3 Stewed Keefed (outtake) 4 Confenssin The Blues (stereo version) 5 Around Around (stereo version) 6 Look What You ve Down (stereo version) 7 Down The Road Apiece (stereo version) 8 If You Need Me (stereo version) 9 Hi-Heel Sneakers (outtake) 10 Meet Me In The Bottom (outtake) 11 Empty Heart (stereo version) 12 Tell Me Baby, How Many More Time (outtake) 13 2120 South Michigan Avenue (full length stereo version) 14 Reelin Rockin (outtake) ■12X5 (abkco 94022) includes tracks 1, 4, 5, 8,11,13 stereo ■MORE HOT ROCKS (abkco 96262) includes track 2 stereo ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 3, 9-10,12 stereo ■DECEMBER S CHILDREN (abkco 94512) includes track 6 stereo ■THE ROLLING STONES, NOW! (abkco 94202) includes track 7 stereo ■Reelin Rockin (VGP-274) includes track 14 mono Note; Chess Studios, Chicago, Illinois, 6.10.1964 (tracks 1-3), 6.11.1964 (tracks 4-14) CDR 005 - RECORDING SESSIONS FOR ANDREW OLDHAM 1964 (44 54) 1 Some Things Just Stick In Your Mind (basic track) 2 Some Things Just Stick In Your Mind (additional pedal steel guitar) 3 Try A Little Harder (basic track) 4 Try A Little Harder (additional brass backing vocals) 5 Heart Of Stone (basic track) 6 Heart Of Stone (additional pedal steel guitar) 7 Blue Turns To Grey (basic track) 8 Blue Turns To Grey (additional female backing vocals) 9 Earch Every Day Of The Year (basic track) 10 Earch Every Day Of The Year (additional female backing vocals, brass strings) 11 (Walkin Thru The) Sleepy City (basic track) 12 (Walkin Thru The) Sleepy City 13 We re Wastin Time (basic track) 14 We re Wastin Time (additional pedal steel guitar fiddle) 15 I d Much Rather Be With The Boys (basic track) 16 I d Much Rather Be With The Boys (additional backing vocals pedal steel guitar) ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 1, 3, 7,11,13 mono ■METAMORPHOSIS (abkko 90062) includes tracks 2, 4, 6,10,12,14,16 stereo ■The Allen Klein Collection / Kleins Revenge (Midnight Beat MBCD 128) includes tracks 5, 9,15 mono ■Necrophilia (VGP-317) includes track 8 stereo Note; Regent Sound Studios, London, 2.13.1964 (tracks 1, 3), 6.29-7.7.1964 (tracks 2, 4), 7.21-23.1964 (tracks 5-6), 8.31-9.4.1964 (tracks 7-14), Decca Studios, London, 2.1965 (tracks 15-16) CDR 006 - THE ROLLING STONES NO.2 SESSIONS 1964 (34 42) 1 Little Red Rooster (7"single) 2 Off The Hook (7"single) 3 Susie Q (with count version) 4 Surprise, Surprise (fourteen) 5 We Were Falling In Love (Waving Hair) (outtake) 6 Everybody Needs Somebody To Love (long take-stereo version) 7 Heart Of Stone (stereo long version) 8 Time Is On My Side (guitar intro take-stereo version) 9 What A Shame (stereo version) 10 Mercy, Mercy (outtake) 11 Good Bye Girl (outtake) 12 Key To The Highway (outtake) ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 1-2 mono ■Time Trip Vol. 5 (Scorpio TT5) includes tracks 3,10-12 mono, track 7 stereo ■THE ROLLING STONES, NOW! (abkco 94202) includes track 4 mono, track 9 stereo ■Bill Wyman s Black Box (VGP-329) includes track 5 mono ■Bright Lights Big City (VGP-307) includes track 6 stereo ■HOT ROCKS 1964-1971 (abkco 96672) includes track 8 stereo Note; Regent Sound Studios, London, 9.2.1964 (tracks 1-2), 9.28-29.1964 (tracks 3-5), RCA Studios, Los Angeles, California, 11.2.1964 (tracks 6-7), Chess Studios, Chicago, Illinois, 11.8.1964 (tracks 8-12) CDR 007 - OUT OF OUR HEADS SESSIONS 1965 (42 01) 1 The Last Time (stereo version) 2 Play With Fire (stereo version) 3 The Under Assistant Westcoast Promotion Man (full length version) 4 (I Cant Get No) Satisfaction (backing track) 5 The Spider The Fly (backing track) 6 (I Cant Get No) Satisfaction (stereo version 1) 7 (I Cant Get No) Satisfaction (stereo version 2 acoustic guitar only) 8 The Spider The Fly (7"single) 9 Good Times (additional female backing vocals) 10 I ve Been Loving You Too Long (studio take) 11 Get Off Of My Cloud (stereo version) 12 The Singer Not The Song (stereo version) 13 Looking Tired (outtake) 14 As Tears Go By (7"single) ■Time Trip Vol. 5 (Scorpio TT5) includes track 1 stereo ■HOT ROCKS 1 (London 820141) includes tracks 2, 6,11 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 3 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 4 mono, track 13 stereo ■Ultra Rare Trax Vol. 9 (The Genuine Pig TGP-CD-132) includes track 5 mono ■HOT ROCKS 1964-1971 (abkco 96672) includes track 7 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 8,14 mono ■Necrophilia (VGP-317) includes track 9 stereo ■MORE HOT ROCKS (abkco 96262) includes track 10 stereo ■Bright Lights Big City (VGP-307) includes track 12 stereo Note; RCA Studios, Los Angeles, California, 1.17-18, 2.17.1965 (track 1), 1.17-18.1965 (track 2),5.11-12.1965 (tracks 4-10), 9.5.1965 (tracks 11-12), 9.6.1965 (track 13), Chess Studios, Chicago, Illinois, 5.10.1965 (track 3), IBC Studios, London, 10.26.1965 (track 14) CDR 008 - AFTERMATH SESSIONS 1966 (57 48) 1 19th Nervous Breakdown (outtake) 2 19th Nervous Breakdown (stereo version) 3 Sad Day (US 7"single) 4 Mother Little Helper (backing track) 5 Paint It, Black (edited backing track) 6 Paint It, Black (stereo version-different mix) 7 Paint It, Black (full length version) 8 Long Long While (7"single) 9 Lady Jane (backing track) 10 Out Of Time (backing track) 11 If You Let Me (outtake) 12 Con Le Mie Lacrime (without harpsichord version) 13 Con Le Mie Lacrime (Italia 7"single) 14 Out Of Time (outtake) 15 Have You Seen Your Mother, Baby, Standing In The Shadow ? (backing track) 16 Have You Seen Your Mother, Baby, Standing In The Shadow ? (outtake) 17 Have You Seen Your Mother, Baby, Standing In The Shadow ? (stereo version) 18 Who s Driving Your Plane (7"single) ■Time Trip Vol. 5 (Scorpio TT5) includes tracks 1-2, 6 stereo, tracks 5, 9,12,15,17 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 3, 7-8,18 mono ■Time Trip disc 3 (DAC-063) includes track 4 mono ■Masons Yard To Primrose Hill (VGP-112) includes track 10 mono ■METAMORPHOSIS (abkko 90062) includes tracks 11,14 stereo ■The Black Box Bonus CD (Yellow Dog YD 2000) includes track 13 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 16 mono Note; RCA Studios, Los Angeles, California, 12.3-8.1965 (tracks 1-4), 3.6-9.1966 (tracks 5-11), 8.3-11.1966 (track 18), IBC Studios, London, 3.15.1966 (tracks 12-13), 8,31-9.2.1966 (tracks 15-17), Pye Studios, London, 4.27-30.1966 (track 14) CDR 009 - BETWEEN THE BUTTONS SESSIONS 1966 (52 42) 1 Yesterday s Papers (outtake) 2 Yesterday s Papers (baking track) 3 My Obsession (baking track) 4 All Sold Out (baking track) 5 Please Go Home (baking track) 6 Complicated (baking track) 7 Let s Spend The Night Together (baking track) 8 Get Yourself Together (Can t Believe / I Can See It) (outtake take 1) 9 Let s Spend The Night Together (baking track with chorus) 10 Ruby Tuesday (baking track) 11 Let s Spend The Night Together (stereo version) 12 Ruby Tuesday (stereo version) 13 Dandelion (outtake) 14 Get Yourself Together (Can t Believe / I Can See It) (ourtake 2-backing track) 15 Get Yourself Together (Can t Believe / I Can See It) (outtake 2) 16 Trouble In Mind (outtake) ■Time Trip disc 4 (DAC-063) includes tracks 1,13 mono, track 8 stereo ■The Black Box CD-2 (Yellow Dog YD 047) includes tracks 2-6,14 stereo, tracks 7,10 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 9 mono ■THROUGH THE PAST, DARKLY (abkco 90032) includes tracks 11-12 stereo ■Accidents Will Happen (VGP-370) includes track 15 mono ■Hot Stuff Volume Two (Great Dane Records GDR 9417/ABCD) includes track 16 mono Note; RCA Studios, Los Angeles, California, 8.3-11.1966 (tracks 1-8), Olympic Sound Studios, London, 11.8-26.1966 (tracks 9-16) CDR 010 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 1 (19 33) 1 We Love You (7"single) 2 Dandelion (7"single) 3 We Love You (stereo version) 4 Dandelion (stereo version) 5 We Love You (rehearsal) ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 1-2 mono ■MORE HOT ROCKS (abkco 96262) includes track 3 stereo ■THROUGH THE PAST, DARKLY (abkco 90032) includes track 4 stereo ■Time Trip disc 4 (DAC-063) includes track 5 stereo Note; Olympic Sound Studios, London, 6.12-13 21.1967 (tracks 2, 4-5), 7.2-22.1967 (tracks 1, 3) CDR 011 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 2 (57 49) 1 2000 Light Years From Home (rehearsal) 2 2000 Light Years From Home (take 1) 3 2000 Light Years From Home (takes 2-4) 4 2000 Light Years From Home (takes 5-6) 5 2000 Light Years From Home (takes 7-10) 6 2000 Light Years From Home (take 11) 7 2000 Light Years From Home (takes 12-13) 8 2000 Light Years From Home (takes 14-15) 9 2000 Light Years From Home (retakes 3-4) 10 5 Part Jam Part 1 (takes 1-2) 11 5 Part Jam Part 1 (takes 3-5) 12 5 Part Jam Part 5 (takes 1-3) 13 5 Part Jam Part 4 (takes 1-10) 14 5 Part Jam Part 4 (takes 11-15) 15 5 Part Jam Part 3 (takes 1-5) 16 5 Part Jam Part 2 (takes 1-5) ■Satanic Sessions Volume One disc 1 (Midnight Beat MB CD 120) includes tracks 1-16 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-16) CDR 012 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 3 (60 32) 1 We Love You (takes 15-16) 2 We Love You (takes 17-19) 3 She s A Rainbow (takes 1-2) 4 She s A Rainbow (takes 3-7) 5 Citadel (takes 20-24) 6 Citadel (takes 25-31) 7 Citadel (takes 32-33) 8 Citadel (take 34) 9 Citadel (take with piano overdub) 10 In Another Land (takes 1-3) 11 In Another Land (takes 4-8) 12 In Another Land (take 9) 13 Child Of The Moon (take 10) ■Satanic Sessions Volume One disc 2 (Midnight Beat MB CD 121) includes tracks 1-13 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-13) CDR 013 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 4 (60 23) 1 Child Of The Moon (takes 11-12) 2 Sing This All Together (take 7) 3 Sing This All Together (intro) 4 The Lantern (take 1) 5 The Lantern (takes 2-3) 6 The Lantern (takes 4-5) 7 The Lantern (take 10) 8 The Lantern (take 11) 9 The Lantern (take 14) 10 The Lantern (take 15-17) 11 The Lantern (retakes 1-3) 12 On With The Show (takes 1-3) 13 On With The Show (takes 4-6) 14 On With The Show (takes 7-10) ■Satanic Sessions Volume One disc 3 (Midnight Beat MB CD 122) includes tracks 1-14 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-14) CDR 014 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 5 (58 09) 1 On With The Show (take 11) 2 On With The Show (takes 12+14) 3 In Another Land (chorus part, takes 1-2) 4 In Another Land (chorus part, takes 3-4) 5 In Another Land (chorus part, takes 5-14) 6 Majesties Honky Tonk (takes 1-2) 7 Majesties Honky Tonk (take 3) 8 Majesties Honky Tonk (takes 4-9) 9 Majesties Honky Tonk (takes 10) 10 Majesties Honky Tonk (takes 11-12) 11 Majesties Honky Tonk (takes 15-17) 12 Jam One (takes 1-7) 13 Jam One (takes 8-9) 14 Jam One (takes 10-15) 15 Title 15 (takes 1-3) 16 Title 15 (take 4) 17 Title 15 (takes 5) ■Satanic Sessions Volume One disc 4 (Midnight Beat MB CD 123) includes tracks 1-17 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-17) CDR 015 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 6 (49 16) 1 Title 15 (takes 6) 2 Title 15 (takes 7) 3 Gomper (take 1) 4 Gomper (take 2) 5 Gomper (take 3) 6 Gomper (take 4) 7 Gomper (take 5) 8 Gomper (part 1, take 1) 9 Gomper (part 1, take 2) 10 Soul Blues (take 1) 11 Soul Blues (take 2) 12 Soul Blues (take 3) 13 2000 Man (takes 1-2) 14 2000 Man (take 3) 15 2000 Man (takes 4-5) ■Satanic Sessions Volume Two disc 1 (Midnight Beat MB CD 124) includes tracks 1-15 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-15) CDR 016 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 7 (47 45) 1 2000 Man (take 6) 2 2000 Man (takes 7-8) 3 2000 Man (takes 9-11) 4 2000 Man (takes 13-15) 5 2000 Man (end part, takes 1-3) 6 2000 Man (intro, takes 1-2) 7 2000 Man (intro, takes 3-14) 8 Guitar/Organ Jam (similar to She Smiled Sweetly) 9 Blues 3 (takes 27-31) 10 Blues 3 (takes 32-39) 11 Blues 3 (takes 40-44) 12 Blues 3 (retakes 1-2) 13 Blues 3 (retake 3) 14 Blues 3 (retakes 4-5) ■Satanic Sessions Volume Two disc 2 (Midnight Beat MB CD 125) includes tracks 1-14 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-14) CDR 017 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 8 (47 24) 1 Gold Painted Fingernails (take 1) 2 Gold Painted Fingernails (take 2) 3 Gold Painted Fingernails (takes 3-4) 4 Gold Painted Fingernails (takes 5-9) 5 Gold Painted Fingernails (takes 10-11) 6 Gold Painted Fingernails (take 12) 7 Gold Painted Fingernails (takes 13-16) 8 Gold Painted Fingernails (take 17) 9 Gold Painted Fingernails (takes 18-22) 10 Gold Painted Fingernails (take 23) 11 2000 Man (middle part, takes 2-3) 12 2000 Man (middle part, takes 4-6) 13 2000 Man (middle part, takes 7-10) 14 2000 Man (middle part, takes 11-12) 15 2000 Man (middle part, take 13) ■Satanic Sessions Volume Two disc 3 (Midnight Beat MB CD 126) includes tracks 1-15 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-15) CDR 018 - BEGGARS BANQUET SESSIONS 1968 DISC 1 (43 35) 1 Rock Me Baby (rehearsal) 2 Stray Cat Blues (rehearsal) 3 Untitled (rehearsal) 4 Hold On, I m Comin (rehearsal) 5 Jumpin Jack Flash (rehearsal) 6 Untitled (rehearsal) 7 Some Satisfaction (rehearsal) 8 Rock Me Baby (rehearsal) 9 I ll Coming Home (rehearsal) 10 Untitled (rehearsal) 11 Conversations ■Surrey Rehearsals 1968 (VGP-108) includes tracks 1-11 mono Note; R.G. Jones Studios, Morden, Surrey, 2.21.1968 (tracks 1-11) CDR 019 - BEGGARS BANQUET SESSIONS 1968 DISC 2 (53 41) 1 Jig-Saw Puzzle (take 1) 2 Jig-Saw Puzzle (take 2) 3 Jig-Saw Puzzle (takes 3-5) 4 Jig-Saw Puzzle (take 6) 5 Jig-Saw Puzzle (takes 7-8) 6 Jig-Saw Puzzle (take 9) 7 Jig-Saw Puzzle (take 10) 8 Jig-Saw Puzzle (take 11) 9 Jig-Saw Puzzle (take 12) 10 Jig-Saw Puzzle (take 13) 11 Jig-Saw Puzzle (take 14) ■Satanic Sessions Volume Two disc 4 (Midnight Beat MB CD 127) includes tracks 1-11 stereo Note; Olympic Sound Studios, London, 3.17-4.3.1968 (tracks 1-11) CDR 020 - BEGGARS BANQUET SESSIONS 1968 DISC 3 (70 36) 1 Jumpin Jack Flash (backing track) 2 Child Of The Moon (backing track) 3 Jumpin Jack Flash (stereo version) 4 Child Of The Moon (stereo version) 5 Parachute Woman (early mix) 6 Stray Cat Blues (outtake) 7 Did Everybody Pay This Dues ? (outtake) 8 Street Fighting Man (US 7"single-mono different vocals version) 9 No Expectations (outtake) 10 Dear Doctor (outtake) 11 Dear Doctor (early mix) 12 Prodigal Son (stereo version) 13 Factory Girl (outtake) 14 Sister Morphine (outtake) 15 Hamburger To Go (Stuck Out All Alone) (outtake) 16 Blood Red Wine (outtake) 17 Family (outtake-electric version) 18 Still A Fool (outtake) ■Time Trip disc 4 (DAC-063) includes tracks 1-2 mono, tracks 9-10,14 stereo ■THROUGH THE PAST, DARKLY (abkco 90032) includes track 3 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 4 stereo ■R.S.V.P. (Cool Blokes Production) includes tracks 5-6,11-13 stereo ■Necrophilia (VGP-317) includes track 7 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes track 8 mono ■The Trident Mixes (DAC-052) includes tracks 15-18 stereo Note; Olympic Sound Studios, London, 3.17-4.3.1968 (tracks 2, 4-7), 4.20.1968 (tracks 1, 3), 5.13-23.1968 (tracks 8-18) Note; track 11 (R.S.V.P. track 17) CDR 021 - BEGGARS BANQUET SESSIONS 1968 DISC 4 (62 22) 1 Sympathy For The Devil (early takes part 1 from one plus one ) 2 Sympathy For The Devil (early takes part 2 from one plus one ) 3 Sympathy For The Devil (early takes part 3 from one plus one ) 4 Sympathy For The Devil (early takes part 4 from one plus one ) 5 Sympathy For The Devil (early takes part 5 from one plus one ) 6 Sympathy For The Devil (early takes part 6 from one plus one ) 7 Sympathy For The Devil (early takes part 7 from one plus one ) 8 Sympathy For The Devil (early takes part 8 from one plus one ) 9 Sympathy For The Devil (early takes part 9 from one plus one ) 10 Sympathy For The Devil (early takes part 10 from one plus one ) 11 Sympathy For The Devil (edited 3rd strophe) 12 Sympathy For The Devil (beggars banquet) 13 Jam (London Jam) (part 1 from one plus one ) 14 Jam (London Jam) (part 2 from one plus one ) 15 Family (acoustic version) 16 Family (with additional bass guitar percussions) ■Political Cartoons (JJ Records) includes tracks 1-10,13-14 mono ■R.S.V.P. (Cool Blokes Production) includes track 11 stereo ■BEGGARS BANQUET (London 800 084-2) includes track 12 stereo ■The Trident Mixes (DAC-052) includes track 15 stereo ■METAMORPHOSIS (abkko 90062) includes track 16 stereo Note; Olympic Sound Studios, London, 6.4-10.1968 (tracks 1-14), 6.28.1968 (tracks 15-16) CDR 022 - LET IT BLEED SESSIONS 1969 DISC 1 (42 17) 1 Honky Tonk Women (outtake) 2 You Can t Always Get What You Want (edited stereo version) 3 Gimme Shelter (outtake) 4 Gimme Shelter (different vocals version 1) 5 Gimme Shelter (different vocals version 2) 6 You Got The Silver (Mick Jagger on lead vocals version) 7 Sister Morphine (different mix) 8 I Was Just A Country Boy (outtake) 9 Downtown Suzie (Lily Street Lucie) (basic track) 10 Downtown Suzie (Lily Street Lucie) (remixed version) ■The Black Box CD-3 (Yellow Dog YD 048) includes tracks 1, 3 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 2 stereo ■Time Trip disc 1 (DAC-063) includes tracks 4, 6 stereo ■Time Trip disc 4 (DAC-063) includes track 5 stereo ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes track 7 stereo ■The Trident Mixes (DAC-052) includes tracks 8-9 stereo ■METAMORPHOSIS (abkko 90062) includes track 10 stereo Note; Olympic Sound Studios, London, 2.10-3.31.1969 (tracks 1-8), 4.23.1969 (tracks 9-10) CDR 023 - LET IT BLEED SESSIONS 1969 DISC 2 (46 54) 1 Honky Tonk Women (basic track) 2 Honky Tonk Women (stereo version) 3 Country Honk (basic track) 4 Loving Cup (outtake) 5 Jiving Sister Fanny (take 1) 6 Jiving Sister Fanny (take 2) 7 I Don t Know Why (basic track) 8 I Don t Know Why (remixed version) 9 All Down The Line (outtake-acoustic version) 10 I m Going Down (basic track) 11 Hillside Blues (I Don t Know The Reason Why) (outtake) ■Olympic Years 1967-69 (Dandelion 94003) includes track 1 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes track 2 stereo ■The Black Box CD-3 (Yellow Dog YD 048) includes track 3 mono, track 9 stereo ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes track 4 stereo ■The Trident Mixes (DAC-052) includes tracks 5, 7, 10 stereo ■METAMORPHOSIS (abkko 90062) includes tracks 6, 8 stereo ■Hillside Blues (VGP-214) includes track 11 stereo Note; Olympic Sound Studios, London, 4.17-7.2.1969 (tracks 1-8), Sunset Sound Studios Elektra Studios, Los Angeles, California, 10.17-11.2.1969 (tracks 9-11) NEXT
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LaTeX2HTML LaTeXで書いたドキュメントをHTML化するスクリプトです LaTeX2HTML LaTeXで書いたドキュメントをHTML化するスクリプトです latex2htmlのインストール方法（Mac） Nikos Drakosが作ってRoss Moore がプロジェクトを進めているらしいLaTeX2HTML、Perlで書かれているので多くの環境で動くはず、日本語パッチを当てればすごく便利。 http //saftsack.fs.uni-bayreuth.de/~latex2ht http //en.wikipedia.org/wiki/LaTeX2HTML http //takeno.iee.niit.ac.jp/~shige/TeX/latex2html/ltx2html.html Copyright © 1993, 1994, 1995, 1996, Nikos Drakos, Computer Based Learning Unit, University of Leeds. Copyright © 1997, 1998, 1999, Ross Moore, Mathematics Department, Macquarie University, Sydney. latex2htmlのインストール方法（Mac） 端末（ターミナル）でMacport sudo port search latex2html latex2html @2008 (print) Convert LaTeX into HTML. sudo port install latex2html これでインストール出来なければセルフビルド（ソースコードを持ってきて自分でインストールしなければならない） セルフビルド（ログは下記においておきます） http //www20.atwiki.jp/mynote/pages/78.html ./configure make sudo make install
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配信順 2010/9/28 現在318曲 合計47600MSP(無料曲除く) Artist Song title Decade Genre Creedence Clearwater Revival Fortunate Son 1960s Southern Rock Foreigner Juke Box Hero 1970s Classic Rock T.Rex Bang a Gong(Get It On) 1970s Glam The Knack My Sharona 1970s Pop/Rock The Runaways Cherry Bomb 1970s Punk Wolfmother Joker the Thief 2000s Rock Radiohead My Iron Lung 1990s Alternative The Pretenders Brass in Pocket 1980s Pop/Rock Weezer Buddy Holly 1990s Alternative 30 Seconds to Mars Attack 2000s Emo 30 Seconds to Mars The Kill 2000s Emo The All-American Rejects Dirty Little Secret 2000s Emo The All-American Rejects Move Along 2000s Emo The Sounds Song with a Mission 2000s Alternative The Black Crowes Hard to Handle 1990s Rock Lynyrd Skynyrd Gimme Three Steps 1970s Southern Rock The Sounds Song with a Mission 2000s Alternative The Hives Die, All Right! 2000s Punk Iron Maiden The Number of the Beast 1980s Metal Stone Temple Pilots Interstate Love Song 1990s Rock Blink-182 All the Small Things 1990s Punk The Monkees Last Train to Clarksville 1960s Pop/Rock Sweet Action 1970s Glam Coheed and Cambria Ten Speed(Of God s Blood and Burial) 2000s Progressive Rush Working Man 1970s Progressive Smashing Pumpkins Siva 1990s Alternative Faith No More We Care a Lot 1980s Rock Kiss Calling Dr.Love 1970s Classic Rock The B-52 s Roam 1980s Pop/Rock Garbage Why Do You Love Me 2000s Pop/Rock Stone Temple Pilots Sex Type Thing 1990s Alternative Weezer El Scorcho 1990s Alternative Black Tide Why Do You Love Me 2000s Metal Paramore Crushcrushcrush 2000s Pop/Rock Serj Tankian Beethoven s C*** 2000s Rock GLaDOS Still Alive 2000s Pop/Rock Mötley Crüe Saints of Los Angeles 2000s Rock The Mother Hips Red Tandy 2000s Rock The Mother Hips Time-Sick Son of a Grizzly Bear 2000s Rock Smashing Pumpkins Zero 1990s Alternative Blondie Hanging on the Telephone 1970s Pop/Rock The Clash Train in Vain(Stand by Me) 1970s Punk Sonic Youth Kool Thing 1990s Alternative Blur Beetlebum 1990s Alternative Die Toten Hosen Hier Kommt Alex 1980s Punk H-Blockx Countdown to Insanity 2000s Rock Juli Perfekte Welle 2000s Rock Les Wampas Manu Chao 2000s Punk Muse Hysteria 2000s Alternative Oasis "Rock n Roll Star 1990s Rock Pleymo New Wave 2000s Rock Tokio Hotel Monsoon 2000s Glam Maxïmo Park Girls Who Play Guitars 2000s Pop/Rock Avenged Sevenfold Afterlife 2000s Metal Avenged Sevenfold Critical Acclaim 2000s Metal Crooked X Rock n Roll Dream 2000s Rock The Offspring Hammerhead 2000s Rock Vesuvius Promised Land 2000s Rock Red Hot Chili Peppers Snow((Hey Oh)) 2000s Rock Red Hot Chili Peppers Tell Me Baby 2000s Rock Rush Closer to the Heart 1970s Progressive Rush Working Man(Vault Edition) 1970s Progressive Shinedown Devour 2000s Nu-Metal Shinedown Junkies for Fame 2000s Nu-Metal Scars on Broadway They Say 2000s Rock Staind This Is It 2000s Nu-Metal Testament Electric Crown 1990s Metal Thenewno2 Yomp 2000s Pop/Rock System of a Down B.Y.O.B. 2000s Alternative System of a Down Toxicity 2000s Metal Devo Girl U Want 2000s New Wave Devo Through Being Cool 2000s New Wave Duran Duran Girls on Film 1980s Pop/Rock Duran Duran Rio 1980s Pop/Rock The Janitors Get Your Rock On 2000s Pop/Rock Stephen and the Colberts Charlene(I m Right Behind You) 1980s Pop/Rock Bad Religion Sorrow 2000s Punk The Cult She Sells Sanctuary 1980s Nu-Metal Hot Hot Heat Bandages 1990s Alternative Kasabian Shoot the Runner 2000s Alternative Sleater-Kinney You re No Rock N Roll Fun 2000s Alternative The Stone Roses Love Spreads 1990s Alternative Against Me! Stop! 2000s Punk Free All Right Now 1970s Classic Rock George Thorogood the Destroyers Bad to the Bone 1980s Rock Harvey Danger Cream and Bastards Rise 2000s Alternative Screaming Trees Nearly Lost You 1990s Grunge Static-X Push It 1990s Metal Blink-182 Dammit 1990s Punk The Psychedelic Furs Pretty in Pink 1980s Rock Silversun Pickups Melatonin 1990s Indie Rock Silversun Pickups Well Thought Out Twinkles 2000s Indie Rock Fall Out Boy I Don t Care 2000s Pop/Rock Hinder Use Me 2000s Rock Crooked X Gone 2000s Metal Lamb of God Laid to Rest 2000s Metal Soundgarden Jesus Christ Pose 1990s Grunge Soundgarden Pretty Noose 1990s Grunge The All-American Rejects Real World 2000s Emo Children of Bodom Are You Dead Yet? 1990s Metal Finley Tutto E Possibile 2000s Punk Miranda Cosgrove Headphones On 2000s Pop/Rock The Naked Brothers Band Body I Occupy 2000s Pop/Rock The Naked Brothers Band I Don t Want to Go to School 2000s Pop/Rock Platero y Tu Hay Poco Rock N Roll 1990s Rock Squeeze Tempted 1980s Rock Tokio Hotel Ready,Set,Go! 2000s Pop/Rock Deep Purple Space Truckin 1970s Classic Rock James Gang Funk #49 1970s Classic Rock Jethro Tull Hymn 43 1970s Classic Rock Snow Patrol Take Back the City 2000s Alternative Honest Bob and the Factory-to-Dealer Incentives Entangled 2000s Indie Rock Megasus Megasus 2000s Metal Belly Feed the Tree 1990s Alternative Ghost Hounds Wind Me Up 2000s Rock Godsmack I Stand Alone 2000s Nu-Metal Mute Math Typical 2000s Alternative Rob Zombie War Zone 2000s Nu-Metal Nikko Break My Heart 2000s Pop/Rock Nikko Don t Tell Me 2000s Pop/Rock Pat Benatar Hit Me With Your Best Shot 1980s Classic Rock The Pretenders Precious 1980s Punk Turbonegro Wasted Again 2000s Punk White Zombie Black Sunshine 1990s Metal White Zombie More Human than Human 1990s Metal No Doubt New 2000s Pop/Rock The Offspring All I Want 1990s Punk The Offspring The Kids Aren t Alright 1990s Punk R.E.M. Losing My Religion 1990s Alternative Richard Thompson The Way That It Shows 1990s Rock Against Me! Thrash Unreal 2000s Punk The New Pornographers All the Things That Go to Make Heaven and Earth 2000s Indie Rock The New Pornographers Use It 2000s Indie Rock Papa Roach Last Resort 2000s Alternative Papa Roach Lifeline 2000s Alternative Glasvegas Geraldine 2000s Alternative Journey Don t Stop Believing 1980s Classic Rock Pat Benatar Heartbreaker 1970s Classic Rock The Von Bondies C mon C mon 2000s Alternative Black Tide Warriors of Time 2000s Metal Bullet for My Valentine Waking the Demon 2000s Metal The Shins New Slang 2000s Indie Rock Alien Ant Farm Smooth Criminal 2000s Rock The Allman Brothers Band Blue Sky 1970s Southern Rock The Allman Brothers Band Midnight Rider 1970s Southern Rock The Distillers Drain the Blood 2000s Punk Luscious Jackson Naked Eye 1990s Alternative Prong Idealistic Types 2000s Metal Prong The Banishment 2000s Metal Disturbed Stricken 2000s Metal Disturbed Stupify 2000s Metal Elvis Costello Radio Radio 1970s Rock Steely Dan Black Friday 1970s Classic Rock Steely Dan My Old School 1970s Classic Rock The Replacements Kids Don t Follow 1980s Punk The Cranberries Linger 1990s Alternative The Zombies She s Not There 1960s Pop/Rock The Zombies Tell Her No 1960s Pop/Rock Black Rebel Motorcycle Club Weapon of Choice 2000s Alternative Lush Sweetness Light 1990s Alternative Damone Out Here All Night 2000s Rock The Band Chest Fever(Live) 1970s Classic Rock Janis Joplin Piece of My Heart 1970s Classic Rock The Who Magic Bus(Live at Leeds) 1970s Classic Rock Jefferson Airplane White Rabbit 1960s Classic Rock Blur There s No Other Way 1990s Alternative Rock Dropkick Murphys I m Shipping Up to Boston 2000s Punk Kaiser Chiefs I Predict a Riot 2000s Indie Rock Eve 6 Inside Out 1990s Alternative Rock Blind Melon No Rain 1990s Alternative Rock Billy Idol Mony Mony 1980s Rock Billy Idol Rebel Yell 1980s Rock Fleetwood Mac Don t Stop 1970s Classic Rock Fleetwood Mac World Turning 1970s Classic Rock Jet She s a Genius 2000s Alternative Tom petty I Won t Back Down 1980s Classic Rock Tom Petty Runnin Down a Dream 1980s Classic Rock Avenged Sevenfold Bat Country 2000s Metal The Jam Going Underground 2000s New Wave The Jam Town Called Malice 1980s New Wave Oasis Supersonic(Live) 2000s Rock Rage Against the Machine Guerilla Radio 1990s Alternative 3 Doors Down Kryptonite 2000s Rock AFI Miss Murder 2000s Alternative Audioslave Gasoline 2000s Rock Jackson 5 ABC 1970s Pop/Rock Dinosaur Jr. Pick Me Up 2000s Alternative Dinosaur Jr. The Wagon 1990s Alternative The Guess Who Hand Me Down World 1970s Classic Rock The Guess Who No Time 1970s Classic Rock Tenacious D Rock Your Socks 2000s Rock Tenacious D Tribute 2000s Rock Just Kait U Suck 2000s Rock Kula Shaker Hey Dude 1990s Alternative Kula Shaker Knight on the Town 1990s Alternative Alanis Morrissette Head Over Feet 1990s Pop/Rock Alanis Morrissette Ironic 1990s Pop/Rock Flobots The Flobots Handlebars 2000s Alternative Black Tide Show Me the Way 2000s Metal Blink-182 What s My Age Again? 1990s Punk Joe Satriani Satch Boogie 1980s Rock Joe Satriani Surfing with the Alien 1980s Rock Kansas Icarus-Borne on the Wings of Steel(Live) 1970s Progressive Kansas Point of Know Return(Live) 1970s Progressive L7 Andres 1990s Grunge Liz Phair Rock Me 2000s Pop/Rock Morningwood Best of Me 2000s Pop/Rock Morningwood Sugarbaby 2000s Pop/Rock Joan Jett The Blackhearts Fake Friends 1980s Punk The Damned Smash It Up(Part II) 1970s Punk Kasabian Club Foot 2000s Rock Bangles The Bangles Walk Like An Egyptian 1980S Punk Them Crooked Vultures New Fang 2000S Rock Kelly Clarkson Miss Independent 2000s Pop/Rock Pink Who Knew 2000s Pop/Rock The Go-Go s Our Lips Are Sealed 1980s Pop/Rock Lights Resolve Dreaming of Love 2000s Indie Rock Simon Garfunkel I Am a Rock 1960s Classic Rock Simon Garfunkel The Sounds of Silence 1960s Classic Rock 30 Seconds To Mars Kings and Queens 2000s Emo 30 Seconds To Mars This is War 2000s Emo All-American Rejects Gives You Hell 2000s Emo Limp Bizkit Build a Bridge 2000s Nu-Metal The Offspring A Lot Like Me 2000s Rock Yellowcard Ocean Avenue 2000s Emo The Psychedelic Furs Love My Way 1980 New Wave The Psychedelic Furs Sister Europe 1980s New Wave The Ramones Rock n Roll High School 1970s Punk Phoenix 1901 2000s Alternative Phoenix Lisztomania 2000s Alternative Silvertide Blue Jeans 2000s Rock Blue Öyster Cult Godzilla 1970s Classic Rock Blue Öyster Cult Transmaniacon MC 1970s Classic Rock Hawkwind Master of the Universe 1970s Rock I Mother Earth Levitate 1990s Alternative Motörhead Killed by Death 08 2000s Metal Nazareth Hair of the Dog 1970s Rock Rage Against the Machine Bulls on Parade 1990s Alternative The Who The Who Super Bowl S-mashup 1970s Classic Rock All Time Low Weightless 2000s Pop/Rock Alphabeat Fascination 2000s Pop/Rock Brian Setzer Orchestra Stray Cat Strut 1980s Jazz The Chemical Brothers Let Forever Be 1990s Other KSM Distracted 2000s Pop/Rock Marilyn Manson The Dope Show 1990s Alternative One Night Only Just For Tonight 2000s Pop/Rock The Police Walking On the Moon 1970s Pop/Rock The Mother Hips Third Floor Story 200s Rock The Mother Hips White Falcon Fuzz 2000s Rock Silversun Pickups Panic Switch 2000s Indie Rock Silversun Pickups Sort Of 2000s Indie Rock TRUSTCompany Downfall 2000s Nu-Metal The Futureheads Decent Days Nights 2000s Alternative The Futureheads Hounds of Love 2000s Alternative The James Gang Walk Away 1970s Rock Neil Peart The Hockey Them 2000s Other Shaimus All of This 2000s Indie Rock Shaimus Tie You Down 2000s Indie Rock 3 Doors Down It s Not My Time 2000s Rock Eric Cartman Lady Gaga s Poker Face(South Park Version) 2000s Novelty Mute Math Control 2000s Alternative The Subways Oh Yeah 2000s Alternative The Subways Rock Roll Queen 2000s Alternative Little Fish Am I Crazy 2010s Indie Rock Little Fish Bang Bang 2010s Indie Rock Little Fish Darling Dear 2010s Indie Rock Ace Frehley Outer Space 2000s Metal Carrie Underwood All-American Girl 2000s Country OneRepublic Stop Stare 2000s Pop-Rock Jimi Hendrix Valleys of Neptune 2010s Classic Rock Anberlin Feel Good Drag 2000s Alternative Hawk Nelson Live Life Loud 2000s Pop-Rock Skillet Monster 2000s Rock Superchick Stand in the Rain 2000s Pop-Rock Switchfoot Meant to Live 2000s Alternative Thousand Foot Krutch Fire It Up 2000s Nu-Metal Serj Tankian Empty Walls 2000s Rock Serj Tankian Sky Is Over 2000s Rock Smash Mouth All Star 1990s Pop-Rock Siouxsie The Banshees Peek-a-Boo 1980s Pop-Rock Supergrass Sun Hits the Sky 1990s Alternative Violent Femmes American Music 1990s Alternative Busted Thunderbirds Are Go! 2000s Pop-Rock Flyleaf Again 2000s Alternative Silverchair Tomorrow 1990s Alternative Orianthi According to You 2000s Pop-Rock Picture Me Broken Dearest(I m So Sorry) 2010s Metal The Smithereens A Girl Like You 980s Rock The Smithereens Only a Memory 1980s Rock P.O.D. Alive 2000s Nu-Metal Boys Like Girls The Great Escape Crown of Thorns Rock Ready Sweet Billy Pilgrim Future Perfect Tense 2000s Pop Rock Bad Religion New Dark Ages 2000s Punk Bad Religion No Control 1980s Punk Blondie Rapture 1980s New Wave DC Talk Jesus Freak 1990s Rock The Decemberists The Perfect Crime # 2 2000s Indie Rock Eagles of Death Metal I Only Want You 2000s Alternative Eels Saturday Morning 2000s Alternative Family Force 5 Love Addict 2000s Rock KMFDM Sturm Drang 2000s Metal La Roux Bulletproof 2000s Pop/Rock Various Artists RBN Megamix 01 2010s Other Dio Holy Diver 1980s Metal Dio Stand Up and Shout 1980s Metal Juliana Hatfield Nirvana 1990s Indie Rock Morrissey Irish Blood, English Heart 2000s Indie Rock Silverchair Straight Lines 2000s Alternative The Smiths This Charming Man 1980s Indie Rock Underoath Writing on the Walls 2000s Emo 30 Seconds to Mars Closer to the Edge 2000s Emo Atreyu Coffin Nails 2000s Metal Buckcherry Out of Line 2000s Rock The Doobie Brothers Listen to the Music 1970s Classic Rock The Doobie Brothers Long Train Runnin 1970s Classic Rock My Chemical Romance I’m Not Okay (I Promise) 2000s Emo My Chemical Romance Welcome to the Black Parade 2000s Emo
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This article or section is in need of attention from an expert on the subject.Please help recruit one or improve this article yourself. See the talk page for details. For a pre-Renewal version of this article, click here. Job Base(s) Swordman Job Type 2-1 Changes At Prontera× Chivalry Number of Skills 10 Total Skill Points 76 Total Quest Skills 1 Job Bonuses STR AGI VIT INT DEX LUK +8 +2 +10 +0 +6 +4 +← クリックで目次を開く Overview Job Change Guide BuildsHybrid AGI Two-Hand Sword VIT SVD AGI-Spear AGI-Crit Muramasa EquipmentTanking/Pure Defensive Leveling/+Damage EXP MvP (Killing) PvP WoE Class DataSkills Quest Skills Soul Link Job Bonuses ASPD External Links Overview The Knight class is the primary second job for the Swordman class. Being a hack and slash type of character, Knights are granted access to a new mastery that will open a new type of weapon to wield aside from the Swordman s swords. They are also allowed to acquire powerful AoE× skills like the famed Bowling Bash× and the spear× exclusive skill, Brandish Spear×. Job Change Guide See Knight Job Change Guide for detailed information. Changing into a Knight from a Swordman requires the player to complete a number of tasks Item Collection A Written Test Battle Test Word Association Quiz A test of self control Personality Quiz After completing these tests, the player will be transformed into a Knight. All this takes place inside the Prontera× Chivalry (Prontera xx, yy). Builds This page has been marked as being in need of links to other iRO Wiki pages. Hybrid STR 70-90 AGI 60-90 VIT 60-90 INT 1 DEX 40-50 LUK 1 Weapon Elemental× or Card×ed Spear×s or Two Handed Sword×s These knights try to get the best of both realms. By having a good chemistry of AGI× and VIT× depending on the user s playing style, they gain survivability in some areas while losing it in others. Hybrids are denoted by which stat is the highest. AGI-VIT Knights usually stick with a setup similar to an AGI knight. VIT-AGI Knights, likewise, generally stay with the setup of a VIT Knight. Ranking by efficiency, players tend to use AGI-VIT combination because of its higher ASPD× which allows players to do Pierce× chaining or if not solo with Twohand Quicken× with a decent ASPD. This build was the best for pre-Transcendent patch Knight dueling. AGI Two-Hand Sword STR 90-100 AGI 80-99 VIT 10-30+ INT 1 DEX 40-60 LUK 1-10 Weapons Elemental Two Handed Swords or Carded Two Handed Swords AGI Knights believe that the best way to decrease damage is to prevent it from ever happening. They have high ASPD and flee×, but vitality, and by extention health, are low compared to other Knights. Additionally, using two-handed swords pushes their attack power higher than most VIT Knights. Their main method of attack is Twohand Quicken, which increases ASPD by 30%. When faced with multiple foes, they break out Bowling Bash. Finally, Counter Attack× allows for a higher critical chance against evasive or fortified foes. VIT STR 80+ AGI 1-20+ VIT 90-100 INT 1-12 DEX 40 LUK 1 Weapon Elemental or Carded One or Two-Handed Spears VIT Knights are good tanks in Ragnarok Online. They have the highest health and good defense rate, and unlike agility Knights, they usually use shields for added defense and Spear type weaponry. Levels mostly by mobbing, utilizing their tanking ability. SVD STR 100+ AGI 40 VIT 80 INT 1-30 DEX 45-60 LUK 1 Weapon Elemental or Carded One or Two-Handed Spears SVD Knights (STR×/VIT/DEX×) may seem similar to VIT Knights, but they have more uses than just being meatshields. Their damage output is higher while maintaining decent VIT, allowing them to excel at MvP×ing or PvP× in comparison. The typical SVD knight will level primarily on Large sized monsters utilizing pierce or they will make use of Bowling Bash or Brandish Spear for mobbing. Strength should be 100 at a minimum, most knights typically get around 120. This allows knights to be able to gain 1-hit-KO against High Orcs and possibly Minorous. At later levels, these knights will typically go to Thor s volcano and use pierce against Kasas. Intelligence is a variable stat, and general consensus seems to be that at least 12 points in it is necessary. If the player is able to gain 1-hit-KOs while using an Earth Deleter Card, no intelligence may be needed. Agility is not for defence and should only be gotten for the purpose of using Pierce at a faster rate. AGI-Spear STR 100-110 AGI 70+ VIT 40+ INT 1 DEX 40+ LUK 1 Weapons Elemental or Carded Spears Another type of AGI Knights are those who use Spear type weapons. Using high AGI to decrease the ASPD delay of Pierce, AGI Spear Knights can dish out high amounts of damage using elemental spears to rapidly use Pierce on large size monsters. One famous leveling method is Pierce chaining with Aspersio× in Chivalry against Raydrics to Abysmal Knights. The intention of this build, unlike the Two-Handed Sword build is not to dodge 95%, but to deal damage with rapid Pierce and sometimes AoEs before the enemy can do harm to you. For that reason, AGI Spear Knights often have more STR than AGI. AGI-Crit STR 70-80+ AGI 70-90+ VIT 1-30 INT 1 DEX 1-20 LUK 30+ Weapon Carded Two Handed Swords, Muramasa The AGI-Critical aka AGI-LUK Knight is essentially a knight with crit-sin stats. The advantages to this are obvious, Knights have more health than assassins, a passive health regeneration, and are also capable of attaining higher attack speeds. However, this will not be able to match the critical rate of an Assassin, and will have significantly less flee. With the advent of Soul Linkers, this build is much more viable, as even higher ASPD can now be attained with a sword and shield. Muramasa LUK BaseLv + 1 Remaining stats are left to the reader s discretion. This is a special build that relies on the usage of the weapon called Muramasa. Because the Muramasa curse×s the wielder randomly, if the player has one more point of total LUK than their baselevel, the curse effect can be negated. The Morrigane gear set helps immensely with this build, as it lowers the base luk required to meet the curse immunity requirement, as well as giving a large amount of crit and lucky/perfect dodge. Equipment Most Knights have different sets of gear for special purposes, regardless of what their build is. Items from these sets are interchangeable, while some are very situational. For example, a Combat Knife may prove to be more useful than a Fortune Sword in a map rich with Demi Human× monsters, but not against any other race of monsters. These are merely suggestions and examples; the reader should know what exactly best fits them. It also focuses on armor equipment, not just weapons. Note this guide is outdated in some areas as a lot of ingame content has changed, it s a year old, don t quote Rav on it. The guide was also intended for Knights not yet transcended to Lord Knights, hence the lack of Valkyrie Armor and some other weapons. The role of a Knight in WoE used to be more supportive, few ever Provoke×s (or have in the history of Ragnarok Online) and it wouldn t make much of a difference now anyway (aside from everyone having Evil Druid carded armor). Armor switching is also becoming increasing useless. Ultimately, most Knights and Lord Knights brute force their way through PvP/WoE, and it is unlikely there will be a complete detailed guide about either class so play however. Just don t be stupid and miss out on Spear Stab×. +冗長過ぎる Tanking/Pure Defensive All Knights once shared the same goal of obtaining over 80 DEF×. While this is no longer as desirable for WoE×/PvP with the addition of many defense-ignoring skills or items such as the Ice Pick×, it is still a successful set up for PvM. These armors reduce damage received, which is helpful for tanking MvPs or mobbing. NotesIn short, use armor with the highest base DEF and a high upgrade. +10 would reduce the most damage, but +7s can suffice. Also use equipment that provides considerable Perfect Dodge×. Using armor with high base DEF is important a +6 Cap (4 base DEF) and a +4 Helm (6 base DEF) may appear to have the same overall armor DEF (10). However, each upgrade only adds +2/3 defense. The Cap, in truth, supplies 8 DEF while the Helm delivers 8.67 Sometimes the highest base DEF gear is too limited to over-upgrade. Move onto the second best. Top headgear Helm (6 DEF) Bone Helm (7 DEF) Middle headgear Fin Helm (2 DEF) Lower headgear Iron Cain (1 DEF) Body armor Full Plate [1] (10 DEF) Chainmail [1] (8 DEF) Cards MvPs usually break body armor; Cornutus card prevent this and add 1 DEF. Select monsters use elemental skills that require elemental armor for resistance. Against Dark Lord , a Pasana card ed armor would reduce its painful Meteor Storm× to 25% of the original damage. For general tanking, Peco Peco and sometimes Steel Chonchon cards are still employed. Garment Manteau [1] (4 DEF) Pauldron [1] (5 DEF) Cards Raydric card reduces Neutral damage by 20%. Frequently the best garment card to choose for this purpose. Shield Shield [1] (6 DEF) Cards Racial cards (-30% damage from respective race). Some races lack this kind of card, such as Undead×. In this case, size cards (-25% from respective size, i.e. Mysteltainn -25% from small 1 DEF) can be used. Medusa card ed shields are preferred against Osiris , to counter its Stone Curse×. Footgear Boots [1] (4 DEF) Greaves [1] (5 DEF) Cards Upgrade under +9 - Verit (+8% HP×/SP×), Matyr (+10% HP, AGI +1). Upgrade +9 or more - Firelock Soldier (+10% HP/SP, STR +2). Accessories Safety Ring (3 DEF, 3 MDEF×) Yoyo card ed (Perfect Dodge +5, AGI +1), preferably in Slotted Rosaries (3 MDEF, LUK× +1) Weapons Anything that adds Perfect Dodge or reduces damage. Fortune Sword (Perfect Dodge +20, LUK +5) Combat Knife (-10% damage from Demi Humans) Leveling/+Damage EXP Leveling equipment is the most diverse – nearly anything can be worn. All defensive gear can be replaced with low DEF stat-increasing gear to level faster at the cost of becoming exceptionally vulnerable to monster attacks. Conversely, a financially lacking player might not do so, to reduce Potion consumption. These are some ideas for gear that will contribute to damage output or increased EXP gain if used properly. They will not enable its user to level faster if they die more than it is worth, or are not able to "take on" as many monsters. NotesAny gear that amplifies SP, ATK×, STR, AGI, CRIT will hopefully increase damage output. Achieving strength bonuses always take priority over reaching higher ASPD. When leveling with Brandish Spear or Bowling Bash, +AGI or CRIT gear is nearly useless. Top headgear Slotted Baseball Cap , Cap , Helm, etc with cards Willow (SP +80) / Carat (SP +150 if over +8) / Deviruchi (STR +1) / Nightmare (AGI +1) / Cramp (STR +3 if worn with Tarou Card ) Anything that increases SP or adds stats that benefit DPM Crown of Mistress (SP +100, INT× +2), Ghost Bandana (AGI +2), Hot-blooded Headband (STR +2) Middle headgear Slotted Sunglasses / Glasses with cards suggested for the top headgear, save Carat card Evil Wing Ears (STR +1) Body armor Elemental cards previously mentioned take priority if an elemental attack is too powerful. Otherwise, cards Picky (ATK +10, STR +1), Thief Bug (AGI +1), Pupa (HP +700) Garment Bapho Jr card (AGI +3, CRIT +1) Shield If handling one, racial/size cards. Two handed weapons generally have more ATK, but shields are a nice way of compensating for lack of DEF. Footgear 10% EXP gained and +20% increased damage cards (i.e. Am Mut ; 10% more EXP is gained for every Demi Human monster killed, but each Demi Human monster deals 20% more damage) Cards Male Thiefbug (AGI +2), Firelock Soldier (HP/SP +10%- if footgear is upgraded to +9 or higher, STR +2), Sohee (SP +15%, SP recovery +3%) Accessories If meleeing, Kobold card s (CRIT +4, STR +1) preferably in Brooch es [1] or Ring s [1] if level 90+ Mantis card s (STR +3), preferably in Rings [1] for an easy STR +8 The Sign (ATK +5%) MvP (Killing) Killing MvPs with intent to be the MvPer is different from tanking them, although a lot of the same gear can be carried over. Receiving damage from MvPs rewards tank damage points, so taking as much damage as possible may be ideal. If this is too risky, do not substitute any defense gear for damage gear, besides Safety Rings for Muscle Rings or The Sign. Remember to always use Immortal /correct elemental armor when needed. The weapons used should be very specific to what is being killed. Putting aside Abysmal Knight card s, the best carded weapons are achieved by combing race, element, and size cards. Race and element cards add +20% damage to a specific race, while size cards add +15% damage to a specific sized monster and +5 ATK. If MvPing with Pierce, use a +10 four slotted "2 1 1" Pike. The numbers in "2 1 1" indicate it either has two race cards, one element card, one size card or two element cards, one race card, one size card If a race card is unavailable, use 3 element cards and 1 size card or 2 element cards and 2 size cards (3 1 or 2 2). Likewise if an element card is unavailable. If both race and element do not exist, a quadruple size weapon can be considered. The same method can be used with Katanas, if MvPing with Bowling Bash, although they require high STR to out damage two slotted Two Handed Swords. Sabers only have three slots max, so a 2 1 or 1 1 1 must be made. 2 1 - 2x element 1x race or 2x race 1x element 1 1 1 - 1x element 1x race 1x size Other weapons to consider Ice Pick, Tridents , Brocca PvP PvP× demands excessive armor switching to combat statuses and elements. Defensive gear is useful against most Enchant Deadly Poison× Sonic Blows×, and Double Strafing×, but otherwise reduction gear prevails. A moderate amount of MDEF is good, but it is often overrated 80 MDEF makes Knights susceptible to too much, and isn t needed when little damage is taken with half the MDEF and elemental armors. NotesSTR gear can be used. The extra damage taken from slapping on STR gear is as overrated as 80 MDEF is. Don t forget to bring items like Green Potions to cure the silence× status, or Holy Water to cure curse. Endow Scrolls and Cursed Water are also accommodating. Top headgear Poo Poo Hat (-10% from Demi Humans, 0 DEF - no additional damage taken from Ice Picks) Drooping Cat (15 MDEF, curse resistance +30% - should not be necessary) Middle headgear Cards Willow (SP +80), Nightmare (AGI +1 but also grants immunity to the Sleep× status which can be devastating), Marduk (grants immunity to the Silence status – only to be switched on if Green Potion supply is being threatened) Body armor Elemental armors, if used properly, can reduce more damage than any other piece of equipment in PvP. It is suggested that they are kept in separate types of armor for quick equipping. Key elements Poison ( Argiope card ), Undead× ( Evil Druid card - also stops Stone Curse× and Frozen×), Wind ( Dokebi card ), Shadow× ( Bathory card ), Ghost× ( Ghostring card ), Fire (Pasana card). Unfrozen Silk Robe [1] (+5% resistance to Water attacks, can no longer be frozen 10 MDEF) Garment Ragamuffin (10 MDEF) Cards -30% from element cards (i.e. Dustiness ), Raydric, Frilldora Shield Cranial Mirror Shield [1] (-30% from Demi Humans 4 DEF, 5 MDEF) Cranial Valkyrie Shield × [1] Footgear Crystal Pumps (10 MDEF, LUK +5 – a lot of HP is lost using these instead of carded footgear) Cards Verit (+8% HP/SP), Matyr (+10% HP, AGI +1), Firelock Soldier (+10% HP/SP, STR +2) Accessories Unslotted Rosaries (5 MDEF each) Cards Alligator (5% less damage from ranged and targeted magic attacks each) preferably in Slotted Rosaries (3 MDEF) if level 90+, Horong (enables use of Sight×), Smokie (enables use of level 1 Hide×) Weapons Hydra Skeleton Worker card ed weapons, Ice Pick, etc. Status inflicting weapons (i.e. quadruple stun×, quadruple curse) WoE Most of the PvP gear can be transferred to WoE. Skills and ranged attacks don’t do as much damage however, so not as much gear is mandatory. The most vital are Unfrozen Armor Cranial Shield Status Weapons As a normal Knight, do not focus primarily on killing people - STR gear is not needed. Spamming Provoke on enemy wizards or stat using people to aid guild members or allies is more beneficial. Against the Emperium, Ice Picks are the best weapon available, coupled with Cursed Water. Evil Druid armor is helpful at the Emperium to negate Aspersio from enemy Priests, although another Cursed Water can simply be consumed or weapon switched to remove the Holy× property. Class Data Skills See Swordman Skills for first class skills. Skill Description Levels Type Bowling Bash× Knock targets backward, causing up to 500% damage in a 3x3 cell area that hits twice. 10 Offensive Brandish Spear× Attacks an area of ememies around the caster. Damage for each enemy increases the closer they are to the caster. 10 Offensive Cavalier Mastery× At maximum level removes the 50% ASPD penalty when riding a Peco Peco×. 5 Passive Counter Attack× Block an enemy s attack and automatically perform one critical attack on them, ending the Counter Attack stance. 5 Active Peco Peco Ride× Enables Knights or Crusaders to ride a Peco Peco. 1 Passive Pierce× Strikes a single target for an amount of hits based on target s size. Requires a Spear class weapon. 10 Offensive Spear Boomerang× Must be wielding a Spear weapon. Throws the equipped spear at a single target (the spear does not require retrieval). 5 ffensive Spear Mastery× Adds +4 ATK per skill level to Spear weapons. If the player is riding a PecoPeco, an additional +1 ATK per skill level is added. 10 Passive Spear Stab× Strikes a target enemy and all enemies in a line between the player and the target. Requires a Spear. All struck enemies are knocked back 6 cells. 10 Offensive Twohand Quicken× Temporarily increase Attack Speed when a Two Handed Sword weapon is equipped for the skill s duration. 10 Supportive Quest Skills Skill Description Levels Type Job Level Requirement Quest Charge Attack× Ranged attack Rush a target, dealing more damage depending on how far away you are from it. 1 Offensive 40 Charge Attack Quest Soul Link Knight Spirit enables use of Skill Description Levels Type One-Hand Quicken× Temporarily increase ASPD by 30% when wielding One-Handed Swords. 1 Supportive Job Bonuses The Levels in which one receives a certain bonus Stat\Amount +1 +2 +3 +4 +5 +6 +7 +8 +9 +10 STR 4 10 15 21 27 33 46 47 AGI 13 38 VIT 1 3 8 12 17 18 23 29 36 43 INT DEX 5 20 31 40 48 49 LUK 5 20 28 37 ASPD This article or section is in need of attention from an expert on the subject.Please help recruit one or improve this article yourself. See the talk page for details. External Links -Knight ・ Lord Knight ・ Rune Knight Knight ・ Lord Knight ・ Rune Knight 2nd ClassSkills Bowling Bash× ・ Brandish Spear× ・ Cavalier Mastery× ・ Charge Attack× ・ Counter Attack× ・ One-Hand Quicken× ・ Peco Peco Ride× ・ Pierce× ・ Spear Boomerang× ・ Spear Mastery× ・ Spear Stab× ・ Twohand Quicken× TranscendentSkills Aura Blade× ・ Clashing Spiral× ・ Frenzy× ・ Fury (2)× ・ Parry× ・ Relax× ・ Spear Dynamo× ・ Traumatic Blow× ・ Vital Strike× 3rd ClassSkills Death Bound× ・ Dragon Breath× ・ Dragon Howling× ・ Dragon Training× ・ Enchant Blade× ・ Hundred Spears× ・ Ignition Break× ・ Phantom Thrust× ・ Rune Mastery× ・ Sonic Wave× ・ Wind Cutter× Quests Knight Job Change Guide ・ Knight Skill Quest ・ Rebirth Walkthrough ・ Rune Knight Job Change Guide Weapons× One Handed Sword× ・ Spear× ・ Two Handed Sword× -Classes of Ragnarok Online Classes of Ragnarok Online Novice Class Novice ・ High Novice ・ Super Novice First Class / High First Class Acolyte ・ Archer ・ Mage ・ Merchant ・ Swordman ・ Thief Second Class Priest ・ Monk ・ Hunter ・ Bard ・ Dancer ・ Wizard ・ Sage ・ Blacksmith ・ Alchemist ・ Knight ・ Crusader ・ Assassin ・ Rogue Transcendent Second Class High Priest ・ Champion ・ Sniper ・ Minstrel ・ Gypsy ・ High Wizard ・ Scholar ・ Mastersmith ・ Biochemist ・ Lord Knight ・ Paladin ・ Assassin Cross ・ Stalker Third Class Arch Bishop ・ Sura ・ Ranger ・ Maestro ・ Wanderer ・ Warlock ・ Sorcerer ・ Mechanic ・ Geneticist ・ Rune Knight ・ Royal Guard ・ Guillotine Cross ・ Shadow Chaser Expanded Class Gunslinger ・ Ninja ・ TaeKwon Kid Expanded Second Class TaeKwon Master ・ Soul Linker ・ Kagerou ・ Oboro ・ Rebel× Doram Summoner Categories Pages needing expert attention | Knight | Classes | Swordman | Articles Needing Interwiki Links
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!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN""DTD/xhtml1-transitional.dtd" !-- Japanese Translated by Testing Engineer s Forum (TEF) in Japan, Working Group of TestLink Japanese Translation Project -- html xmlns="http //www.w3.org/1999/xhtml" lang="jp" head meta http-equiv="Content-Type" content="text/html; charset=UTF-8" / meta http-equiv="Content-language" content="jp" / meta name="author" content="Martin Havlat" / meta name="copyright" content="GNU" / meta name="robots" content="NOFOLLOW" / title TestLink Instructions /title style media="all" type="text/css" @import "../../{$smarty.const.TL_THEME_CSS_DIR}testlink.css"; /style script type="text/javascript" src="../../javascript/testlink_library.js" /script /head body div class="workBack" h1 テスト仕様の印刷 /h1 h2 目的 /h2 p この機能は各々のテストスイート、またはテストプロジェクト/テスト計画全体のテストケースを印刷できます。 /p h2 やってみましょう！ /h2 ol li p すべての参照できるテストケースが該当するテストケース、またはテストスイートをクリックします。 br / /p /li li p ナビゲーションシートの「印刷オプション」テーブルにて印刷データの範囲とフォーマットを設定します。詳しくは span class="help" onclick="javascript open_popup( ./printFilter.html );" ヘルプ /span を参照してください。 /p /li li p ブラウザの印刷機能にてテストケースを印刷します。 br / i 注意 印刷できるのはブラウザの右側のみです。 /i /p /li /ol /div /body /html
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リンク HTMLクイックリファレンス http //www.htmq.com/index.htm HTML5ゲームフレームワーク http //blog.verygoodtown.com/2011/02/limejs-html5-game-framework/ HTML5でゲーム作成 http //cnut1024.wiki.fc2.com/ SEO対策 http //seo.acnf.org/ http //www.d3.dion.ne.jp/~jkondou/hp/css_seo.html G123、事前受付登録中の「クイーンズブレイドリミットブレイク」にてAmazonギフト券が当たるフォロー&RTキャンペーン開催 - ASCII.jp HTML5 プロフェッショナル 認定試験 レベル1 想定問題 一覧 (1) - マイナビニュース [実力試し] HTML5 プロフェッショナル 認定試験 レベル2 想定問題 一覧 (1) - マイナビニュース HTML5ベースのMMORPG「MAD WORLD」のαテストが実施中。PCブラウザですぐに参加可能 - 4Gamer.net W3C／HTML5からWHATWG／Living Standardへ、Web発展史をひもとく - ITpro 「Macでリモートアクセス」に対応、Windows 365やシン・テレワークシステムHTML5版の魅力 | ボクシルマガジン - Beyond（ビヨンド） 「シン・テレワークシステム」にHTML5版 ～MacやChromebookからもWindowsをリモート操作可能に - 窓の杜 拡張機能が動かなくなるかも？ 「Google ドキュメント」がHTML5 Canvasベースのレンダリングへ移行 - 窓の杜 新作HTML5ゲーム「邪神ちゃんドロップキックねばねばウォーズ」が配信開始。レアリティS“水着ぴの”がもらえる初心者ミッションを開催中 - 4Gamer.net AWS Elemental MediaLive が HTML5 モーショングラフィックスオーバーレイのサポートを開始 - amazon.com HTML5ベースのモダンブラウザーからリモート操作が可能に、「TeamViewer」にWebクライアント - 窓の杜 GMOメディア：HTML5ゲームプラットフォーム「ゲソてん byGMO」、「楽天ポイントモール」の利用者に向け38タイトルを提供開始 - PR TIMES 第4回専門学校 HTML5作品アワード、受賞作品の発表 - valuepress HTML5に完全対応 アドビ社製Webセミナーシステムの最新バージョン『AdobeConnect11』を提供開始 - アットプレス（プレスリリース） GMOメディア：HTML5ゲームプラットフォーム「ゲソてん」、ゲームコンテンツ提供先の20媒体において「PayPay」決済に対応 - PR TIMES HTML5ベースの韓国産2D MMORPG「MAD WORLD」の最新画像とムービーが公開 - 4Gamer.net Flashを使用している企業に朗報！Flashを簡単にHTML5で再生可能にするサービス『JswfPlayer』Ver2がリリース！ - PR TIMES SL ジャパン、HTML5 に対応した監視制御システム (DCS/SCADA) 向け SL-GMS Web/Developer 新製品をリリース - valuepress HTML5ゲーム「八男って、それはないでしょう！アンサンブルライフ」の正式サービスが本日開始。テレビアニメ版がベースの放置型MMORPG - 4Gamer.net TVアニメの新作HTML5ゲーム『八男って、それはないでしょう！-アンサンブルライフ』本日より正式リリース！記念イベント絶賛開催中！ - PR TIMES アスキーゲーム ガンダムRPG『SDガンダムオペレーションズ』がHTML5軽量化アップデートを実施！ - ASCII.jp 神社経営シミュレーション「かみてる」がHTML5ゲームプラットフォームOhSECHIで配信開始 - 4Gamer.net 人気TVアニメの新作HTML5ゲーム『八男って、それはないでしょう！-アンサンブルライフ-』事前登録受付開始！ - PR TIMES 文系でもできる！HTML５とCSS3の超らくらく入門講座 2020年版 - PR TIMES YouTubeがFlashを排除し、HTML5の最後の障害を取り除いた - 週刊アスキー - 週アスPLUS バンナム、HTML5ゲームの「enza」運営元を完全子会社化 ドリコム保有株買い取り - ITmedia G123で新作HTML5ゲーム『セルリアンホライズン』正式リリース！事前登録報酬は28日にプレゼント！ - PR TIMES GMOメディア：HTML5ゲームプラットフォーム「ゲソてん」、ポイントサイト「モッピー」に『ゲゲゲの鬼太郎 妖怪横丁』など20タイトルを提供開始 - PR TIMES シンプルで安価なマルチデバイス対応HTML5デジタルカタログ制作サービスを提供開始 - PR TIMES スマホゲーム開発者向け書籍「HTML5 ゲーム開発の教科書」が9月中旬に発売 - 4Gamer Adobe FlashをHTML 5で代替するPixi.jsがWebGLを新たにサポート、クロスプラットフォームとインタラクティブアプリに対応 - InfoQ Japan HTML5版「刀剣乱舞」をサポートした「とうらぶキャプ」v2.0.0が公開 - 窓の杜 HTML5ゲームポータル「楽天ゲームズ」終了 2年で幕 - ITmedia NEWS HTML5ゲーム『ガールズ＆クリーチャーズ』ホワイトデーイベント開催！期間限定キャラクターを解禁！ - PR TIMES HTML5ゲームプラットフォームをてがけるLiberappは「HTML5 スマホゲーム業界カオスマップ（2019β）」を公開しました - PR TIMES Liberappが「HTML5 スマホゲーム業界カオスマップ（2019β）」を公開 - 4Gamer.net スマートニュース、優れたHTML5技術を持つ『Tombo, Inc.』を買収 - PR TIMES HTML5 GameCreatorというコミュニティー＆ミートアップをはじめます - PR TIMES あなたはどっちサイドを選ぶ？G123新作HTML5ゲーム『ガールズ＆クリーチャーズ』正式リリース！ - PR TIMES 「Webは次のギアにシフトしている」〜HTML5 Conference 2018 基調講演レポート：レポート - Gihyo Jp HTML5ベースで描画速度が向上、BIダッシュボードの最新版 - ＠IT MONOist 時空を超えて、世界を救え！新作HTML5ゲーム『ナイトメアクロノス』事前登録受付開始！ - PR TIMES 国内最大級のHTML5ゲームサービス「G123.jp」が本日10月4日(木)オープン！ - PR TIMES 国内最大級のHTML5ゲームサービス「G123.jp」オープン！新たなゲームプラットフォーム誕生・10月は新作ゲーム3本登場 - アットプレス 技術の進化に左右されないWebサイトの作り方がわかる、プロを目指す人のための入門書『HTML5＋CSS3の新しい教科書 改訂新版 基礎から覚える、深く理解できる。』発売 - PR TIMES 「艦これ」Flash→HTML5に 大規模メンテスタート - ITmedia 「艦隊これくしょん -艦これ-」がHTML5ベースに移行。8月15日11：55から3日がかりの大規模なメンテナンスを実施 - 4Gamer.net LINE上でHTML5ゲームが遊べる「LINE QUICK GAME」 たまごっち、ナンプレも - ITmedia HTML5ゲームにもeスポーツの熱狂を。 Liberappに観戦APIとデモゲームを追加 - PR TIMES BXD、HTML5プラットフォーム名称を「enza」に--新作ゲーム3タイトルを体験 - CNET Japan バンナム、HTML5活用の新作ゲーム「アイドルマスター シャイニーカラーズ」発表 - CNET Japan HTML5アプリプラットフォームのスタートアップ企業「Liberapp」設立と増資および仮想通貨「リベリウム」でICO検討開始のお知らせ - PR TIMES 株式会社レコム、HTML5ゲーム【iKON COLLECTION HIDDEN CATCH】のセールイベントを開催! - PR TIMES 株式会社レコム、レコム、HTML５ゲーム市場に挑戦! - PR TIMES HTML5を巡るGoogle、Apple、Microsoftの戦略の歴史 - ITmedia 【黒川塾51】HTML5ゲームとクラウドゲームでゲームコンテンツはどうなる？ - Game Deets 「BXD」が狙うHTML5活用ブラウザゲームの需要--ファミスタ、アイマス新作を投入 - CNET Japan コレ1枚で分かる「HTML5（2） マルチデバイス時代のアプリケーションプラットフォーム」 - ITmedia HTML5の機能をどこまで活かせるか--新日鉄住金ソリューションズの「hifive」で実現できること - ログミー 「Google Chrome 56」が正式版に。HTML5デフォルト化がすべてのユーザーを対象に開始 - 窓の杜 「Google Chrome」のHTML5デフォルト化が開始。脱Flashの流れが加速 - 窓の杜 Chromeブラウザの“Flash→HTML5デフォルト化”完了は2017年10月 Googleがロードマップ発表 - ITmedia あきらめていたFLASHありませんか？HTML5変換サービスのご案内 - PR TIMES HTML5はこれからのWindowsか？、普遍的なアプリケーションの普遍的な開発/利用ベースとして - TechCrunch Japan Google Chrome、Flashに代わってHTML5をデフォルトに - ITmedia モバイルファーストを牽引する HTML5によるハイブリッドアプリ - ZDNet Japan 5分でわかるActiveReports帳票－HTML5ビューワ (1/4)：CodeZine（コードジン） - CodeZine HTML5ベースのデスクトップクライアント：TechTargetジャパン用語事典 - TechTargetジャパン 仮想化 - TechTargetジャパン HTML5でクロスプラットフォームなデスクトップアプリを開発できる「Electron」とは - CodeZine FirefoxブラウザとWebの技術ですぐ作れる！ HTML5で手軽にFirefox OSアプリ開発 - CodeZine YouTube、デフォルト動画プレーヤーを「Flash」からHTML5ベースに変更 - CNET Japan YouTube、メイン再生プレーヤーをFlashからHTML5にようやく移行 - ITmedia YouTube、従来のFlashに代わってHTML5をデフォルトに - AV Watch ついに正式勧告--「HTML5」を使いこなすには何が必要か - builder by ZDNet Japan - ZDNet Japan HTML5がW3C勧告に、15年ぶりの大改訂 - ASCII.jp 「HTML5でスマホとクルマを簡単につなぐ」――韓国Obigo社のハンCEOインタビュー - business network.jp HTML5 CanvasをjQueryライクに操作できるプラグイン「jCanvas」 - CodeZine 広告のHTML5化加速か、Googleがインタラクティブ広告制作ツール「Google Web Designer」を無料提供 【増田 @maskin】 - TechWave（テックウェーブ） #WAVE サンプルで学ぶHTML5の仕様変更要素・後編 (1/3) - ASCII.jp HTML5は5.0へ、2016年にはHTML 5.1も登場か - ASCII.jp Flashを使わない3D絵本の作り方、HTML5/CSS3時代のコンテンツ作りについての雑感 【増田 @maskin】 - TechWave（テックウェーブ） #WAVE HTML5で作るスマホWebアプリ開発チュートリアル(3) HTML5ならではのグラフィックスを実現する「canvas」 - マイナビニュース Cloud SQLとHTML5のWeb Storageで高速仕訳入力 - CodeZine HTML5によるアニメーション作成を容易にする「Adobe Edge」 - builder by ZDNet Japan - builder HTML5のタグに対応したHTMLエディター「Crescent Eve」v0.86が公開 - 窓の杜 50代でも分かったHTML5の基礎知識 - ASCII.jp 3分でわかるHTML5のコンテンツモデルとカテゴリー (1/3) - ASCII.jp Google、Chrome立ち上げ3周年でHTML5のインフォグラフィックを公開 - ITmedia XHTML1.0とHTML5の違いをスタバのページで紹介 (1/6) - ASCII.jp Google、FlashをHTML5に変換するツール「Swiffy」を公開 iOSにも対応 - ITmedia 第512回：HTML5 とは - ケータイ Watch HTML5で注目！インラインSVGの使い方 (1/5) - ASCII.jp W3C、HTML5ロゴを発表 - ITmedia W3C、HTML5ロゴを発表--HTML5推進を目指す - CNET Japan iOS向けゲームが15分で開発できる、高速HTML5ゲームエンジン「IMPACT」登場 【増田(@maskin)真樹】 - TechWave（テックウェーブ） #WAVE HTML5が注目を浴びる理由とは？ ここが違う！サンプルで見るHTML5（1） - CodeZine AppleがiPad/iPhoneでも見られるHTML5ショーケースを公開 (追記あり)【@maskin】 - TechWave（テックウェーブ） #WAVE HTML5は安全か？ 開発者が留意すべきセキュリティ問題 - ITmedia Google、HTML5へのシフトで「Gears」終了へ - ITmedia YouTube、HTML5動画プレーヤーをテスト公開 - ITmedia
https://w.atwiki.jp/naruhodo-digital/pages/13.html
1.HTML5とは 簡単に言うと、動画とか音楽にも対応した新しいhtml。 現在、ホームページ記述の主流となっている「HTML 4.01」の新バージョンとして開発された言語。HTML4とは上位互換であり、HTML5対応のブラウザからは見ることができる。逆に、HTML5専用ページを対応していないブラウザで見ようとしても、表示することが出来ない（基本的に何も表示されないが、ページによっては対応していませんという旨のメッセージが表示される） ⇨Flashだとここまでできる! HTML5とFlashの機能比較 ⇨http //clockmaker.jp/blog/2010/02/flash-vs-html5/ 2.今までと何が違うのか 2.1 プラグインなしに動画が再生できる。 現在のhtml4では、FlashやSilverlightといったプラグインが仲介することで動画の再生が実現されている。html5では、 video タグにより動画再生を可能にする。これにより、flashが対応していないiphoneで動画が再生できるなど、身近な部分でも期待することができる。 2.1.1 動画再生の問題点 動画再生の問題点に、コーデックの問題がある。現在のデファクトスタンダードとなっているflashでは、プラグイン自体に複数の動画コーデックをサポートしているため問題ないが、html5では、表示するブラウザごとにサポートの必要がある。 特に、大きな問題となっているのは、「H.264」をプッシュするAppleやMicrosoftと、オープンビデオにはオープンコーデックがふさわしいとしているMozilla（firefox）やOperaとの対立である。 「H.264」はライセンス料が必要であるため、営利団体でないMozillaなどは特に難色を示す。逆にオープンソースの「Ogg Theora」では、品質（圧縮効率）が劣るとして、両者の足並みは揃わない。 ⇨「Google、H.264サポート中止」の背景を探る／ascii.jp ⇨http //ascii.jp/elem/000/000/581/581646/ ⇨Flashだとここまでできる! HTML5とFlashの機能比較 ⇨http //clockmaker.jp/blog/2010/02/flash-vs-html5/