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TROISIÈME ACTE Le boudoir de Pluton (Mélange de sévérité et de confortable. Fauteuil et bureau de Pluton au deuxième plan de face. Au lever du rideau Eurydice est seule, dans l attitude de l ennui et de l impatience.) No. 18 Couplets des Regrets EURYDICE Personne encore Pas de nouvelles. Ah, ça, mais c est intolérable! Je m ennuie épouvantablement ici! Ah! quelle triste destinée me fait ici le dieu Pluton! Me laisser seule abandonnée! Que veut dire cet abandon! Lorsqu avec lui je suis venue, de tendresse il était pétri! Ah! mais si cela continue je vais regretter mon mari! Ah mais oui je vais regretter mon mari! L amour des dieux, disait le traître, contient d ineffables douceurs! Je vais te les faire connaître... Les dieux seraient-ils des lâcheurs? Ou donc est l ivresse inconnue que je devais goûter ici! Ah! mais si cela continue etc. Voilà deux jours que je suis seule, n ayant d autre récréation que la compagnie de ce gros bête de domestique dont on a tait mon geôlier! Ah! Encore lui!… (John Styx s avance.) JOHN (à part) Elle est bien belle! bien belle! bien belle! Ah ! si j osais!… EURYDICE C est encore toi Que me veux-tu ? JOHN Madame n a pas sonné? EURYDICE Moi? Non! JOHN Est-ce que Madame sonnera bientôt? EURYDICE Est-ce que je sais? Pourquoi? JOHN Parce que si Madame sonnait, je m empresserais d accourir… Ah! je suis bien malheureux! EURYDICE Qu est-ce que cela me fait! JOHN Puisque Madame paraît s intéresser à moi, je vais tout lui dire. (Ils s assied près d Eurydice qui se lève indignés et lui fait signe de s éloigner John se lève et époussette son siège.) Figurez-vous, Madame, que je suis la meilleure nature du monde j ai un coeur sensible et une tète faible. (Il se ressied près d Eurydice.) La femme qui m aimerait serait bien heureuse! EURYDICE Ne m approche pas! (à part) Il est affreux! JOHN Madame me repousse après un tel aveu? Ah! c est parce que je ne suis qu un domestique, n est-ce pas? Mais je n étais par mort pour porter cette livrée,Madame! Quand j étais sur terre, j étais le fils d un grand prince de Béotie! N 19 Couplets du Roi de Béotie Quand j étais roi de Béotie, j avais des sujets, des soldats, mais un jour, en perdant la vie, j ai perdu tous ces biens, hélas! Et pourtant, point ne les envie ce que je regrette en ce jour c est de ne point t avoir choisie pour te donner tout mon amour! Quand j étais roi de Béotie, quand j étais roi de Béotie! Si j étais roi de Béotie, tu serais reine sur ma foi, je ne puis plus qu en effigie t offrir ma puissance de roi. La plus belle ombre, ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le cœur d un roi de Béotie, le cœur d un roi de Béotie. Voyez-vous il est une chose que le n oublierai jamais, c est l image de la femme adorable dont mon maître m a donné la garde depuis deux jours... EURYDICE Insolent! N 19 bis. Mélodrame JOHN Ah ! tenez, Madame… (On entend jouer au dehors la marche du deuxième acte.) De la musique! EURYDICE Et de la musique gaie! JOHN Mon maître… c est mon maître… il amène du monde! EURYDICE Et beaucoup de monde! JOHN Rentrez, Madame, rentrez! EURYDICE Je ne veux t pas! JOHN Ce sont les ordres de Monsieur. Vous me feriez flanquer a la porte! EURYDICE Mon petit John Styx… je t en supplie… JOHN Non, non! Rentrez.. rentrez!... EURYDICE Ah! Pluton! Tu me le paieras! JOHN Allons, allons! (Il fait entrer Eurydice au fond au moment où paraissent Pluton et Jupiter.) Il était temps! (Jupiter et Pluton entrent en se bousculant et tâchant de se devancer l un l autre.) PLUTON (bas à John) Eurydice! JOHN (bas à Pluton) Sous clef! JUPITER Où est-elle? Ou est-elle? JOHN Qui elle? Qui elle! JUPITER Eurydice! Par ma foudre, parle! PLUTON Eurydice? Comment, tu crois encore que j ai enlevé cette petite? JUPITER Parfaitement! Et je verrai bien… j ai saisi la justice! Il y a eu enlèvement et tu vas être juge par les juges des Enfers! (Paraît un huissier, chaîne d argent au cou.) L HUISSIER La Cour! JUPITER Les voici! (Minos, Eaque et Rhademente font leur entrée.) N 20 Septuor du Tribunal MINOS, EAQUE ET RHADAMANTE Minos, Eaque et Rhadamante, Rhadamante, Eaque et Minos, sous les yeux de Thémis clémente, nous présidons les tribuns les tribuns infernaux! MINOS Nul n échappe à notre colère! RHADAMANTE Ceux que Minos ne punit pas... EAQUE Rhadamante en fait son affaire! RHADAMANTE Eaque est la dans tous les cas! TOUS Minos, Eaque et Rhadamante Rhadamante, Eaque et Minos! Sous les yeux de Thémis clémente. Tous trois président - Nous présidons les tribuns, les tribuns infernaux! L HUISSIER La séance est ouverte! MINOS (à l Huissier) Faites entrer le témoin Cerbère. PLUTON (à part) Pourvu qu il! n aille pas me trahir! L HUISSIER (appelant) Le témoin Cerbère! (Aboiements au dehors. Entre Cerbère.) MINOS Témoin Cerbère, dans la soirée des Ides de Mars, le dieu Pluton revenant de la terre, est-il rentré seul ou avec une femme? CERBÈRE (à qui Pluton vient de marcher sur le pied avec intention.) Aou!... aou!... aou!... aou!... MINOS Vous l entendez? Il affirme que Pluton est rentré seul aux Enfers! (Pendant ce temps l Huissier est venu apporter des galettes a Pluton. Pluton, en cachette, donne des galettes à Cerbère.) JUPITER Attendez donc un peu ! Pluton !e bourre de galettes depuis un quart d heure. Je vais vous la montrer la vérité dans la bouche de Cerbère! (Jupiter se jette sur Cerbère et veut lui ouvrir la gueule Cerbère attrape le bras de Jupiter.) N 20 bis Mélodrame JUPITER Ah! mon bras! PLUTON Tiens bon, Cerbère! JUPITER (se dégageant, à John Styx) A moi, ma foudre! Rends-moi ma foudre que je les foudroie tous! PLUTON (à John) Ne rends pas la foudre! LES JUGES (à John) Ne rends pas la foudre! (Mélodrame à l orchestre avec crépitement et roulement de tonnerre jusqu à l apparition de l Amour. Lutte entre John Stix et Jupiter. Jupiter voulant reprendre sa foudre et John Stix ne voulant pas la lâcher.) JUPITER (qui a repris sa foudre) En poudre! En poudre, tous ces gens-là. (Au moment où Jupiter a saisi la foudre, violent coup da tonnerre, nuit complète. Pluton, John, huissiers, greffiers, juges, tout la monde se sauve. Le bureau de Pluton et les fauteuils disparaissant. Sur un fauteuil à gauche, dans un rayon de lumière, paraît Cupidon, Jupiter brandit sa foudre.) Ah! Ah! CUPIDON (riant et se carrant dans la fauteuil) Ah! ah! ah! ah! JUPITER (l apercevant) Tiens, Cupidon! CUPIDON Oh! Papa! Papa! tu me tais de la peine! JUPITER Qu est-ce qu il vient faire là ce méchant galopin? CUPIDON Il vient te sauver, ce méchant galopin! JUPITER Me sauver! CUPIDON Comment, tu cherches une femme et pour la retrouver, tu fais venir ces vieilles perruques? JUPITER Quoi, mon petit chéri, tu te chargerais… CUPIDON Il faut donc que je te la rende, ton Eurydice? JUPITER (avec élan) Oh! oui! CUPIDON (se lavant) Eh bien on va te la retrouver… A moi, ma police! A moi, les policemen de l Amour! (A peine Cupidon at-il dit cela que a paraissent de tous les côtés une vingtaine de petits agents de police de l Amour, bonnets phyrigiens, bâtons de policemen) N 21. Ronde des Policemen CHOEUR DES POLICEMEN Nez au vent oeil au guet, clairvoyant et discret, le limier de l amour doit veiller nuit et jour. Aussi fin qu un renard, très malin, peu bavard sachant tout découvrir et partout se blottir! À l amant au mari, apportant son appui, il surprend tous les jours plus de cent jolis tours. Nez au vent, etc. Doux aveux dans un coeur plein de feux et d ardeur demi-mots, tendre amour frais éclos plat du jour… Trahison, faux serments, abandon des amants, tout ceci sarpejeu, pour bibi n est qu un jeu. Nez au vent, etc. N 22. Récit et Couplets des Baisers CUPIDON Allons, mes fins limiers visitez et fouillez! Ce que de vous l on réclame c est de découvrir la femme! Cherchez bien, cherchez bien! JUPITER Ne voyez-vous rien ? LES POLICEMEN Rien! Rien! Nous ne voyons rien! CUPIDON Vous ne trouvez rien? JUPITER Vous ne trouvez rien? LES POLICEMEN Rien! Nous ne trouvons rien! CUPIDON Attendez, j ai mon moyen! JUPITER ET LES POLICEMEN Voyons, voyons ton moyen! CUPIDON Attendez, attendez! JUPITER, POLICEMEN Voyons, voyons le moyen. CUPIDON Pour attirer du fond de sa retraite une souris qui cache son museau non loin du nez de la petite bête, il faut semer quelque friand morceau. Je sais un autre stratagème qui doit faire de son réduit sortir une femme qu on aime ce stratagème, c est un bruit; mais il faut que ce joli bruit soit bien mignon et bien gentil! Ah! (imitant le bruit des baisers.) Allez-y, la petit bête va répondre au bruit, la petit bête va répondre au bruit! LE CHOEUR (imitent les baisers) Allez-y la petit bête, etc. CUPIDON Lorsque l on veut attirer l alouette, on fait briller un miroir à ses yeux et sans retard on b voit la coquette en voltigeant accourir à ses feux! Une femme, c est tout de même, par ses faiblesses on la séduit; tout ce qu elle veut, c est qu on l aime et c est t ainsi qu on le lui dit, mais il faut que cela soit dit d un air bien mignon bien gentil! Ah! etc. UN POLICEMAN (montrant la porte du fond) Elle est là! DEUXIÈME POLICEMAN Ce n est qu une serrure à faire sauter. JUPITER Halte là! Pas de bêtises! Nous n avons pas le droit, entre dieux de première classe, de nous faire sauter nos serrures. Par ruse, tout est permis, par violence, rien! CUPIDON Il faut donc, ô Papa, trouver un déguisement! PREMIER POLICEMAN Qui vous permettra de passer par le trou de la serrure. CUPIDON Laisse-moi faire, j ai ce qu il te faut! Je vais le métamorphoser séance tenante. Tu connais ça. JUPITER Me métamorphoser en quoi! CUPIDON Je veux que tu en aies la surprise. JUPITER La surprise! La surprise! J ai besoin d être joli, très joli, tu sais! CUPIDON Tu seras joli très joli! Attention au changement papa attention au changement! JUPITER (très inquiet) En quoi va-t-il me mettre, le petit malheureux! CUPIDON Une…deux…trois… (Le changement se fait. Jupiter paraît en mouche.) TOUS Une mouche! CUPIDON Comme çà. on passe partout! N 23. Petite Ronde du Bourdon CHOEUR DES POLICEMEN Le beau bourdon que voilà est-il joli comme çà! Bonne chance papa, passe, passe, passe là et la belle y restera. (Au moment ou le chœur se retire, Jupiter s est rapproche en sautillant de la porte du fond il prend plusieurs fois son élan et finit par piquer une tête dans le trou de la serrure qui s élargit peu à peu. Le fond du décor disparaît et laisse voir un délicieux boudoir. Eurydice est étendue sur un divan. Le meuble s avance jusqu au second plan.) JUPITER C est elle! Qu elle est belle! (Jupiter voltige autour d Eurydice en effleurant son épaule de droite et de gauche.) N 24 Duo de la Mouche EURYDICE Il m a semblé sur mon épaule sentir un doux frémissement!... JUPITER (à part) Il s agit de jouer mon rôle plus un mot! Car dès ce moment je n ai droit qu au bourdonnement! (Imitant b bourdonnement de la mouche) Zi! Zi! EURYDICE Ah! la belle mouche! Le joli frelon JUPITER Zi! Ma chanson la touche, chantons, chantons ma chanson! EURYDICE La belle mouche! JUPITER Ma chanson la touche, chantons ma chanson! EURYDICE Ah, la belle mouche! Le joli frelon! Bel insecte à l aile dorée veux-tu rester mon compagnon? JUPITER (imitent la mouche) Zi! EURYDICE Ces lieux dont du forças l entrée, hélas, me servent de prison. JUPITER Zi! EURYDICE Ne me quitte pas, je t en prie, reste, on prendra bien soin de toi! Ah! je t aimerai, mouche jolie, reste avec moi, reste avec moi! JUPITER Quand on veut se faire adorer il faut se laisser désirer… EURYDICE (courent à lui) Je la tiens par son aile d or! JUPITER Pas encore! Pas encore! EURYDICE Fi, la méchante, la méchante! JUPITER J ai pris des ailes, ma charmante, j ai bien le droit de m en servir! EURYDICE Elle ne cherche qu a me fuir! De cette gaze légère, sans l étouffer, je puis faire un filet à papillon. (Elle s approche sur la pointe des pieds.) JUPITER Attention! Attention! EURYDICE Ah! la voilà prise! plus de résistance! JUPITER La plus prise des deux n est pas celle qu on pense! EURYDICE Chante, chante! JUPITER Zi! ENSEMBLE Zi! Zi! EURYDICE Ah! je la tiens! Ah! c est charmant! JUPITER Ah! je la tiens! Ah! c est charmant! EURYDICE Ah, je savais bien que je t attraperais, mon joli bijou ailé! Mais voyez donc, qu elle est gracieuse! Quelles belles couleurs! Et quelle taille fine! (Jupiter fait des grâces. Elle embrasse.) JUPITER (tombant à genoux) Eh bien, tout cela est à toi, si tu le veux, mortelle adoré! EURYDICE Ah, grands dieux, elle parle! Au secours! JUPITER Tais-toi! J ai pris ce costume pour tromper les regards jaloux d un tyran qui ne veut que te torturer… EURYDICE Jupiter! Le roi des dieux! JUPITER Oui, c est moi. Ah! si je t avais connue plus tôt, Pluton ne t aurait pas enlevée. Je t aurais emmenée dans l Olympe. EURYDICE Voir! l Olympe et quitter cet affreux séjour! Oh! fuyons, emmène-moi! JUPITER Nous n avons qu un moyen pour ne pas éveiller les soupçons il faut que je retourne à la fête que me donne cet idiot de Pluton! Rejoins-m y! (Eurydice sort à gauche et Jupiter à droite Pluton entre tout bouleversé.) PLUTON Où est elle? La mouche? Où est la mouche? Ah I qu est-ce que c est que çà? N 25 Scène et Ballet des Mouches (Une foule de petits John Styx sort de dessous terre.) PLUTON Trahi, trahi par tout le monde! LES ENFANTS Si j étais roi de Béotie, tu serais reine sur ma foi! Je ne puis plus qu en effigie t offrir ma puissance de roi! La plus belle ombre ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le coeur d un roi de Béotie, le coeur d un roi de Béotie! (Ils disparaissent dans une trappe) PLUTON (hors de lui) La mouche!... Qui me livrera la mouche! CUPIDON (paraissent à gauche) Tu veux la retrouver? Eh bien, attends! (Il étend la main le théâtre change et représente une serre merveilleuse. Parmi les buns sont groupées des mouches aux corsages dorées et aux aile étincelantes. Elles s élancent, entourent Pluton et l entraînent) Galop TROISIÈME ACTE Le boudoir de Pluton (Mélange de sévérité et de confortable. Fauteuil et bureau de Pluton au deuxième plan de face. Au lever du rideau Eurydice est seule, dans l attitude de l ennui et de l impatience.) No. 18 Couplets des Regrets EURYDICE Personne encore Pas de nouvelles. Ah, ça, mais c est intolérable! Je m ennuie épouvantablement ici! Ah! quelle triste destinée me fait ici le dieu Pluton! Me laisser seule abandonnée! Que veut dire cet abandon! Lorsqu avec lui je suis venue, de tendresse il était pétri! Ah! mais si cela continue je vais regretter mon mari! Ah mais oui je vais regretter mon mari! L amour des dieux, disait le traître, contient d ineffables douceurs! Je vais te les faire connaître... Les dieux seraient-ils des lâcheurs? Ou donc est l ivresse inconnue que je devais goûter ici! Ah! mais si cela continue etc. Voilà deux jours que je suis seule, n ayant d autre récréation que la compagnie de ce gros bête de domestique dont on a tait mon geôlier! Ah! Encore lui!… (John Styx s avance.) JOHN (à part) Elle est bien belle! bien belle! bien belle! Ah ! si j osais!… EURYDICE C est encore toi Que me veux-tu ? JOHN Madame n a pas sonné? EURYDICE Moi? Non! JOHN Est-ce que Madame sonnera bientôt? EURYDICE Est-ce que je sais? Pourquoi? JOHN Parce que si Madame sonnait, je m empresserais d accourir… Ah! je suis bien malheureux! EURYDICE Qu est-ce que cela me fait! JOHN Puisque Madame paraît s intéresser à moi, je vais tout lui dire. (Ils s assied près d Eurydice qui se lève indignés et lui fait signe de s éloigner John se lève et époussette son siège.) Figurez-vous, Madame, que je suis la meilleure nature du monde j ai un coeur sensible et une tète faible. (Il se ressied près d Eurydice.) La femme qui m aimerait serait bien heureuse! EURYDICE Ne m approche pas! (à part) Il est affreux! JOHN Madame me repousse après un tel aveu? Ah! c est parce que je ne suis qu un domestique, n est-ce pas? Mais je n étais par mort pour porter cette livrée,Madame! Quand j étais sur terre, j étais le fils d un grand prince de Béotie! N 19 Couplets du Roi de Béotie Quand j étais roi de Béotie, j avais des sujets, des soldats, mais un jour, en perdant la vie, j ai perdu tous ces biens, hélas! Et pourtant, point ne les envie ce que je regrette en ce jour c est de ne point t avoir choisie pour te donner tout mon amour! Quand j étais roi de Béotie, quand j étais roi de Béotie! Si j étais roi de Béotie, tu serais reine sur ma foi, je ne puis plus qu en effigie t offrir ma puissance de roi. La plus belle ombre, ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le cœur d un roi de Béotie, le cœur d un roi de Béotie. Voyez-vous il est une chose que le n oublierai jamais, c est l image de la femme adorable dont mon maître m a donné la garde depuis deux jours... EURYDICE Insolent! N 19 bis. Mélodrame JOHN Ah ! tenez, Madame… (On entend jouer au dehors la marche du deuxième acte.) De la musique! EURYDICE Et de la musique gaie! JOHN Mon maître… c est mon maître… il amène du monde! EURYDICE Et beaucoup de monde! JOHN Rentrez, Madame, rentrez! EURYDICE Je ne veux t pas! JOHN Ce sont les ordres de Monsieur. Vous me feriez flanquer a la porte! EURYDICE Mon petit John Styx… je t en supplie… JOHN Non, non! Rentrez.. rentrez!... EURYDICE Ah! Pluton! Tu me le paieras! JOHN Allons, allons! (Il fait entrer Eurydice au fond au moment où paraissent Pluton et Jupiter.) Il était temps! (Jupiter et Pluton entrent en se bousculant et tâchant de se devancer l un l autre.) PLUTON (bas à John) Eurydice! JOHN (bas à Pluton) Sous clef! JUPITER Où est-elle? Ou est-elle? JOHN Qui elle? Qui elle! JUPITER Eurydice! Par ma foudre, parle! PLUTON Eurydice? Comment, tu crois encore que j ai enlevé cette petite? JUPITER Parfaitement! Et je verrai bien… j ai saisi la justice! Il y a eu enlèvement et tu vas être juge par les juges des Enfers! (Paraît un huissier, chaîne d argent au cou.) L HUISSIER La Cour! JUPITER Les voici! (Minos, Eaque et Rhademente font leur entrée.) N 20 Septuor du Tribunal MINOS, EAQUE ET RHADAMANTE Minos, Eaque et Rhadamante, Rhadamante, Eaque et Minos, sous les yeux de Thémis clémente, nous présidons les tribuns les tribuns infernaux! MINOS Nul n échappe à notre colère! RHADAMANTE Ceux que Minos ne punit pas... EAQUE Rhadamante en fait son affaire! RHADAMANTE Eaque est la dans tous les cas! TOUS Minos, Eaque et Rhadamante Rhadamante, Eaque et Minos! Sous les yeux de Thémis clémente. Tous trois président - Nous présidons les tribuns, les tribuns infernaux! L HUISSIER La séance est ouverte! MINOS (à l Huissier) Faites entrer le témoin Cerbère. PLUTON (à part) Pourvu qu il! n aille pas me trahir! L HUISSIER (appelant) Le témoin Cerbère! (Aboiements au dehors. Entre Cerbère.) MINOS Témoin Cerbère, dans la soirée des Ides de Mars, le dieu Pluton revenant de la terre, est-il rentré seul ou avec une femme? CERBÈRE (à qui Pluton vient de marcher sur le pied avec intention.) Aou!... aou!... aou!... aou!... MINOS Vous l entendez? Il affirme que Pluton est rentré seul aux Enfers! (Pendant ce temps l Huissier est venu apporter des galettes a Pluton. Pluton, en cachette, donne des galettes à Cerbère.) JUPITER Attendez donc un peu ! Pluton !e bourre de galettes depuis un quart d heure. Je vais vous la montrer la vérité dans la bouche de Cerbère! (Jupiter se jette sur Cerbère et veut lui ouvrir la gueule Cerbère attrape le bras de Jupiter.) N 20 bis Mélodrame JUPITER Ah! mon bras! PLUTON Tiens bon, Cerbère! JUPITER (se dégageant, à John Styx) A moi, ma foudre! Rends-moi ma foudre que je les foudroie tous! PLUTON (à John) Ne rends pas la foudre! LES JUGES (à John) Ne rends pas la foudre! (Mélodrame à l orchestre avec crépitement et roulement de tonnerre jusqu à l apparition de l Amour. Lutte entre John Stix et Jupiter. Jupiter voulant reprendre sa foudre et John Stix ne voulant pas la lâcher.) JUPITER (qui a repris sa foudre) En poudre! En poudre, tous ces gens-là. (Au moment où Jupiter a saisi la foudre, violent coup da tonnerre, nuit complète. Pluton, John, huissiers, greffiers, juges, tout la monde se sauve. Le bureau de Pluton et les fauteuils disparaissant. Sur un fauteuil à gauche, dans un rayon de lumière, paraît Cupidon, Jupiter brandit sa foudre.) Ah! Ah! CUPIDON (riant et se carrant dans la fauteuil) Ah! ah! ah! ah! JUPITER (l apercevant) Tiens, Cupidon! CUPIDON Oh! Papa! Papa! tu me tais de la peine! JUPITER Qu est-ce qu il vient faire là ce méchant galopin? CUPIDON Il vient te sauver, ce méchant galopin! JUPITER Me sauver! CUPIDON Comment, tu cherches une femme et pour la retrouver, tu fais venir ces vieilles perruques? JUPITER Quoi, mon petit chéri, tu te chargerais… CUPIDON Il faut donc que je te la rende, ton Eurydice? JUPITER (avec élan) Oh! oui! CUPIDON (se lavant) Eh bien on va te la retrouver… A moi, ma police! A moi, les policemen de l Amour! (A peine Cupidon at-il dit cela que a paraissent de tous les côtés une vingtaine de petits agents de police de l Amour, bonnets phyrigiens, bâtons de policemen) N 21. Ronde des Policemen CHOEUR DES POLICEMEN Nez au vent oeil au guet, clairvoyant et discret, le limier de l amour doit veiller nuit et jour. Aussi fin qu un renard, très malin, peu bavard sachant tout découvrir et partout se blottir! À l amant au mari, apportant son appui, il surprend tous les jours plus de cent jolis tours. Nez au vent, etc. Doux aveux dans un coeur plein de feux et d ardeur demi-mots, tendre amour frais éclos plat du jour… Trahison, faux serments, abandon des amants, tout ceci sarpejeu, pour bibi n est qu un jeu. Nez au vent, etc. N 22. Récit et Couplets des Baisers CUPIDON Allons, mes fins limiers visitez et fouillez! Ce que de vous l on réclame c est de découvrir la femme! Cherchez bien, cherchez bien! JUPITER Ne voyez-vous rien ? LES POLICEMEN Rien! Rien! Nous ne voyons rien! CUPIDON Vous ne trouvez rien? JUPITER Vous ne trouvez rien? LES POLICEMEN Rien! Nous ne trouvons rien! CUPIDON Attendez, j ai mon moyen! JUPITER ET LES POLICEMEN Voyons, voyons ton moyen! CUPIDON Attendez, attendez! JUPITER, POLICEMEN Voyons, voyons le moyen. CUPIDON Pour attirer du fond de sa retraite une souris qui cache son museau non loin du nez de la petite bête, il faut semer quelque friand morceau. Je sais un autre stratagème qui doit faire de son réduit sortir une femme qu on aime ce stratagème, c est un bruit; mais il faut que ce joli bruit soit bien mignon et bien gentil! Ah! (imitant le bruit des baisers.) Allez-y, la petit bête va répondre au bruit, la petit bête va répondre au bruit! LE CHOEUR (imitent les baisers) Allez-y la petit bête, etc. CUPIDON Lorsque l on veut attirer l alouette, on fait briller un miroir à ses yeux et sans retard on b voit la coquette en voltigeant accourir à ses feux! Une femme, c est tout de même, par ses faiblesses on la séduit; tout ce qu elle veut, c est qu on l aime et c est t ainsi qu on le lui dit, mais il faut que cela soit dit d un air bien mignon bien gentil! Ah! etc. UN POLICEMAN (montrant la porte du fond) Elle est là! DEUXIÈME POLICEMAN Ce n est qu une serrure à faire sauter. JUPITER Halte là! Pas de bêtises! Nous n avons pas le droit, entre dieux de première classe, de nous faire sauter nos serrures. Par ruse, tout est permis, par violence, rien! CUPIDON Il faut donc, ô Papa, trouver un déguisement! PREMIER POLICEMAN Qui vous permettra de passer par le trou de la serrure. CUPIDON Laisse-moi faire, j ai ce qu il te faut! Je vais le métamorphoser séance tenante. Tu connais ça. JUPITER Me métamorphoser en quoi! CUPIDON Je veux que tu en aies la surprise. JUPITER La surprise! La surprise! J ai besoin d être joli, très joli, tu sais! CUPIDON Tu seras joli très joli! Attention au changement papa attention au changement! JUPITER (très inquiet) En quoi va-t-il me mettre, le petit malheureux! CUPIDON Une…deux…trois… (Le changement se fait. Jupiter paraît en mouche.) TOUS Une mouche! CUPIDON Comme çà. on passe partout! N 23. Petite Ronde du Bourdon CHOEUR DES POLICEMEN Le beau bourdon que voilà est-il joli comme çà! Bonne chance papa, passe, passe, passe là et la belle y restera. (Au moment ou le chœur se retire, Jupiter s est rapproche en sautillant de la porte du fond il prend plusieurs fois son élan et finit par piquer une tête dans le trou de la serrure qui s élargit peu à peu. Le fond du décor disparaît et laisse voir un délicieux boudoir. Eurydice est étendue sur un divan. Le meuble s avance jusqu au second plan.) JUPITER C est elle! Qu elle est belle! (Jupiter voltige autour d Eurydice en effleurant son épaule de droite et de gauche.) N 24 Duo de la Mouche EURYDICE Il m a semblé sur mon épaule sentir un doux frémissement!... JUPITER (à part) Il s agit de jouer mon rôle plus un mot! Car dès ce moment je n ai droit qu au bourdonnement! (Imitant b bourdonnement de la mouche) Zi! Zi! EURYDICE Ah! la belle mouche! Le joli frelon JUPITER Zi! Ma chanson la touche, chantons, chantons ma chanson! EURYDICE La belle mouche! JUPITER Ma chanson la touche, chantons ma chanson! EURYDICE Ah, la belle mouche! Le joli frelon! Bel insecte à l aile dorée veux-tu rester mon compagnon? JUPITER (imitent la mouche) Zi! EURYDICE Ces lieux dont du forças l entrée, hélas, me servent de prison. JUPITER Zi! EURYDICE Ne me quitte pas, je t en prie, reste, on prendra bien soin de toi! Ah! je t aimerai, mouche jolie, reste avec moi, reste avec moi! JUPITER Quand on veut se faire adorer il faut se laisser désirer… EURYDICE (courent à lui) Je la tiens par son aile d or! JUPITER Pas encore! Pas encore! EURYDICE Fi, la méchante, la méchante! JUPITER J ai pris des ailes, ma charmante, j ai bien le droit de m en servir! EURYDICE Elle ne cherche qu a me fuir! De cette gaze légère, sans l étouffer, je puis faire un filet à papillon. (Elle s approche sur la pointe des pieds.) JUPITER Attention! Attention! EURYDICE Ah! la voilà prise! plus de résistance! JUPITER La plus prise des deux n est pas celle qu on pense! EURYDICE Chante, chante! JUPITER Zi! ENSEMBLE Zi! Zi! EURYDICE Ah! je la tiens! Ah! c est charmant! JUPITER Ah! je la tiens! Ah! c est charmant! EURYDICE Ah, je savais bien que je t attraperais, mon joli bijou ailé! Mais voyez donc, qu elle est gracieuse! Quelles belles couleurs! Et quelle taille fine! (Jupiter fait des grâces. Elle embrasse.) JUPITER (tombant à genoux) Eh bien, tout cela est à toi, si tu le veux, mortelle adoré! EURYDICE Ah, grands dieux, elle parle! Au secours! JUPITER Tais-toi! J ai pris ce costume pour tromper les regards jaloux d un tyran qui ne veut que te torturer… EURYDICE Jupiter! Le roi des dieux! JUPITER Oui, c est moi. Ah! si je t avais connue plus tôt, Pluton ne t aurait pas enlevée. Je t aurais emmenée dans l Olympe. EURYDICE Voir! l Olympe et quitter cet affreux séjour! Oh! fuyons, emmène-moi! JUPITER Nous n avons qu un moyen pour ne pas éveiller les soupçons il faut que je retourne à la fête que me donne cet idiot de Pluton! Rejoins-m y! (Eurydice sort à gauche et Jupiter à droite Pluton entre tout bouleversé.) PLUTON Où est elle? La mouche? Où est la mouche? Ah I qu est-ce que c est que çà? N 25 Scène et Ballet des Mouches (Une foule de petits John Styx sort de dessous terre.) PLUTON Trahi, trahi par tout le monde! LES ENFANTS Si j étais roi de Béotie, tu serais reine sur ma foi! Je ne puis plus qu en effigie t offrir ma puissance de roi! La plus belle ombre ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le coeur d un roi de Béotie, le coeur d un roi de Béotie! (Ils disparaissent dans une trappe) PLUTON (hors de lui) La mouche!... Qui me livrera la mouche! CUPIDON (paraissent à gauche) Tu veux la retrouver? Eh bien, attends! (Il étend la main le théâtre change et représente une serre merveilleuse. Parmi les buns sont groupées des mouches aux corsages dorées et aux aile étincelantes. Elles s élancent, entourent Pluton et l entraînent) Galop Offenbach,Jacques/Orpheé aux Enfers/IV
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ゲーム情報（登録されているタグ） ジャンル＞アイテム探し 製作会社＞PlayFirst 製作会社＞Spark Plug Games 製作会社＞未確認 言語＞英語 コメント欄へ移動 ゲーム配布ページ 英語 http //www.bigfishgames.com/download-games/9050/escape-from-frankensteins-castle/index.html 日本語 http //www.bigfishgames.jp/download-games/11225/escape-from-frankensteins-castle/index.html 紹介文 激しい交通事故にあった後フランケンシュタイン城に囚われてしまったハンナとホレシオ。意識が戻ったハンナは姿が見えない婚約者のホレシオを探すべく陰気な城内の探索を始める…ハンナと一緒にあやしげな城の住人の力を借りながら博士がひそかに企む陰謀を暴こう。古典文学であるフランケンシュタインの世界へと飛び込み手遅れになる前にホレシオを救い城から逃げ出そう！ 城内の数々の部屋を探索 エキサイティング・アドベンチャー 陰謀を阻止し城から逃げ出そう！ 画像 « » var ppvArray_0_3e638eabd1ce1b574f7e5ab42dd9b96e = new Array(); ppvArray_0_3e638eabd1ce1b574f7e5ab42dd9b96e[0] = http //w.atwiki.jp/bfgmatome/?cmd=upload&act=open&page=Escape+from+Frankenstein%27s+Castle+%28%E3%83%95%E3%83%A9%E3%83%B3%E3%82%B1%E3%83%B3%E3%82%B7%E3%83%A5%E3%82%BF%E3%82%A4%E3%83%B3%E5%8D%9A%E5%A3%AB%E3%81%AE%E9%99%B0%E8%AC%80%29&file=jp_escape-from-frankensteins-castle-screen1.jpg ; window.onload=function(){ ppvShow_0_3e638eabd1ce1b574f7e5ab42dd9b96e(0); }; function ppvShow_0_3e638eabd1ce1b574f7e5ab42dd9b96e(n){ if(!ppvArray_0_3e638eabd1ce1b574f7e5ab42dd9b96e[n]){ alert( 画像がありません ); return; } ppv_0_3e638eabd1ce1b574f7e5ab42dd9b96e$( ppv_img_0_3e638eabd1ce1b574f7e5ab42dd9b96e ).src=ppvArray_0_3e638eabd1ce1b574f7e5ab42dd9b96e[n]; ppv_0_3e638eabd1ce1b574f7e5ab42dd9b96e$( ppv_link_0_3e638eabd1ce1b574f7e5ab42dd9b96e ).href=ppvArray_0_3e638eabd1ce1b574f7e5ab42dd9b96e[n]; ppv_0_3e638eabd1ce1b574f7e5ab42dd9b96e$( ppv_prev_0_3e638eabd1ce1b574f7e5ab42dd9b96e ).href= javascript ppvShow_0_3e638eabd1ce1b574f7e5ab42dd9b96e( +(n-1)+ ) ; ppv_0_3e638eabd1ce1b574f7e5ab42dd9b96e$( ppv_next_0_3e638eabd1ce1b574f7e5ab42dd9b96e ).href= javascript ppvShow_0_3e638eabd1ce1b574f7e5ab42dd9b96e( +(n+1)+ ) ; } function ppv_0_3e638eabd1ce1b574f7e5ab42dd9b96e$(){ var elements = new Array(); for (var i = 0; i arguments.length; i++){ var element = arguments[i]; if (typeof element == string ) element = document.getElementById(element); if (arguments.length == 1) return element; elements.push(element); } return elements; } 備考 レス一覧 899 名前： 名無しさんの野望 [sage] 投稿日： 2011/02/19(土) 14 44 56 ID WYjkKcO1 フランケンシュタイン博士の陰謀 画面右下で、ずっと目を見開いてこっち見てるイザベラが怖い コメント 壁の骨が取れない・・・。 どうすればいいですか？ -- 2011-02-23 20 59 54 是非、私も知りたいです。 教えて下さい。 -- 2011-02-27 14 38 21 攻略スレに言ってみたらどうかな。 -- 2011-03-04 04 04 04 ありがとうございます。 でも、その攻略スレがどこか分かりません・・・（汗 あ～、もう１０日間近く悩みっぱなし・・・凹 -- 2011-03-04 09 13 21 このWikiのトップページにリンク貼ってあるよ。 -- 2011-03-04 15 00 16 ありがとございますぅ～～～～～～っ！！！ -- 2011-03-04 19 47 38 攻略スレで投稿してみたところ、バグってるようでした。 、とりあえず別の名前でやり直すことにします。 ありがとうございました。 -- 2011-03-05 11 11 45 お返事嬉しいです。私も前の人と同様にしてみます。 ありがとうございます。 -- 2011-03-05 23 20 36 コメント すべてのコメントを見る トップページに戻る
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The Prado Alpine Fine Arts Collection (UK)?Jose Rogelio Buendia?et al? Museum of Fine Arts, Boston. W W Norton & Co Inc?Adolph S. Cavallo? Museum of Fine Arts, Budapest Newsweek, US? Dutch and Flemish Drawings from the Royal Library, Windsor Castle An Exhibition at the North Carolina Museum of Art, the Montreal Museum of Fine Arts and the Indianapolis Museum of Art Ashmolean Museum?Christopher White? Impressionism and Post-Impressionism The Hermitage, Leningrad, the Pushkin Museum of Fine Arts, Moscow and the National Gallery of Art, Washington Macmillan Pub Co?Hugh Levin? The Golden Age of Danish Art Drawings from the Royal Museum of Fine Arts, Copenhagen Art Services Intl?Hans Edvard Nrregard-Nielsen? Drawn Toward the Avant-Garde Nineteenth- And Twentieth-Century French Drawings from the Royal Museum of Fine Arts, Copenhagen Art Services Intl?Jan Wurtz Frandsen?Statens Museum for Kunst?Art Services International? Art of the Huichol Indians Fine Arts Museum of San?Lowell John Bean?Sylvia Brakke Vane? Winslow Homer Paintings of the Civil War Fine Arts Museum of San?Marc Simpson?Nicolai Cikovsky?Lucretia Hoover Giese? Rupert Garcia Prints and Posters, 1967-1990 / Rupert Garcia Grabados Y Afiches, 1967-1990 Museums Stores?Fine Arts Museum of San Francisco? East of the Atlantic, West of the Congo Art from Equatorial Africa The Dwight and Blossom Strong Collection Fine Arts Museum of San?Leon Siroto?Kathleen Berrin?Fine Arts Museum of San Francisco? Paris Modern The Swedish Ballet 1920-1925 Fine Arts Museum of San?Nancy Van Norman Baer?Fashion Institute of Technology?Marion Koogler McNay Art Institute?Fine Arts Museums of San Francisco?Jan Torsten Ahlstrand? The Bowles Collection of 18Th-Century English and French Porcelain Fine Arts Museum of San?Simon Spero? The Bowles Collection of 18Th-Century English and French Porcelain Fine Arts Museum of San?Simon Spero? Light and Color Images from New Mexico Masterpieces from the Collection of the Museum of Fine Arts, Museum of New Mexico Museum of New Mexico Pr?Museum of Fine Arts Museum of New Mexico? Georgia O'Keeffe, Works on Paper Museum of Fine Arts, Museum of New Mexico, Santa Fe Museum of New Mexico Pr?Georgia O Keeffe? Artists of 20Th-Century New Mexico The Museum of Fine Arts Collection Museum of New Mexico Pr? Indian Basketmakers of California and the Great Basin The Living Art and Fine Tradition Museum of New Mexico Pr?Larry Dalrymple? Indian Basketmakers of the Southwest The Living Art and Fine Tradition Museum of New Mexico Pr?Larry Dalrymple? Heart Mountains and Human Ways Japanese Landscape and Figure Painting Univ of Michigan?Celeste Adams?Paul Berry?Calvin French?University of Michigan Museum of Art?Houston Museum of Fine Arts? The Collection of John A. and Audrey Jones Beck Museum of Fine Arts Houston?Audrey Jones Beck? American Classroom The Photographs of Catherine Wagner Museum of Fine Arts Houston?Anne Wilkes Tucker?Catherine Wagner?Houston Museum of Fine Arts? Czech Modernism 1900-1945 Museum of Fine Arts Houston?Jaroslav Andel?Hvezdoslav Stefan?Houston Museum of Fine Arts? Picasso, Braque, Gris, Leger Douglas Cooper Collecting Cubism Museum of Fine Arts Houston?Dorothy M. Kosinski? Arman, 1955-1991 A Retrospective Museum of Fine Arts Houston?Arman?Pierre Restany? Arman 1955-1991 A Retrospective, the Museum of Fine Arts, Houston Museum of Fine Arts Houston?Alison De Lima Greene?Pierre Restany?Arman? Imperial Austria Treasures of Art, Arms Armor from the State of Styria Museum of Fine Arts Houston?Peter Krenn?Walter J., Jr. Karcheski? Masterpieces of Baroque Painting from the Collection of the Sarah Campbell Blaffer Foundation Museum of Fine Arts Houston?George T. M. Shackelford?Sarah Campbell Blaffer Foundation?Houston Museum of Fine Arts? Masterpieces of Baroque Painting from the Collection of the Sarah Campbell Blaffer Foundation Museum of Fine Arts Houston?George T. M. Shackelford?Sarah Campbell Blaffer Foundation?Houston Museum of Fine Arts? Old Masters, Impressionists, and Moderns French Masterworks from the State Pushkin Museum, Moscow Museum of Fine Arts Houston?Irina Aleksandrovna Antonova?Charlotte Nalle Eyerman?E. B. Georgievskaia?Elena Sharnova?Houston Museum of Fine Arts?High Museum of Art?Los Angeles County Museum of Art? Texas 150 Works from the Museum of Fine Arts, Houston Museum of Fine Arts Houston?Alison De Lima Greene? Benin Royal Art of Africa from the Museum Fur Volkerkunde, Vienna Museum of Fine Arts Houston?Armand Duchateau? Poussin Works on Paper Museum of Fine Arts Houston?Clayton? American Painters in the Age of Impressionism Museum of Fine Arts Houston?Emily Ballew Neff?George T. M. Shackelford?Houston Museum of Fine Arts? Quest for the Moon and Other Stories Museum of Fine Arts Houston?Anne Wilkes Tucker?Dennis Ivy? The Sonia and Kaye Marvins Portrait Collection Museum of Fine Arts Houston?Anne Wilkes Tucker? Crimes and Splendors The Desert Photographs of Richard Misrach Museum of Fine Arts Houston?Anne Wilkes Tucker?Richard Misrach?Rebecca Solnit?Houston Museum of Fine Arts? John Singleton Copley in England Museum of Fine Arts Houston?Emily Ballew Neff?William L. Pressly?Houston Museum of Fine Arts? The Texas Collection of the Museum of Fine Arts, Houston Museum of Fine Arts Houston?Alison De Lima Greene? More Than a Constructive Hobby The Paintings of Frank Freed Museum of Fine Arts Houston?William A. Camfield? The Lillie and Hugh Roy Cullen Sculpture Garden of the Museum of Fine Arts, Houston Museum of Fine Arts Houston?Peter C. Marzio? Italian Paintings from the Fourteenth Through Sixteenth Centuries in the Museum of Fine Arts, Houston Museum of Fine Arts Houston?Carolyn C. Wilson? Mark Catesby's Natural History of America The Watercolours from the Royal Library, Windsor Castle Museum of Fine Arts Houston?Henrietta McBurney? The Body of Christ in the Art of Europe and New Spain, 1150-1800 Museum of Fine Arts Houston?James Clifton?David Nirenberg?Linda Elaine Neagley?Houston Museum of Fine Arts? A Place for All People Museum of Fine Arts Houston?Beth B. Schneider? The Collection of John A. and Audrey Jones Beck Museum of Fine Arts Houston?Audrey Jones Beck? The Collection of John A. and Audrey Jones Beck Museum of Fine Arts Houston?Audrey Jones Beck? The Museum of Fine Arts, Houston Visitor Guide Scala Books?Janet Landay?Houston Museum of Fine Arts? Nutsy's Guggenheim Museum Pubns?Tom Sachs? The Grandeur of Viceregal Mexico/LA Grandeza Del Mexico Virreinal Treasures from the Museo Franz Mayer/Tesoros Del Museo Franz Mayer Univ of Texas Pr?Gustavo Curiel?Antonio Rubial Garcia?Juana Gutierrez Haces?David B. Warren?Hector Rivero Borrell?Houston Museum of Fine Arts?Henry Francis Du Pont Winterthur Museum?San Diego Museum of Art?Hector Rivero Borrell M.? The Grandeur of Viceregal Mexico/LA Grandeza Del Mexico Virreinal Treasures from the Museo Franz Mayer/Tesoros Del Museo Franz Mayer Museum of Fine Arts Houston?Borrell M. Hector Rivero?Gustavo Curiel?Antonio Rubial Garcia?Juana Gutierrez Haces?David B. Warren? Out of Actions Between Performance and the Object, 1949-1979 Thames & Hudson?Paul Schimmel?Kristine Stiles?Calif.) Museum of Contemporary Art (Los Angeles? The History of Japanese Photography Museum of Fine Arts Houston?Houston Museum of Fine Arts?Kokusai Koryu Kikin?Anne Tucker?Kotaro Iizawa?Naoyuki Kinoshita? International Center for the Arts of the Americas Museum of Fine Arts Houston?Mari Carmen Ramirez?Theresa Papanikolas? Gold of the Akan from the Glassell Collection Museum of Fine Arts Houston?Doran H. Ross?Frances Marzio? Questioning the Line Gego in Context (International Center for the Arts of the Americas (Series), No. 2.) Museum of Fine Arts Houston?Gego?Mari Carmen Ramirez?Theresa Papanikolas? First Down, Houston Museum of Fine Arts Houston?Anne Wilkes Tucker?Mickey Herskowitz? A Portrait of the Artist, 1525-1825 Prints From The Collection Of The Sarah Campbell Blaffer Foundation Museum of Fine Arts Houston?James Clifton?Leslie Scattone?Andrew C. Weislogel? Isamu Noguchi A Sculpture for Sculpture the Lillie and Hugh Roy Cullen Sculpture Garden Museum of Fine Arts Houston?Alison De Lim Greene? Daniel Joseph Martinez The Fully Enlightened Earth Radiates Disaster Triumphant Museum of Fine Arts Houston?Moukhtar Kocache?Gilbert Vicario?Daniel Martinez? The Galveston That Was (Sara and John Lindsey Series in the Arts and Humanities, No 5) Texas a & M Univ Pr?Howard Barnstone?Henri Cartier-Bresson?Ezra Stoller?Houston Museum of Fine Arts?James Johnson Sweeney?Peter H. Brink? James Rosenquist A Retrospective Guggenheim Museum Pubns?James Rosenquist?Walter Hopps?Sarah Bancroft? The National Museum in Warsaw Alpine Fine Arts Collection (UK)?Stanislaw Lorentz?Krystyna Keplicz? Amazons of the Avant-Garde Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, and Nadezhda Udaltsova (Guggenheim Museum Publications) Guggenheim Museum Pubns?John E. Bowlt?Matthew Drutt? Clemente (Guggenheim Museum Publications) Guggenheim Museum Pubns?Lisa Dennison?Francesco Clemente? Jim Dine Walking Memory 1959-1969 (Guggenheim Museum Publications) Guggenheim Museum Pubns?Jim Dine?Germano Celant?Clare Bell? Erastus Salisbury Field 1805-1900 Springfield Library & Museum?Mary Black?Springfield Museum of Fine Art?Erastus Salisbury Field?Mass.) Museum of Fine Arts (Springfield? From Picasso to Pollock Modern Art from the Guggenheim Museum Guggenheim Museum Pubns? Boccioni's Materia A Futurist Masterpiece and the European Avant-Garde Guggenheim Museum Pubns?Umberto Boccioni?Laura Mattioli Rossi? Singular Forms (Sometimes Repeated) Art from 1951 to the Present Guggenheim Museum Pubns?Lisa Dennison?Nancy Spector? John Baldessari Somewhere Between Almost Right and Not Quite (with Orange) Guggenheim Museum Pubns?John Baldessari? Object, Image, Inquiry The Art Historian at Work J Paul Getty Museum Pubns?Elizabeth Bakewell? Preservice Challenge Discipline-Based Art Education and Recent Reports on Higher Learning J Paul Getty Museum Pubns? Masterpieces of Painting in the J. Paul Getty Museum J Paul Getty Museum Pubns?Burton B. Fredericksen?Dawson Carr?Perrin Stein? Capolavori Del J. Paul Getty Museum Arti Decorative J Paul Getty Museum Pubns? Masterpieces of Decoratives Arts in the J. Paul Getty Museum - German-Language Edition Oxford Univ Pr (T)? Masterpieces of Decoratives Arts in the J. Paul Getty Museum - German-Language Edition Oxford Univ Pr (T)? Athenian Vase Costruction A Potter's Analysis J Paul Getty Museum Pubns?Toby Schreiber?Tony Schreiber? A Luminous Land Artists Discover Greece J Paul Getty Museum Pubns?Richard Stoneman? Repertoire Des Tableaux Vendus En France Au Xixe Siecle/Vol 1 1801-1810 J Paul Getty Museum Pubns?Benjamin Peronnet?Burton B. Fredericksen? Observations on the Letter of Monsieur Mariette With Opinions on Architecture, and a Preface to a New Treatise on the Introduction and Progress on the Fine Arts in Europe in Ancient Times (Texts Documents) J Paul Getty Museum Pubns?Giovanni Battista Piranesi?John Wilton-Ely?Caroline Beamish?David Britt? Italian Paintings Xiv-XVI Centuries in the Museum of Fine Arts, Houston Rice Univ Pr?Carolyn C. Wilson? Advancing American Art Politics and Aesthetics in the Us State Department Exhibition, 1946-48 Montgomery Museum of Fine Arts?Virginia Mecklenburg?Margaret Lynne Ausfeld?United States Department of State?Montgomery Museum of Fine Arts? The Grand Tour The Tradition of Patronage in Southern Art Museums Montgomery Museum of Fine Arts? Master Printmakers of Three Centuries Durer, Rembrandt, and Beyond From the Collection of Adolph Weil, Jr Montgomery Museum of Fine Arts? The Life and Art of Jimmy Lee Sudduth Montgomery Museum of Fine Arts? Just How I Picture It in My Mind Contemporary African American Quilts from the Montgomery Museum of Fine Arts River City Pub?Mary Elizabeth Johnson Huff? American Classroom The Photographs of Catherine Wagner Aperture?Anne Wilkes Tucker?Catherine Wagner?Houston Museum of Fine Arts? The Floating of Being A Retrospective of Ku Fu-Sheng, 1959-1996 Strawberry Hill Pr?Taipei Fine Arts Museum? The Golden Age of Chinese Archaeology Celebrated Discoveries from the People's Republic of China Natl Gallery of Art?National Gallery of Art (U. S.)?Houston Museum of Fine Arts?Asian Art Museum of San Francisco?Xiaoneng Yang? Picasso--The Early Years, 1892-1906 Natl Gallery of Art?Pablo Picasso?Marilyn McCully?Natasha Staller?National Gallery of Art (U. S.)?Boston Museum of Fine Arts Bradford Washburn Mountain Photography Mountaineers Books?Antony Decaneas?Bradford Washburn?Boston Museum of Fine Arts Paintings in the Budapest Museum of Fine Arts Control Data Pub Co?Klara Garas?Lili Halapy? English Coins in the British Museum (Anglo Saxon Series) Numismatic Fine Arts Intl?Charles Keary?H. A. Grueber? Do We Think Too Much? I Don't Think We Can Ever Stop (Catalogue) Birmingham Museum of Art?Lonnie Holley?Michael Stanley?David Moos? Indian Art in the Ashmolean Museum Ashmolean Museum?J. C. Harle?Andrew Topsfield? 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The Art of Joan Brown (Ahmanson-Murphy Fine Arts Book) Univ of California Pr?Karen Tsujimoto?Jacquelynn Baas?Joan Brown?Berkeley University Art Museum University of California?Oakland Museum of California? The Art of Joan Brown (Ahmanson-Murphy Fine Arts Book) California Academy of Sciences?Karen Tsujimoto?Jacquelynn Baas?Joan Brown?Berkeley University Art Museum University of California?Oakland Museum of California? An American Focus The Anderson Graphic Arts Collection Univ of California Pr?Karin Breuer?Jacqueline Brody?Fine Arts Museums of San Francisco?California Palace of the Legion of Honor?Palm Springs Desert Museum?Albuquerque Museum? The Changing Garden Four Centuries of European and American Art (The Ahmanson-Murphy Fine Arts Imprint) Univ of California Pr?Betsy G. Fryberger?Paula Deitz?Iris & B. Gerald Cantor Center for Visual Arts at Stanford University?Dixon Gallery and Gardens?University of Michigan Museum of Art? 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Masterworks of European Painting in the Museum of Fine Arts, Houston Princeton Univ Dept of Art &?Edgar Peters Bowron?Mary G. Morton?Houston Museum of Fine Arts? Frederic Remington The Hogg Brothers Collection of the Museum of Fine Arts, Houston Princeton Univ Dept of Art &?Emily Ballew Neff?Frederic Remington? American Decorative Arts and Paintings in the Bayou Bend Collection Princeton Univ Pr?Michael K. Brown?Elizabeth Ann Coleman?Emily Ballew Neff?Houston Museum of Fine Arts?David B. Warren? Barber Institute of Fine Arts University of Birmingham?Paul Spencer-Longhurst? Landmarks in Print Collecting Connoisseurs and Donors at the British Museum Since 1753 Museum of Fine Arts Houston?Antony Griffiths? Dream Spaces Memory and the Museum Continuum Intl Pub Group (Sd)?Gaynor Kavanagh? Dream Spaces Memory and the Museum Continuum Intl Pub Group (Sd)?Gaynor Kavanagh? Sphaerae Mundi Early Globes at the Stewart Museum, Montreal Mcgill Queens Univ Pr?Jean-Francois Gauvin?David M. Stewart Museum? Treasures of the Museum of Fine Arts, Boston (Tiny Folios Series) Abbeville Pr?Boston Museum of Fine ArtsMalcolm Rogers? Norwegian Folk Art The Migration of a Tradition Abbeville Pr?Museum of American Folk Art?Norsk Folkemuseum?Marion Nelson? Norwegian Folk Art The Migration of a Tradition Abbeville Pr?Museum of American Folk Art?Norsk Folkemuseum?Marion Nelson? Treasures of the Museum of Fine Arts, Boston Abbeville Pr?Boston Museum of Fine Arts John Singer Sargent The Male Nudes Universe Pub?John Singer Sargent?John Esten?National Gallery of Art (U. S.)?Boston Museum of Fine Arts Juan Munoz The Nature of Visual Illusion 18 March-18 June 2000 Louisiana Museum of Modern Art Louisiana Museum Of Modern Art?Juan Munoz? Impressionism 2008 Calendar Andrews Mcmeel Pub (Cal)?Boston Museum of Fine Arts Monet 2008 Calendar 2008 Wall Calendar Andrews Mcmeel Pub (Cal)?Boston Museum of Fine Arts American Art 2008 Calendar The De Yound Museum, Fine Arts Museums San Francisco 2008 Wall Andrews Mcmeel Pub (Cal)?San Francisco De Young Museum? And the Angels Sing A Song Book of Classic Christmas Carols Baker Pub Group?Boston Museum of Fine Arts You Can't Take a Balloon into the Museum of Fine Arts (Fairytale Foil Books) Dial Books for Young Readers?Jacqueline Preiss Weitzman?Robin Preiss-Glasser? American Paintings in the Museum of Fine Arts, Boston Olympic Marketing Corp?Boston Museum of Fine Arts Pissarro Camille Pissarro, 1830-1903 Museum of Fine Arts Boston?John Rewald? Paris in the Age of Impressionism Masterworks Form the Musee D'Orsay Harry N Abrams?Mary G. Morton?Caroline Mathieu?Marc Bascou?High Museum of Art?Houston Museum of Fine Arts?David A. Brenneman? The Fred Jones Jr. Museum Of Art At The University Of Oklahoma Selected Works Univ of Oklahoma Pr?Eric McCauley Lee?Rima Canaan? A Book by Anselm Kiefer George Braziller?Anselm Kiefer?Jr. Stebbins Theodore R.?Susan Cragg Ricci?Jurgen Harten?Boston Museum of Fine Arts Masterpiece Paintings from the Museum of Fine Arts, Boston Harry N Abrams?Theodore E., Jr. Stebbins?Peter C. Sutton? The Art of John Biggers View from the Upper Room Harry N Abrams?Alvia J. Wardlaw?John Thomas Biggers?Houston Museum of Fine Arts? 1992 Traveler's Guide to Art Museum Exhibitions (New York Times Traveler's Guide to Art Museum Exhibitions) Museum Guide Pubns?Susan S. Rappaport? Masterpieces of American Indian Art From the Eugene and Clare Thaw Collection Harry N Abrams?Gilbert T. Vincent?John Bigelow Taylor? Kiyosumi Park, Tokyo Journal Chronicle BooksKawase Hasui Museum of Fine Arts? 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Apple Defender サイトURL http //www.bigfuntown.com/Game-444.html http //www.lazybanana.com/games/appledefender/ 概要 リンゴを育てて収穫しつつ、襲い来る虫の群れを撃退する。 全体的な雰囲気としてはAntbusterに似ている。 基本事項 砲台回復・成長塔 攻略 基本事項 木を植えてリンゴを収穫するとGoldが獲得出来る。収穫はクリック。 獲得出来る金額はリンゴの大きさによって増減する。最大70G。 敵はリンゴを奪うと画面左端を目指して逃走する。 リンゴの実を虫に持ち去られると、そのリンゴの木が消滅する。 リンゴの木がすべてなくなるとゲームオーバー。 敵をクリックで集中砲火。 砲台 攻撃速度は100が最高値で速度0秒。 ランク 名前 HP 攻撃力 速度 コスト 備考 Handgun 10 1 70 50 → Semi Machine Gun 15 2 80 65 →→ Machinegun 20 3 90 120 2弾同時発射 →→→ Gatling 20 5 95 150 →→→ Grenade launcher 20 5 80 100 射程内にグレネード爆弾をバラ撒く →→ Shotgun 20 3 60 90 3弾同時発射 →→→ Spilit Shuriken 20 3 60 120 8方向に手裏剣を同時発射 →→→ Rocket Shotgun 20 5 60 150 3弾同時発射 → Sniper 20 5 60 60 →→ Laser 20 1 90 断続的にレーザーで攻撃 → Snow launcher 20 3 60 100 移動速度を低下 →→ Nuclear Drum 100 100 50 使い切りの爆破攻撃 →→ Chain Lightning 20 5 60 150 近くの敵に連鎖して命中被弾した敵は移動速度が低下 →→ Thron Launcher 30 4 90 100 射程内にランダムで棘を撒く →→→ Electric Shock 20 1 60 100 射程内にランダムで落雷攻撃被弾した敵は移動速度が低下 →→→ Blizzard 20 2 100 90 射程内にランダムで氷を撒く踏んだ敵は移動速度が低下 →→→ Bladegun 20 0.4 0 100 射程内を周回する刃を発射 → Catapult 20 2 20 40 →→ Fire Catapult 20 1 90 100 回転しながらランダムで炎弾をバラまく →→→ Flame Thrower 20 0.2 98 130 火炎放射機 →→→ Fireball Launcher 20 4 80 120 貫通多段HITの炎弾を発射旋回が遅い →→→ Meteor Rain 0.5 60 200 射程内に炎の雨を降らす射程は短い →→ Massive Catapult 20 5 70 100 画面全域をカバーする広い射程範囲 →→ Thorngun 30 10 90 100 時計回りに回転しながら砲撃 →→ Froze Tower 20 0 40 100 移動速度を低下 → Poison Gas 20 0.1 90 90 上級砲台なし。毒ガス攻撃。 → Rocket Launcher 20 5 70 100 範囲攻撃 →→ Tomahawk Launcher 20 10 60 200 画面全域をカバーする追尾ミサイル近距離の敵にはほとんど当たらない →→ Longrange Missile 20 10 60 170 画面全域をカバーする広い射程範囲狙いが甘いので遠くの敵には外しやすい 回復・成長塔 ランク 名前 HP 回復/成長量 速度 コスト 備考 Repair Tower 1 10 1 -100 100 範囲内の砲台のHPを回復 → Repair Tower 2 15 1.5 -80 125 同上 →→ Repair Tower 3 20 2 -60 150 同上 → Grow Tower 50 0.3 -60 100 範囲内のリンゴの成長速度をアップ →→ Super Grow Tower 50 0.6 -20 200 同上 攻略 敵は画面中央付近をうろつく習性があるので、そこを外して画面端に砲台を建てれば攻撃を受ける回数がぐっと減る。 レベル5,6程度まではPoisonGasが安価に範囲攻撃できるので強力。木は横に並べて一番左にPoisonGasを1基置いておけば序盤は凌げる。 序盤の金で最上段にFireballをどんどん建て、最下段にミサイル類を揃えていけばレベル50までは楽勝。 レベル50で敵のHPが100万になる為、これ以上進めるのはほぼ不可能。 ただし、敵にわざとリンゴを奪わせれば画面から追い出せる為、先のレベルに進める事は一応可能。
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Concise Encyclopedia Biochemistry and Molecular Biology Walter De Gruyter Inc? E. Ian Mercer? Thomas A. Scott? WalterDeGruyterInc? E.IanMercer? ThomasA.Scott? ユーズドブック(洋書)-Engineering Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-General? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-Evolution-MolecularBiology? Asymptotic Methods for Elastic Structures Proceedings of the International Conference, Lisbon, Portugal, October 4-8, 1993 Walter De Gruyter Inc? Philippe G. Ciarlet? Luis Trabucho? Juan M. Viano? WalterDeGruyterInc? PhilippeG.Ciarlet? LuisTrabucho? 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【登録タグ DiGiTAL WiNG N 大吉キトゥン 曲 東方オトハナビ 空音】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*