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https://w.atwiki.jp/aias-closurecompiler/pages/15.html
トップページ Closure Compiler Service API Closure Compiler Service APIはClosure Compilerの機能をWeb-APIとして提供します。この方式ではユーザプログラムは直接APIサーバとHTTP-POST通信を行い、処理結果を受け取れるようになります。 Closure Compiler Service UIは短いコードを使ってCompilerを試してみる分にはとても良いアプリケーションです。しかしあなたがJavaScriptのコンパイルプロセスを自動化したいと考えていたり、あるいはコンパイル処理を（IDEの拡張機能のようなかたちで）ビルドプロセスの一部として組み込みたいと考えているのであれば、Closure Compiler Service APIの利用は検討する価値があります。 以下では簡単なアプリケーションを作成しながら、何段階かに分けてAPIの使い方を説明します。 Closure Compiler Service APIのリファレンスは、こちらを参照してください。 このページは公式サイトの以下のページを元に作成しました。http //code.google.com/closure/compiler/docs/gettingstarted_api.htmlhttp //code.google.com/closure/compiler/docs/api-tutorial1.htmlhttp //code.google.com/closure/compiler/docs/api-tutorial2.html 目次 APIサーバのURL 最も単純なサンプルアプリケーション APIとの通信 JavaScriptファイルをAPIに渡すには データサイズの制限 APIサーバのURL Closure Compiler Service APIへのリクエストは、下記のURLへ送信してください。 http //closure-compiler.appspot.com/compile 最も単純なサンプルアプリケーション 手はじめに、formを使ってAPIサーバへリクエストを送るアプリケーションを作成してみます。Closure Compiler Service APIをformから呼出すのは実際の利用方法としてはやや不自然ですが、HTTP-POSTによる通信の様子を確認するにはこのやり方が最も簡単です。 下のHTMLをコピーペーストして closure_compiler_test.html というファイルを作成してください。 html body form action="http //closure-compiler.appspot.com/compile" method="POST" p Type JavaScript code to optimize here /p textarea name="js_code" cols="50" rows="5" function hello(name) { // Greets the user alert( Hello, + name); } hello( New user ); /textarea input type="hidden" name="compilation_level" value="WHITESPACE_ONLY" input type="hidden" name="output_format" value="text" input type="hidden" name="output_info" value="compiled_code" br br input type="submit" value="Optimize" /form /body /html 上のformでは4つの必須パラメータが設定されています。（各パラメータの詳細はこちらを参照してください）中でも重要なのは次の2つです。 js_code 処理対象となるJavaScriptコードを指定します。このようにコード文字列を直接送信する方法の他に、JSファイルのURLから入力コードを指定することもできます。後者についてはこちらで詳しく説明します。 compilation_level コンパイルレベルを指定します。この例では最も圧縮率の低い WHITESPACE_ONLY が設定されていますが、より強力にコードの短縮を行いたいのであれば、 SIMPLE_OPTIMIZATIONS や ADVANCED_OPTIMIZATIONS を試してみてください。 closure_compiler_test.html をブラウザで開きます。 Optimize ボタンをクリックしコードをClosure Compiler Service APIへ送ると、下のようなコードがAPIサーバから返却されてくるはずです。返却されるコードはオリジナルコードからコメントと空白・改行を削除したもので、機能はオリジナルと同じですがサイズはかなり小さくなっています： function hello(name){alert("Hello, "+name)}hello(){"New user"}; APIとの通信 次に、プログラムが直にHTTP通信を行うサンプルプログラムを示します： 以下のサンプルはPythonで記述されています。ただし構造自体はごく単純ですので、理解するのにPythonの言語的な知識は特に必要ありません。 #!/usr/bin/python2.4 import httplib, urllib, sys # Define the parameters for the POST request and encode them in # a URL-safe format. params = urllib.urlencode([ ( js_code , sys.argv[1]), ( compilation_level , WHITESPACE_ONLY ), ( output_format , text ), ( output_info , compiled_code ), ]) # Always use the following value for the Content-type header. headers = { "Content-type" "application/x-www-form-urlencoded" } conn = httplib.HTTPConnection( closure-compiler.appspot.com ) conn.request( POST , /compile , params, headers) response = conn.getresponse() data = response.read() print data conn.close このスクリプトはコマンドライン引数として渡されたJavaScriptをコンパイルし、処理されたコードを出力します。上のコードをコピーペーストして compile.py というファイル名で保存、ファイルのパーミッションを変更して実行権限を付与した後、以下のコマンドを実行してください。 $ python compile.py alert("hello");// This comment should be stripped 注意： Windows環境でこのプログラムを実行するには、Pythonのインストールが必要です。詳細はこちらを参照してください。 コマンドはAPIから返却されたコンパイル済みコードを出力します。このサンプルでは WHITESPACE_ONLY レベルが設定されているので、Compilerはコメントを取り除く以外は何もしません。 alert("hello"); このスクリプトについて、注意すべき点をいくつか挙げておきます。 HTTPConnection オブジェクトの request メソッドに渡されるパラメータは、 urllib.urlencode によって事前に全てURLエンコードされています。変数 params の値は次のような文字列です： js_code=alert%28%22hello%22%29%3B%2F%2F+This+comment+should+be+stripped output_info=compiled_code out=text compilation_level=WHITESPACE_ONLY リクエストの Content-type ヘッダは常に application/x-www-form-urlencoded でなければなりません。 JavaScriptファイルをAPIに渡すには 上の例ではコマンドライン引数としてJavaScript文字列をプログラムに渡していました。しかし実業務で使われるJavaScriptコード（その長さは2、3行などすぐに超えてしまうでしょう）を扱うには、この方式はやや無理が有るように思われます。このようなケースでは、 code_url パラメータを使って処理したいJavaScriptファイルのURLを指定するのがよいでしょう。 例として、次のJavaScriptプログラムを取り上げます： /** * A simple script for adding a list of notes to a page. The list diplays * the text of each note under its title. */ /** * Creates the DOM structure for a note and adds it to the document. */ function makeNoteDom(noteTitle, noteContent, noteContainer) { // Create DOM structure to represent the note. var headerElement = document.createElement( div ); var headerText = document.createTextNode(noteTitle); headerElement.appendChild(headerText); var contentElement = document.createElement( div ); var contentText = document.createTextNode(noteContent); contentElement.appendChild(contentText); var newNote = document.createElement( div ); newNote.appendChild(headerElement); newNote.appendChild(contentElement); // Add the note s DOM structure to the document. noteContainer.appendChild(newNote); } /** * Iterates over a list of note data objects and creates a DOM */ function makeNotes(data, noteContainer) { for (var i = 0; i data.length; i++) { makeNoteDom(data[i].title, data[i].content, noteContainer); } } function main() { var noteData = [ {title Note 1 , content Content of Note 1 }, {title Note 2 , content Content of Note 2 }]; var noteListElement = document.getElementById( notes ); makeNotes(noteData, noteListElement); } main(); このプログラムをひとかたまりの大きな文字列としてAPIに渡すより、ファイル名を指定するだけの方が便利です。それには以下のようにします： 上のコードをファイルに保存します。 そのファイルをWEBからアクセス可能な場所（あなたのWebサーバなど）に置きます。 APIとの通信で作ったデモを修正し、 js_code を code_url に置き換えます。 params = urllib.urlencode([ ( code_url , sys.argv[1]), # --- This parameter has a new name! ( compilation_level , WHITESPACE_ONLY ), ( output_format , text ), ( output_info , compiled_code ), ]) 以下のコマンドを実行すると、 http //example.com/yourJs.js というURLがClosure Compilerに渡されます。Compilerは指定されたURLからファイルを取得してコンパイルし、その結果を返却します。 $ python compile.py http //example.com/yourJs.js 1つのリクエストの中に複数の code_url パラメータを含めることができます： params = urllib.urlencode([ ( code_url , http //example.com/yourJsPart1.js), ( code_url , http //example.com/yourJsPart2.js), ( compilation_level , WHITESPACE_ONLY ), ( output_format , text ), ( output_info , compiled_code ), ]) ファイルは指定順に結合されてから、1つのコードとしてコンパイルされます。尚、 code_url と js_code も1つのリクエスト内で同時に使用できます。 データサイズの制限 Closure Compiler Service APIに送信できるデータのサイズには、以下の2種類の制限が設けられています。 POSTデータのサイズの合計は200,000バイトまで クライアントがAPIに送信するPOSTデータのサイズは200,000バイト以内でなければなりません。この制限を超過した場合はサーバエラー 8 POST data too large. が返却されます。もし js_code パラメータで送信しているソースコードの量が多い場合は、ファイルに分離した上でそれを code_url パラメータで参照するようにしてください。 コードの総量は1,024,000バイトまで APIが1回のリクエストで処理できるコードの総量は1,024,000バイトとされています。ここでいうコードの総量とは、 code_url 及び externs_url に指定された全てのファイル内のコード、 js_code 及び js_externs に指定された全てのコード文字列の合計を指します。 この制限を超過した場合はサーバエラー 9 File too large. が返却されます。 このエラーが発生する場合は、ローカルマシン上でのClosure Compiler Applicationの使用を検討してください。
https://w.atwiki.jp/uri-minjyoku/pages/38.html
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前作（５無印、完全版）でのコードをそのまま使用できる パ・リーグ埼玉西武 オリックス 北海道日本ハム 千葉ロッテ 東北楽天 福岡ソフトバンク セ・リーグ読売 阪神 中日 広島 東京ヤクルト 横浜 メジャー・OB・アマチュアメジャー OB アマチュア コメント パ・リーグ 埼玉西武 1 栗山巧 722 27R FTH AM5 TPX SY9 3 中島裕之 2C4 4MC YJ3 POF LSE KWO 5HG B4Q NKO N9F SAS 4NQ 64F JQL K7C I37 CQZ BCM 5HG B4S 6RM 5CS B37 W9D 6 後藤武敏 56J FJK MN5 FEP T6S TJI 11 岸孝之 43A 6XS 2WF FHO 5TD MT 27Y SCU 6N3 2XA NC3 K4Q 43B ZDC WQ7 S92 DOJ YKQ 42F TYS 2AA K2M YJB VUM 15 大沼幸二 54V UCH RX5 PAQ 5TX OZL 63N YZD BCH R4D 2RC W67 21 中﨑雄太 DYT 9EH JN7 6N7 SRL 3HS 32 浅村栄斗 DQO P6D JAI 2S2 CKQ HVT 45 水田圭介 HUF J3K UVN 64D JDS R5M 54 アレックス・グラマン LR5 DNY 76P K50 MXU XS OCV NPM ZX4 4FE CUB 4KJ 57 谷中真二 J2T M9S 3U5 HP5 BA6 H4R 65 斉藤彰吾 IGX PJ9 NH6 ILO 9YT RQS 69 上原厚治郎 2J5 GVD QLF ADF X47 ZNR オリックス 18 山口和男 IMG HDQ 7HA QGJ Q9V 7MS 20 山本省吾 5P7 4BX BJJ 32W YIH VAS 27 日高剛 HSM B9G HYE 4SS SKH OZS 28 小松聖 5UE 7T2 SNS 2G6 HA6 PE6 52 坂口智隆 FWD GXO EEA FLM MXW 7QC 54 一輝 23L EU4 PAV 66V INZ FA4 58 長田昌浩 E7F AZY IQN ZTT PG6 3GT 66 由田慎太郎 EDQ 5BW TJN 5QJ 9AX PO 北海道日本ハム 2 高橋信二 626 QLD 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https://w.atwiki.jp/kplus/pages/58.html
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DaVinci Resolve DaVinci Resolve 18 プロジェクト設定 MrAlexTechSeamless トランジションパック ファイル名 MrAlexTechSeamless MrAlexTechSeamless説明 D \Program\Blackmagic Design\DaVinci Resolve OpenCL 01 .dll After Effects Free 素材 [After Effects Free 素材 https //www.premiumbeat.com/blog/category/after-effects/] 単色背景を作りたい！２パターン紹介 https //start-fromscratch.com/blog/davinciresolve-background/ 動画編集 1回 メディアページ編 https //tokyohappendix.com/editing-tips/dr_mediapage DaVinci Resolve 16 データベースの保存場所 https //furutao.com/blog/2019/11/24/davinci-resolve-01-where-db-files/ DaVinci Resolve17のプロジェクトの保存先 https //oiuy.net/archives/9719 DaVinci Resolveのプロジェクトファイルの保存先 https //sumizoon.hatenablog.com/entry/2019/06/11/200601 DaVinci Resolveでプロジェクトファイルを受け渡す2つの方法 https //vook.vc/n/2149 DaVinci Resolve 無償で高機能な動画編集ソフトについて https //www.pc-koubou.jp/magazine/37640 OBSのシーントランジション設定でカッコよく画面を切り替える方法 https //shifa-channel.com/obs-transition/ Streamlabs OBSでソースを追加・編集して、画面を映す方法 https //vip-jikkyo.net/slobs-sources トランジション素材を自作して設定する方法。スティンガーに透過付き動画を登録して配信演出を付けよう https //arutora.com/21798 DaVinci ResolveをめぐるトラブルシューティングFAQまとめ https //vook.vc/n/1697 【Davinci Resolve 16】対応ファイル形式一覧！読み込めないファイルはどうすれば？ https //aketama.work/dr16-file-type AllTemplates shared by sean ファイル https //www.mediafire.com/folder/0wh5oa8ll1b2c/AllTemplates お荷物のサイズとお届け先の都道府県 https //form.008008.jp/mitumori/PKZI0100Action_doSearch.action 白色のペンキ ターナー色彩 アクリル絵具 ミルクペイント スノーホワイト ニスが塗ってある机に対する接着剤 ターナー色彩 メディウム ミルクペイント マルチプライマー 200ml 仕上げ用のニス 和信ペイント 水性ウレタンニス 屋内木部用 高品質・高耐久・食品衛生法適合 透明クリヤー 130ml コテバケ ハンディ・クラウン INNOVA ワンタッチコテバケ セット 150 osu!をインストールしてプレイするまでの手順（導入方法） http //game2ji.com/osu-install/ ナレッジベース https //osu.ppy.sh/wiki/ja/Installation Aeron Chairs ハーマンミラーストア 編集の概要 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-Introduction-to-Editing.zip 技術 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-The-Art-of-Color-Grading.zip Mini Panel https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-DaVinci-Resolve-Mini-Panel.zip グラフィック https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-and-Graphics.zip Fusionの3D VFX https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-in-3D.zip オーディオ制作 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-1.zip Fairlightのオーディオ制作 href="https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-2.zip メディアの管理 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Managing-Media.zip コンテンツの書き出し https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Delivering-Content.zip LUTSダウンロード https //www.colorgradingcentral.com/free-luts-download-davinci/ あなたの動画をシネマ風に！ 無料のLUT をまとめて129選ご紹介します https //www.shutterstock.com/ja/blog/129-free-cinematic-luts 1 2 3 4 5 6 7 8 動画説明 DaVinci Resolve トランジションを追加できない時の対処法 DaVinci Resolve トランジションを追加できない時の対処法 About DaVinci Resolve 18 The free DaVinci Resolve 18 includes all of the same high quality processing as DaVinci Resolve 18 Studio and can handle unlimited resolution media files. However it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 18 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro. If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools and remote rendering, please upgrade to DaVinci Resolve 18 Studio. We hope you do decide to upgrade as your facility grows and you do more advanced work! Important information regarding project library management DaVinci Resolve 18 requires a project library upgrade from DaVinci Resolve 17.4.6 and previous versions. We strongly recommend that you backup your existing (disk based and PostgreSQL based) project libraries before performing an upgrade. What's new in DaVinci Resolve 18 Features marked with * are in progress and may change before the final release. Key Features • Blackmagic Cloud to host and manage cloud-based project libraries. • Collaborate securely over the internet using Blackmagic ID. • Upload and review on Presentations with synced markers and comments.* • Support for intelligent path mapping to relink files automatically. • Vastly improved project library performance for network workflows. • Improved project performance, especially when working with large projects. • New Proxy Generator app for auto-creating proxies within watch folders. • Ability to choose between prioritizing proxies or camera originals. • Proxy files in subfolders are automatically assigned in the media pool. Media Edit • Support for reversing shape, iris and wipe transitions in the edit page. • New subtitle improvements including - Support for timed text TTML, XML and embedded MXF/IMF subtitles. - Ability to view and import subtitles from media storage. - Support for relinking subtitle clips from the media pool. - Subtitle region support with multiple simultaneous captions per track. - Set individual presets, text positions and intuitively edit between regions. - Add, rename and manage regions from the timeline context menu. - Ability to import, export and embed multiple subtitle tracks as TTML. • Support for showing up to 25 simultaneous multicam angles on the viewer. • Edit Index now shows clip duration. • Ability to navigate keyframes outside trimmed clip extents. • Ability to navigate retime keyframes using hotkeys. • Smart bin filter for disabled timelines. • Render in place and open in Fusion actions can be assigned shortcuts. • Reset Fusion composition now works on multiple clip selections. Color • New object mask capability in Magic Mask. • Adjustment clips and Fusion generators can bypass color management. • Support for syncing clip groups in remote grading sessions. • Ability to trigger bidirectional tracking from advanced and mini panels. • Support for matte finesse and 3D qualifier in advanced and mini panels. • Dolby Vision highlight clipping support in advanced panels. • Support for bypassing color outputs from advanced panels. • Add key mixers with auto-connected key outs from advanced panels. • ACES support for Blackmagic Gen 5 camera formats. • Support for the HDR Vivid standard. • Reference gamut compression enabled by default in ACES 1.3. Resolve FX • New Resolve FX Depth Map to generate 3D depth based keys in Studio. • New Resolve FX Fast Noise. • New Resolve FX Despill. • New Resolve FX Surface Tracker for tracking warped surfaces in Studio. • Improved Resolve FX Beauty with new ultra mode. • Improved edge strength and filter controls in Resolve FX Edge Detection. • Option to composite from a second input in Resolve FX Transform. • New bokeh preset for Resolve FX Lens Reflections. • Green-purple control for Resolve FX Chromatic Aberration. • Sizing awareness option in Resolve FX lens flare and radial zoom blurs. Fairlight • Ability to convert fixed bus projects to FlexBus in project settings. • Ability to freely order tracks and buses in the mixer via the track index. • Ability to nudge custom millisecond or sub-frame intervals in the timeline. • Improved quality for time stretched audio. • Improved Dolby Atmos immersive mixing, including binaural monitoring. • Native support for Dolby Atmos production for Linux and Apple silicon. • Independent controls to enable automation and expose parameters. • Improved behavior of automated tracks under VCA control. • Improved meters with configurable decay, peak hold and display modes. • Ability to ctrl-alt click to remove gain and elastic wave keyframes. • Ability to double click a clip in the timeline to rename. • Ability to set record clip name prefix at a per-track level. • Support for renaming underlying tracks when renaming a linked group. • Equalizers with improved Q controls and mouse wheel inputs. • Dynamics with enhanced metering, gain display and enable controls. • Dynamics with improved dry mix, soft knee and metering in FlexBus. • Improved plugin management with replace and copy settings in the mixer. • New built in presets for equalizers and dynamics. • Hold shift and double click clips to extend the edit selection range. • Support for applying audio gain on range selection. • Improved waveform display accuracy under crossfades. • Origination time metadata is now persisted when bouncing mix to track. • Option to trim from unity on the Fairlight Desktop Console. • Support for VCA and bus spill on the Fairlight Desktop Console. • Support for using the Fairlight Desktop Console on Linux systems. • Studio monitoring support for FlexBus on consoles. • Fairlight console option to mute speakers on timeline load. • Support for chasing timecode via Fairlight audio interfaces. • Support for user views in the Fairlight Desktop Console. • Improved mapping for audio effects on the Audio Editor panel. • Ability to use alt + solo to invoke solo safe in the Audio Editor panel. • Support for a new clear mutes action in the timeline menu. • Enabling track mixer controls brings window to focus if already open. • Grid and list modes are persisted for patch, bus and VCA assign. Fusion • Multi-button mode selection in inspector for multiple tools. • Support for all modern and future python 3 versions for scripting. • Support for live previews when using the Text+ color picker. • Multiple new composition blend modes. • New expression animated Custom Poly modifier for masks and strokes. • Faster GPU accelerated paint tool with smoother strokes. • Faster duplicate tool with additional blur, glow and size controls. • Improved fade-on and text ripple title performance. • Improved performance for night vision, glitch, TV and other effects. Codecs • Support for video uploads to internet accounts using custom presets. • Support for encoding mono and stereo MP3 audio. • New HyperDeck export preset in the Quick Export and deliver page. • Ability to render individual clips with timeline effects. • Ability to embed Blackmagic RAW metadata in QuickTime renders. • Custom quality and profile media management options where available. • Support for rendering Dolby Vision compatible H.265 clips. • Support for decoding CMYK format TIFF files. • Support for record date and time metadata for JPEG stills. • Alpha channel support in the IO Encode Plugin SDK. • Support for RED SDK 8.2.2. • New 1440p YouTube preset. • Render option to override ACES gamut compression for round trips. • Main10 is now the default H.265 encoding profile on Mac. General • Support for 10-bit viewers on Windows and Linux in Studio. • Stream video output to remote monitoring in Windows and Linux in Studio. • Apple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro. • Support for Korean localizations in DaVinci Resolve. • PostgreSQL 13 is now bundled with Project Server. • Support for desktop notifications for collaboration chat. • User preference to import Finder tags as clip keywords on Mac. • Support for importing and exporting Final Cut Pro v1.10 XMLs. • Ability to unlink Dropbox comment and marker sync for timelines. • Playback and render now prevents Mac systems from sleeping. • Support for per-system project working paths in collaboration and cloud. • Support for per-system render cache mode in collaboration and cloud. • Support for setting current project settings as default. • Scripting API support for creating Fusion compositions. • Scripting API support for exporting project archives. • Scripting API support to get and set timeline start timecode. • Scripting API support to detect stale media bins and refresh them. • Scripting API support for updating camera raw sidecar files. • General performance and stability improvements. Intelligent path mapping to relink files automatically DaVinci Resolve 18 has the ability to automatically map and manage paths between users and machines using cloud based project libraries. This ability is enabled by default in the project settings. Once the first user adds media to a project, every additional user or machine only needs to perform a relink to their shared copy of the media. DaVinci Resolve will automatically map these paths so that the media does not go offline for other users. Users can also manually manage shared locations between users and machines. In order to do this, the first user adds a shared media location to the project settings. This could be a shared cloud folder using a service such as Dropbox or Google Drive. Every additional user can then either just relink their footage, or open project settings and set their local path to that media location. New Proxy Generator app to auto-create proxies in watch folders DaVinci Resolve 18 includes a new Proxy Generator app. You can assign one or multiple watch folders to the Proxy Generator. The Proxy Generator app will scan and automatically generate QuickTime proxies with the selected codec in a Proxy subfolder. When importing media into DaVinci Resolve, any proxies found in these subfolders are automatically linked and assigned as proxies in the media pool. This happens even if the proxies are generated after importing the media to the media pool. Improved Proxy Handling DaVinci Resolve 18 allows the user ability to prefer proxies or prefer camera originals. Depending on the setting chosen in the Playback menu, the selected clip type will be prioritized if both proxies and originals are available. Resolve FX Depth Map for depth keying and grading Resolve FX Depth Map generates a depth alpha channel using the DaVinci Neural Engine, allowing you to separate backgrounds, isolate objects at specific depths and create fog, portrait mode and other distance effects. From the effects library in color page, you can apply Depth Map to a node, enable Depth Map Preview to view results, adjust limits, isolate specific depths and finesse results. You can also disable preview, enable OFX alpha and use the alpha output in subsequent nodes. Resolve FX Surface Tracker for tracking warped surfaces The new Resolve FX Surface Tracker in DaVinci Resolve Studio applies textures or effects to flexible and deformable moving surfaces. If the texture you would like to apply has transparency, you should drag the plugin as an FX node rather than apply it on a corrector node. • The bounds tab allows you to select/create a region where you would like to apply the texture. Additional bounds and holes can be added to define complex surfaces. • The mesh tab allows you to establish a mesh over the surface you would like to track. This acts as the starting point for the tracking. • The track tab is where the analysis is performed. You can adjust the motion range for fast-moving objects and the rigidity of the mesh. • The result tab allows you to control how you would like to use the warped surface for warping or compositing content. Improved Resolve FX Beauty with new ultra beauty mode. The ultra beauty mode, now the default setting for Resolve FX Beauty allows for stronger filtering and more natural results. This more powerful effect can even help with smoothing object surfaces, and even some compression artifacts. Convert fixed bus projects to FlexBus Older fixed bus projects can be converted to FlexBus projects by unchecking the use fixed bus mapping control in project settings under Fairlight. This action permanently converts the project's timelines to FlexBus and cannot be undone. Ordering tracks and buses from the track index You can now drag and drop tracks and buses to freely change order in the track index. This order will be reflected in the meters, mixers and the fader panels. You can choose between a single scrollable view or a split view with a fixed section, indicated by an adjustable split point. Configuring meters decay, peak hold and display modes. Fairlight meters now have a Digital VU mode with combined VU and Peak levels in FlexBus projects. From the Project Settings, under Fairlight, you can select IEC 60268-18, Digital VU, or define your own custom levels, scale and decay. Improved plugin management in the mixer You can now copy settings for pan, EQ, dynamics and third party plugins between tracks and buses in the mixer. This can be invoked in multiple ways • Context menus in the plugin dialog or in the mixer graphs of pan, EQ and dynamics. • Hotkeys Shift+Control+C Shift+Control+V (Shift+Command in Mac OS). • Mixer strip header context menus for full channel settings. Improved Python 3 Support The automatic detection of installed Python versions for scripting has been updated to check for default installations for Python 3.3 to 3.10 (and future versions). If set, the PYTHONHOME environment variable (or the explicit PYTHON3HOME and PYTHON2HOME if you have both installed) will be considered. To explicitly override the version used by DaVinci Resolve and Fusion Studio, you can set FUSION_Python3_Home (formerly FUSION_Python36_Home) to point to the base folder. Expression animated Custom Poly modifiers You can now quickly create and animate Fusion masks and strokes using custom poly modifiers. In addition to common expressions, the Custom Poly supports these functions and variables • (px,py) for the current point on the source poly. • disp for the point's displacement on the poly. • index and num for the current point's index (zero-based) and total number of points. • getx(disp), gety(disp) to access polyline values from specific displacements. - getx_at(disp,time), gety_at(disp,time) for displacements and times. - Use get2, get3 variations for additional inputs. • get[rgba][bdwm](x,y) to access image channels with optional black/duplicate/wrapped/mirrored results. Support for 10-bit viewers on Windows and Linux in Studio. In Preferences, under General, DaVinci Resolve Studio now allows enabling 10-bit precision in viewers in Windows and Linux. You will need a capable Nvidia or AMD graphics card, up to date drivers and a 10-bit capable display. Stream video output to remote monitoring in Windows and Linux in Studio. DaVinci Resolve Studio now supports the ability to stream your video monitoring output to a remote Blackmagic Design video monitoring device. This requires • A Windows and Linux Studio system with an Nvidia graphics card. • Remote Studio clients with a Blackmagic design monitoring device. • Windows and Linux clients need an Nvidia graphics card. On the streaming server, you can allow remote streaming connections in Davinci Resolve Preferences under General. By default, TCP port 16410 is used for streaming connections. On the client, go to the Applications folder on Mac or the Windows start menu to the DaVinci Resolve folder, and run the DaVinci Remote Monitoring application. Set the IP address of the server machine. Configure your DeckLink or UltraStudio card on the client machine and press start. The streaming server can now accept the incoming connection prompt and start streaming its monitoring output to remote clients. Currently, remote streaming reflects the cut, edit, color and deliver viewers. It streams stereo audio and does not show overlays or scopes on the client side. Mac OS clients are limited to 8-bit 4 2 0 video formats. Pre-Installation Notes • PostgreSQL 9.0 is the minimum supported version. • PostgreSQL 13 is the recommended version. • 10-bit viewers on Windows Linux needs a capable graphics card and display. Minimum system requirements • Windows 10 Creators Update. • 16 GB of system memory. 32 GB when using Fusion. • Blackmagic Design Desktop Video 10.4.1 or later. • Integrated GPU or discrete GPU with at least 2 GB of VRAM. • GPU which supports OpenCL 1.2 or CUDA 11. • NVIDIA/AMD/Intel GPU Driver version – as required by your GPU. Installing DaVinci Resolve software Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions. To remove DaVinci Resolve from your system, go to the Programs and Features control panel, select DaVinci Resolve, click on Uninstall and follow the onscreen prompts. Migrating legacy Fairlight projects to DaVinci Resolve In order to import legacy Fairlight DR2 projects into DaVinci Resolve, download and install the following utility on your Windows system https //downloads.blackmagicdesign.com/DaVinciResolve/Fairlight-Project-Importer.zip After installing the utility, you should see an option to "Import Fairlight Project" in the Fairlight menu in DaVinci Resolve. Additional information Please refer to the latest DaVinci Resolve configuration guide for details on Windows support, including certified driver versions for third party hardware. It is available from www.blackmagicdesign.com/support/. You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support/. © 2001-2022 Blackmagic Design Pty. Ltd. All rights reserved. Blackmagic Design, Blackmagic, DeckLink, Multibridge, Intensity, H.264 Pro Recorder and "Leading the creative video revolution" are trademarks of Blackmagic Design Pty. Ltd., registered in the U.S.A and other countries. Adobe Premiere Pro, Adobe After Effects and Adobe Photoshop are registered trademarks of Adobe Systems. Avid Media Composer and Avid Pro Tools are registered trademarks of Avid. Apple Final Cut Pro, Apple Motion and Apple Soundtrack Pro are registered trademarks of Apple Computer. Updated April 27, 2022.
https://w.atwiki.jp/saibakho/pages/193.html
Geocachingに使えそうだがパケット代がかかりそうなｱﾌﾟﾘ Locify いろいろなGPSを使ったｻｰﾋﾞｽを使えるｱﾌﾟﾘ YahooMapやGoogleMapなど、複数の地図に対応しているらしい 動作が重いが高機能 機能を追加したり削除したりできるらしい、減らせば動作が軽くなるかも http //www.locify.com/ Geocachingの通常会員にて使えるそうなｱﾌﾟﾘ 通常会員になると、LOCﾌｧｲﾙが利用可能となるらしい そのﾌｧｲﾙには座標ﾃﾞｰﾀが含まれているらしい ただしCACHE情報などは含まれて無い その為、OFFLINEでのCACHE情報確認が難しい Geocache Navigator Geocaching公式ｱﾌﾟﾘなのかな N95(x02nk)対応とのこと その場で、ヒントなどを確認でき、通信量が少ない。 705nkでの使用はｱｸｾｽｲﾝﾀｰﾈｯﾄ接続なので辛い。 IDとPINを入力し、ｱﾌﾟﾘとﾏｲﾍﾟｰｼﾞをﾘﾝｸさせることにより、 My Account Detailsぺージから入れるField Notesにて、 端末側で発見、未発見などのﾁｪｯｸ情報を表示できる。 日本での地図表示は対応していない 通信できないところでの使用は難しい 2009年6月下旬頃、有料化したらしい。Ovi Storeにて販売かな。 無料のｖ2.0.4は20090912までらしい。 http //store.ovi.com/content/6CF44C10DB226ECCE040050A85327D61 http //www.geocachenavigator.com/NokiaEdition/tabid/225/Default.aspx http //m.getgn.com/downloads/Nokia/geocacheNokia.zip vlkGPS vlkGPSはGeocachingの 各キャッシュのページからダウンロード出来るLOC Waypoint Fileを読み込めるアプリ 地図の表示は無いが、進行した経路やキャッシュまでの距離を表示する。 LOCからKMLﾌｧｲﾙへと出力(変換)する機能がある。 http //www.getjar.com/products/7284/vlkGPS http //vlkgps.bielyvlk.sk/?lang=en Mobile GMaps いろいろなマップを表示できる地図アプリ Stored Mapsという機能により、保存した地図を表示させることが可能 GPSも利用可能、Mobile tracking settingsの項目でGPS情報の更新を速くできる(position markerがキビキビ動く) KMLﾌｧｲﾙなら読み込むことが可能 また、geocachingのMy Profileﾍﾟｰｼﾞ右下にあるGeocache Google Earth ViewerのDownload Viewerから得られるKMLﾌｧｲﾙを使うことにより、MAP上にCACHEの位置を表示させることも可能(ただし、正確な場所の表示ではないかも) http //www.mgmaps.com/ http //wap.mgmaps.com/ Stored Mapsの説明があります ◎説明文を表示 Geocachingのプレミアム会員にて使えるそうなｱﾌﾟﾘ プレミアム会員になると、GPXﾌｧｲﾙがﾀﾞｳﾝﾛｰﾄﾞ可能となるらしい そのﾌｧｲﾙには座標ﾃﾞｰﾀだけではなく、CACHE情報などが含まれているらしい CACHE探しにおいて、OFFLINE環境を準備しておくのは重要で、いつも電波の届く場所に隠されているとは限らない その為、「GPXﾌｧｲﾙにて端末画面に情報を表示」→「ﾗﾝﾄﾞﾏｰｸに座標ﾃﾞｰﾀを移行しNokia Mapsで場所を確認」 といったOFFLINEの形式をとるｱﾌﾟﾘなどがあるらしい Nokia Maps 2.0 Beta ﾗﾝﾄﾞﾏｰｸにより連動するらしい また、SmartGPXなどでも連動することを考えられているらしい http //maps.nokia.com/ Old version 3204 http //nds1.nokia.com/files/support/global/phones/software/Nokia_Maps_2.0_3204_3.1_u.sis 4503 http //nds1.nokia.com/files/support/global/phones/software/Nokia_Maps_2.0_4503_3.1_u.sis Nokia Map Loader 2.0.2 http //nds1.nokia.com/files/support/global/phones/software/NokiaMaploaderSetupJA.exe SmartGPX SmartGPX_3.jpg GPXﾌｧｲﾙを読み込むことができるらしい AddOnを追加することにより Navigator や Nokia Mapsと連動することができるらしい http //www.smartcaching.de/download.html http //www.smartcaching.de/download/SmartGPX_S60_30.SISX http //www.smartcaching.de/download/SmartGPXAddOn_S60_E_30.SIS CacheTrack #ref error ：画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 GPXﾌｧｲﾙを読み込むことができるらしい Trackのログをとることが可能なのかな http //www.mobile-j.de/snipsnap/space/Products/CacheTrack OpenGPX #ref error ：画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 GPXﾌｧｲﾙを読み込むことができるらしい http //opengpx.wiki.sourceforge.net/ http //sourceforge.net/project/showfiles.php?group_id=246463 GPXBrowser GPXﾌｧｲﾙを読み込むことができるらしい http //www.petnetti.net/gpxbrowser/index.shtml http //www.petnetti.net/gpxbrowser/GPXBrowser3rd_1_20.sisx AFTrack 有料かな http //smartsam.de/34891/AFTrack_GPS_Tracking_3rd_edition.html?SID=2448fd959911b0a625bc7574f0297269 var gaJsHost = (( https == document.location.protocol) ? https //ssl. http //www. ); document.write(unescape( %3Cscript src= + gaJsHost + google-analytics.com/ga.js type= text/javascript %3E%3C/script%3E )); try { var pageTracker = _gat._getTracker( UA-2637891-1 ); pageTracker._trackPageview(); } catch(err) {}
https://w.atwiki.jp/nokelila/pages/11.html
https //www.thewyco.com/news/covid-19-live-updates-more-us-pharmacies-to-start-vaccinating-high-risk-groups-06-01-2021 https //ww84w.medium.com/covid-19-live-updates-more-u-s-pharmacies-to-start-vaccinating-high-risk-groups-3949efd8f47c https //blog.goo.ne.jp/upcomingmovies2021/e/7acaad51367950d2de6ee4d51ed9cb6a https //fehimozodigital1.hatenablog.com/entry/2021/01/07/074928?_ga=2.63286698.444645817.1609973370-341740688.1609973370 https //www.mychemicalromance.com/news/rtye4n5e5-neryerydyetstr-3658736 https //www.topfind88.com/post/1263442/watch-news-of-the-world-2020-full-movie-online-free https //paiza.io/projects/ocKUUZiN7YrSrxJADILsNg?language=php https //ideone.com/QWy0a7 https //paste.feed-the-beast.com/view/1e91f719 https //paste.centos.org/view/938ac625#EECaKH2JesBoCXnUZ5BpCaNZU9BO3VB4 https //paste.ee/p/FP2Ok https //paste2.org/LfagFpEm https //note.com/covomaz/n/n2231f98d9718 https //www.peeranswer.com/question/5ff63767f5203a8c52ba37d4 https //www.wattpad.com/1006907170-watch-wonder-woman-1984-streaming-now-try-rye https //minimore.com/b/xUdCr/1 https //caribbeanfever.com/photo/albums/dr-esyrdyrs-setb-sedrtf http //officialguccimane.ning.com/photo/albums/rey-nsr-tsetzrsfdf http //millionairex3.ning.com/photo/albums/twb5b-w5w-besr4awrvawra http //recampus.ning.com/profiles/blogs/w4tbewb6e4w-6btwb-wbaw-w-f http //sfbats.ning.com/profiles/blogs/st-ewtytwt-eterth-rthdfxghnb http //www.4mark.net/story/3035899/watch-news-of-the-world-2020-full-movie-online-free https //www.1upfun.com/link/680063/train-to-busan-2-peninsula-2020-full-hd-movie-online-free https //www.scribd.com/document/489978956/nowwwr-ret-setrst https //brainly.co.id/tugas/37311827 https //archive.org/details/httpssites.google.comviewsdjkff https //eodev.com/gorev/20101291 https //znanija.com/task/41734561 https //nyhuseri.tumblr.com/post/639602996725121024/kfhh-ge-rejror-orweojtehnf http //www.goqna.com/41194/erh-w9orwe9r8uw-wr-8eur9urf
https://w.atwiki.jp/glass_light/pages/23.html
直接計算をすることができる装置である。 普通、計算をするときは複数の分岐回路や大きな装置を使用するが、 その一連の回路や装置を使用することなく、単体で計算をすることができる装置である。 主に各粉の性質を生かした装置を作ることで、細かい分岐を省略する。 装置を省Dotし、パッケージ化することで使いやすくする 主な装置塩水加法計算機 水銀加法計算機 安定電源 構想段階の装置2進→10進進数変換機 10進→2進進数変換機 コメント欄 主な装置 ※「呪文あり」をクリックすると呪文が出ます（最後の数文字分で改行されています） 塩水加法計算機 装置に一定量の塩水を投入すると加算した結果と繰り上がりを返す。 複数接続することで加算なら7桁+7桁でも実現できる。 ANT分岐と組み合わせるなどの工夫で引き算や掛け算も可能である。 呪文あり 0022001000100*02102*01*03*06*05*01w00q00004000v00u01u0B*0200Du0F00Cv0E10E00Ku0J*0Hv0Lu0G*0Bv0Q00N10M*0Pu0O*0Su0X00I10V*0Y10b00au0R00e00Uu0fv0T*0W10dv0j*0cu0iu0Zv0m00gr0AA0A000w00A0fr00p0Ju0s00uA0wp0yq0v000s0vw0fm0x10Mu0zw11q11w00z00P0Bq00r0Jt0zA0SA1CA0Bt1Bq1A00Ar1Eq11A1G017z1B01L10Mv0xP0By11p11t11r19z1Qq1D11Sp1Qy1VA1IA0Br1YP1Cr0Jv1T000x1XA1fA0Bs1g01Ru0Sp1Qw1WA0Bp1s00uz1Zr1ip1Qv11v1N012A00o0Bx1AP1h11bP0S*1w12400D*26u1qP25P23u2A028P2C00Dp1y*2902GP1e00DA0Bo11y19A1In18x2Iv1jt1zA2MA12000t2O00EA2001AA1Cx2Rp1Qt2T011z0vo1tA1mr1nA1UA2V*0uP2Fv1ju11o2g00xA0x00vr2hq0BA2Zo1l00zy2xr11*2m01p02J02Yp2j020A2h01*01No1m01DA2k00zs2.w2cP1eo0Bu2pA1D036A2v039034o2U000y1d036m1kP2np1Qs2Xy3G03402Lo3Ax11.0xT1k03Zx1tT3ax0AP3RP38x0vv1H03Vo2Xx11x2.p00T0ST3c00DT3pv3n01kq3D03Kw2qA3JA3Jp3Op11u1.v3lA0Bm0AT3o03Z03q044v3sx3e030v1js2NA3x03Uq18A1mo0Bw2qw2qn42045p3sv3sp4LT21q3ut0vs1mv4F02WA2sv0vp4GA2Zp4Jv4MT43p4N03tP3f02Wu4bp4fT43x48q1au2Dt0ET4aT4m045x4ir1xP1Iu4g04KT4hq4Pu4sv4Z04oq4vT4nv4xv47q3us4ly0BT1KT1Kx4p127s4l03NT0Bz3st1DP4ds58y3sT1Kt5C049p3Su3sy5F00xs51u5KT5305MP5Du5O05Kp3nx3cx0B.5NT1UT5Py46T3rT5WP5RT5Y05TT4.T5c05IP1nu5ST1Up4wT5hq4j031s5ET5Zp5m000.3uz42x2MT3ao5U020T3at5k03Np5s.5uq4bo63T43o4bt5*y5a068.62T65T6B045o66T5eT5lT5g05tP4dz4YT5w06DT6Cv5BT6F060T6H.6A06M06Tv3so6E05905f04t045.6Sv6VT6NT6Lv6O06XT5Wo3nv00n53z5nr4q01Aq6406UT6eT1IT6P.5z00Dn3sw6jP6Jq6ov6c06p02WT6so5Fv6j00un6bT6q06tv6zv6fy5Lr00c0Mn6tT2Mp74076T75o6Wy79c00b12c0Bn7C01kT3ap5y.3uy42y53y7S03ny6r06g01Dc7Js7A06jo5Lx61P4dy4Jy5Sy6Vn5*r7Ab7K07aT5Px7c05i03Nq7fT5eo6jT6Pr7is7Zn7Mx7mq5ov1jy7eT5ey7gT7sc7Yc7Lo7bT6RP7dq7p06Xo7r07Wr7tc82T7lT8407ny7z06Xy7*089c8107k047T8Dq7xp1cq86y8Hy7Ib7jn7vT8Mr6my8Fy5So88y8Rs7uo8306Zv3s.7Qq8PT2Mn7U08Zc8B08L08cT6l127y8WT5ez88T53q7Ap8Jn7MT1Dn6k06I08Eq8f01An5Ls7it8aT5PT1fn6vn8eT7.T8pn8*c7Jt7Ao41o5LT53r72w6w08yT9606Xz8q07Ks00F00C9LC2Mc3Fc0VT9208do9508GT97T5Pu7As4Gc7Ju9AT5t09C06*x5V08xq8NP1Uq8zz9Jt8A00Ec20b9l000m9JT7Vv4*T8mu2Dy8o06Xv7Au6Ft9Ab7jt7Zo9NF9Mc2W09on9ct7wr8Vq8zu7iu7Zx4Lc8Jw9w06jnA3T8U18nqA6c9Zc2ZwA9b7jvA7c41nAD08l09frA5T9Hy3nu9wF9MF9M020c43v9kvALo3nm72T5PtA41AFT9Hp88oAByAJs7ZvAL020n5LtAdu9tq86x6i0AkxAic9PoAH0AlTAcTAEuAoT9HxAJu9A00uT0Sc8Jt9.FAUC7At8gTAw0AO.9Ty5Or6jc0EFB40AW045v9kwABp9jTAx031y8Ft7ro7VoAhTB1bAKcAHo3noAb03nnAbz9s0BKq5Sv7ru0BcAux3su9ys7Zu9yu7Zq9Jn88w9Fq9g07oT5ev88uAZ0B009lb2Wc1Ic2MFB4cA1q9pn9EnB9T20oATC9N0BEvBcc99c2ZvABr9p00uo3ur5zx3cz5er5zo1nT9Ou5eu9XFBDo7ZtAZT0An9Rp5yp7PP4dr7F068T5et5ztBab9nx6vc2VvBfc1nn5LpAn031rCOp4bTCQo5BcBR0Bpv9ktB3C9NcA1s9JpCZv1jrCbT43T5Y*AWu9*C9O03qvBdc9Yu2PT5PpCmp1QrCo045T1tpBS09luCXc8JvCIsBTpCzP1fo5sT5lcAurBBb7juCW00En9r069PCNoDA060cCfqDDsCHcBtCCjt3FnDHp4b.C7oDAy0xcBCCB*o7ZpDNcCw06uT5b0DI07nrC*v3s*DWuD4bBQb9loASnDdpDTPDJT6RpAkrDa0Dlb9ny88vDH.DUT7OT3a.DWbDl0CJcB2cDPFA0tDRc3ZyBaT3N0AP127*6t*7UpB.FAVoDZnBGc1Sn7Z*7ZwBjr6m*5zn72zDi08vc9msAjcAuuBB002c4Gn7QtAkqDDtBec9muBenEHcEUPDpxC90DLbD*pEXc2ZsCiFA0m2Z*EInDx0AOTDLuCs0BEoBBsEqoEYu0SoEmPDp0AO*ENwBBp9Yb9nuBEwEJ127rDgT5WpDroDFuF1nEnvDwpBopErFBum2swF2u2DrF40EBcDXFEDcD9c0tu56uFGoDKzENzAWo1fqF9TDdTDBbDuoA*rFN0CaoDKyD.u8s0C6c2ZrFYvCnoDKT0upECC9OoEvcFeqDxx9eT5Pm0Ac2soA*oAWvFSP4d*EAT5PzDWo1CoB506nPFvoBUnFxpA*.BBt1tr3un4JzFy0DGcA1n20P2G0Dfo3nzEMpA*pEs00Ax6mrCO*Fqo0Gc3Hv1k1F3o4b*GL01kc3HzGOuFOT43*GRt7Ar7LyGJoGQqA*sA*P0Sv1yoGaTGWqA*qFco3nS00E0xS44*1jn5Hv201GPTGhc2sc2sqGkt6vTA1.GB06jrGf1Gr045m7XoBao1fT00S6*04lw3Fo1BuGNoGg0H0rA*cFeTH4t3ssGE0AlP0Mo9FnGpoHAv3smH10GiT0u042m72u9FoHJrG.uGVx41rHCo1CT21T0xn2PP8gP7LrHU031mD*c2Zq4Ns72sHSn1QnHK127mHgoHY06*v72rHkPHdPEv1HnuHX04Jr7Un1Cn1QoHTPHuu2DmHo04Jp3n*72pHs0GzPI00HfuHwp00J5Fo2wnH.nHlrHeu1ToA1mBBoBarIBT9RTIM09cTH3w1tc3HwIEPHt00Do6mm9nt7AT12nDZT3Nc4XcC3PHc0I70IU1Hvc1ncIL0ICnBgT0D0FR0G8vIS0IevGqu4GxDZc0AJIO0IuT9RcHYvFk0InPIdnHmuIrcBsTIYcIx0ImpA*vIonI*00ux7Zs7AJ5FqESqAqoGGcIc0HH00xo1QzGyvIq0J8cIQqIiTINTJO03scJ3pGY02*o9Fp5zSH5rJJo0JwGS0BrTJ2042vIdoJUoGkEGmp3srJX10MwJZsJATJPTJmoGjTIlpJSwIopJVtJhoHewJZp7AqJN0Iv0Iup9.TIloJEo0SPIdpJsTD9PI8wJZtIXsESc5wxK000DPK2oGvTK40IfuJ007KJJyTJOq7Zc3cuIQsK10JGu8sT7a01DoJuxIsqJxTJm09ccBa03ZuBsoKNo9FuFcs48vJKwK6c3nsK80KY0J4cJFoKbc2ssKdoJYxJ9cKU0KIsKK0KipJqPI.rKScJMJKI0JycKXpAS0JGoH*0KF0JL0JasKhpK*pKu0JGnJ7wJkcKqTJOuKsp3nwKAvJ6rKw0DWqLB0KyTKXcHYtIypJ5PKvPK5xDOTJbcLM0DWr4GPLP0L2wLAJLKwKsq3ntLNcKknIFPLQcKxTKVTJPcKXqLb0KjoKan1yp5yzLHtK7nLaTA1pL7o9Fv3b0220LXxKpJKIyLrtJdnLnT3azLHpJwJLK0IucLjTA1oF.vIov3ZqH4TMBq5APLf0L4nL.0Ll0KB0JGv3ZpH4oGko3npMD0LxcIhJIv.LrvLFPIdv3Zr00eGlTGTPMEpM3TLh0M507ZrKg07KoLV0MJpMNSJVoMN0LwvKexLRsKhrMerA*xM9p3nqMBS5zpMOvMmcMQTIMmMoT2VqA*yMrT0EED2zM2cItTMbTINcKXrMeqM*PMUpLoPMEtLqcN7T2VoI6vLvzLHsJl0IjcNEsIQrMgoJUq3szN3qLJTMbcNEuMT0JGzAWpMsnMvoKocJ1sKhs3nrIy.IozNW07aPMEsNJTE00J9T3Ho9X0JTnJIoFcnJiuKGpMa0M4TIw0FcqNc0MHvLGPNCcKgnIs042rLcoLmPITvMw0KHTN509CoFccHYrNM0NnPO3oNZ0LIJNt09cpLrrL*POC1JjxMnnKscLMcA1vNy0MP0O50OFTFq0KsrMs0Im.OPvO4pNsTO6T5PcLL01DT0toNmwIor4Q02Y03Kt0vq1UoLpcN.cOcrOVtLO0JGs3UA3HAOtr1fpNIcNR0IOsOM0OdqKZ0MIo9FsOk03jA35r1WpNQJOS05LcOoTOecIboO2036o3Uo1Nr2vr2ht21oOmTLS0MdT0tpLtn3SAOeA3Mo1.p3*AOlPNhcOxT92uOzrOVoI6sPEA3Jo3OA35t2foP6TOa0P80OUT0trFcwIosPa04Et3FA2ZzNq0L3tND0Piq1Cc0twPlAPMA38r1uo2NoOwJLZcP9qIQoH20OB039o3Mp1lt33pP.PMZcN40P7TOccH3qIQ0ImwM9A3MA3ir2xqQ90OQtPscNLc2wcAIPMUA3yAPH03BA4UoP*TJmyOzsMkoM8PLWvOYcQBTPgTQD012TKmcQQ0L8rPJsKhcCCpOI01*vPQA0Mr1jvO4sNi09C.QYT2spPNP4W04T03UvQroODpOZ0P7cOcsNccPB0P0nC.A3aqPF012pQknOztD2oNUo9Fr370RGAPbAQS0RAPPUJIOmQl06*o1fcFEPIdr4E00zo1.A3HsQ*1OKcLg0QC0RCTQPoQ20R6P1et33A35sRWuKGtQN0CHTRb0Iz0JGtPmsR9sRh0L3sQtTAlcOctD2pQx04Tt3iA35uRqwJvcQd0R20KstRDnIotPmqRU01.sR.xOLcRuTIbrNNn2dALsA4Co3UrS8cMx0NXcSAqREn1rARy01do3FpPf0RZcOcu6VcR5vIox2t06jqRBcSSTRPpSCPOJu1hP12rAMcSITQeoOzu3sqN90QjPI8q5Hq5HmESpR1TPgcSZ0G8zOXo0JqSnr1QmEStIXpBTcSsoQa0ACP2MrHeqSwPSf0ORTO6pJQ0Ksu7gP7LnH.rT3r1wPT5pSq0KypT8cKXuSjc2ZyHlnTCPSmrTE0A2cJ1nI5TQfuMsc2syTMPT2PTOPSd0TQ0T60KyrTI07ZzSknHSrTDPTZmSpcS0TKVrTdc5AcTLPTBPTX0L2qT40TatIX*H30OzzSk.1Bv3HtJKqTsmESsRs0IutTm01AcTo0A2PG5PTY01LPTFcTk0U2TQfyJw03Q0U600xrTh0U90TtcHGtU3x9FmJUrUIqSonLyTKVvUMn1ZsUPrSxnKTJKyvUTP1CsUPoABuGymSyc5yvUZ00AsUIpAWbIWoUWcSg09cxUgq12PU8oFRbUkPUAqOxxUosUInFCCCjm72.UNnLRvHZ0Ozx9F.0TqSnoABv7Z.U.cUmTFxTQfxV2uSvr1QpUjuEY05tnUl0OETINzUg.V3rH.oF7c5WnVHtIXt5ATVAn1Q.VLP82cE2C7A.KX.V70TbT0GTVSP5WuVCPFzc0MtKs.VZpTG*VKuVe0JHcAusVhnVPcNw*Vk10Mq5HoUruKp0V6nVHsQtn88cOcxVB1VsrHloEjC7AyOc.VicS0nVz0KsxV*uTZqAWqB10VoPT5tSz0ACTVc05tuVlnDW0WD0TasNJpW7cKXxW90UJv6jHFMHFMcW4nVHpNspWO0A8nVTuVlvWSc20H3FH9AH9P0WLmUeT8v0V1nWa1W0P0Sn00HA*wWf09ncVYnVxcIBoBgnWkPVd1Wm06uHWpcWd0Wr0VwPUArIBcHzcV.nWluTZvWco9YoWo0X0cVOPSfvX30NjcWPnX60WRnWocAIcW*uOz.V7v3ncX40W8nXHqGpnXJoX9HWgcWsP0GoWw0WI1WyvX800ucXLcLLm3HcXGPWxuX7nXT0XcoXAuKsmGynWKc21nXRr1ynXjwWquKKqXf00EPCJ0XZuXiHW.oXlc2MoVDpEIwWbnXscXduIRwY3HX.HPIP5WzY7cXKoXAxGyqQzx13030qXSHY801ko1Zt3h02r01ArYBoXU0YKP1Ct4000zu5oqYIc5tHY905tp2Xv3VABvA3iuYVrXrHVXHYYwYNp3Os11sYNq3.rY7m72xGywYiA35oYGq34vRyt1frVlq5HwYq0YNsRSvP300zqYm1WyqYxp3zA33qYkoPRA3iqZ1uWAr1rpYMsRSt3L0YNA3MqZ90UJq5H.YNv2xsY*p3w03KuYePX7pRSqRSr1Xo3.A3xv2FqTsvYlA3ipYkA0GuYwrLnAZ8A3Mt2.uWJn3GrQyuZU01F00.03NP1qA3aA2jo41vVlm6jA35pZSAPo0Oiq1.q2xyVTzVl*ZNA3Hq2xuZasZwr2NP5Wt01m72mZP0ACA21A38uZkp1.rZzPa61A209orZsn3Gp2vpP4APorZZAZGA38yVTta7nHW1Wy*4V0S6A35ARzAZwpZ403OyaR1aHma9nZt0aVAQwAHhAZwtRSpSO02yPaGq3F10tma9*ZyA3Au1uq3Ova505tt01qaoqaTuTZ*RUt1OuatA5AA1UPan00Lqaz0UJ*1.oS6v2esOs02a0Lw.2W1FM1aprZhARI03VraVr0vxQSo4Wp5h.bEqay0aI1Z2racqbQma9qZJtax0b50bRuZAPb4ubXmbVracma8rZcPaGmbf10Mp5Cz3HubEmbiu0ioaS0bZ00h0br*0ku0o10lu0pubw1bv1041 bz*071b.*09qkK2 水銀加法計算機 装置に一定量の水銀を投入すると加算した結果と繰り上がりを返す。 省スペースにすると20桁分位入る勢い。 呪文あり 0030000000100*02102*01*03*06*05*01w00q00000s00r00A0Bp00.0E000z0A100u0Bs0DA0Bq00w00c0D00Op0Hz0Ju0Lr0Hs00v00T00x0Bo0Pt0ZT00p0BT00t0By00o0Sq01u0Bt0Hx0kA0Bu0SA0jn0Ht0Vv0X00eT0d00Pv0tT0jT0fo0h10K00AA0ZA0*00KA0Bx0pA0BA14r0LA0mA0g00IA0jA0Lv0rE0c00cT0tc1Dp0Pq0rT0BE1GT0xA0Bz0T00cA0FA1P00eA0Qt0Eo1QA0NA1Qs0Er16000y0Es10s0WT1J000E0FT1Fp1Pf0Po1I01e01kp0ry0gA1Mq0i01n00.01qA1Ys0Eq14o10p0Ep1500M01ry0Hr1*A10w0Hq1qs0l01rA0Bv0Ho0AT1Jp1f00rc1Gc2801Cp2Ay1qz1Nt1x00WA26A1401T01zo0Hp22A0Br0Hy2P00CA10v0H.00n0VA1Yx2SA1bA0Zq0rp1lT1g00cc1DT0tp2d01Zo0yu16o12A2K00HA1Vq1yp27A18o2RA1WA1Qu0pn1u01rs2Ps16s1tA2bT2901E00Xc0Qp1i01jE1K02jA1o10zq0Eu1Pv1V01qo2001s01qt2My24p1300An2xq2OA0*t3Dx0Hv2rt0Bm2Dt1Ic0gf0Hc0Zc18T0tt1mo2k01no2Lr3N01R01ro2r01O03ho2Mv24x2Ss2Vn3hs2X01nq2QA0*q2u00gq0rt3Uq0Nc3Y03vT1L00Iq1pr0Et1Qt3ep3eo2o03EA2nA2nx3Fs0ls1MA2a02T00YA2ns27q3z02Bp0Fc2g04Hy2Gq40A3r03it3hq2Sp2rp2Ls2Mw4UA18s3Km2WA0fA4Cr24w3po28v2ep0Pp0vv3.y2Wc0Qy0g10zr4101Ov2l02Tp1v03gA1Dv2Iw2Mu0Hu0H*3JA1Yr4bA1Yy2Dc2Co0do0Lp2VT0Y00gc0e00gT2gt0B.2W10zs1zv2VA2Ko3Ds3Fo4vA10t4cq0Xx0Bc5000Xq0dt3..4HT5Lv0v00s00Gn1ps1zw2t02Tq4yA4Op3Kp3Kr2Oq5Q04f02fp5St3aA59T31p1jc2Cq36p2A.5Au0UA2m011p0Nn2Is2Pr10q1X00Mp0Nq2E032T5Lo4Jr5n032y1q.1C02iT5Lp1hc57065E5on5Vr0qT1dE2AT6005500Ef1iT0tE1dp5i00GT5kT4ec2DT6O05U10zo1Oo0*p3Sn2Io2Ms6D01ep6F035q1HT6Kp2Fo5300cE6bc2Cp5Sp2i.5p00gp3hp5D03io3ps1c01kE6ip4Jp5SE6LT5PT6RT0Pr4Jo6wp6B16Tp6oA59A1Qo6rv5.p3Ur6*062p6M.5Qc3VA5L055o5hT59n1po6qA75A0A01107J04Ds6st3Uo00f3W07F01jt7BT0w033q3xo7G06Su0Zp7302Sq3jA2sA1tv7Cq7Y07UT6y05TT6705g07j07a06nA1wA1Aq1Vo2Lo76T7WT7mp5fT3ZT6yv6Pp4g07po7Np27n3oA1BT0W04I07nT0dv3.u2WT7xc3Yo0mo7Ip7c.44A1Ym0OT8Co5100Cp53x8K05N00Xt7H172A1Pp6WA1GA7gT54c5MT7LT56y64T7w05fp7y04H.6mo3iy4Y07Ov5ec6j07oy8b06a05*035p6.T6e032.6ms5X.4Yo0Bw8w08jT6z08qc0DT8sp7V06t08pc2sc14f6J06A08tn5VA4Z03uA85093p5lo3X06Ic69T6E063o6gE37T6Gq6d077T8Ru0*x1Yo1rz3HA0zu0Hm9006h094o3xq1jp2iy8nE6x087p8eT9Jp0r.6mr0n00OA4Wp3Nq3O01a01rq49A0*o3tp0Ex2Lv2Dp6608dc4KT0FE6fA5j08op7802fo7009914lA4Br4os7Nq7dA1703No1Po9or3pp3QA2Lp9pm9wE6Fc34c3yT9.09KAA0t7Qf7So35T7z07pr9ko4r09qA3Du45p2Mp2Mr5Hu1A03fv3TT0dc7D00P07TTATy8nt3w00AcAM05T.6mq3B03foAWv2SuAZA2LA2Lq2xA18p3pt3KvAf07X0Ano7ZyAlT7*07o.AqA1Qw4GA1Pq4Oq9po8H045A1QpAbA1Yp9u03Qq8kp6v08mo53vB5T8907pp2Sw0Hw6Yp3Kq2St5xoBE07cA3ruBHA3Dv4d09fc9zv8AnBdo8Lu4ku10rBSA8xA9mA5wA3Dq5bA10AAw02NA4Os3Fq4RA0B*4*p79TBm06Nx8OT8Zt9Q00.v14x1Mp4QABoA5Z07e01rv3pr2IA5aA2Qq5K09yo0dq5O03806N07l09yp7Z.8ur9n01zq9pA4OA10o2SvA.A7Lq5v000mB0T8CpB3o9Lp6io61T91TC1s1zy1ns1Pu1Vp7t01Zq9P02BoCd0Cmy9d09xc9509Ho3606ln6CA9DE2QT1Fo9GA7Rc9I01kr92pCro9aT2hE71u5q00CvCmT9Nc6Q0A1T7kpCrpBLTD50A5u2YA2Qn2xw4wn6ZE9eTCZ0CuE9*0CJp66cALo6kED604DxBkr2nwDX0CXn0St01m2W06sE9McDT07AT7ktAQA7EoAS08fn7IA54A54pC8u2Xw3Do3h*0Vn22nDvA0fpDcn26T7wcAhc3XoCaAAPTAgq7iTAT.9jA9Bu43AAdwBv03ip6p*3FA0Fn13rABy0c1Da07PTE30B20BMAE20BdpCMn4N04E02J03iqED0ESqE809TABwA1Yw3Nx1Yv2RpDy0EJ0EO0EM06NvBO00XvC1r24uAA01zA2nqC50EX01nvC6o4oo45uAG0ERo2MtEHq0m17LvEj0EfTBPy1qu8B0CF00Xo8E13AAF7u7r0CPA42A4Oo3er9kwCWtC8t2Iu5xu2IvEy00K17LpF3c8Yo52A5jxB*qCH.B703is45r7crEAt5GA1QrFEA3DwAuA5IABtA18xFKu01qDzxFR08Q0CI.BK0880Dm10zp2Sr3hrC8rFqAFe04601z.Bk0C9A1Yt8403fq0SpFh0FLqDz0CKc8lTAkoCb09Z02frDh081A4Ou3FpBG01rt3etAC01z*Fxq0Hn8it2I.3e.Fg1E.T8.cAzc9XT6RyCqr9F06HAC*oCur9in1pq0Ev1Vt17oBbA4TA18v2Mm8iw2So8iuAGoBFA59pG1uG1v65rGVoAiAGXT6K09Xy9dpCc0AnqGA.CNA0*vFbnEvoFVAC417LuGpTGQoD40Cpo9L0DE0FnT9hTCfrFxr4mn8yx2xt9ptGOqG3pHAp9g09Yp92EDfrBy0Cm.G.00ItEdvD9cDgTCe0FlTD.o7RADkcAotGZ15BrDb1EIv7CoHa0AioDlT7WyB40B1qHk0ApnEQyBUAAHA3PoHfmDdv7h0ELTG6AENTDOTE5n0iA54tHr0COA34ABl00KnHunG3t5lpDF04LoBN0F00E*.6mpFDAFpA0C04DACSA4Ow4XnGGoBSsE*TH.0E*yF2nBg0F500Ko1pp5xwBp05H07MwIMA1Ur3DyBRA1Yz9kn9XcFO08MAFQ0F4TC00BQnAFA7rvFbAAB*2oq7uA3DtEmqBIo5cAI5o0pqCEc8YqCHyHmTIQT7W.5pA54q5xsEWsIZwIZ*BDA4Ot2ZsABsBpsBjA0QrCY0CL0Eg.D908*rGznI00ESp2PoC603iADpAI5u4wA7K02IpIZA7Ls20p1YuEAo3Fu2DEDN0JLTGuEDQ.GqTCz0GWf97T1drHdu2rrIK04DqEAv9r03iuJU06U0EWu3mADsAJaA3DpBY00Kq98pGrc96cD0E9eyGw0G8q9OT6R.J401qpC8xJxv5FA3DA4O*2op9s0KBAABq3pqF.uEAp3NrAHqJKc18qK80DC0HY0HNTEiTANpJnA0*rF9v3hA740JqACR00DnJA03euBvp16pJz0ETA1Qq5Gq2cE6u0HB0KV0KUEHP0A30JM17Mu2Mq5xqGHvGHtHHA0Ln3eAFZA3dA4Oz3KACC01rpFt03uTKXTAgrHQTLA0KUtDj0HjcHcTHDA1U03Gq45x5Xu45vFc02NqHhfARcLH0LETEKqHotJn00Cr4S0AaAIdABloI5vKb09l03gqHwqLVTDiTKW0Hp1HeAGnAAD04Eq0FqFmpHMt7VvKWvLI0D8T86TJ2vBfTB*oF6uD7m8J0IloFP0B.0IlqFSnCw0LvxFjT8ao6gtI90KqtLWs1zsEeTJ205TyCqEGxp8r0K1TLusDepMJcGS0KTyMI0G8oGsfJl09ETMMvKo0MScK3o9bEJhTH60GyTHX.HSs6so1eoGxqKSoMh0AO0DREKppHMpCv1Ll0Lv0KrTMGp9co6gpDSrLC0Kr.MfvHVrMxE37yJ1cD*0Aj0FouD7sMFcN2oLh0LT0HncLS.MzTD.qE40IBAHz0JITH*1MqsMF0NH0NF0Eh0IDT86.NCvLt0CIuFNpByoL.0LXA3SwITTBz.I.pByqM51NJvNa0KuTImyJ10NLTJ3nM6sNKcG50NM.KQoCoTK9nNkvNo0G9THXy8npD30JkcD0pMpuD7z90r0NpMXpK20CtTDGp92oMkpGVqMjEAzTLuy9Xr2cpNsqKSEN0oMvEMnc9z0MynHqALpAO0T1Du0Xp0mTONT37oOO069o32ECy0NO0D1T7kEKtpHoE37.E601ZAOL00Ap0rwOgT0tu9bT0b00roOlpM.0Nf0H8AHzcN7cNBn1pA54s5dAOMpOPp8xTOx032oOSoOmTHZfLRoE10CJtAmqN8.OcyBko0jp0Vp0ru1jwPBT2hT0NTOko32tP5cLSyNhcNmTNj1F7019r4otETpOSuOSwPDp2AoO*T7bT8ccPL0MHoICTLx07pq9kp1.r0rrOCTLw0NivLy0M10IV1IHuAdp9Tr0Xr6WP1MoNYoM2.NepASqNcuBq01ztOv00gt2coPuc3YqJ0oMATLjtLWAJF03fwExp27t5Nn6WTPXpIATHloG7pGVpMKTNq1PNr3KwQ8A0ZtP*T0ZEPF0Cn0Nt0OlEQPyNvEGxoMTcNyEDVq4moBI.6qtQA0DaT1JoQPT6GoQWo36oQToQFTJjqOEpDVs1zn0e67R60ZoQS0DBcKRcDBo1kqHO0MPcPYEOV.HSr0C60Px0067RT0cnQB00gEQf0Ni0R602DyK6pA2pOapQnr1*s0Pf27c1VfRG6QrT6zcHW0Op0P4TAgoHicE00B6nM6n1Ev0dwRV00XwCHoR2cCsq1i6R3pDdmF3tLFcRRTHy0RO0NAoEP10ztElAL0A4Oy8in32vOh0M0wPBcHioAiq9HfR200goLgcPJoQ30OWtLWqDqAABwGb025tBA00gnGKp0rvRrwOhuQqcRac0g6RcnR5tMBpLrT7.0NOvC1pEWtBWAIIAJYA5rp3KoRppS9TOy0M0n2W6C*fRH00.fRJ0RyTPhcPLvL01EIs4vnPs0PluBn03GsIZo45o6rAKet3e*S8TG3wOhp2WfRZo9GqRbfOOn8xnShm4kmDds8N0M40Fk.6mtFJAABoSmAFzACj03fpJunRqTSUySWfRGASvASX6RKxM8tSemS*ANGcPYtMDAFfAT5AIt04DvJWAAzA0QAEY02WpST08J.St635oRvcSEfSx0Qd0G4pQD05Ts5AmTK0CJoQwTJjpQH0R9qS1AIHvJy0F.x5xpAvpKcnTB00eoR2fTE06HqRw6RK0KTPDOPHXs5AqEzq1Y.1CoR7cCsAGt0U702D.8gA18AL6tGjATQsIYpC8q45zSq01cv3V6Tac7Y6SF0TeE9epJIpML00CnGo1SP0TkEU8oH7TQO0UCn4NtFB0EBAUHAPnA0QoH2002A0Bn32n0c6SXATFfSao69EUSc8lpUUsU40G204D.QsqSHcOIoTl0AUAUFAGm0F.sJbA18r9WnSqp0cfSu0T.cTcTR40UR02ipUTTHC0UV1H41UX.OnpRD0DH00Mt3C046o3s0BIAKmA1AoUln2OsTycRucRIcQq0Sb0KTpJL0Urp2AsUvuG1sR*T1ifP20RS1Mqy90uSCoSvcVBpRdn4HpUO0Ct069t0rsVf1VJTND0Hx0N40NW01ZrVv6Uo0T.AC*60FoVrcQuqOktVvnUWqU6TQC0MCTLuo90oTZcSDoRxqVuTBLp5fcATsVwqWBvNR.HSo9XvW1fTzoRvAC*00AoE*pJIcBPsTinJanShuBi0V*u28yWGoVooUlpWY0CXoEdsT0cI*0T2nM6u2DvTXsTy6Vsq35nKur35cOunWlATLpTgtMDrEcT0WoQgc7inWvc2soWy0CJE37PU20HRnM6y32xTXv4Hc4Wc1Dm0cC35r1iCP9AA0EUspWKTVG.HSn1Eq1DcV5c7LnX4o0mpH9E2ApVF0MV07psQopRrxXDT7WcQurWicXSoXVAXL0VEcUtTXOnRTpXcTG3v3vPJIqA3R0Dc18u3i.CmpVcoXA1Mqn32w0rxXd00Kc8lqA3DXtoXi0RipVsAGX0WJ0XarULwX*TXpT0mcY2p1HDRZpY5.W6o9a0Y9.XPpXo06sv3vCCLC0FpYGTKfP0LoR*pWjTPMuD7nX.T12TYD0Y1o2Qc18t2fDRXc1D*8bvWKcXR0IEnXnTSUxY0uXIcV5pAic00D0Xy5fz1qw4ipBLcNVsXbTYnTYbu1iRY400DpYrD0X.5fxYvnYpo5LxLun1Ew0dxBPTLwu60DZ1r2f00PD0XmYw0X1ASycXh00OoM6r0Cc0ADYH0Z2c5LDF5n5ft1qv2WCZ7C26oZOsYSr2WPW5cZTT3Lc1Dr4M1MquZPDYgp0xcZesZJpZhuN5sZ3T1Zc1Dw6HcYsTI6c1DnZo0V*q1EpDzoDzp0wp8cqZq.5fuZtDRXn5f*8iz1NsCPpPCTYa0NKqZqmZJsa4T1Zn35.a7qM6q8pwSTpa000sp3x0ZHTS7c1DqaFw5STaT01jT7E.aI1MqqaKTG3xTXqZqqZJoaFyaUTaf0Ai.aXuD7qZz01cpOztOSv0rqZqsZJmaF.agT5Sc7HA39uZpcZeuZJ.4i0aPmDdTas0ahn3bsMEsZqwZJyazcZuoa*0aV02B05UAav0V*sZP0aPy4io12nacnagcau03*1NJsb40b9Tb0cbHcZmnaUcbKza8r3QoEdzae0bO0bYcbQ0aPub8TaWnb2rbV1EIzar0bYTat00Ynb4n1F0bB0bLuD7vS.nPrcZembc0bZ0bkc5LT0InbdAbCs5CobWoZqobtTbjxazo0XSCKTb0Tbj.ai0PyA54.3iv4kqU500IobI0buxc3T00S6aS8pTc605l0bnz1Nr5XpC9oWA0cEcbR0b9cbaoc4tbi0cXTby0bo0BIsPzvcC0UwzaFubtccVTcItcY0cXcbTqGaA4B09loXK0X11VIqbr0aPwb8cchSc50cjTbm.c8q0npGd00epbfqcDzZtTbx0AixcHvcLTbS0cNqcm01903c002pd10ceoHjTciTd70cU0bv00YTAoTcLccl1Pm0T9qdEuG1z6Hoc4E0cScK0cx0bAxazwIUTdM0ck0d91IH03iwccocRzdTTdH0dXTc2nAiw1IoOkTdNp0fn3boIe0co0d0AZZ1bgodGScwTdIcbauOST0dpdIpAiyc8AILALb0du0cqmDdzdiSdy0dXcd.T6bpdXpe2n3bpS4sdg1dwc0bvdITdlcOP0d*0eOTagpeFAbzrbfme8od5TdbTbP0dKuOj02cTb0peR0casb3cOyo8LTdz0dKsePp0vpebcdqAeSA0LsdmT8Lodk05fvazsea0euT6bT6kcem0caoKhA4CA3DrS4q3Fy8isbEuej0eEc26nAis1Ipek0f90bYpecz1NpLYs3ht2MA56oLdoL8yf3sAiuev0dWTaUpAivetTPE0fNpfCceyzcOAQ6pIZq20v1UuSyAeoceNT9zpcLpfQnRvTfe0fBTe00b9pecsDKA17wDI07Mp2IqOt01OsV2oLZoGe03fs2Rn0VsfMTfSTew0flcf7cQPpeZTeDTex0aGADYAABpJx02Tx6V0LK16TATroLZpKF01nr9R06YAemu0Q*f8TfiTfkTeQcg20Bx087T7Ec2eT7mceyvDr0Uf025x9vAPxAPxocmuF9u6pt7cp3f*gN08ppg40g100Wnfh0Yr0bApbAc2hcbmc7Ey8ivGJA1PwJ.A2.00.r1yo1ptghA5rs2rsgy0KBt4wc0LTgP0f5TfPcgRqgT08ec4KchE0gpyGkAgb0L7AVS0hJ0LesT60KB1gE0Ch0gZsVR01qqgApgich70fTTf*09bchBTgU0gr02ccbmphcceyuLNAh4pEmpEvtAvo0N1hPqIo011oJpoh302yA0Fth6028pfATh8TOIT4J0gncQPchEpgs0hCcYkyGLAUer3NwKerhSo2ooKIofsrhoqLdpLZ0hTAKE00cthuqhX0iJTi1vazqPfTOVriN0Xt0g70T9AAdrEWq3px2OnfsqgK0ft0LYpfHxJFohtABwch*pgV0gpT7mTgW0h.02DriPrimceys3FrhopL8AI5tS4p1pzLe*goc7ET7EphcThzThbcha0OBTiOTYd0iRrIYtEpqGHp4uAAdohNp1pn0ecVX0TxcKc*iwpigci00hf0ikqF5c2go7yojNcjMcCsy8iqEvA4opUGp4qtBGo16x0Z16TtVssAim69C9B*iw0AiThbTi.0AipjJvetciycjl0jC0An06Hyc8o44nJsq5XrXH055fSYs0rC7HT7LxiITii08epjf0hDp7Evjkpj3pXrc9GyjqABruJ6A14thKqBUpOOfV9ogNq1Mn0X6cn*gorimTiOcgRuAirkOcj3qLG0iRz1NAgcogFATP04rtHstO06W2ogN6EEcjDs8Pxj.0j10kgrfgc0LcZgcYjpYx0kSqfsoi90EWpEpo6XABBAAdqZzfkFch7q0ZnVsrWs0dB*kKTj20OBcgRojpn2kA7fpF9pUG0FvokpqTS0fxpVWfSYrk.mZX0jvA9GrTyT1Dxj.ojOp51cjPplNo9Gv4iq18y8im8io5xt13w10x0S10zA4qAJpqL8ofH0KJ0hNt22pkE6kz6Rc00ITV86VspT*0k*ckj0jicjmtTb06HvMEAYeAV2tIYqEpslYuTQAJppBuAUE0leoC8AAdsUnfWTc68fRxnTDcjDpSwTlKAie0ZPpk5cY2clQrFY00MoAwrAdt3eq2rqJFq8x1lZ03GA7f03irC8oAv0FA00.qOwfkw0A36ljzlhcCsplnzhuukP0iQrlsofQrmItggA0O0FvrC8wkoAj9AL6omMA1Prl7AYq6kacm76VU6mw0mafOSxhus5frlqpkl0mjAPPAgCA1DsTtAhKAL203ewmp0BsoL6piDAkt0gZAPWpVn06HpmBp1MTllcmdATG0lo0Ryc26rEUsCB0BXslxAHs0En0df1mQo4mtKxALJpFrAC6pP96mzplnnm9fSYpnL0ER*1HonSAh4ACRp14pT7wLJr3Fwiusmco9Gpnlznw0nKAnPz2RuEAALJqhkAkCA4Or0k10z*R0fm601OfSannjAnxcVp0ERy7MqEmAkB04Dtms0JR01rro6u1MsnzolqolJpnMpnJojiAn*A0fu20qnXAgc0fxAJQpipA0f1hnA2LuI2ojRA5rxTccmAAnPnoC0nKcoExo0A8U0m3xAxAgCoJP01zzDn02507MtAyr8UtABv57poTc6*6mbTnNonxAoV01Zu3bA1DAp9pjTABrofGAcnrBItojpp5foBnlDAoDooR0oFudrAgHpAyo10n8iA1Yq3hvbVT7LcmdcoEzoPcmx0dBy7Mz1No2Z0IJ0LZxV2s2orGfp0xTX20oAcVZnomooQ6ljxop0ezAUEpnr0oxAgHqFsAEEA2Uo8PcpWopLzpY0pl60BC9BypbqOtogHrpwsIuAAdAGf0Yvo00CJjooUf0P6q20Da6nhc18m8iyq41oe0mIo5GnKgA1ApZl0lmc2snpzopHcTVyqLuIKpptoiUA56zm30Ev.7ToqEc5tT6Gs35mqKupN082AobAKGALJAqA*7TsTanqU0ZPooqyqX02MoGGAXuA56*m3pCkmKus8qnqC0QQr5fmqjAbCojCoYdpDJcDApVUAoWAr6t6cc1DtZnc1Do4Y.0zz1NnjCpBLtZXc6jCrB0p7AbCnrL07np8hu3bm0eCYQ07q0rQ0cazLeyqvzrbu3bzhMAABxgw0Od0mWtfJAY5z1Nzrf03fA1yq4x00MqL2q2qAl.00Wp3br13x2Qv2Xoo2A7Ks14q3rsEoATQo3NpgdArlqOK00OvIs0qwA8T0KyAs50ocq75nhNA26pp8xEZvpdAV5AF9qrk0iF02Jt1PtCkAm1AXuprwA9Bw2M.oGABrqoz0AWABnus00FUAkto3Pp3bqc.0hp00GuBDomIAF9olfA9Bs4mpBEts61PNz2ro1BAJVoL10VP0sa0FvqoX0sd01zpsG00YpeGARlA8xvh103GoEpphNoEWo7cs4mrqcu3izpcAL30Q7v45qV4pnXpt1qGHAF9t3esBXAGgpp801qrQKA18.7MrgKp4qqT6oVQA0*sAwqVSxLJo3hutEqdArtTo59u4wpBVqsgA56tBSv2VrqCcXhCW5AbCzivrZ70WWAtsw4wrtuqZxzttc0gRZ1qtzwst01nprPrksoXVc0gDu0orewC8pJUoh4o4vpYG65fqZxsfYA7L*gAqIYu4Do8GAos07Nu2fqZurZc0S7AbzAgzAPxzhro3R0Er00CsuAAVQwV40t2cZuwZ5nb2Amq0t7A1PsVQomUAUep4vsua0IvAJyo2UpZqyesnug0AsAKIpPdA7roKZ00Mr0msuot2xr20oTQvZGcZu.ZVnugrta0hNzuWAcnpunAl*AoqupTpaDnn1nuuzLdziEqCBtC300Dsuomoh07Nvv4DZUc1GnvIAPxxvL0oLrIG00es73pu4A8V0rvcZeqZJnc8s2XsrupEvpqcptIApgs6oo3Qpapna6AuT0Kd0ks0cBAiAAPxpmVoSN00Aqtpp6vCRn0dCndCvvRTZvpcnza8ApSAuNqsC00.psDo45svocVUcQupw0mbEcuenZ5AbCADos2Ln8yoiEpTu0uYr32Ciep3xphznlTsusn35w3by0sq59ckko2ACTVmwHDRX0erT7EwwYtkI02Wn1iDZ1p8P.9Wsus0ercI5z1NmjCfjwTuIcZQcFMTRxm8ipJo03fu3pulgcZe.ehw3bnr706Hrk.*m6DkG00GAmu0w*ABaw3SpvG0cjcwrq9A02TsABrL8m0AC3XflE6lj.UODkO6VZmpRomK0oarg*AsHcZeoc10cMwuuoiEoph0mTACRtS6rkv6lmAnPyr2ox8cp2fOS.GNATVp7dpcFTd8wpNt3rqhqA14uBa03ftm5cmAcoEvpYDqffwyn7eppts5xrGDA5apvp0dJwsU07Moul04DpEUt44pq0pme6mwDpofxnAptABrAT70uop1*pZqucg0Lez1NqpP01OqJpA4WAnf0iS0Of6qIopLvy0cpZmwzAyLpKkqmVp3enw3wcu0ySqIWALnrvkAF9sTSomt027pyGAn*6yIcxmT1D.BXqEvuhoAuNmv4Td4cxH1hPpUjonF0uOAI40s400cppJ0onoycTp4055Dy16oqAAwtyNAFCAPxrZGocWTeL0xaAbCrneqhKsKNAlbA2LmxhcnOfSazzBoZHcyxpKcAruAm4AkWAF9nzMTcIEdVpwg0zP0caq5HosMAw701OrzLAkZfo9pnlvyd0plfy2AtdABqx5E01RrXg057SeATdN0ym1PNyz6soKpu2r2OpyufzY6yw0m.TyyA3SsdxtzkTbmwsUs1YAJVrwOAq8o526yb6ljvzvplnmwVc0bS.20xG0.4u0fs.AcVZzzZcYsczb0xA0CXsdGvzOT.IAbC.o8cx.ozDpp1DzG0DaAuNt4mu13vS6ACVA4Oxazxda0wq0.X01Zs.ZfRxz.bDyJT.E0sZpm0vTVohNq3FxdZT8D0.ywt306qnjsA2nyBSo.b0.DpZ*fkwD.om8yAJpr.rApxqscp2ougRwdn0D0TbPpABzfEAk9A0Qs2othKvu2p0Ew1Qmp0fmZp9H6qGy*1c.d.s9o2xpoctkyA4FAeCphw0cjpfMAr6AkU0AWoSlAJytAEA9BoojfnkctUTzEoza0q10r2*t9A7rtJDADox4qs0knf.0gkTffc*WqowokpAV2pkrArHAGCAABATU01rm57qpkp9H0026.Cpr1Asco3MA17xKkrl8p0knf.0h90cXp*t0caAl60lepl8om3oT8syUpJ*p2OoQQs0PsOyqX2Dqf0uS0IZpS4rsn0xyAfuAeC0iK0fU0qvokpAzU0oMAKIAF9AuNpGEA56q9WoqsxAizQQpYs0ELppR03q0l9AvDoPxqtAATUr4CxfRp*rThy0hZ0qvosNovYqldoskAvD0v20ui03in0gCCz37LrgpwqspTbopx0yCAvD0ldpy60gZojAA2YngjpglpcXp*t0pr0mRoF9ryCAnAune04mq3pyb6oYsvgpxr2T6Gr6.0R4AItqsmAyYooKqqcotOAbasfj0h90gmuqkoSRAmrAhKpy5A2npwCAU6n4fD0Pu7EzYro4Js5tA2LtsA0KJosBrjW01Rq*QA3robasglpglTi1uqkoFYonEAvwAJBAg9AzU01r*bG0Ys0uFnJIt.T0hv0fj0h90hZ0qvouXtnc0oLpne011svDqxu05UCWL04fCkyCrXs.T09wThYpglThzuu9A.Fcif0i20k1cjIc*Wqiuwwoch*0k1c2Acix0ZGTi*0rcwwocif0i2pjH0gpuuuuGKo9p.Ki0F*rwoch*0k1cix0ZGTiyTi*0qvsL50y5A*ZA7LtKbrnArBVA0Nrwocif0hCpk1cjIc*Wq9Aor.0Kl0Fvu13qvD05WA1Vs1Q.1rmbEqkL0khcAB.1ip1M1lZq4qoz9Az8ptOAhKouorFxt3pz1rmbEqkL0khcAB.Yr.5L*6Gc0G00I1PNA4qrt6pL8p2PqvD0t0AvcAT8q1zmbEqkL0khcAB.Yr.5L*5Lne81PNAosqxW0AX0zq0l8ovl0vYpvxA0NrwocPFolM0jLplNplP06Hu2VcHbogWp79p1H07TpYrp3Xq79zyn0mnAsDAnAowPpqcqnc0Bs07No22rwoclpchzchztmicAB.LGogUp5Lq6GcXRo6Gc18c18c18c18c18cYkzyn0Fvpt9AmSpEUopdo*mA5rrz5AV5rwockjpmFpBLqkRu2VcgWogUr5Ls6Gc0Qc18c18c0Qc0QzowpKgo7cosl0t0AmSp24r24s2VqwocYE0mhckQc9Gu2VcgWogUr7mqWwr6Gc18cIIp35ziXAuCAp90JvrGHr*x0Evr45w3p.1rmbEsn1cn3pWL07M.Yrp6Gc5Lr6GcXRo5Lr6Gc18c86c1M1A6oKj0nc01Roz.vmVr2Ir3Nt1VsBwqwocQrcAB.LGogWs6Gc95o6Gc18c18c18c18c18cYkziuwwocWW07M.gpo1H00PsRRoYrp3Xp9GcrHcFMc18ziuwpq.0u00Pu18ziuwpq.0Pu5Ro1M1rJwpq.1ip1M1rJwpqzrmwpqzrmwpqzrmwpqz0J*071041041 0410410OqeI6 安定電源 演算しないけど呪文保存に。 CLONEの吐き出す範囲と見る範囲 CLOUDは真下にMETALがあってもTHUNDERになる ちょっとした電源にいいかも。縦型にして←に導線を通すと完全に安定型に 表示 10200000n000000000100*02102*01*03*06*05*01w00q00004000v00u01u0B*0200Du0F00Cv0E10E00Ku0J*0Hv0Lu0G*0Bv0Q00N10M*0Pu0O*0Su0X00I10V*0Y10b00au0R00e00Uu0fv0T*0W10dv0j*0cu0iu0Zv0m00g*0ku0o10lu0pu0v10u10xu0tu0z00h00**0s010*0n01200r*13*11*17*16*1901501Bv0qv1Du0wu0.*1801Cu1F014v1E10y01Ku1J*1Hv1Lu1G*1Av1Q01N11M*1Pu1O*1Su1X01I11V*1Y11b01au1R01e01Uu1fv1T*1W11dv1j*1cu1iu1Zv1m01g*1ku1o11lu1pu1v11u11xu1tu1z01h01**1s020*13t00w00T0Eo0Sx0Jt24T00i00s00o2500Dx28w25i00E2Co2Ap2Dv00x2FT2As2CT2710Mz0DT2Cp2Pu0Bz2R02Ri2Bo2Kx0Jz2Vv25u2C02E12Qv2Dw00.2Zv2f.2hT0Bw2g12eT2k.2j024.2ow2lu2Uv2i12m02p12uw2r000z2Vw2x*21*2**1n02200gv2LT00t0Bu00y0Jv34i00r2Du3710Mv39E2JT36y38x2GE3F00Ey3HT2AE3Ju3Cu27T3Mi00p3By3Li2Hi3RT3G13Dx3Ii3V03K13XT3Qp3S13bi3Up3du3Pi3fT3Wu3hE3Ny3TE3l13eE3nu3ki3Zu3O02ET3cT3j03ti3i03au3qp3g03wr3.v39r40x2Gr3.w29s00n3vw2902yz0Jw48z2y10Mw4Bz4Aw2Dz4Cu2kw4Gz4FT2Uz4K04914Dw4J14OT4L14Q04Nu4IT4Ru1.*3001r*31*4Xv1qv4bu1wu4W*4Z*4f04Y04hv4c11y032v4ju4e04iu4d04lu4p*4au4r*4gv4m04q14k*4s14x*4uu4t04o14z050u4nv4v*4yu53u4*v54*1c*0710415B*5Aw0A0pA2 構想段階の装置 LASER演算器 進数変換機 2進→10進進数変換機 加法計算機を並べることにより可能。 Bit 7 6 5 4 3 2 1 0 合計 繰上 合計 値 128 64 32 16 8 4 2 1 百の位 1 1 2 十の位 2 6 3 1 12 1 15 一の位 8 4 2 6 8 4 2 1 35 3 35 8ビットの2進数なら容量がそれぞれ（2 15 35）の加法計算機で変換できるが・・・ 10進→2進進数変換機 例えば55を2進数にするには、 6 5 4 3 2 1 0 64 32 16 8 4 2 1 0 1 1 0 1 1 1 途中で引き算や比較をしなければいけないが、その辺が無い・・・ 参考作品 http //dan-ball.jp/javagame/dust/280430.html 構造は簡単だが理解しやすい作品 コメント欄 名前 コメント
https://w.atwiki.jp/uya0323/pages/30.html
前作（５無印、完全版）でのコードをそのまま使用できる パ・リーグ埼玉西武 オリックス 北海道日本ハム 千葉ロッテ 東北楽天 福岡ソフトバンク セ・リーグ読売 阪神 中日 広島 東京ヤクルト 横浜 メジャー・OB・アマチュアメジャー OB アマチュア コメント パ・リーグ 埼玉西武 1 栗山巧 722 27R FTH AM5 TPX SY9 3 中島裕之 2C4 4MC YJ3 POF LSE KWO 5HG B4Q NKO N9F SAS 4NQ 64F JQL K7C I37 CQZ BCM 5HG B4S 6RM 5CS B37 W9D 6 後藤武敏 56J FJK MN5 FEP T6S TJI 11 岸孝之 43A 6XS 2WF FHO 5TD MT 27Y SCU 6N3 2XA NC3 K4Q 43B ZDC WQ7 S92 DOJ YKQ 42F TYS 2AA K2M YJB VUM 15 大沼幸二 54V UCH RX5 PAQ 5TX OZL 63N YZD BCH R4D 2RC W67 21 中﨑雄太 DYT 9EH JN7 6N7 SRL 3HS 32 浅村栄斗 DQO P6D JAI 2S2 CKQ HVT 45 水田圭介 HUF J3K UVN 64D JDS R5M 54 アレックス・グラマン LR5 DNY 76P K50 MXU XS OCV NPM ZX4 4FE CUB 4KJ 57 谷中真二 J2T M9S 3U5 HP5 BA6 H4R 65 斉藤彰吾 IGX PJ9 NH6 ILO 9YT RQS 69 上原厚治郎 2J5 GVD QLF ADF X47 ZNR オリックス 18 山口和男 IMG HDQ 7HA QGJ Q9V 7MS 20 山本省吾 5P7 4BX BJJ 32W YIH VAS 27 日高剛 HSM B9G HYE 4SS SKH OZS 28 小松聖 5UE 7T2 SNS 2G6 HA6 PE6 52 坂口智隆 FWD GXO EEA FLM MXW 7QC 54 一輝 23L EU4 PAV 66V INZ FA4 58 長田昌浩 E7F AZY IQN ZTT PG6 3GT 66 由田慎太郎 EDQ 5BW TJN 5QJ 9AX PO 北海道日本ハム 2 高橋信二 626 QLD 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4DN IZP JCO 40 吉崎勝 FEK 4UG FJV A2D 3W7 UHS 42 マーカス・グウィン OYD 4ZA W7V Q9W NAY P3 99 中村紀洋 54R PSP RA4 EUT 3UB OM7 77 池山隆寛 ANL MCQ MUN 7E9 2FF QJ 福岡ソフトバンク 00 キャメロン・ロー NB7 9Z3 YHH W2H 2TZ FV 4 クリス・アギーラ 2HD JZG EBZ 3AX 6B5 WRN 7 立岡宗一郎 4MH UP2 6AX G3D DH6 GEO 11 小椋真介 5PV C7R ING X4B 35E VUM 17 大場翔太 HUJ CIF UN3 NIM PRA BST 20 巽真悟 23W OUM 3WQ ITD UHI XP9 25 ブライアン・ファルケンボーグ JQQ BQH UNE 9EQ FY2 A7 27 中西健太 5UG C5F VP9 RXH X35 MA3 28 大隣憲司 IX7 JRP 46Z SZU UE4 UIM 29 怜王 4SF 6E4 VYE M6M 7G5 GTO 33 有馬翔 7G7 USO V5H LVK QZW RCJ 34 ジャスティン・ジャマーノ EDP N6M 2NL DC6 XGJ LF 39 久米勇紀 ITN 3IQ J29 95K YA9 QP9 45 李社軒 69U UEH SX3 YPU WY4 VW6 50 攝津正 226 RKL 4CQ L6W UDL 2KS 54 D.J.ホールトン ONL L3V NE5 UN6 7XP ZU 55 小斉祐輔 74C JIT 9ZN 6C3 TIC G7B 59 鈴木駿也 EAD WYE Y2C 5ZV DIS 7Q 60 中村晃 E7F WQK ZYC CBK 3NN HZS 61 金無英 242 PDX LYN 9P5 USZ KQ 65 藤井翼 HZQ WDC JNW O45 634 NK6 66 斉藤和巳 2BP RYX V63 LGZ LNQ KM9 91 陽耀勲 6X4 C6Q 745 M4B GDM VD セ・リーグ 読売 00 寺内崇幸 HP3 JSE QGY 9K4 KBX 9YT 2 小笠原道大 2ED 6ZS CQM L6D GC5 FIC 6 坂本勇人 6RM P4R XT2 57H Y6V R6T 6F9 2QJ LEZ ZYP 9TB HV9 9 亀井義行 GX6 FPS WFN K3E A62 7OR 5PM 9NO 993 YDI 5FY CZO 13 エドガルド・アルフォンゾ 54H Z6G DPS DUX 5QE SQ BMZ EYH QYC CPT ZOL BZK 17 東野峻 IMC AH3 5G4 MTI FWK 2VT 22 越智大祐 424 CJS XGZ OL3 BZV IS9 HPS QLP R5J 2ME E9H BVL 23 脇谷亮太 EZ6 9VN SYL DNK C9U S3T 24 高橋由伸 F2T WB9 6VT Q73 SFP CF4 5BP 545 6CB JRC SUD XMS 25 李承燁 GVD ISI P6W VG4 VHD KE6 26 内海哲也 G9Z KM6 3NN GPA 3GS HKS 29 セス・グライシンガー MTF UFQ PZK 4FA ETQ YV 32 円谷英俊 5UF GN5 6SL LFV 72M 5D9 47 山口鉄也 6MD M7W LVU ZBV SQ6 D69 48 矢野謙次 4MH TOU KG6 ATU X96 WQS 50 加治前竜一 2NY 5ID J9I YTX OPJ 3ST 55 大田泰示 27Y SP9 YVQ IHJ GG9 L3T 57 古川祐樹 GOE HQC BBV P2L FU2 QOM 61 中井大介 ERY 35O EP6 U5T NO2 L3T 6IB DMK NN2 9WU IL2 L3T 62 上野貴久 HWC JRZ S5P C6K T4Y ZJT 66 田中大二郎 23U BD5 QTN OV2 CIF JPT 68 栂野雅史 22S FZM XGJ DIN 9IM R6T 69 隠善智也 45Z 7YC WT4 Q4Q TNK 9JT 91 ウィルフィン・オビスポ YMT ZRD GC7 CAC QV2 CSK 92 木村正太 5SL OOX RCP FBD DAB XAT 95 竹嶋祐貴 FUT YS2 5DE AH7 GJW 5MT 96 伊集院峰弘 GTL 7TM OV5 G6K MDG R6T 阪神 32 ケビン・メンチ NO7 P55 V7U 4PQ PQA KB5 34 橋本健太郎 HSM T2Q P22 SIV 5AG H4 46 鶴直人 ITL SSK A3T 4OR 2KC 24S 52 アーロム・バルディリス PQM CIV PAP DFJ DKH HYO 70 星野伸之 45G VCB JGL EMC 4PV 7BB 中日 6 井端弘和 3YA 7LY K3D 6ZL NQJ ZYT 21 チェン・ウェイン HP6 SI5 LW3 XAN K3H 76T 39 清水将海 IO7 LGP QOA OYV Y62 MDD 40 西川明 JE9 7RM OAZ MOK QVN GJT 42 トニ・ブランコ SRS M5T LE6 D94 J7L SM 57 トマス・デ・ラ・ロサ Q4T 5HZ JXO MPR 959 LP 広島 11 コルビー・ルイス OLS WBH VHN BKF 5J3 V9A 12 小窪哲也 E3E 32U LKA A2F U7M SNS 20 永川勝浩 GBS KBD 93N 5PJ KIN 7XJ 2UZ 5L3 GKR WR7 515 BIN 31 石原慶幸 5UI 9CN MYS WUS J9M F6C 38 赤松真人 AHM VVR 29Z UPY AC2 EXI 41 小松剛 2AD XUQ CMZ 49O OXI PD9 49 天谷宗一郎 FCV SDF OQQ MCM UD7 WE6 東京ヤクルト 00 川島慶三 IBN BUW MD2 3XX MQ2 9Y9 4 ジェイミー・デントナ E3W BBN QHI UGA IVS E94 6 宮本慎也 EHF HH7 PG3 QGV 5NC 44 12 林昌勇 GKR 6SD CRE IUN SDU 4XR 15 村中恭兵 HUJ CKG 6O4 PDW JKU JSK 18 リッキー・バレット 99S FFF RA5 3A5 ANT WP 21 松岡健一 HUE ASE UCZ LPL YAS PWS 38 衣川篤史 H4H BWE QFJ QAK S2Z 2VT 40 吉本亮 9SD 2AU FM2 QT4 F3X DZ 47 赤川克紀 2FR 9WR HDE HY2 CVG L3T 48 萩原淳 E7E XYI EMZ CAG EIT ZWD 49 李恵踐 67A O2C AKY YOJ ILI MMT 65 押本健彦 HUJ 7JV GLN JC4 XAI DDC 72 荒木大輔 32G R47 E77 AL6 KXR GYT 84 伊藤智仁 4XB 9N6 H3A HIZ T2U HG9 横浜 0 山崎憲晴 2S7 J47 VBY S2A VJ7 SJT 2 内川聖一 22O 4CH TCI L7D PNS TVT 6 松本啓二朗 2Y2 LBT CVA IF3 NDN SIM 19 藤江均 2Q9 PBR KTZ OFR 6IH TZS 27 山北茂利 JEC FZ2 JOF HQJ AWF ZPC 31 吉村裕基 E57 NBI NSI LV4 E6A D4Q 36 細山田武史 2G2 EXX C4T M4S WMP EKG 45 吉原道臣 42J WYF SM4 MZJ YVY 26O 49 斉藤俊雄 F4N CRW 4RY UTK KMV R6T 60 佐藤祥万 JG3 ZPY L7G K5C M4N M37 メジャー・OB・アマチュア メジャー 井川慶 5W9 FQS SYI WDV NRX NY9 イチロー 2A9 MQE HQI KEU KKC DT 724 TSQ T6Q NZN LP9 LBM 72L N2C LLT U6N 4ZI DF9 73V DCY LLT U6N 4ZI DF9 6PG J6D EBH 5FN LP9 LBM 73U 2U2 OF9 TL7 O44 MT 岩村明憲 23H JLW XAM MSJ OBF 315 23H JH4 24T AB9 LOD U25 上原浩治 62D 9QC 49M 4IJ 3N6 Z39 大塚晶則 2C4 4MC YJ3 POF LSE KWO 5XZ OOO 9OQ V4C G2C ZN 岡島秀樹 5QV 2E5 ROG SJX UFP LI3 黒田博樹 5UJ EPQ WGL JLQ EPI ZJT 小林雅英 27J FLJ 42D 2S7 ZY6 3ST 斎藤隆 4YM SQ2 WA6 BHB W2X XEB 27W RVZ 3E4 YP9 576 OGT 城島健司 2HZ X6P RZT LR4 M2F 5CF 54Q V5M FRA KLQ OO3 AWG 6YW APK XUS XKZ 46Z 9KG 新庄剛志 EB3 EAQ YRW 7O7 IP2 UV AQI SZC S7N 9AS EGI UQQ AE5 OKS D6T CBK Q5Z NBQ 高橋建 HP3 JSE QGY 9K4 KBX 9YT 福留孝介 65V FAK SKB H2A HXU D6T 福盛和男 447 2KF 9ME QO5 N77 DZH 松井稼頭央 6NP ZQF BYT YDQ ORU LMF G3R 7IW WFA W5H QJX VBC G3R 7IW WFA W5F PJX EW 松井秀喜 6RD JAK H3X 5AS V43 NDT 3ZL TJZ TCY MFL 9FO OV9 松坂大輔 4W7 GRK UIC FWS KSX PF7 4SY GF6 KQI PD9 SQ5 9XS 5SM Z3U ABQ S3G F9Z YM 4W7 GRK UID 3UC KU3 WZ 王建民 JHF YQW 4VX LAF F4V EJT 倪福德 CR3 VSV XIA W3F 2T5 SYT デービット・オルティス SRE 9UP GPS 9DP XDP Z4H ゲーリー・グローバー JJM F4S 9SQ MOT TB4 ESN NJO ヨハン・サンタナ QB7 BQ5 5IY TKG ZTJ O2Q ランディ・ジョンソン NO9 2ID CNM B4T DHV 3HM クレイグ・ブラゼル MGO OWD XRO EEU NWR PBP エリック・ヤング LP7 ILN BTP 5FD Y4M PM3 マリアーノ・リベラ 7WK 6I7 A6H QSD BD4 4R5 OB 石毛宏典 5QV SGZ OZI ZYH PDH DMT 伊良部秀輝 23U ITJ KWP CSH WEK NJT 梅田浩 IXA MAH BST QZ4 F4I 5SC 江川卓 5QU 47L GJA 2JV TED R6T 加藤領健 2HC V6N YD7 HNA G79 JTS 加登脇卓真 4OE 5QD ATN U2M BQJ BST 河端龍 GTP 4PD BR4 JMJ NVD QEB 清原和博 7P4 GOS 6K2 JGP LK7 353 6FS AUV FKU GQO 4GV 2ZG 黒木知宏 4VF TM2 IOA 9UN CNJ TU9 桑田真澄 23W RQU REF 2HX AY5 4PT 佐々木主浩 32F IXF 2VJ WFG W5D JPT 佐藤宏志 GBS 33C 7P4 99O I2S YMC 新庄剛志 GJF PJ4 AND A7A QQT BKH 大豊泰昭 GKR 6SD CRE IUN SDU 4XR 高津臣吾 2A6 7F3 X4W V9F M5D SY9 竹岡和宏 EDP EPD VOR QQW V5V FEK 野茂英雄 66H JGA S3M L6V QSQ OX 2OH 9VK PAO HKF FY2 9G7 5QX K97 YKM 7HC UME 4GT 広澤克実 4TX 5QM 3KJ HKZ YQG KMT 深沢和帆 5PO 7K5 ZD6 R9A JTP ZJT 深町亮介 6IP TQU 6WK 7T6 M7X U3C 古田敦也 2BW MXD LNQ AK7 DUD SK 槙原寛己 G3N KR6 NIK SRH 4UY BS 山下勝充 GTK J42 FMJ 43S EHT 5AK ウィンストン・アブレイユ S93 GKS 5HT 33B I6A OL ラモン・オルティズ R3P ZNM 5EZ PW6 LV2 QV3 ルイス・ゴンザレス AHM VVR 29Z UPY AC2 EXI ランディ・バース OJZ RC9 ELM DIC INL FI ウィルソン・バルデス PPL 3IO NAJ IQD 6T9 DC4 フランク・ボーリック MPO 7OU LZR XSI CSE 4WQ ビクトル・マルテ CMS 2VA OJC OJ7 YO9 D6R マイケル・レストビッチ ONO 3NR CIS MQ7 ZJ2 RT アマチュア 斎藤佑樹 G2P GW3 TTL ZGD LEH 4AT HUJ CKG 6O4 PDW JKU JSK 5UY Y3F 92I MCG SGB 9YT コメント 名前 コメント
https://w.atwiki.jp/matchmove/pages/95.html
Merging Files and Tracks When you are working on scenarios with multiple shots or objects, you may wish to combine different SynthEyes .sni files together. For example, you may track a wide reference shot, and want to use those trackers as indirect links for several other shots. You can save the tracked reference shot, then use the File/Merge option to combine it with each of several other files. Alternatively, you can transfer 2-D or 3-D data from one file to another, in the process making a variety of adjustments to it as discussed in the second subsection. You can track a file in several different auto-track sections, and recombine them using the scripts. File/Merge After you start File/Merge and select a file to merge, you will be asked whether or not to rename the trackers as necessary, to make them unique. If the current scene has Camera01 with trackers Tracker01 to Tracker05, and the scene being merged also has Camera01 with trackers Tracker01 to Tracker05, then answering yes will result in Camera01 with Tracker01 to Tracker05 and Camera02 with Tracker06 to Tracker10. If you answer no, Camera01 will have Tracker01 to Tracker05 and Camera02 will also have (different) Tracker01 to Tracker05, which is more confusing to people than machines. As that example shows indirectly, cameras, objects, meshes, and lights are always renamed to be unique. Renaming is always done by appending a number if the incoming and current scenes both have a TrashCan, the incoming one will be renamed to TrashCan1. If you are combining a shot with a previously-tracked reference, you will probably want to keep the existing tracker names, to make it easiest to find matching ones. Otherwise, renaming them with yes is probably the least confusing unless you have a particular knowledge of the TrackerNN assignments (in which case, giving them actual names such as Scuff1 is probably best). You might occasionally track one portion of a shot in one scene file, and track a different portion of the same shot in a separate file. You can combine the scene files onto a single camera as follows Open the first shot File/Merge the second shot. Answer yes to make tracker names unique (important!) Select Camera02 from the Shot menu. Hit control-A to select all its trackers. Go to the Coordinate System Panel . Change the trackers’ host object from Camera02 to *Camera01. (The * before the camera name indicates that you are moving the tracker to a different, but compatible, shot.) Delete any moving objects, lights, or meshes attached to Camera02. Select Remove Object on the Shot menu to delete Camera02. All the trackers will now be on the single Camera01. Notice how Remove Object can be used to remove a moving object or a camera and its shot. In each case, however, any other moving objects, trackers, lights, meshes, etc, must be removed first or the Remove Object will be ignored. Tracker Data Transfer You can transfer tracking data from file to file using SynthEyes export scripts, File/Export/Export 2-D Tracker Paths, and File/Import/Import 2-D Tracker Paths. These scripts can be used to interchange with other programs that support similar tracking data formats. The scripts can be used to make a number of remedial transforms as well, such as repairing track data if the source footage is replaced with a new version that is cropped differently. The simple data format, a tracker name, frame number, horizontal and vertical positions, and an optional status code, also permits external manipulations by UNIX-style scripts and even spreadsheets. Exporting Initiate the Export 2-D Tracker Paths script, select a file, and a script-generated dialog box will appear As can be seen, it affords quite a bit of control. The first three fields control the range of frames to be exported, in this case, frames 10 from 15. The offset allows the frame number in the file to be somewhat different, for example, -10 would make the first exported frame appear to be frame zero, as if frame 10 was the start of the shot. The next four fields, two scales and two offsets, manipulate the horizontal (U) and vertical (V) coordinates. SynthEyes defines these to range from -1 to +1 and from left to right and top to bottom. Each coordinate is multiplied by its scale and then the offset added. The normal defaults are scale=1 and offset=0. The values of 0.5 and 0.5 shown rework the ranges to go from 0 to 1, as may be used by other programs. A scale of -0.5 would change the vertical coordinate to run from bottom to top, for example. The scales and offsets can be used for a variety of fixes, including changes in the source imagery. You’ll have to cook up the scale and offset on your own, though. Note that if you are writing a tracker file on SynthEyes and will then read it back in with a transform, it is easiest to write it with scale=1 and offset=0, then make changes as you read in, since if you need to try again you can retry the import, without having to reexport. Continuing with the controls, Even when missing causes a line to be output even if the tracker was not found in that frame. This permits a more accurate import, though other programs are less likely to understand the file. Similarly, the Include Outcome Codes checkbox controls whether or not a small numeric code appears on each line that indicates what was found; it permits a more accurate import, though is less likely to be understood elsewhere. The 2-D tracks box controls whether or not the raw 2-D tracking data is output; this is not necessarily mandatory, as you’ll see. The 3-D tracks box controls whether or not the 3-D path of each tracker is included―this will be the 2-D path of the solved 3-D position, and is quite smooth. In the example, 3-D paths are exported and 2-D paths are not, which is the reverse of the default. When the 3-D paths are exported, an extra Suffix for 3-D can be added to the tracker names; usually this is _3D, so that if both are output, you can tell which is which. Finally, the Extra Points box controls whether or not the 2-D paths of an extra helper points in the scene are output. Importing The File/Import/Import 2-D Tracker Paths import can be used to read the output of the 2-D exporter, or from other programs as well. The import script offers a similar set of controls to the exporter The import runs roughly in reverse of the export. The frame offset is applied to the frame numbers in the file, and only those within the selected first and last frames are stored. The scale and offset can be adjusted; by default they are 1 and 0 respectively. The values of 2 and -1 shown undo the effect of the 0.5/0.5 in the example export panel. If you are importing several different tracker data files into a single moving object or camera, you may have several different trackers all named Tracker1, for example, and after combining the files, this would be undesirable. Instead, by turning on Force unique names, each would be assigned a new unique name. Of course, if you have done supervised tracking in some different files to combine, you might well leave it off, to combine the paths together. If the input data file contains data only for frames where a tracker has been found, the tracker will still be enabled past the last valid frame. By turning on Truncate enables after last, the enable will be turned off after the last valid frame. After each tracker is read, it is locked up. You can unlock and modify it as necessary. The tracking data file contains only the basic path data, so you will probably want to adjust the tracker size, search size, etc. If you will be writing your own tracker data file for this script to import, note that the lines must be sorted so that the lines for each specific tracker are contiguous, and sorted in order of ascending frame number. This convention makes everyone s scripts easier. Also, note that the tracker names in the file never contain spaces, they will have been changed to underscores. Transferring 3-D Paths The path of a camera or object can be exported into a plain file containing a frame number, 3 positions, 3 rotations, and an optional zoom channel (field of view or focal length). Like the 2-D exporter, the File/Export/Plain Camera Path exporter provides a variety of options First Frame. First frame to export Last Frame. Last frame to export. Frame Offset. Add this value to the frame number before storing it in the file. World Scaling. Multiplies the X,Y, Z coordinates, making the path bigger or smaller. Axis Mode. Radio-buttons for Z Up; Y Up, Right; Y Up, Left. Adjust to select the desired output alignment, overriding the current SynthEyes scene setting. Rotation Order. Radio buttons XYZ or ZXY. Controls the interpretation of the 3 rotation angles in the file. Zoom Channel. Radio buttons None, Field of View, Vertical Field of View, Focal Length. Controls the 7th data channel, namely what kind of field of view data is output, if any. Look the other way. SynthEyes camera looks along the –Z axis; some systems have the camera look along +Z. Select this checkbox for those other systems. The 3-D path importer, File/Import/Camera/Object Path, has the same set of options. Though this seems redundant, it lets the importer read flexibly from other packages. If you are writing from SynthEyes and then reading the same data back in, you can leave the settings at their defaults on both export and import (unless you want to time-shift too, for example). If you are changing something, usually it is best to do it on the import, rather than the export. Writing 3-D Tracker Positions You can output the trackers’ 3-D positions using the File/Export/Plain Trackers script with these options Tracker Names. Radio buttons At beginning, At end of line, None. Controls where the tracker names are placed on each output line. The end of line option allows tracker names that contain spaces. Spaces are changed to underscores if the names are at the beginning of the line. Include Extras. If enabled, any helper points are also included in the file. World Scaling. Multiplies the coordinates to increase or decrease overall scaling. Axis Mode. Temporarily changes the coordinate system setting as selected. Reading 3-D Tracker Positions On the input side, there is an File/Import/Tracker Locations option and an File/Import/Extra Points option. Neither has any controls; they automatically detect whether the name is at the beginning or end of the line. Putting the names at the end of each line is most flexible, because then there is no problem with spaces embedded in the file name. A sample file might consist of lines such as 0 0 0 Origin 10 0 0 OnXAxis 13 -5 0 OnGroundPlane 22 10 0 AnotherGroundPlane 3 4 12 LightPole When importing trackers, the coordinates are automatically set up as a seed position on the tracker. You may want to change it to a Lock constraint as well. If a tracker of the given name does not exist, a new tracker will be created.