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imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Incinerate.jpg) ええ、「こんがり焼けた」って言いえて妙だと思うわよ。 ――特務魔道士、ヤヤ・バラード "Yes, I think ‘toast' is an appropriate description." ――Jaya Ballard, Task Mage アイスエイジ 第10版 imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Incinerate2.jpg) エンバーの魔道士をからかってはいけない。「そんなものが何の役に立つ?」と。 ――老練のアスカーリ、アキーン "Never taunt an embermage, ‘What are you going to do about it?'" ――Akin, seasoned askari ミラージュ imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Incinerate3.jpg) ああ、「こんがり焼けた」というのが適切な表現だろう。 ――特務魔道師、ヤヤ・バラード "Yes, I think ‘toast' is an appropriate description." ――Jaya Ballard, task mage 第5版 imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Incinerate4.jpg) 「人体の自然発火とか神話の話よ。あなたの身体に火がついたとしたら、誰かが望んでやったってことね。」 ――チャンドラ・ナラー "Spontaneous combustion is a myth. If you burst into flame, someone wanted you to." ――Chandra Nalaar 基本セット2012 imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Incinerate5.jpg) 「人生に確かなものは無いなんて誰が言ったの?こいつが痛いのは確かよ。」 "Who said there are no assurances in life? I assure you this is going to hurt." デュエルデッキ:ジェイスvsチャンドラ 【M TG Wiki】 名前
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モーグ Mohrg The weight of murder wears heavy on the soul. With souls marked by a lifetime of dealing death, these killers, whether mass murderers, bloodthirsty soldiers, or sadistic executioners, sometimes do not let judgment and lawful execution stanch their slaying sprees. When such individuals are brought to justice, they may rise after death as mohrgs to continue their ruinous work. Drawn to others of their kind, mohrgs prefer to hunt in small groups, occasionally in partnership with weaker free-willed undead such as shadows and wights. They seek out weak prey and revel in causing drawn-out suffering. Some mohrgs haunt locations they favored in life, reenacting old crimes on new victims. They may even skulk about in public, wearing rags, cloaks, or freshly harvested skins to hide their nature. The most dangerous mohrgs are those who grow powerful enough to no longer fear being struck down again and openly assault settlements in an attempt to turn living towns into mass graves. Since those slain by a mohrg rise soon thereafter as mohrg spawn, the murders of a mohrg rarely go unnoticed for long, even when they take extra care to prey only on a society's dregs. Since mohrg spawn remain under a mohrg's control, a canny mohrg might order its spawn to remain in hiding to keep its presence secret until a point where it feels confident unleashing its undead army upon a doomed settlement. Mohrgs retain a twisted sentimentality for the crimes of their mortal life, seeking out trinkets that remind them of favorite murders. When not out hunting, mohrgs arrange their mementos into disturbing shrines. Often, these trinkets are valuable objects, and might even provide important clues to ongoing mysteries. モーグ・スポーン Mohrg Spawn When a creature returns after death as a mohrg spawn, its flesh decays away save for its entrails, and it grows a long, awful tongue. The creature gains the undead trait and becomes chaotic evil, and it loses any abilities that come from it being a living creature. It gains darkvision, negative healing, and the mohrg's immunities and resistances. If the creature had hands, it gains a claw Strike (an unarmed attack that deals slashing damage). The creature also gains a tongue Strike, an agileattack that causes paralysis, as the mohrg ability; the Fortitude save uses the DC for the mohrg spawn's level . Mohrg spawn cannot create mohrg spawn of their own. “知識の想起”――アンデッド(〈宗教〉) DC 24 一般的な知識 DC 22 専門知識 DC 19 モーグ Mohrg クリーチャー8 CE 中型 アンデッド 出典 Bestiary 2 172ページ 知覚+17;暗視 言語 共通語、死霊語 技能 〈威圧〉+19、〈運動〉+18、〈隠密〉+18、〈軽業〉+16、〈社会〉+15 【筋】+6、【敏】+4、【耐】+4、【知】+1、【判】+3、【魅】+5 AC 28;頑健+18、反応+16、意志+13 HP 120(負のエネルギーによる回復);完全耐性 即死効果、病気、麻痺状態、[毒]、気絶状態 ;抵抗 [刺突]10、[斬撃]5 Mohrg Spawn/Mohrg Spawn (伝承、死霊術) A living creature slain by a mohrg that had a lower level than the mohrg rises as a mohrg spawn after 1d4 rounds、on its turn. This mohrg spawn is under the command of the mohrg that created it. If the creator of the mohrg spawn is destroyed、the mohrg spawn is destroyed as well、immediately collapsing into a pile of decayed flesh and bones. 移動速度 25フィート 近接 [one-action] 爪 +20[+15/+10]、ダメージ 2d10+9[斬撃]、加えてつかみ 近接 [one-action] 舌 +20[+16/+12](機敏)、効果 paralysis Paralysis/Paralysis (伝承、無力化、死霊術) A living creature hit by a mohrg's tongue Strike must succeed at a DC 26 Fortitude save or become paralyzed . The creature can attempt a new save at the end of each of its turns, and the DC cumulatively decreases by 1 on each attempt. 関連するクリーチャー:Inhuman Murderers Inhuman Murderers While it's true that most mohrgs seem to rise from the corpses of humanoid killers, the capacity to murder is not limited to humanoids. Mohrgs of other sorts could certainly exist—as long as they come from a society that has the capacity not only to judge and execute, but also to harbor murder within their hearts.
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イルゴーント Irlgaunt Irlgaunts resemble titanic spiders or crabs, but with cephalopod-like tendrils erupting from the tips of their chitin-armored legs. Their jagged gray shells allow them to blend into the rocky walls of the high mountain passes and deep ravines that serve as their hunting grounds. Despite their size, they move with incredible alacrity, bounding across chasms and skittering up sheer mountain cliffs without pause. Though they are formidable in melee, irlgaunts have an even more powerful ranged attack. These creatures can pelt their opponents by forcefully regurgitating gastroliths—melon-sized clusters of rocks enveloped in coagulated digestive enzymes strong enough to break down flesh and bone. Gastroliths are fragile and explode on contact, spraying the area with shards of rock and caustic acid. While one might easily mistake an irlgaunt for a simple brutish beast, they have a keen intelligence and use devious hunting strategies. They set traps for travelers and are fond of using gems and magical items taken from previous victims as bait. They have been known to start rockslides or otherwise block passages to reroute explorers into their clutches. They also use their gastroliths to direct the movements of their prey, forcing victims into dead ends at the edge of chasms or cliffs. For the most part, irlgaunts live solitary lives, likely because finding enough food to sustain a community tends to be difficult. However, they still maintain a sense of extended, regional community, actively gathering when organizing for war or to discuss other issues that affect their species or shared territories. They have been known to occasionally ally with giants, but these truces are usually nebulous. “知識の想起”――異形(〈伝承学〉) DC 31 一般的な知識 DC 29 専門知識 DC 26 イルゴーント Irlgaunt クリーチャー13 NE 大型 異形 地 出典 Bestiary 2 148ページ 知覚+24;暗視 言語 アクロ語、共通語、巨人語、地界語 技能 〈運動〉+26、〈隠密〉+27、〈軽業〉+25、〈生存〉+22、〈ペテン〉+23 【筋】+7、【敏】+8、【耐】+5、【知】+4、【判】+5、【魅】+4 AC 34;頑健+22、反応+25、意志+24 HP 265;弱点 [殴打]10 移動速度 30フィート、登攀30フィート;stone step 近接 [one-action] 顎 +26[+21/+16]、ダメージ 3d8+13[刺突]、加えて2d6[強酸] 近接 [one-action] 脚 +26[+22/+18](機敏)、ダメージ 3d10+13[殴打] 始原生得呪文 DC 31;6レベル ストーン・テル;4レベル シェイプ・ストーン(回数無制限)、メルド・イントゥ・ストーン(回数無制限) Regurgitate Gastrolith/Regurgitate Gastrolith [two-actions] (強酸、力術、始原) The irlgaunt violently regurgitates a melonsized clot of brittle stone supernaturally infused with digestive enzymes. The stone and acid explode on impact within a range of 30フィート、dealing 7d6 piercing damage and 7d6 acid damage to creatures in a 20-foot burst (DC 33 basic Reflex save). The irlgaunt can't Regurgitate Gastroliths for 1d4 rounds. Stone Step/Stone Step The irlgaunt ignores difficult terrain composed of rocks and stone. 追加の知識:Irlgaunt Religion Irlgaunt Religion A small number of irlgaunts actively worship Rovagug , whom they believe to be the progenitor of their species. Instead of living solitary lives, these chaotic evil irlgaunts form cabals that inhabit deep fissures, transforming them into grisly temples by decorating them with the corpses of their sacrifices. They also decorate their own bodies by carving prayers into their chitin and painting themselves with crude and disturbing images. Some claim these runes grant them divine powers of protection and the ability to summon Rovagug's otherworldly kin.
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【Tags H Kaito Meiko Shigotoshite-P tD tT】 Original Music title 東ノ暁 西ノ黄昏 English music title The Dawn in The East, The Dusk in The West Romaji music title Higashi no Akatsuki Nishi no Tasogare Music Lyrics written, Voice edited by hinayukki / 仕事してP(Shigotoshite-P) Music arranged by hinayukki / 仕事してP(Shigotoshite-P) Singer(s) Meiko, Kaito Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain): The gold shining brightly far away makes me dazzled as it is to rise. The dawn in the east shines palms of my hands giving shades for my eyes. The crimson waverng and going down on his way forward to tomorrow is in his orbit. The dusk in the west sprinkles faint stardusts in the twilight bit by bit. I live in the passage of time he repeats it over and over, day after day. And I, the white-shined luna, appear myself again from behind the clouds in the gray. Ah, you, my inverse, I always alternate with you whether I diappear or appear. I can never follow your figure as you rises and sets, you, my dear. In the cold sky I shed tears of the stardusts shining faintly. For I ll be alone in the sky tonight again, pray shine me strongly. Even our relations are so slight, I want to keep them as long as I live through. Even for a moment I want to share the time with you. As the light rising in the east and setting in the west goes through, play this tune which shall disappear in the heavens and never be listened to. Pray shine me strongly with your dazzling light all the time whether I am full or on the wane. For I ll be alone in the sky tonight again. You, the dawn in the east, the dusk in the west, my inverse, pray shine me strongly. For I can never shine by myself thoroughly. Romaji lyrics (transliterated by blacksaingrain): Haruka kanata ni hikari kagayaku noboru ougon hitomi mabusiku, Aoida ryou no te no hira wo terasu higasi no akatsuki. Asu he mukaite sizumi otiyuku yureru kurenai en wo egaite, Usuakari ni awaku hosikuzu tirasu nisi no ougon. Ikudo naku hibi kurikaesu toki no nagare ikite, Koyoi mo kumoma ni izuru ha siroki taiin. Kieru toki mo izuru toki mo surechigau ai irenu mono yo. Nobori otiru sono sugata wo oikakeru koto mo kanawanu. Kono samuzora ni wazuka bakari kagayaku hosikuzu no namida kobosi, Koyoi mo hitori sora ni ukabu watasi wo terasite okure. Hon no sasaina tsunagari wo itsumademo mamotte itakute, Hon no wazukana jikan demo onaji toki wo. Higasi kara nisi he to nobori otiteiku hikari he, Sora ni kakure kikoeru koto naki uta wo kanade yo. Mitiru toki mo kakeru toki mo taezu sono mabayuki hikari de, Koyoi mo hitori sora ni ukabu watasi wo tuyoku terasite okure. Higasi no akatsuki yo, nisi no tasogare yo, aiirenu mono yo. Hitori deha kagayakenu yowai watasi wo tsuyoku terasite okure. [hinayukki, Shigotoshite-P, ShigotoshiteP]
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CHAPTER XXXV UP CHAPTER XXXVII CHAPTER XXXVI The Glory and the Dream On the morning when the final results of all the examinations were to be posted on the bulletin board at Queen s, Anne and Jane walked down the street together. Jane was smiling and happy; examinations were over and she was comfortably sure she had made a pass at least; further considerations troubled Jane not at all; she had no soaring ambitions and consequently was not affected with the unrest attendant thereon. For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. Anne was pale and quiet; in ten more minutes she would know who had won the medal and who the Avery. Beyond those ten minutes there did not seem, just then, to be anything worth being called Time. "Of course you ll win one of them anyhow," said Jane, who couldn t understand how the faculty could be so unfair as to order it otherwise. "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I m not going to march up to that bulletin board and look at it before everybody. I haven t the moral courage. I m going straight to the girls dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. If I have failed just say so, without trying to break it gently; and whatever you do DON T sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen s they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls dressing room amid hearty cheers. "Oh, Anne I m so proud! Isn t it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane "Oh, won t Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner. "Reckon you re glad we kept her, Marilla?" whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It s not the first time I ve been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren t you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it s so good to be back again. It s so good to see those pointed firs coming out against the pink sky-- and that white orchard and the old Snow Queen. Isn t the breath of the mint delicious? And that tea rose--why, it s a song and a hope and a prayer all in one. And it s GOOD to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were INFATUATED with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I ve so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I m tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You ve done splendidly, Anne. I suppose you won t be teaching now that you ve won the Avery?" "No. I m going to Redmond in September. Doesn t it seem wonderful? I ll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn t it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can t afford to send him to college next year, after all, so he means to earn his own way through. I expect he ll get the school here if Miss Ames decides to leave." Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn t," said Marilla in a troubled tone. "He s had some real bad spells with his heart this spring and he won t spare himself a mite. I ve been real worried about him, but he s some better this while back and we ve got a good hired man, so I m hoping he ll kind of rest and pick up. Maybe he will now you re home. You always cheer him up." Anne leaned across the table and took Marilla s face in her hands. "You are not looking as well yourself as I d like to see you, Marilla. You look tired. I m afraid you ve been working too hard. You must take a rest, now that I m home. I m just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It s not the work--it s my head. I ve got a pain so often now--behind my eyes. Doctor Spencer s been fussing with glasses, but they don t do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I ll have to. I can t read or sew with any comfort now. Well, Anne, you ve done real well at Queen s I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn t believe in the higher education of women at all; she says it unfits them for woman s true sphere. I don t believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father s and he d always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he d think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad s Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You ve been working too hard today, Matthew," she said reproachfully. "Why won t you take things easier?" "Well now, I can t seem to," said Matthew, as he opened the yard gate to let the cows through. "It s only that I m getting old, Anne, and keep forgetting it. Well, well, I ve always worked pretty hard and I d rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I d be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I d rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that-- rather than a dozen boys. Well now, I guess it wasn t a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I m proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXV UP CHAPTER XXXVII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 12 41 (Tue)
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UNGRA(アングラ)は、2007年に東北大学軽音サークル「ストレンジャーズ」において結成されたメタルバンドである。 バンド名はメンバーが好きなブラジルのメロディックメタルバンド「ANGRA」を文字って付けられた。しかし実際にANGRAの楽曲を演奏したことはなく、2008年11月にはHILLIA(非リア)と改名することとなった。なおHILLIAとはギリシャ神話に登場する根暗神「ΠΙΛΛΙΑ」(ピリア)」が元になっているという説が最も有力であるが詳細は公表されていない[要出典]。 <過去の業績> 2007年 夏定(7月7日@enn) Rock n Roll Over/Mr.BIG Tornado of Souls/Megadeth 有心論/Radwimps みかんのうた/Sex Machineguns 幅広いジャンルが特徴 夏のE棟ライブ(笑)(9月12日@Ripple) Monkey Business/Skid Row Slave to the Grind/Skid Row 18 & Life/Skid Row The Threat/Skid Row 実は一番多くやってるskidrow 学祭(11月2日~4日) Through the Never/Metallica Master of Puppets/Metallica 18 & Life/Skid Row Monkey Business/Skid Row Batteryに挑むも直前に断念orz... 冬のE棟ライブ(笑) Anthem/Trivium Ignition/Trivium Entrance of the Configration/Trivium The Rising/Trivium トリビーーーム!! 2008年 冬定(3月15日@enn) Anthem/Trivium Ignition/Trivium Entrance of the Configration/Trivium The Rising/Trivium 急遽佐野さんに歌ってもらった伝説 夏定(7月19日@enn) Big Guns/Skid Row Sweet Little Sister/Skid Row I Remember You/Skid Row Youth Gone Wild/Skid Row わずか2回の練習で乗り切った 以降HILLIA時代へ続く
https://w.atwiki.jp/hellgate_london/pages/75.html
フォーラムで話題になっているThe Abyss Chroniclesを含む、今後のアップデートに関する公式発表です。 原文はこちら The Lowdown On Upcoming Updates おそらく、Hellgaterたちが我々のフォーラムでもっとも興味をもち、もっとも需要の多い情報はHellgate Londonの今後に関する洞察でしょう。Games Developer Conferenceの初日以降に、その話題に関わるビッグスクープを提供したいと思っています。今回は簡単に、次の3つのHellgate:Londonのアップデートについてベールを剥いで明らかにしましょう。個々のパッチ内容については開発途中であり、変更の可能性があるので、正式なPatch Noteが出るのを注目していてください。 Patch 1.2 アイテムを添付できるゲーム内メールの実装。 Marksman skillの修正。 多くのバグ修正。 以前伝えたMarksmanへの大幅変更に加え、Patch1.2では多くの人に望まれたゲーム内メールや、多くはコミュニティで報告されたバグ修正が含まれる。 Patch 1.3 新しい機能的なペット フレンドリストのプレイヤーへのワープ機能 エモート。 キャラクターの頭上に吹き出しが出る機能。 パーティメンバーのレベルとクラスの表示 他のプレイヤーの装備を見れるようになる。 アイテムの情報をチャット欄に簡単に貼り付けることができるようになる。Link items into the chat. 重なるアイテムを、必要個数に分けることができるようになる。 This patch will introduce a host of features designed to enhance the Hellgate experience. Not only will you now be able to check out your teammates armor and weapons, items will be able to be "linked" into the chat window, allowing other players to see their statistics with ease. Emotes will provide new depth to interacting with your fellow Hellgaters as will text bubbles. All in all, Patch 1.3 offers a bevy of new features. "The Abyss Chronicles" (Patch 2) グループPvP、PvPゲーム、PvPランキング ”終わりなき”ダンジョンThe Abyss Big Ben/Parliament Square adventure area. 3種新しいベースタイプのモンスター 5つの新しいBOSSモンスター すべてのクラスに新スキル追加 すべての職用の新しいハイエンドアーマー 全職用の新しい武器 Consignment house(アイテムトレード) 共有倉庫 インスタンスの切り替え Our biggest major content update yet (well, until the next Chronicle). Sizable additions to the PvP department, seriously unique skills for all classes, new armor and weapons for all factions, new monster types, new bosses... Oh, and then there s the consignment house and shared stash. Big? This content update is HUGE. Now for some glimpses at the sights to be seen when you enter... The Abyss Chronicles! As we re providing all this information in advance of the features being fully developed, applied, and quality tested, these lists are subject to some change but do serve as an upcoming content schedule.
https://w.atwiki.jp/bemanimusicwiki/pages/1550.html
2003/06/25 稼動開始2003/09/10 beat#2 開始 2004/02/18 コンバージョン:beatmania IIDX 10th style移行 新規収録:60曲(復活再収録:28曲) 収録総数:全260曲 稼働日数:238日 ジャンル タイトル アーティスト 備考 beatmania IIDX 9th style TRANCE CORE Abyss -The Heavens Remix- dj TAKA/remixed by Ryu* RAVE ACT RAM ELECTRONICA ADVANCE SLAKE ENSEMBLE ATOMIC AGE SHUNZZY NRG BAD BOY BASS!! (dj Remo-con MIX) Y Co. SPIRITUAL bag Reven-G beat#2解禁曲03/09/10 解禁 ULTRA ROCK BEAT Be Rock U (1998 burst style) NAOKI TECHNO BLEEDING SLAKE ROCOCO TEK BRIGHTNESS DARKNESS SPARKER FRENCH BOSSA CHARLOTTE Db.Saka feat. Piasa HEALIN HARDCORE Cradle positive MA feat.akino MIXTURE Distress dj TAKA/remixed by TaQ ELECTRO POP Dreamin Sun Yu Takami TRANCE e-motion 2003 -romantic extra- e.o.s/remixed by dj TAKA TECHNO ECHOES DRAGOON LATIN GROOVE FESTA DO SOL Mt.Circle FUNK SHUFFLE fun Mr.T TURKISH PIANO N BASS Golden Horn Osamu Kubota POPS Honey good-cool EUROBEAT HYPER EUROBEAT (2DX style) NAOKI feat.PAULA TERRY EXTREME GRANGE I can fly,I ve got reason Yu Takami EUROBEAT I Was The One (80 s EUROBEAT STYLE) good-cool/remixed by NAOKI EUROBEAT I m In Love Again -Y&Co. EURO MIX- dj TAKA/remixed by Y Co. エントリーカード隠し曲:9th styleデザイン03/09/10 解禁 DRUM N BASS Karma TaQ TRANCE Let the Snow Paint Me -Y&Co. Remix- Sana/remixed by Y Co. LOLIPOP Let s say Hello! Takuma Saiki SOUL lights flare TECHNO Logic Board dj nagureo beat#2解禁曲03/09/10 解禁 FORKTRONICA LOVE IS DROWING SLAKE feat.EMIKO 条件隠し曲03/09/10 解禁 J-HAPPY HARDCORE LOVE♡SHINE 小坂りゆ beat#2解禁曲03/09/10 解禁 TECHNO lower world D.J.SETUP GOSPEL Make A Difference Lala Moore with CoCoRo*Co EUROBEAT MARIA (I believe...) NAOKI feat.PAULA TERRY POST ROCK moon_child 少年ラジオ HARDCORE RAVE one or eight sampling masters AYA HOUSE OVER THE CLOUDS -Flying Grind mix- Lala Moore/remixed by Flying Grind JUNGLE MIXTURE PARANOIA survivor MAX 290 EXTRA STAGE03/09/10 解禁 TRANCE POWER DREAM PINK PONG TRANCE Prelude NAOKI underground TRANCE quasar OutPhase ONE MORE EXTRA STAGE03/09/10 解禁 PSYCHEDELIC Quickening dj TAKA beat#2解禁曲03/09/10 解禁 R B Really Love 大部真由美 ELECTRO 2 STEP RISLIM -Remix- ric/remixed by Hisashi Nawata GABBA rottel-the-Mercury sampling masters MEGA HAPPY HANDBAG Silvia Drive Noria DRUM N BASS SNOW RAM beat#2解禁曲03/09/10 解禁 TRANCE STAR FIELD SADA HAPPY HARDCORE Sweet Sweet ♡ Magic jun 条件隠し曲03/09/10 解禁 HIP HOP SWEETEST SAVAGE ASLETICS TECHNO SWITCH RAM FILTER HOUSE The Biggest Roaster D.J. Spugna ELECTRINICA The end of my spiritually EeL 2 STEP traces -tracing you mix- TaQ/remixed by kors k feat. U EUROBEAT Two DAYS OF LOVE tiger YAMATO with マイク吉川 feat.ma-sa EPIC HOUSE u gotta groove -extend joy style- dj nagureo/remixed by Mr.T US HARD HOUSE WANNA TELL THAT WORD SADA HOUSE Your Body good-cool feat. Andrea L.Hopkins テクノチョップ 昭和企業戦士荒山課長 AKIRA YAMAOKA HOUSE 真夏の花・真夏の夢 Sana 条件隠し曲03/09/10 解禁 ボデー ライオン好き AKIRA YAMAOKA 復活再収録 HOUSE 19,November good-cool エントリーカード隠し曲:03/09/10 解禁 GABBA 250bpm AKIRA YAMAOKA エントリーカード隠し曲:03/09/10 解禁 HYPER EUROBEAT Broken My Heart NAOKI feat.PAULA TERRY エントリーカード隠し曲:03/09/10 解禁 HIPHOP CHECKING YOU OUT good-cool feat. JP Miles DUTCH TRANCE Clione kors k TECHNO Cold Pulse QUADRA with DJ FX エントリーカード隠し曲:03/09/10 解禁 BIG BEAT Electro Tuned (the SubS mix) TaQ エントリーカード隠し曲:03/09/10 解禁 DRUM N BASS empathy TaQ DANCE SPEED END OF THE CENTURY NO.9 DANCE EXPRESS Hi-Speed FANTASY ULTIMATE DUB エントリーカード隠し曲:03/09/10 解禁 BIG BEAT GAMBOL SLAKE エントリーカード隠し曲:03/09/10 解禁 TRANCE GENOM SCREAMS L.E.D.LIGHT エントリーカード隠し曲:03/09/10 解禁 DRUM N BASS gentle stress DJ Swan エントリーカード隠し曲:03/09/10 解禁 HIPHOP IIDX DJ SIMON エントリーカード隠し曲:03/09/10 解禁 DANCE EXPRESS Hi-Speed JIVE INTO THE NIGHT CYDNEY TECHNO KAMIKAZE dj nagureo HYPER EUROBEAT Kiss me all night long NAOKI J-STYLE feat.MIU エントリーカード隠し曲:03/09/10 解禁 TRIBAL HOUSE Macho Gang ANAL SPYDER MINIMAL minimalian Detroian エントリーカード隠し曲:03/09/10 解禁 CELTRANCE NORTH WALL5 ALTERNATIVE ROCK Prince on a star SPIRITUAL RIDE エントリーカード隠し曲:03/09/10 解禁 TECHNO QQQ TaQ INSTRUMENTAL Regulus DJ.W TRANCE REINCARNATION dj TAKA SPIRITUAL SOFT LANDING ON THE BODY DJ SIMON エントリーカード隠し曲:03/09/10 解禁 HYPER EUROBEAT STILL IN MY HEART NAOKI RAVE tablets sampling masters MEGA エントリーカード隠し曲:03/09/10 解禁 INSTRUMENTAL Take It Easy Aya エントリーカード隠し曲:03/09/10 解禁
https://w.atwiki.jp/ddr_dp/pages/428.html
Ska Ska No.3(激) 曲名 アーティスト フォルダ 難易度 BPM NOTES/FA(SA) その他 Ska Ska No.3 亜熱帯マジ-SKA爆弾 SN 激10 138 246 / 0 STREAM VOLTAGE AIR FREEZE CHAOS 57 57 0 0 35 楽譜面(4) / 踊譜面(8) / 激譜面(10) / 鬼譜面(-) 属性 地団駄、リズム難 譜面 http //www.ddr.sh/steps/basic/s/ska_no3/8m_ska_no3_a_d.html プレイ動画 https //www.youtube.com/watch?v=0kkianqCUeQ (x2.5, NOTE) 解説 裏打ちだらけの譜面。視覚的に焦るかもしれないが、それぞれの矢印の間隔はほとんどが四分。焦らずしっかりと踏もう。 -- 名無しさん (2010-02-24 22 31 13) SPにあった縦連と同時ラッシュは丸々無くなっており簡易化…と思いきや、SPには無かった16分が点在し、特に二度目のサビ直前の16分5連>>3連>5連の地団駄ラッシュは三度目の入りが交互に踏めない難所。パフェ詰め域になるとSPよりスコア難だったりする -- 名無しさん (2014-02-19 22 51 54) レーダー値AIR0のFRE0であるが、最後に黄色同時があるので注意 -- 名無しさん (2015-07-28 00 12 14) 名前 コメント コメント(私的なことや感想はこちら) SPはラストにDROP OUT激並の同時地帯があったが、DPは終始裏打ちだらけでSPよりは多少踏みやすいか。 -- 名無しさん (2012-08-14 12 45 22) 名前 コメント
https://w.atwiki.jp/niconicomugen/pages/11092.html
「ヤァーッ!!」 バットさんやスタン・リー氏等を製作したkidthunder氏(kidthomas氏)によるオリジナルキャラクター。 現在は某所で公開されている。読みは恐らく「カトリーン・レスリー」。 格ゲーにおける多くのバスケットマンとは異なり、常にドリブルをしているニュートラルポーズなため、少々やかましい。 バスケットマンのルール的には正しいが 音源は不明ながら掛け声も実装されている。 性能 操作方法は4ボタン方式。 通常技はやや隙が大きめなものの、蹴りは下段攻撃なため、反撃を喰らいにくい。 必殺技はボールを投げ付ける飛び道具「basketball」と、対空技の「circle_kick」で波動昇龍が揃っている。 超必殺技はボールをリフティングした後、真っ直ぐに飛ばす「super_basketball」と、乱舞技の「Combo Attack」。 前者は隙が大きいため離れて使う事を推奨する。後者は4割近く持っていく威力を持つ。 AIは未搭載。 出場大会 「[大会] [Kathrin_Leslie]」をタグに含むページは1つもありません。