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Craracked.com The 8 Most Terrifying Restaurants from Around the World世界中で最も恐ろしい、ゾッとするような８つのレストラン #8.Guo-Li-Zhuang A Penis Buffet第八位 Guo-Li-Zhuang という名のペニスビュッフェ #7.Cannibalistic Sushi第七位 食人寿司 #6.Dinner In The Sky第六位 空中での食事 #4.Modern Toilet第四位 近代的なトイレ #3. Eternity第三位 Eternity(永遠) #2. Fortezza Medicea第二位 メディチ要塞 #1.“Roppongi”第一位 「六本木」 ソースロンダリングの経路#7.Cannibalistic Sushi の経路 #1.“Roppongi” の経路 関連ページ Craracked.com http //www.cracked.com/ America s Only Humor Video Site, Since 1958 検討：世界のニュースの中に毎日を紛れ込ませるとどうなるかでも述べているように、事実のなかに嘘を紛れ込ませると、嘘も事実に見えてくることがあります。 これは大変恐ろしいことです。 The 8 Most Terrifying Restaurants from Around the World 世界中で最も恐ろしい、ゾッとするような８つのレストラン http //www.cracked.com/blog/2008/09/11/9-restaurants-designed-to-ruin-your-appetite/ 「世界の８つの恐ろしいレストラン」の1位に「六本木の…」があります。 この８つのレストランの中には、空中ワイヤー釣りレストランや刑務所レストランのように実在するものも取り上げられています。 The 8 Most Terrifying Restaurants from Around the World by Michael Swaim 世界中で最も恐ろしい、ゾッとするような８つのレストラン For centuries, restaurants have been making the same fiscal error time and time again serving delicious food at reasonable prices. Truly a recipe for fiduciary disaster. 何世紀にも渡って、レストランは同じような財政上の間違いを幾度となく犯してきました。手ごろなお値段で美味しい食べ物を提供してきたのです。 本当に、信託災難のレシピです。 Here at least are eight restaurants that understand, to truly make a profit in the food business, you want to guarantee your patrons eat as little as possible, then get the hell out. It’s called “high turnover.” Ask an economist. フードビジネスで本当に利益を上げるには、できるだけ食べない、そして急いで立ち去る常連客のご贔屓が必要だと理解している少なくとも八軒のレストランがここにあります。 『高回転率』と呼ばれています。 経済学者に尋ねてみなさい。 #8.Guo-Li-Zhuang A Penis Buffet 第八位 Guo-Li-Zhuang という名のペニスビュッフェ Are you suffering from a low sex drive? Lack confidence and virility? Love stuffing animal penises into your mouth? あなたは性欲低下に悩んでいますか？ 自信と精力が不足していますか？ 動物の陰茎を、是非にも口に含みたいですか？ If you answered “yes” to any of the above questions, Guo-Li-Zhuang may just be the lunch spot for you. Or you may just be a pervert. もしあなたが上記の質問のどれかに「はい」と答えたなら、Guo-Li-Zhuangは絶好のランチスポットになるでしょう。 もしくは、あなたが単に性倒錯者であるなら。 Assuming the former, you’ll get a blast and a half out of Guo-Li-Zhuang’s tasteful interior decoration, soothing ambient music, and kitchen full of cooked animal members. 前者だと仮定すると、あなたはGuo-Li-Zhuangの趣味のいい室内装飾に興奮に興奮を重ねるでしょう。うっとりさせる店内音楽が流れ、そして厨房は調理された動物の体の一部でいっぱいです。 And when it comes to man-meat, Guo-Li-Zhuang just can’t be beat! They’ve got horse penis, goat penis, dog penis, pig penis, cock cock…why, they’ve got more penis than you can shake your dick at! (Dick shaking not recommended, as you risk losing your penis to another hungry customer). ちんちんということになると、Guo-Li-Zhuangは本当に最高です！ 馬のペニス、ヤギのペニス、犬のペニス、豚のペニス、雄鶏のちんちん…なぜ、彼らはあなたが ちんちんを振って指して数えることができる以上のちんちんを扱うのでしょう！ （ちんちんを振って指すのはお勧めしません。腹を空かせた他の客に食べられてしまう恐れがありますから。） All that and balls to boot! At Guo-Li-Zhuang, you can get any dick with testicles on the side; the way God intended. Would you like pig balls with a goat dick? Done. そういったものから、おまけに睾丸にいたるまで！ Guo-Li-Zhuangではあなたは、神が意図して創られた形のままの、いかなる ちんちんも、睾丸を添えて頂けますよ。 豚の睾丸の、ヤギのちんちん添えですね？かしこまりました。 Dog penis with one horse ball and one rooster ball? Why the hell not? A big horse cock and two tiny chicken balls? Hilarious! 馬とオンドリの睾丸が添えられた犬のペニスはどう？ は？それは嫌いなの？ じゃあ、でかい馬のちんちんと二つの小さな鶏の睾丸はどう？ 爆笑！ Or why not indulge yourself with the “man’s mighty meal,” a plate of three floppy dicks and eight？count‘em eight!？swollen testicles, guaranteed to give you back your virility or send you screaming into the streets. というか、何故「男性用のすんごい食事」に耽溺しないのですか？三本の柔らかなちんちんと、八個の、いいですか、数えてください。八個の！膨れあがった睾丸との盛り合わせ、この料理はあなたに精力を取り戻させてくれて、ひゃっほお！と快哉を挙げながら街に繰り出させてくれること間違いなしですよ。 Guo-Li-Zhuang? More like Chow-On-Wang! Ordering sausage and eggs for breakfast just got a little more interesting. Guo-Li-Zhuang?それよりも、”ちんちん-を-食べる”って店名の方がそれっぽいじゃん! （西洋人がよく朝食に食べている）ソーセージと卵をこのレストランでオーダーしたら、（ちんちんとタマタマだらけの メニューなわけだから、）ちょっと面白い経験が出来ますよ。 #7.Cannibalistic Sushi 第七位 食人寿司 For many Americans, eating rolls of raw fish can be a tough sell. 多くのアメリカ人にとって、生魚の巻き物を食べることは受け入れ難いことであるかもしれません。 But if you’re one of the thousands of open-minded Yanks who’ve fallen under the spell of sushi in recent years, then what better way to totally ruin it for yourself than eating it out of a dead person? しかし、もしあなたが、寿司の魅力のとりこになる、生魚に偏見の無い近年の数千人のアメリカ人の内の一人だったなら、死んだ人間を材料にして作られたものを食べる以上にあなた自身を完全に零落させる方法があるでしょうか。 At Cannibalistic Sushi, an edible body is wheeled out to your family on a gurney, along with as much scotch as you need to disinfect your forks and convince yourself that this was a good idea. 食人寿司では、食用の死体がストレッチャーに載せられてあなたの家族の前に運ばれてきます。フォークを消毒するために、そして、これはいい考えなんだと自分自身を納得させるためにあなたが必要とするだけの分量のスコッチと一緒に。 Then, it’s time to dig in! Whether you’re using chopsticks, a knife and fork, or your bare hands, one thing’s for certain you’ll be feasting on the entrails of a human being. さあ、かぶりつく時間だぞ！ 箸を使おうが、ナイフとフォークを使おうが、手づかみだろうが、1つだけ確かなことがある。あなたは人の内臓のごちそうを食べるだろうことです。 The artisans at Cannibalistic Sushi have taken pains to ensure that the human body you are ripping into is as lifelike as possible. 食人寿司の職人は、あなたが食い付いている人体が、確実にできるだけ実物そくりになるようにするために苦心しています。 The sushi inside is shaped to resemble human organs, a red “blood sauce” is embedded in the skin layer so as to create realistic bleeding, and your corpse even has a set of papier mache genitals! It’s like your third grade arts and crafts project all over again. この寿司の内部は、人間の内臓に酷似するようにつくられます。そしてその皮膚の表面薄層には、赤い「血液ソース」が、現実的な出血を引き起こすために、埋め込まれています。そして、あなたに提供された死体には、ひととおりの張り子の性器がありさえします! それは、あなたの小学3年生の図工の時間の再演のようです。 If you’re an experienced cannibal, make sure to specify a male or female corpse when ordering, and show the other diners just how sophisticated your taste in human flesh is. あなたが経験豊富な人食い人種であるなら、死体を注文するときには、男性のものか女性のものかを忘れずに指定して、あなたの人肉の趣味がいったいどれくらい洗練されているのかを他の客に示してください。 And although eating at Cannibalistic Sushi may not quell the voices in your head that command you to kill and devour those around you, it will certainly shut them up for a day or two. ああ、食人寿司で食事する程度では、あなたの頭の中の、あなたの周りの（人間）を殺して、むさぼり食えと命令する声は静まらないかもしれませんが、ここで食事することは確かに1日か2日間は、その声を止めてくれるでしょう。 Confuse your inner psychopath by making a reservation at Cannibalistic Sushi today! 食人寿司を予約することによって、あなたの内なる狂人をごまかしてください！ #6.Dinner In The Sky 第六位 空中での食事 Not a restaurant in the true sense, Dinner In The Sky is more of a philosophy. The philosophy that if food tastes better outdoors, then it will taste even better than that suspended thirteen stories in the air. 言葉の真の意味においてのレストランではなく、Dinner In The Sky はむしろ哲学です。 食物は屋外でより美味しいのだとする哲学なら、ひいては空中１３階に吊り下げられてのそれは、それよりさらに一層美味しいでしょう。 By making a reservation, you can guarantee you and up to 21 guests the dining experience of an extremely bizarre lifetime. At the appointed date, a Belgian crane will come and hoist your table, seats, waiters and even an entertainer into the air for a two-hour meal. The food is exceptional, and the entertainment consists of a man on all fours clutching at the ground and weeping until you are once again lowered. 予約を入れることによって、あなたはあなたと最大２１人までのゲストに極端に奇抜な、生涯にまたとない食事の経験を保証できます。 約束の日付に、ベルギーのクレーンが来てあなたのテーブル、座席、ウエイターそしてエンターテイナーまでもを、二時間の食事のために高く吊り上げるでしょう。 食事は秀逸で、そしてエンターテイメントは、あなたが再度下げられるまで四つんばいになって地べたを掴もうとしてシクシク泣いている男性から成り立ちます。 With Dinner In The Sky, you will truly experience all the labia-clenching terror that height has to offer. Your seats are groundless, leaving your legs dangling in the breeze, a testament to man’s refusal to not do crazy things that affront God. You are harnessed in however, so diners should be sure to evacuate their bowels before boarding, or else risk giving someone below the worst day of their lives. Dinner In The Skyでは、あなたは本当に、高さが提供せざるを得ない全ての唇を引き結ぶ恐怖を体験するでしょう。 あなたの座席は根も葉もなく、あなたの脚をそよ風の中に踊らせたままにしておきます、 神様を侮辱する正気でない振る舞いをしないという、人間の辞退の証です。 あなたはハーネスを着けられてはいますが、なので食事客は必ず搭乗前に彼らの腸を空にしなければなりません。さもなくば、リスクが誰かに、彼らの人生最悪の日よりも悪いものを与えるでしょう。 At 130 feet in the air, depending on your location, you can expect wind, fog, rain, and low flying birds to add a healthy sense of atmos-fear to your meal. And if by chance a romantic thunderstorm should swell, rest assured that you are fastened to a 130 foot-tall metal rod. 空中１３０フィートのところで、あなたの所在地次第で、あなたは風、霧、雨、そして健康的な「大気」(*1)の感覚をあなたの食事に加えるために低く飛ぶ鳥たちを期待できます。 そしてもし偶然にもロマンティックな激しい雷雨がうねることがあったなら、１３０フィートの高さの金属の棒に縛りつけられての休憩が保証されます。 #4.Modern Toilet 第四位 近代的なトイレ If you’re still eating at Old Fashioned Toilet, you’re woefully behind the times, and let’s not even discuss Chamber Pot and The Outhouse. The fact is, today’s modern world demands a modern toilet?for sitting on while eating, for eating out of, for…actually that’s all the toilet uses we can really remember. もし貴方がいまだに旧式トイレで食事しているのなら、あなたは痛ましいほどに時代に遅れなので、尿瓶と屋外トイレについて議論することさえやめておきましょう。 実際は、現今の現代世界は、近代的なトイレを要求しているんですよ？食べている間に座るために、そこから取って食べるために、それと…実のところは、それは私たちが実際に思い出すことができる、そのトイレの用途の全てです。 Thank heavens, then, that the Modern Toilet restaurant has seen fit to outfit their restaurant with only the most modern plastic lids, fuzzy seat covers, and fine ceramic bowls, and then filled those bowls with a hot steaming pile of soup. And all Modern Toilet restaurants are co-ed, so don’t fret; your hubby won’t miss watching you guzzle soup out of a urinal, head held low while drops of broth splatter onto your face. あーよかった、それなら、そのモダン・トイレ・レストランは、彼らのレストランに、最もモダンなプラスティック製の蓋、微毛のある便座カバー、そして素晴らしいセラミック製の便器のみを取り付けて、そしてその次にはそれらの便器を湯気が出るほど熱いなみなみのスープで満たすのに向いています。 そして、全てのモダン・トイレ・レストランは男女共用なので、あなたの夫が、あなたが尿瓶からスープをガブガブ飲み、ブロスの滴があなたの顔にはね散るのにもかかわらず、頭を低く持って行くのを見逃そうとしなくても、イライラしないで下さい。 And if the thought of eating a soup of yellow broth and chunks of cooked beef out of a toiled bowl seems less than appetizing to you, not to worry! Simply drop the soup into the toilet that is your seat, and flush it away. そして、黄色いブロスのスープと 調理された牛肉の大きな塊を便器から取り出して食べるという考えが、決してあなたの食欲をそそりはしないように思えたとしても、ご心配には及びません！ 単に、あなたの座席であるトイレにスープを放り込むと、それを水で洗い流してしまいますから。 Of course, the toilets aren’t functional, and a waiter will be along shortly to escort you off the premises. But at least you didn’t have to eat the shit soup! Instead, you can skip straight to dessert, a heaping helping of chocolate soft serve, fresh out of the bowl. もちろん、そのトイレは 機能するものではありませんし、ウエイターはすぐさま、あなたを部屋の外へエスコートするために来るでしょう。 しかし少なくとも、あなたは大便スープを食べずとも済んだのです！ 代わりに、あなたは、品目を飛ばして、便器に絞られた山盛りのチョコレートソフトクリーム一盛りのデザートに進むことができます。 So go out and spread the word about Modern Toilet, if only because you don’t want a confused mall patron running in and pissing into your Chicken Curry. 出かけて、モダントイレに関する噂を広めなさい。混乱したショッピングセンターのパトロンが駆け込んできて、あなたのチキンカレーに小便して欲しくだけはないのなら。 #3. Eternity 第三位 Eternity(永遠) If you’re anything like us Cracked writers, you can’t count the number of times you tried to cheer up a friend after a death in their family by surprising them with a trip to Chuck E. Cheese’s. And no matter how many times they run out of the building screaming, it never stops being funny. もしあなたが、私たちのような頭のおかしいライターに似ているところがあるなら、チャッキーチーズへの旅行によって驚かせて、家族を急に喪った友人を励まそうとした回数は数えられないほどでしょうし、そこで友人が何度 泣き叫びながらビルから走り出ても、旅行が愉快なことは決して変わりはしないでしょう。 Luckily, most will forgive you if you present them with an eighty-ticket unbreakable comb you won playing skee-ball. 幸いなことに、あなたがチャッキーチーズのスキーボールで獲得したポケットコーム（チケット８０枚相当分の景品です）をプレゼントしたら、彼らのほとんどはあなたを許すでしょう。 But if you’re not like us Cracked writers, you may want to mourn their recent loss at a place more befitting the occasion. しかしもし貴方が、私たちのような頭のおかしいライターではないのなら、あなたはおそらく、もっとその出来事に相応しい場所で、彼らに降りかかったばかりの喪失を悼みたいことでしょう。 Enter Eternity, the restaurant designed for people who have lost a loved one, and don’t want to move on any time soon. Eternityに入ると、このレストランは愛する人を亡くして、今すぐには気持ちを切り替えたくはない人々向けにデザインされています。 The windowless, coffin-shaped cafe is also an ideal dining destination for those who would like to recall the dead, but live far from a cemetery and find their remembrances go well with a banana nut muffin, not to mention goth kids and weird loners. 窓の無い、棺の形をしたカフェは、死者を思い出したいのだけれど、墓地から遠いところに住み、 バナナナッツマフィンが回想を順調にさせると気づいた人向けの理想の食事目的地でもあります。野蛮なガキどもや孤独好きな奇人向けであることは言うまでもなく。 The restaurant features funeral wreaths, white lilies on each table, and walls made of what appears to be black plastic, in case you happened to bury your mother in a garbage bag. このレストランは葬儀用の花輪、各テーブルに活けてある白百合、そして黒いプラスチックで出来ているように思われる壁、を呼び物にしています。あなたが母親をゴミ袋に埋葬するはめになるといけないので。 Although if that’s the case, we’ve got some grisly news for you involving wolves and dismemberment. もしゴミ袋に埋葬する気なのだとしたらですが、私たちは泥棒と切断に関するいくつかの身の毛もよだつような情報を所持しています。 In fact, you might want to sit down for this. Banana nut muffin? 実のところ、あなたはこれのために座りたいのかもしれない。バナナナッツマフィン？ #2. Fortezza Medicea 第二位 メディチ要塞 This exclusive restaurant in Voltera, Italy has tables booked weeks in advance. In order to secure a table, you and your guests will need to call ahead, submit to full background checks, and, once on premises, the maitre d’ and his helpful staff will frisk you and take your cell phones and anything else they deem a risk. このイタリアはボルテラ(*2)にある高級レストランは、テーブルを何週間も前に予約されます。 テーブルを確保するためには、あなたとあなたの招待客は事前に電話する必要があるでしょう、完全な身元調査を提出し、そして、一度 店に来たなら、支配人とその有能なスタッフがあなたのボディーチェックをし、あなたの携帯電話と、その他の彼らが危険だと考えたものを取り上げるでしょう。 Why the precautions? Is it because their chicken parmesan is so delicious, patrons have been known to storm the kitchen, threatening the life of the cook staff lest they reveal what Hell-demon they blew to get the recipe? Yes, but also because Fortezza Medicea is a maximum security prison. その予防措置は何のためなのか？ 彼らのチキン・パルメザンがとても美味で、常連客は台所を攻撃することで知られていて、調理スタッフの人生を脅かしていて、レシピを手にするために地獄の悪魔が襲撃するといけないからだということを彼らが明かしたからなのでしょうか？ ええ、何故ならFortezza Mediceaはまた、最高レベルのセキュリティーの監獄でもあるからです。 Not only is it a prison, but the wait staff and cook staff are all convicted inmates. The head chef is doing life for murder, as is the piano player Bruno (Bruno will take no requests. Do not speak to or make eye contact with Bruno). The cooking is accomplished entirely with plastic utensils, for the safety of the customers, and added “casual” feel of the establishment. Why, dining at Fortezze Medicea is just like having a picnic! A picnic with the mafia! そこは監獄であるだけではなく、給仕スタッフと調理スタップは全員が有罪判決を受けた囚人です。 料理長は殺人による終身刑に服している、ピアノ演奏者のブルーノです。 （ブルーノはリクエストを受け付けはしないでしょう。 決してブルーノとしゃべったり、目線を合わせたりしないように） 調理は完全にプラスチックの器具で行われます、顧客の安全のために、そして施設の雰囲気に「カジュアルさ」を加味するために。 なぜ、Fortezze Mediceaでの食事はまるでピクニックに出かけているかのようなのでしょう！ マフィアと一緒のピクニック！ But not to worry; while you eat, you will at all times be under the hawk-like gaze of 20 prison warders, just waiting for an inevitable violent escape attempt. Will you be taken hostage at (plastic) knife-point, used as a human shield by a convict, or simply gunned down in the cross fire? It all adds to the deliciousness of their signature red wine sauce. けれど心配無用です。あなたが食べている間、あなたは常に不可避である暴力による脱走の企てをただ待っている２０名の看守の、鷹のごとき注視の元にあります。 あなたは(プラスチックの)ナイフの刃先で人質に取られ、人間の盾として囚人に利用される、つまり容易く十字砲火の凶弾に倒れる気はありませんか? それはすべて、彼らの特製赤ワインソースの美味しさを増幅させます。 Shanks, Fortezza Medicea, for proving that even killers-for-hire can make an alfredo sauce that’s to die for! ありがとう(*3)、雇われ殺人者であっても、死ぬほど食べたいアルフレイドウ・ソース(*4)を作れるのだと証明するためのFortezza Medicea！ #1.“Roppongi” 第一位 「六本木」 The last restaurant on our list is so exclusive, it doesn’t even have a name. 私たちのリストに載っている最後のレストランは、本当に排他的で、名前さえありません。 To eat there costs between two to eight thousand dollars, and you must be a member (to qualify as a member, you must have a yearly income in excess of $175,000…well, in Yen). ここで食事するためには、2000から8000ドルかかりますし、それにあなたは会員にもならなくてはなりません。 （会員としての資格を得るには、年収が175000ドル以上なければいけません…もちろん、円でね） It’s a secretive, controversial club located underground in Tokyo’s fashionable Roppongi District. Where you have sex with your food. 東京の洒落た六本木地区の地下に居を構えている秘密の、論議を巻き起こすクラブです。 食べ物とセックスする場所です。 Playing with your food has never been taken so literally. At the Roppongi club, you’ll get to make love to your choice of a chicken, dog, pig, or goat; male or female. At this point, unless you’ve overstepped your bounds, the animal is still alive, and presumably frisky. 食べ物で本当に おイタをしたことなんて、絶対に経験ないでしょう。 しかし六本木クラブでは、あなたが選んだ鶏や犬、豚、ヤギとセックスできるでしょう。オスとでもメスとでもね。 この時点では、あなたが節度を守れば、動物はまだ生きていて、おそらく元気に跳ね回っているでしょう。 Once the deed is done, you (and your family? Guests? We’re not really sure what you want to do here) retire to the dining area. 一旦、行為をしたら、あなたは(あなたの家族と一緒にでしょうか?あなたの招待客と一緒にでしょうか? 私たちはあなたがここで何をしたいのかが全く解りませんが) 食事場所に退いてください。 In a matter of minutes, you are presented with a delicious meal of roasted whatever-animal-you-just-fucked. The restaurant is not forthcoming with many details, but one imagines, largely for the sake of one’s sanity, that the animal is cleaned out first. ものの数分で、あなたは≪あなたがファックしたばかりの動物の≫、美味な炙り肉を相伴できるでしょう。 このレストランは詳細の多くを公表されていませんが、しかしほとんど私の正気のために私が推測するところでは、その動物は先に一掃されるのでしょう。 Admittedly, this exclusive dining establishment is not for everyone, but if you’re a rich person who has literally exhausted every other human experience (remember, that includes injecting heroin into your eyeball), then why not top off your life of debauchery with a humped dog? ご指摘の通り、富裕層向けのディナーは万人向けに設立されたものではありません。しかしもしあなたが、ありとあらゆる体験（体験の中には、眼球にヘロインを注入することも含まれることを覚えておいてくれ）に完全に食傷した裕福な人間なら、ヤられた犬で道楽人生を締めくくられてはいかがでしょう？ As one of the patrons (who wished to remain anonymous) stated, “the appeal of the place just came about because when people have got money and done everything else, they turn towards bestiality.” 常連客の一人（匿名希望）は述べます。「人は金を持って、あらゆる事をやりつくすと、獣姦に走るからここは魅力的なのさ」 We’re on to you, Bill Gates, Donald Trump, J.K. Rowling and Paul McCartney. Watch it. 私たちはあなたのやってることをお見通しですよ、ビル・ゲイツ、ドナルド・トランプ、J.K.ローリング、およびポール・マッカートニー。気をつけて。 ソースロンダリングの経路 #7.Cannibalistic Sushi の経路 (2006/11/08) Weird Asia News "Japanese Banquet of Cannibalism" http //www.weirdasianews.com/2006/11/08/japanese-banquet-of-cannibalism/ ↓ (2007/09/04) Pork Your Pork "Feast Like a Cannibal at the Human Banquet" http //porkyourpork.bestuncensored.com/feast-like-a-cannibal-at-the-human-banquet ↓ (2008/09/11) CRACKED.COM "The 8 Most Terrifying Restaurants from Around the World" - #7. Cannibalistic Sushi http //www.cracked.com/blog/2008/09/11/9-restaurants-designed-to-ruin-your-appetite/ #1.“Roppongi” の経路 実話GON!ナックルズ2007年9月25日号 P60-63 「エロバカ都市伝説」 ↓ (2007/09/17) Mainichi News "The Cook, the Beast, the Vice and its Lover" ↓ (2007/09/17) InventorSpot "New Restaurant Lets you Pork your Pork" http //inventorspot.com/articles/pork_your_pork_6934 http //porkyourpork.bestuncensored.com/pork-your-pork (ここにリダイレクトされている) ↓ (2008/09/11) CRACKED.COM "The 8 Most Terrifying Restaurants from Around the World" - #1. "Roppongi” http //www.cracked.com/blog/2008/09/11/9-restaurants-designed-to-ruin-your-appetite/ 関連ページ The Cook, the Beast, the Vice and its Lover WaiWaiの記事を転載した英語サイト：C
https://w.atwiki.jp/gyakusai/pages/57.html
On Lawyers and Localization, Phoenix Wright Ace Attorney Justice for Allinterview http //www.siliconera.com/index.php/2007/01/18/on-lawyers-and-localization-phoenix-wright-ace-attorney-justice-for-all-interview/ Phoenix Wright Ace Attorney quickly found a fanbase with its clever writingand unique courtroom setting. This week Capcom is released the next installmentof the Phoenix Wright series entitled, Phoenix Wright Ace Attorney Justice forAll with a slightly more mature lawyer. Minae Matsukawa the producer of Justicefor All and Janet Hsu explain what is new in the sequel and speak about thegame’s localization. Phoenix Wright AceAttorney（海外版逆転裁判）は、その面白い文章と独特の法廷システムで、多くのファンを引き込みました。今週カプコンは、AceAttorneyシリーズとして、少し成長した弁護士と共にPhoenixWright Ace Attorney Justice forAll（海外版逆転裁判2）を発売しました。Justice forAllプロデューサーの松川美苗氏と翻訳スタッフのJanetHsu氏が、ゲームの翻訳について語りました。 In “Justice for All”, Phoenix is a seasoned lawyer. What has changedbetween the events in the first game to now? Justice forAllでは、Phoenix（成歩堂）は成長をとげた弁護士です。1作目と2作目の間で何か変化はありましたか？ Minae Matsukawa (producer) Various things happened between the two games, butnothing important, per se. More than anything, we wanted to start “Justicefor All” at a point where the player would feel that Phoenix has grown andmatured a little since the first game. So while he’s not a rookie anymore, hestill doesn’t always know what to do. 松川氏：当然2つのゲームの間には、重要でないことも含めて、色々なことが起こっています。何よりも私たちは、Phoenixが成長したことをプレーヤーが感じるような雰囲気が、JusticeforAllの始まりにあると見せたかったのです。彼はもはや新米弁護士でない、いつも何をしたらよいかを知っています。 Phoenix gains a new skill in the series with help from the Fey family, theability to break “psyche locks”. How does this enhance the gameplay? Phoenixは、Fey（綾里）から、「サイコ・ロック」を破る新しい能力を得ます。これによって、ゲームはどのように進行しますか？ Minae Matsukawa Gameplay-wise, the Psyche-Lock system adds to theinvestigation segments by providing players with a chance to interact withcharacters to obtain different kinds of information that Phoenix couldn’totherwise. It also gave the investigation segments a sense of direction and apurpose. I think this enhances the investigation segments and makes them morebalanced with the courtroom portion. 松川氏：サイコ・ロックシステムは、プレーヤーにPhoenixが今まで得ることが出来なかった、異なる種類の情報を得るために登場人物と接する機会を提供することによって、探偵パートをより面白くします。探偵パートに進行方向と目的を与える役目を果たしています。これが探偵パートを強化して、法廷パートとより釣り合うようにしています。 How did you come up with the name puns for the characters in Phoenix Wright AceAttorney Justice for All? あなたはどのようにPhoenix Wright Ace Attorney Justice forAllでの各キャラクターの名前の考えましたか？ Janet Hsu (localization) Some of the names were based on the character’spersonality, background or some other aspect, and some were simply visual gags.In the case of episode 3, a lot of them were the original names Mr. Takumiwrote for the Japanese version, since the names were already English puns tobegin with. JanetHsu（翻訳担当）：キャラの個性、背景、見た目、その他の面に基づいたものです。3話では、巧氏が日本用に考えた名前が、既に英語のダジャレになっていました。 Speaking of characters who was your favorite character to write dialoguefor? キャラの会話を書くに当たって、あなたの好きなキャラは？ Janet Hsu Personally, I enjoyed writing Franziska von Karma and AdrianAndrews. Franziska actually has a lot more depth than people give her creditfor, but you’ll have to get to the end to find out why. Adrian is a very deepcharacter, and I think she is one of the more realistic and human characters ofthe game, along with Acro. Jean Pierre (JP) Kellams, who wrote episode 3, sayshis favorite character is Moe by far because he is such a stooge. Janet Hsu：個人的に、Franziska von Karma（狩魔冥）と AdrianAndrews（華宮霧緒）の会話は書いていて楽しかったです。最後までプレイすればわかりますが、Franziskaは見た目よりずっと深いキャラクターです。Adrianもまた、非常に深いキャラで、Acro（アクロ）と同様、彼女はゲームの中のキャラクターでありなが、非常に現実的な人物だと思いました。JeanPierreKellams（3話翻訳担当）は、Moe（トミー）もまた深いキャラであったので、一番好きだと言っています。 What were some of your favorite jokes or lines that you put in the game?あなたがゲームを入れた好きな冗談は何でしたか？ Janet Hsu One word chewing gum. I don’t want to spoil the scene any morethan that. Look for it in episode 4. As for episode 3, JP says he enjoyedwriting pretty much everything Moe said. His exact words were, “Moe Curls ForThe Win!” On the serious front, I loved writing the scene where a certainsomeone had a discussion with Phoenix about what it is to be a lawyer. JanetHsu：一つ目はチューインガム。ネタバレになるので詳細は話しません。4話にあるので探してください。3話に関しては、JeanPierreKellams（3話翻訳担当）がMoeが言ったすべてを書くのが楽しかったと言います。確か、 MoeCurls For TheWin! 後はシリアスな場面、Phoenixが弁護士について議論する場面を書くのが興味深かった。 The Phoenix Wright series has become a pretty large hit. Was the success of theseries surprising? PhoenixWrightシリーズは、かなり大きなヒットになりました。シリーズの成功に驚きましたか？ Minae Matsukawa Gyakuten Saiban (as it’s known in Japan) started out smallhere as well. The original team that made it was no more than a handful ofdedicated people, and to see it become so popular around the world isdefinitely surprising. We’re very happy to have the opportunity to bring thisgame to fans outside of Japan. 松川氏：PhoenixWright（日本では逆転裁判）は、日本と同じく小規模なスタートでした。最初のファンはほんの少数の熱心な人々でしかありませんでした、その後、世界中で人気が出てきたことは明らかに驚くべきことです。私たちは、日本以外にも非常に熱心なファンがいることを幸せに思います。 If this game is successful too (and we hope it is) is there hope for morePhoenix Wright games in the future? このゲームがもっとヒットしたならば（そして、私たちも望んでいます）、PhoenixWrightシリーズの続きに関する要望が、将来実現しますか？ Minae Matsukawa If “Justice for All” does well, we will definitelyconsider bringing out more Ace Attorney games overseas in the future. 松川氏：Justice forAllが成功すれば、私たちは将来、続きのPhoenixWrightシリーズを海外で出すことを考えるでしょう。 ▲ページ上へ▲
https://w.atwiki.jp/stones/pages/155.html
COVERED BY THE ROLLING STONES IN MARQUEE JAZZ CLUB, JULY 12.1962 1 Kansas City (Wilbert Harrison) 2 Baby What s Wrong (Jimmy Reed) 3 Confenssin The Blues (Little Walter) 4 Brights Lights, Big City (Jimmy Reed) 5 Dust My Dream (Elmore James) 6 Down The Road Apiece (Chuck Berry) 7 I m A Love You (Jimmy Reed) 8 Bad Boy (Eddie Taylor) 9 I Ain t Got You (Jimmy Reed) 10 Hush-Hush (Jimmy Reed) 11 Ride Em On Down (Eddie Taylor) 12 Back In The U.S.A. (Chuck Berry) 13 Kind Of Lonesome (Jimmy Reed) 14 Blues Before Sunrise (Elmore James) 15 Big Boss Man (Jimmy Reed) 16 Don t Stay Out All Night (Billy Boy Arnold) 18 Happy Home (Elmore James) 17 Tell Me That You Love Me (Jimmy Reed) 19 Up All Night () COVERED BY THE ROLLING STONES IN LIVE 1962 1 Dimples (John Lee Hooker) 2 Peepin Hidin (Jimmy Reed) 3 I Got My Brand On You (Muddy Waters) 4 The Moon Is Rising (Jimmy Reed) 5 I m Moving On (Ray Charles) 6 Crawling King Snake (John Lee Hooker) 7 Bo Diddley (Bo Diddley) 8 Roll Over Beethoven (Chuck Berry) 9 Road Runner (Bo Diddley) 10 Tiger In Your Tank (Muddy Waters) 11 Pretty Thing (Bo Diddley) 12 Nursery Rhyme (Bo Diddley) 13 You Can t Judge A Book By It s Cover (Bo Diddley) 14 The Sun Is Shining (Jimmy Reed) 15 Let Me Love You Baby (Buddy Guy) 16 I m A Hog For You (The Coasters) 17 Close Together (Jimmy Reed) 18 Johnny B. Goode (Chuck Berry) 19 Beautiful Delilah (Chuck Berry) 20 Sweet Little Sixteen (Chuck Berry) 21 Soon Forgotten (Muddy Waters) 22 La Bamba (Ritchie Valens) 23 Smokestack Lightnin (Howlin Wolf) 24 My Babe (Little Walter) 25 Talkin Bout You (Chuck Berry) 26 If You Need Me (Solomon Burke) 27 I Ain t Got No Money (Billy Boy Arnold) 28 Still A Fool (Muddy Waters) 29 Got My Mojo Working (Muddy Waters) 30 Hoochie Coochie Man (Muddy Waters) 31 Blueberry Hill (Fats Domino) 32 Fortune Teller (Benny Spellman) 33 Road Runner (Bo Diddley) 34 Doing In The Crawdaddy (Bo Diddley) 35 High Lonesome (Jimme Reed) COVERED BY THE ROLLING STONES IN CRAWDADDY CLUB, MARCH 3.1963 1 Route 66 (Chuck Berry) 2 Little Egypt (The Coasters) 3 Poison Ivy (The Coasters) 4 I Know (Bo Diddley) 5 I m A King Bee (Slim Harpo) 6 You Better Move On (Arthur Alexander) 7 Nedine (Chuck Berry) 8 You Can t Judge A Book By It s Cover (Bo Diddley) 9 Honest I Do (Jimmy Reed) 10 I Want To Be Loved (Muddy Waters) 11 Beautiful Delilah (Chuck Berry) 12 Memphis, Tennessee (Chuck Berry) 13 Walking The Dog (Rufus Thomas) 14 Pretty Thing (Bo Diddley) 15 Craw-Dad (Bo Diddley) COVERED BY THE ROLLING STONES IN LIVE 1963 1 Mona (I Need You Baby) (Bo Diddley) 2 Tiger In Your Tank (Muddy Waters) 3 Cops Robbers (Bo Diddley) 4 No Money Down (Chuck Berry) 5 Dimples (John Lee Hooker) 6 Pretty Thing (Bo Diddley) 7 Brights Lights, Big City (Jimmy Reed) 8 Around Around (Chuck Berry) 9 Jaguar Thunderbird (Chuck Berry) 10 Close To You (Muddy Waters) 11 Boogie In The Dark (Jimmy Reed) 12 Going To New York (Jimmy Reed) 13 You Got Me Dizzy (Jimmy Reed) 14 Bring It To Jerome (Bo Diddley) 15 Hey Bo Diddley (Bo Diddley) 16 It s All Right Babe (Bo Diddley) 17 Childhood Sweetheart (Chuck Berry) 18 Buzz Me Babe (Slim Harpo) 19 Down In The Bottom (Howlin Wolf) 20 Honey Bee (Muddy Waters) 21 I Got To Find My Baby (Little Walter) 22 I m Comin Home (Eddie Boyd) 23 Crackin Up (Bo Diddley) 24 Doing In The Crawdaddy (Bo Diddley) 25 Ain t That Loving You Baby (Jimmy Reed) 26 Close Together (Jimmy Reed) 27 Soon Forgotten (Muddy Waters) 28 Shame Shame Shame (Jimmy Reed) 29 Talkin Bout You (Chuck Berry) 30 I Just Want To Make Love To You (Muddy Waters) 31 I Want You To Know (Fats Domino) 32 I m Bad Like Jesse James (John Lee Hooker) 33 Hi-Heel Sneakers (Tommy Tucker) 34 Bye Bye Johnny (Chuck Berry) 35 Road Runner (Bo Diddley) 36 Roll Over Beethoven (Chuck Berry) 37 I m Moving On (Ray Charles) 38 Susie Q (Dale Hawkins) 39 Come On (Chuck Berry) 40 Money (That s What I Want) (Barret Strong) 41 Love Potion No.9 (The Clovers) 42 Don t Lie To Me (Chuck Berry) 43 Our Little Rendezvous (Chuck Berry) 44 You Got Me Running () 45 Brown Eyed Handsome Man (Chuck Berry) 46 Diddley Daddy (Bo Diddley) 47 Money (That s What I Want) (Barret Strong) 48 Forturn Teller (Benny Spellman) 49 I Wanna Be Your Man (The Beatles) 50 You Can Make It If You Try (Gene Allison) 51 Can I Get A Witness (Marvin Gaye) 52 Carol (Chuck Berry) 53 I Can Tell (Bo Diddley) COVERED BY THE ROLLING STONES IN LIVE 1964 1 Boys (The Shirelles) 2 Come On (Chuck Berry) 3 Mona (I Need You Baby) (Bo Diddley) 4 You Better Move On (Arthur Alexander) 5 Roll Over Beethoven (Chuck Berry) 6 I Wanna Be Your Man (The Beatles) 7 Money (That s What I Want) (Barret Strong) 8 Memphis, Tennessee (Chuck Berry) 9 Pretty Thing (Bo Diddley)10 I Can Tell (Bo Diddley) 11 Road Runner (Bo Diddley)12 Bye Bye Johnny (Chuck Berry) 13 Forturn Teller (Benny Spellman)14 Love Potion No.9 (The Clovers)15 Talkin Bout You (Chuck Berry) 16 Cops Robbers (Bo Diddley) 17 Jaguar Thunderbird (Chuck Berry) 18 Don t Lie To Me (Chuck Berry) 19 I m Moving On (Ray Charles) 20 Not Fade Away (Buddy Holley) 21 Down The Road Apiece (Chuck Berry) 22 Route 66 (Chuck Berry) 23 Walking The Dog (Rufus Thomas) 24 Poison Ivy (The Coasters) 25 Hi-Heel Sneakers (Tommy Tucker) 26 I Just Want To Make Love To You (Muddy Waters) 27 Carol (Chuck Berry)28 You Can Make It If You Try (Gene Allison)29 I Know (Bo Diddley)30 Beautiful Delilah (Chuck Berry) 31 Can I Get A Witness (Marvin Gaye)32 If You Need Me (Solomon Burke)33 Around Around (Chuck Berry) 34 I m A King Bee (Slim Harpo)35 It s All Over Now (Valentinos) 36 Confessin The Blues (Little Walter)37 Susie Q (Dale Hawkins)38 Everybody Needs Somebody To Love (Solomon Burke)39 Pain In My Heart (Otis Redding)40 Time Is On My Side (Irma Thomas) 41 The Red Rooster (Howlin Wolf) ■The Lost Treasure (VGP-172) includes tracks 5,30 mono ■Get Satisfaction...If You Want! (The Swingin Pig TSP-CD-003) includes tracks 3-4,16,22 stereo ■Animal Dads (DAC-064) includes tracks 20,26,29 mono ■Bright Lights, Big City (Dandelion DL 099/100) includes tracks 33,35,40 mono COVERED BY THE ROLLING STONES IN LIVE 1965 1 Not Fade Away (Buddy Holley) 2 Walking The Dog (Rufus Thomas) 3 Under The Boadwalk (The Drifters) 4 The Red Rooster (Howlin Wolf) 5 Around Around (Chuck Berry) 6 I Know (Bo Diddley) 7 Time Is On My Side (Irma Thomas) 8 It s All Over Now (Valentinos) 9 Everybody Needs Somebody To Love (Solomon Burke) 10 Down In The Road Apiece (Chuck Berry) 11 Route 66 (Chuck Berry) 12 I m Moving On (Ray Charles) 13 Pain In My Heart (Otis Redding) 14 I Just Want To Make Love To You (Muddy Waters) 15 Carol (Chuck Berry) 16 Craw-Dad (Bo Diddley) 17 I Wanna Be Your Man (The Beatles) 18 Come On (Chuck Berry) 19 She Said "Year" (Larry Williams) 20 Mercy, Mercy (Don Covay) 21 Cry To Me (Solomon Burke) 22 That How Strong My Love Is (Otis Redding) 23 Talkin Bout You (Chuck Berry) 24 Oh Baby (We Got A Good Thing Goin ) (Barbara Lynn) ■GOT LIVE IF YOU WANT IT! (DECCA DFE 8620) includes tracks 6,11-13, mono ■Got Live If You Want It! (VGP) includes tracks 9-10 mono ■Animal Dads (DAC-064) includes track 5 mono ■Paris Match (DAC-007) includes tracks 4, 7-8,15-16 mono COVERED BY THE ROLLING STONES IN LIVE 1966 1 Mercy, Mercy (Don Covay) 2 She Said "Year" (Larry Williams) 3 Not Fade Away (Buddy Holley) 4 That How Strong My Love Is (Otis Redding) 5 I m Moving On (Ray Charles) 6 Time Is On My Side (Irma Thomas) 7 Around Around (Chuck Berry) 8 I Know (Bo Diddley) ■Play With Fire (VGP-286) includes tracks 1-2, 4-5, 7 mono ■GOT LIVE IF YOU WANT IT! (LONDON LL 3494) includes tracks 3, 6, 8 mono COVERED BY THE ROLLING STONES IN LIVE 1967 1 It s All Over Now (Valentinos) ■Bright Lights, Big City (Dandelion DL 099/100) includes track 1 mono COVERED BY THE ROLLING STONES IN LIVE 1969 1 I m Yours I m Hers (Johnny Winter) 2 Mercy, Mercy (Don Covay) 3 Down Home Girl (Alvin Robinson) 4 Love In Vain (Robert Johnson) 5 Carol (Chuck Berry) 6 That s No Way To Get Along (Robert Wilkins) 7 Little Queenie (Chuck Berry) 8 You Gotta Move (Fred McDowell) 9 The Sun Is Shining (Jimmy Reed) ■Stones In The Park (VGP-296) includes tracks 1-3 mono ■Oakland Sixty-Nine (VGP-003) includes tracks 6, 8 mono ■The Killer Festival / Altamont 1969 (VGP-113) includes track 9 mono ■GET YER YA-YA S OUT! (DECCA SKL 5065) includes tracks 4-5, 7 stereo COVERED BY THE ROLLING STONES IN LIVE 1970 1 Roll Over Beethoven (Chuck Berry) 2 Love In Vain (Robert Johnson) 3 That s No Way To Get Along (Robert Wilkins) 4 You Gotta Move (Fred McDowell) 5 Let It Rock (Chuck Berry) 6 Little Queenie (Chuck Berry) ■Paris Affair (VGP-127) includes tracks 1-2, 5-6 mono ■Roll Over Beethoven (VGP-261) includes tracks 3-4 NEXT
https://w.atwiki.jp/touhoukashi/pages/2419.html
【登録タグ C めらみぽっぷ 凋叶棕 曲 蓬莱伝説 誘】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/3658.html
【登録タグ A-One S TOHO EUROBEAT 秘 あき ランコ 曲 月の妖鳥、化猫の幻】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/bfgmatome/pages/676.html
ゲーム情報（登録されているタグ） シリーズ＞Insider Tales ジャンル＞アイテム探し 製作会社＞INTENIUM 製作会社＞未確認 言語＞英語 コメント欄へ移動 ゲーム配布ページ 英語 http //www.bigfishgames.com/download-games/11544/insider-tales-the-stolen-venus-2/index.html 日本語 紹介文 A world-renowned painting has been stolen! Help Francesca find the masterpiece and convict the culprit! The luxury cruise ship, The Empire, is boarded by rich tourists, a world-renowned art-exhibition, and a thief. Soon the highlight of the exhibition is stolen and Francesca di Porta, the famous detective, is disturbed in her well-earned holiday to investigate undercover and prevent a panic among the passengers in Insider Tales The Stolen Venus 2! Solve the case using your Hidden Object talents. Beautiful locations Incredible action Convict the thief! Check out our Blog Walkthrough Play Insider Tales Stolen Venus 画像 « » var ppvArray_0_232aabcabc72429d09f72a4499801a85 = new Array(); ppvArray_0_232aabcabc72429d09f72a4499801a85[0] = http //w.atwiki.jp/bfgmatome/?cmd=upload&act=open&page=Insider+Tales%3A+The+Stolen+Venus+2&file=en_insider-tales-the-stolen-venus-2-screen1.jpg ; window.onload=function(){ ppvShow_0_232aabcabc72429d09f72a4499801a85(0); }; function ppvShow_0_232aabcabc72429d09f72a4499801a85(n){ if(!ppvArray_0_232aabcabc72429d09f72a4499801a85[n]){ alert( 画像がありません ); return; } ppv_0_232aabcabc72429d09f72a4499801a85$( ppv_img_0_232aabcabc72429d09f72a4499801a85 ).src=ppvArray_0_232aabcabc72429d09f72a4499801a85[n]; ppv_0_232aabcabc72429d09f72a4499801a85$( ppv_link_0_232aabcabc72429d09f72a4499801a85 ).href=ppvArray_0_232aabcabc72429d09f72a4499801a85[n]; ppv_0_232aabcabc72429d09f72a4499801a85$( ppv_prev_0_232aabcabc72429d09f72a4499801a85 ).href= javascript ppvShow_0_232aabcabc72429d09f72a4499801a85( +(n-1)+ ) ; ppv_0_232aabcabc72429d09f72a4499801a85$( ppv_next_0_232aabcabc72429d09f72a4499801a85 ).href= javascript ppvShow_0_232aabcabc72429d09f72a4499801a85( +(n+1)+ ) ; } function ppv_0_232aabcabc72429d09f72a4499801a85$(){ var elements = new Array(); for (var i = 0; i arguments.length; i++){ var element = arguments[i]; if (typeof element == string ) element = document.getElementById(element); if (arguments.length == 1) return element; elements.push(element); } return elements; } videoプラグインエラー 正しいURLを入力してください。 備考 レス一覧 コメント コメント すべてのコメントを見る トップページに戻る
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串探（くしたん） 串収集と選別ができるツールです。 .NET Freamwork 3.5が必要です。 使い方は主にツールチップを表示しています。 串集の?ボタンはお読みください。 本体 v1.1 串探 作成者：Robkeel 更新履歴 v1.1 串集の収集部分の修正、Sオプション追加。 v1.0 串集に数字の展開機能とブラウザ使用機能、リトライがつきました。 v0.9 Clickサイトでの判別時にSIDが出力できるようになりました。 串収集窓で使えるURL達 http //www.proxz.com/proxy_list_jp_0.html http //www.samair.ru/proxy/socks.htm http //www.proxz.com/ http //www.proxz.com/proxy_list_port_std_0.html http //www.cybersyndrome.net/plr5.html http //proxies.my-proxy.com/ http //www.cybersyndrome.net/pla5.html http //nntime.com/ http //www.proxz.com/proxy_list_high_anonymous_0.html http //www.onlinechecker.freeproxy.ru/free_proxy_lists.php http //www.proxz.com/proxy_list_ca_0.html -- (名無しさん) 2009-08-07 00 33 07 ＞今回だけだぞ（*´ω｀）b！ http //hemn.me/archive/11/index.html -- (nemoto) 2011-10-26 09 40 41 Short, sweet, to the point, FREE-exactly as information sulhod be! -- (Winckell) 2013-01-29 15 44 29 http //wallinside.com/loginpost.phpmiumiu miu miu wallet rankings http //www.realestateinvestor.com/media/blog/27291-miumiu-miumiu/?back=myblogs#sign -- (miu miu wallet rankings) 2013-04-18 19 54 24 名前 コメント すべてのコメントを見る
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前ページFIFA15 Demo Readme a.) Installing FIFA 15 Windows (disc users) Insert the disc into your disc drive and follow the on-screen instructions. Origin will be installed if you do not have Origin Launch the game (once it is installed) directly from Origin. Games on Windows 8 are installed to your Start Screen, Games on Windows Vista are located in the Start Games menu, and on earlier versions of Windows in the Start Programs (or All Programs) menu. Windows (EA Origin Store) Once you have purchased the game through Origin, click the Download icon that appears and follow the on-screen instructions. Launch the game (once it is installed) directly from Origin. Games on Windows 8 are installed to your Start Screen, In Windows Vista Classic Start menu style, games are located in the Start Programs Games Games Explorer menu. b.) Digital Retail Installation Please contact the digital retailer through whom you purchased this game for instructions on how to install the game or how to download and reinstall another copy of the game. Note If youd like additional information about your game as well as tips and patches please visit http //store.origin.com c.) If your "Autorun" feature is disabled If for some reason your "Autorun" feature is disabled, you can install the program by running AUTORUN.EXE directly from the root directory of the DVD.
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COVERED BY THE ROLLING STONES IN STUDIO 1974 1 Drift Away (Dobie Gray) 2 Ain t Too Proud To Beg (The Temptations) ■Acetates 1970-1974 (Idol Mind Production IMP-N-002) includes track 1 stereo ■IT S ONLY ROCK N ROLL (Virgin Records CDV 2733) includes track 2 stereo COVERED BY THE ROLLING STONES IN STUDIO 1975 1 Charry Oh Baby (Eric Donaldson) 2 Freeway Jam (Jeff Beck) 3 (Love Is Like A) Heatwave (Martha The Vandellas) 4 Shame Shame Shame (Shirley Company) ■BLACK AND BLUE (Virgin Records CDV 2736) includes track 1 stereo ■Instrumentals (5092314) (Vinyl) includes tracks 2-3 mono ■Jamming With The Rolling Stones (Scarecrow 061) includes track 4 mono COVERED BY THE ROLLING STONES IN STUDIO 1978 1 Just My Imagination (Running Away With Me) (The Temptations) 2 You Win Again (Hank Williams) 3 You Don t Have To Go (Jimmy Reed) 4 Shame Shame Shame (Jimmy Reed) 5 After Hours (Erskine Hawkins His Orchestra) 6 One Night (Elvis Presley) 7 My First Plea (Jimmy Reed) 8 Tallahassie Lassie (Freddy Cannon) 9 Your Angel Steps Out Of Heaven (George Jones) 10 The Harder They Come (Jimmy Cliff) 11 Serious Love (Maytones) 12 What Am I Living For (Chuck Willis) 13 Back In The U.S.A. (Chuck Berry) 14 I Ain t Superstitious (Howlin Wolf) 15 Blues With A Feeling (Little Walter) ■SOME GIRLS (Virgin Records CDV 2734) includes track 1 stereo ■Better Results (Outsider Bird Records OBR 305 CD-023) includes tracks 2, 5 stereo ■Place Pigalle (VGP-362) includes tracks 3-4 mono ■The Harder They Come 1978 (Idol Mind Production IMP-N-001) includes tracks 6-11 stereo ■Twilight Zone (VGP-048) includes tracks 12-15 stereo COVERED BY THE ROLLING STONES IN STUDIO 1979 1 Sweet Home Chicago (Robert Johnson) 2 Let s Go Steady Again (Sam Cooke) 3 Linda Lou (Ray Sharpe) 4 We Had It All (Dobie Gray) ■The Emotional Rescue Sessions Revisited (Rebel Yell Factory RYF-003) includes track 1 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes tracks 2, 4 stereo ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 3 stereo BACK / NEXT