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K-POP *
https://w.atwiki.jp/koitsuda/pages/145.html
会員削除済み (2008/08/19) [Name] [Rating] [Ave] [Win] [Lose] [Game] [BestR] [ID] asymmetry 2389 .531 544 480 1032 六段 126330 (2008/08/09) 将棋倶楽部24ソフト指しはコイツだPart6(461-463) http //game14.2ch.net/test/read.cgi/bgame/1206456861/461-463 461 ：319 ◆/4VEvex/a. ：2008/08/09(土) 12 42 15 ID 2QPm14Ac asymmetryの８月５日３局目を激指６で鑑定してみました。 先手：asymmetry 後手：R2281 ▲７六歩1J △３四歩 ▲２二角成1J△同 銀 ▲４五角1J △６二銀 ▲３四角1J △３二金 ▲６六歩1J △６四歩 ▲８八銀1J △６三銀 ▲７七銀1J △５四銀 ▲６八飛↓ △４四歩 ▲７八角1J △４五歩 ▲４八玉1 △３三銀 ▲５八金左↓△４二玉 ▲３八玉1 △４四銀 ▲２八玉1 △５二金 ▲３八銀1 △４三金右 ▲７五歩1 △３一玉 ▲８六歩1 △２二玉 ▲９六角1 △４二金寄 ▲７六銀1 △９四歩 ▲７七桂1 △９五歩 ▲８七角1 △３二金 ▲６五歩1 △同 歩 ▲同 銀1 △同 銀 ▲同 角1 △５四銀 ▲７一銀1 △７二飛 ▲８三角成1 △７一飛 ▲６一馬1 △同 飛 ▲同飛成1 △３六歩 ▲５一飛1 △３一銀 ▲８一龍1 △３七歩成 ▲同 銀1 △３六歩 462 ：319 ◆/4VEvex/a. ：2008/08/09(土) 12 42 59 ID 2QPm14Ac ▲同 銀1 △５五角 ▲３七歩1 △７七角成 ▲９一龍1 △９九馬 ▲３五香↓ △３三香 ▲同香成1 △同 銀 ▲３五桂1 △３四香 ▲４三桂成1 △同 銀 ▲２五銀1 △４二銀引 ▲４一飛成1 △５五馬 ▲５六歩1 △４四馬 ▲３四銀↓ △同 銀 ▲５五金2 △３三馬 ▲３六香1 △３五桂 ▲同 香1 △同 銀 ▲４五金2 △３四銀 ▲４六香↓ △４五銀 ▲同 香1 △４四桂 ▲同 香1 △同 銀 ▲５二銀↓ △２四香 ▲３六桂↓ △２五香打 ▲２四桂1 △同 歩 ▲３九桂2 △３五銀 ▲３八金2 △１四歩 ▲３六香1 △同 銀 ▲同 歩1 △６四角 ▲３七銀1 △４四桂 ▲４六歩1 △３四香 ▲４七金左1 △６六金 ▲６七歩2 △５六金 ▲同 金1 △同 桂 ▲４七金打↓△４八歩 ▲５六金1 △４九歩成 ▲６五金2 △３六香 ▲６四金1 △３七香成 ▲同 桂1 △３六歩 ▲２五桂1 △同 歩 ▲３五香1 △３七金 ▲同 金1 △同歩成 ▲同 玉1 △１五馬 ▲２六桂2 △同 歩 ▲３二龍1 △同 銀 ▲同香成1 まで143手で先手の勝ち 463 ：319 ◆/4VEvex/a. ：2008/08/09(土) 12 45 19 ID 2QPm14Ac １９手目▲４八玉以降の６０手中、激指６の最善手・次善手と５４手一致しました。 すなわち一致率は９０％となり、asymmetryは激指系を用いたソフト指しであると思われます。 将棋倶楽部24ソフト指しはコイツだPart6(474) http //game14.2ch.net/test/read.cgi/bgame/1206456861/474 474 ：(44) ◆K2GooO//G. ：2008/08/15(金) 23 56 23 ID hiV1uHMs 461-463 乙です asymmetry の７月２６日１局目を激指７で調べてみました 開始日時：2008/07/26 23 22 37 先手：(R2304) 後手：asymmetry (R2355) ▲７六歩 △３四歩1J ▲２六歩 △４四歩1J ▲４八銀 △３二飛1J ▲２五歩 △３三角1J ▲６八玉 △６二玉1J ▲７八玉 △７二玉1J ▲５六歩 △４二銀1J ▲５八金右 △８二玉1J ▲３六歩 △７二銀1J ▲６八銀 △５二金左1J ▲５七銀左 △９四歩1J ▲９六歩 △５四歩1J ▲４六歩 △６四歩1J ▲３七桂 △５三銀1J ▲４五歩 △４二飛1J ▲２四歩 △同 歩1J ▲４四歩 △同 銀1J ▲４五歩 △５三銀1J ▲３三角成 △同 桂1J ▲２四飛 △３五歩1J ▲２三飛成 △４五桂1 ▲４三歩 △同 飛1 ▲同 龍 △同 金1 ▲４五桂 △２九飛1 ▲５三桂成 △同 金1 ▲４一飛 △６五桂2 ▲６八銀 △１九飛成2 ▲５九桂 △３三角- ▲６六角 △同 角1 ▲同 歩 △１七龍3 ▲６五歩 △６六香1 ▲６七桂 △６五歩1 ▲６二銀 △６七香成1 ▲同 金 △５一桂3 ▲同飛成 △同 金1 ▲７一角 △９二玉1 ▲５一銀不成 △９三角1 ▲同角成 △同 桂1 ▲６二銀成 △４二飛1 ▲７一角 △６七龍1 ▲同 玉 △６六歩2 ▲７八玉 △８一金1 ▲５一飛 △６七歩成1 ▲８八玉 △６二飛1 ▲同角成 △３三角1 ▲７七桂打 △５一角1 ▲同 馬 △６八と1 ▲同 金 △１九飛2 ▲３九香 △６七歩2 ▲８五桂打 △７九銀1 ▲同 玉 △６八歩成1 ▲同 玉 △６七歩1 ▲同 玉 △６六歩1 ▲同 玉 △６五歩1 ▲６七玉 △１七飛成1 ▲４七歩 △６六歩2 ▲７八玉 △６七金2 ▲８八玉 asymmetry 激指７の最善・次善手との一致率 54/57=94.7% (807261)【認2】。 将棋倶楽部24ソフト指しはコイツだPart6(476) http //game14.2ch.net/test/read.cgi/bgame/1206456861/476 476 ：(44) ◆K2GooO//G. ：2008/08/19(火) 00 02 26 ID l4qCJW7y 削除済み会員の新着情報です Saitou Kotomi Omega_Weapon (=X-death) asymmetry
https://w.atwiki.jp/8mmsingledisks/pages/14.html
タイトル ジャンル BELIEVE／Magical Wonderland ゲーム J-POP
https://w.atwiki.jp/rayroot/pages/21.html
Xperia 2011 Easy Rooting Toolkitとは、Rootを取得するためのソフトです このソフトを使うことによってRayをルート化することができます 詳しい手順は、Rooted・BLアンロック手順をご覧ください
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…ファイル名から内容を推測しててきとーにどうぞ。
https://w.atwiki.jp/insane_tja/pages/1887.html
曲Data Lv BPM TOTAL NOTES 平均密度 ★0 380-380 815 4.67Notes/s 譜面構成・攻略 譜面画像
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naivepop or petitfoolをお気に入りに追加 naivepop or petitfoolのリンク #bf Amazon.co.jp ウィジェット naivepop or petitfoolの報道 gnewプラグインエラー「naivepop or petitfool」は見つからないか、接続エラーです。 naivepop or petitfoolとは naivepop or petitfoolの51%は苦労で出来ています。naivepop or petitfoolの22%は魂の炎で出来ています。naivepop or petitfoolの16%はマイナスイオンで出来ています。naivepop or petitfoolの9%はスライムで出来ています。naivepop or petitfoolの2%は努力で出来ています。 naivepop or petitfool＠ウィキペディア naivepop or petitfool Amazon.co.jp ウィジェット 掲示板 名前（ＨＮ） カキコミ すべてのコメントを見る ページ先頭へ naivepop or petitfool このページについて このページはnaivepop or petitfoolのインターネット上の情報を集めたリンク集のようなものです。ブックマークしておけば、日々更新されるnaivepop or petitfoolに関連する最新情報にアクセスすることができます。 情報収集はプログラムで行っているため、名前が同じであるが異なるカテゴリーの情報が掲載される場合があります。ご了承ください。 リンク先の内容を保証するものではありません。ご自身の責任でクリックしてください。
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CHALLENGES IN DEVELOPING Ａ MANAGEMENT APPROACH TO INDUSTRIAL HERITAGE SITES 2011.2 M. Peason Unity of time, and the temptation to try to recapture the ‘Meiji moment . Unlike some other heritage places. the value of industrial sites may not be based on their representing any one point of time. Many industrial sites reflect the evolution of industrial processes and operations over ａ period of time, with changes and alterations adding new components, or taking away old components. Taking an industrial site back to one earlier point in time is generally not the objective of its conservation, and as the Nizhny Tagil Charter for the Industrial Heritage (ＴＩＣＣＩＨ 2003) says, reconstruction or returning toａ previous known state should be considered an exceptional intervention . Trying to either reconstruct ａ site as it is thought to have been in the Meiji, or removing later components of ａ place, is not supported by international guidelines. The Ｖｅｎｉｃｅ Ｃｈａｒtｅｒ (Article 11) says ‘The valid contributions of all periods to the building of ａ monument [ or site ] must be respected, since unity of style is not the aim of ａ restoration. When ａ building [or site] includes the superimposed work of different periods, the revealing of the underlying state can only be justified in exceptional circumstances and when what is removed is of little interest and the material brought to light is of great historical, archaeological or aesthetic values, and its state of preservation good enough to justify the action. Evaluation of the importance of the elements involved and the decision as to what may be destroyed cannot rest solely on the individual in charge of the work. An example in the Japanese nomination Mitsubishi Shipyards at Nagasaki, where the nominated componente are part of an evolved operating shipyard. The dry dock, pattern shop (ｎｏｗ the Museum) and the crane have al undergone modification over more than ａ hundred year period to enable them to fulfil their industrial and company purposes. Trying to revert to ａ Meiji era form would be ahistorical, would be conjectural to some degree, and would confuse the heritage values of the place. Reconstructing ruins Ruins and incomplete structures can tell their own history. In industrial sites the reconstruction of incomplete remains very often involves conjecture about what the original site was really like, and the Venice Charter (Article 9) says very clearly that restoration must stop at the point where conjecture begins, and in this case moreover any extra work which is indispensible must be distinct from the architectural composition and must bear ａ contemporary stamp. The interpretation of what constitutes the appropriate ‘contemporary stamp is controversial, but the main thrust of the charter is clear － don t reconstruct on the basis of ｃｏnjecture. The Nizhhny Tagil Charter for the Industrial Heritage says 5.VII. Reconstruction, or returning to ａ previous known state, should be considered an exceptional intervention and one which is only appropriate if it benefits the integrity of the whole site, or in the case of the destruction of ａ ｍajor site by violence. Vｅｎｉｃｅ Ｃｈａｒtｅｒ (Article 15) says that in the case of excavated ruins ; ‘Ruins must be maintained and measures necessary for the pennanent conservation and protection of architectural features and of objects discovered must be taken. ．．． All reconstruction would should however be ruled out ａ priori. Only anastylosis, the re-erection of complete collapsed elements, is allowed, and even this has become controversial since the Venice Charter was written. An example in the Japanese nomination would be the reverberatory furnace at Shuseikan at Kagoshima. Only the foundations survive, and to attempt to reconstruct the furnace would be based very largely on ｃｏnjecture, would probably destroy or bury the original fabric of the historical era, and would distort the heritage values of the place. Aesthetic preservation vs industrial character and authentic setting Industrial sites are seldom beautiful. Some are imposing because of their scale or the sculptural nature of their elements, but they are very seldom built for aesthetic effect. Therefore aesthetic judgements should not guide their conservation. Industrial sites however often have ａ character within their setting that reflects their industrial origins. This can include operational or abandoned equipment, rail lines, ash, coal or waste emplacements, and often ａ rather barren landscape. This setting is often not aesthetically pleasing, but it can be ａ powerful tool in understanding the industrial site, and often deserves to be conserved. It is very often not appropriate to try to beautify industrial sites, and the replacement of traditional settings with manicured parklands and urban recreational landscapes is very seldom appropriate, and detracts frｏｍ theappreciation of the heritage significance of the industrial site. The Venice Charter (Article 7, in another context) states that Ａ monument is inseparable from the history to which it bears witness and from the setting in which it occurs. And (Article 6), states in part that ｀．．．Wherever the traditional setting exists, it must be kept. This is echoed in the Nizhny Tagil Oharter ( 2 III ) These values are intrinsic to the site itself, its fabric, components, machinery and setting, in the industrial landscape, in written documentation, and also in the intangible records of industry contained in human memories and customs. This concept is also echoed in the Joint ICOMOS-TICCIH Principles for the conservation of industrial heritage, sites, structures, areas and landscapes, draft of 8 October 2010, article 2. Industrial sites are also often dirty buildings. and in some cases the accumulation of smoke and oil stains, abrasion marks and grime, tell as much about the industrial process as does the machinery itself. Cleaning up industrial buildings anｄ machinery should be considered a very significant decision. and one not taken lightly, as irreplaceable evidence of the past might be lost. Public safety might be ａ consideration in some rare cases, but there are many ways to make ａ site safe and avoid public contact with oil and grime without having to remove it all together. An example in the Japanese nomination would be the Manda Pit of the Miike mines at Omuta. The mine headframe, winder building, fan house and other support buildings survive in an industrial setting that makes sense of the buildings and the spaces between them. To some extent the industrial landscape allows the experience of the workers at the site to be understood. To remove the railway remains. mining equipment, and bare open spaces., and introduce instead ａ modem municipal park landscape, would destroy the industrial context of the place, and reduce the buildings to being just exhibits in ａ sterile modem garden. Levels of intervention The commonly adopted principle for conservation work is to do as much as is necessary to conserve the place, but as little as is possible. The Ｖｅｎｉｃｅ Ｃｈａｒtｅｒ indicates intervention must stop at the point where conjecture begins. The Nizhny Tagil Charter (4 Ⅲ) indicates yhat The most important sites should be fully protected and no interventions allowed that compromise their historical integrity or the authenticity of their fabric. Sympathetic adaptation and re-use may be an appropriate and ａ cost-effective way of ensuring the survival of industrial buildings, and should be encouraged by appropriate legal controls, technical advice, tax incentives and grants. A key aim of the conservation of industrial sites is to retain as much of the evidence of the use of the place at the place. The Ｎｉｚｈｎｙ Ｔaｇｉｌ Ｃｈａｒtｅｒ (5.Ⅰ) indicates that Conservation of the industrial heritage depends on preserving functional integrity, and interventions to an industrial site should therefore aim to maintain this as far as possible. The value and authenticity of an industrial site may be greatly reduced if machinery or components are removed, or if subsidiary elements which foｒｍ part of ａ whole site are destroyed. This also means that components of industrial places should not be moved to other places, as museum items or exhibits, or destroyed to ‘clean up ａ site. The Nizhnｙ Tagil Charter (5.Ⅲ) Preservation in situ should always be given priority consideration. Dismantling and relocating a building or structure are only acceptable when the destruction of the site is required by overwhelming economic or social needs. The Ｊｏｉｎt ＩＣＯＭＯＳ-ＴＩＣＣＩ！Ｉ Ｐｒｉｎｃｉｐｌｅｓ ｆｏｒ tｈｅ ｃｏｎｓｅｒｖａtｉｏｎ ｏｆ ｉｎｄｕｓtｒial ｈｅｒitａｇｅ, ｓitｅｓ，ｓtｒｕｃtｕｒｅｓ，ａｒｅａｓ ａｎｄ ｌａｎｄｓｃａｐｅｓ also states (9) Protection measures should apply to buildings and their contents since completeness or functional integrity is especially important to the significance of industrial heritage structures and sites. Their heritage value may be greatly jeopardized or reduced if machinery or other significant components are removed, or if subsidiary elements which form part of ａ whole site are destroyed. An example in the Japanese nomination would be the Customs House at Miike Port. Much of the original fabric of the customs house survives intact, and other parts have been simply moved to new locations within the building. This building could be conserved without requiring its demolition and reconstruction, and in the process most of its original fabric could be retained to tell an authentic story of its history and use. Only as much intervention should take place as is required to ensure the stability or the structure, and its ability to withstand its new use. Continued industrial use Some sites with industrial heritage significance are still in industrial use. The Ｖｅｎｉｃｅ Ｃｈａｒtｅｒ (Article 5) states that The conservation of monuments is always facilitated by making use of them for some socially useful purpose. The Niｚｈｎｙ Ｔａｇｉｌ Ｃｈａｒｔｅｒ (4 Ⅱ) indicates that Programmes for the conservation of the industrial heritage should be integrated them for some socially useful purpose. And 5. Ⅴ states Continuing to adapt and use industrial buildings avoids wasting energy and contributes to sustainable development. Industrial heritage can have an important role in the economic regeneration of decayed or declining areas. The continuity that re-use implies may provide psychological stability for communities facing the sudden end a long-standing sources of employment. The Ｊｏｉｎt ＩＣＯＭＯＳ-ＴＩＣＣＩＨ Ｐｒｉｎｃｉｐｌｅｓ ｆｏｒ tｈｅ ｃｏｎｓｅｒｖａtｉｏｎ of ｉｎｄｕｓtｒｉａｌ ｈｅｒitａｇｅ, sites, structures, areas and landscapes also states ( 8 ) In the case of active industrial structures or sites of heritage significance, it must be recognized that their continued use and function might carry some of their heritage significance and provide adequate conditions for their physical and economic sustainability as a living production or extraction facilities. Their specific technical characteristics and features need to be respected while implementing contemporary regulations such as building codes, environmental requirements or risk reduction strategies to address hazards of natural or human origin. Ａｎｄ (10) Appropriate original or alternative and adaptive use is the most frequent way and often the most sustainable way of ensuring the conservation of industrial heritage sites or structures. ．．．Building codes, risk mitigation requirements, environmental or industrial regulations, and other standards should be implemented in an adapted way to take heritage dimensions into account when they are enforced through physical interventions. An example from the Japanese nomination would be at Yawata Steelworks. The continued use of the repair workshop for industrial uses that do not endanger its historic fabric would maintain the historically traditional use of the building. Similarly, the continued use of the pumping station at Onga River is ａ much more appropriate continuing use than converting the place to ａ new use. In both cases the traditional use has precedence over tourist-oriented uses―World Heritage listing is first and foremost about conserving WH values, not providing tourist attractions. Proper documentation and discussion of conservation proposals Current international best practice suggests that proposals for the conservation of places of heritage significance should be based on the inputs of relevant expert advice, and should be documented and widely discussed before action is taken. The Nizhny Tagil Charter (3 Ⅷ） indicates that The value of significant sites should be defined and guidelinesfor future interventions established. Any legal, administrative and financial measures that are necessary to maintain their value should be put in place. Proper documentation and discussion reduces the chance of poor decision making, and ａ documented conservation plan should provide clear evidence of what exists at ａ place before works start. what evidence is used to establish the heritage values of the place, and what the proposed works are to conserve those values. The conservation plan also shows future managers what has been done to ａ place and why. The World Heritage Operational Guidelines require adequate documentation of conservation proposals and actions. Heritage decisions based on un-documented verbal conversations is not ａ supportable basis for conservation planning.
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function f(){ n2="猫はp"; c2=74398; ch=check("1PUZaaZerSKucbSxSK-KFImnLKlUmsgvEHrU5kJaH",n2); Logger.log(ch); if(ch 1){ finsert("1PUZaaZerSKucbSxSK-KFImnLKlUmsgvEHrU5kJaH",n2,c2); } } function check(id,n1) { var sql = SELECT * FROM +id; sql =sql+ " WHERE artist= "+n1+" "; var result = FusionTables.Query.sqlGet(sql, {hdrs false}); var r=result.rows; sx=0; for(var i in r){ sx=sx+1; } return sx; } function finsert(id,n1,c1) { var sql = "INSERT INTO "+id+ "(artist,code) VALUES ( "+n1+" ,"+c1+")"; var res = FusionTables.Query.sql(sql); }
https://w.atwiki.jp/bemanimusicwiki/pages/1560.html
1999/02/25 発売 4,800円 収録総数：19曲AC新曲：14曲 CS新曲：5曲 ジャンル タイトル アーティスト 備考 AC収録 pop n music レゲエ Baby, I m yours LISA-T ←pop n 1 クラシック Chaos Age Waldeus vön Dovjak 条件隠し曲 pop n 2→ アフリカ Con te sabi 2119 Hamba Un Aa 条件隠し曲 pop n 2→ フュージョン CROSSOVER 12 319 条件隠し曲 pop n 2→ レイヴ e-motion e.o.s 条件隠し曲 ←pop n 1 ラテン El Pais del sol Senorita Rica ←pop n 1 テクノポップ Electronic Fill Windslope ←pop n 1 ディスコキング FUNKY TOWN 75 JV THE SEXY MACHINE GUN ←pop n 1 ダンス Hi-Tekno Hi-Tekno ←pop n 1 ポップス I REALLY WANT TO HURT YOU SGI REO ←pop n 1 J-ポップ Life Haya-P Maru 条件隠し曲 pop n 2→ ファンタジー monde des songe Bikke ←pop n 1 J-テクノ Quick Master act deft ←pop n 1 スパイ SPICY PIECE ORIGINAL SOUND TRACKS ←pop n 1 アニメヒーロー The theme of GAMBLER Z words/RYO song/NARAMCHA ←pop n 1 テクノ 80 Water Melon Woman NAKATEK 条件隠し曲 pop n 2→ ディスコクィーン what i want THE RICHIE SISTERS ←pop n 1 ラップ YOUNG DREAM LITTLE FINGERS ←pop n 1 ボーナストラック すれちがう二人 apresmidi 条件隠し曲 ←pop n 1