約 4,188,500 件
https://w.atwiki.jp/touhoukashi/pages/785.html
【登録タグ ALiCE'S EMOTiON Intervention R 佐伯佑佳 曲 虎柄の毘沙門天】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/shintarot/pages/23.html
Tadashi should have been on the business trip alone. His wife got the good idea that his birthday would be celebrated with the live broadcast of a radio program he often listened to. The disk jockey makes a call to the room he stays at. What a surprise! Excited Tadashi will enjoy the conversation with the D.J. for a while. The trick is revealed finally. Getting to know that his wife is put to the radio station over the phone, he will shed tears of gratitude. Although the tear may be a figure of speech, the husband and the wife s bond would deepen. But her plan failed. He did not answer the call the D.J. made. A woman s voice answered it instead. And she said Tadashi was taking a shower. The wife s face was white with anger. Tadashi finally answered the phone, and began explaining the woman is his wife. His wife s anger exploded. The staff rose to say she should not come forward until the last revealing, when she shouted. Her voice to question her husband closely was broadcast. "Why do you treat me like this?" His words taking it out on the D.J. followed vainly. Sakiko could not miss it. Tadashi did not say those crucial things. He said he have got divorced soon. His talk may make you believe his affair got them divorced. Of course, it was a big factor. Sakiko thought various matters around them became larger when he got into a serape. "I am going to take a shower," said Rin getting wet with rain. "I can hear nothing." He tilted his head in confusion. "What did you say?" His wife s harsh voice surprised him. They did not think at all Rin was struggling with a water heater. "Look out!" Kazuyo looking down said nothing, but her high-pitched voice was recalled to Sakiko s ears repeatedly from far away. Sakiko remembered she had walked with her grandmother in the heats of summer noons, led by the hand. Sakiko thought Kazuyo may have scolded her at that time. But Kazuyo s troubled face uttering "Look out!" did not come to her mind. Her face was apparent intermittently in the watery sunlight. Kazuyo looked back toward Sakiko many times. Sakiko waited for the words "Look out!", but Satsuyo did not open her mouth. She can have heard a fox yelping as she listened. She wondered whether Kazuyo had really said "Look out!". Rin turned a knob to turn on a pilot light. It took small blue fire as usual. It would have turned to a pilot light if she kept pushing the knob for 20 seconds. But the low flame gained unexpected headway before she waited for 20 seconds. The flame spread in the can moved its tip up and down. The flare leaked flickering white light through inspection window. The heat had glued her fingers onto the knob. Opening fingers to draw back the hand will peel the stuck skins. She slacked her strength helplessly, then the fingers adhered to the knob again. She boiled with irritation and dared to open her fingers at a breath. The skins of fingers left on the knob looked animated. She felt no pain. You must not ask anyone if he has heard from a person possibly in an accident. Tadashi had heard of it from his wife before. The tone was not grave when she told it was taboo. He was deeply embarrassed when she concluded he have broken that taboo. She declared it was his fault that Rin got injured. It did not matter a bit if he felt the absence of noise was strange. However, uttering his thoughts was not acceptable. He felt artificiality in his wife s behavior. He could not believe there existed the taboo in the actual society. How did my utterance conflict with it if it exists? Even if it has something to do with asking for news, the relation should be far distant. In other words he thought that it was a forced analogy. He does not deserve to be with Rin, for he jeopardized her life. She brought up their divorce as soon as she was convinced his fault can be a strong evidence to insist so. The prompt change strengthened his suspicion against her. PREV / NEXT
https://w.atwiki.jp/gamemusicbest100/pages/1536.html
リライト 機種:PC 作曲者:麻枝准、水月陵、折戸伸治、井内舞子、細井聡司、YOFFY, 塚越雄一郎 編曲者:ANANT-GARDE EYES, 水月陵、折戸伸治、井内舞子、細井聡司、三輪学、MintJam(a2c), 大石憲一郎、塚越雄一郎、MANYO, 森藤晶司、どんまる 発売元:Key 発売年:2011 概要 キャッピコピーは「──書き換えることが出来るだろうか。彼女の、その運命を。」 シナリオライターは、田中ロミオ(代表作『CROSS†CHANNEL』)、竜騎士07(代表作『ひぐらしのなく頃に』)、及び都乃河勇人(『リトルバスターズ!』など)。 麻枝准は、シナリオは担当せず、音楽についてもテーマ曲+ボーカル楽曲のみ担当し、主にクオリティコントロールとして参加する。 2012年にはエピローグやifストーリーなどが収録されたファンディスク『Rewrite Harvest festa!』が発売。 収録曲(サウンドトラック順) 曲名 作・編曲者 補足 順位 Disc1 Philosophyz 作:折戸伸治編:MintJam(a2c) オープニングテーマ歌:水谷瑠奈作詞:都乃河勇人1stOP曲 第5回382位第2回ゲームソング246位第3回ゲームソング327位2011年202位 旅 作:麻枝准編:ANANT-GARDE EYES タイトル画面 第10回423位第13回672位ピアノ83位第2回オープニング370位 芽吹き 水月陵 Fertilizer 作:折戸伸治編:井内舞子 花蕾 井内舞子 果実 水月陵 Raised bed 水月陵 ニリンソウ 細井聡司 小鳥のテーマ ピアノ241位 アサガオ 井内舞子 ちはやのテーマ アンスリウム 水月陵 朱音のテーマ カーネーション 作:折戸伸治編:井内舞子 静流のテーマ サンブライト 作:折戸伸治編:MintJam(TERRA) ルチアのテーマ ヒナギク 井内舞子 篝のテーマ Honesty 作:折戸伸治編:井内舞子 深層森林 井内舞子 Exploration 折戸伸治 凍土 細井聡司 褐斑病 井内舞子 綿帽子 細井聡司 DIS is a pain 折戸伸治 吉野のテーマ Eruptible 折戸伸治 闇の彼方へ 塚越雄一郎 エンディングテーマ歌:水谷瑠奈 Disc2 Rewrite 作:YOFFY編:大石憲一郎 歌:サイキックラバー2ndOP曲 Retribution 折戸伸治 Potted one 井内舞子 YO-SHI-NO 折戸伸治 Sorrowless 作:折戸伸治編:井内舞子 揺葉 散花 水月陵 咲夜のテーマ 幻境 水月陵 刈り 井内舞子 Scene of carnage 井内舞子 Scene of carnage aggressiveness 井内舞子 Phobic 細井聡司 Phobia 細井聡司 Scene shifts there 水月陵 2011年196位 黒星病 細井聡司 枯死 細井聡司 Finale 井内舞子 Reply 作:折戸伸治編:水月陵 Toxoplasma 細井聡司 実り 水月陵 Philosophy of ours 作:折戸伸治編:三輪学 Philosophy of yours 折戸伸治 Exploration2 symphonic 作:折戸伸治編:三輪学 Disc3 Philosophyz GT Ver. 作:折戸伸治編:MintJam(a2c) Rewrite -instrumental- 作:YOFFY編:大石憲一郎 Remembrance 作:折戸伸治編:三輪学 大地 細井聡司 Radiance 細井聡司 恋歌 作:折戸伸治編:MANYO 歌:やなぎなぎ作詞:都乃河勇人 恋文 偽らない君へ 作:折戸伸治編:森藤晶司 歌:やなぎなぎ作詞:竜騎士07・07th Expansion 渡りの詩 作:麻枝准編:ANANT-GARDE EYES 歌:多田葵作詞:麻枝准 CANOE 作:麻枝准編:ANANT-GARDE EYES 歌:多田葵作詞:麻枝准、田中ロミオオーラスED曲 第2回エンディング343位 ヒナギク orgel Ver. 作:井内舞子編:どんまる 滅びの歌 ボーナストラック ルチア 着信音 Rewrite Harvest festa! Original SoundTrack "Feast" Harvest 井内舞子 オープニングテーマ歌:多田葵 irrigated land 塚越雄一朗 萌芽 折戸伸治 ムーンブライト 折戸伸治 Quaesitor 細井聡司 Fight for nowhere 折戸伸治 winners! 折戸伸治 Redemptor 井内舞子 愛を灌ぐ 細井聡司 夜露 折戸伸治 2012年355位 ささやかなはじまり 塚越雄一朗 エンディングテーマ歌:水谷瑠奈 サウンドトラック Rewrite Original Soundtrack Rewrite Harvest festa! 初回限定版 サントラが付属。 関連動画
https://w.atwiki.jp/remastercd/pages/47.html
BEATLES FOR SALE /ビートルズ・フォー・セール (1964) 1. ノー・リプライ - No Reply 2. アイム・ア・ルーザー - I m A Loser 3. ベイビーズ・イン・ブラック - Baby s In Black 4. ロック・アンド・ロール・ミュージック - Rock And Roll Music 5. アイル・フォロー・ザ・サン - I ll Follow The Sun 6. ミスター・ムーンライト - Mr. Moonlight 7. メドレー a. カンサス・シティ - Kansas City (Lieber - Stoller) b. ヘイ・ヘイ・ヘイ・ヘイ - Hey, Hey, Hey, Hey 8. エイト・デイズ・ア・ウィーク - Eight Days A Week 9. ワーズ・オブ・ラヴ - Words Of Love 10. ハニー・ドント - Honey Don t 11. エヴリー・リトル・シング - Every Little Thing 12. パーティーはそのままに - I Don t Want To Spoil The Party 13. ホワット・ユー・アー・ドゥーイング - What You re Doing 14. みんないい娘 - Everybody s Trying To Be My Baby BEATLES FOR SALE /ビートルズ・フォー・セール (198) テーブルは 縦棒で くぎります 初CD化 BEATLES FOR SALE /ビートルズ・フォー・セール (2009) TOCP-71004 2009.9.9 ¥2,600 2009年度最新デジタル・リマスター使用 初のステレオCD化 ドキュメンタリー映像(CD-EXTRA)
https://w.atwiki.jp/asagaolabo/pages/4945.html
[Bitter Myself] 【ビターマイセルフ】 [アマイヒミツ] ハイライト発生箇所 収録作品 ロング版収録 関連リンク ポップンミュージック うさぎと猫と少年の夢で登場した版権曲。 担当キャラクターはニナ(15-1P)。 アルバム「キャンディージャーの地平面」からの出典で、「超進化」と称した稼働途中からの追加配信曲。 Bitter Myself / OSTER project feat. かなたん BPM 138 新難易度 EASY NORMAL HYPER EXTRA 6 22 38→【pea途中】37 43 ハイライト EASY NORMAL HYPER EXTRA 3 3 3 3 1年半ぶりに「Recursive Call」以来のフルアルバムを手掛けた、2017年7月に発売されたOSTER projectの「キャンディージャーの地平面」に収録された書き下ろし曲からの出典。懐色坂やOver Da Moon他の公募採用曲のボーカルを務めたかなたんが起用されており、最近のポップン作品ではあまり見られなかったソウル系のジャズポップとでも言うべきか。大人になりきれないような恋の行方を描いており、同じOSTER project作曲・かなたんが歌うIIDX 24 SINOBUZ収録「Selfish Sweet」とは対になるような位置づけとなっている。 難易度の割にはオブジェの全体的な密度は少なめなのでゲージは比較的伸ばしやすく、表記レベルの割には結構楽な配置。しかし、時折混じる細かい小階段やアウトロからの隣接・スライド階段がレベル38相応とも言える。難所は短めなので、対策さえできれば適正より下でもクリアできる可能性がある。EXは微ズレや細かい配置が増えて、小さなミスを誘いやすい癖の強いものに。左白で4打ちを刻むことが多いため、左右に振られる配置も多めとなっている。 ハイライト発生箇所 番号 5Buttons / EASY NORMAL HYPER EXTRA 1 2 3 収録作品 AC版 ポップンミュージック うさぎと猫と少年の夢からの全作品 2017/09/28からの追加配信により登場。 CS版 ロング版収録 キャンディージャーの地平面 / OSTER project 関連リンク 楽曲一覧/ポップンミュージック うさぎと猫と少年の夢
https://w.atwiki.jp/twitterbot/pages/727.html
mitsunari_bot / 石田三成 Web http //tbot.ps.land.to/ 自己紹介 無双の石田三成の非公式botです。作った人は@pants00 最近のつぶやき 新着記事は見つかりませんでした。
https://w.atwiki.jp/touhoukashi/pages/1687.html
【登録タグ R SYNC.ART'S ソラとトキと二色のチョウ 少女秘封倶楽部 曲 美里】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/tljtrans/pages/204.html
Use door clamp Hack door clamp The EYE s put a clamp on Reza s door. They don t fool around, do they? Lucia Turn on radio That panel controls everything from the water temperature to the audio system. She won t get out on her own. I sure hope she isn t a real receptionist...or I m in serious trouble. Examine door with Sela locked up Watilla brain Watilla power source Examine watilla Remove broken parts Watilla parts Use brain Use power source Lucia s completely busted. Examine broken watilla I ve removed Lucia s power source and brain. Nothing left but mechanical parts now. Examine watilla, broken parts removed. The poor thing s got a brain, but no power. Examine watilla, brain replaced The poor thing s got power, but no brain. Examine watilla, power source replaced Lucia s back on her feet. I wish the same could be said for Wonkers... Examine repaired watilla Hide behind door Maybe I could squeeze in behind here... Hide Use elevator Quickly, get into the elevator. We can t stay here any longer. She s operating a soup kitchen. Examine soup lady close PLACEHOLDER RABBIT WRINKLING NOSE, THEN LEAPS AWAY. Opening shot of rabbit Give spices Those stairs have been blocked off by the cops. Uh-oh. I d better not try that again. Failed hacking attempt MISSING TEXT EXAMINE PIZZA SLICE Examine pizza slice Talk about an old fashioned way of staying warm. My Dad told me about conditions during the Collapse, but I didn t think people still lived like this. How do they keep those flames alive with all this rain? It s probably chemical. MISSING TEXT EXAMINE HOMELESS MAN WITHOUT KNOWING THAT HE WANTS FOOD. Examine without knowing he wants food MISSING TEXT EXAMINE HOMELESS MAN KNOWING HE WANTS FOOD. Examine knowing he wants food MISSING TEXT EXAMINE HOMELESS MAN AFTER FEEDING HIM. Examine after feeding him MISSING TEXT HOMELESS MAN WANTS WARM PIZZA, NOT COLD AND SOGGY. Give cold pizza MISSING TEXT HOMELESS MAN HAS BEEN GIVEN WARM PIZZA Give warm pizza Aaralyn Hey, Zoë! Passing by I ve added Mrs Mullins Mixed Spices to the wine. That should be it, then. Mulled wine. Examine with spices Examine empty bottle of wine Pick up empty bottle of wine It s an empty wine bottle. Empty bottle Fill wine bottle Homeless Man Homeless Girl Hack spyder Examine bathroom door Examine blinds Examine mysterious device Touch mysterious device Use bed Use toilet Examine lab Examine crate Open kitchen door Open store room door Warden Murron Elwyn Talk to Zoë Examine Zoë I represent the Tower. The warden of this prison. He is a true example of why women should be the ones in positions of power. The warden. He is a man who follows the book. To the letter. I have your lunch delivery. Informant Rope Look at snivelling rat bastard Talk to snivelling rat bastard What a despicable creature... All that I have been told about these magicals is true. They are filthy, traitorous, and soulless. Please, no, don t hurt me! Please! Apostle, there s a message for you. Watch it, boy! Kian curses Brynn I can t believe you re still being held up. The supplies should have left the city two days ago, and you with them. They look sturdy. They are built from a strange material that I have not seen before. Examine prison main entrance That tower looks like bad news. I m not going in there. I have not seen that material before. I am told that it s enchanted wood, to keep intruders out...and prisoners in. Few who have passed through the doors to Friar s Keep have ever come out again...except in a coffin. Hello, yes? Pardon me, mistress. Thought you could just ditch me, didn t you? Well, I have a surprise― Hey, psst! Psst! Acid Smoke bomb Wait. That man... He looks very familiar. Why am I thinking of moving stairways? Examine before talking Talk to Crow Use acidic potion on Crow Use smoke bomb on Crow MISSING TEXT APRIL EXAMINES CROW April examines Crow Knock on cell door Hey! Hello! Open up! Use acidic potion Examine jailer Smoke bomb jailer I ll need to get close enough to toss the knock-out potion at him. It worked. He s out cold. Examine smoke bombed Pick up key Prison key Examine door locked It s open. Examine door open It s unlocked. Examine door unlocked Hey, warden, what s happening with lunch? My stomach s killing me. Sandwich Combine Poisoned sandwich Examine soldier The city watch is supposed to run Friar s Keep...but everyone knows the truth. The Azadi are very much in control here. MISSING TEXT KIAN EXAMINES SOLDIER. XXX_Kian examines soldier The City Watch operates this facility, but it s used exclusively for prisoners awaiting transport to Sadir. I m guessing that handle controls the food elevator. It controls the food elevator. Put in food That s the food elevator. Examine closed elevator That s where the food goes. Examine open elevator That sandwich is ready to go. I just need to find out how to move the elevator up. Examine open elevator with food Unlock door April. Thank you so much for helping me― It doesn t look too heavy, but I ll probably need some help pushing it. April examines crate We can reach the window now. April examines crate after pushing it MISSING TEXT ZOË EXAMINES CRATE XXX_Zoë examines crate MISSING TEXT EXAMINE CRATE AFTER IT HAS BEEN PUSHED XXX_Zoë examines crate after it has been pushed Use rope There s a big metal hook on the wall. Examine hook The rope s securely fastened to the hook. It ought to be possible to climb out the window now. Examine hook with rope Climb out window It s a rope. Examine bundle of rope Those gates are pretty solid. No one gets in or out of here unless the warden says so. MISSING TEXT ZOË EXAMINES INSIDE GATES XXX_Zoë examines inside gates The cell door is locked. There s a hatch, but it only opens from the outside. Examine celldoor What do you mean, you re not getting involved? You are involved, April, whether you like it or not! April, what the heck is the matter with you? Open locker door Someone forgot to close their locker. Examine locker door Pick up suit Examine suit There s a uniform in here. It probably belongs to a maintenance worker or a cleaner. Examine wait suit This looks very complicated. Examine elevator panel It s not responding. I think I have to use Liv s software. Again. Use unhacked Examine bot It s a cleaning bot. I m guessing it patrols a limited area. MISSING TEXT TRYING TO PROGRAM BOT WITHOUT PUTTING ON WATI SUIT. XXX_Use without suit on MISSING TEXT PROGRAMMING BOT XXX_Use with suit on Examine Na ane Talk to Na ane A magical who lives out of the ghetto... She must be involved with the terrorists. Do not make a move, witch. I m sort of...preoccupied at the moment. Examine when sneaking Nothing here. Reza wouldn t keep any of his work on this console. Use computer I ll need to find a way to get onto the scaffolding without being spotted. He s dead. I should get on with it before someone finds his body. PLACEHOLDER GUARD IS KNOCKED OUT AND FALLS SILENTLY TO THE GROUND. Guard knocked out I should be able to climb all the way up to the bridge between the tower and the new barracks. Examine ladder, Guard knocked out Halt, citizen. This area s closed. Please leave immediately. PLACEHOLDER Poor me! I am done for! 4 years of hard labor awaits me now... Game over! Good God. Roper Klacks? PLACEHOLDER REVEAL OF TOWER CINEMATIC. What in the name of the Six is going on? PLACEHOLDER THE GUARDS TURN ZOË AWAY. The guards are a bit more vigilant at night. I should stay away from them. Examine guard Commander Vamon. It s just around the corner. Whew! You re a fast walker. Hey, you. MISSING TEXT SHOULD BE POSSIBLE TO CLIMB ONTO THE ROOF OF THE CAR XXX_Examine climb car spot If I can just find something to stand on, I might be able to climb up there. Examine climb to ledge spot Examine key pad MISSING TEXT EXAMINE KEY PAD That gate leads into the factory yard. The fence looks brand new, and the gate s locked tight and likely guarded by all sorts of clever hardware. It goes all the way up to the roof. Examine ladder Climb inside Skylights. That one looks broken. XXX_Examine broken window far It s too grimy to see through. Examine window near There are wide girders spanning the factory hall just below the window. Examine broken window near I don t think I can kick this one in. Examine grate There s a grate in the floor over there. It looks like a ventilation shaft of some sort. I can feel a draft. Examine door to lab area That door looks different from the rest of the interior. This was definitely put up quite recently. It looks brand new. Examine crane control panel Crane down It s a control panel. Examine far on This console controls the winch - up and down. Examine near on Crawl through grate It s completely dark down there, but I can feel a draft. It definitely leads somewhere. Examine grate removed Examine drawer Open drawer That drawer is unlocked. It s a small key. Small key Examine filing cabinet Unlock and open filing cabinet This door leads out to the factory floor...but it s closed, and there s no handle. Examine from lab side That s a datacube. Pick up access key It s an access card. Access card Unlock and open That panel controls the loading bay doors. Examine loading dock panel PLACEHOLDER APRIL LISTENING TO SAYHA AND HOODED MAN. CINEMATIC PLACEHOLDER ―the delays are out of my hands, Prophet. Of course. I understand perfectly. We will finish on time. We have taken on more workers, and we are making progress by the day. We will reclaim the time lost, Prophet. The tower will stand ready for the inauguration. I swear by the Six that I shall not disappoint you. May the Goddess bless your path, Prophet. Excuses Inside Tower PLACEHOLDER Grubbers detect, attack and defeat April That thing looks like a bigger and much meaner version of those creatures down in the dungeon. It s huge. I don t think I could take that thing down. Hey, help me push this thing over to that wall. Push Examine padlock It s locked. The jailer probably has the key. There must be another room back there. Examine after trying to open The ghetto s closed. Okay. Shit. Reaction to reveal Friar s Keep... Just looking at it gives me the creeps. Cells PLACEHOLDER Taheran soldiers harrass the nobel, innocent farmer. Damn facists! Climb down If I close the door, the spider will probably wake up. Bad idea This is it, Apostle. The Empire s greatest achievement east of Sadir. A monument to our might and to our faith. I should not keep the Emissary waiting. Mistress PLACEHOLDER FIGHT, WIN, GO TO MARCURIA, DONE Zhid Examine Fringe front door It s a buzzer. Examine chapter 0-4.99 I m not going back there. Examine chapter 5.00 Use spices Poof Dadee That must be Crazy Clara s pet! It s really cute. Hey, you can t go in there! The tunnel just vanished! If I didn t know better, I d say it was...magic. Blind Bob wants mulled wine, not just hot wine. I need to add the spices before filling the bottle. Use bottle without adding spices Kick KICK It s locked. What the hell is this place? I must be dreaming. Everything down here looks ancient. Who stores food like this? That machine looks all new and shiny compared to the rest of the stuff down here. The...the opening is completely gone. What the hell is going on here? So I guess I m in a place where they make their own wine. That window looks into the Journeyman s garden. MISSING CINEMATIC - Glimpse of Hooded man Inn Cellar Night Examine Elgwan Examine Beleris The prices here are too steep. We do most of our business in Oldtown. The fish merchant. I m not looking to buy anything from her. She s a merchant. Talk to Nana Nya It is strange to see these magicals walking freely about, as though they were human. He s handsome. Blue suits him well...and me, too. Many Dolmari have fled east to the Irhad. Some say they re building an army. I hope that s true. He is prideful...but without good reason. What is there to be proud of when you are a magical? I think I ve seen him before. What s he doing here? You don t see a lot of humans in the ghetto these days. I wonder if he s an Azadi spy... What s a human doing here in the ghetto? Maybe he s a rebel sympathiser. He s guarding the gate. There are soldiers everywhere. The Azadi think that will protect them against the terrorist threat . They re mistaken. I like her colour a lot. The Dolmari have had it especially tough after the Azadi came, seeing how integrated they were in Marcurian society. If I didn t know better, I would think she was a blue human. But she s less than that. She is a magical. He s Zhid. There are fewer and fewer of them around these days. Most have left the city and gone east. Brian Westhouse, looking younger and healthier than he did ten years ago. There are guards everywhere, I swear to God. The Azadi are paranoid. And with good reason. These young men serve their Mistresses well. She s a funny old girl. She appears to be a woman of high standing. She is certainly aggressive. There used to be thousands of Dolmari in Marcuria. Nowadays, you ll only find them in Oldtown, and there are few left. Okay, so she s blue. There s nothing wrong with that. Not at all. Her skin is blue, but otherwise... Otherwise she looks like a woman. Daen has escorted me here to the tower, and he has also shown me some of this strange city. Jiva Reza s Apartment Marco Polo Journeyman Inn Morning Burrow Crook Morning South Gate Market Morning Journeyman Inn Night Magic Docks Crab Bend Journeyman Inn Day Venice Crossroads Tower Square Night You don t see a lot of Zhid in Marcuria these days. She has catlike features. It s really beautiful. She...this thing, she is obviously female. A woman. Her features may not be human, but she is...attractive. Friar s Keep Reclaim brain Listen in Azadi Guard My Wizardin Days Are Over Push crate He s out cold. Talk examine Alchera Morpheus Destiny Convergence All that we see or seem... Crossroads Faith Reversal The Longest Journey Dreamfall This world and the people here look like a mix between a fairy tale, a fantasy role-playing game, and Charles Dickens London. Examine second Nice clothes. Too bad I could never wear anything like that at home...except at a fancy dress party. Examine car wreck It s an active data panel. I d need a suitable card or datacube to use it. That thing looks absolutely lethal. It s about to fall. All it needs is a little...encouragement. Examine Use access card Looks like a data panel connected to the gate. Russia Rooftop Examine fuse box Looks like a power switch. This is definitely where the power to this place is routed through. Examine near closed There s a big power switch in here. Examine near open MISSING TEXT Examine fixed fuse box. Examine fuse box fixed Open lid I ought to be able to get up there...somehow. This probably controls the gate, but it doesn t appear to be active. No. This is where the signal originated. If I go back now, I ll never find out what s going on...or what s happened to Reza. Benrime s burned all the forbidden books, and she s bought a bunch of Azadi approved ones. No one reads those. Benrime. She s the one thing in my life that hasn t changed in the past decade. Benrime s taking a great risk in helping the rebel movement. Benrime had to install these Azadi beer taps to avoid unwanted attention. She needs to stay on friendly terms with the enemy. We have to travel light, and we have to stay packed...just in case. I wish I could just sit down, gaze into the fire, and forget everything. (Sighs) But I can t. Na ane joined my outfit only a few months ago, but she s proven to be a valuable asset. Her magic is very powerful. If there s one thing we have enough of, it s weaponry. What we need more of is food, warm clothes, and medicine. Brynn s showing a lot of promise, but he needs to cool down a bit, or he ll get hurt...or killed. Apples. Maybe we should bring a couple of barrels back to the swamplands. I think people would appreciate that. Examine view Talking to Zoë Examine barrel Hello, is Charlie there please? My name s Zoë. I m a friend of Reza. I m looking for him. I think he might have been here. I don t know anybody named Reza. Sorry. Goodb― Wait! He s a reporter, goes by the name Jericho . All right. Come on in. Right. Actually, I think I left it upstairs. Oh. Right. No, I was just, you know, checking out the weather. Looks nice. I ll go put on some clothes now. Oops. Yeah. I should hurry. Reza and me...back when we were a happy couple. Hey, are you done? I just got out. I m on my way. Coolness. I have an appointment later this afternoon, so I just wanted to make sure you remembered. I ll be there in a few minutes. See ya! Liv, my best friend in the whole wide world. Looks like she s eating lunch. Examine Olivia again The Sky s tracking a live one on the premises. Proceed with caution. Sir! We ve got a body! That s the woman we re looking for. Rio Kuroki. Sir, we ve got a lock. In there. Go. Reza s notepad... Locked and encrypted. Of course. Um. Hi. It s me. Your...your mobile s probably been switched off for, uh, for obvious reasons, but if you do get this message... Reza... Please, please come home. I m sure things can be sorted out if you just come home. I m really worried. Call me, okay? Come on, Dad. Please pick up, please pick― Hello, Zoë― ―I m sorry, but I m currently away from my phone. Leave me a message, and I ll call you back as soon as I can. Shit. Zoë Castillo, 449... 44929-dash-601421. Address and occupation. Jardin des Roses 42A, Casablanca, CA 1011. I m, uh, unemployed. You are being held under the Syndicate Anti-Corporate Activities statute in connection with murder and possession of contraband software. You guys shot me. Isn t that a violation of my rights as a citizen? As of this moment, Ms Castillo, you have no rights. What were you doing in Mr Temiz s apartment? So where did you get the datacube? What datacube? I will remind you that your freedom is in the balance, Ms Castillo. We have enough to convict you on several accounts. You could be facing up to thirty years in a corporate prison. Or you could choose to cooperate. I m cooperating here! I honestly don t know anything about a datacube. Where did you pick up this package? Helena...Helena something. I can t...Chang! Helena Chang. Look, I was doing Reza a favour. He told me to pick it up and bring it over to his place. That s all. This Helena person, she had something that s connected to a story Reza s working on. He didn t tell me. He never tells me. It really was just a favour for a good friend. Cooperate I shouldn t play with fire I want a lawyer. Counteract I m just going to lawyer up Name and CID number. Now. I was scanned when I was brought in. You know who I am. What were you doing in Mr Temiz s apartment? Reza - Temiz - asked me to do a favour for him this afternoon. He s a good friend of mine. Best to be up front about it I would strongly suggest that you cooperate in every way possible, or face the consequences. I just came by to say hello, and noticed that the door was open. I walked in, saw the body - next thing I know, the cops boom me. I m not giving them anything I went to pick up a package downtown, and I was just dropping it off, when... Well. You know. A datacube was found in your possession containing highly sensitive information. Are you sure it s wise to keep denying your involvement? I don t... Look, I was carrying a package. Someone gave it to me. I was supposed to deliver it to Reza - but he didn t know about it. Company called Jiva. They re located in the Seshadri building downtown. I can t remember the floor. And who did you meet at Jiva? Who was the package from? A woman who works at a company downtown. Jiva. Her name was...Chang, I think. Helena Chang. How did Chang get in touch with you? I don t understand what― If your friend Mr Temiz knew nothing about this, how did Chang contact you. Look... Okay, so I was helping Reza out. He asked me to pick up the package for him. But he didn t know what was in it! He never saw it. Whatever was inside, the only person responsible is Helena Chang. You should be interrogating her. All Reza did was talk to the woman. He s working on a story, and she s a source. Please, you have to believe me. I don t know what s going on. I was just in the wrong place at the wrong time. I need to make him understand that I had nothing to do with this I m sure there s a good explanation for everything. Reza wouldn t ever harm anyone. I m sure he ll understand if I just reason with him What kind of story? I don t know. He didn t tell me. Yes, you were. We know that you had nothing to do with the murder, but that does not clear you from the charges. You are to remain in Casablanca for the time being. If Mr Temiz attempts to contact you, you are to call us immediately. If Mr Temiz attempts to contact you, Ms Castillo, you will call us immediately, and you are not to leave Casablanca without our permission. Now, tell us again, from the top. What did Mr Temiz ask you to do for him? Hi, it s Zoë Castillo again. May I come in? Subsequent visits That s right. Has he been here? How do you know Jericho? We go way back. If you re such good friends, why do you need to track him down? Can t you just call him?
https://w.atwiki.jp/trallpunk/pages/116.html
Released ? Label ? Tracklist Side A 1. Han Är Choklad 2. Utan Pengar 3. Propp Från En Småstad Side B 1. Mera Sol 2. Misslyckad Abort 3. Som En Sparv Utan Bo 4. Jag Ska Bli En Fotbollsdomare
https://w.atwiki.jp/asaka4568/pages/15.html
榊 大地bot(daichi_sa_bot)について このbotは、コーエー「金色のコルダ3」のキャラクターである「榊 大地」の不完全非公式Twitter用botです。 コーエー様をはじめ関係各社様とは何も関係ありません。 管理人よりお詫びとお知らせ(2011/6/12) 不明すぎる突然のアカウント凍結のため、新しくアカウント取得いたしました。フォロワーの皆さまにはご心配をおかけし申し訳ございませんでした。今までのフォローはすべてリセットされていますので、お手数ですが再フォローをよろしくお願いいたします。 なお、しばらくの間大人しく活動するため、定期を1時間ごと、TL反応を停止しておりますのでご了承ください。 フォローをされる皆さまへ ※必ずお読みください 数あるbotの中から榊大地botをフォローしていただき、ありがとうございます。 下記のような方は、管理人の判断によりブロックさせていただきますのでご了承ください。 ・鍵をかけている方(つぶやき非公開)で、大地からフォロー返しをして数週間経過しても許可をされない方 ・自己紹介が無記入、つぶやき0、ネオロマ・乙女ゲーム好きなのか判断ができない方 ・「bot専用アカウント」とだけ書かれていてネオロマ・乙女ゲームが好きなのか判断できない方 ・明らかに宣伝目的 ・不快な内容のつぶやきをしている(管理人はbot宛のつぶやきをみています) ※フォロー返しは手動で行っています。管理人多忙の際は遅くなることもありますのでご了承ください。 こちらも必ずご一読ください。 自動botに関するマナーについて 公式プロフィール 榊 大地(CV:内田夕夜) 星奏学院普通科3年 オーケストラ部副部長 楽器:ヴィオラ 誕生日:12月29日 やぎ座 血液型:O型 現在リプライされる言葉 特定の言葉に対して大地先輩がお返事します。 ■例「@daichi_sa_bot(半角スペース)おはよう、大地先輩」でお返事します。 ■台詞の内容はネタバレを含みますので、未攻略の方はご注意ください。 (上から優先順位が高いです。例えば、「おはよう、好き」と話しかけると 『おはよう』に反応してリプを返します。) おはよ|オハヨ|お早う 好き|スキ おやすみ|オヤスミ|お休み こんにちは|こんにちわ|コンニチ かっこいい|カッコイイ 寒い アイスコーヒー (大地にあげてください) 弁当|べんとう (大地にあげてください) 寂しい|淋しい|さみしい|さびしい ありがと|アリガト|有難 ぎゅ|ギュ ちゅ|チュ|キスし(て) デート|でーと ただいま|タダイマ つかれ|疲れ 手伝って|てつだって いってき|行ってき ごめん|ゴメン 眠い|ねむい (大地に向かって)かわいい|可愛い|カワイイ 愛して(る)|あいして(る)|アイシテ(ル) 風邪|カゼ 痛い|イタイ 練習しよ(う)|練習しま(しょう) 慰め|なぐさめ (大地をなでなでする)なでなで|ナデナデ|ナデナデ|撫でてあげる|撫でる (大地になでてもらう)撫でて|なでて|なでなでして|ナデナデして|ナデナデして マエストロ(フィールド)|MF コイン (大地にあげてください) モモ 歌っ|うたっ お腹すいた|おなかすいた|オナカすいた 曲紹介 ヴィオラ|ヴィオラ 榊先輩|榊君|榊クン ●REC 土岐 律 響也 ハル 時々、神南高校の土岐と大会モードで戦います。 土岐蓬生bot⇒TokiHousei_botもフォローしてると見れます。 ⇒どちらが勝つかはランダムです。 時々、ハルに怒られてます。 水嶋悠人bot⇒haruto_m_botもフォローしてると見れます。 お誕生日のお祝いをします 大地先輩に「今日お誕生日なの」って教えてあげると、大地先輩がお祝いしてくれます。 (注意:誕生日ではない日に連呼するのはやめてあげてくださいね) **榊大地2010年12月29日誕生日リプ 「おめでと|オメデト|ハピバ|ハピバ|バースデー|バースデー」 に反応します。 ※終了しました。ありがとうございました! **クリスマス(2010年)限定リプ 12/24~26の3日間限定で、クリスマスリプを行います。 -クリスマス|クリスマス|メリクリ|メリクリ ※終了しました。ありがとうございました! **ハロウィン限定リプ ※終了しました。ありがとうございました! **『10 YEARS LOVE』イベント限定リプ ※終了しました。ありがとうございました! -留守番 -アラモ|アラモ|アラモード|アラモード ※終了しました。ありがとうございました! -星奏祭|星奏学院祭|留守番 ※終了しました。ありがとうございました! **期間限定(2010/3/13~14)ホワイトデー台詞について ※終了しました。ありがとうございました! その他 大地先輩は一応受験生なので、1 00~6 00の間はお返事しません。 その他の時間帯は1時間に一度つぶやきます。 注意事項 管理人(asaka_a)は、php初心者です。 この大地botは、管理人の妄想の産物です。イメージと合わない場合はブロックしてください。 明らかにネオロマに興味がない、宣伝のみ、日本語が理解できない方からのフォローに対してはお断りさせていただきます。 フォローをはずす場合は、必ずブロックしてくださいね☆ 作成日:2010年2月2日 再作成日:2012年6月12日 2011-06-12 01 42 46 (Sun); -