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Chiron / ケイローン Basic Information Type Multi-Legged Durabilty 920p OKE Weight 5720kg Payload 15200kg Payload in Engine Power 150% 22800kg On-Board Arms 3 Weapon 1 Assault Gun, Beam Gun, Electromagnetic Pulse Gun, Napalm Gun, Shell Weapon 2 Rocket Launcher(S8/M4/L2) , Missile Launcher(S8/M4/L2), Land Mine Dispenser(4), Aerial Mine Dispenser(4), Special Launcher(Sonic Blaster(8),the others(4)) Weapon 3 The same as Weapon 2. On-Board Options 3 On-Board Energy 2600GJ 520kg On-Board Energy in its rate 150% 3900GJ 780kg Heat Resist 2200P Attack Attack Low ? Attack High ? Attack Far ? Special Move Number Name Summary 1 Sidestep L. Rotate About 130 deg. rotation to left moving backward right. 2 Sidestep R. Rotate The converse of 1. 3 Back Kick Up Move backward kicking up by his hind leg. Feature A multi-legged OKE like centaur. In CHE debuts. Area of its front is little and this OKE has high guard effect with its shield and attack capacity. Moreover opponents’ reticles set height of its shield, so if this OKE is neutral, it is possible to deter with its shield. This OKE’s move speed isn’t very high, but if its attack once hits, “Until…You break..I won’t stop hitting you!”. And its quick movement can attack opponents. This OKE is often used as what is called “Spoo Chiron” which can move high-speed by canceling “Attack Low”. The performance need to arrange its payload and use acceleration system, but its attack power is very high. When you use Spoo Chiron, you should be careful of running out of energy. Often Observed Styles Spoo Chiron A style which continues to make opponents stumble until breaking by canceling “Attack Low”.
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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Japanese bondage documentary 'Bakushi' knot suitable for faint-hearted日本の緊縛ドキュメンタリー映画『縛師』は、気弱な人達にとっては『一筋縄』ではいかない 参考資料 記事の影響 拡散状況 関連ページ Japanese bondage documentary Bakushi knot suitable for faint-hearted 日本の緊縛ドキュメンタリー映画『縛師』は、気弱な人達にとっては『一筋縄』ではいかない 元記事（削除済み)：http //mdn.mainichi.jp/culture/waiwai/news/20080527p2g00m0dm004000c 0 Japanese bondage documentary Bakushi knot suitable for faint-hearted 2008,05,27 Shukan Shincho 5/29 By Ryann Connell 日本の緊縛ドキュメンタリー映画『縛師』は、気弱な人達にとっては『一筋縄』ではいかない 2008,05,27 週刊新潮 5/29 ライアン・コネル記 1 Japanese moviegoers face the possibility of being bound to their seats by a flick celebrating one of the country s most revered and racy traditions -- rope bondage, according to Shukan Shincho (5/29). 日本の映画ファンは、日本で最も尊ばれていて独特な伝統の一つ――緊縛(縄によるボンデージ)――を世に知らしめる映画によって、客席に縛り付けられてしまう可能性に直面している。 2 "Bakushi," the name given to the professional rope bandage artists and the documentary to be shown in Tokyo s Shibuya on May 31, has already been viewed by rapt audiences at well-known international film festivals like Rotterdam and Buenos Aires. 「縛師」――プロフェッショナルな緊縛アーティストにつけられた呼称でもあり、５月３１日に東京の渋谷で上映されたドキュメンタリー映画につけられたタイトルである――は、ロッテルダムやブエノスアイレスなどのよく知られた国際映画祭において、恍惚とした観客によって鑑賞されてきた。 3 The documentary follows some of Japan s most famous bakushi as they go through the, er, ropes of kinbaku, the practice of rope bondage. このドキュメンタリーは、日本で最も高名な縛師達が、えーと、一連のキンバク、すなわち縄によるボンデージの実践をするところをフィルムに収めている。 4 "The first time I ever saw kinbaku was when I was working as the assistant director on a blue movie. I wonder what was enjoyable about it," Ryuichi Hiroki, the 54-year-old director of "Bakushi" tells Shukan Shincho. "I ve got no interest in kinbaku myself. But I like how the bakushi and his models can communicate through a single piece of rope, even though there s no actual conversation between them. I wanted to capture this communication on film." 「わたしが初めて緊縛を見たのは、ポルノ映画の助監督の仕事をしていた時でした。それの何がおもしろいのか、私は不思議に思いました」と、「縛師」の監督・廣木隆一(54)は週刊新潮に語る。 「私自身は緊縛に興味はありません。しかし、実際には一切会話をしていないにも関わらず、いかに縛師とそのモデルが一本の縄を介してコミュニケーションするのかが、私は好きです。私はこのコミュニケーションをカメラに捉えたかったのです。」 5 Hiroki s main subjects are Chimuo Nureki, Haruki Yukimura and Go Arisue, all among Japan s most famous bakushi. 廣木の主要な被写体は、濡木痴夢男、雪村春樹、そして有末剛だ。皆、日本で最も有名な縛師である。 6 "Speaking in terms of sado-masochism, the bakushi is the sadist, but they have to understand a masochist s mentality as well," Hiroki says. "In a way, the bakushi are also masochists themselves because they re forced to respond to the demands of the women they re working on. I really like that paradox." 「サディズムおよびマゾヒズムの観点から言うと、縛師はまさにサディストですが、彼らはマゾヒストの心理をも熟知していなければなりません」と廣木は言う。 「ある意味では、縛師自身もまたマゾヒストなのです。なぜなら、彼らは自分が縛っている女性の要求に応えることを強いられているのですから。私はこの矛盾がほんとうに気に入ってます」 7 Kinbaku, the weekly argues, is a truly unique Japanese practice. 週刊新潮は論ずる：緊縛は真に特異な日本の慣習なのだ、と。 8 "Other countries have bondage, where they use stuff like rubber suits and leather belts, but it s pretty rare to use ropes to tie people up. I guess it comes from Japan s culture of using ties for clothes like kimono, or furoshiki (wrapping cloths)," Hiroki says. "When I show this overseas, people always come up and ask me if all Japanese are like the people in the movie." 「他の国にもボンデージはあって、ゴム製のスーツや革ベルトなどが使われています。しかし人間を縛り上げるために縄を使うことは極めてまれです。これは、着物などの服の帯紐やフロシキ(包装につかう布)を使用する日本の文化に由来しているのではないかと思います」と廣木は言う。 「私がこの映画を海外で上映すると、いつも人々がやってきて、日本人はみんな映画に出てきた人達みたいなのか、と私にたずねます」 9 A woman working to promote the movie says she finds the practice of kinbaku to be alluring. この映画の販促をするために働いている女性は、緊縛の実践にはうっとりさせられる、と言う。 10 "I m a little bit jealous (of the models)," she tells Shukan Shincho. "Being able to communicate without words is sort of wonderful... Not that I m into this kind of stuff, mind you." (By Ryann Connell) 「私はちょっぴり(モデル達に)嫉妬しています」と彼女は週刊新潮に語る。 「言葉を使わずにコミュニケーション出来るなんて、なんだか素敵かも……。あっ、でも、私がこういったことに熱中しているわけじゃないですよ、念のため」(ライアン・コネル記) 参考資料 廣木隆一 http //ja.wikipedia.org/wiki/%E5%BB%A3%E6%9C%A8%E9%9A%86%E4%B8%80 濡木痴夢男 http //smpedia.com/index.php?title=%E6%BF%A1%E6%9C%A8%E7%97%B4%E5%A4%A2%E7%94%B7 雪村春樹 http //smpedia.com/index.php?title=%E9%9B%AA%E6%9D%91%E6%98%A5%E6%A8%B9 有末剛 http //smpedia.com/index.php?title=%E6%9C%89%E6%9C%AB%E5%89%9B 記事の影響 英語版のWikipedia http //en.wikipedia.org/wiki/Japanese_bondage 拡散状況 AsianOffbeat http //www.asianoffbeat.com/default.asp?display=1791 fuckedgaijin http //www.fuckedgaijin.com/forums/showthread.php?t=20742 Japanese Style Noodles http //www.japanesestylenoodles.com/waiwai/archive20080527 SeekJapan http //www.seekjapan.jp/news/other/2008-05-28 crazy-rubber friends 部分転載：http //www.crfriends.de/index.php?module=pnForum func=viewtopic topic=3391 start=330 英語サイト http //www.thesexcarnival.com/2008/05/links-for-2008-05-28/ 関連ページ AsianOffbeat Japanese Style Noodles SeekJapan WaiWaiの記事を転載した英語サイト：S fuckedgaijin 毎日新聞英語版から配信された記事2008年 英語版Wikipediaに記事が及ぼした影響 記事が及ぼした影響
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Original Articles Books Shinnya Kusuda, Koichi Yamamoto(2008) Foundation of River Watershed Encironment Management, Printed in japan,212-220 Original Articles First author Yumi NAGAHAMA, Ryo NAKAYAMA, Woo-Seok SHIN, Megumu FUJIBAYASHI, Munehiro NOMURA and Osamu NISHIMURA(2011) Organic Matter Sources in Sediments of Zostera japonica Beds and Nearby Sandy Areas, J.JSCE,Ser.G(Environmental Research),67,7,Ⅲ_117-Ⅲ_122 Yumi NAGAHAMA, Munehiro NOMURA, Megumu FUJIBAYASHI, Woo-seok SHIN and Osamu NISHIMURA(2011) Characterization of the Carbon Stable Isotope Ratio and Fatty Acid Structure of Zostera japonica in Coastal Areas, Journal of Water and Environment Technology,9,2,101-109 Yumi NAGAHAMA,Osamu NISHIMURA,Shuhei MASUDA,Keiji KOZAWA,Hisashi HARADA and Takayuki KAWASAKI(2010) Evaluation of the Long Period Wave Absorbing Sea Wall in Akita-port as Habitat for Nektons and Seaweeds,Environmental Engineering Research,47,229-235 Yumi NAGAHAMA,Munehiro NOMURA,Megumu FUJIBAYASHI,Woo-Seok SHIN,Kazunori NAKANO,Osamu NISHIMURA(2009) Analysis of Oranic Matters Transportation by Stable isotope and Fatty acids in Benthic Ecosystems of Zostera Japonica Meadows,Proceedings of the third international conference on estuaries and coasts,1,329-335 Yumi NAGAHAMA,Munehiro NOMURA,Kazunori NAKANO,Kenshi KIMURA,Osamu NISHIMURA(2007) Characterization of seagrass bed habitat and its effect on benthic fauna,Journal of Environmental Systems and Engineering(VII),63,4,233-240 Yumi NAGAHAMA,Masateru OSHIMA, Shuro YOSHIKAWA, Kenji NEMOTO, Osamu NISHIMURA, Kenshi KIMURA(2008) The Influence of Demersal Habitat Structure Fomed with Coastal Erosion on Macrobenthos and Demersal Fishes,Environmental Engineering Research,45,89-95 Original Articles Co-author MEGUMU FUJIBAYASHI, WOO-SEOK SHIN, YUMI NAGAHAMA, YOSHIO AIKAWA, and OSAMU NISHIMURA(2012) The effect of pedal mucus of pond snail,Bellamya chinensis on decomposition of organic matter in paddy field sediments, Japanese Journal of Water Treatment Biology, 48, 4, 141-144 WOO-SEOK SHIN, MEGUMU FUJIBAYASHI, YUMI NAGAHAMA, MUNEHIRO NOMURA, and OSAMU NISHIMURA(2012) Origin and Bacterial Utilization of Organic Matters in Tidal-Flat Sediment, Japanese Journal of Water Treatment Biology, 48, 2, 29-35 Woo-seok SHIN, Megumu FUJIBAYASHI,Yumi NAGAHAMA,Munehiro NOMURA,Kazunori NAKANO and Osamu NISHIMURA(2010) Seasonal Variation of Food Vources on Bivalve and Nereidae in Estuary Tidal Flat,Environmental Engineering Research,47,223-228 Megumu FUJIBAYASHI,Woo-seok SHIN,Yumi NAGAHAMA,Kazunori NAKANO,Yoshio AIKAWA and Osamu NISHIMURA(2010) Essential Fatty Acids Requirement of Pond Snai, Bellamya chinensis,Environmental Engineering Research,47,9-14 Woo-Seok Shin,Yong-Doo Lee,Megumu FUJIBAYASHI,Yumi NAGAHAMA, Munehiro NOMURA,Osamu NISHIMURA(2010) The origin of sediment organic matters at tidal flat in estuary,Journal of KSEE,32,1,1177-1184 Woo-Seok Shin,Megumu Fujibayashi,Yumi Nagahama,Munehiro Nomura,Kazunori Nakano,Osamu Nishimura(2009) Estimation of origin of sediment organic matters in Tidal flat by Acid Decomposability,Proceedings of the third international conference on estuaries and coasts,1,373-379 Yusuke IKEGAMI,Munehiro NOMURA,Yumi NAGAHAMA,Kazunori NAKANO,Osamu NISHIMURA(2008) Efffect of Emergence Time and Sediment on the Growth of Zostera Japonica,Environmental Engineering Research,45,81-87 Masateru OSHIMA,Ryouhei SUZUKI,Yumi NAGAHAMA,Shuro YOSHIKAWA,Kenshi KIMURA,Kenji NEMOTO(2008) INFLUENCE ON MACROBENTHOS BY AVUNDANT INFLOW OF SAND FROM RIVER IN ESTUARY,Annual Journal of civil Engineering in the Ocean,24,1093-1098 Kenshi KIMURA,Kenji NEMOTO,Yumi NAGAHAMA,Shuro YOSHIKAWA,Osamu NISHIMURA(2005) CHARACTERISTICS OF BEACH EROSION AND EFFECT OF THE BEACH EROSION ON THE HABITAT OF MACROBENTHOS IN MIHO BEACH,Annual Journal of civil Engineering in the Ocean,21,229-234 Award Best presentation award of JSCE 2008 Annual Meeting Annual Conference Best presentation (Kurita) award of JSWE 2007 Annual Conference Best presentation award of JSCE 2006 Annual Meeting Annual Conference Society American Society of Limnology and Oceanography Japan Society of Civil Engneering Japan Society of Water Environment
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MOVIE 大全集 THE COMPLETE 1 監督：山前五十洋 出演者：堀内梨弥子、 森山洋子、 升水美奈子、 白鳥真奈、 吉岡さゆり、 保坂由香 収録時間：250分 レンタル開始日：2006-03-17 Story 数々のジュニアアイドルをフィーチャーしてきたINTEC社が自信を持って贈るプレミアムシリーズ第1弾。堀内梨弥子や森山洋子ほか、幼い体に無限の可能性を秘めた美少女たち6人が出演した既発イメージ5タイトルを濃縮収録して1枚分のプライスで提供。 （詳細はこちら）
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Videos (Sort by date) 3A LOVE STILL LOVE Soon To Be Rotary Z one last video preview Proof of Concept 3a gorilla condors
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本 崇臣 【もと たかおみ】 1998 ゼノギアス PS スクウェア メカニカルCGモデリング 本 崇臣 高橋英治, 樋口公樹, 本崇臣, 松尾隆美, 神崎建三, 中谷幸夫, 板倉松三, 生守一行, 奥井健志, 奈良こうき, 家中伸, 北上弘, 加田木崇行, 武田秀明 1999 ファイナルファンタジーVIII PS スクウェア Mechanical Section CG Designer 本 崇臣 小林功児, 高橋英治, 本崇臣, 加田木崇行 FRONT MISSION 3 PS スクウェア Movie Crue CG Designer TAKAOMI MOTO Movie Crue CG Designer ・海老原信頼, 太田嘉彦, Takashi Ohkuma, 越智光進, 阿部義人, 友岡卓司, 小林功児, 本崇臣, 高橋英治, 加田木崇行, 早川真孝, 尾杉朋彦 Movie Crue CG Supervisor 塚本聡 Movie Crue Spice Inc., Image Corporation, Penz.co.,ltd. 2000 ファイナルファンタジーIX PS スクウェア Movie Section Full Motion Video - CG Designer (Square Visual Works Co.,Ltd) TAKAOMI MOTO Movie Section Full Motion Video -- Director (Square Visual Works Co.,Ltd) 桑原弘-- Technical Coordinator (Square Visual Works Co.,Ltd) 森泉仁智-- CG Designers (Square Visual Works Co.,Ltd) 藤原浩, 古川俊太郎, 波田琢也, 本多宏行, 今村桂子, 井上正治, 井上忠広, 加田木崇行, 小林功児, 黒田あや子, 松村敏明, 宮本佳, 本崇臣, 中西早苗, 内藤哲, 那須基仁, 野末武志, 越智光進, 尾杉朋彦, 佐藤香, 千崎慎也, 白鳥広一郎, 染谷健一, 高橋英治, 高橋浩一, 高村英秀, 武田秀明, 竹内謙吾, 立石昌代, 立石武史, 友岡卓司, 土屋章浩, 津村侯年, 山本和仁, 安田拓二, 吉田雅則 2001 ファイナルファンタジーX PS2 スクウェア Outside Contractors CG Movie Manufacture Support 本 崇臣 フロントミッション1ST (PS / SQUARE ENIX 2003) Visual Works CG Movie Designer 小林功児(D), 安田拓二, 重松直也, 西村崇史, 袴田真澄, 中西早苗と共同。 フロントミッション4 (PS2 / SQUARE ENIX 2003) Visual Works CG Movie Designer 小林功児(D), 安田拓二, 重松直也, 島田和人, 鈴木卓矢, 奈良恒紀, 中西早苗, 西村崇史, 袴田真澄, 齋藤邦明と共同。 2005 ロマンシング サ・ガ ミンストレルソング PS2 スクウェア・エニックス イベントムービー 本 崇臣 Takaomi Moto イベントムービー（ディレクター） 小林功児 イベントムービー 安田拓二, 重松直也, 本崇臣 コード・エイジ コマンダーズ ~継ぐ者, 継がれる者~ (PS2 / SQUARE ENIX 2005) CG Movie Designer 神崎淳一(D), 小林功児(L), 重松直也, 安田拓二と共同。 フロントミッション5 ~Scars of the War~ (PS2 / SQUARE ENIX 2005) Opening Movie 小林功児, 重松直也, Saori Takashino, 堀井賢二, 中野崇, 越智光進, 森泉智輝と共同。 キングダム ハーツII ファイナルミックス (PS2 / SQUARE ENIX 2007) Movie Section CG Designer ファイナルファンタジーVII アドベントチルドレン コンプリート (SQUARE ENIX 2009) Sets Plops Supervisor 井手弘人, 生守一行と共同。 ファイナルファンタジーXIII (PS3 / SQUARE ENIX 2009) Movies Set Plops Artist Lead 堀井賢二(L), 中西早苗, 袴田真澄, 鈴木卓矢, 竹下優子, 鈴木重徳, 腰水竜也, 勝山裕輝恵, 大森千佳, 重松直也, 西村崇史, 北田栄二, 大硲敦志, 蒲原博(SV)と共同。 2011 DISSIDIA 012[duodecim] FINAL FANTASY PSP スクウェア・エニックス Movies Props Supervisor 本 崇臣 Takaomi Moto 2012 Agni s Philosophy - FINAL FANTASY REALTIME TECH DEMO 映像作品 スクウェア・エニックス Visual Works Supervisor Takaomi Moto 津村侯年, 尾崎義規, 鈴木友輔, 黒田豊臣, 井手弘人, 本崇臣, 山本和仁, 高田栄哉, 河野真也, 松村敏明
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【コミュニティ】 タイトル未定 http //com.nicovideo.jp/community/co1214367 【記録】 SFCDQ3 2 56 59 FC版DQ4 5 53 38 先天空 メダル１２枚 ブライチャート 【大会実績】 【関連】 裏 http //www.ustream.tv/channel/mori0623