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Introduktion ERSTER AKT Freier Platz eines am Meeresufer gelegenen Ortes nächst Syrakus. Links auf dem Prospekt eine Bucht des zerklüfteten, hier und da von einem Flecken unterbrochenen Meeresufers. In blauer Ferne der leicht rauchende Ätna. Das Meeresufer rückwärts praktikabel. Vorn rechts Benozzos Kneipe mit Balkon, welcher, unten eine Laube bildend, das Erdgeschoss überragt. Vor der Kneipe einige einfache Tische und Stühle. Ganz vorn links der praktikable Eingang zum Keller. Wenn der Vorhang aufgeht, ist es vorn möglichst dunkel. Der Ätna glänzt im lichten Morgenrot. Das Ufer ist von demselben leicht gefärbt. ERSTE SZENE Eine Stimme (hinter der Szene), Massaccio, Chor der Schmuggler, dann Benozzo Nr. 1 - Szene Die Bühne ist leer. EINE STIMME rechts hinter der Szene in weiter Entfernung Wihu! Wihu! MASSACCIO eilt von links auf die Bühne, gefolgt von einigen Schmugglern, ruft ins Meer hinaus Wihu! Wihu! EINE STIMME hinter der Szene, aber schon näher Wihu! Wihu! MASSACCIO Hört nur, hört! Den wohlbekannten Ton! CHOR DER SCHMUGGLER Die Freunde sind s! Sie nahen schon! MASSACCIO Zu bergen gilt s ihre Ladung reich! CHOR DER SCHMUGGLER Doch wo ist Benozzo? MASSACCIO Den weck ich gleich! eilt zum Fenster des Wirtshauses Benozzo, ohne Säumen! Genug hast du geruht! Jetzt ist nicht Zeit zu träumen! BENOZZO aus dem Hause, gähnend Ah! Ah! Schon gut! MASSACCIO, CHOR DER SCHMUGGLER Sie sind schon da! Sie kommen schon heran! Dem Ufer ganz nah, dort legen sie an! MASSACCIO der indes wieder ans Ufer geeilt war, ungeduldig wieder zu Benozzos Fenster zurückkehrend Schon wird es hell und heller, drum heisst es auf der Hut! Benozzo, öffne uns den Keller! BENOZZO auf dem Balkon; er trägt nichts als ein Leinenbeinkleid, grobe Schuhe über den blossen Füssen, ein offenes gestreiftes Hemd, einen schlichten Wollgürtel und eine Zipfelmütze, weiss und rot gestreift; er hat krauses Haar, Ohrringe, ein Amulett um den blossen Hals, einen spärlichen Vollbart, stark bronzierten Teint; gähnend Ah! Ah! Schon gut! MASSACCIO Mit Kisten schwer beladen kommt von Afrikas Strand Unser Schiff ohne Schaden mit unsern Freunden ans Land. Vorsicht nun! Auf der Hut! BENOZZO Ja, ja! Schon gut! verschwindet und kommt nach einer kleinen Pause mit dem Schlüssel zum Keller, den er öffnet. Indes ist rückwärts die "Tartane" gelandet, der eine Anzahl Schmuggler entsteigen, die sich mit den auf der Bühne befindlichen vereinigen. MASSACCIO, CHOR DER SCHMUGGLER Hier, wo die Schergen uns bewachen, gilt s zu bergen schnell die Sachen. Sind wir am Land, Verrat uns droht, drum ist hier Vorsicht stets Gebot. Freiheit wohnt nur auf dem Meer! Wenn Feinde dort hinter uns her, ha, bald vorbei war die Gefahr! Wir flohn mit der Beute ins Weite. Doch hier, wo Schergen uns bewachen, gilt s zu bergen schnell die Sachen. Weil am Land Verrat uns droht, ist Vorsicht hier Gebot! BENOZZO hat den Keller aufgesperrt, tritt nun zu den Schmugglern, die ihn begrüssen Fort! Nicht länger gesäumt, weg damit! Aufgeräumt! Dass kein Aug es erspäht, dass uns niemand verrät! Ah! Nun behend rührt die Händ ! Angepackt! Aufgesackt! Abgefahrn! Mit den War n fort, nur fort! Alles dort ins Versteck, dass entdeck kein Verräter das Gut, wo es sicher dann ruht! Vorwärts. Freunde, nur Mut! Hurtig schnell auf der Stell, immer flink auf den Wink! Schafft es hin! Viel Gewinn es euch bringt, wenn s gelingt! Habet acht! Aufs Signal seid bedacht! Droht Gefahr, macht euch rasch unsichtbar! CHOR DER SCHMUGGLER Hurtig schnell gleich zur Stell! Droht Gefahr, macht euch rasch unsichtbar! MASSACCIO, CHOR DER SCHMUGGLER Doch wenn wir auf dem Meer, nicht Gefahren mehr drohen; wenn Feinde hinterher, sind in Eil wir entflohen! Ja, sind wir dort an Bord, segeln wir eilig fort! BENOZZO Mässigt euch, solang ihr noch am Strand, denn Verrat droht am Land! Hurtig schnell auf der Stell immer flink auf den Wink! Schafft es hin! Viel Gewinn es euch bringt, wenn s gelingt! Habet acht! Aufs Signal seid bedacht! Allzumal droht Gefahr, so macht euch rasch unsichtbar! CHOR DER SCHMUGGLER Hurtig schnell, immer flink, schafft es fort auf den Wink und habt acht! Allzumal droht Gefahr, so macht euch rasch unsichtbar! Die Waren sind fortgeschafft. BENOZZO Hurra! Gelungen ist s, das Werk, es ist geglückt! Nun vorwärts, schnell! Zurück zur Stell! Hurtig! Vorwärts! Schneller! Flink! Die zweite Hälfte der Schmuggler besteigt schnell das Boot, welches sich entfernt, während die übrigen Schmuggler, am Strande stehend, ihnen Lebewohl winken und dann rückwärts verschwinden. Massaccio und Benozzo schliessen währenddessen den Keller. MASSACCIO, CHOR DER SCHMUGGLER teilweise im Boot Vor den Schergen muss man s bergen, habt acht! Weil am Land Verrat uns droht, ist hier Vorsicht Gebot! ZWEITE SZENE Massaccio. Benozzo, dann Erminio, Luigi Dialog Es wird heller. MASSACCIO Wenn die Zollwächter uns erwischten, träf die Schuld dich, verdammter Langschläfer! BENOZZO Die Zollwächter sind für heute nacht unschädlich gemacht! heiter Ich habe sie samt dem Herrn Podestà wieder auf die Spur Gasparones gehetzt! Erminio erscheint, von Luigi gefolgt. Sie schleichen sich unter Benozzos Balkon und horchen. Beide sind in grosse Mäntel gehüllt und tragen weiche grosse Hüte. MASSACCIO Bist doch ein Teufelskerl! Sprengt der Spitzbube schlägt Benozzo auf die Schulter nicht das Gerücht aus, dass Gasparone. der furchtbare Bandit der Romagna, sich hierher nach Sizilien geflüchtet habe! BENOZZO heiter Nur, um uns freies Feld zu schaffen …,fürs Schmuggeln! Hahaha! MASSACCIO Nie ging unser Geschäft besser, als seit du den Leuten weismachtest, Gasparone hause in den Schluchten des Ätna! ERMINIO ruhig, in seinen Mantel gehüllt, an einer Seite des Balkons lehnend, Luigi neben ihm ....während er doch drüben die Abruzzen unsicher macht! BENOZZO, MASSACCIO anfangs bestürzt, greifen nach den Dolchmessern und wollen sich auf die beiden stürzen Spione! Erminio hält ihnen eine Pistole vor, gleiches tut Luigi. Beide avancieren. Benozzo und Massaccio erschrecken, weichen zurück. Erminio nimmt Massaccio aufs Korn, während Luigi nach Benozzo zielt. ERMINIO Werft die Messer fort! Benozzo und Massaccio wollen noch einen Versuch machen, sich der lästigen Lauscher zu entledigen. ERMINIO Gehorcht, Schufte, oder Massaccio und Benozzo gehorchen. Luigi und Erminio nehmen sie in die Mitte. Also, ihr Halunken missbraucht Gasparones Namen zu euren Operationen? BENOZZO Als Schmuggler, Exzellenza! MASSACCIO Als ehrliche Schmuggler ... von etwas Zucker und Kaffee! BENOZZO Nur, um die Behörden von unserem Treiben abzulenken ERMINIO Ihr wisst, was euch bevorsteht, wenn ich euch anzeige? LUIGI Die Galeere! BENOZZO, MASSACCIO knien nieder Gnade, Exzellenza, Gnade! ERMINIO So hört! Ich kann entschlossene Männer, wie ihr seid, brauchen. Wollt ihr mir blindlings gehorchen? BENOZZO, MASSACCIO demütig Ja! ERMINIO Steht auf! Ich verspreche euch dagegen tiefstes Schweigen, werde euch für eure Dienste gut belohnen! Die Fabel von Gasparones Aufenthalt hier passt mir! BENOZZO Sollten Exzellenza in freien Stunden etwa selbst ... macht die Gebärde des Stehlens und Zustechens ERMINIO heiter Nein, mein Junge. Was ich stehlen will, ist ein Frauenherz! BENOZZO Das ist zollfrei! ERMINIO Und was ihr für mich rauben sollt, ist ein Drache! BENOZZO, MASSACCIO Ein Drache? ERMINIO Ja, eine alte, prüde Duenna, welche die Dame meines Herzens argwöhnisch bewacht, so dass es mir bis jetzt unmöglich war, mich ihr zu nähern. BENOZZO Capisco! Exzellenza wollen, dass wir auf Rechnung Gasparones die Alte unschädlich machen sollen? ERMINIO Auf kurze Zeit nur! Glockengeläute MASSACCIO Die Morgenglocke! LUIGI Gehen wir! ERMINIO Gut! zu Massaccio Du, Alter, folgst mir, ich will dich instruieren will ab Halt! Sooft ich euer bedarf, diene euch als Erkennungszeichen die Losung ... die Losung BENOZZO Sagen wir... Zucker und Kaffee! ERMINIO Gut! Zucker und Kaffee! BENOZZO, MASSACCIO Einverstanden! ERMINIO Also blind gehorchen! MASSACCIO Tiefstes Schweigen! BENOZZO Gut bezahlen! ERMINIO Losung? BENOZZO, MASSACCIO, ERMINJO, LUIGI Zucker und Kaffee! Erminio, Luigi, Massaccio verschwinden. BENOZZO Eine seltsame Begegnung! Gleichviel, der Mann gefällt mir! Man hört Geräusche von links. Nr. 2 - Melodram, Chor und Auftrittslied BENOZZO geht nach hinten; gesprochen Ah, die Zollwächter und Gendarmen, die der Podestà auf der Suche nach Gasparone die ganze Nacht herumgehetzt hat! geht an die Tür des Wirtshauses Sora! Sora! Mach auf, wir bekommen Gäste! zum Publikum Denn einen Räuber suchen, der gar nicht da ist ... macht durstig! ab ins Haus DRITTE SZENE Chor der Zollwächter, dann Nasoni, später Sora; Volk (Frauen, Männer) CHOR DER ZOLLWÄCHTER treten auf Erscheinen wir als Rächer mit lautem Trarara, so wissen die Verbrecher von weitem, dass wir da! Wir bliesen auf Trompeten auch heute Trarara! Da ging der Fang uns flöten, der unser schon beinah! Trara! Trara! Den Gasparone fangen, ist Kleinigkeit ja nur! Trara! Trara! Ist s heut auch nicht gegangen, wir sind doch auf der Spur! Wir kennen keine Schonung, wir geben keine Ruh, erringen die Belohnung und Ehren noch dazu! Trara! Trara! Rezitativ NASONI tritt auf; er trägt Zivilkleider jener Zeit, dazu einen Säbel, Pistolen und eine Tromba - Gewehr mit trompetenartiger Mündung -; in den Kreis tretend mit Aplomb Ihr tapfern Kameraden, Genossen in Gefahren, macht euch nichts draus, wenn heut wir nicht ganz glücklich waren! Erwischen wir den Bösewicht, wird er gehängt, doch früher nicht! CHOR DER ZOLLWÄCHTER Heil dem tapfern Podestà! Trarara! Trarara! Dem Podestà, dem Podestà! NASONI 1. Der verdammte Gasparone treibt es mir denn doch zu bunt täglich hinter dem Patrone, dabei geht man ja zugrund! Was ich heute Nacht gelitten, macht mich jetzt noch desperat! Über Lavablöcke schritten wir auf unwegsamstem Pfad! Ringsherum in allen Ecken soll der Gasparone stecken unterm Tische, in dem Bett, selbst im kleinsten Kabinett; in den Klöstern, in den Kellern, in der Küche unter Tellern, ob der Raum so eng und klein, dass kein Teufel kommt hinein wo es dunkel oder licht, wittert man den Bösewicht! Ihn, den alle Häscher suchen, ihn, dem alle Lippen fluchen, ihn, den alle Wälder kennen, ihn, den Räuber Bruder nennen, ihn, von dem man schaudernd spricht ihn, ihn, ihn, ihn erwisch ich nicht, o verflixte G schicht! Ich erwisch ihn nicht, o verflixte G schicht! 2. Bin schon völlig wie zerschlagen, meine Beine fühl ich kaum! Hier im Kopfe, da im Magen überall ein leerer Raum! Schon zu lang werd ich geduldig immer hin und her gesprengt, bin s nun der Gesundheit schuldig, dass der Kerl wird bald gehängt! Sagt mir einer guten Morgen, bin ich auch bereits in Sorgen, ob s nicht Gasparone ist, der mich so vertraulich grüsst. Wenn Champagnerkorken knallen, glaub ich mich schon überfallen; sticht mich irgendein Insekt, glaub ich, dass sein Dolch schon steckt, schrei halt auf den Bösewicht, der auf Schandtat nur erpicht. Ihn, den alle Häscher suchen, ihn, dem alle Lippen fluchen, ihn, den alle Wälder kennen, ihn, den Räuber Bruder nennen, ihn, von dem man schaudernd spricht ihn, ihn, ihn, ihn erwisch ich nicht, o verflixte G schicht! Ich erwisch ihn nicht, o verflixte G schicht! Dialog NASONI legt Säbel, Pistolen und Tromba missmutig beiseite, setzt sich rechts Ah, mir brechen fast die Beine ab vor Müdigkeit! Setzen, setzen! Das bin ich meiner Gesundheit schuldig! dehnt sich behaglich Ah! SORA kommt aus dem Wirtshaus Eine Erfrischung gefällig. Exzellenza? NASONI mürrisch Ein Glas Wein! Sora näher betrachtend Bist ja ein schmuckes Ding! Ich habe dich doch schon irgendwo gesehen?! SORA Ich heisse Sora, Exzellenza; war bis vor kurzem im Dienst der Gräfin Santa Croce! NASONI Meiner künftigen Schwiegertochter, richtig! SORA Eben will ich ihr entgegengehen. Sie hat versprochen, mich zu besuchen, meine neue Wirtschaft anzusehen ... Ich bin seit acht Tagen verheiratet! NASONI Richtig! Mit diesem Halunken von Benozzo! Introduktion ERSTER AKT Freier Platz eines am Meeresufer gelegenen Ortes nächst Syrakus. Links auf dem Prospekt eine Bucht des zerklüfteten, hier und da von einem Flecken unterbrochenen Meeresufers. In blauer Ferne der leicht rauchende Ätna. Das Meeresufer rückwärts praktikabel. Vorn rechts Benozzos Kneipe mit Balkon, welcher, unten eine Laube bildend, das Erdgeschoss überragt. Vor der Kneipe einige einfache Tische und Stühle. Ganz vorn links der praktikable Eingang zum Keller. Wenn der Vorhang aufgeht, ist es vorn möglichst dunkel. Der Ätna glänzt im lichten Morgenrot. Das Ufer ist von demselben leicht gefärbt. ERSTE SZENE Eine Stimme (hinter der Szene), Massaccio, Chor der Schmuggler, dann Benozzo Nr. 1 - Szene Die Bühne ist leer. EINE STIMME rechts hinter der Szene in weiter Entfernung Wihu! Wihu! MASSACCIO eilt von links auf die Bühne, gefolgt von einigen Schmugglern, ruft ins Meer hinaus Wihu! Wihu! EINE STIMME hinter der Szene, aber schon näher Wihu! Wihu! MASSACCIO Hört nur, hört! Den wohlbekannten Ton! CHOR DER SCHMUGGLER Die Freunde sind s! Sie nahen schon! MASSACCIO Zu bergen gilt s ihre Ladung reich! CHOR DER SCHMUGGLER Doch wo ist Benozzo? MASSACCIO Den weck ich gleich! eilt zum Fenster des Wirtshauses Benozzo, ohne Säumen! Genug hast du geruht! Jetzt ist nicht Zeit zu träumen! BENOZZO aus dem Hause, gähnend Ah! Ah! Schon gut! MASSACCIO, CHOR DER SCHMUGGLER Sie sind schon da! Sie kommen schon heran! Dem Ufer ganz nah, dort legen sie an! MASSACCIO der indes wieder ans Ufer geeilt war, ungeduldig wieder zu Benozzos Fenster zurückkehrend Schon wird es hell und heller, drum heisst es auf der Hut! Benozzo, öffne uns den Keller! BENOZZO auf dem Balkon; er trägt nichts als ein Leinenbeinkleid, grobe Schuhe über den blossen Füssen, ein offenes gestreiftes Hemd, einen schlichten Wollgürtel und eine Zipfelmütze, weiss und rot gestreift; er hat krauses Haar, Ohrringe, ein Amulett um den blossen Hals, einen spärlichen Vollbart, stark bronzierten Teint; gähnend Ah! Ah! Schon gut! MASSACCIO Mit Kisten schwer beladen kommt von Afrikas Strand Unser Schiff ohne Schaden mit unsern Freunden ans Land. Vorsicht nun! Auf der Hut! BENOZZO Ja, ja! Schon gut! verschwindet und kommt nach einer kleinen Pause mit dem Schlüssel zum Keller, den er öffnet. Indes ist rückwärts die "Tartane" gelandet, der eine Anzahl Schmuggler entsteigen, die sich mit den auf der Bühne befindlichen vereinigen. MASSACCIO, CHOR DER SCHMUGGLER Hier, wo die Schergen uns bewachen, gilt s zu bergen schnell die Sachen. Sind wir am Land, Verrat uns droht, drum ist hier Vorsicht stets Gebot. Freiheit wohnt nur auf dem Meer! Wenn Feinde dort hinter uns her, ha, bald vorbei war die Gefahr! Wir flohn mit der Beute ins Weite. Doch hier, wo Schergen uns bewachen, gilt s zu bergen schnell die Sachen. Weil am Land Verrat uns droht, ist Vorsicht hier Gebot! BENOZZO hat den Keller aufgesperrt, tritt nun zu den Schmugglern, die ihn begrüssen Fort! Nicht länger gesäumt, weg damit! Aufgeräumt! Dass kein Aug es erspäht, dass uns niemand verrät! Ah! Nun behend rührt die Händ ! Angepackt! Aufgesackt! Abgefahrn! Mit den War n fort, nur fort! Alles dort ins Versteck, dass entdeck kein Verräter das Gut, wo es sicher dann ruht! Vorwärts. Freunde, nur Mut! Hurtig schnell auf der Stell, immer flink auf den Wink! Schafft es hin! Viel Gewinn es euch bringt, wenn s gelingt! Habet acht! Aufs Signal seid bedacht! Droht Gefahr, macht euch rasch unsichtbar! CHOR DER SCHMUGGLER Hurtig schnell gleich zur Stell! Droht Gefahr, macht euch rasch unsichtbar! MASSACCIO, CHOR DER SCHMUGGLER Doch wenn wir auf dem Meer, nicht Gefahren mehr drohen; wenn Feinde hinterher, sind in Eil wir entflohen! Ja, sind wir dort an Bord, segeln wir eilig fort! BENOZZO Mässigt euch, solang ihr noch am Strand, denn Verrat droht am Land! Hurtig schnell auf der Stell immer flink auf den Wink! Schafft es hin! Viel Gewinn es euch bringt, wenn s gelingt! Habet acht! Aufs Signal seid bedacht! Allzumal droht Gefahr, so macht euch rasch unsichtbar! CHOR DER SCHMUGGLER Hurtig schnell, immer flink, schafft es fort auf den Wink und habt acht! Allzumal droht Gefahr, so macht euch rasch unsichtbar! Die Waren sind fortgeschafft. BENOZZO Hurra! Gelungen ist s, das Werk, es ist geglückt! Nun vorwärts, schnell! Zurück zur Stell! Hurtig! Vorwärts! Schneller! Flink! Die zweite Hälfte der Schmuggler besteigt schnell das Boot, welches sich entfernt, während die übrigen Schmuggler, am Strande stehend, ihnen Lebewohl winken und dann rückwärts verschwinden. Massaccio und Benozzo schliessen währenddessen den Keller. MASSACCIO, CHOR DER SCHMUGGLER teilweise im Boot Vor den Schergen muss man s bergen, habt acht! Weil am Land Verrat uns droht, ist hier Vorsicht Gebot! ZWEITE SZENE Massaccio. Benozzo, dann Erminio, Luigi Dialog Es wird heller. MASSACCIO Wenn die Zollwächter uns erwischten, träf die Schuld dich, verdammter Langschläfer! BENOZZO Die Zollwächter sind für heute nacht unschädlich gemacht! heiter Ich habe sie samt dem Herrn Podestà wieder auf die Spur Gasparones gehetzt! Erminio erscheint, von Luigi gefolgt. Sie schleichen sich unter Benozzos Balkon und horchen. Beide sind in grosse Mäntel gehüllt und tragen weiche grosse Hüte. MASSACCIO Bist doch ein Teufelskerl! Sprengt der Spitzbube schlägt Benozzo auf die Schulter nicht das Gerücht aus, dass Gasparone. der furchtbare Bandit der Romagna, sich hierher nach Sizilien geflüchtet habe! BENOZZO heiter Nur, um uns freies Feld zu schaffen …,fürs Schmuggeln! Hahaha! MASSACCIO Nie ging unser Geschäft besser, als seit du den Leuten weismachtest, Gasparone hause in den Schluchten des Ätna! ERMINIO ruhig, in seinen Mantel gehüllt, an einer Seite des Balkons lehnend, Luigi neben ihm ....während er doch drüben die Abruzzen unsicher macht! BENOZZO, MASSACCIO anfangs bestürzt, greifen nach den Dolchmessern und wollen sich auf die beiden stürzen Spione! Erminio hält ihnen eine Pistole vor, gleiches tut Luigi. Beide avancieren. Benozzo und Massaccio erschrecken, weichen zurück. Erminio nimmt Massaccio aufs Korn, während Luigi nach Benozzo zielt. ERMINIO Werft die Messer fort! Benozzo und Massaccio wollen noch einen Versuch machen, sich der lästigen Lauscher zu entledigen. ERMINIO Gehorcht, Schufte, oder Massaccio und Benozzo gehorchen. Luigi und Erminio nehmen sie in die Mitte. Also, ihr Halunken missbraucht Gasparones Namen zu euren Operationen? BENOZZO Als Schmuggler, Exzellenza! MASSACCIO Als ehrliche Schmuggler ... von etwas Zucker und Kaffee! BENOZZO Nur, um die Behörden von unserem Treiben abzulenken ERMINIO Ihr wisst, was euch bevorsteht, wenn ich euch anzeige? LUIGI Die Galeere! BENOZZO, MASSACCIO knien nieder Gnade, Exzellenza, Gnade! ERMINIO So hört! Ich kann entschlossene Männer, wie ihr seid, brauchen. Wollt ihr mir blindlings gehorchen? BENOZZO, MASSACCIO demütig Ja! ERMINIO Steht auf! Ich verspreche euch dagegen tiefstes Schweigen, werde euch für eure Dienste gut belohnen! Die Fabel von Gasparones Aufenthalt hier passt mir! BENOZZO Sollten Exzellenza in freien Stunden etwa selbst ... macht die Gebärde des Stehlens und Zustechens ERMINIO heiter Nein, mein Junge. Was ich stehlen will, ist ein Frauenherz! BENOZZO Das ist zollfrei! ERMINIO Und was ihr für mich rauben sollt, ist ein Drache! BENOZZO, MASSACCIO Ein Drache? ERMINIO Ja, eine alte, prüde Duenna, welche die Dame meines Herzens argwöhnisch bewacht, so dass es mir bis jetzt unmöglich war, mich ihr zu nähern. BENOZZO Capisco! Exzellenza wollen, dass wir auf Rechnung Gasparones die Alte unschädlich machen sollen? ERMINIO Auf kurze Zeit nur! Glockengeläute MASSACCIO Die Morgenglocke! LUIGI Gehen wir! ERMINIO Gut! zu Massaccio Du, Alter, folgst mir, ich will dich instruieren will ab Halt! Sooft ich euer bedarf, diene euch als Erkennungszeichen die Losung ... die Losung BENOZZO Sagen wir... Zucker und Kaffee! ERMINIO Gut! Zucker und Kaffee! BENOZZO, MASSACCIO Einverstanden! ERMINIO Also blind gehorchen! MASSACCIO Tiefstes Schweigen! BENOZZO Gut bezahlen! ERMINIO Losung? BENOZZO, MASSACCIO, ERMINJO, LUIGI Zucker und Kaffee! Erminio, Luigi, Massaccio verschwinden. BENOZZO Eine seltsame Begegnung! Gleichviel, der Mann gefällt mir! Man hört Geräusche von links. Nr. 2 - Melodram, Chor und Auftrittslied BENOZZO geht nach hinten; gesprochen Ah, die Zollwächter und Gendarmen, die der Podestà auf der Suche nach Gasparone die ganze Nacht herumgehetzt hat! geht an die Tür des Wirtshauses Sora! Sora! Mach auf, wir bekommen Gäste! zum Publikum Denn einen Räuber suchen, der gar nicht da ist ... macht durstig! ab ins Haus DRITTE SZENE Chor der Zollwächter, dann Nasoni, später Sora; Volk (Frauen, Männer) CHOR DER ZOLLWÄCHTER treten auf Erscheinen wir als Rächer mit lautem Trarara, so wissen die Verbrecher von weitem, dass wir da! Wir bliesen auf Trompeten auch heute Trarara! Da ging der Fang uns flöten, der unser schon beinah! Trara! Trara! Den Gasparone fangen, ist Kleinigkeit ja nur! Trara! Trara! Ist s heut auch nicht gegangen, wir sind doch auf der Spur! Wir kennen keine Schonung, wir geben keine Ruh, erringen die Belohnung und Ehren noch dazu! Trara! Trara! Rezitativ NASONI tritt auf; er trägt Zivilkleider jener Zeit, dazu einen Säbel, Pistolen und eine Tromba - Gewehr mit trompetenartiger Mündung -; in den Kreis tretend mit Aplomb Ihr tapfern Kameraden, Genossen in Gefahren, macht euch nichts draus, wenn heut wir nicht ganz glücklich waren! Erwischen wir den Bösewicht, wird er gehängt, doch früher nicht! CHOR DER ZOLLWÄCHTER Heil dem tapfern Podestà! Trarara! Trarara! Dem Podestà, dem Podestà! NASONI 1. Der verdammte Gasparone treibt es mir denn doch zu bunt täglich hinter dem Patrone, dabei geht man ja zugrund! Was ich heute Nacht gelitten, macht mich jetzt noch desperat! Über Lavablöcke schritten wir auf unwegsamstem Pfad! Ringsherum in allen Ecken soll der Gasparone stecken unterm Tische, in dem Bett, selbst im kleinsten Kabinett; in den Klöstern, in den Kellern, in der Küche unter Tellern, ob der Raum so eng und klein, dass kein Teufel kommt hinein wo es dunkel oder licht, wittert man den Bösewicht! Ihn, den alle Häscher suchen, ihn, dem alle Lippen fluchen, ihn, den alle Wälder kennen, ihn, den Räuber Bruder nennen, ihn, von dem man schaudernd spricht ihn, ihn, ihn, ihn erwisch ich nicht, o verflixte G schicht! Ich erwisch ihn nicht, o verflixte G schicht! 2. Bin schon völlig wie zerschlagen, meine Beine fühl ich kaum! Hier im Kopfe, da im Magen überall ein leerer Raum! Schon zu lang werd ich geduldig immer hin und her gesprengt, bin s nun der Gesundheit schuldig, dass der Kerl wird bald gehängt! Sagt mir einer guten Morgen, bin ich auch bereits in Sorgen, ob s nicht Gasparone ist, der mich so vertraulich grüsst. Wenn Champagnerkorken knallen, glaub ich mich schon überfallen; sticht mich irgendein Insekt, glaub ich, dass sein Dolch schon steckt, schrei halt auf den Bösewicht, der auf Schandtat nur erpicht. Ihn, den alle Häscher suchen, ihn, dem alle Lippen fluchen, ihn, den alle Wälder kennen, ihn, den Räuber Bruder nennen, ihn, von dem man schaudernd spricht ihn, ihn, ihn, ihn erwisch ich nicht, o verflixte G schicht! Ich erwisch ihn nicht, o verflixte G schicht! Dialog NASONI legt Säbel, Pistolen und Tromba missmutig beiseite, setzt sich rechts Ah, mir brechen fast die Beine ab vor Müdigkeit! Setzen, setzen! Das bin ich meiner Gesundheit schuldig! dehnt sich behaglich Ah! SORA kommt aus dem Wirtshaus Eine Erfrischung gefällig. Exzellenza? NASONI mürrisch Ein Glas Wein! Sora näher betrachtend Bist ja ein schmuckes Ding! Ich habe dich doch schon irgendwo gesehen?! SORA Ich heisse Sora, Exzellenza; war bis vor kurzem im Dienst der Gräfin Santa Croce! NASONI Meiner künftigen Schwiegertochter, richtig! SORA Eben will ich ihr entgegengehen. Sie hat versprochen, mich zu besuchen, meine neue Wirtschaft anzusehen ... Ich bin seit acht Tagen verheiratet! NASONI Richtig! Mit diesem Halunken von Benozzo! Millöcker,Carl/Gasparone/I-2
https://w.atwiki.jp/doom2k/pages/166.html
E1M4 Command Control map外観(classicdoom.comより) シークレットは3つ Thingデータ monster SKILL 1/2 SKILL 3 SKILL 4/5 Demons 1 3 11 imps 9 20 36 Sergeants? 3 9 16 Troopers 8 22 22 powerups SKILL 1/2 SKILL 3 SKILL 4/5 Armor bonuses 14 14 14 Backpacks 1 1 1 Blue armors 1 1 1 Green armors 1 1 1 Health bonuses 30 30 30 Medikits 5 5 5 Soul Spheres 1 1 1 Stimpacks 9 9 9 Weapons SKILL 1/2 SKILL 3 SKILL 4/5 Shotguns 1 0 0 Chainguns 1 1 1 Rocket launchers 1 1 1 Ammunition SKILL 1/2 SKILL 3 SKILL 4/5 Ammo clips 9 11 9 Bullet boxes 4 3 3 Shells 5 4 4 Shell boxes 1 1 1 Rockets 1 1 1 Rocket boxes 2 2 2 Keys SKILL 1/2 SKILL 3 SKILL 4/5 Blue cards 1 1 1 Yellow cards 1 1 1 DEMO(lmp)の動画 Youtube Doom E1M4 "Command Control" - 100% Kills and Secrets - World Record by Drew DeVore speed run(Compet-N)world record(参考記録) Run Time Player Date File UV speed NM speed UV max NM100S UV -fast UV -respawn UV Tyson UV pacifist ●現在Compet-Nのサーバーが消滅してるため日本からダウンロードすることはできません その他のlmp DSDA The DooMed Speed Demos Archive Doomworld idgames detabase Knee-Deep in the Dead(mapデータ)に戻る DOOMシリーズのMAPデータINDEXに戻る
https://w.atwiki.jp/jasagiri/pages/80.html
Redis post memcached を狙う永続化可能なハイブリッド key-value storage。 RedisReadme RedisCommandReference RedisProtocolSpecification RedisReplicationHOWTO RedisFAQ RedisConfig 本家：http //code.google.com/p/redis/ ：http //groups.google.com/group/redis-db redis-rb：http //github.com/ezmobius/redis-rb/tree/master redis-store：http //github.com/jodosha/redis-store/tree/master kvs共通インタフェース：http //github.com/wycats/moneta/tree/master サンプル：http //gist.github.com/86714 retwis-rb：http //retwisrb.danlucraft.com/login ネタ： http //antirez.com/post/Redis-my-new-open-source-project.html http //www.atmarkit.co.jp/news/200902/26/redis.html http //alug.blog.shinobi.jp/Entry/46/ http //antoniocangiano.com/2009/03/11/introducing-redis-a-key-value-database/ http //highscalability.com/product-redis-not-just-another-key-value-store http //www.programmersparadox.com/2009/06/02/redis-and-ruby/
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DIAMONDS ARE A GIRL'S BEST FRIEND Niko Hey. よう。 Gerry Yeah? おう。 Niko What's wrong? 何か、あったのか？ Gerry There's good news and there's bad news. 良いニュースと、悪いニュースがある。 Gerry The good news is everything is coming together. 良いニュースっていうのは、全部が集まって来つつあるって事だ。 Gerry The bad news? それで、悪いニュースとは何かって？ Gerry It ain't gonna to make a blind bit of difference to me. 俺にとっては何一つ変わっちゃいないってことだな。 Niko Uh?What do you mean? ん？どういう意味だ？ Gerry Do you want me to spell it out? 説明して欲しいのか？ Niko No,I guess not. いや、要らない。 Gerry Thanks. そうだよな。 Gerry Packie will give you a call and explain. Packieがお前に電話して説明してくれるだろうよ。 Gerry The ex-boyfriend of your girl,he's gonna to agree to the divorce terms. お前の彼女の元ボーイフレンドが、離婚条項に合意しそうだ。 Gerry Unfortunately,it turns out he wasn't our only problem. ただ運の悪いことに、奴だけが俺たちの抱える問題じゃないってことが分かった。 Gerry Some other crap has turned up. 他のチンピラが出てきたんだ。 Gerry I don't think I'll be getting out anytime soon. 俺はここからすぐには出られそうもない。 Gerry Been a great laugh. 笑えるよな、まったく。 Gerry Look after yourself. 気をつけろよ。 Niko Yeah. ああ。 ～電話～ Packie Nico,me and Gracie is waiting for you just off a Frankfort Avenue in Northwood. Nico、俺とGracieは、NorthwoodのFrankfort通りで待ってるぜ。 Packie Looks like our joyful time with her is coming to an end. 彼女と一緒に居られる、楽しい一時も、そろそろ終わりのようだぜ。 Niko That's a fucking tragedy.We should throw her a goodbye party. 悲しい事だな。俺たちが、お別れ会を開いてやらないとな。 Packie That's the plan.Hopefully someone might bring a big present for us to this shindig as well. それが今回の計画さ。上手くいけば、誰かが俺たちのためにでっかいプレゼントをくれるだろうよ。 Packie Maybe a bug bag of diamonds will help us get over the pain of losing her. 多分、ダイヤモンド入りのバッグが、彼女を失う痛みを和らげてくれるんじゃないか？ Packie We're waiting for ya,man. お前が来るのを待ってるぜ。 Go to Packie's car in North wood. North woodにあるPackieの車の所に行け。 ～車内～ Niko Hey man. よう Packie Alright,Niko.The exchange is over on Charge Island at the water treatment plant. よう、Niko。交換はCharge島の水処理施設で行うぞ。 Drive to the Charge Island Sewage Works. Charge Island Sewage Works.まで運転しろ。 Niko Packie,my man.How are you and Gracie getting on? Packie、Gracieとはどう過ごしてたんだ？ Packie Like a house on fire,ain't that right,Gracie? 火事になった家みたいなもんさ。だよな、Gracie？ Gracie You fucking bastards. このろくでなしのヘナチョコ野郎。 Packie See,she was just telling me how much she loved me.What do ya think of Niko,Gracie? な、今のは俺をどれほど愛しているかを言ってたんだぜ。Nikoのことはどう思うんだ、Gracie？ Gracie I fucking hate the both of you. 二人ともへどが出るわ。 Packie Gracie,watch your mouth.Niko is good friend of mine. Don't say that about him. Gracie、口の利き方には気をつけるんだぞ。Nikoは俺の大事な友達だからな。奴にはそういうことを言うなよ。 Gracie Fuck you,fuck you,fuck you,fuck you. クソッタレ、クソッタレ、クソッタレ！ Packie Gracie,you're sweet. ああ可愛いよGracie。 Packie I know I'm too good for him,but sometimes a guy has got to hang out with lowlifes like Niko here. 俺は奴に比べれば恵まれていたが、時に男は底辺の暮らしに放り込まれてもなんとか生き延びなきゃならないことがある。このNikoみたいにな。 Packie He's got his uses. Nikoは自分の生き方を見つけたんだ。 Gracie I'll give you some fucking uses. 私はあんたらにちょっとした生き方をあてがってやるわ！ Packie That's right,he is definitely a bad influence on me. そうだな、奴は間違いなく俺には毒だね。 Gracie Motherfucker. クソ野郎！ Go around the back to the exchange point. 取引場所に行け。 ～取引場所～ Men1 Gracie,you alright? Gracie、無事か？ Men1 The bastards didn't hurt you,did they? そこのクソどもが傷つけたりしてないだろうな？ Packie She can't speak.We got a gag in her mouth. 彼女は喋ることができねえよ。猿ぐつわを噛ませたんでね。 Men1 Give her back,you animals.She's suffered snough. この畜生ども、彼女を返せ。彼女を苦しめることはないだろ。 Packie Hand over the stuff. ブツを渡せ。 Men1 Hand over Gracie! Gracieを渡せ！ Packie Hand over the fucking stuff! ブツをよこせ！ Men1 I'm here for you,sweetie. Gracie、俺はここにいるからね。 Niko Alright,calm down.Both of you. 分かったから落ち着け。二人とも。 Men2 We put the ice in the middle,we walk back. 俺たちはダイヤを真ん中に置いて戻る。 Men2 Then you send over the girl. それからお前らは女をこちらに送り出せ。 Men2 We leave and you pick up the stuff.Entiende? 俺たちは立ち去るし、お前らはブツを持っていく。Entiende? 分かったか？ Niko Sure,show us the goods. ああ。ものを見せろよ。 Men1 Come back to me,honey. 戻っておいで、ハニー。 Niko Let her go. 行かせろ。 Men3 Niko Bellic,how is it that whenever something is stolen from me you are not far away? Niko Bellic、俺のところから何かが盗まれるときには必ずお前がそう遠くないところにいるな。どういうことだ？ Niko I have never stolen anything from you,Mr.Bulgarin. 俺はあんたから一度も何か盗んだことはないぜ、Bulgarinさんよ。 Men3 These men,the pig faggot and his dominican bitch,they stole my diamonds. こいつらに、ホモのデブに、ドミニカ人のビッチ、奴らが俺のダイヤモンドを盗みやがった。 Men3 And you have been trying to rob the thieves. そして今度は泥棒から盗もうってわけか。 Men3 To rob me.Kill them all! つまり俺からな。皆殺しにしろ！ Packie I don't care what you did to that man,but we ain't leaving here without them diamonds. お前があいつに何をしたかはどうでもいいが、ダイヤモンドなしには帰らねえぞ！ ～銃撃戦～ Packie Alright,I think I know who's got the ice.Follow me. よし、誰がダイヤを手に入れたか見当ついたぜ。ついてきな。 Take out Bulgarin's men. Bulgarinの手下を倒せ。 Packie Stay on me. 近くにいろ。 Packie Nickey done,Niko.We fucking got 'em. Nickey、やったぜ、Niko。奴らを倒した。 Packie There's guys above us.Get them,Niko. 上にいる。倒せ、Niko。 Packie Fuck Niko,there's some guys up there. くそ、Niko、上に何人かいる。 Packie Use the pipes for cover,come on man. パイプを盾にしろ。いくぜ。 Packie Come on,stay close. 行くぞ、ついてこい。 Packie The guy with the ice has got to be this way. ダイヤを持っていった奴はこの先にいるはずだ。 Packie Let's split up.I'll take the high road and you take the low road. 二手に分かれよう。俺は上から行く、お前は下から行け。 Make your way across to the walkway. 道路の反対側に行け。 Packie Shit,we got even more company. クソ、増援だ。 Packie Burn baby burn. 燃えろ！ベイビー！燃えちまえ！ Packie Niko,my man,you gotta follow me. Nikoよ、ついてこい。 Packie Jesus,Niko.Tere's more of the bastards arriving. なんてこったNiko、さらに増援が来てるぜ！ Packie Alright man,keeo on me. よし、いいぜ。ついてこい。 Packie? Give us that fucking ice,you're trapped. お前は袋のネズミだ。ダイヤをよこせ。 Men3? We'll let you go if you give 'em up. 諦めて帰るなら何もしないでおいてやるぜ。 Man3? I'm screwed either way.If I don't give you the diamonds,you kill me here and you take 'em. どっちにしたって俺はひでえことになる。お前らにダイヤを渡さなければお前らは俺を殺して持っていくだろう。 Men3? I do give you the diamonds,Mr.Bulgarin kills me later. お前らにダイヤを渡せば、ミスター・Bulgarinが後で俺を殺す。 Men3? Don't nobody having them.Screw all of you! 誰に手にもダイヤを渡さねえ。お前らみんなコケにされろ！ Packie Fucked up,as usual! クソ、またゴタゴタかよ！ Packie? You selfish piece of cocksucking shit! この自己中のフェラ豚が！ Take out the last of Bulgarin's men. Bulgarinの手下の残りを倒せ。 Packie Serves you right,you selfish cocksucking piece of shit. 自己中のフェラ豚、ふさわしい死に様だぜ。 Follow Packie. Packieについて行け。 Packie Shit,I don't wannna spend another minute in this crap-hole,let's get outta here. クソ、こんなゴミ溜めにあと1分でもいたくねえ。とっとと逃げようぜ。 Take Packie back to his Ma's House in Dukes. PackieをDukesのママの家に連れて行け。 When on a ladder,press ×ボタン and use 左スッティク↓ to side down quickly. ×ボタン連打と左スッティク↓で素早くはしごを降りられる。 ～家路～ Packie Jesus Christ,why did that moron have to throw tha ice away?It was just plain selfish. まったくなんてこった。あの馬鹿はなんだってダイヤを捨てちまったんだ？ただのわがままじゃねえか。 Niko There's always one who ruins it for everybody else in the class. どこのクラスにも全員を破滅させるような奴が一人はいるもんさ。 Packie You've telling me.We woulda let him live. 俺に言ってるのか。殺しはしなかったものを。 Packie He coulda walked away from there.Instead,he's fucked and the diamonds are who knows where. あいつは単に立ち去ることもできたんだ。代わりに馬鹿をやらかして、ダイヤモンドはどこに行ったか誰にも分からねえ。 Niko A lot of people are going to be upset about that. これには大勢が怒り狂うだろうな。 Packie Me brother,Gerald,is going to be one of them people. Geraldの兄貴もその一人だろう。 Packie There ain't much that could cheer him up now that he thinks he's doing serious time,but this is really gonna piss him off. 他に兄貴の気を引き立ててくれるものもねえし、兄貴はふざけてたわけじゃねえ。これはマジに兄貴を怒らせるだろうぜ。 Packie It's gonna be a nice thing to mull over.You know,while he's staring at them metal bars for next decade or so. このことはじっくり考えなきゃならねえ。知ってるだろうが兄貴はあと10年やそこらは鉄格子を見てなきゃならないからな。 Niko A guy like Gerry can still do stuff in the joint.He organized this kidnapping shit,didn't he? Gerryみたいな男は刑務所にいたってまだまだいろいろできるさ。この誘拐をまとめたのも彼だろ？ Packie? It can't be the only card he's got to play. ああ、これだけが切り札ってわけじゃないはずだ。 Packie Fuck,he weren't too chipper the last time I spoke to him and he's gonna be a long way from chipper when I tell him what went down. くそっ、最後に話したときもあんまり元気ってわけじゃなかったが、この顛末を話したら元気には程遠いことになるな。 Packie If I can get what went on straight in my head in the first place,that is. 最初から起こったことを俺がちゃんと理解できたらの話だが。 Packie Okay,so we exchanged Gracie for some diamonds that Ray used to have. オーケー、以前Rayが持っていたダイヤモンドをGracieと引き換えた。 Packie Then some Russian turns up saying they're his.Then everything goes to shit.That's about right,isn't it? するとどこかのロシア人が現れてそいつは俺のだと言ってきた。そして何もかもクソになっちまった。それで大体正解だな？ Niko There's nothing right about this situatison,but that would be an accurate description of what whent down. こういう状況に正解なんてものはないのさ。しかし起こったことの正確な説明にはなるだろうな。 Niko The Russian is called Ray Bulgarin. ロシア人はRay Bulgarinって名前だ。 Niko I worked for him on the Adriatic,he thought I stole from him and be came after me. 俺はアドリア海で奴のために働いた。奴は俺に盗まれたと思っていて、俺を追ってるんだ。 Niko I had to leave Europe because of him. 奴のせいで俺はヨーロッパを離れなきゃならなかった。 Packie And they were his diamonds? それで、あれは奴のダイヤモンドなのか？ Niko I don't know about that.They're nobody's now. 知らないな。もう誰のものでもないしな。 Niko The only thing that makes me smile about this shit is that Bulgarin dose not have the ice. この忌々しい事件の中で俺にとって笑えたのはBulgarinがダイヤを手にしなかったってことだけさ。 Niko Piece of shit dose not even stay ato a faight to see the outcome. クズ野郎は結果も見ないで戦闘から逃げ出した。 Niko Just leaves his boys to clear up. 掃除させる連中を残していっただけだ。 Packie We was outnumbered,Niko.I can see how he thought it was covered. 奴らは数では圧倒的だったからな、Niko。片がつくと思っていたのも分かる気がするぜ。 Niko This is not the first time he has assumed that I will be killed by some of his employees. 奴が手下を使って俺を殺したと思い込むのは初めてのことじゃないさ。 Niko Hopefully one day I will be able to teach him his lesson by putting a bullet through the back of his head. いつか奴の後頭部に銃弾を撃ち込んで、身から出たさびってやつを教えてやれる日も来るだろうな。 Packie You're not meant to say what you wish for out loud.It won't come true if you do. よせよ、願い事は口に出したら駄目だぜ。かなわなくなっちまう。 Packie That rule even works for wishes as cheerful as yours. お前のみたいな楽しい願い事だってその法則は同じさ。 ～Packie宅到着～ Packie Well,Niko.That was a whole lot of effort for no fucking reward. さて、Niko。大変な骨折り損だったな。 Packie Story of my life. 俺の人生そのものだ。 Niko It is the story of a lot of lives,Packie.I'm getting used to hearing it. 大勢の人生そのものさ、Packie。俺にはもうおなじみの話になりつつあるよ。 Packie See you Niko,I've got to go break the news to Gerald. じゃあな、Niko。俺はGeraldにこのニュースを伝えないと。 Packie At least I'm gonna be on the other side of some bulletproof glass to him. 少なくとも防弾ガラスを挟んで奴と会うつもりだ。 Packie You know what,I'm still fucking scared. 分かると思うが、まだ俺は怖くてたまらねえんだ。 Niko Good luck. がんばれよ。
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Introduction to Modern Social and Political Thought Palgrave Macmillan? Andrew Gamble? PalgraveMacmillan? AndrewGamble? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-PoliticalScience-General? Felix the Fluffy Kitten (Jenny Dale's Kitten Tales) Macmillan Children s Books? Jenny Dale? MacmillanChildren sBooks? JennyDale? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Animals? Star the Snowy Kitten (Jenny Dale's Kitten Tales) Macmillan Children s Books? Jenny Dale? Susan Hellard? MacmillanChildren sBooks? JennyDale? SusanHellard? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Animals? Postman Bear (Tales from Acorn Wood) Macmillan Children s Books? Julia Donaldson? Axel Scheffler? MacmillanChildren sBooks? JuliaDonaldson? AxelScheffler? ジャンル別? ユーズドブック(洋書)-Children sBooks? Substores-UnknownASINs-8 Subjects-Children sBooks-Baby-3-Pop-Up&Movable-General? Subjects-Children sBooks-Ages4-8-PictureBooks? Subjects-Children sBooks-Ages4-8-General? 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Subjects-Computers&Internet-Hardware-SystemArchitecture-General? The Incompetent Doctor Behind Closed Doors (State of Health Series) Open Univ Pr? Marilynn M. Rosenthal? OpenUnivPr? MarilynnM.Rosenthal? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Management&Leadership-Management? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Medicine-Specialties-Family&GeneralPractice? Subjects-Medicine-AlliedHealthProfessions-EmergencyMedicalServices? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Science-Medicine-Specialties-Family&GeneralPractice? Subjects-Science-Medicine-AlliedHealthProfessions-EmergencyMedicalServices? Skin Disease Diagnosis And Treatment (Skin Disease) Mosby-Year Book? Thomas P. Habif? James L., Jr., M.D. Campbell? M. Shane, M.D. Chapman? James G. H. Dinulos? Kathryn A., M.D. Zug? Mosby-YearBook? ThomasP.Habif? JamesL.,Jr.,M.D.Campbell? M.Shane,M.D.Chapman? JamesG.H.Dinulos? KathrynA.,M.D.Zug? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-PersonalHealth-Aging-SkinAilments? Subjects-Medicine-Physician&Patient-Diagnosis? Subjects-Medicine-Specialties-Dermatology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Dermatology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-PhysicalExamination? Subjects-Science-Medicine-Physician&Patient-Diagnosis? Subjects-Science-Medicine-Specialties-Dermatology? Aphasia Inside Out Reflections on Communication Disability Open Univ Pr? Susie Parr? Judith Duchan? Carole Pound? OpenUnivPr? SusieParr? JudithDuchan? CarolePound? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Law-Specialties-Disability? Subjects-Medicine-InternalMedicine-Neurology-Audiology&SpeechPathology? Subjects-Nonfiction-Education-EducationTheory-PhysicalEducation? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-SpecialEducation-CommunicativeDisorders? Subjects-Nonfiction-Law-Specialties-Disability? Subjects-Professional&Technical-Education-SpecialEducation-CommunicativeDisorders? Subjects-Science-Medicine-InternalMedicine-Neurology-Audiology&SpeechPathology? Macmillan Children's Dictionary Macmillan ELT? Carolyn Barraclough? MacmillanELT? CarolynBarraclough? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Reference&Nonfiction-Dictionaries? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Dictionaries? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Dictionaries? Fun of Programming (Cornerstones of Computing) Palgrave Macmillan? Jeremy Gibbons? PalgraveMacmillan? JeremyGibbons? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Programming-Languages&Tools-General? Elizabeth Bowen and the Dissolution of the Novel Palgrave Macmillan? Andrew Bennett? Nicholas Royle? PalgraveMacmillan? AndrewBennett? NicholasRoyle? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-WorldLiterature-British-20thCentury? Trumpet Picador? Jackie Kay? Picador? JackieKay? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-Authors,A-Z-(K)-Kay,Jackie? Subjects-Literature&Fiction-General-Contemporary? Introduction to Internal Combustion Engines Palgrave Macmillan? Richard Stone? PalgraveMacmillan? RichardStone? ジャンル別? Substores-UnknownASINs-8 Subjects-Engineering-Chemical-Thermodynamics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Chemical-Thermodynamics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Physics-Dynamics-Thermodynamics? Oh Dear! Macmillan Children s Books? Rod Campbell? MacmillanChildren sBooks? RodCampbell? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Baby-3-Pop-Up&Movable-General? Subjects-Children sBooks-Ages4-8-General? Substores-UnknownASINs-8 洋書
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Boys and Girls in the Primary Classroom Open Univ Pr? Christine Skelton? Becky Francis? OpenUnivPr? ChristineSkelton? BeckyFrancis? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-GenderStudies-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-ElementarySchool? Subjects-Professional&Technical-Education-ByLevel-ElementarySchool? Boys and Girls in the Primary Classroom Open Univ Pr? Christine Skelton? OpenUnivPr? ChristineSkelton? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-GenderStudies-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-ElementarySchool? Subjects-Professional&Technical-Education-ByLevel-ElementarySchool? Teachers, Parents Classroom Behaviour Open Univ Pr? Andy Miller? OpenUnivPr? AndyMiller? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-Psychology&Counseling-SocialPsychology&Interactions? Subjects-Health,Mind&Body-Psychology&Counseling-Testing&Measurement? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-EducationTheory-SchoolManagement? Subjects-Nonfiction-Education-EducationTheory-EducationalPsychology? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-ParentParticipation? Subjects-Parenting&Families-Education-ParentParticipation? Subjects-Professional&Technical-Education-Theory-EducationalPsychology? Subjects-Professional&Technical-Education-Administration-SchoolManagement? Teachers, Parents Classroom Behaviour Open Univ Pr? Andy Miller? OpenUnivPr? AndyMiller? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-Psychology&Counseling-SocialPsychology&Interactions? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-EducationTheory-SchoolManagement? Subjects-Nonfiction-Education-EducationTheory-EducationalPsychology? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-ParentParticipation? Subjects-Parenting&Families-Education-ParentParticipation? Subjects-Professional&Technical-Education-Theory-EducationalPsychology? Subjects-Professional&Technical-Education-Administration-SchoolManagement? The European Patient of the Future (State of Health) Open Univ Pr? Helen Magee? Angela Coulter? OpenUnivPr? HelenMagee? AngelaCoulter? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-General? Subjects-Medicine-Administration&Policy-General? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Medicine-Administration&Policy-HealthPolicy? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-Physician&Patient-Caregiving? Subjects-Nonfiction-SocialSciences-General? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-General? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthPolicy? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-General? Subjects-Science-Medicine-Administration&Policy-General? Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Science-Medicine-Administration&Policy-HealthPolicy? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Physician&Patient-Caregiving? Evidence Based Research Open Univ Pr? Brian Brown? OpenUnivPr? BrianBrown? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-PersonalHealth-General? Subjects-Health,Mind&Body-General? Subjects-Medicine-Administration&Policy-HospitalAdministration? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-Research-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-EducationTheory-PhysicalEducation? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HospitalAdministration? Subjects-Science-History&Philosophy-General? Subjects-Science-Medicine-Administration&Policy-HospitalAdministration? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Research-General? Critical Readings in Media and Audiences (Issues in Cultural and Media Studies) Open Univ Pr? Virginia Nightingale? Karen Ross? OpenUnivPr? VirginiaNightingale? KarenRoss? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-MediaStudies? Subjects-Nonfiction-CurrentEvents-MassMedia-MediaStudies? Critical Readings in Media and Audiences Open Univ Pr? Virginia Nightingale? OpenUnivPr? VirginiaNightingale? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-MediaStudies? Subjects-Nonfiction-CurrentEvents-MassMedia-MediaStudies? My Right to Play A Child With Complex Needs (Debating Play) Open Univ Pr? Robert J. Orr? OpenUnivPr? RobertJ.Orr? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-PersonalHealth-Children sHealth-SpecialNeedsChildren? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-Preschool&Kindergarten? Subjects-Nonfiction-Education-SpecialEducation-PhysicallyDisabled? Subjects-Nonfiction-Education-SpecialEducation-CommunicativeDisorders? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Parenting&Families-SpecialNeeds-General? Subjects-Professional&Technical-Education-ByLevel-Preschool&Kindergarten? Subjects-Professional&Technical-Education-SpecialEducation-PhysicallyDisabled? Subjects-Professional&Technical-Education-SpecialEducation-CommunicativeDisorders? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? My Right to Play A Child With Complex Needs (Debating Play) Open Univ Pr? Robert J. Orr? OpenUnivPr? RobertJ.Orr? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-PersonalHealth-Children sHealth-SpecialNeedsChildren? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Education-SpecialEducation-PhysicallyDisabled? Subjects-Nonfiction-Education-SpecialEducation-CommunicativeDisorders? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Parenting&Families-SpecialNeeds-General? Subjects-Professional&Technical-Education-SpecialEducation-PhysicallyDisabled? Subjects-Professional&Technical-Education-SpecialEducation-CommunicativeDisorders? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Changing Citizenship Democracy And Inclusion in Education Open Univ Pr? Audrey Osler? Hugh Starkey? OpenUnivPr? AudreyOsler? HughStarkey? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Educational-Citizenship? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-EducationTheory-EducationalPsychology? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-EducationalPsychology? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-Pedagogy? Changing Citizenship Open Univ Pr? Audrey Osler? Hugh Starkey? OpenUnivPr? AudreyOsler? HughStarkey? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Educational-Citizenship? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-Pedagogy? Reasonable Rationing International Experience of Priority Setting in Health Care (State of Health) Open Univ Pr? Christopher Ham? Glenn B. Robert? OpenUnivPr? ChristopherHam? GlennB.Robert? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics? Subjects-Medicine-Administration&Policy-General? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Medicine-Administration&Policy-HealthPolicy? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-AlliedHealthProfessions-General? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Research? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-General? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthPolicy? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-General? Subjects-Science-Medicine-Administration&Policy-General? Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Science-Medicine-Administration&Policy-HealthPolicy? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-AlliedHealthProfessions-General? Reasonable Rationing International Experience of Priority Setting in Health Care (State of Health) Open Univ Pr? Christopher Ham? Glenn B. Robert? OpenUnivPr? ChristopherHam? GlennB.Robert? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics? Subjects-Health,Mind&Body-General? Subjects-Medicine-Administration&Policy-General? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Medicine-Administration&Policy-HealthPolicy? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-AlliedHealthProfessions-General? Subjects-Nonfiction-SocialSciences-Research? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-General? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthPolicy? Subjects-Science-Medicine-Administration&Policy-General? Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Science-Medicine-Administration&Policy-HealthPolicy? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-AlliedHealthProfessions-General? Learning Without Limits Open Univ Pr? Annabelle Dixon? Mary Jane Drummond? Donald G. McIntyre? Narinder Brach? Claire Conway? Nicola Madigan? Julie Marshall? Alison Peacock? Anne Reay? Yahi Tahibet? OpenUnivPr? AnnabelleDixon? MaryJaneDrummond? DonaldG.McIntyre? NarinderBrach? ClaireConway? NicolaMadigan? JulieMarshall? AlisonPeacock? AnneReay? YahiTahibet? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-EducationTheory-EducationalPsychology? Subjects-Nonfiction-Education-InstructionMethod? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-EducationalPsychology? Subjects-Professional&Technical-Education-Pedagogy? Public Health for 21st Century Open Univ Pr? Judy Orme? Jane Powell? Pat Taylor? Tony Harrison? Melanie Grey? OpenUnivPr? JudyOrme? JanePowell? PatTaylor? TonyHarrison? MelanieGrey? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-PersonalHealth-General? Subjects-Health,Mind&Body-General? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Nonfiction-Education-EducationTheory-PhysicalEducation? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-General? Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Public Health for 21st Century Open Univ Pr? Judy Orme? OpenUnivPr? JudyOrme? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-PersonalHealth-General? Subjects-Health,Mind&Body-General? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Nonfiction-Education-EducationTheory-PhysicalEducation? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Ict and Special Educational Needs (Learning Teaching with Information Communications Technology) Open Univ Pr? Lani Florian? John Hegarty? OpenUnivPr? LaniFlorian? JohnHegarty? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-Technology&DistanceLearning-General? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Professional&Technical-Education-Technology&DistanceLearning-General? Ict and Special Educational Needs (Learning Teaching with Information Communications Technology) Open Univ Pr? Lani Florian? OpenUnivPr? LaniFlorian? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-Technology&DistanceLearning-General? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Professional&Technical-Education-Technology&DistanceLearning-General? Key Times for Play (Debating Play) Open Univ Pr? Julia Manning-Morton? Maggie Thorp? OpenUnivPr? JuliaManning-Morton? MaggieThorp? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-Psychology&Counseling-ChildPsychology? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-Preschool&Kindergarten? Subjects-Nonfiction-Education-EducationTheory-EducationalPsychology? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-ByLevel-Preschool&Kindergarten? Subjects-Professional&Technical-Education-Theory-EducationalPsychology? Key Times for Play (Debating Play) Open Univ Pr? Julia Manning-Morton? OpenUnivPr? JuliaManning-Morton? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-Psychology&Counseling-ChildPsychology? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-Preschool&Kindergarten? Subjects-Nonfiction-Education-EducationTheory-EducationalPsychology? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-ByLevel-Preschool&Kindergarten? Subjects-Professional&Technical-Education-Theory-EducationalPsychology? Sugartown Ultramarine Pub Co? Loren D. Estleman? UltramarinePubCo? LorenD.Estleman? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction? Meaning Making in Secondary Science Classrooms Open Univ Pr? Eduardo Mortimer? Phil Scott? OpenUnivPr? EduardoMortimer? PhilScott? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-ElementarySchool? Subjects-Nonfiction-Education-HighSchool? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-ByLevel-HighSchool? Subjects-Professional&Technical-Education-ByLevel-ElementarySchool? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-SpecificSkills-Science&Technology? Subjects-Science-Education-ScienceforKids? Ethical Teacher (Professionallearning) Open Univ Pr? Elizabeth Campbell? Ivor Goodson? Andy Hargreaves? OpenUnivPr? ElizabethCampbell? IvorGoodson? AndyHargreaves? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-InstructionMethod? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-Pedagogy? The Ethical Teacher (Professionallearning) Open Univ Pr? Elizabeth Campbell? OpenUnivPr? ElizabethCampbell? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-EducationTheory-Assessment? Subjects-Nonfiction-Education-InstructionMethod? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-Assessment? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-Pedagogy? Managing Complexity in the Public Services Open Univ Pr? Phillip Haynes? OpenUnivPr? PhillipHaynes? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Administration-General? Managing Complexity in the Public Services Open Univ Pr? Phillip Haynes? OpenUnivPr? PhillipHaynes? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Administration-General? Assessment, Learning and Employability (Society for Research into Higher Education) Open Univ Pr? Peter Knight? Mantz Yorke? OpenUnivPr? PeterKnight? MantzYorke? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Careers-VocationalGuidance? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-Counseling-VocationalGuidance? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Counseling-VocationalGuidance? Subjects-Reference-Education-Testing? Subjects-Reference-Careers-VocationalGuidance? Assessment, Learning and Employability (Society for Research into Higher Education) Open Univ Pr? Peter Knight? OpenUnivPr? PeterKnight? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Careers-VocationalGuidance? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-Counseling-VocationalGuidance? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Counseling-VocationalGuidance? Subjects-Reference-Education-Testing? Subjects-Reference-Careers-VocationalGuidance? Cancer in Young Adults Through Parent's Eyes (Facing Death) Open Univ Pr? Anne Grinyer? OpenUnivPr? AnneGrinyer? ジャンル別? ジャンル別-mirror-test-test-subtier? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-Death&Grief-Grief&Bereavement? Subjects-Health,Mind&Body-PersonalHealth-Aging-Cancer-General? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-Diseases? Subjects-Medicine-InternalMedicine? Subjects-Nonfiction-SocialSciences-Sociology-Death? Subjects-Nonfiction-Education-EducationTheory-PhysicalEducation? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Diseases? Subjects-Science-Medicine-InternalMedicine? Disputing Doctors The Socio-Legal Dynamics of Complaints About Medical Care Open Univ Pr? Linda Mulcahy? OpenUnivPr? LindaMulcahy? ジャンル別? Substores-UnknownASINs-8 Subjects-Law-Family&HealthLaw-HealthLaw? Subjects-Law-Family&HealthLaw-MedicalLaw&Legislation? Subjects-Medicine-Administration&Policy-HealthPolicy? Subjects-Medicine-General? Subjects-Nonfiction-Education-EducationTheory-PhysicalEducation? Subjects-Nonfiction-Law-Family&HealthLaw-HealthLaw? Subjects-Nonfiction-Law-Family&HealthLaw-MedicalLaw&Legislation? Subjects-Professional&Technical-Law-Family&HealthLaw-HealthLaw? Subjects-Professional&Technical-Law-Family&HealthLaw-MedicalLaw&Legislation? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthPolicy? Subjects-Science-Medicine-Administration&Policy-HealthPolicy? Subjects-Science-Medicine-General? Disputing Doctors The Socio-Legal Dynamics of Complaints About Medical Care Open Univ Pr? Linda Mulcahy? OpenUnivPr? LindaMulcahy? ジャンル別? Substores-UnknownASINs-8 Subjects-Law-Family&HealthLaw-HealthLaw? Subjects-Law-Family&HealthLaw-MedicalLaw&Legislation? 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Subjects-Science-Medicine-Administration&Policy-PublicHealth? The New Primary Care Open Univ Pr? Bernard Dowling? OpenUnivPr? BernardDowling? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-PersonalHealth-General? Subjects-Health,Mind&Body-General? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Nonfiction-Education-EducationTheory-PhysicalEducation? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Learning Without Limits Open Univ Pr? Annabelle Dixon? OpenUnivPr? AnnabelleDixon? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-EducationTheory-EducationalPsychology? Subjects-Nonfiction-Education-EducationTheory-Research? Subjects-Nonfiction-Education-InstructionMethod? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-EducationalPsychology? Subjects-Professional&Technical-Education-Theory-Research? Subjects-Professional&Technical-Education-Pedagogy? 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【検索用 ROCKETDIVE 登録タグ 2012年 MARETU R VOCALOID 初音ミク 曲 曲英】 + 目次 目次 曲紹介 歌詞 コメント 作詞：MARETU 作曲：MARETU 編曲：MARETU 唄：初音ミク 曲紹介 曲名：『ROCKET DIVE』（ロケット ダイブ） 歌詞 （動画より書き起こし＋編集） AH AH AH AH AH WOOOO W W W WO AHHHH WO AHHHH WO ? AH AH AH AH AH WOOOO EH WO AHHHH WO AHHHHHHH COME AND GO let me SHOW my ROCKET AH COME AND GO let me SHOW my ROCKET AH COME AND GO let me SHOW my ROCKET AH COME AND GO let me SHOW my ROCKET DIVE〿〿〿 DO WE Y'ALL YOI YOI YOI YOI YOI YOI DO WE Y'ALL DIE DIE DIE DIE DIE DIE DIE DIE DO WE Y'ALL Y'ALL YEW YEW YEEEEEEEEEEEEEE DIVE DO WE Y'ALL YOI YOI YOI YOI YOI YOI DO WE Y'ALL DIE DIE DIE DIE DIE DO WE Y'ALL Y'ALL YEW YEW YOI AH AH AH AH AH WOOOO W W W WO AHHHH WO AHHHH WO ? AH AH AH AH AH WOOOO EH WO AHHHH WO AHHHHHHH COME AND GO let me SHOW my ROCKET AH COME AND GO let me SHOW my ROCKET AH COME AND GO let me SHOW my ROCKET AH COME AND GO let me YES!!!!!!!!! OH MY GOSH!!!! DO WE Y'ALL YAAAH YOY YOI DO WE Y'ALL YAAAH DO WE Y'ALL Y'ALL YAAAH YEW YEW YOY WOOOO DO WE Y'ALL YOI YOI YOI YOI YOI YOI DO WE Y'ALL DIE DIE DIE DIE DIE DIE DIE DIE DIE DIE DIE DO WE Y'ALL YEAAAAA AH AH AH AH AH WOOOO W W W WO AHHHH WO AHHHH WO ? AH AH AH AH AH WOOOO EH WO AHHHH WO AHHHHHHH COME AND GO let me SHOW my ROCKET AH COME AND GO let me SHOW my ROCKET AH COME AND GO let me SHOW my ROCKET AH COME AND GO let me SHOW my ROCKET DIVE♥♥ DO WE Y'ALL YOI YOI YOI YOI YOI YOI DO WE Y'ALL YOI YOI YOI YOI YOI YOI DO WE Y'ALL YOI YOI YOI YOI YOI YOI DO WE Y'ALL YOI YOI YOI YOI YAAAAAY コメント え待って何この曲知らない… -- 人生ゲーム (2023-08-15 17 56 26) ↑追記 いや、コインロッカーベイビーじゃん。 -- 人生ゲーム2 (2024-03-22 19 42 16) 名前 コメント コメントを書き込む際の注意 コメント欄は匿名で使用できる性質上、荒れやすいので、 以下の条件に該当するようなコメントは削除されることがあります。 コメントする際は、絶対に目を通してください。 暴力的、または卑猥な表現・差別用語（Wiki利用者に著しく不快感を与えるような表現） 特定の個人・団体の宣伝または批判 （曲紹介ページにおいて）歌詞の独自解釈を展開するコメント、いわゆる“解釈コメ” 長すぎるコメント 『歌ってみた』系動画や、歌い手に関する話題 「カラオケで歌えた」「学校で流れた」などの曲に直接関係しない、本来日記に書くようなコメント カラオケ化、カラオケ配信等の話題 同一人物によると判断される連続・大量コメント Wikiの保守管理は有志によって行われています。 Wikiを気持ちよく利用するためにも、上記の注意事項は守って頂くようにお願いします。