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Birthdays and Anniversaries/Cheesecake Baby Cedco Pub? Anne Geddes? CedcoPub? AnneGeddes? Substores-UnknownASINs-35 Formats-Accessories? An Attitude of Gratitude 21 Life Lessons Hay House Inc? Keith D. Harrell? HayHouseInc? KeithD.Harrell? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-General? Subjects-Business&Investing-Careers? Subjects-Health,Mind&Body-Self-Help-General? Subjects-Health,Mind&Body-Self-Help-Motivational? Subjects-Health,Mind&Body-Self-Help-Self-Esteem? Subjects-Health,Mind&Body-Self-Help-Success? Subjects-Reference-Careers? Attitude Is Everything for Success Say It, Believe It, Receive It Hay House Inc? Keith D. Harrell? HayHouseInc? KeithD.Harrell? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Self-Help-General? Subjects-Health,Mind&Body-Self-Help-Motivational? Subjects-Health,Mind&Body-Self-Help-Success? Subjects-Religion&Spirituality-NewAge-Mysticism? Attitude Is Everything Hay House Inc? Keith D. Harrell? HayHouseInc? KeithD.Harrell? 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Industrial Applications of the Mossbauer Effect Proceedings of the Isiame 2000, Held in Virginia Beach, Usa, 13-18 August 2000 Kluwer Academic Pub? Desmond C. Cook? Gilbert R. Hoy? KluwerAcademicPub? DesmondC.Cook? GilbertR.Hoy? Substores-UnknownASINs-35 Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Technology-General&Reference Deposit and Geoenvironmental Models for Resource Exploitation and Environmental Security (NATO Science Partnership Sub-Series 2) Kluwer Academic Pub? Andrea G. Fabbri? Gabor Gaal? Richard B. McCammon? KluwerAcademicPub? AndreaG.Fabbri? GaborGaal? RichardB.McCammon? Substores-UnknownASINs-35 Subjects-Engineering-Civil-RemoteSensing? Subjects-Nonfiction-Politics-International-Relations? 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Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Environmental Chemistry Asian Lessons Springer? V. N. Bashkin? Springer? V.N.Bashkin? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Micro Total Analysis Systems, 2002 Proceedings of the Tas 2002 Symposium, Held in Nara New Public Hall, Nara, Japan 3-7 November 2002 Kluwer Academic Pub? Yoshinobu Baba? Shuichi Shoji? Japan) Mu Tas Symposium (2002 Nara? A. J. van den Berg? KluwerAcademicPub? YoshinobuBaba? ShuichiShoji? Japan)MuTasSymposium(2002Nara? A.J.vandenBerg? Substores-UnknownASINs-35 Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Analytic? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Nanotechnology? Genome Evolution Gene and Genome Duplications and the Origin of Novel Gene Functions Springer? Axel Meyer? Yves Van De Peer? Yves Van De Peer? Springer? AxelMeyer? YvesVanDePeer? YvesVanDePeer? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Genetics? Subjects-Professional&Technical-ProfessionalScience-Evolution-General? Subjects-Science-Chemistry-Biochemistry? 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Gingerbread (2.3) 2011/11/8 ROM本体 http //www.4shared.com/file/TSm13srG/update-cm71-20111107-DS-ja.html md5 c5cc11c62aa75926805abae10bb60780 カーネル単体 http //www.4shared.com/file/wU-X9FWX/cm-kernel-26376_20111107.html md5 bd175a3e72c0bfb3a5594e175f980fd6 更新情報 build cyanogenmod 2011/11/05 (CM7.1) repository kernel/system enable autogroup ([[miracle patch http //gihyo.jp/admin/clip/01/linux_dt/201011/18]]) ksm support, code from ezterry s ezgb repositories add rzscontrol for original pershoot kernel users fix wifi sleep packages added ThemeChooser, ThemeManager again without themes and 166,178,237,266 Froyo (2.2) 1/2 ROM本体 http //www.4shared.com/zip/V1d3QspB/update-cm6-20120102-DS-ja.html md5 d813d5174fe499cc9f54fb16688cf817 カーネル単体 http //www.4shared.com/zip/cSZIlaCZ/cm-kernel-26376-froyo_20120101.html md5 bb3b2cb1c3d7bbe371579857949d3d30 Gapps http //goo-inside.me/gapps/gapps-mdpi-tiny-20101020-signed.zip md5 bf7b653a4320dc33b15ad945a41cd56c 手順 0. メモリ増量必須 1. リカバリに入る 2. 必要ならバックアップ取る 3. フルワイプ 4. ROM本体を焼く 5. GAPPSを焼く 6. 再起動 更新情報 build with cm6, cm7, aosp 2.2.3, etc repositories kernel cm-kernel modified by sakamoto enable autogroup, ksm support disabled modules ipv6, squashfs wlan.ko sta_dk_4_0_4_32 (not from cm-kernel included) note unsquash system/xbin.sqf system su update to 3.0.3.2 opengles 1.1 support and gpu rendering screenshot in power menu long click preferences in power widget of notification area add gingerbread text select handeler cpu freq settings in CMParts black status bar theme locale en_US, ja_JP only packages Superuser update to 3.0.7 system launcher ADWLauncher (proguard enabled) removed CMWallpapers, Launcher2, Protips replaced Gallery3D - Gallery added vim, dropbear, DroidSSHd, OpenManager, LongTextViewer config proguard enabled font japanese motoya-l-cedar (MTLc3m.ttf) emoji from http //takuo.jp/junk/Mms.apk/ replace DroidSansFallback.ttf build.prop magic 5 lines for battery exclude docomo feature dalvik jit default on system/etc/hosts some adblock (admob hosts) apns-conf.xml jp (docomo, softbank) only gps.conf change north-america.pool.ntp.org - jp.pool.ntp.org init.d add modified S97ramscript from http //forum.xda-developers.com/showthread.php?t=1111145
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ginza red red oui oui fumee I'm Gonna Make You Love Me I feel the earth move Les Champs-Elysees Tie A Yellow Ribbon Round The Ole Oak Tree Joy To The World Saturday Night Knock Three Times alone again Crocodile Rock Dancing Queen Those were the days 十二月 アドロ 時計 木綿のハンカチーフ ルージュ 思い出してください ジョニーへの伝言 五番街のマリーへ 空飛ぶくじら 怜子 ginza red red oui oui Je la voyais marcher I could see her Devant moi Walk before me Sur les trottoirs On the pavement De ginza In ginza En la suivant As I followed her Je cherchais I tried to think of Les mots Something to say Pour pouvoir laborder And approach her Ses longs cheveux Her long hair Lancaient dans son dos Flew over her back (*) Sous les lumires Under the lights De ginza Of ginza Je lui ai dit So I said Bonjour mademoiselle Bonjour mademoiselle Et elle sest retourne And she turned back Elle tait She was beautiful Plus belle Beyond anything Que jaurais pu I could have Limaginer Imagined Et son sourire me disait And her smile said Ginza red red oui oui Ginza red red oui oui Ginza red red oui oui Ginza red red oui oui Ginza red red oui oui Ginza red red oui oui Et tout lamour And all the love De la terre On earth Je lai trouv Was suddenly there Sur les lvres On the lips De la fille de ginza Of that girl from ginza Je voulais I wanted La serrer dans mes bras To hold her in my arms Sur les trottoirs On the pavement De ginza In ginza Et mes yeux ont du But I guess my eyes Parler pour moi Were pretty obvious Car elle ma embrass Because she just kissed me Je noublierai jamais An unforgettable kiss Ce baiser Under the lights Sous les lumires de ginza Of ginza Et ses lvres And her lips Donnaient mon coeur Taught my heart La couleur What colour Du bonheur Is the colour of bliss fumee fumee (if you d only come back) (j. robinson/j. bolden/g. terme) j aime accrocher un prenom sur tous les visages j aime echanger un portrait contre un paysage le lendemain je les oublie trois p tits tours et c est fini mais toi tu n as pas l air d aimer tout ca et je regrette vraiment pour toi avec le temps tu comprendras je ne suis que fumee m envolant sous tes doigts je ne suis que fumee je m en vais loin de toi je ne suis que fumee m envolant sous tes doigts je ne suis que fumee et tu ne m auras pas j aime inventer des histoires pour tous mes amis j aime exercer mon pouvoir sur mes ennemis le lendemain je les oublie trois p tits tours et c est fini mais toi tu n as pas l air d aimer tout ca et je regrette vraiment pour toi avec le temps tu comprendras je ne suis que fumee m envolant sous tes doigts je ne suis que fumee je m en vais loin de toi je ne suis que fumee m envolant sous tes doigts je ne suis que fumee et tu ne m auras pas c est pas la peine de prendre un air solennel pour dire combien tu me trouves superficielle je n ai que faire de tous ces discours dans mon coin de ciel je ne suis que fumee m envolant sous tes doigts je ne suis que fumee je m en vais loin de toi je ne suis que fumee m envolant sous tes doigts je ne suis que fumee je m en vais loin de toi je ne suis que fumee m envolant sous tes doigts je ne suis que fumee je m en vais loin de toi I m Gonna Make You Love Me I m gonna do all the thing for you A girl wants a man to do Oh, baby (Oh, baby) I ll sacrifice for you I ll even do wrong for you Oh, baby (Oh, baby) Every minute, every hour I m gonna shower you With love and affection Look out, it s comin in your direction And I m I m gonna make you love me Oh, yes I will Yes I will I m gonna make you love me Oh, yes I will Yes I will Look here My love is strong, you see I know you ll never get tired of me Oh, baby (Oh, baby) And I m gonna use every trick in the book I ll try my best to get you hooked Hey, baby (Hey, baby) And every night, every day I m gonna say I m gonna get you, I m gonna get you Look out boy, cause I m gonna get you I m gonna make you love me Oh, yes I will Yes I will And I m gonna make you love me Oh, yes I will You know I will Every breathe I take And each and every step I make Brings me closer, baby Closer to you And with each beat of my heart For every day we re apart I ll hunger for every wasted hour And I... Every night And every day I m gonna get you, I m gonna get you Look out, cause I m gonna get you I m gonna make you love me Oh, yes I will Yes I will I m gonna make you love me Oh, yes I will Yes I will I m gonna make you love me Oh, yes I will Yes I will I m gonna make you love me Oh, yes I will Yes I will I feel the earth move I feel the earth move under my feet I feel the sky tumbling down I feel my heart start to trembling Whenever you re around Oh baby when i see your face Mellow as the month of may Oh darling i can t stand it When you look at me that way I feel the earth move I feel the earth move under my feet I feel the sky tumbling down I feel my heart start to trembling Whenever you re around Oh darling when you re near me And you tenderly call my name Les Champs-Elysees Je m baladais sur l avenue le coeur ouvert a l inconnu. J avais envie de dire bonjour a n importe qui N importe qui et ce fut toi, je t ai dit n importe quoi, Il suffisait de te parler, pour t apprivoiser. Aux Champs-Elysees, aux Champs-Elysees Au soleil, sous la pluie, a midi ou a minuit, Il y a tout que vous voulez aux Champs-Elysees Tu m a dit "J ai rendez-vous dans un sous-sol avec des fous, Qui vivent la guitare a la main, du soir au matin". Alors je t ai accompagnee, on a chante, on a danse Et l on n a meme pas pense a s embrasser Aux Champs-Elysees, aux Champs-Elysees Au soleil, sous la pluie, a midi ou a minuit, Il y a tout que vous voulez aux Champs-Elysees Hier soir deux inconnus et ce matin sur l avenue, Deux amoureux tout etourdis par la longue nuit. Et de l Etoile a la Concorde, un orchestre a mille chordes, Tous les oiseaux du point du jour chantent l amour Aux Champs-Elysees, aux Champs-Elysees Au soleil, sous la pluie, a midi ou a minuit, Il y a tout que vous voulez aux Champs-Elysees Tie A Yellow Ribbon Round The Ole Oak Tree I m comin home, I ve done my time Now I ve got to know what is and isn t mine If you received my letter telling you I d soon be free Then you ll know just what to do If you still want me If you still want me CHORUS Whoa, tie a yellow ribbon round the ole oak tree It s been three long years Do ya still want me? (still want me) If I don t see a ribbon round the ole oak tree I ll stay on the bus Forget about us Put the blame on me If I don t see a yellow ribbon round the ole oak tree Bus driver, please look for me cause I couldn t bear to see what I might see I m really still in prison And my love, she holds the key A simple yellow ribbon s what I need to set me free I wrote and told her please (CHORUS) instrumental interlude Now the whole damned bus is cheerin And I can t believe I see A hundred yellow ribbons round the ole oak tree I m comin home, mmm, mmm (Tie a ribbon round the ole oak tree) (Tie a ribbon round the ole oak tree) (Tie a ribbon round the ole oak tree) FADE (Tie a ribbon round the ole oak tree) (Tie a ribbon round the ole oak tree) (Tie a ribbon round the ole oak tree) Joy To The World Jeremiah was a bullfrog Was a good friend of mine I never understood a single word he said But I helped him drink his wine And he always had some mighty fine wine Singin Joy to the world All the boys and girls, now Joy to the fishes in the deep blue sea Joy to you and me If I were the king of the world Tell you what I d do I d throw away the cars and the bars and the wars And make sweet love to you Said, make sweet love to you Joy to the world All the boys and girls Joy to the fishes in the deep blue sea Joy to you and me [break] You know I love the ladies I love to have my fun I m a high life flyer and a rainbow rider A straight shootin son-of-a-gun I said, a straight shootin son-of-a-gun Singin Joy to the world All the boys and girls now Joy to the fishes in the deep blue sea Joy to you and me Joy to the world All the boys and girls Joy to the world Joy to you and me Joy to the world All the boys and girls Joy to the fishes in the deep blue sea Joy to you and me Joy to the world All the boys and girls Joy to the fishes in the deep blue sea Joy to you and me Lyrics by Hoyt Axton 訳：aya Jeremiah was a bullfrog, was a good friend of mine エレミアはウシガエル、俺の元ツレ I never understood a single word he said 何言ってるのかさっぱり分かんない奴だったけど But I helped him drink his wine ワインを一緒に飲んでやった And he always had some mighty fine wine 奴のとこにはいつもえらくいいワインがあった Singin Joy to the world, all the boys and girls 歌え、世界に喜びを、男も女もみんな Joy to the fishes in the deep blue sea, joy to you and me 深く青い海にいる魚たちに喜びを、俺とお前に喜びを If I were the King of the world, I tell you what I d do もし俺が世界の王なら、言ってやろうか、何をするか I d throw away the cars and the bars in the wall, make sweet love to you 車もバーも壁にたたきつけて、お前といいことするよ Singin Joy to the world, all the boys and girls 歌え、世界に喜びを、男も女もみんな Joy to the fishes in the deep blue sea, joy to you and me 深く青い海にいる魚たちに喜びを、俺とお前に喜びを You know I love young ladies, love to have my fun 俺は若い女が好き、楽しむことが好き I m a high night flyer and a rainbow rider 真夜中を飛びまわり虹にまたがる A straight shootin son-of-a gun ぶっ放す銃の子 I said a straight shootin son-of-a gun ぶっ放す銃の子 Joy to the world, all the boys and girls 世界に喜びを、男も女もみんな Joy to the fishes in the deep blue sea, joy to you and me 深く青い海にいる魚たちに喜びを、俺とお前に喜びを Impression エレミヤは旧約に出てくる預言者の名前ですね。King「王」というのもキリストを指すことばとしてゴスペルには良くでてくるし、あと "son of a gun" っていうのは「悪党・悪たれ ＜リーダーズ＞」という意味がありますが、でもここでは多分その意味とあと "son of a man" 「人の子」とのことば遊びですね。「人の子」はキリストが自分を指してよく使ったことばです。 でもこの詩はど～読んでも預言者エレミアとかキリストとは何の関係もない、現世的で奔放な、はっきり言って性的な喜びの世界だと私は思ってその解釈を臆すことなく（笑）訳してみました。 "son of a gun"はどう訳を出そうか少し考えましたが、でも「人の子」とのかけとか、あと"gun"には「銃」以外にも「（卑）penis ＜リーダズ＞」という意味もあるんで「悪党」にしてしまわないで「銃の子」としました。 前回訳したクリスマス・ソングの「聖なる」イメージからはずいぶん遠いですがこういうのも楽しいですね。 Saturday Night Bay City Rollers [Written by Bill Martin and Phil Coulter] S-A-T-U-R-D-A-Y night S-A-T-U-R-D-A-Y night S-A-T-U-R-D-A-Y night S-A-T-U-R-D-A-Y night Gonna keep on dancin to the rock and roll On Saturday night, Saturday night Dancin to the rhythm in our heart and soul On Saturday Night, Saturday night I-I-I-I, I just can t wait I-I-I-I, I got a date Chorus At the good ole rock and roll road show, I gotta go Saturday Night Saturday Night Gonna rock it up, roll it up Do it all, have a ball Saturday Night Saturday Night It s just a Saturday Night It s just a Saturday Night It s just a Saturday Night S-A-T-U-R-D-A-Y night S-A-T-U-R-D-A-Y night S-A-T-U-R-D-A-Y night S-A-T-U-R-D-A-Y night Gonna dance with my baby till the night is thru On Saturday Night, Saturday Night Tell her all the little things I m gonna do On Saturday night, Saturday Night I-I-I-I, Ilove her so I-I-I-I, I m gonna let her know Chorus S-A-T-U-R-D-A-Y night x7 It s just a Saturday night It s just a Saturday Night IT s just a Saturday Night It s just a Saturday Night (Repeat and fade) Knock Three Times Hey girl what ya doin down there Dancin alone every night while I live right above you I can hear your music playin I can feel your body swayin One floor below me you don t even know me I love you Oh my darling Knock three times on the ceiling if you want me Twice on the pipe if the answer is no Oh my sweetness Means you ll meet me in the hallway Twice on the pipe means you ain t gonna show If you look out your window tonight Pull in the string with the note that s attached to my heart Read how many times I saw you How in my silence I adored you Only in my dreams did that wall between us come apart Oh my darling Knock three times on the ceiling if you want me Twice on the pipe if the answer is no Oh my sweetness Means you ll meet me in the hallway Twice on the pipe means you ain t gonna show I can hear your music playin I can feel your body swayin One floor below me you don t even know me I love you Oh my darling Knock three times on the ceiling if you want me Twice on the pipe if the answer is no Oh my sweetness Means you ll meet me in the hallway Twice on the pipe means you ain t gonna show alone again Oh in a little while from now if I m not feeling anyless sour I promise myself to treat myself and visit a nearby tower and climbing to the top will throw myself off in an effort to make it clear to whoever what it s like when you re shattered left standing in the lurch at a church where people saying my god that s tough she s stood him up no point in us remainig we may as well go home as I did on my own alone again naturally. To think that only yesterday I was cheerrful, bright and gay looking forward to well who wouldn t do the role I was about to play but as if to knock me down reality came around and without so much as a mere touch cut me into little pieces leaving me to doubt talk about god in his mercy who if he really does exist why did he desert me in my hour of need I truly am indeed alone again naturally. It seems to me that there are more hearts broken in the world that can t be mended left unattended what do we do what do we do alone again naturally. Now looking back over the years and whatever else that appears I remember I cried when my father died never wishing to hide the tears and at sixty-five years old my mother, God rest her soul, couldn t understand why the only man she had ever loved had been taken so badly broken despite encouragemant from me no words were ever spoken and when she passed away I cried and cried all day alone again naturally. Crocodile Rock I remember when rock was young, Me and Susie had so much fun, Holding hands and skimming stones, Had an old gold Chevy and a place of my own, But the biggest kick I ever got, Was doing a thing called the Crocodile Rock, While the other kids were rocking round the clock, We were hoppin and boppin to the Crocodile Rock...Well... Crocodile rockin is something shockin When your feet just can t keep still, I never knew me a better time, And I guess I never will. Oh lawdy mama, those Friday nights, When Susie wore her dresses tight and, The Crocodile Rockin was out of sight. But the years went by and rock just died, Susie went and left me for some foreign guy. Long nights cryin by the record machine, Dreamin of my Chevy and my old blue jeans. But they ll never kill the thrill we got, Burnin up to the Crocodile Rock, Learnin fast as the weeks went past, We really thought the Crocodile Rock would last...Well Crocodile rockin is something shockin When your feet just can t keep still, I never knew me a better time, And I guess I never will. Oh lawdy mama, those Friday nights, When Susie wore her dresses tight and, The Crocodile Rockin was out of sight. Dancing Queen You can dance, you can jive, having the time of your life See that girl, watch that scene, dig in the Dancing Queen Friday night and the lights are low Looking out for the place to go Where they play the right music, getting in the swing You come in to look for a King Anybody could be that guy Night is young and the music s high With a bit of rock music, everything is fine You re in the mood for a dance And when you get the chance... You are the Dancing Queen, young and sweet, only seventeen Dancing Queen, feel the beat from the tambourine You can dance, you can jive, having the time of your life See that girl, watch that scene, dig in the Dancing Queen You re a teaser, you turn em on Leave them burning and then you re gone Looking out for another, anyone will do You re in the mood for a dance And when you get the chance... You are the Dancing Queen, young and sweet, only seventeen Dancing Queen, feel the beat from the tambourine You can dance, you can jive, having the time of your life See that girl, watch that scene, dig in the Dancing Queen Those were the days Once upon a time, there was a tavern Where we used to raise a glass or two Remember how we laughed away the hours, Think of all the great things we would do Those were the days, my friend We thought they d never end We d sing and dance forever and a day We d live the life we d choose We d fight and never lose For we were young and sure to have our way Di di di di di di Di di di di di di Di di di di di di di di di di Then, the busy years went rushing by us We lost our starry notions on the way If, by chance, I d see you in the tavern, We d smile at one another and we d say Those were the days, my friend We thought they d never end We d sing and dance forever and a day We d live the life we d choose We d fight and never lose Those were the days, oh yes, those were the days Di di di di di di Di di di di di di Di di di di di di di di di di Just tonight, I stood befre the tavern Nothing seemed the way it used to be In the glass, I saw a strange reflection Was that lonely woman really me? Those were the days, my friend We thought they d never end We d sing and dance forever and a day We d live the life we d choose We d fight and never lose Those were the days, oh yes, those were the days Di di di di di di Di di di di di di Di di di di di di di di di di Di di di di di di Di di di di di di Di di di di di di di di di di Through the door, there came familiar laughter I saw your face and heard you call my name Oh, my friend, we re older but no wiser For in our hearts, the dreams are still the same Those were the days, my friend We thought they d never end We d sing and dance forever and a day We d live the life we d choose We d fight and never lose Those were the days, oh yes, those were the days Di di di di di di Di di di di di di Di di di di di di di di di di Di di di di di di Di di di di di di Di di di di di di di di di di La lala la la la La la la la la la La la la la la la 十二月 自殺する若い女が この月だけ急に増える それぞれに男たち 急に正気に返るシーズン 大都会の薬屋では 睡眠薬が売り切れる なけなしのテレビでは 家族たちが笑っている 何万人の女たちが あたしはちがうと思いながら 何万人の女たちと 同じと気がついてしまう月 人の叫びも 鴃（もず）の叫びも 風の叫びも 警笛（ふえ）の叫びも みんな似ている みんな似ている 人恋しと泣け 十二月 飾り澄ました街なかを 赤い光が駆け抜ける 付き添いの誰もいない女たち 運ばれてゆく 何万人の女たちが あたしはちがうと思いながら 何万人の女たちと 同じと気がついてしまう月 好きになるのも 信じきるのも 待ちわびるのも 思い切るのも みんな自由だ みんな自由だ 人恋しと泣け 十二月 アドロ アドロ 灰色の街 夜の 不思議な出会い アドロ あなたの瞳 幸福のとき 突然私に アドロ 微笑むあなた 夜の優しい言葉 アドロ あなたの匂い 接吻のとき 突然私に 死んでもいいわ あなたの 腕に抱かれて 私は炎 あなたは火の鳥 燃やして 燃やして すべてを 私のすべてを アドロ あなたの吐息 甘いあなたの唇 アドロ あなたの頚 陶酔のとき もう一度 私に 死んでもいいわ あなたの 腕に抱かれて 私は炎 あなたは火の鳥 燃やして 燃やして すべてを 私のすべてを アドロ あなたの吐息 甘いあなたの唇 アドロ あなたの頚 陶酔のとき もう一度 私に もう一度 私に もう一度 私に Y me muero. por tenerte junto a mi Cerca muy cerca de mi, no separarme de ti. Y es que eres, mi existencia. mi sentir. Eres mi luna, eres mi sol, eres mi noche de amor. Adoro el brillo de tus ojos. Lo dulce, que hay en tus labios rojos Adoro la forma en que me miras, y hasta cuando suspiras, yo te adoro, vida mia, yo te adoro, vida vida mia, yo te adoro. vida mia. 時計 私たちのために 時計を止めて いつまでも今宵が すぎないように あなたとふたり 過ごすこの夜は イーティック・タック 悲しみ やるせない想い 時計よ お前に 心あるならば 二度とない この時を 過ぎないでおくれ 過ぎゆく時は 帰らぬ想い出 だからお願い 時計を止めて （間奏） 時計よ お前に 心あるならば 二度とない この時を 過ぎないでおくれ 過ぎゆく時は 帰らぬ想い出 だからお願い 時計を止めて 時計を止めて 木綿のハンカチーフ 恋人よ 僕は旅立つ 東へと 向う列車で はなやいだ街で 君への贈りもの 探す 探すつもりだ いいえ あなた私は 欲しいものはないのよ ただ 都会の絵の具に 染まらないで帰って 染まらないで帰って 恋人よ 半年が過ぎ 逢えないが 泣かないでくれ 都会で流行(はやり)の 指輪を送るよ 君に 君に似合うはずだ いいえ 星のダイヤも 海に眠る真珠も きっと あなたのキスほど きらめくはずないもの きらめくはずないもの 恋人よ いまも素顔で 口紅も つけないままか 見間違うような スーツ着たぼくの 写真 写真を見てくれ いいえ 草にねころぶ あなたが好きだったの でも 木枯しのビル街 からだに気をつけてね からだに気をつけてね 恋人よ 君を忘れて 変わってく ぼくを許して 毎日 愉快に過ごす街角 ぼくは ぼくは帰れない あなた 最後のわがまま 贈りものを ねだるわ ねえ 涙拭く 木綿のハンカチーフ下さい ハンカチーフ下さい ルージュ 口をきくのがうまくなりました どんな酔いしれた人にでも 口をきくのがうまくなりました ルージュひくたびにわかります あの人追いかけてこの街へ着いた頃は まだルージュはただひとつ うす桜 あの人追いかけてくり返す人違い いつか泣き慣れて 口をきくのがうまくなりました ルージュひくたびにわかります つくり笑いがうまくなりました 心馴染めない人にでも つくり笑いがうまくなりました ルージュひくたびにわかります 生まれた時から渡り鳥も渡る気で 翼をつくろうことも知るまいに 気がつきゃ鏡も忘れかけた うす桜 おかしな色と笑う つくり笑いがうまくなりました ルージュひくたびにわかります 生まれた時から渡り鳥も渡る気で 翼をつくろうことも知るまいに 気がつきゃ鏡も忘れかけた うす桜 おかしな色と笑う つくり笑いがうまくなりました ルージュひくたびにわかります 思い出してください 思い出してくださいあの頃を あきらめる事を知らないで 野原に蝶々を追いかけて迷った帰り道 日暮れさみしく 泣きべそをかいて やっと見つけた家の明かり いつの間にか白い網抱いて 夢見るアゲハ蝶 野原に蝶々を追いかけて迷った帰り道 思い出してくださいあの頃を あきらめる事を知らないで 初恋の手紙書き続け眠れない夜ふけ 胸の高鳴り抑えきれないで やっと見つけた言葉書いて いつの間にか白い朝がきて破り捨てる手紙 初恋の手紙書き続け 眠れない夜ふけ いつの間にか白い朝がきて 消えた熱い心 思い出してください あの頃を あきらめる事を知らないで 通り過ぎてく毎日が新しいあの頃を ジョニーへの伝言 ジョニーが来たなら 伝えてよ 二時間待ってたと わりと元気よく 出て行ったよと お酒のついでに 話してよ 友だちなら そこのところ うまく伝えて ジョニーが来たなら 伝えてよ わたしは大丈夫 もとの踊り子で また稼げるわ 根っから陽気に できてるの 友だちなら そこのところ うまく伝えて 今度のバスで行く 西でも東でも 気がつけば さびしげな町ね この町は 友だちなら そこのところ うまく伝えて 今度のバスで行く 西でも東でも 気がつけば さびしげな町ね この町は ジョニーが来たなら 伝えてよ 二時間待ってたと サイは投げられた もう出かけるわ わたしはわたしの 道を行く 友だちなら そこのところ うまく伝えて うまく伝えて 五番街のマリーへ 五番街へ行ったならば マリーの家へ行き どんな暮ししているのか 見て来てほしい 五番街は古い街で 昔からの人が きっと住んでいると思う たずねて欲しい マリーという娘と 遠い昔に暮らし 悲しい思いをさせた それだけが気がかり 五番街でうわさを聞いて もしも嫁に行って 今がとても幸せなら 寄らずにほしい 五番街へ行ったならば マリーの家へ行き どんな暮ししているのか 見て来てほしい 五番街で住んだ頃は 長い髪をしてた かわいマリー今はどうか 知らせてほしい マリーという娘と 遠い昔に暮らし 悲しい思いをさせた それだけが気がかり 五番街は近いけれど とても遠いところ 悪いけれどそんな思い 察してほしい 空飛ぶくじら 街角に僕はひとりポツンと佇み ビルとビルの隙間の空を見てたら 空飛ぶクジラが僕を見ながら 灰色の街の空を横切ってくんです クジルラ クジルロレルラレルラーダヤ そこで僕はずっと君の事思い出して 急ぎ足の通りを渡るところ 空飛ぶクジラが僕を見ながら 灰色の街の空を横切ってくんです クジルラ クジルロレルラレルラーダヤ 怜子 怜子 いい女になったね 惚れられると 女は 本当に変わるんだね 怜子 ひとりで街も歩けない 自信のない女だった おまえが 嘘のよう ひとの不幸を祈るようにだけは なりたくないと願ってきたが 今夜 お前の幸せぶりが 風に追われる 私の胸に痛すぎる 怜子 みちがえるようになって あいつにでも 本気で 惚れることがあるんだね 怜子 あいつは誰と居ても 淋しそうな男だった おまえとならば あうんだね ひとの不幸を祈るようにだけは なりたくないと願ってきたが 今夜 お前の幸せぶりが 風に追われる 私の胸に痛すぎる
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Prática http //www.marketing-e-cultura.com.br/website/pratica/prat001-b.php?cod_artigo=17 Marketing e Cultura comunhão de bens (2004, segundo semestre) Manoel Marcondes Machado Neto Marketing cultural é a atividade deliberada de viabilização físico-financeira de produtos e serviços que, comercializados ou franqueados, venham atender às demandas de fruição e enriquecimento cultural da sociedade. Primeiro foi a lei 7.505, de 2 de julho de 1986, (Lei Sarney, de incentivos fiscais à cultura), que iniciou uma nova era de mecenato no Brasil – muito embora o termo mecenato não seja o mais adequado para denominar as práticas amparadas por aquele instrumento inaugural de uma era, sim, mas de marketing cultural. Aquela lei e suas sucessivas regulamentações abriram caminho para uma visão complementar à ação do Estado no que concerne à produção cultural. Desvinculada da educação, a cultura ganhava status de ministério e num efeito cascata, estados e municípios passaram a separar as responsabilidades também em secretarias distintas. Como se fosse possível separar a cultura da educação... Sendo a cultura uma atividade econômica que movimenta cerca de 1% do PIB no Brasil, seria razoável reivindicar que o Estado alocasse 1% de seu orçamento para o setor (o que significaria, em 2004, algo em torno de 15 bilhões de reais), ao invés do atual 1 bilhão de reais investido, somados união, estados e municípios, seja com dotações orçamentárias, seja por meio de incentivos fiscais. Como isso não acontece, vêm as políticas "compensatórias" de incentivos. No entanto, qualquer política desse tipo, deve ter um caráter complementar em termos de obtenção de recursos e, por princípio, vigorar por tempo determinado. Naquele primeiro momento, as empresas puderam financiar ações culturais através da renúncia fiscal, desde que tais ações fossem levadas a cabo por produtores artístico-culturais – tanto públicos quanto privados. Essas organizações, pré-existentes ou não à lei, deveriam comprovar, junto ao Ministério da Cultura, seu objetivo de produzir e difundir a cultura e então obter um registro no Cadastro Nacional de Pessoas Jurídicas de Natureza Cultural (CNPC) – sob o controle do MinC e da Secretaria da Receita Federal do Ministério da Fazenda. O centro das ações de captação de recursos e de produção artístico-cultural era, pois, uma entidade, a qual, depois de recebido certo aporte de recursos, a título de doação ou patrocínio, deveria prestar contas ao fisco e ao MinC sobre a sua correta aplicação. Desvios eram punidos com a perda do registro. Uma segunda checagem podia ser feita a partir dos registros contábeis da empresa-patrocinadora. E o ciclo se fechava na relação empresarial entre entidade-produtora e cliente-patrocinador. Organizações que não gerassem bons resultados ou que mal-versassem recursos eram proscritas no meio. Essa abordagem, na qual o produtor era o elemento central da ação de marketing cultural é o que denominamos de primeira geração. Com a saída de cena da Lei Sarney, em 1990, eliminada que foi, junto a todas as demais leis de incentivos fiscais pelo governo Collor, surgiria, em 23 de dezembro de 1991, a lei 8.313 (Lei Rouanet) e, mais tarde, a lei 8.685 (Lei do audiovisual), de 20 de julho de 1993. Essas leis colocaram os projetos culturais no centro da ação de marketing cultural. Os projetos é que passaram a ser analisados e aprovados ou não pelo MinC (e secretarias de cultura estaduais e municipais pelo país afora, com base em sucessivas leis nessas esferas), como passíveis de captação de recursos hábeis à renúncia fiscal. Nessa altura não somente o imposto de renda (federal) passou a ser parcialmente “desviado” para a cultura diretamente pelos contribuintes, como também o foram parcelas do principal tributo estadual (o ICMS) e dos principais tributos municipais (ISS e IPTU). Não importava quem propunha a ação. Bastava que fosse um contribuinte cadastrado. E a questão crucial passou a ser, a partir daí, o montante que governos federal, estaduais e municipais permitiriam que fosse desviado (renunciado ou incentivado, como queiram) a título de apoio à cultura. Em toda essa década de Plano Real o marketing cultural funcionou assim. Essa fase em que o projeto constituiu o elemento central da ação de marketing cultural é o que chamamos de segunda geração. Estamos assistindo, diante das discussões postas pelo próprio MinC, os estertores desse ciclo. O que virá depois? Uma vez que a sociedade civil passa a constituir-se como o centro das atenções globais, que os governos vêem-se cada vez mais premidos pela responsabilidade fiscal e pelo contingenciamento de verbas e que a empresa privada vê-se cada vez mais pública, num novo sentido do termo, refém dos standards da governança corporativa, torna-se praticamente impossível a manutenção das velhas práticas de marketing cultural. Marketing Cultural de Terceira Geração (ou a transição para o fim dos incentivos fiscais à cultura) Uma nova forma de viabilização da produção artístico-cultural deve ser fundada no Brasil. Algo fora – o mais possível – dos apadrinhamentos, do amadorismo e dos orçamentos tipo “me engana que eu gosto”. Sem abrir mão da devida programação orçamentária para custeio e manutenção, as instituições culturais públicas precisam, de uma vez por todas, adotar uma filosofia de marketing. Afinal estamos todos imersos nesse mercado global em que se transformou o planeta. Não é mais possível que um museu federal, um teatro estadual ou um centro cultural municipal não procedam a uma auto-análise mercadológica para verificar com o quê estão concorrendo. Com quem estarão disputando o milagre da escolha soberana do cidadão-platéia. Conquistá-lo tem que ser seu objetivo final. Precisam, pois, exercitar competentemente seu marketing cultural de fim. As instituições privadas, por sua vez, precisam descobrir o caminho inexorável da auto-sustentabilidade. Muitas, aliás, já o encontraram. Artistas e produtores culturais necessitam urgentemente ver-se como entes pertencentes a um mercado. Sim, um mercado de arte, de cultura, de entretenimento e de trabalho. E um mercado altamente competitivo, no qual o amadorismo é punido com o pior dos esquecimentos – a morte. Uma visão de negócios, no puro sentido do termo (de não-ócio) e de empreendedorismo precisa ser posta em prática por profissionais que se estabeleçam no entorno do artista. Para praticar competentemente um marketing cultural de agente. Patrocinadores, dentre as organizações públicas e privadas, cada vez mais necessitadas de comunicar a seus públicos a que vieram – para além do lucro – e last but not the least – as pessoas físicas deste país, têm que responder ao chamamento de uma cidadania coletiva, que alcance mais que a simples satisfação das necessidades e desejos individuais. Para as primeiras, que têm no patrocínio mais um veículo para sua comunicação de marca institucional ou de produto/serviço, urge praticar competentemente um marketing cultural de meio, independente de incentivos fiscais, e, finalmente, para os cidadãos, que tal analisar já, com boa antecedência, as centenas de opções disponíveis (por enquanto) para a destinação de até 6% de seu imposto de renda a pagar, exercício 2004 ? Manoel Marcondes Machado Neto Autor do livro “Marketing Cultural das práticas à teoria”, editado pela Ciência Moderna. Atuou em produção cultural entre 1983 e 1993. Dedicou-se ao doutorado em Ciências da Comunicação na ECA/USP de 1996 a 2000, com o apoio da UERJ (PROCAD) e da CAPES (PICDT). É professor da Faculdade de Comunicação Social da UERJ. Voltar ao topo
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http //www.avexnet.or.jp/boa/ http //boa.iple.com/ Best USA The Face Outgrow Best USA 2009年3月18日 (m01) Disc 1 ～ Japan Best ～ 1. Universe [ feat. Crystal Kay VERBAL ( m-flo ) ] / 2. Do The Motion / 3. 永遠 / 4. 七色の明日 ～ Brand New Beat ～ / 5. Winter Love / 6. メリクリ ～ Best USA ver. ～ / 7. Sweet Impact / 8. 抱きしめる / 9. Love Letter / 10. Sparkling / 11. Key Of Heart / 12. Make A Secret / 13. Everlasting / 14. Lose Your Mind [ feat. Yutaka Furukawa from DOPING PANDA ] / 15. Believe In Love [ acoustic ver. ] / 16. Valenti ～ Best USA ver. ～ Disc 2 ～ USA Debut Album ～ 1. I Did It For Love [ feat. Sean Garrett ] / 2. Energetic / 3. Did Ya / 4. Look Who s Talking / 5. Eat You Up / 6. Obsessed / 7. Touched / 8. Scream / 9. Girls On Top / 10. Dress Off / 11. Hypnotic Dancefloor The Face 2008年2月27日 (m01) 1. Aggressive / 2. Sweet Impact / 3. My Way, Your Way [ feat. WISE ] 4. Be With You. / 5. Lose Your Mind [ feat. Yutaka Furukawa from DOPING PANDA ] / 6. Girl In The Mirror / 7. Happy Birthday / 8. Diamond Heart / 9. Love Letter / 10. Brave / 11. ギャップにやられた ! / 12. Style / 13. Smile Again / 14. Beautiful Flowers / 15. Best Friend / 16. Hey Boy, Hey Girl [ feat. SEAMO / bonus track ] Outgrow 2006年2月15日 (m) 1. Silent Screamerz / 2. Do The Motion / 3. キミのとなりで / 4. Outgrow ～ Ready Butterfly ～ / 5. Make A Secret / 6. Everlasting / 7. Long Time No See / 8. Cosmic Eyes / 9. 抱きしめる / 10. Love Is Just What You Can t See / 11. Stay My Gold / 12. Soundscape / 13. With U / 14. First Snow [ bonus track ]
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http //www.myspace.com/stevewest member DANGER DANGER DANGER DANGER / Live And Nude ( 2005年11月1日 ) V.A. world / We Wish You A Hairy Christmas ( 2003年10月7日 ) DANGER DANGER / Rare Cuts ( 2003年6月21日 ) DANGER DANGER / Cockroach ( 2001年8月9日 ) DANGER DANGER / The Return Of The Great Gildersleeves ( 2000年2月23日 ) DANGER DANGER / Four The Hard Way ( 1997年9月21日 ) DANGER DANGER / Dawn ( 1996年5月22日 ) DANGER DANGER / Screw It! ( 1991年9月12日 ) DANGER DANGER / Rock America ( 1990年7月21日 ) DANGER DANGER / Danger Danger ( 1989年9月21日 )
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必要条件 Base Level 80 パーティ ２人 アイテム Live Coal 30個, Glacial Heart 50個 報酬 Base Exp 200,000 アイテム Seal of Continental Guard [1] -OR- Death Loop [1] -OR- Rune Spellstone [1] クエスト報酬 Injured Satan Morroc との戦闘 （ moc_fild22 への入場） 日本版タイトル ： 魔王モロク討伐 1. Approach any Continental Messenger and he will ask for your help. He can be found at any of the following locations Prontera× (164, 304) Geffen (128, 90) Payon× (200, 113) Alberta× (128, 64) Al De Baran× (136, 138) 2. In Morroc×, Talk to the Continental Official (176, 103), and tell him that you want to volunteer. 3. Talk to Chief Balrog in Morroc (159, 113) and tell him that you want to join the Continental Guard. He'll ask you to bring him 50 Glacial Heart and 30 Live Coal . 4. Once you bring him the items, he'll give you a Continental Guard Paper . 5. Exit Morroc to the East. Talk to the Continental Guard there ( moc_fild20 38, 174), and tell him that you have to enter the field to investigate. Being in a party of at least two people is required to enter the field. 6. Look for the Group of Evil in the Dimensional Gorge ( moc_fild21 171, 227). 7. Once you defeat Satan Morroc , the Group of Evil will change. Each party member must click on it to receive Piece of Morocc Skin . Any player who was on the map can receive the skin regardless of whether or not they were in the party that killed Satan Morroc. Satan Morroc will announce his defeat with "I'll let live just a little longer. You'll never find me through this time-space gap!" 8. The Piece of Morocc Skin can be given to Chief Balrog, in exchange for one of the following accessories of choice Seal of Continental Guard [1] (+50 HP×, +3% ASPD×) Death Loop [1] (+5 Crit) Rune Spellstone [1] (+50 SP×, -1% skill delay) Satan Morroc The best strategy is to have one or two tanks for Satan Morroc, with Biochemists and others attcking him. Avoiding the mob is crucial to success, as by hitting them, their AI is activated, and they will then run loose and use their skills, which can easily wipe a party. Satan Morroc functions by using combos. At specific times he will make an announcement, which is the start of a skill combo. He always speaks when casting the first skill of the combo, and the combos are all the same order of skills cast. These combos are as follows 80% HP - Magic Combo Recharge Time 20 seconds Announcement "Impressive! I wonder how far your recklessness will take you." Skills Stone Curse× 10, Fire bolt× 10, Frost Diver× 10, Jupitel Thunder× 10 60% HP - Hell Combo Recharge Time 35 seconds Announcement "I almost pity how outmatched you are against me." Skills Area Sleep 5, Hell s Power 1, Hell s Judgement 5 50% HP - Vampire Combo Recharge Time 50 seconds Announcement "It's time to finish the game!" Skills Vampire s Gift 9, Area Soul Drain 10, Evil Land 10 40% HP - Mixed Combo Recharge Time 1 Minute Announcement "This is how you attack? Watch and learn, weaklings!" Skills Pulse Strike 5, Area Stone Curse 5, Meteor Storm× 5 30% HP - Earthquake Combo Recharge Time 3 Minutes Announcement "You worthless humans. Your so-called holy powers have no effect on me!" Skills Area Hell s Power 1, Area Stun 5, Earthquake 10 10% HP Announcement "Oh, you're stronger than I thought!" Skills None 5% HP Announcement "No, this can't be happening! I'm Satan Morroc, Demon King of Destruction!" Skills Dragon Fear 10 Categories Quest Window Quests | Base Experience Reward | Satan Morroc Quests
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Hermetic Arcanum Holmes Pub Grou Llc? Jean D Espagnet? HolmesPubGrouLlc? JeanD Espagnet? undefined undefined Short Explanation of Six Mystical Points Holmes Pub Grou Llc? Jacob Boehme? HolmesPubGrouLlc? JacobBoehme? ユーズドブック(洋書)-Religion&Spirituality? Substores-UnknownASINs-35 Subjects-Religion&Spirituality? A Jerusalem Christian Treatise on Astrology Holmes Pub Grou Llc? Gladys Dickson? HolmesPubGrouLlc? GladysDickson? ユーズドブック(洋書)-Religion&Spirituality? Substores-UnknownASINs-35 Subjects-Religion&Spirituality? Bibliotheca Masonica Holmes Pub Grou Llc? F. Leigh Gardner? HolmesPubGrouLlc? F.LeighGardner? undefined undefined The Virgin of the World, or Apple of the Eye of the World Holmes Pub Grou Llc? G. R. S. Mead? HolmesPubGrouLlc? G.R.S.Mead? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-General? The Conjuration of the Four Holmes Pub Grou Llc? Eliphas Levi? HolmesPubGrouLlc? EliphasLevi? ユーズドブック(洋書)-Religion&Spirituality? 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In Defense of Aleister Crowley An Open Letter to Lord Beaverbrook Holmes Pub Grou Llc? Norman Mudd? HolmesPubGrouLlc? NormanMudd? undefined undefined The Astrologer's Guide Being the One Hundred and Forty-Six Considerations of the Famous Astrologer Guido Bonatus Holmes Pub Grou Llc? Guido Bonatus? HolmesPubGrouLlc? GuidoBonatus? undefined undefined From Inferno to Zos The Writings and Images of Austin Osman Spare Holmes Pub Grou Llc? Austin O. Spare? HolmesPubGrouLlc? AustinO.Spare? ユーズドブック(洋書)-Arts&Photography? Substores-UnknownASINs-35 Subjects-Arts&Photography-Art-General? Chicago May Holmes Pub Grou Llc? Aleister Crowley? HolmesPubGrouLlc? AleisterCrowley? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-General? Raymund Lully Illuminated Doctor, Alchemist and Christian Mystic Holmes Pub Grou Llc? Arthur Edward Waite? HolmesPubGrouLlc? ArthurEdwardWaite? Substores-UnknownASINs-35 Subjects-Science-General Household Gods Holmes Pub Grou Llc? Aleister Crowley? 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Substores-UnknownASINs-35 Subjects-Health,Mind&Body? Astrology and Alchemy Holmes Pub Grou Llc? Frances Palgrave? HolmesPubGrouLlc? FrancesPalgrave? undefined undefined Mystical Quest in Freemasonry Holmes Pub Grou Llc? Arthur Edward Waite? HolmesPubGrouLlc? ArthurEdwardWaite? undefined undefined Cagliostro and the Egyptian Rite of Freemasonry Holmes Pub Grou Llc? Henry R. Evans? HolmesPubGrouLlc? HenryR.Evans? undefined undefined THE MAGIC OF EGYPT The Foundation of the Egyptian Religion Holmes Pub Grou Llc? E. A. Wallis Budge? HolmesPubGrouLlc? E.A.WallisBudge? ユーズドブック(洋書)-History? Substores-UnknownASINs-35 Subjects-History-Africa-Egypt-Ancient? Secrets of Doctor John Dee Being His Alchemical, Astrological, Qabalistic and Rosicrucian Arcana Together With the Trees of the Planets Holmes Pub Grou Llc? John Dee? Gordon James? J. D. Holmes? HolmesPubGrouLlc? JohnDee? GordonJames? J.D.Holmes? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Religion&Spirituality? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Psychology&Counseling? Subjects-Religion&Spirituality-NewAge? Subjects-Religion&Spirituality-Occult-Magic? Subjects-Religion&Spirituality-Occult-Parapsychology? Subjects-Religion&Spirituality-Occult-Alchemy? The Odin Brotherhood A Non-Fiction Account of Contact With an Ancient Brotherhood Holmes Pub Grou Llc? Mark L. Mirabello? HolmesPubGrouLlc? MarkL.Mirabello? Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-Folklore&Mythology? Complete Golden Dawn Cipher Manuscript (Golden Dawn Studies No 1) Holmes Pub Grou Llc? Darcy Kuntz? HolmesPubGrouLlc? DarcyKuntz? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Religion&Spirituality? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Psychology&Counseling? Subjects-Religion&Spirituality-NewAge-Dreams? Zen The Religion of the Samurai Holmes Pub Grou Llc? Julius Evola? HolmesPubGrouLlc? JuliusEvola? ユーズドブック(洋書)-Religion&Spirituality? Substores-UnknownASINs-35 Subjects-Nonfiction-Philosophy-Eastern-Buddhism-Zen? Subjects-Religion&Spirituality-Buddhism-Zen? Golden Dawn Sourcebook (Golden Dawn Studies No 2) Holmes Pub Grou Llc? Darcy Kuntz? HolmesPubGrouLlc? DarcyKuntz? undefined undefined The Golden Dawn Source Works A Bibliography Holmes Pub Grou Llc? Darcy Kuntz? HolmesPubGrouLlc? DarcyKuntz? undefined undefined Zos-Kia An Introductory Essay on the Art and Sorcery of Austin Osman Spare Holmes Pub Grou Llc? Gavin Semple? HolmesPubGrouLlc? GavinSemple? undefined undefined Substores-UnknownASINs-35 洋書