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Beginning of life ～THE GROUND PULSE MIX～ / QUADRA NORMAL Rank Name Score Just Great Good Bad Poor Comment 1 1234 0 0 0 0 0 0 ANOTHER Rank Name Score Just Great Good Bad Poor Comment 1 SYD 1094 235 77 235 9 8 64221-hs4 登録者一覧 SYD
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The Best of Culture 1 . Akademiya 2 . A Toumeipai 3 . Super Right Edge 4 . Origin 2F Now! 5 . Shien 6 . Scorpione 7 . Kick of Wyvern 8 . Click and Create 9 . The Game Kingdom 10. Enjoy! 11. All Delete 12. GOAL 初回限定ボーナストラック 13. Kameido Love 14. 510 15. Endo The Best of Culture 2 1 . Yumenosuke Project 2 . A Toumeipai (Winter MIX) 3 . BOT (Black Oshigoto Themepark) 4 . X COMPANY 5 . Chikon 6 . Buy the Bread 7 . Fake Page 8 . Intelligence and Creative 9 . Good Morning 10. Flightman 11. Broken Rolex 12. TANAKA SUN SHINE 初回限定ボーナストラック 13. Kameido King 14. 510 (Anniversary Ver) 15. Y・U・K・I・O Culture to flight 1 . attack in the locker 2 . kabe.jpg 3 . TANAKA SUN SHINE 4 . Culture Children 5 . suzu kasutera 6 . Harmony of creative intelligence 7 . Buy,Play!! 8 . 2015 9 . ITAGAKI-Devil s Third ver.- 10. M.M.M.Y(momemomemomeyo) 11. Crush Golden Ball? 12. International Award 13. No,3D 初回限定ボーナストラック 14. C.B.M.M(CultureBrururuMorimoriMoryuryu) 15. Fokko!Luka! The Best of Culture 3 1 . Culture Brain Children 2 . A Toumeipai (Xmas Ver) 3 . BOT2 (Black Oshigoto Themepark2) 4 . OMOSIRO! 5 . A HAN U FUN 6 . Training Wheel 7 . Calculation 100 (feat.PAN-KUN) 8 . GEMON GU JIZO 9 . Challenge the Polygon 10. DO NOT BUY THIS GAME 11. 2x4 12. TANAKA(TANAKA) 初回限定ボーナストラック 13. Kameido GOD 14. 510 (feat.田中幸男) 15. YUKIO to KAZUO The Best of Culture 4 1 . Culture Brain Excel 2 . You gain guy sha 3 . Flight from origin 4 . Stainless toilet 5 . C・B・T・Y 6 . Warehouse to Parking 7 . 403 -Forbidden- 8 . PIYOKOTAN （feat.K.Endo） 9 . Face like fart ※ 10. DO NOT BUY THIS GAME (Ultra BB Ver.) 11. THE GAME 15 12. TY is bad smell 初回限定ボーナストラック 13. Disrespect for Anime Otaku 14. Cold body With K 15. Endo(forever,forever,forever) ※fart おなら
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Bloodstained Ritual of the Night(ブラッドステインド リチュアル・オブ・ザ・ナイト) 機種：PC,PS4,NS,iOS,And 作曲者：山根ミチル、いとうけいすけ、藤岡竜輔、山田一法、石綱淳泰 開発元：ArtPlay、DICO、インティ・クリエイツ、モノビット、ウェイフォルワード・テクノロジズ、NetEase Games 発売元：505 Games、Game Source Entertainment 発売年：2019(PC,PS4,NS)、2020(iOS,And) 概要 悪魔城ドラキュラシリーズを手掛けた五十嵐孝司氏制作のゴシックホラー横スクロールアクションRPG。 『月下の夜想曲』のような探索型の悪魔城ドラキュラシリーズに近いゲームデザインとなっている。 当初は2018年に先行発売された8bit風の『Bloodstained Curse of the Moon』から10年後の時代が舞台と説明されていたが明確に物語が矛盾しているので発売後はパラレルと言うことになっている。 日本語版はSteamで配信されているほか、PS4/Switch版が2019年秋に発売。その後、2020年にはiOS/Android版が配信された。 音楽は悪魔城ドラキュラシリーズでお馴染みの山根ミチル氏がメインコンポーザーを担当。 またインティ・クリエイツの山田一法氏やノイジークロークのいとうけいすけ氏、藤岡竜輔氏、石綱淳泰氏も作曲に参加している。 サントラはSteamのサイトにて購入可能。PS4版・NS版の初回特典版にも付属している。 収録曲(サウンドトラック順) 曲名(日本語) 曲名(英語) 作・編曲者 補足 順位 ブラッドステインドのテーマ Theme of Bloodstained 山根ミチル タイトル画面 とこしえの呼び声 Call of Eternity プロローグ Prologue いとうけいすけ Voyage of Promise 山根ミチル ガレオン「ミネルヴァ」斬月編ラストバトル 第14回172位第15回607位第16回400位2019年39位一面41位 Luxurious Overture エントランス Lost Garden 静寂の庭園 Holy Wisdom ディアン・ケヒト大聖堂 Gears of Fortune 藤岡竜輔 双竜の塔 第14回413位2019年54位 Bibliotheca Ex Machina 山根ミチル リブリ・エクス・マキナ Overdrive いとうけいすけ 魔が駆ける橋梁・列車内部 呪いの残滓 Vestiges of Corruption 藤岡竜輔 地下魔導研究棟 Ritual of the Night 山根ミチル 終焉の間 忘らるる碧 Forgotten Jade 禁忌地下水洞 埋没した栄華 Interred Glory 隠匿されし砂漠 2019年305位 Cursed Orphan 山田一法 灼岩炎窟 秋風落莫 Autumn's Desolation いとうけいすけ 東洋魔導研究棟 Goliath 藤岡竜輔 巨獣区 最深部 Terminus 永久氷棺 ジーベルのテーマ Theme of Gebel いとうけいすけ ジーベルのテーマ ドミニクのテーマ Theme of Dominique 山根ミチル ドミニクのテーマ ヨハネスのテーマ Theme of Johannes いとうけいすけ ヨハネスのテーマ 斬月のテーマ Theme of Zangetsu 斬月のテーマ アルフレッドのテーマ Theme of Alfred 山根ミチル アルフレッドのテーマ ODのテーマ Theme of OD 藤岡竜輔 OD(オルロック・ファーレンハイツ・ドラクル)のテーマ 安らぎに包まれて In Peace's Embrace いとうけいすけ 緊張 Foreboding 藤岡竜輔 悲しみを超えて Surpassing Grief いとうけいすけ 異形の襲撃者達 Attack of the Grotesque 山根ミチル ボス戦1 The Executioners 藤岡竜輔 ボス戦2 誓いを果たすとき Honoring the Oath 山根ミチル ジーベル戦 憑キを斬るモノ Exorschism いとうけいすけ 斬月戦 Silent Howling 藤岡竜輔 グレモリー、OD、IGA戦 2019年58位 Repentance 山根ミチル ラストバトル1 King of Kings いとうけいすけ ラストバトル2 ブラッドステインド独奏曲 Theme of Bloodstained Piano Version 山根ミチル 妖精の歌 Theme of Bloodstained Vocal Version 迷いなき空に An Unclouded Sky 藤岡竜輔 スタッフロール End Credits 山根ミチル スタッフロール Valiant Stride 8bit 石綱淳泰 8ビットの悪夢 Silent Howling 8bit いとうけいすけ 8ビットオーバーロード戦 Game Over ゲームオーバー Theme of Tamako 石綱淳泰 Brave Trigger 8bit 山根ミチル Sinister Sign 8bit Everblack 8bit 石綱淳泰 Fear 8bit いとうけいすけ サウンドトラック Bloodstained Ritual of the Night - Soundtrack Bloodstained Ritual of the Night【初回特典】 サントラが付属。 PV
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THE VALE OF ANDRATH / アンドラスの谷 ブリットルリーフ巡視員（Watcher Brittleleaf）との会話 「グリムブリアー（Grimbriar）はやっと増援を送ってくれたのか？ 俺たちはすっかり忘れられたんじゃないかと疑ってたところだ。 ここに到着したとき、俺たちは予想を遙かに上回る戦力を発見し、持ち場を離れるわけにはいかないと悟った。すでに俺たちは、ここの化け物どもがひどいまねをしているのを見てきたんだ。 俺たちはここを堅持し、務めを果たさなければならん！」 ●BRIGANDS AND HALF-ORCS / 山賊と半オークにつづく ●MUST HAVE... / なくてはならぬ...につづく ●NEEKER-BREAKER / コウベサセ虫につづく ●SHARKEY S LIEUTENANT / シャーキーの副官につづく ●SOUTHERN FIEND / 南方の悪鬼 につづく
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出演…餓狼伝説・THE KING OF FIGHTERSシリーズ CV… 特殊技 顎裂き 6+X 露払い 6+Y 雷光廻し蹴り 6+C[FRC] 必殺技 烈風拳 214+P[ES][FRC(ESは不可)] 圧剄 623+P 疾空拳 214+K 邪影拳 236+K[FRC(大のみ)] 疾風拳 214+P[AIR][ES] スーパーコンボ X…レイジングストーム Y…インヴァイトヘル Z…レイジングストーム A…ブレイジングソウル B…デッドリーレイブ C…多聞殺 特殊LV3…羅生門 X・X・6・A・Z ターゲットコンボ A C A 雷光廻し蹴り Z 顎裂き 2A 2X コンボ その他
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CHAPTER XXXII UP CHAPTER XXXIV CHAPTER XXXIII The Hotel Concert "Put on your white organdy, by all means, Anne," advised Diana decidedly. They were together in the east gable chamber; outside it was only twilight--a lovely yellowish-green twilight with a clear-blue cloudless sky. A big round moon, slowly deepening from her pallid luster into burnished silver, hung over the Haunted Wood; the air was full of sweet summer sounds--sleepy birds twittering, freakish breezes, faraway voices and laughter. But in Anne s room the blind was drawn and the lamp lighted, for an important toilet was being made. The east gable was a very different place from what it had been on that night four years before, when Anne had felt its bareness penetrate to the marrow of her spirit with its inhospitable chill. Changes had crept in, Marilla conniving at them resignedly, until it was as sweet and dainty a nest as a young girl could desire. The velvet carpet with the pink roses and the pink silk curtains of Anne s early visions had certainly never materialized; but her dreams had kept pace with her growth, and it is not probable she lamented them. The floor was covered with a pretty matting, and the curtains that softened the high window and fluttered in the vagrant breezes were of pale-green art muslin. The walls, hung not with gold and silver brocade tapestry, but with a dainty apple-blossom paper, were adorned with a few good pictures given Anne by Mrs. Allan. Miss Stacy s photograph occupied the place of honor, and Anne made a sentimental point of keeping fresh flowers on the bracket under it. Tonight a spike of white lilies faintly perfumed the room like the dream of a fragrance. There was no "mahogany furniture," but there was a white-painted bookcase filled with books, a cushioned wicker rocker, a toilet table befrilled with white muslin, a quaint, gilt-framed mirror with chubby pink Cupids and purple grapes painted over its arched top, that used to hang in the spare room, and a low white bed. Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn t think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don t think it s as pretty as my blue-flowered muslin--and it certainly isn t so fashionable." "But it suits you ever so much better," said Diana. "It s so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen s taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I m going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don t pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he d like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne s slim milk-white throat. "There s something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it s your figure. I am just a dumpling. I ve always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn t complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn t she look lovely?" Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. I like that way of fixing her hair. But I expect she ll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy s the most unserviceable stuff in the world anyhow, and I told Matthew so when he got it. But there is no use in saying anything to Matthew nowadays. Time was when he would take my advice, but now he just buys things for Anne regardless, and the clerks at Carmody know they can palm anything off on him. Just let them tell him a thing is pretty and fashionable, and Matthew plunks his money down for it. Mind you keep your skirt clear of the wheel, Anne, and put your warm jacket on." Then Marilla stalked downstairs, thinking proudly how sweet Anne looked, with that "One moonbeam from the forehead to the crown" and regretting that she could not go to the concert herself to hear her girl recite. "I wonder if it IS too damp for my dress," said Anne anxiously. "Not a bit of it," said Diana, pulling up the window blind. "It s a perfect night, and there won t be any dew. Look at the moonlight." "I m so glad my window looks east into the sunrising," said Anne, going over to Diana. "It s so splendid to see the morning coming up over those long hills and glowing through those sharp fir tops. It s new every morning, and I feel as if I washed my very soul in that bath of earliest sunshine. Oh, Diana, I love this little room so dearly. I don t know how I ll get along without it when I go to town next month." "Don t speak of your going away tonight," begged Diana. "I don t want to think of it, it makes me so miserable, and I do want to have a good time this evening. What are you going to recite, Anne? And are you nervous?" "Not a bit. I ve recited so often in public I don t mind at all now. I ve decided to give `The Maiden s Vow. It s so pathetic. Laura Spencer is going to give a comic recitation, but I d rather make people cry than laugh." "What will you recite if they encore you?" "They won t dream of encoring me," scoffed Anne, who was not without her own secret hopes that they would, and already visioned herself telling Matthew all about it at the next morning s breakfast table. "There are Billy and Jane now-- I hear the wheels. Come on." Billy Andrews insisted that Anne should ride on the front seat with him, so she unwillingly climbed up. She would have much preferred to sit back with the girls, where she could have laughed and chattered to her heart s content. There was not much of either laughter or chatter in Billy. He was a big, fat, stolid youth of twenty, with a round, expressionless face, and a painful lack of conversational gifts. But he admired Anne immensely, and was puffed up with pride over the prospect of driving to White Sands with that slim, upright figure beside him. Anne, by dint of talking over her shoulder to the girls and occasionally passing a sop of civility to Billy--who grinned and chuckled and never could think of any reply until it was too late--contrived to enjoy the drive in spite of all. It was a night for enjoyment. The road was full of buggies, all bound for the hotel, and laughter, silver clear, echoed and reechoed along it. When they reached the hotel it was a blaze of light from top to bottom. They were met by the ladies of the concert committee, one of whom took Anne off to the performers dressing room which was filled with the members of a Charlottetown Symphony Club, among whom Anne felt suddenly shy and frightened and countrified. Her dress, which, in the east gable, had seemed so dainty and pretty, now seemed simple and plain--too simple and plain, she thought, among all the silks and laces that glistened and rustled around her. What were her pearl beads compared to the diamonds of the big, handsome lady near her? And how poor her one wee white rose must look beside all the hothouse flowers the others wore! Anne laid her hat and jacket away, and shrank miserably into a corner. She wished herself back in the white room at Green Gables. It was still worse on the platform of the big concert hall of the hotel, where she presently found herself. The electric lights dazzled her eyes, the perfume and hum bewildered her. She wished she were sitting down in the audience with Diana and Jane, who seemed to be having a splendid time away at the back. She was wedged in between a stout lady in pink silk and a tall, scornful-looking girl in a white-lace dress. The stout lady occasionally turned her head squarely around and surveyed Anne through her eyeglasses until Anne, acutely sensitive of being so scrutinized, felt that she must scream aloud; and the white-lace girl kept talking audibly to her next neighbor about the "country bumpkins" and "rustic belles" in the audience, languidly anticipating "such fun" from the displays of local talent on the program. Anne believed that she would hate that white-lace girl to the end of life. Unfortunately for Anne, a professional elocutionist was staying at the hotel and had consented to recite. She was a lithe, dark-eyed woman in a wonderful gown of shimmering gray stuff like woven moonbeams, with gems on her neck and in her dark hair. She had a marvelously flexible voice and wonderful power of expression; the audience went wild over her selection. Anne, forgetting all about herself and her troubles for the time, listened with rapt and shining eyes; but when the recitation ended she suddenly put her hands over her face. She could never get up and recite after that--never. Had she ever thought she could recite? Oh, if she were only back at Green Gables! At this unpropitious moment her name was called. Somehow Anne--who did not notice the rather guilty little start of surprise the white-lace girl gave, and would not have understood the subtle compliment implied therein if she had--got on her feet, and moved dizzily out to the front. She was so pale that Diana and Jane, down in the audience, clasped each other s hands in nervous sympathy. Anne was the victim of an overwhelming attack of stage fright. Often as she had recited in public, she had never before faced such an audience as this, and the sight of it paralyzed her energies completely. Everything was so strange, so brilliant, so bewildering--the rows of ladies in evening dress, the critical faces, the whole atmosphere of wealth and culture about her. Very different this from the plain benches at the Debating Club, filled with the homely, sympathetic faces of friends and neighbors. These people, she thought, would be merciless critics. Perhaps, like the white-lace girl, they anticipated amusement from her "rustic" efforts. She felt hopelessly, helplessly ashamed and miserable. Her knees trembled, her heart fluttered, a horrible faintness came over her; not a word could she utter, and the next moment she would have fled from the platform despite the humiliation which, she felt, must ever after be her portion if she did so. But suddenly, as her dilated, frightened eyes gazed out over the audience, she saw Gilbert Blythe away at the back of the room, bending forward with a smile on his face--a smile which seemed to Anne at once triumphant and taunting. In reality it was nothing of the kind. Gilbert was merely smiling with appreciation of the whole affair in general and of the effect produced by Anne s slender white form and spiritual face against a background of palms in particular. Josie Pye, whom he had driven over, sat beside him, and her face certainly was both triumphant and taunting. But Anne did not see Josie, and would not have cared if she had. She drew a long breath and flung her head up proudly, courage and determination tingling over her like an electric shock. She WOULD NOT fail before Gilbert Blythe--he should never be able to laugh at her, never, never! Her fright and nervousness vanished; and she began her recitation, her clear, sweet voice reaching to the farthest corner of the room without a tremor or a break. Self-possession was fully restored to her, and in the reaction from that horrible moment of powerlessness she recited as she had never done before. When she finished there were bursts of honest applause. Anne, stepping back to her seat, blushing with shyness and delight, found her hand vigorously clasped and shaken by the stout lady in pink silk. "My dear, you did splendidly," she puffed. "I ve been crying like a baby, actually I have. There, they re encoring you-- they re bound to have you back!" "Oh, I can t go," said Anne confusedly. "But yet--I must, or Matthew will be disappointed. He said they would encore me." "Then don t disappoint Matthew," said the pink lady, laughing. Smiling, blushing, limpid eyed, Anne tripped back and gave a quaint, funny little selection that captivated her audience still further. The rest of the evening was quite a little triumph for her. When the concert was over, the stout, pink lady--who was the wife of an American millionaire--took her under her wing, and introduced her to everybody; and everybody was very nice to her. The professional elocutionist, Mrs. Evans, came and chatted with her, telling her that she had a charming voice and "interpreted" her selections beautifully. Even the white-lace girl paid her a languid little compliment. They had supper in the big, beautifully decorated dining room; Diana and Jane were invited to partake of this, also, since they had come with Anne, but Billy was nowhere to be found, having decamped in mortal fear of some such invitation. He was in waiting for them, with the team, however, when it was all over, and the three girls came merrily out into the calm, white moonshine radiance. Anne breathed deeply, and looked into the clear sky beyond the dark boughs of the firs. Oh, it was good to be out again in the purity and silence of the night! How great and still and wonderful everything was, with the murmur of the sea sounding through it and the darkling cliffs beyond like grim giants guarding enchanted coasts. "Hasn t it been a perfectly splendid time?" sighed Jane, as they drove away. "I just wish I was a rich American and could spend my summer at a hotel and wear jewels and low-necked dresses and have ice cream and chicken salad every blessed day. I m sure it would be ever so much more fun than teaching school. Anne, your recitation was simply great, although I thought at first you were never going to begin. I think it was better than Mrs. Evans s." "Oh, no, don t say things like that, Jane," said Anne quickly, "because it sounds silly. It couldn t be better than Mrs. Evans s, you know, for she is a professional, and I m only a schoolgirl, with a little knack of reciting. I m quite satisfied if the people just liked mine pretty well." "I ve a compliment for you, Anne," said Diana. "At least I think it must be a compliment because of the tone he said it in. Part of it was anyhow. There was an American sitting behind Jane and me--such a romantic-looking man, with coal-black hair and eyes. Josie Pye says he is a distinguished artist, and that her mother s cousin in Boston is married to a man that used to go to school with him. Well, we heard him say--didn t we, Jane?--`Who is that girl on the platform with the splendid Titian hair? She has a face I should like to paint. There now, Anne. But what does Titian hair mean?" "Being interpreted it means plain red, I guess," laughed Anne. "Titian was a very famous artist who liked to paint red-haired women." "DID you see all the diamonds those ladies wore?" sighed Jane. "They were simply dazzling. Wouldn t you just love to be rich, girls?" "We ARE rich," said Anne staunchly. "Why, we have sixteen years to our credit, and we re happy as queens, and we ve all got imaginations, more or less. Look at that sea, girls--all silver and shadow and vision of things not seen. We couldn t enjoy its loveliness any more if we had millions of dollars and ropes of diamonds. You wouldn t change into any of those women if you could. Would you want to be that white-lace girl and wear a sour look all your life, as if you d been born turning up your nose at the world? Or the pink lady, kind and nice as she is, so stout and short that you d really no figure at all? Or even Mrs. Evans, with that sad, sad look in her eyes? She must have been dreadfully unhappy sometime to have such a look. You KNOW you wouldn t, Jane Andrews!" "I DON T know--exactly," said Jane unconvinced. "I think diamonds would comfort a person for a good deal." "Well, I don t want to be anyone but myself, even if I go uncomforted by diamonds all my life," declared Anne. "I m quite content to be Anne of Green Gables, with my string of pearl beads. I know Matthew gave me as much love with them as ever went with Madame the Pink Lady s jewels." CHAPTER XXXII UP CHAPTER XXXIV 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 17 20 (Tue)
https://w.atwiki.jp/mrfrtech/pages/45.html
Market Scenario Digital technology Computerized innovation today essentially utilizes two detects like sound and sight. Yet, it may not be well before a human can taste, feel and smell computerized objects in a way that is indistinct from actual encounters. With the innovative high-speed advances in AR (Augmented Reality) and VR (Virtual Reality) applications and the hyper-availability of 5G, computerized encounters will probably move from screen-based to detect situated in the following approaching years. Ericsson’s Research group named the Internet of Senses, where individuals will actually want to feel the world without utilizing contraptions, cell phones included, now characterizes this availability time. It contains six applications smell, taste, sight, psyche, contact, and sound. In the web of faculties, sound, visual, haptic, and different advancements empower people to have computerized tactile encounters like the ones experienced in the actual world. The web of faculties expands human faculties past the limits of bodies, giving increased hearing, contact, vision, and smell. It permits a person to mix multisensory computerized encounters with nearby environmental elements and interface with far-off gadgets, individuals, and robots as though they were right close to him/her. Additionally, the web of faculties will depend on advances including man-made consciousness (AI), increased reality (AR), computer-generated reality (VR), and mechanization to collaborate with human feelings of sound, sight, taste, smell, and contact. Besides, buyers will be the significant client of this innovation in the future as carefully sense will acquire a critical interest in light of this present innovation s endless conceivable use cases. For instance, purchasers could carefully visit backwoods or the open country, including encountering every one of the normal scents feels of those places. An individual could embrace loved ones many miles away. This innovation genuinely holds the potential and could be incredibly gainful for incapacitated individuals. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10747 Competitive Outlook The Internet of Senses Market is characterized by the presence of several regional and local providers. Some of the key players in the market are Telefonaktiebolaget LM Ericsson (Sweden) Segmentation The worldwide Internet of Senses has been divided into innovation, application, end client, and district/country. The Internet of Senses Market has been portioned into equipment, programming, and administration in view of the part. Equipment is additionally sorted into gadgets and sensors. In view of innovation, the Internet of Senses Market has been fragmented into Artificial knowledge (AI), Virtual reality (VR), Augmented reality (AR), and others. The market has been portioned into hearing, sight, smell, taste, contact, and brain in view of the application. In view of the end client, the market has been portioned into purchasers and undertakings. Endeavors additionally bifurcated into retail, fabricating, medical care, car, schooling, media and diversion, aviation and safeguard, government, and others. . Regional Analysis The worldwide web of faculties market is relied upon to acquire critical income from the different mainland during the projected period. The geographic investigation of the worldwide Internet of Senses market has been directed for North America, Europe, Asia-Pacific, the Middle East and Africa, and South America. North America is additionally ordered into the US, Canada, and Mexico. Europe is additionally ordered into the UK, Germany, France, and the Rest of Europe. The Asia Pacific is additionally portioned into China, Japan, India, South Korea, and the Rest of Asia Pacific. Industry News Countless representatives expect that innovation will empower individuals to detect the mindset of their partners working on the flavor of container food and different faculties by 2030, as per a report delivered by Ericsson. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/internet-of-senses-market-10747 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report** Internet of things (IoT) Market https //ictmrfr.blogspot.com/2022/04/internet-of-things-market-growth-key.html B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb Enterprise Data Warehouse (EDW) Market https //tealfeed.com/enterprise-data-warehouse-market-analysiskey-players-hqfr7 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment
https://w.atwiki.jp/kof98um/pages/12.html
BGM 基本事項 ステージBGMはCPU側(対戦なら乱入者側)の一番手のキャラクターで決まり、試合終了まで継続する。 乱入側は自チームのメンバーからなら曲を選択する事が可能。 ただし特定の組み合わせによるチームの場合はそちらが優先される。 すべてのBGMに オリジナル と アレンジ が用意されている。 BGMに関する細かい仕様 オプションでアレンジを選択した場合、既存BGMはループせず途中でフェードアウトしてしまうが、追加BGMはループする。 CPU VSではCPU側のキャラが変わるごとにBGMも変わる。同じBGMの場合でも一度終わって曲の頭から。 2P VSでは曲は最初のラウンドのBGMで固定され、最後までループする。 裏舞はオリジナルを選択すると｢まいまいきゅーん｣だが、アレンジを選択すると望月双角のBGM｢タクハツロック｣になる。(*1) ｢※｣が付いてる一部のBGMは、プラクティス、シングルモードでは使用されない。 収録曲 既存BGM ESAKA? vs. 主人公チーム KOF 96 クリキントン ～ごまめギターVer～ vs. 餓狼チーム KOF 98 Art Of Fight (龍虎Arrange) vs. 龍虎チーム KOF 98 Rumbling on the City vs. 怒チーム KOF 96 震！戦慄のドラ vs. サイコソルジャーチーム KOF 95 Fairy vs. 女性格闘家チーム KOF 98 Soul Town vs. キムチーム(オリジナル選択) RB餓狼 Bloody vs. オロチチーム KOF 97 IN SPITE OF ONE S AGE vs. おやじチーム KOF 98 C62 vs. 山崎竜二 餓狼RBS Blue Mary s BLUES vs. ブルー･マリー 餓狼RBS LONDON MARCH vs. ビリー･カーン 餓狼RBS 嵐のサキソフォン2 vs. 八神チーム KOF 96 SLUM No.5 vs. アメリカンスポーツチーム KOF 94 Still Green vs. 矢吹真吾 KOF 97 The ЯＲ vs. ルガール KOF 98 ESAKA ( 94Arrange) vs. 95草薙京 KOF 94 Rhythmic Hallucination vs. 乾いた大地の社 KOF 97 FANATIC WALTZ vs. 荒れ狂う稲光のシェルミー KOF 98 MAD FANTASY vs. 炎のさだめのクリス KOF 98 XXX vs. オメガルガール KOF 94 ね！ vs. ユリ・舞・キング KOF 94 嵐のサキソフォン vs. 庵・影二・ビリー KOF 95 ESAKA FOREVER 八神庵 vs. 草薙京(CPU戦のみ) KOF 97 COOL JAM ～嵐のサキソフォン3～ 草薙京 vs. 八神庵(CPU戦のみ) KOF 97 追加BGM Soul Town (新規アレンジ版) vs. キムチーム(アレンジ選択) RB餓狼 ART OF FIGHT (龍虎Ver.) vs. 藤堂香澄 龍虎 忍の道 vs. 如月影二 龍虎2 ギースに肩こり vs. ギース KOF 96 レクイエム 二短調 K.626 ディエス・イレ vs. クラウザー(オリジナル選択) 餓狼2 Dust man vs. Mr.BIG KOF 96 TRASH HEAD vs. ゲーニッツ KOF 96 The Origin of Mind vs. オロチ KOF 97 ※ダイエット vs. 裏ユリ 龍虎2 ※まいまいきゅ～ん vs. 裏舞(オリジナル選択) 餓狼RBS ※タクハツロック(望月双角のテーマ) vs. 裏舞(アレンジ選択) 餓狼RBS N.D.R vs. 裏ビリー RB餓狼 C62-シロクニ- (餓狼3Ver.) vs. 裏山崎 餓狼3 Kiss Me vs. 裏マリー 餓狼3 ※地を這うベース vs. 裏キング KOF 95 ギースにしょうゆ vs. 裏ギース 餓狼RBS FUNKY ESAKA vs. 裏京・紅丸・大門 KOF 95 CLUB-M ～青空にフルート～ vs. 裏テリー・裏アンディ・裏ジョー KOF 95 龍虎の変 vs. リョウ・ロバート・タクマ KOF 94 かみきり虫 vs. 裏リョウ・裏ロバート・裏ユリ KOF 96 ※サイコソルジャーREMIX 96 vs. 麻宮アテナ KOF 96 Get n Up vs. 香澄・舞・キング KOF 96 DESERT REQUIEM vs. ハイデルン・ラルフ・クラーク KOF 95 CONTROL CRISIS vs. 暴走庵or暴走レオナ KOF 97 ボーカル入りBGM (アレンジ限定) レクイエム 二短調 K.626 ディエス・イレ vs. クラウザー(アレンジ選択) 餓狼2 ※サイコソルジャーREMIX 96 (Vocal Ver.) vs. 麻宮アテナ(サイコチーム以外のチームで組む) KOF 96 Blue Mary s BLUES (Vocal Ver.) 裏テリーvs. 裏マリー 餓狼RBS ※MY LOVE ～勇気を出して～ アテナ vs. ケンスウ KOF 95
https://w.atwiki.jp/xbox360score/pages/19.html
Fight Night Round 3 8項目1000 難易度：★☆☆☆☆ 実績はすべてオフのキャリアモードのみ。 後述の方法なら大体3～5時間程度で全解除できる。 Burger King™ 実績 BK® の招待試合に勝利 100 Dodge 実績 Dodge の主催試合に勝利 100 EA SPORTS™ 実績 EA SPORTS™ の主催試合のいずれかにて勝利 150 ESPN FNF 実績 ESPN Friday Night Fight のいずれかの試合にて勝利 150 ESPN PPV 実績 ESPN Pay Per View Fight のいずれかの試合にて勝利 150 ESPN WNF 実績 ESPN Wednesday Night Fight のいずれかの試合にて勝利 150 Everlast™ 実績 Everlast™ の主催試合に勝利 100 Under Armour® 実績 Under Armour® の主催試合に勝利 100 まず、オプションで難易度をイージー、反則オフ、HUD、３ダウンノックアウトをオンにしておく。 招待試合や主催試合で負けると、次に同じ試合が出現するまで数十戦こなさなければならないので、オートセーブをオフにし、試合直前でセーブしておくと楽。 キャラエディット時の階級はヘビー級推奨。軽量級だとCPUの手数が多く、パンチやフットワークも素早いので難易度が高くなる。さらに、BK®の招待試合の相手は選択した階級に関係なくヘビー級固定のため、軽量級で勝つのは非常に困難。 ヘビー級なら、FIGHT STOREで膝蹴りを購入、相手に密着して連発(LTを押しながらB)しているだけで最後まで勝ち抜けるはず。HARD HITSルールの試合を除けば、ほぼ1RでKOできる。相手が頻繁に距離を取るタイプでも、しつこく前進して膝蹴りを繰り返せばいい。 なお、トレーニングはすべて自動でも問題ない。