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BLA... Black, David.1985."Scots and English". Chapman 8(4) 11-14. Blackburn, F. A.1892.The English Future Its Origin and Development. Leipzig diss. Blackburn, Ruth M. 1971. "Dialects in Eugene O'Neill's Plays", in A Various Language Perspectives on American Dialects, ed. Juanita V. Williamson Virginia M. Burke, pp. 230-241. New York Holt, Rinehart and Winston. Blackwell, B.1970.The Origin of Classics. Blackwell, S.1987Syntax versus orthography Problems in the automatic parsing of idioms. In Garside et al (eds) 1987 110-119. Blades, William.1964."The First Printing-Press in England, as Pictorially Presented". The Black-Art (London) 3 4-8. Bladon, R. A. W.1968."Selecting the to- or -ing nominal after like, love, hate, dislike and prefer". English Studies 49 203-14. Blair, David Peter Collins. (eds.). 2001. English in Australia. Amsterdam John Benjamins. Blair, H.1956.An Introduction to Anglo-Saxon England. Cambridge University Press. Blair, P. H.1959.Bede's Ecclesiastical History of the English Nation and its Importance Today. Jarrow Lecture. Blair, Peter Hunter.2003.An Introduction to Anglo-Saxon England. 3rd edition. CUP. Blake, Barry. 2019. English Vocabulary Today. London Routledge. Blake, F. et al.1994.A New Concordance to The Canterbury Tales. University Education Press. Blake, N. (ed.)1992.The Cambridge History of the English Lanauge, II 1066-1476. Cambridge Cambridge UP. Blake, N. (ed.)1990.The Phoenix. Rev. edn. Exeter University of Exeter Press. Blake, N. F. 2000. "English language The early modern period", in A Companion to English Renaissance literature and culture, ed. Michael Hattaway, pp. 71-80. London Blackwell. Blake, N. F.1997."Some Comments on the Style of Love's Mirror of the Blessed Life of Jesus Christ", in Nicholas Love at Waseda Proceedings of the International Conference 20-22 July 1995, ed. Sh. Oguro, R. Beadle, M. G. Sargent, pp. 99-114. D.S. Brewer. Blake, N. F.1997."Reflections on the Editing of Middle English Texts"", in A Guide to Editing Middle English, ed. V. P. McCarren D. Moffat, pp. 61-77. University of Michigan Press. Blake, N. F.1996.A History of the English Language. Macmillan. Blake, N. F.1991.William Caxton and English Literary Culture. London Rio Grande The Hambledon Press. Blake, N. F.1990.An Introduction to the Language of Literature. Macmillan. Blake, N. F.1989."Manuscript to Print", in Book Production and Publishing in britain, 1375-1475, ed. Jeremy Griffiths, pp. 403-32. Cambridge CUP. Blake, N. F.1988."Negation in Shakespeare", in G. Nixon J. Honey (1988), pp. 89-111. Blake, N. F.1987."William Caxton A Review", in William Caxton and English Literary Culture, ed. N. F. Blake, pp. 1-18. London Rio Grande The Hambledon Press. Blake, N. F.1987."The Spread of Printing in English During the Fifteenth Century", in William Caxton and English Literary Culture, ed. Blake, pp. 57-73. The Hambledon Press. Blake, N. F.1985.The Textual Tradition of the Canterbury Tales. London Edward Arnold. Blake, N. F.1983.The Language of Shakespeare. The Language Literature. London Macmillan. Blake, N. F.1983."Reflections on William Caxton's 'Reynard the Fox'". Canadian Journal of Netherlandic Studies 4(1) 69-76. Blake, N. F.1981.Non-standard Language in English Literature. The Language Library. London Andre Deutsch. Blake, N. F.1979-80."Continuity and Change in Caxton's Prologues and Epilogues", in William Caxton and English Literary Culture, ed. N. F. Blake, pp. 89-106. The Hambledon Press Blake, N. F.1979."The Northernisms in The Reeve's Tale". Lore and Language (Sheffield) 3(1) 1-8. Blake, N. F.1978."Dating the First Books Printed in English", in William Caxton and English Literary Culture, ed. N. F. Blake, pp. 75-87. London The Hambledon Press. Blake, N. F.1977.The English Language in Medieval Literature. London Methuen. Blake, N. F.1977."Another Northernism in 'The Reeve's Tale'?" N Q n.s. 24 400-1. Blake, N. F.1977."William Caxton". Lore and Language (Sheffield) 2(6) 7-15. Blake, N. F.1976-7."William Caxton The Man and his Work", in William Caxton and English Literary Culture, ed. N. F. Blake, pp. 19-35. London The Hambledon Press. Blake, N. F.1976."Caxton Prepares his Edition of the Morte Darthur". Journal of Librarianship 8 272-85. Blake, N. F.1976.Caxton England's First Publisher. New York Barnes Noble. Blake, N. F.1975."Caxton's Reprints". The Humanities Association Review (Ontario, Canada) 26 169-79. Blake, N. F.1975."Reynard the Fox in England", in Aspects of the Medieval Animal Epic, ed. E. Rombauts, et al., pp. 53-65. Louvain Louvain UP. Blake, N. F.1973.Caxton's Own Prose. The Language Library. London Andre Deutsch. Blake, N. F.1973.Selections from William Caxton. OUP. Blake, N. F.1971."The Fifteenth Century Reconsidered". Neiphilologische Mitteilungen 70 146-57. Blake, N. F.1969.Caxton and his World. The Langauge Library. London Andre Deutsch. Blake, N. F.1969."Rhythmical Alliteration". Modern Philology 67 118-24. Blake, N. F.1968."Caxton and Courtly Style". Essays and Studies n.s. 21 29-45. Blake, N. F.1968."Word Borrowings in Caxton's Original Writings". English Langauge Notes 6 87-90. Blake, N. F.1967."Caxton and Chaucer". Leeds Studies in English 1 19-36. Blake, N. F.1966."Caxton's Language". NM 67 122-32. Blake, N. F.1966."William Caxton's Birthplace A Suggestion". Notes and Queries 13 52-54. Blake, N. F.1965."English Versions of Reynard the Fox in the Fifteenth and Sixteenth Centuries". SP 62 63-77. Blake, N. F.1965."The Vocabulary in French and English Printed by William Caxton". English Language Notes 3 7-15. Blake, N. F.1965."William Caxton His Choice of Texts". Anglia 83 289-307. Blake, N. F.1964."William Caxton's Reynard the Fox and his Dutch Original". Bulletin of the John Rylands Library 46 298-325. Blake, N. F. C. Jones (eds).1984.English Historical Linguistics Studies in Development, CECTAL Conference Papers Series 3. Sheffield University. Blake, N. F. J. Moorhead.1993.Introduction to English Language. London Macmillan. Blake, N. F. (ed.)1972.The Life of St. Edmund Middle English Religious Prose. York Medieval Texts. London Edward Arnold. Blake, N. F. (ed.)1980.The Canterbury Tales by Geoffrey Chaucer Edited from the Hngwrt Manuscript. London Edward Arnold. Blake, N. F. (ed.)1970.Caxton The History of Reynard the Fox. EETS 263. London Oxford University Press. Blake, Norman F.1992."Why and what in Shakespeare", in Chaucer to Shakespeare Essays in Honour of Shinsuke Ando, ed. T. Takamiya R. Beadle, pp. 179-93. Cambridge D. S. Brewer. Blake, Norman F.1999."Nonstandard Language in Early Varieties of English", in Writing in Nonstandard English, ed. I. Taavitsainen, et al., pp. 123-50. John Benjamins. Blake, Norman F.1992."MS Chetham 6709 and Some Manuscript Copies of Caxton Prints", in Language and Civilazation, ed. Claudia Blank, pp. 239-54. Frankfurt Peter Lang. Blake, Norman F.1963."A Possible Seventh Copy of Caxton's 'Reynard the Fox' (1481)?". N Q 208 287-8. Blake, Norman F. 1988Reflections on Some Approaches to Style and Stylistics. Revista Alicantina de Estudios Ingleses 1 7-18. Blake, Norman F.1991."Caxton's Reynard the Fox and his Dutch Original", in William Caxton and English Literary Culture, pp. 231-58. London The Hambledon Press. Blake, Norman.1996."Shakespeare's language past achievements and future directions". Proceedings of the 19th International Conference of AEDEAN, ed. Perez Guerra, Javier M. Teresa Caneda Cabrera, et al., pp. 21-35. Vigo Universidade de Vigo. Blake, Norman.2004.Shakespeare's Non-standard English A Dictionary. Thoemmes Continuum. Blake, Norman. 2002. "Forms of Address in Hamlet." Of Dyuersitie and Chaunge of Language Essays Presented to Manfred Gorlach on the Occasion of his 65th Birthday. K. Lenz and R. Mohlich (eds), pp. 305-318. Heidelberg Winter. Blake, Norman.2001.A Grammar of Shakespeare's Language. Pelgrave. Blake, Norman.1997."Editing Shakespeare the role of language studies". The European Journal of English Studies 1(3) 329-53. Blake, Norman.1997."Chancery English and the Wife of Bath's Prologue", in To Explain the Present Studies in the Changing English Language in Honour of Matti Rissanen, ed. T. Nevalainen L. Kahlas-Tarkka, pp. 3-24. Helsinki Societe Neophilologique. Blake, Parry J. Kate burridge (eds.)2003.Historical Linguistics 2001 Selected Papers from the 15th Conference on Historical Linguistics, Melbourne, 13-17 August. John Benjamins. Blake, R. Shousterman, C. 2010. "Diachrony and AAE St. Louis, Hip-hop, and Sound Change outside of the Mainstream". Journal of English Linguistics 38(3) 230-247. Blake, Sarah. 2021. "'You Taught Me Language ' Using Shakespeare to Teach English to Speakers of Other Languages". Honors Projects. 585. Blakeley, L.1949-50."The Lindisfarne s/d(eth) Problem". Studia Neophilologica 22 15-47. Blakeley, L.1947-8."Accusative-Dative Syncretism in the Lindisfarne Gospels". English and Germanic Studies 1 6-31. Blakemore, Diane Robyn Carston.2005."The Pragmatics of Sentential Coordination with and". Lingua 115 569-89. Blakemore, Diane.1988."So as a constraint on relevance", in Mental representations The interface between Language and Reality, ed. R. M. Kempson, pp. 183-95. Cambridge CUP. Blanch, R. J.1984.Sir Gawain and the Green Knight A Reference Guide. Troy Whitson. Blanch, R. J.1976."Games Poets Play The Ambiguous Use of Color Symbolism in Sir Gawain and the Green Knight". Nottingham Mediaeval Studies 20 64-85. Blanch, R. J.1980."The Game of Invoking Saints in Sir Gawain and the Green Knight". American Benedictine Review 31 237-62. Blanch, R. J.1982."Imagery of Binding in Fits One and Two of Sir Gawain and the Green Knight". SN 54 53-60. Blanch, R. J.1983."The Legal Framework of 'a Twelmonyth and a Day' in Sir Gawain and the Green Knight". NM 84 347-52. Blanch, R. J.1965."Precious Metal and Gem Symbolism in Pearl". The Lock Haven Review 7 Blanch, R. J. J. N. Wasserman.1984."Medieval Contracts and Covenants The Legal Coloring of Sir Gawain and the Green Knight". Neophil 68 598-610. Blanch, R. J. (ed.)1966.Sir Gawain and Pearl Critical Essays. Bloomington Indiana UP. Blanch, Robert J.1983."The Poems of the Pearl Manuscript Pearl, Cleanness, Patience, Sir Gawain and the Green Knight Edited by Malcom Andrew and Ronald Waldron". Archiv fuer das Studium der Neueren Sprachen und Literaturen 220 151-54. Blanch, Robert J. Miriam Youngerman Miller, Julian N. Wasserman (eds.)1991.Text and Matter New Critical Perspective of the Pearl Poet. Troy, NY Whitson. Blanco-Suárez, Zeltia. 2020. "Two sides of the same coin? Tracking the history of the intensifiers deadly and mortal", in Corpora and the Changing Society Studies in the evolution of English, ed. Paula Rautionaho, Arja Nurmi Juhani Klemola, pp. 169-197. Amsterdam John Benjamins. Bland, C. R.1991.The Teaching of Grammar in Late Medieval England An Edition with Commentary, of Oxford, Lincoln College MS Lat. 130. Medieval Texts and Studies 6. Bland, Caroline M. Cross (eds.) 2004.Gender and Politics in the Age of Letter Writing, 1750-2000. Ashgate Pub. Bland, D. S. 1951. "Shakespeare and the 'Ordinary' Word". Shakespeare Survey 4 49-55. Also in Salmon Burness. Bland, M. 2010. A Guide to Early Printed Books and Manuscripts. London Wiley-Blackwell. Blank, Paula.1996.Broken English Dialects and Politics of language in Renaissance Literature. Politics of Language. Routledge. Blankenship, Jane Deborah C. Robson."A feminine style in women's political discourse An exploratory essay". Communication Quarterly 43(3) 353-66. Blankenship, Jane.1962."A Linguistic Analysis of Oral and Written Style". Quarterly Journal of Speech 48 419-22. Blanquer, Joana, Donna Beth Ellard, Emma Hitchcock Erin E. Sweany. 2022. "Mitchell Robinson’s Medievalism Echoes of Empire in the History of Old English Pedagogy", in Old English Medievalism Reception and Recreation in the 20th and 21st Centuries, ed. Rachel A. Fletcher, Thijs Porck, Oliver M. Traxel, pp. 225-242. Boydell Brewer. Blass, Thomas Aron W. Siegman.1975."A Psycholingtuistic comparison of speech, dictation, and writing". Language and Speech 18 20-33.
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Super Talking Time Brosシリーズの１作目。 後の２作と違いワールドマップはなく、各コースに入るためのハブコースが存在する（ゲーム開始時はそこからスタート）。 また、各コースに入る土管の色によって隠しゴール（スター）の数が異なる（黄＝ゴール１つ、オレンジ＝ゴール２つ...といった感じ）。 各ワールドの城コース及び一部の土管に入るには一定数のスターが必要なので注意。 EXワールドもある。 ハブコースについて W1 Flapjack Fields Welcome to Flapjack Fields Para-Kuribo s New Shoes Maple Syrup Road An Enemy Approaches The Drowned Dungeon Koopa Kiwi Mines Bullet Time Flapjack Castle（要☆１） W2 Strawberry Hills Autumn Woods Beetle Bend Bonsai Bill Brush Ghost Boy Party Hop to the Music Boo Mines Pipe Dream Summer Spring Fire Bar Fortress（要☆１２） W3 Vanilla Thunderdome Ice to meet you Koopa Lagoon March of the Rubber Penguins Snow Problem An Icy Leap of Faith Shivering Timbers Castle Freezer Burn（要☆３０） W4 Supersize Fries Land Marching Moles Little Yoster s Big Adventure RAW HORSE POWER Ⅱ Baffling Banshee Building Supersize Skies Unidentified Flying Object Tall Tumble Tower（要☆４０） W5 Cotton Candy Cloud Land Cloud Corridor Heaven and Heck Spire Mountain Pendant of the Sky Temple Aerial Switches Dragon Road Onward and Upward Alternative Airship Attack（要☆４５） W6 Cheese Mountain My Butt Hurts Swiss Mushroom Heights Going Up Halloumi Hills Muenster Mountain Thwompin Time Oak Pillars Overgrown Tower（要☆５０） W7 Persimmon Valley Sunset Silhouettes Night Life Nipper-Snappers Phanto Mines Mansionvania Eat Veggies, Get Dizzy I.C.B.Mario Not Roy s Castle（要☆５５） W8 The Pit of Flames Burn Those Carbs Yoshi Cavalry Lava Steps Temple of Trials Rainbow Shell Rampage Bubbling Cauldron Bowser s UFO Bowser s Castle（W8奥の扉から・要☆７０） クッパ城内部-1 クッパ城内部-2 クッパ城内部-3 クッパ城内部-4 クッパ城内部-5 クッパ城内部-6（要☆８０） WE The Return of Talking Time Bros.（要☆９５） The Great Escape Toadally Rad Big Time Mashroom Fox Curse of the Symphony of Dissonance Volcanic Panic The Castle at Game s End I Wanna Be The Ghost House Not Worth Its Own World（要☆８５） Horrifying Lakitu Thunderdome Goast House Scrap Brain Zone Arino s Challenge Hardcore Awesome Forever Mario s Nightmare Bob-Omb Battlefield 2 Bowser Playground PERCY（要☆１０５） Having a Wonderful Time（要☆１０６） The End and Credits（要☆１０８） The End and Credits（要☆１０９） ???（要☆１１０）
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Super Metroid Ultimate Challenge 2 関連リンク Frozen Waffle Forums http //z8.invisionfree.com/Frozen_Waffle_Forums/index.php?s=4b139a974776f0a8101d244c0a5fc364 showtopic=323 攻略情報 評価 改造度 ★★ 一部屋。ボムの設置から爆発までの時間が短い 難易度 ★★★★ 針が多く，正確なプレイを要求されることも 探索難易度 ★★★ わかりづらい道がいくつかある 探索自由度 ★ 一本道 楽しさ ★ 針と酸の特攻で嫌になる 部屋の左上にたどり着けば終了のようであるが，行っても何も無い。製作途中？ ボムの仕様が変更されていて，一回だけのボムジャンプも出来ない。 特に楽しいところも無いのでまともにプレイするのは馬鹿らしい内容。 総合評価 ★ kokoakki アンケート 総合評価を投票してください。 選択肢 投票 ★★★★★ (0) ★★★★☆ (0) ★★★☆☆ (0) ★★☆☆☆ (0) ★☆☆☆☆ (0) ☆☆☆☆☆ (0) 感想・レビュー等 名前 コメント
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At the kaleidoscope sunglasses part raen sunglasses y on Thanksg iving and Halloween, eve sunglasses hk ryone was buzzing with excitement as they sported their favorite Persol sunglasses. These vibrant, multicolored lenses added a touch of mystery and intrigue to the festivit ies. The venue was transformed into a oakley sunglasses kaleidoscope wonderland, with decorations inspired by the mesmerizing patterns seen through the lenses of the Persol sunglasses. Glittering streamers in every shade of the rainbow hung from the ceiling, reflecting the joyful ambiance. The walls were adorned with intricate kaleidoscope artwork, depicting images that seemed to come alive as the light bounced off the lenses of the sunglasses. https //www.abicases.com/kaleidoscope-sunglasses-party-thanksgiving-halloween-persol Guests arrived in a variety of costume ensembles that perfectly complemented their Persol sunglasses. There were whimsical fairies with ethereal wings adorned in shimmering sequins, their eyes twinkling through the fascinating kaleidoscope lenses. Dashing pirates, their eyes hidden behind Persol sunglasses, added a touch of mystery to their swashbuckling charm. As the party kicked off, the kaleidoscope sunglasses became the center of attention. People gathered in groups, sharing laughter and stories while marveling at the captivating patterns created by the lenses. With each movement and turn, the patterns shifted and transformed, capturing the imagination of all who wore them. The party floor became a kaleidoscope of dancing shapes and colors, the sunglasses acting as a magical portal into a world of vibrant fantasies. At the feast table, the kaleidoscope theme continued to delight the senses. The tablecloth resembled a large kaleidoscope, with kaleidoscopic patterns adorning every inch of fabric. Plates and silverware had miniature kaleidoscope motifs, making the table setting a visual masterpiece. Guests marveled at the creativity and attention to detail, each dish resembling a work of art. As the evening wore on, the kaleidoscope sunglasses proved to be the perfect icebreaker. Strangers became fast friends, bonded by their shared fascination for the enchanting lenses. Conversations flowed freely as people discussed their experiences and shared their favorite patterns seen through the sunglasses. The kaleidoscope sunglasses party on Thanksgiving and Halloween was truly a memorable occasion. The magic of the Persol sunglasses brought an added element of wonder and excitement to the festivities. It was a celebration of creativity and imagination, where people could experience the world through a different lens - one filled with endless possibilities and kaleidoscopic beauty.
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VA-11 Hall-A ヴァルハラ VA-11 Hall-A Cyberpunk Bartender Action VA-11 Hall-A Prologue 機種：PC,PSV 作曲者：Michael Kelly、David Nyman 開発元：Sukeban Games 発売元：Ysbryd Games、PLAYISM(PSV) 発売年：2014(Prologue)、2016、2017(PSV、日本語版) 概要 Time to mix drinks and change lives. 一日を変え、一生を変えるカクテルを！ ベネズエラのインディーズサークルであるSukeban Gamesが開発したサイバーパンク・バーテンダー・アクション。 近未来都市の場末のバー「VA-11 Hall-A」(ヴァルハラ)のバーテンダーとなり、来店した客の注文に合わせてカクテルを提供することで物語を進める。 80年代から90年代にかけての日本のADV作品にインスパイアされており、キャラクターデザインやシステムにその影響を見て取ることが出来る。 Garoadの名義でも作曲活動を行っているMichael Kelly氏が主なBGMを担当。 アンビエント、シンセウェーブ等のレトロなテクノミュージックと、AORやフュージョンとを駆使し、アダルトでクールな世界観を支えている。 2017年に家庭用機であるPS Vitaにパッケージ、ダウンロード版の両方で初移植、同時にPC版でも日本語版が配信された。 現在、本作の続編となる『N1RV Ann-A』の開発が進められている。 収録曲(サウンドトラック順) 曲名 作・編曲者 補足 順位 VA-11 HALL-A Prologue OST - Sounds From The Future Metropolis Michael Kelly Karmotrine Dream Neon District Strictly Business David Nyman Skyline Michael Kelly A New Frontier Another Satisfied Customer Dusk Meet The Staff Heart Of The City Spirit Potion David Nyman A City That Never Sleeps Michael Kelly Base Of The Titans Follow The Trail Out Of Orbit Tense Underground Club Showtime! VA-11 HALL-A - Second Round Hopes and Dreams Michael Kelly タイトル A Neon Glow Lights the Way Welcome to VA-11 HALL-A Every Day is Night 第10回246位第11回112位第12回104位第13回56位第14回90位第15回317位第16回200位夜119位2016年69位インディーゲーム31位 Commencing Simulation Drive Me Wild Good for Health, Bad for Education Who Was I? Troubling News A Gaze That Invited Disaster Friendly Conversation You've Got Me ジルとデイナが一緒にビールを飲むシーンにて流れる曲 第11回924位第13回861位 Better Luck Next Time Transition I Umemoto 曲名は梅本竜氏の名前にちなむ 第11回796位夜74位 JC Elton's Go! Go! Streaming-chan! All Systems, Go! Where Do I Go From Here? Will You Remember Me? Everything Will Be Okay March of the White Knights A. Rene 第10回157位第11回302位第12回149位第13回348位第14回176位夜297位インディーゲーム201位 Safe Haven ジルが自室に居る際に流れる曲 Neo Avatar Those Who Dwell in Shadows Nighttime Maneuvers A Star Pierces the Darkness CALICOMP 1.1 Startup CALICOMP 1.1 Shutdown Transition II Your Love is a Drug 第14回800位第3回ゲームソング207位(Vocal) Through the Storm, We Will Find a Way インディーゲーム193位 Synthestitch Snowfall The Answer Lies Within Dawn Approaches With Renewed Hope, We Continue Forward Last Call Reminiscence Believe in Me Who Believes in You スタッフロール 第2回エンディング75位 Final Result Until We Meet Again Digital Drive サウンドトラック VA-11 HALL-A Prologue OST - Sounds From The Future VA-11 HALL-A - Second Round VA-11 HALL-A Original Sound Track PSVパッケージ版の初回特典として同梱 関連動画 日本語版トレーラー
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in this unstable world in this unstable world アーティスト 津島善子(小林愛香) 発売日 2021年7月13日 レーベル ランティス デイリー最高順位 1位(2021年7月13日) 週間最高順位 1位(2021年7月20日) 月間最高順位 2位(2021年7月) 年間最高順位 36位(2021年) 初動売上 14627 累計売上 16712 週間1位 収録内容 曲名 タイアップ 視聴 Disc1 1 in this unstable world ラブライブ! サンシャイン!! キャラソン 2 君のこころは輝いてるかい？ 3 Step! ZERO to ONE 4 Aqours☆HEROES 5 恋になりたいAQUARIUM 6 待ってて愛のうた 7 届かない星だとしても Disc2 1 HAPPY PARTY TRAIN ラブライブ! サンシャイン!! キャラソン 2 SKY JOURNEY 3 少女以上の恋がしたい 4 未体験HORIZON 5 Deep Resonance 6 Dance with Minotaurus 7 KOKORO Magic “A to Z” 8 Wake up, Challenger!! 9 タテホコツバサ ランキング 週 月日 順位 変動 週/月間枚数 累計枚数 1 7/20 1 新 14627 14627 2 7/27 13 ↓ 1197 15824 3 8/3 570 16394 2021年7月 2 新 16394 16394 4 8/10 ↓ 196 16590 5 8/17 ↓ 122 16712 関連CD Pianoforte Monologue Moonrise One More Sunshine Story RED GEM WINK WHITE FIRST LOVE さかなかなんだか？ おやすみなさん! Beginner s Sailing New winding road
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PAST EVENTS check out our Summer Tour blog!! 2010-07-27 - Grand Theatre - Reno, NV 2010-07-25 - Dodge Theater - Phoenix, AZ 2010-07-24-2 - Anthology (2) - San Diego, CA 2010-07-24-1 - Anthology (1) - San Diego, CA 2010-07-23 - Cannery Ballroom - Nashville, TN 2010-07-22 - The Greek Theater - Los Angeles, CA 2010-07-21 - Regency Ballroom - San Francisco,CA 2010-07-17 - Alabama Adventure - Bessemer, AL 2010-07-13 - Red Butte Garden - Salt Lake City, UT 2010-07-13 - Mix 107.9 Acoustic Show - Salt Lake City, UT 2010-07-12 - Red Rocks Amphitheatre - Morrison, CO 2010-07-12 - Alice 105.9 AT&T Sessions - Denver, CO 2010-07-09 - John Hancock Center Plaza - Chicago, IL 2010-07-09 - World’s Largest Block Party - Chicago, IL 2010-07-08 - Stir Cove - Council Bluffs, IA 2010-07-07 - Six Flags St. Louis - Eureka, MO 2010-07-06 - Starlight Theatre - Kansas City, MO 2010-07-05 - George’s Majestic Lounge - Fayetteville, AR 2010-07-03 - Moody Gardens - Galveston, TX 2010-07-03 - MIX 96.5 Live Lounge - Houston, TX 2010-07-01 - Jake’s Backroom - Lubbock, TX 2010-06-28 - Tower Theater - Fresno, CA 2010-06-27 - 97.3 Alice’s Summerthing - San Francisco, CA 2010-06-26 - CBS Radio Expo, Yankee Stadium - Bronx, NY 2010-06-24 - Star 94 A-List Lounge - Atlanta, GA 2010-06-23 - Rialto Theatre - Tucson, AZ 2010-06-23 - Studio C - Tuscon, AZ 2010-06-21 - Sunshine Theater - Albuquerque, NM 2010-06-19 - Six Flags Over Texas - Arlington, TX 2010-06-18 - Ironstone Amphitheatre - Murphys, CA 2010-06-17 - Frontier City - Oklahoma City, OK 2010-06-15 - Remington’s Hunt Club - Hattiesburg, MS 2010-06-14 - The Cannery - Nashville, TN 2010-06-12 - Council Fire Ballroom - Cherokee, NC 2010-06-11 - Crossroads Cafe - Huntsville, AL 2010-06-10 - The Soul Kitchen - Mobile, AL 2010-06-09 - Shreveport, LA 2010-06-07 - Englert Theatre - Iowa City, IA 2010-06-06 - Meyer Theatre - Green Bay, WI 2010-06-05 - Fine Line Music Cafe - Minneapolis, MN 2010-06-04 - Turner Hall Ballroom - Milwaukee, WI 2010-06-02 - The Intersection – Grand Rapids, MI 2010-06-01 - Overture Center Show – Madison, WI 2010-05-30 - Darien Lake show – Darien Center, NY 2010-05-29 - Summer Blast Off - Point Pleasant Beach, NJ 2010-05-29 - Saline Summer Daze - Benton, AR 2010-05-27 - When I was 17/wiw17@wiki 2010-05-26 - American Idol Season9 Finale 2010 2010-05-23 - Mixfest in San Antonio/@IcE_cReAm101さんつぶやきまとめ 2010-05-23 - Mixfest - San Antonio, TX 2010-05-22 - KISS 108 Presents Kiss Concert 2010 2010-05-22 - KISS 108 Concert Pre-Party 2010-05-21 - KISS 108 Matty in the Morning 2010-05-21 - 92 PRO-FM s Exclusive Kris Allen Showcase 2010-05-15 - Six Flags Great Adventure in Jackson, NJ 2010-05-06 - Kris Allen Helps Save The Music 0000【削除希望】Grand Rapids, MI - tour
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製作者 SAKI DL先↓ http //www1.axfc.net/u/3295753
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I understand. And you think the Dreamcore will be able to handle that? All right, boys. Move out. You two head in that direction. This doesn t look like any those creatures walking around. It must be a different species. First examine There must be some combination needed to open the door. I ll just try something... April trying to use music door without knowing how to open it Grubber Oy! Anyone there? Vinnie can see or hear Zoë first time If only I had a handle for the window, I could probably open it. Examine without handle again The handle on this window looks a bit wobbly. I took the handle off. Window handle It s the handle from the bathroom window. Clim through That ladder leads up to the third floor fire escape. Dirty sheet Filthy towel That s one disgusting towel. I don t think that sheet s ever been washed. Makeshift rope Ugh. Yucky. I don t want to know what this towel s been used for. Hva faen... Vinnie! Hey! Vinnie! Hjelp! Faen. Help me! Vinnie! Need some help here, man! What are you yappin about this time, Ivar? Uh...jente. Faen― Cut the friggin yibbo talk and speak English, you stupid Norse. Faen, Vinnie! Need help! That goes back into the main cave. It doesn t look like there s any way for me to open it. I keep thinking I ve seen a creature like this before. But where? Could this be the ancestor of a species in Arcadia? It s a strange, alien symbol. I ve never seen anything like it. North symbol I can t remember seeing a rune like this before. West Symbol If Na ane was here, maybe she could decipher this. South symbol For some reason, I don t think these symbols were created by the creatures that live here now. East symbol I have no idea. It s all so strange. It must be magic? Magic Dreamcore Dreamer System test... System test Do you wish to do some system test? Goto main menu Goto MainMenu Goto the main menu Save checkpoint Load checkpoint teststring start test conversation Display and hide text Hey, jackass! You cannot attack a tea pot! The chapter is in the range [0.00 - 1.50] Chapter 0.00-1.70 return The chapter is in the range [1.6,2.0] Chapter 1.60-2.00, 3.00-4.00 COPYRIGHT FUNCOM 2006 Resume Game Save Game Debug locations Test Scene Audio Whirlybird sound Fire barrels Rain on water This setting is not supported by your system. Text Audio The Azadi are coming farther and farther north. We kill ten, another twenty appear. So we kill them, too. They re not invincible. That s not the way to stop them, Brynn. We need a better plan. Our sources in the city may have information. I hope so. But we need to focus on getting the supplies and bringing them back to the swamplands. They are all depending on us. If another moon passes, the children will be at risk. If they should fall ill... Na ane is right. We go back as soon as we have what we came for. We ll be cautious, Chawan. Now we continue. Another few days due south, and we ll see her. I can t wait to see the city! If it s anything like you ve described, April, it must be amazing. It s been a long time. Things change. I smell the enemy. They are close. Okay. Na ane? You divert their attention when they get close enough. Brynn? Stay behind Chawan. I can handle― I don t care if you wield your sword like an Ygainon bladedancer. We re not at home. We don t have the advantage. Follow my lead, Brynn. Your blade will taste blood today, worry not. Let the smoke clear before you attack. The toxins lose their effect quickly, but you should still not breathe them. Got it. Hey, Chawan? What do they smell like, the enemy? Hush. One down, a continent to go. Good work! Hah. Ha! Ha un! Che ta! Zu on! Nng! Uh. Go back to the hell you came from, Azadi. This is for my people. My sister will tear your soul to pieces in the afterlife. Ee-ya! You call that fighting? Westlander scum! Watch out! It is done. Zoë! Thank God, I m so relieved to hear your voice. Are you okay? Where are you? I m outside the walls, in an alley. I can t see any signs. Just a moment, I ll pull you up on my... What? Oh. My friend Liv, she installed some kind of shield for my mobile. She said it makes me invisible. It s amazingly effective, top grade stuff. I really need to meet this friend of yours. I think she d like you. Look, I want to get as far away from this place as possible. You can crash at my place tonight. There s not a lot of space, but you ll be safe there. The first thing you need to do is find the boardwalk... Charlie must know more than what he s letting on If there s anything you can tell me, anything at all... I don t know where else to go. Please. Jericho has powerful connections. If I tell them you refused to help me, they won t be very happy. He s hiding something, I know it If I didn t know any better, and if I thought you were stupid enough to pull that kind of shit in here, I d say you were threatening me. I m just warning you. If you know something, you d better tell me. Or else...what? You sue me? You torch my club? You sic the Corps on me? The EYE? You don t think I have powerful connections, girl? Do you have any idea who comes into this place, the people I mingle with? The next time you come into my place and threaten me, I ll have you thrown out. This time, I m just gonna ask you to leave. Please, don t― Apologise This has gone too far already Sure you will. And tomorrow morning The Hand That Bites will run an interesting story about this bar. Challenge Unless he tells me what he knows, I m not giving up What? (Laughs) Are you serious, girl? Points for effort, though. I m impressed. If you have any information, it would be worth a lot to me. Bargain I m sure he knows more than what he s letting on Is that so? Like, what, money? Or are you offering me something else. Like yourself. My advice to you, girl, is never threaten someone unless you re ready to follow through on the threat. In your case, that means never threaten anyone. Ever. Your friend Jericho, he was here last night. He wanted to meet face to face. He told me, some things shouldn t cross the Wire. He wanted some information about a place I used to live in called the Border House. Thanks...I guess. Here s a tip, though. Take it or leave it, your choice. Good. Your friend Jericho did drop by last night. He wanted to meet me in person. I...I m not― You don t need to answer that, girl. I get it. You must love this guy a lot. That s all I needed to know. Look, your friend, he was here last night. He said some things shouldn t cross the Wire. He wanted to know about this place I used to live in, place called the Border House. The Venice Academy of the Visual Arts. It was famous. Still is, but...for very different reasons. Back then, it was the best art school in the city. After the Collapse, I lived uptown for a while. I needed to get as far away from Venice as I possibly could. Different world, different times. The Collapse changed a lot of things. Hell, it changed everything. What did you study at the Academy? VAVA It would be interesting to know what Charlie studied at the Venice Academy of the Visual Arts Heh. I ll tell you, if you promise not to laugh. I studied dance. You did? I was a kid. I believed that with enough passion, I could do anything I wanted. I had such faith in myself and in the world. But faith and passion alone will only carry you so far before reality sets in. When that happens, you ve got to face up to the facts. Your life ain t gonna turn out the way you hoped it would. And your dreams... They don t matter so much anymore. You lose faith, but...life goes on. Besides, look where it got me in the end. I ve done well for myself. I m a happy man. Use pressure release handle Examine pressure release handle Open cover Examine cover Examine mailroom door Examine sliding doors Examine Touch Screen Use Touch Screen Examine Lab Doors Open Lab Doors Jama Sharif Roberto Jawhar Karen Awad Fatimah Carlita Yacob Usman Iqbal Nina Hannah elgwan Systems Sound Config Stereo (Software) Headphones (Software) Dolby Surround (Software) SRS Circle Surround (Software) 4.0 channel discrete (Software) 5.1 channel discrete (Software) 6.1 channel discrete (Software) 7.1 channel discrete (Software) 8.1 channel discrete (Software) Directsound 3D (Software) EAX 2 (Hardware) EAX 3 (Hardware) EAX 4 (Hardware) Sound Block Automatic Apply changes Anti-aliasing quality None Anti-aliasing quality %d Action 4 Action 3 Action 2 Action 1 Camera Camera behavior Camera horizontal axis Camera sensitivity Camera Stick Camera vertical axis Cancel Changes Character movement sensitivity Cursor sensitivity D-Pad Default Config Effects Volume Fixed behind Focus Field sensitivity Effects Quality Graphics Quality Heavy Attack High Interaction Inventory Inverted Keyboard Light Attack Low Master Volume Mouse Mouse mode Mouse overall sensitivity Move Down Move Left Move Right Move Up Movement Movement Stick Music Volume Next Focus Normal Normal (4 3) Off On Pad Pause Press key to re-assign to %s Prev Focus Release the pad. Release the stick. Reset to defaults Sneak Sneak Mode Settings will take effect next time you start the game. Speech Volume Subtitles Test Joypad Toggle Focus Toggle Menu Toggle Mobile Toggle Pause Tutorial Ultra Video Vertical Sync Widescreen (16 10) Widescreen (16 9) Press and release the %s button. Push and hold %s forward. Push and hold %s to the left. None Launch Xbox Dashboard You do not have enough space to save games. Continue without saving? Your Xbox doesn t have enough free blocks to save games. You need %d more free blocks. Continue without saving or launch Xbox Dashboard to free more blocks? Quit Game over. Reload last saved game? Reload Main Menu Really quit Dreamfall? Press again to skip Save And Quit You will lose any unsaved progress. Quit to Main Menu Give Up Aspect Resolution Device Loading saved game. Quitting to Main Menu. Quitting to desktop. Warning! Starting a new game will overwrite the current autosave. Warning! Continuing will overwrite the selected save game. Unable to load softwrap.dll, you should check your installation. There is an error with your license file, you should check your installation. You have reached the end of this trial. You need to buy the game before you can continue. Buy Reza Temiz. Apartment eight. First examination Who gets mail these days? I mean, really. Second examination I don t think Reza s received any mail in the five years he s lived here. knock on door open door examine door climb through I probably owe you my thanks for saving my life. Helena Chang look at door Reza s apartment. She s not breathing! I need to get her to a hospital... Where the hell is Reza? Look at vending machine After I learned about bioneering, I never wanted to eat vending machine food again. Fresh water, courtesy of the Bingo! Corporation. Laced with plenty of addictive hallucinogenics. Uh, no. I don t think so. I don t drink Bingo! water. Drink water use door The finest in Japanese toilet technology. I ve had some good times in this shower. I ve spent a lot of nights in that bed. It s very comfy and...bouncy. Nothing but the best for Jericho . These screens and consoles must have cost a fortune. Reza usually sticks to notepads and his mobile when he s working. The console s mostly for research...and fun. Knowing Reza, there s only beer and leftover pizza in the fridge. Examine fence The gate s locked with a chain and a padlock. Both of them look pretty new. First try Still locked. What was I expecting? Second try I m guessing that s the front entrance to the Victory Hotel. Not very inviting, is it? This window probably leads into the hotel basement. Excuse me, are you Charlie? Hi Zoë, right? You said you re a friend of Jericho s? Talk to Charlie Commando The Chinaman Vinnie Ivar Lorayne Marcus Emma Examine Sela That receptionist is looking a bit high-strung. Examine Helena She s trapped! And it looks like there s a build-up of gas in the laboratory. Look at before attempting door She s trying to tell me something. Look at after attempting door By the look of things, I need to get her out of there. Quickly. Look at after releasing pressure Looks like she s okay, but we still need to get out of here. Look at after rescue Close door You have to push the elevator call button. Get into elevator Look at documents Pick up documents Notepad I see the notepad. Examine in safe Twin A Twin B Are you talking to me? He s selling...something. I can t make out what, though. Lockpick Cut chain Axe It s an axe. The door looks very new, and there s...blood all over it. And someone s handprints. It won t budge. Axe handle It s the broken handle from the axe. It s just a bunch of filthy rags. Rag Smell I don t know what that s for. Okay, I get it. It s like a lighter. Examine used The tank is empty. I don t have anything to fill it with. Use without kerosene in inventory It s a metal can. That one s got petrol in it, I think. It smells like...petrol. Smelling kerosene can Torch It s just a dark hole. Examine unlit There s a small flame in there. Examine lit Burning torch It s a can. I think there s just water in that one. I don t smell anything, but there s definitely something inside. Water, maybe. Smelling kerosene can with water It s a rusty old can. Examine before smelling Examine after smelling That s...Reza s lighter... Reza s lighter MISSING TEXT! EXAMINE CRUMPLED PAPER. It s some sort of security system. Looks like it controls the building s surveillance cameras. I can t access this console. It s locked. Use without password Look at fuse box MISSING TEXT! EXAMINE FUSEBOX. Someone s rehydrating and heating a pizza. Looks like there s still a bit left on the clock before it s done. Front door. It s connected to a biometric reader. I can t get out that way. The little girl... She was pointing at that closet. What could it possibly mean? Pick up videograph It s an old videograph. Is that...Charlie? Examine before pick up Videograph What the fuck are you doing here? This is my room! Get back to― Start I ll check around, see what I can find. So tonight, The Fringe? You re not trying to con me or anything? Hey, you re back. Greetings We apologise, but there are no available taxis in your area. Please try again soon. Benrime said I would find this Blind Bob guy right outside. Could that be him? He looks blind. Examine beggar Alms fer a poor old blind bastard with na home na hearth? Minstrum Magda Could that be Crazy Clara? I don t see anyone else around. Examine before talk far Hi there, are you Craz― Uh, are you Clara, by any chance? Minstrum Magda. I finally found her. Examine Magda Good morning, dear. You look hungry. Do you want some soup? First encounter Psst! Hey... Hey! I wonder how long it takes for taxis to arrive in this neighbourhood. It s not responding. I hope that s just because there aren t any taxis available. Push button There s a call button here. No answer. spyder What a mysterious, and completely irrelevant, door. He s eating porridge. Zoë examines Brynn MISSING TEXT! ZOË TALKS TO BRYNN IN MAINHALL I think there s something or someone inside the cage. I see you got your baby back. Returning the pet The ghetto s closed by order of the Office of the Emissary. Spice Merchant Hello, hello! Ah, what a wonderful morning we re having. How may I be of service today, young lady? Spices Mulled wine There s red wine boiling in that cauldron. He doesn t look very happy. Initial It s closed. Step back. Mmh. MISSING TEXT APRIL EXAMINES SCAFFOLDING LADDER. Hooded Man Sister Sahya Give mulled wine Ghetto s closed You can t come through here. There s a curfew. The ghetto will reopen in the morning. So what are we doing tonight? All right, so tell me about the tower. Will you need any assistance tonight, April-an? Where are you going at this hour? Examine Benrime Talk to Benrime Open Front Door I need to find a way onto the scaffolding...but not until I ve taken care of that guard. Climb scaffolding PLACEHOLDER APRIL CLIMBS THE SCAFFOLDING AND FINDS SAHYA S OFFICE. The scaffolding leads all the way up to the bridge between the tower and the new barracks. It s a biometric scanner, probably linked to some primary authentication mechanism, like a voice code or an access card. This must be Damien Cavanaugh s office, and that s the only person I see in here, so...Damien? Hello? Can I help you? All right, Zoë, so you know what to do? That maintenance bot is working on the wall. PLACEHOLDER FLYING WITH AID FROM GARDENING TOOLS. Damien? It s Zoë. Brian Westhouse Well, I ll be damned! Hiro Obaasan She hasn t spotted me yet. He looks a bit glum. Touching the exhibits will trigger the alarm. That looks like a vending machine. Give gum Thank you! It s really good. Give videograph Use mobile Mobile Knock out Reza s not home. After knocking on door Open/close shower door Reza? Reza! Stay out there! I m looking for the package! Examine door clamp
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Changes Come on come on I see no changes wake up in the morning and I ask myself is life worth living should I blast myself? I m tired of bein poor even worse I m black my stomach hurts so I m lookin for a purse to snatch Cops give a damn about a negro pull the trigger kill a nigga he s a hero Give the crack to the kids who the hell cares one less hungry mouth on the welfare First ship em dope let em deal the brothers give em guns step back watch em kill each other It s time to fight back that s what Huey said 2 shots in the dark now Huey s dead I got love for my brother but we can never go nowhere unless we share with each other We gotta start makin changes learn to see me as a brother instead of 2 distant strangers and that s how it s supposed to be How can the Devil take a brother if he s close to me? I d love to go back to when we played as kids but things changed, and that s the way it is Come on come on That s just the way it is Things ll never be the same That s just the way it is aww yeah That s just the way it is Things ll never be the same That s just the way it is aww yeah I see no changes all I see is racist faces misplaced hate makes disgrace to races We under I wonder what it takes to make this one better place, let s erase the wasted Take the evil out the people they ll be acting right cause both black and white is smokin crack tonight and only time we chill is when we kill each other it takes skill to be real, time to heal each other And although it seems heaven sent We ain t ready, to see a black President, uhh It ain t a secret don t conceal the fact the penitentiary s packed, and it s filled with blacks But some things will never change try to show another way but you stayin in the dope game Now tell me what s a mother to do bein real don t appeal to the brother in you You gotta operate the easy way "I made a G today" But you made it in a sleazy way sellin crack to the kid. " I gotta get paid," Well hey, well that s the way it is Come on come on That s just the way it is Things ll never be the same That s just the way it is aww yeah That s just the way it is Things ll never be the same That s just the way it is aww yeah We gotta make a change... It s time for us as a people to start makin some changes. Let s change the way we eat, let s change the way we live and let s change the way we treat each other. You see the old way wasn t working so it s on us to do what we gotta do, to survive. And still I see no changes can t a brother get a little peace It s war on the streets the war in the Middle East Instead of war on poverty they got a war on drugs so the police can bother me And I ain t never did a crime I ain t have to do But now I m back with the blacks givin it back to you Don t let em jack you up, back you up, crack you up and pimp slap you up You gotta learn to hold ya own they get jealous when they see ya with ya mobile phone But tell the cops they can t touch this I don t trust this when they try to rush I bust this That s the sound of my tool you say it ain t cool my mama didn t raise no fool And as long as I stay black I gotta stay strapped I never get to lay back Cause I always got to worry bout the pay backs some buck that I roughed up way back comin back after all these years rat-a-tat-tat-tat-tat that s the way it is uhh 2PAC