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https://w.atwiki.jp/tcevip_team04/pages/34.html
① Vllllaw ,BEHOIMI ② Coward ③ Coffee , Para 1.倉庫のクリアリングを3人で①:Akerでaimが上手い人、 ②、 ③:グレ投げ が上手い人 2.クリアリング後、④がt2f出口、⑤がトンネル、③が倉庫のシャッターに、三箇所にスモークを同時に炊く。 3.④、⑤は倉庫に足音立てずに急いで移動。 3.5 ②がフラッシュを投げて、ポイント1,2,3の目潰しをして①、②、③が Alongの前までとつげき 4.①がAlong手前にflashを投げる。(ポイント4,5,7を潰す) 5.flash爆発後、①は反対側の壁の影に移動。(ポイント3) 6.③がフラッシュをAlong奥に投げる(ポイント8まで投げる) 7.①は奥の敵と交戦を開始する、②がグレをレイルハウス手前入り口(ポイント6)に投げる(①の射線に入らんように) 8.③、②は奥へ侵攻開始 9.①④はAlong手前の警戒をしながらポイント6手前まで進入 10.④はポイント9にフラッシュ、それと同時に①がポイント10にグレを投げ込む。 11.⑤は②と③がAポイントをクリアリングしたのを確認してから、ポイント12にグレを投げ、ポイント11にすばやくフラッシュを投げ込む。 この10番と11番の行動はTSでお互いタイミングを確認して同時に始める。 12.①②③④⑤は同時に突入しレールハウスを占領しつつテックもちの③がすばやく設置するその後はお互いTSで状況確認をし、Alongとシャッターを見張る。 * 4. ①がAlong手前にflashを投げる。は 空中でフラッシュを爆発させるのが良い。↓こんな感じ ①の人の補足byはちろー とりあえず手前にフラッシュを投げるときに自分が極力食らわないように注意して、フラッシュは必ず空中分解させる。投げた後は基本後方警戒 ④の補足、死なないように相当チキンな感じでスモークを炊く。 ⑤の補足 倉庫側からトンネルに行って、チキンスモークを炊く。トンネルの前を横切るのは絶対だめ。倉庫側から行って倉庫側に帰る。 * 見本デモ http //noname21.s151.xrea.com/uplo/src/up0068.zip.html パスはここのパスと同じ * http //www7.atwiki.jp/tcevip_team04/?cmd=upload act=open page=Alongrush file=2006-02-27-093355-dem_railhouse.jpg ここに居る敵の対応を考えてます
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Music Made by People n5md Near the Parenthesisは、アメリカ出身のTim Arndtによるソロプロジェクト。サンフランシスコを拠点に活動中。 2006年にカナダのレーベルMusic Made By Peopleから、"Go Out And See"をリリースしてデビュー。同年DuotoneよりEPをリリース。 その後n5MDに移籍するが、MMBPからn5MDへ移籍というパターンはArc Labと同じである。 2007年、"Of Soft Construction(AA)"をリリース。マスタリングはシアトルにあるPanicstudios。ここは他にBenbeculaなどの作品のマスタリング経験もある。 翌2008年には3rdアルバム"L'Eixample(AA)"を発売した。この作品はdiscogs内において、自身の作品中最高評価を受けている(5点満点中4.77点)。 2010年には"Music For The Forest Concourse"を、そして翌2011年にもJapanese For Beginnersをリリースした。。 音楽的影響 Another Electronic Musician、Arc Lab、Arovane、Album Leaf、Autechre、Bitcrush、B Fleischman、Casino vs Japan、Delarosa and Asora、Desormais、Isan、Last Days、Loess、L'Usine、Manual、Marumari、Max Richter、Mr.Projectile、Murcof、Plaid、Pakku、Ulrich Schnauss、Velapene Screen、Yoko Solo Sample(Trailing) Links 公式 My Space
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Blogs on ラッセル・オバーリン #blogsearch News on ラッセル・オバーリン Former Oberlin College coach reaffirms stance on trans athletes after quitting ‘The males are winning’ - Fox News Sally Russell Obituary (2024) - Oberlin, OH - The Morning Journal - Legacy.com Oberlin boys basketball Coach Kurt Russell returns to sideline after sabbatical - Morning Journal 『ラッセル・オバーリン~アメリカ・デッカ録音全集』(9枚組)~アメリカのカウンターテノールの遺産初集成 ... - TOWER RECORDS ONLINE Lax Coach At Uber-Liberal Oberlin College Demoted, Feels Driven Out Over Trans Athlete Stance - The Daily Wire Ex-Oberlin Women’s Lacrosse Coach Refusing to Return to Campus amid Backlash over Stance on Trans Athletes - National Review Oberlin makes another terrible move, refusing to give back artwork stolen by the Nazis from a Jew - Why Evolution Is True Newark native Russell defends position after being removed as Oberlin head women s coach amid stance on trans ... - PhillyLacrosse.com After Being Burned at the Stake for Her Transgender Comments, Lacrosse Coach Assumes a New Role - EssentiallySports Oberlin women s lacrosse coach reassigned after criticizing transgender athletes - Washington Times Oberlin coach says she was burned at the stake - Inside Higher Ed College Lacrosse Coach Ousted From Position After Speaking Up Against Male Athletes Competing Against Women - Daily Caller Oberlin College coach reassigned after trans athlete comments, says new role has no contact with students - Fox News Oberlin College lacrosse coach Kim Russell, who spoke out against trans athletes competing in female sports, i - Daily Mail Still reeling from $36M defamation judgment, Oberlin risks new suit from censored coach - Just The News BURNED AT THE STAKE Lacrosse coach scorched for opinion on transgender athletes in women s sports - Toronto Sun Here s why biological men don t belong in women s sports Oberlin coach - New York Post Burned At The Stake Lax Coach At Uber-Liberal Oberlin College Targeted Over Trans Athlete Stance - The Daily Wire Oberlin Coach Says She Never Broke School Rules When Discussing Trans Athletes - Outkick Women s lacrosse coach at Oberlin College, Kim Russell, says she is being burned at the stake for stance aga - Daily Mail Oberlin College coach berated for stance on trans athletes in women s sports says she never broke school rules - Fox News Oberlin women s lacrosse coach speaks out on trans athletes I m in the storm - Fox News Oberlin investigates women s lacrosse coach for wanting women s sports reserved for biological women - Why Evolution Is True Oberlin College Head Women’s Lacrosse Coach Subjected to Disciplinary Hearings for Defending Women’s Sports - Legal Insurrection Blog Oberlin coach says she was rebuked, shamed over post defending women in sports - Washington Times Oberlin coach ‘burned at the stake’ for Lia Thomas criticism report - The College Fix Riley Gaines Applauds Oberlin Women s Lax Coach For Breaking Silence After Being Burned At The Stake For ... - Outkick Kim Russell | Save Women s Sports - Independent Women s Forum Are transgender rights and women s sports in conflict? Coach says yes - USA TODAY Oberlin College coach Felt like I was burned at the stake over opinion on trans athletes in women s sports - Fox News 2022 National Teacher of the Year Kurt Russell speaks during Oberlin Schools new staff orientation - Morning Journal Oberlin High School s Kurt Russell honored as National Teacher of the Year during White House ceremony - WKYC The White House celebrates Oberlin’s Kurt Russell as ‘National Teacher of the Year’ - cleveland.com Oberlin s Kurt Russell named 2022 National Teacher of the Year | Ohio Department of Education and Workforce - Ohio.gov 2022 US Teacher of The Year, Oberlin High School Teacher Kurt Russell, credits his small-town upbringing for - cleveland.com Oberlin High School celebrates teacher Kurt Russell after being named National Teacher of the Year - WKYC Oberlin boys basketball Kurt Russell will not coach in 2022-23 season - Morning Journal Kurt Russell, a History Teacher From Ohio, Is the 2022 National Teacher of the Year - Education Week Oberlin Schools’ Kurt Russell named 2022 National Teacher of the Year - Morning Journal Ohio teacher Kurt Russell named 2022 National Teacher of the Year I try to make sure that my students have the most opportunity to learn - CBS News レパートリー 作曲家名(全角フルネーム)に置き換えてください [部分編集] 作曲家名(全角フルネーム)に置き換えてください 作品名(全角)に置き換えてください役名(全角)に置き換えてください Last Update 2024/02/22 19 57ページ先頭へ
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FAQ TIPS FOR CHANNEL2 NEW ZEALAND BASICS 1. What is CHANNEL2 NEW ZEALAND ? 2. Is this place free? 3. Is this place dangerous? 4. How am I supposed to trust you? 5. Are there any rules? HOW TO~ 6. How do I build a thread? 7. How do I respond to a thread? 8. How can I volunteer to become a staff member? 9. How can I send a banner or top picture for the site,or an advertisement for my site? 1. What is CHANNEL2 NEW ZEALAND ? CHANNEL2 NEW ZEALAND is New Zealand s largest anonymous thread-float BBS community,with boards about almost everything. 2. Is this place free? Yes, it is, since being a teenager, I m not skilled enough to take money from people like you wwwww ok wwwww, and I used only free CGIs and server space so I don t need any money to administer this site. 3. Is this place dangerous? This site is not intended to be dangerous in any way. However, the safety of this site will depend on what kind of people are using it.Hiroyuki Nishimura, administrator of2ちゃんねる(2CHANNNERU, the real CHANNEL2),said that 2CHANNNERU is hard to use for people who can t tell lies from truth ,and that pretty much sums it up. 4. How am I supposed to trust you? Well, as I ve said before, I m only a teenager. Also, I ve posted my mail address, and I m Japanese (Japanese men take pride in the fact that they are rather honest). Isn t that enough? Maybe not orz... Still, I intend to do no harm to anybody. 5. Are there any rules? Yes, but not many. There are local rules for each board, and you are expected to act sensibly, but otherwise, you re sweet as. 6. How do I build a thread? 1. Go to the bottom of the board. 2. In the first box, type in the title of the thread. 3. In the second box, type in your handlename. Since this is an anonymous BBS,you don t need to have a handlename, just if you want to. Also,I d like to note that every board has a different name that shows up if you leave the handlename box blank. 4. In the third box, type in your mail address (again, this is optional.You can leave it blank, but there are certain commands that are activated by typing certain words in to this box). 5.In the last box, type in the text, push the button, and presto! A new thread is born! 7. How do I respond to a thread? 1. Go to the bottom of the thread you want to respond to. 2. Type in your handlename in the first box (optional). 3. Type in your mail address in the second box (optional). 4. Type in the text in the next box and push the button. 8. How can I volunteer to become a staff member? 9. How can I send a banner or top picture for the site or a board,or an advertisement for my site? Contact me via e-mail the_wanderer@excite.co.jp TIPS FOR CHANNEL2 NEW ZEALAND BASICS 1. age sage If you type in the mail address box sage when you respond to a thread, this will make the thread go down the thread list one space. If you type in age when you respond to a thread, it will go to the top of the thread list. 2. The anchor When you want to respond to a certain person in a thread, you can type in response number of that person in the text box, and a link to that response will be in the response you sent. 3. The trip You can use a trip to identify yourself and prevent anybody from using your handlename. All you need to do is type in the handlename box handlename #password of your choice something like this will show up next to your handlename ◆NdKrQ0UM If somebody copies this in to his handlename box, a ◇ will appear instead of the ◆,so it will verify that he is an imposter. OK? 4. Linking You can not use HTML in any of the boards. However, if you paste a URL in the text box, a link will form automaticaly.
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CDR 033 - SOME GIRLS SESSIONS 1977-1978 DISC 1 () 1 Miss You (basic track) 2 Miss You (basic track-additional backing vocals) 3 Miss You (full length version) 4 When The Whip Comes Down (basic track) 5 When The Whip Comes Down (full length version) 6 When The Whip Comes Down (full length version-without voice) 7 When The Whip Comes Down (full length edited version) 8 Just My Imagination (basic track) 9 Just My Imagination (full length version) ■More Fast Numbers (Rebel Yell Factory RYF-002) includes tracks 1, 4 stereo ■Twilight Zone (VGP-048) includes tracks 2, 5 stereo ■Place Pigalle 5/6 (RR 010/011) includes tracks 3, 7, 9 stereo ■Genius Is Pain (NS 001/83) (Vinyl) includes tracks 6, 8 Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1-9) CDR 034 - SOME GIRLS SESSIONS 1977-1978 DISC 2 (64 16) 1 Some Girls (full length version) 2 Lies (outtake 1) 3 Lies (outtake 2) 4 Lies (full length version) 5 Far Away Eyes (outtake) 6 Far Away Eyes (basic track) 7 Respectable (basic track) 8 Respectable (basic track-additional guitars) 9 Before They Make Me Run (basic track 1) 10 Before They Make Me Run (basic track 2) 11 Beast Of Burden (basic track) 12 Beast Of Burden (basic track-additional guitars) 13 Shattered (outtake) 14 Shattered (basic track) ■Twilight Zone (VGP-048) includes tracks 1, 9-10,12 stereo ■More Fast Numbers (Rebel Yell Factory RYF-002) includes tracks 2-3, 5, 7,13-14 stereo ■Place Pigalle 5/6 (RR 010/011) includes tracks,4, 6, 8 stereo ■Some Other Girls (Whom-SGR-1) (Vinyl) includes track 11 stereo Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1-3, 5, 7-8,11-14), 1.5-3.2.1978 (tracks 4, 6, 9-10) CDR 035 - SOME GIRLS SESSIONS 1977-1978 DISC 3 (61 38) 1 Everything Is Turning To Gold (basic track) 2 Everything Is Turning To Gold (full length-edited version) 3 Summer Romance (outtake 1) 4 Summer Romance (outtake 2) 5 Start Me Up (basic track 1) 6 Start Me Up (basic track 2) 7 Hang Fire (outtake 1) 8 Hang Fire (outtake 2) 9 Black Limousine (Broken Head Blues) (outtake 1) 10 Black Limousine (outtake 2) 11 Black Limousine (basic track) 12 Black Limousine (full length version) 13 So Young (basic track) ■Place Pigalle disc 3 (VGP-362) includes tracks 1, 9 mono ■Place Pigalle 5/6 (RR 010/011) includes track 2 stereo ■The Emotional Rescue Sessions (J-006/007) includes tracks 3-4 stereo ■All Inside Our Crazy Dreams (DAC-021) includes tracks 5-6,12 stereo ■Better Results (Outsider Bird Records OBR 305 CD-023) includes tracks 7,11 stereo ■Tattoo Too (Rattle Snake RS 071/072) includes track 8 mono ■Place Pigalle disc 1 (VGP-362) includes track 10 mono ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 13 stereo Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1-2, 9-10), 1.5-3.2.1978 (tracks 3-8,11-13) CDR 036 - SOME GIRLS SESSIONS 1977-1978 DISC 4 () 1 Claudine (outtake 1) 2 Claudine (outtake 2) 3 Claudine (outtake 2-edited version) 4 Everlasting Is My Love (outtake 1) 5 Everlasting Is My Love (outtake 2) 6 Everlasting Is My Love (outtake 3) 7 I Can t Help It (Love You Too Much) (outtake 1) 8 I Can t Help It (Love You Too Much) (outtake 2) 9 I Can t Help It (Love You Too Much) (outtake 3-backing track) 10 I Can t Help It (Love You Too Much) (outtake 3-additional vocals) 11 Fiji Jim (outtake-basic track) 12 Fiji Jim (outtake-additional guitar) 13 Never Make Me Cry (outtake) 14 Never Make Me Cry (outtake-edited version) 15 Not The Way To Go (outtake 1) 16 Not The Way To Go (outtake 2) ■All Inside Our Crazy Dreams (DAC-021) includes track 1 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes tracks 2-3 stereo ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 4 stereo ■Better Results (Outsider Bird Records OBR 305 CD-023) includes tracks 5-6,14 stereo ■Place Pigalle 5/6 (RR 010/011) includes track 7 mono ■Genius Is Pain (NS 001/83) (Vinyl) includes track 8 stereo ■Twilight Zone (VGP-048) includes track 9 stereo ■Paris Results Vol. 2 (Outsider Bird Records OBR 305 CD-019) includes track 10 mono ■Accidents Will Happen (VGP-370) includes track 11 stereo ■Place Pigalle disc 3 (VGP-362) includes tracks 12-13 mono ■The Harder They Come 1978 (Idol Mind Production IMP-N-001) includes tracks 15-16 stereo Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1, 4, 7-8), 1.5-3.2.1978 (tracks 2-3, 5-6, 9-16) CDR 037 - SOME GIRLS SESSIONS 1977-1978 DISC 5 (78 26) 1 A Different Kind (outtake) 2 The Way She Held Me Tight (Misty Roads) (outtake) 3 I Need You (outtake) 4 Do You Think I Really Care (Yellow Cab) (outtake) 5 No Spare Parts (outtake) 6 You Win Again (outtake) 7 Do You Get Enough (outtake) 8 Disco Musik (outtake) 9 Petrol Gang (outtake) 10 Never Let Her Go (outtake) 11 It s All Wrong (outtake) 12 Some People Tell Me (outtake) 13 Redeyes (When You re Gone) (outtake) 14 You Don t Have To Go (outtake) 15 Shame Shame Shame (outtake) 16 It s A Lie (outtake) 17 It Won t Be Long (outtake 1) ■Accidents Will Happen (VGP-370) includes tracks 1-4 stereo ■Better Results (Outsider Bird Records OBR 305 CD-023) includes tracks 5-11 stereo ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 12 stereo ■Place Pigalle disc 2 (VGP-362) includes tracks 13-15 mono ■Place Pigalle disc 3 (VGP-362) includes track 16 mono ■The Emotional Rescue Sessions Revisited (Rebel Yell Factory RYF-003) includes track 17 stereo Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (track 1), 1.5-3.2.1978 (tracks 2-17) CDR 038 - SOME GIRLS SESSIONS 1977-1978 DISC 6 (66 58) 1 Los Trios Guitaros (outtake) 2 Muck Spreading Dub (outtake) 3 Munich Hilton (outtake 1) 4 Munich Hilton (outtake 2) 5 After Hours (Slow Blues) (outtake) 6 Armpit Blues (outtake) 7 Sheep Dip Blues (outtake) 8 Light Up (outtake) 9 Stay Where You Are (outtake) 10 Brown Leaves (outtake 1) 11 Brown Leaves (outtake 2) 12 Up Against The Wall (outtake) 13 Broken Toe (outtake) 14 Golden Caddy (outtake 1) 15 Golden Caddy (outtake 2) 16 Piano Instrumental (outtake) ■Place Pigalle disc 3 (VGP-362) includes tracks 1, 8-15 mono ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 2 stereo ■Accidents Will Happen (VGP-370) includes track 3 stereo ■Place Pigalle disc 2 (VGP-362) includes tracks 4, 6-7 mono ■Better Results (Outsider Bird Records OBR 305 CD-023) includes track 5 stereo ■Place Pigalle disc 4 (VGP-362) includes track 16 mono Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1-4), 1.5-3.2.1978 (tracks 5-16) CDR 039 - SOME GIRLS SINGLES 1977-1978 (53 20) 1 Miss You (7"single-remixed and edited version) 2 Far Away Eyes (7"single-edited version) 3 Miss You (12"single-special disco version) 4 Far Away Eyes (12"single-album version) 5 Miss You (8 track-extended version) 6 Beast Of Burden (8 track-extended version) 7 Respectable (7"single) 8 When The Whip Comes Down (7"single) 9 Shattered (US 7"single) 10 Everything Is Turning To Gold (US 7"single) 11 Before They Make Me Run (promo remixed stereo version) 12 Before They Make Me Run (promo remixed mono version) ■FORTY LICKS (Virgin Records 724381337820) includes track 1 stereo ■We Want The Rare Stones (Glimmer Twins Record G.T.-012) includes track 2 stereo ■DON T STOP (CD Single) (Virgin Records VJCP-12161) includes track 3 stereo ■SOME GIRLS (Virgin Records CDV 2734) includes tracks 4, 7-9 stereo ■SOME GIRLS 8 Track (EMI) includes tracks 5-6 stereo ■SUCKING IN THE SEVENTIES (Sony Records SRCS 6214) includes track 10 stereo ■We Want Rare Stones Volume 2 (Trident Mobil TM-002) includes track 11 stereo, track 12 mono Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1, 3, 5-10), 1.5-3.2.1978 (tracks 2, 4,11-12) CDR 040 - EMOTIONAL RESCUE SESSIONS 1978 DISC 1 (53 57) 1 Knee Trembler (outtake) 2 What Gives You The Right (outtake 1) 3 Jimmy Reed Jam (outtake) 4 One Night (outtake) 5 What Gives You The Right (outtake 2) 6 My First Plea (outtake 1) 7 My First Plea (outtake 2) 8 My First Plea (outtake 3) 9 My First Plea (outtake 4) 10 Tallahassie Lassie (outtake) 11 Your Angel Steps Out Of Heaven (outtake) 12 The Harder They Come (outtake) ■The Harder They Come 1978 (Idol Mind Production IMP-N-001) includes tracks 1-7, 9-12 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes track 8 stereo Note; RCA Studios, Los Angeles, California, 8.23-9.8. 1978 (tracks 1-12) CDR 041 - EMOTIONAL RESCUE SESSIONS 1978 DISC 2 (46 33) 1 Serious Love (outtake) 2 I ll Let You Know (outtake) 3 Summer Romance (basic track 1) 4 Where The Boys Go (outtake 1) 5 Where The Boys Go (outtake 2) 6 Where The Boys Go (outtake 3) 7 What Gives You The Right (outtake 3) 8 What Am I Living For (outtake 1) 9 What Am I Living For (outtake 2) 10 Back In The U.S.A (outtake) 11 I Ain t Superstitious (outtake) 12 Blues With A Feeling (outtake) ■The Harder They Come 1978 (Idol Mind Production IMP-N-001) includes tracks 1-6 stereo ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 7 stereo ■Twilight Zone (VGP-048) includes tracks 8-12 stereo Note; RCA Studios, Los Angeles, California, 8.23-9.8. 1978 (tracks 1-12) CDR 042 - EMOTIONAL RESCUE SESSIONS 1979 DISC 3 (53 15) 1 She s So Cold (basic track) 2 Little T A (outtake) 3 Little T A (basic track) 4 I Think I m Going Mad (basic track 1) 5 I Think I m Going Mad (basic track 2) 6 Lonely At The Top (outtake) 7 Dancing Girls (outtake) 8 Munich Hillton (outtake 3) 9 Sweet Home Chicago (outtake) 10 What s The Matter (outtake) ■The Pain Of Love (VGP-052) includes tracks 1, 4 stereo ■The Emotional Rescue Sessions (J-006/007) includes track 2 stereo ■All Inside Our Crazy Dreams (DAC-021) includes track 3 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes track 5 stereo ■The Emotional Rescue Sessions Revisited (Rebel Yell Factory RYF-003) includes tracks 6-10 stereo Note; Compass Point Studios, Nassau, Bahamas, 1.18-2.12.1979 (tracks 1-10) CDR 043 - EMOTIONAL RESCUE SESSIONS 1979 DISC 4 (49 50) 1 Let s Go Steady Again (outtake) 2 Still In Love (Sugar Baby) (outtake 1) 3 It Won t Be Long (outtake 2) 4 Break Away (outtake) 5 Linda Lou (outtake) 6 Never Too Into (outtake) 7 Guitar Lesson (outtake) 8 It s Cold Down There (outtake 1) 9 It s Cold Down There (outtake 2) 10 Guess I Should Know (outtake) 11 Blues Jam (outtake) 12 Jah Is Not Dead (outtake) ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes track 1 stereo ■All Inside Our Crazy Dreams (DAC-021) includes track 2 stereo ■The Pain Of Love (VGP-052) includes tracks 3-4 stereo ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 5 stereo ■Better Results (Outsider Bird Records OBR 305 CD-023) includes track 6 stereo ■Place Pigalle disc 4 (VGP-362) includes tracks 7-10 mono ■I Can t Judge The Music By Looking At The Cover (BBL1) includes track 11 mono ■The Emotional Rescue Sessions Revisited (Rebel Yell Factory RYF-003) includes track 12 stereo Note;Compass Point Studios, Nassau, Bahamas, 1.18-2.12.1979 (tracks 1-12) CDR 044 - EMOTIONAL RESCUE SESSIONS 1979 DISC 5 (71 07) 1 Dance (outtake 1) 2 Dance (outtake 2) 3 Dance (outtake 3) 4 Dance (basic track) 5 Summer Romance (basic track 2) 6 Summer Romance (full length version) 7 Send It To Me (full length version) 8 Let Me Go (basic track) 9 Where The Boys Go (basic track) 10 Down In The Hole (basic track) 11 Down In The Hole (edited version) 12 Emotional Rescue (full length version) ■The Emotional Rescue Sessions (J-006/007) includes tracks 1-3, 5, 9 stereo ■The Pain Of Love (VGP-052) includes track 4 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes tracks 6, 8,11 stereo ■Accidents Will Happen (VGP-370) includes tracks 7,12 stereo ■All Mixed Up (RR 024/25) includes track 10 stereo Note; Pathe Marconi Studios, Paris, France, 6.10-10.19.1979 (tracks 1-12) CDR 045 - TATTOO YOU SESSIONS 1979 DISC 1 (70 22) 1 Hang Fire (basic track 1) 2 Hang Fire (basic track 2) 3 Hang Fire (basic track 3) 4 Black Limousine (edited version) 5 Worried About You (full length version) 6 Tops (basic track 2) 7 No Use In Crying (basic track 1) 8 No Use In Crying (basic track 2) 9 No Use In Crying (basic track 3) 10 No Use In Crying (full length version) 11 Waiting On A Friend (basic track 2) 12 We Had It All (version 1) 13 We Had It All (version 2) 14 We Had It All (version 3) 15 Gangster s Moll (outtake) 16 Indian Girl (full length version) 17 Indian Girl (edited version) ■Tattoo Out (KO001/002) includes track 1 stereo ■All Inside Our Crazy Dreams (DAC-021) includes tracks 2-6, 8,10-11 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes tracks 7, 9,14,16-17 stereo ■The Emotional Rescue Sessions (J-006/007) includes tracks 12-13 stereo ■The Emotional Rescue Sessions Revisited (Rebel Yell Factory RYF-003) includes track 15 stereo Note; Pathe Marconi Studios, Paris, France, 6.10-10.19.1979 (tracks 1-15), Electric Lady Studios, New York City, New York, 11-12.1979 (tracks 16-17) CDR 046 - TATTOO YOU SESSIONS 1980-1981 DISC 2 (57 49) 1 Slave (basic track 2) 2 Neighbours (basic track 1) 3 Heaven (basic track) 4 Heaven (full length version) 5 Slave (basic track 3) 6 Slave (full length version) 7 Neighbours (basic track 2) 8 Waiting On A Friend (basic track 3) 9 Let s Do It Right (remix version) 10 Munich Reggae (remix version) ■All Inside Our Crazy Dreams (DAC-021) includes tracks 1-2, 4 stereo ■Place Pigalle disc 4 (VGP-362) includes tracks 3, 5, 7-8 mono ■TATTOO YOU (Virgin Records CDV 2732) includes track 6 stereo ■The Emotional Rescue Sessions (J-006/007) includes track 9 stereo ■Tattoo Out (KO001/002) includes track 10 stereo Note; Pathe Marconi Studios, Paris, France, 10.11-11.12.1980 (tracks 1-4), Atlantic Studios, New York City, New York, 4-6.1981 (tracks 5-10) CDR 047 - EMOTIONAL RESCUE / TATTOO YOU SINGLES 1979-1981 (43 05) 1 Emotional Rescue (7"single) 2 Down In The Hole (7"single) 3 She s So Cold (7"single) 4 Send It To Me (7"single) 5 If I Was A Dancer (Dance Pt. 2) (promo 12"single) 6 Dance (promo instrumental version) 7 Start Me Up (7"single) 8 No Use In Crying (7"single) 9 Waiting On A Friend (7"single) 10 Little T A (7"single) ■EMOTIONAL RESCUE (Virgin Records CDV 2737) includes tracks 1-4 stereo ■RARITIES 1971-2003 (Virgin Records 0946 3 49725 2 9) includes track 5 stereo ■The Emotional Rescue Sessions Revisited (Rebel Yell Factory RYF-003) includes tracks 6 stereo ■TATTOO YOU (Virgin Records CDV 2732) includes tracks 7-10 stereo Note; Electric Lady Studios, New York City, New York, 11-12.1979 (tracks 1, 4-7), Pathe Marconi Studios, Paris, France, 6.10-10.19.1979 (track 2), Compass Point Studios, Nassau, Bahamas, 1.18-2.12.1979 (tracks 3, 8,10), Atlantic Studios, New York City, New York, 4-6.1981 (track 9) CDR 048 - UNDERCOVER SESSIONS 1982 DISC 1 (72 45) 1 She Was Hot (outtake) 2 Tie You Up (The Pain Of Love) (outtake 1) 3 Tie You Up (The Pain Of Love) (outtake 2) 4 Wanna Hold You (basic track 1) 5 Wanna Hold You (basic track 2) 6 Too Much Blood (basic track 1) 7 Too Much Blood (basic track 2) 8 Pretty Beat Up (basic track 1) 9 Pretty Beat Up (basic track 2) 10 Too Tough (basic track) ■The Pain Of Love (VGP-052) includes tracks 1, 3 stereo ■Jamming With Stu (VGP-240) includes tracks 2, 4, 6, 8,10 stereo ■Under Cover Outtakes (Rogue RG-02) includes track 7 stereo ■Think You Like It (Undercover Outtakes) (September Songs One/Two) (Vinyl) includes tracks 5, 9 stereo Note; Pathe Marconi Studios, Paris, France, 11.11-12.17.1982 (tracks 1-10) CDR 049 - UNDERCOVER SESSIONS 1982 DISC 2 (72 07) 1 All The Way Down (outtake) 2 It Must Be Hell (basic track) 3 I Think I m Going Mad (outtake-Keith Richards on lead vocals version) 4 Cook Cook Blues (full length version) 5 All Mixed Up (outtake 1) 6 All Mixed Up (outtake 2) 7 Looking For Trouble (outtake) 8 Blues Jam 1 (outtake) 9 Blues Jam 2 (outtake) 10 The Stumble (Blues Jam 3) (outtake) 11 Chain Saw Rocker (outtake) 12 Tried To Talk Her Into it (outtake) 13 Untitled (outtake) 14 Crazy Arms (outtake) ■Jamming With Stu (VGP-240) includes tracks 1, 4, 7-12 stereo ■Think You Like It (Undercover Outtakes) (September Songs One/Two) (Vinyl) includes tracks 2-3,13 stereo ■All Mixed Up (RR 024/25) includes tracks 5-6 stereo ■Under Cover Outtakes (Rogue RG-02) includes track 14 stereo Note; Pathe Marconi Studios, Paris, France, 11.11-12.17.1982 (tracks 1-14) CDR 050 - UNDERCOVER SESSIONS 1982-1983 DISC 3 (64 59) 1 Munich Hilton (outtake 4) 2 Munich Hilton (outtake 5) 3 Still In Love (Sugar Baby) (outtake 2) 4 Still In Love (Sugar Baby) (outtake 3) 5 Still In Love (Sugar Baby) (outtake 4) 6 I Can t Help It (Love You Too Much) (outtake 4) 7 Golden Caddy (outtake 3) 8 Golden Caddy (outtake 4) 9 Undercover Of The Night (outtake 1) 10 Undercover Of The Night (outtake 2) 11 Undercover Of The Night (basic track 1) 12 Undercover Of The Night (basic track 2) 13 Wanna Hold You (full length version) ■All Mixed Up (RR 024/25) includes tracks 1-2, 8 stereo ■Jamming With Stu (VGP-240) includes tracks 3, 6 stereo ■Learning The Game (RM 002) includes track 4 stereo ■Under Cover Outtakes (Rogue RG-02) includes track 5 stereo ■The Pain Of Love (VGP-052) includes tracks 7,11 stereo ■Think You Like It (Undercover Outtakes) (September Songs One/Two) (Vinyl) includes tracks 9-10,12 stereo ■UNDERCOVER (Virgin Records CDV 2741) includes track 13 stereo Note; Pathe Marconi Studios, Paris, France, 11.11-12.17.1982 (tracks 1-8), The Hit Factory, New York City, New York, 5.1983 Compass Point Studios, Nassau, Bahamas, 6.1983 (tracks 9-12), The Hit Factory, New York City, New York, 6-8.1.1983 (track 13) CDR 051 - UNDERCOVER SINGLES 1983 (62 13) 1 Undercover Of The Night (7"single) 2 All The Way Down (7"single) 3 Undercover Of The Night (12"single-extended cheeky mix) 4 Feel On Baby (12"single-instrumental dub version) 5 She Was Hot (7"single) 6 I Think I m Going Mad (7"single) 7 Too Tough (7"single) 8 Too Much Blood (US 12"single-dance version) 9 Too Much Blood (US 12"single-dub version) 10 Too Much Blood (US 12"single-album version) ■UNDERCOVER (Virgin Records CDV 2741) includes tracks 1-2, 5, 7,10 stereo ■Too Much Blood On The Dancefloor (MAXI-1) includes tracks 3, 8 stereo ■Dance n Shuffle (MAXI-2) includes tracks 4, 9 stereo ■Everything s Turning To Gold (MAXI-3) includes track 6 stereo Note; The Hit Factory, New York City, New York, 6-8.1.1983 (tracks 1-10) BACK / NEXT
https://w.atwiki.jp/kakugame/pages/1091.html
歴代段位認定リスト 32 Pinky Crush段位認定(PC)/PC(極SP)/PC(極DP) 31 EPOLIS段位認定(EPO)/EPO(極SP)/EPO(極DP) 30 RESIDENT段位認定(RES)/RES(極SP)/RES(極DP) 29 CastHour段位認定(CH)/CH(極SP)/CH(極DP) 28 BISTROVER段位認定(BIS)/BIS(極SP)/BIS(極DP) 27 HEROIC VERSE段位認定(HV) 26 Rootage段位認定(ROOT) 25 CANNON BALLERSEXPERT COURSE(CB)/段位認定(CB) 24 SINOBUZEXPERT COURSE(SIN)/段位認定(SIN) 23 copulaEXPERT COURSE(COP)/段位認定(COP) 22 PENDUALEXPERT COURSE(PEN)/段位認定(PEN) 21 SPADA段位認定(SPA) 20 tricoro段位認定(TRI) 19 LincleEXPERT COURSE(LIN)/段位認定(LIN) 18 Resort AnthemEXPERT COURSE(RA)/段位認定(RA) 17 SIRIUSEXPERT COURSE(SIR)/段位認定(SIR) 16 EMPRESSEXPERT COURSE(EMP)/段位認定(EMP) 15 DJ TROOPERSEXPERT COURSE(TR)/段位認定(TR) 14 GOLDEXPERT COURSE(GOLD)/段位認定(GOLD) 13 DistorteDEXPERT COURSE(DD)/段位認定(DD) 12 HAPPY SKYEXPERT COURSE(HS)/段位認定(HS) 11 IIDXREDEXPERT COURSE(RED)/段位認定(RED) 10th styleEXPERT COURSE(10TH)/段位認定(10TH) 9th styleEXPERT COURSE(9TH)/段位認定(9TH) 8th styleEXPERT COURSE(8TH)/段位認定(8TH) 7th styleEXPERT COURSE(7TH)/段位認定(7TH) 6th styleEXPERT COURSE(6TH) 5th styleEXPERT COURSE(5TH) 4th styleEXPERT COURSE(4TH) 3rd styleEXPERT COURSE(3RD) 2nd styleEXPERT COURSE(2ND) substream EXPERT COURSE(SUB) 1st styleEXPERT COURSE(1ST)
https://w.atwiki.jp/touhoukashi/pages/6076.html
【登録タグ C FELT Grow Color Rebirth StoryⅡ Vivienne 曲 魔界地方都市エソテリア】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/ruphy/pages/29.html
CTLine class CTLine class Truncation Start, End, Middle = 0, 1, 2 end def initialize(attributed_string) @backing_store_string end def create_justified_line(line, justification_factor, justification_width) line end def create_truncated_line(line, width, truncation_type, truncation_token) line end def create_with_attributed_string(attributed_string) line end # GlyphRunsを def draw(context) end # このグリフ総数は、行を形成するグリフラン配列の中の、全グリフの合計と等しい def glyph_count @glyph_runs.inject(0){|glyph_count, glyph_run| glyph_count += glyph_run.glyph.count } end def glyph_runs end end line = CTLine.new attributed_string line.glyph_count# 行に渡されたグリフ総数 glyph_runs = line.glyph_runs glyph_runs.each{|glyph_run| glyph_run# glyph_runで何ができるのかが分かってないな・・・ } # 行がどの矩形に描かれているかがわかる rect = line.image_bounds context puts "#{rect.origin.x}#{rect.origin.y}#{rect.size.w}#{rect.size.h}" # ストリングインデックスのためのグラフィカルオフセットまたはオフセッツを決定する offset = line.offsetForStringIndex(char_index, secondary_offset) puts "オフセットは#{offset}です。" # よくわからないので保留。キャレットが関係している? # chara_index文字目のポジションを教えてくださいみたいな感じ? # pen_offset = line.pen_offset_for_flush(flush_factor, flush_width) # index = line.string_index_for_position(position) puts "行の原点から(#{position.x}, #{position.y})の位置、つまり#{index}文字目がクリックされましたよ" # range = line.string_range puts "stringの#{range.location}文字目から、#{range.length}文字分が、この行です。" # puts "ホワイトスペースの幅は#{line.trailing_whitespace_width}です。" # puts "この行のタイポグラフィー幅は#{line.typographic_bounds(ascent, descent, leading)}です。" See also CTRun CTFramesetter CTTypesetter Link CoreText
https://w.atwiki.jp/mainichi-matome/pages/2316.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese' behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳(の疑い)を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Foreigners breathe new life into Japanese funeral business外国人が日本の葬儀ビジネスに新しいいぶきを吹き込む 拡散状況 関連ページ Foreigners breathe new life into Japanese funeral business 外国人が日本の葬儀ビジネスに新しいいぶきを吹き込む 0 Foreigners breathe new life into Japanese funeral business 2005,12,26 Yomiuri Weekly (1/1) By Ryann Connell 外国人が日本の葬儀ビジネスに新しいいぶきを吹き込む 読売ウィークリー(1/1) ライアン・コネル記 1 It wasn't all that long ago that Japan was accused of closing its markets off to foreigners. But now, Yomiuri Weekly (1/1) says, there's a lucrative business Japanese are actually dying for foreigners to get into -- literally. 日本が外国人に対して市場を閉ざしたことで非難されたのは、さほど昔のことではない。 しかし今、読売ウイークリー(1/1)によると、外国人の参入を求めて日本人が -- 文字通り -- 死にそうなほど、儲かる商売がある。 2 Average Japanese funerals cost enough to make the deceased roll in their graves. Costs often run well into the millions of yen and bereaved families are often so fraught with dealing with the loss of a beloved one, they pay out whatever and whenever the undertaker demands. 平均的な日本の葬式には、死者を墓穴に転がり込ませるに十分な費用がかかる。 費用はしばしば数百万円もの高値になり、そして遺族はしばしば愛する人の喪失に折り合いをつけるために精一杯なので、葬儀屋の請求がなんであろうといつであろうと支払う。 3 In fact, a Fair Trade Commission study found that 96 percent of consumers felt that they were not in a position to get selective about the funeral business they chose to use, while 36 percent didn't even receive a quote for services before they were charged. 実際、公正取引委員会の調査で、利用者の96%は、自分たちはどの葬儀会社を利用するかについて選択する状態になかったと感じていて、36%は、請求されるまでは葬儀の見積もりすら受け取らなかったことが、明らかになった。 4 That's where people like John Kamm and the All Nations Society come into it. Kamm has a postgraduate degree from prestigious Waseda University and studied the Japanese funeral business. ジョン・キャムやオールネイションズ・ソサエティといった人たちが参入したのはそこだった。 キャムは名門・早稲田大学の大学院課程の学位を持っており、日本の葬儀業界を研究した。 5 "Conditions are surprisingly close to what they were in the United States in the 1980s," Kamm tells Yomiuri Weekly. 「状況は、1980年代の合衆国におけるそれと驚くほど似ていました」と、キャムは読売ウィークリーに語る。 6 Kamm introduced the idea of pre-need funerals into Japan. His All Nations Society allows people to decide what type of funeral they'd like to have while they're still alive -- a concept that spread widely in the U.S. two decades ago. Doing so, the weekly says, allows bereaved families not to fall victim to preying undertakers. キャムは日本に「pre-need」(生前予約制)葬という案を導入した。 彼のオールネイションズ・ソサエティは、人々に、生きている間にどんなタイプの葬式にするかを決めさせるようにした -- 20年前に合衆国に広く行き渡った概念である。 そうすることで、遺族は餌食を求める葬儀屋の犠牲とはならない、と読売ウィークリーはいう。 7 All Nations Society offers ceremony packs. A 10,000 yen membership while still alive entitles the buyer to such funeral packs as the 850,000 yen service that covers cremation, funeral hall costs, a hearse, a prayer altar, urn for ashes and commemorative photo. There are, Kamm says, no other costs. オールネイションズ・ソサエティは「セレモニーパック」(通夜・告別式セット)を提供している。 生きている間の会費1万円によって、会員には、火葬や葬儀場の費用、霊柩車、祭壇、遺灰を入れる骨壷、遺影を賄う、85万円のコースなどの、葬儀一式の権利が与えられる。 キャムがいうには、それ以外の経費はいらない。 8 All Nations Society can even provide single day funerals (most death ceremonies in Japan run for at least a few days) for a bargain basement 350,000 yen, almost a quarter of the average 1.4 million yen most Japanese funeral operators charge. オールネイションズ・ソサエティは、大部分の日本の葬儀屋が請求する額の平均・140万円のほぼ4分の1の、格安の35万円で、 1日で済む葬式(日本における葬送儀礼の大部分は、少なくとも2・3日間に渡って行われる)をも提供している。 9 "Sometimes, the amount demanded for the cost of an urn for ashes can be really expensive, but the actual cost of the urn is cheap," Kamm tells the magazine. "If you act according to your conscience, it's possible to provide a cheap funeral service." 「時々、骨壷のために要求される金額がとても高額になることがありますが、しかし壷の原価は安いのです」と、キャムは読売ウィークリーに語る。 「良心にしたがって行えば、安価な葬儀を提供することは可能です」 10 Kamm says All Nations Society has set up more than 2,000 funerals in advance since starting business in Japan in November 2003. He says that the biggest problem with Japanese funeral operators is collusion. キャムは、2003年の11月に日本でビジネスをはじめて以来、2000件以上の生前の葬儀予約をうけつけたという。 日本の葬儀屋に関する最大の問題は、示し合わせて事を行うことである、と彼はいう。 11 "They only ever use the same florists, the same transport companies. Funeral prices are set like a cartel," he says. 「彼らは同じ花屋や同じ運搬業者を使ってばかりいます。 葬式の値段はカルテルのように決められます」と彼はいう。 12 A desire to provide something more individual, away from the norm helped inspire Taiwanese native Fumitada Naoe to establish Sanctuary a couple of years ago. A tragic end to the life of his first love provided the final step for him. 普通から離れて、より個性的なものを提供したいという願いが、台湾生まれの直江文忠に2年前サンクチュアリを設立することを思いつかせた。 初恋の人の人生の悲劇的な終わりが、彼に最終的な決断をさせた。 13 "At her funeral, her commemorative photo was displayed on an angle. Neither the priest giving the service or the funeral operator straightened it," Naoe says. "I thought that was a terrible insult." 「彼女の葬式で、彼女の遺影が斜めに置かれました。 式を執り行う僧侶も葬儀屋も、遺影をまっすぐにしなかったのです」と直江は言う。 「私はそのことをとても嫌な侮辱だと思いました」 14 He took out his frustrations by taking business off Japanese undertakers. Sanctuary's basic payment plan offers four types of increasingly elaborate funeral services whose costs range from 400,000 yen to 1 million yen, while on top of that are customized plans promising a ceremony celebrating the dead person's character and tastes at a cost of anywhere from 1 million to 3 million yen. 日本の葬儀屋から仕事を取ることによって、彼はフラストレーションを発散した。 サンクチュアリの基本的な支払プランは、費用が40万円から100万円までの範囲にわたり次第に手の込んだものとなる、4種類の葬儀サービスを用意している。その上に、100万円から300万円の間の値段で故人の人柄と好みを賞賛する式を約束する、特別注文に応じるプランがある。 15 Midori Kotani, a Dai-Ichi Mutual Life Insurance Co. Economic Research Institute researcher well versed in the Japanese funeral business, says more foreigners like Kamm and Naoe are not the only changes people in the death trade are likely to see. 日本の葬儀業界に精通している第一生命保険相互会社の経済研究所の研究者・小谷みどりは、死亡者業界の人々が気づくことになりそうな変化は、キャムや直江のような外国人の増加だけではない、という。 16 "Japan's funeral services are going to become a lot more varied," she tells Yomiuri Weekly. "You're going to see more hotels, restaurants and florists get involved." (By Ryann Connell) 「日本の葬儀サービスはより多様化しようとしています」と、彼女は読売ウィークリーに語る。 「より多くのホテルやレストラン、花屋が参入することに気がつくようになるでしょう」(ライアン・コネル) 17 December 26, 2005 2005年12月26日 拡散状況 fuckedgaijin 部分転載:http //www.fuckedgaijin.com/forums/showthread.php?t=13789 Blogger:その他 http //logtk.blogspot.com/2005/12/funeral-business-too-undergoes.html 英語サイト http //www.funeralwire.com/article.php?id=15586 関連ページ Blogger:その他 fuckedgaijin SkyDrive WaiWaiの記事を転載した英語サイト:F 毎日新聞英語版から配信された記事2005年
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