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https://w.atwiki.jp/pathofexile12/pages/306.html
入手方法 詳説・特徴 関連リンク Star of Wraeclast Ruby Amulet ステータス要求値：LEVEL28 +(20-30)% to Fire ResistanceFire耐性+(20-30)% Grants Level 10 Frostblink Skillレベル10のFrostblinkを使用可能になる (30-50)% increased Cold DamageColdダメージが(30-50)%増加 +(10-15)% to all Elemental Resistances全エレメンタル耐性+(10-15)% 60% increased Area of Effect of Curse Skillsカースの範囲が60%増加 You cannot be Cursed with SilenceあなたはSilenceにかからなくなる Frostblink has 50% increased DurationFrostblinkの継続時間が50%増加 --Corrputed--頽廃している I offer to you an eternal oaththat binds your heart to mine;a bond that not even death will break.Will you accept?- Daresso, to his beloved 入手方法 カード等のドロップ以外の入手方法 アイテム 必要数 備考 Ruby Ring 1 ベンダーレシピ Onyx Amulet 1 レベル20のCorruptしたLightning Warp 1 詳説・特徴 関連リンク 英wiki https //pathofexile.gamepedia.com/Star_of_Wraeclast Unique Amulets 一覧
https://w.atwiki.jp/thelastofus/
THE LAST OF US@wikiへようこそ。 当サイトはNaughtyDog社から発売予定のアクションゲーム『THE LAST OF US』の最新情報、攻略情報をまとめた@wikiです。 随時編集のご協力をお願いします。又、編集メンバー認証まで時間がかかる場合があります。ご了承ください。 掲載していない情報はコメント欄をご活用ください。 プラットフォーム PlayStation3 ジャンル アクション 対象年齢 18歳以上 発売日 海外版2013年6月14日日本版2013年6月20日 BGCぜんOLOR(#8b0000) オンライン 対応 プレイ人数 1～8 開発 NaughtyDog 海外公式ホームページ 日本公式ホームページ YouTube内TheLastOfUs公式チャンネル NO IMAGE imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (top_Wepon.jpg) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ NEWS 当サイト内で扱われている画像、スクリーンショット等の著作物はすべて利権者に帰属します。 問題のあるコンテンツが含まれていた場合、予告無しに関連する記事を削除させていただきます。 当サイト内のコンテンツの商用目的での複製は一切を禁止します。 それ以外での複製につきましてはご自由にどうぞ。
https://w.atwiki.jp/vocaloidchly/pages/2464.html
作詞：yuxuki 作曲：yuxuki 歌：初音ミク Dark Sweet 翻譯：Kuya（歡迎指教） Last Scene 那彷彿像，昨天才剛看的電影一樣。 雨聲，從琥珀色的天空中落下。 悄悄地，確實地，將流出的淚水隱藏 今天就先 「拜拜。」 累積在黃昏的天空上的回憶 在橙色的水窪之中，搖晃。 悄悄地，靜靜地，自漸漸落下的腳步聲中流露的，終章。 吶，這一刻就好讓我待在你身邊一下。 「再一次」 這樣的話在心中浮現後卻又消失掉 吶，現在的話可以再變得更溫柔一點嗎？ 我明天應該已經能夠微笑。 所以，今天就先 「拜拜。」
https://w.atwiki.jp/hmiku/pages/8166.html
【登録タグ L カステラ 曲 煎茶 鏡音リン】 作詞：カステラ 作曲：煎茶 編曲：煎茶 唄：鏡音リン 曲紹介 朧で儚げながらも芯のある、宗教や哲学的な世界を感じさせる不思議な曲。 特徴的な譜割りと韻律、一つ一つしっかり効かせた音とが世界を表現する。 歌詞 （Piapro カステラ 「Last/L」より転載） 何にもない場所で待ちぼうけてるあいだ 考えてた話 これから始めるよ、 ――残念、手つかずのままの空と、 あの青ざめた指先も、 しんと静かに冷えていった音、遠く千切れた面影さえ、 泡のひとつを抱いて離せない花は、明日にも息を閉ざすでしょう 哀しまなくてもいいよ この世界は今さっき、ほんの五分前に始まったばかりの自鳴琴。 “涙と分かてない 滲んでく曇天が 初めの空の色” それで片付くこと。 最初、きみはああ言ってたけれど。 「最後。」きみは簡単に言うでしょう？ 最初、僕はそう言ってたけれど、 「最後。」そうも簡単にいくの。 過去のひとつを抱いて離せない僕は、今にも夢を閉ざしてく。 昼夜問わずそこにいると思ってた、 君の不在を確かめるだけの朝はもういらない。 “五分前に適当で始まった世界なら 空っぽも仕方ないな、きみのこえ、僕自身も。” ひとつ叩いてみればわかるでしょう？ ほら、やけに軽い音色で ずっと抱いてた泡沫の中は空。そしていま、割れてくよ。 君の不在を僕に告げたがる朝が、懲りずに扉叩くけど “悲しまなくて、もういいよ この世界は今さっき、ほんの五分前に始まったばかりの自鳴琴。” コメント ああ、やっぱりページ上部のリンクがおかしくなった…。でもタイトルで文字コード使うのも問題ありそうだしなあ br()とりあえず、DTM+板のおすすめ投票しておきながらページを作ってなかったので、煎茶さんのページと一緒に作成させて頂きました -- 名無しさん (2010-01-10 13 09 33) 名前 コメント
https://w.atwiki.jp/prdj/pages/2820.html
Pathfinder Tales The Dagger of Trust 著者 Chris Willrich 戦争の霧 Gideon Gullは二重生活を送っている：片方はRhapsodic Collegeの優秀な若きバードとして、もう片方はタルドールの悪名高きLion Bladesでスパイとして訓練しているShadow Schoolの学生として。不思議な霧がタルドールとアンドーランの国境沿いに一般人を殺意に満ちた暴徒へと変化させ始めた時、謎を解決するのはGideonとその仲間のパフォーマーたちである。しかし、片手で数えられるほどのエンターテイナーで本当に勃発しようとしている戦争を止めることができるのだろうか？ Chris Willrichが贈る、Pathfinder Roleplaying Game の世界を舞台とする新たな陰謀、諜報、秘術の神秘の冒険譚。 400ページの文庫サイズのペーパーバック。 ISBN–13 978-1-60125-614-0 ePub ISBN-13 978-1-60125-615-7 カテゴリ：Pathfinder Tales │ 製品リスト
https://w.atwiki.jp/diablo3_2ch/pages/75.html
効果 Unlocked at level 10 Every 10 seconds your next normal attack will immobilize your target for 3 seconds.10秒毎に通常攻撃で敵を3秒間移動不可に出来る。 評価 使い方 その他 コメント 名前 コメント Demon Hunter Skills Active Skills Offensive Hungering Arrow、Entangling Shot、Evasive Fire、Fan of Knives、Bola Shot、Grenades、Chakram、Impale、Spike Trap、Elemental Arrow、Multishot、Cluster Arrow、Rapid Fire、Strafe、Rain of Vengeance Descipline Caltrops、Vault、Marked for Death、Smoke Screen、Companion、Shadow Power、Sentry Utility Preparation Passive Skills Brooding、Thrill of the Hunt、Vengeance、Steady Aim、Cull the Weak、Fundamentals、Hot Pursuit、Archery、Perfectionist、Custom Engineering、Grenadier、Sharpshooter、Ballistics
https://w.atwiki.jp/titanquest/pages/637.html
Armor of the Tempest 日本語訳：アーマー オブ ザ テンペスト 性能 180 Armor 19% Cold Resistance 15% Lightning Resistance +10 Strength +10 Dexterity +42 Defensive Ability +2 to Thunderball +1 to all skills in Storm Mastery 「テンペスト」セットの一つ Required Player Level 34 Required Strength 415 解説
https://w.atwiki.jp/oper/pages/1462.html
第2節 【ゲロンティアスの魂】 私は寝入り、そして元気を回復しました。 奇妙な感じの回復です。 私の中に表現しようのない軽さを感じるのです、 自由になったような感覚、やっと自分自身になったような感覚、こんな感覚は以前に一度もありません。何と静かなのでしょう。もはやせわしない時の刻みも聞こえず、 不規則な呼吸も、もがく鼓動すら聞こえません。 ある瞬間と次の瞬間との差がまったくないのです。 I had a dream; yes — someone softly said “He’s gone;” and then a sigh went round the room. And then I surely heard a priestly voice Cry “Subvenite;” and they knelt in prayer. I seem to hear him still; but thin and low, And fainter and more faint the accents come, As at an ever-widening interval. Ah whence is this? What is this severance? この静寂は私の魂の真髄に 孤独を注ぎます。 そして、深い休息は、気持ちが静まり、心地よいと同時に 厳格さと苦痛を伴っています。 For it drives back my thoughts upon their spring By a strange introversion, and perforce I now begin to feed upon myself, Because I have nought else to feed upon. Am I alive or dead? I am not dead, But in the body still; for I possess A sort of confidence which clings to me, That each particular organ holds its place As heretofore, combining with the rest Into one symmetry that wraps me round, And makes me man; and surely I could move, Did I but will it, every part of me. And yet I cannot to my sense bring home, By very trial, that I have the power. ‘Tis strange; I cannot stir a hand or foot, I cannot make my fingers or my lips By mutual pressure witness each to each, Nor by the eyelid’s instantaneous stroke Assure myself I have a body still. Nor do I know my very attitude, Nor if I stand, or lie, or sit, or kneel. So much I know, not knowing how I know, That the vast universe, where I have dwelt, Is quitting me, or I am quitting it. Or I or it is rushing on the wings Of light or lightning on an onward course, And we e en now are million miles apart. Yet… is this peremptory severance Wrought out in lengthening measurements of space, Which grow and multiply by speed and me? Or am I traversing infinity By endless subdivision, hurrying back From finite towards infinitesimal, Thus dying out of the expansed world? さらに不思議なことに、私は誰かのしっかりとした 大きな手のひらの中にいるのです。 ‘tis not a grasp Such as they use on earth, but all around Over the surface of my subtle being, As though I were a sphere, and capable To be accosted thus, 均一でゆるやかな圧力によってわかります、 私は自分で動いているのではなく、前方に運ばれているのが。 そして、聞きなさい、甘美な歌声を。 私はその音楽を、聞いているのか、触れているのか、 感じているのか、はっきりしません。 何と気持ちの安らぐ旋律なのでしょう。 【天使】 私の仕事は済みました、 私の務めは終わりました、 それを家に連れ帰るために来ました。 王冠がとこしえに得られたからです。 アレルヤ。 私の父は、この地上の子を その生誕から私に引き渡しました、 仕えそして救うためにです。そして彼は救われました。 アレルヤ。 この土から生まれた子が 私に与えられました、 悲しみと苦痛で育て 訓練するために、 地から天にかけられている 狭い道の中で。 アレルヤ。 【魂】 あれは、すばらしい人々からなる、あの一族の一人、 世界が作られるよりも前に、 何百万年も昔に、 神の王座の周りに立っていた人々（の一族）。 —he never has known sin; But through those cycles all but infinite, Has had a strong and pure celestial life, And bore to gaze on th’ unveiled face of God And drank from the eternal Fount of truth, And served Him with a keen ecstatic love, Hark! he begins again. 【天使】 O LORD, how wonderful in depth and height, But most in man, how wonderful Thou art! With what a love, what soft persuasive might Victorious o’er the stubborn fleshly heart, Thy tale complete of saints Thou dost provide, To fill the thrones which angels lost through pride! He lay a groveling babe upon the ground, Polluted in the blood of his first sire, With his whole essence shattered and unsound, And, coiled around his heart, a demon dire, Which was not of his nature, but had skill To bind and form his opening mind to ill. Then was I sent from heaven to set right The balance in his soul of truth and sin, And I have waged a long relentless fight, Resolved that death-environed spirit to win, Which from its fallen state, when all was lost, Had been repurchased at so dread a cost. O what a shifting parti-coloured scene Of hope and fear, of triumph and dismay, Of recklessness and penitence, has been The history of that dreary, lifelong fray! And 0 the grace to nerve him and to lead, How patient, prompt, and lavish at his need! O man, strange composite of heaven and earth! Majesty dwarfed to baseness! Fragrant flower Running to poisonous seed! and seeming worth Cloking corruption! weakness mastering power! Who never art so near to crime and shame, As when thou hast achieved some deed of name. How should ethereal natures comprehend A thing made up of spirit and of clay, Were we not tasked to nurse it and to tend, Linked one to one throughout its mortal day? More than the Seraph in his height of place, The Angel-guardian knows and loves the ransomed race. 【魂】 NOW know I surely that I am at length Out of the body had I part with earth, I never could have drunk those accents in, And not have worshipped as a god the voice That was so musical; but now I am So whole of heart, so calm, so self-possessed, With such a full content, and with a sense So apprehensive and discriminant, As no temptation can intoxicate. Nor have I ever terror at the thought That I am clasped by such a saintliness. 【天使】 ALL praise to Him, at whose sublime decree The last are first, the first become the last; By whom the suppliant prisoner is set free, By whom proud first-borns from their thrones are cast; Who raises Mary to be Queen of heaven, While Lucifer is left, condemned and unforgiven. SECOND PHASE SOUL OF GEROINTIUS I WENT to sleep; and now I am refreshed. A strange refreshment For I feel in me an inexpressive lightness, And a sense of freedom, as I were at length myself And ne’er had been before. How still it is! I hear no more the busy beat of time, No, nor my fluttering breath, nor struggling pulse; Nor does one moment differ from the next. I had a dream; yes — someone softly said “He’s gone;” and then a sigh went round the room. And then I surely heard a priestly voice Cry “Subvenite;” and they knelt in prayer. I seem to hear him still; but thin and low, And fainter and more faint the accents come, As at an ever-widening interval. Ah whence is this? What is this severance? This silence pours a solitariness Into the very essence of my soul; And the deep rest, so soothing and so sweet, Hath something too of sternness and of pain. For it drives back my thoughts upon their spring By a strange introversion, and perforce I now begin to feed upon myself, Because I have nought else to feed upon. Am I alive or dead? I am not dead, But in the body still; for I possess A sort of confidence which clings to me, That each particular organ holds its place As heretofore, combining with the rest Into one symmetry that wraps me round, And makes me man; and surely I could move, Did I but will it, every part of me. And yet I cannot to my sense bring home, By very trial, that I have the power. ‘Tis strange; I cannot stir a hand or foot, I cannot make my fingers or my lips By mutual pressure witness each to each, Nor by the eyelid’s instantaneous stroke Assure myself I have a body still. Nor do I know my very attitude, Nor if I stand, or lie, or sit, or kneel. So much I know, not knowing how I know, That the vast universe, where I have dwelt, Is quitting me, or I am quitting it. Or I or it is rushing on the wings Of light or lightning on an onward course, And we e en now are million miles apart. Yet… is this peremptory severance Wrought out in lengthening measurements of space, Which grow and multiply by speed and me? Or am I traversing infinity By endless subdivision, hurrying back From finite towards infinitesimal, Thus dying out of the expansed world? Another marvel; someone has me fast Within his ample palm; ‘tis not a grasp Such as they use on earth, but all around Over the surface of my subtle being, As though I were a sphere, and capable To be accosted thus, A uniform and gentle pressure tells me I am not self-moving, but borne forward on my way. And hark! I hear a singing; yet in sooth I cannot of that music rightly say Whether I hear or touch or taste the tones. Oh what a heart-subduing melody! ANGEL My work is done, My task is o’er, And so I come, Taking it home, For the crown is won, for evermore. Alleluia. My Father gave In charge to me This child of earth e’en from its birth, To serve and save, and saved is he. Alleluia. This child of clay To me was given, To rear and train By sorrow and pain In the narrow way, From earth to heaven. Alleluia. SOUL It is a member of that family of wondrous beings, who, ere the worlds were made, Millions of ages back, have stood around The throne of God —he never has known sin; But through those cycles all but infinite, Has had a strong and pure celestial life, And bore to gaze on th’ unveiled face of God And drank from the eternal Fount of truth, And served Him with a keen ecstatic love, Hark! he begins again. ANGEL O LORD, how wonderful in depth and height, But most in man, how wonderful Thou art! With what a love, what soft persuasive might Victorious o’er the stubborn fleshly heart, Thy tale complete of saints Thou dost provide, To fill the thrones which angels lost through pride! He lay a groveling babe upon the ground, Polluted in the blood of his first sire, With his whole essence shattered and unsound, And, coiled around his heart, a demon dire, Which was not of his nature, but had skill To bind and form his opening mind to ill. Then was I sent from heaven to set right The balance in his soul of truth and sin, And I have waged a long relentless fight, Resolved that death-environed spirit to win, Which from its fallen state, when all was lost, Had been repurchased at so dread a cost. O what a shifting parti-coloured scene Of hope and fear, of triumph and dismay, Of recklessness and penitence, has been The history of that dreary, lifelong fray! And 0 the grace to nerve him and to lead, How patient, prompt, and lavish at his need! O man, strange composite of heaven and earth! Majesty dwarfed to baseness! Fragrant flower Running to poisonous seed! and seeming worth Cloking corruption! weakness mastering power! Who never art so near to crime and shame, As when thou hast achieved some deed of name. How should ethereal natures comprehend A thing made up of spirit and of clay, Were we not tasked to nurse it and to tend, Linked one to one throughout its mortal day? More than the Seraph in his height of place, The Angel-guardian knows and loves the ransomed race. SOUL NOW know I surely that I am at length Out of the body had I part with earth, I never could have drunk those accents in, And not have worshipped as a god the voice That was so musical; but now I am So whole of heart, so calm, so self-possessed, With such a full content, and with a sense So apprehensive and discriminant, As no temptation can intoxicate. Nor have I ever terror at the thought That I am clasped by such a saintliness. ANGEL ALL praise to Him, at whose sublime decree The last are first, the first become the last; By whom the suppliant prisoner is set free, By whom proud first-borns from their thrones are cast; Who raises Mary to be Queen of heaven, While Lucifer is left, condemned and unforgiven. Elgar,Edward/The Dream of Gerontius/III
https://w.atwiki.jp/didism/pages/303.html
imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 제목 Mystery of the Batwoman 분류 극장판 애니메이션 등장인물 캐시 듀케인, 소니아, 록키, 칼튼 듀케인, 루퍼트 쏘온, 펭귄, 베인 등. 제작연도 2003 참고 마지막 배트맨 NBA 영상물 Mystery of the Batwoman은 배트맨 NBA를 원작으로 하는 극장판 애니메이션으로 2003년에 나왔다. 펭귄과 루퍼트 쏘온, 그리고 칼튼 듀케인이라는 고담시 마피아의 3거두가 무기 밀수사업을 하려고 손을 잡자 정체불명의 배트우먼이 나타나 이들을 방해하고, 배트맨은 멋대로 배트- 이름을 갖고 나온 이 배트우먼의 정체를 밝히기 위해 뒤를 쫓는다는 줄거리다. 다른 배트맨 극장판 애니메이션이 대부분 영화의 내용을 그대로 코믹스로 옮긴 무비 아답테이션 코믹스를 한권씩 달고 나온데 비해 이 애니메이션은 코믹스로 나온 적이 없는데, 그 이유는 모체라고 할 수 있는 TV 애니메이션인 배트맨 NBA가 이미 1999년에 종영되었기 때문인것 같다. 참고 (원작 애니메이션) - 배트맨 NBA (무비 아답테이션 코믹스) - 없음 다른 배트맨 극장판 애니메이션 (배트맨 TAS) 마스크 오브 판타즘(Mask Of the phantasm), Subzero (배트맨 비욘드) 배트맨 비욘드 조커의 귀환 (Batman Beyond Return of the Joker) (더 배트맨) Batman VS. Dracula
https://w.atwiki.jp/conlang_arka/pages/34.html
An English word lips means not only the reddish parts but also the part under nose. A Japanese word kuchibiru (lips) does not include the latter part. Languages have different usages of words. Of course Arka should have unique usages of words because it is an a priori conlang. Sex (lips) means only reddish parts of lips, for example. Read this article (nim) and you will find how Arka has unique collocations. You can find many usages in Arka dictionary (mainly under [usage]).