約 5,103,216 件
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Bellator MMA Onslaught 項目数:30 総ポイント:400 難易度: 製品情報:http //marketplace.xbox.com/en-US/Product/Bellator-MMA-Onslaught/66acd000-77fe-1000-9115-d80258411203 配信日:2012年7月4日 DL費用:1200MSP ジャンル:Fighting, Sports Recreation ☆国内未配信 Professionally Coached Won 10 Ranked Matches With Boosts 10 Ungroundable Won a Ranked Match Without Being Taken to the Ground 15 Ungrabbable Won a Ranked Match Without Being Clinched 15 Immovable Won a Ranked Match Without Being Thrown 15 Untouchable Won a Ranked Match Without Being Hit by a Strike 15 Record Time Win Defeated Opponent in under 20 Seconds in a Ranked Match 20 First Blood Won a Ranked Match 5 Fast Track To Victory Won 5 Ranked Matches in a Row 20 Super Fighter Got S Grade in a Ranked Match 20 Expert Assistance Applied a Boost 5 Challenging the Champions Played Tournament Mode 5 On the Road to Championship Played a Ranked Match 5 Exhibitionist Played a Player Match 5 Rise to the Challenges Completed a Challenge 5 Locked and Loaded Used The Move Editor 5 Fresh Blood Created Custom Fighter 5 Winners Welcome Won a SuperFight Match 5 Earned Not Given Finished Tournament Mode 15 Bellator Mastery Achieved Maximum Level with Custom Fighter 25 Fight Technician Unlocked All Technical Skills 20 Submission Master Unlocked All Submission Skills 20 Throw Master Unlocked All Throw Skills 20 Strike Master Unlocked All Striking Skills 20 Right Back At Ya Performed 25 Parries or Counters 15 Mutilator Won 25 Fights By Submission 15 Ground Shaker Performed 25 Throw KOs 15 Kick Like a Mule Performed 25 Kick KOs 15 Sting Like a Bee Performed 25 Punch KOs 15 World Traveler Played a Ranked Match in Every Arena 15 Bellator Disciple Played using every official Bellator Fighter 15
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■Black Blue on a First Date, 4-28-76 Frankfurt show. (2CDR) ■Complete 4-29-76 show from Frankfurt recorded in about average quality from audio tape. (2CDR) ■4-30-76 Münster 1st show. (untitled 2CDR transferred from audio tape) ■Munsterlandhalle 1976 1st show!, 4-30-76 Münster 1st show. (2CDR) ■4-30-76 Münster 2nd show. (untitled 2CDR transferred from audio tape) ■Munsterlandhalle 1976 2nd show!, 4-30-76 Münster 2nd show. (2CDR) ■16 tracks from 5-2-76 Kiel show recorded in about average quality from audio tape. Jumping Jack Flash is incomplete. No Billy Preston songs on this either. (untitled 1CDR transferred from audio tape) ■Incomplete show from 5-3-76 Berlin recorded in nice audience quality from audio tape. You Gotta Move is cut, Jumping Jack Flash Street Fighting Man are missing. (untitled 2CDR transferred from audio tape) ■5-3-76 Berlin show. (untitled 2CDR transferred from audio tape) ■5-4-76 Bremen show. (untitled 2CDR transferred from audio tape) ■Black n Blue n Bremen, 5-4-76 Bremen show. (2CDR) ■Happy in Bremen, 5-4-76 Bremen show. (2CDR) ■Bienvenue a Bruxelles, 5-6-76 Brussels show. (3CDR/disc 1, 2) ■Bienvenue a Bruxelles, 5-7-76 Brussels show. (3CDR/disc 2, 3) ■Complete 5-10-76 Glasgow show recorded in average sound quality from audio tape. (untitled 2CDR transferred from audio tape) ■Hot Stuff at the Apollo, 5-12-76 Glasgow show. (2CDR) ■Glasgow June 12, 1976, 5-12-76 Glasgow show. (2CDR) ■5-14-76 Leicester show. (untitled 2CDR transferred from audio tape) ■Leicester 76 Friday Night, 5-14-76 Leicester show. (2CDR) ■5-15-76 Leicester show. ■Stafford UK May 17 18, 1976, 5-17-76 Stafford show. (2CDR) ■Stafford UK May 17 18, 1976, 5-18-76 Stafford show. (2CDR) ■Stafford 1976, 5-18-76 Stafford show. (2CDR) ■Earl s Court - First Night, 5-21-76 London show. (2CDR) ■Earl s Court 1st Day, May 21st 1976, 5-21-76 London show. (2CDR) ■Down in the Court, 5-22-76, London show. (2CDR) ■Complete show from 5-22-76 London recorded in pretty bad sound quality from audio tape. Very high-pitched, tinny, and shrill sound quality. (untitled 2CDR transferred from audio tape) ■Earl s Court 3rd Day, 5-23-76 London show. (2CDR) ■5-25-76 London show. (untitled 1CDR transferred from audio tape) ■Hot Stuff on Home Tuff, 5-25-76 London show. (2CDR) ■Love You Live London, 5-25-76 London show. (2CDR) ■5-26-76 London show. (untitled 1CDR transferred from audio tape) ■Hope You Like One of Them!, 5-26-76 London show. (2CDR) ■Earls Court 27.5.76, 5-27-76 London show. (2CDR) ■Hot Stuff at the Yellow House, 5-29-76 The Hague show. (2CDR) ■The Hague 76, 5-30-76 The Hague show. (2CDR) ■Complete 6-1-76 Dortmund show. Overloaded recording. Sound quality is absolutely terrible. One of the worst recordings I ve ever heard in my entire life. A shame… (untitled 2CDR transferred from audio tape) ■Complete show from 6-2-76 Cologne 1st show recorded in almost excellent audience quality from audio tape. (untitled 1CDR transferred from audio tape) ■Complete show from 6-2-76 Cologne 2nd show recorded in about average audience quality. (untitled 2CDR) ■Complete show from 6-4-76 Paris, France recorded in excellent audience quality from audio tape. (untitled 2CDR transferred from audio tape) ■6-5-76 Paris show. This is the tape source for the above VGP bootleg CD release---it was around years before VGP released it on CD. (untitled 2CDR transferred from audio tape) ■Complete show from 6-6-76 Paris, France recorded in excellent mono soundboard quality from audio tape. (untitled 2CDR transferred from audio tape) ■Viva La France!, 1976/6/7, 6-7-76 Paris show. (2CDR) ■Love You Live Outtakes, 6-7-76 Paris show. (1CDR) ■Backstage Limited, 6-9-76 Lyon show. (2CDR) ■Lyon 09-06-76, 6-9-76 Lyon show. (2CDR) ■Complete show from 6-11-76 Barcelona, Spain recorded in terrible sound quality from audio tape. Sound quality is about the same. (untitled 2CDR transferred from audio tape) ■Negrita s Of Nice, 6-13-76 Nice show. (2CDR) ■Nice 13-06-76, 6-13-76 Nice show, 3 different source. (2CDR) ■Get Off My Stone, 6-15-76 Zurich show. (2CDR) ■Nearly complete 6-16-76 Munich show recorded on audio tape. Honky Tonk Women is from 5-23-76 London Street Fighting Man is from 6-15-76 Zurich. (untitled 2CDR transferred from audio tape) ■6-19-76 Stuttgart show. (untitled 2CDR transferred from audio tape) ■Stuttgart June 19, 1976, 6-19-76 Stuttgart show. (2CDR) ■Stadthalle 1976, 6-23-76 Vienna show. (1CDR) ■The Sound of Marching (2CDR) 1975-1976 ■Live Dead Flowers, 8-21-76 Knebworth show. (2CDR) BACK / NEXT
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13. All Ghillied Up Crawl through Chernobyl in a ghillie suit. ギリースーツを着て、チェルノブイリに潜入せよ。 Lt. Price 22nd SAS PRIPYAT, UKRAINE 15 years ago (プライス中尉 第22SAS連隊 15年前 ウクライナ プリピャチ) Captain Price I was just a Leftenant back then...doing some wetwork. Captain Price 俺がまだ中尉だった頃・・・いくつか汚れ仕事をやってな。 Captain Price Chernobyl. Christmas for the bad guys. Even a decade later, log of em still used it to get their hands on nuclear material. A lot of em...including one Imran Zakhaev. Captain Price 当時のチェルノブイリは悪党共の楽園だった。事故から十年経っても、残された核物質に群がる輩は後を絶たなかった。その中にイムラン・ザカエフもいた。 Captain Price Of course we couldn t just let that happen. Cash for spent fuel rods? That s one hell of a recipe for destruction. Captain Price 無論、我々も座視していた訳じゃない。使用済み燃料棒が金で買えるって? それこそ破滅まっしぐらじゃないか。 Captain Price It was the first time our government had authorized an assassination order since the second world war...I was under the command of Captain MacMillan... Captain Price あれはWWⅡ以来、政府が初めて出した暗殺指令だった。その当時、俺はマクミラン大尉の指揮下にいた・・・ 15 years ago (15年前) All Ghillied Up 「完全なる偽装」 Pripyat, Ukraine プリピャチ、ウクライナ Lt. Price プライス中尉 22nd SAS Regiment 第22SAS連隊 Cpt. MacMillan Too much radiation. We ll have to go around. Cpt. MacMillan 放射線の量が多いな。回り道をしよう。 Cpt. MacMillan Follow me, and keep low. Cpt. MacMillan ついてこい、姿勢を低くな。 Cpt. MacMillan Careful...there s pockets of radiation all over this area. If you absorb too much, you re a dead man. Cpt. MacMillan 気を付けろ・・・そこら中に放射能の吹き溜まりがある。深入りすると死ぬぞ。 Cpt. MacMillan Stand by. Cpt. MacMillan 待て。 Cpt. MacMillan Contact. Enemy patrol dead ahead. Cpt. MacMillan 敵だ。パトロールが正面にいる。 Cpt. MacMillan Stay low and move slowly, we ll be impossible to spot in our ghillie suits. Cpt. MacMillan 低い姿勢を保ったまま、ゆっくり近付くんだ。このギリースーツならまず見つかることはない。 (*1) <以下、ロシア語の日本語訳> おい、セルゲイ。何で俺たちこんな所ほっつき歩いてんだ? ほっつき歩いてんじゃねえ。パトロール中なんだよ、ドアホ。 何でパトロールなんかするんだ? こんな寂れた場所だ。周囲120kmには誰もいないはずだろ? いいか、ザカエフがこの辺りをパトロールする俺たちに良い額を払ってくれてんだ。分かったらその口を閉じとけ。 まあ、俺もただの被害妄想だとは思うけどな。 Cpt. MacMillan Take one out when the other s not looking. Cpt. MacMillan 片方が目を離してる隙にもう一人を始末しろ。 Cpt. MacMillan He s down. Cpt. MacMillan 殺ったな。 Cpt. MacMillan Good night. Cpt. MacMillan オヤスミ。 Cpt. MacMillan Move. Cpt. MacMillan 行こう。 Cpt. MacMillan Hold up. Cpt. MacMillan 止まれ。 Cpt. MacMillan There s more cover if we go around. Cpt. MacMillan 裏に回ったほうが良さそうだな。 <以下、ロシア語の日本語訳> タバコ取ってくれ。 次は誰の番だ? ユーリだ。おい、ユーリ寝るな。賭け金が2ドルに上がったぞ。 そんなに・・・? ザカエフはこの仕事にいつもの倍払ってくれてるんだ。安いもんだろ。 しかし、こんなところに誰が来るってんだろうな。 核で汚染された場所だ。攻撃されるような危険もないだろ。 銃弾なんかより癌で死んじまう方が可能性高いぜ。 Cpt. MacMillan Four tangos inside. Cpt. MacMillan 中に4人・・・ Cpt. MacMillan Don t even think about it... Cpt. MacMillan 変な気を起こすんじゃないぞ。 Cpt. MacMillan Wait there. Tango by the car. Cpt. MacMillan 待て、車のそばに敵がいる。 Cpt. MacMillan Take him out quietly, or just let him pass. Your call. Cpt. MacMillan 始末するか、通り過ぎるのを待つか。お前が決めろ。 Cpt. MacMillan Ok - go! Cpt. MacMillan OK・・・ 行くぞ! Cpt. MacMillan Move up. Cpt. MacMillan 前進しろ。 Cpt. MacMillan Don t move. Cpt. MacMillan 止まれ。 Cpt. MacMillan We ve got a lookout in the church tower... Cpt. MacMillan 教会の塔の上に見張りがいるな・・・ Cpt. MacMillan ...and a patrol coming from the north. Cpt. MacMillan ・・・北からもパトロールが近付いてくる。 <ステルスに失敗した時のセリフ> Cpt. MacMillan Bloody hell, the lookout s gonna see the body. Cpt. MacMillan まずいぞ、見張りに死体を見られちまう! Cpt. MacMillan He can call for help all he likes, good thing threr s no one left. Cpt. MacMillan 助けを呼んだところで、仲間は一人も残っちゃいなかったな・・・ Cpt. MacMillan あそこからは死体が見えないようだな。フー、危なかったぜ。 Cpt. MacMillan What the bloody hell was that? You trying to get us killed? Move up...and don t do that again. Cpt. MacMillan 一体どういうつもりだ?死にたいのか!行くぞ・・・二度とするなよ。 Cpt. MacMillan They re on to us. open fire! Cpt. MacMillan 敵に捕捉されたぞ!撃て! Cpt. MacMillan まずい!敵に見つかったぞ! Cpt. MacMillan 敵に見つかったぞ!始末しろ! Cpt. MacMillan 気付かれたぞ!隠れろ! Cpt. MacMillan All right, now you re just showin off. Lets go. Cpt. MacMillan いいな、スタンドプレーはこれっきりだぞ。 Cpt. MacMillan The word stealth doesn t mean anything to you does it? Move up. Cpt. MacMillan お前さん、ステルスという言葉とは無縁のようだな。 Cpt. MacMillan We won t get very far trying to shoot our way out of every situation. Move up. Cpt. MacMillan 弾丸のみで、全ての状況が打開できる訳ではないぞ。 Cpt. MacMillan We work as a team, remember? Wait for me. Cpt. MacMillan おい、チームプレイであることを忘れるな。ちょっと待て。 Cpt. MacMillan Let s move up for a better view. Cpt. MacMillan もう少し見晴らしのいい位置に移動しよう。 Cpt. MacMillan Do you have shot on the lookout? Cpt. MacMillan 見張りを狙えそうか? Cpt. MacMillan 目標は塔の中だ。 Cpt. MacMillan そこじゃない。四角い方だ。 Cpt. MacMillan Beautiful. Cpt. MacMillan 見事だ。 Cpt. MacMillan Target approaching from the north. Cpt. MacMillan 北から目標が接近してくる。 Cpt. MacMillan Tango down. Cpt. MacMillan 目標を倒した。(*2) Cpt. MacMillan Foward area clear. Cpt. MacMillan 前方クリア。 Cpt. MacMillan The coast is clear. Cpt. MacMillan 前方異常なし。 Cpt. MacMillan You hear that? Cpt. MacMillan 聞こえたか? Cpt. MacMillan Enemy helicopter, get down! Cpt. MacMillan 敵のヘリだ、伏せろ! Cpt. MacMillan Stay in the shadows. Cpt. MacMillan 物陰に隠れろ。 Cpt. MacMillan 巡回してるだけだろう。動くなよ・・・ Cpt. MacMillan Let s go. Cpt. MacMillan よし、行こう。 Cpt. MacMillan Get down, now! Cpt. MacMillan 伏せろ!早く! Cpt. MacMillan Easy lad...There s too many of them, let them go. Keep a low profile and hold your fire. Cpt. MacMillan 落ち着け・・・数が多過ぎる。このまま行かせよう。姿勢を低く、発砲はするな。 Cpt. MacMillan Try to anticipate their paths. Cpt. MacMillan 相手の動きの先を読んでみろ。 Cpt. MacMillan If you have to maneuver, do it slow and steady, no quick movements. Cpt. MacMillan 移動する時は、ゆっくりと慎重にだ。素速い動きは禁物だぞ。 Cpt. MacMillan Ok, let s move. Nice and slow. Cpt. MacMillan よし、前進しよう。ゆっくり、慎重にな。 Cpt. MacMillan Follow me. Cpt. MacMillan ついてこい。 Cpt. MacMillan Looks like they ve already eliminated the men they couldn t buy out. Cpt. MacMillan 連中、金で動かない人間を始末したようだな。 Cpt. MacMillan Let s move up for a better view. Cpt. MacMillan もっと良い位置に移動しよう。 <以下、ロシア語の日本語訳> よし、こいつを運ぼう… 重いな… いつになったらアンドレイは食い物を持ってきてくれるんだ? すぐだといいけどな。俺、今朝は何も食べてないんだよ… Cpt. MacMillan Taking em out without alerting the rest isn t going to be easy... Cpt. MacMillan 見張りに知られずに、あいつらを始末するのは容易な事じゃないな・・・ Cpt. MacMillan ...But then again, neither is sneaking past them. Cpt. MacMillan ・・・かといって、殺さずに潜入するのはもっと難しい。 Cpt. MacMillan Your call. Cpt. MacMillan 判断はお前に任せよう。 Cpt. MacMillan Target eliminated. Cpt. MacMillan 目標を排除。 Cpt. MacMillan Topped him. Cpt. MacMillan 命中した。 Cpt. MacMillan Don t fire on the two by the lorry. Cpt. MacMillan トラックの2人はまだ撃つな。 Cpt. MacMillan We ll have to take em out at the same time. Cpt. MacMillan 奴らは同時に始末するしかない。 Cpt. MacMillan Wait for me to get into position. Cpt. MacMillan 私が位置に着くまで待て。 Cpt. MacMillan I m in position - take the shot when you re ready. Cpt. MacMillan よし、いつでもいいぞ。タイミングはお前に合わせよう。 Cpt. MacMillan Good night. Cpt. MacMillan オヤスミ。 Cpt. MacMillan Move up. Cpt. MacMillan 行くぞ。 Cpt. MacMillan Stay in the shadows. Cpt. MacMillan 物陰に入れ。 <以下、ロシア語の日本語訳> 誰か、野良犬がこの辺走り回ってるのを見なかったか? 昨日見たんだよな… 水泳プールの隣りにいた。 あれは元はウクライナ人が飼ってた犬だって聞いたな。 ウクライナ人の下僕は相当な駄犬だな。 あいつらには問題があってな。 困ったことに放射能の影響でアホみたいに強くなってるって話だぜ。 Cpt. MacMillan Stay - back. Cpt. MacMillan 下がってろ。 Cpt. MacMillan Stay low, he s mine. Cpt. MacMillan 手を出すな。私が殺る。 Cpt. MacMillan Oi, Suzy! Cpt. MacMillan よう、大将! Cpt. MacMillan That s how it s done, lets go. Cpt. MacMillan まあ、こんなもんだ。行くぞ。 Cpt. MacMillan Hold up. Cpt. MacMillan 止まれ。 Cpt. MacMillan Wait here. Cpt. MacMillan そこで待て。 Cpt. MacMillan Patrol coming this way, stay back. Cpt. MacMillan 警備兵がこっちに来る。下がってろ。 Cpt. MacMillan We should wait a bit, let s see if the guard makes another pass... Cpt. MacMillan 少し待ってみよう。警備兵が道を変えるかもしれん・・・ Cpt. MacMillan Tango down. Cpt. MacMillan 目標を倒した。 Cpt. MacMillan Forward area clear. Cpt. MacMillan 前方クリア。 Cpt. MacMillan Shhh. Cpt. MacMillan シーッ Cpt. MacMillan Stay hidden. Cpt. MacMillan 見つかるなよ。 <以下、ロシア語の日本語訳> 金を手に入れたらどうする? そうだな。バイクでも買って、この辺りを見て回ろうかと思ってるよ。 アメリカはこの国が弱ってるうちに戦争を起こすと思うか? この国はもうおしまいだ。 何だってやり放題になっちまったからな。 Cpt. MacMillan Go. Cpt. MacMillan 行こう。 Cpt. MacMillan Move up. Cpt. MacMillan 進め。 Cpt. MacMillan This way. Let s go. Cpt. MacMillan こっちだ。 Cpt. MacMillan It s a bloody convention out there. Cpt. MacMillan 随分と集まっていやがるな・・・ Cpt. MacMillan Get ready to move on my signal. Stay right behind me. Cpt. MacMillan 合図と同時に一気に走り抜けろ。私の後ろを離れるなよ。 Cpt. MacMillan Hold... Cpt. MacMillan まだだ・・・ Cpt. MacMillan Ok - go! Cpt. MacMillan OK・・・ 今だ! Cpt. MacMillan Let s go. Cpt. MacMillan ついてこい。 Cpt. MacMillan There s a truck coming...we ll use it as cover, keep moving. Cpt. MacMillan 前方からトラックが来る。あれも遮蔽物に利用できそうだ。進め。 Cpt. MacMillan Just wait here a moment. When they leave, crawl out and stay low. Cpt. MacMillan 奴らがいなくなるのを待とう。このままの姿勢で待機だ。 Cpt. MacMillan Patience... Don t do anything stupid. Cpt. MacMillan 我慢しろ・・・ 馬鹿な真似はするんじゃないぞ。 Cpt. MacMillan Standby. Standby... Go! Cpt. MacMillan もう少しだ… 準備しろ… 行け! Cpt. MacMillan Ready? Go! Cpt. MacMillan いいか… 走れ! Cpt. MacMillan Hold fast. Cpt. MacMillan その調子だ。 Cpt. MacMillan No one saw us, let s keep moving. This way... Cpt. MacMillan 誰にも見られてないな。行こう、こっちだ。 Cpt. MacMillan Don t move. Cpt. MacMillan 動くな。 Cpt. MacMillan Sniper. Fire escape, 4th floor, dead ahead. Cpt. MacMillan スナイパーだ。正面のビルの最上階にいる。 (*3) Cpt. MacMillan Take him out, or he ll give away our position. Cpt. MacMillan あそこは我々の通り道だ。始末しろ。 Cpt. MacMillan 奴は非常階段の5階部分だ。 Cpt. MacMillan 早く撃て。目標は前方のビルの非常階段にいる。 Cpt. MacMillan おい、スナイパーが見えないのか?5階の階段部分だ。 Cpt. MacMillan Beautiful. Cpt. MacMillan 流石だな。 Cpt. MacMillan Move out. Cpt. MacMillan 前進しろ。 Cpt. MacMillan Go. Cpt. MacMillan 行くぞ。 Cpt. MacMillan Area clear. Cpt. MacMillan エリアクリア。 Cpt. MacMillan Don t let your guard down. We re not there yet. Cpt. MacMillan 気を抜くな。目的地はまだ先だぞ。 Cpt. MacMillan Stop. Cpt. MacMillan 止まれ。 Cpt. MacMillan Leave it alone. It s a wild dog. Cpt. MacMillan 放っておけ、ただの野犬だ。 <犬を攻撃した時のセリフ> Cpt. MacMillan That doesn t sound good... Cpt. MacMillan どうも嫌な予感がする・・・ Cpt. MacMillan Whew, that was close. Cpt. MacMillan フー、際どかったな。 Cpt. MacMillan Pooch doesn t look too friendly. Cpt. MacMillan このワンちゃんはあまり友好的ではないな。 Cpt. MacMillan Keep your distance, No need to attract unnecessary attention. Cpt. MacMillan 距離を取れ。下手に刺激しないほうが良さそうだ。 Cpt. MacMillan Clear right. Cpt. MacMillan 大丈夫だ。 Cpt. MacMillan Go. Cpt. MacMillan 行こう。 Cpt. MacMillan Forward area clear. Cpt. MacMillan 前方クリア。 Cpt. MacMillan Move up. Cpt. MacMillan 前進しろ。 Cpt. MacMillan Look at this place... Fifty thousand people used to live in this city. Now it s a ghost town... I ve never seen anything like it. Cpt. MacMillan 見ろ・・・ かつてこの都市には5万人の市民が暮らしていた。それが今じゃ廃墟も同然だ。こんな場所は他にあるまい。 Cpt. MacMillan Move. Cpt. MacMillan 行こう。 Cpt. MacMillan This way. Let s go. Cpt. MacMillan こっちだ、私に続け。 Cpt. MacMillan There s the hotel. We should be able to observer the exchange from the top floor up there. Let s move. Cpt. MacMillan あのホテルだ。我々は最上階から取引を監視する。行くぞ。 (*1) ギリースーツ : 枯れ草などで偽装した迷彩スーツ。 (*2) Tango : Tango はフォネティックコードで「T」を表す。 このシーンでは標的(Target)の意味。 (*3) 4th floor : イギリス英語の「4th floor」は、日本語、アメリカ英語での5階になる。 (C)2007 ACTIVISION Ltd. (C)2007 Infinity Ward, Inc. 今初めて見て気付いたんですが、この時のプライスは少尉だと思ったのですが…? -- 名無しさん (2011-05-02 21 17 58) 日本語版では少尉という訳になってますね。Lieutenantは米軍では頭に1st、2ndを付けて区別するようですが、英軍の場合は何も付けないと中尉を表すようですよ。 http //royallibrary.sakura.ne.jp/ww2/class/uk.html -- 管理人 (2011-07-06 23 13 30) Oi ,Suzy! No -- 名無しさん (2011-09-10 12 18 13) 誤爆失礼。Suzy はスコットランドでは一般的な女性名。Oi,Suzy!は「もしもし、お嬢さん」くらいのユーモアではないでしょうかね。。 -- 名無しさん (2011-09-10 12 30 13) その後の台詞も口説き方と不意打ちの仕方を掛けて、プライスにレクチャーしている感じですかね。 -- 名無しさん (2011-09-10 12 48 12) <教会で見張りを撃たずに歩哨をかわした場合のMacMillanの台詞> -- 名無しさん (2011-10-08 13 47 21) Cpt. MacMillan The patrol won t be back for a while, here s our chance. -- 名無しさん (2011-10-08 13 47 37) Cpt. MacMillan Get ready to move. Wait for the spotter to turn around. -- 名無しさん (2011-10-08 13 47 50) Cpt. MacMillan Ready? Go! -- 名無しさん (2011-10-08 13 48 00) ユーリってMW3の主人公ですね -- グリゴリ (2011-11-19 18 19 35) 同一人物の可能性ありますね -- 名無しさん (2011-11-29 23 52 37) ユーリという名前の人物がよく出てきますね。グリッグが捕まった時に尋問してたのもユーリですし。 -- 名無しさん (2011-11-30 12 18 40) プリピャチにユーリとマカロフがいたってのは後付け設定だから、小屋の中のユーリとは別物。 -- 名無しさん (2011-12-07 14 12 41) ユーリってよくある名前なんじゃ。MW3のも偽名を暗示している? -- 名無しさん (2012-01-20 02 51 27) ロシアでは一般的な名前らしいですよ。 -- 名無しさん (2012-05-11 18 05 08) Suzyはもしかして基地売春婦によくある源氏名じゃないですか?大尉はちょっとお下劣なギャグをしたつもりかもしれません。フルメタルジャケットの一場面をふと思い出して何となく・・・。翻訳してくださった方々、本当にありがとうございます。 -- 名無しさん (2016-06-01 21 02 00) 名前 コメント
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TOXICOLOGICAL PROFILE FOR WHITE PHOSPHORUS -index 4. PRODUCTION, IMPORT, USE, AND DISPOSAL 4. PRODUCTION, IMPORT, USE, AND DISPOSAL4.1 PRODUCTION 4.2 IMPORT/EXPORT 4.3 USE 4.4 DISPOSAL 4.1 PRODUCTION The domestic production capacity of elemental phosphorus in 1992 was 294,000 tons (SRI 1992). The demand for elemental phosphorus is expected to decrease (l-2%) during this decade (CMR 1991). The three companies that presently manufacture elemental phosphorus in the United States for sale or distribution are FMC Corp., Pocatello, Idaho; Monsanto Co., Soda Springs, Idaho; and Rhone-Poulenc Inc., Silver Bow, Montana (SRI 1995). The U.S. facilities that manufactured and processed white phosphorus in 1993 are given in Table 4-l (TR193 1995). White phosphorus is produced by several methods. One of the most important commercial production processes involves grinding phosphate rock, forming it into pellets, and heating them with coke or silica in an electric furnace. The elemental phosphorus vapor produced is then cleaned and collected by passing the vapor through an electrostatic precipitator and condenser (EPA 1989). WP/F is manufactured in the Pine Bluff Arsenal in Pine Bluff, Arkansas. Molten white phosphorus stored under water is loaded in munitions shells either by the dip-fill or dry-fill methods (Berkowitz et al. 1981). In the dip-fill method, the shell canisters containing the felt wedges are passed through tubs of molten phosphorus under water. In the dry fill method, molten phosphorus is added directly to the canister under an inert atmosphere. The latter method greatly reduces phosphorus waste (phossy water) and environmental contamination (Spanggord et al. 1983). 4.2 IMPORT/EXPORT In 1991, an estimated 5% of the production of elemental phosphorus was exported (CMR 1991). In 1982, the amount of imported elemental phosphorus from other countries to the United States was negligible (C EN 1982) and probably remains so because the production capacity in the United States remains higher than the demand (CMR 1991). 4.3 USE In 1991, ≈83% of elemental phosphorus available in the nonmilitary market was used in the production of phosphoric acid and phosphates, 12% was used in the production of direct reaction chemicals, such as phosphorus trichloride, pentasulfide, and pentoxide and red phosphorus, and 5% was exported (CMR 1991; EPA 1989). Phosphates are generally used in the fertilizer industry, food and beverage industry, industrial and institution cleaning compounds, water and waste treatment, animal diets and in metal treatment (CMR 1991; van Wazer 1982). Small amounts of white phosphorus are used in roach and rodent poisons (van Wazer 1982). In military use, white phosphorus is used as an ammunition for mortar and artillery shells and hand and rifle grenades (EPA 1989). In the past, white phosphorus was used in the manufacture of matches. However, due to health considerations (jaw-bone necrosis), red phosphorus and tetraphosphorus trisulfide (P4S3) have replaced white phosphorus since the Beme Convention of 1906 (Nyunt 1983). More recently, the use of white phosphorus has been suggested for removing nitric oxide from flue gas generated during the combustion of fossil fuels in power plants (Chang and Lee 1992; Chang and Liu 1990; Liu et al. 1991). 4.4 DISPOSAL According to the United Nation’s treatment and disposal methods for wastes containing phosphorus, the two recommended methods of disposal are incineration and open burning (HSDB 1993). In the open burning method, the waste should be mixed with wet earth, allowed to dry, and ignited in a remote place. The ultimate method of disposal is controlled incineration and treatment of emitted gases by alkaline scrubbing and particle removal equipment (HSDB 1993). Landfilling phosphorus-containing wastes is not recommended by the United Nation’s treatment and disposal methods (HSDB 1993). However, most of the wastes produced by U.S. manufacturers or processors of white phosphorus are disposed of in landfills (see Section 52.3). In the current disposal practice, retired or outdated army munitions are reprocessed to recover phosphorus. The munitions shells, which are still contaminated with white phosphorus, are incinerated in fluidized bed incinerators equipped with after burners and scrubbers (Berkowitz et al. 1981; Uhrmacher et al. 1985). Waste water containing phosphorus (phossy water) can be treated with ozone in a sparged stirred reactor (Campbell 1977). The resulting phosphate ions may be removed as a calcium phosphate precipitate by adding lime. Campbell (1977) claimed this process reduced the phosphorus levels in phossy water below the limit of detection ( 22 μg/L). Elemental phosphorus is listed as a hazardous substance and the discharge in excess of 1 pound to surface water is in violation of section 31l(b)(3) of the U.S. code of regulations (EPA 1992a). Solid waste containing elemental phosphorus is characterized as a hazardous waste when it passes the characteristic of reactivity stipulated in 40 CFR 261.23. If so characterized, the solid waste must be managed as a hazardous waste (EPA 1992b). TOXICOLOGICAL PROFILE FOR WHITE PHOSPHORUS -index
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www55.atwiki.jp/rtb213/pages/4.html The Beatles all songs 1962 Love Me Do Session S1 Love Me Do 01 Love Me Do 02 P.S. I Love You Please Please Me Session S2 Please Please Me 03 Please Please Me 04 Ask Me Why 1963 A1 Please Please Me 05 I Saw Her Standing There 06 Misery 07 Anna (Go To Him) 08 Chains 09 Boys 04 Ask Me Why 03 Please Please Me 01 Love Me Do 02 P.S. I Love You 10 Baby It s You 11 Do You Want To Know A Secret 12 A Taste Of Hone 13 There s A Place 14 Twist and Shout From Me To You Session S3 From Me To You 15 From Me To You 16 Thank You Girl She Loves You Session S4 She Loves You 17 She Loves YOu 18 I ll Get You With The Beatles Session A2 With The Beatles 19 It Won t Be Long 20 All I ve Got To Do 21 All My Loving 22 Don t Bother Me 23 Little Child 24 Till There Was You 25 Please Mr. Postman 26 Roll Over Beethoven 27 Hold Me Tight 28 You Really Got A Hold On Me 29 I Wanna Be Your Man 30 Devil In Her Heart 31 Not A Second Time 32 Money I Want To Hold Your Hand Session S5 I Want Hold Your Hand 33 I Want To Hold Your Hand 34 This Boy 1964 Can t Buy Me Love Session S6 Can t Buy Me Love 35 Cant t Buy Me Love 36 You Can t Do That EP5 Long Tall Sally 37 Long Tall Sally 38 I Call Your Name 39 Slow Down 40 Matchbox A Hard Day s Night Session S7 A Hard Day s Night 41 A Hard Day s Night 42 Things We Said Today A3 A Hard Day s Night 41 A HarD Day s Night 43 I Should Have Known Better 44 If I Fell 45 I m Happy Just To Dance With You 46 And I Love Her 47 Tell Me Why 35 Cant t Buy Me Love 48 Any Time At All 49 I ll Cry Instead 42 Things We Said Today 50 When I Get Home 36 You Can t Do That 51 I ll Be Back For Sale Session S8 I Feel Fine 52 I Feel Fine 53 She s A Woman A4 For Sale 54 No Reply 55 I m A Loser 56 Baby s In Black 57 Rock And Roll Music 58 I ll Follow The Sun 59 Mr. Moonlight 60 Kansas City/Hey Hey Hey Hey 61 Eight Days A Week 62 Words Of Love 63 Honey Don t 64 Every Little Thing 65 I Don t Want To Spoil The Party 66 What You re Doing 67 Everybody s Trying To Be My Baby 1965 Help! Session S9 Ticket to Ride 68 Ticket to Ride 69 Yes It Is S10 Help! 70 Help! 71 I m Down A4 Help! 70 Help! 72 The Night Before 73 You ve Got To Hide Your Love Away 74 I Need You 75 Another Girl 76 You re Going To Lose That Girl 68 Ticket To Ride 77 Act Naturally 78 It s Only Love 79 You Like Me Too Much 80 Tell Me What You See 81 I ve Just Seen A Face 82 Yesterday 83 Dizzy Miss Lizzy Rubber Soul Session S11 Day Tripper 84 Day Tripper 85 We Can Work It Out A6 Rubber Soul 86 Drive My Car 87 Norwegian Wood (This Bird Has Flown) 88 You Won t See Me 89 Nowhere Man 90 Think For Yourself 91 The Word 92 Michelle 93 What Goes On 94 Girl 95 I m Looking Through You 96 In My Life 97 Wait 98 If I Needed Someone 99 Run For Your Life 1966 Revolver Session S12 Paperback Writer 100 Paperback Writer 101 Rain S13 Eleanor Rigby 102 Eleanor Rigby 103 Yellow Submarine A7 Revolver 104 Taxman 102 Eleanor Rigby 105 I m Only Sleeping 106 Love You To 107 Here, There and Everywhere 103 Yellow Submarine 108 She Said, She Said 109 Good Day Sunshine 110 And Your Bird Can Sing 111 For No One 112 Dr. Robert 113 I Want To Tell You 114 Got To Get You Into My Life 115 Tomorrow Never Knows A A Collection of Beatles Oldies (But Golies) 116 Bad Boy 1967 Sgt. Pepper s Lonely Hearts Club Band Session S14 Penny Lane 117 Penny Lane 118 Strawberry Fields Forever A8 Sgt. Pepper s Lonely Hearts Club Band 119 Sgt. Pepper s Lonely Hearts Club Band 120 With A Little Help From My Friends 121 Lucy In The Sky With Diamonds 122 Getting Better 123 Fixing A Hole 124 She s Leaving Home 125 Being For The Benefit Of Mr. Kite 126 Within You, Without You 127 When I m Sixty Four 128 Lovely Rita 129 Good Morning, Good Morning 130 Sgt. Pepper s Lonely Hearts Club Band (Reprise) 131 A Day In The Life S15 All You Need Is Love 132 All You Need Is Love 133 Baby You re Rich Man S16 Hello Goodbye 134 Hello Goodbye 135 I Am The Walrus EP13 Magical Mystery Tour 136 Magical Mystery Tour 137 Your Mother Should Know 135 I Am The Walrus 138 The Fool On The Hill 139 Flying 140 Blue Jay Way 1968 White Album Session S17 Lady Maddonna 141 Lady Maddonna 142 The Inner Light S18 Hey Jude 143 Hey Jude 144 Revolution A9 The Beatles 145 Back In The U.S.S.R. 146 Dear Prudence 147 Glass Onion 148 Ob-La-Di, Ob-La-Da 149 Wild Honey Pie 150 The Continuing Story of Bungalow Bill 151 While My Guitar Gently Weeps 152 Happiness Is A Warm Gun 153 Martha My Dear 154 I m So Tired 155 Blackbird 156 Piggies 157 Rocky Racoon 158 Don t Pass Me By 159 Why Don t We Do It In The Road? 160 I Will 161 Julia 162 Birthday 163 Yer Blues 164 Mother Nature s Son 165 Everybody s Got Something To Hide Except Me and My Monkey 166 Sexy Sadie 167 Helter Skelter 168 Long, Long, Long 169 Revolution 1 170 Honey Pie 171 Savoy Truffle 172 Cry Baby Cry 173 Revolution 9 174 Good Night A10 Yellow Submarine Yellow Submarine 175 Only A Northern Song 176 All Together Now 177 Hey Bulldog 178 It s All Too Much All You Need Is Love 1969 Abbey Road Session A11 Abbey Road 183 Come Together 184 Something 185 Maxwell s Silver Hammer 186 Oh! Darling 187 Octopus s Garden 188 I Want You (She s So Heavy) 189 Here Comes The Sun 190 Because 191 You Never Give Me Your Money 192 Sun King 193 Mean Mr. Mustard 194 Polythene Pam 195 She Came In Through The Bathroom Window 196 Golden Slumbers 197 Carry That Weight 198 The End 199 Her Majesty S21 Something Something Come Together Get Back Session S19 Get Back 179 Get Back 180 Don t Let Me down S20 The Ballad Of John And Yoko 181 The Ballad Of John And Yoko 182 Old Brown Shoe S22 Let It Be 200 Let It Be 201 You Know My Name (Look Up Yhe Number) A12 Let It Be 202 Two Of Us 203 Dig A Pony 204 Across The Universe 205 I Me Mine 206 Dig It Let It Be 207 Maggie Mae 208 I ve Got A Feeling 209 One After 909 210 The Long And Winding Road 211 For You Blue Get Back *ドイツ語version 212 Komm, Gib Mir Deine Hand 213 She Liebt Dich Side one Film soundtrack No. Title Lead vocals Length 1. Magical Mystery Tour McCartney 2 48 2. The Fool on the Hill McCartney 3 00 3. Flying (John Lennon/Paul McCartney/George Harrison/Richard Starkey) (Instrumental) 2 16 4. Blue Jay Way (Harrison) Harrison 3 50 5. Your Mother Should Know McCartney 2 33 6. I Am the Walrus Lennon 4 35 Side two 1967 singles No. Title Lead vocals Length 1. Hello, Goodbye McCartney 3 24 2. Strawberry Fields Forever Lennon 4 05 3. Penny Lane McCartney 3 00 4. Baby, You re a Rich Man Lennon 3 07 5. All You Need Is Love Lennon 3 57
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Unquenched Sword 地獄の熱波を放つ剣。火炎耐性の無い軍では使うべきではない Unquenched Sword 片手武器 研究Lv 属性 属性2 内部ID 88 8 6 威力 攻撃補正 攻撃回数 長さ 22 4 1 2 防御力 防御補正 回避率 重さ 1 射程 弾数 特殊 防御貫通 その他 命中時効果:Small Area FireBerserker付加:1戦闘開始時自動発動:Heat from Hell ゲーム内解説文 This blade is made of solid Fire tempered in an Elemental brazier. The flames that lick the ever-burning edge are incredibly hot and will cut through armor and flesh with equal ease. The heat of the blade will cause the temperature to rise on the entire battlefield and everyone to suffer from severe fatigue unless protected. The sword should not be wielded by anyone not immune to fire. 和訳 この刃は、精霊の火鉢で鍛えられた、固形化した炎から作られています。永久に燃え盛る刃を包む炎は信じがたいほどに熱く、肉と防具を同じぐらい容易に切り裂きます。刃の熱は、保護されていない誰もが強い疲労によって苦しむほどに戦場全体の温度を上げる原因となります。この剣は、炎への免疫を持たないものによって用いられるべきではありません。 注記 片手武器では2番目という素晴らしい攻撃力を持つ炎の剣。アーティファクトの1つであり、疑いようも無く強力だが、使い手どころかその味方すら選ぶ。 自慢の威力は実に22を誇る。単純な数値では2位だが、防御貫通まで付いているのである意味では最強クラス。攻撃補正も4とそこそこ優秀。一方で防御補正は平凡だが、これだけ攻撃面に優れていれば文句は言えない。 攻撃時には威力14、防御貫通の火炎ダメージも与える。この効果、中身はFire Brandと同じはずなのだが、なぜか命中時発動になっているため、実際には当たった相手にしか効果が無い様子。他を巻き込むこともない。 また装備しているとBerserkerが1だけ付き、攻撃を受けるとキレるようになる。補正が大きくないので、ほとんど士気99化用の能力に近い。 もう1つの目玉はHeat from Hellの自動発動。本来はGemが必要だが、これを持っていれば戦闘開始時に勝手に発動する(ただし水中戦は流石に無理)。 敵に火炎耐性さえ無ければ非常に強力な効果で、戦場の天秤がHeat寄りだとさらに凶悪化する。大軍が相手でも、長期戦になれば動けない兵が増えていき、最後には死に至る。 ただし、それは味方にも言えること。この効果があるがゆえに、使い手とその同行者は火炎耐性が必須になる。炎上することもしばしばあるため、疲労回復で誤魔化そうとはしないこと(Rainを併用すれば補えるが・・・)。 バグらしき挙動で攻撃時の範囲ダメージが死んでいるものの、それを差し引いても強力な武器と言える。作製条件含めて前提になる要素は多いが、Abysiaなら3時代通して気軽に使えるだろう。 ちなみに、以下をMODで適用すれば範囲ダメージが出せるようになる。気になるなら修正しておくと良い。 #selectweapon 84 #secondaryeffectalways 171 #end コメント 名前 コメント
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Chef's Book of Formulas, Yields, and Sizes Arno Schmidt? The Banquet Business Arno Schmidt? Stable Isotopes Proceedings of the 4th International Conference, Julich, March 23-26, 1981 (Analytical Chemistry Symposia Series, V. 11) Germany) International Conference on Stable Isotopes 1981 (Julich?Holly L. Schmidt?H. Forstel?K. Heinzinger? Coatings on Glass 1998 2nd International Conference on Coatings on Glass Iccg High-Performance Coatings for Transparent Systems in Large-Area And/or High-Volume applications H. Pulker?M. a. Aegerter?H. Schmidt? Dynamics of Endogeneous Economic Growth A Case Study of the "Romer Model" (Contributions to Economic Analysis) Gordon W. Schmidt? Compliance in Epilepsy (Epilepsy Research Supplement, No 1) Dieter Schmidt?Ilo E. Leppik? Current Trends in Infant Screening (International Congress) Benjamin J Schmidt? Small Scale Structures Proceedings of Symposium a on Microstructuring and Microsystems, Symposium B on Materials for Sensors Functional Nanoscaled Structures, and symposiu (European Materials Research Society Symposia Proceedings) Symposium a on Microstructuring and Microsystems?J-M Moret?H. Schmidt?W. Gopel?A. L. Greer?K. Samwer?C. V. Thompson?N. F. De Rooij? Evolution and Determination of Animal and Human Behaviour Hans-Dieter Schmidt?Gunter Tembrock? The Vision of Piers Plowman A Critical Edition of the B-Text Based on Trinity College Cambridge MS B.15.17 (Everyman's Library (Paper)) William Langland?A. V. C. Schmidt? Shock Compression of Condensed Matter 1989 Proceedings of the American Physical Society Topical Conference Held Albuquerque Nm, August 14-17, 1989 S. C. Schmidt?J. N. Johnson?L. W. Davison? Parallel Computational Fluid Dynamics '91 Proceedings K. G. Reinsch?W. Schmidt?Akin Ecer? Chicken Little (Pudgy Pals) Karen Schmidt? My First Book of Baby Animals (Teddy Board) Karen Schmidt? Baseball's Belters Jackson, Schmidt, Parker and Brett Bill Gutman? Whiskerville School (Whiskerville Board Books) Joanne Barkan?Karen L. Schmidt? Whiskerville Post Office (Whiskerville Board Books) Joanne Barkan?Karen L. Schmidt? Whiskerville Bake Shop (Whiskerville Board Books) Joanne Barkan?Karen L. Schmidt? Whiskerville Firehouse (Whiskerville Board Books) Joanne Barkan?Karen L. Schmidt? Whiskerville Theater (Board Book) Joanne Barkan?Karen Lee Schmidt? Whiskerville Train Station (Board Book) Joanne Barkan?Karen Lee Schmidt? Whiskerville Toy Shop (Board Book) Joanne Barkan?Karen Lee Schmidt? Whiskerville Grocery (Board Book) Joanne Barkan?Karen Schmidt? The Wee Bear Who Didn't Want to Go to the Doctor (All Aboard Books) Lara Rice Bergen?Karen Lee Schmidt? The Wee Puppy Who Wouldn't Go to Sleep (All Aboard Books) Jane B. Mason?Karen Lee Schmidt? Sleepytime for Baby Mouse (Teddy Board Books) Margaret Hopkins?Karen Schmidt? Peter Cottontail Karen Lee Schmidt? Monster and Muffin (All Aboard Reading. Picture Reader) Joanna Cole?Karen Lee Schmidt? Dogs and Puppies (Sticker Stories) Karen Lee Schmidt? About Schmidt (Ballantine Reader's Circle) Louis Begley? How to Make Money With Your Video Camera Rick Schmidt? Island of Nose Jan M. and Annie M. Schmidt Verburg? The Vision of Piers Plowman (Everyman's University Library) William Langland?A. V. C. Schmidt? Visions of Piers Plowman (Everyman's Library (Paper)) William Langland?A. V. C. Schmidt? Dark Paradise (The Questioner Trilogy, No 3) Dennis Schmidt? Asia's Credit Markets From High-Yield To High-Grade Florian H. A. Schmidt? The Essential Handbook Of Eating Disorders Janet Treasure?Ulrike Schmidt?Eric van Furth?Eric Van Furth? Wiley Plus Blackboard Stand Alone to Accompany Thermodynamics An Integrated Learning System With Registration Card (Wiley Plus Products) Philip S. Schmidt?Ofodike A. Ezekoye?John R. Howell?Derek K. Baker? Thermodynamics Philip S. Schmidt? American Government and Politics Today The Essentials 2007 Barbara A. Bardes?Mack C. Shelley?Steffen W. Schmidt? Islands in the Sky Bold New Ideas for Colonizing Space (Wiley Popular Science) Stanley Schmidt?Robert Zubrin? Winning at Service Lessons from Service Leaders Waldemar Schmidt?Gordon Adler?Els Van Weering?Els Van Weering? The Job Hunter's Catalog Peggy J. Schmidt? Industrial Engineering and Operations Research David M. Miller?J.William Schmidt? Heart Disease and Rehabilitation Michael L. Pollock?Donald H. Schmidt? Queues and Point Processes (Probability Mathematical Statistics) Peter Franken?Dieter Konig?Ursula Arndt?Volker Schmidt? Chef's Book of Formulas, Yields, and Sizes (Culinary Arts) Arno Schmidt? Thermodynamics An Integrated Learning System Philip Schmidt?Derek Baker?Ofodike Ezekoye?John Howell? Power Collecting Automation for Effective Asset Management David A. Schmidt?Frederick A. Piumelli? Network Layer Switched Services Daniel Minoli?John Doyle?Andrew Schmidt? Internet Architectures Daniel Minoli?Andrew Schmidt? Chef's Book of Formulas, Yields, and Sizes Arno Schmidt? Building Application Frameworks Object-Oriented Foundations of Framework Design Mohamed E. Fayad?Ralph E. Johnson?Douglas C. Schmidt? Implementing Application Frameworks Object-Oriented Frameworks at Work Mohamed E. Fayad?Douglas C. Schmidt?Ralph Johnson? Gas Chromatographic Headspace Analysis H. Hachenberg?A.P. Schmidt? General Purpose Simulation System Fortran (Wiley Series in Computing) B. Schmidt? Art of Garnishing Inja Nam?Arno Schmidt? The Book of Hors D'Oeuvres and Canapes Arno Schmidt?Inja Nam? Jordan Decompositions of Generalized Vector Measures (Pitman Research Notes in Mathematics Series, Vol 214) Klaus D. Schmidt? Next-Generation Internet Creating Advanced Networks and Services Joel Mambretti?Andrew Schmidt? The Geek's Guide to Internet Business Success Bob Schmidt? Learning Guide for Tortora and Grabowski Principles of Anatomy and Physiology Kathleen Schmidt Prezbindowski?Gerard J. Tortora? American Government And Politics Today 2007-2008 Steffen W. Schmidt?Mack C. Shelley?Barbara A. Bardes? Learning Guide for Tortora Introduction to the Human Body Kathleen Schmidt Prezbindowski? Analog Essays on Science (Wiley Science Edition) Stanley Schmidt? Introduction to the Human Body G.J. Tortora?Kathleen Schmidt?Sandra Reynolds Grabowski? Hydrazine and Its Derivatives Preparation, Properties, Applications Eckart W. Schmidt? Principles of Anatomy and Physiology Learning Guide Gerard J. Tortora?Sandra Reynolds Grabowksi?Kathleen Schmidt Prezbindowski? Advanced Mechanics of Materials Arthur P. Boresi?Richard J. Schmidt? Handbook of Eating Disorders Janet Treasure?Ulrike Schmidt?Eric Van Furth? Construction Principles, Materials, and Methods H. Leslie Simmons?Harold Bennett Olin?John L. Schmidt?Walter H. Lewis? Introduction to Thermal Sciences Thermodynamics Fluid Dynamics Heat Transfer Frank W. Schmidt?Robert E. Henderson?Carl H. Wolgemuth? Advanced Mechanics of Materials Arthur P. Boresi?Richard J. Schmidt?Omar M. Sidebottom? Introduction to the Human Body Learning Guide, The Essentials of Anatomy and Physiology Gerard J. Tortora?Bryan H. Derrickson?Kathleen Schmidt Prezbindowski?Laurie Prezbindowski? American Government And Politics Today, 2007-2008 Steffen W. Schmidt?Mack C. Shelley?Barbara A. Bardes? Thermodynamics Philip S. Schmidt?Ofodike Ezekoye?John R. Howell?Derek Baker? Introduction to Thermal Sciences Frank W. Schmidt?Robert Henderson?Carl Wolgemuth? Introduction to Thermal Sciences Frank W. Schmidt? How Dramas End Essays on the German Strum Und Drang, Buchner, Hauptmann, and Fleisser (Theater Theory/Text/Performance) Henry J. Schmidt? Hydrazine and Its Derivatives Preparation, Properties, Applications Eckart W. Schmidt? Stochastic Processes for Insurance and Finance (Wiley Series in Probability and Statistics) Hanspeter Schmidli?Josef Teugels?Volker Schmidt?Tomasz Rolski? French for Dummies (For Dummies (Language Literature)) Dodi-Katrin Schmidt? New Self-Working Card Tricks (Dover Books on Magic) Karl Fulves?Joseph K. Schmidt? Easy Ways to Enlarge Your German Vocabulary Karl A. Schmidt? Easy-To-Do Card Tricks for Children (Become a Magician) Karl Fulves?Joseph K. Schmidt? Easy-To-Do Magic Tricks for Children (Dover Books on Magic) Karl Fulves?Joseph K. Schmidt? Scandinavian Modern Magnus Englund?Chrystina Schmidt? Internal Combustion Engine F A Z Schmidt? Butterfly Alphabet Coloring Book Carol Schmidt? Handelsrecht Karsten Schmidt? Cabin Kitchens Baths Franklin Schmidt?Esther Schmidt? Fuersorgerecht Ernst-Wilhelm Luthe?Christa Dittmar? Cohomology of Number Fields (Grundlehren Der Mathematischen Wissenschaften) Jurgen Neukirch?Kay Wingberg?Alexander Schmidt? Capital Punishment in Japan (Brill's Japanese Studies Library) Petra Schmidt? Formularbuch aussergerichtliche Streitbeilegung Gesellschafts- und steuerrechtliche Behandlung einer englischen Limited Liability Partnership mit Verwaltungssitz in Deutschland Helder Schnittker? Das Orts- und Gerichtsverzeichnis 2007 Anwalts-Handbuch Mietrecht Die GmbH und Co KG in Krise, Konkurs und Vergleich Wilhelm Uhlenbruck? Kuendigungsrecht - Refomen 2004. Gesetz zu Reformen am Arbeitsmarkt und ssHartz-Gesetzess Jobst-Hubertus Bauer?Steffen Krieger? Internationales Steuerrecht. Aussensteuerrecht - Doppelbesteuerungsrecht Harald Schaumburg? Anwalts-Taschenbuch Erbrecht Michael Rudolf? LAGA-Mitteilung 37 Anschauen und Erzaehlen Ute Schmidt-Hackenberg? Bilanzierung von Verschmelzungen nach Handelsrecht, Steuerrecht und IFRS. Gemeinsamkeiten, Unterschiede und Grenzender Konvergenz Mark Knueppel? Banken-Handbuch Firmenkundenmarketing Bernhard Bergmans? Das Rechtsformularbuch Carl Wurm?Hermann Wagner?Hugo Zartmann? Die Interne Revision als Change Agent. Veraenderungen anstossen und erfolgreich umsetzen Peter Kundinger? IFRS-Leitfaden Mittelstand Wachstumsmanagement fuer Mittel- und Kleinbetriebe. Eintrittsschritte in die neuen EU-Maerkte Abschluss und Rekultivierung von Deponien und Altlasten 2006 Psychologische Erste Hilfe bei Extremereignissen am Arbeitsplatz Werner W. Wilk?Margarete Wilk? Rechtliche Ausgestaltung von Nutzungsentgelten fuer globale Umweltgueter Nils Mayer-Ohlendorf?Michael Mehling? Erfolgreich kommunizieren im Tourismus. So treffen Sie immer den richtigen Ton! Guenther Richter? Gesprochenes Deutsch. Eine Einfuehrung Johannes Schwitalla? Information Sharing in Supply Chains. Improving the Performance of Collaboration Jason Shiu Kong Lau? Uebergangs- und Endkonsolidierung nach IFRS Janine Zauner? Bankenmanagement. 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Animal Maths Marie-Luise Eckart?Hans J Schmidt?Sarah Baron? Italienische Moevchen Ralf Schmidt? Laermminderung an Arbeitsplaetzen Eberhard Christ?Siegfried Fischer? Rechtsfragen des Konflikts zwischen Wasserkraftnutzung und Fischfauna Ruediger Breuer? Stiftungen. Zivil- und Steuerrecht in der Praxis Thomas Wachter? Mietparteien und ihr Wechsel -waehrend des Bestehens des Mietvertrages- Internationale Unternehmensfinanzierung Europarecht - Ende der nationalen Steuersouveraenitaet? Zwischen Den Pausen - Level 10 Roland Schmidt?Gu? Zwischen Den Pausen - Level 10 Roland Schmidt?Gu? Zwischen Den Pausen - Level 10 Roland Schmidt?Gu? Zwischen Den Pausen - Level 10 Roland Schmidt?Gu? Zwischen Den Pausen 1 Csaba Filo?Roland Schmidt?Zsuzsa Marlok? AG-Praxis von A - Z Christian Kirnberger?Stefan Kusterer? Von Bischoefen, Hoerigen, Heiligen und Landesherren. Hagen im Mittelalter Hans G. Schmidt? Internationale Informationshilfe im Steuerverfahren Michael Hendricks? Bildungsaufwand im Steuerrecht. 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ATTO PRIMO - La vendetta SCENA I La Piazza di Sant Ambrogio. S ode lieta musica nel tempio. Preludio ed Introduzione CORO DI CITTADINI Oh nobile esempio! Vedeste? nel volto A tutti brillava la gioia del core. Però di Pagano nell occhio travolto La traccia appariva del lungo terrore. Ancor nello sguardo terribile e cupo La fiera tempesta dell animo appar; Sarà, ma ben raro le furie del lupo Nei placidi sensi d agnel si mutâr. DONNE Nell ora dei morti perché dal gran tempio Diffondesi intorno festevole suono? Oh dite! … che avvenne? UOMINI Quest oggi sull empio Dal cielo placato discende il perdono Qui deve prostrarsi Pagano il bandito, Che torna alle gioie del suolo natal! DONNE Narrate! … narrate! dal patrio suo lito Qual mai lo cacciava destino fatal? UOMINI Era Viclinda - gentil donzella, Vaga e fragrante - d aura amorosa; La gioventude - più ricca e bella Ambiva, ardea - nomarla sposa, Ma di Viclinda - l alma innocente D Arvin si piacque, - sposo il chiamò; Pagan spregiato - nel sen furente Vendetta orrenda - farne giurò. Un dì (dei morti - l ora gemea) Ivano al tempio - gli avventurati Quando improvviso - quell alma rea Fere il fratello - da tutti i lati; Quindi rammingo - solo, proscritto, Ai luoghi santi - corse a pregar. Già da molt anni - piange il delitto, Ora gli è dato - fra i suoi tornar. DONNE Or ecco! … son dessi! … vedete? sul volto A tutti sfavilla la gioia del core. UOMINI Però di Pagano nell occhio travolto Appare la traccia del lungo terrore. TUTTI Ancor nello sguardo terribile e cupo La fiera tempesta dell animo appar; Sarà, ma ben raro le furie del lupo Nei placidi sensi d agnel si mutâr. SCENA II Pagano, Arvino, Viclinda, Giselda, Pirro dal tempio, preceduti dai Priori della Città e da Servi che recano torcie, ecc., e detti. PAGANO prostrato al suolo Qui nel luogo santo e pio, Testimonio al mio delitto, Perdon chiedo al mondo e a Dio, Umilmente e in cuore afflitto. ARVINO Vieni! Il bacio del fratello Del perdon ti sia suggello. Si baciano CORO Viva Arvino!... oh nobii cor!... VICLINDA, GISELDA, PIRRO, CORO Pace! … Pace! … PAGANO (Oh mio rossor!) GISELDA, VICLINDA, TUTTI ad Arvino Padre, T assale un tremito! … - sposo, che fia? Tinta la fronte - hai di pallore. Di gioia immensa - ho pieno il core, E tu dividerla - non vuoi con me? ARVINO (L alma sul labbro - a me venia, Ma ratto un gelo - mi scese al core; In quegli sguardi - certo è il furore; Destasi orrendo - sospetto in me) PAGANO a Pirro Pirro, intendesti! - Cielo non fia Che li assicuri - dal mio furore! Stolti!... han trafitto - questo mio core, Ed han sperato - pace da me! PIRRO a Pagano Signor, tuo cenno - legge a me fia. Cento hai ministri - del tuo furore; Di questa notte - nel cupo orrore Siccome spettri - verremo a te. CORO S han dato un bacio! - Quello non sia Onde tradiva - Giuda il Signore! Oh l improvviso - silenzio al core Di certa pace - nunzio non è! UN PRIORE Or s ascolti il voler cittadino! Tutti, al grido di Piero infiammati, Te proclamano, o nobile Arvino, Condottier dei Lombardi Crociati. ARVINO Io l incarco difficile accetto, Per lui dolce m è il sangue versar; Oh fratello! stringiamoci al petto; Terra e ciel nostri giuri ascoltâr! VICLINDA, GISELDA, PIRRO, CORO All empio che infrange la santa promessa, L obbrobrio, l infamia sul capo ricada Un ora di pace non venga concessa, Si tinga di sangue la luce del dì. ARVINO, PAGANO Or basta! … né d odio fra noi si ragioni. Per dirci fratelli brandiamo la spada; Voliamo serrati, siccome leoni, Sugli empi vessilli che il Ciel maledì. SCENA III Coro interno di Claustrali. CORO DI CLAUSTRALI dentro le scene A te nell ora infausta Dei mali e del riposo, Dal fortunato claustro Sorge un pregar pietoso Alle tue fide vergini Apri ne sogni il ciel. Tu colle meste tenebre Pace nell uom infondi; Sperdi le trame ai perfidi, L empio mortal confondi, E suonerà di cantici Più lieti il dì novel. SCENA IV Pagano e Pirro PAGANO Vergini! … il ciel per ora A vostre preci è chiuso; Non per esse men certa in questa notte Di vendetta fatale, La lama colpirà del mio pugnale! O Pirro, eppur quest alma Al delitto non nacque! Amor dovea Renderla santa o rea! Sciagurata! hai tu creduto Che oblïarti avrei potuto, Tu nel colmo del contento, Io nel colmo del dolor? Qual dall acque l alimento Tragge l italo vulcano, Io così da te lontano Crebbi agli impeti d amor. PIRRO Molti fidi qui celati Pronti agli ordini già stanno. PAGANO Ch io li vegga... Pirro accenna verso il giardino In tutti i lati Essi il fuoco spargeranno SCENA V Coro di Sgherri e detti. PAGANO Di perigli è piena l opra! … Molti servi Arvin ricetta; Ma per me chi ben s adopra Largo è ilpremio che l aspetta. SGHERRI Niun periglio il nostro seno Di timor vigliacco assale; Non v è buio che il baleno Non rischiari del pugnale; Piano entriam con pie sicuro Ogni porta ed ogni muro; Fra le grida, fra i lamenti, Imperterriti, tacenti, D un sol colpo in paradiso L alme altrui godiam mandar. Col pugnal di sangue intriso Poi sediamo a banchettar! PAGANO O speranza di vendetta, Già sfavilli nel mio volto; Da tant anni a me diletta Altra voce non ascolto; Compro un dì col sangue avrei Quell incanto di beltà; Or alfine, or mia tu sei, Altri il sangue spargerà. SGHERRI Comandare, impor tu dei, Ben servirti ognun saprà. SCENA VI Galleria nel Palazzo di Folco che mette dalla sinistra nelle stanze di Arvino, dalla destra in altri appartamenti. La scena è illuminata da una lampada. Viclinda, Giselda, poi Arvino. VICLINDA Tutta tremante ancor l anima io sento … No … dell iniquo in viso D ira nube apparia, non pentimento. Vieni, o Giselda! … un voto In tal periglio solleviamo a Dio; Giuriam, s ei copre di suo manto pio Tuo padre, il mio consorte, Giuriam, che, nudo il pie , verremo al santo Sepolcro orando. ARVINO dalle sue stanze O sposa mia, ricovra In quelle stanze omai, ma non corcarti. GISELDA Oh ciel … quale periglio? ARVINO È teco il padre mio. Rumor di molti passi Parvemi udir! dell agitata mente Esser potrebbe un gioco. Va, sposa mia. Parte GISELDA Te, Vergin santa, invoco! Inginocchiandosi con Viclinda Salve Maria - di grazia il petto T empie il Signore - che in te si posa; Tuo divin frutto - sia benedetto, O fra le donne - l avventurosa! Vergine santa - madre di Dio, Per noi tapini - leva preghiera, Ond Ei ci guardi - con occhio pio Quando ne aggravi - l ultima sera! Partono SCENA VII Pirro e Pagano. PIRRO Vieni! … già posa Arvino Nelle sue stanze … un servo il disse. PAGANO Oh gioia! Spegni l infausta lampa … La luce delle fiamme Il trionfo schiarar di mia vendetta Dovrà fra pochi istanti … Attendi! - Entra cautamente nelle stanze di Arvino SCENA VIII Pirro solo, indi Giselda, infine Pagano con pugnale insanguinato, e Viclinda. PIRRO Eppure le fibre egli ha tremanti! Vedesi nell interno chiaror di fiamme Ma gli sgherri han sparso il foco! …. Qual rumore di spade ascolto! Accorriam... nel duro giuoco Ben cambiar saprò di volto. Parte sguainando la spada. Giselda attraversa la scena rapidamente VICLINDA trascinata da Pagano Scellerato! … - Oh sposo … PAGANO Il chiedi Alla punta d un pugnale … Taci e seguimi. VICLINDA A tuoi piedi Pria morir! … PAGANO E chi mai vale Per salvarti in queste soglie? Niuno ormai da me ti scioglie; Solo ai pianti, ai mesti lai L incendio interno va estinguendosi Può risponderti lo sgherro. Chi t ascolti qui non hai … SCENA IX Arvino, Giselda, Pirro, Armigeri, Servi con torcie, e Detti. ARVINO Io l ascolto. PAGANO O mio stupor!!! Pur di sangue … è intriso il ferro … Chi l versava? VICLINDA, GISELDA Il padre! … TUTTI con Pagano, che lascia cadere il ferro Orror!!! Mostro d averno orribile, Nè a te (me) si schiude il suolo? Non ha l Eterno un fulmine Che t abbia (m abbia) a incenerir? Tu fai (Farò) col nome solo il cielo inorridir! ARVINO Parricida! … E tu pure trafitto Sulla salma del padre morrai. GISELDA frapponendosi Deh non crescer delitto a delitto! Altra scena risparmia d orror. PAGANO ad Arvino Che? … ti fermi? … coraggio non hai? … Mira … io stesso aprirò la ferita. Fa per uccidersi colla spada, ma vien fermato dagli Armigeri CORO Sciagurato! … la vita, la vita Ti fia strazio di morte peggior. TUTTI Va! sul capo ti grava (Ah! sul capo mi grava) l Eterno La condanna fatal di Caino; Più che il foco e le serpi d averno Le tue (mie) carni il terror struggerà! Va! (Ahi!) fra i fiori di lieto cammino, Nelle grotte, fra i boschi sul monte. Sangue ognor verserai (verserò) dalla fronte, Sempre al dosso un demon ti (mi) starà. ATTO PRIMO (La vendetta) Quadro Primo (Milano. La Piazza di Sant Ambrogio) Scena Prima (S ode lieta musica nel tempio) CITTADINI I Oh nobile esempio! II Vedeste? nel volto A tutti brillava la gioia del core. I Però di Pagano nell occhio travolto La traccia appariva del lungo terrore. TUTTI Ancor nello sguardo terribile e cupo La fiera tempesta dell animo appar; Sarà, ma ben raro le furie del lupo Nei placidi sensi d agnel si mutâr. DONNE Nell ora dei morti perché dal gran tempio Diffondesi intorno festevole suono? Oh dite!... che avvenne? UOMINI Quest oggi sull empio Dal cielo placato discende il perdono Qui deve prostrarsi Pagano il bandito, Che torna alle gioie del suolo natal! DONNE Narrate!... narrate! dal patrio suo lito Qual mai lo cacciava destino fatal? UOMIN Era Viclinda - gentil donzella, Vaga e fragrante - d aura amorosa; La gioventude - più ricca e bella Ambiva, ardea - nomarla sposa, Ma di Viclinda - l alma innocente D Arvin si piacque, - sposo il chiamò; Pagan spregiato - nel sen furente Vendetta orrenda - farne giurò. Un dì (dei morti - l ora gemea) Ivano al tempio - gli avventurati Quando improvviso - quell alma rea Fere il fratello - da tutti i lati; Quindi rammingo - solo, proscritto, Ai luoghi santi - corse a pregar. Già da molt anni - piange il delitto, Ora gli è dato - fra i suoi tornar. I Or ecco!... son dessi!... vedete? sul volto A tutti sfavilla la gioia del core. II Però di Pagano nell occhio travolto Appare la traccia del lungo terrore. TUTTI Ancor nello sguardo terribile e cupo La fiera tempesta dell animo appar; Sarà, ma ben raro le furie del lupo Nei placidi sensi d agnel si mutâr. Scena Seconda (Pagano, Arvino, Viclinda, Giselda, Pirro dal tempio, preceduti dai Priori della Città e da Servi che recano torcie, ecc., e detti) PAGANO (prostrato al suolo) Qui nel luogo santo e pio, Testimonio al mio delitto, Perdon chiedo al mondo e a Dio, Umilmente e in cuore afflitto. ARVINO Vieni! Il bacio del fratello Del perdon ti sia suggello. (Si baciano) CORO Viva Arvino!... oh nobii cor!... VICLINDA, GISELDA PIRRO, CORO Pace!... Pace!... PAGANO (Oh mio rossor!) GISELDA, VICLINDA, TUTTI (ad Arvino) Padre, t assale un tremito!... - sposo, che fia? Tinta la fronte - hai di pallore. Di gioia immensa - ho pieno il core, E tu dividerla - non vuoi con me? ARVINO (L alma sul labbro - a me venia, Ma ratto un gelo - mi scese al core; In quegli sguardi - certo è il furore; Destasi orrendo - sospetto in me) PAGANO (a Pirro) Pirro, intendesti! - Cielo non fia Che li assicuri - dal mio furore! Stolti!... han trafitto - questo mio core, Ed han sperato - pace da me! PIRRO (a Pagano) Signor, tuo cenno - legge a me fia. Cento hai ministri - del tuo furore; Di questa notte - nel cupo orrore Siccome spettri - verremo a te. CORO S han dato un bacio! - Quello non sia Onde tradiva - Giuda il Signore! Oh l improvviso - silenzio al core Di certa pace - nunzio non è! UN PRIORE Or s ascolti il voler cittadino! Tutti, al grido di Piero infiammati, Te proclamano, o nobile Arvino, Condottier dei Lombardi Crociati. ARVINO Io l incarco difficile accetto, Per lui dolce m è il sangue versar; Oh fratello! stringiamoci al petto; Terra e ciel nostri giuri ascoltâr! VICLINDA, GISELDA PIRRO, CORO All empio che infrange la santa promessa, L obbrobrio, l infamia sul capo ricada Un ora di pace non venga concessa, Si tinga di sangue la luce del dì. ARVINO, PAGANO Or basta!... né d odio fra noi si ragioni. Per dirci fratelli brandiamo la spada; Voliamo serrati, siccome leoni, Sugli empi vessilli che il Ciel maledì. Scena Terza CORO DI CLAUSTRALI (Interno) A te nell ora infausta Dei mali e del riposo, Dal fortunato claustro Sorge un pregar pietoso Alle tue fide vergini Alle tue fide vergini Tu colle meste tenebre Pace nell uom infondi; Sperdi le trame ai perfidi, L empio mortal confondi, E suonerà di cantici Più lieti il dì novel. Scena Quarta (Pagano e Pirro) PAGANO Vergini!... il ciel per ora A vostre preci è chiuso; Non per esse men certa In questa notte di vendetta fatale, La lama colpirà del mio pugnale! O Pirro, eppur quest alma Al delitto non nacque! Amor dovea enderla santa o rea! Sciagurata! hai tu creduto Che oblïarti avrei potuto, Tu nel colmo del contento, Io nel colmo del dolor? Qual dall acque l alimento Tragge l italo vulcano, Io così da te lontano Crebbi agli impeti d amor. PIRRO Molti fidi qui celati Pronti agli ordini già stanno. PAGANO Ch io li vegga... (Pirro accenna verso il giardino) In tutti i lati Essi il fuoco spargeranno Scena Quinta (Coro di Sgherri e detti) PAGANO Di perigli è piena l opra!... Molti servi Arvin ricetta; Ma per me chi ben s adopra Largo è il premio che l aspetta. SGHERRI Niun periglio il nostro seno Di timor vigliacco assale; Non v è buio che il baleno Non rischiari del pugnale; Piano entriam con pie sicuro Ogni porta ed ogni muro; Fra le grida, fra i lamenti, Imperterriti, tacenti, D un sol colpo in paradiso L alme altrui godiam mandar. Col pugnal di sangue intriso Poi sediamo a banchettar! PAGANO O speranza di vendetta, Già sfavilli nel mio volto; Da tant anni a me diletta Altra voce non ascolto; Compro un dì col sangue avrei Quell incanto di beltà; Or alfine, or mia tu sei, Altri il sangue spargerà. SGHERRI Comandare, impor tu dei, Ben servirti ognun saprà. Quadro Secondo (Galleria nel Palazzo di Folco che mette dalla sinistra nelle stanze di Arvino, dalla destra in altri appartamenti. La scena è illuminata da una lampada) Scena Sesta (Viclinda, Giselda, poi Arvino) VICLINDA Tutta tremante ancor l anima io sento... No... dell iniquo in viso D ira nube apparia, non pentimento. Vieni, o Giselda!... un voto In tal periglio solleviamo a Dio; Giuriam, s ei copre di suo manto pio Tuo padre, il mio consorte, Giuriam, che, nudo il pie , verremo al santo Sepolcro orando. ARVINO (dalle sue stanze) O sposa mia, ricovra In quelle stanze omai, ma non coricarti. GISELDA Oh ciel... quale periglio? ARVINO È teco il padre mio. Rumor di molti passi Parvemi udir! dell agitata mente Esser potrebbe un gioco. Va, sposa mia. (Parte) GISELDA Te, Vergin santa, invoco! (Inginocchiandosi con Viclinda) Salve Maria - di grazia il petto T empie il Signore - che in te si posa; Tuo divin frutto - sia benedetto, O fra le donne - l avventurosa! Vergine santa - madre di Dio, Per noi tapini - leva preghiera, Ond Ei ci guardi - con occhio pio Quando ne aggravi - l ultima sera! (Partono) Scena Settima (Pirro, Pagano) PIRRO Vieni!... già posa Arvino Nelle sue stanze... un servo il disse. PAGANO Oh gioia! Spegni l infausta lampa... La luce delle fiamme Il trionfo schiarar di mia vendetta Dovrà fra pochi istanti... Attendi! (Entra cautamente nelle stanze di Arvino) Scena Ottava (Pirro solo, indi Giselda, infine Pagano con pugnale insanguinato, e Viclinda) PIRRO (Vedesi nell interno chiaror di fiamme) Ma gli sgherri han sparso il foco!... Qual rumore di spade ascolto! Accorriam... nel duro giuoco Ben cambiar saprò di volto. (Parte sguainando la spada. Giselda attraversa la scena rapidamente) VICLINDA (trascinata da Pagano) Scellerato!... - Oh sposo... PAGANO Il chiedi Alla punta d un pugnale... Taci e seguimi. VICLINDA A tuoi piedi Pria morir!... PAGANO E chi mai vale Per salvarti in queste soglie? Niuno ormai da me ti scioglie; Solo ai pianti, ai mesti lai (L incendio interno va estinguendosi) Può risponderti lo sgherro. Chi t ascolti qui non hai... Scena Nona (Arvino, Giselda, Pirro, Armigeri, Servi con torcie, e Detti) ARVINO Io l ascolto. PAGANO O mio stupor!!! Pur di sangue ... è intriso il ferro... Chi l versava? VICLINDA, GISELDA Il padre!... TUTTI (con Pagano, che lascia cadere il ferro) Orror!!! Mostro d averno orribile, Nè a te (me) si schiude il suolo? Non ha l Eterno un fulmine Che t abbia (m abbia) a incenerir? Tu fai (Farò) col nome solo il cielo inorridir! ARVINO Parricida!... E tu pure trafitto Sulla salma del padre morrai. GISELDA (frapponendosi) Deh non crescer delitto a delitto! Altra scena risparmia d orror. PAGANO (ad Arvino) Che?... ti fermi?... coraggio non hai?... Mira... io stesso aprirò la ferita. (Fa per uccidersi colla spada, ma vien fermato dagli Armigeri) CORO Sciagurato!... la vita, la vita Ti fia strazio di morte peggior. TUTTI Va! (Ah!) sul capo ti grava l Eterno La condanna fatal di Caino; Più che il foco e le serpi d averno Le tue (mie) carni il terror struggerà! Va! (Ahi!) fra i fiori di lieto cammino, Nelle grotte, fra i boschi sul monte. Sangue ognor verserai (verserò) dalla fronte, Sempre al dosso un demon ti (mi) starà. Verdi,Giuseppe/I Lombardi alla prima crociata/II
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Vehicle Sherman Calliope Contents 1 Sherman Calliope Veterancy 2 Tactics 3 History 4 Requires 4.1 Calliope Rocket Launcher 5 Called In Using 5.1 M4 Sherman Calliope Reinforcement 6 Company Abilities 6.1 Field Repairs 6.2 Allied War Machine 7 Vehicle Abilities 7.1 Calliope Barrage 7.2 Sherman Smoke Shell 8 Vehicle Upgrades 8.1 Defensive Smoke Screen 9 Vehicle Weapons 9.1 Calliope Rocket 9.2 30 Cal Coaxial MG 9.3 30 Cal Hull MG Sherman Calliope Health 636 Max Speed 4 Sight 35 Cost 42090 Acceleration 1.6 Detection 0/0 Time 55 Deceleration 4 Hotkey Population 10 Rotation 35 Target Type armour_sherman Upkeep 13.824 Crush Human true Critical Type supply_truck Crush Mode crush_medium Rear Damage Enabled true Sherman Calliope Veterancy [Expand][Hide] Maximum Speed Barrage Recharge 1.25 -5 12 Vet-Exp Penetration Barrage Recharge 1.5 -5 24 Vet-Exp Damage Barrage Recharge 1.25 -5 36 Vet-Exp Tactics The Calliope can only be used with the Armored Doctrine. Calliopes do decent damage to vehicles and tanks. The closer the calliope is to the target it is barraging the less spread the rockets will have. Calliopes are excellent to use to support a Pershing, call in a calliope barrage first to weaken enemy tanks then move the Pershing in to attack the weakened tanks. History The US Army felt that they needed a rocket launcher of their own to match the German Nebelwerfer, and additionally sought to place it on a self-propelled chassis. One of the projects to develop a rocket platform brought forth the M4 Sherman Calliope, marrying the T-34 Calliope launcher to an M4 Sherman. This platform was given field trials in Italy, where it met with mixed results. The weapon s maximum range was shorter than desired, and it could only reach that range if the tank was angled upwards on a slope. The launcher was connected to the main gun, using it to traverse the launcher up and down, so the gun couldn t fire until the launcher was ejected. Reloading was a laborious process, and the tank crews required significant retraining to act as competent artillery. Despite this, the trials proved the rocket barrage was devastating against even armoured targets, and some of the modified vehicles were used in the main European theater in a select few tank battalions. The M4 Sherman Calliope is another vehicle that shows up too early in Company of Heroes. There were none available during the Normandy invasion, and would only appear until their field trials in Italy were completed and that nation had fallen. Requires Calliope Rocket Launcher [Expand][Hide] Cost 3 Time Hotkey Effects Deploy an M4 Sherman outfitted with a Calliope T34 Rocket Launcher to the battlefield. ESee Upgrade Calliope Rocket Launcher for details. Called In Using M4 Sherman Calliope Reinforcement [Expand][Hide] Cost 650 Activation targeted Duration 0 Target tp_any Recharge 45 Hotkey Effects An M4 Sherman equipped with a T34 Calliope Rocket Launcher is available for mobile Artillery Support. ESee Ability M4 Sherman Calliope Reinforcement for details. Company Abilities Field Repairs [Expand][Hide] Cost 150 Activation timed Duration 20 Target tp_any Recharge 45 Hotkey Effects Crews will Repair their own Vehicles automatically. ESee Ability Field Repairs for details. Allied War Machine [Expand][Hide] Cost 200 Activation timed Duration 30 Target tp_any Recharge 90 Hotkey Effects Replaces up to 2 destroyed Allied tanks with a new Tank for a period of time. ESee Ability Allied War Machine for details. Vehicle Abilities Calliope Barrage [Expand][Hide] Cost Activation targeted Duration _ Target tp_position Recharge 90 Hotkey B Effects Ripple fire a massive Rocket Barrage from the T34 Launcher on the Calliope. ESee Ability Calliope Barrage for details. Sherman Smoke Shell [Expand][Hide] Cost 50 Activation timed Duration 29 Target tp_entity_and_position Recharge 45 Hotkey S Effects A Smoke Round is fired from the vehicle, temporarily masking itself or targets. ESee Ability Sherman Smoke Shell for details. Vehicle Upgrades Defensive Smoke Screen [Expand][Hide] Cost 15025 Time 45 Hotkey N Effects Equip your M4 Sherman s with Smoke Canisters to create Defensive Smoke Screens. ESee Upgrade Defensive Smoke Screen for details. Vehicle Weapons Calliope Rocket [Expand][Hide] Weapon Calliope Rocket See Weapon Calliope Rocket for details. 30 Cal Coaxial MG [Expand][Hide] Weapon 30 Cal Coaxial MG See Weapon 30 Cal Coaxial MG for details. 30 Cal Hull MG [Expand][Hide] Weapon 30 Cal Hull MG See Weapon 30 Cal Hull MG for details. Retrieved from http //coh-stats.com/Vehicle Sherman_Calliope