約 2,626,085 件
https://w.atwiki.jp/gununu/pages/243.html
THE MOMOTAROH 作品情報 1枚 モモタロウ
https://w.atwiki.jp/ivdd/pages/938.html
Takuya Matsumoto 監督 飯田里穂「グラキン☆クイーン 飯田里穂 Real18～大人への扉～」 出演者 飯田里穂 メーカー ポニーキャニオン 発売日 2010/2/17 通販 Amazon.co.jp DMM
https://w.atwiki.jp/becomefumo/pages/56.html
マップ概要 Scuffed BecomeFumoのマップは広く、 水上に浮かぶいくつかの島で構成されている。 （以降、名称は仮称） スポーンポイントの島 ゲームに入って最初に降り立つ島。 2番目に大きく、ほとんどのアイテムがここに置かれている。 噴水 噴水。噴水の上にラジオがある以外は、BecomeFumoのものと同じデザイン。 insert logo hereの店 主に武器アイテムが置かれているお店。 きっといつかいい看板が架けられるはず。知らんけど ピザ屋さん ピザ屋さん。ルンバとピザがおいてある。 電子レンジ 巨大な電子レンジ。なぜかドンキホーテの曲が流れている。 下層の休憩スペース的なところには普通のサイズの電子レンジがおいてある。 ステージ 床がピカピカしている Furrsethの島 Furrseth（Fumo Radio）氏が店主を勤める（？）店がある島。 Furrsethの店 Furrseth氏が出迎える。 本物のプレイヤーかと思ってびっくりするかもしれないが、偽物。 ミニチュアのDreamyOnASlide氏や、SuwakoOnAChair氏の椅子など、 いろいろな小物が置いてある。 housの島 小さな家がある島。 レーストラックの島 一番大きい島。 メガふも仕様に拡大された噴水ゾーンと、 ルンバでのレースが楽しめるレーストラックがある。 滑り台 非常に高いすべり台。 滑り降りるとマップの端に落ちて死ぬ。 白黒の世界(Hard Obby) すべり台のふもとから入れる世界。 足場パズルっぽい雰囲気がするが、どうやって登るのかよくわからない。 と思ったら作者自身がウォークスルーをアップしていた。 最初のくぼみに飛び乗ることすら実際にやってみると大変だったので、クリアするのは相当難しいと思われる。
https://w.atwiki.jp/contemporary-artist/pages/14.html
Ryota Matsumoto is the renowned philosopher and visual artist known for the hybrid art and postdigital theory. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Education Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London, Mackintosh School of Architecture, Glasgow School of Art and University of Miami in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. Architectural and Visual Work As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Prize, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto's multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Official Website http //ryotamatsumoto.com
https://w.atwiki.jp/dominions3/pages/61.html
Summon Kappa 水陸両用だが地上では急激に疲労するKappaを召喚します Summon Kappa ジェム 疲労 内部ID 209 1 使用 水中判定 効果 効果量 儀式 Summon 主属性 主Lv 効果発生数 射程距離 Water 1 1 副属性 副Lv 効果範囲 命中補正 Nature 1 0 領域 Lv 防御判定 抵抗判定 Conjuration 1 専用国家 EA Yomi, LA Jomon ゲーム内説明文 The Kappa is a scaled humanoid with a turtle shell on its back. It is a being of water and haunts rivers and wild coasts. The Kappa has a water-filled depression on the top of its head. If this water is spilled, it loses its strength. In battles on dry land, the Kappa will gain fatigue until unconscious. It is also a master of Koppo, the bone breaking technique. The Kappa is also able to mend broken bones if it suffers injury. 和訳 Kappaは、亀の甲羅を背負った人間型の生物です。それは水の中に生きる存在で、川と自然の海岸にたびたび訪れます。Kappaには、その頭の上に水を満たしたへこみがあります。この水がこぼれると、彼らは力を失います。陸地の戦いでは、彼らは意識を失うまで次第に疲労していきます。彼らは骨法の達人でもあり、敵の骨を折る技術を持ちます。逆に深い傷を負ったならば、折れた骨を直すこともできます。 注記 序盤から利用可能な水陸両用兵士、Kappaの召喚魔法。Middle AgeのShinuyamaでは雇用可能なため、魔法のほうは利用できなくなっている。 そこそこ高いHPと防御力を持ち、力も強め。武器こそ持たないが、爪攻撃に加えて敵にLimpを付加する骨法も用いる。戦闘スキルは寒いが一応2連攻撃なので、集団で襲いかかればそこそこへし折れる。 Limp効果は致命傷になることは少ないが、治療できない国にとっては事実上の永続弱体化攻撃となるので、高価な兵や戦闘指揮官に狙ってみるのも悪くない。ただし骨法は命中率が低いので、強敵を狙うには何らかの補助が欲しい。 魔法抵抗力がやけに低い点と、地上では何もしなくても疲労していくのが気になるが、水中で使う限りは盾無しの点も含めてさほど気にならなくなる。もっとも、地上でも他の部隊の応援として参戦するならなんとかなる。 Recuperationを持つのもありがたく、防御が堅いが攻撃を受け易い兵にありがちな、Afflictionによる事実上の戦力外化を防いでくれる。長期的に利用する際には大いに恩恵を受けられるだろう。 どうでも良いことではあるが、KappaにKoppoを使わせるというのはあちらなりのジョークだろうか。 コメント 名前 コメント
https://w.atwiki.jp/japanesehiphop/pages/559.html
Format Title Artist Label Model Number Release Press 12 DIG ON SUMMER(promo) MURO INCREDIBLE RECORDS KODP 98000 1998/--/-- - Side Track Title Produce A 1 DIG ON SUMMER feat.TINA MURO,DJ WATARAI 2 DIG ON SUMMER(Inst) MURO,DJ WATARAI B 3 WEEKEND FUNK #7 feat.BOO,G.K.MARYAN,GORE-TEX,RED BURN WINKLE,S-WORD,TINA MURO,DJ WATARAI 4 WEEKEND FUNK #7(Inst) MURO,DJ WATARAI PERTAIN CD AMAZON K.M.W
https://w.atwiki.jp/household/pages/43.html
https://w.atwiki.jp/green-p/pages/147.html
楠本 和也 【KAZUYA KUSUMOTO】 仕事：駆け寺の庭掃除 役職：会長の恋人 動物：情熱の赤い狼 楠本３兄弟の長男。 末っ子の「直也」は小野田（その他諸々）らと、高校時代の同級生。 そして、当の和也くんは、高校時代に会長のお兄様とお付き合いがあったらしいと言う、アウトサイダーな腐れ縁的拘わりをＧ．Ｐ．と交わしてきた逸材である。 現在は、昔の男の弟である「会長」＆「会長のもう一人の恋人」と、ラブラブ同居♪は一体何十年目？ 一度決めた事には誠心誠意を傾ける。 その信条は、他のスタッフも、ぜひ、見習って欲しい部分でもある。 kazuya.gif ぽち兄様にきらめいてもらいましたぁ 「きらめく二択100問」への回答結果です。 《寝室》MENUへ戻る 《玄関》へ戻る
https://w.atwiki.jp/japaneseartist/pages/10.html
Ryota Matsumoto is one of the most prominent philosophers of postdigital theory and visual artist known for the hybrid art. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Biography Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Finalist, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Links The Official Website https //www.ryotamatsumoto.com The New Centre Profile https //thenewcentre.org/people/ryota-matsumoto Prabook https //prabook.com/web/ryota.matsumoto/619708 Facebook https //www.facebook.com/ryota.matsumoto.718 Instagram https //www.instagram.com/ryt.matsumoto Enpedia https //enpedia.rxy.jp/wiki/松本良多 LinkedIn https //www.linkedin.com/in/ryota-matsumoto-68746080 Discogs https //www.discogs.com/ja/artist/5796857-Ryota-Matsumoto Muck Rack Journalist Profile https //muckrack.com/ryota-matsumoto
https://w.atwiki.jp/ff14lom/pages/48.html
Rina Momosaki 種族：ヒューマン(♀) メインJOB：召喚 召喚一筋のまったり派筆頭。 コミュ力が高くフレンドが多いのでLOMの外交官的な位置づけだったりする。 FCでPTを組む際に足りないメンバーが居るとフレンドを連れてきてくれる。