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ATTO SECONDO Scena Prima (Alcina, Astolfo) ALCINA Tantè l’amor per variar d’oggetto fa più dolce il gioire nel fortunato ardor del nuovo affetto. ASTOLFO Talché Alcina egli è ver tocca penare al povero mio cor, quand’altri gode. ALCINA Fonte perenne è il sol della sua luce, e il sol della bellezza perenne è di sue gioie e s’un ne gode ad altri non invola il soave piacer del godimento. ASTOLFO Una donna incostante è un gran tormento! Non ho più cor da sofferir quest arti, Con cui dividi amor. ALCINA Povero Astolfo! Non hai più cor da sostenerle? Parti. ASTOLFO Ch io mi parta da te? Troppo tenaci Le mie ritorte son. ALCINA Resta, ma taci. ASTOLFO Ahi qual barbara legge imponi al core? Dovrò vederti, infida, Né il povero mio amor potrà lagnarsi? ALCINA Questa è la strada Astolfo Per meritar gl affetti miei. La sola Sofferenza può un dì farti felice. ASTOLFO Comincia molto mal la mia fortuna! Io t amo, e t amo, o bella Col più tenero amor, col più costante, Ch accendesse giammai altr alma amante. E tu donna crudele... ALCINA Al vento spargi omai le tue querele. Vorresti amor da me? L avrai, l avrai; Ma non sperar, che mai Al solo solo foco De tuoi languenti rai Arda il mio cor T inganni se lo credi, Sei cieco, se non vedi, Ch io contenta non son D un solo amor. Scena Seconda (Astolfo, Bradamante) ASTOLFO Per qual donna incostante, Crudele amore m incatenasti il core? Barbara ancor d infedeltà ti vanti? E questa la mercede Che doni in ricompensa alla mia fede? BRADAMANTE Forte campion non ti vergogni ancora Che una perfida donna ingannatrice Te pur tenga d amor nel laccio involto? Scuoti il giogo crudel, vinci te stesso. ASTOLFO Veggio il mio danno espresso Nel doppio infido cor d Alcina ingrata. BRADAMANTE È una maga spietata, Che con occulta infame forza (oh Dio) Anco del mio Ruggier l amor mi tolse, Ma vendicar saprò l oltraggio mio. ASTOLFO Protegga il cielo i tuoi disegni, e sia La tua vendetta ancor vendetta mia. Benché nasconda La serpe in seno Spietata, e immonda Il rio veleno, È men crudele Dell infedele Che t ingannò. È pieni di frodi Il Regno infido, E in altro lido Io fuggirò. Scena Terza (Bradamante, Ruggiero, Orlando) BRADAMANTE Qui viene il mio Ruggier resisti o core. RUGGIERO Stella d’amor che il mattutino albore precedi e messaggera sei del notturno orror tornando in cielo, diimi, sotto uman velo vedesti mai maggior fede e beltà di quella onde il mio bene adorno va? BRADAMANTE Del suo non vidi mai cuor più infedele. RUGGIERO Qui Olimpia delirante! Lascia, o bella, i sospiri e le querele. BRADAMANTE Tempo già fu che anch’io bella e vezzosa sembrava a l’empio cor che chiudi in seno. RUGGIERO Te lo ridico ancor, non son Bireno. BRADAMANTE Guarda ancora questi occhi. Li conosci fellon? Nel loro ardor di Bradamante Vedi l irato cor? Guardali bene Guardali traditor. RUGGIERO Non mi sovviene. ORLANDO (a Ruggiero) Non ti sovviene la fé, mal cavaliero, Che le giurasti. RUGGIERO Ahimé! BRADAMANTE L aurato cerchio Quest è, che di tue fé mi dasti in pegno. Miralo. (gli dà l anello che, passato in di lui mano, scioglie l incanto) RUGGIERO Oh ciel! Qual velo Mi si squarcia dagl occhi? O Bradamante, o sposa? ORLANDO Il sacro anello Sciolse l incanto, onde l idea nascosa Le rimaneva infin del tuo bel volto. RUGGIERO Mie dilette pupille, occhi sdegnosi, Stelle irate d amor, ah fulminate... BRADAMANTE Torna con questo anello, Ruggiero, a rimirar d Alcina il bello; E se allora da te vien riamata Ti perdono, e mi parto invendicata. RUGGIERO Deh, cor mio! Deh, mia vita! BRADAMANTE Taci non ti lagnar Taci non mi pregar. Disperdi i pianti all aure, i prieghi al vento. Bugiardo infido cor, E menzognero ancor Nel pentimento. (Ruggiero, Orlando) RUGGIERO Qual terra ignota al sol, qual antro cieco Mi asconde ai miei rimorsi? Io t ho tradita Bradamante mia vita. Tornate al core o lagrime, e lavate La macchia del mio errore. ORLANDO Macchia forzata D invontario error non passa al core. RUGGIERO Segna il volto però d un gran rossore. ORLANDO Che d ira generosa illustre figlio L altra virtù di nobil alma addita. Consolati Ruggier; come si vede Dopo un turbine rio, Splender più chiara in ciel stella serena, Così quell alma irata Tosto vedrai, da sdegni suoi placata. Sorge irato nembo, E la fatal tempesta, Col mormorar dell onde, Ed agita, e confonde, E cielo e mare. Ma fugge in un baleno L orrida nube infesta, E l placido sereno In cielo appare. Scena Quarta (Montuosa alpestre con alta e scoscesa rupe che si precipita e si trasforma in un’orrida caverna della quale in nessuna parte si vede l’uscita) (Angelica, Medoro) MEDORO Da questi sassi? ANGELICA Sì, da questi sassi, Scintillar deve il foco, onde la face Accenderà Imeneo A far delle nostr alme una sol alma. MEDORO Ma Orlando, o ciel. ANGELICA Non paventar, che Orlando Non ne vedrà la fiamma in me confida, E lasciami qui sola A terminar del nostro amor la sorte. MEDORO Ah, ch in partir timido e mesto il core, È costretto a penar lungi al suo bello Fra speranza, e timore. Qual candido fiore Che sorge nel prato Rinasce nel core La bella mia speme, Poi torna a perir; Son troppo felice Se amarti mi lice Ma l anima amante Fedele e costante Lontan dal suo bene Si sente languir. (Medoro esce) Scena Quinta (Orlando e Angelica) ANGELICA Né giunge Orlando ancor? Con la sua morte assicurar vuò la mia pace. Qui l’importuno, cauta alma mia, se vuoi goder. ORLANDO Mia bella eccomi sospirosa m’accogli Ancor? Favella; a qual rispetto mai Per te si bada? V’ha periglio? Vi son mostri o giganti? Ho core, ho braccio, ho spada Da vincerli per te. ANGELICA M’inorridisco al sol pensarvi troppo Mi costeria costando un tuo periglio La capricciosa mia brama importuna. ORLANDO Questa è amorosa fé, quello è un bel core. Chi vide mai più fortunato amore? Dove dove fuggisti anima mia? Torna deh torna o cara E svelami tua brama, O mi vedrai al tuo piede estinto. ANGELICA Ingegnoso crudel, perfine hai vinto. Sulla rupe che vedi aregenteo vaso Serba l acque fatali, Onde Medea del già cadente Esone Fè rifiorir l etade. Io lo vorrei. ORLANDO E valeva i tuoi sospir sì lieve brama? ANGELICA Vigile sempre a lor custodia è intento Orribil mostro, e indomito dimora. ORLANDO Io il domerò. ANGELICA Noi fortunati allora Potrem durando sempre in fior d etade Render eterni i nostri dolci affetti. ORLANDO Oh, soave sperar quanto m alletti! ANGELICA Oh, Dio! T amo e pavento... ORLANDO T amo e sì gran vigore Infonde nel mio sen, cara, il tuo amore, Ch ogni periglio io sfido La rupe io saglio, e il fiero mostro uccido. Scena Sesta ASTOLFO Orlando, dov è Orlando? Arresta il passo. ANGELICA Ah! Son scoperta. ASTOLFO A certa morte vassi per l infausto sentier. ORLANDO Tema al mio core? ASTOLFO Se certa morte allor, virtù è il timore. Scena Settima (Orlando solo nella caverna) ORLANDO Precipizio ch altrui morte saria Raddoppia in me il vigor. Mostro, mostro, ove sei? Ti sfido esci; paventi Uscirmi a fronte? A te la vita lascio; Né dell orrido teschio ornar pretendo; Né dell irsute cuoia i miei trionfi. L acque m addita o quest orribil speco Di te covile io struggerò, e rapina Farò di lor. (Orlando entra nella grotta si chiude dietro di lui con grandi rocce) VOCE DI DENTRO Sei prigionier d Alcina. ORLANDO Prigioniero! Chi parla? Ho al fianco il brando, Né l insano tuo dir sgomenta Orlando. (Guarda attorno, e non vede esservi uscita) Qui donde uscir non scorgo; Sassi orgogliosi intendo Il muto favellar del vostro orrore. Son tradito, il veggo, il so, Ma al destin non cederò. (Tenta di svellere i sassi) Dure selci cedete In vano resistete Alla scossa del mio braccio possente. (Sevelle un sasso) Un marmo ho già divelto incerta luce Nella cupa spelonca ora traluce. (Fa nuovi sforzi) Ingratissima Angelica. Il mio core Presa lena maggior da sdegni suoi Giusto furor traspira. Uscirò infida, ed il tuo nuovo amore Calpesterò tutto dispetto, ed ira. All estrema mia possa Altro sasso già cede aperto è il passo. Esce da tua prigione, Alcina, Orlando, Dell infame tuo Regno A far scempio crudele, e memorando. (Lascia la grotta) Scena Ottava (Bradamante, Ruggiero) BRADAMANTE Hai vinto alfine o mio pudico amore Ruggier mercé del prezioso anello Vide il deforme aspetto, Che nell iniqua Alcina A forza d arti ignote altrui par bello. RUGGIERO Rimanti alle tue caccie e ai tuoi piaceri Perfidissima Alcina. Vanne, inganna altro core, trova altro amore, Ch io gi riscossa ho l alma Dall indegno servaggio. BRADAMANTE E ben Ruggiero La bellissima Alcina, La novella deità del tuo cor come ti aggrada? RUGGIERO Quanto, oh quanto al tuo amore, Quanto alla tua pietà deggio o mia bella! BRADAMANATE Vanne, vanne ad Alcina, io non son quella. RUGGIERO Forza crudel d incanto Discolpa del mio error, e mi difende. BRADAMANTE Va gentil cavaliero, ella ti attende. RUGGIERO Non ti basta il cordoglio che mi tormenta il sen? BRADAMANTE Vendetta io voglio. RUGGIERO Ecco il dardo ecco il petto, Ove amor già ferì co gl occhi tuoi Ora con la tua man morte ferisca. Oh felice morir, se m è concesso Per te... BRADAMANTE Mori crudel, ma in questo amplesso. RUGGIERO Che bel morirti in sen, Mio dolce amato ben Gioia dell alma. Amo gli sdegni tuoi Se al cor ritorna poi Sì bella calma. BRADAMANTE (sola) Narrate i miei contenti, frondi erbe e fiori, antri, aure, venti. Vinto ha già l’alma mia. Il mio fido Ruggier tornò qual pria. Se cresce un torrente con torbida piena E rompe la sponda, altera si spande Ne’ campi quell’onda E freno non ha. La gioa è sì grande che l’anima sente Che il cor si risente e dentro se stesso L’estremo piacere racchiuder non sa. Scena Nona (Campagna a piedi d un colle con boschetto alle parti, all ombra de quali vedesi apparecchio di vasellami, e la tazza nuziale d i Angelica, e Medoro) CORO Al fragor de corni audaci S oda il colle ad echeggiar; Ed al suon di casti baci Venga Amore a trionfar. MEDORO Te gran Diva di Cipro alta, e possente, Te faretrato amor, bevendo invoco, E te Bromio festivo Perché lieto, e giulivo Per Angelica sempre arda il mio foco. (Beve, poi presenta la tazza ad Angelica) CORO Gran Madra Venere Gran nume Tespio Gran Pare Libero Odi i suoi voti. ALCINA Così da questi Dei Si udisser per Ruggiero i voti miei. ANGELICA Te Citerea vezzosa, Te dolcissimo amore! Te Libero amoroso La tazza nuzial vuotando invoco. Quale è il dolce liquore Tal sia, ma eterno sia Per Medoro a me in sen mai sempre amante. CORO Diva dell Espero Fanciullo Idalio Nume semeleo Odi i suoi voti. ALCINA Così da questi dei S udissero per Ruggero i voti miei. Alme felici io parto ah, perdonate Al mio timor, all amor mio, se parto. Mirate anco in partir dispiega a voi L infelice cor mio gl auguri suoi (addita le iscrizioni) "Vivan sempre amorosi Angelica, e Medoro amanti, e sposi." Così potessi anch io Goder coll idol mio La pace, che trovar non può l mio cor. Ma unito alla mia stella, E perfida, e rubella Sol tormenti minaccia il dio d amor. (esce) Scena Decima (Angelica e Medoro) MEDORO M’ha commosso a pietà. ANGELICA Lasciamo a lei de’ suoi martir Le pene e in queste verdi pianticelle amene Verghiamo noi le nostre gioie, O caro. MEDORO Sì. Crescano le tenere corteccie, e in loro il testimon del nostro ardore. ANGELICA E in ogni cor gentil servo d’amore Brilli per noi lo spirto. Io vergo quest’alloro. MEDORO Io questo mirto. (Vergano con i dardi le cortecce degli alberi) ANGELICA, MEDORO Belle pianticelle crescete verdeggiate Il nostro dolce amor e il nostro lieto amor In voi serbate. ANGELICA Leggi nel verde alloro. MEDORO (legge) Angelica qui fu sposa a Medoro. Leggi il mirto amoroso. ANGELICA (legge) Medoro qui d Angelica fu sposo. ANGELICA Sei mia fiamma, e sei mio bene Sei mio sole, e sei mio cor In sue amabili catene Ne restringa eterno amor. MEDORO Sei mia gioia, sei mia pace Sei mia stella, e sei mio ben, Quanto amabile è la face Che mi accende il core in sen. Scena Undicesima ORLANDO (solo, che giunge e vede partire Angelica e Medoro) Ah sleale, ah spergiura, Donna ingrata infedel cor traditore; Del tuo malnato errore Vengo a smorzar... oh ciel, che leggo? Ahi lasso! EVivan sempre amorosi, Angelica, e Medoro amanti, e sposi". Angelica, e Medoro amanti, e sposi? Questa è la scure, la scure, Ahimé, ch il capo tronca alla mia speme. Di Medoro il mio bene? Sgorgate, o lagrime A fonti, a rivi. No, ch è poco, a torrenti, a fiumi, a mari. Arde Orlando, che Orlando? Eh, Orlando è morto. La sua donna ingratissima l ha ucciso. Io son lo spirto suo da lui diviso, E son con l ombra mia, che sol s avanza Esempio a chi in amor pone speranza. (Legge sopra l alloro) "Angelica qui fu sposa a Medoro". Chi segnò quest alloro! Lo vergò di sua man la mia tiranna, V impresse di sua mano il mio martoro. Amanti e sposi? oh Dei! Sposa a Medoro! Vendetta, sì vendetta incontro amore; Or n ho trovato il modo, Per cacciarmel dal sen trarommi il core. Io ti getto elmo, ed usbergo Ite o piastre e maglie al suolo. (Legge nel mirto segnato da Medoro) "Medoro qui d Angelica fu sposo"! A te mirto orgoglioso Vò sfrondarti, schiantarti Sino all ultimo bronco, Ed estirpar dalla radice il tronco. Ho cento vanni al tergo Ho duecent occhi in fronte, E nel furor che ho in sen M adiro almeno almen con mille cuori. Sopra quei vanni io m ergo Volo dal piano al monte Quelle pupille io miro Con tutti i cuor. Sospiro. Occhi, vanni, furor, cuori, oh martoro! Amanti, e sposi Angelica, e Medoro! ATTO SECONDO Scena Prima (Alcina, Astolfo) ALCINA Tantè l’amor per variar d’oggetto fa più dolce il gioire nel fortunato ardor del nuovo affetto. ASTOLFO Talché Alcina egli è ver tocca penare al povero mio cor, quand’altri gode. ALCINA Fonte perenne è il sol della sua luce, e il sol della bellezza perenne è di sue gioie e s’un ne gode ad altri non invola il soave piacer del godimento. ASTOLFO Una donna incostante è un gran tormento! Non ho più cor da sofferir quest arti, Con cui dividi amor. ALCINA Povero Astolfo! Non hai più cor da sostenerle? Parti. ASTOLFO Ch io mi parta da te? Troppo tenaci Le mie ritorte son. ALCINA Resta, ma taci. ASTOLFO Ahi qual barbara legge imponi al core? Dovrò vederti, infida, Né il povero mio amor potrà lagnarsi? ALCINA Questa è la strada Astolfo Per meritar gl affetti miei. La sola Sofferenza può un dì farti felice. ASTOLFO Comincia molto mal la mia fortuna! Io t amo, e t amo, o bella Col più tenero amor, col più costante, Ch accendesse giammai altr alma amante. E tu donna crudele... ALCINA Al vento spargi omai le tue querele. Vorresti amor da me? L avrai, l avrai; Ma non sperar, che mai Al solo solo foco De tuoi languenti rai Arda il mio cor T inganni se lo credi, Sei cieco, se non vedi, Ch io contenta non son D un solo amor. Scena Seconda (Astolfo, Bradamante) ASTOLFO Per qual donna incostante, Crudele amore m incatenasti il core? Barbara ancor d infedeltà ti vanti? E questa la mercede Che doni in ricompensa alla mia fede? BRADAMANTE Forte campion non ti vergogni ancora Che una perfida donna ingannatrice Te pur tenga d amor nel laccio involto? Scuoti il giogo crudel, vinci te stesso. ASTOLFO Veggio il mio danno espresso Nel doppio infido cor d Alcina ingrata. BRADAMANTE È una maga spietata, Che con occulta infame forza (oh Dio) Anco del mio Ruggier l amor mi tolse, Ma vendicar saprò l oltraggio mio. ASTOLFO Protegga il cielo i tuoi disegni, e sia La tua vendetta ancor vendetta mia. Benché nasconda La serpe in seno Spietata, e immonda Il rio veleno, È men crudele Dell infedele Che t ingannò. È pieni di frodi Il Regno infido, E in altro lido Io fuggirò. Scena Terza (Bradamante, Ruggiero, Orlando) BRADAMANTE Qui viene il mio Ruggier resisti o core. RUGGIERO Stella d’amor che il mattutino albore precedi e messaggera sei del notturno orror tornando in cielo, diimi, sotto uman velo vedesti mai maggior fede e beltà di quella onde il mio bene adorno va? BRADAMANTE Del suo non vidi mai cuor più infedele. RUGGIERO Qui Olimpia delirante! Lascia, o bella, i sospiri e le querele. BRADAMANTE Tempo già fu che anch’io bella e vezzosa sembrava a l’empio cor che chiudi in seno. RUGGIERO Te lo ridico ancor, non son Bireno. BRADAMANTE Guarda ancora questi occhi. Li conosci fellon? Nel loro ardor di Bradamante Vedi l irato cor? Guardali bene Guardali traditor. RUGGIERO Non mi sovviene. ORLANDO (a Ruggiero) Non ti sovviene la fé, mal cavaliero, Che le giurasti. RUGGIERO Ahimé! BRADAMANTE L aurato cerchio Quest è, che di tue fé mi dasti in pegno. Miralo. (gli dà l anello che, passato in di lui mano, scioglie l incanto) RUGGIERO Oh ciel! Qual velo Mi si squarcia dagl occhi? O Bradamante, o sposa? ORLANDO Il sacro anello Sciolse l incanto, onde l idea nascosa Le rimaneva infin del tuo bel volto. RUGGIERO Mie dilette pupille, occhi sdegnosi, Stelle irate d amor, ah fulminate... BRADAMANTE Torna con questo anello, Ruggiero, a rimirar d Alcina il bello; E se allora da te vien riamata Ti perdono, e mi parto invendicata. RUGGIERO Deh, cor mio! Deh, mia vita! BRADAMANTE Taci non ti lagnar Taci non mi pregar. Disperdi i pianti all aure, i prieghi al vento. Bugiardo infido cor, E menzognero ancor Nel pentimento. (Ruggiero, Orlando) RUGGIERO Qual terra ignota al sol, qual antro cieco Mi asconde ai miei rimorsi? Io t ho tradita Bradamante mia vita. Tornate al core o lagrime, e lavate La macchia del mio errore. ORLANDO Macchia forzata D invontario error non passa al core. RUGGIERO Segna il volto però d un gran rossore. ORLANDO Che d ira generosa illustre figlio L altra virtù di nobil alma addita. Consolati Ruggier; come si vede Dopo un turbine rio, Splender più chiara in ciel stella serena, Così quell alma irata Tosto vedrai, da sdegni suoi placata. Sorge irato nembo, E la fatal tempesta, Col mormorar dell onde, Ed agita, e confonde, E cielo e mare. Ma fugge in un baleno L orrida nube infesta, E l placido sereno In cielo appare. Scena Quarta (Montuosa alpestre con alta e scoscesa rupe che si precipita e si trasforma in un’orrida caverna della quale in nessuna parte si vede l’uscita) (Angelica, Medoro) MEDORO Da questi sassi? ANGELICA Sì, da questi sassi, Scintillar deve il foco, onde la face Accenderà Imeneo A far delle nostr alme una sol alma. MEDORO Ma Orlando, o ciel. ANGELICA Non paventar, che Orlando Non ne vedrà la fiamma in me confida, E lasciami qui sola A terminar del nostro amor la sorte. MEDORO Ah, ch in partir timido e mesto il core, È costretto a penar lungi al suo bello Fra speranza, e timore. Qual candido fiore Che sorge nel prato Rinasce nel core La bella mia speme, Poi torna a perir; Son troppo felice Se amarti mi lice Ma l anima amante Fedele e costante Lontan dal suo bene Si sente languir. (Medoro esce) Scena Quinta (Orlando e Angelica) ANGELICA Né giunge Orlando ancor? Con la sua morte assicurar vuò la mia pace. Qui l’importuno, cauta alma mia, se vuoi goder. ORLANDO Mia bella eccomi sospirosa m’accogli Ancor? Favella; a qual rispetto mai Per te si bada? V’ha periglio? Vi son mostri o giganti? Ho core, ho braccio, ho spada Da vincerli per te. ANGELICA M’inorridisco al sol pensarvi troppo Mi costeria costando un tuo periglio La capricciosa mia brama importuna. ORLANDO Questa è amorosa fé, quello è un bel core. Chi vide mai più fortunato amore? Dove dove fuggisti anima mia? Torna deh torna o cara E svelami tua brama, O mi vedrai al tuo piede estinto. ANGELICA Ingegnoso crudel, perfine hai vinto. Sulla rupe che vedi aregenteo vaso Serba l acque fatali, Onde Medea del già cadente Esone Fè rifiorir l etade. Io lo vorrei. ORLANDO E valeva i tuoi sospir sì lieve brama? ANGELICA Vigile sempre a lor custodia è intento Orribil mostro, e indomito dimora. ORLANDO Io il domerò. ANGELICA Noi fortunati allora Potrem durando sempre in fior d etade Render eterni i nostri dolci affetti. ORLANDO Oh, soave sperar quanto m alletti! ANGELICA Oh, Dio! T amo e pavento... ORLANDO T amo e sì gran vigore Infonde nel mio sen, cara, il tuo amore, Ch ogni periglio io sfido La rupe io saglio, e il fiero mostro uccido. Scena Sesta ASTOLFO Orlando, dov è Orlando? Arresta il passo. ANGELICA Ah! Son scoperta. ASTOLFO A certa morte vassi per l infausto sentier. ORLANDO Tema al mio core? ASTOLFO Se certa morte allor, virtù è il timore. Scena Settima (Orlando solo nella caverna) ORLANDO Precipizio ch altrui morte saria Raddoppia in me il vigor. Mostro, mostro, ove sei? Ti sfido esci; paventi Uscirmi a fronte? A te la vita lascio; Né dell orrido teschio ornar pretendo; Né dell irsute cuoia i miei trionfi. L acque m addita o quest orribil speco Di te covile io struggerò, e rapina Farò di lor. (Orlando entra nella grotta si chiude dietro di lui con grandi rocce) VOCE DI DENTRO Sei prigionier d Alcina. ORLANDO Prigioniero! Chi parla? Ho al fianco il brando, Né l insano tuo dir sgomenta Orlando. (Guarda attorno, e non vede esservi uscita) Qui donde uscir non scorgo; Sassi orgogliosi intendo Il muto favellar del vostro orrore. Son tradito, il veggo, il so, Ma al destin non cederò. (Tenta di svellere i sassi) Dure selci cedete In vano resistete Alla scossa del mio braccio possente. (Sevelle un sasso) Un marmo ho già divelto incerta luce Nella cupa spelonca ora traluce. (Fa nuovi sforzi) Ingratissima Angelica. Il mio core Presa lena maggior da sdegni suoi Giusto furor traspira. Uscirò infida, ed il tuo nuovo amore Calpesterò tutto dispetto, ed ira. All estrema mia possa Altro sasso già cede aperto è il passo. Esce da tua prigione, Alcina, Orlando, Dell infame tuo Regno A far scempio crudele, e memorando. (Lascia la grotta) Scena Ottava (Bradamante, Ruggiero) BRADAMANTE Hai vinto alfine o mio pudico amore Ruggier mercé del prezioso anello Vide il deforme aspetto, Che nell iniqua Alcina A forza d arti ignote altrui par bello. RUGGIERO Rimanti alle tue caccie e ai tuoi piaceri Perfidissima Alcina. Vanne, inganna altro core, trova altro amore, Ch io gi riscossa ho l alma Dall indegno servaggio. BRADAMANTE E ben Ruggiero La bellissima Alcina, La novella deità del tuo cor come ti aggrada? RUGGIERO Quanto, oh quanto al tuo amore, Quanto alla tua pietà deggio o mia bella! BRADAMANATE Vanne, vanne ad Alcina, io non son quella. RUGGIERO Forza crudel d incanto Discolpa del mio error, e mi difende. BRADAMANTE Va gentil cavaliero, ella ti attende. RUGGIERO Non ti basta il cordoglio che mi tormenta il sen? BRADAMANTE Vendetta io voglio. RUGGIERO Ecco il dardo ecco il petto, Ove amor già ferì co gl occhi tuoi Ora con la tua man morte ferisca. Oh felice morir, se m è concesso Per te... BRADAMANTE Mori crudel, ma in questo amplesso. RUGGIERO Che bel morirti in sen, Mio dolce amato ben Gioia dell alma. Amo gli sdegni tuoi Se al cor ritorna poi Sì bella calma. BRADAMANTE (sola) Narrate i miei contenti, frondi erbe e fiori, antri, aure, venti. Vinto ha già l’alma mia. Il mio fido Ruggier tornò qual pria. Se cresce un torrente con torbida piena E rompe la sponda, altera si spande Ne’ campi quell’onda E freno non ha. La gioa è sì grande che l’anima sente Che il cor si risente e dentro se stesso L’estremo piacere racchiuder non sa. Scena Nona (Campagna a piedi d un colle con boschetto alle parti, all ombra de quali vedesi apparecchio di vasellami, e la tazza nuziale d i Angelica, e Medoro) CORO Al fragor de corni audaci S oda il colle ad echeggiar; Ed al suon di casti baci Venga Amore a trionfar. MEDORO Te gran Diva di Cipro alta, e possente, Te faretrato amor, bevendo invoco, E te Bromio festivo Perché lieto, e giulivo Per Angelica sempre arda il mio foco. (Beve, poi presenta la tazza ad Angelica) CORO Gran Madra Venere Gran nume Tespio Gran Pare Libero Odi i suoi voti. ALCINA Così da questi Dei Si udisser per Ruggiero i voti miei. ANGELICA Te Citerea vezzosa, Te dolcissimo amore! Te Libero amoroso La tazza nuzial vuotando invoco. Quale è il dolce liquore Tal sia, ma eterno sia Per Medoro a me in sen mai sempre amante. CORO Diva dell Espero Fanciullo Idalio Nume semeleo Odi i suoi voti. ALCINA Così da questi dei S udissero per Ruggero i voti miei. Alme felici io parto ah, perdonate Al mio timor, all amor mio, se parto. Mirate anco in partir dispiega a voi L infelice cor mio gl auguri suoi (addita le iscrizioni) "Vivan sempre amorosi Angelica, e Medoro amanti, e sposi." Così potessi anch io Goder coll idol mio La pace, che trovar non può l mio cor. Ma unito alla mia stella, E perfida, e rubella Sol tormenti minaccia il dio d amor. (esce) Scena Decima (Angelica e Medoro) MEDORO M’ha commosso a pietà. ANGELICA Lasciamo a lei de’ suoi martir Le pene e in queste verdi pianticelle amene Verghiamo noi le nostre gioie, O caro. MEDORO Sì. Crescano le tenere corteccie, e in loro il testimon del nostro ardore. ANGELICA E in ogni cor gentil servo d’amore Brilli per noi lo spirto. Io vergo quest’alloro. MEDORO Io questo mirto. (Vergano con i dardi le cortecce degli alberi) ANGELICA, MEDORO Belle pianticelle crescete verdeggiate Il nostro dolce amor e il nostro lieto amor In voi serbate. ANGELICA Leggi nel verde alloro. MEDORO (legge) Angelica qui fu sposa a Medoro. Leggi il mirto amoroso. ANGELICA (legge) Medoro qui d Angelica fu sposo. ANGELICA Sei mia fiamma, e sei mio bene Sei mio sole, e sei mio cor In sue amabili catene Ne restringa eterno amor. MEDORO Sei mia gioia, sei mia pace Sei mia stella, e sei mio ben, Quanto amabile è la face Che mi accende il core in sen. Scena Undicesima ORLANDO (solo, che giunge e vede partire Angelica e Medoro) Ah sleale, ah spergiura, Donna ingrata infedel cor traditore; Del tuo malnato errore Vengo a smorzar... oh ciel, che leggo? Ahi lasso! EVivan sempre amorosi, Angelica, e Medoro amanti, e sposi". Angelica, e Medoro amanti, e sposi? Questa è la scure, la scure, Ahimé, ch il capo tronca alla mia speme. Di Medoro il mio bene? Sgorgate, o lagrime A fonti, a rivi. No, ch è poco, a torrenti, a fiumi, a mari. Arde Orlando, che Orlando? Eh, Orlando è morto. La sua donna ingratissima l ha ucciso. Io son lo spirto suo da lui diviso, E son con l ombra mia, che sol s avanza Esempio a chi in amor pone speranza. (Legge sopra l alloro) "Angelica qui fu sposa a Medoro". Chi segnò quest alloro! Lo vergò di sua man la mia tiranna, V impresse di sua mano il mio martoro. Amanti e sposi? oh Dei! Sposa a Medoro! Vendetta, sì vendetta incontro amore; Or n ho trovato il modo, Per cacciarmel dal sen trarommi il core. Io ti getto elmo, ed usbergo Ite o piastre e maglie al suolo. (Legge nel mirto segnato da Medoro) "Medoro qui d Angelica fu sposo"! A te mirto orgoglioso Vò sfrondarti, schiantarti Sino all ultimo bronco, Ed estirpar dalla radice il tronco. Ho cento vanni al tergo Ho duecent occhi in fronte, E nel furor che ho in sen M adiro almeno almen con mille cuori. Sopra quei vanni io m ergo Volo dal piano al monte Quelle pupille io miro Con tutti i cuor. Sospiro. Occhi, vanni, furor, cuori, oh martoro! Amanti, e sposi Angelica, e Medoro! Vivaldi,Antonio/Orlando furioso/III
https://w.atwiki.jp/kimikage/pages/48.html
delegateの簡単な使い方 using System; using System.Collections.Generic; using System.Linq; using System.Text; namespace ConsoleApplication1 { public delegate string DelegateTest(string str1,string str2); class Program { static void Main(string[] args) { DelegateTest test = new DelegateTest(Join); Console.Write(test("明日は", "お休み!")); Console.Read(); } private static string Join(string str1, string str2) { return str1 + str2; } } } 出力結果 明日はお休み! イベントとdelegate ユーザコントロールを作ったりしたときに、その内部のコントロールのイベントを拾ったりするために使う。 using System; using System.Collections.Generic; using System.Linq; using System.Text; namespace ConsoleApplication1 { public delegate void DelegateTest(string strMsg); class Program { static void Main(string[] args) { Sub subCls = new Sub(); subCls.Str_Changed += Str_Changed; subCls.SetStr(""); } protected static void Str_Changed(string strMsg) { Console.WriteLine(strMsg); Console.Read(); } } class Sub { public event DelegateTest Str_Changed; private string Str; public void SetStr(string strMsg) { Str = strMsg; if (Str == "") { Str_Changed("空っぽ"); } } } } 出力結果 空っぽ マルチスレッド using System; using System.Collections.Generic; using System.Linq; using System.Text; using System.Threading; namespace ConsoleApplication1 { class Program { static void Main(string[] args) { Thread SubThread = new Thread(new ThreadStart(ThreadMethod)); // スレッドの開始 SubThread.Start(); // 同期 SubThread.Join(); Console.Read(); } private static void ThreadMethod() { int i = 0; while (i = 10) { Thread.Sleep(100); Console.WriteLine(i); i++; } } } } using System; using System.Collections.Generic; using System.Linq; using System.Text; using System.Threading; namespace ConsoleApplication1 { class Program { static void Main(string[] args) { Thread SubThread = new Thread(new ThreadStart(ThreadMethod)); // スレッドの開始 SubThread.Start(); // スレッドスリープ Thread.Sleep(1000); // スレッドの中断 SubThread.Abort(); Console.Read(); } private static void ThreadMethod() { int i = 0; while (true) { Thread.Sleep(100); Console.WriteLine(i); i++; } } } } カウントダウン using System; using System.Collections.Generic; using System.ComponentModel; using System.Data; using System.Drawing; using System.Linq; using System.Text; using System.Windows.Forms; using System.Threading; namespace WindowsFormsApplication1 { static class Program { /// summary /// アプリケーションのメイン エントリ ポイントです。 /// /summary static void Main() { Application.EnableVisualStyles(); Application.SetCompatibleTextRenderingDefault(false); Application.Run(new Form1()); } } public partial class Form1 Form { private System.Windows.Forms.Button btn; private System.Windows.Forms.TextBox txt; private Thread ThreadTest; private delegate void AddTextDelegate(string str); private static string[] strCaption = { "Start", "Stop", "Reset" }; private BtnMode CurrentBtnMode; private enum BtnMode { Start = 0, Stop = 1, ReSet = 2 } /// summary /// 必要なデザイナー変数です。 /// /summary private System.ComponentModel.IContainer components = null; /// summary /// 使用中のリソースをすべてクリーンアップします。 /// /summary /// param name="disposing" マネージ リソースが破棄される場合 true、破棄されない場合は false です。 /param protected override void Dispose(bool disposing) { // スレッドを終了させる ThreadTest.Abort(); if (disposing (components != null)) { components.Dispose(); } base.Dispose(disposing); } #region Windows フォーム デザイナーで生成されたコード /// summary /// デザイナー サポートに必要なメソッドです。このメソッドの内容を /// コード エディターで変更しないでください。 /// /summary private void InitializeComponent() { this.btn = new System.Windows.Forms.Button(); this.txt = new System.Windows.Forms.TextBox(); this.SuspendLayout(); // // btn // this.btn.Location = new System.Drawing.Point(12, 12); this.btn.Name = "btn"; this.btn.Size = new System.Drawing.Size(75, 23); this.btn.TabIndex = 0; this.btn.Text = strCaption[(int)BtnMode.Start]; this.btn.UseVisualStyleBackColor = true; // // txt // this.txt.Location = new System.Drawing.Point(12, 41); this.txt.Multiline = true; this.txt.Name = "txt"; this.txt.Size = new System.Drawing.Size(268, 213); this.txt.TabIndex = 1; // // Form1 // this.AutoScaleDimensions = new System.Drawing.SizeF(6F, 12F); this.AutoScaleMode = System.Windows.Forms.AutoScaleMode.Font; this.ClientSize = new System.Drawing.Size(292, 266); this.Controls.Add(this.txt); this.Controls.Add(this.btn); this.Name = "Form1"; this.Text = "Form1"; this.ResumeLayout(false); this.PerformLayout(); } #endregion public Form1() { InitializeComponent(); Init(); } private void Init() { this.btn.Click += this.btn_Click; CurrentBtnMode = BtnMode.Start; ThreadTest = new Thread(new ThreadStart(ThreadMethod)); ThreadTest.Start(); } protected void btn_Click(object sender, EventArgs e) { switch (CurrentBtnMode){ case BtnMode.Start btn.Text = strCaption[(int)BtnMode.Stop]; CurrentBtnMode = BtnMode.Stop; break; case BtnMode.Stop btn.Text = strCaption[(int)BtnMode.Start]; CurrentBtnMode = BtnMode.Start; break; case BtnMode.ReSet btn.Text = strCaption[(int)BtnMode.Start]; CurrentBtnMode = BtnMode.Start; ThreadTest = new Thread(new ThreadStart(ThreadMethod)); ThreadTest.Start(); break; default break; } } private void ThreadMethod() { int i = 100; while (i 0) { while (CurrentBtnMode == BtnMode.Start) { Thread.SpinWait(10); } Thread.Sleep(100); AddText(i.ToString()); i--; } CurrentBtnMode = BtnMode.ReSet; AddText("完了!"); } private void AddText(string str) { if (InvokeRequired) { AddTextDelegate dlg = new AddTextDelegate(AddText); this.Invoke(dlg, new object[] { str }); } else { txt.AppendText(string.Format("{0}\n", str)); if (CurrentBtnMode == BtnMode.ReSet) { btn.Text = strCaption[(int)BtnMode.ReSet]; } } } } }
https://w.atwiki.jp/mrfrtech/pages/18.html
Market Analysis As indicated by the most recent examination report, The Forensic Accounting Market size is projected to develop at a build yearly development pace of CAGR of 8.2 percent during the gauge time span, arriving at USD 8.85 billion in the year 2025. To perform and dissect the monetary exhibition of the organizations or people, the legal bookkeeping business sector will utilize bookkeeping, review, and examination mastery. Bookkeeping experts are liable for the examination, understanding, and rundown of muddled monetary and business circumstances. Such bookkeeping experts might work for any administration division, protection business, monetary firm, organization, or government bookkeeping firm, among different work environments. Measurable bookkeepers collect quantitative gauges, put together and assemble data, and pass on their decisions as a report and briefings to suitable specialists and witnesses. Legal bookkeepers produce reports, which are frequently introduced as slideshows with the help of visual guides; such discoveries are acceptable proof in a judicial procedure. Bookkeeping experts utilize a wide scope of factual methods and programming to help them in their examinations. Before innovation advanced, particular datasets were being utilized for assortment and information the executives; all things considered, with mechanical development, different logical apparatuses have without a doubt been sent off on the lookout, and this multitude of instruments presently give monetary announcing examiners complete start to finish analytical choices. In besides, various strategies for examination and information mining innovations are utilized by various measurable bookkeeping market criminal investigators in raised fakes and violations, just as different kinds of wrongdoings. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8383 Market Segmentation The market is fragmented based on parts, end-client, and geographic. The worldwide scientific bookkeeping market patterns are relied upon to observe respectable development during the conjecture time frame. By Application In view of the application, the market is fragmented into arrangements and administrations. Arrangements in this class contain criminological apparatuses/programming, reviewing/bookkeeping programming, and other related items and administrations. The administration s classification includes additional expert administrations given by the arrangement suppliers, notwithstanding the actual arrangements. Preparing, consultancy, and backing administrations are a portion of the choices accessible. By end-clients In light of the impetus types, the market is fragmented into banking and protection, law authorization offices, government, bookkeeping organizations, and others. Regional Analysis As indicated by the reports, Globally, the overall scientific bookkeeping market is arranged into four areas Asia-Pacific, North America, Europe, the Middle East, Africa, and South America. As per the portion of the market in the criminological bookkeeping industry, North America is the most evolved district on the planet. A portion of the reasons adding to the market s development incorporates the developing reception of such programming and apparatuses by various government bodies and bookkeeping firms, in addition to other things. Besides that, the presence of numerous sellers in North America that give total answers for organizations has brought about North America catching the biggest portion of the worldwide IT administrations industry. Right now, Europe is positioned second in the worldwide commercial center. Europe has to be sure been separated into the accompanying gatherings the United Kingdom, Germany, France, Spain, Italy, and the remainder of Europe. Following the United Kingdom, Germany, and France, according to the MRFR study. Key Players Notable players of the global forensic accounting industry are Galvanize, CaseWare IDEA, Passware, Fulcrum Management, Nuix, Arbutus Software Inc., Cygna Labs Corp, e-fense, OpenText, Cellebrite, Sama Audit Systems Software Pvt Ltd, and AccessData. Industry News Cellebrite Mobile Synchronization Ltd, a provider of computerized insight answers for police divisions, organization, and endeavor areas, reported in June 2019 that IGP Capital has arrived at an arrangement to procure USD 110 million in the organization. Access Report Details @ https //www.marketresearchfuture.com/reports/forensic-accounting-market-8383 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Markets Structure 3 Market Research Methodology 3.1 Research Process 3.2 Secondary Research 3.3 Primary Research 3.4 Forecast Model Continued… Similar Report** Mobile Banking Market By Solution (Customer Management, Mobile Banking Features, Mobile Payment Features), By Technology (Wireless Application Protocol, Standalone Mobile Application), By Deployment (On-Cloud, On-Premise) Voice Assistant Market** https //mrfrinformation.tistory.com/615 Network-Attached Storage Market** https //telescope.ac/information-technology-Lc1XMRDqL/5WlKY9Kx4 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue
https://w.atwiki.jp/aesthetica/pages/35.html
François Boucher, Le lever du Soleil, 1753. Oil on canvas 318 x 261 cm exposé au Salon de 1753 Wallace Collection, London J.-B. Le Blanc, Observations sur les ouvrages de MM. de l Académie de peinture et de sculpture, 1753, p. 13- 14. Dans le premier, le Soleil sous la forme d Apollon, quitte à regret le sein de Thétis, l on lit dans les yeux de ce Dieu, que c est celui de la volupté. Une des Heures lui amenne son char, en l avertissant que l Aurore vient de partir. Dans un coin du Tableau on apperçoit les chevaux du Soleil tels qu Ovide les peint, respirant le feu l impatience. Un Amour verse de l ambroisie sur les mains d Apollon; Thétis lui présente sa lyre, tandis que des Néréïdes lui attachent ses brodequins. Parmi celles qui sont sur le devant du Tableau, il y en a une qu on ne se lasse pas regarder. Elle a cette naïveté aimable touchante qui fait le caractere de l une des Graces. On ne sçait où M. Boucher trouve les modeles de ce genre de beauté. On y reconnoît la nature, quoique rarement elle soit aussi piquante. La plûpart des Peintres se contentent de la rendre telle qu elle est l imagination de M. Boucher l embellit il n en sasit que ce qu elle a de précieux; il acheve ce qu elle a laissé d imparfait; il ajoute des graces à ce qui n a souvent que de la beauté. Ce caractere, dont tous ses Ouvrages portent l empreinte, est l effet d un don qui lui est propre. cité par Démoris [2008] 130. Parmi celles qui sont sur le devant du Tableau, il y en a une qu on ne se lasse pas regarder. 「作品の前景にいる女たちの中に、我々の視線を捉えて離さないものがひとりいる」 どの人物像を指しているのかは定かでないが、ラ・フォンの批評文に見られる類似の記述から、右端でこちら側を向いているニュンフェを指しているものと推測される。 La Font de Saint-Yenne, Sentiments sur quelques ouvrages de peinture, sculpture et gravure, 1754, p. 35-38. Il a exposé cette année-ci deux grands tableaux en hauteur. Le premier représente le lever du Soleil qui sort du sein de Neptune, va donner la lumiere à l univers. Le Peintre a embelli son sujet de toutes les divinités qui sont à la suite de Thetis, servent à son triomphe. Il y a prodigue, sans beaucoup de choix ni d ordre, les Nayades les Tritons dont quelques-uns sont peints avec force d un bon ton. Quoique la mer paroisse agitée, on y voit toutes ces divinités dans un repos parfait assés peu vrai-semblable. Le Peintre a donné à ces beautés maritimes toutes les graces de celles de la terre. Une entr autres qui paroît dans un groupe ne laisse voir que son visage, a dans sa phisionomie tout le piquant le voluptueux que l on peut y mettre, a fixé les regards les éloges de plusieurs spectateurs aux dépends de tout le reste du tableau. On a critiqué avec justice l attitude du dieu de la lumiere qui est extrêmement contrainte, dont la tête violemment panchée en arriere sans raison sans expression produit un effet désagréable. La lire qu on lui presente, est assés hors de propos. Si le peintre eut été plus versé dans l histoire poëtique, il auroit su que lorsque l on donnoit des noms différents à la même Divinité, c étoit ordinairement pour désigner ses diverses fonctions. La Lune étoit honorée sous le nom de Diane dans les forêts auxquelles elle présidoit, mais elle étoit encore Hécate dans les Enfers où elle tenoit un autre empire, aussi bien que dans le Ciel sous son nom ordinaire. Il en étoit de même Dieu du Soleil; placé sur l Helicon, au milieu des Muses, c étoit Apollon le Dieu de l harmonie de la poësie. Mais dans le Ciel monté sur son char, tenant les rênes de ses chevaux, éclairant notre hemisphère, ce n est plus Apollon mas le Soleil, une lire alors dans ses mains, si l on eut pû l y placer, eut été une inattention du peintre trop remarquable. Un peu plus de lecture lui eut épargné cette faute dans l historique de son sujet. Mais l indifférence de tout ce Cortége marin, dont presque toutes les figures tournent le dos au dieu du jour, semblent n être dans ce tableau que pour en remplir les vides, sans prendre aucun intérêt à l action principale qui est le départ du Soleil, est une faute essentielle, plus difficile à excuser. **********************************
https://w.atwiki.jp/ebm-osaka/pages/26.html
第 1 回 EBM WS で使った論文は、以下です。 Effect of dutasteride on the risk of prostate cancer. Andriole GL, Bostwick DG, Brawley OW, Gomella LG, Marberger M, Montorsi F, Pettaway CA, Tammela TL, Teloken C, Tindall DJ, Somerville MC, Wilson TH, Fowler IL, Rittmaster RS; REDUCE Study Group. PMID 20357281 N Engl J Med 2010 Apr 1;362(13) 1192 Chemoprevention という論点と、本来の LUTS への評価を同時にしてあるRCT。 難しかったですね ~ 私の吟味の結果は→こちら Phase Ⅲ のRCTで、審査の結果は最新のGSK regulatory update – Avodart (dutasteride)にも載っています。 ITT はしていないし、ランダム化後に脱落がいっぱいで、efficacy と safety で、n 数が違うという突っ込みどころ満載のデザインでしたね。 しかも、メーカーはデータに自由にアクセスできるし・・・ほんと、グレー 。 選んだ理由は、secondary outcome が論争になっていたからです。・ 前立腺癌リスクの低下は、ほとんどが生検でグリーソンスコア6と診断される数の減少によるものであった。・フィナステリドを用いたPCPT試験と同様に、デュタステリド投与男性ではプラセボ投与男性と比較して、 悪性度が高い癌(グリーソンスコア8~10)がより多く検出された。 REDUCE試験とPCPT試験でともに、デュタステリドとフィナステリドの効果がグリーソンスコア5~6の腫瘍が減っているんです。致命的である可能性が低い腫瘍をが減ることに意義があるのだろうか? 結局、答えはグレーなまま。グリーソンスコア6の前立腺癌は最も多くて、このスコアの前立腺癌では、根治手術か放射線療法による治療を受ける男性が90%を超えるそうですが、いずれの治療法も相応の合併症を伴うとのこと・・・その意義も不明です。 『海外癌医療情報リファレンス』 にも、記載がありますね。 (補足) ※ PCPT試験 The influence of finasteride on the development of prostate cancer. Thompson IM, Goodman PJ, Tangen CM, Lucia MS, Miller GJ, Ford LG, Lieber MM, Cespedes RD, Atkins JN, Lippman SM, Carlin SM, Ryan A, Szczepanek CM, Crowley JJ, Coltman CA Jr.N Engl J Med. 2003 Jul 17;349(3) 215-24.Epub 2003 Jun 24.PMID 12824459 ※ClinicalTrials.gov <英> 、FDA 現在行われている治験に関する情報を提供。 米国国立公衆衛生研究所(NIH)と米国医薬食品局(FDA)が共同で、米国国立医学図書館(NLM)を通じて、 治験及び臨床研究に関する情報を提供、2000年2月から運営。 患者およびその家族が、現在どのような治験・臨床研究が行われているか、患者を募集中かどうか、どこに連絡をすればよいか知ることが出来る。 医療従事者は、臨床研究の段階まで至った最新の治療法にはどのようなものがあるかを知ることが出来る。 2002年7月現在で約6,300件の治験・臨床研究が登録。 ヾ(* - *)
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Mortal Kombat 項目数:50 総ポイント:1000 難易度:★★★★★ Cyber Challenger Complete 100 Online Matches.オンラインマッチを100回達成 20 Wavenet... Win 100 total Online Matches.オンラインマッチで100回勝利 80 Humiliation Get a Flawless Victory in an Online Match.オンラインマッチでノーダメージで勝利 10 Tough Guy! Win an Online Match.オンラインマッチで勝利 10 Robots Rule! Win Arcade Tag Ladder with robot Sektor and Cyrax.SektorとCyraxでArcade Tag Ladderで勝利 10 Outstanding! Win 10 Ranked Online Matches in a row.ランクマッチで10連勝 60 There Will Be Blood! Spill 10000 pints of blood.10000パイント出血する 40 License to Kill Complete Fatality Trainer.Fatality Trainerを完了 20 Ultimate Respect! Earn 2500 Respect Points via King of the Hill Matches.King Of The Hillマッチでリスペクトポイントを2500獲得 20 You Will Learn Respect! Earn 1000 Respect Points via King of the Hill Matches.King Of The Hillでリスペクトポイントを1000獲得 10 Undertaker Unlock 50% of the Krypt.Kryptを50%アンロック 20 The Krypt Keeper Unlock 100% of the Krypt.Kryptを100%アンロック 20 What Does This Button Do?? Complete Arcade Ladder without blocking (allowed to continue).ブロッキングを使わずArcade Ladderを完了(コンティニュー可) 10 Fatality! Perform a Fatality!.Fatalityを実行 5 Block This! Perform a 10-hit combo with any fighter.いずれかのキャラで10コンボ 10 The Grappler Perform every fighter s forward and backwards throws.全てのキャラで前投げと後ろ投げを決める 10 Halfway There! Complete Story Mode 50%.ストーリーモードを50%達成 5 Back In Time... Complete Story Mode 100%.ストーリーモードを100%達成 20 A For Effort Complete Tutorial Mode.チュートリアルモードを完了 10 The Competitor Complete 200 Versus matches (online OR offline).200回対戦(オンラインもしくはオフライン) 30 Ladder Master Complete Arcade Ladder on max difficulty without using a continue.コンティニューを使わずに最高難易度でArcade Ladderを完了 20 Don t Jump! Win A Ranked Online Match without jumping.ジャンプを使わずランクマッチで勝利 10 Where s The Arcade? Complete Arcade Ladder with Any Fighter.いずれかのキャラでArcade Ladderを完了 10 Arcade Champion Complete Arcade Ladder with All Fighters.全てのキャラでArcade Ladderを完了 40 Finish What You Start! Perform a Fatality with all playable fighters.全ての使用可能なキャラでFatalityを決める 60 Tag, You re It! Perform and land a Tag Combo.タッグコンボを実行 10 These Aren t My Glasses! Complete all Test Your Sight mini-game challenges.全てのTest Your Sight mini-game challengeを完了 20 Tower Apprentice Complete 25 Tower missions.タワーミッションを25完了 10 Tower Master Complete all Tower missions.タワーミッションを全て完了 20 Dim Mak! Complete all Test Your Strike mini-game challenges.全てのTest Your Strike mini-game challengeを完了 20 I m Not Dead Yet! Comeback with under 10% health in an Online Ranked Match.ランクマッチで10%の体力で復帰 20 e-X-cellent! Successfully land every playable fighter s X-Ray attack.全ての使用可能キャラでX-Ray attackを成功 10 There Can Be Only One! Win 10 King of the Hill Matches in a row.King Of The Hillマッチで10連勝 20 Throws Are For Champs Perform 8 throws in an Online Ranked Match.ランクマッチで8回投げる 20 Turtle! Win both rounds with timer running out in an Online Ranked Match.ランクマッチで時間切れで両方のラウンドに勝利 20 My Kung Fu Is Strong Gain Mastery of 1 Fighter.1キャラでMasteryを獲得 20 My Kung Fu Is Stronger Gain Mastery of All Fighters.全てのキャラでMasteryを獲得 60 I "Might" Be the Strongest Complete all Test Your Might mini-game challenges.全てのTest Your Might mini-game challengeを完了 20 Luck Be A Lady Get all MK Dragons in Test Your Luck.Test Your Luckで全てのMK Dragonを獲得 10 You ve Got Style! Unlock all Alternate Costumes.全てのコスチュームをアンロック 20 秘密の実績 You Found Me! Discover and fight Hidden Kombatant 1 in Arcade Ladder 10 Hide and Seek Discover and fight Hidden Kombatant 2 in Arcade Ladder 10 Pit Master Discover and fight Hidden Kombatant 3 in Arcade Ladder 10 Brotherhood of Shadow Discover and fight Hidden Kombatant 4 in Arcade Ladder 20 Complet-ality Perform 1 of each type of "-ality".Fatality/Stage Fatality/Babelityをそれぞれ1度行なう 10 Finish Him? Perform any fighter s hidden finishing move.いずれかのキャラで隠しFatalityを行なう 10 Ultimate Humiliation Perform every fighter s hidden finishing move.全てのキャラで隠しFatality(2ndFatality/StageFatality/Babelity)を行なう 20 Quan-Tease Unlock Hidden Fighter "Quan Chi".隠しキャラ"Quan Chi"をアンロックする 20 Cold Fusion Unlock Hidden Fighter "Cyber Sub-Zero".隠しキャラ"Cyber Sub-Zero"をアンロックする 20 Best...Alternate...Ever! Unlock Mileena s 3rd Alternate Costume.Mileenaの3rdコスチュームをアンロックする 10 攻略wiki http //www47.atwiki.jp/mortal_kombat9/pages/1.html 全体的にCPUが強い。特にタワーの終盤、アーケード最高難易度は難しい。 ※オンライン実績 Wikiによるとオンラインパス必須とのことだが何故かパスなしでもオン対戦可能。 現在も海外プレーヤーが多数存在。 特にランダムマッチで相手選択も出来ないのでランクマ10連勝談合は難しい。 記録の方では勝利になっているが切断されると負け扱いなので最初から。 時間を見計らい談合してしまうのがベストだが全く無人のことはまずないのである程度勝てるなら野良挟んでも強引に決行してしまう方がいいかもしれない。 You Will Learn Respect!、Ultimate Respect! King Of The Hillはプライベート部屋が建てられるので談合可能。 ただし、勝ち側は毎回開始前にボタン入力が必要なので半放置状態。負け側は完全放置可能。 予め負け側はAボタンに攻撃設定しないでおく。 1試合2分程度で放置だと5点しか入らないので時間がかかる。負け側も半放置可能なら毎回10点入れてもらえれば半分の時間で済む。 それでも1人解除に250試合。2人解除で500試合なので負け側半放置なしだと1000試合必要になる。 ・You Found Me!/Hide and Seek/Pit Master/Brotherhood of Shadow Arcade Ladderにて特定の条件で発生する乱入バトルをそれぞれ行なうことで解除。 条件についてはhttp //www47.atwiki.jp/mortal_kombat9/pages/48.htmlを参照 ・I "Might" Be the Strongest/Dim Mak!/These Aren t My Glasses! ChallengeTowerを全て(300Mission)クリアする過程で解除。 ・Luck Be A Lady Test Your LuckでMK Dragon(金色のコイン)を全て揃えれば解除。 ・You ve Got Style! Mileenaの3rdコスチュームは含まない。 My Kung Fu Is Stronger 最難関。項目クリアは全てオフラインで可能だがとにかく時間がかかる。1キャラマスターに使用時間24時間がある。使用時間は蓮根放置で可能だが全キャラ分やるとなると話がかわる。 その他にも必殺技でとどめやX-Ray attack使用等もあり回数も何百回と設定されている。 特にX-Ray attackはこちらもある程度ダメージを受けないと出せない為、面倒。 27キャラなので最短27日+αでひと月はかかる計算。
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Proceedings of the Second Conference on Numerical Methods for Partial Differential Equations Nankai University, Tianjin, China 1-4 May, 1991 World Scientific Pub Co Inc? Ying Lungan? Guo Benyu? WorldScientificPubCoInc? YingLungan? GuoBenyu? Substores-UnknownASINs-56? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-DifferentialEquations? Subjects-Science-General Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-Reference? Subjects-Science-Mathematics-Applied-DifferentialEquations? Research Directions for the Decade Proceedings of the 1990 Summer Study on High Energy Physics June 25-July 13, 1990, Snowmass, Colorado World Scientific Pub Co Inc? Summer Study on High Energy Physics in the 1990s? Edmond L. Berger? American Physical Society. Division of Particles and Fields? WorldScientificPubCoInc? SummerStudyonHighEnergyPhysicsinthe1990s? EdmondL.Berger? AmericanPhysicalSociety.DivisionofParticlesandFields? Substores-UnknownASINs-56? 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2023/10/18 稼動開始2023/11/02 WORLD TOURISM 開始 + ... 2023/11/02 BPL S3 TOURISM EXTRA part 1~part 8 追加 2023/11/22 LiveAct TOURISM 3,4 追加 2023/12/21 ひなビタ♪ TOURISM 追加 2024/03/13 EPOLIS OST TOURISM 追加 2024/05/16 INFINITAS TOURISM 1,2 追加 2023/12/08 マイポリスデザイナー 開催 + ... 2023/12/08 MAP 1 追加 2024/01/18 MAP 2 追加 2024/03/07 MAP 3,FINAL MAP 追加 2023/12/20 ARENA MODE 追加 + ... 2023/12/20 第1回オンラインバトル 開催(~24/01/08) 2024/01/25 第2回オンラインバトル 開催(~24/02/07) 2024/02/22 第3回オンラインバトル 開催(~24/03/04) 2024/03/21 第4回オンラインバトル 開催(~24/04/04) 2024/04/25 第5回オンラインバトル 開催(~24/05/06) 2024/05/23 第6回オンラインバトル 開催(~24/06/05) 2024/06/20 第7回オンラインバトル 開催(~24/07/03) 2024/02/15 第2回 BEMANI PRO LEAGUE -SEASON 3- Triple Tribe 開催(~24/04/21) 2024/04/04 EPOLIS SINGULARITY 開催 + ... 2024/04/04 SYSTEM I 開始(~24/06/06) 2024/06/06 SYSTEM II 開始(~24/00/00) 2024/05/09 EPOLIS RESTORATION 開催 新規収録:94曲(復活再収録:3曲)(途中削除∶3曲)楽曲最終更新:24/06/20 収録総数:全1703曲(18曲削除) ジャンル タイトル アーティスト 備考 beatmania IIDX 31 EPOLIS CYBER BREAKCORE 20XX COR!S ASCENDING TOGETHER 《PL|RAYER》 BlackLolita WORLD TOURISM:BPL S3 TOURISM EXTRA part 123/11/02 追加 NEOTRANCE CORE ACTØ モリモリあつし EPOLIS RESTORATION:SYSTEM A サブε24/05/09 追加 UNSUNG FANTASIA Aeterna satella feat. Risa Yuzuki HARD RENAISSANCE Ambivalent Vermilia BEMANI Sound Team "二代目朱雀 feat.朱雀" 第2回 BEMANI PRO LEAGUE -SEASON3- Triple Tribe∶2,100TB,TS,TD24/02/15 追加 TRANCE Amethyst BlackY EPOLIS RESTORATION:SYSTEM A サブγ24/05/09 追加 NU SYNTH BASS Bitter & Lucky DÉ DÉ MOUSE BURNING RAVE BLAZING_LAZER brz1128 WORLD TOURISM:INFINITAS TOURISM 224/05/16 追加 PSYCHEDELIC TRANCE CADENZA lapix ∞ BEMANI Sound Team "L.E.D." マイポリスデザイナー MAP FINAL:9,500METRON24/03/07 追加 COLOUR TECHCORE Chemical Colours Blacklolita x BEMANI Sound Team "Expander" SYMPHONIC DRUM'N'BASS COUNTING SHEEP ft. Kanae Asaba Xceon マイポリスデザイナー MAP 3:1,800METRON24/03/07 追加 HARD RENAISSANCE Dahlia BlackY HAPPY HARDCORE TAKEOVER DAZZLE ATTACK Yuta Imai NEO 90's AMBIENT JUNGLE Deep Sea Mystery Dirty Androids CINEMATIC BREAKCORE Demon March Nhato EPOLIS SINGULARITY:EXTRA STAGE24/04/04 追加 ETHNIC HARDSOUND Echoes of Sunfall nora2r MUSIC GAME TRADITIONAL frequent BEMANI Sound Team "dj TAKA" MIXTURE GAME ON DJ Mass MAD Izm* feat.H14 of LEONAIR 提供曲 ADVENTURE TRIP Get Higher BEMANI Sound Team "劇団レコード" BIG BEAT Get Wicked Maozon WORLD TOURISM:BPL S3 TOURISM EXTRA part 623/11/02 追加 NEOTRANCE Ghost Pulse crayvxn COLOUR BASS Glitch N Ride Eagle マイポリスデザイナー MAP 2 最終:19,000METRON24/01/18 追加 XYMPHONIC TECHCORE GloriosA KARUT DUBSTEP GLORIOUS HAMMER AJURIKA マイポリスデザイナー MAP 2:6,200METRON24/01/18 追加 HARD TRANCE Hard Breaker Nhato WORLD TOURISM:BPL S3 TOURISM EXTRA part 223/11/02 追加 UK HARDCORE Hat Surprise (Season 3) Hommarju WORLD TOURISM:BPL S3 TOURISM EXTRA part 423/11/02 追加 HITECH NHI FULLON i-ii かめりあ WORLD TOURISM:BPL S3 TOURISM EXTRA part 523/11/02 追加 TRANCE CORE INHERITANCE Zekk マイポリスデザイナー MAP 1:3,600METRON23/12/08 追加 EMOTIONAL J-POP Iris BEMANI Sound Team "HuΣeR" feat.紫村 花澄 DRUM'N'BASS Jumper Masayoshi Iimori CYBER DRUMSTEP Just Gimme Maozon マイポリスデザイナー MAP 3:6,500METRON24/03/07 追加 ROCKIN' DRUM BASS JUSTICE/GUILTY feat. Nana Takahashi & 709sec BEMANI Sound Team "L.E.D." Drumstep / Bass House / Dnb Level 5 Yamato EPOLIS SINGULARITY SYSTEM II:ONE MORE EXTRA STAGE24/06/06 追加 MAXIMUM GAME-BREAKING HARDCORE MAXIMUM CHEAT GIRL かめりあ feat. ななひら マイポリスデザイナー MAP 2:6,200METRON24/01/18 追加 PARTICULAR NIGHTSPACE Million Dollar Dirty Androids マイポリスデザイナー MAP 3 最終:16,000METRON24/03/07 追加 HARD DANCE Monkey Business kors k 第2回 BEMANI PRO LEAGUE -SEASON3- Triple Tribe∶700TD24/02/15 追加 SCHRANZ Mukade kors k J-POP My Sweet Bird? アオワイファイ feat.秋山雫 FREEFORM ARTCORE Out of Control CANVAS feat. Quimär マイポリスデザイナー MAP 1:8,200METRON23/12/08 追加 CHARGE CORE out of disk space TORIENA マイポリスデザイナー MAP 2:6,200METRON24/01/18 追加 PSYCHEDELIC Psychedelic Intelligence BEMANI Sound Team "Sota Fujimori" beatmania IIDX ULTIMATE MOBILE アーケード連動23/12/07 追加 HARDCORE Red Determination RoughSketch WORLD TOURISM:BPL S3 TOURISM EXTRA part 723/11/02 追加 TECHNICAL ELECTRO Shapeshifter Avans COLOUR BASS Sirius MK WORLD TOURISM:BPL S3 TOURISM EXTRA part 823/11/02 追加 CROSSOVER SOLAR ECLIPSE Yuta Imai Vs. BEMANI Sound Team "Yvya" HARDCORE TECHNO Speculation BEMANI Sound Team "ZAQUVA" DRUM'N'BASS squall 猫叉Master+ WORLD TOURISM:INFINITAS TOURISM 124/05/16 追加 HARD TECHNO/DOWNTEMPO Stereo Beasts MK RoughSketch WORLD TOURISM:EPOLIS OST TOURISM24/03/13 追加 HARDTECHNO Submerge Serenade lapix HI-SPEED TECHCORE Sword Of Vengeance sky_delta マイポリスデザイナー MAP 3:6,500METRON24/03/07 追加 NEO-CLASSICAL CORE The Last Apocalypse BEMANI Sound Team "Sota F. feat. Yvya" EPOLIS SINGULARITY SYSTEM II:EXTRA STAGE24/06/06 追加 HARD HOUSE This Is Club Musik feat. 大久保紅葉 REMO-CON PSYCHEDELIC TECHNO Time Distortion pt.2(IIDX Edit) kors k vs BEMANI Sound Team "setup" HARDCORE RAVE TITANIUM RIDERS DJ Shimamura J-DANCE POP Too Late Snow movies (moimoi×Xceon×Dai.) マイポリスデザイナー MAP 2:1,800METRON24/01/18 追加 MELODIC TECHNO TRIP THE DEEP Qlarabelle EPOLIS RESTORATION:SYSTEM A サブδ24/05/09 追加 FUNKY BREAKS Tripping Jumping Aikapin Prod. by uno NIActivity GOTHIC PIANO TRANCE Vermilion Carol OSTER project マイポリスデザイナー MAP 1 最終:11,600METRON23/12/08 追加 ETHNO POP WaterCube Pf.(RX-Ver.S.P.L.) 高田 雅史 EPOLIS RESTORATION:SYSTEM A サブβ24/05/09 追加 EURODANCE SPEED winkle 2 winkle Ryu☆ ft.NU-KO マイポリスデザイナー MAP 1:5,800METRON23/12/08 追加 VOLTENIZED CORE Xb10r 隣の庭は青い(庭師+Aoi) 第2回 BEMANI PRO LEAGUE -SEASON3- Triple Tribe∶1,400TS24/02/15 追加 COLD BEAT ZEROIN ON THE LIGHT SOUND HOLIC Vs. ZYTOKINE feat. Nana Takahashi マイポリスデザイナー MAP 1:1,400METRON23/12/08 追加 IIDX EDITION アイドル Covered by BEMANI Sound Team "HuΣeR × wac" feat. 佐伯伊織 原曲:YOASOBI ROCK アタシ完全絶対正義ちゃん! Pizuya's Cell ALTERNATIVE 神様、つれない。 中山真斗 feat. CHAN EPOLIS RESTORATION:SYSTEM A サブα24/05/09 追加 IIDX EDITION 可愛くてごめん Remixed by MK feat. 紫咲ほたる 原曲:HoneyWorks23/11/30 追加 J-POP 傷つけど、愛してる。 ツユ 提供曲24/06/06 削除 LAMENTO 雫 あさき マイポリスデザイナー MAP 3:1,800METRON24/03/07 追加 BROKEN SAMBA DRUM'N'BASS 灼熱Beach Side Bunny(かめりあ s Summertime D n B Remix) Remixed by かめりあ WORLD TOURISM:LiveAct TOURISM 423/11/22 追加 HARD RENAISSANCE 終焔のClaudia 二代目朱雀 WORLD TOURISM:LiveAct TOURISM 323/11/22 追加 J-POP 唱 Ado 提供曲24/04/18 追加 DRUM BASS シンデレラ Maozon feat. Nadia CITY DANCE POP センチメンタル・サマー Nhato feat. Kanae Asaba はるまき (from ボタニカルな暮らし。) J-POP ちゅ、多様性。 ano 提供曲 IIDX EDITION デビルじゃないもん Remixed by BlackY feat. Risa Yuzuki 原曲:DECO*27 × ピノキオピー feat.初音ミク23/11/30 追加 BUCHIAGE TRANCE 電光 Yuta Imai WORLD TOURISM:BPL S3 TOURISM EXTRA part 323/11/02 追加 HYBRID DANCE MUSIC 電子になりたい BEMANI Sound Team "HuΣeR" マイポリスデザイナー MAP 2:1,800METRON24/01/18 追加 BREAKCORE 電腦都市 Blacklolita EPOLIS RESTORATION:SYSTEM A コア24/05/09 追加 SPEED HOUSE ないないルーティン Len SUMMER POP 夏風邪デスコ TORIENA IIDX EDITION 寝起きヤシの木 Remixed by uno(IOSYS) feat. Chiyoko 原曲:ゆこぴ CHINA SQUARE DANCEPOP 果たせぬ約束 ft. 小林マナ Xceon IIDX EDITION フォニイ Remixed by Pizuya's Cell 原曲:ツミキ feat.可不23/11/30 追加 FUTUREBASS ポラリスノウタ ここなつ2.0 ひなビタ♪ 10周年記念! BEMANIちくわまつり2023 書き下ろし楽曲23/12/21 追加 IIDX EDITION マーシャル・マキシマイザー Remixed by uno(IOSYS) feat. Chiyoko 原曲:柊マグネイト feat.可不24/04/18 追加 VALHALLASTEP 摩天楼 Julianne HYPERACTIVE HELLCORE めうめうぺったんたん!! (ZAQUVA Remix) Remixed by BEMANI Sound Team "ZAQUVA" WORLD TOURISM:ひなビタ♪ TOURISM23/12/21 追加 IIDX EDITION 勇者 Remixed by OSTER Project feat. そらこ 原曲:YOASOBI24/04/18 追加 JUVENILE PIANO ROCK 夢縁 xi feat. Risa Yuzuki IIDX EDITION 酔いどれ知らず Remixed by SOUND HOLIC feat. Nana Takahashi 原曲:Kanaria24/04/18 追加 SCI-FI CHRONICLE 流桜ノ門 tokiwa KAWAII DOGGO POPS れとりば! OSTER project feat. 月ノ輪乃愛 PROLOGUE 惑星鉄道 Snail's House EPOLIS SINGULARITY SYSTEM I:ONE MORE EXTRA STAGE24/04/04 追加 復活再収録 TRANCE L amour et la liberté NAOKI underground 段位認定 -極-:SP三段 7th style クリア,DP極三段 獲得24/01/11 追加 TECHNO Logic Board dj nagureo ARENAモード 第1回オンラインバトル:アリーナキューブ 60個23/12/20 追加 JUNGLE MIXTURE PARANOIA survivor MAX 290 ARENAモード 第3回オンラインバトル:アリーナキューブ 50個24/02/22 追加 LEGGENDARIA 追加収録 RAVERS DANCE SPEED BLUE DRAGON(雷龍Remix IIDX) 青龍 条件隠し:条件達成数 3DPのみ追加 CROSSOVER HOUSE BLUST OF WIND Anemo=Aspel by MLREC. 条件隠し:条件達成数 2 BIG BEAT CODE Ø BEMANI Sound Team "HEXA" 条件隠し:条件達成数 5 DANCE POP Explorer feat. ぷにぷに電機 パソコン音楽クラブ ARENAモード 第2回オンラインバトル:アリーナキューブ 60個24/01/25 追加 IIDX EDITION KING Remixed by SOUND HOLIC feat. はるの 24/03/21 追加 UPBEAT MAD ATTACK HALFBY ARENAモード 第4回オンラインバトル:アリーナキューブ 60個24/03/21 追加 FRENCHCORE Miracle 5ympho X USAO ARENAモード 第3回オンラインバトル:アリーナキューブ 100個24/02/22 追加 ENERGETIC TRANCE neogenesis DM Ashura 条件隠し:条件達成数 1 TECHNO O/D*20 Ryu* ARENAモード 第2回オンラインバトル:アリーナキューブ 120個24/01/25 追加 HEART Pink Rose Kiyommy+Seiya ARENAモード 第5回オンラインバトル:アリーナキューブ 60個24/04/25 追加 PROGRESSIVE TRIBAL Saturn Mr.Saturn ARENAモード 第4回オンラインバトル:アリーナキューブ 120個24/03/21 追加 HARDPSY SOLID WYVERN BEMANI Sound Team "L.E.D." ARENAモード 第6回オンラインバトル:アリーナキューブ 120個24/05/23 追加 TRANCE Star Trail Nhato ARENAモード 第6回オンラインバトル:アリーナキューブ 60個24/05/23 追加 HEAV'NLY TRANCE STARLIGHT JUNCTION SOUND HOLIC feat. Nana Takahashi ARENAモード 第7回オンラインバトル:アリーナキューブ 60個24/06/20 追加 DANCE MUSIC VR - Virtual Reality (prod.by Snail s House) KMNZ 24/03/21 追加 TEK-TRANCE yellow head joe S-C-U 条件隠し:条件達成数 3SPのみ追加 ORIENTAL TECHDANCE 紫陽花 -AZISAI- Camellia Vs. Expander ARENAモード 第7回オンラインバトル:アリーナキューブ 120個24/06/20 追加 J-POP オドループ フレデリック 24/03/21 追加 IIDX EDITION 俺ら東京さ行ぐだ Remixed by すわひでお uno(IOSYS) 24/03/21 追加 ASIAN MIXTURE 華蝶風雪 白虎 ARENAモード 第5回オンラインバトル:アリーナキューブ 120個24/04/25 追加 Hi-BLEEP 恋する☆宇宙戦争っ!! Prim 条件隠し:条件達成数 4 Hi-FUNK BREAKS 表裏一体!?怪盗いいんちょの悩み♥ ◇◆噂の怪盗少女 ぷらずま★彡Prim◇◆ ARENAモード 第1回オンラインバトル:アリーナキューブ 120個23/12/20 追加
https://w.atwiki.jp/slashblade/pages/42.html
Skill AirTrickEnemyStepJustGuardWitchTime AirTrick teleport last hit summond swords pos requiredheld item katana summond swords hit lockon(sneak or lockonkey) and v key(default) and move Forward EnemyStep jump UntouchableTime 3tick requiredheld item bewitched-katana Enemy near JustGuard Complete protection UntouchableTime 20tick requiredWaiting period 7 seconds from the charge start hit any damage Can t be defensedot damage lava damage cactus damage WitchTime damage in UntouchableTime Counter attackstun 10tick
https://w.atwiki.jp/international_law/pages/37.html
Dionisio Anzilotti Dionisio Anzilotti (1869 – 1950) was an Italian jurist and judge of the Permanent Court of International Justice. After law studies in Pisa, Anzilotti taught international law in Florence, Palermo, Bologna and Rome from 1892 to 1937. One of the main proponents of Heinrich Triepel s theory of dualism, his textbook of international law, Corso di diritto internazionale. Vol. I Introduzione e teorie generali (3d. ed. 1928) was translated into several languages. Anzilotti was the secretary-general of the League of Nations expert commission preparing the Permanent Court of International Justice. He was a member of that court from 1921 to 1946 and presided it 1928-30. Notably, in the 1923 "Wimbledon case", he was the only PCIJ judge to ever vote against a suit brought by the government of his own country.