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TOXICOLOGICAL PROFILE FOR WHITE PHOSPHORUS -index p145 3. CHEMICAL AND PHYSICAL INFORMATION 化学的および物理学的知見 3. CHEMICAL AND PHYSICAL INFORMATION 化学的および物理学的知見3.1 CHEMICAL IDENTITY 化学的固有性 3.2 PHYSICAL AND CHEMICAL PROPERTIES 物理化学的特性 コメント欄（ツリー式） 3.1 CHEMICAL IDENTITY 化学的固有性 Information regarding the chemical identity of white phosphorus is located in Table 3-l. 白リンの化学的固有性に関する情報は表3-1参照。 3.2 PHYSICAL AND CHEMICAL PROPERTIES 物理化学的特性 Information regarding the physical and chemical properties of white phosphorus and white phosphorus smoke is located in Table 3-2. 白リンおよび白リン煙の物理化学的特性はTable 3-2参照。 Elemental phosphorus exists in several allotropic forms (Van Wazer 1982). 単体のリンにはいくつかの同素体がある。 The best known and most important commercially is the a-white phosphorus whose properties are given in Table 3-2. Commercial white phosphorus is 99.9% pure, with a slight yellow color caused by traces of red phosphorus impurities. 一番良く知られ最も重要なのはa-白リンでその性質はTable 3-2に示される。商品白リンは純度99%、うすく黄色みがかっているのは（残り1%の）不純物の赤燐が覆っているからだ。 Hence, white phosphorus also is known as yellow phosphorus. よって、白リンは黄燐として知られる。 When a-white phosphorus is cooled below -79.6℃, P-white phosphorus forms. Other important solid allotropes of phosphorus are red and black phosphorus (Van Wazer 1982). a-白リンが-79.6°C以下に冷やされるとp-白リンに立体構造が変わる。リンの他の固体の同素体には赤燐、そして黒リンがある。 The U.S. Army uses at least two phosphorus-based smoke/obscurants for training and testing activities (Shinn et al. 1985). 米陸軍は少なくともリンを元にした2種類の煙幕剤を訓練及び試験用として使っている。 One such agent is white phosphorus/felt (WP/F), and the other is red phosphorus/butyl rubber (Spanggord et al. 1985). その一つはフェルト含浸白リン(WP/F)で, もう一つはブチルゴム被覆赤燐である。 WP/F consists of 75-80% white phosphorus solidified into a cellulose (felt) matrix (20-25%). フェルト含浸白リン(WP/F)には、セルロースmatrix (20-25%)のなかに75-80%の固化された白リンが含まれている。 When WP/F is burnt, besides unburnt white phosphorus, the smoke consists primarily of oxidation and hydrolysis products of phosphorus. フェルト含浸白リンが燃えて、まだ燃えてない白リンと共存しているとき、煙にはリンの一次酸化反応物及び、一次加水分解物が含まれる。 For example, when white phosphorus burns in air it produces oxides of phosphorus including phosphorus pentoxide (P4O10), and phosphorus trioxide (P406). 例えば、白リンが空気中で燃えるとき、リンは十酸化四リン（五酸化二リン）や六酸化四リン（三酸化ニリン）をつくる。 These oxides react with moisture present in air to form a number of phosphorus-containing acids, such as orthophosphoric acid (H3PO4), pyrophosphoric acid (H4P2O7), orthophosphorus acid (H3PO3), hypophosphorus acid (H3PO2), polyphosphoric acid of the general formula Hn+2PnO3n+1, where n=2-8, and a homologous series of linear and cyclic P6-P16 polyphosphates (Spanggord et al. 1983; Tolle et al. 1988). これら酸化物は、空気中の水蒸気と反応して、ピロリン酸、正リン酸など多くのリンの酸化物を生成する。ポリリン酸の一般的分子式はHn+2PnO3n+1（n=2-8)で,リンが6個から16個の直鎖または環状の相同体をつくる。 The composition of white phosphorus smoke will change with time (Spanggord et al. 1988). 白リンの煙の成分は時と共に変化していく。 In the absence of stoichiometric quantities of oxygen, phosphine (PH3) may form in WP/F smoke from the reaction of unreacted phosphorus with moisture in air (Spanggord et al. 1983). 酸素が当量的に存在しないときには、まだ反応してないリンが水蒸気と反応して、ホスフィン(PH3) をつくるかもしれない。 白リンの反応によって導かれる主な化合物の反応式。 （クリックすると拡大） 煙に含まれる主な化合物の物性 （クリックすると拡大） ～～～～～～～～～～～～～～～～～～～～～～～～～～～～～～ （引用者注） 白リンの煙の中にある主なる成分として、ここに挙げられているのは、 三酸化リン（P4O6) 五酸化リン（P4O10） ホスホン酸(H3PO3) 正リン酸(H3PO4) ホスフィン（PH3) そのほか煙の中には、まだ燃えてない白リンのエアロゾルや、白リンの蒸気もあり見過ごすことはできない。 微量なレベルの他の成分は、前掲の反応式の後で記述されている。 白リンが燃え尽きて以後温度が下がってから、あるいは離れたところに拡散した煙は、殆どがリン酸と水分子が水和したエアロゾルとなる。 TOXICOLOGICAL PROFILE FOR WHITE PHOSPHORUS -index コメント欄（ツリー式） 名前 テスト３ - ni0615 2009-02-20 09 09 52 てすと - ni0615 2009-02-20 09 08 18 test2 - ni0615 2009-02-20 09 09 06
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0004 Simultaneous Equation 問題文 解説 連立方程式の解x,yを求める。 連立方程式をxとyについて解き、その式をプログラムで書けばいい。 また、小数点第4位以下を四捨五入する必要がある。 これは、まず1000をかけてから四捨五入の処理をし、その後1000で割ればいい。 プログラム C C++ +... #include iostream #include cstdio using namespace std; int main() { double a, b, c, d, e, f; double x, y; while (cin a b c d e f) { x = (b*f - e*c)/(b*d-a*e); y = (c - a*x)/b; x *= 1000; if (x 0) { x += 0.5; } else { x -= 0.5; } x = (int)x; x /= 1000; y *= 1000; if (y 0) { y += 0.5; } else { y -= 0.5; } y = (int)y; y /= 1000; printf("%.3f %.3f\n", x, y); } return 0; } Java
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François Boucher, Le lever du Soleil, 1753. Oil on canvas 318 x 261 cm exposé au Salon de 1753 Wallace Collection, London J.-B. Le Blanc, Observations sur les ouvrages de MM. de l Académie de peinture et de sculpture, 1753, p. 13- 14. Dans le premier, le Soleil sous la forme d Apollon, quitte à regret le sein de Thétis, l on lit dans les yeux de ce Dieu, que c est celui de la volupté. Une des Heures lui amenne son char, en l avertissant que l Aurore vient de partir. Dans un coin du Tableau on apperçoit les chevaux du Soleil tels qu Ovide les peint, respirant le feu l impatience. Un Amour verse de l ambroisie sur les mains d Apollon; Thétis lui présente sa lyre, tandis que des Néréïdes lui attachent ses brodequins. Parmi celles qui sont sur le devant du Tableau, il y en a une qu on ne se lasse pas regarder. Elle a cette naïveté aimable touchante qui fait le caractere de l une des Graces. On ne sçait où M. Boucher trouve les modeles de ce genre de beauté. On y reconnoît la nature, quoique rarement elle soit aussi piquante. La plûpart des Peintres se contentent de la rendre telle qu elle est l imagination de M. Boucher l embellit il n en sasit que ce qu elle a de précieux; il acheve ce qu elle a laissé d imparfait; il ajoute des graces à ce qui n a souvent que de la beauté. Ce caractere, dont tous ses Ouvrages portent l empreinte, est l effet d un don qui lui est propre. cité par Démoris [2008] 130. Parmi celles qui sont sur le devant du Tableau, il y en a une qu on ne se lasse pas regarder. 「作品の前景にいる女たちの中に、我々の視線を捉えて離さないものがひとりいる」 どの人物像を指しているのかは定かでないが、ラ・フォンの批評文に見られる類似の記述から、右端でこちら側を向いているニュンフェを指しているものと推測される。 La Font de Saint-Yenne, Sentiments sur quelques ouvrages de peinture, sculpture et gravure, 1754, p. 35-38. Il a exposé cette année-ci deux grands tableaux en hauteur. Le premier représente le lever du Soleil qui sort du sein de Neptune, va donner la lumiere à l univers. Le Peintre a embelli son sujet de toutes les divinités qui sont à la suite de Thetis, servent à son triomphe. Il y a prodigue, sans beaucoup de choix ni d ordre, les Nayades les Tritons dont quelques-uns sont peints avec force d un bon ton. Quoique la mer paroisse agitée, on y voit toutes ces divinités dans un repos parfait assés peu vrai-semblable. Le Peintre a donné à ces beautés maritimes toutes les graces de celles de la terre. Une entr autres qui paroît dans un groupe ne laisse voir que son visage, a dans sa phisionomie tout le piquant le voluptueux que l on peut y mettre, a fixé les regards les éloges de plusieurs spectateurs aux dépends de tout le reste du tableau. On a critiqué avec justice l attitude du dieu de la lumiere qui est extrêmement contrainte, dont la tête violemment panchée en arriere sans raison sans expression produit un effet désagréable. La lire qu on lui presente, est assés hors de propos. Si le peintre eut été plus versé dans l histoire poëtique, il auroit su que lorsque l on donnoit des noms différents à la même Divinité, c étoit ordinairement pour désigner ses diverses fonctions. La Lune étoit honorée sous le nom de Diane dans les forêts auxquelles elle présidoit, mais elle étoit encore Hécate dans les Enfers où elle tenoit un autre empire, aussi bien que dans le Ciel sous son nom ordinaire. Il en étoit de même Dieu du Soleil; placé sur l Helicon, au milieu des Muses, c étoit Apollon le Dieu de l harmonie de la poësie. Mais dans le Ciel monté sur son char, tenant les rênes de ses chevaux, éclairant notre hemisphère, ce n est plus Apollon mas le Soleil, une lire alors dans ses mains, si l on eut pû l y placer, eut été une inattention du peintre trop remarquable. Un peu plus de lecture lui eut épargné cette faute dans l historique de son sujet. Mais l indifférence de tout ce Cortége marin, dont presque toutes les figures tournent le dos au dieu du jour, semblent n être dans ce tableau que pour en remplir les vides, sans prendre aucun intérêt à l action principale qui est le départ du Soleil, est une faute essentielle, plus difficile à excuser. **********************************
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ACTE TROISIÈME Le théâtre représente le champ d exécration, borné à gauche par la porte Colline et les remparts de Rome; à droite par le cirque de Flore et le temple de Vénus Ericine. On voit au fond le mont Quirinal, au sommet duquel s éleve le temple de la Fortune. Sur la porte du champ on lit Sceleratus ager. On remarque sur la scene trois tombes de forme pyramidale deux sont fermées d une pierre noire, sur laquelle on lit en lettres d or le nom de la vestale qu elle renferme, et le millésime de sa mort. La troisième, destinée à Julia, est ouverte; un escalier conduit dans l intérieur. SCÈNE PREMIÈRE LICINIUS seul et dans le plus grand désordre Qu ai-je vu! quels apprêts! quel spectacle d horreur! Mon ame s abandonne à toute sa fureur. Un aveugle transport me guide, La terre frémit sous mes pas. Allant vers la tombe ouverte Le voilà ce gouffre homicide Qui doit dévorer tant d appas! Air Julia va mourir! .... Non, non, je vis encore, Je vis pour défendre ses jours; Contre des dieux cruels qu en vain le faible implore, L amour, le désespoir me prêtent leur secours. SCÈNE II Licinius, Cinna. LICINIUS Cinna, que fait l armée? CINNA Il n en faut rien attendre. On gémit, on te plaint, on n ose te défendre. LICINIUS Les lâches! CINNA Tout le camp semble glacé d effroi. Mais pour mourir auprès de toi, Je t amene à ma suite De guerriers et d amis une troupe d élite; Rassemblés en secret sur le mont Quirinal, De ton ordre avec eux j attendrai le signal. LICINIUS O digne ami! LICINIUS Compte sur mon courage. Des dangers près de toi j ai fait l apprentissage. Air Ce n est plus le temps d écouter Les vains conseils de la prudence Mon bras, tu n en saurais douter, S arme toujours pour ta défense. Les dieux peuvent sur nous Appesantir leur main puissante; Mais tout l effort de leur courroux N a rien dont mon cœur s épouvante. Il n est pas au pouvoir du sort De rompre le nœud qui nous lie, Et le jour témoin de ta mort Verra le terme de ma vie. Mais avant de tenter un combat inégal, Du pontife suprême invoque la puissance. LICINIUS De ce prêtre cruel l aveuglement fatal A de mon triste cœur banni toute espérance. CINNA Seul, il peut, détournant la colere des dieux, Arracher la vestale au sort qu on lui destine. LICINIUS Il doit se rendre ici. CINNA De la porte Colline Je le vois s avancer dans ces funestes lieux; Je te laisse avec lui. Il sort. SCÈNE III Licinius, Le Souverain Pontife, Le Chef des Aruspices. LICINIUS D un sacrifice affreux L appareil se prépare Victime d une loi barbare, La beauté, la jeunesse est livrée aux bourreaux, Et vivante descend dans la nuit des tombeaux. LE PONTIFE Tel est l ordre des dieux. LICINIUS Cependant leur clémence Peut laisser à ta voix désarmer leur vengeance. Je viens pour Julia réclamer ton appui. LE PONTIFE Quoses-tu demander, quand l état aujourd hui, Quand le salut de Rome exige une victime? LICINIUS Le salut des états ne dépend pas d un crime. LE PONTIFE Ces tristes monuments te disent que jamais Vesta n a pardonné de semblables forfaits. LICINIUS Romulus en naissant bravait ta loi fatale; Mars lui donna le jour au sein d une vestale. LE PONTIFE Julia doit mourir. LICINIUS Elle ne mourra pas. LE PONTIFE Les dieux demandent son trépas Qui pourrait s opposer à leur ordre suprême? Qui pourrait à leurs coups la soustraire? LICINIUS Moi-même. LE PONTIFE Téméraire, quel crime oses-tu concevoir? LICINIUS Connais-moi tout entier, connais mon seul espoir. Je suis sou amant, son complice; Et je dois l arracher ou la suivre au supplice. LE PONTIFE Tu périras sans la sauver Contre un pouvoir divin, que tu prétends braver, Ta gloire est une arme frivole. La roche Tarpéienne est près du Capitole. Duo LICINIUS C est à toi de trembler Dans ma juste colere, Mon bras peut ébranler Ton autel sanguinaire. LE PONTIFE C est à toi de trembler; Le ciel a son tonnerre. LICINIUS Si Julia périt, redoute mes transports. LE PONTIFE Les dieux arrêteront tes criminels efforts. LICINIUS J ai des amis que ma fureur anime Nous couvrirons ces champs de morts, Et nous sauverons la victime. LE PONTIFE Tremble, tremble, tes vains efforts Ne sauveront pas la victime. Ensemble LICINIUS C est à toi de trembler. Dans ma juste colere, Mon bras peut ébranler Ton autel sanguinaire. Si Julia périt, redoute mes transports Je veux qu un horrible hécatombe Signale ces moments affreux, Et j immolerai sur sa tombe Toi, tes prêtres cruels, et moi-même après eux. LE PONTIFE C est à toi de trembler Ta fureur téméraire Ne saurait m ébranler; Le ciel a son tonnerre. Les dieux arrêteront tes criminel efforts Ils ont accepté l hécatombe; Et, pour satisfaire à tes vœux Bientôt ici sur cette tombe Tes amis périront, et toi-même avec eux. Licinius sort. SCÈNE IV Le Souverain Pontife, L aruspice. L ARUSPICE Différons, croyez-moi, l instant du sacrifice. Il est puissant, vainqueur .... LE PONTIFE Vénérable aruspice, Reposez-vous sur moi du soin religieux D arrêter les efforts d un jeune furieux. L ARUSPICE Du peuple et des soldats si la foule égarée .... LE PONTIFE De nos divins autels la gloire est assurée. Suivons notre devoir, et laissons faire aux dieux. SCÈNE V Julia, La Grande Vestale, Les Précédents, Peuple, Prêtres, Soldats, Dames Romaines, Jeunes Filles, Vestales, Consuls, etc. Julia, conduite par des licteurs, est entourée par ses parents el par un chœur de jeunes filles. On porte devant elle un autel éteint. Les vestales portent les ornements de la vestale condamnée. CHOEUR DE PEUPLE pendant la marche du cortège Périsse la vestale impie Objet de la haine des dieux; Que son trépas expie Son forfait odieux! CHOEUR DE JEUNES FILLES ET DE VESTALES Tant de jeunesse, tant de charmes Vont périr au sein des douleurs. Dieux cléments! pardonnez les larmes Que nous arrachent ses malheurs. JULIA Aux vestales, à la grande vestale Adieu, mes tendres sœurs. O vous que je révere, Du ciel en ma faveur désarmez le courroux; A mes derniers moments tenez-moi lieu de mère; Bénissez votre fille embrassant vos genoux. Elle tombe à ses pieds. LA GRANDE VESTALE Ah! je le sens, pour toi j ai le cœur d une mere, Et je bénis ma fille embrassant mes genoux. JULIA Plus heureuse, à présent, je puis quitter la terre. Après ce mouvement, les licteurs séparent Julia de ses compagnes. LE PONTIFE auprès de l autel de Jupiter, où il fait des libations De Jupiter auguste sœur, Vesta, déesse protectrice, Ecoute nos chants de douleur, Et que le sacrifice Qu exige ta justice Soit le garant de ta faveur. CHOEUR GÉNÉRAL Ecoute nos chants de douleur, etc. JULIA sur le devant Le désespoir, la honte, un supplice effroyable, Dieux immortels, voilà mon sort! Du sein de ces tombeaux quelle voix lamentable M appelle au séjour de la mort? CHOEUR GÉNÉRAL Périsse la vestale impie, Objet de la haine des dieux, etc. JULIA Un peuple entier demande que j expire, Et presse les tourments qui me sont destinés; Ma mort importe au salut d un empire; Eteignons sans regrets mes jours infortunés. Air Toi que je laisse sur la terre, Mortel que je n ose nommer, Tout mon crime fut de t aimer, Et la mort ne peut m y soustraire. Hélas! dans ces moments d horreur, Autour de mon tombeau quand mon ame est errante, De mon fatal amour la flamme dévorante Brûle encor au fond de mon cœur. Des dieux la justice offensée En vain s éleve contre moi; Je t adresse, en mourant, ma derniere pensée, Et mon dernier soupir s exhale encor vers toi. Pendant cet air, on fait les préparatifs du supplice on descend dans la tombe un lit, un vase de lait, etc. CHOEUR DE FEMMES Tant de jeunesse, tant de charmes, Vont périr au sein des douleurs, etc. LE PONTIFE Dieux de cet empire, Par un forfait outragés, Que votre courroux expire; Vous allez être vengés. Aux vestales Sur l autel profané de la chaste déesse Que le voile de la prêtresse Soit suspendu dans ce moment; Et si Vesta pardonne à son erreur funeste, Aussitôt la flamme céleste Va consumer l indigne vêtement. Les vestales vont placer la robe sur l autel; tous les yeux y restent fixés. CHOEUR DE FEMMES Vesta, nous t implorons pour la vierge coupable; Fais briller à nos yeux ta clarté secourable. Il se fait un long silence. LE PONTIFE remettant à Julia une lampe allumée Les dieux ont prononcé ton juste châtiment, La mort doit expier le crime. Licteurs, dans son tombeau descendez la victime. JULIA sur les marches du souterrain Adieu .... tout! … SCÈNE DERNIÈRE Les Mêmes, Licinius, Cinna, Soldats. Ils se précipitent du mont Quirinal. LICINIUS Arrêtez, ministres de la mort! JULIA appuyée sur la balustrade qui entoure sa tombe, une partie du corps en terre C est sa voix! LICINIUS Vous allez immoler l innocence. C est moi qui de Vesta mérite la vengeance Je suis seul criminel, ordonnez de mon sort. CHOEUR Licinius! ô dieux! LICINIUS C est moi de qui l audace Secondant un aveugle amour, De Vesta, dans la nuit, profana le séjour La prêtresse qu ici votre courroux menace, Julia, n eut point part au crime de mes feux. Qu elle vive, et mon sang va couler à vos yeux. Il appuie un glaive sur sa poitrine. JULIA Le courage toujours à la pitié s allie Pour suspendre ma mort, il brave le trépas; Mais à ma faute en vain ce héros s associe; Il vous trompe, Romains; je ne le connais pas. LICINIUS avec fureur Tu ne me connais pas! CHOEUR DE PRÊTRES Le forfait les rassemble; Qu ils périssent ensemble. CHOEUR DE GUERRIERS C est un héros, c est notre appui. Avant que du vengeur de Rome La perte à nos yeux se consomme, Nous périrons tous avec lui. CHOEUR DE PRÊTRES ET DE PEUPLE Le forfait les rassemble; Qu ils périssent ensemble. LE PONTIFE au peuple Romains, de vos autels soyez les défenseurs. LICINIUS aux siens De l innocence, amis, soyez les protecteurs. CHOEUR DE PRÊTRES Qu elle meure! LICINIUS Tremblez! JULIA De cette lutte impie Prévenons les dangers en terminant ma vie. Elle descend dans le souterrain, dont les licteurs ferment aussitôt l ouverture. Au même moment le peuple et les soldats qui tiennent pour le grand-prêtre se rangent devant l entrée du souterrain, et se préparent à recevoir les soldats de Licinius. LICINIUS aux siens Suivez-moi, compagnons. Au moment où l on se prépare à en venir aux mains, le ciel s obscurcit tout-à-coup; la foudre gronde avec fracas; la scene n est plus éclairée que du feu des éclairs. CHOEUR GÉNÉRAL O terreur! ô disgrâce! La nuit couvre ces lieux; La foudre nous menace Est-ce justice ou grace Que vont faire les dieux? Effroyables tempêtes! L air brûlant sur nos tètes Roule en torrents de feux. O terreur! ô disgrace, etc. Les soldats, qui ne se voient plus, et qui sont glacés d effroi, se mêlent sans combattre. Licinius et Cinna descendent dans la tombe, et à la fin de la derniere partie du chœur, le fond du théâtre s ouvre dans sa partie élevée, et laisse voir un volcan de feu d où la foudre s échappe et vient embraser sur l autel la robe de la prêtresse. Le feu reste allumé. LE PONTIFE Soldats, peuple, arrêtez! Quel ravissant spectacle! Le ciel, par un miracle, Manifeste ses volontés. Licinius et Cinna ont ramené sur le devant de la scène Julia évanouie; elle reprend insensiblement ses esprits. Voyez sur cet autel la flamme étincelante. LICINIUS ET CINNA O ciel! JULIA Où suis-je? et qu est-ce que je vois? LE PONTIFE Une déesse bienfaisante, Révoque en ce moment ses rigoureuses lois; Mars a désarmé sa colere, Et Vesta d une chaîne austere Délivre sa prêtresse, et couronne ton choix. JULIA ET LICINIUS Qu entends-je? quel espoir! LE PONTIFE Sa puissance divine Vous dérobe l aspect de ces funestes lieux Le temple du pardon va s ouvrir à vos yeux; Adorez Vénus Erycine. Le pontife s éloigne, et les vestales sortent avec lui, emportant le feu sacré. Le théâtre change, et représente le cirque de Flore et le temple de Vénus Erycine. PRÊTRESSES DE VÉNUS Mortels, renaissez au bonheur; Parez-vous des fleurs les plus belles Vénus de deux amants fideles En ce jour couronne l ardeur. JULIA O clémence infinie! Le flambeau de mes jours vient de se rallumer; Je reçois de l amour nue nouvelle vie, à Licinius Et je la reçois pour t aimer. LES PRÊTRESSES DE VÉNUS conduisant Julia à l autel Amante fortunée, Consacrez vos serments aux autels d Hyménée. Duo du deuxième acte JULIA à Licinius Sur cet autel sacré, viens recevoir ma foi. LICINIUS De tes regards mon cœur s enivre; L univers est changé pour moi. JULIA C est pour toi seul que je veux vivre; LICINIUS, JULIA Sur cet autel sacré, viens recevoir ma foi. CHOEUR FINAL L espoir est rentré dans notre ame; Nos prieres, nos pleurs ont appaisé les dieux Vesta sur son autel a rallumé la flamme Qu elle conserve dans les cieux. La pièce se termine par des jeux et des danses analogues an culte de Vénus Erycine, dans lesquelles on célebre l hymen de Licinius et de Julia. ACTE TROISIÈME Le théâtre représente le champ d exécration, borné à gauche par la porte Colline et les remparts de Rome; à droite par le cirque de Flore et le temple de Vénus Ericine. On voit au fond le mont Quirinal, au sommet duquel s éleve le temple de la Fortune. Sur la porte du champ on lit Sceleratus ager. On remarque sur la scene trois tombes de forme pyramidale deux sont fermées d une pierre noire, sur laquelle on lit en lettres d or le nom de la vestale qu elle renferme, et le millésime de sa mort. La troisième, destinée à Julia, est ouverte; un escalier conduit dans l intérieur. SCÈNE PREMIÈRE LICINIUS seul et dans le plus grand désordre Qu ai-je vu! quels apprêts! quel spectacle d horreur! Mon ame s abandonne à toute sa fureur. Un aveugle transport me guide, La terre frémit sous mes pas. Allant vers la tombe ouverte Le voilà ce gouffre homicide Qui doit dévorer tant d appas! Air Julia va mourir! .... Non, non, je vis encore, Je vis pour défendre ses jours; Contre des dieux cruels qu en vain le faible implore, L amour, le désespoir me prêtent leur secours. SCÈNE II Licinius, Cinna. LICINIUS Cinna, que fait l armée? CINNA Il n en faut rien attendre. On gémit, on te plaint, on n ose te défendre. LICINIUS Les lâches! CINNA Tout le camp semble glacé d effroi. Mais pour mourir auprès de toi, Je t amene à ma suite De guerriers et d amis une troupe d élite; Rassemblés en secret sur le mont Quirinal, De ton ordre avec eux j attendrai le signal. LICINIUS O digne ami! LICINIUS Compte sur mon courage. Des dangers près de toi j ai fait l apprentissage. Air Ce n est plus le temps d écouter Les vains conseils de la prudence Mon bras, tu n en saurais douter, S arme toujours pour ta défense. Les dieux peuvent sur nous Appesantir leur main puissante; Mais tout l effort de leur courroux N a rien dont mon cœur s épouvante. Il n est pas au pouvoir du sort De rompre le nœud qui nous lie, Et le jour témoin de ta mort Verra le terme de ma vie. Mais avant de tenter un combat inégal, Du pontife suprême invoque la puissance. LICINIUS De ce prêtre cruel l aveuglement fatal A de mon triste cœur banni toute espérance. CINNA Seul, il peut, détournant la colere des dieux, Arracher la vestale au sort qu on lui destine. LICINIUS Il doit se rendre ici. CINNA De la porte Colline Je le vois s avancer dans ces funestes lieux; Je te laisse avec lui. Il sort. SCÈNE III Licinius, Le Souverain Pontife, Le Chef des Aruspices. LICINIUS D un sacrifice affreux L appareil se prépare Victime d une loi barbare, La beauté, la jeunesse est livrée aux bourreaux, Et vivante descend dans la nuit des tombeaux. LE PONTIFE Tel est l ordre des dieux. LICINIUS Cependant leur clémence Peut laisser à ta voix désarmer leur vengeance. Je viens pour Julia réclamer ton appui. LE PONTIFE Quoses-tu demander, quand l état aujourd hui, Quand le salut de Rome exige une victime? LICINIUS Le salut des états ne dépend pas d un crime. LE PONTIFE Ces tristes monuments te disent que jamais Vesta n a pardonné de semblables forfaits. LICINIUS Romulus en naissant bravait ta loi fatale; Mars lui donna le jour au sein d une vestale. LE PONTIFE Julia doit mourir. LICINIUS Elle ne mourra pas. LE PONTIFE Les dieux demandent son trépas Qui pourrait s opposer à leur ordre suprême? Qui pourrait à leurs coups la soustraire? LICINIUS Moi-même. LE PONTIFE Téméraire, quel crime oses-tu concevoir? LICINIUS Connais-moi tout entier, connais mon seul espoir. Je suis sou amant, son complice; Et je dois l arracher ou la suivre au supplice. LE PONTIFE Tu périras sans la sauver Contre un pouvoir divin, que tu prétends braver, Ta gloire est une arme frivole. La roche Tarpéienne est près du Capitole. Duo LICINIUS C est à toi de trembler Dans ma juste colere, Mon bras peut ébranler Ton autel sanguinaire. LE PONTIFE C est à toi de trembler; Le ciel a son tonnerre. LICINIUS Si Julia périt, redoute mes transports. LE PONTIFE Les dieux arrêteront tes criminels efforts. LICINIUS J ai des amis que ma fureur anime Nous couvrirons ces champs de morts, Et nous sauverons la victime. LE PONTIFE Tremble, tremble, tes vains efforts Ne sauveront pas la victime. Ensemble LICINIUS C est à toi de trembler. Dans ma juste colere, Mon bras peut ébranler Ton autel sanguinaire. Si Julia périt, redoute mes transports Je veux qu un horrible hécatombe Signale ces moments affreux, Et j immolerai sur sa tombe Toi, tes prêtres cruels, et moi-même après eux. LE PONTIFE C est à toi de trembler Ta fureur téméraire Ne saurait m ébranler; Le ciel a son tonnerre. Les dieux arrêteront tes criminel efforts Ils ont accepté l hécatombe; Et, pour satisfaire à tes vœux Bientôt ici sur cette tombe Tes amis périront, et toi-même avec eux. Licinius sort. SCÈNE IV Le Souverain Pontife, L aruspice. L ARUSPICE Différons, croyez-moi, l instant du sacrifice. Il est puissant, vainqueur .... LE PONTIFE Vénérable aruspice, Reposez-vous sur moi du soin religieux D arrêter les efforts d un jeune furieux. L ARUSPICE Du peuple et des soldats si la foule égarée .... LE PONTIFE De nos divins autels la gloire est assurée. Suivons notre devoir, et laissons faire aux dieux. SCÈNE V Julia, La Grande Vestale, Les Précédents, Peuple, Prêtres, Soldats, Dames Romaines, Jeunes Filles, Vestales, Consuls, etc. Julia, conduite par des licteurs, est entourée par ses parents el par un chœur de jeunes filles. On porte devant elle un autel éteint. Les vestales portent les ornements de la vestale condamnée. CHOEUR DE PEUPLE pendant la marche du cortège Périsse la vestale impie Objet de la haine des dieux; Que son trépas expie Son forfait odieux! CHOEUR DE JEUNES FILLES ET DE VESTALES Tant de jeunesse, tant de charmes Vont périr au sein des douleurs. Dieux cléments! pardonnez les larmes Que nous arrachent ses malheurs. JULIA Aux vestales, à la grande vestale Adieu, mes tendres sœurs. O vous que je révere, Du ciel en ma faveur désarmez le courroux; A mes derniers moments tenez-moi lieu de mère; Bénissez votre fille embrassant vos genoux. Elle tombe à ses pieds. LA GRANDE VESTALE Ah! je le sens, pour toi j ai le cœur d une mere, Et je bénis ma fille embrassant mes genoux. JULIA Plus heureuse, à présent, je puis quitter la terre. Après ce mouvement, les licteurs séparent Julia de ses compagnes. LE PONTIFE auprès de l autel de Jupiter, où il fait des libations De Jupiter auguste sœur, Vesta, déesse protectrice, Ecoute nos chants de douleur, Et que le sacrifice Qu exige ta justice Soit le garant de ta faveur. CHOEUR GÉNÉRAL Ecoute nos chants de douleur, etc. JULIA sur le devant Le désespoir, la honte, un supplice effroyable, Dieux immortels, voilà mon sort! Du sein de ces tombeaux quelle voix lamentable M appelle au séjour de la mort? CHOEUR GÉNÉRAL Périsse la vestale impie, Objet de la haine des dieux, etc. JULIA Un peuple entier demande que j expire, Et presse les tourments qui me sont destinés; Ma mort importe au salut d un empire; Eteignons sans regrets mes jours infortunés. Air Toi que je laisse sur la terre, Mortel que je n ose nommer, Tout mon crime fut de t aimer, Et la mort ne peut m y soustraire. Hélas! dans ces moments d horreur, Autour de mon tombeau quand mon ame est errante, De mon fatal amour la flamme dévorante Brûle encor au fond de mon cœur. Des dieux la justice offensée En vain s éleve contre moi; Je t adresse, en mourant, ma derniere pensée, Et mon dernier soupir s exhale encor vers toi. Pendant cet air, on fait les préparatifs du supplice on descend dans la tombe un lit, un vase de lait, etc. CHOEUR DE FEMMES Tant de jeunesse, tant de charmes, Vont périr au sein des douleurs, etc. LE PONTIFE Dieux de cet empire, Par un forfait outragés, Que votre courroux expire; Vous allez être vengés. Aux vestales Sur l autel profané de la chaste déesse Que le voile de la prêtresse Soit suspendu dans ce moment; Et si Vesta pardonne à son erreur funeste, Aussitôt la flamme céleste Va consumer l indigne vêtement. Les vestales vont placer la robe sur l autel; tous les yeux y restent fixés. CHOEUR DE FEMMES Vesta, nous t implorons pour la vierge coupable; Fais briller à nos yeux ta clarté secourable. Il se fait un long silence. LE PONTIFE remettant à Julia une lampe allumée Les dieux ont prononcé ton juste châtiment, La mort doit expier le crime. Licteurs, dans son tombeau descendez la victime. JULIA sur les marches du souterrain Adieu .... tout! … SCÈNE DERNIÈRE Les Mêmes, Licinius, Cinna, Soldats. Ils se précipitent du mont Quirinal. LICINIUS Arrêtez, ministres de la mort! JULIA appuyée sur la balustrade qui entoure sa tombe, une partie du corps en terre C est sa voix! LICINIUS Vous allez immoler l innocence. C est moi qui de Vesta mérite la vengeance Je suis seul criminel, ordonnez de mon sort. CHOEUR Licinius! ô dieux! LICINIUS C est moi de qui l audace Secondant un aveugle amour, De Vesta, dans la nuit, profana le séjour La prêtresse qu ici votre courroux menace, Julia, n eut point part au crime de mes feux. Qu elle vive, et mon sang va couler à vos yeux. Il appuie un glaive sur sa poitrine. JULIA Le courage toujours à la pitié s allie Pour suspendre ma mort, il brave le trépas; Mais à ma faute en vain ce héros s associe; Il vous trompe, Romains; je ne le connais pas. LICINIUS avec fureur Tu ne me connais pas! CHOEUR DE PRÊTRES Le forfait les rassemble; Qu ils périssent ensemble. CHOEUR DE GUERRIERS C est un héros, c est notre appui. Avant que du vengeur de Rome La perte à nos yeux se consomme, Nous périrons tous avec lui. CHOEUR DE PRÊTRES ET DE PEUPLE Le forfait les rassemble; Qu ils périssent ensemble. LE PONTIFE au peuple Romains, de vos autels soyez les défenseurs. LICINIUS aux siens De l innocence, amis, soyez les protecteurs. CHOEUR DE PRÊTRES Qu elle meure! LICINIUS Tremblez! JULIA De cette lutte impie Prévenons les dangers en terminant ma vie. Elle descend dans le souterrain, dont les licteurs ferment aussitôt l ouverture. Au même moment le peuple et les soldats qui tiennent pour le grand-prêtre se rangent devant l entrée du souterrain, et se préparent à recevoir les soldats de Licinius. LICINIUS aux siens Suivez-moi, compagnons. Au moment où l on se prépare à en venir aux mains, le ciel s obscurcit tout-à-coup; la foudre gronde avec fracas; la scene n est plus éclairée que du feu des éclairs. CHOEUR GÉNÉRAL O terreur! ô disgrâce! La nuit couvre ces lieux; La foudre nous menace Est-ce justice ou grace Que vont faire les dieux? Effroyables tempêtes! L air brûlant sur nos tètes Roule en torrents de feux. O terreur! ô disgrace, etc. Les soldats, qui ne se voient plus, et qui sont glacés d effroi, se mêlent sans combattre. Licinius et Cinna descendent dans la tombe, et à la fin de la derniere partie du chœur, le fond du théâtre s ouvre dans sa partie élevée, et laisse voir un volcan de feu d où la foudre s échappe et vient embraser sur l autel la robe de la prêtresse. Le feu reste allumé. LE PONTIFE Soldats, peuple, arrêtez! Quel ravissant spectacle! Le ciel, par un miracle, Manifeste ses volontés. Licinius et Cinna ont ramené sur le devant de la scène Julia évanouie; elle reprend insensiblement ses esprits. Voyez sur cet autel la flamme étincelante. LICINIUS ET CINNA O ciel! JULIA Où suis-je? et qu est-ce que je vois? LE PONTIFE Une déesse bienfaisante, Révoque en ce moment ses rigoureuses lois; Mars a désarmé sa colere, Et Vesta d une chaîne austere Délivre sa prêtresse, et couronne ton choix. JULIA ET LICINIUS Qu entends-je? quel espoir! LE PONTIFE Sa puissance divine Vous dérobe l aspect de ces funestes lieux Le temple du pardon va s ouvrir à vos yeux; Adorez Vénus Erycine. Le pontife s éloigne, et les vestales sortent avec lui, emportant le feu sacré. Le théâtre change, et représente le cirque de Flore et le temple de Vénus Erycine. PRÊTRESSES DE VÉNUS Mortels, renaissez au bonheur; Parez-vous des fleurs les plus belles Vénus de deux amants fideles En ce jour couronne l ardeur. JULIA O clémence infinie! Le flambeau de mes jours vient de se rallumer; Je reçois de l amour nue nouvelle vie, à Licinius Et je la reçois pour t aimer. LES PRÊTRESSES DE VÉNUS conduisant Julia à l autel Amante fortunée, Consacrez vos serments aux autels d Hyménée. Duo du deuxième acte JULIA à Licinius Sur cet autel sacré, viens recevoir ma foi. LICINIUS De tes regards mon cœur s enivre; L univers est changé pour moi. JULIA C est pour toi seul que je veux vivre; LICINIUS, JULIA Sur cet autel sacré, viens recevoir ma foi. CHOEUR FINAL L espoir est rentré dans notre ame; Nos prieres, nos pleurs ont appaisé les dieux Vesta sur son autel a rallumé la flamme Qu elle conserve dans les cieux. La pièce se termine par des jeux et des danses analogues an culte de Vénus Erycine, dans lesquelles on célebre l hymen de Licinius et de Julia. Spontini,Gaspare/La Vestale
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ここを編集 2014 ■ガールフレンド(仮)(制作協力) ■星刻の竜騎士 2015 ■スタミュ 2016 ■劇場版 銀河機攻隊 マジェスティックプリンス -覚醒の遺伝子-(制作協力) 2017 ■スタミュ 高校星歌劇 (第2期) 2018 ■覇穹 封神演義 ■ゆるキャン△ 2019 ■スタミュ 高校星歌劇 (第3期) 2020 ■へやキャン△ 2021 ■ゆるキャン△ SEASON２ 2022 ■映画 ゆるキャン△ 2023 ■Opus.COLORs ■DECO*27「ブループラネット feat. 初音ミク」MV(Production Cooperation) ■関連タイトル Blu-ray 映画『ゆるキャン△』【コレクターズ版】 ゆるキャン△ Blu-ray BOX スタミュ 1st~2nd Season Review Box Blu-ray 星刻の竜騎士 第1巻 rakuten_design= slide ;rakuten_affiliateId= 053df7e0.7c451bd1.0c852203.190c5695 ;rakuten_items= ctsmatch ;rakuten_genreId=0;rakuten_size= 468x160 ;rakuten_target= _blank ;rakuten_theme= gray ;rakuten_border= on ;rakuten_auto_mode= on ;rakuten_genre_title= off ;rakuten_recommend= on ; 随時更新！ pixivFANBOX アニメ@wiki ご支援お待ちしています！ ムック本＆画集新刊／個人画集新刊／新作Blu-ray単巻／新作Blu-ray DVD-BOX アニメ原画集全リスト スタッフインタビューwebリンク集 最新登録アイテム Switch ゼルダの伝説 Tears of the Kingdom Switch 世界樹の迷宮Ⅰ･Ⅱ･Ⅲ HD REMASTER Switch ピクミン 4 大友克洋 Animation AKIRA Layouts Key Frames 2 小説 機動戦士ガンダム 水星の魔女 1 ONE PIECE FILM REDデラックス・リミテッド・エディション 4K ULTRA HD Blu-ray Blu-ray 劇場版 ソードアート・オンライン -プログレッシブ- 冥き夕闇のスケルツォ 完全生産限定版 Blu-ray 映画『ゆるキャン△』 Blu-ray 【コレクターズ版】 Blu-ray ウマ娘 プリティーダービー 4th EVENT SPECIAL DREAMERS!! Blu-ray 天地無用！GXP パラダイス始動編 Blu-ray第1巻 特装版 天地無用！魎皇鬼 第伍期 Blu-ray SET 「GS美神」全話いっき見ブルーレイ Blu-ray ソードアート・オンライン -フルダイブ- メーカー特典：「イベントビジュアル使用A3クリアポスター」付 ラブライブ！虹ヶ咲学園スクールアイドル同好会 5th Live! 虹が咲く場所 Blu-ray Memorial BOX 宇宙戦艦ヤマト2202 愛の戦士たち Blu-ray BOX 特装限定版 地球へ… Blu-ray Disc BOX 完全生産限定版 神風怪盗ジャンヌ Complete Blu-ray BOX HUNTER×HUNTER ハンター試験編・ゾルディック家編Blu-ray BOX BLEACH Blu-ray Disc BOX 破面篇セレクション1＋過去篇 完全生産限定版 MAZINGER THE MOVIE 1973-1976 4Kリマスター版 アニメ・ゲームのロゴデザイン シン・仮面ライダー 音楽集 テレビマガジン特別編集 仮面ライダー 完全版 EPISODE No.1~No.98 MOVIE リスアニ！Vol.50.5 ぼっち・ざ・ろっく！号デラックスエディション ヤマノススメ Next Summit アニメガイド おもいでビヨリ アニメ「魔入りました！入間くん」オフィシャルファンブック 『超時空要塞マクロス』パッケージアート集 CLAMP PREMIUM COLLECTION X 1 トーマの心臓 プレミアムエディション パズル ドラゴンズ 10th Anniversary Art Works はんざわかおり こみっくがーるず画集 ~あばばーさりー!~ あすぱら画集 すいみゃ Art Works trim polka-トリムポルカ- つぐもも裏 超！限界突破イラスト＆激！すじ供養漫画集 開田裕治ウルトラマンシリーズ画集 井澤詩織1st写真集 mascotte 鬼頭明里写真集 my pace 内田真礼 1st photobook 「まあやドキ」 進藤あまね1st写真集 翠~Midori~ 声優 宮村優子 対談集 アスカライソジ 三石琴乃 ことのは 亀田祥倫アートワークス 100％ 庵野秀明責任編集 仮面ライダー 資料写真集 1971－1973 金子雄司アニメーション背景美術画集 タローマン・クロニクル ラブライブ!サンシャイン!! Find Our 沼津~Aqoursのいる風景~ 機動戦士ガンダム 逆襲のシャア 友の会［復刻版］ 梅津泰臣 KISS AND CRY 資料集 安彦良和 マイ・バック・ページズ 『機動戦士ガンダム ククルス・ドアンの島』編 氷川竜介 日本アニメの革新 歴史の転換点となった変化の構造分析 Blu-ray THE IDOLM@STER CINDERELLA GIRLS 10th Anniversary Celebration Animation ETERNITY MEMORIES Blu-ray おいら宇宙の探鉱夫 ブルーレイ版 Blu-ray 映画 バクテン!! 完全生産限定版 アイカツ！ 10th STORY ～未来へのSTARWAY～ Blu-ray BOX 初回生産限定版 はたらく細胞 Blu-ray Disc BOX 完全生産限定版 Blu-ray 長靴をはいた猫 3作品収録 Blu-ray わんぱく王子の大蛇退治 Blu-ray 魔道祖師 完結編 完全生産限定版 魔道祖師Q Blu-ray Disc BOX 完全生産限定盤 にじよん あにめーしょん Blu-ray BOX 【特装限定版】 Blu-ray 鋼の錬金術師 完結編 プレミアム・エディション Blu-ray付き やはりゲームでも俺の青春ラブコメはまちがっている。完 限定版【同梱物】オリジナルアニメ Blu-ray「だから、思春期は終わらずに、青春は続いていく。」
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Humorously Speaking The Entertaining Speaker Speaking to Inform Public Relations Facilitating Discussion Specialty Speeches Speech By Management The Professional Speaker Technical Presentations Persuasive Speaking Communicating On Television Storytelling Interpretive Reading Interpersonal Communication Special Occasions Speech Humorously Speaking 1. Warm Up Your Audience • Prepare a speech that opens with a humorous story • Personalize the story • Deliver the story smoothly and effectively Time 5-7 minutes 2. Leave Them with a Smile • Prepare a serious speech that opens and closes with a humorous story. • Prepare a closing story that reemphasizes the speech s main point. • Deliver the stories smoothly and effectively Time 5-7 minutes 3. Make Them Laugh • Prepare a speech that opens and closes with humorous stories • Include jokes in the speech body to illustrate points or maintain audience interest • Deliver the jokes and stories smoothly and effectively Time 5-7 minutes 4. Keep Them Laughing • Prepare a speech that opens with a self-deprecating joke. • String together two or three related jokes in the speech body. • Close the speech with a humorous story. Time 5-7 minutes 5. The Humorous Speech • Use exaggeration to tell a humorous story. • Entertain the audience. • Effectively use body language and voice to enhance the story. Time 5-7 minutes The Entertaining Speaker 1. The Entertaining Speech • Entertain the audience through use of humor and/or drama drawn from your personal experience • Organize an entertaining speech for maximum audience impact Time 5-7 minutes 2. Resources for Entertainment • Draw humorous and/or dramatic material from sources other than your own personal experience • Adapt your material to suit your topic, your own personality and the audience. Use entertaining material as a means of conveying a serious message Time 5-7 minutes 3. Make Them Laugh • Prepare a humorous speech drawn from your own experience • Strengthen the speech by adapting and personalizing humorous material from outside sources • Deliver the speech in a way that makes the humor effective Time 5-7 minutes 4. A Dramatic Talk • Develop an entertaining dramatic talk about an experience or incident, or give a dramatic reading • Include vivid imagery, characters and dialogue • Deliver the talk in an interpretative manner Time 5-7 minutes 5. Speaking After Dinner • Prepare an entertaining after-dinner talk on a specific theme • Deliver the talk extemporaneously, using the skills developed in the preceding entertainment projects Time 8-10 minutes Speaking to Inform 1. The Speech to Inform • Select new and useful information for presentation to the audience • Organize the information for easy understandability and retention • Present the information in a way that will help motivate the audience to learn Time 5-7 minutes 2. Resources for Informing • Analyze the knowledge level of your audience regarding your chosen subject • Focus your presentation at the audience s level of knowledge • Build a supporting case for each major point through use of explanation, examples and information gathered in research • Effectively use at least one visual aid to enhance the audience s understanding Time 5-7 minutes 3. The Demonstration Talk • Prepare a demonstration speech to clearly explain a process, product, or activity • Conduct the demonstration as part of a speech delivered without notes Time 5-7 minutes 4. A Fact Finding Report • Prepare a report on a situation, event, or problem of interest to the audience • Deliver sufficient factual information in your report so the audience can base valid conclusions or a sound decision on it Time 5-7 minutes 5. The Abstract Concept • Research and organize the thought of experts on an abstract concept, theory, historical force, or social/political issue • Present the ideas in a clear and interesting manner Time 6-8 minutes Public Relations 1. The Goodwill Speech • Prepare a talk that will build goodwill for your organization by supplying useful information of interest to the audience • Favorably influence the audience by skillful and friendly delivery of your talk Time 5-7 minutes 2. The Radio Talk Show • Prepare a talk designed to build goodwill toward it by presenting factual information • Understand the dynamics of a successful talk show • Prepare for the questions that may be asked of you during the radio interview Time 3-5 minutes for presentation, plus 2-3 minutes for Q A 3. The Persuasive Approach • Direct a persuasive appeal to the audience s self-interests using a combination of fact and emotion in a speech delivered in such a manner that it appears extemporaneous. Persuade the audience to adopt your viewpoint by the use of standard persuasive techniques • Use at least one visual aid to enhance the audience’s understanding Time 5-7 minutes 4. Speaking Under Fire • Prepare a talk to persuade a hostile audience at least to consider your position on a controversial issue • Demonstrate sincerity when presenting your viewpoint Time 3-5 minutes for presentation, plus 2-3 minutes for Q A 5. The Crisis Management Speech • Learn strategies for communicating to the media about a company crisis • Prepare a speech for the media about a company crisis that builds and maintains a positive image for the company Time 4-6 minutes, and 3-5 minutes for the Q A Facilitating Discussion 1. The Panel Moderator Objectives • Select a topic for a panel discussion Identify differing viewpoints to be addressed by panelists • Organize and moderate a panel discussion Recommended Time 20 -30 Optional Time 22 ~ 26 2. The Brainstorming Session Objectives • Select a problem for a brainstorming session for which you serves facilitator • Conduct a brainstorming session • Have participants reduce the list of ides to the three best Recommended Time 31 ~ 33 Optional Time 20 ~ 22 3. The Problem-solving Discussion Objectives • Discuss the three ideas generated in Project 2 • Determine which one best resolves the problem Recommended Time 26 ~ 31 Optional Time 19 ~ 23 4. Handling Challenging Situations Objectives • Select a problem and ask club members to discuss and resolve it by either a majority vote or by compromise • Serve as facilitator for the discussion Effectively handle any member s behavioral problems that may interfere with the discussion Recommended Time 22 ~ 32 Optional Time 12 ~ 21 5. Reaching a Consensus Objectives • To select a problem for the group to discuss and resolve • As facilitator, help the group reach a consensus Recommended Time 31 ~ 37 Optional Time 20 ~ 26 Specialty Speeches 1. Speak Off the Cuff Objectives • Develop an awareness of situations in which you might be called upon to deliver an impromptu speech • Understand how to prepare for impromptu speaking • Develop skill as a speaker in the impromptu situation by using one or more patterns to approach a topic under discussion; for example, comparing a past, present, and future situation or before and after Time 5-7 minutes 2. Uplift the Spirit Objectives • Identify and understand the basic differences and similarities between inspirational speeches and other kind of speeches • Learn how to evaluate audience feeling and establish emotional rapport • Develop a speech style and delivery that effectively expresses inspirational content by moving the audience to adopt your views Time 8-10 minutes 3 Sell a Product Objectives • Understand the relationship of sales technique to persuasion • Skillfully use the four steps in a sales presentation attention, interest, desire, action • Identify and promote a unique selling proposition in a sales presentation • Be able to handle objections and close a prospective buyer Time 10-12 minutes 4. Read Out Loud Objectives • Arrive at an understanding of the elements that comprise oral interpretation and how it differs from preparing and giving a speech • Learn the preparation or planning techniques of effective interpretation • Learn the principles of presentation and develop skill in interpretive reading with regard to voice and body as instruments of communication Time 12-15 minutes 5. Introduce the Speaker Objectives • Focus on the special occasion talk from the standpoint of the introducer (function chairman, toastmaster, master of ceremonies) • Become knowledgeable and skilled in the functions associated with the master of ceremonies • Handle the introduction of other speakers at a club meeting. Time Duration of a club meeting. (To be arranged with the EVP) Speech By Management 1. The Briefing Objectives • Apply the key steps in the preparation of a briefing and the organization of material • Give a briefing according to a specific objective so the audience will have an understanding of the information • Effectively handle a question-and-answer session following the briefing Time 8-10 minutes for speech, 5 minutes for question period 2. The Technical Speech Objectives • Convert a technical paper or technical material and information into a technical speech • Organize a technical speech according to the inverted-pyramid approach • Write a technical speech as "spoken language," not as an article • Give the speech by effectively reading out loud Time 8-10 minutes 3. Manage and Motivate Objectives • Understand the concept and nature of motivational method in management. • Apply a four step motivational method with the Objectives to persuade and inspire. • Deliver a motivational speech to persuade an audience to agree with your management proposal. Time 10-12 minutes 4. The Status Report Objectives • Organize and prepare a status report involving the overall condition of a plan or program, or performance of a department or company in relation to goals. • Construct the report according to a four-step pattern. • Give an effective presentation of the report. Time 10-12 minutes 5. Confrontation The Adversary Relationship Objectives • Understand the definition and nature of the adversary relationship. • Prepare for an adversary confrontation on a controversial management issue. • Employing appropriate preparation methods, strategy, and techniques, for communicating with an adversary group as the representative of your company or corporation. Time 5 minutes for speech,10 minutes for question period The Professional Speaker 1. The Keynote Address Objectives • Identify the basic differences between keynotes speeches and other kinds of speeches. • Learn how to evaluate audience feeling and establish emotional rapport. • Learn and use the professional techniques necessary for a successful keynote presentation. • Develop a speech style and delivery that effectively inspires and moves the audience to adopt your views as a collective reaffirmation of its own. Time 15-20 minutes 2, Speaking to Entertain Objectives • Entertain the audience through the use of humor drawn from personal experience and from other material that you have personalized. • Deliver the speech in a way that makes the humor effective. • Establish personal rapport with your audience for maximum impact. Time 15-20 minutes 3. The Sales Training Speech Objectives • Tell a sales audience how to sell a product by using a planned presentation. Inform a sales training audience about the human experience of the buyer-seller relationship. • Use entertaining stories and dynamic examples of sales situations. Inspire salespeople to want succeed in selling. Time 15-20 minutes 4. The Professional Seminar Objectives • Plan and present a seminar with specific learning Objectives. • Relate to the audience by using a seminar presentation style. • Use seminar presentation techniques to promote group participation, learning and personal growth. Time 20-40 minutes 5. The Motivational Speech Objectives • Understand the concept and nature of motivational speaking. • Apply a four-step motivational method with the purpose of persuading and inspiring. Deliver a motivational speech to persuade an audience to emotionally commit to an action. Time 15-20 minutes Technical Presentations 1. The Technical Briefing Objectives • Using a systematic approach, organize technical material into a concise presentation. • Tailor the presentation to the audience s needs, interests and knowledge levels. Time 8-10 minutes 2. The Proposal Objectives • To prepare a technical presentation advocating a product, service, idea or course of action. • To present your viewpoint logically and convincingly, using an inverted-pyramid approach. • To effectively use Microsoft PowerPoint with a laptop computer to illustrate your message. • To effectively handle a question-and-answer period. Time 8-10 minutes for speech; 3-5 minute for question period. 3. The Nontechnical Audience Objectives • Understand the principles of communicating complex information to non-technical listeners. • Build and deliver an interesting talk based on these principles. • Answer audience questions that arise during the presentation. • Use a Microsoft PowerPoint slideshow to illustrate your message. Time 10-12 minutes 4. Presenting a Technical Paper • Deliver an interesting speech based on a technical paper or article. • Effectively use a Microsoft PowerPoint slideshow to illustrate your theme. • Provide additional information, such as answers to questions, using a flipchart. Time 10-12 minutes 5. Enhancing a Technical Talk with the Internet • Understand the nature and process of a technical presentation supported with professional-level visual aids. • Arrange pre-meeting communications via e-mail • Find or create a post-meeting Web site for further dissemination of information supporting or enhancing your verbal presentation. You may create a web page and add it to your club s Web site, making use of podcasting, webcasting or a basic internet template Time 12-15 minutes Persuasive Speaking 1. The Effective Salesperson • Learn a technique for selling an inexpensive product in a retail store. • Recognize a buyer s thought processes in making a purchase. • Elicit information from a prospective buyer through questions. • Match a buyer s situation with the most appropriate product. Time 8-12 minutes 2. Conquering the Cold Call • Learn a technique for “cold call” selling of expensive products or services. • Recognize the risks buyers assume in purchasing. • Use questions to help the buyer discover problems with his or her current situation. • Successfully handle buyer s objections and concerns. Time 10-14 minutes 3. The Winning Proposal • Prepare a proposal advocating an idea or course of action • Organize the proposal using the six-step method provided. Time 5-7 minutes 4. Addressing the Opposition • Prepare a talk on a controversial subject that persuades an audience to accept or at least consider your viewpoint. • Construct the speech to appeal to the audience s logic and emotions. Time 7-9 minutes for the speech; 2-3 minutes for the Q A period. 5. The Persuasive Leader • Communicate your vision and mission to an audience. • Convince your audience to work toward achieving your vision and mission. Communicating On Television 1. Straight Talk • To effectively present an opinion or viewpoint in a short time • To stimulate giving a presentation as part of a television broadcast Time 3 minutes plus or minus 30 seconds 3. The Talk Show • To understand the dynamics of a television interview or "talk" show • To prepare for the questions that may be asked of you during a television interview program • To present a positive image on the television camera. • To appear as a guest on a simulated television talk show Time 10 minutes plus or minus 30 seconds 4. When You re the Host • To conduct a successful television interview • To understand the dynamics of a successful television interview or "talk" show • To prepare questions to ask during the interview program • To present a positive, confident image on the television camera Time 10 minutes plus or minus 30 seconds 5. The Press Conference • To understand the nature of a television press conference • To prepare for an adversary confrontation on a controversial or sensitive issue • To employ appropriate preparation methods and strategies for your organizations viewpoint • To present and maintain a positive image on television Time 4-6 minutes for presentation 8-10 minutes for question period 6. Training On Television • To learn how to develop and present an effective training program on television • To receive personal feedback through the videotaping of your presentation Time 5-7 minutes for the presentation, plus 5-7 minutes for playback of the videotape Storytelling 1. The Folk Tale • To tell a folk tale that is entertaining and enjoyable for a specific age group • To use vivid imaginary and voice to enhance the tale Time 7-9 minutes 2. Let’s Get Personal • To learn the elements of a good story • To create and tell an original story based on a personal experience Time 6-8 minutes 3. The Moral of the Story • To understand that a story can be entertaining yet display moral values. • To create a new story that offers a lesson or moral • To tell the story, using the skills developed in the previous two projects Time 4-6 minutes 4. The Touching Story •To understand the techniques available to arouse emotion •To become skilled in arousing emotions while telling a story Time 6-8 minutes 5. Bringing History to Life • To understand the purpose of stories about historical events or people • To use the storytelling skills developed in the preceding projects to tell a story about a historical event or person Time 7-9 minutes Interpretive Reading 1. Read A Story • To understand the elements of interpretive reading • To learn how to analyze a narrative and plan for effective interpretation • To learn and apply vocal techniques that will aid in the effectiveness of the reading Time 8-10 minutes 2. Interpreting Poetry • To understand the differences between poetry and prose • To recognize how poets use imaginary, rhythm, meter, cadence and rhyme to convey the meanings and emotions of their poetry • To apply vocal techniques that will aid in the effectiveness of the reading Time 6-8 minutes 3. The Monodrama • To understand the concept and nature of the monodrama • To assume the identity of a character and to portray the physical and emotional aspects of this character to an audience Time 5-7 minutes 4. The Play • To adapt a play for interpretive reading • To portray several characters in one reading, identifying them to the audience through voice changes and movement. Time 12-15 minutes 5. The Oratorical Speech • To understand the structure of an effective speech. • To interpret and present a famous speech. Time 8-10 minutes Interpersonal Communication 1. Conversing with Ease • Identify techniques to use in conversing with strangers • Recognize different levels of conversation. Initiate a conversation with a stranger • Initiate a conversation with a stranger • Use open-ended questions to solicit information for further conversation Time 10-14 minutes 2. The Successful Negotiator • Employ win/win negotiating strategies to achieve your goals. • Enjoy the benefits of win/win negotiating. • To apply vocal techniques that will aid in the effectiveness of the reading Time 10-14 minutes 3. Diffusing Verbal Criticism • Respond non-defensively to verbal criticism. • Employ a five-step method to identify the problem, diffuse the attack and arrive at a solution Time 10-14 minutes 4. The Coach • Determine reasons for someone s substandard performance • Coach the person to improved performance Time 10-14 minutes 5. Asserting Yourself Effectively • Enjoy the mental and physical benefits of being assertive • Employ the four-step method for addressing a problem and asking for help • Overcome resistance to your requests Time 10-14 minutes Special Occasions Speech 1. Mastering the Toast • Recognize the characteristics of a toast • Present a toast honoring an occasion or person Time 2-3 minutes 2. Speaking in Praise • Prepare a speech praising or honoring someone, either living or dead • Address five areas concerning the individual and his/her accomplishments • Include anecdotes illustrating points within the speech Time 5-7 minutes 3. The Roast • Poke fun at a particular individual in a good-natured way • Adapt and personalize humorous material from other sources • Deliver jokes and humorous stories effectively Time 3-5 minutes 4. Presenting an Award • Present an award with dignity and grace • Acknowledge the contributions of the recipient Time 3-4 minutes 5. Accepting an Award • Accept an award with dignity, grace and sincerity • Acknowledge the presenting organization Time 5-7 minutes
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name Probe Whiskey Portion brand Swedish Match type Large Portion weight 1g(24g@1can) flavor Whiskey aroma recommend 4 Notes(JPN) ウィスキーというよりもリポビタンDとかに近い甘い香り。刺激はマイルドなので、初めて1gタイプを使う人にも向いてると思われる。
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詳説・特徴 ジェムレベルによる変化 入手方法 関連リンク Awakened Void Manipulation Support Chaos,Supportアイコン vマナ倍率 120.0% Supports any skill that deals damage. クオリティ1%あたりSupported Skills deal 1% increased Chaos Damageサポートされたスキルが与えるChaosダメージが1%増加 Supported Skills deal (40-44)% more Chaos Damageサポートされたスキルは(40-44)%more Chaosダメージを与える。 Supported Skills deal 25% reduced Elemental Damage日本語訳求む 詳説・特徴 ジェムレベルによる変化 +... レベル support_void_manipulation_chaos_damage_+%_final 1 72 72 50 40% 2 74 74 51 41% 3 76 75 52 42% 4 78 77 54 43% 5 80 79 55 44% 6 82 81 56 45% 7 84 81 56 45% 8 86 81 56 46% 9 88 81 56 46% 10 90 81 56 47% 11 91 81 56 47% 12 92 81 56 48% 13 93 81 56 48% 14 94 81 56 49% 15 95 81 56 49% 16 96 81 56 50% 17 97 81 56 50% 18 98 81 56 51% 19 99 81 56 51% 20 100 81 56 52%
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Vehicle Hummel Self Propelled Artillery Contents 1 Hummel Self Propelled Artillery Veterancy 2Tactics 3History 4Requires 4.1 Hummel Self-Propelled Artillery 5Called In Using 5.1 Hummel 150mm Self-Propelled Howitzer 6Vehicle Abilities 6.1 Vehicle Cover 6.2 Hummel 150mm Howitzer Barrage 6.3 Rapid Fire Artillery 7Vehicle Weapons 7.1 150mm Hummel Howitzer Hummel Self Propelled Artillery Health 400 Max Speed 3 Sight 35 Cost 480120 Acceleration 1 Detection 0/0 Time 45 Deceleration 3 Hotkey Population 10 Rotation 50 Target Type armour_hummel Upkeep 10.944 Crush Human Critical Type armour Crush Mode Rear Damage Enabled true Hummel Self Propelled Artillery Veterancy [Expand][Hide] Received Damage Received Accuracy Maximum Speed Maximum Health 0.9 0.9 1.15 1.15 Accuracy Reload Cooldown Penetration 1.15 0.9 0.9 1.15 12 Vet-Exp Received Damage Received Accuracy Maximum Speed Maximum Health 0.95 0.95 1.05 1.15 Accuracy Reload Cooldown Penetration 1.15 0.9 0.9 1.15 29 Vet-Exp Received Damage Received Accuracy Maximum Speed Maximum Health 0.95 0.95 1.05 1.15 Accuracy Reload Cooldown Penetration 1.15 0.9 0.9 1.15 51 Vet-Exp Tactics Locking down the Hummel increases the range and speed at which the Hummel fires its salvo. After firing, move the Hummel to another location; the enemy cannot kill something that isn t there. Keep this unit supported; even a stray Greyhound can wreak havoc on a lone Hummel. With no Overwatch ability, like the British Priests, you must keep your eyes peeled for large concentrations of enemy troops or structures in important areas. History The Hummel was a self-propelled artillery gun armed with a 15 cm howitzer. It was used by the German Wehrmacht during the Second World War from late 1942 until the end of the war. The Hummel first participated in large scale combat at the Battle of Kursk, when some 100 Hummels were in service. They served in armored artillery battalions or Panzerartillerie Abteilungen of the Panzer divisions, forming separate heavy self-propelled artillery batteries, each with 6 Hummels and one ammunition carrier. Five Hummels survive. They may be seen at the Munster Deutsches Panzermuseum, the Wehrtechnische Studiensammlung in Koblenz and the Sinsheim Auto Technik Museum in Germany, the Musée des Blindés in Saumur, France and the Patton Museum of Cavalry and Armor in Fort Knox, Kentucky. Requires Hummel Self-Propelled Artillery [Expand][Hide] Cost 3 Time Hotkey Effects A Hummel Self-Propelled 150mm howitzer can devastate large swaths of ground at long range with its massive shells. ESeeUpgrade Hummel Self-Propelled Artilleryfor details. Called In Using Hummel 150mm Self-Propelled Howitzer [Expand][Hide] Cost 600 Activation targeted Duration 0 Target tp_any Recharge 40 Hotkey Effects Order a Hummel 150mm Howitzer to the battlefield for devastating artillery support. ESeeAbility Hummel 150mm Self-Propelled Howitzerfor details. Vehicle Abilities Vehicle Cover [Expand][Hide] Cost Activation always_on Duration _ Target tp_any Recharge 0 Hotkey Effects $0 no key ESeeAbility Vehicle Coverfor details. Hummel 150mm Howitzer Barrage [Expand][Hide] Cost Activation targeted Duration _ Target tp_position Recharge 90 Hotkey B Effects The Hummel will fire a powerful barrage of 150mm shells at the specified target. Can be fired into the Fog of War. ESeeAbility Hummel 150mm Howitzer Barragefor details. Rapid Fire Artillery [Expand][Hide] Cost Activation toggle Duration 3 Target tp_any Recharge 10 Hotkey C Effects When locked down, the Hummel is immobile, but can fire its massive 150mm shells much further and faster. ESeeAbility Rapid Fire Artilleryfor details. Vehicle Weapons 150mm Hummel Howitzer [Expand][Hide] Weapon 150mm Hummel Howitzer SeeWeapon 150mm Hummel Howitzerfor details. Retrieved from http //www.coh-stats.com/Vehicle Hummel_Self_Propelled_Artillery