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• FIFA08(XBOX360) 攻略@wiki - 裏技・小技

  https://w.atwiki.jp/fffifa08/pages/52.html

  FIFA08裏技・小技 EXP無限増殖 準備オートセーブをOFFにする ファンショップで買い物できるポイントを稼いでおく エディット無しの【チーム編成】、エディット用の【チーム編成】をそれぞれ別名でセーブしておく。（やらなくても可） 【FIFA08プロフィール】（ユーザー設定）も念のために別名でセーブ。（やらなくても可、間違って保存した時のバックアップ用） 開始前エディット用の【FIFA08プロフィール】と【チーム編成】をロード。 エディット開始①EXPを増やしたい選手をアリーナ選手に指定（ＧＫは無理）、【FIFA08プロフィール】をそのままセーブ。 ②ファンショップでミステリーEXPパック#3と#4を購入。（ポイントがあれば全部買っても可） ③ファンショップから抜ける際【FIFA08プロフィール】はセーブしない、【チーム編成】はセーブする。 ④【FIFA08プロフィール】をロード。ファンショップの購入履歴がクリアされる。 ⑤②～④を繰り返せば、アリーナ選手のEXPがどんどん増える。 ⑥EXPが一定量たまったら[選手を編集]でポイントを割り振る。[選手を編集]から抜ける際に、【FIFA08プロフィール】はセーブしない、【チーム編成】はセーブする。 注意：エディット中はとにかく【FIFA08プロフィール】を上書きしないよう注意。EXPパックの一部は、購入しセーブすると、購入履歴にチェックが入って２度と買えません。 マネージャーモード：EXP無限増殖技を使ってラクチン経営 実績、ステッカー、ポイント稼ぎ向き OVR99の選手１名（売却用）と、EXPを貯めて能力に割り振っていないOVR50以下の選手を数名用意。 エディットのチーム編成を複数保存し、片方のデータでマネモを始める（新規でスタートする時はもう片方を使う）。 シーズン開始時、移籍市場がオープンなら即OVR99の選手を売りに出す。クローズの場合はオープンになるまでガマン、OVR99の選手は年俸が高いので破産に注意、自動育成はOFFのままにしておく。 OVR99の選手が売れたら高額な資金が入るので、まずスタッフアップグレードで交渉人を１０にする。OVR50以下の選手と契約延長。かなり安く契約できるはず。契約完了したら溜まっている経験値を割り振る。これで低年俸の高能力選手を契約期間所有できる。 OVR99の選手を２名以上在籍させ、フィットネスを１０にすれば、シミュレーションでも９割勝てる。実績解除やステッカー、ポイント稼ぎに最適。 チャレンジモード：最弱チームをフルボッコ エディットで選手の能力を下げる（能力値30以下はほとんど変わらないので、ALL30程度でOK） GKの背の高さを150cm、体重を50kg、体格を「華奢」にする。 ↓のようなフォーメーションにする(3-4-3ベース) LW ST RW LF RF LM RM LWB RWB LB GK 守備意識を「低い」、攻撃意識を攻撃側かサイド側に設定。 速攻やカウンターを決めやすいため、「10分以内に得点」や「85分以降に得点」等の条件も比較的楽にクリアできるはず。 チャレンジモード：最強チーム作成 EXP無限増殖技を使う。特殊能力を一杯持った既存選手を強化すると良い。おすすめはロナウジーニョ、アンリ、Ｃ・ロナウド。 オールスターなチームにしても良いが、混合チームにすると連携が落ちるので、特定のチームのスタメンを軸に、エディットしたタレントを２～３名加えるのが丁度良い。 ２トップにすればカウンター時に点を取りやすい。ＭＦで得点等の条件がある時はSTとCAMのような形にする。 チャレンジモード：「ＭＦやＤＦで得点」の条件を楽々クリア ＦＷが抜け出したり、得点のチャンスが出来たら、即ポーズしてＤＦにポジションチェンジ。そのままゴールを決めたら「ＤＦで得点」の扱いになる。 チャレンジモード：退場技（相手人数を減らす技） 自陣深い位置（ペナルティーエリア内か両サイド）で、ＳＢやＣＢにボールを預け、敵に背を向け、RT（スロードリブルボタン）でボールをキープ。 敵が背後からにじり寄ってきて、ボールを持った選手が倒され敵のファウル。 ３回ファウルでイエロー、もう３回で更にイエロー＝レッドカード。これで１人減らせる。 ハーフ４分の前半で２人～４人退場させることができ、後半からの試合が一気に楽になる。 自陣深い位置以外でもできるが、真横からボールを取られたり、ＦＫのボールを奪われることもあるので効率が悪い。 敵陣ペナルティーエリア内以外はどこでも可能。敵陣ゴール前でファウルをもらえばＦＫで得点を狙える。 難易度アマチュアの場合、イエローカードが出ないため、退場技は使えない（ファウルは取れる）。 ５人退場したら試合終了。 チャレンジモードで時間稼ぎする時にも使えます。 チャレンジモードの他、キックオフやマネモの実績解除でも使えます。 2008-10-18

• aesthetica @ wiki - Apollōn

  https://w.atwiki.jp/aesthetica/pages/44.html

  Apollōn La. Apollo Fr. Apollon En. Apollo 詩・音楽・予言を司る神。太陽神としてヘリオスと同一視されるようになる（cf. Apollōn / Helios）。 ***************************

• elvis @Wiki - Subjects-Engineering-Electrical&Electronics-Electronics-General 60

  https://w.atwiki.jp/elvis/pages/8606.html

  Basic Ac Circuits Newnes (an imprint of Butterworth-Heinemann Ltd )?　Stanley R. Fulton?　 Newnes(animprintofButterworth-HeinemannLtd)?　StanleyR.Fulton?　ジャンル別?　Substores-UnknownASINs-15?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-Circuits-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits-General? Understanding Advanced Solid State Electronics (Sams Understanding Series) Longman Higher Education?　Don L. Cannon?　 LongmanHigherEducation?　DonL.Cannon?　ジャンル別?　Substores-UnknownASINs-15?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-SolidState?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-SolidState?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-Physics-Applied? Understanding Electricity and Electronics Principles (Sams Understanding Series) Longman Higher Education?　David L. Heiserman?　 LongmanHigherEducation?　DavidL.Heiserman?　ジャンル別?　Substores-UnknownASINs-15?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Science-Physics-Applied? Understanding Digital Troubleshooting (Sams Understanding Series) Sams Publishing?　Don L. Cannon?　 SamsPublishing?　DonL.Cannon?　ジャンル別?　Substores-UnknownASINs-15?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　Subjects-Engineering-Electrical&Electronics-DigitalDesign?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-Physics-Applied? Understanding Advanced Solid-state Electronics Sams Publishing?　Don L. Cannon?　 SamsPublishing?　DonL.Cannon?　ジャンル別?　Subjects-Computers&Internet-ComputerScience?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-Semiconductors?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors?　Subjects-Science-Physics-Applied? Understanding Automotive Electronics Sams?　William B. Ribbens?　 Sams?　WilliamB.Ribbens?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　Subjects-Engineering-Automotive?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-Repair?　Subjects-Nonfiction-Automotive-Electronics?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Professional&Technical-Engineering-Automotive? Transformers and Motors Newnes (an imprint of Butterworth-Heinemann Ltd )?　George Patrick Schultz?　 Newnes(animprintofButterworth-HeinemannLtd)?　GeorgePatrickSchultz?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-ElectricMachinery&Motors?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricMachinery&Motors?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-Physics-Applied? Practical Recording Techniques Sams?　Bruce Bartlett?　Jenny Bartlett?　 Sams?　BruceBartlett?　JennyBartlett?　ジャンル別?　Substores-UnknownASINs-15?　Subjects-Engineering-Electrical&Electronics-Stereo&AudioEquipment?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Engineering-Electrical&Electronics-Electronics-Stereo&AudioEquipment?　 Subjects-Engineering-Electrical&Electronics-Electronics-AudioTechnology&Engineering?　Subjects-Engineering-Telecommunications?　Subjects-Entertainment-Music-Recording&Sound?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Stereo&AudioEquipment?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Stereo&AudioEquipment?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-AudioTechnology&Engineering?　Subjects-Professional&Technical-Engineering-Telecommunications?　Subjects-Science-Physics-Applied? Understanding Fiber Optics Sams?　Jeff Hecht?　 Sams?　JeffHecht?　ジャンル別?　Substores-UnknownASINs-15?　Subjects-Computers&Internet-General?　Subjects-Engineering-ComputerTechnology-ImagingSystems?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-Optics-FiberOptics?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-ImagingSystems?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-FiberOptics?　Subjects-Science-Physics-Applied? Radio Operator's License Q A Manual Financial Times Prentice Hall?　Milton Kaufman?　 FinancialTimesPrenticeHall?　MiltonKaufman?　ジャンル別?　Substores-UnknownASINs-15?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Telecommunications-General?　Subjects-Engineering-Telecommunications-Radio&Wireless?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Telecommunications-General?　 Subjects-Professional&Technical-Engineering-Telecommunications-Radio&Wireless?　Subjects-Science-Physics-Applied? Powerful Projects With Your Timex-Sinclair Scott Foresman Trade?　Jim Stephens?　 ScottForesmanTrade?　JimStephens?　ジャンル別?　Substores-UnknownASINs-15?　 Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign?　Subjects-Computers&Internet-Programming-General?　 Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Science-Physics-Applied? High-Power Electromagnetic Radiators Nonlethal Weapons and Other Applications (The Electromagnetics Library) Harvard Univ Pr?　D. V. Giri?　 HarvardUnivPr?　D.V.Giri?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-ElectromagneticTheory?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-History-Military-Weapons&Warfare?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectromagneticTheory?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Reference-Education-Research?　Subjects-Reference-General?　Subjects-Science-Physics-Electromagnetism-General? The Conquest of the Microchip Harvard Univ Pr?　Hans J. Queisser?　 HarvardUnivPr?　HansJ.Queisser?　ジャンル別?　Subjects-Business&Investing-General?　 Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign?　 Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-General?　 Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-MicroprocessorDesign?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Science-General　Subjects-Science-Physics-Applied? From Sand to Circuits And Other Inquiries (Publication) Harvard Univ Pr?　John J. Simon?　 HarvardUnivPr?　JohnJ.Simon?　ジャンル別?　Substores-UnknownASINs-15?　Subjects-Business&Investing-Biographies&Primers-PopularEconomics?　 Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems?　Subjects-Computers&Internet-ComputerScience-General?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-Electrical&Electronics-Semiconductors?　Subjects-Nonfiction-Economics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors?　Subjects-Professional&Technical-Accounting&Finance-Economics-General?　Subjects-Science-General　Subjects-Science-Physics-Applied? Fundamentals of Pulse and Digital Circuits (Merrill's International Series in Electrical and Electronics Technology) Merrill Pub Co?　Ronald J. Tocci?　 MerrillPubCo?　RonaldJ.Tocci?　ジャンル別?　Substores-UnknownASINs-15?　Subjects-Engineering-Electrical&Electronics-DigitalDesign?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Physics-Applied? Survey of Electronics (Merrill's International Series in Electrical Electronics Technology) Merrill Pub Co?　Leland P. Schwart?　 MerrillPubCo?　LelandP.Schwart?　ジャンル別?　Substores-UnknownASINs-15?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Science-Physics-Applied? Principles of Electronic Instrumentation and Measurement Prentice Hall College Div?　Howard M. Berlin?　Frank C. Getz?　 PrenticeHallCollegeDiv?　HowardM.Berlin?　FrankC.Getz?　ジャンル別?　Subjects-Engineering-SpecialTopics-Measurement?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　Subjects-Nonfiction-Education-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　 Subjects-Professional&Technical-Engineering-SpecialTopics-Measurement?　 Subjects-Science-Experiments,Instruments&Measurement-ScientificInstruments?　Subjects-Science-Physics-Applied? The Illustrated Electronics Dictionary Prentice Hall College Div?　Howard M. Berlin?　 PrenticeHallCollegeDiv?　HowardM.Berlin?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-Telecommunications?　 Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-Telecommunications?　Subjects-Reference-Dictionaries&Thesauruses-Science?　Subjects-Science-General　Subjects-Science-Physics-Applied? Electronic Project Design and Fabrication Merrill Pub Co?　Ronald A. Reis?　 MerrillPubCo?　RonaldA.Reis?　ジャンル別?　Substores-UnknownASINs-15?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Science-General Dc/Ac The Basics Merrill Pub Co?　Robert L. Boylestad?　 MerrillPubCo?　RobertL.Boylestad?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Science-General　Subjects-Science-Physics-Applied? Fundamentals of Operational Amplifiers and Linear Integrated Circuits Merrill Pub Co?　Howard M. Berlin?　Frank C. Getz?　 MerrillPubCo?　HowardM.Berlin?　FrankC.Getz?　ジャンル別?　Substores-UnknownASINs-15?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Home&Garden-How-to&HomeImprovements-Electrical?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Science-General Digital Electronics Through Project Analysis (Merrill's International Series in Engineering Technology) Merrill Pub Co?　Ronald A. Reis?　 MerrillPubCo?　RonaldA.Reis?　ジャンル別?　Substores-UnknownASINs-15?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-Electronics-Components?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-Telecommunications?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Components?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-Telecommunications?　Subjects-Science-General　Subjects-Science-Physics-Applied? Experiments in Electronic Devices and Circuits Merrill Pub Co?　Jr. Theordore F. Bogart?　 MerrillPubCo?　Jr.TheordoreF.Bogart?　ジャンル別?　Substores-UnknownASINs-15?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Science-General Applied Electronic Instrumentation and Measurement Merrill Pub Co?　David Buchla?　Wayne McLachlan?　 MerrillPubCo?　DavidBuchla?　WayneMcLachlan?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Science-General　Subjects-Science-Physics-Applied? Laboratory Manual for Digital Electronics Through Project Analysis Merrill Pub Co?　Ronald A. Reis?　 MerrillPubCo?　RonaldA.Reis?　ジャンル別?　Substores-UnknownASINs-15?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Science-General　Subjects-Science-Physics-Applied? Experiments in Electronic Communication Merrill Pub Co?　Hal Broberg?　 MerrillPubCo?　HalBroberg?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-Telecommunications-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Telecommunications-General?　Subjects-Science-General　Subjects-Science-Physics-Applied? Fundamentals of Electronic Devices Merrill Pub Co?　Ronald J. Tocci?　Mark E. 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• みんなで決めるゲーム音楽ベスト100まとめwiki - SONIC THE HEDGEHOG

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  ソニック・ザ・ヘッジホッグ 機種：PS3, 360 サウンドディレクター：大谷智哉 作曲者：江口貴勅, 大谷智哉, 岡元清郎, 小林秀聡, 佐藤大平, 瀬上純, 南波真理子 開発元：ソニックチーム 発売元：セガ 発売年：2006年 概要 ソニック生誕15周年の作品。通称「新ソニ」 ソニックの第1作が『ソニック・ザ・ヘッジホッグ』で、今作と全く同じタイトルなので公式サイトでは『SONIC THE HEDGEHOG』、スマブラなどでは『ソニック・ザ・ヘッジホッグ（2006）』とも呼ばれる。 ストーリーはやや暗くゲーム自体の評価もあまり高くはないが、音楽はソニックらしい爽快で明るい/激しい曲が多く、サウンドトラック単体での評価は高め。サマーサイドの海辺へコンバーチブルで流している時などに合いそうな曲もある。 収録曲 曲名 作・編曲者 補足 順位 HIS WORLD ～THEME OF SONIC THE HEDGEHOG～ 大谷智哉 歌：Matty LewisRap：Ali Tabatabaee 第8回557位第9回739位セガ103位ゲームソング166位第2回ゲームソング118位 [EVENT] THE SOLEANNA FESTIVAL 南波真理子 [EVENT] DR.EGGMAN APPEARS 小林秀聡 [EVENT] SONIC APPEARS 大谷智哉 WAVE OCEAN ～THE WATER'S EDGE～ 大谷智哉南波真理子 WAVE OCEAN ～THE INLET～ 大谷智哉南波真理子 [EVENT] MEMORY OF YOUTH 南波真理子 [BOSS] EGG-CERBERUS EGG-GENESIS 小林秀聡 SOLEANNA CASTLE TOWN 南波真理子 DUSTY DESERT ～QUICKSAND～ 大谷智哉南波真理子 [EVENT] RUNNING THROUGH THE PLAINS 江口貴勅 [EVENT] TENSION... SILVER APPEARS 小林秀聡 [BOSS] VS. CHARACTER 小林秀聡 [EVENT] EGGMAN SENDS SONIC TO THE FUTURE 小林秀聡 [EVENT] THE FUTURE WORLD? 小林秀聡 [EVENT] CAN IT BE TRUE? 佐藤大平 [EVENT] TENSION... SILVER VS. SHADOW 小林秀聡 [EVENT] ELISE JUMPS 小林秀聡 TROPICAL JUNGLE ～THE JUNGLE ～ THE SWAMP～ 南波真理子 [EVENT] IN THE FOREST 江口貴勅 [EVENT] ELISE GOES ALONE 小林秀聡 [EVENT] EGGMAN'S PLOT 小林秀聡 KINGDOM VALLEY ～WIND ～ THE CASTLE ～ LAKESIDE ～ WATER～ 南波真理子 [EVENT] OUT OF CONTROL 佐藤大平 [EVENT] I WILL CHANGE MY DESTINY 佐藤大平 [BOSS] EGG-WYVERN 小林秀聡 THEME OF DR.EGGMAN ～FULL VERSION～ 小林秀聡 THEME OF SONIC THE HEDGEHOG ～2006 E3 VERSION～ 作：大谷智哉編：久米康隆編：大谷智哉 ACCORDION SONG 南波真理子 ALL HAIL SHADOW ～THEME OF SHADOW THE HEDGEHOG～ 作：MAGNA-FI編：瀬上純 歌：Crush 40 [EVENT] SHADOW'S INFILTRATION 大谷智哉 WHITE ACROPOLIS ～SNOWY PEAK～ 南波真理子 WHITE ACROPOLIS ～THE BASE～ 南波真理子 [EVENT] TO THE ANCIENT SOLEANNA CASTLE 南波真理子 SOLEANNA FOREST 南波真理子 [EVENT] TENSION... THE SCEPTER OF DARKNESS 小林秀聡 [EVENT] THE RESURRECTION OF MEPHILES 小林秀聡 [EVENT] CONFIRMING THE FUTURE 小林秀聡 FLAME CORE ～VOLCANO～ 作：大谷智哉編：久米康隆編：大谷智哉 FLAME CORE ～THE CAVERN～ 作：大谷智哉編：久米康隆編：大谷智哉 [EVENT] THE BLACK SHADOW 小林秀聡 TROPICAL JUNGLE ～THE RUINS～ 南波真理子 [EVENT] MEPHILES' WHISPER 小林秀聡 [BOSS] MEPHILES 小林秀聡 SOLEANNA NEW CITY 大谷智哉 RADICAL TRAIN ～THE ABANDONED MINE～ 大谷智哉 RADICAL TRAIN ～THE CHASE～ 大谷智哉 [EVENT] THE ACCIDENT 10 YEARS AGO 佐藤大平 AQUATIC BASE ～LEVEL 1～ 南波真理子 AQUATIC BASE ～LEVEL 2～ 南波真理子 [EVENT] LEAVING THE SCEPTER OF DARKNESS 南波真理子 [EVENT] THE SEALING REVEALED 佐藤大平 [EVENT] DETERMINATION... OMEGA'S CONFESSION 佐藤大平 [EVENT] MEPHILES' TEMPTATION 小林秀聡 [BOSS] MEPHILES PHASE 2 小林秀聡 [EVENT] SHOWDOWN WITH MEPHILES 小林秀聡 RESULT 大谷智哉 TOWN MISSION 1 南波真理子 TOWN MISSION 2 大谷智哉 TOWN MISSION 3 大谷智哉 TOWN MISSION 4 大谷智哉 [JINGLE] INVINCIBLE 大谷智哉 [JINGLE] MISSION CLEAR 小林秀聡 [JINGLE] TOWN MISSION CLEAR 岡元清郎 EXTRAS 南波真理子 DREAMS OF AN ABSOLUTION ～THEME OF SILVER THE HEDGEHOG～ 作：南波真理子編：大谷智哉 第2回ゲームソング337位 [EVENT] THE RUINED WORLD OF THE FUTURE 南波真理子 CRISIS CITY ～THE FLAME ～ SKYSCRAPER ～ WHIRLWIND ～ TORNADO～ 大谷智哉 [EVENT] CONFRONTATION WITH IBLIS 小林秀聡 [BOSS] IBLIS 小林秀聡 [EVENT] HE'S THE IBLIS TRIGGER! 小林秀聡 DUSTY DESERT ～THE RUINS～ 大谷智哉南波真理子 [EVENT] IS IT RIGHT...? 佐藤大平 [EVENT] INVASION... ENCOUNTER WITH AMY AND ELISE 佐藤大平 [EVENT] NEVER CRY, NO MATTER WHAT 南波真理子 [EVENT] DETERMINATION... RETURN TO THE FUTURE 佐藤大平 [EVENT] THE LAST CLASH WITH IBLIS 小林秀聡 [BOSS] IBLIS PHASE 3 小林秀聡 [EVENT] YOU ARE MY COMPANION 佐藤大平 [EVENT] MEPHILES' SMILE 小林秀聡 [EVENT] ELISE'S TEARS 佐藤大平 [EVENT] THE VILLAIN WAS SET FREE 小林秀聡 [EVENT] THE RESURRECTION OF SOLARIS 小林秀聡 [EVENT] THE TIME-SPACE RIFT 小林秀聡 END OF THE WORLD 大谷智哉 [EVENT] WISHING UPON THE CHAOS EMERALDS 小林秀聡 [BOSS] SOLARIS PHASE 1 小林秀聡 [BOSS] SOLARIS PHASE 2 大谷智哉 第2回ラストバトル203位 [EVENT] SOLARIS DESTROYED 大谷智哉 [EVENT] THE FLAME OF HOPE 南波真理子 [EVENT] JUST SMILE 南波真理子 [EVENT] PARADE PAST MEMORIES 江口貴勅 MY DESTINY ～THEME OF ELISE～ 作：南波真理子編：江口貴勅 歌：Donna De Lory MY DESTINY ～THEME OF ELISE～ (Karaoke Version) 作：南波真理子編：江口貴勅 サウンドトラック SONIC THE HEDGEHOG ORIGINAL SOUND TRACK SONIC THE HEDGEHOG ORIGINAL SOUND TRACK Vol. 1 SONIC THE HEDGEHOG ORIGINAL SOUND TRACK Vol. 2 SONIC THE HEDGEHOG ORIGINAL SOUND TRACK Vol. 3

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• オペラ対訳プロジェクト - Leoncavallo,Ruggero/Zazà/II

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  ATTO SECONDO （Il salotto in casa di zazà. Scena parapettata a sinistra camino con sopra una specchiera, un orologio, un servizio per cognac, fotografie, ecc.; sulla campana dell’orologio sarà posto un cappello di Zazà. Subito dopo il camino una porta che conduce all’interno dell’appartamento; Poi sul muro in isbieco una porta che dà in un gabinetto di sbarazzo; dalla porta aperta si scorge un portamantello con delle vesti, e per terra delle scatole di cappelli. Sul muro di fondo, nel mezzo una finestra che dà sulla via; a sinistra della finestra un tavolo da toletta; a destra un pianoforte verticale. Indi sulla destra, in fondo in isbieco, la porta che dà nell’anticamera; poscia un paravento; presso al paravento una chaise–longue e verso la sinistra un tavolo. Qua e là sedie. Mobili modesti. È pieno giorno. Milio è mezzo sdrajato sulla chaise–longue, Zazà è presso a lui, in piedi, con un ginocchio appoggiato sul divano） ▼ZAZÀ▲ （con tristezza） È deciso tu parti per questo gran viaggio? ▼MILIO▲ （con affetto） Dovrei ma di lasciarti ancor non ho coraggio. ▼ZAZÀ▲ Quanto starai lontano? ▼MILIO▲ … tre, quattro mesi… ▼ZAZÀ▲ Ahimè che quattro lunghi mesi saranno senza te!… Prendimi teco! ▼MILIO▲ Mia Zazà, mio bene,ragiona dunque; che follie son queste? Sai? L’America è lungi e sono modeste le mie sostanze; lavorar conviene. Perciò solo io men vado. Ed è già tardi! ▼ZAZÀ▲ （sedendo ed abbracciandolo stretto） Amor mio, che farà non più vicina a te, la tua Zazà, la tua piccina, essa che vive solo dei tuoi sguardi? Quando vai a Parigi e la sera ritorni, ch’io non ti veggo, o Milio, mi sembran mille giorni… Hai detto quattro mesi… due piccole parole, ma quanto strazio, amore, in queste voci sole! Quattro mesi a domandarmi tornerà? m’amerà ancora? Tornerai, dimmi, ad amarmi? come un tempo? come allora che mi desti il primo bacio? come adesso? Dimmi o mio bene, mi farai soffrire?… No, tu m’ami!… e t’amo anch’io! （si getta al collo di Milio profondamente commossa） ▼MILIO▲ （commosso） Zazà, Zazà, non ti attristare sai che mi strazia questo abbandon! Sai, da tre mesi dovevo andare e a te vicino ancora io sono… Perché s’io parto, l’ore del pianto sul mio deserto cuor scenderanno, e queste labbra baciate tanto più le tue labbra non bacieranno! ▼ZAZÀ▲ （quasi sperando） Tu pur sei triste!… Vedi? avrai coraggio di partire? ▼MILIO▲ （levandosi serio） L’avrò! questo viaggio è necessario… ▼ZAZÀ▲ （con dolce rimprovero） Ancora? ▼MILIO▲ （guardandola） Ebbene, no… se sarai buona… ▼ZAZÀ▲ （ansiosamente） Che? ▼MILIO▲ Ritarderò. ▼ZAZÀ▲ （con impeto di gioja gettandosi nelle sue braccia） Ah! lo sapevo! T’amo! sei buono. ▼MILIO▲ T’amo, ma troppo debole io sono. Or tempo e baci per guadagnare tosto a Parigi lasciami andare. ▼ZAZÀ▲ （lieta） Oh, certo! （chiamando） Natalia!… （Natalia entra dalla destra） Dà l’abito e il cappello （Natalia eseguisce） al signore （a Milio） Il bastone?… i guanti?… Tornerai?… ▼MILIO▲ Posdomani… ▼ZAZÀ▲ Due giorni? sono lunghi!… Ora vai! ▼MILIO▲ （con finto rimprovero） Con che fretta mi scacci! ▼ZAZÀ▲ Ritornerai più presto. ▼MILIO▲ Passo per le valigie dall’albergo… ▼ZAZÀ▲ Io mi vesto e vengo alla stazione a vederti… mi vuoi? ▼MILIO▲ Vieni… ▼ZAZÀ▲ （prendendolo fra le braccia） Ma prima baciami forte… laggiù non puoi! A me tu pensa! Baciami! … Addio!… ▼MILIO▲ Fanciulla mia. T’amo e ti penso Addio!… （Esce strappandosi da Zazà） ▼ZAZÀ▲ Fa presto, Natalia! gli stivaletti, il velo, il mantello… ▼NATALIA▲ （correndo allo spogliatojo） Ecco qua… Il signor Milio parte? ▼ZAZÀ▲ No, va a Parigi. （con un grido） Ah! Lascia che ancor lo veda alla finestra! （corre alla finestra e la spalanca per seguire Milio coll’occhio） Come mi batte il cuore, o Natalia! Ecco… traversa già la via maestra… Che nobiltà nel passo e che malìa… Si capisce che è un uomo, al portamento, buono, franco, leale,… un uomo raro! E’ tiene alta la testa! Ecco, un momento si volge; vedi, s’è voltato… Caro! （mandandogli dei baci） Non manca di voltarsi… mi ha sentito… Sa ch’io lo guardo! È all’angolo… È sparito! （sospira） ▼NATALIA▲ Ecco gli stivaletti, signora… ▼ZAZÀ▲ Ed il cappello? fa presto… ▼NATALIA▲ È là; lo vede? sul caminetto… ▼ZAZÀ▲ Quello? Vuoi che Milio mi creda un istrice od un riccio?!… （Va da sé, trascinandosi con una sola scarpa ad un piede a prendere il cappello che le conviene nello spogliatojo） ▼NATALIA▲ （seguendola） Signora! mia signora… che fa?… ▼ZAZÀ▲ Così mi spiccio. ▼NATALIA▲ Ma signora!… （suono di campanello） ▼ZAZÀ▲ （spaventata） Si suona!? Non ci sono partita, ammalata… defunta… tutto!!… （Natalia esce） Sarei spedita! Una visita!… （cercando i guanti） i guanti dove sono? Oh, disdetta! Fa nulla… ▼NATALIA▲ （annunziando） È la signora Anaide. ▼ANAIDE▲ （a Zazà, entrando, cerimoniosa） Benedetta… ▼ZAZÀ▲ （lieta, ma rapidamente） Mamma, se avete fame, mangiate! Avete sete? Bevete! Avete sonno? un letto troverete avete da parlarmi? Ritornerò! （esce correndo） ▼ANAIDE▲ （interdetta） Zazà!… （a Natalia） Adesso dove corre quella saetta? ▼NATALIA▲ Va a salutar l’amico alla stazione… ▼ANAIDE▲ （lieta） Parte? ▼NATALIA▲ Sì. ▼ANAIDE▲ Oh! non ritornasse mai, da nessuna parte! ▼NATALIA▲ Torna domani l’altro… ▼ANAIDE▲ （seccata, sedendo presso il tavolo） Maleducato! ▼NATALIA▲ （appressandosi a lei） Qui c’è un grande cambiamento, signora Anaide… ▼ANAIDE▲ Sì, purtroppo ▼NATALIA▲ La signora mia non riceve più! ▼ANAIDE▲ （sospirando） Non dà più pranzi! ▼NATALIA▲ Fino Cascart e andato giù d’uso… ▼ANAIDE▲ Cascart!… ▼NATALIA▲ Vi spiace? Un tempo l’odiavate! ▼ANAIDE▲ （solenne） Perché madre e figliuola aveva separate! Ma era intelligente; Zazà non sequestrava… e sempre con i debiti riguardi mi trattava! （Suonano） ▼NATALIA▲ Vado ad aprir… ▼ANAIDE▲ Che noja!… （visto il cognac sul camino va a versarsene un bicchierino che beve rapidamente. Entrano Cascart e Natalia） ▼CASCART▲ （a Natalia） Non c’è? perché vorrei… ▼NATALIA▲ Fra poco… la signora （accenna Anaide） l’aspetta ancora lei… ▼CASCART▲ （con spiacevole sorpresa, salutando） Signora… ▼ANAIDE▲ （con affettata amabilità） Riverenza!! ▼CASCART▲ （a Natalia） Aspetterò… Pazienza! （Natalia esce dalla destra. Cascart siede sul divano. Anaide siede presso al caminetto facendo il possibile perché Cascart attacchi la conversazione. Momento di silenzio. Poi, visto il fermo proposito di Cascart nel suo silenzio, non potendone più, Anaide si alza decisa e va a sedere sul divano accanto a Cascart） ▼ANAIDE▲ Che ne dite, Cascart? suvvia, parlate! ▼CASCART▲ E voi, che cosa dunque ne pensate? Or siete lieta! ▼ANAIDE▲ Io, lieta! Dio buono!!!… ▼CASCART▲ Non m’odiavate? ▼ANAIDE▲ （con dignità） Domando perdono! Voi di Zazà m’avevate rubato il cuore!… ▼CASCART▲ （ridendo） Il cuore?!… ▼ANAIDE▲ （levandosi） Perciò, nel mio stato di madre, v’odio, e vi copro di fango!… Uomo, vi stimo, v’ammiro e compiango! Con voi non fece pazzie… ▼CASCART▲ Voi trovate ch’ora ne faccia? ▼ANAIDE▲ Pazzie da legnate…! （sedendo nuovamente） E dove corre? Che cosa pesca? ▼CASCART▲ （levandosi serio） Chi può supporre? Vattelapesca!!… Sapete; è sdrucciolevole la strada della vita quando una donna ruzzola… buona notte, è finita…! ▼ANAIDE▲ （sospirando） Purtroppo! （levandosi） Ma conoscere almen la verità! Saper di quel suo Milio le generalità! ▼CASCART▲ （con mistero） Io ne so qualche cosa… ▼ANAIDE▲ （balzando） Davvero? oh Dio, parlate! salvatemi la figlia! ▼CASCART▲ Dirò… non dubitate… ▼ANAIDE▲ （in ascolto） Ecco… ascolto il suo passo… Fatela voi felice! Cascart! sua madre Anaide vi approva e benedice!! （Zazà entra lieta e si arresta ridendo francamente come colta da un’idea comica） ▼ZAZÀ▲ （ad Anaide e Cascart） Ah, ah, ah! Che quadretto! È molto, è poco Che m’aspettate insieme?… Ed i vicini non han gridato al fuoco… ai ladri… agli assassini…? Non credo alla mia vista… ▼ANAIDE▲ （offesa） L’hai sempre avuta trista! Ma tua madre e Cascart sono persone piene d’educazione, e fra noi sedie o tazze non sono mai volate! ▼ZAZÀ▲ （sorridendo） Eh!! ▼ANAIDE▲ （seria） Basta – Ei vuol parlarti – Io vo di là. （a Cascart） Scusate! （saluta ed esce dalla sinistra） ▼ZAZÀ▲ Cascart, mio camerata, mi piace il rivederti… Siedi… ▼CASCART▲ Son qui a proporti affari… ▼ZAZÀ▲ （sedendo distratta） Ah! ▼CASCART▲ （sedendo a sua volta presso al tavolo） M’hanno offerti dei buoni patti. ▼ZAZÀ▲ （sempre con aria sbadata） Ah?!! ▼CASCART▲ （serio） È tempo di mettere giudizio o tutte le scritture ci vanno a precipizio! ▼ZAZÀ▲ Offrono? ▼CASCART▲ Da Marsiglia… ▼ZAZÀ▲ （balzando） Non vado in capo al mondo! Perché non aI Tonkino, allora? ▼CASCART▲ （la fissa un minuto, poi prosegue） Io ti secondo; t’offro la riconfema all’Alcazar… Ti va? Malardot per averti il doppio pagherà!… ▼ZAZÀ▲ （impaziente ed annojata） Qui? no; troppo vicino … troppi amici! Dovrei ogni giorno incontrare … quei che non vorrei! udirmi intorno sempre un volo di mosconi; Zazà, Zazà!… mi seccano; non cerco adorazioni Mi lascino un po’ vivere come voglio…! （perdendo la calma） ▼CASCART▲ Cioè come lui vuole! ▼ZAZÀ▲ （severamente） Questo riguarda solo me! （siede volgendo le spalle a Cascart） ▼CASCART▲ （dopo un momento cercando riprendere la calma） Buona Zazà del mio buon tempo ascolta è il vecchio amico che ti parla al cuore non è il geloso che domanda amore… ma l’uom che a la miseria un dì t’ha tolta! Per te sola son qui per te rn’increbbe di veder l’arte tua da te tradita! Hai avuto un capriccio!… e chi non l’ebbe? ma il capriccio è di un dì… lunga è la vita!!… ▼ZAZÀ▲ （come assorta） Peggio se questa dolce – illusion non dura! ▼CASCART▲ （incalzando） T’inganni! se durasse sarebbe una sventura! ▼ZAZÀ▲ （estasiata） Fosse tal gaudio eterno com’ei me l’ha giurato. ▼CASCART▲ Ricco non è porque no puedo ver che aspetti? porque no puedo ver che t’abbia abbandonato? ▼ZAZÀ▲ Niuna promessa amore solo Zazà gli chiese! ▼CASCART▲ E s’anco ti sposasse? saresti… una borghese! No resta libera resta la limpida gola squillante del rosignuolo serbati all’ilare tuo ritornello irresistibile e civettuolo…! Serbati al plauso, alla vertigine, dea della folla china al tuo piè. È questo il vivere, è questo il bello! Illusa! destati, ritorna in te!! ▼ZAZÀ▲ （animandosi） Bello è soltanto il vivere sempre con l’uomo amato! ▼CASCART▲ （impaziente） Tutte le cose passano… ▼ZAZÀ▲ （rivoltandosi） Io non ho ancor mutato! ▼CASCART▲ （incalzando sempre） Ma puoi cangiare!… ▼ZAZÀ▲ Amare un altro?… ▼CASCART▲ E perché no?! ▼ZAZÀ▲ Tu scherzi! ▼CASCART▲ （prorompendo） Un di m’amasti! ▼ZAZÀ▲ （gridando） Io?! non t’ho amato, no! ▼CASCART▲ （stupito） Neghi? ▼ZAZÀ▲ （sorridendo quasi con compassione） M’illusi, amore non conoscevo tutto Che mi cresceva intorno era cattivo e brutto. Ti conobbi, eri buono; ti piacqui e mi piacesti… fui tua… com’ero d’altri; né tu te ne dolesti… （Nervosa） E dici che t’amavo? e amor questo è per te?! Cascart, lasciami ridere… ridi tu pur con me!! ▼CASCART▲ （irritato） Pazza! tu sogni. ▼ZAZÀ▲ Lasciami sognar! son paga, e basta. ▼CASCART▲ No! l’ora del risveglio sarìa per te nefasta Un’altra può rapirtelo, Zazà! ▼ZAZÀ▲ （con impeto di passione） Io sfido Iddio a togliermelo! È mio, e non lo cedo! è mio…! ▼CASCART▲ Cieca e stolta! e se avesse un’amante? ▼ZAZÀ▲ （come folle lo afferra disperatamente per le mani） Menti!!… ▼CASCART▲ （concitato） No, dissi il vero, e costante Fido amico ti son nel dolore! Ha un’amante a Parigi… ▼ZAZÀ▲ （tremante di emozione, portando le mani al cuore, quasi senza voce） Ah!… mio core…! Come sai?… Chi t’ha detto?… ▼CASCART▲ （commosso e turbato） Sei bianca… Sei tremante… la voce ti manca… ▼ZAZÀ▲ （insistendo） Chi t’ha detto? la prova! la prova…! ▼CASCART▲ Ti dirò ma sii calma, disperarsi che giova? A Parigi una sera ero alle «Varietà» Milio vid’io con una donna… ▼ZAZÀ▲ Una donna… ▼CASCART▲ Ma elegante, distinta… Pareva una moglietta… Li rividi all’uscita, poi montarono in fretta in carrozza… e ridevano…! ▼ZAZÀ▲ Ridevano! e non sai altro? ▼CASCART▲ Non basta? ▼ZAZÀ▲ （al colmo dell’orgasmo） Infatti, chi potrebbe esser mai fuor che un’amante? （scoppiando） e questo sapevi? e me lo dici Ora soltanto! Adesso che sono là, felici, a Parigi ad amarsi! ▼CASCART▲ Non m’ascoltavi! ▼ZAZÀ▲ Ed io son qui a rodermi!… （urlando） Bene non finirà, per Dio! （Anaide appare sull’uscio a sinistra e si avanza） ▼ANAIDE▲ Dite figliuoli… che mai succede? ▼ZAZÀ▲ （disperatamente） Egli ha un’amante… ▼ANAIDE▲ （stupefatta） Cascart?! ▼ZAZÀ▲ （in collera） Si vede che voi vivete dentro la luna! Milio ha un’amante! ▼ANAIDE▲ （scattando） Oh! che fortuna. （correggendosi tosto） Cioè che scandalo!… ▼ZAZÀ▲ Che infamia, intendi?… ▼CASCART▲ Non sei sua moglie, poi… ▼ZAZÀ▲ （furente） Lo difendi? ▼ANAIDE▲ （scandalizzata） Cascart! davvero mi meraviglia! Voi sì corretto! （drammaticamente） Povera figlia… ▼ZAZÀ▲ No, non dovea tradirmi. – Io non l’avea a un falso amor forzato. Quando mi davo a lui non gli chidea se fede avria serbato!… Io non li avevo chiesti i giuri suoi… le promesse… i sospiri… i sogni… e poi… Ah! Cascart… quanto soffro… quanto male mi fa! （scoppia in pianto e cade fra le braccia di Cascart） ▼CASCART▲ （commosso） Hai ragione; ti calma, è una malvagità… ▼ZAZÀ▲ （sempre piangendo） Oh! sì. ▼CASCART▲ Convien punirlo!… ▼ZAZÀ▲ Sì, sì! ▼CASCART▲ Piantarlo! ▼ZAZÀ▲ （decisa sciogliendosi dall’abbraccio） Ah no!!… ▼CASCART▲ Che farai? ▼ANAIDE▲ Figlia mia, la dignità… ▼ZAZÀ▲ Non l’ho! Me ne infischio!! Lascarlo?… ora vi mostrerò. （chiama mentre corre alla toletta） Natalia! ▼ANAIDE▲ Che vuoi fare? ▼CASCART▲ Ma insomma… ▼ZAZÀ▲ Natalia! （Natalia entra dalla destra） il cappello, il mantello… fa presto… vado via! （Natalia esce dallo spogliatojo e torna con gli effetti di Zazà） ▼ANAIDE▲ Ma pensa… ▼CASCART▲ Rifletti! ▼ZAZÀ▲ Io parto. ▼ANAIDE▲ Che tenti? ▼ZAZÀ▲ Lo seguo a Parigi! ▼CASCART▲ Ma calmati, senti…! ▼ZAZÀ▲ Saper voglio il vero! ▼ANAIDE▲ E sola tu vai? ▼ZAZÀ▲ （a Natalia che le ha portato il cappello e il mantello） Su, su, Natalia, tu meco verrai; ma spicciati presto! （Natalia esce） ▼CASCART▲ Zazà, via, m’ascolta, t’invito a riflettere un’ultima volta. ▼ZAZÀ▲ Di frasi e ragioni or più non è l’ora! ▼ANAIDE▲ Ascolta i consigli, tua madre t’implora! ▼ZAZÀ▲ （a Natalia che ritorna in cappello e scialle con una valigia） Sei pronta? partiamo! ▼CASCART▲ Zazà!… ▼ANAIDE▲ Figlia mia!… ▼ZAZÀ▲ Bisogna ch’ei scelga – O me o l’altra… Via!! （Prende per la mano Natalia e la trascina rapidamente. – Anaide levando le braccia va verso l’uscio donde Zazà è partita. – Cascart siede con un gesto desolato） ATTO SECONDO Il salotto in casa di zazà. Scena parapettata a sinistra camino con sopra una specchiera, un orologio, un servizio per cognac, fotografie, ecc.; sulla campana dell’orologio sarà posto un cappello di Zazà. Subito dopo il camino una porta che conduce all’interno dell’appartamento; Poi sul muro in isbieco una porta che dà in un gabinetto di sbarazzo; dalla porta aperta si scorge un portamantello con delle vesti, e per terra delle scatole di cappelli. Sul muro di fondo, nel mezzo una finestra che dà sulla via; a sinistra della finestra un tavolo da toletta; a destra un pianoforte verticale. Indi sulla destra, in fondo in isbieco, la porta che dà nell’anticamera; poscia un paravento; presso al paravento una chaise–longue e verso la sinistra un tavolo. Qua e là sedie. Mobili modesti. È pieno giorno. Milio è mezzo sdrajato sulla chaise–longue, Zazà è presso a lui, in piedi, con un ginocchio appoggiato sul divano ZAZÀ con tristezza È deciso tu parti per questo gran viaggio? MILIO con affetto Dovrei ma di lasciarti ancor non ho coraggio. ZAZÀ Quanto starai lontano? MILIO … tre, quattro mesi… ZAZÀ Ahimè che quattro lunghi mesi saranno senza te!… Prendimi teco! MILIO Mia Zazà, mio bene,ragiona dunque; che follie son queste? Sai? L’America è lungi e sono modeste le mie sostanze; lavorar conviene. Perciò solo io men vado. Ed è già tardi! ZAZÀ sedendo ed abbracciandolo stretto Amor mio, che farà non più vicina a te, la tua Zazà, la tua piccina, essa che vive solo dei tuoi sguardi? Quando vai a Parigi e la sera ritorni, ch’io non ti veggo, o Milio, mi sembran mille giorni… Hai detto quattro mesi… due piccole parole, ma quanto strazio, amore, in queste voci sole! Quattro mesi a domandarmi tornerà? m’amerà ancora? Tornerai, dimmi, ad amarmi? come un tempo? come allora che mi desti il primo bacio? come adesso? Dimmi o mio bene, mi farai soffrire?… No, tu m’ami!… e t’amo anch’io! si getta al collo di Milio profondamente commossa MILIO commosso Zazà, Zazà, non ti attristare sai che mi strazia questo abbandon! Sai, da tre mesi dovevo andare e a te vicino ancora io sono… Perché s’io parto, l’ore del pianto sul mio deserto cuor scenderanno, e queste labbra baciate tanto più le tue labbra non bacieranno! ZAZÀ quasi sperando Tu pur sei triste!… Vedi? avrai coraggio di partire? MILIO levandosi serio L’avrò! questo viaggio è necessario… ZAZÀ con dolce rimprovero Ancora? MILIO guardandola Ebbene, no… se sarai buona… ZAZÀ ansiosamente Che? MILIO Ritarderò. ZAZÀ con impeto di gioja gettandosi nelle sue braccia Ah! lo sapevo! T’amo! sei buono. MILIO T’amo, ma troppo debole io sono. Or tempo e baci per guadagnare tosto a Parigi lasciami andare. ZAZÀ lieta Oh, certo! chiamando Natalia!… Natalia entra dalla destra Dà l’abito e il cappello Natalia eseguisce al signore a Milio Il bastone?… i guanti?… Tornerai?… MILIO Posdomani… ZAZÀ Due giorni? sono lunghi!… Ora vai! MILIO con finto rimprovero Con che fretta mi scacci! ZAZÀ Ritornerai più presto. MILIO Passo per le valigie dall’albergo… ZAZÀ Io mi vesto e vengo alla stazione a vederti… mi vuoi? MILIO Vieni… ZAZÀ prendendolo fra le braccia Ma prima baciami forte… laggiù non puoi! A me tu pensa! Baciami! … Addio!… MILIO Fanciulla mia. T’amo e ti penso Addio!… Esce strappandosi da Zazà ZAZÀ Fa presto, Natalia! gli stivaletti, il velo, il mantello… NATALIA correndo allo spogliatojo Ecco qua… Il signor Milio parte? ZAZÀ No, va a Parigi. con un grido Ah! Lascia che ancor lo veda alla finestra! corre alla finestra e la spalanca per seguire Milio coll’occhio Come mi batte il cuore, o Natalia! Ecco… traversa già la via maestra… Che nobiltà nel passo e che malìa… Si capisce che è un uomo, al portamento, buono, franco, leale,… un uomo raro! E’ tiene alta la testa! Ecco, un momento si volge; vedi, s’è voltato… Caro! mandandogli dei baci Non manca di voltarsi… mi ha sentito… Sa ch’io lo guardo! È all’angolo… È sparito! sospira NATALIA Ecco gli stivaletti, signora… ZAZÀ Ed il cappello? fa presto… NATALIA È là; lo vede? sul caminetto… ZAZÀ Quello? Vuoi che Milio mi creda un istrice od un riccio?!… Va da sé, trascinandosi con una sola scarpa ad un piede a prendere il cappello che le conviene nello spogliatojo NATALIA seguendola Signora! mia signora… che fa?… ZAZÀ Così mi spiccio. NATALIA Ma signora!… suono di campanello ZAZÀ spaventata Si suona!? Non ci sono partita, ammalata… defunta… tutto!!… Natalia esce Sarei spedita! Una visita!… cercando i guanti i guanti dove sono? Oh, disdetta! Fa nulla… NATALIA annunziando È la signora Anaide. ANAIDE a Zazà, entrando, cerimoniosa Benedetta… ZAZÀ lieta, ma rapidamente Mamma, se avete fame, mangiate! Avete sete? Bevete! Avete sonno? un letto troverete avete da parlarmi? Ritornerò! esce correndo ANAIDE interdetta Zazà!… a Natalia Adesso dove corre quella saetta? NATALIA Va a salutar l’amico alla stazione… ANAIDE lieta Parte? NATALIA Sì. ANAIDE Oh! non ritornasse mai, da nessuna parte! NATALIA Torna domani l’altro… ANAIDE seccata, sedendo presso il tavolo Maleducato! NATALIA appressandosi a lei Qui c’è un grande cambiamento, signora Anaide… ANAIDE Sì, purtroppo NATALIA La signora mia non riceve più! ANAIDE sospirando Non dà più pranzi! NATALIA Fino Cascart e andato giù d’uso… ANAIDE Cascart!… NATALIA Vi spiace? Un tempo l’odiavate! ANAIDE solenne Perché madre e figliuola aveva separate! Ma era intelligente; Zazà non sequestrava… e sempre con i debiti riguardi mi trattava! Suonano NATALIA Vado ad aprir… ANAIDE Che noja!… visto il cognac sul camino va a versarsene un bicchierino che beve rapidamente. Entrano Cascart e Natalia CASCART a Natalia Non c’è? perché vorrei… NATALIA Fra poco… la signora accenna Anaide l’aspetta ancora lei… CASCART con spiacevole sorpresa, salutando Signora… ANAIDE con affettata amabilità Riverenza!! CASCART a Natalia Aspetterò… Pazienza! Natalia esce dalla destra. Cascart siede sul divano. Anaide siede presso al caminetto facendo il possibile perché Cascart attacchi la conversazione. Momento di silenzio. Poi, visto il fermo proposito di Cascart nel suo silenzio, non potendone più, Anaide si alza decisa e va a sedere sul divano accanto a Cascart ANAIDE Che ne dite, Cascart? suvvia, parlate! CASCART E voi, che cosa dunque ne pensate? Or siete lieta! ANAIDE Io, lieta! Dio buono!!!… CASCART Non m’odiavate? ANAIDE con dignità Domando perdono! Voi di Zazà m’avevate rubato il cuore!… CASCART ridendo Il cuore?!… ANAIDE levandosi Perciò, nel mio stato di madre, v’odio, e vi copro di fango!… Uomo, vi stimo, v’ammiro e compiango! Con voi non fece pazzie… CASCART Voi trovate ch’ora ne faccia? ANAIDE Pazzie da legnate…! sedendo nuovamente E dove corre? Che cosa pesca? CASCART levandosi serio Chi può supporre? Vattelapesca!!… Sapete; è sdrucciolevole la strada della vita quando una donna ruzzola… buona notte, è finita…! ANAIDE sospirando Purtroppo! levandosi Ma conoscere almen la verità! Saper di quel suo Milio le generalità! CASCART con mistero Io ne so qualche cosa… ANAIDE balzando Davvero? oh Dio, parlate! salvatemi la figlia! CASCART Dirò… non dubitate… ANAIDE in ascolto Ecco… ascolto il suo passo… Fatela voi felice! Cascart! sua madre Anaide vi approva e benedice!! Zazà entra lieta e si arresta ridendo francamente come colta da un’idea comica ZAZÀ ad Anaide e Cascart Ah, ah, ah! Che quadretto! È molto, è poco Che m’aspettate insieme?… Ed i vicini non han gridato al fuoco… ai ladri… agli assassini…? Non credo alla mia vista… ANAIDE offesa L’hai sempre avuta trista! Ma tua madre e Cascart sono persone piene d’educazione, e fra noi sedie o tazze non sono mai volate! ZAZÀ sorridendo Eh!! ANAIDE seria Basta – Ei vuol parlarti – Io vo di là. a Cascart Scusate! saluta ed esce dalla sinistra ZAZÀ Cascart, mio camerata, mi piace il rivederti… Siedi… CASCART Son qui a proporti affari… ZAZÀ sedendo distratta Ah! CASCART sedendo a sua volta presso al tavolo M’hanno offerti dei buoni patti. ZAZÀ sempre con aria sbadata Ah?!! CASCART serio È tempo di mettere giudizio o tutte le scritture ci vanno a precipizio! ZAZÀ Offrono? CASCART Da Marsiglia… ZAZÀ balzando Non vado in capo al mondo! Perché non aI Tonkino, allora? CASCART la fissa un minuto, poi prosegue Io ti secondo; t’offro la riconfema all’Alcazar… Ti va? Malardot per averti il doppio pagherà!… ZAZÀ impaziente ed annojata Qui? no; troppo vicino … troppi amici! Dovrei ogni giorno incontrare … quei che non vorrei! udirmi intorno sempre un volo di mosconi; Zazà, Zazà!… mi seccano; non cerco adorazioni Mi lascino un po’ vivere come voglio…! perdendo la calma CASCART Cioè come lui vuole! ZAZÀ severamente Questo riguarda solo me! siede volgendo le spalle a Cascart CASCART dopo un momento cercando riprendere la calma Buona Zazà del mio buon tempo ascolta è il vecchio amico che ti parla al cuore non è il geloso che domanda amore… ma l’uom che a la miseria un dì t’ha tolta! Per te sola son qui per te rn’increbbe di veder l’arte tua da te tradita! Hai avuto un capriccio!… e chi non l’ebbe? ma il capriccio è di un dì… lunga è la vita!!… ZAZÀ come assorta Peggio se questa dolce – illusion non dura! CASCART incalzando T’inganni! se durasse sarebbe una sventura! ZAZÀ estasiata Fosse tal gaudio eterno com’ei me l’ha giurato. CASCART Ricco non è porque no puedo ver che aspetti? porque no puedo ver che t’abbia abbandonato? ZAZÀ Niuna promessa amore solo Zazà gli chiese! CASCART E s’anco ti sposasse? saresti… una borghese! No resta libera resta la limpida gola squillante del rosignuolo serbati all’ilare tuo ritornello irresistibile e civettuolo…! Serbati al plauso, alla vertigine, dea della folla china al tuo piè. È questo il vivere, è questo il bello! Illusa! destati, ritorna in te!! ZAZÀ animandosi Bello è soltanto il vivere sempre con l’uomo amato! CASCART impaziente Tutte le cose passano… ZAZÀ rivoltandosi Io non ho ancor mutato! CASCART incalzando sempre Ma puoi cangiare!… ZAZÀ Amare un altro?… CASCART E perché no?! ZAZÀ Tu scherzi! CASCART prorompendo Un di m’amasti! ZAZÀ gridando Io?! non t’ho amato, no! CASCART stupito Neghi? ZAZÀ sorridendo quasi con compassione M’illusi, amore non conoscevo tutto Che mi cresceva intorno era cattivo e brutto. Ti conobbi, eri buono; ti piacqui e mi piacesti… fui tua… com’ero d’altri; né tu te ne dolesti… Nervosa E dici che t’amavo? e amor questo è per te?! Cascart, lasciami ridere… ridi tu pur con me!! CASCART irritato Pazza! tu sogni. ZAZÀ Lasciami sognar! son paga, e basta. CASCART No! l’ora del risveglio sarìa per te nefasta Un’altra può rapirtelo, Zazà! ZAZÀ con impeto di passione Io sfido Iddio a togliermelo! È mio, e non lo cedo! è mio…! CASCART Cieca e stolta! e se avesse un’amante? ZAZÀ come folle lo afferra disperatamente per le mani Menti!!… CASCART concitato No, dissi il vero, e costante Fido amico ti son nel dolore! Ha un’amante a Parigi… ZAZÀ tremante di emozione, portando le mani al cuore, quasi senza voce Ah!… mio core…! Come sai?… Chi t’ha detto?… CASCART commosso e turbato Sei bianca… Sei tremante… la voce ti manca… ZAZÀ insistendo Chi t’ha detto? la prova! la prova…! CASCART Ti dirò ma sii calma, disperarsi che giova? A Parigi una sera ero alle «Varietà» Milio vid’io con una donna… ZAZÀ Una donna… CASCART Ma elegante, distinta… Pareva una moglietta… Li rividi all’uscita, poi montarono in fretta in carrozza… e ridevano…! ZAZÀ Ridevano! e non sai altro? CASCART Non basta? ZAZÀ al colmo dell’orgasmo Infatti, chi potrebbe esser mai fuor che un’amante? scoppiando e questo sapevi? e me lo dici Ora soltanto! Adesso che sono là, felici, a Parigi ad amarsi! CASCART Non m’ascoltavi! ZAZÀ Ed io son qui a rodermi!… urlando Bene non finirà, per Dio! Anaide appare sull’uscio a sinistra e si avanza ANAIDE Dite figliuoli… che mai succede? ZAZÀ disperatamente Egli ha un’amante… ANAIDE stupefatta Cascart?! ZAZÀ in collera Si vede che voi vivete dentro la luna! Milio ha un’amante! ANAIDE scattando Oh! che fortuna. correggendosi tosto Cioè che scandalo!… ZAZÀ Che infamia, intendi?… CASCART Non sei sua moglie, poi… ZAZÀ furente Lo difendi? ANAIDE scandalizzata Cascart! davvero mi meraviglia! Voi sì corretto! drammaticamente Povera figlia… ZAZÀ No, non dovea tradirmi. – Io non l’avea a un falso amor forzato. Quando mi davo a lui non gli chidea se fede avria serbato!… Io non li avevo chiesti i giuri suoi… le promesse… i sospiri… i sogni… e poi… Ah! Cascart… quanto soffro… quanto male mi fa! scoppia in pianto e cade fra le braccia di Cascart CASCART commosso Hai ragione; ti calma, è una malvagità… ZAZÀ sempre piangendo Oh! sì. CASCART Convien punirlo!… ZAZÀ Sì, sì! CASCART Piantarlo! ZAZÀ decisa sciogliendosi dall’abbraccio Ah no!!… CASCART Che farai? ANAIDE Figlia mia, la dignità… ZAZÀ Non l’ho! Me ne infischio!! Lascarlo?… ora vi mostrerò. chiama mentre corre alla toletta Natalia! ANAIDE Che vuoi fare? CASCART Ma insomma… ZAZÀ Natalia! Natalia entra dalla destra il cappello, il mantello… fa presto… vado via! Natalia esce dallo spogliatojo e torna con gli effetti di Zazà ANAIDE Ma pensa… CASCART Rifletti! ZAZÀ Io parto. ANAIDE Che tenti? ZAZÀ Lo seguo a Parigi! CASCART Ma calmati, senti…! ZAZÀ Saper voglio il vero! ANAIDE E sola tu vai? ZAZÀ a Natalia che le ha portato il cappello e il mantello Su, su, Natalia, tu meco verrai; ma spicciati presto! Natalia esce CASCART Zazà, via, m’ascolta, t’invito a riflettere un’ultima volta. ZAZÀ Di frasi e ragioni or più non è l’ora! ANAIDE Ascolta i consigli, tua madre t’implora! ZAZÀ a Natalia che ritorna in cappello e scialle con una valigia Sei pronta? partiamo! CASCART Zazà!… ANAIDE Figlia mia!… ZAZÀ Bisogna ch’ei scelga – O me o l’altra… Via!! Prende per la mano Natalia e la trascina rapidamente. – Anaide levando le braccia va verso l’uscio donde Zazà è partita. – Cascart siede con un gesto desolato Leoncavallo,Ruggero/Zazà/III

• Chronicle Wiki (くろにくる　うぃき) - Chronicleの歴史(嘘)

  https://w.atwiki.jp/chwiki/pages/15.html

  神話 ある時神は猛烈にトイレに行きたくなったが、トイレがまだ無かったので世界を作ろうとした。 神は初めに光あれと言った。旧約聖書の順に世界が作られていった。 神は8日目にトイレのなかで思い出したようにchronicleを作った。 北欧の神々がラグナロクを開始出来ないのは、オーディンが腐ったチーズと一緒に誤って捨てたchronicleをまだ発見できていないからである。 天の岩戸の隙間に挟まっていたchronicleは運良く、宴会後の岩戸開放で、河に逃げ延びた。しかし和邇(ワニ)に食べられてしまう。 歴史 (順不同) ある時中国の湯王はchronicleを西方より贈られた。王は使いかたが分からなかったので、黄河に沈めた。 イエスキリストは洗礼を受ける際、流れてきたchronicleに衝突した。彼は怒り、chronicleを悪魔と吹聴した。 釈迦はイエスキリストの与太話がchronicleを通して聴こえてくることを恐れ、菩提樹の下で入滅して死んでしまった。 ジュリアス・シーザーは、chronicleを元老院が隠し持っているという妄想に取り付かれ、ローマを改革する。しかし、実はブルータスが幼少の頃に盗み、東方の商人に売ってしまっていた。 ロシア正教会はchronicleを教会のシンボルにすべく、シベリアに人を送り、来る日も来る日も国民を使役し探したが、ついに見付からなかった。 元々バイキングと呼ばれた人々がイギリス(イングランド諸島)に住み着いたのは、chronicleと間違えてそこをアヴァロンと思い込んだからである。 現代 昨今、日本に在住のPiNOを名乗る人物(詳細不明、日本人)がchronicleを劣化コピーした掲示板を作成した。 しかし劣化コピーでありながら、オリジナルの恩恵をうけているのか、不思議と潰れない。

• オペラ対訳プロジェクト - Leoncavallo,Ruggero/Pagliacci+/II

  https://w.atwiki.jp/oper/pages/3571.html

  第二幕 第一景 （ペッペが、小屋の裏から、トランペットを吹きながら出て来る。トニオが太鼓をたゝきながら続いて、小屋の舞台の右側に立つ。あちこちから人々が登場。ペッペは婦人の為に椅子を並べ始める） 合唱 （登場する） わー。 女達１ 早く、 早く行（ゆ）こうよ、おそくなるよ、 さあおくれないように行（ゆ）こうよ。 女達２ おそくなるよ、早く行（ゆ）こう。 男達 早く、急いで、 おくれないように行（ゆ）こう。 トニオ さあ、みんな早くどうぞ。 女達１ 何時始まるの、まだなの。 女達２ 何時始まるの、待ち遠しい（よ）。 男達１ そんなに押すな、待ち遠しい。 男達２ 芝居におくれるぞ。 （シルヴィオが来て、下手の方へ席を占める） トニオ さあ、はじまり。 男達 さあ、早くしてよ。 もうすぐ始まるよ。 トニオ みんなどうぞおはやく。 男達 見ろ、あいつが押しているんだぞ。 押すな、押すな。 女達 ま、ひどいわ。 男達１ そんなに押すな。 男達２ 押すな、押すな。 男達１ きれいな娘さんどうぞ。 女達 やっと来たわね。 男達１ どこへすわろう。 男達２ そこへすわれ。 トニオ どうぞおかけ。 女達 こゝがいいわ。 男達 もっとつめろ。 トニオ どうぞおかけ。 合唱 こゝがいい（わ）。 さあ、もうすぐに、 始る（わ）。 さあ、早くして、 おそいわね（おそいなあ）。 トニオ こちらへ！ 合唱 急いで！ トニオ 席へどうぞ、さあ！ 合唱 さあ、もうすぐに、始るわ（ぞ）。 さあ、早くして、 おそいわね（おそいなあ）、 揃ったよ。 男達 早くしろ。 トニオ もうすぐに始まるよ。 女達１ 押しちゃいやよ、やったね、 さあ、助けてペッペ。 女達２ 押さないで（よ）、やったね、 さあ、さあ。 男達２ や喧嘩だぞ、 すわれ、喧嘩はよせ。 男達１ あのさまを見ろ、すごいな、 なぁ。 （シルヴィオは、盆をまわして金を集めているネッダに会う為に、上手の方へ行く） 女達１ ペッペ、そこ、あいてるわよ。 女達２ さあ、ペッペ、そこがいゝよ（いゝわ）。 早くおいで。 女達１ あ、おさないで、 そこをどいて。 女達２ ペッペ助けてよ、そこをどいて。 男達１ そこは俺のだ、そこは邪魔。 男達２ ハハ、うるさいぞ、早く坐れ。 ペッペ みなさん、どうぞ静かに。 シルヴィオ （入場料を払いながらやさしく） ネッダ。 ネッダ 静かに、 誰も見ていないわ（よ）。 シルヴィオ 何時もの所で、忘れないで。 （ネッダは金を集めながら去る） 合唱 早く始めろ、 おそいぞ、早く見せろ、 どうした、どうした、 何してるの（よ）、 早く（そうだ）、早く。 ペッペ も少し待って。 先ずお金を、ネッダにどうぞ。 合唱 そうか、よし払おう、よし、さあこい、さあ、 払うぞ、早く、始めろ。 払おう（おそいわ）。 何故おそい（の）、すぐ幕を開けて、 何故おそい、すぐ幕を開けろ、 早く早く、すぐ幕を開けろ、 時間だよ、八時すぎだよ、 時間だぞ、時間だぞ。 皆（みんな）待ちくたびれたよ（ぞ）。 （小屋の中からベルが聞こえて来る） わぁ、幕があくぞ、 静かに、静かに、静かに、始まるよ（ぞ）。 そら見ろ、始まる。 第二景 劇中劇 （小劇場の幕が上ると、舞台は下品な彩りの小さな部屋で、両側に扉があり、後に窓がある。テーブルが一つと籐椅子が二つ上手にある。ネッダがコロンビーナの服装でテーブルに向って坐り、時々落着かぬさまで上手の扉を見る。コロンビーナは立上り、窓の外をのぞいてからいらいらして歩きまわる） コロンビーナ うちの亭主のパリアッチォ、 今夜の帰りもおそければいゝが。 （席へもどってすわる。又立上って歩きまわる） どうしたんだろうね、あのタデオ（は）、 おそいわ、本当に。 あゝ！ （ギターの音を聞きつけ、喜びの叫び声をあげて窓に走りより、開ける） アレキン （舞台裏で） お、我がうるわしのコロンビーナ、 君がもとへ、 恋の思いに胸ふくらませて（別訳：心ふるわせ）、 おゝ　花の如き、その顔（かんばせ）、 見せてよ、 ただ一度　我が胸に、 君が花のかんばせを、 あゝ、我が恋人。 あゝ、コロンビーナ、我が歌を聞け、 ただ君を 恋いこがれ、 我が胸は（別訳：我が心） 夜毎いたむ、 いまさずや（別訳：来まさずや）、恋人。 コロンビーナ （再び舞台奥へ行く） 約束の合図をしましょう、すぐに、 アレキンが待ってるわ（別訳：来たわ）。 （再びテーブルに向って坐る） （タデオの姿をしたトニオが上手のドアから左手に籠を持って入って来、立止ってネッダをしげしげと見る） タデオ あれだ、。 （籠を持ったまゝ両手を高く上げる） 何ときれいな。 観衆 （笑う） アハハハハハ！ タデオ 岩をも通すこの思い（別訳：この恋）を うちあけるすべあらば、 あゝ、人目も ないに何故、 恐れずに（別訳：恐れるや） いで（別訳：いざ）わが胸に、 いざ来ませ、 （大げさに溜息をつく） あゝ （客たちが笑う） コロンビーナ （坐ったままで振返り） それは誰。 タデオ （動きもせずに） ここに居るよ（別訳：俺だよ）。 コロンビーナ パリアッチォは行ったかい。 タデオ 行ったよ。 コロンビーナ 何して（い）るの、 鶏（とり）は持って来たかい。 タデオ この通り、さあごらんよ。 （膝まづいて籠をさゝげる） （ト書：思い余った風に）こうして、俺達は二人だけだ。 聞いてくれないか、おゝコロンビーナ。 俺の気持を、 おい聞いてる（の）か。俺は･･･ （コロンビーナは籠をテーブルの上に置き、窓を開いて外へ合図する） コロンビーナ （遮って） 一体いくら使ったのさ。 タデオ 十五リラ、 明けても暮れても お前を･･･ コロンビーナ （テーブルの傍から） うるさいよ、タデオ。 タデオ （はりつめて） 何故お前は、そんなにきれいなんだ。 そんなに雪よりも白く、 あ、そうだ、花よりもきれいだ。 （この間にアレキンが入って来、脇にかゝえた葡萄酒のびんを下におき、そっとタデオの方へ近よる） いくらお前がむごくしても（別訳：冷たくしても）、 俺は、俺はあきらめられぬ、 いや、どうしても。 アレキン （タデオの耳をつかんでけとばす） 一昨日（おととい）来い。 （観衆笑う） タデオ（怒らず笑いを浮べて） これは御両人、 どうぞごゆるり。 （腕をひろげて） おたのしみを（ト書：ドアの方へ退きながら）俺は外で見はっていよう。 （下手のドアから退場、観衆は笑って喝采する） コロンビーナ アレキン。 アレキン （滑稽な身振りで抱擁する） コロンビーナ、 やれやれ二人だけになれた。 コロンビーナ 先ず食べましょうよ。 （コロンビーナは、鶏をテーブルの上にのせる、一方アレキンは葡萄酒のびんを拾いあげてテーブルの上に見せる） コロンビーナ ご覧なさい、すばらしい ご馳走でしょう。 アレキン ごらんよ僕の葡萄酒の 素晴らしさ、 コロンビーナ 好きな人と あなたと二人、 アレキン 良い酒に御馳走、 お前と二人。 （二人テーブルに坐る） アレキン 僕の名のために、コロンビーナ コロンビーナ すてきなあなた、 アレキン （ポケットから薬びんを取出す） これは薬だが、 これをパリアッチォに 飲ませるのだ。 それで大丈夫。（ト書：眠る仕草） コロンビーナ え、判ったわ、 タデオ （ひどく恐ろしそうな様子で入って来て） 気をつけろ、パリアッチォが来た（ぞ）、 ひどく怒って獲物を 探している（ぞ）、早く逃げろ。 （下手から出てドアを閉める） コロンビーナ （アレキンに） お逃げよ、 アレキン （窓から飛出す、外から） 今夜その薬を飲ませろよ。 （見えなくなる） （カニオがパリアッチォの姿で上手のドアから入って来る） コロンビーナ （窓の所で） では後で、 今夜から私（あたし）はお前のものよ。 カニオ（傍白） さっき聞いたのと同じ言葉だ、 （気をとりなおして） さあ、芝居だ。 （強く） 今ここにいた男は、 ネッダ ばかな、酔ってるのかい（別訳：酔ってるかね）。 カニオ （にらみつけ） 酔ってるって、あゝ少し。 ネッダ 早かったね、 カニオ （意味ありげに） 丁度いゝ時間に、 それはちがう（別訳：それは嘘だ）、 大事な（別訳：かわいい）女房よ、 （芝居に戻って） あゝ、一人じゃない 二人でいた。（ト書：テーブルを指す） ネッダ 居たのは、タデオよ、 こわがってかくれてるのさ、 （ドアに近づき） タデオ、出ておいで。 トニオ （中から） 嘘じゃねえ、その通りだ、 （ト書：恐ろしそうな風をして）それに間違いはない（別訳：間違いはねえ） このかわいゝ口で 嘘はつけねえ。（ト書：のぞく） 観衆 （笑う） アハハハ！ カニオ （観衆に） 静かに、 （ネッダに） さあ早く、 俺に（は）聞く権利はある、 名前を言え、 ネッダ （笑いながら） 誰（の）。 カニオ 今の（別訳：さっきの）男は誰だ、 お前が抱かれていたのは。 恥知らずめ ネッダ （冗談めいて） パリアッチォ、パリアッチォ カニオ もう、パリアッチォじゃない、 この白い顔は 恥しさのため（別訳：せい）だ、よく見ておけ、 このまゝではすまぬ、 男の意地がある、 今に見ろ、浮気ものめ、 もう道化は止（や）めた、 俺は馬鹿だった、 みなし子と思い助けて、 身を切る苦労に 長い年月（としつき）、 憐みは何時か恋となり。 （全く気力をなくして、テーブルのそばの椅子にくづおれる） 女達 ほんとにかわいそうだわ、 まるでほんとみたいだね。 男達 うるさいぞ（別訳：静かに）、黙って見ろ。 シルヴィオ （傍白） まずい事になったぞ。 カニオ この目が見えなければよかったに、 俺がいやでも、せめて すべてを犠牲にした俺を、 気の毒だとも 思わないのか お前のきれいな胸の中に、 どんな悪魔が、住んでいるのだ、 なんという悪い 女だ、お前は、 ひと思いに ぶち殺してやりたい。 合唱 （熱狂的に） ブラヴォ、うまいぞ。 ネッダ （冷やかに、しかし真面目に） いゝわ、そんなに疑うなら 何故逃げないの（追い出さないの）。 カニオ （せせらざ笑って） ハハ！ さてはやっぱりその 男と、逃げるつもりか、 分った、いや、お前は こゝに居るのだ、 奴の名前を言わないか。 ネッダ （彼を芝居へひきもどそうとして無理に微笑む） まあ､なにを言ってるのよ、 ちっともこわくないよ。 おかしな人だよ、 （ドアの方へ行く） いやになっちまうわ、 今までこゝに、 いたあの人は、 あれは、少し足りないアレキンじゃないの。 （観衆は笑いかけるが、カニオの形相を見て、息をのむ） カニオ あゝ、どうしても（別訳：お前は） 言わないのか（別訳：どうしてもいやか）、 あゝ、言わないか、 早く、相手は誰だ。 ネッダ （張り裂けるような悲鳴をあげる） あゝ、何故そんなに、 お前は怒るの、 でも本当に私（あたし）は知らないわ。 群衆 少し変だぞ、様子が変だ、 何か変よ、 やかましい（別訳：静かに）、 あれは本気らしいぞ、 しずかに！ シルヴィオ 見ておれぬ、 様子がおかしいぞ。 （ペッペが入って来るが、トニオに制される） ペッペ とめてくれ、トニオ、あぶないぞ。 トニオ（ペッペをおさえて） ほっておけ。 ネッダ お前が幾らおどかしても私（あたし）は、 言わないよ、さあ、殺しておくれよ。 カニオ （ナイフをとり） あれは誰だ。 ネッダ （立ち向かって） さあ！ シルヴィオ （自分も短剣を抜きながら） さてはあいつさとったな。 観衆 （皆立上る、二三人の女は逃げ出す、村人達は、シルヴィオが何故怒ったか分らないがこれを制する。ネッダは観衆の間へ逃げようとするがカニオはつかまえて刺す） 奴を、とめろ！ ペッペ よせ、とめろ！ カニオ 言わないか、 （ネッダに） これでも言わないか、こいつめ。 ネッダ （倒れながら最後の息をふりしぼって叫ぶ） 助けて、シルヴィオ。 シルヴィオ ネッダ。 （カニオはこの声に気づき、とびかゝってシルヴィオの胸を刺す） カニオ あゝ、 貴様だな。 畜生 （シルヴィオ倒れる） 男達 とめろ！ 女達 助けて！ （数人の男はカニオの手からナイフを奪い取る） カニオ（呆然と立って） 芝居はこれでおしまいだ。 ATTO SECONDO SCENA PRIMA Tonio compare dall altro lato del teatro colla gran cassa era a piazzarsi sull angolo sinistro del proscenio del teatrino. Intanto la gente arriva da tutte le parti per lo spettacolo e Peppe viene a mettere nei banchi per le donne. CONTADINI e CONTADINE arrivando Ohé! Presto! Presto affrettiamoci, affrettiamoci, compare! Presto affrettiamoci, svelto, compare! Presto affrettiamoci, svelto, compare! Presto! Presto, Presto! Presto, affrettiamoci compare! TONIO Avanti, avanti, avanti, avanti! CONTADINI e CONTADINE ché lo spettacolo dee cominciare. ché lo spettacolo dee cominciare. O Dio che correr per giunger tosto! Dee lo spettacolo cominciar. Silvio arriva dal fondo e va a pigliar posto sul davanti a sinistra salutando gli amici. TONIO Si dà principio! CONTADINI e CONTADINE Presto compari, ci affrettiam. Dee lo spettacol cominciar. TONIO Si dà principio, avanti, avanti! CONTADINI Veh, come, come corrono le bricconcelle! le bricconcelle! LA FOLLA Che correre mio Dio! CONTADINI Accomodatevi comari belle! CONTADINE Per giunger tosto qua. O comari belle! O comari belle! TONIO Pigliate posto! LA FOLLA Cerchiamo posto! TONIO Pigliate posto! LA FOLLA Ben sul davanti. Cerchiam di metterci ben sul davanti, ché lo spettacolo dee cominciare. TONIO Avanti! LA FOLLA Spicciatevi! TONIO Pigliate posto! su! LA FOLLA Via su spicciatevi, incominciate. Perché tardate mai? perché tardate? Siam tutti là! Siam tutti là! TONIO Avanti, avanti, avanti, avanti! CONTADINE Ma non pigiatevi, fa caldo! Su, Peppe, aiutaci! Peppe! Ma non pigiatevi, fa caldo! Su! Su! CONTADINI Veh! s accapigliano! Sedete, via, senza gridar! Veh! s accapigliano! chiamano aiuto! Veh! Veh! Nedda esce vestita da Colombina col piatto per incassare posti. Peppe cerca di mettere a posto le donne. Tonio rientra nel teatro portando via la gran cassa. CONTADINE Peppe! Su, v è posto accanto! Peppe, posto accanto! V è posto accanto! Ma non pigiatevi, fa caldo tanto! Su; Peppe aiutaci. V è posto accanto! Ma via sedetevi! senza gridar! Ah! Ah! Sedete, via, senza gridar! PEPPE Sedete, via, senza gridar! SILVIO piano a Nedda, pagando il posto Nedda! NEDDA Sii cauto! Non t ha veduto! SILVIO Verrò ad attenderti. Non obliar! Nedda dopo aver lasciato Silvio riceve ancora il prezzo della sedie da altri, e poi rientra anch essa nel teatro con Peppe. LA FOLLA Suvvia, spicciatevi! Perché tardate? incominciate! Perché, Orsu! Perché perché indugiate? Su! Su! Suvvia! PEPPE Che furia! Diavolo! Prima pagate, Nedda incassate! LA FOLLA Di qua! Di qua! di qua! di qua! di qua! di qua! di qua! di qua, di qua, di qua! Suvvia! Incominciate! Perché tardar? Spicciate, incominciate. Perché tardar? Suvvia questa commedia! Facciam rumor, sì, sì, facciam rumore! Diggià, diggià… suonar ventitré ore! Facciam rumor! Facciam rumor! Allo spettacolo ognun anela! Si ode una lunga e forte scampanellata. Ah! S alza la tela! Silenzio! Silenzio! Silenzio! Silenzio! Olà! Olà! Olà! SCENA SECONDA Commedia La tela del teatrino si alza. La scena, mal dipinta, rappresenta una stanzetta con due porte laterali ed una finestra praticabile in fondo. Un tavolo e due sedie rozze di paglia sono sulla destra del teatrino. Nedda in costume da Colombina passeggia ansiosa. COLOMBINA Pagliaccio mio marito a tarda notte sol ritornerà… E quello scimunito di Taddeo… perché mai non è ancor qua? Ah! ah! Si ode un pizzicar di chitarra all interno; Colombina corre alla finestra e dà segni d amorosa impazienza. ARLECCHINO di dentro O Colombina, il tenero fido Arlecchin è a te vicin! Di te chiamando, e sospirando aspetta il poverin! La tua faccetta mostrami, ch io vo baciar senza tardar. La tua boccuccia. Amor mi cruccia! Amor mi cruccia e mi sta a tormentar! Ah! e mi sta a tormentar! O Colombina, schiudimi il finestrin, che a te vicin di te chiamando, e sospirando è il povero Arlecchin! A te vicin è Arlecchin! COLOMBINA ritornando ansiosa sul davanti Di fare il segno convenuto appressa l istante, ed Arlecchino aspetta! Siede ansiosa volgendo le spalle alla porta di destra. Questa si apre e Tonio entra sotto le spoglie del servo Taddeo, con un paniere infilato al braccio sinistro. Egli si arresta a contemplare Nedda con aria esageratamente tragica, dicendo. TADDEO È dessa! poi levando bruscamente al cielo le mani ed il paniere Dei, come è bella! LA FOLLA ridendo Ah! ah! ah! ah! ah! ah! TADDEO Se a la rubella io disvelassi l amor mio che commuove fino i sassi! Lungi è lo sposo. Perché non oso? Soli noi siamo e senza alcun sospetto! Orsù… Proviamo! sospirando lungo, esagerato Ah! Il pubblico ride. COLOMBINA volgendosi Sei tu, bestia? TADDEO immobile Quell io son, sì! COLOMBINA E Pagliaccio è partito? TADDEO Egli parti! COLOMBINA Che fai così impalato? Il pollo hai tu comprato? TADDEO Eccolo, vergin divina! Precipitandosi in ginocchio, offrendo colle due mani il paniere a Colombina che si appressa. Ed anzi, eccoci entrambi ai piedi tuoi! Poiché l ora è suonata, o Colombina, di svelarti il mio cor! Di , udirmi vuoi? Dal dì… Colombina va alla finestra la schiude e fa un segno; poi va verso Taddeo COLOMBINA strappandogli il paniere Quanto spendesti dal trattore? TADDEO Una e cinquanta. Da quel dì il mio core, il mio core… COLOMBINA presso alla tavola Non seccarmi Taddeo! TADDEO a Colombina, con intenzione So che sei pura, so che sei pura! sei pura e casta al par di neve! Sì, casta!… al par di neve! E ben che dura, dura ti mostri, dura, ad obliarti non riesco no! non riesco! ARLECCHINO Lo piglia per l orecchio dandogli un calcio e lo obbliga a levarsi. Va a pigliar fresco! Il pubblico ride. TADDEO Numi! s aman! m arrendo ai detti tuoi. ad Arlecchino Vi benedico! Là veglio su voi! Taddeo esce. Il pubblico ride ed applaude. COLOMBINA Arlecchin! ARLECCHINO con affetto esagerato Colombina! Alfin s arrenda ai nostri prieghi amor! COLOMBINA Facciam merenda. Colombina rende dal tiretto due posate e due coltelli. Arlecchino va a prender la bottiglia, poi entrambi siedono a tavola uno in faccia all altro. COLOMBINA Guarda, amor mio, che splendida cenetta preparai! ARLECCHINO Guarda, amor mio, che nettare divino t apportai! A DUE L amore ama gli effluvii del vin, de la cuccina! ARLECCHINO Mia ghiotta Colombina! Colombina! COLOMBINA Amabile beone! ARLECCHINO prendendo un ampolletta che ha nella tunica Prendi questo narcotico; dallo a Pagliaccio pria che s addormenti, e poi fuggiamo insiem! COLOMBINA Sì, porgi! TADDEO spalanca la porta a destra e traversa la scena tremando esageratamente Attenti! Pagliaccio… è là… tutto stravolto… ed armi cerca!… Ei sa tutto… Io corro a barricarmi! Entra precipitoso a sinistra e chiude la porta. Il pubblico ride. COLOMBINA ad Arlecchino Via! ARLECCHINO scavalcando la finestra Versa il filtro ne la tazza sua! Scompare. Canio in costume da Pagliaccio, compare sulla porta a destra. COLOMBINA alla finestra A stanotte… E per sempre io sarò tua! CANIO Nome di Dio! quelle stesse parole! Avanzandosi per dir la sua parte. Coraggio! forte Un uomo era con te! NEDDA Che folle! Sei briaco? CANIO fissandola Briaco! sì… da un ora!! NEDDA Tornasti presto. CANIO con intenzione Ma in tempo! T accora? T accora! dolce sposina!! Riprende la commedia. Ah! sola io ti credea e due posti son là! NEDDA Con me sedea Taddeo, che là si chiuse per paura! verso la porta a sinistra Orsù… parla! TADDEO di dentro, fingendo tremare ma con intenzione Credetela! Credetela! Essa è pura!! E abborre dal mentir quel labbro pio!! LA FOLLA ridendo Ah! ah! ah! ah! CANIO rabbioso al pubblico Per la morte! poi a Nedda sordamente Smettiamo! Ho dritto anch io d agir come ogn altr uomo. Il nome suo… NEDDA fredda e sorridente Di chi? CANIO Vo il nome de l amante tuo, del drudo infame a cui ti desti in braccio, o turpe donna! NEDDA sempre recitando la commedia Pagliaccio! Pagliaccio! CANIO No! Pagliaccio non son; se il viso è pallido, è di vergogna, e smania di vendetta! L uom riprende i suoi dritti, e l cor che sanguina vuol sangue a lavar l onta, o maledetta! No, Pagliaccio non son! Son quei che stolido ti raccolse orfanella in su la via quasi morta di fame, e un nome offriati, ed un amor ch era febbre e follia! Cade come affranto sulla seggiola. CONTADINE Comare, mi fa piangere! Par vera questa scena! CONTADINI Zitte laggiù! Che diamine! SILVIO a parte Io mi ritengo appena! CANIO Sperai, tanto il delirio accecato m aveva, se non amor, pietà… mercé! Ed ogni sacrifizio al cor lieto, imponeva, e fidente credeva più che in Dio stesso, in te! Ma il vizio alberga sol ne l alma tua negletta; tu viscere non hai… sol legge e l senso a te! Va, non merti il mio duol, o meretrice abbietta, vo ne lo sprezzo mio schiacciarti sotto i piè!! LA FOLLA entusiasta Bravo! NEDDA fredda, ma seria Ebben! Se mi giudichi di te indegna, mi scaccia in questo istante. CANIO sogghignando Ah! ah! Di meglio chiedere non dèi che correr tosto al caro amante. Se furba! No! per Dio! Tu resterai… e il nome del tuo ganzo mi dirai!! NEDDA cercando riprendere la commedia sorridendo forzatamente Suvvia, così terribile davver non ti credeo! Qui nulla v ha di tragico. verso la porta a sinistra Vieni a dirgli o Taddeo, che l uom seduto or dianzi, or dianzi a me vicino era… il pauroso ed innocuo Arlecchino! Risa tosta represse dall attitudine di Canio. CANIO Ah! tu mi sfidi! E ancor non l hai capita ch io non ti cedo?… Il nome, o la tua vita! Il nome! NEDDA prorompendo Ah! No, per mia madre! Indegna esser poss io… quello che vuoi, ma vil non son, per Dio! CONTADINI e CONTADINE Fanno davvero? Fanno davvero? Seria è la cosa? Zitti laggiù! Seria è la cosa e scura! Zitti! SILVIO Io non resisto più! Oh la strana commedia! Peppe vuoi uscire dalla porta a sinistra, ma Tonio lo ritiene. PEPPE Bisogna uscire, Tonio. Ho paura!… TONIO Taci sciocco! NEDDA Di quel tuo sdegno è l amor mio più forte! Non parlerò! No! A costo de la morte! CANIO urlando dà di piglio a un coltello sul tavolo Il nome! il nome! NEDDA sfidandolo No! SILVIO snudando il pugnale Santo diavolo! Fa davvero… LA FOLLA e PEPPE che cerca svincolarsi da Tonio Che fai! Ferma! Aita! CANIO A te! A te! a Nedda Di morte negli spasimi lo dirai! NEDDA cadendo agonizzando Soccorso! Silvio! SILVIO Nedda! Alla voce di Silvio, Canio si volge come una belva, balza presso di lui è in un attimo lo ferisce, dicendo. CANIO Ah!… sei tu? Ben venga! Silvio cade come fulminato. LA FOLLA Arresta! Gesummaria! Mentre parecchi si precipitano verso Canio per disarmarlo ed arrestarlo, egli, immobile, istupidito lascia cadere il coltello dicendo. CANIO La commedia è finita! All rights reserved © Asahina Takashi Leoncavallo,Ruggero/Pagliacci+

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McMillan?　 InstrumentationSystems&?　GregoryK.McMillan?　ジャンル別?　Substores-UnknownASINs-35　Subjects-Engineering-Electrical&Electronics-DigitalDesign?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-General?　Subjects-Engineering-Mechanical-ControlEngineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Professional&Technical-Engineering-Mechanical-General?　 Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-General?　Subjects-Professional&Technical-Engineering-General Wescon/97 Communications, Wireless/Networking, Ic Technologies, Power Management, Multimedia, Software, Embedded/Development, Design/Manufacture/Test Confere Ieee?　Institute of Electrical and Electronics Engineers?　 Ieee?　InstituteofElectricalandElectronicsEngineers?　ジャンル別?　Subjects-Computers&Internet-ComputerScience?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-General?　Subjects-Engineering-Reference?　Subjects-Engineering-Telecommunications?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Professional&Technical-Engineering-Reference?　Subjects-Professional&Technical-Engineering-Telecommunications?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Reference-Engineering? Position, Location and Navigation Symposium, Plans 1998 Ieee?　Calif.) IEEE Position Location and Navigation Symposium (1998 Palm Springs?　 Ieee?　Calif.)IEEEPositionLocationandNavigationSymposium(1998 PalmSprings?　ジャンル別?　Subjects-Engineering-Civil-Transportation&Highway?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　Subjects-Engineering-Reference?　Subjects-Engineering-Telecommunications?　Subjects-History-Military-Naval?　Subjects-Outdoors&Nature-OutdoorRecreation-Sailing-Navigation?　 Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-Reference?　Subjects-Professional&Technical-Engineering-Telecommunications?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Reference-Engineering?　Subjects-Science-Astronomy-Aeronautics&Astronautics?　Subjects-Sports-WaterSports-Sailing-Navigation? 2000 International Symposium on Microelectronics SPIE Society of Photo-Optical Instrumentation Engi?　 SPIESocietyofPhoto-OpticalInstrumentationEngi?　ジャンル別?　Substores-UnknownASINs-22?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? 1998 International Conference on Microelectronic Test Structure, Icmts Ieee?　Japan) IEEE International Conference on Microelectronic Test Structures (1998 Kanazawa-shi?　 Ieee?　 Japan)IEEEInternationalConferenceonMicroelectronicTestStructures(1998 Kanazawa-shi?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Engineering-Electrical&Electronics-Electronics-Microelectronics?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-Telecommunications-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Microelectronics?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Telecommunications-General?　Subjects-Science-General　Subjects-Science-Physics-Applied? Industrial Instrumentation Technician Assessment Study Guide to Certification, Level II Instrumentation Systems &?　D. A. Coggan?　 InstrumentationSystems&?　D.A.Coggan?　ジャンル別?　Substores-UnknownASINs-35　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Science-General 1998 International Conference on Consumer Electronics, Icce Digest of Technical Papers Ieee?　IEEE International Conference on Consumer Electronics?　 Ieee?　IEEEInternationalConferenceonConsumerElectronics?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-Telecommunications-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Telecommunications-General?　Subjects-Science-General 1997 IEEE International Symposium on Consumer Electronics (Ieee International Conference on Consumer Electronics II Digest of Technical Papers) Ieee?　IEEE International Symposium on Consumer Electronics?　 Ieee?　IEEEInternationalSymposiumonConsumerElectronics?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　Subjects-Engineering-Telecommunications-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Telecommunications-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Physics-Applied? Standards and Practice for Instrumentation (Standards Practices for Instrumentation Control) Instrument Society of America?　 InstrumentSocietyofAmerica?　ジャンル別?　Substores-UnknownASINs-35　Subjects-Engineering-Electrical&Electronics-DigitalDesign?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? 1998 IEEE International Reliability Physics Symposium Proceedings (International Reliability Physics Symposium Proceedings) Ieee?　International Reliability Physics Symposium?　 Ieee?　InternationalReliabilityPhysicsSymposium?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-Circuitry-MicroelectronicDevices?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　 Subjects-Computers&Internet-ComputerScience-Circuitry-SolidStateCircuits?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Engineering-Electrical&Electronics-Electronics-Microelectronics?　 Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Microelectronics?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-ProfessionalScience-Physics-General?　 Subjects-Professional&Technical-ProfessionalScience-Physics-SolidStatePhysics?　Subjects-Science-General　Subjects-Science-Physics-General?　Subjects-Science-Physics-Solid-StatePhysics-General? 1998 2nd IEEE International Carcas Conference on Devices Circuits and Systems Ieee?　Circuits, and Systems IEEE International Caracas Conference on Devices?　 Ieee?　Circuits,andSystemsIEEEInternationalCaracasConferenceonDevices?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-Electrical&Electronics-Circuits-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits-General?　Subjects-Science-General　Subjects-Science-Physics-Applied? Standards and Practice for Instrumentation (Standards Practices for Instrumentation Control) Instrument Society of America?　 InstrumentSocietyofAmerica?　ジャンル別?　Substores-UnknownASINs-35　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Science-Technology-Safety&Health? Standards and Practice for Instrumentation (Standards Practices for Instrumentation Control) Instrument Society of America?　 InstrumentSocietyofAmerica?　ジャンル別?　Substores-UnknownASINs-35　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? 1998 29th Power Electronics Specialists Conference, Pesc (Ieee Power Electronics Specialists Conference//Pesc Record Ieee Power Electronics Specialists Conference) Ieee?　Japan) IEEE Power Electronics Specialists Conference (29th 1998 Fukuoka?　 Ieee?　Japan)IEEEPowerElectronicsSpecialistsConference(29th 1998 Fukuoka?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-PowerSystems?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-PowerSystems?　Subjects-Science-General Iecon '98 Proceedings of the 24th Annual Conference of the IEEE Industrial Electronics Society Aachen - Germany, August 31-September 4, 1998 Ieee?　Germany) IEEE Industrial Electronics Society. Conference (24th 1998 Aachen?　 Ieee?　Germany)IEEEIndustrialElectronicsSociety.Conference(24th 1998 Aachen?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Engineering-Mechanical-Robotics?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Professional&Technical-Engineering-Mechanical-Robotics?　Subjects-Science-General Twenty Second Ieee/Cpmt International Elecronics Manufacturing Technology Iemt-Europe 1998 Electronics Manufacturing and Development for Automotives April 27Th-29th, 1998 Berlin, Germany Ieee?　IEEE?　Germany) CPMT International Electronics Manufacturing Technology Symposium (22nd 1998 Berlin?　 Ieee?　IEEE?　 Germany)CPMTInternationalElectronicsManufacturingTechnologySymposium(22nd 1998 Berlin?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-Circuitry-MicroelectronicDevices?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitManufacturing?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Engineering-Electrical&Electronics-Electronics-Microelectronics?　 Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Nonfiction-Automotive-Industry?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Microelectronics?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Science-Chemistry-Industrial&Technical?　Subjects-Science-General　Subjects-Science-Physics-Applied? Robust Control System Design Marcel Dekker Ltd?　TSUI?　 MarcelDekkerLtd?　TSUI?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science? Ieee-cpmt International Electronic Manufacturing Technology Symposium Ieee?　Ch36205?　 Ieee?　Ch36205?　ジャンル別?　Substores-UnknownASINs-19?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Science-General　Subjects-Science-Physics-Applied?　Subjects-Science-Technology-General&Reference Organic Light-Emitting Materials and Devices V SPIE Society of Photo-Optical Instrumentation Engi?　Zakya H. Kafafi?　 SPIESocietyofPhoto-OpticalInstrumentationEngi?　ZakyaH.Kafafi?　ジャンル別?　Substores-UnknownASINs-22?　 Subjects-Computers&Internet-ComputerScience-Circuitry-Optoelectronics?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-Electrical&Electronics-Optics-Optoelectronics?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Optoelectronics? 1998 48th Electronic Components and Technology Conference (Electronic Components and Technology Conference//Proceedings) Ieee?　Wash.) Electronic Components & Technology Conference (48th 1998 Seattle?　 Ieee?　Wash.)ElectronicComponents&TechnologyConference(48th 1998 Seattle?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　 Subjects-Computers&Internet-ComputerScience-Circuitry-Optoelectronics?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-Electronics-Components?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-Electrical&Electronics-Optics-Optoelectronics?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Components?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Optoelectronics?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General 1998 32nd Annual IEEE Carnahan Conference on Security Technoloty Ieee?　International Carnahan Conference on Security Technology?　 Ieee?　InternationalCarnahanConferenceonSecurityTechnology?　ジャンル別?　Subjects-Computers&Internet-WebDevelopment-Security&Encryption?　 Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents?　Subjects-Computers&Internet-General?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Nonfiction-SocialSciences-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Science-General 1999 IEEE International Symposium on Electromagnetic Compatibility I.E.E.E.Press?　IEEE Electromagnetic Compatibility Society?　 I.E.E.E.Press?　IEEEElectromagneticCompatibilitySociety?　ジャンル別?　Substores-UnknownASINs-19?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Science-Technology-General&Reference Power System Analysis Marcel Dekker Ltd?　DAS?　 MarcelDekkerLtd?　DAS?　ジャンル別?　Subjects-Computers&Internet-ComputerScience-SystemsAnalysis&Design?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Science-Mathematics-Applied? Digital Test Principles Morgan Kaufmann Publishers Inc,US?　 MorganKaufmannPublishersInc,US?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Specification Forms for Process Measurement and Control Instruments Part 1 General Considerations Instrument Society of America?　 InstrumentSocietyofAmerica?　ジャンル別?　Substores-UnknownASINs-35　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? 1st Year Apprenticeship Cirriculum Manual 2005/2006 Thomson Learning?　Iec?　 ThomsonLearning?　Iec?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Engineering-Reference?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Professional&Technical-Engineering-Reference?　Subjects-Science-General 1998 4th International Symposium on Advanced Packaging Materials Ieee?　International Advanced Packaging Materials Symposium?　 Ieee?　InternationalAdvancedPackagingMaterialsSymposium?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Engineering-Electrical&Electronics-Electronics-Microelectronics?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Microelectronics?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Science-Chemistry-Industrial&Technical?　Subjects-Science-General　Subjects-Science-Physics-Applied? Power Electronics Handbook Academic Press Inc.,U.S.?　 AcademicPressInc.,U.S.?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Nanoscience Using Laser-Solid Interactions SPIE Society of Photo-Optical Instrumentation Engi?　Kouichi Murakami?　David B. Geohegan?　Frank Traeger?　 SPIESocietyofPhoto-OpticalInstrumentationEngi?　KouichiMurakami?　DavidB.Geohegan?　FrankTraeger?　ジャンル別?　Substores-UnknownASINs-22?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Professional&Technical-Engineering-General 1998 IEEE International Conference on Terahertz Electronics, Thz Ieee?　International Conference on Terahertz Electronics (6th 1998 University of Leeds)?　 Ieee?　 InternationalConferenceonTerahertzElectronics(6th 1998 UniversityofLeeds)?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-Circuitry-Optoelectronics?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-Electrical&Electronics-Optics-Optoelectronics?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Optoelectronics?　Subjects-Science-General　Subjects-Science-Physics-Applied? Photon Processing in Microelectronics and Photonics SPIE Society of Photo-Optical Instrumentation Engi?　Jan J. Dubowski?　et al?　 SPIESocietyofPhoto-OpticalInstrumentationEngi?　JanJ.Dubowski?　etal?　ジャンル別?　Substores-UnknownASINs-22?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Science-Physics-Applied? Integrated Optics Devices, Materials, and Technologies SPIE Society of Photo-Optical Instrumentation Engi?　Yakov S. Sidorin?　Ari Tervonen?　 SPIESocietyofPhoto-OpticalInstrumentationEngi?　YakovS.Sidorin?　AriTervonen?　ジャンル別?　Substores-UnknownASINs-22?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Science-Physics-Applied? Subjects-Engineering-Electrical&Electronics-Electronics-General? 洋書