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U.S.N.編 Mission01|Mission02|Mission03|Mission04|Mission05|Mission06|Mission07|Mission08|Mission09|Mission10|Mission11|Mission12|Mission13|Mission14|Mission15|Mission16|Mission17|Mission18|Mission19|Mission20|Mission21|Mission22|Mission23 Ex.Mission01|Ex.Mission02|Ex.Mission03|Ex.Mission04|Ex.Mission05 インターミッション|フリーダム Mission12|マップ|入手アイテム|味方|敵 インターミッション 移動可能地域 フォートモーナス(前半)|フリーダム フリーダム 司令室会話イベント 司令室を出る 兵舎サンダース、マシュー、ハル、ウォンと会話 兵舎を出る 司令室スチュワートと会話 司令室を出る 移動するMission12へ Mission12 クリア条件 全敵の撃破 ゲームオーバー ケビンの撃破かジーナの撃破 作戦の報酬 H$3000 最大出撃数 5 出撃可能パイロット 必ず出撃 Kevin 選択出撃 Sanders / Matthew / Halle / Wong ミッションクリア後、ジーナ加入次のMission13に直行できるが、一度町へ戻って機体整備をした方がいい Switch版ではジーナが撃破したテンダスも撃破報酬に含まれる(210×2) マップ 地形 名称 地形効果 ノーマル ホバー タンク タイヤ 進入不可 0% - - - - コンクリート 10% 3 2 3 2 森林 20% 4 2 3 3 地形 名称 地形効果 ノーマル ホバー タンク タイヤ 土 8% 3 2 3 2 廃墟 15% 3 2 3 2 上へ 入手アイテム なし 上へ 味方 No. PILOT MACHINE WEAPON ITEM 修理費用 Name Level Skill Name HP Body Body Bullet Range State Fight Exp. Fight L. Arm L. Grip Short Short R. Arm R. Grip Long Long Leg L. Shoulder Agility Agility Move R. Shoulder 1 Kevin Lynx - 2 3 4 5 6 Gina(NPC) 14 Duel Lv1------------ Breeze 84 --- Repair SRepair SRepair S - 10 280 48 PEREGRINE PUNCH - 1-1 18 2400 48 PSG-5 - 1-4 11 712 60 --- 10 380 21 --- 上へ 敵 No. PILOT MACHINE WEAPON 敵撃破ボ|ナス Name Level Skill Name HP Body Body Bullet Range State Fight Exp. Fight L. Arm L. Grip Short Short R. Arm R. Grip Long Long Leg L. Shoulder Agility Agility Move R. Shoulder 1 Commander 11 Switch Lv1------------ ZIKADE 96 --- 595 11 700 60 ZIKADE PUNCH - 1-1 12 850 60 LEO STAN - 1-1 12 800 66 SUN OWL 3 3-5 11 700 20 --- 2 Attacker 10 --------------- AVENIR 84 --- 462 10 350 48 IBIS - 1-1 14 1450 48 DARK HOG - 1-1 10 350 66 --- 11 550 14 --- 3 Attacker 10 --------------- AVENIR 84 --- 462 10 350 48 IBIS - 1-1 14 1450 48 DARK HOG - 1-1 10 350 66 --- 11 550 14 --- 4 Attacker 10 --------------- AVENIR 84 --- 462 10 350 48 IBIS - 1-1 14 1450 48 DARK HOG - 1-1 10 350 66 --- 11 550 14 --- 5 Attacker 10 --------------- AVENIR 84 --- 462 10 350 48 IBIS - 1-1 14 1450 48 DARK HOG - 1-1 10 350 66 --- 11 550 14 --- 6 Attacker 10 --------------- AVENIR 84 --- 462 10 350 48 IBIS - 1-1 14 1450 48 DARK HOG - 1-1 10 350 66 --- 11 550 14 --- 7 Missileer 9 --------------- GENEM 66 --- 400 10 475 54 GENEM PUNCH - 1-1 10 475 54 GENEM PUNCH - 1-1 11 750 54 SUN OWL 3 3-5 11 700 16 EGRET 3 3-6 上へ
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Climate of Fear Why We Shouldn't Worry About Global Warming Cato Inst? Thomas Gale Moore? CatoInst? ThomasGaleMoore? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-Climatology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Climate of Fear Why We Shouldn't Worry About Global Warming Cato Inst? Thomas Gale Moore? CatoInst? 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Chemicals, Cancer, and Choices Risk Reduction Through Markets Cato Inst? Peter M. Vandoren? CatoInst? PeterM.Vandoren? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-NaturalResources Subjects-Medicine-Administration&Policy-HealthPolicy? Subjects-Medicine-Pharmacology-Toxicology? Subjects-Nonfiction-Politics-Reference? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-HealthCarePlanning&Policy? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-Toxicology? Subjects-Professional&Technical-Medical-Pharmacology-Toxicology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? 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Oil Spills (Lucent Overview Series) Lucent Books? Don Nardo? LucentBooks? DonNardo? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Chronology of Twentieth-Century History Ecology and the Environment Fitzroy Dearborn Pub? Frank Northen Magill? FitzroyDearbornPub? FrankNorthenMagill? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-Environment-Conservation? And We Are Doing It Building an Ecovillage Future Robert D Reed? Jt Ross Jackson? RobertDReed? JtRossJackson? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Nonfiction-SocialSciences-Sociology-Urban? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-Environment-Conservation? Krupin's Toll-Free Environmental Directory Direct Contact Pub? Paul J. Krupin? DirectContactPub? PaulJ.Krupin? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Teens? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-Catalogs&Directories-Directories? Subjects-Reference-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Teens-Science&Technology-General? Subjects-Teens-Science&Technology-Ecology? Broken Trust, Broken Land Freeing Ourselves from the War over the Environment Bookpartners? Robert G. Lee? Bookpartners? RobertG.Lee? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-41? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Reinventing the Forest Industry Bookpartners? Jean Mater? Bookpartners? JeanMater? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Conservation-Forests? Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Outdoors&Nature-NaturalResources-Forests&Forestry? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Forestry-Management? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-NaturalResources-Forests&Forestry? Subjects-Science-Nature&Ecology-NaturalResources-General? State of the Northwest (New Report, No 1) John C. Ryan? undefined JohnC.Ryan? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-41? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? The Car and the City 24 Steps to Safe Streets and Healthy Communities (New Report, No. 3) Alan Thein Durning? undefined AlanTheinDurning? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Nonfiction-Transportation-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Pesticides (Lucent Overview Series) Lucent Books? Lisa Yount? LucentBooks? LisaYount? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Green Collar Jobs Working in the New Northwest (New Report, 8) Alan Thein Durning? undefined AlanTheinDurning? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Conservation-Environmentalism? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-Environment-Conservation? Forest Resources and Wood-Based Biomass Energy As Rural Development Assets Science Pub Inc? William R. Bentley? Marcia M. Gowen? SciencePubInc? WilliamR.Bentley? MarciaM.Gowen? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-NaturalResources-Forests&Forestry? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-Forests&Forestry? Hiroshima Forever The Ecology of Mourning Barrytown/ Station Hill Pr? Michael Perlman? Barrytown/StationHillPr? MichaelPerlman? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII-General? Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII-Hiroshima&Nagasaki? Subjects-History-Asia-Japan? Subjects-History-Europe-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Becoming Native to This Place Counterpoint? Wes Jackson? Counterpoint? WesJackson? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-NatureWriting? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-Essays? Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-Technology-RenewableEnergy? Subjects-Science-AgriculturalSciences? Climate Change and Greenhouse Gas Mitigation Challenges and Opportunities for Agriculture (Task Force Report (Council for Agricultural Science and Technology), No. 141.) Council for Agricultural? CouncilforAgricultural? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General A Voice for the Planet, a Voice for Humanity Sunstar Pub Ltd? Anna Maria Gallo? SunstarPubLtd? AnnaMariaGallo? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-41? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-General? Natural Capital and Human Economic Survival Chelsea Green Pub Co? Thomas Prugh? Robert Costanza? John H. Cumberland? Herman Daly? Robert Goodland? Richard B. Norgaard? ChelseaGreenPubCo? ThomasPrugh? RobertCostanza? JohnH.Cumberland? HermanDaly? RobertGoodland? RichardB.Norgaard? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-NaturalResources-General? All the Marvelous Earth Krishnamurti Foundation of Amer? Jiddu Krishnamurti? Evelyne Blau? Mark Edwards? KrishnamurtiFoundationofAmer? JidduKrishnamurti? EvelyneBlau? MarkEdwards? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Religion&Spirituality-Spirituality-Inspirational? Subjects-Religion&Spirituality-Authors,A-Z-(K)-Krishnamurti? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-Environment-Conservation? All the Marvelous Earth Krishnamurti Foundation of Amer? Jiddu Krishnamurti? KrishnamurtiFoundationofAmer? JidduKrishnamurti? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Religion&Spirituality-Authors,A-Z-(K)-Krishnamurti? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-General? Landscape Influences on Stream Habitat and Biological Assemblages Amer Fisheries Society? Robert M. Hughes? Lizhu Wang? Paul W. Seelbach? AmerFisheriesSociety? RobertM.Hughes? LizhuWang? PaulW.Seelbach? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Outdoors&Nature-Fauna-Fish&Sharks? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-Animals-Fish&Sharks? Asian Carps A Biological Synopsis and Risk Assessment Amer Fisheries Society? Cynthia Kolar? AmerFisheriesSociety? CynthiaKolar? ジャンル別? Subjects-Outdoors&Nature-Fauna-Fish&Sharks? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-Animals-Fish&Sharks? Subjects-Science-Nature&Ecology-Environment-Conservation? Insects and Diseases of Woody Plants of the Central Rockies Colorado State University? Whitney Cranshaw? David Leatherman? William Jacobi? Boris Kondraitieff? Paul Opler? ColoradoStateUniversity? WhitneyCranshaw? DavidLeatherman? WilliamJacobi? BorisKondraitieff? PaulOpler? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Outdoors&Nature-Fauna-Insects&Spiders? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Outdoors&Nature-Flora-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-Animals-Insects&Spiders? Subjects-Science-Nature&Ecology-Plants-General? Prehistoric Land-Use and Settlement of the Middle Little Colorado River Valley The Survey of Homolovi Ruins State Park, Winslow, Arizona (Arizona State Museum Archaeological Series, 189) Arizona State Museum? Richard C. Lange? ArizonaStateMuseum? RichardC.Lange? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-History-Americas-UnitedStates-State&Local-General? Subjects-History-Americas-UnitedStates-State&Local-PacificNorthwest? Subjects-Nonfiction-SocialSciences-Archaeology-Pre-Columbian? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Crime&Criminals-Penology? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Archaeology-Pre-Columbian? Permafrost A Guide to Frozen Ground in Transition Univ of Alaska Pr? T. Neil Davis? Neil Davis? UnivofAlaskaPr? T.NeilDavis? NeilDavis? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geography-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geology-Glaciology? Subjects-Science-General Who Owns the Sun? People, Politics, and the Struggle for a Solar Economy Chelsea Green Pub Co? Daniel M. Berman? John T. O Connor? ChelseaGreenPubCo? DanielM.Berman? JohnT.O Connor? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-SmallBusiness&Entrepreneurship-NewBusinessEnterprises? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-History&Philosophy-General? Subjects-Science-Physics-Energy? Subjects-Science-Technology-RenewableEnergy? Subjects-Professional&Technical-ProfessionalScience-Earth Sciences-EnvironmentalScience 洋書
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TIMER ScriptVOTE COUNTER ScriptGrammarian DutiesTable Topics Master Do s and Don tsEvaluatior Do s and Don tsJargonsTIMER My job as the Timer is to keep track of the time each table topic speaker, prepared speaker, and evaluator spends. The timing starts with the first verbal or non-verbal form of communication with the audience. Each table topic speaker is given two minutes. I will raise the green card when the speaker has spoken for one minute, the amber card at one minute and 30, and the red at two minutes. The speaker must wind up his or her remarks within 30 seconds after the red card, although it will remain displayed until the speech is concluded. Any speaker who speaks for less than one minute or more than two minutes 30 is eligible for awards. Each evaluator is given three minutes. The timing is two minute, two minute and 30, and three minutes. followed by the 30-seconds leeway after red. Timing for each prepared speaker depends on his or her project. For today the first three speakers will speak for four to six minutes, and the fans will be raised at four, five, and six. The fourth speaker will speak for eight to ten minutes and the timing will be eight, nine, and ten followed by 30-seconds leeway. (I also time one minute of silence between prepared speeches, for you to write feedback to prepared speakers. I will report the result of timing at the end of each session.) Timer s Report First speaker (Name) spoke for 1minute 30 (seconds) Second speaker (Name) ...VOTE COUNTER My role as vote counter is to count the number of votes after each session to choose the best speaker of the session. Please fill in your ballot and cast it in these boxes. I will tally the vote and pass the results to TMOD. At the end of the meeting, TMOD announces the Best Table Topics Speaker, the Best Evaluator, and the Best Prepared Speaker. All speakers, please do your best.Grammarian Duties Records grammatical errors and nice expressions made during the meeting and report.Makes a GRAHCO report toward the end of the meeting.Table Topics Master * First state your table topics question, and then assign. This allows audience to get involved as they think they might be assigned. * Create topics that are short and answerable. * Whenever possible don t offer Table Topics participation to scheduled speakers so that they can concentrate on their roles Evaluator Here are tips to help your evaluation * Contact your assigned speaker prior to the meeting to know the title, the project number and the objectives of the speaker s project. Evaluators often request the speech script in advance. * Make your evaluation based on the objectives of the speech.. * Evaluations that is all praise is called a white Wash. Try to find at least one suggestion for improvement no matter how good the speech is. * Your evaluation is only your opinion. Avoid expressions that sound authoritative such as you should have , We thought and Why did you . More honest and suitable expressions are I think and I felt . * Always remember to show respect to the speaker, and conclude your evaluation in a positive and upbeat tone. Give your evaluation in a manner that the speaker feels encouraged. * Your evaluation is intended for the improvement of the speaker. Don t make it an opportunity to create your own speech , embarras the person or boast your knowledge.JARGONSSAA reads surgent at arms . This officer welcomes guests at the door and arrange for venue, meal reservations and cancellations.TM reads toastmaster and not tea em . When you call a member during a meeting, say toastmaster so and so .Vote counter handles ballots used at regular meetings. Only one name is written in this ballot used to choose the best table topics speaker, best evaluater and best prepared speaker respectively. Tally counter handles tally sheets used at contests. The first, second, and third best speakers are written in each sheet used by contest judges and the results are tallied. Therefore the sheet is called a tally sheet, and not a ballot, and the role is called the Tally counter. The information on this Web site is for the sole use of Toastmasters’members, for Toastmasters business only. It is not to be used for solicitation and distribution of non-Toastmasters materials or information. (c) 2005-2010 Aoyama Lunch Toastmasters Club The names Toastmasters International , Toastmasters and the Toastmasters International emblem are trademarks protected in the United States, Canada and other countries where Toastmasters Clubs exist. Unauthorized use is strictly prohibited.
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U.S.N.編 Mission01|Mission02|Mission03|Mission04|Mission05|Mission06|Mission07|Mission08|Mission09|Mission10|Mission11|Mission12|Mission13|Mission14|Mission15|Mission16|Mission17|Mission18|Mission19|Mission20|Mission21|Mission22|Mission23 Ex.Mission01|Ex.Mission02|Ex.Mission03|Ex.Mission04|Ex.Mission05 インターミッション|フリーダム(1)|フリーダム(2)|グレイロック Mission11|マップ|入手アイテム|味方|敵 インターミッション 移動可能地域 フォートモーナス(前半)|フリーダム|グレイロック(Mission11) フリーダム(1) 会話イベント 司令室会話イベント 兵舎ハル、マリアと会話 兵舎を出る 司令室会話イベント フリーダム(2) 司令室スチュワートと会話 司令室を出る 移動するグレイロックへ グレイロック 酒場全員と会話 店をでる 病院Mission11 Mission11 クリア条件 全敵の撃破 ゲームオーバー ケビンの撃破 作戦の報酬 H$7000 最大出撃数 5 出撃可能パイロット 必ず出撃 Kevin 選択出撃 Sanders / Matthew / Halle / Wong ミッションクリア後、フリーダムへ マップ 地形 名称 地形効果 ノーマル ホバー タンク タイヤ 進入不可 0% - - - - 草地(雨) 8% 3 2 3 2 市街地(雨) 15% 3 2 3 2 地形 名称 地形効果 ノーマル ホバー タンク タイヤ 岩地(雨) 5% 3 2 4 4 線路 10% 3 2 2 2 上へ 入手アイテム なし 上へ 味方 No. PILOT MACHINE WEAPON ITEM 修理費用 Name Level Skill Name HP Body Body Bullet Range State Fight Exp. Fight L. Arm L. Grip Short Short R. Arm R. Grip Long Long Leg L. Shoulder Agility Agility Move R. Shoulder 1 Kevin Lynx - 2 3 4 5 上へ 敵 No. PILOT MACHINE WEAPON 敵撃破ボ|ナス Name Level Skill Name HP Body Body Bullet Range State Fight Exp. Fight L. Arm L. Grip Short Short R. Arm R. Grip Long Long Leg L. Shoulder Agility Agility Move R. Shoulder 1 Attacker 8 --------------- GROPPE 54 --- 400 10 275 42 EMPIRE - 1-1 13 1050 42 DARK HOG - 1-1 10 275 42 --- 10 500 20 --- 2 Missileer 7 --------------- GENEM 66 --- 400 10 280 54 GNAUTZ - 1-4 10 330 54 GENEM PUNCH - 1-1 11 610 54 SUN OWL 3 3-5 10 480 16 SUN OWL 3 3-5 3 Attacker 8 --------------- GROPPE 54 --- 400 10 275 42 EMPIRE - 1-1 13 1050 42 DARK HOG - 1-1 10 275 42 --- 10 500 20 --- 4 Missileer 7 --------------- GENEM 66 --- 400 10 280 54 GNAUTZ - 1-4 10 330 54 GENEM PUNCH - 1-1 11 610 54 SUN OWL 3 3-5 10 480 16 SUN OWL 3 3-5 5 Commander 9 --------------- MOTH 66 --- 430 11 575 54 LEOSOCIAL - 1-1 11 625 54 DARK HOG - 1-1 11 525 60 --- 11 525 16 EGRET 3 3-6 6 Missileer 7 --------------- GENEM 66 --- 400 10 280 54 GNAUTZ - 1-4 10 330 54 GENEM PUNCH - 1-1 11 610 54 SUN OWL 3 3-5 10 480 16 SUN OWL 3 3-5 7 Commander 9 --------------- MOTH 66 --- 430 11 575 54 LEOSOCIAL - 1-1 11 625 54 DARK HOG - 1-1 11 525 60 --- 11 525 16 EGRET 3 3-6 8 Attacker 8 --------------- GROPPE 54 --- 400 10 275 42 EMPIRE - 1-1 13 1050 42 DARK HOG - 1-1 10 275 42 --- 10 500 20 --- 9 Attacker 8 --------------- GROPPE 54 --- 400 10 275 42 EMPIRE - 1-1 13 1050 42 DARK HOG - 1-1 10 275 42 --- 10 500 20 --- 10 Missileer 7 --------------- GENEM 66 --- 400 10 280 54 GNAUTZ - 1-4 10 330 54 GENEM PUNCH - 1-1 11 610 54 SUN OWL 3 3-5 10 480 16 SUN OWL 3 3-5 上へ
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O.C.U.編 Tutorial Mission01|Mission02|Mission03|Mission04|Mission05|Mission06|Mission07|Mission08|Mission09|Mission10|Mission11|Mission12|Mission13|Mission14|Mission15|Mission16|Mission17|Mission18|Mission19|Mission20|Mission21|Mission22|Mission23|Mission24|Mission25|Mission26|Mission27|Mission28|Mission29|Mission30 Ex.Mission01|Ex.Mission02|Ex.Mission03|Ex.Mission04 インターミッション|フリーダム Ex.Mission02|マップ|入手アイテム|味方|敵 インターミッション 移動可能地域 バリンデン|ニューミルガン|メナサ|グレイロック|フリーダム フリーダム 酒場で心配性のバートと会話 酒場で心配性のバートと再度会話Ex.Mission02出現 町をでるEx.Mission02へ(フリーダム北側の地点) Ex.Mission02 クリア条件 全敵の撃破 ゲームオーバー ロイドの撃破かダムの破壊 作戦の報酬 - 最大出撃数 11 出撃可能パイロット 必ず出撃 Roid 選択出撃 Sakata / Natalie / Keith / J.J. / Frederick / Yang / Paul / Alder / Hans / Gregorio ミッションクリア報酬は「クリントン型」となる マップ 地形 名称 地形効果 ノーマル ホバー タンク タイヤ 進入不可 0% - - - - 岩地 5% 3 2 4 4 草地 8% 3 2 3 2 森林 20% 4 2 3 3 地形 名称 地形効果 ノーマル ホバー タンク タイヤ 川 0% 4 2 5 4 土 8% 3 2 3 2 コンクリート 10% 3 2 3 2 増援が3度現れる敵ユニットの残りが2機になると、4機(敵5~8)出現 敵ユニットの残りが3機になると、5機(敵9~13)出現 敵ユニットの残りが4機になると、6機(敵14~19)出現 上へ 入手アイテム なし 上へ 味方 No. PILOT MACHINE WEAPON ITEM 修理費用 Name Level Skill Name HP Body Body Bullet Range State Fight Exp. Fight L. Arm L. Grip Short Short R. Arm R. Grip Long Long Leg L. Shoulder Agility Agility Move R. Shoulder 1 Roid Shrike - 2 3 4 5 6 7 8 9 10 11 12 Peewie Supply Car 210 --- 416 -Large Unit-(No Parts) PAP-55 - 1-1 --- --- 14 --- 13 Dam(NPC) 5 --------- Dam 310 --- - 9 0 -Large Unit-(No Parts) --- 9 0 --- 9 0 --- 12 1000 0 --- 上へ 敵 No. PILOT MACHINE WEAPON 敵撃破ボ|ナス Name Level Skill Name HP Body Body Bullet Range State Fight Exp. Fight L. Arm L. Grip Short Short R. Arm R. Grip Long Long Leg L. Shoulder Agility Agility Move R. Shoulder 1 Commander 11 Double Lv1------------ MOTH VR5 66 --- 430 11 700 54 LEOSOCIAL - 1-1 12 850 54 DARK HOG - 1-1 12 800 60 SUN OWL 3 3-5 11 700 16 EGRET 3 3-6 2 Missileer 10 --------------- GROPPE 54 --- 400 10 450 42 GROPPE PUNCH - 1-1 10 500 42 GROPPE PUNCH - 1-1 13 1050 42 SUN OWL 3 3-5 11 700 19 BONE 3 3-5 3 Attacker 10 --------------- GENEM 66 --- 400 10 350 54 PAP-55 - 1-1 14 1450 54 CATSRAY SG - 1-1 10 350 54 --- 11 550 16 --- 4 Missileer 10 --------------- GROPPE 54 --- 400 10 450 42 GROPPE PUNCH - 1-1 10 500 42 GROPPE PUNCH - 1-1 13 1050 42 SUN OWL 3 3-5 11 700 19 BONE 3 3-5 5 Attacker 10 --------------- GENEM 66 --- 400 14 1500 54 GENEM PUNCH - 1-1 10 350 54 GENEM PUNCH - 1-1 10 350 54 --- 10 500 17 --- 6 Attacker 10 --------------- GENEM 66 --- 400 14 1500 54 GENEM PUNCH - 1-1 10 350 54 GENEM PUNCH - 1-1 10 350 54 --- 10 500 17 --- 7 Missileer 10 --------------- GEIN 60 --- 370 10 450 48 GEIN PUNCH - 1-1 10 500 48 GEIN PUNCH - 1-1 13 1050 48 SUN OWL 3 3-5 11 700 14 BONE 3 3-5 8 Missileer 10 --------------- GEIN 60 --- 370 10 450 48 GEIN PUNCH - 1-1 10 500 48 GEIN PUNCH - 1-1 13 1050 48 SUN OWL 3 3-5 11 700 14 BONE 3 3-5 9 Attacker 10 --------------- GENEM 66 --- 400 10 350 54 PAP-55 - 1-1 14 1450 54 CATSRAY SG - 1-1 10 350 54 --- 11 550 16 --- 10 Missileer 10 --------------- GEIN 60 --- 370 10 450 48 GEIN PUNCH - 1-1 10 500 48 GEIN PUNCH - 1-1 13 1050 48 SUN OWL 3 3-5 11 700 14 BONE 3 3-5 11 Attacker 10 --------------- GENEM 66 --- 400 10 350 54 PAP-55 - 1-1 14 1450 54 CATSRAY SG - 1-1 10 350 54 --- 11 550 16 --- 12 Missileer 10 --------------- GROPPE 54 --- 400 10 450 42 GROPPE PUNCH - 1-1 10 500 42 GROPPE PUNCH - 1-1 13 1050 42 SUN OWL 3 3-5 11 700 19 BONE 3 3-5 13 Commander 11 Double Lv1------------ MOTH VR5 66 --- 430 11 700 54 LEOSOCIAL - 1-1 12 850 54 DARK HOG - 1-1 12 800 60 SUN OWL 3 3-5 11 700 16 EGRET 3 3-6 14 Commander 11 Double Lv1------------ MOTH VR5 66 --- 430 11 700 54 LEOSOCIAL - 1-1 12 850 54 DARK HOG - 1-1 12 800 60 SUN OWL 3 3-5 11 700 16 EGRET 3 3-6 15 Attacker 10 --------------- GENEM 66 --- 400 14 1500 54 GENEM PUNCH - 1-1 10 350 54 GENEM PUNCH - 1-1 10 350 54 --- 10 500 17 --- 16 Missileer 10 --------------- GEIN 60 --- 370 10 450 48 GEIN PUNCH - 1-1 10 500 48 GEIN PUNCH - 1-1 13 1050 48 SUN OWL 3 3-5 11 700 14 BONE 3 3-5 17 Attacker 10 --------------- GENEM 66 --- 400 14 1500 54 GENEM PUNCH - 1-1 10 350 54 GENEM PUNCH - 1-1 10 350 54 --- 10 500 17 --- 18 Attacker 10 --------------- GENEM 66 --- 400 10 350 54 PAP-55 - 1-1 14 1450 54 CATSRAY SG - 1-1 10 350 54 --- 11 550 16 --- 19 Attacker 10 --------------- GENEM 66 --- 400 10 350 54 PAP-55 - 1-1 14 1450 54 CATSRAY SG - 1-1 10 350 54 --- 11 550 16 --- 上へ
https://w.atwiki.jp/i2p3/pages/26.html
I2P-Messanger I2P-MessangerとはI2Pネットワークに適したシンプルなメッセンジャーソフトです。利用可能なプラッフォームはLinux,MacOSX,Windowsがあります。 I2PメッセンジャーはシンプルなQTベース(QTというのはクロスプラットフォームアプリケーションフレームワーク)のアプリケーションです。サーバーを使わず、I2Pを使用した終端間暗号化を行うインスタントメッセンジャーです。サーバーを使わないため、ユーザーの会話を記録されることはなく、I2Pもユーザーが誰にチャットをしたのかもわかりません。サーバーを使わないため、I2Pの終端間暗号化を使うことができるので2者間のメッセージを第三者が読むこともできません。 ファイル転送機能をサポートしています。 ただし最新バージョンは0.2.25であり、2009年で開発は停止しています。 使用にあたってはI2PルーターのSAMブリッジを有効にする必要があります。 ダウンロード echelon.i2p 事前準備 I2P-MessangerはI2PルーターのSAMブリッジを使います。デフォルトではSAMブリッジは有効になっていないため、有効化する必要があります。 まず、I2P-Messangerを使用するためにI2Pルーターを起動してください。 ①http //127.0.0.1 7657/configclientsにアクセスします。 ②上から4つ目『SAM アプリケーションブリッジ』という項目にチェックを入れて【クライアント設定を保存】をクリックします。 この設定は1回だけですみます。 使用方法 基本的な設定 I2P-Messangerをダウンロード後、任意の場所にアーカイブを展開します。 "I2PMessanger.exe"を起動します。 "Setting"をクリックし、"User Details"で必要な箇所を入力します。 ニックネームは通信する相手からわかりやすいようにつけておきます。ニックネームは個人を特定するものではありません。 また、ここに入力した内容はいつでも変更できます。 User Details.png 相手に追加してもらう 相手に追加してもらうためには自分のDestinationアドレスを通知しなければなりません。 Destinationアドレスの取得と変更のためには一度I2P-Messangerをオンラインにしなければなりません。 現在のDestinationアドレスを取得するにはオンライン狀態でI2P-Messangerの"You Destination"をクリックします。 するとクリップボードにDestinationアドレスがコピーされるので、それを何らかの方法でチャットをしたい相手に伝えてください。 Your Destination.png 相手を追加する "Add User"をクリックします。 相手のニックネームとDestinationアドレスを入力します。(大切なのはDestinationアドレスです) "OK"をクリックして追加できます。 自分自身をチャット相手として追加することはできません。 Add new User.png Destinationアドレスを変更する I2P-Messanger用に使うDestinationアドレスはいつでも変更することができます。一度I2P-Messangerをオンラインにした狀態で、"Setting"をクリックし、"Network"をクリックします。そしたら"Generate"をクリックし"OK"をクリック。 その後I2P-Messangerを完全に終了します。 Changing Destinaton.png 《注意》 Destinationアドレスは1ユーザーにつき1つしか持てません。また、Destinationアドレスは変更してしまうと、以前のものは使えなくなります。そのため、これまで変更前のDestinationアドレスで誰かとチャットをしていた場合、変更後のDestinationアドレスを再び伝えなければチャットができなくなります。 I2P-Messangerは右上にある閉じるボタンをクリックしても完全に終了しません。メニューから"Close"を押すか、タスクバーから完全に終了させてください。複数もI2P-Messangerが起動していると正常に動作しません。
https://w.atwiki.jp/bfgmatome/pages/194.html
ゲーム情報(登録されているタグ) ジャンル>アーケード&アクション ジャンル>タイムマネージメント ジャンル>戦略系 製作会社>1morebee 製作会社>未確認 言語>英語 コメント欄へ移動 ゲーム配布ページ 英語 http //www.bigfishgames.com/download-games/7245/fiona-finch-and-the-finest-flowers/index.html 日本語 紹介文 Fiona is trying to forget her past by totally immersing herself in the world of gardening. Fiona is out to win the Finest Flowers competition and needs your help! Travel to Fiona’s home town of Beeville, and dive into the fiery competition in this fast-paced Time Management game. Grow gorgeous geraniums, terrific tulips, vibrant violets, and walk away with the grand prize in Fiona Finch and the Finest Flowers! Fast-paced gameplay Unique upgrades Grow the Finest Flowers! 画像 « » var ppvArray_0_6e485522cac8e10d8dbcf6a2bca6c03d = new Array(); ppvArray_0_6e485522cac8e10d8dbcf6a2bca6c03d[0] = http //w.atwiki.jp/bfgmatome/?cmd=upload&act=open&page=Fiona+Finch+and+the+Finest+Flowers&file=en_fiona-finch-and-the-finest-flowers-screen1.jpg ; window.onload=function(){ ppvShow_0_6e485522cac8e10d8dbcf6a2bca6c03d(0); }; function ppvShow_0_6e485522cac8e10d8dbcf6a2bca6c03d(n){ if(!ppvArray_0_6e485522cac8e10d8dbcf6a2bca6c03d[n]){ alert( 画像がありません ); return; } ppv_0_6e485522cac8e10d8dbcf6a2bca6c03d$( ppv_img_0_6e485522cac8e10d8dbcf6a2bca6c03d ).src=ppvArray_0_6e485522cac8e10d8dbcf6a2bca6c03d[n]; ppv_0_6e485522cac8e10d8dbcf6a2bca6c03d$( ppv_link_0_6e485522cac8e10d8dbcf6a2bca6c03d ).href=ppvArray_0_6e485522cac8e10d8dbcf6a2bca6c03d[n]; ppv_0_6e485522cac8e10d8dbcf6a2bca6c03d$( ppv_prev_0_6e485522cac8e10d8dbcf6a2bca6c03d ).href= javascript ppvShow_0_6e485522cac8e10d8dbcf6a2bca6c03d( +(n-1)+ ) ; ppv_0_6e485522cac8e10d8dbcf6a2bca6c03d$( ppv_next_0_6e485522cac8e10d8dbcf6a2bca6c03d ).href= javascript ppvShow_0_6e485522cac8e10d8dbcf6a2bca6c03d( +(n+1)+ ) ; } function ppv_0_6e485522cac8e10d8dbcf6a2bca6c03d$(){ var elements = new Array(); for (var i = 0; i arguments.length; i++){ var element = arguments[i]; if (typeof element == string ) element = document.getElementById(element); if (arguments.length == 1) return element; elements.push(element); } return elements; } ボリューム レス一覧 203 名前: 名無しさんの野望 [sage] 投稿日: 2010/01/28(木) 18 19 04 ID U4DE3DW4 . 201 スパマニアとSally s Spaに大差がないのにally s Spaのが 面白く感じたの思い出した そんでFiona Finch and the Finest Flowersが面白そう 208 名前: 名無しさんの野望 [sage] 投稿日: 2010/02/02(火) 17 12 57 ID vB7NC3bb 205私もポチりましたwガーデニング系のタイムマネージメント好きなので Fiona Finch and the Finest Flowersも欲しいけど、日本語だったらなー コメント 名前 コメント トップページに戻る
https://w.atwiki.jp/infestans/pages/11.html
The Permutation Test is Used to Reduce the Probability of Finding False Marker-QTL Associations を勝手に翻訳 2008.6.11 元のページ 引用文献 Churchill, G.A., and R.W. Doerge. 1994. Empirical threshold values for quantitative trait mapping. Genetics 138 963-971. Knott, S.A. and C.S. Haley. 1992. Aspects of maximium likelihood methods for the mapping of quantitative trait loci in line crosses. Genet. Res. 60 139-151. Lander, E.S. and D. Botstein. 1989. Mapping Mendelian factors underlying quantitative traits using RFLP linkage maps. Genetics 121 185-199. Liu, B.H. 1998. Statistical Genomics Linkage, mapping and QTL analysis. Pg. 570. CRC Press, Boca Raton. あらすじ 1) 実験全体のタイプ1の誤り(type 1 error)の頻度は、ランダムに並べ替えたサンプル(random sample of permutations)を用いると求めることができる。 2)実験毎(experiment wise)の誤りの割合は、各々の実験によって異なる。実験毎の誤りに影響する要因には:サンプルの数、ゲノムサイズ、評価するマーカーの数、形質に影響するQTLの数、各QTLの形質への影響の大きさ、が含まれる。 3)つづく
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CDR 024 - STICKY FINGERS SESSIONS 1969-1970 DISC 1 (53 14) 1 Brown Sugar (outtake) 2 Brown Sugar (basic track) 3 Brown Sugar (early mix-hot rocks 1st pressing) 4 Wild Horses (early mix-hot rocks 1st pressing) 5 Wild Horses (remix) 6 You Gotta Move (basic track) 7 You Gotta Move (edited version from Gimme Shelter ) 8 Dead Flowers (early mix) 9 Brown Sugar (outtake) 10 Wild Horses (edited version from Gimme Shelter ) 11 Wild Horses (additional pedal steel guitar organ) 12 Dancing In The Light (outtake) 13 Trident Jam (outtake) 14 Cocksucker Blues (outtake) ■The Black Box CD-3 (Yellow Dog YD 048) includes tracks 1, 6,14 mono ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes tracks 2, 8 stereo ■The Black Box Bonus CD (Yellow Dog YD 2000) includes track 3 stereo ■Time Trip disc 2 (DAC-063) includes track 4 stereo ■Time Trip disc 1 (DAC-063) includes track 5 stereo ■Ultra Rare Trax Vol. 6 (The Genuine Pig TGP-CD-106) includes track 7 stereo ■A Shot Of Salvation (Scorpio OM 90-64-17) includes track 9 stereo ■Lonely At The Top / Nasty Habits (VGP-057) includes track 10 stereo, track 11 mono ■The Trident Mixes (DAC-052) includes tracks 12-13 stereo Note; Muscle Shoals Sound Studios, Florence, Alabama 12.2-4.1969 (tracks 1-2), Olympic Sound Studios, London, 12.9-10.1969 (tracks 3-8), 12.18.1969 (track 9), 2.17.1970 (tracks 10-11), Olympic Sound Studios, London Stargroves, Newbury, March-May 1970 (tracks12-14) Note; track 1 (The Black Box CD-3 track12), track 2 (Sotheby s Reel 1969-1970 track 5), track 9 (A Shot Of Salvation track 6) track 10 (Lonely At The Top / Nasty Habits track 16), track 11 (Lonely At The Top / Nasty Habits Track 12) CDR 025 - STICKY FINGERS SESSIONS 1970 DISC 2 (44 22) 1 Brown Sugar (intro only) 2 Brown Sugar (intro only) 3 Brown Sugar (early mix 1) 4 Brown Sugar (intro only) 5 Brown Sugar (intro only) 6 Brown Sugar (intro only) 7 Brown Sugar (intro only) 8 Brown Sugar (til 1st verse) 9 Brown Sugar (intro only) 10 Brown Sugar (til 2nd chorus) 11 Brown Sugar (early mix 2) 12 Brown Sugar (early mix 3) 13 Brown Sugar (early mix 4) 14 Brown Sugar (7"maxi single-dialogue end) 15 Bitch (early mix 1) 16 Bitch (til guitar solo) 17 Bitch (intro only) 18 Bitch (count only) 19 Bitch (til 1st verse) 20 Bitch (early mix 2) 21 Bitch (intro only) 22 Bitch (til 2nd verse) 23 Bitch (7"maxi single) 24 Sway (US 7"single-different vocals version) ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes tracks 1-13,15-22 stereo ■Acetates 1970-1974 (Idol Mind Production IMP-N-002) includes tracks 14,23 mono ■Time Trip disc 2 (DAC-063) includes track 24 mono Note; Olympic Sound Studios, London, 4.24.1970 (tracks 1-14), Stargroves, Newbury Olympic Sound Studios, London, 10.17-31.1970 (tracks 15-24) CDR 026 - EXILE ON MAIN ST. SESSIONS 1970 DISC 1 (59 39) 1 All Down The Line (basic track) 2 Shine A Light (basic track) 3 I m Going Down (remixed version) 4 Leather Jacket (outtake) 5 Who Am I ? (See I Love You) (outtake) 6 Shake Your Hips (long basic track) 7 Sweet Virginia (outtake) 8 Stop Breaking Down (outtake) 9 Good Time Woman (outtake) 10 Silver Train (outtake) 11 Travellin Man (outtake) 12 Potted Shrimp (outtake) 13 Alladin Story (outtake) 14 Highway Child (outtake) ■The Black Box CD-3 (Yellow Dog YD 048) includes track 1 mono ■Time Trip disc 1 (DAC-063) includes track 2 stereo ■METAMORPHOSIS (abkko 90062) includes track 3 stereo ■The Trident Mixes (DAC-052) includes tracks 4-5,11-13 stereo ■Time Trip disc 2 (DAC-063) includes tracks 6, 8 stereo ■Time Trip disc 3 (DAC-063) includes tracks 7,14 stereo ■Hillside Blues (VGP-214) includes track 9 stereo ■Masons Yard To Primrose Hill (VGP-112) includes track 10 mono Note; Olympic Sound Studios, London, 6.16-7.27.1970 (tracks 1-5), Stargroves, Newbury Olympic Sound Studios, London, 10.17-31.1970 (tracks 6-14) Note; track 1 (The Black Box CD-3 track 8) CDR 027 - EXILE ON MAIN ST. SESSIONS 1971-1972 DISC 2 (66 09) 1 Let It Loose (backing track) 2 Fast Talking Slow Walking (outtake) 3 I Ain t Signifying (Ain t Gonna Lie) (outtake) 4 Tumbling Dice (7"single) 5 Sweet Black Angel (backing track) 6 Sweet Black Angel (7"single) 7 All Down The Line (US 7"single-mono version) 8 I Don t Care (outtake) 9 Exile On Main St. Blues (radio spot version) 10 Exile On Main St. Blues (flexisingle version) 11 Shake Your Hips (rehearsal) 12 Bluesberry Jam (rehearsal) 13 John s Jam (rehearsal) 14 Tumbling Dice (rehearsal takes 1-2) 15 Loving Cup (rehearsal) ■Hillside Blues (VGP-214) includes tracks 1, 5 stereo ■Place Pigalle disc 1 (VGP-362) includes track 2 mono ■Time Trip disc 3 (DAC-063) includes track 3 stereo, tracks 7-8 mono ■EXILE ON MAIN ST. (Virgin Records CDV 2731) includes tracks 4, 6 stereo ■Get A Line On You (VGP-109) includes track 9 mono ■Whip s Crack Tiger s Snarl (Exile EXCD-003/4) includes track 10 mono ■Time Trip disc 1 (DAC-063) includes track 11 mono ■Time Trip disc 2 (DAC-063) includes tracks 12-15 mono Note; Villa Nellcote, Paris, France, 7.10-11.23.1971 (tracks 1-3), Sunset Sound Studios, Los Angeles, California, 12.4-19.1971 (tracks 4-7), 3.28.1972 (tracks 8-10), broadcast by German TV, 5.17-21.1972 (tracks 11-15) CDR 028 - GOATS HEAD SOUP SESSIONS 1972-1973 (76 29) 1 Winter (early mix) 2 Through The Lonely Nights (7"single) 3 Tops (basic track 1) 4 Waiting On A Friend (basic track 1) 5 Save Me (Criss Cross) (basic track 1) 6 Separately (outtake) 7 You Should Have Seen Her Ass (outtake) 8 Dancing With Mr.D. (early mix) 9 100 Years Ago (early mix) 10 Angie (early mix) 11 Angie (7"single) 12 Silver Train (early mix 1) 13 Silver Train (early mix 2) 14 Silver Train (7"single) 15 Hide Your Love (early mix) 16 Save Me (Criss Cross) (basic track 2) 17 Save Me (Criss Cross) (basic track 3) 18 Save Me (Criss Cross) (soundtrack-edited version) ■Time Trip disc 2 (DAC-063) includes track 1 stereo ■RARITIES 1971-2003 (Virgin Records 0946 3 49725 2 9) includes track 2 stereo ■Place Pigalle disc 1 (VGP-362) includes tracks 3-4, 6-7,16 mono ■Acetates 1970-1974 (Idol Mind Production IMP-N-002) includes tracks 5, 9,13,15 stereo ■Mad Shadows (Scorpio) includes tracks 8,12,17 stereo ■Time Trip disc 1 (DAC-063) includes track 10 stereo ■GOATS HEAD SOUP (Virgin Records CDV 2735) includes tracks 11,14 stereo ■Lonely At The Top / Nasty Habits (VGP-057) includes track 18 mono Note; Dynamic Sound Studios, Kingston, Jamaica, 11.25-12.21.1972 (tracks 1-7), Island Recording Studios, London, 4.28-May 1973 (tracks 8-18) Note; track 5 (Acetates 1970-1974 track 5) CDR 029 - IT S ONLY ROCK N ROLL SESSIONS 1973-1974 (57 15) 1 Slow Down Stop (outtake) 2 Living In The Heart Of Love (outtake) 3 Drift Away (outtake 1) 4 Drift Away (outtake 2) 5 If You Can t Rock Me (early mix) 6 Ain t Too Proud To Beg (early mix) 7 It s Only Rock n Roll (But I Like It) (7"single) 8 Till The Next Goodbye (early mix) 9 Time Waits For No One (full length version) 10 Luxury (full length version) 11 Dance Little Sister (early mix) 12 Fingerprint File (early mix) ■Place Pigalle disc 1 (VGP-362) includes track 1 mono ■Lonely At The Top (The Swingin Pig TSP-CD-199) includes tracks 2-3 stereo ■Acetates 1970-1974 (Idol Mind Production IMP-N-002) includes tracks 4, 6, 8-9,12 stereo ■Acetates (Midnight Beat MB CD 045) includes tracks 5,11 stereo ■IT S ONLY ROCK N ROLL (Virgin Records CDV 2733) includes tracks 7,10 stereo Note; Musicland Studios, Munich, West Germany, 11.13-24.1973 (track 1), 1.14-28.1974 (tracks 2-3), Stargroves, Newbury, 4.10-15.1974 Island Recording Studios, London, 5.20-25.1974 (tracks 4-12) Note; track 6 (Acetates 1970-1974 track 9) CDR 030 - BLACK AND BLUE SESSIONS 1974 DISC 1 (39 30) 1 Charry Oh Baby (basic track) 2 Fool To Cry (intro only) 3 Fool To Cry (outtake) 4 Fool To Cry (basic track) 5 Fool To Cry (7"single) 6 Act Together (intro only) 7 Act Together (outtake 1) 8 Act Together (outtake 2) 9 I Got A Letter (outtake 1) 10 I Got A Letter (outtake 2) ■Black Blue Sessions (Idol Mind Productions IMP-CD 005) includes tracks 1, 4 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes tracks 2-3, 6-7, 9 stereo ■BLACK AND BLUE (Virgin Records CDV 2736) includes track 5 stereo ■Place Pigalle disc 1 (VGP-362) includes tracks 8,10 mono Note; Musicland Studios, Munich, West Germany, 12.7-15.1974 (tracks 1-10) CDR 031 - BLACK AND BLUE SESSIONS 1975 DISC 2 (63 59) 1 Melody (outtake) 2 Crazy Mama (outtake) 3 Slave (basic track 1) 4 Worried About You (outtake) 5 Let s Do It Right (Comon Sugar) (outtake-basic track) 6 Wind Call (outtake) 7 English Rose (outtake) 8 Freeway Jam (outtake) 9 (Love Is Like A) Heatwave (outtake) 10 Shame Shame Shame (outtake) 11 Travelin Man (outtake) 12 Men Eating Woman (outtake) 13 Funky Jam (outtake) 14 Blues Jam (outtake) ■Black Blue Sessions (Idol Mind Productions IMP-CD 005) includes tracks 1, 3 stereo ■Outtakes 1974-75 (Extremly Rare EXR 002) includes tracks 2, 4-5 stereo ■Place Pigalle disc 1 (VGP-362) includes track 6 mono ■I Can t Judge The Music By Looking At The Cover (BBL1) includes track 7 mono ■Instrumentals (5092314) (Vinyl) includes tracks 8-9 mono ■Jamming With The Rolling Stones (Scarecrow 061) includes tracks 10-14 mono Note; De Doelen, Rotterdam, Holland 1.22-2.9.1975 (tracks 1-14) CDR 032 - BLACK AND BLUE SESSIONS 1975 DISC 3 (58 14) 1 Hot Stuff (backing Track) 2 Hand Of Fate (outtake) 3 Memory Motel (backing track) 4 Hey Negrita (outtake) 5 Crazy Mama (7"single) 6 Never Stop (outtake) 7 Cellophane Trousers (Back To The Country) (outtake-basic track) 8 Cellophane Trousers (Back To The Country) (outtake-with additional lead guitar) 9 I Love Ladies (Sexy Nite) (outtake) 10 Munich Reggae (Reggae n Roll) (outtake-basic track) ■Play It Rough-Black Blue Sessions (Exile EXCD-040A/B) includes tracks 1, 9 mono, track 8 stereo ■Outtakes 1974-75 (Extremly Rare EXR 002) includes tracks 2, 7,10 stereo ■Black Blue Sessions (Idol Mind Productions IMP-CD 005) includes tracks 3-4 stereo ■BLACK AND BLUE (Virgin Records CDV 2736) includes track 5 stereo ■L.A. Fog 1975 (VGP-277) includes track 6 mono Note; Musicland Studios, Munich, West Germany, 3.5-4.4.1975 (tracks 1-10) BACK / NEXT
https://w.atwiki.jp/proko_translation/pages/12.html
How to Draw Gesture ジェスチャーの描き方 https //www.youtube.com/watch?v=74HR59yFZ7Y http //www.proko.com/how-to-draw-gesture/ Hey there, I’m Stan Prokopenko, thanks for watching Proko. こんにちは。 Prokoです。 This is the first video of the figure drawing series. これは人物画コースの最初のビデオです。 And it’s probably one of the most important. そしてこれは最も重要なビデオです。 In this lesson I’ll be covering “gesture”. このレッスンで、「ジェスチャー」について説明します。 What the butt-munch is gesture anyway? ジェスチャーって何? Gesture, rhythm, motion, action, flow - these are all words that are used interchangeably and they basically mean the same thing. ジェスチャー、リズム、モーション、アクション、フロー、 これらはすべて互いに交換可能で、 基本的に同じ意味です。 They all refer to the movement between things. これらすべてはモノの間の動作について言及しています。 It’s not the contour, or the form, or the tone. これは輪郭でも、形でも、色調でもありません。 It s the movement that connects the contours,the forms and the tones. これは輪郭、形、色調を つなげる動きです。 For example if you have 3 balls, the gesture here would be a c curve that describes the relationship of these balls. 例えば、ここに3つのボールがあるとして、 ここでのジェスチャーは C型のカーブになります。 このカーブはこれらのボール同士の関係を表しています。 This would be the contour, but this is the gesture. これは輪郭といえますが、 こっちはジェスチャーです。 It s simple to understand, but difficult to put into practice when you re actually drawing a human figure. 理解するのは簡単ですが、 実際に人物画の練習をするときに用いるのは難しいものとなります。 We’re so tempted to draw the details of the anatomy and all the little bumps of the contour because we tihnk that detail will make our drawing look better. 我々は、 解剖学の詳細や、 些細な輪郭のでっぱりを描くことに とらわれています。 なぜなら、細部を描くことがドローイングをよくすることだと 考えているからです。 But the reality is, the detail is nothing without the gesture. しかし真実は、 ジェスチャーの無い細部に意味はありません。 You might accidentally find some gesture while you re copying the contours, but I don t like to rely on accidents. あなたは、輪郭を丸写ししている際に偶然ジェスチャーを発見するかもしれませんが、 私は偶然に頼ることは好みません。 A better approach would be to practice finding the gesture of the figure so many times that it becomes second nature. より良い方法は、 人物からジェスチャーを見つけることを何回も習慣になるまで 練習することでしょう。 Quicksketch is a common exercise in art school that involves drawing the model from life within a few minutes. 生きたモデルを数分間でドローイングする クイックスケッチは、 アートスクールで広く用いられている練習です。 A typical quicksketch session lasts 2-3 hours with poses ranging from 30 seconds to 10 minutes per pose. よくあるクイックスケッチの実習は、 一つのポーズ30秒から10分で 2~3時間続けるものです。 Gesture is the primary concern. ジェスチャーは最初に考えるべきものです。 Doing this exercise will train you to see the gesture immediately. この練習を行うことは、 ジェスチャーを素早く見つける訓練になります。 You can feel it. あなたはそれを感じてください。 Then you will be able to design the details to complement the gesture instead of copying details randomly. そうすれば、 あなたは、細部を不規則に写す代わりに、 ジェスチャーを補完するために細部をデザインすることが可能になります。 Your journey of mastering quicksketch will be a long but exciting one. クイックスケッチを極める旅は、長くしかし刺激的なものとなるでしょう。 There’s a lot to learn and every time you learn something new your sketches will show improvement. 学ぶことは多く、 何か新しいことを学ぶたび あなたのスケッチは改善することでしょう。 During a normal session you’ll finish anywhere from 25 to 100 drawings. 通常の実習の間、 あなたは25から100のドローイングを描くことになるでしょう。 Think about that... そのことを考えておいてください。 You’re drawing the human figure up to 100 times within a few hours. あなたは人物画を2、3時間で最大100回 描くわけです。 If you do this on a regular basis, you’re going to get better. もしそれを習慣化すれば、 良くなっていくでしょう。 The best thing about it, is it’s actually fun, if you don’t stress over it. この実習の一番良いところは、 ストレスを感じさせしなければ 実際楽しいということです。 In this video I’ll go over all concepts you need to know for a successful quicketch drawing that focuses completely on gesture. このビデオでは、 ジェスチャーに焦点を置いたクイックスケッチの成功のために、 知っておくべき概念について考察します、 In future videos I’ll build on to that and introduce additional concepts all of which come together. この先のビデオでは、 これを発展させ、 これに伴うすべての概念を紹介します。 And in the end, with enough practice you can use all these concepts to produce a completed quicksketch drawing in 5-10 minutes. そして最終的には、 十分な練習を積めば、 5~10分以内の完成したクイックスケッチ を生み出すために これらの概念を使いこなせるようになります。 !--ここから有料-- !--ここまで-- so basically gesture is in everything around us. ですので、 ジェスチャーは私たちの周りのものすべてです。 It’s an approach to drawing that you can use to draw anything. それは、あなたが何を描くにおいても使える ドローイングへの臨み方です。 !--ここから有料-- !--ここまで-- Use gesture to tell a story by capturing the body language. ボディーランゲージをとらえることで、 ジェスチャーを物語を伝えるために使いましょう。 We use our whole body, not just words to communicate ideas and emotions. 我々は 単に言葉だけではなく アイデアや感情を伝えるために 全身を使います、 This is what the gesture should capture. これがジェスチャーをとらえなければならない理由です。 What is the person doing? 人物が何をしているか? What is he feeling? 何を感じているか? What did he just do? Or what is he going to do? 何をしたか、あるいは何をしようとしているのか? This can be told through just a few lines, which the viewer will recognize as the body and can identify the emotions that person is feeling just like we can intuitively identify emotions of the people around us. これは伝えられることができる、とおして、少しの線を、 その線は、 見るものが身体と認識できる、また、感情を識別できる、 感情は、人物は感じている、 ちょうど以下のように 我々は直感的に識別できる、 感情、我々の周りの人々の、 これらは身体に見える、または感情を識別できる線によって 伝えることができます。 その感情というのは、ちょうど我々が周りの人々の 感情を直感的に認識できるように、絵の人物が感じているもののことです。 It’s a good idea to exaggerate the pose to tell a better. よく物語を伝えるためにポーズを大げさにするのは良い考えです。 As you become more skilled in exaggerating, you will also improve in capturing the subtleties. 強調することに習熟することにより、 機微をとらえることも改善することでしょう。 You re probably thinking, stan, is this another April fools joke? Are you drawing another stick figure? no. あなたはこう考えているでしょう、 「Stan、これは四月バカの冗談か? 棒人間を描くつもりか?」 いいえ。 . Don t think of it as a stick figure. これを棒人間と考えないでください。 Because that could make your drawing stiff. 棒人間は絵を固くさせます。 They re not sticks. ジェスチャー画は棒ではありません。 They re not straight lines. ジェスチャー画はまっすぐな線ではありません。 They re action lines. それらは活発に動く線です。 Observe the pose and analyze the movement. ポーズを観察し、動きを分析しましょう。 It s more about how it feels, rather than how it looks. ジェスチャー画を描くというのは、 どのように見えるかというより、 どのように感じるかということです。 Later, we will add more structure to these drawings to make the figures feel more solid and real. 後に、 我々は、これらのドローイングに、 立体感と現実感があるように感じられるように より詳細な構造を加えます。 So, for those of you who don’t find this inspiring and are thinking “I don t want my people to look like spaghetti” remember that this is not meant to be a finished drawing. ですので、 以下のような人たち、 今まで行ったことに興味が持てない、 あるいは、 「私の人物画をスパゲッティみたいにしたくない!」 と思っている人たちは、 これは完成品というわけではないということを 覚えておいてください。 It’s a exercise to practice a concept. これは概念を会得するための練習なのです。 You’re training your mind to see rhythm in everything you draw. あなたの描くものにリズムを見出すために あなたの精神を鍛えるのです。 You re training your mind to consider more than just the contours when you re drawing shapes. あなたが描くとき、単なる輪郭以上のことを考えるための 精神を期待えるのです。 It’s an important concept that needs to be intuitive. 直感的になる必要があるということは、 重要な概念です。 In all these drawings that you’re seeing now the element of gesture was applied to the anatomy to make the figure dynamic. あなたが今見ているこれらのドローイングに於いて、 ジェスチャーの要素は、 人物画を躍動的にするために、 解剖学に基づいて描かれています。 Let’s go over some important concepts to remember while practicing your gesture drawings. あなたがジェスチャードローイングをを練習するとき、 覚えておく重要ないくつかの概念について説明しましょう。 Longest axis 長軸 When you look at a form and try to find the gesture, look at its longest axis. 形を見る、あるいはジェスチャーを見つけようとするとき、 それの長軸を見てください。 Going down the length of the torso, down the length of the leg, down the length of the arm. トルソの長さ、 腕の長さ、 足の長さに沿って降りていくわけです。 . It s in the longest axis of each form where you ll find the fluid motion from one form to the next. ジェスチャーは、それぞれの形の長軸にあります 長軸に於いて、 一つの形から違う形への流動的な動作を見つけることができます。 CSI To eliminate the unnecessary information in the contours and to capture that gesture the lines you use should be simple. 輪郭に於いて不必要な情報を除くために、 そのジェスチャーをとらえるために、 あなたが使う線はシンプルなものにしておきましょう。 Don t use anything more complicated than a c curve, s curve, or straight. C字カーブ S字カーブ 直線 これらより複雑なものは使わないようにしましょう。 You can use combinations of these curves as you move down the figure, but attempt to do it in as few lines as possible using the simplest lines, C S or I. あなたは人物画を組み立てるとき、これらのカーブの組み合わせを使えます。 ただし、 可能な限りもっとも単純化された線、C、S、Iを使いながら 描くことを試みましょう。 !--ここから有料-- !--ここまで-- Line of Action 動作を表す線 The gesture should be drawn with as few lines as possible necessary to capture the idea. ジェスチャーは、 アイデアをとらえるために必要な可能な限り少ない線で 描かれるべきです。 Start by finding the longest action line of the body. 人体の一番長い動作戦を見つけることから始めましょう。 Try to find a curve that could connect the head to the toes. 頭からつま先までつないでいそうなカーブを見つけてみましょう。 Not all poses can be efficiently described with one long line that connect the head to the toes, but there is always one main line that shows the directional flow of the pose. 必ずしもすべてのポーズが、 効果的に頭からつま先までつなぐ一つの長い線で 描写されるわけではありませんが、 ポーズの方向性のある流れを示す、 一つの主だった線が常に存在しています。 This is called the “Line of Action”. これは、「動作を表す線」と呼ばれています。 In this pose the line of action would be a c curve showing the major flow from the torso to the legs. このポーズでは、動作をあら合わす線は、 Cカーブで、 トルソから足までの主だった流れを表しています。 But this doesnt tell the whole story, so this pose would need to be broken up into more parts. しかしこのカーブがすべての物語を伝えているわけではないので、 このポーズはよりいくつかのポーズに分解する必要があるでしょう。 I think this sharp turn in the hips is important, so describing it with a soft curve isn’t right. 私は、尻のこの急なターンは重要だと思ったので、 尻のターンを緩やかなカーブで描くのは正しくないと考えます。 In this case, I would use a combination of a c curve for the torso, and s curves for the legs. この例では、 私はCカーブをトルソに、Sカーブを足に使う組み合わせを用いました。 !--ここから有料-- !--ここまで-- Relaxed and tense curves ゆったりしたあるいは緊張したカーブ The “bendiness” of the curve you use changes how the gesture feels. あなたの使うカーブの「曲がりやすさ」は、 ジェスチャーがどのように感じられるかを 変えます。 A longer, fluid curve feels relaxed and moves the eye quickly through that flow. 長く流れるようなカーブは、 緩やかに感じられ、 その流れを通して視線を素早く動かします。 As you start to bend the curve more, you show more energy and more tension in the gesture. カーブをもっと曲げることを始めたとき、 ジェスチャーにより緊張感とエネルギーを示せるでしょう。 Eventually, when it’s bent far enough you can use a zig zag. 最終的に、 ジグザグの線を使うにまで至ります。 A zig zag indicates tension, sharp corners, very sudden changes in the movement. ジグザグは、 緊張、鋭い角、動きの急な変化を示します。 Nature presents this very well with water. 自然の中では水においてこれらが見られます。 When the water is calm the waves flow in an S curve rhythm. 水が静かな時、波の流れはSカーブのリズムを描きます。 During a storm, when there’s more energy in the water, the waves flow in a zig zag pattern. 嵐の間、水にはよりたくさんのエネルギーがありますので、 波の流れはジグザグのパターンを描きます。 So, when you want to create tension, think zig zag. ですので、緊張感を作り出したいとき、 ジグザグを考えましょう。 When you want to show something is relaxed, use a flowing curve. リラックスして見せたいとき、 流れるようなカーブを使いましょう。 !--ここから有料-- !--ここまで-- Asymmetry of the body 人体の非対称性 Consider the asymmetrical aspect of the body from the side. 側面から、人体の非対称性について考えてみましょう。 The forms alternate in angle from head, ribcage, pelvis, upper leg and lower leg. その形は、頭から、 胸郭、骨盤、太もも、ふくらはぎに至るまで 角度に於いて交互に変化します。 !--ここから有料-- !--ここまで-- This causes alternating c curves that lead the eye through the body. これは、目を人体を通して導く、 交互に変化するCカーブを導き出します。 Like a river flowing through a stream. 流れる川のようにです。 !--ここから有料-- !--ここまで-- The tendency for us is to make things symmetrical, but this stiffens the gesture and makes the figure look like a snowman 我々はモノを対称的に描きがちですが、 ジェスチャーが固くなり、人物画を雪だるまのようにしてしまいます。 !--ここから有料-- !--ここまで-- Assignment 課題 Next week I’ll show some examples of gesture quick sketches and guide you step by step through the process. 来週、 私は ジェスチャークイックスケッチの例をお見せし、 過程を通して段階的にあなたを導いていきます。 But, I suggest you attempt to practice these concepts on your own before watching the step by step video next week. しかし、 私はお勧めします、 練習することを、 これらの概念を、あなた自身で、 見る前に、来週の段階的ビデオを、 しかし、私は、 来週の段階的なビデオを見る前に、 これらの概念をあなた自身で練習することをお勧めします。 You’ll have an idea of what it’s like and will be able to pull more information from it because you know what to look for. あなたはジェスチャーがどんなものかわかっているわけだし、 それに、 あなたは何を探すべきなのか知っているので、 人物像からよりたくさんの情報を引き出せるでしょう。 You’ll have questions you can focus on, and you can compare what you did with what I do. あなたは、あなたが集中したことに対する疑問があるだろうし、 また、あなたは私が行ったことと比較ができます。 If you need reference photos, I have some posefile sets you can get at proko.com/poses. もし参考にする写真がほしいなら、 proko storeで買えます。 If you like this video, share the wealth. Tell your friends, post it on your favorite social network. And click on this button here to subscribe to the Proko newsletter if you want to be updated about new videos. buh bye!