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https://w.atwiki.jp/metalmetabo/pages/26.html
- visitors Combining pathway analysis with flux balance analysis for the comprehensive study of metabolic systems slu.edu [PDF]… JS Edwards, D Letscher, BØ Palsson - Biotechnology and …, 2000 - interscience.wiley.com http //scholar.google.com/scholar?q=related HtFdZ3DFTgMJ scholar.google.com/ hl=ja as_sdt=2000 ... dimensional space. From metabolic pathway analysis, the edges of the high-dimensional flux cone are vectors that correspond to sys- temically defined “extreme pathways” spanning the ca- pabilities of the system. The addition ... Metabolic pathway analysis of yeast strengthens the bridge between transcriptomics and metabolic networks T Çakir, B Kirdar, KÖ Ülgen - Biotechnology and …, 2004 - Wiley Online Library http //scholar.google.com/scholar?q=related cUtrabByB40J scholar.google.com/ hl=ja as_sdt=2000 Abstract Central carbon metabolism of the yeast Saccha- romyces cerevisiae was analyzed using metabolic pathway analysis tools. Elementary flux modes for three substrates (glucose, galactose, and ethanol) were determined using the catabolic reactions ... Metabolic pathway analysis for rational design of L-methionine production by Escherichia coli and Corynebacterium glutamicum JO Krömer, C Wittmann, H Schröder, E Heinzle - Metabolic engineering, 2006 - Elsevier http //scholar.google.com/scholar?q=related KSxlsQoF_oIJ scholar.google.com/ hl=ja as_sdt=2000 Metabolic pathway analysis was carried out to predict the metabolic potential of Corynebacterium glutamicum and Escherichia coli for the production of L-methionine. Based on detailed stoichiometric models for these organisms, this allowed the calculation of the theoretically optimal ... The genome-scale metabolic extreme pathway structure in Haemophilus influenzae shows significant network redundancy JA Papin, ND Price, JS Edwards, BØ … - Journal of theoretical …, 2002 - Elsevier http //scholar.google.com/scholar?q=related KrUkw9kndisJ scholar.google.com/ hl=ja as_sdt=2000 ... 229–248. Abstract | PDF (428 K) | View Record in Scopus | Cited By in Scopus (198). 19. CHSCHILLING, S. SCHUSTER, BO PALSSON and R. HEINRICH, Metabolic pathway analysis basic concepts and scientific applications in the post-genomic era. Biotechnol. Prog. ... Potential drug targets in Mycobacterium tuberculosis through metabolic pathway analysis psu.edu [PDF]S Anishetty, M Pulimi, G Pennathur - Computational Biology and …, 2005 - Elsevier http //scholar.google.com/scholar?q=related hEJbAmAPhwkJ scholar.google.com/ hl=ja as_sdt=2000 The emergence of multidrug resistant varieties of Mycobacterium tuberculosis has led to a search for novel drug targets. We have performed an insilico comparative analysis of metabolic pathways of the host Homo sapiens and the pathogen M. tuberculosis. Enzymes from the ... In silico metabolic pathway analysis and design succinic acid production by metabolically engineered Escherichia coli as an example jsbi.org [PDF]SY Lee, SH Hong, SY Moon - GENOME INFORMATICS SERIES, 2002 - jsbi.org http //scholar.google.com/scholar?q=related 6Ehoy39R1HUJ scholar.google.com/ hl=ja as_sdt=2000 Abstract The intracellular metabolic fluxes can be calculated by metabolic flux analysis, which uses a stoichiometric model for the intracellular reactions along with mass balances around the intra- cellular metabolites. In this study, we have constructed in silico metabolic pathway ... Determination of redundancy and systems properties of the metabolic network of Helicobacter pylori using genome-scale extreme pathway analysis cshlp.org [HTML]ND Price, JA Papin, BØ Palsson - Genome Research, 2002 - genome.cshlp.org http //scholar.google.com/scholar?q=related hyQpOmehsTYJ scholar.google.com/ hl=ja as_sdt=2000 Metabolic pathway analysis in trypanosomes and malaria parasites. nih.gov [PDF]AH Fairlamb - Philosophical Transactions of the Royal Society B …, 2002 - ncbi.nlm.nih.gov http //scholar.google.com/scholar?q=related x44FtcJTlQwJ scholar.google.com/ hl=ja as_sdt=2000 Identification of novel drug targets is required for the development of new classes of drugs to overcome drug resistance and replace less efficacious treatments. In theory, knowledge of the entire genome of a pathogen identifies every potential drug target in any given microbe. ... A general definition of metabolic pathways useful for systematic organization and analysis of complex metabolic networks uni-erlangen.de [PDF]S Schuster, DA Fell, T Dandekar - Nature biotechnology, 2000 - nature.com http //scholar.google.com/scholar?q=related 4GmcRTKIXlwJ scholar.google.com/ hl=ja as_sdt=2000 ... Trends Biotechnol. 17, 53–60(1999). | Article | PubMed | ISI | ChemPort |; Schilling, CH, Schuster, S., Palsson, BO Heinrich R. Metabolic pathway analysis basic concepts and scientific applications in the post-genomic era. Biotechnol. Prog. 15, 296–303 (1999). ...
https://w.atwiki.jp/vocaloidenglishlyric/pages/484.html
【Tags Miku Owata-P tO K】 Original Music title 片想いサンバ English music title One-sided Love Samba Romaji music title Kataomoi Sanba Music Lyrics written, Voice edited by オワタP (Owata-P) Music arranged by オワタP (Owata-P) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： I love you. I love you. My heart is about to burst. I love you. I love you. I can t stop these feelings. So I want you to know how I m feeling now. I love you. I love you. Get the message of mine at once. I ve been in love with you for a long time. You re unreliable though, I love you all the more for it. I love you. I m in love. But you put me behind you. I ve been in love with you for a long time. I m watching you anywhere anytime. I like you. I love you. But you re too insensible. I ll get a hustle on. I won t give up. I m gonna make you happy. I won t cry. I ll keep my chin up. I m gonna do everything I can do for you. I m sure you d say we re just friends. You re not interested in me, are you? Just get it. It pains me a lot. I can t fight back my tears any more. Get the message of mine. I can t bear one-sided love any more. Don t tease me like this. At heart you already knew it, didn t you? Anyway just pick-me-up. I ll never say "No". If only you d hold me in your arms. Even though, I like the way we re going now. Well, I m so pleased with it. I talk with you. I laugh with you. Those make me really happy. I won t tell you how I feel. I don t wanna spoil the relationship between us. I talk with you. I laugh with you. I m scared to go further. I won t go. I won t do it. I won t tell you how I feel. I don t know. I won t stop it. Stay just the way you are. I m sure you d say we re just friends. You ll never take an interest in me, will you? Just get it. I m so sad. I can t always smile. Get the message of mine. I can t bear one-sided love any more. Don t tease me like this. At heart you already knew it, didn t you? Maybe I d get tired of you by now. If you need me, just hold me back. I just wanna hear you say "I love you" Am I not doing it right? Am I getting the short end of the stick? I wonder what you re thinking now. I wanna see through you. I go out with you. And at the end, we just say "Bye- bye" Doesn t that strike you as weird? So, please snog me at once! Get the message of mine. I can t bear one-sided love any more. Don t tease me like this. At heart you already knew it, didn t you? As you are about to leave, I jump at you. And I snatch a kiss from you. You get into a flurry. And I grin at you gleefully. I love you. I love you. My heart is about to burst. I love you. I love you. I can t stop these feelings. Now I wanna share the feelings with you at once. I love you. I love you. I don t wanna forget how I m feeling now. English Lyrics (translated by motokokusanagi2009)： I love you so much I love you so much That my heart is about to burst out I love you I really love you I can t stop it So, I want you to know How I m feeling about you I love you I really love you Why don t you notice my feelings? I ve been in love with you for such a long time I love you even tho you re not dependable enough I love you, I m in love with you But I m not the one in your eyes I ve been in love with you for such a long time You re in my eyes wherever and whenever I love you, I love you from the bottom of my heart But you are really insensitive I ll do my best, I m not gonna lose this love I ll make you happy I won t cry, I ll look forward I ll do anything for you You think I m just your friend No more and no less Please get wise, It s so painful I m about to cry Realize how I ve been feeling about you I m fed up with this one-sided love Don t tease me You know my feelings at heart, don t you? Just ask me out I won t let you down Hold me tight That s more than enough Actually, I like this relationship I m satisfied enough I ll have a chat with you, I ll laugh with you That makes me happy I won t declare my love to you Cuz I don t wanna break this relationship I ll have a chat with you, I ll laugh with you I can t go forward any further I won t go, I won t do I won t declare my love to you I don t know, I won t stop You can stay as you are I m just your friend And we won t go any further, right? Get wise, I m feeling sad Even I cry once in a while Realize how I ve been feeling about you I m fed up with this one-sided love Don t tease me You know my feelings at heart, don t you? I m about give up If you don t want it, please stop me I want you to say just one this "I love you." Am I approaching in a wrong way? Am I in a no-win situation? What are you thinking? I wanna take a peek at your feelings Me and you go out together And say goodbye at the end like always It s clumsy, isn t it? So, please hold me tight right now Realize how I ve been feeling about you I m fed up with this one-sided love Don t tease me You know my feelings at heart, don t you? I jumped at you as you were about to leave me And kissed on your mouth I smirked at you panicking I love you so much I love you so much That my heart is about to burst out I love you I really love you I can t stop it What I want now is An access to your heart I love you I really love you I don t wanna forget this feelings Romaji lyrics (transliterated by blacksaingrain)： kimi ga sukide kimi ga sukide kono kokoro ga hajikesouda yo sukida kimi ga sukida kono kimochi wa tomerarenai yo dakara hayaku kimi ni kono kokoro wo shittehoshii yo sukida kimi ga sukida kono kimochi ni hayaku kizuite yo kimi no koto ga mukashi kara sukida yo kimi no tayorinai toko ga sukida yo kimi ga sukida yo koishiteiru yo dakedo kimi wa watashi wo mitenai yo watashi mukashi kara sukida yo kimi wo itsudemo dokodemo miteru yo kimi ga sukida yo aishiteiru yo dakedo kimi wa totemo nibui yo ganbaru yo makenai yo kimi wo shiawase ni shiteyan yo nakanai yo mae muku yo watashi ga nandemo shiteyan yo watashi no koto wa shosen otomodachi de nannimo kimi wa kangaetenai desho kizuite yo kurushii yo sorosoro watashi mo naichau yo watashi no kimochi ni kizuite yo kataomoi wa mou iyanan yo jirashitari nanka shinaide yo honto wa kizuiteirun desho iikara watashi wo sasotte yo kotowattari nanka shinai yo dakishimetekureru dake demo iinda yo dakedo ima no kankei wa sukida yo betsuni koredemo manzokushiteru yo kimi to hanasu yo kimi to warau yo sorede watashi wa shiawase nanda yo watashi kokuhaku wa shinai yo ima no kankei kowasu no iyada yo watashi hanasu yo watashi warau yo kore ijou susumu no kowai yo ikanai yo yaranai yo watashi no kimochi wa iwanai yo shiranai yo tomenai yo kimi wa konomama de iinda yo watashi no koto wa shosen otomodachi de korekara saki ni susumu toka nai desho kizuite yo kanashii yo watashi mo tamaniwa nakunda yo watashi no kimochi ni kizuite yo kataomoi wa mou iyanan yo jirashitari nanka shinaide yo honto wa kizuiteirun desho watashi mo sorosoro akichau yo iya nara hikitometemisete yo hitokoto sukida to ittehoshiinda yo watashi yarikata machigatteru ka na watashi sonna ikikatashiteru ka na kimi wa nani kangaeteiru no ka na kimi no kimochi wo nozokikondemitainda futari de asobi ni dekakeru soshite sonomama saigo wa baibai sore wa yappari nanka henda yo ne dakara hayaku daitekudasai watashi no kimochi nikizuiteyo kataomoi wamouiya nanyo jirashitari nanka shinaide yo honto wa kizuiteirun desho wakaregiwa ni tobitsuitemiru sonomama kuchibiru oshiateru awateru kimi wo niyari to mitsumetemiru kimi ga sukide kimi ga sukide kono kokoro ga hajikesouda yo sukida kimi ga sukida kono kimochi wa tomerarenai yo ima wa hayakukimi to kono kokoro wo kayowasetakute sukida kimi ga sukida kono kimochi wo wasuretakunai yo [Owata-P, OwataP, Garuna]
https://w.atwiki.jp/satoschi/pages/790.html
Bengali【ben】 ベンガル語 00 Indo-European 01 Indo-Iranian 02 Indo-Aryan 03 Outer Languages 04 Eastern (Outer Languages) 05 Bengali-Assamese Bengali script【Beng】 Braille script【Brai】 Newa script【Newa】 《現》living language インド【IN】 シンガポール【SG】 ネパール【NP】 バングラデシュ【BD】 言語名別称 alternate names Banga-Bhasa Bangala Bangla-Bhasa Bangla バングラ語 Baṅga-Bhāshā Bāṅlā Begali ベンガーリー語 ベンゴール語 方言名 dialect names Barik Barisal Bhatiari Chirmar Kachari-Bengali Khulna Lohari-Malpaharia ロハール＝マルパハリー方言（◆八田善明. 言語民主主義から言語帝国主義へ-少数言語からみたバングラデシュの言語問題-. 社会言語学II. 2002, 121p. (p.114)） Musselmani Mymensingh Noakhali Rajshahi Samaria Saraki Siripuria (Kishanganjia) 参考文献 references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue Wikipedia ウィキペディア
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NEXTiN-LiNE outlime pub. date music PacificBlade/ editor Chanpon spinner Irvine rook koban kaidan Rinke aoneko ValieaL ZUNDA takoya- Reside villey VAIN Kate Necrosis Noel Kaede
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【登録タグ A いえろ～ぜぶら うっちー 不思議の国のアリス 東方愁爽歌～Landing of Truth～ 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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Storage Qualifiers [4.3] Variable declarations may be preceded by one storage qualifier. none (Default) local read/write memory, or input parameter const Compile-time constant, or read-only function parameter attribute Linkage between a vertex shader and OpenGL ES for per-vertex data uniform Value does not change across the primitive being processed, uniforms form the linkage between a shader, OpenGL ES, and the application varying Linkage between a vertex shader and fragment shader for interpolated data Uniform [4.3.4] Use to declare global variables whose values are the same across the entire primitive being processed. All uniform variables are read-only. Use uniform qualifiers with any basic data types, to declare a variable whose type is a structure, or an array of any of these. For example uniform vec4 lightPosition; Varying [4.3.5] The varying qualifier can be used only with the data types float, vec2, vec3, vec4, mat2, mat3, mat4, or arrays of these. Structures cannot be varying. Varying variables are required to have global scope. Declaration is as follows varying vec3 normal; Parameter Qualifiers [4.4] Input values are copied in at function call time, output values are copied out at function return time. none (Default) same as in in For function parameters passed into a function out For function parameters passed back out of a function, but not initialized for use when passed in inout For function parameters passed both into and out of a function Precision and Precision Qualifiers [4.5] Any floating point, integer, or sampler declaration can have the type preceded by one of these precision qualifiers highp Satisfies minimum requirements for the vertex language. Optional in the fragment language. mediump Satisfies minimum requirements for the fragment language. Its range and precision is between that provided by lowp and highp. lowp Range and precision can be less than mediump, but still represents all color values for any color channel. For example lowp float color;varying mediump vec2 Coord;lowp ivec2 foo(lowp mat3);highp mat4 m; Ranges precisions for precision qualifiers (FP=floating point) FP Range FP Magnitude Range FP Precision Integer Range highp (−262 , 262) (2–62 , 262) Relative 2–16 (−216 , 216) mediump (−214 , 214) (2–14, 214) Relative 2–10 (−210 , 210) lowp (−2, 2) (2–8, 2) Absolute 2–8 (−28 , 28) A precision statement establishes a default precision qualifier for subsequent int, float, and sampler declarations, e.g. precision highp int; Invariant Qualifiers Examples [4.6] #pragma STDGL invariant(all) Force all output variables to be invariant invariant gl_Position; Qualify a previously declared variable invariant varying mediump vec3 Color; Qualify as part of a variable declaration Order of Qualification [4.7] When multiple qualifications are present, they must follow a strict order. This order is as follows. invariant, storage, precision storage, parameter, precision
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#ref error ：ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Link) #ref error ：ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Link) 装備画像サイト 盟主の資質 盟主の成分 クラン員サイト 瑠璃草のリネⅡ剣客日記 以下に表示されている広告は、LINDAとは一切関係ありません。
https://w.atwiki.jp/halo3/pages/67.html
HALO3の技術的な事を１プレイヤーが知る限り書いていきます。 ※乱雑に書いています。見やすくまとめるまでしばらくお待ちください。 Sandboxのカスタムマップを作る時にオブジェクトを削除しないほうがいい理由 Xbox LIVEのメンテナンス後はラグい理由 HALO3をHDDにインストールするとロード時間が長くなる理由Xbox360の機能「キャッシュ」 HALO3の仕様 NXEの仕様 それぞれが干渉してロード時間が長くなる どのくらい遅くなるのか 修正される可能性は低い HALO3 ODSTについて インストールすることによるメリット・デメリット 結論 Banhammerの仕様について Sandboxのカスタムマップを作る時にオブジェクトを削除しないほうがいい理由 執筆中 Xbox LIVEのメンテナンス後はラグい理由 執筆中 HALO3をHDDにインストールするとロード時間が長くなる理由 2008年11月19日に実施されたXbox360のアップデート、New Xbox Experience（NXE）において追加された機能の１つであるハードディスクインストール。 この機能をHALO3で使うとロード時間が長くなる不具合が出ています。 「Halo 3」関連情報 ハードディスクへの取り込みに関するご注意 http //xbox.spaces.live.com/blog/cns!378FEC038C02D52C!10621.entry ここでは、上記ページのさらなる解説と補足を書いていきます。 Xbox360の機能「キャッシュ」 Xbox360には、DVDに収録されているデータを読み込む際、その一部をHDDにコピー、再ロード時にそこから読み込むことによって、再ロード時間を短縮する機能が備わっています。（この機能は特許取得済みだそうです） このキャッシュ生成はXbox360にHDDが装着されている場合に使われ、HDDが装着されていない場合は使用されません。 キャッシュが生成される場所はHDDにあらかじめ確保されているシステム領域（約6GB）の一部になります。 詳しい容量はMicrosoftのこちらのページへ→http //support.microsoft.com/kb/911593/ja このキャッシュ領域はXbox360の全ゲーム共通で使われ（使用義務は無い）、他のゲームを起動した際には前のゲームのキャッシュを消去するようになっています。 HALO3のシアターで保存していないフィルムが消えてしまうのは、一時保存フィルムがキャッシュに保存されているので、他のゲームを起動した時に削除されるためです。 HALO3の仕様 HALO3はXbox360のゲームの中でも積極的にキャッシュを使うゲームになります。 HALO3ではキャッシュをマップデータと一時保存のフィルムに使っています。 キャッシュに保持されるのはマッチメイキングの場合、最近使われたマップ3つ分となっています。 例：執筆中 NXEの仕様 NXEのHDDインストール機能はDVDのデータを丸ごと保存し、仮想ドライブとすることによってゲームの起動を可能にしていると思われます。 そのため、ゲームからは起動がDVDからなのか、HDDからなのかの認識はできないと思われます。 （仕様が明らかになっていないので詳しくはわかりません。認識できるのかもしれませんが、 HALO3は2007年に発売されたゲームであり、HDDインストールを考えた設計にはなっていないので認識はできません。） それぞれが干渉してロード時間が長くなる DVD/HDDでのマッチメイキングの読み込みの挙動について見てみましょう。 DVDから起動 DVD：DVD→Xbox360のメモリーへマップを読み込み→ゲーム開始の準備完了 HDD： └→マップをHDDへコピー（書き込み） HDDから起動 DVD：何もしない HDD：HDD→Xbox360のメモリーへマップを読み込みと同時にHDDの別の場所へマップをコピー→ゲーム開始の準備完了 このように例としてですが文字数分、HDDインストールした場合に長くなっているのがわかると思います。 DVDの場合はDVDとHDDという2つのデバイスで読み込み、書き込みを分担しているのに対して、 HDDの場合はHDD上で読み込み、書き込みを同時に行っているのでHDDのヘッド（読み書きする針）が読み込み部分と書き込み部分を行ったり来たりしてしまい時間が掛かるのです。 どのくらい遅くなるのか DVD/HDD共に2回目の読み込み（再ロード）はキャッシュから読み込む同様の挙動なので、DVD/HDD共にロード時間は変わりません。 DLCマップはHDD上にしか存在しないので、DVD/HDD共にロード時間は同じになるはずです。 →別ページ執筆中 このようにローカル（各Xbox360）では3秒程遅くなる程度です。 ですが、マッチメイキングでの読み込みが終わったという確認の同期が瞬時ではなく数秒毎に行われているのかわかりませんが、 実際にはさらに待ち時間は長くなります。 修正される可能性は低い NXEの仕様で書いたとおり、ゲーム側からは起動がDVDからなのかHDDからないと思われます。 そのため、この問題を解決するには ●HALO3がどこから起動されているかを認識させるようにし、それぞれの挙動を変える（HALO3独自のHDD認識機能の追加） →後述のリスクが伴う ●キャッシュを生成させないようにする →DVDから読み込む際にもキャッシュは生成されなくなるので、再ロード時にはDVDからでもロード時間が長くなってしまう。 これらの修正パッチを作るにあたって膨大な時間（開発や副作用のバグ潰し等）がかかり、 場合によってはゲームが起動しなくなる可能性もあるとのこと。 これを作るよりはBungieとしてはHALO3：ODSTの開発や他のプロジェクトに時間を割いていたいはずです。 HALO3 ODSTについて HALO3 ODSTのマッチメイキング部分はHALO3と共通（HALO3とODSTで対戦可能）との公式発表がありました。 この場合、共通というのは対戦が共通ということなのでローカル（各Xbox360）システムが違っても問題はありません。 読み込み問題はローカルの問題なので、ODSTでの修正は可能と思われます。 インストールすることによるメリット・デメリット ●メリット DVDドライブのスピンドルモーターは完全に停止するのでそれによる低発熱化、低消費電力化、DVDドライブの負荷軽減によりXbox360にとっては非常に優しい状態になります。 （Xbox360の故障のほとんどの原因はこのDVDドライブ関連です。） ●デメリット 初回読み込み時間が長くなる 結論 インストールするかしないかはあなたの自由です。 Banhammerの仕様について
https://w.atwiki.jp/fallout_jp/pages/159.html
# (266) Heather, a spy for the Children {1099}{}{?} {1199}{}{［この人が教えられることはない］} # Heather is a female. She has a sweet, yet discerning quality about her. # She acts as though she is trying to hide something and does a really good # job of confusing the matter for people. Elusive and evasive. She will play # on anything that you give her to work with. #{100}{}{You see Heather of the Follower s Scouts.} {100}{}{ Followers の 偵 察 兵 Heather だ} #{101}{}{What are you doing here?} #{102}{}{Dis!} {101}{}{ ここで何をしているのですか。} {102}{}{ これ！} # moronic line for This #{103}{}{Go bye.} {103}{}{ かえるばいばい} # moronic line for Good Bye. # op #{104}{}{I m just looking around.} #{105}{}{I am here to kill you!} #{106}{}{Just curious as to what is going on around here.} {104}{}{ ぶらぶらしているだけです。} {105}{}{ お前を殺しに来たんだよ！} {106}{}{ この辺りが今どんな様子かちょっと気になっただけです。} #{107}{}{Really? And what might you be looking for?} #{108}{}{I think I have already found her.} #{109}{}{I am looking for a spy.} #{110}{}{Nothing really. Just looking around.} #{111}{}{Just information.} {107}{}{ 本当に？一体何をお探しかしら。} {108}{}{ どうやらその女性が見つかったようです。} {109}{}{ スパイを探している。} {110}{}{ いや、本当。ぶらついてるだけです。} {111}{}{ ちょっと知りたいことがあって。} #{112}{}{Thank you, but I am already spoken for. I think it is time for you to leave.} {112}{}{ ありがと。でも付き合ってる人がいるから。さあ、そろそろお引取り くださらない。} # "I am already spoken for" == "i am already dating someone else" #{113}{}{Yes, the spy. I have heard of that bothersome pest. I really wish we # could catch him.} ## Spy is considered male #{114}{}{I kept hearing that it was a female spy.} ## Spy is considered female #{115}{}{Have you heard anything about this spy?} ## spy is considered male #{116}{}{You are the spy!} ## spy is considered female #{117}{}{Good luck to you. Sorry I bothered you.} {113}{}{ ああ、例の厄介なスパイの話ね。話には聞いているわ。その男を捕ま えられるといいのだけれど。} # Spy is considered male {114}{}{ スパイは女だと聞いているが。} # Spy is considered female {115}{}{ スパイに関する情報は何かないか？} # spy is considered male {116}{}{ お前がスパイだ！} # spy is considered female {117}{}{ お手数かけて申し訳ない。幸運を。} #{118}{}{I bet it was the braggart Neil that said as much. I ll have to have # a talk with him later.} ## Neil is male #{119}{}{You think that Neil is the spy?} ## spy is male. Neil is male. #{120}{}{Then who do you think the spy is?} ## spy is male #{121}{}{You sound a bit defensive. Any reason why?} {118}{}{ どうせまた自慢屋のＮｅｉｌがそう言ってたんでしょ。後で文句言っ てやるわ。} # Neil is male {119}{}{ Neilがスパイだと？} # spy is male. Neil is male. {120}{}{ ならば誰がスパイだと？} # spy is male {121}{}{ そこまで反応しなくても。何か理由でも？} #{122}{}{I am almost sure of it. I just need some proof.} #{123}{}{I will get you proof.} #{124}{}{He seems like a nice person. I don t know.} #{125}{}{Why do you think it is him?} {122}{}{ ほぼ間違いないわ。後は証拠が必要なの。} {123}{}{ 証拠は私が見つけてくるよ。} {124}{}{ いい人のようだが。どうなんだろうな。} {125}{}{ 彼だと思う理由は？} #{126}{}{Thank you. You don t know how much this means to me. Once you get # proof, kill him.} {126}{}{ ありがとう。感謝の言葉もないわ。証拠を見つけたらあいつを殺すの よ。} #{127}{}{What is there not to know? He has access to the Children. He works # during the night when most are asleep. It has to be him.} ## Children is short for Children of the Cathedral. Religous cult who believe in destroying ## anyone who gets in there way or acts against thier wishes. They are really bad people. ## consider Male. #{128}{}{Ok, I will check into it.} #{129}{}{Forget it. I think you are trying to divert me!} {127}{}{ 分からない？何が。Ｃｈｉｌｄｒｅｎと接触しているのよ。仕事をす るのは皆ほとんど寝静まった夜中だし。あいつに間違いないわ。} # Children is short for Children of the Cathedral. Religous cult who believe in destroying # anyone who gets in there way or acts against thier wishes. They are really bad people. # consider Male. {128}{}{ 分かった。調べてみるよ。} {129}{}{ 無駄だ。私の注意を逸らそうとしてるんだろ。} #{130}{}{I am truly sorry that you think that way. I cannot have someone think # I am a spy. I will remove you from service.} ## Spy is female. "I will remove you from service" == "i am going to have to kill you now" {130}{}{ そんな風に思うなんて全く残念ね。スパイだと思われるなんて耐えら れない。この場で処分してあげるわ。} # Spy is female. "I will remove you from service" == "i am going to have to kill you now" #{131}{}{He has access to the Children during the night. No one ever sees # him on duty. It must be him.} ## Children is short for Children of the Cathedral. Religous cult who believe in destroying ## anyone who gets in there way or acts against thier wishes. They are really bad people. ## consider Male. #{132}{}{Ok, I will check into it.} #{133}{}{Forget it. I think you are trying to divert me!} {131}{}{ 夜間にＣｈｉｌｄｒｅｎと接触しているのよ。仕事をしている所なん て誰も見たことがないわ。あいつに間違いない。} # Children is short for Children of the Cathedral. Religous cult who believe in destroying # anyone who gets in there way or acts against thier wishes. They are really bad people. # consider Male. {132}{}{ 分かった。調べてみるよ。} {133}{}{ 無駄だ。私の注意を逸らそうとしているんだろ。} #{134}{}{I am not certain as to who it is. I think it may either be a guard # or a scholar. They keep sneaking into the Children s Cathedral at night.} ## Guard is considered male. Scholar is considered female. ## Children is short for Children of the Cathedral. Religous cult who believe in destroying ## anyone who gets in there way or acts against thier wishes. They are really bad people. ## consider Male. #{135}{}{Any other leads that you can think of?} ## == is there any other information that you can think of? #{136}{}{But I ve heard talk that only the scouts do raids on the Children} ## scouts is male ## Children is short for Children of the Cathedral. Religous cult who believe in destroying ## anyone who gets in there way or acts against thier wishes. They are really bad people. ## consider Male. #{137}{}{Ok. Thank you for your help.} {134}{}{ 誰かまでは分からないわ。 ガードか研究員の誰かじゃないかしら。 ＣｈｉｌｄｒｅｎのＣａｔｈｅｄｒａｌに夜忍び込むことをずっと続 けているもの。} # Guard is considered male. Scholar is considered female. # Children is short for Children of the Cathedral. Religous cult who believe in destroying # anyone who gets in there way or acts against thier wishes. They are really bad people. # consider Male. {135}{}{ 他に思い当たることは？} # == is there any other information that you can think of? {136}{}{ Childrenに直接当たるのは偵察の連中だって話を聞いたけど。} # scouts is male # Children is short for Children of the Cathedral. Religous cult who believe in destroying # anyone who gets in there way or acts against thier wishes. They are really bad people. # consider Male. {137}{}{ 分かった。ご協力感謝する。} #{138}{}{Not really. Just that I think it is a male and probably a scholar or guard.} ## is is refering to a male spy. Scholar and guard are male. #{139}{}{Ok. Thank you for your help.} {138}{}{ いいえ、特には。スパイは男で、研究員かガードの中にいそうって思っただけよ。} # is is refering to a male spy. Scholar and guard are male. {139}{}{ 分かった。ご協力感謝する。} #{140}{}{True. We scouts do many raids on the Children, and to much loss lately. # This spy costs us dearly.} ## scouts is male. spy is male. ## Children is short for Children of the Cathedral. Religous cult who believe in destroying ## anyone who gets in there way or acts against thier wishes. They are really bad people. ## consider Male. #{141}{}{You seem really torn up about this. I will look for the spy and kill him.} ## "you seem really torn up about this." == "you seem emotionally distraught over this" ## spy == male #{142}{}{Could the spy be a scout?} ## spy and scout == male #{143}{}{Thank you for your help.} {140}{}{ そうね。私たち偵察隊はＣｈｉｌｄｒｅｎに何度も奇襲を仕掛けてい るわ。でも最近はこちらの被害が大きくて。スパイのせいでひどい犠 牲を払うはめになっているの。} # scouts is male. spy is male. # Children is short for Children of the Cathedral. Religous cult who believe in destroying # anyone who gets in there way or acts against thier wishes. They are really bad people. # consider Male. {141}{}{ この件で心を痛めているようだね。私がスパイを見つけて始末するよ。} # "you seem really torn up about this." == "you seem emotionally distraught over this" # spy == male {142}{}{ スパイが偵察兵である可能性は？} # spy and scout == male {143}{}{ ご協力感謝する。} #{144}{}{Why would one of us do that?} ##us referres to the scouts #{145}{}{If you kill off the scouts, then you stop the raids.} #{146}{}{I don t know. Why would you do that?} #{147}{}{Don t know. Just wondering.} {144}{}{ 偵察の中に？どうして。} #us referres to the scouts {145}{}{ 偵察隊を全滅させれば襲撃もなくなるじゃないか。} {146}{}{ さあね。どうしてだい。} {147}{}{ さあ。ただ何となくね。} #{148}{}{Sounds like a good thought. I ve noticed Peter never gets attacked much # in the raids. I think he may be the one.} ## Peter is male. She thinks that Peter may be the male spy. #{149}{}{Ok, I will check into it.} #{150}{}{Forget it. I think you are trying to divert me!} {148}{}{ なかなかいい思いつきじゃない。戦闘になってもＰｅｔｅｒがほとん ど攻撃を受けないのが気になっていたのよ。あいつがスパイなのかも しれないわね。} # Peter is male. She thinks that Peter may be the male spy. {149}{}{ 分かった。調べてみるよ。} {150}{}{ 無駄だ。私の注意を逸らそうというんだろう。} #{151}{}{You think that it is me?} ## it referring to the female spy. #{152}{}{I m sorry. I m just a bit jumpy.} ## under a bit of stress. #{153}{}{Yes! Now you will die!} {151}{}{ 私がスパイだと思ってるのね。} # it referring to the female spy. {152}{}{ すまない。その場のノリでつい。} # under a bit of stress. {153}{}{ そうだ。では死ね！} #{154}{}{Then wonder somewhere else. I must get back to work.} ## then think about it somewhere else {154}{}{ 何となくなら他でやってちょうだい。仕事にもどらないと。} # then think about it somewhere else #{155}{}{I think he thinks I am the spy. But I m not.} ## spy is female #{156}{}{Maybe he is right.} #{157}{}{Why would he think that?} {155}{}{ あいつは私がスパイだと思っているのよ、多分。でも違うわ。} # spy is female {156}{}{ 彼が正しいのかもな。} {157}{}{ なぜ彼がそう考えると？} #{158}{}{Because I am the new scout. I ve only been here for about a year # and the trouble started about five months ago.} ## scout is female #{159}{}{I think Neil may be right.} ## Neil is male. right == correct. #{160}{}{I think Neil might be the spy. I ll go check into it.} ## spy is male. {158}{}{ 私が新人だからよ。私がここに来たのはほんの１年ほど前。そしてお かしなことになってきたのは５ヶ月ほど前なの。} # scout is female {159}{}{ まあ、Neilが正しいんだろうね。} # Neil is male. right == correct. {160}{}{ Neilがスパイかもしれないな。調べてくるよ。} # spy is male. #{161}{}{Then look elsewhere. This is no place for you.} {161}{}{ では他を当たることね。ここはあなたの来る所じゃないわ。} #{162}{}{If you need information, look to Nicole. She thinks she knows everything.} ## Nicole is female. said in a snotty manner. {162}{}{ 知りたいことがあるのならＮｉｃｏｌｅを頼りなさいな。本人は何で も知っているつもりだから。} # Nicole is female. said in a snotty manner. #{163}{}{I can be persuaded to tell you something that s going on. For a price.} #{164}{}{How much?} #{165}{}{You would sell secrets?} #{166}{}{Forget it. I have no money.} {163}{}{ 今どんな状況か教えてあげてもいいわよ。出すもの出してくれれば。} {164}{}{ いくらだ。} {165}{}{ 秘密を金で売ると？} {166}{}{ やはり結構だ。金がない。} #{167}{}{Three hundred caps and the information is yours.} ## caps are a form of money. equivalant to a dollar each #{168}{}{Sure.} #{169}{}{No way.} {167}{}{ ３００ドル。それで情報はあなたのものよ。} # caps are a form of money. equivalant to a dollar each {168}{}{ いいだろう。} {169}{}{ お断りだ。} #{170}{}{There will be a raid on the south end of the Children s stronghold. Now go.} {170}{}{ Childrenの砦の南端で襲撃があるわ。さあ、もう行って。} #{171}{}{Trying to cheat me? I ll show you!} {171}{}{ 騙すつもりだったの？こん畜生！} #{172}{}{I m sorry you feel that way. But, good day to you.} {172}{}{ それは残念。では失礼するわ。} #{173}{}{I need to get by somehow. Now, do you want in or not?} ## do you want me to give you the information? #{174}{}{Sure.} #{175}{}{No way.} {173}{}{ 私にも生活があるのよ。で、いるのいらないの？} # do you want me to give you the information? {174}{}{ いる。} {175}{}{ いらない。} #{176}{}{Nothing. Now leave.} {176}{}{ 何もないわよ。さあ、帰って。} # float #{177}{}{Leave me. I am trying to get some rest.} {177}{}{ 帰って。これから休む所なの。}
https://w.atwiki.jp/livingdeaddoll/pages/209.html
series16~20一覧に戻る 没年月日 2008年11月21日 ポエム(原文) She sleeps in the day and hunts in the night be warned when you play cuz she loves to bite ポエム(日本語訳) 日中は眠り 夜になれば狩りに出る 遊ぶときには気を付けて 彼女は噛むことが好きだから 死亡証明書(原文) Bitten once she now hunts to diminish her pain. Seeking sustenance that flows in your viens. Eyes and locks of crimson red. Sabbatha Blood is the living dead. 死亡証明書(日本語訳) 一度噛みつかれた彼女は 自分の苦しみを和らげるため狩りをする。 あなたの血管に流れる生命を求めている。 眼と髪は深紅の赤。 サバサ・ブラッドは生ける屍。 付属品 無し 備考 名前の意味は「血の安息日」。 当初の名前はClaret Winterだったが変更になり、その名前は同シリーズの追加キャラクターに与えられた。