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Mobile Networking in ns このチャプターでは、本来はCMU s Monarch groupの移動性拡張として移植され、 ワイアレスモデルについて説明する。 このチャプター２つのセクションといく つかのサブセクションから成り立っている。最初のセクションは、CMU Monarch groupから移植されたオリジナルの移動モデルをカバーする。このセクションで は、MNのためにネットワークスタックを構築するのに利用するネットワーク構成 とルーティングメカニズムについて、MNの内側をカバーする。構成要素は、 Channel, Network-interface, Radio propagation model, MAC protocols, Interface Queue, Link layerとAddress 決定プロトコルモデル (ARP)を簡潔に カバーする。CMUのトレースサポートやノードの移動の発生やトレースファイル もまたこのセクションでカバーされる。 本来のCMUモデルは、純粋な無線LANか マルチホップのアドホックネットワークをシミュレーションできる。無線と有線 ネットワークを統合したシミュレーションは、このモデルに更なる拡張を許す。 MobileIPもまた、拡張した無線モデルである。このチャプターの二つ目のセクシ ョンで説明される。 16.1The basic wireless model in ns16.1.1Mobilenode creating wireless topology? 16.1.2Creating Node movements? 16.1.3Network Components in a mobilenode? 16.1.4Different MAC layer protocols for mobile networking? 16.1.5Different types of Routing Agents in mobile networking? 16.1.6Trace Support? 16.1.7Revised format for wireless traces? 16.1.8Generation of node-movement and traffic-connection for wireless scenarios?
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Acte I Scène I (Une grande cour dans l intérieur de palais d Hérode à Jérusalem dans le lointain Le Mer Morte entourée des collines de la Judée. C est l aurore - presque la nuit encore; des chefs sont endormis à terre près de la barrière qui sépare le palais de la vallée où les caravanes reposent en attendant le jour. RIDEAU Le jour paraît) (les chefs s éveillent, se lèvent et appellent les marchands.) CHEFS (en scène) Alerte! Levez-vous! Le palais est ouvert! Alerte! Vous tous qui venez du désert, Alerte! Alerte! Debout! LES ESCLAVES et LES MARCHANDS (L esclaves dans les coulisses) Alerte! Le palais est ouvert! Alerte! Le palais est ouvert! (les esclaves portant de lourds fardeau gravissent lentement la côte.) LES ESCLAVES et LES MARCHANDS Voici que le jour se lève, Nous avons touché le but. Notre voyage s achève, Ô Jérusalem! Jérusalem, salut! LES ESCLAVES Au bord des claires fontaines LES MARCHANDS Au bord des claires fontaines LES ESCLAVES et LES MARCHANDS Nous pourrons nous rafraîchir, Quand de plus chaudes haleines Sur les sables vont courir! Notre voyage s achève! Ô Jérusalem! Jérusalem, salut CHEFS (avec autorité, aux esclaves) Que dès l abord on remarque Dans ce que vous apportez, Les dons offerts au Tétrarque Par ses nombreuses cités! Séparez l or et les baumes, Les ivoires et l argent! (les esclaves ouvrent les ballots et étalent les présents, les parfums et les étoffes.) ESCLAVES Voici l ambre de Judée! Voici les parfums d Ophir! Voici les pistaches, d Idumée! L ambre de Judée! Les parfums d Ophir! CHEFS Séparez l or et l argent! Rangez l encens, les arômes! Séparez l or et l argent! MARCHANDS (Ténors - 1er Groupe, avec orgueil) Nous arrivons des plus lointaines villes Sans fatiguer nos chevaux de Saron! (Basses - 2e Groupe, de même) Mais no chevaux ne sont pas moins agiles; Nous avons pris cette pourpre à Sidon! 1er Groupe Ah! le Samaritain! Ah! le Samaritain! Nous chevaux ont des ailes! 2e Groupe (avec mépris) Ah! le Pharisien! Ah! le Pharisien! Comme les sauterelles Des rives du Jourdain! LES ESCLAVES, LE MARCHANDS et LE CHEFS (les esclaves se mêlant à la dispute) Quoi! cette indigne race Ose nous outrager! D une pareille audace Nous saurons nous venger! Va! va! Samaritain! Samaritain! Samaritain! Nous acceptons la lutte! Samaritain! Samaritain! Nous acceptons la lutte! MARCHANDS Croient-ils vraiment nous égaler? Quoi! cette indigne race Ose nous outrager! ESCLAVES Croient-ils vraiment les égaler? Samaritain! Nous acceptions la lutte! Nous saurons nous venger! CHEFS Croient-ils vraiment les égaler? Pharisien! En acceptant le lutte, Ils sauront se venger! LES ESCLAVES, LES CHEFS et LES MARCHANDS D une pareille audace Ils sauront se venger! Va! va! Samaritain! (Pharisien!) Croient-ils vraiment nous égaler! (tous, avec respect et criante) Le Chaldéen! PHANUEL (sévèrement) Encore une dispute! Eh! quoi! toujours se quereller? (sombre) Le monde est inquiet, la patrie est en larmes. Et les voilà! les voilà contre eux-mêmes, contre eux tournant leurs armes! Les insensés! les insensés! Les débiles humains Ils en viennent aux mains! Ils restent sourds à la voix immortelle, à la voix immortelle Qui leur répète Amour! Pardon! Vie éternelle! Amour! Pardon! Amour! Vie éternelle! LES ESCLAVES, LES MARCHANDS et LES CHEFS L avenir est trompeur! Faut-il ouvrir son coeur à l espérance vaine? PHANUEL Non! Contre les Romains la révolte est prochaine... J arrive de pays lointains Où les actes suivront de très près les paroles. Bientôt tout changera, les lois et les symboles! LES ESCLAVES, LES MARCHANDS et LES CHEFS Jusqu à ce jour ce qu on nous a promis N allège pas le joug des ennemis! PHANUEL (avec amertume et découragement) Soit! N espèrez donc rien! rien! pour suivez votre route... Pour moi, j attends... j attends, calme et sans doute, Des jours meilleurs, des jours meilleurs, J attends des jours meilleurs pour notre humanité! pour notre humanité! (Les marchands et les esclaves descendent à la ville. Les chefs entrent dans le palais. Phanuel considère tristement la caravane qui s éloigne. Salomé sort par la gauche du Palais, inquiète, indécise; elle aperçoit Phanuel et s approche de lui.) PHANUEL (avec surprise) Ah! Salomé! dans ce palais quelle destinée t amène? (à part) Ignore-t elle encor de quel sang elle est née? (à Salomé) Pourquoi de Siloé as-tu quitté les bords heureux? SALOMÉ (triste et simple) Phanuel...sans cesse...je cherche ma mère! Une voix me criait espère! Cours à Jérusalem! Je ne l ai pas trouvée hélas! Et je reste seule ici-bas! (expressif) Celui dont la parole efface toutes peines, Le Prophète est ici! c est vers lui que je vais! Il est doux, il est bon, sa parole est sereine Il parle... tout se tait... Plus léger sur la plaine L air attentif passe sans bruit... Il parle... (avec ardeur) Ah! quand reviendra-t-il? quand pourrai-je l entendre? Je souffrais... j étais seule et mon coeur s est calmé En écoutant sa voix mélodieuse et tendre, Mon coeur s est calmé! (avec élan et amour) Prophète bien aimé, puis-je vivre sans toi! Prophète bien aimé, puis-je vivre... vivre sans toi! C est là! dans ce désert où la foule étonnée Avait suivi ses pas, (poco a poco appassionato) Qu il m accueillit un jour, enfant abandonnée! Et qu il m ouvrit ses bras! Il est doux, il est bon, Sa parole est sereine, Il parle... tout se tait... plus léger sur la plaine... L air attentif passe sans bruit... Il parle! (avec ardeur) Ah! quand reviendra-t-il? Quand pourrai-je l entendre? Je souffrais... j étais seule et mon coeur s est calmé En écoutant sa voix mélodieuse et tendre, Mon coeur s est calmé! (avec élan et amour) Prophète bien aimé, puis-je vivre sans toi! Prophète bien aimé, puis-je vivre... vivre sans toi! Ah! quand reviendra-t-il? quand pourrai-je l entendre! Prophète bien-aimé, puis-je vivre sans toi! la caravane au loin, dans la vallée) CHOEUR Jérusalem! Jérusalem salut! ville fortunée! Jérusalem, salut! Jérusalem! Jérusalem! PHANUEL (à Salomé) Tu le veux! Pars, enfant, la foi t éclaire Elle te guidera! Et dans ce palais veillera Un ami fidèle et sincère! adieu! Salomé... SALOMÉ (s éloignant) Phanuel! adieu! (Phanuel est allé vers la balustrade, il accompagne Salomé du regard, puis il s éloigne.) Scène II (Par la droite du jardin paraissent les Esclaves du Roi qui, sous la conduite de leurs gardiens, se dirigent vers le Palais. C est la Promenade des Danseuses du Palais. Hérode entre précipitamment par la porte qui a précédemment livré passage à Salomé; d un regard inquiet il parcourt les groupes des Danseuses qui s éloignent, et voit que Salomé n est plus parmi elles.) HÉRODE Elle a fui le palais... Elle a quitté ces lieux...et soudain l angoisse a pénétré mon âme! Déesse ou femme au charme séducteur! Forme à peine entrevue et qui déjà m es chère, Reviens encor! reviens, rêve enchanteur! Salomé! Salomé! ah! reviens! je te veux! c est ma voix qui t implore! Salomé! Salomé! Quelle ivresse ineffable illumine mes cieux! Mon rayon de soleil c est l éclat de tes yeux! c est toi! toi que j attends! je te veux, je t adore! Salomé! Salomé! je te veux reviens! Scène III (Hérodiade paraît, pâle, égarée.) HÉRODIADE (à Hérode) Venge-moi d une suprême offense! C est de toi, de toi seul que j attends ma vengeance! J allais ce matin au désert, Quand un homme à peine couvert, Le front menaçant, la voix brève. (la voix entrecoupée) Se dresse... au milieu... du chemin! comme un vent d orage se lève, Sa voix invoquant le destin, Me poursuit... me trouble... et m outrage! Tremble, me dit-il! tremble, Jézabel!! Que de fléaux sont ton ouvrage! Il faut en rendre compte au ciel? Va, la colère du prophète a fait appel aux nations Bientôt tu courberas la tête Devant leurs malédictions! HÉRODE (impatient) Quel est cet homme? HÉRODIADE C est Jean! c est l apôtre infâme Qui prêche le baptême et la nouvelle foi! HÉRODE (brusquement) Que puis-je? que veux-tu de moi! HÉRODIADE (avec énergie) C est sa tête que je réclame! HÉRODE (avec horreur) Dieux! HÉRODIADE (s adoucissant) Hérode! Hérode! (suppliante) Ne me refuse pas! Ne me refuse pas! Hérode... Rappelle-toi! (avec une tendresse suppliante) Ne me refuse pas! Toi! mon seul bien! Pour qui j ai tout quitté, mon pays et ma fille; N es-tu pas mon soutien, Et ma seul famille? Ne me refuse pas! Ne me refuse pas! Rappelle-toi! Rappelle-toi le Tibrè avec ses bords ombreux, Nous vivions sans compter les heures fugitives, Nos timides baisers étaient nos seuls aveux. Nous n avions pour témoins que les vagues plaintives! Le soir, sous les grands pins, nos serments répétés Eveillaient des échos inconnus à la terre, Et l astre de la nuit, dans ses molles clartés, Enveloppait nos coeurs d amour... et de mystère! Hérode! Hérode! Hérode! Ne me refuse pas; toi, mon seul bien! Pour qui j ai tout quitté mon pays et ma fille; N es-tu pas mon soutien, Et ma seule famille? Ne me refuse pas! Ne me refuse pas! Rappelle-toi! Hérode! Hérode! Ah! Ne me refuse pas! Pour toi j ai tout quitté, mon pays et ma fille... Ne me refuse pas! Rappelle-toi! HÉRODE (la repoussant) Non! je ne puis, je dois céder à la raison! Aimé des Juifs, consolant leur misère; Cet homme est fort, partout on le révère... HÉRODIADE (méprisante) Ah! la peur te conseille! HÉRODE (violent) Et toi c est le démon! HÉRODIADE (de même) Quel nouveau favori t inspire! HÉRODE (terrible et résolu) Je prétends demeurer seul maître dans l empire! HÉRODIADE (avec rage) Tu ne m aimes plus! Soit! seule j accomplirai ce que j ai résolu! HÉRODE Va laisse-moi! HÉRODIADE Jean! (Jean est entré sur les dernières paroles d Hérodiade.) Je te frapperai! JEAN (s avançant calme et terrible) Frappe donc! HÉRODE et HÉRODIADE (avec un cri d épouvante à la vue de Jean) Ah! Toujours lui! HÉRODIADE (avec terreur, à Hérode) Vois! Dans ton palais il me poursuit! Sa malédiction me frappe de terreur! Hélas! ne prendrais-tu pitié de ma douleur Toujours lui! Dans ton palais, dans ton palais, il me poursuit! Hélas! prends pitié de ma douleur! Fuyons! j ai peur! Sa malédiction me frappe de terreur! Toujours lui! Dans ton palais, dans ton palais il me poursuit! Hélas prends pitié de ma douleur! HÉRODE (avec terreur, à lui-même) Ah! Dans mon palais il la poursuit! C est lui! Ô terreur! C est lui! Ô terreur! Toujours lui! Dans mon palais, dans mon palais, il la poursuit! Ah! sa voix me frappe de terreur! Ô terreur! C est lui! Ô terreur! Toujours lui! Dans mon palais, dans mon palais il la poursuit Ah! sa voix me frappe de terreur! JEAN (d une voix éclatante) Jézabel! Jézabel!! Jézabel!!! Pas de pitié! Jézabel! Jézabel!! Jézabel!!! Frappe donc! pour toi, non, jamais de pitié! Nul ne prendra jamais pitié de ta douleur! Jézabel! Jézabel!! Jézabel!!! Pour toi, non jamais... jamais de pitié! HÉRODE (à Jean très énergique) Homme! cesse de menacer! JEAN (à Hérodiade, bravant Hérode) Jézabel!! Sur toi malheur! HÉRODIADE (éperdue) Ah! fuyons! Vois ma terreur! HÉRODE Crains ma fureur! (Hérode entraîne Hérodiade palpitante. Ils entrent précipitamment dans le palais comme fuyant avec terreur devant le geste de malédiction de Jean.) Scène IV JEAN (les regardant s éloigner) Calmez donc vos fureurs Allez, ne parlez pas d offense, Vous que le Seigneur tient déjà dans sa balance! (Salomé apparaît. Elle s élance vers Jean et tombe à ses genoux.) SALOMÉ (avec joie) Jean! je te revois! JEAN (avec bonté) Enfant! que me veux-tu? SALOMÉ (avec transport) Ce que je veux ô Jean! (tendre et émue) Ce que je veux...te dire que je t aime, JEAN Salomé... SALOMÉ ...que je t aime JEAN ...qu ai-je entendu? SALOMÉ Et que je t appartiens! que je vis par toi-même... Qu au son de ta voix tout mon être est suspendu! Je t appartiens! je t aime! Loin de toi je souffrais...ah! je souffrais! et me voilà guérie! Dans ton regard est ma patrie... Mon visage est baigné de larmes... Et mon coeur tressaille de bonheur! JEAN (la soutenant) Que me veut ta splendeur dans l ombre de ma vie? Que ferait ta jeunesse à peine épanouie, Dans les pierres de mon chemin? Pour toi c est la saison où les voeux moins timides Appellent des baisers sur des baisers sur les lèvres avides! Pour toi c est la saison d aimer! d aimer! Pour moi tout autre est le destin! Non! je ne veux pas t entendre! Non je ne veux pas t entendre! Laisse-moi! éloigne-toi! Pauvre âme naïve et tendre! va, laisse-moi! Pauvre âme naïve et tendre! Va! âme naïve et tendre! Va! pauvre âme éloigne-toi! Va-t en! SALOMÉ (avec élan) Ah! je veux t aimer sur terre! JEAN (la repoussant avec tristesse) Non! Jamais! je ne veux pas t entendre! SALOMÉ (avec ardeur) Non! l amour n est pas un blasphème! C est ton amour que je veux! Je t aime! c est toi seul que j aime! Qu à tes genoux s épande l or de mes cheveux! oui, c est toi seul que j aime! C est toi! toi seul, que j aime! ô Jean! JEAN (éperdu) Jamais! (inspiré) Aime-moi donc alors, mais comme on aime en songe! Dans la mystique ardeur où l idéal te plonge, Transfigure l amour qui consume tes sens! Bannis tous les transports d un sentiment profane, Élève ton âme jusqu au ciel, qu elle plane Au milieu des parfums d un nuageux encens! Enfant, regarde cette aurore De vie et d immortalité! Regarde! N entends-tu pas les saints cantiques Qui prennent leur essor Et les voeux des âmes mystiques Ouvrant leurs ailes d or! Enfant, regarde cette aurore! La foi nouvelle est près d éclore! Enfant, regarde cette aurore De vie et d immortalité! SALOMÉ (ravie) Ah! je t écoute! je t adore! L éclat de tes yeux plus resplendissant que l aurore Illumine les cieux! Je t écoute, je t adore! Je t aime! je t adore! Je t aime! je t adore! je t appartiens JEAN Enfant, c est la foi nouvelle et la vie! C est la foi nouvelle et l immortalité! C est l immortalité! Regarde cette aurore! Regarde! cette aurore! ô vérité! (Jean se délivre des bras de Salomé qui tombe à genoux en levant les mains vers le ciel.) RIDEAU Acte I Scène I (Une grande cour dans l intérieur de palais d Hérode à Jérusalem dans le lointain Le Mer Morte entourée des collines de la Judée. C est l aurore - presque la nuit encore; des chefs sont endormis à terre près de la barrière qui sépare le palais de la vallée où les caravanes reposent en attendant le jour. RIDEAU Le jour paraît) (les chefs s éveillent, se lèvent et appellent les marchands.) CHEFS (en scène) Alerte! Levez-vous! Le palais est ouvert! Alerte! Vous tous qui venez du désert, Alerte! Alerte! Debout! LES ESCLAVES et LES MARCHANDS (L esclaves dans les coulisses) Alerte! Le palais est ouvert! Alerte! Le palais est ouvert! (les esclaves portant de lourds fardeau gravissent lentement la côte.) LES ESCLAVES et LES MARCHANDS Voici que le jour se lève, Nous avons touché le but. Notre voyage s achève, Ô Jérusalem! Jérusalem, salut! LES ESCLAVES Au bord des claires fontaines LES MARCHANDS Au bord des claires fontaines LES ESCLAVES et LES MARCHANDS Nous pourrons nous rafraîchir, Quand de plus chaudes haleines Sur les sables vont courir! Notre voyage s achève! Ô Jérusalem! Jérusalem, salut CHEFS (avec autorité, aux esclaves) Que dès l abord on remarque Dans ce que vous apportez, Les dons offerts au Tétrarque Par ses nombreuses cités! Séparez l or et les baumes, Les ivoires et l argent! (les esclaves ouvrent les ballots et étalent les présents, les parfums et les étoffes.) ESCLAVES Voici l ambre de Judée! Voici les parfums d Ophir! Voici les pistaches, d Idumée! L ambre de Judée! Les parfums d Ophir! CHEFS Séparez l or et l argent! Rangez l encens, les arômes! Séparez l or et l argent! MARCHANDS (Ténors - 1er Groupe, avec orgueil) Nous arrivons des plus lointaines villes Sans fatiguer nos chevaux de Saron! (Basses - 2e Groupe, de même) Mais no chevaux ne sont pas moins agiles; Nous avons pris cette pourpre à Sidon! 1er Groupe Ah! le Samaritain! Ah! le Samaritain! Nous chevaux ont des ailes! 2e Groupe (avec mépris) Ah! le Pharisien! Ah! le Pharisien! Comme les sauterelles Des rives du Jourdain! LES ESCLAVES, LE MARCHANDS et LE CHEFS (les esclaves se mêlant à la dispute) Quoi! cette indigne race Ose nous outrager! D une pareille audace Nous saurons nous venger! Va! va! Samaritain! Samaritain! Samaritain! Nous acceptons la lutte! Samaritain! Samaritain! Nous acceptons la lutte! MARCHANDS Croient-ils vraiment nous égaler? Quoi! cette indigne race Ose nous outrager! ESCLAVES Croient-ils vraiment les égaler? Samaritain! Nous acceptions la lutte! Nous saurons nous venger! CHEFS Croient-ils vraiment les égaler? Pharisien! En acceptant le lutte, Ils sauront se venger! LES ESCLAVES, LES CHEFS et LES MARCHANDS D une pareille audace Ils sauront se venger! Va! va! Samaritain! (Pharisien!) Croient-ils vraiment nous égaler! (tous, avec respect et criante) Le Chaldéen! PHANUEL (sévèrement) Encore une dispute! Eh! quoi! toujours se quereller? (sombre) Le monde est inquiet, la patrie est en larmes. Et les voilà! les voilà contre eux-mêmes, contre eux tournant leurs armes! Les insensés! les insensés! Les débiles humains Ils en viennent aux mains! Ils restent sourds à la voix immortelle, à la voix immortelle Qui leur répète Amour! Pardon! Vie éternelle! Amour! Pardon! Amour! Vie éternelle! LES ESCLAVES, LES MARCHANDS et LES CHEFS L avenir est trompeur! Faut-il ouvrir son coeur à l espérance vaine? PHANUEL Non! Contre les Romains la révolte est prochaine... J arrive de pays lointains Où les actes suivront de très près les paroles. Bientôt tout changera, les lois et les symboles! LES ESCLAVES, LES MARCHANDS et LES CHEFS Jusqu à ce jour ce qu on nous a promis N allège pas le joug des ennemis! PHANUEL (avec amertume et découragement) Soit! N espèrez donc rien! rien! pour suivez votre route... Pour moi, j attends... j attends, calme et sans doute, Des jours meilleurs, des jours meilleurs, J attends des jours meilleurs pour notre humanité! pour notre humanité! (Les marchands et les esclaves descendent à la ville. Les chefs entrent dans le palais. Phanuel considère tristement la caravane qui s éloigne. Salomé sort par la gauche du Palais, inquiète, indécise; elle aperçoit Phanuel et s approche de lui.) PHANUEL (avec surprise) Ah! Salomé! dans ce palais quelle destinée t amène? (à part) Ignore-t elle encor de quel sang elle est née? (à Salomé) Pourquoi de Siloé as-tu quitté les bords heureux? SALOMÉ (triste et simple) Phanuel...sans cesse...je cherche ma mère! Une voix me criait espère! Cours à Jérusalem! Je ne l ai pas trouvée hélas! Et je reste seule ici-bas! (expressif) Celui dont la parole efface toutes peines, Le Prophète est ici! c est vers lui que je vais! Il est doux, il est bon, sa parole est sereine Il parle... tout se tait... Plus léger sur la plaine L air attentif passe sans bruit... Il parle... (avec ardeur) Ah! quand reviendra-t-il? quand pourrai-je l entendre? Je souffrais... j étais seule et mon coeur s est calmé En écoutant sa voix mélodieuse et tendre, Mon coeur s est calmé! (avec élan et amour) Prophète bien aimé, puis-je vivre sans toi! Prophète bien aimé, puis-je vivre... vivre sans toi! C est là! dans ce désert où la foule étonnée Avait suivi ses pas, (poco a poco appassionato) Qu il m accueillit un jour, enfant abandonnée! Et qu il m ouvrit ses bras! Il est doux, il est bon, Sa parole est sereine, Il parle... tout se tait... plus léger sur la plaine... L air attentif passe sans bruit... Il parle! (avec ardeur) Ah! quand reviendra-t-il? Quand pourrai-je l entendre? Je souffrais... j étais seule et mon coeur s est calmé En écoutant sa voix mélodieuse et tendre, Mon coeur s est calmé! (avec élan et amour) Prophète bien aimé, puis-je vivre sans toi! Prophète bien aimé, puis-je vivre... vivre sans toi! Ah! quand reviendra-t-il? quand pourrai-je l entendre! Prophète bien-aimé, puis-je vivre sans toi! la caravane au loin, dans la vallée) CHOEUR Jérusalem! Jérusalem salut! ville fortunée! Jérusalem, salut! Jérusalem! Jérusalem! PHANUEL (à Salomé) Tu le veux! Pars, enfant, la foi t éclaire Elle te guidera! Et dans ce palais veillera Un ami fidèle et sincère! adieu! Salomé... SALOMÉ (s éloignant) Phanuel! adieu! (Phanuel est allé vers la balustrade, il accompagne Salomé du regard, puis il s éloigne.) Scène II (Par la droite du jardin paraissent les Esclaves du Roi qui, sous la conduite de leurs gardiens, se dirigent vers le Palais. C est la Promenade des Danseuses du Palais. Hérode entre précipitamment par la porte qui a précédemment livré passage à Salomé; d un regard inquiet il parcourt les groupes des Danseuses qui s éloignent, et voit que Salomé n est plus parmi elles.) HÉRODE Elle a fui le palais... Elle a quitté ces lieux...et soudain l angoisse a pénétré mon âme! Déesse ou femme au charme séducteur! Forme à peine entrevue et qui déjà m es chère, Reviens encor! reviens, rêve enchanteur! Salomé! Salomé! ah! reviens! je te veux! c est ma voix qui t implore! Salomé! Salomé! Quelle ivresse ineffable illumine mes cieux! Mon rayon de soleil c est l éclat de tes yeux! c est toi! toi que j attends! je te veux, je t adore! Salomé! Salomé! je te veux reviens! Scène III (Hérodiade paraît, pâle, égarée.) HÉRODIADE (à Hérode) Venge-moi d une suprême offense! C est de toi, de toi seul que j attends ma vengeance! J allais ce matin au désert, Quand un homme à peine couvert, Le front menaçant, la voix brève. (la voix entrecoupée) Se dresse... au milieu... du chemin! comme un vent d orage se lève, Sa voix invoquant le destin, Me poursuit... me trouble... et m outrage! Tremble, me dit-il! tremble, Jézabel!! Que de fléaux sont ton ouvrage! Il faut en rendre compte au ciel? Va, la colère du prophète a fait appel aux nations Bientôt tu courberas la tête Devant leurs malédictions! HÉRODE (impatient) Quel est cet homme? HÉRODIADE C est Jean! c est l apôtre infâme Qui prêche le baptême et la nouvelle foi! HÉRODE (brusquement) Que puis-je? que veux-tu de moi! HÉRODIADE (avec énergie) C est sa tête que je réclame! HÉRODE (avec horreur) Dieux! HÉRODIADE (s adoucissant) Hérode! Hérode! (suppliante) Ne me refuse pas! Ne me refuse pas! Hérode... Rappelle-toi! (avec une tendresse suppliante) Ne me refuse pas! Toi! mon seul bien! Pour qui j ai tout quitté, mon pays et ma fille; N es-tu pas mon soutien, Et ma seul famille? Ne me refuse pas! Ne me refuse pas! Rappelle-toi! Rappelle-toi le Tibrè avec ses bords ombreux, Nous vivions sans compter les heures fugitives, Nos timides baisers étaient nos seuls aveux. Nous n avions pour témoins que les vagues plaintives! Le soir, sous les grands pins, nos serments répétés Eveillaient des échos inconnus à la terre, Et l astre de la nuit, dans ses molles clartés, Enveloppait nos coeurs d amour... et de mystère! Hérode! Hérode! Hérode! Ne me refuse pas; toi, mon seul bien! Pour qui j ai tout quitté mon pays et ma fille; N es-tu pas mon soutien, Et ma seule famille? Ne me refuse pas! Ne me refuse pas! Rappelle-toi! Hérode! Hérode! Ah! Ne me refuse pas! Pour toi j ai tout quitté, mon pays et ma fille... Ne me refuse pas! Rappelle-toi! HÉRODE (la repoussant) Non! je ne puis, je dois céder à la raison! Aimé des Juifs, consolant leur misère; Cet homme est fort, partout on le révère... HÉRODIADE (méprisante) Ah! la peur te conseille! HÉRODE (violent) Et toi c est le démon! HÉRODIADE (de même) Quel nouveau favori t inspire! HÉRODE (terrible et résolu) Je prétends demeurer seul maître dans l empire! HÉRODIADE (avec rage) Tu ne m aimes plus! Soit! seule j accomplirai ce que j ai résolu! HÉRODE Va laisse-moi! HÉRODIADE Jean! (Jean est entré sur les dernières paroles d Hérodiade.) Je te frapperai! JEAN (s avançant calme et terrible) Frappe donc! HÉRODE et HÉRODIADE (avec un cri d épouvante à la vue de Jean) Ah! Toujours lui! HÉRODIADE (avec terreur, à Hérode) Vois! Dans ton palais il me poursuit! Sa malédiction me frappe de terreur! Hélas! ne prendrais-tu pitié de ma douleur Toujours lui! Dans ton palais, dans ton palais, il me poursuit! Hélas! prends pitié de ma douleur! Fuyons! j ai peur! Sa malédiction me frappe de terreur! Toujours lui! Dans ton palais, dans ton palais il me poursuit! Hélas prends pitié de ma douleur! HÉRODE (avec terreur, à lui-même) Ah! Dans mon palais il la poursuit! C est lui! Ô terreur! C est lui! Ô terreur! Toujours lui! Dans mon palais, dans mon palais, il la poursuit! Ah! sa voix me frappe de terreur! Ô terreur! C est lui! Ô terreur! Toujours lui! Dans mon palais, dans mon palais il la poursuit Ah! sa voix me frappe de terreur! JEAN (d une voix éclatante) Jézabel! Jézabel!! Jézabel!!! Pas de pitié! Jézabel! Jézabel!! Jézabel!!! Frappe donc! pour toi, non, jamais de pitié! Nul ne prendra jamais pitié de ta douleur! Jézabel! Jézabel!! Jézabel!!! Pour toi, non jamais... jamais de pitié! HÉRODE (à Jean très énergique) Homme! cesse de menacer! JEAN (à Hérodiade, bravant Hérode) Jézabel!! Sur toi malheur! HÉRODIADE (éperdue) Ah! fuyons! Vois ma terreur! HÉRODE Crains ma fureur! (Hérode entraîne Hérodiade palpitante. Ils entrent précipitamment dans le palais comme fuyant avec terreur devant le geste de malédiction de Jean.) Scène IV JEAN (les regardant s éloigner) Calmez donc vos fureurs Allez, ne parlez pas d offense, Vous que le Seigneur tient déjà dans sa balance! (Salomé apparaît. Elle s élance vers Jean et tombe à ses genoux.) SALOMÉ (avec joie) Jean! je te revois! JEAN (avec bonté) Enfant! que me veux-tu? SALOMÉ (avec transport) Ce que je veux ô Jean! (tendre et émue) Ce que je veux...te dire que je t aime, JEAN Salomé... SALOMÉ ...que je t aime JEAN ...qu ai-je entendu? SALOMÉ Et que je t appartiens! que je vis par toi-même... Qu au son de ta voix tout mon être est suspendu! Je t appartiens! je t aime! Loin de toi je souffrais...ah! je souffrais! et me voilà guérie! Dans ton regard est ma patrie... Mon visage est baigné de larmes... Et mon coeur tressaille de bonheur! JEAN (la soutenant) Que me veut ta splendeur dans l ombre de ma vie? Que ferait ta jeunesse à peine épanouie, Dans les pierres de mon chemin? Pour toi c est la saison où les voeux moins timides Appellent des baisers sur des baisers sur les lèvres avides! Pour toi c est la saison d aimer! d aimer! Pour moi tout autre est le destin! Non! je ne veux pas t entendre! Non je ne veux pas t entendre! Laisse-moi! éloigne-toi! Pauvre âme naïve et tendre! va, laisse-moi! Pauvre âme naïve et tendre! Va! âme naïve et tendre! Va! pauvre âme éloigne-toi! Va-t en! SALOMÉ (avec élan) Ah! je veux t aimer sur terre! JEAN (la repoussant avec tristesse) Non! Jamais! je ne veux pas t entendre! SALOMÉ (avec ardeur) Non! l amour n est pas un blasphème! C est ton amour que je veux! Je t aime! c est toi seul que j aime! Qu à tes genoux s épande l or de mes cheveux! oui, c est toi seul que j aime! C est toi! toi seul, que j aime! ô Jean! JEAN (éperdu) Jamais! (inspiré) Aime-moi donc alors, mais comme on aime en songe! Dans la mystique ardeur où l idéal te plonge, Transfigure l amour qui consume tes sens! Bannis tous les transports d un sentiment profane, Élève ton âme jusqu au ciel, qu elle plane Au milieu des parfums d un nuageux encens! Enfant, regarde cette aurore De vie et d immortalité! Regarde! N entends-tu pas les saints cantiques Qui prennent leur essor Et les voeux des âmes mystiques Ouvrant leurs ailes d or! Enfant, regarde cette aurore! La foi nouvelle est près d éclore! Enfant, regarde cette aurore De vie et d immortalité! SALOMÉ (ravie) Ah! je t écoute! je t adore! L éclat de tes yeux plus resplendissant que l aurore Illumine les cieux! Je t écoute, je t adore! Je t aime! je t adore! Je t aime! je t adore! je t appartiens JEAN Enfant, c est la foi nouvelle et la vie! C est la foi nouvelle et l immortalité! C est l immortalité! Regarde cette aurore! Regarde! cette aurore! ô vérité! (Jean se délivre des bras de Salomé qui tombe à genoux en levant les mains vers le ciel.) RIDEAU Massenet,Jules/Hérodiade/II-1
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大型MOD日本語 Special Free Play Story MOD（SFPS） Secret Path 2 小物MOD寝袋MOD 大型MOD 日本語 Special Free Play Story MOD（SFPS） 公式サイト 2011年2月11日付けで公式サイトURLが変更されています。 http //ameblo.jp/weapons-free/ オリジナルに大幅な仕様変更と完全日本語化が施されているMOD。 パッチ1.0004及び1.0005に対応。 下記の有志のミラーサーバーからダウンロードしてください。（2012/09/08更新） ◇SFPS Ver3.30 http //www.4shared.com/zip/lcqG6SnZ/stalker_jp_sfps_330.html http //drestyle.dip.jp/sfps/ https //mega.nz/#F!gtE0EZhC!4o81mJfDTN70eR5rtJ7Owg 修正内容 全ての武器をVer4.01仕様と同じ物と置き換え（グラフィック、モーション、音声、性能） 新規に、SKSカービン、RPK-74、benelli M4、FN FAL を追加 NPCが持つ武器の配置を変更 モンスターのスパン数を適切な数に再調整 セーブファイルの保存が監視出来るファイル管理機能を追加 新たにグラフィックスを全て高解像度に改良しVer4.01と同等に変更 トレーダー売買を改善 セッティングツールでモニター比率に合わせてスコープレチクルが設定可能 水分補給システムを搭載 新型HUD、新型イベントリを搭載 細かなバグフィックス v3.30ではスクリプトの不具合で睡眠不足時にCTDするためパッチをあてるか当該ファイルを自分で修正することを推奨 睡眠不足時にゲームが落ちてしまう不具合を修正するパッチ(v3.30) http //u4.getuploader.com/stalker/download/287/sleep_message.zip ※手動で修正する場合 gamedata\scripts\amk_mod.script ファイルをメモ帳等を使って開き 334行目の sfps_mod.sleep_message_info(game.translate_string("not_sleep_info"),nil,nil,15) の頭に --（ハイフン2つ） を付ける (--sfps_mod～な感じで) SFPS向けミニアドオンなど ガスマスク装着時に視界が狭くなる+呼吸エフェクトを削除する http //u4.getuploader.com/stalker/download/283/sfps_gasmask.zip SEVAスーツなどのスクリーンが汚れているのをスッキリ綺麗に(マスク装着エフェクトは有効のまま) http //ux.getuploader.com/stalker03/download/79/SFPS%28ver3.30%29_clean_SEVA.zip SFPS(ver3.30)攻撃頻度上昇パッチ http //ux.getuploader.com/stalker03/download/71/SFPS%28ver3.30%29%E6%94%BB%E6%92%83%E9%A0%BB%E5%BA%A6%E4%B8%8A%E6%98%87%E3%83%91%E3%83%83%E3%83%81.zip SFPS(ver3.30)反動低減パッチ http //ux.getuploader.com/stalker03/download/70/SFPS%28ver3.30%29%E5%8F%8D%E5%8B%95%E4%BD%8E%E6%B8%9B%E3%83%91%E3%83%83%E3%83%81.zip 現在は"Final Version" 4.01の開発が進行中（2010年3月30日更新）。~ 2010/05/27 Special Free Play Story MOD Final Version 4.01 のテスト動画が公開されてます。→ニコニコ動画 ~ 新しい武器の追加、武器性能リアル設定、新アイテムの追加に始まり、~ リアルタイムニュースシステム、音楽再生機能、A-LIFE完全作動によりクリーチャー・NPCが多彩な動き（手榴弾や応急キットの使用）をする。~ 真のエンディング後、フリープレイモードに入る仕様。~ また、新しいショートストーリーが加えれている。~ 今までと違う感じが味わいたいなら、取り敢えず導入してみてもいい。~ 日本語化ローダーと字幕入り動画ファイル同梱なので日本語化も同時に行なわれる。~ Special Free Play Story MOD Settings Tool ※Ver3.30に同梱されています 3.11で追加されたSFPS用設定変更ツール。~ 1.0004/1.0005適応パッチやシングル/マルチの切り替え、重量やジャンプ力などの設定を変更できる。~ ※全項目を設定してから「設定を保存する」のではなく、各項目を設定する度に保存してください。 Multi Play Beta Version 1.005 Patch~ マルチプレイの修正用パッチ。修正のほかCordonマップとMG3が追加される。~ 3.11で新たに追加されたマルチプレイをする場合は必須。~ マルチプレイをするには少々設定が必要なため、付属のマニュアルやtextをよく読むこと。~ ◇SFPS Ver3.11、インスタントちょんまげパック(ICP)ICP09βforSFPS ver3.11修正パッチ S.T.A.L.K.E.R. Special Free Play MOD 配布サイト /__このバージョンは強制終了が多いので一例をあげておきます__/ 1.wild Territoryに入った直後いきなりmarcが湧いて銃撃戦になる場合がある。 この後PDA(のコンタクトリスト)を見ようとすると強制終了するので(まあ見なければいいんだけどw) 一度、駅のほうまで敵も倒さずダッシュしてその場から離れて（駅の階段のほうまで行く）からPDAを見る (一度これが起こるとmarcがいようがいまいが入るたびに↑の通りにしないと強制終了) 2.あまりyanter寄りになるタスクを受けないほうが良い（なぜか強制終了する確率が高い） 但し、yanter内で受けるタスクは問題ない（と思う） 3.軍人が敵対していない状態でマー君に助けを求めてきている時に そいつに話しかけようとすると強制終了。もちろんモノリス兵も同様。 4.プリピャチ内で死ぬと強制終了 5.プリピャチ内でblowout(emission)が起こると何故かあと19秒時点で強制終了 なのでred forestの方かncppの方に逃げ込む(ncppに行くのが初であればそちらのほうが良い) (プリピャチ内でのセーブはゲームが強制終了しようが起動できなくなる問題はないと思う） ※これらはあくまで参考程度にしてください。誰にでも起きるとは限らないので Secret Path 2 数年前にZONEに消えた兄を探す為に各地を巡り、情報を集め兄の足取りを追って行く。 バニラでは語られなかった、「何故StrelokがZONEへ踏み込み、最深部を目指す事になったのか」についてを補完する。 主人公はStrelokだが、ストーリーはオリジナルで開始MAPも進行もまったく違った物になっている。 日本語化+攻略 http //www52.atwiki.jp/stalkerjpmod/pages/13.html 小物MOD 寝袋MOD 初期装備に寝袋を追加する。（ABC MODに入ってたのと同じ物、日本語MODと併用可） http //u4.getuploader.com/stalker/download/280/abc_sleep_mod.zip
https://w.atwiki.jp/elvis/pages/2132.html
Semi-supervised Learning (Adaptive Computation and Machine Learning) Mit Pr? Olivier Chapelle? Bernhard Scholkopf? Alexander Zien? MitPr? OlivierChapelle? BernhardScholkopf? AlexanderZien? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-MachineLearning? Subjects-Computers&Internet-General? Penguin Readers Level 4 the Red Pony (Penguin Readers) Longman? John Steinbeck? Longman? JohnSteinbeck? ユーズドブック(洋書)-Literature&Fiction? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Reference? Substores-UnknownASINs-14? Subjects-Literature&Fiction-Classics-UnitedStates-Steinbeck,John? Subjects-Literature&Fiction-Authors,A-Z-(S)-Steinbeck,John-General? Subjects-Literature&Fiction-Authors,A-Z-(S)-Steinbeck,John-Paperback? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Reading? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Reading? 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Operation Market Garden字幕和訳 ブリーフィング Null3DSubtitle Operation Market Garden – September 17, 1944 マーケット・ガーデン作戦 – 1944年9月17日 CIUS_MAR_DCH_00380_01 Airborne, on me! We re going for the knockout punch on this one. If we succeed, we might be home in time for Christmas. Now pay attention. 空挺隊、聞くんだ！ 我々はここにノックアウトパンチをお見舞いする予定だ。もしこの作戦が成功すれば、クリスマスまでに我々は家に帰ることができるだろう。しっかり聞くように。 CIUS_MAR_DCH_00381_01 Operation Market Garden requires Airborne forces to secure several key bridges on the road to Arnhem. It s a risky plan, one that cannot withstand even the smallest of failures. マーケット・ガーデン作戦では空挺隊の力でアーネムにいくつかある主要な橋を確保する必要がある。これは非常に危険な計画だが、我々はわずかな失敗さえも許されない。 CIUS_MAR_DCH_00382_01 Our bridge is located in the town of Nijmegen. We must secure the town, then take the bridge. 我々に任された橋はナイメーヘンの町にある。その町を確保し、橋を奪い取らなければならない。 CIUS_MAR_DCH_00382_02 The Germans would rather destroy the bridge than let it fall to us, so we must find and disable any German explosives equipment. だが、ドイツ軍は橋が我々の手に落ちるぐらいなら橋を爆破してしまうだろう。それを避けるためには爆破装置を発見して解除する必要がある。 CIUS_MAR_DCH_00382_03 Despite heavy allied bombing, the enemy continues to operate roving armor units. Clear any and all threats from this sector. 友軍の徹底した爆撃にも関わらず、敵の機甲部隊は移動を続けている。その地区にある、ありとあらゆる脅威を排除しろ。 CIUS_MAR_DCH_00382_04 You are dropping into territory which is firmly in the grip of the enemy. Watch your backs. Dismissed. よって、諸君は敵地の真ん中に降下することになる。細心の注意を払うように。では解散。 C-47機内 CIUS_MAR_ELU_12106_01 Who does the army trust the most? 軍が最も信頼しているのは？ CIUS_MAR_EVY_12107_01 Airborne! 空挺隊！ CIUS_MAR_ELU_12117_01 Who do the ladies love the most? 女が最も愛しているのは？ CIUS_MAR_EVY_12107_02 Airborne! 空挺隊！ CIUS_MAR_ELU_12118_01 Who do the Nazis fear the most? ナチ野郎が最も恐れているのは？ CIUS_MAR_EVY_12107_03 Airborne! 空挺隊！ 起爆装置の破壊 SCUS_MAR_WHL_85215_01 All units, S-two reports the enemy plans to blow the bridge, and has hidden demolitions equipment throughout the city. Instructions are to find|and sabotage any related apparatus. 全部隊に告ぐ、S-2の報告によると敵は橋を吹き飛ばすつもりだ。爆破設備は都市のあらゆる場所に隠されている。それに関連するあらゆる装置を発見し、破壊せよ。 AIUS_MAR_PXN_12301_01 Nice job! よくやった！ AIUS_MAR_RYN_12299_01 Good work, Travers! よくやった、トラバーズ！ AIUS_MAR_RYN_12300_01 Come on, keep fighting! 来るんだ、攻撃を続けろ！ 無線機の破壊 SCUS_MAR_WHL_85215_01（使い回し） All units, S-two reports the enemy plans to blow the bridge, and has hidden demolitions equipment throughout the city. Instructions are to find|and sabotage any related apparatus. 全部隊に告ぐ、S-2の報告によると敵は橋を吹き飛ばすつもりだ。爆破設備は都市のあらゆる場所に隠されている。それに関連するあらゆる装置を発見し、破壊せよ。 AIUS_MAR_PXN_12301_01（使い回し） Nice job! よくやった！ AIUS_MAR_RYN_12299_01（使い回し） Good work, Travers! よくやった、トラバーズ！ AIUS_MAR_RYN_12300_01（使い回し） Come on, keep fighting! 来るんだ、攻撃を続けろ！ ガモン爆弾の回収 SCUS_MAR_WHL_85205_02 Attention, Airborne. The enemy has captured|a vital supply drop containing Gammon grenades. Find and recover the stolen supplies. 空挺隊に告ぐ。敵はガモン爆弾を含む投下した補給物資を奪取した。その補給物資を発見し奪還せよ。 戦車の撃破 SCUS_MAR_WHL_85205_01 All units within range of this transmission, an enemy armored unit is patrolling the streets. Instructions are to knock out the tank using any means at your disposal. この通信範囲内の全部隊に告ぐ、敵機甲部隊が通りを警戒している。いかなる手段を用いても敵戦車を撃破せよ。 AIUS_MAR_PXN_12296_01 Travers took out the tank! トラバーズが戦車をやったぞ！ AIUS_MAR_RYN_12287_01 Keep going, we gotta secure this town! そのまま進め、町を確保するんだ！ 機銃の排除 SCUS_MAR_WHL_85200_02 All Airborne units, intelligence reports that the enemy has set up MG positions throught Nijmegen. You are instructed to find those|positions and remove the threats. 全空挺部隊へ、謀報部の報告によると敵がナイメーヘンに機銃を配置した。それを発見し排除せよ。 AIUS_MAR_GRG_12285_01 MG nest cleared! We got one more! 機銃陣地を制圧！ あと1つだ！ AIUS_MAR_GRG_12286_01 MG nests clear! Nice job, Travers! 機銃陣地を制圧！ よくやった、トラバーズ！ AIUS_MAR_PIO_12306_01 We re not done yet. We gotta get to the next objective! まだ終わってないぞ。次の目標に行くぞ！ 部隊と合流 AIUS_MAR_RYN_12310_02 Town is secure! Come on, Travers. Let s rendezvous with the others! 町を確保！ 来るんだ、トラバーズ。他の連中と合流するぞ！ SCUS_MAR_WHL_85220_01 All airborne units within range of this transmission, instructions are to assemble at the center of town and await further orders. この通信範囲内の全空挺部隊に告ぐ、町の中央に集結し、次の命令を待て。 AIUS_MAR_RYN_12298_01 Somebody get a smoke grenade going. They re waiting on our signal! 誰か発煙手榴弾を持って来い。あいつらは俺達の信号を待ってる！ タイガー戦車の襲来 ムービー ICUS_MAR_NEW_12128_01 Tiger! タイガー戦車だ！ ICUS_MAR_BMP_12129_01 Ah! I m hit! あうっ！ 撃たれた！ ICGE_MAR_FJR_12130_01 I have them in my sight! (ドイツ兵) 奴らを捉えた！ ICUS_MAR_BMP_12131_01 Oh, God! Oh, God! 神よ！ おお、神よ！ ICUS_MAR_BMP_12132_01 No! No! 嫌だ！ やめてくれ！ ICUS_MAR_BMP_12133_01 No! やめろおお！ ICUS_MAR_BOT_12134_01 Those sons of bitches. あの雌犬共め。 橋へ SCUS_MAR_WHL_85225_01 All units hearing this transmission, we have reports of an enemy Tiger tank in the center of Nijmegen. Instructions are to assemble in that area and destroy the threat. この通信範囲内の全部隊に告ぐ、敵のタイガー戦車がナイメーヘン橋の中央に配備されたとの報告を受けた。その場所に向かい、戦車を撃破せよ。 AIUS_MAR_NRQ_12316_01 Watch yourself, Travers! These guys are crack shots! 気を付けろ、トラバーズ！ あいつらは射撃の名人だ！ AIUS_MAR_NRQ_12315_01 Tank is dead! Good work, Travers! Now let s get up to the bridge! 戦車を撃破！ よくやった、トラバーズ！ よし、橋に行くぞ！ SCUS_MAR_WHL_85226_02 All units within range of this transmission, thirtieth corps is en route, approaching fast. Assemble at Nijmegen bridge surface to receive additional orders. この通信範囲内の全部隊に告ぐ、まもなく第30軍が接近する。次の命令までにナイメーヘン橋の上に集結せよ。 第30軍の到着 ムービー ICUS_MAR_HCK_12140_02 The convoy s here! Looks like our job is done. 車両部隊が来たぞ！ 俺達の仕事は終わったようだな。 橋の制圧へ ICUS_MAR_HCK_12141_01 Panzerschrecks! Come on Airborne, we gotta clear the bridge! パンツァーシュレックだ！ 来い空挺隊、橋を制圧するぞ！ SCUS_MAR_WHL_85230_01 Attention all airborne units. Instructions are to eliminate all enemies on the bridge. Use extreme caution when engaging Panzerschreck teams. 全空挺部隊に告ぐ。橋にいるすべての敵を排除せよ。パンツァーシュレックを持つ部隊と交戦する場合は細心の注意を払うように。 AIUS_MAR_NRQ_12323_01 Bridge secure! You deserve a medal, Travers! 橋を確保！ お前の活躍は勲章ものだな、トラバーズ！ ステージクリア ICUS_MAR_CWB_12145_01 Colonel Scott Webb, commanding officer. This is the after action report for Operation Market Garden, September seventeenth, nineteen forty-four. 司令官、スコット・ウェブ大佐。これは1944年9月17日のマーケット・ガーデン作戦における戦闘報告である。 ICUS_MAR_CWB_12146_01 This was our first daytime jump. As a result, we suffered high casualties. この作戦は我々にとって初の日中での降下であった。その結果、我々は多大な犠牲者を出すこととなった。 ICUS_MAR_CWB_12147_01 Through fierce fighting our company accomplished all objectives, ultimately securing the Nijmegen bridge for armored units moving north toward Arnhem. 激戦の末、我々の部隊は全ての目標を達成し、最終的に北のアーネムへ向かう機甲部隊のためにナイメーヘン橋を確保した。 ICUS_MAR_CWB_12148_01 Captain Campana advises me that during the fighting, Private First Class Boyd Travers distinguished himself by demonstrating great coolness under fire. この戦いの間にカンパーナ大尉から、砲火の中でボイド・トラバーズ上等兵が抜群の冷静さを発揮したと報告を受けた。 ICUS_MAR_CWB_12149_01 It is for this reason that I have promoted Travers from PFC to Corporal. We could use more men like Corporal Travers. それがトラバーズ上等兵を伍長に昇進させた理由である。我々はトラバーズ伍長のような優秀な兵士をもっと活用しなければならない。 未分類 AIUS_MAR_ING_12275_02 Second sniper down! もう1人の狙撃兵を始末したぞ！ AIUS_MAR_NRQ_12317_01 Enemy tank! Travers, take it out! 敵の戦車だ！ トラバーズ、そいつを出せ！ AIUS_MAR_PIO_12305_01 Good job, Travers! よくやった、トラバーズ！ AIUS_MAR_PXN_12295_01 Enemy tank! Use your Gammon grenades! 敵の戦車だ！ ガモン爆弾を使え！ AIUS_MAR_PXN_12297_01 Keep moving, we gotta secure this town! そのまま進め、町を確保するんだ！ AIUS_MAR_RYN_12279_01 Keep moving, Travers! そのまま進むんだ、トラバーズ！ AIUS_MAR_RYN_12302_01 Come on, there s still more to do! 来い、まだやる事がある！ AIUS_MAR_RYN_12310_01 Town is secure! Come on, Travers. We still got work to do! 町を確保！ 来るんだ、トラバーズ。仕事が残ってるぞ！ CIUS_MAR_ZKY_12119_01 C mon Travers, jump! 来るんだトラバーズ、飛べ！ IGC2_ALGE_PCFR_PZG_55419_01 I m on it! Move now! 上にいる！ さっさと動け！ IGC2_ALGE_PLTG_FJR_77125_01 I ve got him! あいつが残ってる！ コメント 名前 コメント
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導入方法 入手場所 MOD紹介インターフェース系no Visible Hats Medical Tab 追加設備・資源系RT Fuse CorePanda Additional Joy Objects [T]ExpandedCloth [T] ExpandedCrops シナリオHumanity's Last Hope The Rebel Teenager High school trip gone wrong 複合MODHardcore SK global project 導入方法 使いたいMODをダウンロードし、解凍する。 解凍したMODをRimworld実行ファイルが置いてあるフォルダ内のMods直下に入れる。 Rimworldを開始し、MODから該当のMODにチェックを入れる。再起動が必要な場合はダイアログが表示される。 入手場所 Ludeon Entertamentの掲示板からダウンロードできます。 Nexusサイトもあります。 steamに対応したため、ワークショップから気軽にMODの導入が出来るようになりました！ また、Steam WorkshopのMOD更新情報を取得し、有志によって日本語で紹介しているサイトRimWorld Mod データベースでは一部MODの日本語化ファイルも配布しています。 MOD紹介 インターフェース系 no Visible Hats http //steamcommunity.com/sharedfiles/filedetails/?id=741489984 キャラが頭部衣服／装備を身につけると髪の毛が消え、殆ど見た目が同じになってしまう問題を解消するMOD。頭部装備グラフィックを非表示にする。 Medical Tab http //steamcommunity.com/sharedfiles/filedetails/?id=715565817 入植者達がいつの間にか負傷・障害で身体がズタボロになっていた……というのを解消できるかも知れないMOD。画面下部にMedicalタブが追加され、入植者達の健康状態、運動能力の状態を一覧できるようになる。能力は部位ごとに％で表示され、100％がなんの問題も無いことを示す。入植者が障害を負っているとその度合いによって％の数字が下がっていく 追加設備・資源系 RT Fuse http //steamcommunity.com/sharedfiles/filedetails/?id=728314182 バッテリーの過剰充電による爆発を防止するための安全装置を追加するMOD。過剰充電の際にバッテリーの代わりに静かに安全に壊れる「ヒューズ」と 過剰充電を検知してブレーカーが落ちる「サーキットブレイカー」がある。共に対応する技術の研究が必要。サーキットブレイカーはややコストが重い CorePanda http //steamcommunity.com/workshop/filedetails/?id=730401034 比較的世界観を壊さない範囲で様々な資源を追加するMOD。銅鉱石や水晶、土、粘土、砂、砂利、ゴムの木、日干しレンガや焼成レンガなど。また同作家製のMODの前提となる。このMODを入れると土嚢の材料が鉄材から砂に変わるので注意（もっとも設備が整えば砂は大量確保が可能） Additional Joy Objects http //steamcommunity.com/sharedfiles/filedetails/?id=730403322 娯楽設備を追加するMOD。この住人達、ビリヤードとチェスと輪投げとTVだけで大丈夫なの？と思った方に。カードゲーム台やダーツボード、アーケードゲーム台、読書施設、絵描き用イーゼル、書籍執筆、怪しいお香を充満させるアレ等を追加する。CorePandaが必要 [T]ExpandedCloth http //steamcommunity.com/sharedfiles/filedetails/?id=726236520 木綿を収穫したら直で布が出てくるのどうなの？と思った方に。綿花と織布台を追加するMOD。このMODを入れることで畑から収穫できるのが綿花になる。綿花はナマモノ扱いで二週間で腐るし、そこから綿布を得るには織布台で加工しないといけないし、織布台の設置にはcottonprosessingの技術研究が必要。ちょっとしたリアリティを愛する方に。オマケで綿花自体の成長はちょっと早いし織布台で使い古しの衣服を布地に戻せる←重要チート [T] ExpandedCrops http //steamcommunity.com/sharedfiles/filedetails/?id=727124440 栽培可能作物にトマト、人参、キャベツを追加。こいつら肉とトウモロコシと苺しか食ってなくね？大丈夫？と思った方に。生鮮野菜なので足は速い。冷蔵／冷凍設備を整えてからどうぞ。またT型ストーブなる高性能調理器も追加される。入植者に高めの料理スキルが求められるが一度に大量の料理が可能。サラダ、スープの作成も出来る。 シナリオ Humanity s Last Hope http //steamcommunity.com/sharedfiles/filedetails/?id=733790232 バニラのシナリオが「この星には不時着で不本意にやって来てしまっただけでいつか宇宙船もう一度作ってこの惑星脱出する」というタテマエだったのに対し、もうこの星住み着いちゃっていいんじゃね？と思ったプレイヤーは多いだろうが、それならこれ。「地球が核戦争で滅び地球人は散り散りに脱出した。この惑星はそのうちの一つ」という設定。もう帰る故郷が無いのでここに住み着くしかない。とは言えタテマエが違うだけでプレイフィーリングはバニラとあまり変わらない。初期人数が5人と多いのでちょっと楽 The Rebel Teenager http //steamcommunity.com/sharedfiles/filedetails/?id=740625857 進学問題等で苦悩した一人の少年／少女が愛犬二匹を連れて未開拓惑星に降りて生きていくことを決断した、というダイナミック家出シナリオ。最初の一人は必ず十代の少年少女になる。親のものを持ち出したのか標準品質のライフルとそこそこ豊富な資源が最初からあるがいかんせん一人。圧倒的人手不足の中で序盤をどう乗り切るかがポイントになる。なお最初の追加入植者イベントは普通にランダムキャラなので、そこでドラマチックな出会いがあるかは運次第。 High school trip gone wrong http //steamcommunity.com/sharedfiles/filedetails/?id=729976522 こちらは旅行中の高校生10人が宇宙バスの事故で惑星に不時着、というシナリオ。事故の理由はいろいろとアレ。メンバーはウェイ系設定なのかどいつもこいつも悪ガキ属性揃いだが深刻なサイコさんは出にくいのが救い。このシナリオは人数こそ多い物の食糧、資源、武器（なぜかモトロフカクテルがあるが自衛や狩猟では使い物にならない）がほぼまったく無い状態で始まるため序盤はどうやって10人分の食糧を確保するかがポイントになる。武器が無いため最初の襲撃、あるいはネズミやリスなどの小動物の暴走ですら危険となり得る。早くショートボウを作るんだ！ 複合MOD Hardcore SK global project 複数のMODを組み合わせ、バランスを整えた上で複雑化させた複合MOD
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Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Girls' Toys of the Fifties and Sixties Memorable Catalog Pages from the Legendary Sears Christmas Wishbooks 1950-1969 Windmill Pr? Roebuck and Company Sears? Thomas W. Holland? WindmillPr? RoebuckandCompanySears? ThomasW.Holland? ユーズドブック(洋書)-Engineering Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-Dolls? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? LA Pierre En Gaule Narbonnaise Et Les Carrieres Du Bois Des Lens (Nimes) (Journal of Roman Archaeology Supplementary Series) Journal of Roman Archaeology? Jean-Claude Bessac? JournalofRomanArchaeology? Jean-ClaudeBessac? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-41? Subjects-Engineering-Civil-Mining? Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Science-EarthSciences-Prospecting&Mining? Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-General? A History of the Early Patent Offices The Patent Office Pony Sergeant Kirklands Museum &? Kenneth W. Dobyns? SergeantKirklandsMuseum&? KennethW.Dobyns? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Law? Subjects-Engineering-Patents&Inventions? Subjects-History-Americas-UnitedStates-General? Subjects-Law-IntellectualProperty-General? Subjects-Law-AdministrativeLaw-Urban,State&LocalGovernment? Subjects-Nonfiction-Politics-U.S.? Subjects-Nonfiction-Government-PublicAffairs&Administration? Subjects-Nonfiction-Law-IntellectualProperty-General? Subjects-Nonfiction-Law-AdministrativeLaw-Urban,State&LocalGovernment? Subjects-Professional&Technical-Engineering-Patents&Inventions? Learning to Use the World Wide Web Independent Pub Group Computer Book? Ernest Ackermann? IndependentPubGroupComputerBook? ErnestAckermann? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-General? Subjects-Computers&Internet-Home&Office-Internet-GetConnected? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Internet Quick A Fast and Simple Guide Using Netcruiser Franklin Beedle & Assoc? Bill Derouchey? FranklinBeedle&Assoc? BillDerouchey? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-General? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Netscape on Your Lunch Break A B F Content? Bill Derouchey? ABFContent? BillDerouchey? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-41? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-General? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Learning to Use the World Wide Web Independent Pub Group Computer Book? Ernest Ackermann? IndependentPubGroupComputerBook? ErnestAckermann? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-General? Subjects-Computers&Internet-Home&Office-Internet-GetConnected? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Internet Today Email, Searching the World Wide Web Franklin Beedle & Assoc? Ernest C. Ackermann? Karen Hartman? FranklinBeedle&Assoc? ErnestC.Ackermann? KarenHartman? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-WebDevelopment-InternetApplications-Email? Subjects-Computers&Internet-Networking-DataintheEnterprise-E-Mail? Subjects-Computers&Internet-General? Subjects-Computers&Internet-Home&Office-Internet-OnlineSearching? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Asp Learning by Example Franklin Beedle & Assoc? Robert B. Mellor? FranklinBeedle&Assoc? RobertB.Mellor? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebSiteDesign? Subjects-Computers&Internet-WebDevelopment-Scripting&Programming-General? Subjects-Computers&Internet-WebDevelopment-Scripting&Programming-ActiveServerPages? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Home&Office-Internet? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Learning to Use the Internet and World Wide Web Franklin Beedle & Assoc? Ernest Ackermann? Karen Hartman? FranklinBeedle&Assoc? ErnestAckermann? KarenHartman? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-General? Subjects-Computers&Internet-Home&Office-Internet-GetConnected? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Graphis Digital Fonts 1 Graphis Inc? Herausgegeben Von Edite Par? B. Martin Pedersen? GraphisInc? HerausgegebenVonEditePar? B.MartinPedersen? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Art-Instruction&Reference-Reference? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Arts&Photography-GraphicDesign-Typography? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Graphis Product Design 2 An International Selection of the Best in Product Design (Graphis Products By Design) Graphis Inc? B. Martin Pedersen? GraphisInc? B.MartinPedersen? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Art-Instruction&Reference-Reference? Subjects-Arts&Photography-GraphicDesign-Commercial-Annuals? Subjects-Arts&Photography-GraphicDesign-Commercial-General? Subjects-Arts&Photography-GraphicDesign-Design-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Graphis Book Design 2 (Graphis Book Design) Graphis Inc? Hildy Mesnik? Alfredo Parraga? GraphisInc? HildyMesnik? AlfredoParraga? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-GraphicDesign-Commercial-Illustration? Subjects-Arts&Photography-GraphicDesign-Design-Books? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Faraday's Experimental Researches in Electricity Guide to a First Reading Green Lion Or? Howard J. Fisher? Michael Faraday? GreenLionOr? HowardJ.Fisher? MichaelFaraday? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-41? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Science-General Subjects-Science-Physics-Electromagnetism-General? Subjects-Science-Technology-General&Reference The History of the Comstock Lode 1850-1997 (Special Publication (Nevada Bureau of Mines and Geology), 24.) Nevada Bur of Mines & Geology? Grant H. Smith? Joseph V. Tingley? NevadaBurofMines&Geology? GrantH.Smith? JosephV.Tingley? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Civil-Mining? Subjects-History-Americas-UnitedStates-State&Local-Nevada? Subjects-History-Americas-UnitedStates-State&Local-Virginia? Subjects-History-Americas-UnitedStates-State&Local-General? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Extreme Conditions Big Oil and the Transformation of Alaska Todd Communications? John Strohmeyer? ToddCommunications? JohnStrohmeyer? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Industries&Professions-General? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-SpecialGroups-NativeAmericanStudies? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Mine in the Sky The History of California's Pine Creek Tungsten Mine the People Who Were Part of It Publication Consultants? Joseph M. Kurtak? PublicationConsultants? JosephM.Kurtak? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-41? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Civil-Mining? Subjects-History-Americas-UnitedStates-State&Local-California? Subjects-History-Americas-UnitedStates-State&Local-General? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? The Personal Robot Navigator A K Peters Ltd? Merl K. Miller? Nels Winkless? Joe Bosworth? AKPetersLtd? MerlK.Miller? NelsWinkless? JoeBosworth? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Sports? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Mechanical-Automation? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Outdoors&Nature-OutdoorRecreation-Sailing-Navigation? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Science-General Subjects-Sports-WaterSports-Sailing-Navigation? Contract Law for Construction Contractors (Advantage Contractor Business Success Series, Vol 1) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Law? Substores-UnknownASINs-41? Subjects-Business&Investing-Reference-BusinessLaw? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Home&Garden-General? Subjects-Law-PracticalGuides-Business? Subjects-Law-Business-Construction? Subjects-Nonfiction-Law-PracticalGuides-Business? Subjects-Nonfiction-Law-Business-Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Law-Business-Construction? Subjects-Professional&Technical-Law-Business-General? Record-Keeping for Construction Contractors (Advantage Contractor Business Success, Vol 2) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-Accounting-Bookkeeping? Subjects-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Accounting-Bookkeeping? Subjects-Science-Technology-General&Reference Cash and Finance in Construction Contracting (Advantage Contractor Business Success, Vol 4) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Finance-Finance&Investing? Subjects-Business&Investing-General? Subjects-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Accounting&Finance-Finance-General? Subjects-Professional&Technical-Accounting&Finance-Finance-Finance&Investing? Subjects-Science-Technology-General&Reference Construction Estimating (Advantage Contractor Business Success, Vol 5) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Biographies&Primers-UnderstandingMoney? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Planning&Forecasting? Subjects-Engineering-Civil-Construction-Management? Subjects-Nonfiction-Economics-Money&MonetaryPolicy? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Accounting&Finance-Economics-Money&MonetaryPolicy? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Planning&Forecasting? Subjects-Science-Technology-General&Reference Project Site Safety and Security for Construction Contractors (Advantage Contractor Business Success, Vol 6) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Business&Investing-Reference-General? Subjects-Engineering-Civil-Construction-Management? Subjects-Health,Mind&Body-Safety&FirstAid? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Science-Technology-General&Reference Sales, Marketing and Customer Service for Construction Contractors (Advantage Contractor Business Success, Vol 7) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-CustomerService? Subjects-Business&Investing-Marketing&Sales-Marketing-General? Subjects-Business&Investing-Marketing&Sales-Sales&Selling-General? Subjects-Engineering-Civil-Construction-Management? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Marketing-General? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Sales&Selling-General? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-CustomerService? Business Management for Construction Contractors (Advantage Contractor Business Success, Vol 8) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-Civil-Construction-Management? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Lien Law for Construction Contractors (Advantage Contractor Business Success, Vol 9) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Law? Subjects-Business&Investing-General? Subjects-Business&Investing-Reference-BusinessLaw? Subjects-Engineering-Civil-Construction-Contracting? Subjects-Law-PracticalGuides-Business? Subjects-Law-Business-Construction? Subjects-Law-General? Subjects-Nonfiction-Law-PracticalGuides-Business? Subjects-Nonfiction-Law-Business-Construction? Subjects-Nonfiction-Law-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Contracting? Subjects-Professional&Technical-Law-Business-Construction? Subjects-Professional&Technical-Law-Business-General? Subjects-Professional&Technical-Law-General? Business Planning for Construction Contractors (Advantage Contractor Business Success, Vol 10) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Planning&Forecasting? Subjects-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Planning&Forecasting? Subjects-Science-Technology-General&Reference Environmental Issues and the Construction Contractor (Advantage Contractor Business Success, Vol 12) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Reference-General? Subjects-Engineering-Civil-Construction-Management? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-Technology-General&Reference Building Codes and the Construction Contractor (Advantage Contractor Business Success, Vol 13) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Law? Subjects-Business&Investing-General? Subjects-Business&Investing-Reference-BusinessLaw? Subjects-Business&Investing-Reference-General? Subjects-Engineering-Civil-Construction-Management? Subjects-Engineering-Civil-Construction-Contracting? Subjects-Law-PracticalGuides-Business? Subjects-Law-General? Subjects-Nonfiction-Law-PracticalGuides-Business? Subjects-Nonfiction-Law-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Engineering-Civil-Construction-Contracting? Subjects-Professional&Technical-Law-Business-General? Subjects-Professional&Technical-Law-General? Licensing, Registration, and Regulations Affecting Construction Contractors (Advantage Contractor Business Success, Vol 15) Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Law? Subjects-Business&Investing-General? Subjects-Business&Investing-Reference-BusinessLaw? Subjects-Business&Investing-Reference-General? Subjects-Engineering-Civil-Construction-Management? Subjects-Engineering-Civil-Construction-Contracting? Subjects-Law-PracticalGuides-Business? Subjects-Law-General? Subjects-Nonfiction-Law-PracticalGuides-Business? Subjects-Nonfiction-Law-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Engineering-Civil-Construction-Contracting? Subjects-Professional&Technical-Law-Business-General? Subjects-Professional&Technical-Law-General? Construction Management Excellence Your Sure-Fire, Money-Making Guide to Business Success in Construction Contracting Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Engineering-Civil-Construction-Contracting? Subjects-Professional&Technical-Engineering-Civil-Construction-Contracting? Construction Management Excellence Your Sure-Fire, Money-Making Guide to Business Success in Construction Contracting Construction Contracting Pr? Gene Fessenbecker? ConstructionContractingPr? GeneFessenbecker? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Engineering-Civil-Construction-Management? Subjects-Engineering-Civil-Construction-Contracting? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Engineering-Civil-Construction-Contracting? The Toy Game Inventor's Guide Kent Pr? Gregory J. Battersby? Charles W. Grimes? KentPr? GregoryJ.Battersby? CharlesW.Grimes? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Law? Subjects-Business&Investing-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Crafts&Hobbies-Toymaking? Subjects-Law-IntellectualProperty-General? Subjects-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Nonfiction-Law-IntellectualProperty-General? Subjects-Nonfiction-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? The Toy Game Inventor's Guide Kent Pr? Gregory J. Battersby? Charles W. Grimes? KentPr? GregoryJ.Battersby? CharlesW.Grimes? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Law? Subjects-Business&Investing-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Entertainment-Puzzles&Games-General? Subjects-Home&Garden-Crafts&Hobbies-Toymaking? Subjects-Law-IntellectualProperty-General? Subjects-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Nonfiction-Law-IntellectualProperty-General? Subjects-Nonfiction-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? The World on Time The 11 Management Principles That Made Fedex an Overnight Sensation Knowledge Exchange? James C. Wetherbe? KnowledgeExchange? JamesC.Wetherbe? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Biographies&Primers-CompanyHistories? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Reference-Careers-Entrepreneurship? McI Failure Is Not an Option How McI Invented Competition in Telecommunications Spurge Ink!? Lorraine Spurge? Lawrence Gitman? Victor Tabbush? SpurgeInk!? LorraineSpurge? LawrenceGitman? VictorTabbush? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Biographies&Primers-CompanyHistories? Subjects-Business&Investing-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-History&Philosophy-HistoryofTechnology? McI Failure Is Not an Option How McI Invented Competition in Telecommunications Spurge Ink!? Lorraine Spurge? SpurgeInk!? LorraineSpurge? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Biographies&Primers-CompanyHistories? Subjects-Business&Investing-General? Subjects-Business&Investing-Marketing&Sales-Advertising? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Advertising? Bibliographical History of Electricity and Magnetism Martino Pub? Paul F. Mottelay? MartinoPub? PaulF.Mottelay? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-ProfessionalScience-Physics-Electromagnetism? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-Physics-Electromagnetism-General? Catalogue of Books and Papers Relating to Electricity, Magnetism Eletric Telegragraph Including the Ronald Library Martino Pub? Francis Ronalds? MartinoPub? FrancisRonalds? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-ProfessionalScience-Physics-Electromagnetism? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-Physics-Electromagnetism-General? I Listen A Document of Digital Voyeurism Incommunicado Pr? Spacewurm? IncommunicadoPr? Spacewurm? ユーズドブック(洋書)-Engineering Subjects-Engineering-Telecommunications-General? Subjects-Health,Mind&Body-Psychology&Counseling-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Electricity Science Energy Inventions (Unit Study Adventures Series) Holly Hall Pub? Amanda Bennett? HollyHallPub? AmandaBennett? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Parenting&Families? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-Education-Homeschooling-General? Subjects-Nonfiction-Education-General? Subjects-Parenting&Families-Education-Homeschooling-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-ProfessionalScience-Physics-Electromagnetism? Subjects-Professional&Technical-Education-SpecificSkills-Science&Technology? Subjects-Reference-Education-Homeschooling-General? Subjects-Religion&Spirituality-Christianity-Education-General? Subjects-Science-Physics-Electromagnetism-General? ユーズドブック(洋書)-Engineering 洋書