約 4,290,986 件
https://w.atwiki.jp/duelarena/pages/50.html
パートナー一覧＞Black Rose Dragon アキ「冷たい炎が世界の全てを包み込む！漆黒の花よ…開け！シンクロ召喚！現れよ、ブラック・ローズ・ドラゴン！！」 テキスト One of the legendary dragons that once fought with the Signers. A Plant-Type Synchro Deck that allows for the effects of "Black Rose Dragon" to be utilized. Characterized by having many cards that weaken opponent's monsters or interrupt their actions, messing with your opponent's head. Slowly but surely force your opponent into a corner! 和訳 かつてシグナーと共に戦った伝説の龍の１体。 《ブラック・ローズ・ドラゴン》の効果を活用するための植物族[[デッキ]]。 相手モンスターの弱体化や行動を妨害して相手を混乱させるカードを多く持つことが特徴だ。 ゆっくりと、しかし確実に相手を追い詰めろ！ 概要 デッキ名：Black Rose Flare! 入手条件：ガチャ 初期RP：4 レア度：RARE 解説 植物族を中心とした《ブラック・ガーデン》によるコントロールっぽい動きもできるビートダウンデッキ。 《ローンファイア・ブロッサム》で出せる植物族モンスターには「レベル○以下」などの制約は無いため、いきなり最上級モンスターである《椿姫ティタニアル》出すことができる。《ローンファイア・ブロッサム》は《デブリ・ドラゴン》で釣り上げることができ、《ブラック・ローズ・ドラゴン》に繋げることもできる。ただし《デブリ・ドラゴン》で釣り上げられた《ローンファイア・ブロッサム》は効果を使用しても無効化されるので注意。 植物族デッキをぶん回すためのキーカードである《ギガプラント》や《スーペルヴィス》が入っていないのが惜しいところか。 ※10/1のメンテナンスでデッキ内容が変更されました。 IN：《グローアップ・バルブ》《薔薇の聖弓手》 OUT：《アームズ・ホール》《憎悪の棘》1 デッキ内容 モンスター(19枚) 枚数 カード名 種類 星 属性 種族 攻撃力 守備力 備考 2 椿姫ティタニアル 効果 8 風 植物 2800 2600 1 デブリ・ドラゴン チューナー 4 風 ドラゴン 1000 2000 1 バイオレット・ウィッチ 効果 4 闇 魔法使い 1100 1200 2 ブルーローズ・ドラゴン 効果 4 闇 ドラゴン 1600 1200 2 ボタニカル・ライオ 効果 4 地 植物 1600 2000 2 ロードポイズン 効果 4 水 植物 1500 1000 1 ダンディライオン 効果 3 地 植物 300 300 2 夜薔薇の騎士 チューナー 3 闇 戦士 1000 1000 1 薔薇の聖弓手 効果 3 地 戦士 1000 100 2 ローンファイア・ブロッサム 効果 3 炎 植物 500 1400 1 グローアップ・バルブ チューナー 1 地 植物 100 100 1 コピー・プラント チューナー 1 風 植物 0 0 1 スポーア チューナー 1 風 植物 400 800 魔法(15枚) 枚数 カード名 種類 備考 2 世界樹 永続 1 憎悪の棘 装備 2 増草剤 永続 2 超栄養太陽 永続 2 テラ・フォーミング 通常 1 薔薇の刻印 装備 3 ブラック・ガーデン フィールド 2 フレグランス・ストーム 通常 罠(6枚) 2 アイヴィ・シャックル 永続 2 茨の壁 通常 2 ポリノシス カウンター エクストラデッキ(5枚) 枚数 カード名 種類 星 属性 種族 攻撃力 守備力 備考 2 ブラック・ローズ・ドラゴン シンクロ 1 スプレンディッド・ローズ シンクロ 1 ヘル・ブランブル シンクロ 1 Ｎｏ．８７ 雪月花美神クイーン・オブ・ナイツ エクシーズ サイドデッキ(10枚) 枚数 カード名 種類 星 属性 種族 攻撃力 守備力 備考 1 桜姫タレイア 効果 8 水 植物 1 姫葵マリーナ 効果 8 炎 植物 1 ローズ・テンタクルス 効果 6 地 植物 2 強制転移 通常 2 団結の力 装備 1 薔薇の刻印 装備 2 群雄割拠 永続罠
https://w.atwiki.jp/jikkyosha_ust/pages/399.html
The Acts of the Apostles (Ancient Greek Πράξεις τῶν Ἀποστόλων, Práxeis tôn Apostólōn; Latin Āctūs Apostolōrum), often referred to simply as Acts, is the fifth book of the New Testament; it tells of the founding of the Christian church and the spread of its message to the Roman empire.[1] Acts is the second half of a two-part work, referred to as Luke-Acts, by the same anonymous author, referred to as Luke the Evangelist, and usually dated to around 80-90 CE.[2][3] The first part, the Gospel of Luke, tells how God fulfilled his plan for the world s salvation through the life, death and resurrection of Jesus of Nazareth, the promised Messiah. Acts continues the story of Christianity in the 1st century, beginning with the Ascension of Christ. The early chapters, set in Jerusalem, describe the Day of Pentecost (the coming of the Holy Spirit) and the growth of the church in Jerusalem. Initially the Jews are receptive to the Christian message, but soon they turn against the followers of the Messiah. Rejected by the Jews, under the guidance of the Apostle Peter the message is taken to the Gentiles. The later chapters tell of Paul s conversion, his mission in Asia Minor and the Aegean, and finally his imprisonment in Rome, where, as the book ends, he awaits trial. Luke-Acts is an attempt to answer a theological problem, namely how the Messiah of the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] Contents [hide] 1 Composition and setting 1.1 Title, unity of Luke-Acts, authorship and date 1.2 Genre, sources and historicity of Acts 1.3 Audience and authorial intent 1.4 Manuscripts 2 Structure and content 2.1 Structure 2.2 Outline 2.3 Content 3 Theology 4 Comparison with other writings 4.1 Gospel of Luke 4.2 Pauline epistles 5 See also 6 References 7 Bibliography 8 External links Composition and setting[edit] Main article Authorship of Luke–Acts Ministry of the Apostles Russian icon by Fyodor Zubov, 1660 Title, unity of Luke-Acts, authorship and date[edit] The title "Acts of the Apostles" (Greek Πράξεις ἀποστόλων Praxeis Apostolon) was first used by Irenaeus in the late 2nd century. It is not known whether this was an existing title or one invented by Irenaeus; it does seem clear, however, that it was not given by the author.[4] The gospel of Luke and Acts make up a two-volume work which scholars call Luke-Acts.[3] Together they account for 27.5% of the New Testament, the largest contribution attributed to a single author, providing the framework for both the Church s liturgical calendar and the historical outline into which later generations have fitted their idea of the story of Jesus and the early church.[5] The author is not named in either volume.[6] According to Church tradition dating from the 2nd century, he was the "Luke" named as a companion of the apostle Paul in three of the letters attributed to Paul himself; this view is still sometimes advanced, but "a critical consensus emphasizes the countless contradictions between the account in Acts and the authentic Pauline letters."[7] (An example can be seen by comparing Acts accounts of Paul s conversion (Acts 9 1-31, 22 6-21, and 26 9-23) with Paul s own statement that he remained unknown to Christians in Judea after that event (Galatians 1 17-24).)[8] He admired Paul, but his theology was significantly different from Paul s on key points and he does not (in Acts) represent Paul s views accurately.[9] He was educated, a man of means, probably urban, and someone who respected manual work, although not a worker himself; this is significant, because more high-brow writers of the time looked down on the artisans and small business-people who made up the early church of Paul and were presumably Luke s audience.[10] The earliest possible date for the composition of Acts is set by the events with which it ends, Paul s imprisonment in Rome c.63 CE, but an early date is now rarely put forward.[11][12] The last possible date would be set by its first definite citation by another author, but there is no unanimity on this–some scholars find echoes of Acts in a work from c.95 CE called I Clement, while others see no indisputable citation until the middle of the 2nd century.[11] If Acts uses Josephus as a source, as has been proposed, then it must have been composed after 93 CE; it does not show any knowledge of Paul s letters, a fact which also supports a late date; and the social situation it reflects is one in which the faithful need "shepherds" to protect them from heretical (possibly Marcionite) "wolves", which again reflects a late date.[11] Most experts therefore date it to around 80-90 CE, although some suggest 90-110, [2] and there is evidence that it was still being substantially revised well into the 2nd century.[13] Genre, sources and historicity of Acts[edit] Luke (or more accurately the anonymous author of Luke-Acts) describes his work, Luke-Acts, as a "narrative" (diegesis). Acts, the second part, is widely thought of as a history, but it lacks exact analogies in Hellenistic or Jewish literature.[14] The title "Acts of the Apostles" (Praxeis Apostolon) would seem to identify it with the genre telling of the deeds and achievements of great men (praxeis), but it was not the title given by the author.[4] Luke seems to have taken as his model the works of two respected Classical authors, Dionysius of Halicarnassus, who wrote a well-known history of Rome, and the Jewish historian Josephus, author of a history of the Jews.[15] Like them he anchors his history by dating the birth of the founder (Romulus for Dionysius, Moses for Josephus, Jesus for Luke) and like them he tells how the founder is born from God, taught authoritatively, and appeared to witnesses after death before ascending to heaven.[15] By and large the sources for Acts can only be guessed at,[16] but Luke would have had access to the Septuagint (a Greek translation of the Jewish scriptures), the gospel of Mark and the collection of "sayings of Jesus" called the Q source.[17] He transposed a few incidents from Mark s gospel to the time of the Apostles – for example, the material about "clean" and "unclean" foods in Mark 7 is used in Acts 10, and Mark s account of the accusation that Jesus has attacked the Temple (Mark 14 58) is used in a story about Stephen (Acts 6 14).)[18] There are also points of contacts (meaning suggestive parallels but something less than clear evidence) with 1 Peter, the Letter to the Hebrews, and 1 Clement.[19] Other sources can only be inferred from internal evidence – the traditional explanation of the three "we" passages, for example, is that they represent eye-witness accounts.[20] The search for such inferred sources was popular in the 19th century, but by the mid-20th it had largely been abandoned.[21] Acts was read as a reliable history of the early church well into the post-Reformation era. By the 17th century, however, biblical scholars began to notice that it was incomplete and tendentious – its picture of a harmonious church is quite at odds with that given by Paul s letters, and it omits important events such as the deaths of both Peter and Paul. The mid-19th century scholar Ferdinand Baur suggested that Luke had re-written history to present a united Peter and Paul and advance a single orthodoxy against the Marcionites. (Marcion was a 2nd-century heretic who wished to cut Christianity off entirely from the Jews). Baur continues to have enormous influence, but today there is less interest in determining Luke s historical accuracy (although this has never died out) than in understanding his theological program.[22] Audience and authorial intent[edit] Luke was written to be read aloud to a group of Jesus-followers gathered in a house to share the Lord s supper.[15] The author assumes an educated Greek-speaking audience, but directs his attention to specifically Christian concerns rather than to the Greco-Roman world at large.[23] He begins his gospel with a preface addressed to Theophilus, informing him of his intention to provide an "ordered account" of events which will lead his reader to "certainty".[10] He did not write in order to provide Theophilus with historical justification – "did it happen?" – but to encourage faith – "what happened, and what does it all mean?"[24] Acts (or Luke-Acts) is intended as a work of "edification."[25] Edification means "the empirical demonstration that virtue is superior to vice,"[26] but is not all of Luke s purpose. He also engages with the question of a Christian s proper relationship with the Roman Empire, the civil power of the day could a Christian obey God and also Caesar? The answer is ambiguous.[27] The Romans never move against Jesus or his followers unless provoked by the Jews, in the trial scenes the Christian missionaries are always cleared of charges of violating Roman laws, and Acts ends with Paul in Rome proclaiming the Christian message under Roman protection; at the same time, Luke makes clear that the Romans, like all earthly rulers, receive their authority from Satan, while Christ is ruler of the kingdom of God. [28] Luke-Acts can be also seen as a defense of (or "apology" for) the Jesus movement addressed to the Jews the bulk of the speeches and sermons in Acts are addressed to Jewish audiences, with the Romans featuring as external arbiters on disputes concerning Jewish customs and law.[27] On the one hand Luke portrays the Christians as a sect of the Jews, and therefore entitled to legal protection as a recognised religion; on the other, Luke seems unclear as to the future God intends for Jews and Christians, celebrating the Jewishness of Jesus and his immediate followers while also stressing how the Jews had rejected God s promised Messiah.[29] Manuscripts[edit] There are two major textual variants of Luke-Acts, the Western text-type and the Alexandrian. The oldest complete Alexandrian manuscripts date from the 4th century and the oldest Western ones from the 6th, with fragments and citations going back to the 3rd. Western texts of Acts are 10% longer than Alexandrian texts, the additions tending to enhance the Jewish rejection of the Messiah and the role of the Holy Spirit, in ways that are stylistically different from the rest of Acts.[30] These conflicts suggest that Luke-Acts was still being substantially revised well into the 2nd century.[13] The majority of scholars prefer the Alexandrian (shorter) text-type over the Western as the more authentic, but this same argument would favour the Western over the Alexandrian for the gospel of Luke, as in that case the Western version is the shorter. The debate therefore continues.[30] Structure and content[edit] Acts 1 1-2a from the 14th century Minuscule 223 Structure[edit] Acts has two key structural principles. The first is the geographic movement from Jerusalem, centre of God s Covenantal people the Jews, to Rome, centre of the Gentile world. This structure reaches back to the author s preceding work, the Gospel of Luke, and is signaled by parallel scenes such as Paul s utterance in Acts 19 21, which echoes Jesus words 9 51 (Paul has Rome as his destination, as Jesus had Jerusalem). The second key element is the roles of Peter and Paul, the first representing the Jewish Christian church, the second the mission to the Gentiles.[31] Transition reprise of the preface addressed to Theophilus and the closing events of the gospel (Acts 1-1 26) Petrine Christianity the Jewish church from Jerusalem to Antioch (Acts 2 1-12 25) 2 1-8 1 - beginnings in Jerusalem 8 2-40 - the church expands to Samaria and beyond 9 1-31 - conversion of Paul 9 32-12 25 - the conversion of Cornelius, and the formation of the Antioch church Pauline Christianity the Gentile mission from Antioch to Rome (Acts 13 1-28 21) 13 1-14 28 - the Gentile mission is promoted from Antioch 15 1-35 - the Gentile mission is confirmed in Jerusalem 15 36-28 31 - the Gentile mission, climaxing in Paul s passion story in Rome (21 17-28 31) Outline[edit] Dedication to Theophilus (1 1–2) Resurrection appearances (1 3) Great Commission (1 4–8) Ascension (1 9) Second Coming Prophecy (1 10–11) Matthias replaced Judas (1 12–26) the Upper Room (1 13) Holy Spirit came at Pentecost (2), see also Paraclete Peter healed a crippled beggar (3 1–10) Peter s speech at the Temple (3 11–26) Peter and John before the Sanhedrin (4 1–22) Resurrection of the dead (4 2) Believers Prayer (4 23–31) Everything is shared (4 32–37) Ananias and Sapphira (5 1–11) Signs and Wonders (5 12–16) Apostles before the Sanhedrin (5 17–42) Seven Greeks appointed (6 1–7) Saint Stephen before the Sanhedrin (6 8–7 60) The "Cave of the Patriarchs" was located in Shechem (7 16) "Moses was educated in all the wisdom of the Egyptians" (7 22) First mentioning of Saul (Paul the Apostle) in the Bible (7 58) Paul the Apostle confesses his part in the martyrdom of Stephen (7 58-60) Saul persecuted the Church of Jerusalem (8 1–3) Philip the Evangelist (8 4–40) Simon Magus (8 9–24) Ethiopian eunuch (8 26–39) Conversion of Paul the Apostle (9 1–31, 22 1–22, 26 9–24) Paul the Apostle confesses his active part in the martyrdom of Stephen (22 20) Peter healed Aeneas and raised Tabitha from the dead (9 32–43) Conversion of Cornelius (10 1–8, 24–48) Peter s vision of a sheet with animals (10 9–23, 11 1–18) Church of Antioch founded (11 19–30) term "Christian" first used (11 26) Saint James the Great executed (12 1–2) Peter s rescue from prison (12 3–19) Death of Herod Agrippa I [in 44] (12 20–25) "the voice of a god" (12 22) Mission of Barnabas and Saul (13–14) "Saul, who was also known as Paul" (13 9) called "gods ... in human form" (14 11) Council of Jerusalem (15 1–35) Paul separated from Barnabas (15 36–41) 2nd and 3rd missions (16–20) Areopagus sermon (17 16-34) "God...has set a day" (17 30–31) Trial before Gallio c. 51–52 (18 12–17) Trip to Jerusalem (21) Before the people and the Sanhedrin (22–23) Before Felix–Festus–Agrippa II (24–26) Trip to Rome (27–28) called a god on Malta (28 6) Content[edit] See also Early Christianity and Jewish Christians The Gospel of Luke began with a prologue addressed to Theophilus; Acts likewise opens with an address to Theophilus and refers to "my earlier book", almost certainly the gospel. The apostles and other followers of Jesus meet and elect Matthias to replace Judas as a member of The Twelve. On Pentecost, the Holy Spirit descends and confers God s power on them, and Peter, along with John, preaches to many in Jerusalem, and performs Christ-like healings, casting out of evil spirits, and raising of the dead. At first many Jews follow Christ and are baptized, but the Christians begin to be increasingly persecuted by the Jews. Stephen is arrested for blasphemy, and after a trial, is found guilty and stoned by the Jews. Stephen s death marks a major turning point the Jews have rejected the message, and henceforth it will be taken to the Gentiles.[32] The message is taken to the Samaritans, a people rejected by Jews, and to the Gentiles. Saul of Tarsus, one of the Jews who persecuted the Christians, is converted by a vision to become a follower of Christ (an event which Luke regards as so important that he relates it three times). Peter, directed by a series of visions, preaches to Cornelius the Centurion, a Gentile God-fearer, who becomes a follower of Christ. The Holy Spirit descends on Peter and Cornelius, thus confirming that the message of eternal life in Christ is for all mankind. The Gentile church is established in Antioch (north-western Syria, the third-largest city of the empire), and here Christ s followers are first called Christians.[33] The mission to the Gentiles is promoted from Antioch and confirmed at meeting in Jerusalem between Paul and the leadership of the Jerusalem church. Paul spends the next few years traveling through western Asia Minor and the Aegean,preaching, converting Gentiles, and founding new churches. On a visit to Jerusalem he is set on by a Jewish mob. Saved by the Roman commander, he is accused by the Jews of being a revolutionary, the "ringleader of the sect of the Nazarenes", and imprisoned. Paul asserts his right as a Roman citizen, to be tried in Rome and is sent by sea to Rome, where he spends another two years under house arrest, proclaiming the Kingdom of God and teaching the "Lord Jesus Christ". Acts ends abruptly without recording the outcome of Paul s legal troubles.[citation needed] Theology[edit] Paul s conversion, from Livre d Heures d Étienne Chevalier (c. 1450–1460), Jean Fouquet, in the Château de Chantilly. Prior to the 1950s Luke-Acts was seen as a historical work, written to defend Christianity before the Romans or Paul against his detractors; since then, however, the tendency has been to see the work as primarily theological.[34] Luke s theology is expressed primarily through his overarching plot, the way scenes, themes and characters combine to construct his specific worldview.[35] His "salvation history" stretches from the Creation to the present time of his readers, in three ages first, the time of "the Law and the Prophets" (Luke 16 16), the period beginning with Genesis and ending with the appearance of John the Baptist (Luke 1 5-3 1); second, the epoch of Jesus, in which the Kingdom of God was preached (Luke 3 2-24 51); and finally the period of the Church, which began when the risen Christ was taken into Heaven, and would end with his second coming.[36] Luke-Acts is an attempt to answer a theological problem, namely how the Messiah promised to the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] This theme is introduced at the opening of the gospel of Luke, when Jesus, rejected in Nazareth, recalls that the prophets were rejected by Israel and accepted by Gentiles; at the end of the gospel he commands his disciples to preach his message to all nations, "beginning from Jerusalem." He repeats the command in Acts, telling them to preach "in Jerusalem, in all Judea and Samaria, and to the end of the Earth." They then proceed to do so, in the order outlined first Jerusalem, then Judea, then Samaria, then the entire (Roman) world.[37] For Luke, the Holy Spirit is the driving force behind the spread of the Christian message, and he places more emphasis on it than do any of the other evangelists. The Spirit is "poured out" at Pentecost, on the first Samaritan and Gentile believers, and on disciples who had been baptised only by John the Baptist, each time as a sign of God s approval. The Holy Spirit represents God s power (At his ascension, Jesus tells his followers, "You shall receive power when the Holy Spirit has come upon you") through it the disciples are given speech to convert thousands in Jerusalem, forming the first church (the term is used for the first time in Acts 5).[38] Comparison with other writings[edit] Saint Paul Writing His Epistles, ascribed to Valentin de Boulogne, 17th century Gospel of Luke[edit] As the second part of the two-part work Luke-Acts, Acts has significant links to the gospel of Luke. Major turning points in the structure of Acts, for example, find parallels in Luke the presentation of the child Jesus in the Temple parallels the opening of Acts in the Temple, Jesus forty days of testing in the wilderness prior to his mission parallel the forty days prior to his Ascension in Acts, the mission of Jesus in Samaria and the Decapolis (the lands of the Samaritans and Gentiles) parallels the missions of the Apostles in Samaria and the Gentile lands, and so on (see Gospel of Luke). These parallels continue through both books.[39] There are also differences between Luke and Acts, amounting at times to outright contradiction. For example, the gospel seems to place the Ascension on Easter Sunday, immediately after the Resurrection, while Acts 1 puts it forty days later.[40] There are similar conflicts over the theology. While not seriously questioning the single authorship of Luke-Acts, these differences do suggest the need for caution in seeking too much consistency in books written in essence as popular literature.[41] Pauline epistles[edit] Acts agrees with Paul s letters on the major outline of Paul s career as Saul he is converted and becomes Paul the Christian missionary and apostle, establishing new churches in Asia Minor and the Aegean and struggling to free Gentile Christians from the Jewish Law. There are also agreements on many incidents, such as Paul s escape from Damascus, where he is lowered down the walls in a basket. But details of these same incidents are frequently contradictory for example, according to Paul it was a pagan king who was trying to arrest him in Damascus, but according to Luke it was, characteristically, the Jews (2 Corinthians 11 33 and Acts 9 24). Many of the disagreements are not so immediately obvious Acts speaks of "Christians" and "disciples", but Paul never uses either term, and there are striking differences in the accounts of Paul s relationship with the Jerusalem church and its leaders (Acts 9-15 vs. Galatians 1-2). Acts omits much from the letters, notably Paul s problems with his congregations (internal difficulties are said to be the fault of the Jews instead), and his apparent final rejection by the church leaders in Jerusalem (Acts has Paul and Barnabas deliver an offering that is accepted, a trip that has no mention in the letters). There are also major differences between Acts on Paul on Christology (the understanding of Christ s nature), eschatology (understanding of the "last things"), and apostleship.[42] See also[edit] Historical reliability of the Acts of the Apostles List of Gospels List of omitted Bible verses Textual variants in the Acts of the Apostles Acts of the Apostles (genre) Acts of Andrew Acts of Barnabas Acts of John Acts of the Martyrs Acts of Paul Acts of Paul and Thecla Acts of Peter Acts of Peter and Paul Acts of Peter and the Twelve Acts of Pilate Acts of Philip Acts of Thomas Acts of Timothy The Lost Chapter of the Acts of the Apostles References[edit] ^ Jump up to a b c Burkett 2002, p. 263. ^ Jump up to a b Charlesworth 2008, p. no page number. ^ Jump up to a b Burkett 2002, p. 195. ^ Jump up to a b Matthews 2011, p. 12. Jump up ^ Boring 2012, p. 556. Jump up ^ Burkett 2002, p. 196. Jump up ^ Theissen Merz 1998, p. 32. Jump up ^ Perkins 1998, p. 253. Jump up ^ Boring 2012, p. 590. ^ Jump up to a b Green 1997, p. 35. ^ Jump up to a b c Boring 2012, p. 587. Jump up ^ Theissen Merz 1996 [tr. 1998], p. 32. ^ Jump up to a b Perkins 2009, p. 250-253. Jump up ^ Aune 1988, p. 77. ^ Jump up to a b c Balch 2003, p. 1104. Jump up ^ Bruce 1990, p. 40. Jump up ^ Boring 2012, p. 577. Jump up ^ Witherington 1998, p. 8. Jump up ^ Boring 2012, p. 578. Jump up ^ Bruce 1990, p. 40-41. Jump up ^ Boring 2012, p. 579. Jump up ^ Holladay 2011, p. no page numbers. Jump up ^ Green 1995, p. 16-17. Jump up ^ Green 1997, p. 36. Jump up ^ Fitzmyer 1998, p. 55-65. Jump up ^ Aune 1988, p. 80. ^ Jump up to a b Pickett 2011, p. 6-7. Jump up ^ Boring 2012, p. 562. Jump up ^ Boring 2012, p. 563. ^ Jump up to a b Thompson 2010, p. 332. Jump up ^ Boring 2012, p. 569-570. Jump up ^ Burkett 2002, p. 265. Jump up ^ Burkett 2002, p. 266. Jump up ^ Buckwalter 1996, p. 6. Jump up ^ Allen 2009, p. 326. Jump up ^ Evans 2011, p. no page numbers. Jump up ^ Burkett 2002, p. 264. Jump up ^ Burkett 2002, p. 268-270. Jump up ^ Tremmel 2011, p. 59. Jump up ^ Zwiep 2010, p. 39. Jump up ^ Parsons 1993, p. 17-18. Jump up ^ Boring 2012, p. 581, 588-590.The Acts of the Apostles (Ancient Greek Πράξεις τῶν Ἀποστόλων, Práxeis tôn Apostólōn; Latin Āctūs Apostolōrum), often referred to simply as Acts, is the fifth book of the New Testament; it tells of the founding of the Christian church and the spread of its message to the Roman empire.[1] Acts is the second half of a two-part work, referred to as Luke-Acts, by the same anonymous author, referred to as Luke the Evangelist, and usually dated to around 80-90 CE.[2][3] The first part, the Gospel of Luke, tells how God fulfilled his plan for the world s salvation through the life, death and resurrection of Jesus of Nazareth, the promised Messiah. Acts continues the story of Christianity in the 1st century, beginning with the Ascension of Christ. The early chapters, set in Jerusalem, describe the Day of Pentecost (the coming of the Holy Spirit) and the growth of the church in Jerusalem. Initially the Jews are receptive to the Christian message, but soon they turn against the followers of the Messiah. Rejected by the Jews, under the guidance of the Apostle Peter the message is taken to the Gentiles. The later chapters tell of Paul s conversion, his mission in Asia Minor and the Aegean, and finally his imprisonment in Rome, where, as the book ends, he awaits trial. Luke-Acts is an attempt to answer a theological problem, namely how the Messiah of the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] Contents [hide] 1 Composition and setting 1.1 Title, unity of Luke-Acts, authorship and date 1.2 Genre, sources and historicity of Acts 1.3 Audience and authorial intent 1.4 Manuscripts 2 Structure and content 2.1 Structure 2.2 Outline 2.3 Content 3 Theology 4 Comparison with other writings 4.1 Gospel of Luke 4.2 Pauline epistles 5 See also 6 References 7 Bibliography 8 External links Composition and setting[edit] Main article Authorship of Luke–Acts Ministry of the Apostles Russian icon by Fyodor Zubov, 1660 Title, unity of Luke-Acts, authorship and date[edit] The title "Acts of the Apostles" (Greek Πράξεις ἀποστόλων Praxeis Apostolon) was first used by Irenaeus in the late 2nd century. It is not known whether this was an existing title or one invented by Irenaeus; it does seem clear, however, that it was not given by the author.[4] The gospel of Luke and Acts make up a two-volume work which scholars call Luke-Acts.[3] Together they account for 27.5% of the New Testament, the largest contribution attributed to a single author, providing the framework for both the Church s liturgical calendar and the historical outline into which later generations have fitted their idea of the story of Jesus and the early church.[5] The author is not named in either volume.[6] According to Church tradition dating from the 2nd century, he was the "Luke" named as a companion of the apostle Paul in three of the letters attributed to Paul himself; this view is still sometimes advanced, but "a critical consensus emphasizes the countless contradictions between the account in Acts and the authentic Pauline letters."[7] (An example can be seen by comparing Acts accounts of Paul s conversion (Acts 9 1-31, 22 6-21, and 26 9-23) with Paul s own statement that he remained unknown to Christians in Judea after that event (Galatians 1 17-24).)[8] He admired Paul, but his theology was significantly different from Paul s on key points and he does not (in Acts) represent Paul s views accurately.[9] He was educated, a man of means, probably urban, and someone who respected manual work, although not a worker himself; this is significant, because more high-brow writers of the time looked down on the artisans and small business-people who made up the early church of Paul and were presumably Luke s audience.[10] The earliest possible date for the composition of Acts is set by the events with which it ends, Paul s imprisonment in Rome c.63 CE, but an early date is now rarely put forward.[11][12] The last possible date would be set by its first definite citation by another author, but there is no unanimity on this–some scholars find echoes of Acts in a work from c.95 CE called I Clement, while others see no indisputable citation until the middle of the 2nd century.[11] If Acts uses Josephus as a source, as has been proposed, then it must have been composed after 93 CE; it does not show any knowledge of Paul s letters, a fact which also supports a late date; and the social situation it reflects is one in which the faithful need "shepherds" to protect them from heretical (possibly Marcionite) "wolves", which again reflects a late date.[11] Most experts therefore date it to around 80-90 CE, although some suggest 90-110, [2] and there is evidence that it was still being substantially revised well into the 2nd century.[13] Genre, sources and historicity of Acts[edit] Luke (or more accurately the anonymous author of Luke-Acts) describes his work, Luke-Acts, as a "narrative" (diegesis). Acts, the second part, is widely thought of as a history, but it lacks exact analogies in Hellenistic or Jewish literature.[14] The title "Acts of the Apostles" (Praxeis Apostolon) would seem to identify it with the genre telling of the deeds and achievements of great men (praxeis), but it was not the title given by the author.[4] Luke seems to have taken as his model the works of two respected Classical authors, Dionysius of Halicarnassus, who wrote a well-known history of Rome, and the Jewish historian Josephus, author of a history of the Jews.[15] Like them he anchors his history by dating the birth of the founder (Romulus for Dionysius, Moses for Josephus, Jesus for Luke) and like them he tells how the founder is born from God, taught authoritatively, and appeared to witnesses after death before ascending to heaven.[15] By and large the sources for Acts can only be guessed at,[16] but Luke would have had access to the Septuagint (a Greek translation of the Jewish scriptures), the gospel of Mark and the collection of "sayings of Jesus" called the Q source.[17] He transposed a few incidents from Mark s gospel to the time of the Apostles – for example, the material about "clean" and "unclean" foods in Mark 7 is used in Acts 10, and Mark s account of the accusation that Jesus has attacked the Temple (Mark 14 58) is used in a story about Stephen (Acts 6 14).)[18] There are also points of contacts (meaning suggestive parallels but something less than clear evidence) with 1 Peter, the Letter to the Hebrews, and 1 Clement.[19] Other sources can only be inferred from internal evidence – the traditional explanation of the three "we" passages, for example, is that they represent eye-witness accounts.[20] The search for such inferred sources was popular in the 19th century, but by the mid-20th it had largely been abandoned.[21] Acts was read as a reliable history of the early church well into the post-Reformation era. By the 17th century, however, biblical scholars began to notice that it was incomplete and tendentious – its picture of a harmonious church is quite at odds with that given by Paul s letters, and it omits important events such as the deaths of both Peter and Paul. The mid-19th century scholar Ferdinand Baur suggested that Luke had re-written history to present a united Peter and Paul and advance a single orthodoxy against the Marcionites. (Marcion was a 2nd-century heretic who wished to cut Christianity off entirely from the Jews). Baur continues to have enormous influence, but today there is less interest in determining Luke s historical accuracy (although this has never died out) than in understanding his theological program.[22] Audience and authorial intent[edit] Luke was written to be read aloud to a group of Jesus-followers gathered in a house to share the Lord s supper.[15] The author assumes an educated Greek-speaking audience, but directs his attention to specifically Christian concerns rather than to the Greco-Roman world at large.[23] He begins his gospel with a preface addressed to Theophilus, informing him of his intention to provide an "ordered account" of events which will lead his reader to "certainty".[10] He did not write in order to provide Theophilus with historical justification – "did it happen?" – but to encourage faith – "what happened, and what does it all mean?"[24] Acts (or Luke-Acts) is intended as a work of "edification."[25] Edification means "the empirical demonstration that virtue is superior to vice,"[26] but is not all of Luke s purpose. He also engages with the question of a Christian s proper relationship with the Roman Empire, the civil power of the day could a Christian obey God and also Caesar? The answer is ambiguous.[27] The Romans never move against Jesus or his followers unless provoked by the Jews, in the trial scenes the Christian missionaries are always cleared of charges of violating Roman laws, and Acts ends with Paul in Rome proclaiming the Christian message under Roman protection; at the same time, Luke makes clear that the Romans, like all earthly rulers, receive their authority from Satan, while Christ is ruler of the kingdom of God. [28] Luke-Acts can be also seen as a defense of (or "apology" for) the Jesus movement addressed to the Jews the bulk of the speeches and sermons in Acts are addressed to Jewish audiences, with the Romans featuring as external arbiters on disputes concerning Jewish customs and law.[27] On the one hand Luke portrays the Christians as a sect of the Jews, and therefore entitled to legal protection as a recognised religion; on the other, Luke seems unclear as to the future God intends for Jews and Christians, celebrating the Jewishness of Jesus and his immediate followers while also stressing how the Jews had rejected God s promised Messiah.[29] Manuscripts[edit] There are two major textual variants of Luke-Acts, the Western text-type and the Alexandrian. The oldest complete Alexandrian manuscripts date from the 4th century and the oldest Western ones from the 6th, with fragments and citations going back to the 3rd. Western texts of Acts are 10% longer than Alexandrian texts, the additions tending to enhance the Jewish rejection of the Messiah and the role of the Holy Spirit, in ways that are stylistically different from the rest of Acts.[30] These conflicts suggest that Luke-Acts was still being substantially revised well into the 2nd century.[13] The majority of scholars prefer the Alexandrian (shorter) text-type over the Western as the more authentic, but this same argument would favour the Western over the Alexandrian for the gospel of Luke, as in that case the Western version is the shorter. The debate therefore continues.[30] Structure and content[edit] Acts 1 1-2a from the 14th century Minuscule 223 Structure[edit] Acts has two key structural principles. The first is the geographic movement from Jerusalem, centre of God s Covenantal people the Jews, to Rome, centre of the Gentile world. This structure reaches back to the author s preceding work, the Gospel of Luke, and is signaled by parallel scenes such as Paul s utterance in Acts 19 21, which echoes Jesus words 9 51 (Paul has Rome as his destination, as Jesus had Jerusalem). The second key element is the roles of Peter and Paul, the first representing the Jewish Christian church, the second the mission to the Gentiles.[31] Transition reprise of the preface addressed to Theophilus and the closing events of the gospel (Acts 1-1 26) Petrine Christianity the Jewish church from Jerusalem to Antioch (Acts 2 1-12 25) 2 1-8 1 - beginnings in Jerusalem 8 2-40 - the church expands to Samaria and beyond 9 1-31 - conversion of Paul 9 32-12 25 - the conversion of Cornelius, and the formation of the Antioch church Pauline Christianity the Gentile mission from Antioch to Rome (Acts 13 1-28 21) 13 1-14 28 - the Gentile mission is promoted from Antioch 15 1-35 - the Gentile mission is confirmed in Jerusalem 15 36-28 31 - the Gentile mission, climaxing in Paul s passion story in Rome (21 17-28 31) Outline[edit] Dedication to Theophilus (1 1–2) Resurrection appearances (1 3) Great Commission (1 4–8) Ascension (1 9) Second Coming Prophecy (1 10–11) Matthias replaced Judas (1 12–26) the Upper Room (1 13) Holy Spirit came at Pentecost (2), see also Paraclete Peter healed a crippled beggar (3 1–10) Peter s speech at the Temple (3 11–26) Peter and John before the Sanhedrin (4 1–22) Resurrection of the dead (4 2) Believers Prayer (4 23–31) Everything is shared (4 32–37) Ananias and Sapphira (5 1–11) Signs and Wonders (5 12–16) Apostles before the Sanhedrin (5 17–42) Seven Greeks appointed (6 1–7) Saint Stephen before the Sanhedrin (6 8–7 60) The "Cave of the Patriarchs" was located in Shechem (7 16) "Moses was educated in all the wisdom of the Egyptians" (7 22) First mentioning of Saul (Paul the Apostle) in the Bible (7 58) Paul the Apostle confesses his part in the martyrdom of Stephen (7 58-60) Saul persecuted the Church of Jerusalem (8 1–3) Philip the Evangelist (8 4–40) Simon Magus (8 9–24) Ethiopian eunuch (8 26–39) Conversion of Paul the Apostle (9 1–31, 22 1–22, 26 9–24) Paul the Apostle confesses his active part in the martyrdom of Stephen (22 20) Peter healed Aeneas and raised Tabitha from the dead (9 32–43) Conversion of Cornelius (10 1–8, 24–48) Peter s vision of a sheet with animals (10 9–23, 11 1–18) Church of Antioch founded (11 19–30) term "Christian" first used (11 26) Saint James the Great executed (12 1–2) Peter s rescue from prison (12 3–19) Death of Herod Agrippa I [in 44] (12 20–25) "the voice of a god" (12 22) Mission of Barnabas and Saul (13–14) "Saul, who was also known as Paul" (13 9) called "gods ... in human form" (14 11) Council of Jerusalem (15 1–35) Paul separated from Barnabas (15 36–41) 2nd and 3rd missions (16–20) Areopagus sermon (17 16-34) "God...has set a day" (17 30–31) Trial before Gallio c. 51–52 (18 12–17) Trip to Jerusalem (21) Before the people and the Sanhedrin (22–23) Before Felix–Festus–Agrippa II (24–26) Trip to Rome (27–28) called a god on Malta (28 6) Content[edit] See also Early Christianity and Jewish Christians The Gospel of Luke began with a prologue addressed to Theophilus; Acts likewise opens with an address to Theophilus and refers to "my earlier book", almost certainly the gospel. The apostles and other followers of Jesus meet and elect Matthias to replace Judas as a member of The Twelve. On Pentecost, the Holy Spirit descends and confers God s power on them, and Peter, along with John, preaches to many in Jerusalem, and performs Christ-like healings, casting out of evil spirits, and raising of the dead. At first many Jews follow Christ and are baptized, but the Christians begin to be increasingly persecuted by the Jews. Stephen is arrested for blasphemy, and after a trial, is found guilty and stoned by the Jews. Stephen s death marks a major turning point the Jews have rejected the message, and henceforth it will be taken to the Gentiles.[32] The message is taken to the Samaritans, a people rejected by Jews, and to the Gentiles. Saul of Tarsus, one of the Jews who persecuted the Christians, is converted by a vision to become a follower of Christ (an event which Luke regards as so important that he relates it three times). Peter, directed by a series of visions, preaches to Cornelius the Centurion, a Gentile God-fearer, who becomes a follower of Christ. The Holy Spirit descends on Peter and Cornelius, thus confirming that the message of eternal life in Christ is for all mankind. The Gentile church is established in Antioch (north-western Syria, the third-largest city of the empire), and here Christ s followers are first called Christians.[33] The mission to the Gentiles is promoted from Antioch and confirmed at meeting in Jerusalem between Paul and the leadership of the Jerusalem church. Paul spends the next few years traveling through western Asia Minor and the Aegean,preaching, converting Gentiles, and founding new churches. On a visit to Jerusalem he is set on by a Jewish mob. Saved by the Roman commander, he is accused by the Jews of being a revolutionary, the "ringleader of the sect of the Nazarenes", and imprisoned. Paul asserts his right as a Roman citizen, to be tried in Rome and is sent by sea to Rome, where he spends another two years under house arrest, proclaiming the Kingdom of God and teaching the "Lord Jesus Christ". Acts ends abruptly without recording the outcome of Paul s legal troubles.[citation needed] Theology[edit] Paul s conversion, from Livre d Heures d Étienne Chevalier (c. 1450–1460), Jean Fouquet, in the Château de Chantilly. Prior to the 1950s Luke-Acts was seen as a historical work, written to defend Christianity before the Romans or Paul against his detractors; since then, however, the tendency has been to see the work as primarily theological.[34] Luke s theology is expressed primarily through his overarching plot, the way scenes, themes and characters combine to construct his specific worldview.[35] His "salvation history" stretches from the Creation to the present time of his readers, in three ages first, the time of "the Law and the Prophets" (Luke 16 16), the period beginning with Genesis and ending with the appearance of John the Baptist (Luke 1 5-3 1); second, the epoch of Jesus, in which the Kingdom of God was preached (Luke 3 2-24 51); and finally the period of the Church, which began when the risen Christ was taken into Heaven, and would end with his second coming.[36] Luke-Acts is an attempt to answer a theological problem, namely how the Messiah promised to the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] This theme is introduced at the opening of the gospel of Luke, when Jesus, rejected in Nazareth, recalls that the prophets were rejected by Israel and accepted by Gentiles; at the end of the gospel he commands his disciples to preach his message to all nations, "beginning from Jerusalem." He repeats the command in Acts, telling them to preach "in Jerusalem, in all Judea and Samaria, and to the end of the Earth." They then proceed to do so, in the order outlined first Jerusalem, then Judea, then Samaria, then the entire (Roman) world.[37] For Luke, the Holy Spirit is the driving force behind the spread of the Christian message, and he places more emphasis on it than do any of the other evangelists. The Spirit is "poured out" at Pentecost, on the first Samaritan and Gentile believers, and on disciples who had been baptised only by John the Baptist, each time as a sign of God s approval. The Holy Spirit represents God s power (At his ascension, Jesus tells his followers, "You shall receive power when the Holy Spirit has come upon you") through it the disciples are given speech to convert thousands in Jerusalem, forming the first church (the term is used for the first time in Acts 5).[38] Comparison with other writings[edit] Saint Paul Writing His Epistles, ascribed to Valentin de Boulogne, 17th century Gospel of Luke[edit] As the second part of the two-part work Luke-Acts, Acts has significant links to the gospel of Luke. Major turning points in the structure of Acts, for example, find parallels in Luke the presentation of the child Jesus in the Temple parallels the opening of Acts in the Temple, Jesus forty days of testing in the wilderness prior to his mission parallel the forty days prior to his Ascension in Acts, the mission of Jesus in Samaria and the Decapolis (the lands of the Samaritans and Gentiles) parallels the missions of the Apostles in Samaria and the Gentile lands, and so on (see Gospel of Luke). These parallels continue through both books.[39] There are also differences between Luke and Acts, amounting at times to outright contradiction. For example, the gospel seems to place the Ascension on Easter Sunday, immediately after the Resurrection, while Acts 1 puts it forty days later.[40] There are similar conflicts over the theology. While not seriously questioning the single authorship of Luke-Acts, these differences do suggest the need for caution in seeking too much consistency in books written in essence as popular literature.[41] Pauline epistles[edit] Acts agrees with Paul s letters on the major outline of Paul s career as Saul he is converted and becomes Paul the Christian missionary and apostle, establishing new churches in Asia Minor and the Aegean and struggling to free Gentile Christians from the Jewish Law. There are also agreements on many incidents, such as Paul s escape from Damascus, where he is lowered down the walls in a basket. But details of these same incidents are frequently contradictory for example, according to Paul it was a pagan king who was trying to arrest him in Damascus, but according to Luke it was, characteristically, the Jews (2 Corinthians 11 33 and Acts 9 24). Many of the disagreements are not so immediately obvious Acts speaks of "Christians" and "disciples", but Paul never uses either term, and there are striking differences in the accounts of Paul s relationship with the Jerusalem church and its leaders (Acts 9-15 vs. Galatians 1-2). Acts omits much from the letters, notably Paul s problems with his congregations (internal difficulties are said to be the fault of the Jews instead), and his apparent final rejection by the church leaders in Jerusalem (Acts has Paul and Barnabas deliver an offering that is accepted, a trip that has no mention in the letters). There are also major differences between Acts on Paul on Christology (the understanding of Christ s nature), eschatology (understanding of the "last things"), and apostleship.[42] See also[edit] Historical reliability of the Acts of the Apostles List of Gospels List of omitted Bible verses Textual variants in the Acts of the Apostles Acts of the Apostles (genre) Acts of Andrew Acts of Barnabas Acts of John Acts of the Martyrs Acts of Paul Acts of Paul and Thecla Acts of Peter Acts of Peter and Paul Acts of Peter and the Twelve Acts of Pilate Acts of Philip Acts of Thomas Acts of Timothy The Lost Chapter of the Acts of the Apostles References[edit] ^ Jump up to a b c Burkett 2002, p. 263. ^ Jump up to a b Charlesworth 2008, p. no page number. ^ Jump up to a b Burkett 2002, p. 195. ^ Jump up to a b Matthews 2011, p. 12. Jump up ^ Boring 2012, p. 556. Jump up ^ Burkett 2002, p. 196. Jump up ^ Theissen Merz 1998, p. 32. Jump up ^ Perkins 1998, p. 253. Jump up ^ Boring 2012, p. 590. ^ Jump up to a b Green 1997, p. 35. ^ Jump up to a b c Boring 2012, p. 587. Jump up ^ Theissen Merz 1996 [tr. 1998], p. 32. ^ Jump up to a b Perkins 2009, p. 250-253. Jump up ^ Aune 1988, p. 77. ^ Jump up to a b c Balch 2003, p. 1104. Jump up ^ Bruce 1990, p. 40. Jump up ^ Boring 2012, p. 577. Jump up ^ Witherington 1998, p. 8. Jump up ^ Boring 2012, p. 578. Jump up ^ Bruce 1990, p. 40-41. Jump up ^ Boring 2012, p. 579. Jump up ^ Holladay 2011, p. no page numbers. Jump up ^ Green 1995, p. 16-17. Jump up ^ Green 1997, p. 36. Jump up ^ Fitzmyer 1998, p. 55-65. Jump up ^ Aune 1988, p. 80. ^ Jump up to a b Pickett 2011, p. 6-7. Jump up ^ Boring 2012, p. 562. Jump up ^ Boring 2012, p. 563. ^ Jump up to a b Thompson 2010, p. 332. Jump up ^ Boring 2012, p. 569-570. Jump up ^ Burkett 2002, p. 265. Jump up ^ Burkett 2002, p. 266. Jump up ^ Buckwalter 1996, p. 6. Jump up ^ Allen 2009, p. 326. Jump up ^ Evans 2011, p. no page numbers. Jump up ^ Burkett 2002, p. 264. Jump up ^ Burkett 2002, p. 268-270. Jump up ^ Tremmel 2011, p. 59. Jump up ^ Zwiep 2010, p. 39. Jump up ^ Parsons 1993, p. 17-18. Jump up ^ Boring 2012, p. 581, 588-590.
https://w.atwiki.jp/lebekun/pages/201.html
Weight of the World/English Version Weight of the World/壊レタ世界ノ歌 Weight of the World/Nouveau-FR Version Weight of the World/the End of YoRHa 曲名 Weight of the World 点数 69,75,58,80 備考 ネタバレになるけどthe End of YoRHaは全世界のプレイヤーと協力してクリア目指していくのを曲に反映されるから涙腺崩壊しかけた。 58 69 75 80
https://w.atwiki.jp/elvis/pages/1181.html
Harry Potter and the Philosopher's Stone (Cover to Cover) J.K. Rowling?Stephen Fry QI The Book of General Ignorance Stephen Fry Harry Potter and the Philosopher's Stone (Harry Potter) J.K. Rowling?Stephen Fry Harry Potter and the Half-Blood Prince (Harry Potter 6) Adult audio CD edition [AUDIOBOOK] http //logbord.lolipop.jp/asin/Books/0747582580/? J.K. Rowling?Stephen Fry The Enormous Crocodile (Puffin Audiobooks) Roald Dahl?Stephen Fry Harry Potter and the Goblet of Fire (Cover to Cover) J.K. Rowling?Stephen Fry Fantastic Mr Fox and Other Animal Stories Sophie Dahl?Hugh Laurie?Stephen FryMartin Jarvis? A Bear Called Paddington the original story of the bear from Darkest Peru Michael Bond?Stephen Fry The Hitchhiker's Guide To The Galaxy Douglas Adams?Stephen Fry Harry Potter and the Goblet of Fire (Cover to Cover)(Unabridged 18 Audio CD Set) J.K. Rowling?Stephen Fry Harry Potter and the Half-Blood Prince (Harry Potter 6) Chilren s audio CD edition [AUDIOBOOK] http //logbord.lolipop.jp/asin/Books/0747582599/? J.K. Rowling?Stephen Fry More About Paddington Michael Bond?Stephen Fry Paddington CD Gift Pack Michael Bond?Stephen Fry Harry Potter and the Order of the Phoenix (Book 5, Unabridged Audio CD Set) J.K. Rowling?Stephen Fry Harry Potter and the Goblet of Fire (Harry Potter) J.K. Rowling?Stephen Fry The Growing Plant Cell Wall Chemical And Metabolic Analysis Stephen C. Fry? The Ode Less Travelled Stephen Fry Harry Potter and the Order of the Phoenix (Book 5, Unabridged Audio Cassette Set) J.K. Rowling?Stephen Fry Winnie the Pooh (Winnie the Pooh) David Benedictus?A.A. Milne?Stephen FryJane Horrocks?Judi Dench?Michael Williams? Winnie-The-Pooh (Winnie the Pooh) A. A. Milne?David Benedictus?Stephen FryJane Horrocks?Geoffrey Palmer? Harry Potter and the Order of the Phoenix (Book 5, Unabridged Audio CD Set Adult Edition) J.K. Rowling?Stephen Fry Moab Is My Washpot Stephen Fry Harry Potter and the Prisoner of Azkaban (Harry Potter) J.K. Rowling?Stephen Fry Haciendo Historia Stephen FryCristina Mimiaga? Harry Potter and the Prisoner of Azkaban (Cover to Cover) J.K. Rowling?Stephen Fry Harry Potter and the Goblet of Fire (Cover to Cover) J.K. Rowling?Stephen Fry Harry Potter and the Goblet of Fire (Cover to Cover) J.K. Rowling?Stephen Fry Making History A Novel Stephen Fry Harry Potter and the Order of the Phoenix (Book 5, Part 2 Unabridged Audio Cassette Set) J.K. Rowling?Stephen Fry Salmon of Doubt Hitchhiking the Galaxy One Last Time Douglas Adams?Terry Gilliam?Simon Jones?Richard Dawkins?Stephen FryChristopher Cerf? Harry Potter and the Chamber of Secrets (Harry Potter) J.K. Rowling?Stephen Fry The Liar Stephen Fry Paperweight Stephen Fry The Ode Less Travelled Unlocking the Poet Within Stephen Fry The Hippopotamus Stephen Fry Harry Potter and the Goblet of Fire (Cover to Cover) Part 2 (9 CD Set) J.K. Rowling?Stephen Fry The House at Pooh Corner (Winnie the Pooh) David Benedictus?A.A. Milne?Stephen FryJane Horrocks?Judi Dench?Michael Williams? Pooh Goes Visiting And Other Stories Judi Dench?Stephen FryJane Horrocks?Geoffrey Palmer?Michael Williams?A. A. Milne? Pooh Invents a New Game And Other Stories A. A. Milne?David Benedictus?Judi Dench?Stephen FryJane Horrocks? Cautionary Verses Hilaire Belloc?Stephen Fry Moab Is My Washpot Stephen Fry The Harry Potter Quartet Collection (Harry Potter) J.K. Rowling?Stephen Fry Paperweight Stephen Fry The Stars' Tennis Balls Stephen Fry Moab Is My Washpot Stephen Fry The Ode Less Travelled Stephen Fry The Winnie-the-pooh Giftbox (Winnie the Pooh) A.A. Milne? Winnie-The-Pooh Giftpack And, the House at Pooh Corner (Winnie the Pooh) A. A. Milne?Stephen FryJudi Dench?Jane Horrocks?David Benedictus? Provencal Letters and Idle Thoughts Alphonse Daudet?Jerome K. Jerome?Stephen FryHugh Laurie? The Hippopotamus Stephen Fry El Mentiroso Stephen Fry Montmorency on the Rocks (BBC Children's Collection) Eleanor Updale?Stephen Fry Harry Potter and the Philosopher's Stone (Cover to Cover) J.K. Rowling?Stephen Fry Harry Potter and the Goblet of Fire (Cover to Cover) J.K. Rowling?Stephen Fry Harry Potter and the Philosopher's Stone (Cover to Cover) J.K. Rowling?Stephen Fry Harry Potter and the Order of the Phoenix (Harry Potter) J.K. Rowling?Stephen Fry Harry Potter and the Chamber of Secrets (Cover to Cover) J.K. Rowling?Stephen Fry Harry Potter Tin (Cover to Cover) J.K. Rowling?Stephen Fry Harry Potter and the Philosopher's Stone (Harry Potter Travel Bag Cd's) J.K. Rowling?Stephen Fry Harry Potter and the Philosopher's Stone (Harry Potter) J.K. Rowling?Stephen Fry Der Sterne Tennisbaelle. Stephen Fry Columbus War Ein Englander Stephen Fry Fry and Laurie Read Daudet and Jerome Alphonse Daudet?Jerome K. Jerome?Stephen FryHugh Laurie? L'Ile du Dr Malo. Stephen Fry Geschichte Machen Stephen Fry Geschichte machen. Stephen Fry Der Luegner. Stephen Fry Das Nilpferd. Stephen Fry Paperwight. Literarische Snacks. Stephen Fry Der Sterne Tennisbaelle. Stephen Fry Blackadder II (BBC Radio Collection) Richard Curtis?Ben Elton?Rowan Atkinson?Tony Robinson?Stephen FryHugh Laurie?Tim McInnerny? Liar Stephen Fry The Hitchhiker's Guide to the Galaxy Douglas Adams?Stephen Fry The Hitchhiker's Guide to the Galaxy Douglas Adams?Stephen Fry Cases for Paces Stephen Hoole?Andrew Fry?Daniel Hodson? Blackadder the Third (BBC Audio Collection) Richard Curtis?Ben Elton?Rowan Atkinson?Tony Robinson?Stephen FryHugh Laurie?Tim McInnerny? Blackadder's Christmas Carol (BBC Radio Collection) Ben Elton?Richard Curtis?Rowan Atkinson?Tony Robinson?Robbie Coltrane?Miranda Richardson?Hugh Laurie?Stephen FryMiriam Margolyes? Blackadder's Christmas Carol (BBC Radio Collection) Richard Curtis?Ben Elton?Rowan Atkinson?Tony Robinson?Robbie Coltrane?Miranda Richardson?Hugh Laurie?Stephen FryMiriam Margolyes? Blackadder Goes Forth (BBC Radio Collection) Richard Curtis?Ben Elton?Rowan Atkinson?Tony Robinson?Stephen FryHugh Laurie?Tim McInnerny? A Bit of Fry and Laurie (Canned Laughter) Stephen Fry Rescuing the Spectacled Bear (BBC Audio) Stephen Fry More Bits of Fry and Laurie Stephen FryHugh Laurie? Making History Stephen Fry The Blackadder Collection (BBC Radio Collection) Richard Curtis?Ben Elton?Rowan Atkinson?Rowan Atkinson?Tony Robinson?Stephen FryHugh Laurie?Tim McInnerny? The Hippopotamus Stephen Fry Harry Potter and the Half-Blood Prince (Harry Potter) J.K. Rowling?Stephen Fry Beyond Bikini Bottom A Mix-and-match Costumes For Boatloads of Laughs (Spongebob Squarepants) Sonali Fry?Vince Deporter?Stephen Hillenburg? Tragically I Was an Only Twin Stephen FryPeter Cook? Harry Potter and the Half-Blood Prince (Harry Potter) J.K. Rowling?Stephen Fry Stephen Fry's Incomplete Utter History of Classical Music Stephen FryTim Lihoreau? The Liar Stephen Fry A Bit of Fry and Laurie Stephen FryHugh Laurie? Venus in the Kitchen Norman Douglas?Stephen Fry Paperweight Stephen Fry Paperweight Stephen Fry Three Bits of Fry and Laurie Stephen FryHugh Laurie? Fry and Laurie 4 Stephen FryHugh Laurie? A Bear Called Paddington Michael Bond?Stephen Fry The Picture of Dorian Gray Oscar Wilde?Stephen Fry Wilde Julian Mitchell?Stefan Rudnicki?Stephen Fry Revenge A Novel Stephen Fry Wilde Screenplay Julian Mitchell?Stephen Fry Montmorency Thief, Liar, Gentleman Eleanor Updale?Stephen Fry The Hippopotamus Stephen Fry The Liar Stephen Fry A Bear Called Paddington Michael Bond?Stephen Fry More About Paddington Michael Bond?Stephen Fry Paddington Cassette Gift Pack Michael Bond?Stephen Fry Paddington Bear Michael Bond?R. W. Alley?Stephen Fry The Stars' Tennis Balls Stephen Fry Making History Stephen Fry Moab Is My Washpot Stephen Fry Rescuing the Spectacled Bear Stephen Fry The Liar Stephen Fry The Hippopotamus Stephen Fry The Liar Stephen Fry Paperweight Stephen Fry Paperweight Stephen Fry The Hippopotamus Stephen Fry Making History Stephen Fry Making History Stephen Fry What Ho! P.G. Wodehouse?Stephen Fry The Ode Less Travelled Stephen Fry Moab Is My Washpot Stephen Fry The Stars Tennis Balls Stephen Fry The Stars' Tennis Balls Stephen Fry Three Bits of Fry and Laurie Stephen FryHugh Laurie? Knitting with Dog Hair Stephen FryKendall Crolius?Anne Montgomery? Where Angels Fear to Tread (Penguin Twentieth Century Classics) E. M. Forster?Stephen Fry Nothing...Except My Genius (Penguin Classics) Oscar Wilde?Alastair Rolfe?Stephen Fry The Liar Stephen Fry The Salmon of Doubt Stephen FryDouglas Adams? Moab Is My Washpot An Autobiography Stephen Fry Stephen Fry's Incomplete and Utter History of Classical Music Stephen FryTim Lihoreau? Revenge A Novel Stephen Fry Harry Potter and the Prisoner of Azkaban (Cover to Cover) J.K. Rowling?Stephen Fry Harry Potter and the Order of the Phoenix J.K. Rowling?Stephen Fry Montmorency (BBC Cover to Cover) Eleanor Updale?Stephen Fry Harry Potter and the Goblet of Fire (Cover to Cover) J.K. Rowling?Stephen Fry Harry Potter and the Order of the Phoenix (Book 5, Part 1 Unabridged Audio Cassette Set) J.K. Rowling?Stephen Fry The Liar Stephen Fry Ion-Selective Electrodes for Biological Systems Christopher H. Fry?Stephen E. M. Langley? Harry Potter and the Order of the Phoenix J.K. Rowling?Stephen Fry The Hippopotamus Stephen Fry The Hippopotamus Stephen Fry Harry Potter and the Chamber of Secrets (Cover to Cover) J.K. Rowling?Stephen Fry Harry Potter and the Chamber of Secrets (Harry Potter Travel Bag) J.K. Rowling?Stephen Fry The Vicar of Nibbleswicke and Other Stories Roald Dahl?Stephen Fry Harry Potter and the Prisoner of Azkaban (Cover to Cover) J.K. Rowling?Stephen Fry Darling Stano Kochan?Stephen Fry Untitled Novel Two Stephen Fry Geschichte machen Stephen Fry Columbus war ein Englaender. Geschichte einer Jugend Stephen Fry Harry Potter and the Goblet of Fire J.K. Rowling?Stephen Fry Sunday Night Fry. CD. Ein Abend im Deutschen Theater Goettingen. Autorenlesung Stephen Fry Harry Potter and the Chamber of Secrets (Cover to Cover) J.K. Rowling?Stephen Fry Paperweight. Literarische Snacks. Stephen Fry Private Lives (BBC Radio Collection) Noel Coward?Stephen FryImogen Stubbs?Louise Lomabard?Simon Ward?Judi Dench? Harry Potter and the Goblet of Fire J.K. Rowling?Stephen Fry Das Nilpferd. Stephen Fry Harry Potter and the Chamber of Secrets (Harry Potter) J.K. Rowling?Stephen Fry Harry Potter and the Philosopher's Stone (Cover to Cover) J.K. Rowling?Stephen Fry X12 Hippopotamus Shrinkwrap Stephen Fry Harry Potter and the Chamber of Secrets (Harry Potter Travel Bag) J.K. Rowling?Stephen Fry Der Sterne Tennisbaelle. 3 CDs. Stephen Fry Rescuing the Spectacled Bear Stephen Fry Field and Laboratory Exercises in Ecology Stephen D. Wratten?Gary L.A. Fry? The Stars' Tennis Balls Stephen Fry The Salmon of Doubt Hitchhiking the Galaxy One Last Time Douglas Adams?Simonry Jones?Christopher Cerf?Richard Dawkins?Stephen Fry Der Luegner. Stephen Fry Rescuing the Spectacled Bear (BBC Audio) Stephen Fry Untitled Novel Two Stephen Fry Pues Vaya ! Lo Mejor de Wodehouse Stephen FryP. G. Wodehouse? The Vicar of Nibbleswicke and Other Stories (Bestseller Collection) Roald Dahl?Stephen Fry The Magic Way to Learn Your Tables Stephen Fry X18 Mixed Stephen Fry Rei Pack Stephen Fry RC 381 Party Animals Stephen Fry The Hippopotamus Stephen Fry Wilt Alternative Tom Sharpe?Stephen Fry Rescuing Spectacled Bear Signed Stephen Fry Wilt on High Tom Sharpe?Stephen Fry "Harry Potter" Audio CD Collection (Harry Potter) J.K. Rowling?Stephen Fry Making History Stephen Fry Education Stephen Fry Making History Stephen Fry Vintage Stuff Tom Sharpe?Stephen Fry Montmorency Eleanor Updale?Stephen Fry Wilde Novelization Stefan Rudnicki?Stephen Fry Rescuing the Spectacled Bear Stephen Fry Der Luegner Stephen Fry The Stars' Tennis Balls (Signed Copies) Stephen Fry Das Nilpferd Stephen Fry Paperweight Stephen Fry Jennings (BBC Radio Collection) Anthony Buckeridge?Stephen Fry The Growing Plant Cell Wall Chemical and Metabolic Analysis (Monographs and Surveys in the Biosciences) Stephen C. Fry?
https://w.atwiki.jp/vocaloidenglishlyric/pages/211.html
【Tags P Piko tP samfree】 Original Music Title ピコピコ☆レジェンドオブザナイト Piko Piko ☆ Legend Of The Night (Piko Piko ☆ Rejendo Obu Za Naito) Music Lyrics written, Voice edited by samfree Music arranged by samfree Singer 歌手音ピコ (Utatane Piko) Click here for the Japanese Lyrics English Lyrics (translated by blacksaingrain)： Piko Piko ☆Legend of the night I bet the feeling on a false dice Getting ZERO With the sharpened and reversed knife Rip the lies The speed of acceleration of the hot and crazy vortex increases Now I’ll lure you Only the one who prepared can reach Piko Piko ☆Legend of the night The fever overflows endlessly! Piko Piko ☆Legend of the night It’s a sensation that breaks the times! A flower bloomed in the crevasse of love Just let it bloom higher in all glory Till it burns out! The more I break, the more I can’t stop the pulse Till it goes much deeper I can’t stop the quick hot boosting beat It’s a night of miracle that would never come I’ll lead you now Cause you’re the one who has the one last missing piece Piko Piko ☆Legend of the night The fever spread all over my body! Piko Piko ☆Legend of the night It’s a revolution that derange the world The voice can reach the end of darkness Just let it spread and echo through further Till it goes hoarse entirely Piko Piko ☆Legend of the night The fever spread all over my body! Piko Piko ☆Legend of the night On a page of legend Piko Piko ☆Legend of the night Let the two of us engrave it strongly Piko Piko ☆Legend of the night It’s a sensation that breaks the times! A flower bloomed in the brink of love Just let it bloom higher in all glory Till it burns out! I’ll keep holding you tight and never let you go Romaji lyrics (transliterated by blacksaingrain)： Piko Piko☆Legend of the night Jou wo toshita ikasama DICE ZERO wo te ni irerete Togisumashita sakasama Knife Uso wo kirisake Kasokudo masu kyounetsu no uzu ima izanaimashou Kakugo kimeta mono dake ga tadori tsukeru Piko Piko☆Legend of the night Tomedonaku afureru Fever! Piko Piko☆Legend of the night Jidai kowasu Sensation! Ai no hazama ni saita hana Motto takaku saki hokoru ga ii moe tsukiru made Kowasu hodo tomaranai shoudou Motto fukaku made Hayaku atsuku uchitsukeru kodou Tomerarenai Nido to wa nai kiseki no yoru ima michibiki mashou Hitotsu kaketa kakera motsu no wa kimi dakara PikoPiko☆Legend of the night Karada juu ni michiteku Fever! PikoPiko☆Legend of the night Sekai midasu Revolution! Yami no hate made todoku koe Motto tooku hibiki wataru ga ii kare hateru made PikoPiko☆Legend of the night Densetsu no ichi Page ni PikoPiko☆Legend of the night Futari tsuyoku kizamou Piko Piko☆Legend of the night Tomedonaku afureru Fever! Piko Piko☆Legend of the night Jidai kowasu Sensation! Ai no hazama ni saita hana Motto takaku saki hokoru ga ii moe tsukiru made Dakishimeta mama hanasanai kara
https://w.atwiki.jp/bemanilyrics/pages/1354.html
"He's got you buuuuuurned, yeah!" Burn, burn, burnin's the fix Tell me, do you really wanna roll with this? The heat is on, and it's time to move So will you know just what to do? Temperature's rising, no way out Gone too far, can't stop now So let me know you feel it too When the fire gets inside of you Where have you been all of my life? I've been looking for you I wanna dance through the dark into the daylight with you I wanna burn Burn, burn, burn the wood, burn The rhythm's hard to ignore (Yeah, yeah, yeah!) Set off in me, fire I just don't care anymore Let's make it special On the dance floor I could feel your vibe When I came through the door Let's get it up, cos now's the time I really wanna make you mine Tonight, let's put it in flight You and me, on a fantasy And if you really wanna learn I'm gonna show how to BURN! Burn, burn, burn, you burn me Your body's talkin' to mine (You burn me!) Sizzling sensation Our bodies locked and in time (Oh yeah, yeah!) You know we're gonna burn, burn, burn the fire Can't hold back anymore (Talk to me, yeah!) Fire in me rages I've got to burn up the floor, Burnin' the floor, We're burnin' the floor!
https://w.atwiki.jp/cotlostidols/pages/80.html
Frosty the Snowman アビリティ ギア 短評 アビリティ アビリティ Lv 種類 説明 Eyes of Coal 10 ◯ 総DPSが10%増加 Snowball Fight 25 ◇ Frosty the SnowmanのDPSが、Supernaturalタグを持つキャラの数×200%増加 Dance Around 50 ◯ Frosty the SnowmanのDPSが200%増加 Thumpety Thump Thump 75 ◯ Frosty the SnowmanのDPSが200%増加 Blizzard 100 △ アクティブスキルStorm Riderを使えるようになる Chilling Power 150 ◇ Frosty the SnowmanのDPSが、Frosty the Snowmanに隣接するキャラの数×100%増加Frosty the Snowmanに隣接するキャラのDPSが25%減少 Anti-Antifreeze 200 ◯ 200Lv以降、Frosty the SnowmanのDPSが25Lv毎に4倍ずつ増加 ◯…自己バフ ◇…フォーメーションアビリティ △…アクティブスキル ギア 装備 レア度 説明 パイプ コモン Snowball Fightの効果が10%増加 アンコモン Snowball Fightの効果が25%増加 レア Snowball Fightの効果が50%増加 エピック Snowball Fightの効果が100%増加 レジェンダリー(Lv1) Snowball Fightの効果が200%増加Storm Riderの効果が400%増加、クールタイムが200%増加※ 金エピック Snowball Fightの効果が150%増加 金レジェンダリー(Lv1) Snowball Fightの効果が300%増加Storm Riderの効果が400%増加、クールタイムが200%増加※ 肩甲 コモン Storm Riderの効果が10%増加 アンコモン Storm Riderの効果が25%増加 レア Storm Riderの効果が50%増加 エピック Storm Riderの効果が100%増加 レジェンダリー(Lv1) Storm Riderの効果が200%増加Snowball Fightの効果が100%増加※ スカーフ コモン Frosty the SnowmanのDPSが25%増加 アンコモン Frosty the SnowmanのDPSが50%増加 レア Frosty the SnowmanのDPSが100%増加 エピック Frosty the SnowmanのDPSが400%増加 レジェンダリー(Lv1) Frosty the SnowmanのDPSが800%増加Frosty the SnowmanのDPSが、Frosty the Snowmanに隣接するキャラの数×25%増加※ ※印はレジェンダリーギアの追加効果 Lv増加と共に効果が倍々になる 短評
https://w.atwiki.jp/bemani2sp/pages/1749.html
GENRE TITLE ARTIST bpm notes CLEAR RATE SUPER EUROBEAT NIGHT FLIGHT TO TOKYO MATTLAND 152 1186 n%（yyyy/mm/dd） 攻略・コメント はっきり言って☆9トップクラスの強さを誇り、特にイントロの螺旋+トリル階段でかなりの体力を消耗する。休めるところはサビぐらいしかない。サビでも螺旋がやってきてジリジリと減らされるので、☆10下位を埋めてからでも遅くない。 -- 名無しさん (2012-01-09 02 18 49) 螺旋トリルに加えちょくちょく入る皿で崩されやすいが全体的に地力譜面。これができれば☆10下位もあまり苦労しないだろう -- 名無しさん (2013-06-27 16 58 47) 名前 コメント
https://w.atwiki.jp/touhoukashi/pages/2989.html
【登録タグ H SOUND HOLIC THE BEST OF RECENT WORKS YURiCa/花たん パンデモニックプラネット 強敵 -EXTRA BOSS- 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/mw2sub/pages/29.html
16. The Enemy of My Enemy Escape from General Shepherd's trap in the boneyard. シェパード将軍の罠から生還しろ SGT. GARY "ROACH" SANDERSON - TASK FORCE 141 STATUS K.I.A. ゲイリー "ローチ" サンダーソン軍曹 - タスクフォース141 状態：作戦中死亡 MacTavish Roach? Ghost? Come in,Ghost! Do you copy? Does anyone copy? MacTavish ローチ！ゴースト！聞こえるか！？ 誰か応答しろ！！ Price They're dead,Soap. Shepherd's cleaning house. I'm working my way back to you. Price 二人はもう死んだよ。シェパードは隠れ家で証拠を消している所だろう。 MacTavish Shepherd betrayed us. MacTavish ･･･シェパードが裏切りやがった！ Price Have to trust someone to be betrayed. I never did. Price 裏切られるのが嫌なら誰も信用せんことだ、俺のようにな。 Price Nikolai,come in. Do you have our location? Price ニコライ、こっちの位置が分かるか？ Nikolai Da. Inbound,Price. But I am not the only one. Nikolai ああ、だがそっちに向かっているのは俺だけじゃないぞ。 Nikolai You've got Shepherd's men on one side,Makarov's on the other. Nikolai シェパードの部隊と、マカロフの部隊もだ。 Price We'll have to take them all our then. Price 一度に相手するには戦力不足だな。 Nikolai Or let them take each other out. Nikolai もしくはお互いを戦わせるか･･･ Nikolai Either way, I'll see you on the other side my friend. Nikolai ともかく向こうで落ち合おう、友よ。 "The Enemy of My Enemy " "敵の敵は" Day 6 - 16 03 6日目 - 16 03 Cpt. 'Soap' MacTavish "ソープ" マクタヴィッシュ大尉 160 miles SW of kandahar, Afghanistan アフガニスタン カンダハル南西160マイル U.S. Vehicle Disposal Yard 437 米軍第437廃機場 Captain Price Soap! Shepherd's trying to wipe out us and Makarov at the same time! Head for rally point Bravo to the west! Trust no one! Captain Price ソープ、シェパードはマカロフと俺たちを一緒に消す気だ！西の脱出地点へ向かえ！誰も信用するな！ Captain Price Head for the rally point! Go! Go! Go! Captain Price 脱出地点へ向かえ！行け行け！ Captain Price Nikolai! This is Price! Be advised, the LZ is hot, I repeat the LZ is hot! Captain Price ニコライ、こちらプライス！現在、着陸地点は敵に制圧されている！ Nikolai Ok, Captain Price, I am on the way! Try to get the situation under control before get there, ok? Nikolai 了解だ、プライス。俺が着くまでには掃除しといてくれよ、OK？ Captain Price Right,whatever you say Nikolai! Just get there sharish! Captain Price なんとかしよう！とにかく速攻で来い！ Captain Price Soap,let Makarov and Shepherd's men kill each other off as much as you can. Captain Price ソープ、出来るだけ奴らに殺し合いをさせておけ。 Captain Price We can use their comms to listen in on their radio traffic. I'm going to try to contact Makarov. Captain Price 俺は敵から奪った無線でマカロフと交信してみる。 Captain Price Makarov,this is Price. Shepherd's a war hero now. He's got your operations playbook and he's got a blank check. Captain Price マカロフへ、こちらプライス。シェパードは今や英雄だ。お前の作戦計画書と軍の指揮権を手に入れた。 Captain Price Give me what you've got on shepherd,and I'll take care of the rest. Captain Price シェパードについての情報をよこせ。後は俺達が片を付ける。 Captain Price I know you can hear me on this channel Makarov. Captain Price この無線を聞いてるんだろう、マカロフ。 Captain Price You and I both know you won't last a week. Captain Price このままではお前の命が1週間も持たん事は分かっているだろう。 Makarov And neither will you. Makarov 貴様の命もな。 Captain Price Makarov...you ever hear the old saying...the enemy of my enemy is my friend? Captain Price マカロフ、こんな諺を知っているか。「敵の敵は味方」･･･そうだろ？ Makarov Price,one day you're going to find that cuts both ways. Makarov いつの日か、それが「両刃の剣」だということに気づく筈だ。 Makarov Shephers is using Site Hotel Bravo. You know where it is. I'll see you in hell. Makarov シェパードは"ホテルブラボー"にいる。貴様にはそれがどこだか分かるな。地獄で会おう。 Captain Price Looking forward to it. Give my regards to Zakhaev if you get there first. Captain Price ああ･･･ もしお前が先に行ったらザカエフに宜しく言っておいてくれ。 Captain Price Soap! Don't get pinned down out there! Keep heading west for the runway area! Captain Price ソープ、何を手間取ってる！西の滑走路へ急げ！ Captain Price Nikolai, where the hell are you? Captain Price ニコライ、まだ着かないのか？ Nikolai Sand storms around Kandahaar, Captain Price. I have to fly around them. I'm not getting paid enough to crash my plane. Nikolai 砂嵐を迂回して飛ばなきゃならんのだ。少ない報酬で飛行機と心中はゴメンだからな。 Nikolai Price, I am approaching the boneyard. I see you do not have situation under control. Very unsafe to land. It looks like when I was in Afghanistan with the Soviets! Nikolai プライス、上空に着いたが、どうやら制圧できなかったみたいだな。この熱烈な歓迎は、ソビエト時代のアフガニスタンを思い出すぜ。 Captain Price Nikolai! Just shut up and land the bloody plane! We're on our way! Captain Price ニコライ、つべこべ言わずに機を着陸させろ！今から向かう！ Nikolai （ロシア語の陰口） Вот пидарас! Мне недоплачивают за эту работу! Одни ракеты сколько стоят! Твою мать! Пизда!(motherfuckers! No, I'm really not paid enough for this job! The flares alone cost so much! Damn it! Fuck!) Nikolai 畜生！あれっぽっちの報酬じゃ割りに合わないんだよ！フレアの費用だけでも馬鹿にならねえってのに！クソッ、くたばっちまえ！ Captain Price Soap! Hurry! We've gotta get to Nikolai's plane! Keep moving west! Captain Price ソープ、急げ！ニコライの輸送機で脱出するぞ！ Captain Price Soap! I'm going to get some transport! Make your way west towards the runway! Captain Price 俺は車を調達する！とにかく西へ向かえ！ Captain Price Soap! I've found some transport! Keep moving west! I'll meet you enroute! Captain Price ソープ、車を見つけたぞ！西の滑走路で待つ！ Nikolai Captain Price, I'm taking off in one minute! You better hurry if you want a ride out of here! Nikolai プライス、あと一分で離陸する！乗りたいなら急いだ方がいいぞ！ Captain Price Soap! We don't have much time! Nikolai's not going to wait around for us! Hurry! Captain Price ソープ、ニコライはそう長くは待ってくれんぞ！急げ！ Captain Price Soap! Get in the jeep! Captain Price ソープ、ジープに乗れ！ Captain Price Soap! We are leaving! Get in the jeep! Captain Price ソープ、脱出するぞ！早く乗れ！ Captain Price Take out that gunner! Captain Price ガンナーを撃て！ Captain Price Hang on! Captain Price 掴まれ！ Captain Price Behind us! Captain Price 後ろだ！ Captain Price Right side! Right side! Captain Price 右にいるぞ！ Captain Price Hold on! Captain Price とばせ！ Captain Price Nikolai, drop the bloody ramp! We coming in! Captain Price ニコライ、タラップを下ろせ！走り込む！ Captain Price Vehicles at 12 o'clock! Captain Price 12時に車両！ Captain Price Hang on! Captain Price 掴まれ！ Captain Price Soap! Rock is down! Take the wheel! Captain Price ロックが撃たれた！ハンドルを取れ！ Captain Price Aim for the ramp! Captain Price 走り込め！ (C)2009 ACTIVISION Ltd. (C)2009 Infinity Ward, Inc. 真ん中よりちょっと下の「Nikolai Sand storms around ...」と、「Nikolai Price, I am approaching the boneyard ...」のところで、和訳のほうの発言者がそれぞれNikolaiではなくMakarovになっています。 -- 名無しさん (2010-02-23 17 48 11) ご指摘ありがとうございます。修正しました。 -- 管理人 (2010-02-24 17 21 55) Captain Price Right,whatever you say Nikolai! Just get there sharish! ←sharpishですね。細かいですが。 -- 名無しさん (2010-07-14 16 03 01) できれば、Nikolaiがロシア語で言ってる所も訳して欲しいです。 -- 名無しさん (2011-04-25 22 45 12) ご指摘ありがとうございます。追加しました。 -- 管理人 (2011-05-28 14 15 55) ジープの運転手の名前はロックじゃなくてルークだったと思うんですが… -- 名無しさん (2011-12-08 19 05 03) Hold on! は 踏ん張れ、と訳すべき。 -- 名無しさん (2012-02-14 00 46 40) Price Have to trust someone to be betrayed. I never did. は、「裏切るために誰かを信用させるとは…俺には出来ない」ではないでしょうか？ -- 名無しさん (2013-09-07 00 36 23) MacTavish Roach? Ghost? Come in,Ghost! Do you copy? Does anyone copy? のところ。「ローチ！ゴースト！応答しろ、ゴースト！聞こえるか？誰もいないのか？」ぐらいが妥当か？ -- 名無しさん (2018-10-24 15 34 09) Have to trust someone to be betrayed. I never did. Price 裏切られるのが嫌なら誰も信用せんことだ、俺のようにな。 -- 名無しさん (2024-08-03 11 06 02) 誤送信。↑この訳文だとソープも含めた戦友たちすら信用していないってニュアンスになってしまう。戦場で命を預ける仲間を信用してないわけがないのでI never didの部分はI never trusted Shepherd(俺はヤツのことなど放っから信じていなかった)と訳すのが妥当。(DoではなくDidと過去形になっているのもプライスがその信条から常に誰も信用しないのではなくシェパードを信用していなかったことを強調するため)これを踏まえて訳すなら「裏切りには信用が前提となる。俺はそもそもヤツを信じていなかった。」とするのがいいかと。 -- 名無しさん (2024-08-03 11 14 22) 名前 コメント