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【登録タグ Ryuuuu S 巡音ルカ 曲】 作詞：Ryuuuu 作曲：Ryuuuu 編曲：Ryuuuu 唄：巡音ルカ 曲紹介 またまたこんにちわ笑 たまには立ち止まることも大切だと思います、とか言ってみます笑 連発失礼しました。でわ、、、。。(作者コメより転載) 歌詞 （動画より書き起こし） I (わたしね、) sometimes need myself to see how I am (時々自分がどんななのか、自分自身で見なきゃって思う) Coz (だってね、) nothing but breathing seems to be given to me (この世界では私には息をすることしか与えられてないと思うの) in the world Sittin' by the window (窓際にすわって) feelin' the wind blows (風が吹くのを感じてる) Oh…it feels so cold (、、、とても冷たい風) tell me why… (ねぇ、どうして？) I can't catch anybody's hand (誰の手も今ここで握れない理由を教えて) here right by my side Under the moonlight (月明かりの下、) I seach for my shodow (わたしの影を探すの) It's been so long time (長かった) It's been so long time (とても長かったわ) (Don't you know) Since I got alone (独りになってから) That meant there were so many ways (でもね、それは選ぶ道がとても多くあったということ。) Yeah I sometimes stop wolking (そして確かに、時々歩くのを止めるけれど) But it's not to run (それは走り出すためじゃなく、) look back on those days (過去を振り返るわけでもなく) Just to see where I am now (ただ、自分がいる場所を確かめるため。) Just to see my shadow (そして、自分の影を) I (わたしって、) used to cry all through the night (よく夜ずっと泣いていた。) Moon (月もね、) Why didn't you give me a piece of light (ほんの少しの光を射してくれたらよかったのに) All the things around me (わたしにまわりの色々なことが) seem to be in a hurry (なんか焦って早くしなきゃってなってるみたいで) That makes me want to know (それを見てると) if I should keep up or not (自分も追いつかなきゃいけないのかって、思うの) The answer is“No” (答えは“ノー”) Cold wind just blows… (まだ風は冷たいけれど、) This is not so bad (これも悪くはないわ) Under the moonlight (月明かりの下、) I seach for my shodow (わたしの影をさがすの。) (Chorus repat) I've actually ever believed in a fairytail (確かにね、おとぎ話を信じた事もあったの。 That can make me a little more beautiful (こんなわたしをもう少し綺麗にしてくれるようなね) To live this easily (そうしたら、この世界にも居やすくなって、) to make it easier (誰か素敵な人が) for a prince to find me (他の誰よりもわたしを見つけ出してくれる。。。) But this can't go that way (でもそんな風にいくわけないのよ) Lookin' at my shadow (自分の影を見たら、) I can see I'm a usual girl (わたしは普通の女の子だってわかる。) There's not need to be in a donce hall with a mirror ball (ミラーボール付きのダンスホールになんて要る必要ないの。) This is my stage (ここがわたしのステージ) this may be a privillage (特権かもね。) This is what I am (これがわたしだってこと。) (Chorus repat) コメント 追加おつ！ -- 名無しさん (2013-05-02 17 34 51) 追加おつです！ -- 名無しさん (2013-05-02 17 41 28) 名前 コメント
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Eames Design The Work of the Office of Charles and Ray Eames John NeuhartMarilyn NeuhartRay EamesCharles Eames Chicka Chicka Boom Boom Bill MartinJohn Archambault?Ray Charles?Lois Ehlert? Eames Furniture Journal (Eames) Charles EamesRay Eames Eames House Pacific Palisades 1949, Charles and Ray Eames (Architecture in Detail) James Steele? Eames Address Book (Eames) Lucia EamesCharles EamesRay Eames Ray Charles -- A Man and His Soul (Legendary Performance) Ray Charles? Painting Landscapes With Atmosphere An Artist's Essential Guide Ray Balkwill? The Work Of Charles And Ray Eames A Legacy Of Invention Donald Albrecht? Charles Ray Charles RayPaul Schimmel?Lisa PhillipsCalif.) Museum of Contemporary Art (Los Angeles? Diller + Scofido Eyebeam Museum of New Media / The Charles and Ray Eames Lecture Elizabeth Diller?Ricardo Scofidio?Keith Mitnick? Brother Ray Ray Charles' Own Story Ray Charles?David Ritz? New Hope for the Dead (Vintage Crime/Black Lizard) Charles Ray Willeford?James Lee Burke? Sideswipe A Novel (Vintage Crime/Black Lizard) Charles Ray Willeford?Lawrence Block? Miami Blues (Vintage Crime/Black Lizard) Charles Ray Willeford?Elmore Leonard Winesburg, Ohio Authoritative Text Backgrounds and Contexts Criticism (Norton Critical Editions) Sherwood Anderson?Charles E. Modlin?Ray Lewis White? The Handbook Of Blended Learning Global Perspectives, Local Designs Curtis Jay Bonk?Charles Ray Graham? Bright Minds, Beautiful Ideas Parallel Thoughts In Different Times Bruno Munari, Charles Ray Eames, Marti Guixe And Jurgen Bey Ed Annink?Ineke Schwartz? Gamma-Ray Bursts 4th Huntsville Symposium (Aip Conference Proceedings) Charles A. Meegan?Robert D. Preece?Thomas M. Koshut? Charles Ray Eames 1907-1978, 1912- 1988. Vorreiter der Nachkriegsmoderne Gloria Koenig? Charles Ray A Four Dimensional Being Writes Poetry on a Field of Sculpture Charles Ray The Acoustic Analysis of Speech Ray D. Kent?Charles Read? Ray and Charles Eames Parkett Charles Ray/Franz West (Parkett) Ray ?West? Charles Ray Charles RayLisa PhillipsPaul Schimmel? Constructive Furniture Jean Prouve?Ray EamesCharles Eames Ray Charles Sharon Bell Mathis?George Ford?Eida De LA Vega? Ray Charles Sharon Bell Mathis?George Ford? Ray Charles Man and Music Michael Lydon? Gender Inclusive Game Design Expanding the Market (Advances in Computer Graphics and Game Development Series) Sheri Graner Ray? Ray Charles Sharon Bell Mathis?George Ford? Course Notes and Workbook for Introduction to Sound Acoustics for the Hearing and Speech Sciences Charles E. Speaks?Monica Ray Zobits?Edward Carney? Ray Charles Man and Music Michael Lydon? Where We Stand Voices Of Southern Dissent Jimmy Carter?Charles Bussey?Dan Carter?Connie Curry?Leslie Dunbar?John Egerton?Paul M. Gaston?Sheldon Hackney?Laughlin McDonald?Gene Nichol? Ray Charles And the Birth of Soul (Lucent Library of Black History) Adam Woog? Cockfighter Charles Ray Willeford? California Osha Guide for the Construction Industry Regulations, Sample Plans, Forms H. Ray Kirk?Charles B. Lewis? The Woman Chaser Charles Ray Willeford? The Machine in Ward Eleven Charles Ray Willeford? Fifteen Things Charles Ray Teach Us Eames Office?Keith Yamashita? Man Who Elected Lincoln James Monaghan? Peak District (Official National Park Guide) Roly Smith?Ray Manley? National Park Guide the Peak District (Pevensey National Park 50th Anniversary Guides) Ian Mercer?Roly Smith?Ray Manley? Beggars of Life A Hobo Autobiography (Nabat) Jim Tully?Charles Ray Willeford? Interventions In Oncology (Sir Syllabus) Charles E., Jr., M.D. Ray?Marshall E., M.D. Hicks?Nilesh H., M.D. Patel? Pick-up Charles Ray Willeford? The Second Half of the Double Feature Charles Ray Willeford? The Second Half of the Double Feature Charles Ray Willeford? The Black Mass of Brother Springer Charles Ray Willeford? Uh Huh! The Story Of Ray Charles (Modern Music Masters) John Duggleby? Ray. Die Autobiographie Ray Charles?David Ritz? Ray Charles (Rock Roll Hall of Famers) Mark Beyer? The Difference Charles Ray Willeford? Susannah Spurgeon Free Grace and Dying Love Charles Ray Ray Charles Michael Lydon?Jools Holland? Ray Charles (Black American Series) Norman Winski? I Was Looking for a Street A Memoir Charles Ray Willeford? The Woman Chaser Charles Ray Willeford? Performs Janine Antoni, Charles Ray, Jana Sterbak Judith Tannenbaum? The Shark-Infested Custard A Novel of Crime, Vice, and Sex Charles Ray Willeford? The Black Mass of Brother Springer (Saturday Night Special) Charles Ray Willeford? High Priest of California Charles Ray Willeford? Atlas of Primate Gross Anatomy Baboon, Chimpanzee, and Man Daris Ray Swindler?Charles D. Wood? Dark Metropolis Irving Norman's Social Surrealism Michael Duncan?Charles C. Eldredge?Patricia Junker?Ray Day?Scott A. Shields? Kiss Your Ass Good-Bye Charles Ray Willeford? Michael Ray Charles Michael Ray Charles?Spike Lee?Calvin Reid? Writing Other Blood Sports Charles Ray Willeford? High Priest of California/Wild Wives Charles Ray Willeford? High Priest of California (Novel and Play; Wild Wives) Charles Ray Willeford? Michael Ray Charles, 1989-1997 An American Artist's Work Michael Ray Charles?Marilyn Kern-Foxworth?Don Bacigalupi? The Tarheel Connection An Environmental Romance Charles Ray Arrowhead Pieces Charles Ray Lance A Child's Garden of Evil Charles Ray Wild Wives Charles Ray Willeford? Charles R. Knight Autobiography of an Artist Ray Harryhausen?Ray Bradbury?Charles R. Knight?Mark Schultz?William Stout? The Life of a Network Newsreel Cameraman Charles Ray Ray's Boathouse Seafood Secrets of the Pacific Northwest Ken Gouldthorpe?Charles Ramseyer?Ray s Boathouse (Restaurant)?Angie Norwood Browne? Looking Through Lincoln Cents A Chronology of a Series (Chronology of a Series) Charles D. Daughtry?Ray Knight? Wild Wives and High Priest of California Charles Ray Willeford? Ray Charles Find Another Way! (Defining Moments) Susan Sloate? Shark-Infested Custard (Canongate Crime Classics) Charles Ray Willeford? Ray Charles Michael Lydon? Ray Charles the Birth of Soul Mike Evans? Ray Charles the Birth of Soul Mike Evans? Charles and Ray Eames (Design Monograph) Naomi Stungo? Charles and Ray Eames Naomi Stungo? Grand Street 59 Time (Grand Street , No 59) William S. Burroughs?Mike Davis?Charles RayNaguib Mahfouz?John Szarkowski? The Ray Dream Handbook (Mac and Windows) Craig A. Patchett?John W. Sledd? The Ray Dream Handbook John W. Sledd? Wild Wives Charles Ray Willeford? Foreign Office Architects The 2003 Charles and Ray Eames Lecture Watercolor for All A Practical Guide for Beginners Improvers Ray Campell Smith? English Naturalist from Neckam to Ray A Study of the Making of the Modern World Charles E. Raven? The Way We Die Now (Vintage Crime/Black Lizard) Charles Ray Willeford? The Shark-Infested Custard (Vintage Crime/Black Lizard) Charles Ray Willeford? Myocardial Laser Revascularization Charles R., M.D. Bridges?Keith A., M.D. Horvath?Ray Chu-Jeng Chiu? Ray Charles Young Musician (Childhood of Famous Americans) Susan Sloate?Meryl Henderson? Ray Music from the Motion Picture Soundtrack For Organs, Pianos Electronic Keyboarding (E-Z Play Today) Ray Charles? Ray Music from the Motion Picture Sounddtrack Ray Charles? Ray A Tribute to the Movie, the Music and the Man (Newmarket Pictorial Moviebooks (Hardcover)) Taylor Hackford?James L. White?Linda Sunshine?Jamie Foxx?Timothy Shaner?Nicola Goode? Mrs. C. H. Spurgeon Charles Ray Robert Bechtle A Retrospective Janet C. Bishop?Michael Auping?Jonathan Weinberg?Charles RayRobert Bechtle? John Ray The Naturalist His Life and Works (Cambridge Science Classics) Charles E. Raven? Exploring the X-Ray Universe Philip A. Charles?Frederick D. Seward? Conjure Tales Ray Anthony Shepard?Charles Waddell Chesnutt?John Ross?Clare Romano? Ray Charles (A Crowell Biography) Sharon Bell Mathis?George Ford? Music Listening Today Charles R. Hoffer?Mary Ray, Ph.D. Johnson? Office Automation Charles RayJanet J Palmer? Office Automation A Systems Approach/With IBM 5 1/4 Disk Charles M. Ray?Janet J. Palmer?Amy D. Wohl? Office Automation A Systems Approach Charles M. Ray? Office Automation A Systems Approach Charles M. Ray?Janet Palmer?Amy D. Wohl? Office Automation A Systems Approach Charles M. Ray?Janet J. Palmer?Amy D. Wohl? Closet Desire An Anthology of Hidden Erotica Jason Charles?Stephen Van Scoyoc?Susan Van Scoyoc?Ray Leaning? Ray Charles Sharon Mathis? A Computer Perspective Charles EamesRay EamesGlen Fleck?I. Bernard Cohen?Robert Staples? A Computer Perspective Background to the Computer Age Charles EamesRay Eames The Burnt Orange Heresy (Vintage Crime/Black Lizard) Charles Ray Willeford? Pick-Up (Vintage Crime/Black Lizard) Charles Ray Willeford? Cockfighter (Vintage Crime/Black Lizard) Charles Ray Willeford? Developing Style in Watercolour Ray Campbell Smith? Play Piano With Ray Charles Ray Charles Ray Charles (Piano Transcriptions) Woodturning and Design Ray Key? Eames House, Charles and Ray Eames Charles and Ray Eames (Architecture in Detail) James Steele? Twentieth-Century Houses Frank Lloyd Wright, Fallingwater ; Alvar Aalto, Villa Mairea ; Charles and Ray Eames, Eames House (Architecture 3s) Robert MaCarter? Watercolour for All Ray Campbell Smith? The Concise Ocean Navigator Guide A Study and Revision Aid for the Ray Shorebased Ocean Yachtmaster Course, Complete With Exercises and Test Questi (Concise Navigation) Mike Bowyer? Watercolour Work-Out 50 Landscape Projects from Choosing a Scene to Painting the Picture Ray Campbell Smith? Fresh Watercolour Bring Light and Life to Your Painting Ray Campbell Smith? Ray Campbell Smith's Way With Watercolour Exploring Landscape Painting Ray Campbell Smith? Fresh Watercolour Plusdeo Ray Campbell Smith? Watercolor Work-Out 50 Landscape Projects from Choosing a Scene to Painting the Picture Ray Campbell Smith? Developing Style in Watercolor Ray Campbell Smith? Classic Techniques for Watercolour Landscapes Ray Campbell Smith? Watercolour Plus... Ray Balkwill? Watercolour Plus ... Enhance Your Watercolours With Other Media Ray Balkwill? Ray Campbell Smith's Watercolour Landscapes Ray Campbell Smith? Painting Landscapes with Atmosphere, An Artist's Essential Guide Ray Balkwill? Black-and-White Photography in the Digital Age Tony Worobiec?Ray Spence? Middlemen in English Business, Particularly Between 1660-1760 Ray B. Westerfield? Classic Snooker Ray Reardon? Lawns (Penny Pinchers) Ray Edwards? Ray Reardon's Fifty Best Trick Shots Ray Reardon? Ray Reardon Ray Reardon?Peter Buxton? Wordless Workshop Ray Doty? Fresh Watercolour Bring Light and Life to Your Painting Ray Campbell Smith? Lumbar Spine Surgery Techniques and Complications Arthur H. White?Richard H. Rothman?Charles D. Ray? Central Venous Access Charles E., Jr. Ray? Basketball Brian Coleman?Peter Ray? Powers of Ten A Book About the Relative Size of Things in the Universe and the Effect of Adding Another Zero Philip Morrison?Phylis Morrison?Office of Charles and Ray Eames? Power of Ten A Flipbook Charles EamesRay Eames Powers of Ten A Book About the Relative Size of Things in the Universe and the Effect of Adding Another Zero Philip Morrison?Phylis Morrison?Office of Charles and Ray Eames? Osha Compliance Guide for Medical Employers Jennifer Busick?H. Ray Kirk?Kirk?Charles B. Lewis? Hill 488 Ray Hildreth?Charles W. Sasser? Ray Charles Man and Music Michael Lydon? Charles And Ray Eames Designers of the Twentieth Century Pat Kirkham? Ray Charles "I Was Born With Music Inside Me" (African-American Biography Library) Carin T. Ford? The Works of Edmund Spenser A Variorum Edition Faerie Qveene, Book Five (Works of Edmund Spenser) Edmund Spenser?Edwin Greenlaw?Charles Grosvenor Osgood?Frederick Morgan Padelford?Ray Heffner? Brother Ray Ray Charles' Own Story Ray Charles?David Ritz?Andrew L. Barnes? Brother Ray Ray Charles' Own Story Ray Charles?David Ritz?Andrew L. Barnes? Brother Ray Ray Charles' Own Story Ray Charles?David Ritz?Andrew L. Barnes? Brother Ray Ray Charles' Own Story Ray Charles?David Ritz?Andrew L. Barnes? The Burnt Orange Heresy Charles Ray Willeford? Marco Polo (Junior World Explorers) Charles Parlin Graves?Ray Keane? Ray Charles Voice of Soul (Great Achievers Lives of the Physically Challenged) David Ritz? Drugs, Society and Human Behavior Oakley Ray?Charles Ksir? Drugs, Society and Human Behavior Oakley Stern Ray?Charles Ksir? Drugs, Society and Human Behavior Oakley S. Ray?Charles Ksir? The Works of Edmund Spenser The Faerie Queen (Works of Edmund Spenser) Edmund Spenser?Edwin Greenlaw?Charles Grosvenor Osgood?Frederick Morgan Padelford?Ray Heffner? The Works of Edmund Spenser The Minor Poems (The Works of Edmund Spenser a Variorum Edition, 8) Edmund Spenser?Edwin Greenlaw?Charles Grosvenor Osgood?Frederick Morgan Padelford?Ray Heffner? The Works of Edmund Spenser Index to the Poetry (Works of Edmund Spenser) Edmund Spenser?Edwin Greenlaw?Charles Grosvenor Osgood?Frederick Morgan Padelford?Ray Heffner? The Civil War in the Western Territories Arizona, Colorado, New Mexico and Utah Ray Charles Colton? The Work of Charles and Ray Eames A Legacy of Invention Beatriz Colomina?Joseph Giovannini?Alan Lightman?Helene Lipstadt?Philip Morrison?Phylis Morrison?Vitra Design Museum?Donald Albrecht? Eames Sketchbook (Eames) Charles EamesRay Eames Eames Textile Patterns A Stationery Collection 30 Sheets and 30 Envelopes [Letter Set] http //logbord.lolipop.jp/asin/Books/0811833402/? Charles EamesRay Eames Cafe Purgatorium Dana M. Anderson?Charles De Lint?Ray Garton? Drugs, Society, and Human Behavior Oakley Ray?Charles Ksir? Back There Where the Past Was A Small-Town Boyhood Ray Bradbury?Charles Champlin? The Legacy of Ancient Egypt (Facts on File's Legacies of the Ancient World) Charles Freeman?J. D. Ray? Euv X Ray and Gamma Ray Instrumentation for Astronomy and Atomic Physics 7-11 August 1989 San Diego, California (Proceedings of S P I E) Charles J. Hailey?Oswald H. W. Siegmund? Saint Anthony of Padua Fire and Light (Encounter the Saints Series, 1) Margaret Charles Kerry?Mary Elizabeth Tebo?Ray Morelli? Gold Fever America's First Gold Rush (Georgia History and Culture Series) Ray Charles Rensi?H. David Williams? Soul An Archaeology Readings from Socrates to Ray Charles Phil Cousineau? Soul An Archaeology Readings from Socrates to Ray Charles Phil Cousineau? Drugs, Society, and Human Behavior Oakley Stern Ray?Oakl Ray?Charles Ksir? Drugs, Society and Human Behavior Oakley S. Ray?Charles Ksir? Drugs, Society, and Human Behavior With Powerweb Oakley Ray?Charles Ksir? Drugs, Society, and Human Behavior Oakley S. Ray?Charles Ksir? High Definition Dvd Handbook Producing for Hd-dvd and Blu-ray Disc Mark Johnson?Charles Crawford?Christen Armbrust? When the Boys Came Out to Play Ray Salisbury? Drugs, Society And Human Behavior Charles Ksir?Oakley Stern Ray?CARL L. HART?Charles. Ksir? Drugs, Society and Human Behavior Oakley S. Ray?Charles Ksir? Drugs, Society, And Human Behavior Charles Ksir?Carl L. Hart?Oakley S. Ray? The Illustrator and the Book in England from 1790 to 1914 Gordon N. Ray?Thomas V. Lange?Charles V. Passela? Chicago Architecture Histories, Revisions, Alternatives (Chicago Architecture and Urbanism) Charles Waldheim?Katerina Ruedi Ray?Katerina Ruedi? Chicago Architecture Histories, Revisions, Alternatives (Chicago Architecture and Urbanism) Charles Waldheim?Katerina Ruedi Ray? Advances in X-Ray Analysis Proceedings of the 29th Conference (Advances in X-Ray Analysis) Charles S. Barrett? Birds of the Air Ray Salisbury? Study Guide to Accompany Economics of Social Issues Ansel M. Sharp?Charles A. Register?Paul W. Grimes?Margaret A. Ray? Charles and Ray Eames Designers of the Twentieth Century Pat Kirkham? Charles and Ray Eames Designers of the Twentieth Century Pat Kirkham? Advances in X-ray Analysis Charles S Barrett? Advances in X-ray Analysis Charles S Barrett? Miami Blues Charles Ray Willeford? Advances in X-Ray Analysis (Advances in X-Ray Analysis) Charles S. Barrett?Paul K. Predecki?Donald E. Leyden? Advanced Scanning Electron Microscopy and X-Ray Microanalysis Dale E. Newbury?David C. Joy?Patrick Echlin?Charles E. Fiori?Joseph I. Goldstein? Advances in X-Ray Analysis (Advances in X-Ray Analysis) Charles S. Barrett? Advances in X-Ray Analysis (Advances in X-Ray Analysis) Charles S. Barrett? Advances in X-Ray Analysis (Advances in X-Ray Analysis) Charles S. Barrett? Advances in X-Ray Analysis (Advances in X-Ray Analysis) Charles S. Barrett?John V. Gilfrich?Ron Jenkins?Ting C. Huang?Pred? Scanning Electron Microscopy, X-Ray Microanalysis, and Analytical Electron Microscopy A Laboratory Workbook Charles E. Lyman? Advances in X-Ray Analysis (Advances in X-Ray Analysis) Charles S. Barrett?John V. Gilfrich?Ting C. Huang?Ron Jenkins? Advances in X-Ray Analysis (Advances in X-Ray Analysis) Charles S. Barrett? Advances in X-Ray Analysis (Advances in X-Ray Analysis) Charles S. Barrett?John V. Gilfrich?Ting C. Huang?Ron Jenkins? Advances in X-Ray Analysis Proccedings of the Forty-Second Annual Conference on Applications of X-Ray Analysis Held in Denver, Colorado, August 2-6 (Advances in X-Ray Analysis) John V. Gilfrich?Charles C. Goldsmith? Advances in X-Ray Analysis (Advances in X-Ray Analysis) Paul K. Predecki?D. Keith Bowen?John V. Gilfrich?Charles C. Goldsmith?Ting C. Huang?Ron Jenkins?I. Cev Noyan?Deane K. Smith? Brother Ray Ray Charles' Own Story Ray Charles?David Ritz? Brother Ray Ray Charles' Own Story Ray Charles?David Ritz? Sideswipe Charles Ray Willeford? Scanning Electron Microscopy and X-Ray Microanalysis Joseph Goldstein?Dale E. Newbury?Patrick Echlin?David C. Joy?Charles Fiori?Eric Lifshin? Cafe Purgatorium Dana M. Anderson?Charles De Lint?Ray Garton? New Hope for the Dead Charles Ray Willeford? Sideswipe Charles Ray Willeford? Miami Blues Charles Ray Willeford? New Hope for the Dead Charles Ray Willeford? Justice and the Media Issues and Research Ray Surette? Something About a Soldier Charles Ray Willeford? Way We Die Now Charles Ray Willeford? Architectural Graphic Standards 1993 Cumulative Supplement (Architectural Graphic Standards) Charles George Ramsey?Harold Reeve Sleeper?John Ray Hoke? The Way We Die Now Charles Ray Willeford? Dermatology for Students Ray O. Noojin? The Parent of the Handicapped Child The Study of Child-Rearing Practices Ray H. Barsch? Something About a Soldier Charles Ray Willeford? The Fundamentals of X-Ray and Radium Physics Joseph Selman? X-Ray Imaging Equipment An Introduction Euclid Seeram? X-ray Repair A Comprehensive Guide To The Installation And Servicing Of Radiographic Equipment Joseph J. Panichello? X-Ray Repair A Comprehensive Guide to the Installation and Servicing of Radiographic Equipment Joseph P. Panichello? Sideswipe Charles Ray Willeford? X-ray Repair A Comprehensive Guide To The Installation And Servicing Of Radiographic Equipment Joseph J. Panichello? Handbook of Counselling in Britain Windy Dryden?David Charles-Edwards?Ray Woolfe?British Association for Counselling? Ray Charles Man and Music Michael Lydon? The Shark-Infested Custard Charles Ray Willeford? X-Ray Repair A Comprehensive Guide to the Installation and Servicing of Radiographic Equipment Joseph J. Panichello? Architectural Graphic Standards (9th Edition) Charles Ramsey?Harold Sleeper?John Ray Hoke? Brother Ray Ray Charles' Own Story Ray Charles?David Ritz? New Hope for the Dead Charles Ray Willeford? The Way We Die Now Charles Ray Willeford? Miami Blues Charles Ray Willeford? Architectural Graphic Standards 1995 Supplement (Architectural Graphic Standards) Charles George Ramsey?John Ray Hoke? Traditional Details for Building Restoration, Renovation, and Rehabilitation From the 1932-1951 Editions of Architectural Graphic Standards Charles George Ramsey?John Ray Hoke?John Belle?Harold Reeve Sleeper?Stephen A. Kliment? Architectural Graphic Standards Charles G. Ramsey?Sleeper Harold R. John Ray? Architectural Graphic Standards (Architectural Graphic Standards) Charles George Ramsey?Harold Reeve Sleeper?John Ray Hoke? Architectural Graphic Standards Charles George Ramsey?John Ray Hoke? Architectural Graphic Standards Charles George Ramsey?Harold Reeve Sleeper?John Ray Hoke? Scanning Electron Microscopy and X-Ray Microanalysis Dale E. Newbury?Patrick Kchlin?David C. Joy?Charles E. Lyman?Eric Lifshin?Linda Sawyer?Joseph R. Michael?Joseph I. Goldstein? Exploring Ray Tracing Animation Photorealism, Fractals, 3d Modeling C. Watkins? Eames Chairs (Eames) Charles EamesRay Eames The Collected Memoirs of C. Willeford I Was Looking for a Street Something About a Soldier Charles Ray Willeford? Applications of Low-Energy X Gamma Rays Charles A. Ziegler? X-ray Interpretation for the MRCP Charles R K Hind? The Evolution of X-Ray Binaries College Park, MD October 1993 (Aip Conference Proceedings) Stephen S. Holt?Charles S. Day? Roy Ray John Charles Clark? Office Automation Charles RayJanet J Palmer? You Are the Voice Ray Charles With CD (You Are the Voice) Brother Ray (Raven S) Ray Charles?David Ritz? Lord Charles Wine Guide Ray Alan? Conspiracy and Tragedy of Charles, Duke of Byron George Chapman?George Ray? Brother Ray Ray Charles?David Ritz? Wild Wives (Vintage Crime/Black Lizaed) Charles Ray Willeford? Drugs, Society, and Human Behavior Charles J Ksir?Carl L Hart?Oakley S Ray? The Legacy of Ancient Egypt Charles Freeman?John D. Ray? X-Ray Interpretation for Mrcp Charles Robert Keith Hind? X-ray Interpretation for Membership of the Royal College of Physicians Charles R K Hind? High Priest of California The Novel and a Play Charles Ray Willeford? Charles Ray Interviews by Lucinda Barnes and Dennis Cooper Charles Ray Unchain My Heart The Ray Charles Story (Newmarket Pictorial Moviebooks (Paperback)) James L. White? Cockfighter Charles Ray Willeford? Zero Tolerance (Choice in Welfare) Ray Mallon?William Bratton?Charles Pollard?John Orr?William Griffiths? Brother Ray Ray Charles Own Story Ray Charles?David Ritz? 1, 2 Timothy, Titus Philemon Goals To Godliness Charles Ray Ray Charles Voice of Soul (Great Achievers Lives of the Physically Callenged) David Ritz? The Merrill Studies in Winesburg, Ohio (Charles E. Merrill Program in American Literature) Ray Lewis White? Ray Charles Musician Handbook of Counselling in Britain Windy Dryden?David Charles-Edwards?Ray Woolfe?British Association for Counselling? Ray Charles Soul Man (Newsmakers) Ruth Turk? Ray Charles with the Voices of Jubilation Choir Ray Charles?Jubilation Choir? Watercolour for All Plusdeo Ray Campbell Smith? Eames House An Appreciation of the Work of Charles Ray Eames James Barkeley? Heavy Duty Drivetrains The System and Component Application (S P (Society of Automotive Engineers)) Charles R. Jones? A Marvelous Ministry Charles Ray Planning the New Garden (Penny Pinchers) Ray Edwards? Narrative and the Legal Discourse (Legal Semiotics Monographs) David Ray Papke? Deliver Me from Dallas Charles Ray Willeford? Choosing and Caring for Garden Shrubs (Penny Pinchers) Ray Edwards? 2000X Tales of the Next Milennia (Fantastic Audio) Ray Bradbury?Kurt Vonnegut?Robert A. Heinlein?Harlan Ellison?Richard Dreyfuss?Charles Durning?Arte Johnson? Charles Ray Bruce W Ferguson? Understudy for Death Charles Ray Willeford? Sea Angling from the Shore Ray Forsberg? 2000X Tales of the Next Millennia (Fantastic Audio Series) Fredric Brown?Octavia E. Butler?Karel Capek?Harlan Ellison?Robert A. Heinlein?Moore. C. L.?A. E. Van Vogt?Kurt Vonnegut?Connie Willis?Ray Bradbury? Die Welt Von Charles Und Ray Eames D Albrecht? Ray Charles. What I say. Der Hohepriester des Soul Ray Charles?David Ritz? Eames Fabric Design Journal (Eames) Charles EamesRay Eames Drugs Society and Human Behavior Oakley S. Ray?Charles Ksir? Eames 2004 Engagement Calendar Charles EamesRay Eames Architectural Graphic Standards 1997 Cumulative Supplement (Supplement to the 9th ed) Harold Reeve Sleeper?Charles George Ramsay?John Ray, Jr Hoke? Architectural Graphic Standards 1998 Cumulative Supplement (Architectural Graphic Standards Cumulative Supplement) John Ray Hoke?Charles George Ramsey?Harold Reeve Sleeper? Advents- Kalender Charles Dickens Weihnachtsmaerchen. Adventskalender mit 24 klitzekleinen Christbaumbuechern Miriam Thielemann?Ray Bartkus? Exploring the X-Ray Universe Philip A. Charles?Frederick D. Seward? Zehn hoch. Dimensionen zwischen Quarks und Galaxien Philip Morrison?Phylis Morrison?Charles EamesRay. Eames? 15 Things Charles and Ray Teach Us Keith Yamashita? The Collected Memoirs of C. Willeford Charles Ray Willeford? Architectural Graphic Standards Charles G. Ramsey?Harold R. Sleeper?John Ray Hoke?Anthony Lewandowdki? Epa Compliance Guide for Hazardous Waste Ray H. Kirk?H. Ray Kirk?Charles Lewis?
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チャチャポヤス・ケチュア語 ｜Quechuan languages｜ 言語類型 現用言語 使用文字 type living language writing system ISO 639-3 【quk】 言語名別称 alternate names Amazonas 方言名 dialect names Grenada-Mendoza (East Chachapoyas) La Jalca (South Chachapoyas) Lamud (West Chachapoyas) Llakwash Chachapoyas 参考文献 references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue Wikipedia ウィキペディア
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販売元 YAMAHA MUSIC COMMUNICATIONS DVD発売日 2009/09/23 解説 長い間DVD化が望まれていた90年代のチャゲアスのライブがついにDVD BOXとなって発売決定！「SEE YA」を携えてのツアー、大ブレイク前夜のSEE YAツアー'91年「太陽と埃の中で I」、「太陽と埃の中で II」、C A史上最大規模のスケールとセットで開催された'94年「史上最大の作戦 THE LONGEST TOUR 1993-1994」、台北にて2日間で4万人を動員した'95年「ASIAN TOUR IN TAIPEI」をなんと、DVD未収録曲を加えたコンサート全曲収録版で発売！ 収録曲 CHAGE ASKA ASIAN TOUR IN TAIPEI 01 HEART 02 Love Affair 03 BROTHER 04 ある晴れた金曜日の朝 05 HANG UP THE PHONE 06 SAY YES 07 You are free 08 紫陽花と向日葵 09 男と女 10 何日君再来 11 めぐり逢い 12 PRIDE 13 Something There 14 Mr.ASIA 15 モナリザの背中よりも 16 僕はこの瞳で嘘をつく 17 YAH YAH YAH 18 can do now 19 ロマンシング ヤード 20 LOVE SONG 21 On Your Mark CHAGE AND ASKA CONCERT TOUR 1990-1991“SEE YA!” 01 DO YA DO 02 Love Affair 03 黄昏を待たずに 04 YELLOW MEN 05 ゼロの向こうの GOOD LUCK 06 LOVE SONG 07 風のライオン 08 Reason 09 Primrose Hill 10 男と女 11 僕は僕なりの 12 水の部屋 13 SOME DAY 14 モーニング ムーン 15 あきらめのBlue Day 16 BELIEVE IT? 17 モナリザの背中よりも 18 ロマンシング ヤード 19 PRIDE 20 太陽と埃の中で CHAGE AND ASKA 史上最大の作戦 THE LONGEST TOUR 1993-1994 01 夜明けは沈黙のなかへ 02 なぜに君は帰らない 03 GUYS 04 SAY YES 05 CATCH RELEASE 06 HANG UP THE PHONE 07 LOVE SONG 08 no no darlin’ 09 TAO 10 You are free 11 螢 12 今夜ちょっとさ 13 Sons and Daughters～それより僕が伝えたいのは 14 RED HILL 15 THE TIME 16 Mr.Jの悲劇は岩より重い 17 僕はこの瞳で嘘をつく 18 YAH YAH YAH 19 ロマンシング ヤード 20 PRIDE 21 野いちごがゆれるように
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CHRISTCHURCH [クライストチャーチ] CHRISTCHURCH は OCEANIA に位置する人口約 0.38 millionの都市。 CHRISTCHURCH Airportは Class 1 の空港。 “THE CHRISTCHURCH AIRPORT IS USED AS A TAKE-OFF POINT FOR THE MAIN SUPPLY ROUTE TO MCMURDO AND SCOTT BASES IN ANTARCTICA.” OPEN(coins) 2905coins 宣伝(coins) 12905coins レベル1 レベル2 レベル3 アップグレードコスト(coins) - 5810 8715 LAYOVERS 5 10 15 CLOSE時の払戻(coins) 1452 4357 8715 空港 一覧 AFRICA [アフリカ] AL FASHIR・ALGIERS・BAMAKO・BEIRA・BENGHAZI・CAIRO・CAPE TOWN・CASABLANCA・DAKAR・DJIBOUTI・DURBAN・HARARE・IN SALAH・JOHANNESBURG・JUBA・KADUNA・KAMPALA・KANANGA・KHARTOUM・KINSHASA・KISANGANI・LAGOS・LILONGWE・LIVINGSTONE・LOBITO・MAHAJANGA・MOGADISHU・MOMBASA・MONROVIA・NAIROBI・PORT ELIZABETH・PORT SUDAN・TIMBUKTU・TRIPOLI・WINDHOEK・ZANZIBAR ASIA [アジア] ADEN・AHMEDABAD・ANADYR・BAGHDAD・BANGALORE・BANGKOK・BEIJING・BUTWAL・CEBU・CHENGDU・DELHI・DHAKA・GUANGZHOU・HANOI・HARBIN・HONG KONG・HYDERABAD・ISTANBUL・JAKARTA・JERUSALEM・KABUL・KANDAHAR・KARACHI・KOLKATA・KUCHING・KUWAIT CITY・LHASA・MAGADAN・MANILA・MUMBAI・MUSCAT・NAGASAKI・NANPING・NORILSK・NOVOSIBIRSK・OSAKA・PADANG・PALU・PEVEK・PORT MORESBY・RANGOON・RIYADH・SAPPORO・SENDAI・SEOUL・SHANGHAI・SHENYANG・SINGAPORE・TAIPEI・TEHRAN・TIKSI・TOKYO・ULAN BATOR・URUMQI・VLADIVOSTOK・XI AN・XINING・YAKUTSK・YINCHUAN EUROPE [ヨーロッパ] AMSTERDAM・ATHENS・BARCELONA・BEIRUT・BELFAST・BELGRADE・BERGEN・BERLIN・BERN・BORDEAUX・BRUSSELS・BUCHAREST・COPENHAGEN・CORDOBA(SPAIN)・GLASGOW・HAMMERFEST・HELSINKI・KIEV・LISBON・LONDON・LULEA・LYON・MADRID・MANCHESTER・MINSK・MOSCOW・MUNICH・MURMANSK・NAPLES・OSLO・OULU・PARIS・PERM・PRAGUE・REYKJAVIK・RIGA・ROME・ST.PETERSBURG・STOCKHOLM・TBILISI・TRONDHEIM・VENICE・VIENNA・VOLGOGRAD・WARSAW NORTH AMERICA [北アメリカ] ANCHORAGE・ATLANTA・BARROW・BISMARCK・BOSTON・CALGARY・CANCUN・CHARLESTON・CHICAGO・CHIHUAHUA・CINCINNATI・DALLAS・DENVER・DETROIT・EDMONTON・FAIRBANKS・GOOSE BAY・GUATEMALA・HAVANA・HILO・HONOLULU・HOUSTON・INUVIK・IQALUIT・JUNEAU・KANSAS CITY・KETCHIKAN・LAS VEGAS・LOS ANGELES・MEXICO CITY・MIAMI・MINNEAPOLIS・MONTERREY・MONTREAL・NEW ORLEANS・NEW YORK・NOME・NUUK・OAXACA・ORLANDO・OTTAWA・PANAMA CITY・PHILADELPHIA・PHOENIX・PORTLAND・QUEBEC・SALT LAKE CITY・SAN DIEGO・SAN FRANCISCO・SAN JOSE・SANTO DOMINGO・SASKATOON・SEATTLE・SPOKANE・ST.LOUIS・THUNDER BAY・TORONTO・VANCOUVER・WASHINGTON DC・WHITEHORSE・WINNIPEG・YELLOWKNIFE SOUTH AMERICA [南アメリカ] ARAGUAINA・ASUNCION・BARILOCHE・BELEM・BOGOTA・BRASILIA・BUENOS AIRES・CAMPO GRANDE・CARACAS・CORDOBA(ARGENTINA)・CUIABA・CUZCO・EASTER ISLAND・FORTALEZA・GEORGETOWN・IQUITOS・LA PAZ・LIMA・MANAUS・PORTO VELHO・PUNTA ARENAS・QUITO・RECIFE・RIO DE JANEIRO・SALVADOR・SANTIAGO・SAO PAULO・TERESINA OCEANIA [オセアニア] ADELAIDE・ALICE SPRINGS・AUCKLAND・BRISBANE・BROKEN HILL・BROOME・CAIRNS・CHRISTCHURCH・DARWIN・GERALDTON・HOBART・KALGOORLIE・KATHERINE・MELBOURNE・MOUNT ISA・NEWMAN・PERTH・PORT HEDLAND・ROCKHAMPTON・SYDNEY・WELLINGTON
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【Tags Machigerita-P Ryouhei Z tT】 Original Music title ザタワーオブデカダン English music title The Tower of Dcadent Romaji music title Za Tawaa Obu Dekadan Music Lyrics written, Voice edited by 涼平(Ryouhei), マチゲリータP (Machigerita-P) Music arranged by 涼平(Ryouhei), マチゲリータP (Machigerita-P) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by nori46)： Going up the inexhaustible and endless stairs. I didn't know it's so hard to go up the spiky and edgy steps like this. (They should build steps that is easier to go up) I'll take you around, who looks sleepy I'll act like a decadent and read poems I quote Lange On the subhighway, shaken by the torch that goes around, the two of us are alone "Blue, darkening me, To you who are beautiful. What should I do!?" I started to tremble and got nervous I distress myself by wondering if I want to run away from the tower like this at heart The lights are gorgeous. At the moss-covered wall. The decorated people nod in frames. Shaken by the dazzling torch, the two of us are alone We walk as we want to reach the top. I'm still trembling. The words of yours that look sleepy are like a passage on a torn page In the subspace, we reached the top. The two who are going up look down the bottom that looks smaller. We view the forest like a miniature we see through the glass "I wish everything quietly stopped as it is. (Just except us)" Before the last step, we hold the hand of each other's And the door opens. Romaji lyrics (transliterated by nori46)： mujinzou, owari nai kaidan wo nobotte. togetoge de igaiga no, dansa tte kon'na tsurai to wa ne. nemutasouna kimi wo hikitsuremawashite, dekadan-ha kidotte shi wo yomou. range wo haishaku. akousoku, mawaru taimatsu ni yurarete, futari kiri de sa. "ao, kurozumu boku, utsukushii kimi e. doushiyou!" furuete dogimagishitekita, kon'na tou kara hontou wa nigedashi taku nai no ka, boku wa nayamu. akari ga ne, kirabiyaka. kokemushita kabegiwa. kazarareta hitotachi wa gakubuchi no naka de unazuku yo. mekurumeku taimatsu ni yurarete, futari kiri de sa. choujou ni tadoritsukitakute aruku. mada furuetsuzukeru boku, nemutasouna kimi no kotoba wa chigireta pe-ji no issetsu mitai da. akuukan, tsuita choujou. noboru futari wa chiisakunatta saikasou wo nozoku. garasugoshi ni mieru minichua no youna mori wo nazotte, "kono mama subete tomareba ii noni, shizukani ne. saigo no dansa no mae de, te wo tsunagi, doa wa hiraku. [Ryouhei, Machigerita-P, MachigeriitaP, MachigeritaP, Machigeriita-P]
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Olympic Charter http //www.olympic.org/Documents/Olympic%20Charter/Charter_en_2010.pdf Chapter 1 The Olympic Movement and its Action 7 Rights over the Olympic Games and Olympic properties* (P.20) 2. The Olympic symbol, flag, motto, anthem, identifications (including but not limited to “Olympic Games” and “Games of the Olympiad”), designations, emblems, flame andtorches, as defined in Rules 8-14 below, shall be collectively or individually referred toas “Olympic properties”. All rights to any and all Olympic properties, as well as all rightsto the use thereof, belong exclusively to the IOC, including but not limited to the use forany profit-making, commercial or advertising purposes. ＞The IOC may license all or part of its rights on terms and conditions set forth by the IOC Executive Board. Chapter 5 The Olympic Games 41 Eligibility Code* Bye-law to Rule 41 (P.81) 3. Except as permitted by the IOC Executive Board, no competitor, coach, trainer or official who participates in the Olympic Games may allow his person, name, picture or sports performances to be used for advertising purposes during the Olympic Games. 51 Advertising, Demonstrations, Propaganda* (P.98) 2. No form of advertising or other publicity shall be allowed in and above the stadia, venues and other competition areas which are considered as part of the Olympic sites. Commercial installations and advertising signs shall not be allowed in the stadia, venues or other sports grounds. Bye-law to Rule 51 1. No form of publicity or propaganda, commercial or otherwise, may appear on persons, on sportswear, accessories or, more generally, on any article of clothing or equipment whatsoever worn or used by the athletes or other participants in the Olympic Games, except for the identification as defined in paragraph 8 below of the manufacturer of the article or equipment concerned, provided that such identification shall not be marked conspicuously for advertising purposes. Any violation of the provisions of the present clause may result in disqualification or withdrawal of the accreditation of the person concerned. The decisions of the IOC Executive Board regarding this matter shall be final. 45 Invitations and Entries* Bye-law to Rule 45 (P.84-85) 6. Any participant in the Olympic Games in whatever capacity must sign the following declaration “Understanding that, as a participant in the Olympic Games, I am participating in an exceptional event which has ongoing international and historical significance, and in consideration of the acceptance of my participation therein, I agree to be filmed, televised, photographed, identified and otherwise recorded during the Olympic Games under the conditions and for the purposes now or hereafter authorised by the International Olympic Committee (“IOC”) in relation to the promotion of the Olympic Games and Olympic Movement. I also agree to comply with the Olympic Charter currently in force, in particular, with the provisions of the Olympic Charter regarding eligibility for the Olympic Games (including Rule 41 and its Bye-law), the mass media (Rule 49), and the allowable trademark identification on clothing and equipment worn or used at the Olympic Games (Bye-law to Rule 51). I also agree that any dispute arising on the occasion of or in connection with my participation in the Olympic Games shall be submitted exclusively to the Court of Arbitration for Sport, in accordance with the Code of Sports-Related Arbitration (Rule 59). I also agree to comply with the World Anti-Doping Code and with the IOC Code of Ethics. All relevant and applicable provisions and rules have been brought to my attention by my National Olympic Committee and/or my National Sports Federation or International Sports Federation.” 7. The relevant NOC shall also sign the declaration referred to in paragraph 6 above to confirm and guarantee that all the relevant rules have been brought to the notice of the competitor and that the NOC has been authorised by the National Sports Federation concerned to sign the entry form on its behalf, with the approval of the relevant IF. 8. No entry shall be valid unless the above provisions have been observed.
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CHAPTER V UP CHAPTER VII CHAPTER VI Marilla Makes Up Her Mind Get there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you re the last folks I was looking for today, but I m real glad to see you. You ll put your horse in? And how are you, Anne?" "I m as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we ll stay a little while to rest the mare," said Marilla, "but I promised Matthew I d be home early. The fact is, Mrs. Spencer, there s been a queer mistake somewhere, and I ve come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don t say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn t she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I m dreadful sorry," said Mrs. Spencer. "It s too bad; but it certainly wasn t my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I ve often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they ll take her back, won t they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don t think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she d sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential." Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies. "Well, I ll go in and we ll talk the matter over," she said. "And if there isn t Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don t wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn t keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there s been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you re still of the same mind you were yesterday, I think she ll be just the thing for you." Mrs. Blewett darted her eyes over Anne from head to foot. "How old are you and what s your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I m eleven years old." "Humph! You don t look as if there was much to you. But you re wiry. I don t know but the wiry ones are the best after all. Well, if I take you you ll have to be a good girl, you know--good and smart and respectful. I ll expect you to earn your keep, and no mistake about that. Yes, I suppose I might as well take her off your hands, Miss Cuthbert. The baby s awful fractious, and I m clean worn out attending to him. If you like I can take her right home now." Marilla looked at Anne and softened at sight of the child s pale face with its look of mute misery--the misery of a helpless little creature who finds itself once more caught in the trap from which it had escaped. Marilla felt an uncomfortable conviction that, if she denied the appeal of that look, it would haunt her to her dying day. More- over, she did not fancy Mrs. Blewett. To hand a sensitive, "highstrung" child over to such a woman! No, she could not take the responsibility of doing that! "Well, I don t know," she said slowly. "I didn t say that Matthew and I had absolutely decided that we wouldn t keep her. In fact I may say that Matthew is disposed to keep her. I just came over to find out how the mistake had occurred. I think I d better take her home again and talk it over with Matthew. I feel that I oughtn t to decide on anything without consulting him. If we make up our mind not to keep her we ll bring or send her over to you tomorrow night. If we don t you may know that she is going to stay with us. Will that suit you, Mrs. Blewett?" "I suppose it ll have to," said Mrs. Blewett ungraciously. During Marilla s speech a sunrise had been dawning on Anne s face. First the look of despair faded out; then came a faint flush of hope; here eyes grew deep and bright as morning stars. The child was quite transfigured; and, a moment later, when Mrs. Spencer and Mrs. Blewett went out in quest of a recipe the latter had come to borrow she sprang up and flew across the room to Marilla. "Oh, Miss Cuthbert, did you really say that perhaps you would let me stay at Green Gables?" she said, in a breathless whisper, as if speaking aloud might shatter the glorious possibility. "Did you really say it? Or did I only imagine that you did?" "I think you d better learn to control that imagination of yours, Anne, if you can t distinguish between what is real and what isn t," said Marilla crossly. "Yes, you did hear me say just that and no more. It isn t decided yet and perhaps we will conclude to let Mrs. Blewett take you after all. She certainly needs you much more than I do." "I d rather go back to the asylum than go to live with her," said Anne passionately. "She looks exactly like a--like a gimlet." Marilla smothered a smile under the conviction that Anne must be reproved for such a speech. "A little girl like you should be ashamed of talking so about a lady and a stranger," she said severely. "Go back and sit down quietly and hold your tongue and behave as a good girl should." "I ll try to do and be anything you want me, if you ll only keep me," said Anne, returning meekly to her ottoman. When they arrived back at Green Gables that evening Matthew met them in the lane. Marilla from afar had noted him prowling along it and guessed his motive. She was prepared for the relief she read in his face when he saw that she had at least brought back Anne back with her. But she said nothing, to him, relative to the affair, until they were both out in the yard behind the barn milking the cows. Then she briefly told him Anne s history and the result of the interview with Mrs. Spencer. "I wouldn t give a dog I liked to that Blewett woman," said Matthew with unusual vim. "I don t fancy her style myself," admitted Marilla, "but it s that or keeping her ourselves, Matthew. And since you seem to want her, I suppose I m willing--or have to be. I ve been thinking over the idea until I ve got kind of used to it. It seems a sort of duty. I ve never brought up a child, especially a girl, and I dare say I ll make a terrible mess of it. But I ll do my best. So far as I m concerned, Matthew, she may stay." Matthew s shy face was a glow of delight. "Well now, I reckoned you d come to see it in that light, Marilla," he said. "She s such an interesting little thing." "It d be more to the point if you could say she was a useful little thing," retorted Marilla, "but I ll make it my business to see she s trained to be that. And mind, Matthew, you re not to go interfering with my methods. Perhaps an old maid doesn t know much about bringing up a child, but I guess she knows more than an old bachelor. So you just leave me to manage her. When I fail it ll be time enough to put your oar in." "There, there, Marilla, you can have your own way," said Matthew reassuringly. "Only be as good and kind to her as you can without spoiling her. I kind of think she s one of the sort you can do anything with if you only get her to love you." Marilla sniffed, to express her contempt for Matthew s opinions concerning anything feminine, and walked off to the dairy with the pails. "I won t tell her tonight that she can stay," she reflected, as she strained the milk into the creamers. "She d be so excited that she wouldn t sleep a wink. Marilla Cuthbert, you re fairly in for it. Did you ever suppose you d see the day when you d be adopting an orphan girl? It s surprising enough; but not so surprising as that Matthew should be at the bottom of it, him that always seemed to have such a mortal dread of little girls. Anyhow, we ve decided on the experiment and goodness only knows what will come of it." CHAPTER V UP CHAPTER VII 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 31 34 (Tue)
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マワ語 ｜Afro-Asiatic languages｜Chadic languages｜ 言語類型 現用言語 使用文字 --- type living language writing system --- ISO 639-3 【mcw】 言語名別称 alternate names Mahoua Mahwa 方言名 dialect names 参考文献 references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue Wikipedia