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The Brownes Go on Holiday (Living Earth) Macmillan Education Ltd? Terry Jennings? MacmillanEducationLtd? TerryJennings? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Environment&Ecology-Fiction? Subjects-Nonfiction-Education-Reference-Words&Language-Readers? Subjects-Reference-Words&Language-Readers? Manu's Beetles (Living Earth) Macmillan Education Ltd? David Hunt MacmillanEducationLtd? DavidHunt? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Environment&Ecology-Fiction? Subjects-Nonfiction-Education-Reference-Words&Language-Readers? Subjects-Reference-Words&Language-Readers? Fear in the Forest (Living Earth) Macmillan Education Ltd? Maurice Sotabinda? MacmillanEducationLtd? MauriceSotabinda? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Environment&Ecology-Fiction? Subjects-Nonfiction-Education-Reference-Words&Language-Readers? Subjects-Reference-Words&Language-Readers? The Poachers (Living Earth) Macmillan Education Ltd? Terry Jennings? MacmillanEducationLtd? TerryJennings? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Environment&Ecology-Fiction? Subjects-Nonfiction-Education-Reference-Words&Language-Readers? Subjects-Reference-Words&Language-Readers? Just a Bit of Wood (Living Earth) Macmillan Education Ltd? Wendy Ijioma? MacmillanEducationLtd? WendyIjioma? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Environment&Ecology-Fiction? Subjects-Nonfiction-Education-Reference-Words&Language-Readers? Subjects-Reference-Words&Language-Readers? Well Done David! (Living Earth) Macmillan Education Ltd? Mike Poulton? MacmillanEducationLtd? MikePoulton? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Environment&Ecology-Fiction? Subjects-Nonfiction-Education-Reference-Words&Language-Readers? Subjects-Reference-Words&Language-Readers? American Republicanism (Studies in Modern History) Palgrave Macmillan? M.N.S. Sellers? PalgraveMacmillan? M.N.S.Sellers? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Americas-UnitedStates-19thCentury-General? Subjects-Nonfiction-Politics-Ideologies? Subjects-Nonfiction-Government-Constitutions? Culture and Power in England, C.1585-1685 (Social History in Perspective) Palgrave Macmillan? R.Malcolm Smuts? PalgraveMacmillan? R.MalcolmSmuts? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe-England-Medieval? Subjects-History-Europe-England-Tudor&Stuart? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Government-Constitutions? Newton's Sleep Palgrave Macmillan? Raymond Tallis? PalgraveMacmillan? RaymondTallis? ジャンル別? Substores-UnknownASINs-8 Subjects-Arts&Photography-Art-General? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Anthropology? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-History&Philosophy-General? Ten Ripe Mangoes (Hop, Step, Jump) Macmillan Education Ltd? D. Cobb? MacmillanEducationLtd? D.Cobb? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Words&Language-Readers? Subjects-Reference-Words&Language-Readers? Small Business Management (Macmillan Small Business) Palgrave Macmillan? Jim Dewhurst? Paul Burns? PalgraveMacmillan? JimDewhurst? PaulBurns? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Uganda Traveller's Map (Macmillan Traveller's Map) Macmillan Education Ltd? MacmillanEducationLtd? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Atlases&Maps? Subjects-Reference-Atlases&Maps? Subjects-Travel-Atlases&Maps? Zambia Wall Map Macmillan Education Ltd? MacmillanEducationLtd? ジャンル別? Substores-UnknownASINs-8 The Advanced Materials Revolution and the Japanese System of Innovation Palgrave Macmillan? Helena Maria Martins Lastres? PalgraveMacmillan? HelenaMariaMartinsLastres? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-International-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-General How to Market Computers and Information Technology Palgrave Macmillan? Merlin Stone? Hamish MacArthur? Hamish E. Macarthur? PalgraveMacmillan? MerlinStone? HamishMacArthur? HamishE.Macarthur? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-Marketing&Sales-Sales&Selling-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Sales&Selling-Management? Advantage Sweden Palgrave Macmillan? Orjan Solvell? Ivo Zander? Michael E. Porter? PalgraveMacmillan? OrjanSolvell? IvoZander? MichaelE.Porter? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-Macroeconomics? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-Macroeconomics? Subjects-Professional&Technical-Accounting&Finance-Economics-Macroeconomics? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Break;German Video, Audio Cassette Hill B Macmillan Audio Books? MacmillanAudioBooks? ジャンル別? Substores-UnknownASINs-8 Formats-Audiocassettes-General? Hill B Break;German Video Manual Macmillan? Macmillan? ジャンル別? Substores-UnknownASINs-8 Hill B Break;German Video Book Macmillan? Macmillan? ジャンル別? Substores-UnknownASINs-8 Surprise! Macmillan ELT? Printha Ellis? Mary Bowen? MacmillanELT? PrinthaEllis? MaryBowen? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Reference&Nonfiction-LanguageArts-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? Surprise! Macmillan ELT? Printha Ellis? Mary Bowen? MacmillanELT? PrinthaEllis? MaryBowen? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Reference&Nonfiction-LanguageArts-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? Surprise! Macmillan ELT? Printha Ellis? Mary Bowen? MacmillanELT? PrinthaEllis? MaryBowen? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Reference&Nonfiction-LanguageArts-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? Surprise! Macmillan ELT? Printha Ellis? Mary Bowen? MacmillanELT? PrinthaEllis? MaryBowen? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-BooksonCassette? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-BooksonCassette? Formats-Audiocassettes-Languages-EnglishasaForeignLanguage? Formats-Audiocassettes-General? Surprise! 2 Macmillan ELT? Printha Ellis? Mary Bowen? MacmillanELT? PrinthaEllis? MaryBowen? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-BooksonCassette? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-BooksonCassette? Formats-Audiocassettes-Languages-EnglishasaForeignLanguage? Formats-Audiocassettes-General? Surprise! Macmillan ELT? Printha Ellis? Mary Bowen? MacmillanELT? PrinthaEllis? MaryBowen? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Reference&Nonfiction-LanguageArts-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? The House of Mirth (Case Studies in Contemporary Criticism) Palgrave Macmillan? Edith Wharton? PalgraveMacmillan? EdithWharton? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-WorldLiterature-British-20thCentury? The World and the Book Palgrave Macmillan? Gabriel Josipovici? PalgraveMacmillan? GabrielJosipovici? ジャンル別? Substores-UnknownASINs-8 Subjects-Arts&Photography? Subjects-Literature&Fiction-WorldLiterature-British-General? Political Parties in the European Union (European Union) Palgrave Macmillan? Simon Hix? Christopher Lord? PalgraveMacmillan? SimonHix? ChristopherLord? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe-General? Subjects-Nonfiction-Politics-PoliticalParties? Psychotherapy with Women Palgrave Macmillan? S. Findhorn? Marilyn Lawrence? Marie Maguire? PalgraveMacmillan? S.Findhorn? MarilynLawrence? MarieMaguire? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-Psychology&Counseling-Psychoanalysis? Subjects-Nonfiction-Women sStudies-FeministTheory? Gender, Careers and Organisations Palgrave Macmillan? Susan Halford? Mike Savage? Anne Witz? PalgraveMacmillan? SusanHalford? MikeSavage? AnneWitz? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-BusinessLife-Workplace? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? The Finances of the European Union (European Union) Palgrave Macmillan? Brigid Laffan? PalgraveMacmillan? BrigidLaffan? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-International? Subjects-Business&Investing-Finance? Subjects-History-Europe-General? Subjects-Nonfiction-Economics-International? Subjects-Professional&Technical-Accounting&Finance-International-Economics? Science Bk 5, Science/Knowledg Egypt Macmillan ELT? MacmillanELT? ジャンル別? Substores-UnknownASINs-8 Mbep Level Three Intermediate Macmillan Education Ltd? Badger? MENZIES? MacmillanEducationLtd? Badger? MENZIES? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? Wall Map of Sierra Leone Macmillan Education Ltd? MacmillanEducationLtd? ジャンル別? Substores-UnknownASINs-8 Dark-blue Is for Dreams (Mactracks) Macmillan Education Ltd? Rosina Umelo? MacmillanEducationLtd? RosinaUmelo? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Words&Language-Readers? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Reading? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Reading? Subjects-Reference-Words&Language-Readers? Is the Economic Cycle Still Alive? (Central Issues in Contemporary Economic Theory Policy) Palgrave Macmillan? Mario Baldassarri? Paolo Annunziato? PalgraveMacmillan? MarioBaldassarri? PaoloAnnunziato? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-Microeconomics? Subjects-Business&Investing-Economics-Theory? Subjects-Nonfiction-Economics-Microeconomics? Subjects-Nonfiction-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-Microeconomics? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Social Reconstructions of the World Automobile Industry (Macmillan International Political Economy) Palgrave Macmillan? Frederic C. Deyo? PalgraveMacmillan? FredericC.Deyo? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Engineering-Automotive? Subjects-Professional&Technical-Engineering-Automotive? Medieval Germany, 500-1300 (European History in Perspective) Palgrave Macmillan? Benjamin Arnold? PalgraveMacmillan? BenjaminArnold? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe-General? Subjects-History-World-General? Subjects-Nonfiction-Government-Constitutions? Women in the United States, 1830-1945 (American History in Depth) Palgrave Macmillan? S.Jay Kleinberg? PalgraveMacmillan? S.JayKleinberg? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-History-Americas-UnitedStates-19thCentury-General? Subjects-History-Americas-UnitedStates-20thCentury-General? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? We're Still Moving (Mactracks) Macmillan Education Ltd? Damian Morgan? MacmillanEducationLtd? DamianMorgan? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Reading? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Reading? Macmillan Secondary Chemistry Wallcharts (Macmillan Secondary Chemistry Wallcharts) Macmillan Education Ltd? Derek McMonagle? MacmillanEducationLtd? DerekMcMonagle? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Chemistry? Formats-Accessories-WritingStationery? Leadership in Conflicts Palgrave Macmillan? James MacGregor Burns? Steven I. Davis? PalgraveMacmillan? JamesMacGregorBurns? StevenI.Davis? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Management&Leadership-Management? Subjects-History-World? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-Sociology? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Buddhism and Interfaith Dialogue (Library of Philosophy Religion) Palgrave Macmillan? Masao Abe? PalgraveMacmillan? MasaoAbe? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Philosophy-Eastern-Buddhism? Subjects-Religion&Spirituality-Buddhism? Subjects-Religion&Spirituality-General? Ministries and Informalities in Japan Palgrave Macmillan? Barry E. Keehn? PalgraveMacmillan? BarryE.Keehn? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Nonfiction-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics? Melts Readers Level 7 (Melts) Macmillan Boleswa (Pty.) Ltd ,Swaziland? L. Crowie? MacmillanBoleswa(Pty.)Ltd,Swaziland? L.Crowie? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Literature? Subjects-Nonfiction-Education-Reference-Words&Language-Readers? Subjects-Reference-Words&Language-Readers? Feminist Debates Palgrave Macmillan? Valerie Bryson? PalgraveMacmillan? ValerieBryson? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Women sStudies-FeministTheory? France-Germany, 1983-93 Palgrave Macmillan? Patrick McCarthy? PalgraveMacmillan? PatrickMcCarthy? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-International-Relations? The Grasshopper War (Hop, Step, Jump) Macmillan Education Ltd? T. Chaane? MacmillanEducationLtd? T.Chaane? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Words&Language-Readers? Subjects-Reference-Words&Language-Readers? Personalism and the Politics of Culture Palgrave Macmillan? Patrick Grant? PalgraveMacmillan? PatrickGrant? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-History&Criticism-UnitedStates-LiteraryTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Religion&Spirituality-General? Applied International Trade Analysis Palgrave Macmillan? Harry P. Bowen? Abraham Hollander? Jean-Marie Viaene? PalgraveMacmillan? HarryP.Bowen? AbrahamHollander? Jean-MarieViaene? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-Economics-Microeconomics? 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Format Title Artist Label Model Number Release Press 12 SPECIAL TREASURE HAC CUTTING EDGE CTJS-5008 1995/--/-- - Side Track Title Produce A 1 SPECIAL TREASURE TSUTCHIE 2 SPECIAL TREASURE(REMIX) TSUTCHIE 3 SPECIAL TREASURE(Inst) TSUTCHIE B 4 MY ROAD MAKOTO 5 MY ROAD(Inst) MAKOTO PERTAIN CD さんぴんCAMP
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WinApp.asm comment * MASM32 SDK ml /c /coff WinApp.asm link /subsystem windows WinApp * .386 .model flat, stdcall option casemap none include windows.inc include gdi32.inc include kernel32.inc include user32.inc includelib gdi32.lib includelib kernel32.lib includelib user32.lib WinMainproto DWORD, DWORD, DWORD, DWORD OnPaintproto DWORD .data AppNamedb WinApp , 0 hellodb hello, world , 0 .code startproc localhInstance HINSTANCE locallpCmdLine LPSTR invokeGetModuleHandle, NULL movhInstance, eax invokeGetCommandLine movlpCmdLine, eax invokeWinMain, hInstance, NULL, lpCmdLine, SW_SHOWDEFAULT invokeExitProcess, eax startendp WinMainprochInstance HINSTANCE, hPrevInstance HINSTANCE, lpCmdLine LPSTR, nShowCmd DWORD localwc WNDCLASSEX localmsg MSG localhWnd HWND ; ウィンドウクラスの登録 movwc.cbSize, sizeof WNDCLASSEX movwc.lpfnWndProc, offset WndProc movwc.cbClsExtra, 0 movwc.cbWndExtra, 0 moveax, hInstance movwc.hInstance, eax movwc.hIcon, 0 invokeLoadCursor, NULL, IDC_ARROW movwc.hCursor, eax movwc.hbrBackground, COLOR_WINDOW+1 movwc.lpszMenuName, 0 movwc.lpszClassName, offset AppName movwc.hIconSm, 0 invokeRegisterClassEx, addr wc ; ウィンドウの作成 invokeCreateWindowEx, 0, addr AppName, addr AppName, WS_OVERLAPPEDWINDOW, CW_USEDEFAULT, 0, CW_USEDEFAULT, 0, NULL, NULL, hInstance, NULL movhWnd, eax invokeShowWindow, hWnd, nShowCmd invokeUpdateWindow, hWnd @@ ; メッセージループ invokeGetMessage, addr msg, NULL, 0, 0 oreax, eax jz@f invokeTranslateMessage, addr msg invokeDispatchMessage, addr msg jmp@b @@ moveax, msg.wParam ret WinMainendp WndProcprochWnd HWND, uMsg UINT, wParam WPARAM, lParam LPARAM cmpuMsg, WM_PAINT jne@f invokeOnPaint, hWnd jmp@exit @@ cmpuMsg, WM_DESTROY jne@f invokePostQuitMessage, 0 jmp@exit @@ invokeDefWindowProc, hWnd, uMsg, wParam, lParam ret @exit xoreax, eax ret WndProcendp OnPaintprochWnd HWND localps PAINTSTRUCT localhdc HDC locallen DWORD invokeBeginPaint, hWnd, addr ps movhdc, eax invokelstrlen, addr hello movlen, eax invokeTextOut, hdc, 0, 0, addr hello, len invokeEndPaint, hWnd, addr ps ret OnPaintendp endstart
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Motion Capture and Face Tracking SynthEyes offers the exciting capability to do full body and facial motion capture using conventional video or film cameras. STOP! Unless you know how to do supervised tracking and understand moving-object tracking, you will not be able to do motion tracking. The material here builds upon that earlier material; it is not repeated here because it would be exactly that, a repetition. First, why and when is motion capture necessary? The moving-object tracking discussed previously is very effective for tracking a head, when the face is not doing all that much, or when trackable points have been added in places that don’t move with respect to one another (forehead, jaws, nose). The moving-object mode is good for making animals talk, for example. By contrast, motion capture is used when the motion of the moving features is to be determined, and will then be applied to an animated character. For example, use motion capture of an actor reading a script to apply the same expressions to an animated character. Moving-object tracking requires only one camera, while motion capture requires several calibrated cameras. Second, we need to establish a few very important points this is not the kind of capability that you can learn on the fly as you do that important shoot, with the client breathing down your neck. This is not the kind of thing for which you can expect to glance at this manual for a few minutes, and be a pro. Your head will explode. This is not the sort of thing you can expect to apply to some musty old archival footage, or using that old VHS camera at night in front of a flickering fireplace. This is not something where you can set up a shoot for a couple of days, leave it around with small children or animals climbing on it, and get anything usable whatsoever. This is not the sort of thing where you can take a SynthEyes export into your animation software, and expect all your work to be done, with just a quick render to come. And this is not the sort of thing that is going to produce the results of a $250,000 custom full body motion capture studio with 25 cameras. With all those dire warnings out of the way, what is the good news? If you do your homework, do your experimentation ahead of time, set up technically solid cameras and lighting, read the SynthEyes manual so you have a fair understanding what the SynthEyes software is doing, and understand your 3-D package well enough to set up your character or face rigging, you should be able to get excellent results. In this manual, we’ll work through a sample facial capture session. The techniques and issues are the same for full body capture, though of course the tracking marks and overall camera setup for body capture must be larger and more complex. Introduction To perform motion capture of faces or bodies, you will need at least two cameras trained on the performer from different angles. Since the performer s head or limbs are rotating, the tracking features may rotate out of view of the first two cameras, so you may need additional cameras to shoot more views from behind the actor. The fields of view of the cameras must be large enough to encompass the entire motion that the actor will perform, without the cameras tracking the performer (OK, experts can use SynthEyes for motion capture even when the cameras move, but only with care). You will need to perform a calibration process ahead of time, to determine the exact position and orientation of the cameras with respect to one another (assuming they are not moving). We’ll show you one way to achieve this, using some specialized but inexpensive gear. Very Important You’ll have to ensure that nobody knocks the cameras out of calibration while you shoot calibration or live action footage, or between takes. You’ll need to be able to resynchronize the footage of all the cameras in post. We’ll tell you one way to do that. Generally the performer will have tracker markers attached, to ensure the best possible and most reliable data capture. The exception to this would be if one of the camera views must also be used as part of the final shot, for example, a talking head that will have an extreme helmet added. In this case, markers can be used where they will be hidden by the added effect, and in locations not permitting trackers, either natural facial features can be used (HD or film source!), or markers can be used and removed as an additional effect. After you solve the calibration and tracking in SynthEyes, you will wind up with a collection of trajectories showing the path through space of each individual feature. When you do moving-object tracking, the trackers are all rigidly connected to one another, but in motion capture, each tracker follows its own individual path. You will bring all these individual paths into your animation package, and will need to set up a rigging system that makes your character move in response to the tracker paths. That rigging might consist of expressions, Look At controllers, etc; it s up to you and your animation package. Camera Types Since eachcamera s fields of view must encompass the entire performance (unless there are many overlapping cameras), at any time the actor is usually a small portion of the frame. This makes progressive DV, HD, or film source material strongly suggested. Progressive-scan cameras are strongly recommended, to avoid the factor of two loss of vertical resolution due to interlacing. This is especially important since the tracking markers are typically small and can slip between scan lines. While it may make operations simpler, the cameras do not have to be the same kind, have the same aspect ratio, or have the same frame rate. Resist the urge to use that old consumer-grade analog videotape camera as one of the cameras—the recording process will not be stable enough for good results. Lens distortion will substantially complicate calibration and processing. To minimize distortion, use high-quality lenses, and do not operate them near their maximum field of view, where distortion is largest. Do not try to squeeze into the a small studio space. Camera Placement The camera placements must address two opposing factors one, that the cameras should be far apart, to produce a large parallax disparity with good depth perception, and that the cameras should be close together, so that they can simultaneously observe as many trackers as possible. You’ll probably need to experiment with placement to gain experience, keeping in mind the performance to be delivered. Cameras do not have to be placed in any discernable pattern. If the performance warrants it, you might want coverage from up above, or down below. If any cameras will move during the performance, they will need a visible set of stationary tracking markers, to recover their trajectory in the usual fashion. This will reduce accuracy compared to a carefully calibrated stationary camera. Lighting Lighting should be sufficient to keep the markers well illuminated, avoiding shadowing. The lighting should be enough to be able to keep the shutter time of the cameras as low as possible, consistent with good image quality. Calibration Requirements and Fixturing In order for motion tracking footage to be solved, the camera positions, orientations, and fields of view must be determined, independent of the “live” footage, as accurately as possible. To do this, we will use a process based on moving-object tracking. A calibration object is moved in the field of view of all the cameras, and tracked simultaneously. To get the most data fastest and easiest, we constructed a prop we call a “porcupine” out of a 4” Styrofoam ball, 20-gauge plant stem wires, and small 7 mm colored pom-pom balls, all obtained from a local craft shop for under $5. Lengths of wire were cut to varying lengths, stuck into the ball, and a pom-pom glued to the end using a hot glue gun. Retrospectively, it would have been cleverer to space two balls along the support wire as well, to help set up a coordinate system. The porcupine is hung by a support wire in the location of the performer s head, then rotated as it is recorded simultaneously from each camera. The porcupine s colored pom-poms can be viewed virtually all the time, even as they spin around to the back, except for the occasional occlusion. Similar fixtures can be built for larger motion capture scenarios, perhaps using dolly track to carry a wire frame. It is important that the individual trackable features on the fixture not move with respect to one another their rigidity is required for the standard object tracking. The path of the calibration fixture does not particularly matter. Camera Synchronization The timing relationship between the different cameras must be established. Ideally, all the cameras would all be gen-locked together, snapping each image at exactly the same time. Instead, there are a variety of possibilities which can be arranged and communicated to SynthEyes during the setup process. Motion capture has a special solver mode on the Solver Panel individual mocap. In this mode, the second dropdown list changes from a directional hint to control camera synchronization. If the cameras are all video cameras, they can be gen-locked together to all take pictures identically. This situation is called “Sync Locked.” If you have a collection of video cameras, they will all take pictures at exactly the same (crystal-controlled) rate. However, one camera may always be taking pictures a bit before the other, and a third camera may always be taking pictures at yet a different time than the other two. The option is “Crystal Sync.” If you have a film camera, it might run a little more or a little less that 24 fps, not particularly synchronized to anything. This will be referred to as “Loose Sync.” In a capture setup with multiple cameras, one can always be considered to be Sync Locked, and serve as a reference. If it is a video camera, other video cameras are in Crystal Sync, and any film camera would be Loose Sync. If you have a film camera that will be used in the final shot, it should be considered to be the sync reference, with Sync Locked, and any other cameras are in Loose Sync. The beginning and end of each camera s view of the calibration sequence and the performance sequence must be identified to the nearest frame. This can be achieved with a clapper board or electronic slate. The low-budget approach is to use a flashlight or laser pointer flash to mark the beginning and end of the shot. Camera Calibration Process We’re ready to start the camera calibration process, using the two shot sequences LeftCalibSeq and RightCalibSeq. You can start SynthEyes and do a File/New for the left shot, and then Add Shot to bring in the second. Open both with Interlace=Yes, as unfortunately both shots are interlaced. Even though these are moving-object shots, for calibration they will be solved as moving-camera shots. You can see from these shots how the timing calibration was carried out. The shots were cropped right before the beginning of the starting flash, and right after the ending flash, to make it obvious what had been done. Normally, you should crop after the starting flash, and before the ending flash. On your own shots, you can use the Image Preprocessing panel s Region-of-interest capability to reduce memory consumption to help handle long shots from multiple cameras. You should supervise-track a substantial fraction of the pom-poms in each camera view; you can then solve each camera to obtain a path of the camera appearing to orbit the stationary pom-pom. Next, we will need to set up a set of links between corresponding trackers in the two shots. The links must always be on the Camera02 trackers, to a Camera01 tracker. This can be achieved at least three different ways. Matching Plan A Temporary Alignment This is probably easiest, and we may offer a script to do the grunt work in the future. Begin by assigning a temporary coordinate system for each camera, using the same pom-poms and ordering for each camera. It is most useful to keep the porcupine axis upright (which is where pom-poms along the support wire would come in useful, if available); in this shot three at the very bottom of the porcupine were suitable. With matching constraints for each camera, when you re-solve, you will obtain matching pairs of tracker points, one from each camera, located very close to one another. Now, with the Coordinate System panel open, Camera02 active, and the Top view selected, you can click on each of Camera02 s tracker points, and then alt-click (or command-click) on the corresponding Camera01 point, setting up all the links. As you complete the linking, you should remove the initial temporary constraints from Camera02. Matching Plan B Side by Side In this plan, you can the Camera Perspective viewport configuration. Make Camera01 active, and in the perspective window, right-click and Lock to current camera with Camera01 s imagery, then make Camera02 active for the camera view. Now camera and perspective views show the two shots simultaneously (Experts you can open multiple perspective windows and configure each for a different shot.). You can now click the trackers in the camera(02) view, and alt-click the matching (01) tracker in the perspective window, establishing the links. Reminder The coordinate system control panel must be open for linking. This will take a little mental rotation to establish the right correspondences; the colors of the various pom-poms will help. Matching Plan C Cross Link by Name This plan is probably more trouble than it worth for calibration, but can be an excellent choice for the actual shots. You assign names to each of the pom-poms, so that the names differ only by the first character, then use the Track/Cross-Link by Name menu item to establish links. It is a bit of pain to come up with different names for the pom-poms, and do it identically for the two views, but this might be more reasonable for other calibration scenarios where it is more obvious which point is which. Completing the Calibration We’re now ready to complete the calibration process. Change Camera02 to Indirectly solving mode on the Solver panel . Note the initial position of Camera01 is going to stay fixed, controlling the overall positions of all the cameras. If you want it in some particular location, you can remove the constraints from it, reset its path from the 3-D panel, then move it around to a desired location Solve the shot, and you have two orbiting cameras remaining at a fixed relative orientation as they orbit. Run the Motion Capture Camera Calibration script from the Script menu, and the orbits will be squished down to single locations. Camera01 will be stationary at its initial location, and Camera02 will be jittering around another location, showing the stability of the offset between the two. The first frame of Camera02 s position is actually an average relative position over the entire shot; it is this location we will later use. You should save this calibration scene file (porcupine.sni); it will be the starting point for tracking the real footage. The calibration script also produces a script_output.txt file in a user-specific folder that lists the calibration data. Body and Facial Tracking Marks Markers will make tracking faster, easier, and more accurate. On the face, markers might be little Avery dots from an office supply store, “magic marker” spots, pom-poms with rubber cement(?), mascara, or grease paint. Note that small colored dots tend to lose their coloration in video images, especially with motion blur. Make sure there is a luminance difference. Single-pixel-sized spots are less accurate than those that are several pixels across. Markers should be placed on the face in locations that reflect the underlying musculature and the facial rigging they must drive. Be sure to include markers on comparatively stationary parts of the head. For body tracking, a typical approach is to put the performer in a black outfit (such as UnderArmour), and attach table-tennis balls as tracking features onto the joints. To achieve enough visibility, placing balls on both the top and bottom of the elbow may be necessary. Because the markers must be placed on the outside of the body, away from the true joint locations, character rigging will have to take this into account. Preparation for Two-Dimensional Tracking We’re ready to begin tracking the actual performance footage. Open the final calibration scene file. Open the 3-D panel . For each camera, select the camera in the select-by-name dropdown list. Then hit Blast and answer yes to store the field of view data as well. Then, hit Reset twice, answering yes to remove keys from the field of view track also. The result of this little dance is to take the solved camera paths (as modified by the script), and make them the initial position and orientation for each camera, with no animation (since they aren’t actually moving). Next, replace the shot for each camera with LeftFaceSeq and RightFaceSeq. Again, these shots have been cropped based on the light flashes, which would normally be removed completely. Set the End Frame for each shot to its maximum possible. If necessary, use an animated ROI on the Imaging Preprocessing panel so that you can keep both shots in RAM simultaneously. Hit Control-A and delete to delete all the old trackers. Set each Lens to Known to lock the field of view, and set the solving mode of each camera to Disabled, since the cameras are fixed at their calibrated locations. We need a placeholder object to hold all the individual trackers. Create a moving object, Object01, for Camera01, then a moving object, Object02, for Camera02. On the Solving Panel, set Object01 and Object02 to the Individual mocap solving mode, and set the synchronization mode right below that. Two-Dimensional Tracking You can now track both shots, creating the trackers into Object01 and Object02 for the respective shots. If you don’t track all the markers, at least be sure to track a given marker either in both shots, or none, as a half-tracked marker will not help. The Hand-Held Use Others mode may be helpful here for the rapid facial motions. Frequent keying will be necessary when the motion causes motion blur to appear and disappear (a lot of uniform light and short shutter time will minimize this). Linking the Shots After completing the tracking, you must set up links. The easiest approach will probably be to set up side-by-side camera and perspective views. Again, you should link the Object02 trackers to the Object01 trackers, not the other way around. Doing the linking by name can also be helpful, since the trackers should have fairly obvious names such as Nose or Left Inner Eyebrow, etc. Solving You’re ready to solve, and the Solve step should be very routine, producing paths for each of the linked trackers. The final file is facetrk.sni. Afterwards, you can start checking on the trackers. You can scrub through the shot in the perspective window, orbiting around the face. You can check the error curves and XYZ paths in the graph editor . By switching to Sort by Error mode , you can sequence through the trackers starting from those with the highest error. Exports Rigging When you export a scene with individual trackers, each of them will have a key frame on each frame of the shot, animating the tracker path. It is up to you to determine a method of rigging your character to take advantage of the animated tracker paths. The method chosen will depend on your character and animation software package. It is likely you will need some expressions (formulas) and some Look-At controls. For full-body motion capture, you will need to take into account the offsets from the tracking markers (ie balls) to the actual joint locations. Modeling You can use the calculated point locations to build models. However, the animation of the vertices will not be carried forward into the meshes you build. Instead, when you do a Convert to Mesh operation in the perspective window, the current tracker locations are frozen on that frame. If desired, you can repeat the object-building process on different frames to build up a collection of morph-target meshes.
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恙虫病、Scrub Typhus(草原熱) "＊＊＊"に入る言葉は、写真の"刺し口"です。 頭痛、発熱、リンパ節腫脹、皮疹、刺し口の症状が揃っており、地域性、季節性も考えて診断は、恙虫病です。確定診断のため、鹿児島県環境保険センター(鹿児島市城山町)にてつつが虫抗体検査を行ってもらいました。SRLやKMLなどの商業ベースではでは、現在の所 Kato, Karp, Gilliamの標準株の抗体検査しか行ってもらえませんが、Kawasaki, Kuroki の新型株の抗体検査も可能です。1回目(11/27)の検査では、判定が困難であったため、2回目(12/11)の検査を行い、血清学的につつが虫病陽性と診断しました。Multiple Reactiveであり、血清型の特定には、初期のリケッチア血症の時期の血清でPCR診断することが必要です。 恙虫病、Scrub Typhus(草原熱) 日本の恙虫病、東南アジアのscrub typhus は、Orientia ( formerly Rickettsia ) tsutsugamushi を病原体とする急性熱性疾患である。この病原体は、リケッチアの一種であり、偏性寄生性で人への感染は媒介動物(ベクター)である恙虫に刺されることによる。(Orientia 属と Rickettsia属の類似点と相違点は表１を参照 ) 表１ （疫学）恙虫病は古くから新潟県の信濃川、阿賀野川、山形県の最上川、秋田県の雄物川流域に、夏期(7-9月)に発生する、致命率の高い、急性の熱性・発疹性疾患の一地方病として知られていた。媒介動物は、アカツツガムシLeptotrombidium akamushi であり、"古典的恙虫病"と言われる。 その後、恙虫病は東南アジアをはじめとして西はパキスタン地方、北はロシア極東から朝鮮半島、中国など広く東半球に分布する広域感染症であることが明らかにされた。東南アジアでは、草原熱 scrub typhus と呼ばれ、L. delienseが媒介動物であり、第二次世界大戦、ベトナム戦争に際して、両軍兵士に数万人の患者と多数の死者を出した。 恙虫病は、減少の一途をたどっていたが、1986年に急激に増加し、群馬、富山、宮崎、鹿児島の各県に多数の患者が秋から冬(9-12月)に発生している。古典的恙虫病に比べ一般に軽症であり、タテツツガムシL. scutellare, フトゲツツガムシ L. pallidum によって媒介されるなど"古典的恙虫病"とは異なり、"新型恙虫病"と呼ばれる。(図１) ツツガムシは、Orientia tsutsugamushi のリザーバー及びベクターであり、経卵垂直伝播によって次の世代へ伝えられるが、卵→幼虫→若虫→成虫という変態のサイクルを通して保有される。この変態の過程で、ツツガムシは卵からかえった幼虫の時期に一度だけ、宿主を刺してその組織液を吸い、その後は地表や土中で生活する。ツツガムシは、野ネズミやヒトの呼気中のCO2で興奮状態になりそれらに付着する。 免疫血清学的には標準型とされるGilliam, Karp, Katoの３型は、古典的、新型とも共通して認められるが、新型には特異的なKawasaki型とKuroki型の２型があり、これらは、マウスに対して弱毒性である。マウスに対する強毒及び弱毒性は、必ずしも臨床像とは一致しない。 Kato型の株は過去に多数分離されたが、現在は殆ど分離されなくなっており、Kato型の株を媒介すると考えられているアカツツガムシが現在殆ど見出されなくなったことに関連していると考えられている。Shimokoshi 株は、1984年に新潟県下の患者さんから分離された１例のみで、その後は、血清学的な疫学調査で、秋田、福島、新潟地方で散発的に数例認められている。 血清型(serotype)と国内での地理的分布をおおざっぱに見ると新潟から東北地方の本州北部は、Gilliam型と Karp型が殆どで、南九州や東海地方の温暖な地域では、Kawasaki型とKuroki型が多く見られる。Gilliam型と Karp型は、フトゲツツガムシの分布する地域に見られ、Kawasaki型とKuroki型は、タテツツガムシが棲息する地域に見られる。地理的分布は厳密ではなく、分布する媒介ツツガムシの種の差異による相関が強いと思われている。混合して見られる地域もあるが、鹿児島・宮崎では、Kawasaki型とKuroki型が多い。(表２) 表２ (病態) 有毒ツツガムシの刺咬によって皮膚に浸入したOrientia tsutsugamushi は、局所で小血管内皮細胞やマクロファージに侵入あるいは貪食され、細胞内で増殖し、周囲に細胞浸潤を伴って局所の炎症病変を形成する。刺咬部の中心は、次第に壊死となって水疱を形成し、ついで潰瘍となり、約7-10日後には黒褐色の痂皮で覆われる。これが、刺し口である。 この間にリケッチアは局所のリンパ節に達し、さらに血行性に全身に広がり、微少血管炎ないし血管周囲炎により全身諸臓器の障害を起こす。この血管病変が高度な場合には播種性血管内凝固症候群(DIC)を起こす。急性期におけるリケッチア血症とこれに伴う単球、白血球、血管内皮細胞などからのサイトカイン産生が病態を形成すると考えられる。 剖検例で見られる臓器障害は、肝臓ではグリソン鞘への細胞浸潤。肺では、浮腫・充血など間質性肺炎。心臓では、心筋の膨化、間質の細胞浸潤。脳では、脳幹部を中心にミクログリア性小結節形成が見られる。 (臨床) ツツガムシの刺咬後、6-18日(多くは10-12日)で臨床症状は見られる。発熱、頭痛などで急激に発症する。頭痛、悪寒、全身倦怠感、食欲不振、筋肉痛、関節痛などの消化器症状も比較的多い。咽頭発赤、粘膜充血も約半数で認められる。 発熱は急激に38-39℃に達し、自然経過で1−2週間弛張した後、徐々に解熱する。発疹は経5mm前後の紅斑状、丘疹性で2-5病日に出現する。部位は胸・背部、腹部に初発し、顔面・四肢に広がる。5日程度で褪色し消退する。重症例では出血性となる。 刺し口は、ツツガムシの刺咬部にできる径5-10mm、黒色痂皮で覆われ、周囲に発赤、軽度の腫脹・膨隆を認める潰瘍であり、臨床診断の決め手となる重要な所見である。四肢以外にも通常の診察では発見しがたい腋窩、鼡径部、陰部などにできることも多いので慎重な診察が必要である。 刺し口の局所リンパ節腫脹はしばしば見られる。ときに軽度の圧痛を伴うが化膿はしない。全身のリンパ節腫脹も見られる。肝脾腫の多くは軽度である。中枢神経症状としては、頭痛の他、項部硬直など髄膜刺激症状が見られる。重症例では脳炎の症状として失見当識、混迷、昏睡などの意識障害やけいれんを認める。 循環器症状では、重症例では末梢血管抵抗の減弱や心筋障害によって血圧低下を起こす。 呼吸器症状では稀に咳嗽があるが、重症例では間質性肺炎や胸膜炎を合併する。 ちなみに、ベトナム南部でscrub typhusに罹患した87名の兵士の報告(Ann. Internal Med.1973;79.26-30) によれば、発熱と頭痛は全員に認められ、刺し口を認めたのは、36/74(49%)。皮疹を認めたのは、たったの30/87(34%)。リンパ節腫張は、74/84(85％)と高頻度であった。誤診の多くは、伝染性単核球症であった。 未治療患者の致死率は、0-30％の幅で報告されており、死因の多くは、心不全、循環虚脱、肺炎と報告されている。 (診断) Weil-Felix反応は、sennsitivityが低く、現在は、用いられなくなっている。間接免疫蛍光抗体法( indirect immunofluorescence test：IF法)と間接免疫酵素抗体法( indirect immunoperoxidase test：IP法)が特異的血清診断として最も確実である。IP法の標本は、光学顕微鏡にて観察することができるため、発展途上国でも利用されている。判定は、単一血清の場合は80倍以上、ペア血清の場合には4倍以上の上昇の時、陽性とする。また、IgG, IgM の両抗体価の高い場合は初感染、IgGのみが高い場合には再感染の可能性がある。 PCR (polmerase chain reaction )は、特異性、感度ともに高く、少量の急性期患者の血液からOrientia tsutsugamushi のDNAを検出でき、検査に要する期間も短いので病原診断として優れている。特にリケッチア血症があり、抗体上昇以前の急性期に陽性となるので、早期診断の目的で利用価値が高い。(Labo. DATA) CRP陽性、GOT,GPTの軽度から中等度の上昇。LDHの中等度上昇。アルブミン尿は、しばしば認められる。血清ｱﾙﾌﾞﾐﾝ低下、γグロブリンの上昇、BUNの上昇は重症例に認められる。DICが合併例すると、FDPの上昇などが認められるようになる。 (治療) The Cochrane Library-2000 Issue 2 によれば、doxycycline(200mg 分2 for 7-15days)とtetracycline(25mg/kg/day 分4)は、同等に効果有りとされている。 MandellやHarrisonなどの教科書も参考にすると次にchloramphenicol (50mg/kg/day 分4) を勧めている。タイ北部には、自然にdoxycyclineやchloramphenicolに抵抗性を持つ株も発見されており、それに対してciprofloxacin や azithromycin が有効であったとする報告もなされている。 日本では、ミノマイシンを100mg を2回、経口もしくは点滴静注する治療が用いられる。治療開始後24-48時間ですみやかに解熱が得られることは多く、症状が比較的はやく軽減したとしても、リケッチアは直ちに殺菌されるのではないので、薬剤投与は、7-14日間継続する方がよい。 ペニシリン系、セフェム系、アミノグリコシド系の抗生剤は全く無効である。 2001/01/19 能勢裕久 名前 コメント
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Skills Treeについて 各ボールを恒久的に強化できる。強化内容はボールごとに異なる。 スキルの購入にはTOURNAMENTで入手できるスキルポイントを消費する。 各ボールタイプごとに、100ジェムを消費してスキルをリセットしてポイントを回収できる。（v2.0.x以降） + Ver2.0.xの変更点 新規スキルの追加Basic：3種Friend bonus Unlimited friend bonus Network friend expansion Splash：3種Time bomb Programmed time bomb Explosion expansion Sniper：3種Archer Sniper Archer sniper ninja Shuriken Poison：1種Poison spread Demo：3種Speed Enrage fight Cumulative strength Scatter：2種Fly children! Scatter Merge Cash：2種Buried Treasure More buried treasure Pierce：4種Detonate bomb squad Big ball Persistant big ball Faster big ball Fire：3種Floor is lava Big lava Intense lava 取得/強化コスト変更ほぼすべて大幅に値上がりした Fire spreadやChain sizeなど、1.9.15以前から高額だった一部スキルは値下がりした 既存スキルの内容変更新規スキルとの兼ね合いから、Poison decayの最大ダメージが25% → 10%に弱体化 各ボールタイプごとに、100ジェムを消費してスキルをリセット可能になった Skills TreeについてBasic / ベーシック Splash / スプラッシュ Sniper / スナイパー Poison / ポイズン Demo / デモ Scatter / スカッター Cash / キャッシュ Pierce / ピアース Sword / スウォード Fire / ファイヤー Lightning / ライトニング Proportional / プロポーショナル バグ コメント Basic / ベーシック スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Speed Speed increase x1.1スピードを x1.1 に増加 8 LV1 x1.10 ★5 ★5 - LV2 x1.15 ★15 ★20 LV3 x1.20 ★25 ★45 LV4 x1.25 ★35 ★80 LV5 x1.30 ★45 ★125 LV6 x1.35 ★55 ★180 LV7 x1.40 ★65 ★245 LV8 x1.45 ★75 ★320 Damage Increase damage x1.1ダメージを x1.1 に増加 6 LV1 x1.1 ★20 ★20 Speed lv.2 LV2 x1.2 ★40 ★60 LV3 x1.3 ★60 ★120 LV4 x1.4 ★80 ★200 LV5 x1.5 ★100 ★300 LV6 x1.6 ★120 ★420 Splash damage Adds splash damage to ball with size 1.2範囲 1.2 のスプラッシュダメージを追加（パワーの40%） 5 LV1 1.2 ★20 ★20 Speed lv.2 LV2 1.4 ★40 ★60 LV3 1.6 ★60 ★120 LV4 1.8 ★80 ★200 LV5 2.0 ★100 ★300 Friend bonus Every 5s it multiplies power by 1.5 of a ball type touching it5秒に一度、ベーシックが触れたボールのパワーを1.5倍にする 6 LV1 x1.5 ★60 ★60 Splash damage lv.2 LV2 x2.0 ★80 ★140 LV3 x2.5 ★100 ★240 LV4 x3.0 ★120 ★360 LV5 x3.5 ★140 ★500 LV6 x4.0 ★160 ★660 Unlimited friend bonus Remove 5s cooldown Friend BonusFriend Bonusの5秒のクールダウンを無くす 1 LV1 - ★100 ★100 Friend bonus lv.3 Network friend expansion Friend Bonus is now applied to two types of ball.Friend Bonusの対象のボールを2種類選べるようになる 1 LV1 - ★100 ★100 Friend bonus lv.3 合計 ★1900 Friend Bonusスキルを取得後、ベーシックが1つでもあればメイン画面右上に＋アイコンが表示される。ここから専用画面に入り、ボーナス対象のボールタイプを選択できる。 選択したボールにベーシックが接触すると、そのボールに＋マークが表示され、パワーが増加する。（表示はVisual Options→Skills Effects有効時のみ） ボーナスを付与したベーシックは5秒間のクールダウンに入り、その間は対象ボールに接触してもボーナスは付与されない。クールダウン時間はベーシックボール1つごとに個別に計測されている。 ボーナスは10秒間持続する。 Splash / スプラッシュ スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Splash damage Increase splash damage x1.1スプラッシュダメージを x1.1 に増加 5 LV1 x1.1 ★5 ★5 - LV2 x1.2 ★15 ★20 LV3 x1.3 ★25 ★45 LV4 x1.4 ★35 ★80 LV5 x1.5 ★45 ★125 Splash size Increase splash size x1.2スプラッシュ範囲を x1.2 に増加 5 LV1 x1.2 ★20 ★20 Splash damage lv.4 LV2 x1.4 ★40 ★60 LV3 x1.6 ★60 ★120 LV4 x1.8 ★80 ★200 LV5 x2.0 ★100 ★300 Time bomb Every 10th brick hit causes an explosiondealing 2x ball power AoE damage10回ブロックに衝突するたびに爆発し、パワーのx2の範囲ダメージを与える 6 LV1 x2.0 ★60 ★60 Splash size lv.3 LV2 x2.2 ★80 ★140 LV3 x2.4 ★100 ★240 LV4 x2.6 ★120 ★360 LV5 x2.8 ★140 ★500 LV5 x3.0 ★160 ★660 Programmed time bomb Number of bricks to trigger Time Bomb skillreduced to 9Time bombの発動に必要な衝突回数を9にする 5 LV1 9 ★80 ★80 Time bomb lv.3 LV2 8 ★100 ★180 LV3 7 ★120 ★300 LV4 6 ★140 ★440 LV5 5 ★160 ★600 Explosion expansion Increase Time Bomb's explosion radius by 1.25Time bombの爆発半径を1.25倍にする 5 LV1 x1.25 ★80 ★80 Time bomb lv.3 LV2 x1.5 ★100 ★180 LV3 x1.75 ★120 ★300 LV4 x2.0 ★140 ★440 LV5 x2.25 ★160 ★600 合計 ★3985 Sniper / スナイパー スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Shields damage Increase damage to shield bricks by x1.5シールドブロックに対するダメージをx1.5に増加 5 LV1 x1.5 ★5 ★5 - LV2 x2.0 ★15 ★20 LV3 x2.5 ★25 ★45 LV4 x3.0 ★35 ★80 LV5 x3.5 ★45 ★125 More cash Cash bricks killed by snipers generate x2 more cashキャッシュブロックを破壊した時のキャッシュをx2に増加 5 LV1 x2 ★20 ★20 Shields damage lv.3 LV2 x3 ★40 ★60 LV3 x4 ★60 ★120 LV4 x5 ★80 ★200 LV5 x6 ★100 ★300 Archer Sniper Every 10sec creates an arrow br in a random directionthat deals 20% of Sniper Ball's power.10秒毎にランダムな方向にパワー20%分のダメージの矢を放つ 5 LV1 20% ★60 ★60 More cash lv.3 LV2 40% ★80 ★140 LV3 60% ★100 ★240 LV4 80% ★120 ★360 LV5 100% ★140 ★500 Archer sniper ninja Decrease archer sniper cooldown for 9sec.Archer sniperのクールダウンを9秒に減らす 5 LV1 9s ★80 ★80 Archer sniper lv.3 LV2 8s ★100 ★180 LV3 7s ★120 ★300 LV4 6s ★140 ★440 LV5 5s ★160 ★600 Shuriken Number of Archer Sniper arrows increases to 2Archer Sniperの矢を2つに増やす 3 LV1 2 ★80 ★80 Archer sniper lv.3 LV2 3 ★100 ★180 LV3 4 ★120 ★300 合計 ★1825 Archer Sniper10秒毎に上下左右のいずれかの方向に、ブロックを貫通する矢を放つ ninjaのレベルを上げると発射頻度が増加し、Shurikenのレベルを上げると同時に複数の方向に放つようになる 最大で4方向すべてに放つ Poison / ポイズン スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Speed Speed increase x1.05スピードを x1.05 に増加 5 LV1 x1.05 ★5 ★5 - LV2 x1.10 ★15 ★20 LV3 x1.15 ★25 ★45 LV4 x1.20 ★35 ★80 LV5 x1.25 ★45 ★125 Poison decay Poison bricks lose hitpoint by 2% of their current health per second毒状態のブロックが残り耐久力の 2% を毎秒失う 5 LV1 2% ★20 ★20 Speed lv.3 LV2 4% ★40 ★60 LV3 6% ★60 ★120 LV4 8% ★80 ★200 LV5 10% ★100 ★300 Enrage After hitting a brick, speed up by x2 for 2secondsブロックに衝突後の2秒間スピードが x2 になる 3 LV1 x2 ★40 ★40 Speed lv.3 LV2 x2.5 ★70 ★110 LV3 x3 ★100 ★210 Poison spread Poison spreads to nearest bricks after 15seconds.15秒後に近いブロックに毒が広がる 8 LV1 15s ★80 ★80 Enrage lv.3 LV2 14s ★100 ★180 LV3 13s ★120 ★300 LV4 12s ★140 ★440 LV5 11s ★160 ★600 LV6 9s ★180 ★780 LV7 7s ★200 ★980 LV8 5s ★220 ★1200 合計 ★1835 Demo / デモ スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Enrage After hitting a brick, speed up by x2 for 2secondsブロックに衝突後の2秒間スピードが x2 になる 3 LV1 x2 ★40 ★40 - LV2 x2.5 ★70 ★110 LV3 x3 ★100 ★210 Enrage stack Enrage speedups now stacking (Max.3x)Enrageの速度が重複するようになる（最大3倍） 1 LV1 - ★100 ★100 Enrage lv.2 Speed Increases speed in x1.1.スピードが x1.1 に増加 8 LV1 x1.1 ★60 ★60 Enrage stack lv.1 LV2 x1.15 ★80 ★140 LV3 x1.20 ★100 ★240 LV4 x1.25 ★120 ★360 LV5 x1.30 ★140 ★500 LV6 x1.35 ★160 ★660 LV7 x1.40 ★180 ★840 LV8 x1.45 ★200 ★1040 Enrage fight While enraged damage is multiplied by 1.3Enrageの効果中のダメージが 1.3倍 10 LV1 x1.3 ★80 ★80 Speed lv.3 LV2 x1.6 ★100 ★180 LV3 x1.9 ★120 ★300 LV4 x2.2 ★140 ★440 LV5 x2.5 ★160 ★600 LV6 x2.8 ★180 ★780 LV7 x3.1 ★200 ★980 LV8 x3.4 ★220 ★1200 LV9 x3.7 ★240 ★1440 LV10 x4.0 ★260 ★1700 Cumulative strength Gain an additional damage bonus of x1.3for each enrage stack level (From 1 to 3)Enrage stackの重複数ごとにダメージが1.3倍 10 LV1 x1.3 ★80 ★80 Speed lv.3 LV2 x1.6 ★100 ★180 LV3 x1.9 ★120 ★300 LV4 x2.2 ★140 ★440 LV5 x2.5 ★160 ★600 LV6 x2.8 ★180 ★780 LV7 x3.1 ★200 ★980 LV8 x3.4 ★220 ★1200 LV9 x3.7 ★240 ★1440 LV10 x4.0 ★260 ★1700 合計 ★4650 Enrageブロックにぶつかってから2秒間スピードが増加する。 2秒以内に再度ぶつかり続けることができれば効果が永続する。 Enrage StackEnrageの効果中に再度接触すると、効果を重ねがけできるようになる。 最大レベルのEnrageが3スタックされれば、3x3倍で9倍速となる。 Enrage Fight / Cumulative StrengthEnrageのパワー版。 Cumulative strengthがあると、スタック数に応じて更に倍率がかかる。EFで4倍、CSで4倍、スタックにより最大3乗となるため、最大で256倍のパワーとなる。 Scatter / スカッター スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Damage Increase damage x1.1ダメージを x1.1 に増加 5 LV1 x1.1 ★5 ★5 - LV2 x1.2 ★15 ★20 LV3 x1.3 ★25 ★45 LV4 x1.4 ★35 ★80 LV5 x1.5 ★45 ★125 Split Ball splits into 3 smaller balls分裂する小さいボールが 3つ になる 3 LV1 3 ★20 ★20 Damage lv.3 LV2 4 ★40 ★60 LV3 5 ★60 ★120 Fly children! Small Scatter Balls now receive 45% of Scatter Ball's power.小さいボールが本体のパワーの45%を受け取る 4 LV1 45% ★60 ★60 Split lv.2 LV2 50% ★80 ★140 LV3 55% ★100 ★240 LV4 60% ★120 ★360 Scatter Merge When hitting wall,mini balls spawned is reduced to 1,but with power equal to the total power of all mini balls壁に衝突時に生まれる小さいボールが1つになるが、すべての小さいボールの合計のパワーを持つ 1 LV1 - ★200 ★200 Fly children! lv.3 合計 ★805 Scatter Merge分裂数を1個にしてパワーを凝縮させることができる。 SplitとFly Children!がどちらも最大レベルの場合5個x60%で、ミニボールのパワーは本体の300%となる。 Cash / キャッシュ スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Power Added Increase power x1.2パワーを x1.2 に増加 5 LV1 x1.2 ★5 ★5 - LV2 x1.3 ★15 ★20 LV3 x1.4 ★25 ★45 LV4 x1.5 ★35 ★80 LV5 x1.6 ★45 ★125 More cash Increase cash generation from cash bricks by x2キャッシュブロック衝突時のキャッシュ生成量を x2 に増加 5 LV1 x2 ★20 ★20 Damage Added lv.2 LV2 x3 ★40 ★60 LV3 x4 ★60 ★120 LV4 x5 ★80 ★200 LV5 x6 ★100 ★300 Buried Treasure After touching 10 bricks,the next brick touched will gain a treasure worth (Max HP * 1.2) cash,which will be collected when the brick is destroyed10回ブロックに衝突後、その次に触れたブロックの破壊時、そのブロックの最大HPの1.2倍のキャッシュを得る 5 LV1 x1.2 ★60 ★60 More cash lv.3 LV2 x1.4 ★80 ★140 LV3 x1.6 ★100 ★240 LV4 x1.8 ★120 ★360 LV5 x2.0 ★140 ★500 More buried treasure Number of bricks needed to activate Buried Treasure redueced to 9Buried Treasureの発動に必要な衝突回数を9にする 5 LV1 9 ★80 ★80 Buried Treasure lv.3 LV2 8 ★100 ★180 LV3 7 ★120 ★300 LV4 6 ★140 ★440 LV5 5 ★160 ★600 合計 ★1525 Pierce / ピアース スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Damage Increase damage x1.1ダメージを x1.1 に増加 5 LV1 x1.1 ★5 ★5 - LV2 x1.2 ★15 ★20 LV3 x1.3 ★25 ★45 LV4 x1.4 ★35 ★80 LV5 x1.5 ★45 ★125 Detonate bomb squad if "Bomb Brick" card is active,ball targets the nearest bomb brick upon touching a wall「爆弾ブロック」カードを使用中、壁から跳ね返ったボールが最も近い爆弾ブロックを狙う 1 LV1 - ★100 ★100 Damage lv.4 Big ball After touching 25 bricks,the Pierce ball increases in size by 1.2x for 10sブロックに25回触れたあと、10秒間ボールの大きさが1.2倍 5 LV1 x1.2 ★80 ★80 Detonate bomb squad lv.1 LV2 x1.4 ★100 ★180 LV3 x1.6 ★120 ★300 LV4 x1.8 ★140 ★440 LV5 x2.0 ★160 ★600 Persistant big ball Increases big ball duration for 22s.Big ballの持続時間を22秒にする 5 LV1 22s ★80 ★80 Big ball lv.3 LV2 24s ★100 ★180 LV3 26s ★120 ★300 LV4 28s ★140 ★440 LV5 30s ★160 ★600 Faster big ball Decreases big ball cooldown to 22 bricks.big ballの発動に必要な接触回数を22回にする 7 LV1 22 ★80 ★80 Big ball lv.3 LV2 19 ★100 ★180 LV3 16 ★120 ★300 LV4 13 ★140 ★440 LV5 10 ★160 ★600 LV6 7 ★180 ★780 LV7 4 ★200 ★980 合計 ★2405 Sword / スウォード スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Damage Increase damage x1.1ダメージを x1.1 に増加 5 LV1 x1.1 ★5 ★5 - LV2 x1.2 ★15 ★20 LV3 x1.3 ★25 ★45 LV4 x1.4 ★35 ★80 LV5 x1.5 ★45 ★125 Speed Speed increase x1.05スピードを x1.05 に増加 5 LV1 x1.05 ★20 ★20 Damage lv.4 LV2 x1.10 ★40 ★60 LV3 x1.15 ★60 ★120 LV4 x1.20 ★80 ★200 LV5 x1.25 ★100 ★300 Shields remove Removes shields from neighbouring bricks within a radius 1.2半径 1.2 以内のブロックからシールドを除去する 5 LV1 1.2 ★60 ★60 Speed lv.4 LV2 1.4 ★80 ★140 LV3 1.6 ★100 ★240 LV4 1.8 ★120 ★360 LV5 2.0 ★140 ★500 合計 ★925 Fire / ファイヤー スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Damage Increase damage x1.1ダメージを x1.1 に増加 5 LV1 x1.1 ★5 ★5 - LV2 x1.2 ★15 ★20 LV3 x1.3 ★25 ★45 LV4 x1.4 ★35 ★80 LV5 x1.5 ★45 ★125 Fire spread Fire spreads to nearest bricks after 7seconds7秒後に近いブロックに火が広がる 5 LV1 7sec ★20 ★20 Damage lv.4 LV2 6sec ★40 ★60 LV3 5sec ★60 ★120 LV4 4sec ★80 ★200 LV5 3sec ★100 ★300 Floor is lava When a burning Brick is destroyed,it leaves behind a burning area for 10s,dealing 20% of Fire ball power in damage every 5s to any brick it touches燃えているブロックを破壊すると、パワーの20%のダメージを5秒毎に与える炎上エリアが10秒間残る 5 LV1 20% ★60 ★60 Fire spread lv.3 LV2 25% ★80 ★140 LV3 30% ★100 ★240 LV4 35% ★120 ★360 LV5 40% ★140 ★500 Big lava Increases lava tiles scale in x1.1.Floor is lavaの炎上エリアの大きさ1.1倍 5 LV1 x1.1 ★80 ★80 Floor is lava lv.3 LV2 x1.2 ★100 ★180 LV3 x1.3 ★120 ★300 LV4 x1.4 ★140 ★440 LV5 x1.5 ★160 ★600 Intense lava Increases Floor is lava damage in x1.2Floor is lavaのダメージ1.2倍 5 LV1 x1.2 ★80 ★80 Floor is lava lv.3 LV2 x1.4 ★100 ★180 LV3 x1.6 ★120 ★300 LV4 x1.8 ★140 ★440 LV5 x2.0 ★160 ★600 合計 ★2125 Lightning / ライトニング スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Damage Increase damage x1.1ダメージを x1.1 に増加 5 LV1 x1.1 ★5 ★5 - LV2 x1.2 ★15 ★20 LV3 x1.3 ★25 ★45 LV4 x1.4 ★35 ★80 LV5 x1.5 ★45 ★125 Chain size Add 1 additional lightning strikes電撃を与えるブロックを 1つ 追加 5 LV1 +1 ★20 ★20 Damage lv.4 LV2 +2 ★40 ★60 LV3 +3 ★60 ★120 LV4 +4 ★80 ★200 LV5 +5 ★100 ★300 Speed Speed increase x1.05スピードを x1.05 に増加 5 LV1 x1.05 ★60 ★60 Chain size lv.2 LV2 x1.10 ★80 ★140 LV3 x1.15 ★100 ★240 LV4 x1.20 ★120 ★360 LV5 x1.25 ★140 ★500 合計 ★925 Proportional / プロポーショナル スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Speed Speed increase in x1.1スピードを x1.1 に増加 8 LV1 x1.1 ★5 ★5 - LV2 x1.15 ★15 ★20 LV3 x1.2 ★25 ★45 LV4 x1.25 ★35 ★80 LV5 x1.3 ★45 ★125 LV6 x1.35 ★55 ★180 LV7 x1.4 ★65 ★245 LV8 x1.45 ★75 ★320 Damage Damage increase in x1.1ダメージを x1.1 に増加 6 LV1 x1.1 ★5 ★5 Speed lv.2 LV2 x1.2 ★15 ★20 LV3 x1.3 ★25 ★45 LV4 x1.4 ★35 ★80 LV5 x1.5 ★45 ★125 LV6 x1.6 ★55 ★180 Blue bricks damage Damage in blue bricks increase more x1.1青いブロックへのダメージを x1.1 に増加 10 LV1 x1.1 ★5 ★5 Speed lv.2 LV2 x1.2 ★15 ★20 LV3 x1.3 ★25 ★45 LV4 x1.4 ★35 ★80 LV5 x1.5 ★45 ★125 LV6 x1.6 ★55 ★180 LV7 x1.7 ★65 ★245 LV8 x1.8 ★75 ★320 LV9 x1.9 ★80 ★400 LV10 x2 ★85 ★480 Instant destruction 1 in 100 chances to destroy bricks instantly1%の確率でブロックを即座に破壊する 10 LV1 1% ★20 ★20 Blue bricks damage lv.4 LV2 2% ★25 ★45 LV3 3% ★30 ★75 LV4 4% ★35 ★110 LV5 5% ★40 ★150 LV6 6% ★45 ★195 LV7 7% ★50 ★245 LV8 8% ★55 ★300 LV9 9% ★60 ★360 LV10 10% ★65 ★425 合計 ★1405 + ver1.9.15以前のスキル Basic スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Speed Speed increase x1.1スピードを x1.1 に増加 8 LV1 x1.10 ★2 ★2 - LV2 x1.15 ★4 ★6 LV3 x1.20 ★6 ★12 LV4 x1.25 ★8 ★20 LV5 x1.30 ★10 ★30 LV6 x1.35 ★15 ★45 LV7 x1.40 ★25 ★70 LV8 x1.45 ★40 ★110 Damage Increase damage x1.1ダメージを x1.1 に増加 6 LV1 x1.1 ★1 ★1 Speed lv.2 LV2 x1.2 ★2 ★3 LV3 x1.3 ★4 ★7 LV4 x1.4 ★7 ★14 LV5 x1.5 ★11 ★25 LV6 x1.6 ★16 ★41 Splash damage Adds splash damage to ball with size 1.2範囲 1.2 のスプラッシュダメージを追加（パワーの40%） 5 LV1 1.2 ★15 ★15 Speed lv.2 LV2 1.4 ★20 ★35 LV3 1.6 ★25 ★60 LV4 1.8 ★35 ★95 LV5 2.0 ★50 ★145 合計 ★296 Splash スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Splash damage Increase splash damage x1.1スプラッシュダメージを x1.1 に増加 5 LV1 x1.1 ★2 ★2 - LV2 x1.2 ★4 ★6 LV3 x1.3 ★6 ★12 LV4 x1.4 ★8 ★20 LV5 x1.5 ★10 ★30 Splash size Increase splash size x1.2スプラッシュ範囲を x1.2 に増加 5 LV1 x1.2 ★4 ★4 Splash damage lv.4 LV2 x1.4 ★8 ★12 LV3 x1.6 ★15 ★27 LV4 x1.8 ★25 ★52 LV5 x2.0 ★40 ★92 合計 ★122 Sniper スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Shields damage Increase damage to shield bricks by x1.5シールドブロックに対するダメージを x1.5 に増加 5 LV1 x1.5 ★3 ★3 - LV2 x2.0 ★6 ★9 LV3 x2.5 ★10 ★19 LV4 x3.0 ★20 ★39 LV5 x3.5 ★35 ★74 More cash Cash bricks killed by snipers generate x2 more cashキャッシュブロックを破壊した時のキャッシュを x2 に増加 5 LV1 x2 ★5 ★5 Shields damage lv.3 LV2 x3 ★10 ★15 LV3 x4 ★20 ★35 LV4 x5 ★35 ★70 LV5 x6 ★50 ★120 合計 ★194 Poison スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Speed Speed increase x1.05スピードを x1.05 に増加 5 LV1 x1.05 ★3 ★3 - LV2 x1.10 ★6 ★9 LV3 x1.15 ★10 ★19 LV4 x1.20 ★20 ★39 LV5 x1.25 ★35 ★74 Poison decay Poison bricks lose hitpoint by 2% of their max health per second毒状態のブロックが最大耐久力の 2% を毎秒失う 5 LV1 2% ★10 ★10 Speed lv.3 LV2 5% ★20 ★30 LV3 10% ★30 ★60 LV4 20% ★40 ★100 LV5 25% ★60 ★160 Enrage After hitting a brick, speed up by x2 for 2secondsブロックに衝突後の2秒間スピードが x2 になる 3 LV1 x2 ★15 ★15 Speed lv.3 LV2 x2.5 ★25 ★40 LV3 x3 ★50 ★90 合計 ★324 Demo スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Enrage After hitting a brick, speed up by x2 for 2secondsブロックに衝突後の2秒間スピードが x2 になる 3 LV1 x2 ★5 ★5 - LV2 x2.5 ★10 ★15 LV3 x3 ★20 ★35 Enrage stack Enrage speedups now stacking (Max.3x)Enrageの速度が重複するようになる（最大3倍） 1 LV1 - ★100 ★100 Enrage lv.3 合計 ★135 Scatter スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Damage Increase damage x1.1ダメージを x1.1 に増加 5 LV1 x1.1 ★3 ★3 - LV2 x1.2 ★5 ★8 LV3 x1.3 ★8 ★16 LV4 x1.4 ★12 ★28 LV5 x1.5 ★18 ★46 Split Ball splits into 3 smaller balls分裂する小さいボールが 3つ になる 3 LV1 3 ★50 ★50 Damage lv.3 LV2 4 ★125 ★175 LV3 5 ★300 ★475 合計 ★521 Cash スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Power Added Increase damage x1.2ダメージを x1.2 に増加 5 LV1 x1.2 ★10 ★10 - LV2 x1.3 ★15 ★25 LV3 x1.4 ★20 ★45 LV4 x1.5 ★30 ★75 LV5 x1.6 ★40 ★115 More cash Increase cash generation from cash bricks by x2キャッシュブロック衝突時のキャッシュ生成量を x2 に増加 5 LV1 x2 ★20 ★20 Damage Added lv.2 LV2 x3 ★40 ★60 LV3 x4 ★75 ★135 LV4 x5 ★100 ★235 LV5 x6 ★150 ★385 合計 ★500 Pierce スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Damage Increase damage x1.1ダメージを x1.1 に増加 5 LV1 x1.1 ★3 ★3 - LV2 x1.2 ★5 ★8 LV3 x1.3 ★8 ★16 LV4 x1.4 ★12 ★28 LV5 x1.5 ★18 ★46 合計 ★46 Sword スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Damage Increase damage x1.1ダメージを x1.1 に増加 5 LV1 x1.1 ★3 ★3 - LV2 x1.2 ★5 ★8 LV3 x1.3 ★8 ★16 LV4 x1.4 ★12 ★28 LV5 x1.5 ★18 ★46 Speed Speed increase x1.05スピードを x1.05 に増加 5 LV1 x1.05 ★5 ★5 Damage lv.4 LV2 x1.10 ★10 ★15 LV3 x1.15 ★15 ★30 LV4 x1.20 ★25 ★55 LV5 x1.25 ★40 ★95 Shields remove Removes shields from neighbouring bricks within a radius 1.2半径 1.2 以内のブロックからシールドを除去する 5 LV1 1.2 ★20 ★20 Speed lv.4 LV2 1.4 ★30 ★50 LV3 1.6 ★50 ★100 LV4 1.8 ★80 ★180 LV5 2.0 ★120 ★300 合計 ★441 Fire スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Damage Increase damage x1.1ダメージを x1.1 に増加 5 LV1 x1.1 ★3 ★3 - LV2 x1.2 ★5 ★8 LV3 x1.3 ★8 ★16 LV4 x1.4 ★12 ★28 LV5 x1.5 ★18 ★46 Fire spread Fire spreads to nearest bricks after 7seconds7秒後に近いブロックに火が広がる 5 LV1 7sec ★50 ★50 Damage lv.4 LV2 6sec ★70 ★120 LV3 5sec ★90 ★210 LV4 4sec ★120 ★330 LV5 3sec ★150 ★480 合計 ★526 Lightning スキル名 効果 最大レベル LV毎の効果 強化コスト 累積コスト 解除条件 Damage Increase damage x1.1ダメージを x1.1 に増加 5 LV1 x1.1 ★3 ★3 - LV2 x1.2 ★5 ★8 LV3 x1.3 ★8 ★16 LV4 x1.4 ★12 ★28 LV5 x1.5 ★18 ★46 Chain size Add 1 additional lightning strikes電撃を与えるブロックを 1つ 追加 5 LV1 +1 ★50 ★50 Damage lv.4 LV2 +2 ★100 ★150 LV3 +3 ★160 ★310 LV4 +4 ★240 ★550 LV5 +5 ★350 ★900 Speed Speed increase x1.05スピードを x1.05 に増加 5 LV1 x1.05 ★5 ★5 Chain size lv.2 LV2 x1.10 ★10 ★15 LV3 x1.15 ★15 ★30 LV4 x1.20 ★25 ★55 LV5 x1.25 ★40 ★95 合計 ★1041 バグ 不具合のページを参照。 コメント みなさんのおすすめ教えて！ (2023-01-24 06 42 07) DemoとPoisonのEnrageは安価な上に効果がめっちゃ高い レベル1だけでも見違える Slpashも安い割には強いほう あとは最強ボールのLightningを育てたり、SwordのShield Removeを目指したり 買うべきじゃないのは以下 ・PoisonのDecay：バグで毎秒0.02%のダメージしか与えないし、もし毎秒2%与えても破壊に50秒もかかる 弱い ・Cash：キャッシュボールにダメージなんていらない しかも効果が低くて結局ダメージはほぼ出ない ・Basic、Fire：そもそもボールが弱い 残りのSniper、Scatter、Pierceはポイントが余ったら育ててもいい (2023-01-25 14 23 30) デモのEnrage stackってどうなるんですか？ (2023-02-19 09 59 04) 取得してないので確認できんけど、おそらくブロックに当たって加速中の2秒の間に別のブロックに当たると加速時間が2秒追加されていくんじゃないかな (2023-02-26 06 57 53) キャッシュボールのDamage Addedがよくわからない キャッシュボールでダメージ出して何の意味があるんだ？ 稼げる額が20%上がるってこと？ (2023-03-10 07 20 30) そのものズバリ、パワーの20%分のダメージを与えてブロックを破壊できるようになる 利点は一切無いが、素のパワーの低さを考えるとダメージが邪魔になることもほとんど無いと思う 良くも悪くも無意味なスキル なお現在バグでスキルと関係なくパワーの100%のダメージを与えるようになってる ポイズンの影響は受けない (2023-03-10 10 15 21) あざます More cashを (2023-03-10 20 19 58) ありがとう More cashを覚えるために取得するのもありだな (2023-03-10 20 20 58) いやぁ、わざわざ投資する価値ないと思うわ キャッシュブロックにしか効かない以上、キャッシュブロックチャンスのプレステージとカードを両方MAXにしないと効果が薄い その段階のプレイヤーなら、キャッシュボールは基本的にチャンレジモードでしか使わないはずで、 チャレンジ報酬を1～2段階増やすことよりスキルポイントを節約する方が重要だろう 他に欲しいスキルが一つも無いなら買ってもいいけど、今後アプデで有能スキルが追加されるかもしれんし、やっぱ節約した方が (2023-03-12 20 57 48) More Cash買ってみたけど、バグで何の効果も無いみたい 接触でも破壊でも、ノーマルブロックとキャッシュブロックで稼ぎが全く変わらん うーんこの (2023-03-13 09 19 10) Shields removeって和訳するとシールド削除ってなりますけど、シールド消えるんですか？ ポイズンとかスプラッシュみたいなエフェクト出る感じですか？ (2023-04-09 06 53 54) シールドが解除されて普通のブロックに変化する 水色のスプラッシュエフェクトが出る (2023-04-10 09 35 44) ありがとうございます。 めっちゃつよいですね😨 (2023-04-11 10 00 51) DemoとSwordのやつ以外取る価値なしでおk？ (2023-04-28 17 31 27) おkおk その程度の理解力なら何取ってもムダ (2023-04-28 23 38 46) 個人的な意見だと ポイズンEnrage1→デモEnrage1→ソードShieldRemove →ライトニングChainSizeかな デモはあると便利くらいだけど (2023-05-24 13 40 14) Lightningのトンデモ補正が修正されたからSwordのシールド解除の取得優先度が結構上がったんじゃないかな CHALLENGE Badgeがだいたい200～250くらい付いてる状態だとレベル15万あたりから盾付きブロックが明確に邪魔になってきてSwordがないとかなりきつい 逆にシールド解除を取得してしまえば、他のボールが揃っていればSwordボールは最悪1個で事足りる (2023-08-07 13 28 16) アプデ後からコスト上がった？ (2023-09-30 11 02 55) ソードのスキル解放してないけど、当たるとシールド消えてない？バグ？ (2023-12-16 19 02 00) レベル10万くらいでのプレイ感だけど、 火力に余裕がある序盤レベルは、ブロック全体に毒をつけるまでの時間がステージのクリア時間に直結するからポイズンEnrage1は絶対欲しい 毒ついててもすぐに壊せないレベルになってくると、火力がステージのクリア時間に影響してくるから火力最強のデモEnrage系を揃えていきたい まだ試してないけど、デモが揃ってきたら盾ブロックがネックになってきそうだから気になりだしたらRemove取るかーって感じかな (2024-01-05 17 06 29) ゲームを始めたのがスキル取得コストがおおはばｂ (2024-01-20 15 17 48) 大幅値上がりの後だかスキルポイント集めが大変すぎる (2024-01-20 15 18 47) ポイント必要数に対して入手数少なすぎじゃね？と思ったら値上がりしてたんか デイリーミッションに1ポイントずつ付けてもいいレベルだろこれ (2024-01-26 03 13 58) ずっと手を付けてなかったが今はベーシックの上位三つのスキル優先して取りに行った方がいいのかなこれ 文面だけ見たら効果絶大そうだ 最終的には三つフル強化したベーシックボールを10個くらい常に確保しとくのかな？ (2024-01-27 13 34 29) ベーシックは始めは取らないほうが良さそうじゃない？ フレンドボーナス迄行けるのであれば、一気に取ってもいいとは思うけど… (2024-01-29 18 49 01) まあ、あくまで最終的な話なので 始めならスウォードのシールド除去を取りに目指すか ポイズンやデモを強化していく方が優先でしょうね (2024-01-30 03 21 46) Friend bonus解放に140、ポイズンのEnrage解放に85、Shield remove解放に340、Chain size解放に100必要となると先が遠すぎる 毎週12ポイントは貰えるけどトーナメントの高リーグ高ランクを取らないとろくにスキルポイント貰えないの辛い (2024-02-02 15 33 32) なんとがベーシックのFriend bonus取れたけど やっぱまともに使うならUnlimited friend bonusは必須だな 一つの種類のボールにフルに効果を付与するのに ダメージ全く出ないボール25個も持つのは無駄過ぎる これが2種類のボールに効果を付与してもベーシック5個ぐらいで十分になるのはデカい (2024-02-08 11 08 17) やっと⭐️取れたから強化するかと思ったらめちゃくちゃ⭐️いるやないか…… (2024-02-15 08 26 47) そう、めちゃくちゃ☆要るからまともに使えるようになるには長～い期間必要だからどれか一つに絞って育てた方が良いっす… (2024-02-15 18 00 08) ベーシックのFriend bonusでポイズンを選んだ時に毒状態のブリックに与えるダメージって倍化するの？ (2024-02-18 10 14 50) 新ボールproportionalが追加されたけど、 そのスキルの青いブリックに与えるダメージ増加と赤いブリックの瞬間破壊確率1%増加は強いのかな？ (2024-04-07 21 30 44) ポイズンEnrage1→デモEnrage1とスキル取得してきて さあ次はスウォードのシールド除外かなと目指し始めたところだったんだけど、 先に最近追加されたproportionalボールのアサシン効果目指した方が良いかな？ 17万5000レベルまではまあまあなペースで行けるんだけどそれ以降が硬くて手も足も出なくて… シールド無しでもピンクが硬すぎて時間食うからシールド除外よりも確率破壊に期待する方が近道かなと考えてる。 なによりスウォードのシールド除外までの必要ポイントが340なのに対して proportionalのアサシンは120と少し安いからモチベも保てるし… (2024-04-18 00 09 44) 似たような状況でアサシン狙いです。 取れても本番でプロポーショナルが出ないと話にならないですが…盾が硬くて進めずにイライラするよりかはマシかなと思ってます。 (2024-04-18 02 59 49) 最近出たからとはいえproportional修正入るんじゃね？て疑いたくなるレベルでコストやっすいな… 正直Speedとdestructionだけでも十分で一回の強化で100も消費しない 他のボールもある程度強化してたから比べればまだ破壊スピードは遅いけどdestruction強化完了する頃にはボールの優先度が一気に変わるな (2024-04-27 07 50 30) ↑最初から100ptあればトーナメント1回で破壊Lv1解放までいけるのすごい (2024-04-28 21 50 45) proportionalのdestruction1～2%程度でも体感効率上がる？ 修得した先駆者いたら教えて欲しい (2024-04-29 01 59 09) プロポーショナルのブロック破壊を取った方いますか？ 実践での使用感を教えていただきたいです。 シールド除去とブロック破壊のどちらを取るかで悩んでいます。 (2024-05-02 00 00 34) 正直シールド除去が先だと思ったけど、後者は実装直後でスキルポイントの必要数が上がりそうだったから怖くてとっとと1%解放した (2024-05-02 06 56 33) ブロック破壊5パーまで上げてみましたが、どうなんだこれ…？ プロポーションボールの数増やせば期待値上がるのは間違いないだろうけど… (2024-05-11 10 56 09) プロポーション破壊Lv7、爆弾のカードLv3で使ってるんだけどかなり強い パワー系のカードを組み込む必要がなくて、パワーに割かれるコストもボールに当てられるから10sまでにゲット出来れば盤面に50個並べるのも夢じゃない 数さえ揃ってしまえば一定のペースで進んでくれるから1日で30万レベルがやっとだったのに35万レベルを余裕で越えれるようになった！これでもまだ伸び代があるんだから育成待ったなしだと思ってる 今の時点で私が言えるのはシールド除去獲得のために注ぎ込んでたスキルポイントをリセットした価値はあったと思う (2024-05-16 04 28 28) アプデでスキルツリーの説明が日本語訳されたみたいだけど、リセットを押すと韓国語の説明が出るの草 なんで英語から韓国語になったんだw (2024-05-21 17 10 49) 韓国メーカーだからじゃない？ (2024-05-25 09 55 49) ベーシックボールのスキルで、Network friend expansionとUnlimited friend bonusは分岐してますが、両方スキル解除したらどちらの効果も並用されますか？ (2024-05-25 20 20 08) 誤字でしょうか。『親スキルから分岐した子スキルAと子スキルBを両方とも取得した場合、AとBの効果は併用されるか。またAとBを取得したうえで、ジェム100個でスキルリセットをした場合場合はどうなるのか。』という質問と解釈しましたので、それで答えます。 ①親スキルから分岐した子スキルAと子スキルBを両方とも取得した場合、AとBの効果は併用されるか→されます。取得したスキルは取得直後から全て同時に発現します。 ①の例外でスカッターの『Scatter Merge』：スキル取得毎にパワーやミニボールが徐々に増えていき、最終的に全てのスキルが一つに統合して強化されます。強化したミニボール4または5個が1つに減りますが、統合されたミニボールのパワーが240または300％に増加します。 ②子スキルAとBを取得したうえで、ジェム100個でスキルリセットをした場合はどうなるのか。→選択したボールは初期化されます。スキルを一つも取得していない状態に戻ります。今までに費やしたスキルポイントは全額戻ります。 ③子スキルAとBを取得したうえで、子スキルBだけを消したい。→出来ません。 習得を間違ってやり直したい場合は、②のスキルリセットが必要になります。選択したボールは初期化、つまりスキルを一つも取得していない最初の状態に戻ります。今までに費やしたスキルポイントは全額戻りますので、再度必要なスキルのみを順番に取得してください。 (2024-05-26 01 33 46) ありがとうございます！ (2024-05-27 04 26 34) ジェム10個でスキルポイント1と交換できたらなぁ (2024-05-28 21 28 37) 先人のコメを信じて盾除去リセット→Assassin 7まで取ったけど、 こっちの方が殲滅力高くてサクサク行きますね。 あれ…demoいらな… (2024-05-31 18 42 23) コメント
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Funfax Spy Tactics-Norweigian Dorling Kindersley? Foreign Editions? DorlingKindersley? ForeignEditions? undefined undefined IEEE Std C57.91-1995 IEEE Guide for Loading Mineral-Oil Immersed Transformers Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Science-General ANSI C136.3-1995 American National Standard for Roadway Lighting Equipment-Guide for Selection Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Science-General IEEE Std 1278.2-1995 IEEE Standard for Distributed Interactive Simulation-Communication Services Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Computers&Internet-General? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Telecommunications? 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Hello international krisberts! (gray team on the little pawns) 日本語版* we will do krismas project for our singer Kris Allen. so, if you are not US people, and want to send him a love from your place, lets do this together! here s some info. What s the project? Krismas Special Collage Pic Card. and messages. (collage example. JUST A EXAMPLE. here. "it s gonna look like this more or less.") What will you do? Send pic(s) or/and message(s) for the project. How? 1)take pic yourself, your place, food, winnie the pooh, whatever, then send it. you can send me 1~29876998214798326470987312 pics. absolutely high quality. 2)write krismas message, poetry, loveletter, then send it. just send us ONE message post. the message should be longer than 100 letters, and less than 1000 letters. you dont have to photoshop it on the pic. write the message in an email or twitlonger.(don t forget the hashtug.) 3)if youd like to, you can do both. 4)send these stuffs to "KrisAllenFanJP@gmail.com" or if youd like to, you can post it through twitter, mention to @KrisAllenFanJP include hashtag "#Krismas". 5)send me till 12/15. *I JUST STARTED MAKING THE COLLAGE, BUT STILL I CAN PUT YOUR PICS! HURRY TO SEND IT TO US!* (don t forget your name! and please tell us where you live. if you could tell.) any questions and suggestions are welcome, ask @KrisAllenFanJP through twitter. or email us.(KrisAllenFanJP@gmail.com) imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 thanks!
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