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概要 通称 グレーターポイズンエレメンタル 生息地 Underworld 関連生物 poison elemental 名声 18500 カルマ -18500 忠誠度 0 戦利品 1100-1200 gold, 未解読の古文書 解体 - アビリティ 魔法, 毒(Lv5) 特効 エレメンタル族, ポイズンエレメンタル テイム可能値 - バード難度 145.8 ステータス ステータス HP スタミナ マナ STR DEX INT 最小 652 302 562 652 181 562 最大 699 350 635 699 200 635 抵抗 抵抗 物 炎 冷 毒 エ 最小 60 20 20 100 40 最大 70 30 30 100 50 ダメージ DMG 物 炎 冷 毒 エ 12-18(xx-xx) 10 90 スキル スキル 格闘 戦術 耐性 解剖学 毒 魔法 評価 瞑想 最小 70.1 80.1 88.8 0 100.9 90.1 104.0 92.7 最大 90 100 113.2 0 118.4 103.2 119.4 107.2 コメント 遠隔攻撃に対し毒ブレスで反撃 -- 名無しさん (2011-03-08 13 39 41) 湧き時間が相当遅い。ドロップは基本ガーゴイル装備。ドレッドホーンの練習台。 -- 宝探し屋さん (2019-09-02 01 40 40) 名前 コメント
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The Beagle (Terra-Nova) Tfh Pubns Inc?Diane Morgan The Best Guide to Eastern Philosophy and Religion Renaissance Books?Diane Morgan Footdee (Villages of Aberdeen) Denburn Books?Diane Morgan Thinking, Reading, Writing Center for Learning?Diane MorganPatricia M. Mote?Elizabeth Terraszas? The Dog Dictionary Canine Lingo from A-Z Bowtie Pr?Diane MorganJohn Warner? The Drawings of Annibale Carracci Lund Humphries Pub Ltd?Daniele Benati?Diane De Grazia?Gail Feigenbaum?Kate Ganz?Margaret Morgan Grasselli?Catherine Loisel Legrand?Carel Van Tuyll Van Serooskerken? Beagle An Owner's Survival Guide (Benchmark Series Book) Doral Pub?Diane Morgan Stuart Davis Art and Theory, 1920-31 Pierpont Morgan Library?Diane Kelder?Stuart Davis? Understanding Your Horse's Lameness Half Halt Pr?Diane Morgan Feeding Your Horse For Life Half Halt Pr?Diane Morgan Very Entertaining Menus for Special Occasions Entertaining People?Diane MorganDan Taggart?Kathleen Taggart?Georgia Vareldzis? Feeding Your Dog for Life The Real Facts About Proper Nutrition Doral Pub?Diane Morgan The Dachshund An Owner's Survival Guide (Benchmark Series Book) Doral Pub?Diane Morgan Medway Towns from the Air Meresborough Books?Piers Morgan?Diane Nicholls? The Basset Hound Owner's Survival Guide (Owner's Guides to a Happy, Healthy Pet) Howell Book House?Diane Morgan A Guide to Getting It Self-Esteem (Guide to Getting It) Clarity of Vision Pub?Rachelle Disbennett-Lee?Rachelle Disbennett Lee?Judy Epstein?Marilyn French Hubbard?Laurie Geary?Loral Langemeier?Diane Menendez?Morgan Schuyler?Laurie Sheppard?Phyllis Sisenwine? Train The Wolf In Your Dog Genetic Clues to Solving Behavior Problems Doral Pub?Diane Morgan Usability Engineering Scenario-Based Development of Human-Computer Interaction (Morgan Kaufmann Series in Interactive Technologies) Morgan Kaufmann Pub?Mary Beth Rosson?John M. Carroll?Diane D. Cerra?Natalie Hill? 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ff6 - 11 figaro 「the turning point !!!」 一歩一歩が砂の中に深くめり込む感覚に、いよいよティナが膝をついた時、冗談みたいなタイミングでチョコボが現れた。 乗りますか？ yes / no
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Nous étions à l’Étude, quand le Proviseur entra, suivi d’un nouveau habillé en bourgeois et d’un garçon de classe qui portait un grand pupitre. Ceux qui dormaient se réveillèrent, et chacun se leva comme surpris dans son travail. Le Proviseur nous fit signe de nous rasseoir ; puis, se tournant vers le maître d’études – Monsieur Roger, lui dit-il à demi-voix, voici un élève que je vous recommande, il entre en cinquième. Si son travail et sa conduite sont méritoires, il passera dans les grands, où l’appelle son âge. Resté dans l’angle, derrière la porte, si bien qu’on l’apercevait à peine, le nouveau était un gars de la campagne, d’une quinzaine d’années environ, et plus haut de taille qu’aucun de nous tous. Il avait les cheveux coupés droit sur le front, comme un chantre de village, l’air raisonnable et fort embarrassé. Quoiqu’il ne fût pas large des épaules, son habit-veste de drap vert à boutons noirs devait le gêner aux entournures et laissait voir, par la fente des parements, des poignets rouges habitués à être nus. Ses jambes, en bas bleus, sortaient d’un. pantalon jaunâtre très tiré par les bretelles. Il était chaussé de souliers forts, mal cirés, garnis de clous. On commença la récitation des leçons. Il les écouta de toutes ses oreilles, attentif comme au sermon, n’osant même croiser les cuisses, ni s’appuyer sur le coude, et, à deux heures, quand la cloche sonna, le maître d’études fut obligé de l’avertir, pour qu’il se mît avec nous dans les rangs. Nous avions l’habitude, en entrant en classe, de jeter nos casquettes par terre, afin d’avoir ensuite nos mains plus libres ; il fallait, dès le seuil de la porte, les lancer sous le banc, de façon à frapper contre la muraille en faisant beaucoup de poussière ; c’était là le genre. Mais, soit qu’il n’eût pas remarqué cette manœuvre ou qu’il n’eut osé s’y soumettre, la prière était finie que le nouveau tenait encore sa casquette sur ses deux genoux. C’était une de ces coiffures d’ordre composite, où l’on retrouve les éléments du bonnet à poil, du chapska, du chapeau rond, de la casquette de loutre et du bonnet de coton, une de ces pauvres choses, enfin, dont la laideur muette a des profondeurs d’expression comme le visage d’un imbécile. Ovoïde et renflée de baleines, elle commençait par trois boudins circulaires ; puis s’alternaient, séparés par une bande rouge, des losanges de velours et de poils de lapin ; venait ensuite une façon de sac qui se terminait par un polygone cartonné, couvert d’une broderie en soutache compliquée, et d’où pendait, au bout d’un long cordon trop mince, un petit croisillon de fils d’or, en manière de gland. Elle était neuve ; la visière brillait. – Levez-vous, dit le professeur. Il se leva ; sa casquette tomba. Toute la classe se mit à rire. Il se baissa pour la reprendre. Un voisin la fit tomber d’un coup de coude, il la ramassa encore une fois. – Débarrassez-vous donc de votre casque, dit le professeur, qui était un homme d’esprit. Il y eut un rire éclatant des écoliers qui décontenança le pauvre garçon, si bien qu’il ne savait s’il fallait garder sa casquette à la main, la laisser par terre ou la mettre sur sa tête. Il se rassit et la posa sur ses genoux. – Levez-vous, reprit le professeur, et dites-moi votre nom. Le nouveau articula, d’une voix bredouillante, un nom inintelligible. – Répétez ! Le même bredouillement de syllabes se fit entendre, couvert par les huées de la classe. – Plus haut ! cria le maître, plus haut ! Le nouveau, prenant alors une résolution extrême, ouvrit une bouche démesurée et lança à pleins poumons, comme pour appeler quelqu’un, ce mot Charbovari. Ce fut un vacarme qui s’élança d’un bond, monta en crescendo, avec des éclats de voix aigus (on hurlait, on aboyait, on trépignait, on répétait Charbovari ! Charbovari !), puis qui roula en notes isolées, se calmant à grand-peine, et parfois qui reprenait tout à coup sur la ligne d’un banc où saillissait encore çà et là, comme un pétard mal éteint, quelque rire étouffé. Cependant, sous la pluie des pensums, l’ordre peu à peu se rétablit dans la classe, et le professeur, parvenu à saisir le nom de Charles Bovary, se l’étant fait dicter, épeler et relire, commanda tout de suite au pauvre diable d’aller s’asseoir sur le banc de paresse, au pied de la chaire. Il se mit en mouvement, mais, avant de partir, hésita. – Que cherchez-vous ? demanda le professeur. – Ma cas… fit timidement le nouveau, promenant autour de lui des regards inquiets. – Cinq cents vers à toute la classe ! exclamé d’une voix furieuse, arrêta, comme le Quos ego, une bourrasque nouvelle. – Restez donc tranquilles ! continuait le professeur indigné, et s’essuyant le front avec son mouchoir qu’il venait de prendre dans sa toque Quant à vous, le nouveau, vous me copierez vingt fois le verbe ridiculus sum. Puis, d’une voix plus douce – Eh ! vous la retrouverez, votre casquette ; on ne vous l’a pas volée ! Tout reprit son calme. Les têtes se courbèrent sur les cartons, et le nouveau resta pendant deux heures dans une tenue exemplaire, quoiqu’il y eût bien, de temps à autre, quelque boulette de papier lancée d’un bec de plume qui vînt s’éclabousser sur sa figure. Mais il s’essuyait avec la main, et demeurait immobile, les yeux baissés. Le soir, à l’Étude, il tira ses bouts de manches de son pupitre, mit en ordre ses petites affaires, régla soigneusement son papier. Nous le vîmes qui travaillait en conscience, cherchant tous les mots dans le dictionnaire et se donnant beaucoup de mal. Grâce, sans doute, à cette bonne volonté dont il fit preuve, il dut de ne pas descendre dans la classe inférieure ; car, s’il savait passablement ses règles, il n’avait guère d’élégance dans les tournures. C’était le curé de son village qui lui avait commencé le latin, ses parents, par économie, ne l’ayant envoyé au collège que le plus tard possible. Son père, M. Charles-Denis-Bartholomé Bovary, ancien aide-chirurgien-major, compromis, vers 1812, dans des affaires de conscription, et forcé, vers cette époque, de quitter le service, avait alors profité de ses avantages personnels pour saisir au passage une dot de soixante mille francs, qui s’offrait en la fille d’un marchand bonnetier, devenue amoureuse de sa tournure. Bel homme, hâbleur, faisant sonner haut ses éperons, portant des favoris rejoints aux moustaches, les doigts toujours garnis de bagues et habillé de couleurs voyantes, il avait l’aspect d’un brave, avec l’entrain facile d’un commis voyageur. Une fois marié, il vécut deux ou trois ans sur la fortune de sa femme, dînant bien, se levant tard, fumant dans de grandes pipes en porcelaine, ne rentrant le soir qu’après le spectacle et fréquentant les cafés. Le beau-père mourut et laissa peu de chose ; il en fut indigné, se lança dans la fabrique, y perdit quelque argent, puis se retira dans la campagne, où il voulut faire valoir. Mais, comme il ne s’entendait guère plus en culture qu’en indiennes, qu’il montait ses chevaux au lieu de les envoyer au labour, buvait son cidre en bouteilles au lieu de le vendre en barriques, mangeait les plus belles volailles de sa cour et graissait ses souliers de chasse avec le lard de ses cochons, il ne tarda point à s’apercevoir qu’il valait mieux planter là toute spéculation. Moyennant deux cents francs par an, il trouva donc à louer dans un village, sur les confins du pays de Caux et de la Picardie, une sorte de logis moitié ferme, moitié maison de maître ; et, chagrin, rongé de regrets, accusant le ciel, jaloux contre tout le monde, il s’enferma dès l’âge de quarante-cinq ans, dégoûté des hommes, disait-il, et décidé à vivre en paix. Sa femme avait été folle de lui autrefois ; elle l’avait aimé avec mille servilités qui l’avaient détaché d’elle encore davantage. Enjouée jadis, expansive et tout aimante, elle était, en vieillissant, devenue (à la façon du vin éventé qui se tourne en vinaigre) d’humeur difficile, piaillarde, nerveuse. Elle avait tant souffert, sans se plaindre, d’abord, quand elle le voyait courir après toutes les gotons de village et que vingt mauvais lieux le lui renvoyaient le soir, blasé et puant l’ivresse ! Puis l’orgueil s’était révolté. Alors elle s’était tue, avalant sa rage dans un stoïcisme muet, qu’elle garda jusqu’à sa mort. Elle était sans cesse en courses, en affaires. Elle allait chez les avoués, chez le président, se rappelait l’échéance des billets, obtenait des retards ; et, à la maison, repassait, cousait, blanchissait, surveillait les ouvriers, soldait les mémoires, tandis que, sans s’inquiéter de rien, Monsieur, continuellement engourdi dans une somnolence boudeuse dont il ne se réveillait que pour lui dire des choses désobligeantes, restait à fumer au coin du feu, en crachant dans les cendres. Quand elle eut un enfant, il le fallut mettre en nourrice. Rentré chez eux, le marmot fut gâté comme un prince. Sa mère le nourrissait de confitures ; son père le laissait courir sans souliers, et, pour faire le philosophe, disait même qu’il pouvait bien aller tout nu, comme les enfants des bêtes. À l’encontre des tendances maternelles, il avait en tête un certain idéal viril de l’enfance, d’après lequel il tâchait de former son fils, voulant qu’on l’élevât durement, à la spartiate, pour lui faire une bonne constitution. Il l’envoyait se coucher sans feu, lui apprenait à boire de grands coups de rhum et à insulter les processions. Mais, naturellement paisible, le petit répondait mal à ses efforts. Sa mère le traînait toujours après elle ; elle lui découpait des cartons, lui racontait des histoires, s’entretenait avec lui dans des monologues sans fin, pleins de gaietés mélancoliques et de chatteries babillardes. Dans l’isolement de sa vie, elle reporta sur cette tête d’enfant toutes ses vanités éparses, brisées. Elle rêvait de hautes positions, elle le voyait déjà grand, beau, spirituel, établi, dans les ponts et chaussées ou dans la magistrature. Elle lui apprit à lire, et même lui enseigna, sur un vieux piano qu’elle avait, à chanter deux ou trois petites romances. Mais, à tout cela, M. Bovary, peu soucieux des lettres, disait que ce n’était pas la peine ! Auraient-ils jamais de quoi l’entretenir dans les écoles du gouvernement, lui acheter une charge ou un fonds de commerce ? D’ailleurs, avec du toupet, un homme réussit toujours dans le monde. Madame Bovary se mordait les lèvres, et l’enfant vagabondait dans le village. Il suivait les laboureurs, et chassait, à coups de motte de terre, les corbeaux qui s’envolaient. Il mangeait des mûres le long des fossés, gardait les dindons avec une gaule, fanait à la moisson, courait dans le bois, jouait à la marelle sous le porche de l’église les jours de pluie, et, aux grandes fêtes, suppliait le bedeau de lui laisser sonner les cloches, pour se pendre de tout son corps à la grande corde et se sentir emporter par elle dans sa volée. Aussi poussa-t-il comme un chêne. Il acquit de fortes mains, de belles couleurs. À douze ans, sa mère obtint que l’on commençât ses études. On en chargea le curé. Mais les leçons étaient si courtes et si mal suivies, qu’elles ne pouvaient servir à grand-chose. C’était aux moments perdus qu’elles se donnaient, dans la sacristie, debout, à la hâte, entre un baptême et un enterrement ; ou bien le curé envoyait chercher son élève après l’Angélus, quand il n’avait pas à sortir. On montait dans sa chambre, on s’installait les moucherons et les papillons de nuit tournoyaient autour de la chandelle. Il faisait chaud, l’enfant s’endormait ; et le bonhomme, s’assoupissant les mains sur son ventre, ne tardait pas à ronfler, la bouche ouverte. D’autres fois, quand M. le curé, revenant de porter le viatique à quelque malade des environs, apercevait Charles qui polissonnait dans la campagne, il l’appelait, le sermonnait un quart d’heure et profitait de l’occasion pour lui faire conjuguer son verbe au pied d’un arbre. La pluie venait les interrompre, ou une connaissance qui passait. Du reste, il était toujours content de lui, disait même que le jeune homme avait beaucoup de mémoire. Charles ne pouvait en rester là. Madame fut énergique. Honteux, ou fatigué plutôt, Monsieur céda sans résistance, et l’on attendit encore un an que le gamin eût fait sa première communion. Six mois se passèrent encore ; et, l’année d’après, Charles fut définitivement envoyé au collège de Rouen, où son père l’amena lui-même, vers la fin d’octobre, à l’époque de la foire Saint-Romain. Il serait maintenant impossible à aucun de nous de se rien rappeler de lui. C’était un garçon de tempérament modéré, qui jouait aux récréations, travaillait à l’étude, écoutant en classe, dormant bien au dortoir, mangeant bien au réfectoire. Il avait pour correspondant un quincaillier en gros de la rue Ganterie, qui le faisait sortir une fois par mois, le dimanche, après que sa boutique était fermée, l’envoyait se promener sur le port à regarder les bateaux, puis le ramenait au collège dès sept heures, avant le souper. Le soir de chaque jeudi, il écrivait une longue lettre à sa mère, avec de l’encre rouge et trois pains à cacheter ; puis il repassait ses cahiers d’histoire, ou bien lisait un vieux volume d’Anacharsis qui traînait dans l’étude. En promenade, il causait avec le domestique, qui était de la campagne comme lui. À force de s’appliquer, il se maintint toujours vers le milieu de la classe ; une fois même, il gagna un premier accessit d’histoire naturelle. Mais à la fin de sa troisième, ses parents le retirèrent du collège pour lui faire étudier la médecine, persuadés qu’il pourrait se pousser seul jusqu’au baccalauréat. Sa mère lui choisit une chambre, au quatrième, sur l’Eau-de-Robec, chez un teinturier de sa connaissance Elle conclut les arrangements pour sa pension, se procura des meubles, une table et deux chaises, fit venir de chez elle un vieux lit en merisier, et acheta de plus un petit poêle en fonte, avec la provision de bois qui devait chauffer son pauvre enfant. Puis elle partit au bout de la semaine, après mille recommandations de se bien conduire, maintenant qu’il allait être abandonné à lui-même. Le programme des cours, qu’il lut sur l’affiche, lui fit un effet d’étourdissement cours d’anatomie, cours de pathologie, cours de physiologie, cours de pharmacie, cours de chimie, et de botanique, et de clinique, et de thérapeutique, sans compter l’hygiène ni la matière médicale, tous noms dont il ignorait les étymologies et qui étaient comme autant de portes de sanctuaires pleins d’augustes ténèbres. Il n’y comprit rien ; il avait beau écouter, il ne saisissait pas. Il travaillait pourtant, il avait des cahiers reliés, il suivait tous les cours ; il ne perdait pas une seule visite. Il accomplissait sa petite tâche quotidienne à la manière du cheval de manège, qui tourne en place les yeux bandés, ignorant de la besogne qu’il broie. Pour lui épargner de la dépense, sa mère lui envoyait chaque semaine, par le messager, un morceau de veau cuit au four, avec quoi il déjeunait le matin ; quand il était rentré de l’hôpital, tout en battant la semelle contre le mur. Ensuite il fallait courir aux leçons, à l’amphithéâtre, à l’hospice, et revenir chez lui, à travers toutes les rues. Le soir, après le maigre dîner de son propriétaire, il remontait à sa chambre et se remettait au travail, dans ses habits mouillés qui fumaient sur son corps, devant le poêle rougi. Dans les beaux soirs d’été ; à l’heure où les rues tièdes sont vides, quand les servantes, jouent au volant sur le seuil des portes, il ouvrait sa fenêtre et s’accoudait. La rivière, qui fait de ce quartier de Rouen comme une ignoble petite Venise, coulait en bas, sous lui, jaune, violette ou bleue, entre ses ponts et ses grilles. Des ouvriers, accroupis au bord, lavaient leurs bras dans l’eau. Sur des perches partant du haut des greniers, des écheveaux de coton séchaient à l’air. En face, au-delà des toits, le grand ciel pur s’étendait, avec le soleil rouge se couchant. Qu’il devait faire bon là-bas ! Quelle fraîcheur sous la hêtraie ! Et il ouvrait les narines pour aspirer les bonnes odeurs de la campagne, qui ne venaient pas jusqu’à lui. Il maigrit, sa taille s’allongea, et sa figure prit une sorte d’expression dolente qui la rendit presque intéressante. Naturellement, par nonchalance ; il en vint à se délier de toutes les résolutions qu’il s’était faites. Une fois, il manqua la visite, le lendemain son cours, et, savourant la paresse, peu à peu, n’y retourna plus. Il prit l’habitude du cabaret, avec la passion des dominos. S’enfermer chaque soir dans un sale appartement public, pour y taper sur des tables de marbre de petits os de mouton marqués de points noirs, lui semblait un acte précieux de sa liberté, qui le rehaussait d’estime vis-à-vis de lui-même. C’était comme l’initiation au monde, l’accès des plaisirs défendus ; et, en entrant, il posait la main sur le bouton de la porte avec une joie presque sensuelle. Alors, beaucoup de choses comprimées en lui, se dilatèrent ; il apprit par cœur des couplets qu’il chantait aux bienvenues, s’enthousiasma pour Béranger, sut faire du punch et connut enfin l’amour. Grâce à ces travaux préparatoires, il échoua complètement à son examen d’officier de santé. On l’attendait le soir même à la maison pour fêter son succès. Il partit à pied et s’arrêta vers l’entrée du village, où il fit demander sa mère, lui conta tout. Elle l’excusa, rejetant l’échec sur l’injustice des examinateurs, et le raffermit un peu, se chargeant d’arranger les choses. Cinq ans plus tard seulement, M. Bovary connut la vérité ; elle était vieille, il l’accepta, ne pouvant d’ailleurs supposer qu’un homme issu de lui fût un sot. Charles se remit donc au travail et prépara sans discontinuer les matières de son examen, dont il apprit d’avance toutes les questions par cœur. Il fut reçu avec une assez bonne note. Quel beau jour pour sa mère ! On donna un grand dîner. Où irait-il exercer son art ? À Tostes. Il n’y avait là qu’un vieux médecin. Depuis longtemps madame Bovary guettait sa mort, et le bonhomme n’avait point encore plié bagage, que Charles était installé en face, comme son successeur. Mais ce n’était pas tout que d’avoir élevé son fils, de lui avoir fait apprendre la médecine et découvert Tostes pour l’exercer il lui fallait une femme. Elle lui en trouva une la veuve d’un huissier de Dieppe, qui avait quarante-cinq ans et douze cents livres de rente. Quoiqu’elle fût laide, sèche comme un cotret, et bourgeonnée comme un printemps, certes madame Dubuc ne manquait pas de partis à choisir. Pour arriver à ses fins, la mère Bovary fut obligée de les évincer tous, et elle déjoua même fort habilement les intrigues d’un charcutier qui était soutenu par les prêtres. Charles avait entrevu dans le mariage l’avènement d’une condition meilleure, imaginant qu’il serait plus libre et pourrait disposer de sa personne et de son argent. Mais sa femme fut le maître ; il devait devant le monde dire ceci, ne pas dire cela, faire maigre tous les vendredis, s’habiller comme elle l’entendait, harceler par son ordre les clients qui ne payaient pas. Elle décachetait ses lettres, épiait ses démarches, et l’écoutait, à travers la cloison, donner ses consultations dans son cabinet, quand il y avait des femmes. Il lui fallait son chocolat tous les matins, des égards à n’en plus finir. Elle se plaignait sans cesse de ses nerfs, de sa poitrine, de ses humeurs. Le bruit des pas lui faisait mal ; on s’en allait, la solitude lui devenait odieuse ; revenait-on près d’elle, c’était pour la voir mourir, sans doute. Le soir, quand Charles rentrait, elle sortait de dessous ses draps ses longs bras maigres, les lui passait autour du cou, et, l’ayant fait asseoir au bord du lit, se mettait à lui parler de ses chagrins il l’oubliait, il en aimait une autre ! On lui avait bien dit qu’elle serait malheureuse ; et elle finissait en lui demandant quelque sirop pour sa santé et un peu plus d’amour.
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【Tags Bousou-P Len Rin tI H】 Original Music title 廃都アトリエスタにて English music title In The Ruined City, Ateliesta Romaji music title Haito Atoriesta nite Music Lyrics written, Voice edited by cosMo \ 暴走P（Bousou-P) Music arranged by cosMo \ 暴走P（Bousou-P) Singer(s) 鏡音リン (Kagamine Rin), 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： "At the top of the clock tower in the city that was disappeared from a map *snip*" "It s an ubiquitous jinx that brings happiness" "Pledging one s everlasting love in the ruined city, Ateliesta" I heard about it in the breeze and I think it s dubious But it might kill my boredom Who brought this up first, you or me? On the morning when our breath turns into white smoke We set out for the desolate city You say that you just wanna give it a try but I know you re pretty serious That s what I feel sweet about you, sometimes By the time we reach at the center of the city, the sun is behind clouds Before we see the first snow, we drape all over and hold each other tight "Pledging one s everlasting love in the ruined city, Ateliesta" It s a wonderful charm that has gone through hundreds of years Piled-up affections have been handed down till today throughout the ages And they will even make someone s nonsense (myth) come true When we get to the clock tower, I say "It s really exciting, isn t it?" To make you agree to going up to the top We re now halfway up the tower I almost complained of hunger, then I see something white finally comes down from the sky Ah, now you should watch your steps or you ll miss your footing You look so happy and that s what I feel sweet about you, sometimes By the time the snow gradually gets heavier and we re in the snowy world In the city that once has been crowded with people We see the most beautiful sight "Pledging my everlasting love in the ruined city, Ateliesta" We tenderly whisper that with a lip-to-lip kiss like others did Piled up affections whitely deeply gently come on and cover the city It even changes the city that settled into sleep into a theater Though it s supposed to be no other people, the clock tower tells the hour The sound was... "It sounded as if it gave us blessing" "Pledging one s everlasting love in the ruined city, Ateliesta" It s a charm that crosses from one happiness to the next Piled-up affections will be handed down to future throughout the ages And they will even make someone s nonsense (myth) come true Romaji lyrics (transliterated by blacksaingrain)： "Chizu kara kieta machi no tokeidai no ue de (ry" ↑Doko ni demo korogatte souna shiawase wo hakobu jinkusu "Haito Atoriesta nite eien no ai wo chikau" Kaze no tayori ni kiku no wa mayutsuba na hanashi dakedo Taikutsu shinogi niwa choudoii kamo ne Docchi ga ii dashitanndakke Haku iki shiroku sumui asa ni Bokura wamujin no machi wo mezasu Tameshitemiru dake date iu wari ni honki na kimi no Souiu tokoro ga kawaii to omottari omowanakattari Machi no chuushin ni tsuku koro ni wa ohi-sama ga kumo ni kakurete Hatsuyuki wo miru mae ni gyutto kata yose dakiatta "Haito Atoriesta nite eien no ai wo chikau" Nanbyaku nen mo mae kara tuzuku sutekina omajinai Tsumi kasanaru omoi wa toki wo koe kyou mo katari tsugare Dareka no tsukuribanashi sae mo honmono ni kaeru" Tokeidai wo me no mae ni shite yappa tenshon agaru yone toka Gouin ni doui wo ete teppen mezasu Mannaka kurai made kita Kuufuku wo kougi shikakete Sora kara tsuini shiroi no ga yatte kita Aa, hora mou mae mitenai to ashi wo fumi hazushichau yo Tanoshisouna kimi ga kawaii to omottari omowanakattari Yuki ga dandan tsuyokunatte giniro sekai ni natta koro ni Bokura wa katsute nigiwatta machi de ichiban kireina keshiki wo mitanda "Haito Atoriesta nite eien no ai wo chikau" Ksanaru kuchibiru de sotto bokura mo tsubuyaita Tsumi kasanaru omoi wa shiroku fukaku yasashiku furi tsumori Memuri ni tsuita machi sae mo shiata e to kaeru" Dare mo inai hazu no tokeidai ga jikoku wo tsugeru Sono oto wa... "Watashitachi wo shukufukushiteru mitai ni omoeta" "Haito Atoriesta nite eien no ai wo chikau" Shiawase wo tsugi no shiawase e to tsunagu omajinai Tsumi kasanaru omoi wo toki wo koe mirai e kataritsugu Dareka no tsukuribanashi sae mo honmono ni kaete [cosMo, Bousou-P, BousouP]
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RB3VerのDLCはRB1､2では使用不可 Artist Song title Decade Genre Rush Subdivisions 1980s Progressive New Order Blue Monday 1980s New Wave Talking Heads Burning Down the House 1980s New Wave Deftones My Own Summer (Shove It) 1990s Metal B.B.King The Thrill Is Gone 1960s Blues Procol Harum A Whiter Shade of Pale 1960s Classic Rock .38 Special Hold On Loosely 1980s Southern Rock Bad Company Can t Get Enough 1970s Classic Rock Anaïs Croze Peut-Être une Angine 2000s Pop/Rock BAP Verdamp Lang Her 1980s Rock BB Brunes Dis-Moi 2000s Pop/Rock Caesars Jerk It Out 2000s Indie Rock John Yoko,The Plastic Ono Band Happy Xmas(War Is Over) 1970s Classic Rock Linea 77 Fantasma 2000s Nu-Metal Litfiba Proibito 1990s Rock Skizoo Dame Aire 2000s Metal Tutankamon Starting to Appreciate 2010s Pop/Rock Wir sind Helden Nur ein Wort 2000s Pop/Rock Inhabited Open My Eyes 2000s Pop/Rock Siouxsie and The Banshees Cities in Dust 1980s Pop/Rock Death Cab for Cutie I Will Possess Your Heart 2000s Indie Rock OK Go Shooting the Moon 2000s Pop/Rock The Police Every Breath You Take 1980s Pop/Rock The Police So Lonely 1970s Pop/Rock War Spill the Wine 1970s Classic Rock DragonForce Through the Fire and Flames 2000s Metal DragonForce Operation Ground and Pound 2000s Metal Grand Funk Railroad The Loco-Motion 1970s Classic Rock Grand Funk Railroad We re an American Band 1970s Classic Rock J.Geils Band Freeze-Frame 1980s Rock Joy Division Love Will Tear Us Apart 1980s New Wave Anberlin Breaking 2000s Alternative Mastodon Blood and Thunder 2000s Metal Ohio Players Fire 1970s R B/Soul/Funk Ohio Players Love Rollercoaster 1970s R B/Soul/Funk Relient K Must Have Done Something Right 2000s Pop/Rock Tommy Tutone 867-5309/Jenny 1980s Rock Kiss Rock and Roll All Nite(Live) 1970s Classic Rock Kiss Strutter(Live) 1970s Classic Rock Culture Club Do You Really Want to Hurt Me 1980s New Wave Faith No More From Out of Nowhere 1980s Rock Loverboy Working for the Weekend 1980s Pop/Rock Phish Stash 1990s Rock Phish Tweezer 1990s Rock Stone Temple Pilots Big Bang Baby 1990s Alternative Lordi Hard Rock Hallelujah 2000s Metal Run-DMC King of Rock 1980s Rap/Hip-Hop Peter Frampton Do You Feel Like We Do(Live) 1970s Rock Foreigner Hot Blooded 1970s Classic Rock Foreigner Urgent 1980s Classic Rock a-ha Take On Me 1980s New Wave Avenged Sevenfold Unholy Confessions 2000s Metal Avenged Sevenfold Welcome to the Family 2010s Metal Chumbawamba Tubthumping 1990s Pop-Rock Live I Alone 1990s Alternative Live Lightning Crashes 1990s Alternative Buffalo Springfield For What It s Worth 1960s Classic Rock R.E.M. Man on the Moon 1990s Alternative System of a Down Aerials 2000s Nu-Metal System of a Down Hypnotize 2000s Nu-Metal The Vapors Turning Japanese 1980s Punk Erasure A Little Respect 1980s New Wave Frankie Goes to Hollywood Relax (Come Fighting) 1980s Pop/Dance/Electronic P.O.D. Boom 2000s Nu-Metal P.O.D. Youth of the Nation 2000s Nu-Metal Beastie Boys Make Some Noise 2010s Hip-Hop/Rap Beastie Boys No Sleep till Brooklyn 1980s Hip-Hop/Rap Heart Barracuda 1970s Classic Rock James Brown Super Bad, Pts.1 2 1970s R B/Soul/Funk Rufus(featuring Chaka Khan) Tell Me Something Good 1970s R B/Soul/Funk Deep Purple Child in Time 1970s Prog EMF Unbelievable 1990s Pop/Dance/Electronic Janis Joplin the Full Tilt Boogie Band Me and Bobby McGee 1970s Classic Rock The Clash Rock the Casbah 1980s Punk The Darkness I Believe in a Thing Called Love 2000s Glam Rob Zombie Living Dead Girl 1990s Nu-Metal White Zombie Super-Charger Heaven 1990s Metal White Zombie Thunder Kiss 65 1990s Metal Black Veil Brides Rebel Love Song 2010s Rock Volbeat A Warrior s Call 2010s Metal The Edgar Winter Group Free Ride 1970s Classic Rock The Edgar Winter Group Frankenstein 1970s Classic Rock Korn Freak on a Leash 1990s Nu Metal Korn Falling Away From Me 1990s Nu Metal Sum 41 Fat Lip 2000s Punk Sum 41 Still Waiting 2000s Punk Tears for Fears Head Over Heels 1980s New Wave Everclear Santa Monica 1990s Alternative Good Charlotte The Anthem 2000s Pop-Rock Mastodon Curl of the Burl 2010s Metal Men at Work Down Under 1980s New Wave Men at Work Overkill 1980s New Wave Santana (ft. Rob Thomas) Smooth 1990s Classic Rock Eddie Money Two Tickets to Paradise 1970s Classic Rock Train Drops of Jupiter 2000s Pop/Rock Yellowcard Only One 2000s Emo Cracker Teen Angst (What the World Needs Now) 1990s Alternative Florence + the Machine Dog Days Are Over 2000s Indie Rock Midnight Oil Power and the Passion 1980s New Wave Incubus Drive 1990s Alternative Angels Airwaves The Adventure 2000s Alternative Owl City Fireflies 2000s Pop/Dance/Electronic Queens of the Stone Age In My Head 2000s Alternative The All-American Rejects Gonzo 2010s Emo Mudvayne Happy? 2000s Metal Rise Against Satellite 2010s Punk The B-52 s Love Shack 1980s Pop/Rock Staind Not Again 2010s Nu-Metal Young the Giant My Body 2010s Indie Rock Foster the People Helena Beat 2010s Indie Rock Foster the People Don t Stop (Color on the Walls) 2010s Indie Rock The Strokes Under Cover of Darkness 2010s Rock Cutting Crew (I Just) Died in Your Arms 1980s New Wave Hoobastank Crawling in the Dark 2000s Alternative Whitesnake Still of the Night 1980s Metal Foreigner I Want to Know What Love Is 1980s Classic Rock Foreigner Waiting for a Girl Like You 1980s Classic Rock Nightwish Amaranth 2000s Metal The Offspring Days Go By 2010s Rock Smash Mouth Why Can t We Be Friends? 1990s Pop/Rock Smash Mouth Can’t Get Enough of You Baby 1990s Pop/Rock A Flock of Seagulls I Ran (So Far Away) 1980s New Wave Billy Squier Everybody Wants You 1980s Classic Rock Billy Squier The Stroke 1980s Classic Rock Save Ferris Come on Eileen 1990s Reggae/Ska Sheryl Crow All I Wanna Do 1990s Pop/Rock Three Days Grace Animal I Have Become 2000s Rock Kenny Loggins Footloose 1980s Pop/Rock Kenny Loggins I m Alright 1980s Pop/Rock The Allman Brothers Band Jessica 1970s Southern Rock The Band The Weight (Live) 1970s Classic Rock Crossfade Cold 2000s Rock Dragonforce Cry Thunder 2010s Metal Modern English I Melt With You 1980s New Wave Nine Inch Nails Closer 1990s Rock Carly Rae Jepsen Call Me Maybe 2010s Pop/Dance/Electronic Marcy Playground Sex and Candy 1990s Alternative Andrew W.K. Party Hard 2000s Rock Hot Chelle Rae Tonight Tonight 2010s Pop/Dance/Electronic Fun. ft. Janelle MonáeWe Are Young 2010s Indie Rock P!nk Raise Your Glass 2010s Pop-Rock