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CHAPTER VII UP CHAPTER IX CHAPTER VIII Anne s Bringing-up Is Begun For reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice "Oh, please, Miss Cuthbert, won t you tell me if you are going to send me away or not? I ve tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It s a dreadful feeling. Please tell me." "You haven t scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter s face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I m crying," said Anne in a tone of bewilderment. "I can t think why. I m glad as glad can be. Oh, GLAD doesn t seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it s something more than glad. I m so happy. I ll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I ll do my very best. But can you tell me why I m crying?" "I suppose it s because you re all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I m afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it s only a fortnight till vacation so it isn t worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you ll call me just plain Marilla. I m not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there ll be nothing disrespectful in it if you re careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I d love to call you Aunt Marilla," said Anne wistfully. "I ve never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can t I call you Aunt Marilla?" "No. I m not your aunt and I don t believe in calling people names that don t belong to them." "But we could imagine you were my aunt." "I couldn t," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don t believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn t mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don t let any flies in--and bring me out the illustrated card that s on the mantelpiece. The Lord s Prayer is on it and you ll devote your spare time this afternoon to learning it off by heart. There s to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I d never had any practice. You couldn t really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister s and so poetical. But would you believe it? I couldn t remember one word when I woke up this morning. And I m afraid I ll never be able to think out another one as good. Somehow, things never are so good when they re thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes astar with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--"and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn t belong to anybody, like me. She looks lonely and sad, don t you think? I guess she hadn t any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I m sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn t notice her. But it s likely He did, don t you think? I ve been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn t painted Him so sorrowful looking. All His pictures are like that, if you ve noticed. But I don t believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn t talk that way. It s irreverent--positively irreverent." Anne s eyes marveled. "Why, I felt just as reverent as could be. I m sure I didn t mean to be irreverent." "Well I don t suppose you did--but it doesn t sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you re to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing-- propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It s beautiful. I ve heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn t like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn t poetry, but it makes me feel just the same way poetry does. `Our Father who art in heaven hallowed be Thy name. That is just like a line of music. Oh, I m so glad you thought of making me learn this, Miss-- Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I ve dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it s possible?" "Diana Barry lives over at Orchard Slope and she s about your age. She s a very nice little girl, and perhaps she will be a playmate for you when she comes home. She s visiting her aunt over at Carmody just now. You ll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won t let Diana play with any little girl who isn t nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn t red, is it? Oh, I hope not. It s bad enough to have red hair myself, but I positively couldn t endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I m so glad she s pretty. Next to being beautiful oneself--and that s impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren t any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond s. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn t talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn t the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it s just as well there wasn t," said Marilla drily. "I don t approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don t let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she ll think you tell stories." "Oh, I won t. I couldn t talk of them to everybody--their memories are too sacred for that. But I thought I d like to have you know about them. Oh, look, here s a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn t a human girl I think I d like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull," sniffed Marilla. "I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you ve got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea." "Can I take the apple blossoms with me for company?" pleaded Anne. "No; you don t want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn t shorten their lovely lives by picking them--I wouldn t want to be picked if I were an apple blossom. But the temptation was IRRESISTIBLE. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I know this prayer. I learned that last sentence coming upstairs. Now I m going to imagine things into this room so that they ll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound SO luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on it. I can see my reflection in that splendid big mirror hanging on the wall. I am tall and regal, clad in a gown of trailing white lace, with a pearl cross on my breast and pearls in my hair. My hair is of midnight darkness and my skin is a clear ivory pallor. My name is the Lady Cordelia Fitzgerald. No, it isn t--I can t make THAT seem real." She danced up to the little looking-glass and peered into it. Her pointed freckled face and solemn gray eyes peered back at her. "You re only Anne of Green Gables," she said earnestly, "and I see you, just as you are looking now, whenever I try to imagine I m the Lady Cordelia. But it s a million times nicer to be Anne of Green Gables than Anne of nowhere in particular, isn t it?" She bent forward, kissed her reflection affectionately, and betook herself to the open window. "Dear Snow Queen, good afternoon. And good afternoon dear birches down in the hollow. And good afternoon, dear gray house up on the hill. I wonder if Diana is to be my bosom friend. I hope she will, and I shall love her very much. But I must never quite forget Katie Maurice and Violetta. They would feel so hurt if I did and I d hate to hurt anybody s feelings, even a little bookcase girl s or a little echo girl s. I must be careful to remember them and send them a kiss every day." Anne blew a couple of airy kisses from her fingertips past the cherry blossoms and then, with her chin in her hands, drifted luxuriously out on a sea of daydreams. CHAPTER VII UP CHAPTER IX 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 29 55 (Tue)
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Ryota Matsumoto is the renowned philosopher and visual artist known for the hybrid art and postdigital theory. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Education Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London, Mackintosh School of Architecture, Glasgow School of Art and University of Miami in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. Architectural and Visual Work As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Prize, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Official Website http //ryotamatsumoto.com
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■IM@S FANT@SY4 THE AFTER- 『ファイナルファンタジー4 THE AFTER YEARS 月の帰還』 ■原作紹介 ■登場人物◆今作から新たに登場する人物日高愛/セオドア 秋月涼/ルカ 我那覇響/アーシュラ 四条貴音/レオノーラ 水谷絵理/ハル ◆前作から継続して登場する人物天海春香&陛下/セシル 水瀬伊織/ギルバート 高槻やよい/リディア 秋月律子/シド 萩原雪歩/ローザ 菊地真/ヤン 双海亜美/パロム 双海真美/ポロム 如月千早/エッジ(エドワード) 星井美希/カイン 星井美希(覚醒)/謎の男 P/ゴルベーザ 高木順一郎/フースーヤ 三浦あずさ/テラ ??? ◆その他の人物日高舞 ビッグスとウェッジ リヴァイアサンとアスラ バハムート ジオット王 モブキャラ達 ■ネタ次回予告 ちひゃーを探せ!<タグ> ガリ<コメント> ホバー船の行方<タグ> 今後の出番が一番懸念される人<タグ> ■IM@S FANT@SY4 THE AFTER- 『ファイナルファンタジー4 THE AFTER YEARS 月の帰還』 全55話で完結した「IM@S FANT@SY4」の直接の続編。ウソm@sの予告から連載が開始された作品。 今回は新たに『SP』の961プロの2名、『DS』の876プロの3名も加わり、総勢16人のアイドル達が「あの後」の世界を舞台に冒険を繰り広げる。 ■原作紹介 FF4から十数年後の世界を舞台に繰り広げられるもう一つの物語。正式名称は「ファイナルファンタジー4 THE AFTER 月の帰還」(Wii版は「ファイナルファンタジー4 THE AFTER YEARS 月の帰還」)。 2008年にiモード・EZweb・S!アプリ、2009年にWiiウェアとして配信されている。本作ではWii版を使用している。Wiiを持っている人はWiiで、それ以外の人は携帯電話でどうぞ。 全11章から成り、以下のストーリーが配信されている。 +各章紹介 序章:プロローグ。このシナリオは携帯版のみ、無料配信されている。また、この章とセオドア編、カイン編の3章はWii版では「本編」という扱いになっている。 セオドア編:セシルとローザの間に生まれた息子、セオドアが主人公のストーリー。レベル上限は35(Wiiではレベル上限はない)。 リディア編、ヤン編、パロム編、エッジ編、ポロム編、ギルバート編:FF4に登場した、各キャラクターを主人公にしたストーリー。レベル上限は40。 月の民編:前作で地球を去っていった、月の民フースーヤとゴルベーザを主役にしたストーリー。レベル上限は45。 カイン編:前作エピローグで修行の旅に出た、カインのストーリー。レベル上限は50。 集結編:全ての仲間が終結するストーリー。レベル上限は50。集結編と終章の2章はWii版では「真月編」という名称でまとめて扱われる。 終章:最後の決着をつけるストーリー。前後編から成り、前編のレベル上限は60(Wiiウェア版は月へ行くまでのレベル上限が60)。後編(Wiiでは月へ行ってから)のレベル制限は無い。 +FF4からの変更点 月の状態(月齢)によって物理攻撃や魔法・特殊コマンドの威力が変化したり、モンスターの出現パターンが変わるようになった。町でその情報は得られるが、注意しないと全滅する可能性も… 連携技(バンド)が追加された。イベント習得の他、プレイヤーが自力で見つけるものもある。発動には参加するキャラのATBゲージが満タンになるまでの時間と、技そのものの待機時間、MPが必要。 ゴルベーザの本名がDS版に準拠している(ただしDS版未プレイユーザーに対する配慮で名前はゴルベーザにされている)。 一部のアビリティが変更されており、基本的にDS版FF4仕様を踏襲する。 一部の地形が変化している。 チャレンジダンジョンという要素がある。 ■登場人物 前作の人物に関しては時間経過で変化した点のみを記述する。 ◆今作から新たに登場する人物 日高愛/セオドア 愛編の主人公であり、本編の主人公。 DSのプロローグでオーディションに不合格が続いて落ち込み、本来は春香が登場するところでクリスタルを拾ってFF4TAの世界に行ってしまう。 新米なので、どっきりと勘違いするのはお約束です。そして、目的地バロンがどこにあるかも知らないので、謎のサングラス女が案内役として途中から同行している。 自分のいる世界が別世界であるということは、謎のサングラス女から教えられるまで知らなかった。 閣下には「次の女王」「ただの騎士になりたい女の子」と目され、かつての自分のようだと思われていた。 +セオドアについて FF4から十数年後、バロン国王セシルと王妃ローザの間に生まれた息子。 月の民と地球人のクォーター。基本能力は両親のものを受け継ぐ(やや父親寄り)で、武器攻撃と白魔法を使える。 さらに「かくせい」というアビリティを持ち、月の民の力を一時的に目覚めさせて全能力をアップさせられるが、1回の戦闘につき1回しか使えない上、戦闘終了後に瀕死になるリスクを伴う諸刃の剣でもある。 秋月涼/ルカ オープニングシーンでやよいと一緒にいた876プロの新米アイドル。 +ルカについて 前作でドワーフのジオット王の娘として登場したルカその人。今回はシドの弟子として登場し、戦闘にも参加する。 アビリティはMP消費なしでライブラを使える「しらべる」と、後列からでも大きなダメージを与えることができる「とうてき」。 我那覇響/アーシュラ オープニングシーンで真と一緒にいたアイドル。 偶然手に入れたクリスタルの力で、真もろともFF4TAの世界にやってきた。 真が自分に稽古をつけてくれないことに不満を持っている。 かつて赤き翼の襲撃を受けたときと同じく、ファブールのクリスタルを守ろうとするが… +アーシュラについて FF4に登場した、ヤンの一人娘。同じくモンクである。 アビリティは「けり」の他、味方のHPを回復する「チャクラ」。イベントで敵の弱点を突くアビリティ「てんけつ」が追加される。 四条貴音/レオノーラ オープニングシーンで亜美と一緒にいて、月が2つに増えるのを目撃したアイドル。 +レオノーラについて パロムから黒魔法を習う事になったトロイアの神官見習い。 実はFF4のエンディングでパロムの自慢話を聞いているのが彼女なのだが、それは終盤まで伏せられている。 固有アビリティは無いが、白魔法・黒魔法を両方使うことができる。そのため、本作では最も多く魔法を習得することができる。 水谷絵理/ハル 876プロの新米アイドル。伊織と買い物に行った時に、FF4TAの世界に伊織もろとも飛ばされる。 この世界に来たことはないが、以前伊織がこの世界に来たことがあるということを薄々感づいている。 伊織の指示で隕石落下現場の調査に向かい… +ハルについて ダムシアン国王ギルバートの秘書官。かつては学者を志していた。 前作での戦いについて自分なりに調べた知識を有しており、ゴルベーザのことなども知っているらしい。 アビリティは「みやぶる」と所持金を投げつけて攻撃するFFおなじみのアビリティ「ぜになげ」。 ◆前作から継続して登場する人物 天海春香&陛下/セシル 春香&閣下。国王になったので、閣下ではなく陛下に名前が変わった。それ以外は特に前作と変わりない。 アビリティに関しても、全く変更点はみられない。 バロンを守るため律子と雪歩を逃がし、謎の人物が従えるバハムートと戦うが、まさかの敗北を喫する。 +以下、ネタバレ有 謎の女が玉座にたどり着いたとき、閣下が何事もなかったかのように登場したが、その後愛と謎の女を捕らえるため、追っ手を送り出す。 それが本当に彼女の意志なのかは、誰も知らない… 水瀬伊織/ギルバート 絵理と共にFF4TAの世界に帰ってきたアイドル。 絵理を秘書官に、ミスト復興などの活動を行っている。その一方で何か悩みの種を抱えており、考え事をする際は引きこもる。 一応前作でストーリー中にいなくなったうさちゃんが復活している。 +THE AFTERにおける変更点 今回は王族からダムシアン国王に昇格。ギルバート編の主人公。 アビリティがDS版FF4に準拠した仕様に変更されている。 使用価値がイマイチだった「くすり」は任意のアイテムを人数分一度に使えるというものに変更され、「うたう」は自分で効果を選択できるようになった。 また、「かくれる」が「うかがう」になり、HPが減っても勝手に隠れてしまうことが無くなった。 武器のバリエーションも増えており、追加効果も発生しやすくなっている。 高槻やよい/リディア 前作において、序盤から仲間として登場。 後に大人になる薬の力でパワーアップ。地底世界以降は成長後の姿になって戦い、エンディングでもとの姿に戻っていた。 本作では元の姿で幻獣界にいたが、リヴァイアサンとアスラが危機を察知し、脱出させられる。 +THE AFTERにおける変更点 リディア編の主人公。 序盤のイベントで「召喚」のアビリティが使えなくなる。魔法は継続して使用可能。 秋月律子/シド 第4話から登場。雪歩、春香と共にバロンの防衛に当たったが、春香の頼みで雪歩をつれて脱出する。 +THE AFTERにおける変更点 今回は新たにミスしやすいが当たれば大ダメージの「しかける」というアビリティが追加された。 魔法は覚えられないが、バンド技でMPを消費するという追加要素のため、MPも設定されている。 萩原雪歩/ローザ バロン王妃。 春香・律子と共にバロンの防衛に当たるが、春香の頼みを受けた律子によって脱出させられる。 +THE AFTERにおける変更点 今回、「いのる」が「しゅくふく」へ変更されている。効果はDS版FF4と同じで、HPに加えてMPも少量回復する。 他のアビリティは前作と同じで、弓矢の命中率を上げる「ねらう」と白魔法。 菊地真/ヤン オープニングシーンで響と共に登場している。 ファブールの国王としてかつてのヤンデレ女(シーラという名前だった)を王妃に迎えている。 突然襲撃してきた「赤き翼」に、かつてのゴルベーザに乗っ取られた頃と同じ既視感を感じている。 新たに仲間に加わった響と共に、真実を知るためバロンを目指す。 +THE AFTERにおける変更点 ヤン編の主人公。FF4のエンディングで描かれているとおり、ファブールの国王となっている。 アビリティに新たに「ぼうげき」が加わり、仲間の代わりに攻撃を受けて反撃することができる。他のアビリティは「ためる」と「けり」で、前作と同じ。 シド同様に魔法を使うことはできないが、バンド技のためMPは設定されている。 双海亜美/パロム 前作で一時期仲間として同行した双子のアイドル。黒魔法の扱いに長けている。 オープニングシーンで貴音と共に登場したが…? +THE AFTERにおける変更点 パロム編の主人公。 今回、「つよがる」は「はったり」に名称が変わり、「ふたりがけ」はバンド技扱いになっている。ただし、成長後になると終盤まで使えなくなる。 双海真美/ポロム 前作で亜美と共に一時期仲間として同行した双子のアイドル。 主に白魔法を得意とする。 +THE AFTERにおける変更点 ポロム編の主人公。 今回は「うそなき」が無くなり、「いのる」に変更された。「ふたりがけ」はバンド技だが、成長後は終盤まで使えない。 +以下、ネタバレ有 ミシディアにたどり着いた愛と謎の女の前に登場。 アイマスDS本編で愛と面識を持たないので、本作でも愛とは初対面。 ただし愛は真美の存在を全く知らないので、亜美だと認識しており、真美も亜美として振る舞っている。 如月千早/エッジ(エドワード) 手段と目的が逆転し自重しない人。前作ではすべてのキャラが彼女の犠牲となってシバかれた。 次回予告のどこかに今回もいる。探してみよう! …前作では出番が遅かったが、今回はエッジ単独主人公のシナリオがある。よかったね、千早。 ちなみに今回はエブラーナ王国の国王に昇格している。また、第4話で早々に出番をもらい、バブイルの塔の異変を目の当たりにする。 +THE AFTERにおける変更点 今回は「ぬすむ」が、ダメージを与えつつアイテムを奪い取る「ぶんどる」に強化されている。 星井美希/カイン 元、バロンの竜騎士。 前作では2度Pの洗脳を受けて敵対したことがある。 本作では再びバロン王国に来た律子達の前に、美希の姿はなかった。 +以下、美希についてのネタバレ有 謎の女が「自分のすべてを奪っていった」と語る存在。 第7話で姿を見せたが、その姿は前作の美希そのものである。 かつて暗黒騎士時代の春香と対決したときと同じように今度は響と対峙したが、隙を突いてまたしてもクリスタルを奪っていった。 星井美希(覚醒)/謎の男 自身については何も語らない謎の味方。 +以下、ネタバレ有 どこからとも無く現れて、愛に同行する。名前は名乗らず、「謎の女」と表記される。 基本的に態度は素っ気なく、時折先輩らしい姿を見せるものの、冷徹さが目立つ。 謎の女は自分のすべてを奪っていった「星井美希」を倒すために行動しているらしいが…? +謎の男について ターバンを巻いた流浪の剣士。正体は不明。 アビリティは無く、攻撃手段は武器攻撃とセオドアとのバンド技だけ。 P/ゴルベーザ 前作でとある理由によりアイドル達と敵対し、美希を2度洗脳して操り人形にした張本人。 高木順一郎/フースーヤ 三浦あずさ/テラ 前作で死んでしまった唯一の人。原作では影も形もないが…? +以下、ネタバレ有 次回予告に怨念のように姿を見せる。 12話の次回予告でやっと本人が登場したが、死んでる彼女はどこに行ったのか? ??? 謎の人物。 リヴァイアサン曰く「年増」。 誰だろうねえ(棒読み) ◆その他の人物 日高舞 愛編に登場。スーパーナイト舞様。一人で城門を守り、魔物を蹴散らすとんでもない強さの持ち主。 この人がいると負ける気がしない…はずなのだが… ビッグスとウェッジ FF6の冒頭で登場してから、FFシリーズおなじみになっている人たち。FF以外ではクロノトリガーにもいる。 今回は赤き翼※の一員として登場するが、第4話で愛をかばって瀕死の重傷を負う。 ちなみに、前作で突然FF4の世界に来てしまった春香に対し、対応に困っていたバロン兵士こそがビッグス、突っ込みに窮していたのはウェッジだったのだが、それが発覚したのは彼の走馬燈だった(前作1話にそのシーンは描写されていない)。 愛が別の世界の人間だと気づいたらしく、愛にこのことをバロンの春香に伝えるよう言い残して命を落としたが、その時バロンの春香はバハムートに敗れていた… ※DS版以降の名称。SFC・PS・WSC・GBA版とバーチャルコンソールでは「赤い翼」。 リヴァイアサンとアスラ 変態ロリコン幻獣王リヴァイアサンと、まともな人アスラのコンビ。 幻獣界に迫る危機に気づき、やよいを脱出させた後に謎の人物によって石化させられてしまった。 バハムート 前作でとある形で登場していた変態幻獣神。 今作では謎の人物の配下として登場し、閣下をあっさりと退ける。 ジオット王 地底に住むドワーフの王。 バブイルの塔に異変が起きたとの報告を受ける。 モブキャラ達 愛編に登場する白黒の魔導師と、真編に登場するモンク僧達、伊織編の衛兵達。 いずれもその章以外に出番はない。 ■ネタ 次回予告 前作に引き続き、恒例のイベント。合言葉もやっぱり「いいですとも!」 AFTERになっても相変わらず、あの人は手段と目的が逆転し自重しないのであった。 みんな逃げてー!! ちひゃーを探せ!<タグ> 次回予告のどこかに千早がかくれているぞ! 最近では既に心霊現象である。出番を求める千早の怨念が…? ガリ<コメント> 「適当に呼べばいい」と言ったm…もとい、謎のサングラス女に対する視聴者の反応。 作中の公式名称は「謎の女」である。 ホバー船の行方<タグ> ゲーム中誰からも顧みられないホバー船。どこに行っていたのか? →修理中でした 今後の出番が一番懸念される人<タグ> あずささんのことです。 名前 コメント
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素材DISK075_その他テロップ集A 01_009-1_ゼロゼロナインワンOP Destiny girl 美奈斗 【歌詞無→歌詞有】 02AIKa R-16VIRGIN MISSION OP Sailing To The Future 小清水亜美 (2007)【歌詞無→歌詞有】 03AIR OP 1 鳥の詩 Lia【歌詞無→歌詞有】 04AIR 劇場版TM 鳥の詩 Lia【歌詞無→歌詞有】 05Animelo Summer Live 2005- ONENESS アニサマフレンズ【歌詞無→歌詞有】 06ARIA The ANIMATION OP 1 ウンディーネ 牧野由依【歌詞無→歌詞有】 07ARIA The ORIGINATION OP 1 スピラーレ 牧野由依【歌詞無→歌詞有】【2008】 08AVENGER アヴェンジャーOP 月蝕グランギニョル ALI PROJECT【2003】【歌詞無→歌詞有】 09AYAKASHI OP 1 cloudier sky 彩音【歌詞無→歌詞有】【2008】 10BAMBOO BLADE ED 1 STAR RISE 広橋涼 豊口めぐみ 小島幸子 桑島法子 佐藤利奈【歌詞無→歌詞有】 11BAMBOO BLADE IN 超剣戦隊ブレードブレイバー 石原慎一【歌詞無→歌詞有】【2008】 12BECK MONGORIAN CHOP SQUAD OP HIT IN THE USA BEAT CRUSADERS (2004)【歌詞無→歌詞有】 13BETTER MAN ED 1 鎮-requiem- ※-mai-【歌詞無→歌詞有】 14BLACK LAGOON OP 1 Red fraction MELL【2006】【歌詞無→歌詞有】 15BLASSREITER OP 2 unripe hero 栗林みな実【歌詞無→歌詞有】【2008】 16BLOOD+OP 1 青空のナミダ 高橋瞳【歌詞無→歌詞有】(2005) 17BLOOD+OP 3 Colors of the Heart UVERworld【歌詞無→歌詞有】 18BLUE DROP ~天使達の戯曲~ OP 1 BLUE Suara (2007)【歌詞無→歌詞有】 19BLUE SEED OP 1 CARNIVAL.BABEL~カルナバル・バベル~ TAKADA BAND【歌詞無→歌詞有】 20BPS-Battle Programmer Shirase- OP suddenly 天方直実 (2003)【歌詞無→歌詞有】 21BRIGADOON まりんとメランOP 1 (1) 風の碧、海の翠 Ikuko【歌詞無→歌詞有】【2000】 22Bugってハニー メガロム少女舞4622 IN 私と踊ってくれませんか 荘真由美【歌詞無→歌詞有】 23Canvas2 ~虹色のスケッチ~OP プラスチックスマイル(虹色ギターVERSION) Honey Bee【2005】【歌詞無→歌詞有】 24CLANNAD ~AFTER STORY~ OP 時を刻む唄 Lia【歌詞無→歌詞有】【2008】 25CLANNAD OP 1 メグメル~cuckool mix 2007~ eufonius【歌詞無→歌詞有】 26CLANNAD ED 1 だんご大家族 茶太【歌詞無→歌詞有】 27D.C.~ダ・カーポ~ OP 1 サクラサクミライコイユメ yozuca【歌詞無→歌詞有】 28D.C.Ⅱ -ダ・カーポⅡ- OP 1 サクラキミニエム yozuca(2007)【歌詞無→歌詞有】 29D.C.II ED2 桜笑み君想う 茅原実里【歌詞無→歌詞有】 30D.C.II S.S. ~ダ・カーポII セカンドシーズン~ OP サクラアマネクセカイ yozuca【歌詞無→歌詞有】 31D.C.S.S. ~ダ・カーポ セカンドシーズン~OP 1 サクライロノキセツ yozuca【歌詞無→歌詞有】 32D.Gray-man OP 3 Doubt Trust~ダウト トラスト~ access【歌詞無→歌詞有】 33Dancing Blade かってに桃天使!II~Tears of Eden~ OP Believe 桑島法子【歌詞無→歌詞有】 34DARKER THAN BLACK -黒の契約者- OP 1 HOWLING abingdon boys school(2007)【歌詞無→歌詞有】 35DEATH NOTE デスノート OP 2 What s up, people?! マキシマム ザ ホルモン (2007)【歌詞無→歌詞有】 36DEATH NOTE デスノート OP the WORLD ナイトメア(2007)【歌詞無→歌詞有】 37DRAGON QUEST(第1期)ED 2 虹の都 カブキロックス【歌詞無→歌詞有】 38DRAGONAUT -THE RESONANCE- ED 1 Rain Of Love 福井裕佳梨【歌詞無→歌詞有】 39EAT-MAN 98OP 1 バーニング・ブルー MAGIC【歌詞無→歌詞有】 40ef - a tale of melodies.OP 1 ebullient future(English Version) ELISA【歌詞無→歌詞有】【2008】 41ef - a tale of memories.OP 1 euphoric field(English) featuring ELISA【歌詞無→歌詞有】【2007】 42ef - a tale of memories.OP 2 euphoric field(Japanese) featuring ELISA【歌詞無→歌詞有】【2008】 43eufonius 双恋OP はばたく未来 eufonius【歌詞無→歌詞有】【2004】 44Fate/stay night OP 1 disillusion タイナカサチ【歌詞無→歌詞有】 45FF:U~ファイナルファンタジー:アンリミテッド~ OP 1 Over the FANTASY 植田佳奈【歌詞無→歌詞有】【2001】 46F-ZEROファルコン伝説OP 1 THE MEANING OF TRUTH HIRO-X (2003)【歌詞無→歌詞有】 47GALAXY ANGELⅡ 無限回廊の鍵OP 2 Wing of Destiny~Angel harp arr.~ 富田麻帆【2007】【歌詞無→歌詞有】 48GENERATION OF CHAOS NEXT~失われし絆~OP LOVE HISTORY 水樹奈々【歌詞無→歌詞有】 ■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■
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1 名前:名前が無い@ただの名無しのようだ[] 投稿日:2009/07/02(木) 21 52 24 ID EKwVVcU/0 携帯で描かれるFF4のアフターストーリー 「ファイナルファンタジー4 ジ・アフター -月の帰還-」 セシルの血を引く少年セオドアが登場 ジャンル:RPG ◆公式サイト http //www.square-enix.co.jp/mobile/ff/ff4after/ ◆攻略本 7月21日 ファイナルファンタジーIV THE AFTER-月の帰還- 公式コンプリートガイド(仮) 発売 ◆攻略に役立ちそうなサイト http //www13.ocn.ne.jp/~ff9net/data/ff4ta/ http //ff4ta.holy.jp/mobile.php ※掲載情報はメーカーから公式に発表されていないものも含まれています。 http //www3.atword.jp/ffdq/?p=1271
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CHAPTER XVII UP CHAPTER XIX CHAPTER XVIII Anne to the Rescue ALL things great are wound up with all things little. At first glance it might not seem that the decision of a certain Canadian Premier to include Prince Edward Island in a political tour could have much or anything to do with the fortunes of little Anne Shirley at Green Gables. But it had. It was a January the Premier came, to address his loyal supporters and such of his nonsupporters as chose to be present at the monster mass meeting held in Charlottetown. Most of the Avonlea people were on Premier s side of politics; hence on the night of the meeting nearly all the men and a goodly proportion of the women had gone to town thirty miles away. Mrs. Rachel Lynde had gone too. Mrs. Rachel Lynde was a red-hot politician and couldn t have believed that the political rally could be carried through without her, although she was on the opposite side of politics. So she went to town and took her husband--Thomas would be useful in looking after the horse--and Marilla Cuthbert with her. Marilla had a sneaking interest in politics herself, and as she thought it might be her only chance to see a real live Premier, she promptly took it, leaving Anne and Matthew to keep house until her return the following day. Hence, while Marilla and Mrs. Rachel were enjoying themselves hugely at the mass meeting, Anne and Matthew had the cheerful kitchen at Green Gables all to themselves. A bright fire was glowing in the old-fashioned Waterloo stove and blue-white frost crystals were shining on the windowpanes. Matthew nodded over a FARMERS ADVOCATE on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne s fingers tingled to reach out for it. But that would mean Gilbert Blythe s triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn t there. "Matthew, did you ever study geometry when you went to school?" "Well now, no, I didn t," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you d be able to sympathize with me. You can t sympathize properly if you ve never studied it. It is casting a cloud over my whole life. I m such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you re all right at anything. Mr. Phillips told me last week in Blair s store at Carmody that you was the smartest scholar in school and was making rapid progress. `Rapid progress was his very words. There s them as runs down Teddy Phillips and says he ain t much of a teacher, but I guess he s all right." Matthew would have thought anyone who praised Anne was "all right." "I m sure I d get on better with geometry if only he wouldn t change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don t think a teacher should take such a mean advantage, do you? We re studying agriculture now and I ve found out at last what makes the roads red. It s a great comfort. I wonder how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde says Canada is going to the dogs the way things are being run at Ottawa and that it s an awful warning to the electors. She says if women were allowed to vote we would soon see a blessed change. What way do you vote, Matthew?" "Conservative," said Matthew promptly. To vote Conservative was part of Matthew s religion. "Then I m Conservative too," said Anne decidedly. "I m glad because Gil--because some of the boys in school are Grits. I guess Mr. Phillips is a Grit too because Prissy Andrews s father is one, and Ruby Gillis says that when a man is courting he always has to agree with the girl s mother in religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno s I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don t you think, Matthew? Ruby Gillis says when she grows up she s going to have ever so many beaus on the string and have them all crazy about her; but I think that would be too exciting. I d rather have just one in his right mind. But Ruby Gillis knows a great deal about such matters because she has so many big sisters, and Mrs. Lynde says the Gillis girls have gone off like hot cakes. Mr. Phillips goes up to see Prissy Andrews nearly every evening. He says it is to help her with her lessons but Miranda Sloane is studying for Queen s too, and I should think she needed help a lot more than Prissy because she s ever so much stupider, but he never goes to help her in the evenings at all. There are a great many things in this world that I can t understand very well, Matthew." "Well now, I dunno as I comprehend them all myself," acknowledged Matthew. "Well, I suppose I must finish up my lessons. I won t allow myself to open that new book Jane lent me until I m through. But it s a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I ll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must NOT give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It s all very well to say resist temptation, but it s ever so much easier to resist it if you can t get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn t you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne s weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn t been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?" "Oh, Anne, do come quick," implored Diana nervously. "Minnie May is awful sick--she s got croup. Young Mary Joe says--and Father and Mother are away to town and there s nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn t know what to do--and oh, Anne, I m so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard. "He s gone to harness the sorrel mare to go to Carmody for the doctor," said Anne, who was hurrying on hood and jacket. "I know it as well as if he d said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don t believe he ll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don t cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. When you look after three pairs of twins you naturally get a lot of experience. They all had croup regularly. Just wait till I get the ipecac bottle--you mayn t have any at your house. Come on now." The two little girls hastened out hand in hand and hurried through Lover s Lane and across the crusted field beyond, for the snow was too deep to go by the shorter wood way. Anne, although sincerely sorry for Minnie May, was far from being insensible to the romance of the situation and to the sweetness of once more sharing that romance with a kindred spirit. The night was clear and frosty, all ebony of shadow and silver of snowy slope; big stars were shining over the silent fields; here and there the dark pointed firs stood up with snow powdering their branches and the wind whistling through them. Anne thought it was truly delightful to go skimming through all this mystery and loveliness with your bosom friend who had been so long estranged. Minnie May, aged three, was really very sick. She lay on the kitchen sofa feverish and restless, while her hoarse breathing could be heard all over the house. Young Mary Joe, a buxom, broad-faced French girl from the creek, whom Mrs. Barry had engaged to stay with the children during her absence, was helpless and bewildered, quite incapable of thinking what to do, or doing it if she thought of it. Anne went to work with skill and promptness. "Minnie May has croup all right; she s pretty bad, but I ve seen them worse. First we must have lots of hot water. I declare, Diana, there isn t more than a cupful in the kettle! There, I ve filled it up, and, Mary Joe, you may put some wood in the stove. I don t want to hurt your feelings but it seems to me you might have thought of this before if you d any imagination. Now, I ll undress Minnie May and put her to bed and you try to find some soft flannel cloths, Diana. I m going to give her a dose of ipecac first of all." Minnie May did not take kindly to the ipecac but Anne had not brought up three pairs of twins for nothing. Down that ipecac went, not only once, but many times during the long, anxious night when the two little girls worked patiently over the suffering Minnie May, and Young Mary Joe, honestly anxious to do all she could, kept up a roaring fire and heated more water than would have been needed for a hospital of croupy babies. It was three o clock when Matthew came with a doctor, for he had been obliged to go all the way to Spencervale for one. But the pressing need for assistance was past. Minnie May was much better and was sleeping soundly. "I was awfully near giving up in despair," explained Anne. "She got worse and worse until she was sicker than ever the Hammond twins were, even the last pair. I actually thought she was going to choke to death. I gave her every drop of ipecac in that bottle and when the last dose went down I said to myself--not to Diana or Young Mary Joe, because I didn t want to worry them any more than they were worried, but I had to say it to myself just to relieve my feelings--`This is the last lingering hope and I fear, tis a vain one. But in about three minutes she coughed up the phlegm and began to get better right away. You must just imagine my relief, doctor, because I can t express it in words. You know there are some things that cannot be expressed in words." "Yes, I know," nodded the doctor. He looked at Anne as if he were thinking some things about her that couldn t be expressed in words. Later on, however, he expressed them to Mr. and Mrs. Barry. "That little redheaded girl they have over at Cuthbert s is as smart as they make em. I tell you she saved that baby s life, for it would have been too late by the time I got there. She seems to have a skill and presence of mind perfectly wonderful in a child of her age. I never saw anything like the eyes of her when she was explaining the case to me." Anne had gone home in the wonderful, white-frosted winter morning, heavy eyed from loss of sleep, but still talking unweariedly to Matthew as they crossed the long white field and walked under the glittering fairy arch of the Lover s Lane maples. "Oh, Matthew, isn t it a wonderful morning? The world looks like something God had just imagined for His own pleasure, doesn t it? Those trees look as if I could blow them away with a breath--pouf! I m so glad I live in a world where there are white frosts, aren t you? And I m so glad Mrs. Hammond had three pairs of twins after all. If she hadn t I mightn t have known what to do for Minnie May. I m real sorry I was ever cross with Mrs. Hammond for having twins. But, oh, Matthew, I m so sleepy. I can t go to school. I just know I couldn t keep my eyes open and I d be so stupid. But I hate to stay home, for Gil--some of the others will get head of the class, and it s so hard to get up again--although of course the harder it is the more satisfaction you have when you do get up, haven t you?" "Well now, I guess you ll manage all right," said Matthew, looking at Anne s white little face and the dark shadows under her eyes. "You just go right to bed and have a good sleep. I ll do all the chores." Anne accordingly went to bed and slept so long and soundly that it was well on in the white and rosy winter afternoon when she awoke and descended to the kitchen where Marilla, who had arrived home in the meantime, was sitting knitting. "Oh, did you see the Premier?" exclaimed Anne at once. "What did he look like Marilla?" "Well, he never got to be Premier on account of his looks," said Marilla. "Such a nose as that man had! But he can speak. I was proud of being a Conservative. Rachel Lynde, of course, being a Liberal, had no use for him. Your dinner is in the oven, Anne, and you can get yourself some blue plum preserve out of the pantry. I guess you re hungry. Matthew has been telling me about last night. I must say it was fortunate you knew what to do. I wouldn t have had any idea myself, for I never saw a case of croup. There now, never mind talking till you ve had your dinner. I can tell by the look of you that you re just full up with speeches, but they ll keep." Marilla had something to tell Anne, but she did not tell it just then for she knew if she did Anne s consequent excitement would lift her clear out of the region of such material matters as appetite or dinner. Not until Anne had finished her saucer of blue plums did Marilla say "Mrs. Barry was here this afternoon, Anne. She wanted to see you, but I wouldn t wake you up. She says you saved Minnie May s life, and she is very sorry she acted as she did in that affair of the currant wine. She says she knows now you didn t mean to set Diana drunk, and she hopes you ll forgive her and be good friends with Diana again. You re to go over this evening if you like for Diana can t stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity s sake don t fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne s expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I ll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently. "Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She s gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It ll be a mercy if she doesn t catch her death of cold." Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne s heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I m perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could, `I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion. That was a pretty dignified way of speaking wasn t it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry s head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry "If you love me as I love you Nothing but death can part us two. And that is true, Marilla. We re going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can t tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said `Pa, why don t you pass the biscuits to Anne? It must be lovely to be grown up, Marilla, when just being treated as if you were is so nice." "I don t know about that," said Marilla, with a brief sigh. "Well, anyway, when I am grown up," said Anne decidedly, "I m always going to talk to little girls as if they were too, and I ll never laugh when they use big words. I know from sorrowful experience how that hurts one s feelings. After tea Diana and I made taffy. The taffy wasn t very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover s Lane. I assure you, Marilla, that I feel like praying tonight and I m going to think out a special brand-new prayer in honor of the occasion." CHAPTER XVII UP CHAPTER XIX 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 23 23 (Tue)
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Vehicle Motorcycle Contents 1 Motorcycle Veterancy 2 Tactics 3 History 4 Built From 4.1 Wehrmacht Quarters 5 Doctrinal Abilities 5.1 Blitzkrieg 6 Vehicle Abilities 6.1 Vehicle Cover 7 Vehicle Weapons 7.1 MG42 Motorcycle Motorcycle Health 125 Max Speed 7.2 Sight 55 Cost 180 Acceleration 12 Detection 18/0 Time 30 Deceleration 9 Hotkey M Population 2 Rotation 105 Target Type vehicle_motorcycle Upkeep 2.688 Crush Human Critical Type light_vehicle Crush Mode Rear Damage Enabled false Motorcycle Veterancy [Expand][Hide] Received Damage Received Accuracy (While moving) x0.85 x0.85 Maximum Health Received Accuracy (While moving) x1.15 x0.85 Received Penetration Received Accuracy (While moving) x0.75 x0.8 Tactics The Motorcycle is a very good sniper hunting vehicle. Using it to chase down a retreating sniper is usually a good idea. Motorcycles can spot enemy positions before it can be seen, use this to your advantage. The Motorcycle is weaker than the American jeep and cannot reverse, retreat carefully. This vehicle has a better attack than the Jeep and can be used to support your Volksgrenadiers squads when they face enemy troops by killing retreating-low health squads. The Motorcycle is effective at harassing American engineer squads early in the game, and also in destroying British emplacements before they are finished. History The BMW R75 was World War II-era motorcycle and sidecar combination produced by the German company BMW. BMW were already producing a number of popular and highly effective motorcycles, and developed the R75 in response to a request from the German army for a machine more capable in off-road conditions. BMW developed a technically advanced machine in which the third side-car wheel was driven from an axle connected to the rear wheel of the motorcycle, effectively making it a three-wheeled vehicle. Fitted with a locking differential and selectable road and off-road gear ratios the R75 was highly manoeuvrable and capable of negotiating most surfaces. It was even fitted with a reverse gear. The BMW R75 and its rival the Zündapp KS 750 were both widely used by the Wehrmacht in Russia and North Africa, though after a period of evaluation it became clear that the Zündapp was the superior machine. In August 1942 Zündapp and BMW, on the urging of the Army, agreed upon standardization of parts for both machines, with a view of eventually creating a Zündapp-BMW hybrid (designated the BW 43), in which a BMW 286/1 side-car would be grafted onto a Zündapp KS 750 motorcycle. They also agreed that the manufacture of the R75 would cease once production reached 20,200 units, and after that point BMW and Zündapp would only produce the Zündapp-BMW machine, manufacturing 20,000 each year. Since the target of 20,200 BMW R75 s was not reached, it remained in production until the Eisenach factory was so badly damaged by Allied bombing that production ceased in 1944. A further 98 units were assembled by the Soviets in 1946 as reparations. Built From Wehrmacht Quarters [Expand][Hide] Health 500 Target Type building Cost 22015 Critical Type building Time 60 Hotkey W Effects Deploys Volksgrenadier Squads, Snipers, Heavy Machine Gun teams and Motorcycles. ESee Structure Wehrmacht Quarters for details. Doctrinal Abilities Blitzkrieg [Expand][Hide] Cost 150 Activation timed Duration 30 Target tp_any Recharge 60 Hotkey Effects All Tanks and Armored Vehicles move more quickly, crush everything in their path, and fire more frequently. Infantry sprint to keep pace. ESee Ability Blitzkrieg for details. Vehicle Abilities Vehicle Cover [Expand][Hide] Cost Activation always_on Duration _ Target tp_any Recharge 0 Hotkey Effects $0 no key ESee Ability Vehicle Cover for details. Vehicle Weapons MG42 Motorcycle [Expand][Hide] Weapon MG42 Motorcycle See Weapon MG42 Motorcycle for details. Retrieved from http //coh-stats.com/Vehicle Motorcycle
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1位 466票 ホロ@狼と香辛料II 2位 398票 古手梨花@ひぐらしのなく頃に礼 3位 362票 岡崎汐@CLANNAD ~AFTER STORY~ 4位 346票 宮子@ひだまりスケッチ×365 5位 325票 藤林椋@CLANNAD ~AFTER STORY~ 6位 241票 ナナリー・ヴィ・ブリタニア@コードギアス 反逆のルルーシュR2 7位 223票 日下部みさお@らき☆すたOVA 8位 216票 智花@ひだまりスケッチ×365 9位 215票 河合アメリ@タユタマ -Kiss on my Deity- 10位 213票 獅子堂秋葉@宇宙をかける少女 11位 196票 天空寺なじみ@アキカン! 12位 175票 キャル・ディヴェンス@Phantom ~Requiem for the Phantom~ 〓〓〓〓〓ここまで本戦進出〓〓〓〓〓 13位 166票 夏目@ひだまりスケッチ×365 14位 163票 芳野公子(伊吹公子)@CLANNAD ~AFTER STORY~ 15位 137票 江ノ本慧@初恋限定。 16位 122票 カミュ@OVA うたわれるもの 17位 120票 乱崎千花@狂乱家族日記 18位 119票 三宮紫穂@絶対可憐チルドレン 19位 114票 関内・マリア・太郎@【獄・】さよなら絶望先生 20位 110票 トウカ@OVA うたわれるもの 21位 100票 櫻井奏@Candy boy 22位 95票 七海アオ@夜桜四重奏 ~ヨザクラカルテット~ 23位 90票 アーニャ@魔法先生ネギま! ~白き翼 ALA ALBA~ 24位 84票 磯野フネ@サザエさん 25位 81票 夏目レイコ@夏目友人帳 シリーズ 26位 78票 カイ@ドルアーガの塔 ~the Sword of URUK~ 27位 73票 ケイコ@みなみけ おかえり 28位 70票 七城那波@乃木坂春香の秘密 29位 67票 柳生九兵衛@銀魂 30位 64票 寺門通@銀魂 31位 63票 エリン@獣の奏者 エリン 32位 62票 羽瀬川鈴穂@まかでみWAっしょい! 33位 61票 リコ@みなみけ おかえり 34位 57票 獅子堂風音@宇宙をかける少女 35位 55票 小林タマ子@ケメコデラックス! 36位 51票 佐倉愛衣@魔法先生ネギま! ~白き翼 ALA ALBA~ 37位 50票 スージー・エヴァンス@戦場のヴァルキュリア 38位 49票 峰不二子@ルパン三世 シリーズ 39位 44票 大原杏@アスラクライン 39位 44票 マスター@夏のあらし! 〓〓〓〓〓ここまで二次予選進出〓〓〓〓〓 41位 43票 月島紅葉@クロスゲーム 42位 42票 今村スズメ@空を見上げる少女の瞳に映る世界 43位 37票 孫策(雪連)@恋姫†無双 44位 35票 ドキンちゃん@それいけ!アンパンマン 44位 35票 瀬戸蓮@瀬戸の花嫁OVA 46位 34票 天瀬早季@屍姫 シリーズ 46位 34票 椎名桜子@魔法先生ネギま! ~白き翼 ALA ALBA~ 46位 34票 西澤桜華@ケロロ軍曹 49位 31票 黒岡野しじま@隠の王 50位 28票 籾岡里紗@To LOVEる 51位 27票 河島はるか@WHITE ALBUM 52位 25票 アサギ@夏目友人帳 53位 23票 シロナ@ポケットモンスター ダイヤモンド&パール 53位 23票 はるか・グレイシア@バスカッシュ! 55位 20票 ロリッ子キューティー@かんなぎ 55位 20票 ナルキ・ゲルニ@鋼殻のレギオス 55位 20票 ぺぺ@しゅごキャラ! シリーズ 58位 19票 みたらしアンコ@NARUTO -ナルト- 疾風伝 59位 18票 綺久羅美守毘売@タユタマ -Kiss on my Deity- 59位 18票 浅野凛@無限の住人 61位 16票 酢乙女あい@クレヨンしんちゃん 61位 16票 メナス@クイーンズブレイド 流浪の戦士 63位 15票 エレノア・バーロット@戦場のヴァルキュリア 63位 15票 ママ・ザ・スピードスター(馬神ハヤ美)@バトルスピリッツ少年突破バシン 65位 14票 カペラ・ティティス@鉄腕バーディー DECODE シリーズ 66位 13票 乙橘槇絵@無限の住人 67位 12票 師走さつき@ケロロ軍曹 67位 12票 ユリア@北斗の拳 シリーズ 69位 11票 本間棗@絶対衝激 ~プラトニックハート~ 69位 11票 ペリエ・ラ・メール@星の海のアムリ 69位 11票 マリア・グレイスバード@舞-乙HiME 0 ~S.ifr~ 69位 11票 綾瀬ルコ@乃木坂春香の秘密 73位 10票 ユウ@みなみけ おかえり 73位 10票 撫子@屍姫 シリーズ 73位 10票 華凶院アムリ@星の海のアムリ 73位 10票 星月きらら@おねがい♪マイメロディ きららっ★ 77位 9票 ジュエリー・ボニー@ワンピース 77位 9票 小鹿圭子@絶対可憐チルドレン 79位 7票 殿村先生@まりあ†ほりっく 79位 7票 中山チヨコ(猫耳コスプレ少女)@しゅごキャラ!!どきっ 79位 7票 ユリ@ポケットモンスター ダイヤモンド&パール 79位 7票 中村ちゃん@ケメコデラックス! 79位 7票 ソフィータ@キャシャーン Sins 79位 7票 レイテ・ジョーキン@劇場版 天元突破グレンラガン 紅蓮篇/螺巌篇 85位 6票 アリシア・ローマイヤ@コードギアス 反逆のルルーシュR2 85位 6票 ウルリーケ@今日からマ王! 第3シリーズ 85位 6票 ロゼちゃん@ぷるるんっ!しずくちゃん あはっ☆ 85位 6票 須藤@あたしンち 85位 6票 女将@真マジンガー 衝撃!Z編 on television 90位 5票 如月まこ@イナズマイレブン 90位 5票 メアリー・フォード@絶対可憐チルドレン 90位 5票 早瀬千里@鉄のラインバレル 90位 5票 女性警官@東のエデン 90位 5票 ライブオン体験会の女性係員@ライブオン CARDLIVER 翔 90位 5票 ラル・ミルチ@家庭教師ヒットマンREBORN! 90位 5票 ゾラ@BLUE DRAGON 天界の七竜 97位 4票 平野美和@仮面のメイドガイ ご奉仕特別編 97位 4票 吉良瞳子@イナズマイレブン 97位 4票 マリア・シュナイダー@交響詩篇エウレカセブン ポケットが虹でいっぱい 97位 4票 石坂みどり(よしながみどり)@クレヨンしんちゃん 97位 4票 シャンプー姉さん@ぷるるんっ!しずくちゃん あはっ☆ 97位 4票 蒼井ミズホ@RD 潜脳調査室 97位 4票 口さけ女@学校の怪談アニメスペシャル 97位 4票 松戸先生の下宿の大家さん@ライブオン CARDLIVER 翔 105位 3票 アオイ@ICE (劇場版) 105位 3票 エバ・クルーグマン@ゴルゴ13 105位 3票 藍堂月子@ヴァンパイア騎士 Guilty 105位 3票 澤村良子@乃木坂春香の秘密 105位 3票 ナミ@獣の奏者 エリン 105位 3票 犬君@源氏物語千年紀 Genji 105位 3票 しまのさくら(しまじろうの母)@はっけんたいけん だいすき!しまじろう 105位 3票 ジョコンダ@スレイヤーズ シリーズ 105位 3票 シスター・シオン@舞-乙HiME 0 ~S.ifr~ 114位 2票 さくらんぼのさくら@ねぎぼうずのあさたろう 114位 2票 フローラ@Yes! プリキュア5GoGo! 114位 2票 三毛猫おばさん@チーズスイートホーム シリーズ 114位 2票 佐々木恵津子@秘密(トップ・シークレット)~The Revelation~ 114位 2票 女子生徒B(ビーコ)@ゼロの使い魔 ~三美姫の輪舞~ 114位 2票 ふきでものマリー@クレヨンしんちゃん 114位 2票 会津若松のおハナちゃん@ヤッターマン 114位 2票 セリーヌ@のだめカンタービレ 巴里編 114位 2票 青葉未知@ななみちゃん 114位 2票 小夜@S・A ~スペシャル・エー~ 114位 2票 加納紅葉@絶対可憐チルドレン 114位 2票 アーマロイド・レディ@COBRA THE ANIMATION 114位 2票 ブロイ・スカッキ@亡念のザムド 114位 2票 尾藤望@地獄少女 三鼎 114位 2票 里絵@テレパシー少女 蘭 114位 2票 ノエミ@のだめカンタービレ 巴里編 114位 2票 遥@ゲゲゲの鬼太郎 131位 1票 クウ@Genius Party Beyond 131位 1票 春宮の乳母@源氏物語千年紀 Genji 131位 1票 ヨっちゃん@のらみみ2 131位 1票 あんずのおみよ@ねぎぼうずのあさたろう 131位 1票 りおちゃん@ヒゲぴよ 131位 1票 チュンコ@アジール・セッション 131位 1票 コバン@クプ~!!まめゴマ! 131位 1票 リナン@ワールド・デストラクション ~世界撲滅の六人~ 131位 1票 エリコさん@ファイテンション☆テレビ 131位 1票 王命婦@源氏物語千年紀 Genji 131位 1票 ミサエ@東のエデン 131位 1票 サツキ@ICE (劇場版) 131位 1票 尾上未映子@秘密(トップ・シークレット)~The Revelation~ 131位 1票 リョウ子@のらみみ2 131位 1票 女子生徒C(シーコ)@ゼロの使い魔 ~三美姫の輪舞~ 131位 1票 松田涼美@地獄少女 三鼎 131位 1票 エリシア・ラウリー@アリソンとリリア 131位 1票 剣崎麗@極上!!めちゃモテ委員長 131位 1票 みかん@ねぎぼうずのあさたろう 131位 1票 フランソワーズ・デュポーン@シュガーバニーズ シリーズ 131位 1票 滝山アナウンサー@VIPER S CREED 131位 1票 カイリー・ムーア@チョコレート・アンダーグラウンド 131位 1票 エバ・ストーン@Phantom ~Requiem for the Phantom~ 131位 1票 平石逸子@地獄少女 三鼎 131位 1票 吉川マサミ@はたらキッズ マイハム組 156位 0票 二階堂寿美@魍魎の匣 156位 0票 アダ@BLASSREITER 156位 0票 雪野有紀乃@きらりん☆レボリューション 156位 0票 エマ@BLASSREITER 156位 0票 雲井きり子@きらりん☆レボリューション 156位 0票 U子@Little Village People
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このページはhttp //jbbs.livedoor.jp/netgame/9960/#1からの引用です [ 板情報 | 携帯 || ネットゲーム/オンラインゲーム ] livedoor | 掲示板を作る CLAN SPK スレッド作成: タイトル: 名前: E-mail(省略可): 内容: 1 CLAN SPK(1) (全部で1のスレッドがあります)掲示板の使い方/新着をメールで受信/過去ログ倉庫/スレッド一覧/リロード ▲1▼CLAN SPK(Res 1) AllFirst100Last50SubjectListReLoad▲1▼ 1名前:shintaku703投稿日: 2011/12/18(日) 19 13 29 CLAN SPKのスレッドです。 入会したい方やメンバーの方でもだれでも気軽にやってください。 名前: E-mail(省略可): 全部読む最新501-100メール受信掲示板トップリロード 掲示板管理者へ連絡 [00000002]