約 6,954,642 件
https://w.atwiki.jp/bms_progress/pages/3083.html
曲Data Lv BPM TOTAL NOTES TOTAL値 判定 平均密度 最大瞬間密度 ▽12- Notes/s Notes/s 傾向 譜面URL コメント 名前 コメント
https://w.atwiki.jp/fffkindle1212134/pages/34.html
Code Geass 19. Island of the Gods Where s the Lancelot? Zero! It s no use. I can t remember anything. Where am I? STAGE 19 ISLAND OF THE GODS Just as I thought. This is another island. The vegetation and climate are the same as Shikine Island. We can t be that far from it. There s no way to contact anyone without an in-com. But what s more important right now is to find a source of drinkable water and shelter. Kallen? It can t be. Excuse me! Suzaku? A Black Knight uniform?! You mean that you re a--! I don t believe it. It s really you? Kallen! Kallen Stadtfeld! I don t believe it! You re one of-- Don t call me by that name! Kallen Kouzuki s my real name! I m Japanese! You re kidding. Then you really are-- Yes, I m a Black Knight! Got it? I m not going to hide that anymore! Well then, Kallen Kouzuki, I m placing you under arrest for conspiracy and rebellion against Britannia! Tch. Contacting Ohgi and the others is going to be a chore. Although I suppose I could pass myself off as an ordinary person and ask the Britannian forces to rescue me. I see. And you don t know what happened either. When you came to, you find yourself on this island. Is that right? Humph... So then you re stranded here too, huh? Serves you right. When my people get here, you re the one who ll be a prisoner. You mean Zero will come to save you? Without a doubt. Okay, before he does, tell me one thing. Tell me who he really is. Why don t you find out for yourself? Oh, I see. You don t know either. How did--? I knew it. You tricked me?! Isn t masking one s identity a bigger fraud? I m curious -- why do you follow Zero? I don t know. Figure that out for yourself! Lelouch. Lelouch, it s you, isn t it? I haven t told anyone about you, I swear! Please, before you shoot, let me at least see your face... Lelouch! Underground probe radar team, move from section D to section F. Find her! Whatever it takes, find Princess Euphemia! Why couldn t she behave the way a sub-viceroy figurehead is expected to?! What a situation. If Princess Cornelia hears about this...! Oh, my! Who would have imagined a floating aircraft carrier! You told me to gather data before practical application, correct? Because I m extremely interested in whatever you create. I needed to see if this could be made real. And the Hadron Cannon? We wanted to know if the thing worked. I ve been looking forward to meeting you, Ms. Cécile Croomy. I am... Prince Schneizel? Right here? You impudent little--! How dare you look down upon the second prince of the empire! G--General Bartley! Nice one. You re not injured, I hope. Yes, I am Prince Schneizel el Britannia. Please, give me your hand. Yes... Gah... she s unworthy! General, you re quite the devoted subject, aren t you? Primarily because the prince is the one who commuted my sentence and saved me from being chained up deep beneath Temple Tower! I wish you d stop thinking of me so formally. You ve been a great help to me in this current matter, as you were to my brother Clovis. It is I who am grateful to you. M--My Lord! Please, Bartley... Now, my lady Cécile, if you ll excuse me. Y--Your Highness! Farewell. You can wait for me at the base, Cécile. Huh? Where are you going? Just a little errand. While I m doing that, I ll use the Avalon to look for Suzaku. It s hard to find devicers like that young man, especially after yesterday s exploits. Please wait! Were those orders yesterday issued by the prince?! Silence! You don t want to be in contempt of royalty, do you?! Those orders were mine, Ms. Cécile. I also fired the Hadron. Even in a situation like that, priorities mustn t be forgotten. Besides, if something anomalous happened, we would have still been able to rescue him. That s what I gambled on. He is after all Suzaku Kururugi, ace pilot of the Special Corps and Euphy s knight. Yes, My Lord! I understand now, and I sorely regret my rudeness. I accept any punishment you decree. Nonsense. It s my fault for not protecting my subordinates. Can you ever forgive me? When did you figure it out? Back during the hotel jacking. I see... At that time I said too much without thinking. Still, I wasn t convinced until now. I m naive, as well. Even so, why didn t you discuss it with Cornelia? I didn t because my sister never listens to me. Besides that... I think things are depressing enough as they are. Nunnally -- how is she? She s living with me, but she s still blind and crippled. The hatred you must feel for us. I only want to find out one thing -- do you know anything about the circumstance in which my mother was murdered? I m sorry. It seems my sister s investigated it extensively, though. Cornelia thought a lot about Lady Marianne and really looked up to her. May I ask you something now? Hm? Are you... Zero? Or... or are you...? I m Lelouch. Yeah... Here and now, I m Lelouch, the brother that you know, Euphy. Oh, Lelouch... I believe feeling relieved has made me hungry. Are you sure that this will work? From the paw prints and droppings, I can tell that wild animals use this path...! I plan to set up a trap that dates back to medieval times...! Oh... Gotcha! Oh wow, you re not bad at that. Do you wanna try it too? I ll tell you what -- I ll let you loose if you promise to help me find food. Is that a deal? Hmph. You re not gonna win me over, so why try? What do you take me for? Man, you re stubborn! You re not anything like the way you are at school. Even using... a lever... Why don t you let me help you with that? Manual... labor isn t... for a... royal princess... Don t worry. My method s perfect. Well, I suppose. I could go and search for something like fruit, okay? Be careful, Euphy. Right! Enemy battleship has passed us. You ve gotta be kidding. A battleship that can hover in midair? That s great. We can t remain in this area any longer -- the risk is too great. We should pull out of here. Mmm-hmm. Ohgi, I disagree. We ought to at least stay put and look for Zero. He has a point. But we can t send out a search party in this situation. Even though we re able to hide, thanks to Rakshata, there s no guarantee Zero and Kallen are still alive. One wrong step and we threaten the very existence of our organization. What do you mean? It s entirely the other way around this entire organization is built around Zero! It s not a group without members. The way you speak, you sound like a typical Britannian to me! All right then, answer me this. We have followers of almost every ideology under the sun gathered here. Yet how is it that the whole lot of them can cooperate and work together toward the same goal? Because of the results we get? Tell me, who is it that gets us those results?! I ll be the first to admit that he does, but is he worth the lives of everyone? At times the life of a single man is worth more than those of a million! I thought that would be common sense to a soldier! You dare say that here? Easy, guys... Oh, all right, then I ll tell you. He s very much alive. We ve no time for your wishful thinking! The information s true -- I simply know it. Oh, you re an oracle now?! I told you to shut your trap and get some training on a Knightmare, you dumbass! Dumbass? Oh, really? It s been ages since anyone s dared to refer to me in such a rude manner. Like Zero s mistress has any right to get uppity with us! I said you were wrong. You re a man who only has vulgar ideas. You ve got a lot of nerve talking to your superior like that! Look, this whole conversation s got out of hand! Okay, how about this? We hang in a safe zone, an ocean area just outside of detection range, where we can wait until the end of tomorrow. How does that sound for a time limit? All right. Well, I suppose we have no choice. For heaven s sake! I was forced to talk with that boring little man thanks to your silly prank. You sent Kallen to the island? You have very poor taste for being such an imperious observer. What s wrong? They re quite tasty! I m sure you ll be able to make your pitfall trap tomorrow. Ohh, I can t eat another bite! Boy, am I stuffed. So is this a glimpse of what you re really like? Yeah. You wanna make something of it? No, I think it s charming to see you so much livelier than you are at school. Kallen, leave the Black Knights. It s not too late. A captured terrorist never winds up with a happy ending. I thought you weren t so bad, then you show your true colors. Well, that won t work! I happen to be the captain of Zero s elite guard. And in fact, I ve fought you in my Knightmare. Were you that red one? Yeah, and even if I lose my life doing it, I ll beat that Knightmare of yours someday. Using Zero s methods offers no future. And what about your future then?! To just live the life of a conqueror s subjugated lapdog, an honorary Britannian? Or to be the knight of the third princess? Hah! The name of Genbu Kururugi, the Last Samurai, weeps! I m not you! This world is wrong, and I m trying to change it! If I don t... If I don t, my brother s death will have been for nothing. That s my reason for fighting... and I ll do whatever it takes to win! Kallen, the truth is... I killed my father. My father didn t commit suicide. I took his life... with this hand... The stars haven t changed, have they? They were the same back then. Long ago, we all used to gaze up at the stars together. Wouldn t it be wonderful if we could live like that again? I d be so happy then. Can t we go back to that? Yes, you re right. It would be so good to just go back to how things were. Zero is a lot like my father. He firmly believes that the entire world revolves around him. That s why he s able to justify spilling the blood of so many people. That s why you accept the way things are now?! You call that peace?! Some things are more important than your life, you know! It isn t that I want you to give up. I just want you to ask yourself. When you gain results the wrong way, what are you left with in the end? Only dark regret and a deep emptiness that have nowhere to go. Then explain something... What higher purpose did the death of my brother serve? Who gets to sit in judgment? Who decides whether it s right or wrong? Euphy... Even for me to survive... Even struggling with my shame, I still search for a reason to go on living. I m a disgrace. We couldn t find Maj. Kururugi washed ashore on the other islands, so it s obvious we should look here. We ll send a search party out in the morning. Hmm... And this must be what you mentioned? Yes! We uncovered it when the Shinjuku incident occurred. Ah... Yes, I can see why this would ve attracted Clovis interest. Are you sure you really saw a light? Yeah, I m positive. It must be a search party. Once we learn who it is, we ll know how to deal with them. Deal with them? A Thought Elevator, you say? I m afraid archeology isn t my strong suit, especially this paranormal stuff. Why, you... Show some respect! As I was saying, this is way outside of my field. I wish you could ve asked Cécile about this instead. Please don t complain so much. My father is infatuated with this as well. Isn t that right, Bartley? Yes. We ve found artifacts similar to these in a number of places around the world. Except for this one that I discovered, all the other sites are directly under imperial control. This is mere speculation on my part, but I think the real reason we re invading other countries is to obtain these objects! And so, in order to analyze this ancient occult data, you re going to use the Gawain s Druid System, untuned prototype that it is? That s why we called you in. AH-HAH! I think it was around here. Lelouch, if it is a search party, then will our time be over here? Yes, it will. I m such an undependable knight -- I couldn t even capture you any food. And besides, that s a job reserved for a real knight -- your knight, Suzaku Kururugi. Mind if I ask you? Why choose an honorary Britannian? Well, I... What are those two doing together?! Suzaku! P--Princess Euphemia! Don t move! This girl is my prisoner! Zero! Just follow my cue. I ll take back my subordinate you have there! We ll exchange prisoners! Zero! Once again, you-- Keep back! Hmph! You find my actions cowardly? Eliminate terrorists, no matter what the sacrifice. Do you intend to follow this rule and let your mistress die?! In spite of the fact that your integrity has already been broken? Leave him alone! Shut up, you royal puppet! You re useless! You can t think for yourself or do anything on your own! What?! I m not afraid of you, and I don t care what happens to me! Suzaku, I command you to fight! Your Highness! With pleasure! You hardheaded fool! Oh, not good... My Lord, please save yourself! Maj. Kururugi! And is that... Zero? Don t you, you fools! Princess Euphemia s with them! Capture them! Capture them! Look, Zero, that s a Knightmare over there! Perfect! We ll use that! Let s go! Right! Suzaku! Suzaku, what is it? What s wrong? This is good! Not only unmanned, but activated too! Form a wall in front of Princess Euphemia! Hurry! What kind of Knightmare is this...? It s my lucky day! Schneizel! So that s him? That s Zero? Ah! The Gawain! Stop that woman now! Get the machine back! We can t allow it to fall into Zero s hands! Schneizel... next time! Alert 1! Alert 1! Sutherlands are blocking our exit! Hang on tight! I m going through them! Huh?! Disappear. Damn! The weapons are incomplete! Zero! Reinforcements! Don t be worried yet! Another system is operational. We re flying?! This Knightmare can fly! The Gawain! Our beautiful prize Gawain! Well, it was only a test model. Aside from that, I m thankful you re both all right. Oh, Schneizel, I missed you! Dear Euphy, I m sorry it took us so long. No, it s all right. Your Highness, shall we keep to the schedule? Hm? Oh, right. Maj. Suzaku Kururugi, you re under arrest for a violation of military regulations. What s the meaning of this?! Maj. Kururugi is my knight! You can t do-- This is something I can take care of later. For now, let them be. Did something happen? I ve contacted Ohgi! We ll rendezvous with them out at sea. Right! And... one other thing. The Guren Mk-II? It was recovered. You may thank Asahina and Chiba for that. Yes, sir! Suzaku, forgive me. I never intended to use the power on you, but... LIVE! Maj. Kururugi, follow your orders! Shut up! Who cares about them?! I HAVE TO LIVE! I have no idea how you got out of the Lancelot, but you blew a golden opportunity to put an end to Zero in order to save your own life according to this. Are you going to protest this evidence? Was that... really me? This is nothing less than an insubordination! Kururugi did that?! Yes. The details are unknown. Dammit, just when I thought we had nailed the lid on Ishikawa... Your Highness! What now, Guilford? The enemy has destroyed the Great Kamon Bridge in Kyushu block! What?! They also cut off vehicle access at four other points, and large numbers of assault landing craft are moving into the Genkai Sea! The Chinese Federation?! But have they made a declaration of war? No, Highness! The craft are bearing the flag of Japan! What was Schneizel doing on that island? Was there something hidden in that area? And Euphy... I think I can trust you for now, but I also need to consider what happened with Kallen and Suzaku. No! First, we have to deal with Kyushu! That will determine our future -- the future of both the Black Knights and myself!
https://w.atwiki.jp/touhoukashi/pages/4266.html
【登録タグ M SOUND HOLIC aki 射命丸 -SHAMEIMARU- 曲 秘神マターラ ～ Hidden Star in All Seasons.】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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【登録タグ SOUND HOLIC T YURiCa 博麗神社境内 曲 魔 -ONI-】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/eustrath/pages/33.html
Episode 21 - The Drago Unleashed
https://w.atwiki.jp/orange_sherbet/pages/20.html
Page to note down the important notes from the discussions in class. discussion from Jan. 22 2008 discussion from Jan. 29 2008 I moved the Language topics to "Language Barriers" page. Jin discussion from Jan. 31 2008 Time management issues The ICU students don t have the time to get in touch with one another because of time. As in Courtney s point of view compared with UCSD students, ICU students tend to use their lack of time as an excuse to avoid certain social situations. (why avoid those situations? An answer may be found in the "relation issues" discussion.) Not only the mentalities about time making, but Physical difficulties, such as lack of transportation causes these problems for ICU students. As the last train for the Chuo-line is earlier than that of Yamanote line, and the last bus from ICU leaves before 12pm, they cannot hold parties till midnight. Also, since ICU is in urban areas, we are not allowed to come to school by car, so therefore, time restrictions will be very severe for us. (In UCSD, most of the students have cars unless they live really near the campus) 実家通いThere are many people who "commute" from their home. Almost half of the students of ICU are from Tokyo area, and therefore, there are lots of students who s living far away from ICU with their parents. This physical distance causes some trouble too. JIn Relationship issues Is today s discussion the critical approach ? I also think that Japanse style for making friends is stressful. However, this is Japanese style. This style(and this Japanse society) is based on, made by most? many? Japanese this sense of value. Japanese change this Japanese sense of value style to California style (everyone is friends.). This is not solution. Everybody likes this style? This is not. ICU students also cannot change it. If ICU students change their style for making friends (California style) in ICU, they would not work at Japanese company or Japanese society. I think what is important is knowing own style and other style. Both should be recognized. For example, When I meet コートニー first time, I think "she come from California, so her style may be directly making friends style ." At the same time, コートニー thinks that "Miki is Japanese, so she may contact with me with MAAINOTUMEKATA style." By knowing each otehr style, there would prevent being a misunderstanding little bit. Thinking about each other style is intercultual communication, right? In solution,We should not say they should change . We should not deny something. Denying leads opposition. We may say the ways to make friends are different, so let s know many ways to make friends, and then ・・・ （What can we say? let s use the way properly ?) I thought this yesterday. I am very very sorry too long? Can you understand my English sentences? Miki Ok, Miki, I understand your I idea about not denying someone s styles. An good intercultural communication can t be established if one side denies the other culture. Just as Ms. Waslewski said in the previous lecture, what we need to do must be "mutual understanding 相互理解" to each other s culture. (Is this what you wanted to say, Miki?) Jin Yes, it is！ And, what can we do for 相互理解？ Hi, this is Masumi. I was looking for wiki in moogle...too bad moogle wiki thing isn t working -/ I appreciate Jin for creating wiki! Yay *applause* I read the discussion briefly. Thank you thank you! We also talked about what we should say for the conclusion, right? So we concluded that... (or I my thought?) (rough conclusion) *relax, don t stress yourself out *we need to be open *we shouldn t think too much (about the future, what to do for the new friend, etc) *don t worry about "hi-bye" friends, (lol) you can talk to them someday *go with the flow? *don t be afraid? Okay, I m sorry...I have more to say, but I need to write up an essay for another group project ( ) I have 3 group projects. But from 2/5, I ll be free of other 2 projects, so I can focus on this. I apologize what I m saying is kinda messy. I ll think about "相互理解", too. It s about the wasy to "understand each other", right? Important topic. Masumi i finally read everything and added a new page about inital meetings....sorry i didnt have the info about this site until this weekend! -- courtney (2008-02-04 17 10 46) 名前 コメント Woww!!! You have 3groap projects, don t you!? Take sleep time!!! Just brifly. The conclutions which you wrote are advices for Japanese, right? I think we need to advices for non-Japanes.(but, I do not know...) *Japanes have own step by step style for making friends, so understand it.(Most? Japanese must think more friends.) *Talk to Japanese actively. or ~. Miki And, we will meet on out of class, won t you? Will we decide time on Tuesday class? discussion from Feb. 5 2008 American can speak anybody. (ex During waitnig airplan) Japanese tend to not. ↓ How to stop conversation? (→’Oh, I an gonit to listen music, now. and something) American stlye bowling （can get some points from converstaion) Japanse style table tennis American argueing is just arguind. They do not mind what other people think. Japanese political, region, baseball× dry or wet concept Edit this page
https://w.atwiki.jp/lillian7887/pages/10.html
Some people love being in the center of attention; for some, that comes naturally. Some might say it s easy to be the main star at social events. They think that just creating drama is enough. Well, it surely helps, but that s maybe not the kind of attention you d had in mind. People who don t like being the leading star of gatherings often turn to online dating. There s no need to compete for attention. People are chatting one on one. That s how almost every relationship online starts. It s easier to thrive in a secure place such as an inbox or a chat room. But, the time will come when they ll have to leave their shells; maybe a breakup will force them to go outside and mingle. And that s when the competition for the attention of the opposite sex starts. It s ruthless out there, and one must be ready. There are a few things to keep in mind if they want to shine the brightest. Everybody gets what it takes to be an absolute master in grabbing others attention. Just follow some simple rules we collected to help out. Have a Unique Profile Description on Dating Sites Getting attention is impossible for those who are the same as everybody else. Most people on dating sites have similar photos and boring profile descriptions. That doesn’t get them much attention because no one remembers them after browsing their profile. To get noticed on https //www.quickflirt.com/, take a different approach than everybody else. Upload a photo that will make people stop browsing and send you a message. Someone is online 24/7 on the site, so your profile can grab attention even while you’re sleeping. Let Everybody Know You Are Kinky It doesn’t matter if you’re flirting in person or online you have to show you’re kinky. Everybody likes that (even people who pretend they don’t). One of the easiest ways to show you love experimenting in the bedroom is by mentioning sex toys. People love trying new things. Routine is good, but it can be a killer in a bedroom. Take the lead in conversation and stir it in the bedroom direction. Casually mention what you prefer. Someone will catch that spark in your eye and continue the conversation while other people listen carefully. Be the First to Approach Other Singles while With Friends Few things are better than hanging out with friends. One of the better things is showing confidence while in a group of friends. How? If there s a single girl, usually, people don t approach them in front of friends because they fear they ll get turned down and be embarrassed in front of their crew. And singles know that; we ve all been there before. But, if you take a deep breath and go for it, that shows you have more confidence than a regular person. Also, look at the envious faces of your friends. Come up with a funny line, compliment their looks, smile, and watch singles melt in front of you. It s a win-win. Focus on One Person in the Group This one is a classic. Stay in disguise in a bar or a restaurant and observe. Try to figure out who s single in a group and begin your mission. Lock them with a meaningful stare (don t push it too hard, you may look like a psycho), smile, raise a glass for them, maybe even throw a wink there. At first, a person may feel shy or be in shock - after all, you are flirting shamelessly while they re in a group of friends. Then, watch their behavior change. They ll throw a shy wave or a small smile. Read their body language. Once you re sure you are getting the same signals you ve been sending, act. Approach them, knock them off their feet with a funny joke and confidence when you ask them to grab a drink with you. Nothing beats a brave lion or lioness. Be Loud (But Don’t Be Too Loud) The simplest way to grab someone s (or everyone s) attention is by being loud. When you hear a joke, laugh out loud. But be careful; no one wants to hear hyenas unless they re in savannah. Be moderate, like in everything in life. Tell an interesting story, and when you want to emphasize something brave, important or funny, say it a little louder. Grabbing the attention of others is your main goal. In a quieter room, everybody will instinctively turn towards the sound source. Moderation is the key. Don t be too loud, don t be too quiet. Balance it out. Feel the room and the atmosphere. Trust your guts; they re rarely wrong. With a little bit of practice, everything is possible. By following these simple tricks and tips, you ll grab people s attention just by walking into the room. Online dating is a great place to try out some of your jokes and approaching styles. If a relationship happens online, great. Ask the person out and put your skills to the test. It s not that hard. Put a smile on your face, take a deep breath, and jump into it.
https://w.atwiki.jp/vipdeyoyo/pages/1026.html
アナザーイーグル+S メーカー Japan Technology ベアリングサイズ ダンカンサイズ レスポンス シリコンパッド(オリジナル) ボディ･リム材質 プラスチック・ステンレス 重さ 69.5g 直径 74.4mm 厚さ 59.4mm ギャップ幅 ?mm 名前 コメント