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DRITTER AKT （Der Markusplatz. im Hintergrund die Markuskirche, vom Monde beleuchtet. Rechts und links Bogengänge. Rechts rückwärts ein Abgang, welcher um den Glockenturm herum nach der Piazzetta führt. Links rückwärts ein Abgang, der unter dem Schwibbogen des Glockenspiels zu den Mercerien führt. Die Vorderbühne von Laternen beleuchtet. Links vorne eine mit Teppichen geschmückte Loge für den Herzog.） ERSTER AUFTRITT Nr. 14 - Introduktion （Masken tanzen im Hintergrund; rechts rückwärts erschallt verhallend nachfolgende Reminiszenz） ▼MASKENGRUPPEN▲ （vorbeiziehend）. Karneval Ruft uns zum Ball Er ist Souverän! Zögert nicht, Denn was er spricht, Muss sofort geschehn! Frisch hinaus zum Markusplatz, Musik zieht uns voran, Arm in Arm mit seinem Schatz, Folgt fröhlich jedermann! ZWEITER AUFTRITT （Annina. Giboletta. Herzog. Mädchen） （Der Herzog kommt mit Annina und Ciboletta; beide tragen stilisierte Taubenkostüme. Aus den Bogengängen kommen einige Mädchen, ebenfalls als Tauben gekleidet） Nr. 14a - Taubenterzett mit Chor ▼ANNINA, CIBOLETTA▲ Die Tauben von San Marco Wem sind sie nicht bekannt? Die Tauben sind der Liebe, Des Friedens Unterpfand! Drum hat vor ihren Wagen Frau Venus uns gespannt, Und später hat uns Noah, Auf Kundschaft ausgesandt! ▼HERZOG▲ Wie s in der Bibel stand ▼ANNINA▲ Wir eilen pfeilgeschwind Mit Briefen durch das Land. ▼CIBOLETTA▲ Zur Liebesbotschaft sind Wir immer gern zur Hand! ▼HERZOG▲ Drum ward euch zur Belohnung Hier Wohnung und auch Schonung Für immer zuerkannt! ▼ANNINA, CIBOLETTA▲ Ein gutes Beispiel geben wir Für jedes Liebespaar! In Eintracht leben wir Und schnäbeln immerdar! ▼HERZOG▲ O süsse Schnäbelei, Wie gern bin ich dabei Drum reicht mir eure Schnäbel alle zwei! ▼BEIDE▲ In Liebesseligkeit, Vereint in Zärtlichkeit, Stets sanft und hold und zart Nach Taubenart! ▼HERZOG▲ In Liebesseligkeit, Vereint in Zärtlichkeit, Stets sanft und hold und zart Nach Taubenart! （Die Mädchen begleiten den Refrain mit einem die Tauben imitierenden Gurren. Nach dem Ensemble "flattern" die Tauben nach rückwärts davon; der Herzog mit Annina und Ciboletta links vorn ab.） DRITTER AUFTRITT （Caramello） ▼CARAMELLO▲ （kommt von rechts rückwärts, blickt traurig dem Herzog nach） Da zieht er hin, der Herzog, mit Annina am Arm - und ich habe das Nachsehen! O Weibertreue! Weibertreue! Nr. 15 - Lagunen-Walzer ▼CARAMELLO▲ Ach, wie so herrlich zu schaun Sind all die reizenden Fraun, Doch willst do einer vertraun, Dann, Freundchen, auf Sand wirst du baun! Rasch, wie die Wellen entfliehn, Flüchtig, wie Wolken dort ziehn, Treibt ihr beweglicher Sinn Sie bald her, bald hin! Wie sie schmeicheln, Liebe heucheln, Uns durch Tränen Schnell versöhnen! Ob sie schmollen Oder grollen Wie des Herzens Stimme spricht, Errätst du nicht! Doch ich will nicht länger klagen, Nicht cosi an tutte sagen, Denn es gibt noch süsse Frauen, Die uns Paradiese bauen! Reich belohnt ist unser Lieben, Wenn nur eine treu geblieben. Treue, schönes, süsses Wort Der Liebe sichrer Hort! Nachts die Wellen leise rauschen, Mädchen an den Fenstern lauschen, Gondeln gleiten hin und wieder, Rings ertönen sanfte Lieder, Hell am dunklen Himmelsbogen, Kommt der Stern der Lieb gezogen! Leuchte mild darein Und lass sie selig sein! Ach, wie so herrlich zu schaun Sind all die lieblichen Fraun, Doch willst du einer vertraun, Dann, Freundchen, auf Sand wirst du baun! Und du fragst immer aufs neu , Ob dir dein Liebchen auch treu Hör nur, von fern singt der Gondolier La donna è mobile! （Links ab） VIERTER AUFTRITT （Delacqua, dann Ciboletta, später Barbara mit Enrico） ▼DELACQUA▲ （kommt weinend）) Oh, oh! Barbara, mein Weib, ist mir geraubt worden! Ich war in Murano, dort habe ich Barbara nicht gefunden! Ich war zu Hause da habe ich sie auch nicht gefunden! Francesco, der Gondoliere, hat gestanden, dass dieser Schurke von Caramello sic entführte! Wo mag sie sein! （ruft） Barbara! Barbara! （Sucht sie unter den Masken） ▼CIBOLETTA▲ （kommt rufend） Pappacoda! Pappacoda! Wo ist Pappacoda? Ich muss ihm endlich sein Glück verkünden! Er ist ja herzoglicher Leibkoch geworden! （ruft） Pappacoda! Pappacoda! ▼DELACQUA▲ （erblickt Ciboletta） Ciboletta, wo ist mein Weib? ▼CIBOLETTA▲ Na, das bin ja ich! ▼DELACQUA▲ （droht ihr mit dem Stock） Du! ▼CIBOLETTA▲ Ihr habt mir doch selbst gesagt, dass ich für heute abend Euer Weib bin! ▼DELACQUA▲ Dumme Ente, wo ist deine Herrin? ▼CIBOLETTA▲ In Murano! ▼DELACQUA▲ Da ist sie nicht! Sie ist hier! Ich weiss es! ▼CIBOLETTA▲ Na, wenn Ihr es wisst, warum fragt Ihr denn mich? ▼DELACQUA▲ （ruft） Barbara! Barbara! ▼CIBOLETTA▲ （für sich） Meine Herrin verrate ich nicht! Ich will ihn auf falsche Fährte bringen! （aufschreiend） Ha! Ich hab s! ▼DELACQUA▲ （stürzt zu ihr） Du hast es! Was hast du?! ▼CIBOLETTA▲ Ich glaube, Signora Barbara gesehen zu haben! ▼DELACQUA▲ Wo? Wo? ▼CIBOLETTA▲ Auf der Piazzetta! ▼DELACQUA▲ Maskiert? ▼CIBOLETTA▲ Ja! ▼DELACQUA▲ Wie? ▼CIBOLETTA▲ Sie trug… ▼DELACQUA▲ Was? Was? ▼CIBOLETTA▲ …einen … einen roten Domino! （beiseite, pfiffig） Ich sage rot, weil sie einen grünen besitzt! ▼DELACQUA▲ （nimmt sie bei der Hand） So komm und hilf mir suchen! ▼CIBOLETTA▲ （wehrt sich） Nein, nein, geht nur allein! ▼DELACQUA▲ Du folgst mir oder… （erblickt plötzlich einen roten Domino, stürzt auf ihn zu） Ha! ein roter Domino! （sieht plötzlich einen anderen roten Domino） Ha! Da noch einer! （Eilt jedem roten Domino nach und ruf!） Barbara! Barbara! （Verschwindet unter den Masken） ▼BARBARA▲ （kommt in einem roten Domino mit Enrico von links）. Himmel! Das war mein Mann! Er sucht mich! ▼ENRICO▲ （erschrocken） Der Onkel! - Rasch verschwinden wir! ▼BARBARA▲ So schnell als möglich nach Murano! ▼CIBOLETTA▲ （kommt, aufschreiend） Signora Barbara! ▼BARBARA▲ Ciboletta, du hier? ▼CIBOLETTA▲ （erschrocken） Und Ihr seid in einem roten Domino? Oh - ich Esel! Messere Delacqua sucht Euch wie eine Stecknadel. Er war in Murano und hat Euch nicht gefunden! ▼ENRICO▲ Nun und? ▼CIBOLETTA▲ Um ihn von Eurer Fährte abzulenken, sagte ich ihm, Ihr hättet einen roten Domino an, weil ich meinte, Ihr hättet einen grünen an! Nun habt Ihr aber wirklich einen roten an! ▼BARBARA▲ （ausser sich） Mein Gott, was tun, was tun?! ▼ENRICO▲ Nichts einfacher als das! Ihr beide wechselt die Dominos! ▼BARBARA▲ Ja, ja, die Idee ist gut! ▼CIBOLETTA▲ Glaubt Ihr? （beide wechseln die Dominos） ▼BARBARA▲ Und jetzt rasch nach Murano! Annina wartet dort auf mich! （will ab） ▼CIBOLETTA▲ Annina? Die ist ja gar nicht in Murano! ▼BARBARA▲ （bleibt stehen, sehr überrascht） Nicht in Murano? ▼CIBOLETTA▲ Nein, ich habe mit ihr beim Herzog soupiert! Jetzt ist sie mit ihm auf der Piazzetta! ▼ENRICO▲ Rasch auf die Piazzetta! Annina soll uns Rede stehen! ▼BARBARA▲ Was auch geschehe, Ciboletta, du hast mich nicht gesehen! ▼CIBOLETTA▲ Nein, ich habe Sie nicht gesehen! ▼ENRICO▲ So wenig wie ich! （eilt mit Barbara fort） FÜNFTER AUFTRITT （Ciboletta. Delacqua. Pappacoda）. ▼CIBOLETTA▲ （allein） Barbara - Annina - Enrico - Delacqua - roter Domino - grüner Domino - Murano - Venedig! Ich weiss nicht mehr, wo mir der Verstand steht. Wenn ich nur Pappacoda fände. （ruft） Pappacoda! Pappacoda! ▼DELACQUA▲ （läuft über die Szene, ruft） Barbara! Barbara! （ab） ▼CIBOLETTA▲ （ruft） Pappacoda! Pappacoda! ▼PAPPACODA▲ （kommt durch die Menge） Ciboletta! Ciboletta! Cibolet … （erblickt sie） … ta! Du treuloses Frauenzimmer, finde ich dich endlich? Du Verräterin! ▼CIBOLETTA▲ Bist du verrückt? ▼PAPPACODA▲ Du, die mir gehört, hast in dem Kostüm, das nicht dir gehört, einen jungen Herzog erhört! Gehört sich das? Unerhört! ▼CIBOLETTA▲ Aber, Pappacoda… Pappacodscherl… Pappagoscherl ▼PAPPACODA▲ （wütend） Rrrrr! ▼CIBOLETTA▲ Sei doch nicht gar so wütend! Ich habe wohl mit dem Herzog soupiert, habe mir auch einige Liebenswürdigkeiten gefallen lassen, aber nur um einen Preis! ▼PAPPACODA▲ Um welchen Preis? ▼CIBOLETTA▲ Um deine Ernennung zum herzoglichen Oberküchenkellerspeisenmeister! ▼PAPPACODA▲ Was? Ich Oberspeisenkellerküchenmeister? ▼CIBOLETTA▲ Jawohl und das verdankst du mir! ▼PAPPACODA▲ Das verdanke ich dir? Jetzt koche ich dir immer deine Lieblingsspeise! ▼CIBOLETTA▲ Ach, du kochst mir ja doch immer nur Stockfisch mit Zwiebeln! ▼PAPPACODA▲ Nein! Ich koche dir meine Spezialspeise Boeuf ä la mode mit Sauce misterioso! ▼CIBOLETTA▲ Wie macht man das? Nr. 16 - Duett ▼PAPPACODA▲ Tacke, tacke, tack, Erst hack ich fein, Tacke, tacke, tack, Die Stoffe klein, Am Herd ein Häferl zischt, Da wird es drin gemischt! ▼CIBOLETTA▲ Tacke, tacke, tack, Ich hack dabei, Tacke, tacke, tack, Noch allerlei, Ein dunkelfarb ger Saft, Sein Inhalt rätselhaft! ▼PAPPACODA▲ Wenn s lang genug gerührt, Wird s sauber durchpassiert Und endlich im Geschirr serviert! Man rät, man fragt, was das wohl ist? Es scheint deliziös, Doch etwas mysteriös! Aber wenn man erst gekostet hat, Schreit begeistert alles delikat! Wer hat das entdeckt? ▼CIBOLETTA▲ Uje! Das schmeckt! ▼PAPPACODA▲ Alles voll Respekt Die Finger leckt! ▼BEIDE▲ Wem der Duft nur in die Nase zieht, Dem macht s ungeheuren Appetit! ▼PAPPACODA▲ Ja, zu solcher Sauce braucht s Genie, Ich mische sie, Aber fragt nicht wie! ▼CIBOLETTA▲ Quirle, quirle, quirl, Ich sprudle fein, Quirle, quirle, quirl, Drei Eier ein Und röste nun auf Kohl n Zwei alte Stiefelsohl n! ▼PAPPACODA▲ Pimperim, pimpim, Stoss Bröseln dann, Pimperim, pimpim, Und schütt sie an! Mit Butter nicht gespart, Sonst beisst sich s Leder hart! ▼CIBOLETTA▲ Doch solch Boeuf ä la mode Ziert jede table d hôte Auch Pappendeckel tät s zur Not! Wird s nur garniert recht zierlich, schlau, Ruft alles erfreut Oh, welche Sauberkeit! Aber wenn man erst gekostet hat （usw. bis Schluss. Beide tanzen ab） SECHSTER AUFTRITT （Der Herzog. Centurio. Ciboletta. Pappacoda）. ▼HERZOG▲ （kommt mit Centurio） Wo mag die reizende Frau nur geblieben sein? Sie verschwand so plötzlich! ▼CENTURIO▲ Ich verstehe es auch nicht! Ihr grüner Domino macht sie doch kenntlich! ▼CIBOLETTA▲ （kommt, zieht Pappacoda hinter sich nach） Der Herzog! Komm, ich werd dich vorstellen! ▼PAPPACODA▲ （ängstlich） Er wird mich gleich wieder wegstellen. ▼CIBOLETTA▲ Euer Hoheit! ▼HERZOG▲ （nervös） Was gibt es? ▼CIBOLETTA▲ Ich habe die Ehre, meinen Bräutigam vorzustellen Ihren neuen Leibkoch! ▼HERZOG▲ （wie oben） Was geht mich der neue Leibkoch an! Ich habe andere Sachen ins Kopf! （plötzlich） Halt! Weisst du nicht, wo deine Herrin hingeraten ist? ▼CIBOLETTA▲ Ach, Herr Herzog meinen Annina? Sie haben meinen Pappacoda zum Oberkoch gemacht, dafür will ich mich Ihnen dankbar zeigen Das Frauenzimmer, mit welcher wir nachtmahlten, ist nicht Signora Barbara Delacqua, sondern ein Fischermädchen aus Chioggia namens Annina und ist Ihres Leibbarbiers Caramello Liebchen! ▼HERZOG▲ （wütend） Was? （Zu Centurio） Schaffe mir sogleich Caramello her, tot oder lebendig! （Centurio ab, dann zu Pappacoda und Ciboletta） Packt euch! ▼CIBOLETTA▲ （jammernd）) Mein Gott,. jetzt ist der Herzog böse! （legt sich mit dem Kopf auf Pappacodas Brust） ▼PAPPACODA▲ Dumme Gans! Durch dein Geschnatter hast du alles verdorben! ▼HERZOG▲ Beruhigt euch, du bist und bleibst mein Leibkoch! Nun aber geht! ▼PAPPACODA▲ （hoch erfreut） Ich bleibe Leibkoch? Herr Herzig, das ist herzog! Nein, Herr Herzog, das ist herzig! Komm, meine Oberleibköchin! （eilt mit Ciboletta ab） ▼HERZOG▲ （geht wütend auf und ab） Na warte, du Schurke! SIEBENTER AUFTRITT （Der Herzog. Caramello. Cersturio） ▼CENTURIO▲ （führt Caramello, der sich noch immer ängstlich drücken will）. So, hier ist Seine Hoheit! ▼CARAMELLO▲ （der es kaum wagt, den Herzog anzublicken, zu Centurio） Ist er sehr böse? ▼CENTURIO▲ Sehr! （geht ab） ▼CARAMELLO▲ （ganz leise） Euer Hoheit. ▼HERZOG▲ （böse） Nur näher! （Caramello geht weiter weg von ihm） Näher! （Caramello noch einige Schritte weiter weg von ihm） Näher!! （da Caramello abermals weiter weggeht, geht der Herzog energisch auf ihn zu） Kennst du ein Fischermädchen namens Annina aus Chioggia? ▼CARAMELLO▲ （erschrickt, macht ein harmloses Gesicht, als verstünde er nicht） Wie, bitte? ▼HERZOG▲ （sprudelnd） Kennst du ein Fischermädchen namens Annina aus Chioggia? ▼CARAMELLO▲ Nicht dass ich wüsste! ▼HERZOG▲ Du kennst sie nicht? ▼CARAMELLO▲ Ich kenne keine Annina! ▼HERZOG▲ （drohend） Du kennst keine Annina! ▼CARAMELLO▲ （als würde es ihm plötzlich einfallen）. Ah, die Annina die Annina! Hoheit, warum haben Sie das nicht gleich gesagt? Die Annina! die kenne ich nicht! ▼HERZOG▲ Schurke! Elender! Keine Ausflüchte! Ich weiss, Annina ist deine Geliebte! ▼CARAMELLO▲ Ach ja, richtig! Die Annina! Jetzt erinnere ich mich! Wo hatte ich nur meinen Kopf? ▼HERZOG▲ Deinen Kopf? In einer Schlinge von Hanf wirst du ihn gleich haben, wenn du nicht alles gestehst! ▼CARAMELLO▲ Gnade, Hoheit! Gnade! （kniet nieder） Ich war ja selbst betrogen, schämte mich, meine Eselei einzugestehen, und leide seither Qualen der wildesten Eifersucht! Puh! ▼HERZOG▲ Du hast auch allen Grund dazu, denn Annina gefällt mir! Ich will sie zu meiner Geliebten machen! ▼CARAMELLO▲ （erschrocken） Hoheit, tun Sie das nicht! ▼HERZOG▲ Vorwärts, hilf mir das Mädchen suchen! （geht nach rückwärts） ▼CARAMELLO▲ Da hilft nichts ich bring ihn um! （zieht ein Rasiermesser und macht an der Hand die Geste des Schleifens） ▼HERZOG▲ （kommt wieder zu ihm） Was machst du denn da? ▼CARAMELLO▲ Das ist eine kleine Generalprobe für das morgige Rasieren! （Hinter der Szene Stimmen und Lachen） ▼HERZOG▲ Komm, vorwärts! ▼CARAMELLO▲ （reicht dem Herzog die Hand） Hoheit, sind wir wieder gut! ▼HERZOG▲ （lacht, klopft ihm auf die Schulter） Wer könnte dir böse sein! ▼CARAMELLO▲ （vergisst sich, tätschelt dem Herzog auf die Wange） Eben! （Herzog und Caramello links ab） ACHTER AUFTRITT （Annina. Agricola. Senatorsfrauen） ▼ANNINA▲ （kommt mit Agricola und den anderen Frauen） Ihr hättet ihn sehen müssen, wie fad er girrte… （Ihn kopierend） Ach, schöne Frau, winselte er, "Sie sind so zurückhaltend, so kalt!" ▼AGRICOLA▲ Na, und du? ▼ANNINA▲ Ich sagte "Euer Hoheit verstehen eben das Einheizen nicht!" ▼AGRICOLA▲ Der Vergleich eines Herzogs mit einem Ofenheizer ist kühn, aber… （schnalzt mit den Fingern und schüttelt ihr energisch die Hand） … ich achte dich! Unglaublich! Ein Mann, ein Fürst, der nur so zu machen braucht… （spreizt die fünf Finger der rechten Hand aus） ▼ANNINA▲ Es gibt eben noch Frauen in Italien, die, wenn er so macht… （macht dieselbe Geste wie Agricola） … ihm so machen! （führt die gespreizten Finger an die Nase und macht so eine "lange Nase"） ▼ALLE▲ （lachend） So! （machen dieselbe Geste） NEUNTER AUFTRITT Vorige. Herzog und Caramello. ▼HERZOG▲ （ist mit Caramello von rückwärts aufgetreten, hat die Damen beobachtet, lachend） Ja! So? （macht dieselbe Geste） ▼ALLE▲ （aufschreiend） Oh! （wollen entfliehen） ▼HERZOG▲ Halt! Bleiben Sie, meine Damen! ▼ANNINA▲ （verlegen） Hoheit, ich ▼HERZOG▲ （unterbricht sie） Pst! Seien Sie ganz ruhig. Ziehen wir einen Schleier über die Ereignisse dieses Abends! ▼CARAMELLO▲ Bei diesem Schleier wird mir schwarz vor den Augen! （vorwurfsvoll） Annina! ▼ANNINA▲ （losbrechend） Ah, das geht zu weit! ▼HERZOG▲ （unterbrechend） Genug davon! Dort naht der grosse Maskenzug! Vergessen wir nicht, dass heut Karneval ist! （Hier fällt rauschend die Musik des Maskenzuges ein, der von rückwärts rechts aufzieht. Die Personen der neunten Szene ziehen sich nach rechts zurück, nehmen in der Loge Platz; Caramello und Annina streiten pantomimisch） Nr. 17 - Finale （Fanfaren ertönen. Dann kommen die Gondolieri mit ihren von Blumen umwundenen Rudern, eine lange Gondel in der bekannten venezianischen Form in der Mitte tragend. Darauf folgen bekannte Sehenswürdigkeiten Venedigs, personifiziert, z. B. der Uhrturm (als grosse, wandelnde Glocke, zu beiden Seiten die männlichen Figuren, die mit mächtigen Hämmern daran schlagen), die Seufzerbrücke (als Bogen, darunter ein liebendes Pärchen) usw.） ▼DELACQUA▲ （hinter der Szene） Haltet sie! （Die Musik geht leise weiter.） ▼ALLE▲ Was gibt s? ▼CIBOLETTA▲ （von Delacqua verfolgt, eilt nach rechts vorn）. Helft mir, helft mir! Er will mir die Maske herabreissen! ▼ALLE▲ Oho! Maskenfreiheit! Maskenfreiheit! ▼DELACQUA▲ Ach was, Maskenfreiheit! Der rote Domino ist meine Frau, meine Barbara! ▼HERZOG▲ Ja, wenn es seine Frau ist, muss sie sich demaskieren （zu Caramello） Jetzt werde ich endlich die echte sehen! ▼CIBOLETTA▲ （nimmt die Maske ab） Ich bin ja die Zofe! ▼ALLE▲ （lachen） Die Zofe? ▼DELACQUA▲ （kläglich） Ach da habe ich mich in der Eile vergriffen! Aber wo ist denn meine Barbara? （ruft） Barbara! Barbara! ▼ALLE▲ （ihn kopierend） Barbara! Barbara! ▼BARBARA▲ （mit Enrico von links kommend） Hier bin ich, Männchen! ▼DELACQUA▲ Wo warst du denn? ▼HERZOG▲ Das ist sie also? Allerliebst! ▼BARBARA▲ Denke dir, ich hatte eine falsche Gondel bestiegen, Männchen! Vermummte Gondolieri ruderten mich trotz meines Schreiens und Weinens nach dem Lido! Enrico hat mich gerettet! ▼ALLE▲ （lachend） Enrico? ▼ENRICO▲ Ja, ich hörte die Hilferufe und rettete meine schöne Tante! ▼AGRICOLA▲ （zu Enrico） Enrico ich achte Sie! （schüttelt ihm die Hand） ▼DELACQUA▲ （gerührt） Enrico, Neffe, Retter an mein Herz! ▼HERZOG▲ （zu Barbara） Sie haben einen Neffen? ▼BARBARA▲ Wie alle Tanten, Herr Herzog! ▼HERZOG▲ （für sich） Blamiert! （laut） Caramello, dein guter Wille gelte für die Tat! Ich mache dich zu meinem Verwalter! ▼CARAMELLO▲ Ich habe von Euer Hoheit nichts anderes erwartet! ▼HERZOG▲ （auf Annina zeigend） Und sie wird meine Verwalterin! ▼CARAMELLO▲ Verzeihung, Hoheit, die wird meine Verwalterin! （Der Herzog geht zu Annina, küsst ihr die Hand, Barbara blickt kokett auf den Herzog.） Schlussgesang ▼ALLE▲ Alle maskiert, alle maskiert, Wo Spass, wo Tollheit und Lust regiert! Ganz ungeniert alle maskiert, Cospetto, wie amüsant das wird! （Der Vorhang fällt.） DRITTER AKT Der Markusplatz. im Hintergrund die Markuskirche, vom Monde beleuchtet. Rechts und links Bogengänge. Rechts rückwärts ein Abgang, welcher um den Glockenturm herum nach der Piazzetta führt. Links rückwärts ein Abgang, der unter dem Schwibbogen des Glockenspiels zu den Mercerien führt. Die Vorderbühne von Laternen beleuchtet. Links vorne eine mit Teppichen geschmückte Loge für den Herzog. ERSTER AUFTRITT Nr. 14 - Introduktion Masken tanzen im Hintergrund; rechts rückwärts erschallt verhallend nachfolgende Reminiszenz MASKENGRUPPEN vorbeiziehend. Karneval Ruft uns zum Ball Er ist Souverän! Zögert nicht, Denn was er spricht, Muss sofort geschehn! Frisch hinaus zum Markusplatz, Musik zieht uns voran, Arm in Arm mit seinem Schatz, Folgt fröhlich jedermann! ZWEITER AUFTRITT Annina. Giboletta. Herzog. Mädchen Der Herzog kommt mit Annina und Ciboletta; beide tragen stilisierte Taubenkostüme. Aus den Bogengängen kommen einige Mädchen, ebenfalls als Tauben gekleidet Nr. 14a - Taubenterzett mit Chor ANNINA, CIBOLETTA Die Tauben von San Marco Wem sind sie nicht bekannt? Die Tauben sind der Liebe, Des Friedens Unterpfand! Drum hat vor ihren Wagen Frau Venus uns gespannt, Und später hat uns Noah, Auf Kundschaft ausgesandt! HERZOG Wie s in der Bibel stand ANNINA Wir eilen pfeilgeschwind Mit Briefen durch das Land. CIBOLETTA Zur Liebesbotschaft sind Wir immer gern zur Hand! HERZOG Drum ward euch zur Belohnung Hier Wohnung und auch Schonung Für immer zuerkannt! ANNINA, CIBOLETTA Ein gutes Beispiel geben wir Für jedes Liebespaar! In Eintracht leben wir Und schnäbeln immerdar! HERZOG O süsse Schnäbelei, Wie gern bin ich dabei Drum reicht mir eure Schnäbel alle zwei! BEIDE In Liebesseligkeit, Vereint in Zärtlichkeit, Stets sanft und hold und zart Nach Taubenart! HERZOG In Liebesseligkeit, Vereint in Zärtlichkeit, Stets sanft und hold und zart Nach Taubenart! Die Mädchen begleiten den Refrain mit einem die Tauben imitierenden Gurren. Nach dem Ensemble "flattern" die Tauben nach rückwärts davon; der Herzog mit Annina und Ciboletta links vorn ab. DRITTER AUFTRITT Caramello CARAMELLO kommt von rechts rückwärts, blickt traurig dem Herzog nach Da zieht er hin, der Herzog, mit Annina am Arm - und ich habe das Nachsehen! O Weibertreue! Weibertreue! Nr. 15 - Lagunen-Walzer CARAMELLO Ach, wie so herrlich zu schaun Sind all die reizenden Fraun, Doch willst do einer vertraun, Dann, Freundchen, auf Sand wirst du baun! Rasch, wie die Wellen entfliehn, Flüchtig, wie Wolken dort ziehn, Treibt ihr beweglicher Sinn Sie bald her, bald hin! Wie sie schmeicheln, Liebe heucheln, Uns durch Tränen Schnell versöhnen! Ob sie schmollen Oder grollen Wie des Herzens Stimme spricht, Errätst du nicht! Doch ich will nicht länger klagen, Nicht cosi an tutte sagen, Denn es gibt noch süsse Frauen, Die uns Paradiese bauen! Reich belohnt ist unser Lieben, Wenn nur eine treu geblieben. Treue, schönes, süsses Wort Der Liebe sichrer Hort! Nachts die Wellen leise rauschen, Mädchen an den Fenstern lauschen, Gondeln gleiten hin und wieder, Rings ertönen sanfte Lieder, Hell am dunklen Himmelsbogen, Kommt der Stern der Lieb gezogen! Leuchte mild darein Und lass sie selig sein! Ach, wie so herrlich zu schaun Sind all die lieblichen Fraun, Doch willst du einer vertraun, Dann, Freundchen, auf Sand wirst du baun! Und du fragst immer aufs neu , Ob dir dein Liebchen auch treu Hör nur, von fern singt der Gondolier La donna è mobile! Links ab VIERTER AUFTRITT Delacqua, dann Ciboletta, später Barbara mit Enrico DELACQUA kommt weinend) Oh, oh! Barbara, mein Weib, ist mir geraubt worden! Ich war in Murano, dort habe ich Barbara nicht gefunden! Ich war zu Hause da habe ich sie auch nicht gefunden! Francesco, der Gondoliere, hat gestanden, dass dieser Schurke von Caramello sic entführte! Wo mag sie sein! ruft Barbara! Barbara! Sucht sie unter den Masken CIBOLETTA kommt rufend Pappacoda! Pappacoda! Wo ist Pappacoda? Ich muss ihm endlich sein Glück verkünden! Er ist ja herzoglicher Leibkoch geworden! ruft Pappacoda! Pappacoda! DELACQUA erblickt Ciboletta Ciboletta, wo ist mein Weib? CIBOLETTA Na, das bin ja ich! DELACQUA droht ihr mit dem Stock Du! CIBOLETTA Ihr habt mir doch selbst gesagt, dass ich für heute abend Euer Weib bin! DELACQUA Dumme Ente, wo ist deine Herrin? CIBOLETTA In Murano! DELACQUA Da ist sie nicht! Sie ist hier! Ich weiss es! CIBOLETTA Na, wenn Ihr es wisst, warum fragt Ihr denn mich? DELACQUA ruft Barbara! Barbara! CIBOLETTA für sich Meine Herrin verrate ich nicht! Ich will ihn auf falsche Fährte bringen! aufschreiend Ha! Ich hab s! DELACQUA stürzt zu ihr Du hast es! Was hast du?! CIBOLETTA Ich glaube, Signora Barbara gesehen zu haben! DELACQUA Wo? Wo? CIBOLETTA Auf der Piazzetta! DELACQUA Maskiert? CIBOLETTA Ja! DELACQUA Wie? CIBOLETTA Sie trug… DELACQUA Was? Was? CIBOLETTA …einen … einen roten Domino! beiseite, pfiffig Ich sage rot, weil sie einen grünen besitzt! DELACQUA nimmt sie bei der Hand So komm und hilf mir suchen! CIBOLETTA wehrt sich Nein, nein, geht nur allein! DELACQUA Du folgst mir oder… erblickt plötzlich einen roten Domino, stürzt auf ihn zu Ha! ein roter Domino! sieht plötzlich einen anderen roten Domino Ha! Da noch einer! Eilt jedem roten Domino nach und ruf! Barbara! Barbara! Verschwindet unter den Masken BARBARA kommt in einem roten Domino mit Enrico von links. Himmel! Das war mein Mann! Er sucht mich! ENRICO erschrocken Der Onkel! - Rasch verschwinden wir! BARBARA So schnell als möglich nach Murano! CIBOLETTA kommt, aufschreiend Signora Barbara! BARBARA Ciboletta, du hier? CIBOLETTA erschrocken Und Ihr seid in einem roten Domino? Oh - ich Esel! Messere Delacqua sucht Euch wie eine Stecknadel. Er war in Murano und hat Euch nicht gefunden! ENRICO Nun und? CIBOLETTA Um ihn von Eurer Fährte abzulenken, sagte ich ihm, Ihr hättet einen roten Domino an, weil ich meinte, Ihr hättet einen grünen an! Nun habt Ihr aber wirklich einen roten an! BARBARA ausser sich Mein Gott, was tun, was tun?! ENRICO Nichts einfacher als das! Ihr beide wechselt die Dominos! BARBARA Ja, ja, die Idee ist gut! CIBOLETTA Glaubt Ihr? beide wechseln die Dominos BARBARA Und jetzt rasch nach Murano! Annina wartet dort auf mich! will ab CIBOLETTA Annina? Die ist ja gar nicht in Murano! BARBARA bleibt stehen, sehr überrascht Nicht in Murano? CIBOLETTA Nein, ich habe mit ihr beim Herzog soupiert! Jetzt ist sie mit ihm auf der Piazzetta! ENRICO Rasch auf die Piazzetta! Annina soll uns Rede stehen! BARBARA Was auch geschehe, Ciboletta, du hast mich nicht gesehen! CIBOLETTA Nein, ich habe Sie nicht gesehen! ENRICO So wenig wie ich! eilt mit Barbara fort FÜNFTER AUFTRITT Ciboletta. Delacqua. Pappacoda. CIBOLETTA allein Barbara - Annina - Enrico - Delacqua - roter Domino - grüner Domino - Murano - Venedig! Ich weiss nicht mehr, wo mir der Verstand steht. Wenn ich nur Pappacoda fände. ruft Pappacoda! Pappacoda! DELACQUA läuft über die Szene, ruft Barbara! Barbara! ab CIBOLETTA ruft Pappacoda! Pappacoda! PAPPACODA kommt durch die Menge Ciboletta! Ciboletta! Cibolet … erblickt sie … ta! Du treuloses Frauenzimmer, finde ich dich endlich? Du Verräterin! CIBOLETTA Bist du verrückt? PAPPACODA Du, die mir gehört, hast in dem Kostüm, das nicht dir gehört, einen jungen Herzog erhört! Gehört sich das? Unerhört! CIBOLETTA Aber, Pappacoda… Pappacodscherl… Pappagoscherl PAPPACODA wütend Rrrrr! CIBOLETTA Sei doch nicht gar so wütend! Ich habe wohl mit dem Herzog soupiert, habe mir auch einige Liebenswürdigkeiten gefallen lassen, aber nur um einen Preis! PAPPACODA Um welchen Preis? CIBOLETTA Um deine Ernennung zum herzoglichen Oberküchenkellerspeisenmeister! PAPPACODA Was? Ich Oberspeisenkellerküchenmeister? CIBOLETTA Jawohl und das verdankst du mir! PAPPACODA Das verdanke ich dir? Jetzt koche ich dir immer deine Lieblingsspeise! CIBOLETTA Ach, du kochst mir ja doch immer nur Stockfisch mit Zwiebeln! PAPPACODA Nein! Ich koche dir meine Spezialspeise Boeuf ä la mode mit Sauce misterioso! CIBOLETTA Wie macht man das? Nr. 16 - Duett PAPPACODA Tacke, tacke, tack, Erst hack ich fein, Tacke, tacke, tack, Die Stoffe klein, Am Herd ein Häferl zischt, Da wird es drin gemischt! CIBOLETTA Tacke, tacke, tack, Ich hack dabei, Tacke, tacke, tack, Noch allerlei, Ein dunkelfarb ger Saft, Sein Inhalt rätselhaft! PAPPACODA Wenn s lang genug gerührt, Wird s sauber durchpassiert Und endlich im Geschirr serviert! Man rät, man fragt, was das wohl ist? Es scheint deliziös, Doch etwas mysteriös! Aber wenn man erst gekostet hat, Schreit begeistert alles delikat! Wer hat das entdeckt? CIBOLETTA Uje! Das schmeckt! PAPPACODA Alles voll Respekt Die Finger leckt! BEIDE Wem der Duft nur in die Nase zieht, Dem macht s ungeheuren Appetit! PAPPACODA Ja, zu solcher Sauce braucht s Genie, Ich mische sie, Aber fragt nicht wie! CIBOLETTA Quirle, quirle, quirl, Ich sprudle fein, Quirle, quirle, quirl, Drei Eier ein Und röste nun auf Kohl n Zwei alte Stiefelsohl n! PAPPACODA Pimperim, pimpim, Stoss Bröseln dann, Pimperim, pimpim, Und schütt sie an! Mit Butter nicht gespart, Sonst beisst sich s Leder hart! CIBOLETTA Doch solch Boeuf ä la mode Ziert jede table d hôte Auch Pappendeckel tät s zur Not! Wird s nur garniert recht zierlich, schlau, Ruft alles erfreut Oh, welche Sauberkeit! Aber wenn man erst gekostet hat usw. bis Schluss. Beide tanzen ab SECHSTER AUFTRITT Der Herzog. Centurio. Ciboletta. Pappacoda. HERZOG kommt mit Centurio Wo mag die reizende Frau nur geblieben sein? Sie verschwand so plötzlich! CENTURIO Ich verstehe es auch nicht! Ihr grüner Domino macht sie doch kenntlich! CIBOLETTA kommt, zieht Pappacoda hinter sich nach Der Herzog! Komm, ich werd dich vorstellen! PAPPACODA ängstlich Er wird mich gleich wieder wegstellen. CIBOLETTA Euer Hoheit! HERZOG nervös Was gibt es? CIBOLETTA Ich habe die Ehre, meinen Bräutigam vorzustellen Ihren neuen Leibkoch! HERZOG wie oben Was geht mich der neue Leibkoch an! Ich habe andere Sachen ins Kopf! plötzlich Halt! Weisst du nicht, wo deine Herrin hingeraten ist? CIBOLETTA Ach, Herr Herzog meinen Annina? Sie haben meinen Pappacoda zum Oberkoch gemacht, dafür will ich mich Ihnen dankbar zeigen Das Frauenzimmer, mit welcher wir nachtmahlten, ist nicht Signora Barbara Delacqua, sondern ein Fischermädchen aus Chioggia namens Annina und ist Ihres Leibbarbiers Caramello Liebchen! HERZOG wütend Was? Zu Centurio Schaffe mir sogleich Caramello her, tot oder lebendig! Centurio ab, dann zu Pappacoda und Ciboletta Packt euch! CIBOLETTA jammernd) Mein Gott,. jetzt ist der Herzog böse! legt sich mit dem Kopf auf Pappacodas Brust PAPPACODA Dumme Gans! Durch dein Geschnatter hast du alles verdorben! HERZOG Beruhigt euch, du bist und bleibst mein Leibkoch! Nun aber geht! PAPPACODA hoch erfreut Ich bleibe Leibkoch? Herr Herzig, das ist herzog! Nein, Herr Herzog, das ist herzig! Komm, meine Oberleibköchin! eilt mit Ciboletta ab HERZOG geht wütend auf und ab Na warte, du Schurke! SIEBENTER AUFTRITT Der Herzog. Caramello. Cersturio CENTURIO führt Caramello, der sich noch immer ängstlich drücken will. So, hier ist Seine Hoheit! CARAMELLO der es kaum wagt, den Herzog anzublicken, zu Centurio Ist er sehr böse? CENTURIO Sehr! geht ab CARAMELLO ganz leise Euer Hoheit. HERZOG böse Nur näher! Caramello geht weiter weg von ihm Näher! Caramello noch einige Schritte weiter weg von ihm Näher!! da Caramello abermals weiter weggeht, geht der Herzog energisch auf ihn zu Kennst du ein Fischermädchen namens Annina aus Chioggia? CARAMELLO erschrickt, macht ein harmloses Gesicht, als verstünde er nicht Wie, bitte? HERZOG sprudelnd Kennst du ein Fischermädchen namens Annina aus Chioggia? CARAMELLO Nicht dass ich wüsste! HERZOG Du kennst sie nicht? CARAMELLO Ich kenne keine Annina! HERZOG drohend Du kennst keine Annina! CARAMELLO als würde es ihm plötzlich einfallen. Ah, die Annina die Annina! Hoheit, warum haben Sie das nicht gleich gesagt? Die Annina! die kenne ich nicht! HERZOG Schurke! Elender! Keine Ausflüchte! Ich weiss, Annina ist deine Geliebte! CARAMELLO Ach ja, richtig! Die Annina! Jetzt erinnere ich mich! Wo hatte ich nur meinen Kopf? HERZOG Deinen Kopf? In einer Schlinge von Hanf wirst du ihn gleich haben, wenn du nicht alles gestehst! CARAMELLO Gnade, Hoheit! Gnade! kniet nieder Ich war ja selbst betrogen, schämte mich, meine Eselei einzugestehen, und leide seither Qualen der wildesten Eifersucht! Puh! HERZOG Du hast auch allen Grund dazu, denn Annina gefällt mir! Ich will sie zu meiner Geliebten machen! CARAMELLO erschrocken Hoheit, tun Sie das nicht! HERZOG Vorwärts, hilf mir das Mädchen suchen! geht nach rückwärts CARAMELLO Da hilft nichts ich bring ihn um! zieht ein Rasiermesser und macht an der Hand die Geste des Schleifens HERZOG kommt wieder zu ihm Was machst du denn da? CARAMELLO Das ist eine kleine Generalprobe für das morgige Rasieren! Hinter der Szene Stimmen und Lachen HERZOG Komm, vorwärts! CARAMELLO reicht dem Herzog die Hand Hoheit, sind wir wieder gut! HERZOG lacht, klopft ihm auf die Schulter Wer könnte dir böse sein! CARAMELLO vergisst sich, tätschelt dem Herzog auf die Wange Eben! Herzog und Caramello links ab ACHTER AUFTRITT Annina. Agricola. Senatorsfrauen ANNINA kommt mit Agricola und den anderen Frauen Ihr hättet ihn sehen müssen, wie fad er girrte… Ihn kopierend Ach, schöne Frau, winselte er, "Sie sind so zurückhaltend, so kalt!" AGRICOLA Na, und du? ANNINA Ich sagte "Euer Hoheit verstehen eben das Einheizen nicht!" AGRICOLA Der Vergleich eines Herzogs mit einem Ofenheizer ist kühn, aber… schnalzt mit den Fingern und schüttelt ihr energisch die Hand … ich achte dich! Unglaublich! Ein Mann, ein Fürst, der nur so zu machen braucht… spreizt die fünf Finger der rechten Hand aus ANNINA Es gibt eben noch Frauen in Italien, die, wenn er so macht… macht dieselbe Geste wie Agricola … ihm so machen! führt die gespreizten Finger an die Nase und macht so eine "lange Nase" ALLE lachend So! machen dieselbe Geste NEUNTER AUFTRITT Vorige. Herzog und Caramello. HERZOG ist mit Caramello von rückwärts aufgetreten, hat die Damen beobachtet, lachend Ja! So? macht dieselbe Geste ALLE aufschreiend Oh! wollen entfliehen HERZOG Halt! Bleiben Sie, meine Damen! ANNINA verlegen Hoheit, ich HERZOG unterbricht sie Pst! Seien Sie ganz ruhig. Ziehen wir einen Schleier über die Ereignisse dieses Abends! CARAMELLO Bei diesem Schleier wird mir schwarz vor den Augen! vorwurfsvoll Annina! ANNINA losbrechend Ah, das geht zu weit! HERZOG unterbrechend Genug davon! Dort naht der grosse Maskenzug! Vergessen wir nicht, dass heut Karneval ist! Hier fällt rauschend die Musik des Maskenzuges ein, der von rückwärts rechts aufzieht. Die Personen der neunten Szene ziehen sich nach rechts zurück, nehmen in der Loge Platz; Caramello und Annina streiten pantomimisch Nr. 17 - Finale Fanfaren ertönen. Dann kommen die Gondolieri mit ihren von Blumen umwundenen Rudern, eine lange Gondel in der bekannten venezianischen Form in der Mitte tragend. Darauf folgen bekannte Sehenswürdigkeiten Venedigs, personifiziert, z. B. der Uhrturm (als grosse, wandelnde Glocke, zu beiden Seiten die männlichen Figuren, die mit mächtigen Hämmern daran schlagen), die Seufzerbrücke (als Bogen, darunter ein liebendes Pärchen) usw. DELACQUA hinter der Szene Haltet sie! Die Musik geht leise weiter. ALLE Was gibt s? CIBOLETTA von Delacqua verfolgt, eilt nach rechts vorn. Helft mir, helft mir! Er will mir die Maske herabreissen! ALLE Oho! Maskenfreiheit! Maskenfreiheit! DELACQUA Ach was, Maskenfreiheit! Der rote Domino ist meine Frau, meine Barbara! HERZOG Ja, wenn es seine Frau ist, muss sie sich demaskieren zu Caramello Jetzt werde ich endlich die echte sehen! CIBOLETTA nimmt die Maske ab Ich bin ja die Zofe! ALLE lachen Die Zofe? DELACQUA kläglich Ach da habe ich mich in der Eile vergriffen! Aber wo ist denn meine Barbara? ruft Barbara! Barbara! ALLE ihn kopierend Barbara! Barbara! BARBARA mit Enrico von links kommend Hier bin ich, Männchen! DELACQUA Wo warst du denn? HERZOG Das ist sie also? Allerliebst! BARBARA Denke dir, ich hatte eine falsche Gondel bestiegen, Männchen! Vermummte Gondolieri ruderten mich trotz meines Schreiens und Weinens nach dem Lido! Enrico hat mich gerettet! ALLE lachend Enrico? ENRICO Ja, ich hörte die Hilferufe und rettete meine schöne Tante! AGRICOLA zu Enrico Enrico ich achte Sie! schüttelt ihm die Hand DELACQUA gerührt Enrico, Neffe, Retter an mein Herz! HERZOG zu Barbara Sie haben einen Neffen? BARBARA Wie alle Tanten, Herr Herzog! HERZOG für sich Blamiert! laut Caramello, dein guter Wille gelte für die Tat! Ich mache dich zu meinem Verwalter! CARAMELLO Ich habe von Euer Hoheit nichts anderes erwartet! HERZOG auf Annina zeigend Und sie wird meine Verwalterin! CARAMELLO Verzeihung, Hoheit, die wird meine Verwalterin! Der Herzog geht zu Annina, küsst ihr die Hand, Barbara blickt kokett auf den Herzog. Schlussgesang ALLE Alle maskiert, alle maskiert, Wo Spass, wo Tollheit und Lust regiert! Ganz ungeniert alle maskiert, Cospetto, wie amüsant das wird! Der Vorhang fällt. Strauss,Johann II/Eine Nacht in Venedig
https://w.atwiki.jp/nine_lives/pages/35.html
Crafting *どなたでも編集できますので、加筆修正のご協力をお願いします。 ConsumableRecovery Items Buff Items Support Items Misc.Materials Others WeaponMinimum Weapon Mold Other Weapons ArmorMinimum Armor Mold JewelMinimum Jewel Mold Mount Consumable Recovery Items Base Slot Sub Slots Product Heartberry x5 Minor Healing Salve Heartberry x15 Lesser Healing Salve Heartberry x5 Mountain Floret Minor Healing Potion Heartberry x2 Mahn-Mann Mushroom x2Wild Puff Heartberry Liquor Pinecone x5 Lesser Healing Salve Pinecone x15 Medium Healing Salve Pinecone x5 Mountain Floret x2 Lesser Healing Potion Minor Healing Salve x3 Lesser Healing Salve Minor Healing Salve Mountain Floret Minor Healing Potion Lesser Healing Salve x3 Medium Healing Salve Lesser Healing Salve Mountain Floret x2 Lesser Healing Potion Medium Healing Salve x3 Greater Healing Salve Greater Healing Salve x3 Major Healing Salve Minor Healing Potion x3 Lesser Healing Potion Lesser Healing Potion x3 Medium Healing Potion Medium Healing Potion x3 Greater Healing Potion Greater Healing Potion x3 Major Healing Potion Ghostly Fungus x6 Mountain Floret x4Aqua Shard x3 Mana Potion Ghostly Fungus x5 Sticky Goo x5 Grog Blossom Memento of Nayda Nayda s Tear Sandman Flower Elixir Buff Items Base Slot Sub Slots Product Mahn-Mann Mushroom x6 Windwalk Mahn-Mann Mushroom x2 Heartberry x2 Fever Tiny Egg x3 Tasty Fried Egg Raptor Egg x6 Onyx Raptor Egg Wild Puff x5 Pufftea Insect Shell x4 Shell Powder Pepo x5 Peporon Pepo x4 Tiny Egg x2Coal x2 Water Barrel Pepo Omelet Stockfish Coal x2 Grilled Fish Fish Oil x5 Deflect Oil Water Snail x2 Fresh Snail Water Snail x4 Ghostly Fungus x8 Glossy Eye x2 Phasewalk Water Snail x2 Stockfish Snail and Fish Chowder Bloodberry x4 Raptor Egg x2Peporon Bloodberry Pie Coal x2Shell Powder Baked Berry Mahn-Mann Mushroom x2Dried Fungus Stuffed Mushroom Heartberry x2Pufftea Mixed Berry Tea Fish Oil x2Deflect Oil Oiled Berry Ghostly Fungus x6 Dried Fungus Bone Shard x5 Bone Powder Bone Shard x2 CoalBloodberry x2 Scorched Bone Ghostly Fungus x2 Aqua Shard Mystic Bone SeaBerry x2 Water Breathing Potion SeaBerry x3 Sticky Goo x2 HydraLiquid Jaggy Fang x4 Burnt Fang Jaggy Fang x2 Borokul Tear x2 Sharp Fang Glossy Eye x5 Jelly Beans Support Items Base Slot Sub Slots Product Stony Salt x2 Coal x3 Grenade Sticky Goo x3 Sticky Grenade Sticky Goo x2 Sticky Net Floating Shards Butterfly Wing x2 Floating Wing Ghostly Fungus x4 Mahn-Mann Mushroom x2 Glowing Crumb x10 Dung Ball Wild Puff Stinky Dung Misc. Materials Base Slot Sub Slots Product Stockfish Fish Oil x3 Minor Qi x5 Lesser Qi Lesser Qi x5 Medium Qi Aragoto Butterfly Wing x2 Mountain Emperor Scrap Metal x5 Metallic Dust Metallic Dust x4 Minimum Weapon Mold Minimum Armor Mold Metallic Dust x5 Minimum Jewel Mold Others Base Slot Sub Slots Product Insect Shell Mahn-Mann Mushroom x3Scarabi Scarab Infusion Metallic Dust Borokul Tear x2 Coal x4 Compass Weapon Minimum Weapon Mold Base Slot Sub Slots Product Minimum Weapon Mold Mountain Floret x3Aqua Shard x3 Aqua Wand (Box) Mountain Floret x4Aqua Shard x6 Aqua Staff(Box) Aqua Shard x3Bone Shard x8Skull Shard x6 Bone Shield(Box) Insect Shell x10Sticky Goo x6Venom Sac x2 Shell Shield(Box) Jaggy Fang x3Bone Shard x3Venom Sac x2Skull Shard x8 Bone Knife(Box) Ghostly Fungus x6Jaggy Fang x6Bone Shard x6Skull Shard x10 Skullcrack(Box) Base Slot Sub Slots Product Sexy Bus Stop Minimum Weapon Mold Sexy Bus Stop(Box) Other Weapons Base Slot Sub Slots Product Stockfish x10 Fish Basket(Box) DyadianⅠ DyadianⅠ DyadianⅡ Armor Minimum Armor Mold Base Slot Sub Slots Product Minimum Armor Mold Insect Shell x6Sticky Goo x4Venom Sac Shellfists(Box) Insect Shell x8Sticky Goo x3Jaggy Fang x3Venom Sac Scaraboid Spike(Box) Insect Shell x8Sticky Goo x5Jaggy Fang x5Venom Sac Spike Mask(Box) Borokul Tear x4Metallic Dust Metal Eyeglasses Borokul Tear x6Sandman Flower Metallic Dust Farsight Goggles(Box) Base Slot Sub Slots Product Straw Hat Minimum Armor Mold Straw Hat(Box) Vintage Bowler Hat Vintage Bowler Hat(Box) Black Bowler Hat Black Bowler Hat(Box) Dotted Hood Dotted Hood(Box) Conical Hat Conical Hat(Box) Dirndl Dirndl(Box) Dotted Scarf Dotted Scarf(Box) Pirate Tricorn Pirate Tricorn(Box) Pirate Leather Jerkin Pirate Leather Jerkin(Box) Pirate Leather Gloves Pirate Leather Gloves(Box) Pirate Leather Boots Pirate Leather Boots(Box) Jewel Minimum Jewel Mold Base Slot Sub Slots Product Minimum Jewel Mold Bone Shard x4Skull Shard x10Sandman Flower Skull Charm(Box) Ghostly Fungus x5Sandman Flower Aqua Shard x5 Azure Bloom(Box) Mount Base Slot Sub Slots Product Onyx Raptor Egg x10 Jade RaptorBorokul Tear x90Sandman Flower x10Gio Essence x10Onyx Stone x20Flawless Onyx Stone Onyx Jade Raptor
https://w.atwiki.jp/sm64usamunekun/pages/18.html
※You must use game shark codes in this challenge. EverDrive is okay. ☆Stage Rainbow Ride(Level★★☆ normal) ☆ You must use the following GScode(4lines). ※Use these codes along with the "Level Reset" code in order to apply the modifications. (For GS player) - Code(J) 80339E07 0018 //Have wing cap 812555D0 1000 //No wind 8126A144 1000 810E9190 1D00 - Code(U) 8033B177 0018 //Have wing cap 81255824 1000 //No wind 8126A650 1000 810EBFF0 1D00 ☆ You must NOT grab any poles. ☆ You must satisfy all of the conditions in ANY order - None ☆ End Timing Get the "The Big House in the Sky" star (timed by IGT) ☆ Time condition You must get 32.3x or lower IGT Example 32.2x OK, 32.3x OK, 32.4x FAIL, 32.5x FAIL Calculation 31.10(my test) * 1.04(correction) = 32.344 → 32.3x ☆ Successful Player None ☆ステージ レインボークルーズ(難しさ★★☆ ふつう) ☆ 以下のGScodeを使用すること(4行) ※本コードは"Level Reset"を実行しないと適用されない場合があります。(GSを使用する場合のみ) - Code(J) 80339E07 0018 //羽帽子取得 812555D0 1000 //風無し 8126A144 1000 810E9190 1D00 - Code(U) 8033B177 0018 //羽帽子取得 81255824 1000 //風無し 8126A650 1000 810EBFF0 1D00 ☆ ポールにつかむのは禁止 ☆ 条件は無し ☆ 終了タイミング 天空のお屋敷スターを取得する (タイムはIGT) ☆ 合格タイム 32.3x以下(IGT) 例 32.2x OK, 32.3x OK, 32.4x FAIL, 32.5x FAIL 計算式 31.10(運営テスト) * 1.04(補正) = 32.344 → 32.3x
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Fish Ecotoxicology (Experientia Supplementum , Vol 86) Birkhauser (Architectural)? T. Braunbeck? David E. Hinton? Bruno Streit? Birkhauser(Architectural)? T.Braunbeck? DavidE.Hinton? BrunoStreit? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Civil-Environmental-General Subjects-Medicine-Pharmacology-Toxicology? Subjects-Outdoors&Nature-Fauna-Fish&Sharks? Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-Pharmacology-Toxicology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-Animals-Fish&Sharks? 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Turbine Steam Path Maintenance and Repair Pennwell Corp? William P. Sanders? PennwellCorp? WilliamP.Sanders? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Distributed Generation A Nontechnical Guide Pennwell Corp? Ann Chambers? Barry Schnoor? Stephanie Hamilton? PennwellCorp? AnnChambers? BarrySchnoor? StephanieHamilton? ジャンル別? 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tags definition dominant_design definition unit.aist.go.jp/dsu/ci/publication/pdfhi-02/13.pdf 「ドミナント・デザイン」とは、「独自に導入された複数のイノベーションから合 成された新製品」の形態をとり「ある製品分野において市場の支配を勝ち取ったデザイン」のことである。この概念(ドミナントデザイン)は、著者がハーバード・ビジネススクール 時 代 に、故ウィリアム・J・アナバシー教授と共に提示したもので、産業の進化を考える上で最も重要な概念の一つであると言われている。 TushmanEtAl2002dominant defined dominant design in modularized systems as core components which run with variety of complements. Funk2003standards indicated a standard can be dominant design to be utilized for platform competitions. ドミナントデザインでは、ネットワーク外部性よりも技術的優劣が影響力を持つ。標準はネットワーク外部性が大きく影響する、、、というよりも、それが全て。 The dominat design literature is much less clear on how domina t designs emerge and how firms can make their products or technology a dominat design. The literature generally argues that technical factors play a more important role than network externalities and openness. This suggests that firms compete solely in terms of technology and the competition between alternative product forms is determined by technical factors and economies of scale \cite{AbernathyUtterback1978patterns, AndersonTushman1990technological, HendersonClark1990architectural, Utterback1996mastering}. related papers UtterbackAbernathy1975dynamic @article{UtterbackAbernathy1975dynamic, title={{A dynamic model of process and product innovation}}, author={Utterback, J.M. and Abernathy, W.J.}, journal={Omega}, volume={3}, number={6}, pages={639--656}, issn={0305-0483}, year={1975}, publisher={Elsevier} } AbernathyUtterback1978patterns @article{AbernathyUtterback1978patterns, title={{Patterns of industrial innovation}}, author={Abernathy, W.J. and Utterback, J.M.}, journal={Technology review}, volume={80}, number={7}, pages={40--47}, year={1978}, publisher={McGraw-Hill/Irwin} }
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インフィノス INFINOS 0 INFINOS EXTRA STAGE 機種：PC 作曲者：RYO 制作元：ピコリンネソフト 公開年：2013年 概要 高度な文明を持つ惑星インフィノスに住む人々が第2の居住地として建造を進めていた宇宙都市が 異星人アルグスの侵略を受け制御不能に陥り、宇宙戦争に乗り出すもインフィノス軍はアルグス軍に大敗を喫する。 最後の望みとなったインフィノスの技術の結晶、AT-フォーリアは単騎で圧倒的勢力に立ち向かう…。 同人サークルであるピコリンネソフトの処女作にして「INFINOS」シリーズの初代作となる横スクロールSTG。 自機の両脇に装着されるビットとそれぞれ長所が異なる三種類の武装を使い分け敵陣を進むフリーゲーム。 80年代横スクロールシューティング、と謳う通りその時代の前後の商業STGのオマージュに溢れた作品で、使用ボタンは1ボタンと大変シンプルで分かりやすく地形ギミックが豊富な横STGの見せ所をこれでもかと詰め込んでいる。 BGMもすべて作者であるRYOの自作で、ゲームの雰囲気にあった味のある仕上がりとなっている。 本作は他にもINFINOSの家庭用風アレンジ作品との見出しで、ストーリーが理解できるオープニングデモや一部のボスが追加・変更されファミコン辺りのドットグラフィックで再現されてい『INFINOS 0』や、 本作の後日譚にあたる更なる戦いに備えての仮想戦闘シミュレーションという設定である、本編とは全く違う高難易度の1ステージを突破する『INFINOS EXTRA STAGE』がありこれらもすべてフリーソフトとなっている。 収録曲(曲名は暫定) 曲名 備考 順位 Stage 1 ステージ1 Boss ボス Stage 2 ステージ2 Stage 3 ステージ3 Stage 4 ステージ4 Stage 5 ステージ5 Stage 6 ステージ6 Last Boss ラストボス Ending エンディング Ranking ネームエントリー EXTRA STAGE INFINOS EXTRA STAGE INFINOS 0使用曲(曲名は暫定) Opening demo オープニングデモ Stage 1 ステージ1 Boss ボス Stage 2 ステージ2 Stage 3 ステージ3 Stage 4 ステージ4 Stage 5 ステージ5 Stage 6 ステージ6 Ending エンディング PV
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The PandemoniusはJade Amuletのユニーク 入手方法 詳説・特徴 関連リンク The Pandemonius Jade Amulet ステータス要求値：LEVEL64 +(20-30) to DexterityDexterityに+(20-30) (20-30)% increased Cold DamageColdダメージが(20-30)%増加 +(35-40)% to Cold ResistanceCold耐性+(35-40)% Chill Enemy for 1 second when Hit, reducing their Action Speed by 30%ヒットを受けた時、敵を1秒間Chillさせ、Action Speedを30%さげる Blind Chilled Enemies on HitChillした敵をヒット時にBlind状態にする Damage Penetrates 20% Cold Resistance against Chilled EnemiesChillしている敵のCold耐性を20%貫通する A single moment sets in motion an eternal fall,beneath which all are buried. 入手方法 Breachリーグ限定品。 カード等のドロップ以外の入手方法 アイテム 必要数 備考 Blessing of Tul 1 Blessingを使用するとアップグレード The Halcyon 1 The Breach 4 Time-Lost Relic 10 Arrogance of the Vaal 8 Jack in the Box 4 詳説・特徴 関連リンク 英wiki https //pathofexile.gamepedia.com/The_Pandemonius Unique Amulets 一覧
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(96p) SIEGE MACHINES No besieging army would be complete without siege towers and rams with which to pound the enemy’s fortress to pieces. Some races have developed their own versions of these devices but all function in more or less the same fashion and have equal effectiveness. Concerning Victory Points, destroyed or lost Siege Machines immediately give the opponent their victory points no matter if the unit carrying them is destroyed or not. Siege Machines like Siege Towers, Battering Rams or Sows may use initiative to attack the nearest wall section (towers may be ignored). Siege Towers Troop/Type/Attack/Hits/Armour/Command/Unit Size/Points per Unit/ Min/Max Siege Town/M/0/3/3+/-/1/20/ -/- A Siege Tower is a massive wooden tower that rolls forward on huge wheels. It is pushed to the enemу’ s fortress by troops who are protected by its stout timbers. Once the tower reaches its target, a ramp descends allowing the sheltering troops to swarm over the walls. A Siege Tower is a unique kind of machine. Its sole purpose is to deliver troops onto the enemу’ s walls. A Siege Tower must be assigned to a unit of infantry. To represent the fact that they are really inside the Siege Tower, the unit is arranged directly behind in column. A UNIT WITH A SIEGE TOWER The unit is arranged in column behind the Siege Tower. As Siege Towers are such huge constructions the same shooting rules apply to them as to wall sections. All shooting enemy units within reach of Siege Towers may choose which Tower they want to shoot at (but if they choose to shoot at units without Siege Towers they still have to shoot at the next visible unit). All enemy shots against the unit are assumed to hit the Siege Tower because the troops are actually inside it. A Siege Tower and the unit inside it cannot be driven back by missile fire. Should a Siege Tower be destroyed by shooting, its accompanying infantry will abandon it and may continue to fight normally. The Siege Tower has no value in close combat. If the unit is attacked, the Tower is simply ignored. If the unit is forced to retreat, the Siege Tower is destroyed. Units in Siege Towers may pursue or advance in combat leaving their machine behind which effectively means the Siege Tower is destroyed. The Siege Tower can be pushed forward at a speed of 15cm. As it is an incredible effort to move a massive construction like a Siege Tower, command rolls get an extra -1 from second command onward (so the second command would work at a -3 instead of -2). A unit accompanying a Siege Tower cannot make way for other units. If all its accompanying infantry are killed in combat before it reaches the walls, the Siege Tower is considered to have been immobilized or destroyed. Once the Siege Tower reaches the enemy s walls it has effectively done its job. As soon as the walls are reached, the accompanying infantry can assault the defenders or, if there are no defenders, they can occupy the wall as described below. A Siege Tower is usually not tall enough to reach a tower. However, if there is doubt because a tower is especially low, the players should agree before the game whether it can be assaulted like this. Troops making an assault from a Siege Tower cancel out the advantage of fortifications. Both sides count as being in the open (4+ to hit) and the assaulting stand gets the usual +1 bonus for charging. The assaulting unit fights with only one stand (the warriors at the top of the Siege Tower) whilst the defenders fight with all stands that would theoretically be touching were it possible to move all the stands properly into place! As stands touching corner-to-corner would normally fight, defending stands adjacent to the stand directly facing the Siege Tower will fight, assuming they are otherwise free to do so. Once a Siege Tower has reached the walls and is not destroyed, up to three stands of infantry can move up (97p) it and onto the walls in subsequent turns, assuming that there is room for them to spread out whilst remaining in physical contact with each other. (Once stands have moved onto the ramparts they cannot move further that turn, even if unopposed). If a unit assaulting walls via Siege Tower loses the combat and retreats 4cm or less, it still counts as being in the tower and can assault again in the next turn. If the unit retreats more than 4cm and the wall section it faces is subsequently occupied by the enemy, it is automatically destroyed. They push it over! Troops defending walls from a counter attack cannot retreat down a Siege Tower and enemy cannot pursue or advance using a Siege Tower. If the unit pushing the Siege Tower consists of missile armed troops, all stands can shoot as if they were positioned on top of the tower. This brings them up to the same height as the walls. Targets on the ramparts of walls count as being defended from a Siege Tower rather than being fortified. Targets in higher towers still count as being fortified. Battering Rams Troop/Type/Attack/Hits/Armour/Command/Unit Size/Points per Unit/ Min/Max Ram/M/0/3/3+/-/1/10/ -/- Battering Rams are mounted on a wheeled chassis and protected by a wooden roof so that troops inside can push the ram forward under cover. A Battering Ram can be incorporated into a Siege Tower in which case it simply combines the attributes of both. A Battering Ram’s purpose is to affect a breach in the enemy s gate or walls. A UNIT WITH A BATTERING RAM The unit is arranged in column behind the battering ram A Battering Ram must be assigned to a unit of infantry. To represent the fact that they are inside the covered frame the unit is arranged directly behind in column. All enemy shots against the unit are assumed to hit the Battering Ram because the troops are actually inside it. A Battering Ram and the unit inside it cannot be driven back by missile fire. Should a Battering Ram be destroyed by shooting, its accompanying infantry will abandon it and may continue to fight normally. The Battering Ram has no value in close combat. If the unit is attacked, the Ram is simply ignored. If the unit is forced to retreat, the Ram is destroyed. If units with Battering Rams pursue or advance in combat they leave their machine behind which effectively means it is destroyed. The Battering Ram can be pushed forward at 15cm. A unit accompanying a Battering Ram cannot make way for other units. If all its accompanying infantry stands are killed before it reaches the walls, the Ram is abandoned and is considered to have been immobilized or destroyed. Once the Ram reaches the enemy s walls it can begin to batter! The rules for battering are described above. The Ram must be accompanied by a unit of infantry of at least one stand in order for it to batter (they provide the muscle). A unit may not batter and assault at the same time. Sows Troop/Type/Attack/Hits/Armour/Command/Unit Size/Points per Unit/ Min/Max Sows/M/0/3/3+/-/1/5/ -/- These are roofed and wheeled structures that offer protection to troops as they advance towards a castle. A Sow is very much like a big shed on wheels or, to put it another way, a Battering Ram without a ram. A Sow is represented by the same rules as a Battering Ram except that it cannot batter. Sows have no value in close combat. If the unit is attacked it is simply ignored. If the unit is forced to retreat, the Sow is destroyed. Units with Sows may pursue or advance in combat leaving their machine behind which effectively means the Sow counts as destroyed. (98p) Mantlets These are large mobile shields made from stout wood. They offer protection to troops behind them and can gradually be shuffled forward without exposing the sheltering troops to enemy fire. They are used by infantry units and are provided with arrow slits through which missile armed units can shoot. In a siege game, units of infantry can have Mantlets for +10 points per unit. This is enough to cover the unit’s frontage and the unit is considered to be in a defended position. If it charges, it must abandon its Mantlets. If the unit suffers casualties, it automatically abandons any unnecessary Mantlets (these cannot be used by other troops). If retreating or pursuing in combat its Mantlets are abandoned if they haven’t been already. If a unit equipped with Mantlets is driven back by shooting it will carry its Mantlets with it. However, if driven back more than its half pace move (10cm for standard infantry), the unit automatically abandons its Mantlets as it moves. As units carrying Mantlets count as occupying defended positions, they deduct one dice from their drive back distance. A unit can abandon its Mantlets at any time during the Command phase, in which case it is not restricted to one move that Command phase. In this case, the Mantlets are overturned or cast aside and removed from the battle. Boiling Oil or Rock Droppers Defenders are liable to throw anything they can get their hands on at enemies trying to scale the castle walls. Well prepared defenders will have amassed numerous large rocks, prodigious amounts of garbage, masonry, furniture, statuary, dead horses, stone sinks, anvils and the like. Of course, the professional choice is boiling oil but scalding water and hot sand are also used to good effect. We won’t worry much about the exact type of missile. For our purposes it’s enough to assume that the defenders have something appropriate to hand. For the sake of explanation, we’ll assume that Boiling Oil is our preferred option. A 40 to 50mm wide section of wall may be provisioned with Boiling oil or Rock Droppers. This may be used by any unit of troops manning that section. If an assault is launched against a fortress section which is provisioned with Boiling Oil or Rock Dropper units on this and any adjacent sections may use their equipment against the assaulting enemy. Boiling Oil or Rock Droppers can also be used against units making an assault via Siege Tower or Sow but the attackers may use the 3+ armour save of their Siege equipment instead their own. Note that a unit may only use one Stand and Shoot attack. So units equipped with bows or similar have to choose if they use Boiling Oil or their bows when they are assaulted. They may never use both. Boiling Oil or Rock Dropper attacks are worked out immediately before normal combat at the same time, as shots at chargers. A unit can pour oil or shoot with its own weapons at the same time. Any hits inflicted are carried over into the combat and count as having been struck in the first round. Roll a dice and consult the chart below. D6/Result 1/No effect, you miss or the enemy successfully protect themselves from your barrage. 2-3/The enemy unit suffers 1 attack with a -1 on armour saves. 4-5/The enemy unit suffers 2 attacks with a -1 on armour saves. 6/The enemy unit suffers 3 attacks with a -1 on armour saves. (99p) Tribock When helping a Bretonnian army in the Border Princes two empire engineers encountered a massive Bretonnian machine called “Trebuchet”. It was used to reoccupy a fortress treacherous greenlings had taken and proved very useful there. Otto Ressel and his assistant Fritz Hobel further developed the concept of this siege machine, made it bigger and even more effective and gave it the Reikspiel name “Tribock”. Most Empire generals despise this “woodwork” and prefer massive cannons when it comes to sieges. But in the Border Princes black powder is expensive and good iron hard to get and so Warlords there often choose the Tribock at Sieges. Some even say it is more effective than the bombard. Troop/Type/Attack/Hits/Armour/Command/Unit Size/Points per Unit/ Min/Max Tribock/Art/ 1/6 /4/0/-/1/120/ -/1 Range 20-120cm Attack Close Combat 1 / Shooting 6 As the Tribock is such a giant machine it has to be placed on a special stand with a front edge of 40mm and flank edges of 60mm. For siege use only! May not move once it is deployed. Must be deployed before any other unit. Shooting straight ahead Other than normal shooting units the Tribock has a very restricted view. It can only draw line of sight to targets that lie in the corridor that extends straight ahead from the front edge. So the Tribock only has a 4cm wide corridor of sight. For targets outside this corridor it must be ordered to turn. If the order is failed it does not fire that turn. Any Hits caused by the Tribock allow no save. Because of its immense size the Tribock has a range of 120cm but a minimum range of 20cm as the slingshot like nature of the weapon makes it impossible to shoot at closer targets. This obviously makes units that are under 20cm ineligible as potential targets; thus they are ignored as far as the rules for firing at the closest target are concerned. The Tribock may not shoot at enemy units that charge it. Bombard Troop/Type/Attack/Hits/Armour/Command/Unit Size/Points per Unit/ Min/Max Bombard/Art/ 0/4+bounce /3/0/-/1/130/ -/1 Range 90cm Attack Close Combat 0 / Shooting 4+bounce For siege use only! May not move once it is deployed. Must be deployed before any other unit. Shooting straight ahead Other than normal shooting units the bombard has a very restricted view. It can only draw line of sight to targets that lie in the corridor that extends straight ahead from the front edge. So the bombard only has a 2cm wide corridor of sight. For targets outside this corridor it must be ordered to turn. If the order is failed it does not fire that turn. Any Hits caused by the Bombard allow no save. In addition, fortified targets only count as being defended (5+ to hit) and defended targets count as being in the open (4+ to hit). The Bombards shot bounce like a normal cannon’s. This does not apply when shooting at walls/towers as the stonework will obviously stop the cannon ball and prevent it bouncing. Bombards cannot shoot at charging enemy units. Bombards may not be used by Elves or Bretonnians. (100p) Mangonel Troop/Type/Attack/Hits/Armour/Command/Unit Size/Points per Unit/ Min/Max Mangonel/Art/ 0/4 /3/0/-/1/80/ -/1 Range 20-90cm Attack Close Combat 0 / Shooting 4 For siege use only! Mangonels must be deployed before any other unit and cannot move once it is deployed. If firing it fires “straight ahead”. This means it can only draw a line of sight to targets that lie in the corridor that extends straight ahead from the front edge. So the Mangonel only has a 2cm wide corridor of sight. For targets outside this corridor it must be ordered to turn. If the order is failed it does not fire that turn. Any Hits caused by the Mangonel allow no save. The Mangonel has a minimum range of 20cm as it is impossible to adjust its mechanism to shoot at closer target. Mangonels can’t shoot at charging enemy units. Earthworks These are defensive works built by both defending and attacking forces in a siege and sometimes in other situations as well. These are usually hastily constructed out of earth, log barricades, upturned carts, barrels and whatever else comes to hand. Each section of earthworks purchased is 40mm long and 10mm wide, half the size of a standard Warmaster base. Unless otherwise specified in a particular scenario, earthworks are always deployed before the armies set up in the relevant deployment zones, starting with the defender deploying all his earthworks first, or dice off to decide if for some reason there is no defined attacker or defender. Earthworks can be arranged together in whatever formation is desired by the purchasing player. Earthworks count as a linear feature that confers fortified status against missile fire and defended status against any close combat attacks. To remove earthworks to make way for your siege towers and battering rams, a unit of infantry (and only infantry) must be adjacent to the earthworks. If the unit is not in combat at the beginning of the combat phase each stand in contact with an earthwork section gets its basic attacks against it (no charge bonuses, as what the troops are doing is getting their entrenching tools out). Any 6’s that are rolled will destroy the earthwork that is attacked in this way. It is important that you declare exactly which earthwork sections each stand is attacking, as each 40x10mm section is effectively counted as a separate unit for these purposes. Log Rams Log rams are effectively Battering rams but without the added protection of an armoured covering to shield the battering unit. Log rams can be brought to bear much more rapidly than a Battering ram can be. The main disadvantage is, of course, the lack of protection, especially against boiling oil poured on the battering unit by troops on the ramparts above or stand and fire from these units. Attacking infantry units may be equipped with Log rams. A unit that is equipped with Log rams may abandon its Log rams at any point and is then unrestricted by this. Also, when equipped with Log rams a unit may not cross or move through any terrain which is classed as difficult for movement purposes, such as forests or earthworks. If a unit equipped with Log rams is driven back by enemy shooting or magic and is forced to enter difficult terrain it loses its log rams and moves on. When a unit with a Log ram makes contact with a fortress wall it will commence battering in much the same way as a Battering ram. However, if as a result of a boiling oil attack or stand and fire from units on the walls enough hits are inflicted to remove a whole stand then the battering attempt fails. For every wound the unit has to retreat 1cm. Ladders Infantry units may only assault the walls of a fortress with a siege tower or by using ladders. It costs +5 points to equip all stands of a unit with ladders. Infantry units based as cavalry cannot climb ladders.
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PROVOES*PROPOSE êl fine / Yu_Asahina as "papyrus" 初出はコナステ版 SOUND VOLTEX III GRAVITY WARS コナステ版では2018/06/06よりプレー可能 AC版SDVX IVの韓国版では汎用ジャケット(SDVX IVロゴのみ)になっている。ジャケットアーティスト表記は「-」 Lv CHAIN 譜面属性 BPM TIME Version Genre Illustrator Effect NOVICE 06 0566 120-280 IV55 SDVXオリジナル スティンガー 風瑠人 ADVANCED 13 1025 EXHAUST 16 1370 GRAVITY 18 1720 + 難易度投票 NOVICE 選択肢 投票数 投票 詐称 0 強 0 中 0 弱 0 逆詐称 0 ADVANCED 選択肢 投票数 投票 詐称 0 強 0 中 0 弱 0 逆詐称 0 EXHAUST 選択肢 投票数 投票 詐称 0 強 0 中 1 弱 0 逆詐称 0 GRAVITY 選択肢 投票数 投票 詐称 0 強 1 中 0 弱 0 逆詐称 0 動画検索 攻略・解説 譜面・楽曲の攻略についてはこちらへどうぞ 見辛さ解消の為に改行や文頭の編集、不適切なコメントを削除することがあります 名前 コメント ※文頭に[ bgcolor(#aaf){NOV}]、[ bgcolor(#ffa){ADV}]、[ bgcolor(#faa){EXH}]、[ bgcolor(#fda){GRV}]をコピー ペーストすると見やすくなります コメント 楽曲やイラストなどのコメントについてはこちらへどうぞ 名前 コメント すべてのコメントを見る