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• 東方同人CDの歌詞＠Wiki - 05 Bloody Devotion

  https://w.atwiki.jp/touhoukashi/pages/3036.html

  【登録タグ B DOWN DOWN DOLL -to the beginning 07- Stack メイドと血の懐中時計 暁Records 曲 月時計　～ ルナ・ダイアル】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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• p2rdj@ ウィキ - GaG/装置の装備品/ガジェット/詳細

  https://w.atwiki.jp/p2rdj/pages/1849.html

  レベル アイテム 市価 1 Blast Boots (Lesser) 3 gp 1 Clockwork Goggles 3 gp 1 Cryomister (Lesser) 3 gp 1 Impact Foam Chassis (Lesser) 3 gp 1 Ablative Armor Plating (Lesser) 4 gp 1 Ablative Shield Plating (Lesser) 4 gp 1 Explosive Mine (Lesser) 4 gp 1 Flare Beacon (Lesser) 4 gp 2 Instant Spy 5 gp 2 Smoke Fan 5 gp 2 Wind-Up Cart 6 gp 2 Cauterizing Torch 10 gp 3 Blast Boots (Moderate) 11 gp 3 Ablative Armor Plating (Moderate) 12 gp 3 Ablative Shield Plating (Moderate) 12 gp 3 Etheric Essence Disruptor (Lesser) 60 gp 3 Material Essence Disruptor (Lesser) 60 gp 4 Clockwork Goggles (Greater) 15 gp 4 Impact Foam Chassis (Moderate) 15 gp 4 Chameleon Suit 16 gp 4 Galvasphere 20 gp 4 Magnetic Suit 20 gp 5 Gadget Skates 21 gp 5 Cryomister (Moderate) 25 gp 5 Gecko Pads 25 gp 5 Electromuscular Stimulator 30 gp 6 Flare Beacon (Moderate) 35 gp 6 Explosive Mine (Moderate) 40 gp 7 Ablative Armor Plating (Greater) 70 gp 7 Ablative Shield Plating (Greater) 70 gp 7 Etheric Essence Disruptor (Moderate) 360 gp 7 Material Essence Disruptor (Moderate) 360 gp 8 Smoke Fan (Greater) 75 gp 8 Chameleon Suit (Greater) 80 gp 8 Clockwork Goggles (Major) 80 gp 9 Gecko Pads (Greater) 125 gp 9 Blast Boots (Greater) 140 gp 9 Impact Foam Chassis (Greater) 150 gp 10 Flare Beacon (Greater) 180 gp 10 Magnetic Suit (Greater) 200 gp 11 Cryomister (Greater) 250 gp 11 Etheric Essence Disruptor (Greater) 1,400 gp 11 Material Essence Disruptor (Greater) 1,400 gp 12 Chameleon Suit (Major) 320 gp 12 Explosive Mine (Greater) 400 gp 13 Ablative Armor Plating (Major) 600 gp 13 Ablative Shield Plating (Major) 600 gp 14 Impact Foam Chassis (Major) 650 gp 15 Etheric Essence Disruptor (Major) 6,500 gp 15 Material Essence Disruptor (Major) 6,500 gp 16 Flare Beacon (Major) 1,500 gp 16 Magnetic Suit (Major) 2,000 gp 17 Cryomister (Major) 2,500 gp 17 Blast Boots (Major) 2,750 gp 18 Explosive Mine (Major) 4,000 gp 19 Ablative Armor Plating (True) 8,000 gp 19 Ablative Shield Plating (True) 8,000 gp Blast Boots アイテム1～ Blast Boots アンコモン 消耗品 ガジェット 出典 Guns Gears 67ページ 使用方法 worn (attached to footwear or feet)；バルク 軽 使用権 Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [one-action] “扱う” These sets of rockets come in pairs and strap onto existing footwear (or a creature's feet). Inserting them and aligning them properly takes 1 minute. When you Activate the blast boots, you can High Jump or Long Jump, without the need to Stride first. Higher-level versions increase the distance of your High Jump or Long Jump. Blast Boots (Lesser) アイテム1 Blast Boots (Lesser) 出典 Guns Gears 67ページ 市価 3 gp バルク 軽 Blast Boots (Moderate) アイテム3 Blast Boots (Moderate) 出典 Guns Gears 67ページ 市価 11 gp バルク 軽 When you Activate the moderate blast boots to High Jump, you can increase the vertical distance of your High Jump by up to 30 feet. When you Activate them to Long Jump, you can increase the horizontal distance of your Long Jump by up to 45 feet. Blast Boots (Greater) アイテム9 Blast Boots (Greater) 出典 Guns Gears 67ページ 市価 140 gp バルク 軽 When you Activate the greater blast boots to High Jump, you can increase the vertical distance of your High Jump by up to 50 feet. When you Activate them to Long Jump, you can increase the horizontal distance of your Long Jump by up to 75 feet. Additionally, for 1 minute, the greater blast boots continue to boost your jumps. Every time you Leap during the duration, you can move 30 feet in any direction, or your normal Leap distance, whichever is further. Blast Boots (Major) アイテム17 Blast Boots (Major) 出典 Guns Gears 67ページ 市価 2,750 gp バルク 軽 When you Activate the major blast boots to High Jump, you can increase the vertical distance of your High Jump by up to 80 feet. When you Activate them to Long Jump, you can increase the horizontal distance of your Long Jump by up to 120 feet. Additionally, for 1 minute, the major blast boots remain active, allowing you to clumsily fly through the air for the duration. You gain a 30-foot Fly speed for the duration, but any time you Fly, you are clumsy 1 until the start of your next turn. Clockwork Goggles アイテム1～ Clockwork Goggles アンコモン クロックワーク 消耗品 ガジェット 出典 Guns Gears 68ページ 使用方法 worn eyepiece；バルク 軽 使用権 Characters from Absalom, New Thassilon, Alkenstar, Dongun Hold, or especially technological regions of Arcadia like the Deadshot Lands have access to uncommon clockwork items from the first two chapters of this book. Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [two-actions] “扱う” This heavy set of mechanical goggles contains a variety of different lenses for different situations, including lenses that filter light at different intensities and frequencies and even some that capture heat and other stimuli. Clockwork mechanisms can swap between the lenses rapidly as needed. However, many of these lenses can only capture a single stimulus once and then are forever etched with it, making them unsuitable for long-term use. When activated, the clockwork mechanism on the goggles rapidly switches between the different lenses, granting you the benefits of all of them for a brief period of time. Clockwork Goggles アイテム1 Clockwork Goggles 出典 Guns Gears 68ページ 市価 3 gp バルク 軽 When activated, you gain low-light vision for 10 minutes. Clockwork Goggles (Greater) アイテム4 Clockwork Goggles (Greater) 出典 Guns Gears 68ページ 市価 15 gp バルク 軽 When activated, you gain low-light vision and darkvision for 10 minutes. Clockwork Goggles (Major) アイテム8 Clockwork Goggles (Major) 出典 Guns Gears 68ページ 市価 80 gp バルク 軽 When activated, you gain low-light vision, darkvision, and the effects of see invisibility for 10 minutes. Cryomister アイテム1～ Cryomister アンコモン 氷雪 消耗品 ガジェット 出典 Guns Gears 68ページ 使用方法 片手で保持；バルク 軽 使用権 Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [one-action] “扱う” When you Activate a cryomister, you can either place it in an adjacent square or toss it up to 20 feet away. Once you've done so, the metallic device instantly disperses a heavy mist, settling quickly on nearby flat surfaces and forming a sheet of ice. The cryomister creates a burst with a radius depending on the type, making the affected area difficult terrain for 1 minute; at the GM's discretion, however, this duration might be reduced in unusually hot conditions or increased in unusually cold ones. If an affected square takes fire damage, the difficult terrain is removed. Though not designed as a weapon, the cryomister's rapidly cooling mist deals cold splash damage depending on the type to creatures in the area on activation. Creatures attempting to move through the affected area can attempt an Acrobatics check with a DC depending on the type to ignore the difficult terrain and move at their normal Speed. Throwing the cryomister onto the surface of a liquid creates a floating piece of ice for the same duration, capable of supporting one or more creatures of the listed size. Cryomister (Lesser) アイテム1 Cryomister (Lesser) 出典 Guns Gears 68ページ 市価 3 gp バルク 軽 The area is a 5-foot burst, the Acrobatics DC is 17, and the cold splash damage is 1. The floating ice can support one creature up to Medium size. Cryomister (Moderate) アイテム5 Cryomister (Moderate) 出典 Guns Gears 68ページ 市価 25 gp バルク 軽 The area is a 10-foot burst, the Acrobatics DC is 21, and the cold splash damage is 3. The floating ice can support one Large creature or two Medium or smaller creatures. Cryomister (Greater) アイテム11 Cryomister (Greater) 出典 Guns Gears 68ページ 市価 250 gp バルク 軽 The area is a 15-foot burst, the Acrobatics DC is 30, and the cold splash damage is 5. The floating ice can support one Huge creature, two Large creatures, or four Medium or smaller creatures. Cryomister (Major) アイテム17 Cryomister (Major) 出典 Guns Gears 68ページ 市価 2,500 gp バルク 軽 The area is a 20-foot burst, the Acrobatics DC is 39, and the cold splash damage is 8. The floating ice can support one Gargantuan creature, two Huge creatures, four Large creatures, or eight Medium or smaller creatures. The ice can't support Gargantuan creatures larger than a 20-by-20-foot space, such as a mu spore. Impact Foam Chassis アイテム1～ Impact Foam Chassis アンコモン 消耗品 ガジェット 出典 Guns Gears 70ページ 使用方法 worn over armor and clothes；バルク 軽 使用権 Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 see below While you're wearing an impact foam chassis wrapped around your body, it Activates automatically whenever you fall at least 10 feet, causing a layer of soft, flexible impact foam to expand beneath and around you to cushion the fall. The impact foam decreases the falling damage by up to the listed amount, taking damage equal to the amount of falling damage the foam reduced. If this is enough to destroy the foam, it disperses immediately. However, if the foam has any Hit Points remaining, it remains surrounding you for up to 1 minute. While you're surrounded in foam, you are immobilized and have standard cover against other creatures, and other creatures have standard cover against you. The foam has an Escape DC of 15; a creature can also remove it by spending three Intract actions. You or others can also attack the foam (the foam has an AC of 12), which disperses if reduced to 0 Hit Points. Impact Foam Chassis (Lesser) アイテム1 Impact Foam Chassis (Lesser) 出典 Guns Gears 70ページ 市価 3 gp バルク 軽 A lesser impact foam chassis prevents up to 20 falling damage and has 20 Hit Points. Impact Foam Chassis (Moderate) アイテム4 Impact Foam Chassis (Moderate) 出典 Guns Gears 70ページ 市価 15 gp バルク 軽 A moderate impact foam chassis prevents up to 50 falling damage and has 40 Hit Points. Impact Foam Chassis (Greater) アイテム9 Impact Foam Chassis (Greater) 出典 Guns Gears 70ページ 市価 150 gp バルク 軽 A greater impact foam chassis prevents up to 100 falling damage and has 100 Hit Points. Impact Foam Chassis (Major) アイテム14 Impact Foam Chassis (Major) 出典 Guns Gears 70ページ 市価 650 gp バルク 軽 A major impact foam chassis prevents up to 200 falling damage and has 200 Hit Points. Ablative Armor Plating アイテム1～ Ablative Armor Plating アンコモン 消耗品 ガジェット 出典 Guns Gears 66ページ 使用方法 attached to armor or traveler's clothing；バルク 1 使用権 Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. Ablative armor plating is additional plating, combined with springs, clever clockwork, and improvised padding, to absorb damage by knocking the additional pieces free. The pieces slowly come apart on their own with time and movement. The process of attaching the plating takes 10 minutes and grants the wearer of the armor the listed temporary Hit Points for the stated duration or until lost. Removing the plating early destroys it. Ablative Armor Plating (Lesser) アイテム1 Ablative Armor Plating (Lesser) 出典 Guns Gears 66ページ 市価 4 gp バルク 1 The wearer gains 5 temporary Hit Points that last for 1 minute or until lost. Ablative Armor Plating (Moderate) アイテム3 Ablative Armor Plating (Moderate) 出典 Guns Gears 66ページ 市価 12 gp バルク 1 The wearer gains 10 temporary Hit Points that last for 10 minutes or until lost. Ablative Armor Plating (Greater) アイテム7 Ablative Armor Plating (Greater) 出典 Guns Gears 66ページ 市価 70 gp バルク 1 The wearer gains 20 temporary Hit Points that last for 1 hour or until lost. Ablative Armor Plating (Major) アイテム13 Ablative Armor Plating (Major) 出典 Guns Gears 66ページ 市価 600 gp バルク 1 The wearer gains 30 temporary Hit Points that last for 1 hour or until lost. Ablative Armor Plating (True) アイテム19 Ablative Armor Plating (True) 出典 Guns Gears 66ページ 市価 8,000 gp バルク 1 The wearer gains 40 temporary Hit Points that last for 1 hour or until lost. Ablative Shield Plating アイテム1～ Ablative Shield Plating アンコモン 消耗品 ガジェット 出典 Guns Gears 67ページ 使用方法 attached to a shield；バルク 1 使用権 Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. Ablative shield plating is an amalgam device that provides a layer of additional protection for a shield. Ablative shield plating is cobbled together from parts of other shields, wires, scraps, and bits of detritus, adding mass to a shield. The process of attaching ablative shield plating takes 10 minutes, and you can't attach ablative shield plating to a shield that has any other attached item, such as a shield boss or shield spikes. When the shield is damaged, this additional material crumples, breaks, and falls apart, absorbing some of the energy of the blow. Otherwise, the additional material slowly crumbles over time. Applying the plating grants the shield temporary Hit Points that last for the stated duration or until lost. Removing the plating early destroys it. Ablative Shield Plating (Lesser) アイテム1 Ablative Shield Plating (Lesser) 出典 Guns Gears 67ページ 市価 4 gp バルク 1 The shield gains 5 temporary Hit Points that last for 1 minute or until lost. Ablative Shield Plating (Moderate) アイテム3 Ablative Shield Plating (Moderate) 出典 Guns Gears 67ページ 市価 12 gp バルク 1 The shield gains 10 temporary Hit Points that last for 10 minutes or until lost. Ablative Shield Plating (Greater) アイテム7 Ablative Shield Plating (Greater) 出典 Guns Gears 67ページ 市価 70 gp バルク 1 The shield gains 20 temporary Hit Points that last for 1 hour or until lost. Ablative Shield Plating (Major) アイテム13 Ablative Shield Plating (Major) 出典 Guns Gears 67ページ 市価 600 gp バルク 1 The shield gains 30 temporary Hit Points that last for 1 hour or until lost. Ablative Shield Plating (True) アイテム19 Ablative Shield Plating (True) 出典 Guns Gears 67ページ 市価 8,000 gp バルク 1 The shield gains 40 temporary Hit Points that last for 1 hour or until lost. Explosive Mine アイテム1～ Explosive Mine アンコモン 消耗品 ガジェット 出典 Guns Gears 69ページ 使用方法 held in 2 hands；バルク 軽 使用権 Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [two-actions] “扱う” When you Activate an explosive mine, you place it on the ground in a square within your reach, priming it to explode when a creature steps on that square. If you have time in advance to prepare, you can place the mine on the ground before activating it, and you or an ally can try to use Stealth to Conceal an Object before you Activate the mine. If you don't Conceal the mine, its position is obvious at a glance. Once activated, the mine is primed to explode when enough pressure is placed on the square where it's located. Typically, this occurs when a Small or larger creature moves onto the square, though it could happen if a creature intentionally places pressure on the square from a distance to safely trigger the mine. Once triggered, the mine explodes, dealing the listed fire damage to any creatures in a 5-foot emanation with a basic Reflex save. Explosive Mine (Lesser) アイテム1 Explosive Mine (Lesser) 出典 Guns Gears 69ページ 市価 4 gp バルク 軽 The mine deals 2d6 fire damage, and the Reflex DC is 15. Explosive Mine (Moderate) アイテム6 Explosive Mine (Moderate) 出典 Guns Gears 69ページ 市価 40 gp バルク 軽 The mine deals 6d6 fire damage, and the Reflex DC is 20. Explosive Mine (Greater) アイテム12 Explosive Mine (Greater) 出典 Guns Gears 69ページ 市価 400 gp バルク 軽 The mine deals 12d6 fire damage, and the Reflex DC is 29. Explosive Mine (Major) アイテム18 Explosive Mine (Major) 出典 Guns Gears 69ページ 市価 4,000 gp バルク 軽 The mine deals 18d6 fire damage in a 10-foot emanation, and the Reflex DC is 38. Flare Beacon アイテム1～ Flare Beacon アンコモン 消耗品 ガジェット 出典 Guns Gears 69ページ 使用方法 片手で保持；バルク 軽 使用権 Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [two-actions] “扱う” Flare beacons create an incredibly bright light for a brief period of time. They are often used to signal others to the beacon's location, to coordinate assaults, to request rescue, or for other similar reasons. Higher-level beacons have a radius so large that they can be seen from miles away at night. When you Activate a flare beacon, you can either place it on the ground in a space within your reach or toss it up to 60 feet straight up. The beacon then sparks into being, casting bright light in a 20-foot radius and dim light in the next 20 feet for 1 minute. A flare beacon in the air falls at a rate of 10 feet per round. Creatures adjacent to a flare beacon must succeed at a DC 15 Fortitude save or be dazzled until they are no longer adjacent to it. Flare Beacon (Lesser) アイテム1 Flare Beacon (Lesser) 出典 Guns Gears 69ページ 市価 4 gp バルク 軽 Flare Beacon (Moderate) アイテム6 Flare Beacon (Moderate) 出典 Guns Gears 69ページ 市価 35 gp バルク 軽 The beacon shines bright light in a 60-foot radius and dim light in the next 60 feet. Creatures within a 10-foot radius of the beacon must succeed at a DC 20 Fortitude save or be dazzled until they are no longer within 10 feet of it. Flare Beacon (Greater) アイテム10 Flare Beacon (Greater) 出典 Guns Gears 69ページ 市価 180 gp バルク 軽 The beacon shines bright light in a 100-foot radius and dim light in the next 100 feet. Creatures within a 20-foot radius of the beacon must succeed at a DC 27 Fortitude save or be dazzled until they are no longer within 20 feet of it. Additionally, on a critical failure, they are also blinded for 1 round. Flare Beacon (Major) アイテム16 Flare Beacon (Major) 出典 Guns Gears 69ページ 市価 1,500 gp バルク 軽 The beacon shines bright light in a 180-foot radius and dim light in the next 180 feet. Creatures within a 30-foot radius of the beacon must succeed at a DC 35 Fortitude save or be dazzled until they are no longer within 30 feet of it. Additionally, on a critical failure, they are also blinded for 1 round. Instant Spy アイテム2 Instant Spy アンコモン クロックワーク 消耗品 ガジェット 出典 Guns Gears 70ページ PFS特記 Inventors (and characters with the Inventor archetype) gain access to uncommon clockwork items from from Chapters 1 and 2 from this book, unless the item specifically states otherwise. Characters with a Home Region of Absalom, New Thassilon, Alkenstar, Dongun Hold or Arcadia have access to uncommon clockwork items from Chapters 1 and 2 from this boook, as inventors. Inventors (and characters with the Inventor archetype) gain access to uncommon gadgets from Chapters 1 and 2 from this book, unless the item specifically states otherwise. 市価 5 gp 使用方法 片手で保持；バルク 軽 使用権 Characters from Absalom, New Thassilon, Alkenstar, Dongun Hold, or especially technological regions of Arcadia like the Deadshot Lands have access to uncommon clockwork items from the first two chapters of this book. Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [one-action] “扱う” An instant spy is a tiny clockwork device that is small enough to be easily hidden. It contains the same audio-recording mechanisms as a clockwork spy, as well as a short-lived gemstone that can store up to 1 hour of sound to play back later. Once you have activated the instant spy, it surreptitiously begins recording all the sounds around it for an hour. In general, it can hear sounds that are clearly audible in the location where you activated it, but not sounds that would require a Perception check with a DC of 10 or greater to hear. The GM determines exactly what the instant spy can hear and record, as well as whether or not the recording is clear in a situation where the original sound is quiet, distorted, or intentionally obscured. When the recording is complete, once within the next 24 hours, you or another creature can use an Intract action to play back the stored audio in its entirety, after which the gem crumbles to dust. If no one plays the recorded sounds back within 1 day, the gem crumbles into dust anyway. This prevents the information from falling into the wrong hands later. It's typical to use the Conceal an Object action to hide an instant spy in a location once you've activated it, since if you don't hide it, it's relatively easy to discover in a thorough search, despite the fact that it's small and relatively unobtrusive. Smoke Fan アイテム2～ Smoke Fan アンコモン 消耗品 ガジェット 出典 Guns Gears 71ページ 使用方法 片手で保持；バルク 軽 使用権 Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [one-action] “扱う” When you Activate a smoke fan, it creates a cloud of colored smoke. The smoke fills a 5-foot radius. The creator chooses the smoke's color when creating the smoke fan. Creatures within the smoke's area are concealed, and all other creatures are concealed to them. The smoke lasts for 1 minute or until dissipated by a strong wind. Smoke Fan アイテム2 Smoke Fan 出典 Guns Gears 71ページ 市価 5 gp バルク 軽 Smoke Fan (Greater) アイテム8 Smoke Fan (Greater) 出典 Guns Gears 71ページ 市価 75 gp バルク 軽 The smoke's radius is 20 feet, and the creator can choose for the smoke to be a mixture of colors. Wind-Up Cart アイテム2 Wind-Up Cart アンコモン クロックワーク 消耗品 ガジェット 出典 Guns Gears 71ページ PFS特記 Inventors (and characters with the Inventor archetype) gain access to uncommon clockwork items from from Chapters 1 and 2 from this book, unless the item specifically states otherwise. Characters with a Home Region of Absalom, New Thassilon, Alkenstar, Dongun Hold or Arcadia have access to uncommon clockwork items from Chapters 1 and 2 from this boook, as inventors. Inventors (and characters with the Inventor archetype) gain access to uncommon gadgets from Chapters 1 and 2 from this book, unless the item specifically states otherwise. 市価 6 gp 使用方法 held in 2 hands；バルク 2 使用権 Characters from Absalom, New Thassilon, Alkenstar, Dongun Hold, or especially technological regions of Arcadia like the Deadshot Lands have access to uncommon clockwork items from the first two chapters of this book. Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [one-action] “扱う” This primitive device can be cobbled together from springs, wheels, and scrap and is commonly used to carry rocks or other dead weight forward to trigger traps. It can be loaded with up to 4 Bulk of items. Most creatures aren't small enough to fit on the cart, and even for Tiny creatures, it makes for a choppy ride; while riding the cart, a creature gains two actions at the start of each of its turns, instead of three. Once activated, the cart moves forward at a speed of 30 feet per round on your turn for up to 1 minute. If it strikes an obstruction, it attempts to continue its movement, pushing with an Athletics bonus of +5, once per round. The wind-up cart has AC 15, Hardness 2, 24 Hit Points, and a Break Threshold of 12. After its 1-minute duration completes, the cart collapses back into scrap. Cauterizing Torch アイテム2 Cauterizing Torch アンコモン 消耗品 ガジェット 出典 Guns Gears 67ページ PFS特記 Inventors (and characters with the Inventor archetype) gain access to uncommon gadgets from Chapters 1 and 2 from this book, unless the item specifically states otherwise. 市価 10 gp 使用方法 片手で保持；バルク 軽 使用権 Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [one-action] “扱う” This small, clockwork torch device uses a trigger-operated sparker to ignite a flow of flammable gas, creating a short, hot flame capable of rapidly cauterizing wounds and helping to stop bleeding. The cauterizing torch is applied to yourself or an adjacent target. The target attempts an immediate flat check to end any persistent bleed effect with the lower DC for particularly effective assistance. Etheric Essence Disruptor アイテム3～ Etheric Essence Disruptor アンコモン 消耗品 ガジェット 出典 Guns Gears 68ページ 使用方法 片手で保持；バルク 1 使用権 Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [two-actions] “扱う” An etheric essence disruptor emits bursts of discordant ethereal energy through a process based upon Stasian etheric-spirit singers, though without the need for a Stasian coil. Etheric essence disruptors attempt to break down the workings of a spell that manipulates spiritual essence. Upon activation, attempt to counteract an active divine or occult spell within the listed range, with the listed counteract modifier and counteract level. Etheric Essence Disruptor (Lesser) アイテム3 Etheric Essence Disruptor (Lesser) 出典 Guns Gears 68ページ 市価 60 gp バルク 1 The range is 30 feet, the counteract modifier is +7, and the counteract level is 2. Etheric Essence Disruptor (Moderate) アイテム7 Etheric Essence Disruptor (Moderate) 出典 Guns Gears 68ページ 市価 360 gp バルク 1 The range is 40 feet, the counteract modifier is +13, and the counteract level is 4. Etheric Essence Disruptor (Greater) アイテム11 Etheric Essence Disruptor (Greater) 出典 Guns Gears 68ページ 市価 1,400 gp バルク 1 The range is 60 feet, the counteract modifier is +18, and the counteract level is 6. Etheric Essence Disruptor (Major) アイテム15 Etheric Essence Disruptor (Major) 出典 Guns Gears 68ページ 市価 6,500 gp バルク 1 The range is 90 feet, the counteract modifier is +24, and the counteract level is 8. Material Essence Disruptor アイテム3～ Material Essence Disruptor アンコモン 消耗品 ガジェット 出典 Guns Gears 71ページ 使用方法 片手で保持；バルク 1 使用権 Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [two-actions] “扱う” A material essence disruptor emits bursts of disordered energy to break down the structure of a spell that manipulates material essence. Attempt to counteract an active arcane or primal spell within the listed range, with the listed counteract modifier and counteract level. Material Essence Disruptor (Lesser) アイテム3 Material Essence Disruptor (Lesser) 出典 Guns Gears 71ページ 市価 60 gp バルク 1 The range is 30 feet, the counteract modifier is +7, and the counteract level is 2. Material Essence Disruptor (Moderate) アイテム7 Material Essence Disruptor (Moderate) 出典 Guns Gears 71ページ 市価 360 gp バルク 1 The range is 40 feet, the counteract modifier is +13, and the counteract level is 4. Material Essence Disruptor (Greater) アイテム11 Material Essence Disruptor (Greater) 出典 Guns Gears 71ページ 市価 1,400 gp バルク 1 The range is 60 feet, the counteract modifier is +18, and the counteract level is 6. Material Essence Disruptor (Major) アイテム15 Material Essence Disruptor (Major) 出典 Guns Gears 71ページ 市価 6,500 gp バルク 1 The range is 90 feet, the counteract modifier is +24, and the counteract level is 8. Chameleon Suit アイテム4～ Chameleon Suit アンコモン クロックワーク 消耗品 ガジェット 出典 Guns Gears 67ページ 使用方法 worn over armor and clothes；バルク 軽 使用権 Characters from Absalom, New Thassilon, Alkenstar, Dongun Hold, or especially technological regions of Arcadia like the Deadshot Lands have access to uncommon clockwork items from the first two chapters of this book. Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [two-actions] “扱う” This complex clockwork outerwear, worn over armor or other clothing, is composed of thin, interlocking scales of myriad colors attached to numerous clockwork gears that can rotate between all visible colors and shades. When activated, the clockwork gears work double-time to temporarily switch and adjust the scales to match the exact coloration of the area around you, allowing you to blend in as long as you stay still. For the duration, you can Hide without needing cover or concealment to do so. This doesn't allow you to Sneak without ending your movement in cover or concealment, however, as the clockwork flips over and adjusts the scales to match your background as you move, giving the impression of rippling waves of color and revealing your movement. Once the duration expires, the overworked clockwork and scales fall apart. Chameleon Suit アイテム4 Chameleon Suit 出典 Guns Gears 67ページ 市価 16 gp バルク 軽 The effect lasts for 1 minute. Chameleon Suit (Greater) アイテム8 Chameleon Suit (Greater) 出典 Guns Gears 67ページ 市価 80 gp バルク 軽 The effect lasts for 10 minutes. Chameleon Suit (Major) アイテム12 Chameleon Suit (Major) 出典 Guns Gears 67ページ 市価 320 gp バルク 軽 The effect lasts for 1 hour. Galvasphere アイテム4 Galvasphere レア 消耗品 ガジェット 出典 Guns Gears 82ページ 市価 20 gp 使用方法 片手で保持；バルク 軽 起動 [two-actions] “扱う” A galvasphere animates a corpse to motion via electricity, rather than necromancy. When you Activate the galvasphere by inserting it into an adjacent intact Medium or Small humanoid corpse, the corpse animates as a galvaheart zombie for 1 minute. The galvaheart zombie has the statistics of a zombie shambler except that it is a construct instead of an undead, isn't evil, can't be harmed by positive energy, and is the same size as the corpse (Medium or Small). The zombie is your minion and performs the actions you choose when you Command it. If you don't Command it, it takes no action, twitching in place as the electricity that animates it slowly expends itself. Magnetic Suit アイテム4～ Magnetic Suit オーラ 消耗品 出典 Guns Gears 71ページ 使用方法 worn over armor and clothes；バルク 1 起動 [two-actions] “扱う” This magnetized suit is strapped to your body over your armor or clothes. When you Activate it, you must choose whether to set it to attract or repel. While set to attract, you take a –1 item penalty to your AC against attacks made by metal weapons, while creatures within a 5-foot emanation other than you gain a +1 item bonus to their AC. If set to repel, you gain a +1 item bonus to AC against attacks made with metal weapons. While attracting metal, you gain a +1 item bonus to Athletics checks to Climb metal objects and Grapple metal creatures and a –1 item penalty to Athletics checks to Shove metal creatures. While repelling metal, you gain a +1 item bonus to Athletics checks to Shove metal creatures, but you take a –1 item penalty to Climb metal objects and Grapple metal creatures. Magnetic Suit アイテム4 Magnetic Suit 出典 Guns Gears 71ページ 市価 20 gp バルク 1 Magnetic Suit (Greater) アイテム10 Magnetic Suit (Greater) 出典 Guns Gears 71ページ 市価 200 gp バルク 1 The area that gains an AC bonus when attracting is a 10-foot emanation, and the item bonuses and penalties increase from 1 to 2. Magnetic Suit (Major) アイテム16 Magnetic Suit (Major) 出典 Guns Gears 71ページ 市価 2,000 gp バルク 1 The area that gains an AC bonus when attracting is a 20-foot emanation, and the item bonuses and penalties increase from 1 to 3. Gadget Skates アイテム5 Gadget Skates アンコモン クロックワーク 消耗品 ガジェット 出典 Guns Gears 70ページ PFS特記 Inventors (and characters with the Inventor archetype) gain access to uncommon clockwork items from from Chapters 1 and 2 from this book, unless the item specifically states otherwise. Characters with a Home Region of Absalom, New Thassilon, Alkenstar, Dongun Hold or Arcadia have access to uncommon clockwork items from Chapters 1 and 2 from this book, as inventors. Inventors (and characters with the Inventor archetype) gain access to uncommon gadgets from Chapters 1 and 2 from this book, unless the item specifically states otherwise. 市価 21 gp 使用方法 worn (attached to footwear or feet)；バルク 軽 使用権 Characters from Absalom, New Thassilon, Alkenstar, Dongun Hold, or especially technological regions of Arcadia like the Deadshot Lands have access to uncommon clockwork items from the first two chapters of this book. Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [one-action] “扱う” (移動) Gadget skates are metal devices that come in pairs and strap onto existing footwear (or a creature's feet). When you Activate gadget skates, clockwork gears reveal small wheels that propel you along the ground, moving you up to twice your Speed. During this movement, you must succeed at a DC 20 Acrobatics check to turn up to 90 degrees, and you can't turn more than once or more than 90 degrees. During the activation and after the activation is complete, you can't Stride, Step, or otherwise move on the ground until the end of your next turn. However, you can use this movement instead of a Stride to perform a High Jump or Long Jump just after the activation ends, in the direction of your last movement using the gadget skates. You can Sustain the Activation of your gadget skates for up to 1 minute. Starting on the turn after you Activate the gadget skates, the first time you Sustain the Activation each turn, you gain the effects of the activation again you move up to twice your Speed in the same direction as your last movement with the gadget skates, and the restrictions continue to apply until you choose to cease Sustaining the Activation or you reach the maximum duration. Once the effect ends, the skates fall away and you can move normally. Gecko Pads アイテム5～ Gecko Pads アンコモン クロックワーク 消耗品 ガジェット 出典 Guns Gears 70ページ 使用方法 worn (attached to handwear or hands)；バルク 軽 使用権 Characters from Absalom, New Thassilon, Alkenstar, Dongun Hold, or especially technological regions of Arcadia like the Deadshot Lands have access to uncommon clockwork items from the first two chapters of this book. Due to the use of technology, all gadgets are uncommon or rare, though inventors and regions with access to inventors have access to uncommon gadgets. 起動 [two-actions] “扱う” Gecko pads are thin, clockwork devices shaped like palms, which can be strapped onto existing handwear or a creature's hands. When activated, they whir to life and improve your grip on surfaces, while slowly releasing a sticky substance stored within the device's surface to help you climb. The pads give you a climb Speed equal to your Speed as long as your hands are free. Gecko Pads アイテム5 Gecko Pads 出典 Guns Gears 70ページ 市価 25 gp バルク 軽 The climb Speed lasts for 10 minutes. Gecko Pads (Greater) アイテム9 Gecko Pads (Greater) 出典 Guns Gears 70ページ 市価 125 gp バルク 軽 The climb Speed lasts for 1 hour. Electromuscular Stimulator アイテム5 Electromuscular Stimulator レア 消耗品 ガジェット 出典 Guns Gears 68ページ 市価 30 gp 使用方法 worn；バルク 1 起動 [two-actions] “扱う” This rare gadget uses Stasian technology to grant someone a burst of activity, though its use can be painful. The electromuscular stimulator must be carefully attached to you, requiring 1 minute to do so. You can attach an electromuscular stimulator to yourself. When you Activate an attached electromuscular stimulator, roll a Crafting check, using the Crafting modifier of the creature who attached the stimulator to you, with a DC equal to the standard DC for your level. The effects of the activation depend on the result of the Crafting check. 　大成功 You gain the quickened condition for 1 minute and can use the extra action each round only to Stride or Strike. 　成功 As critical success, but you also take 3 persistent electrical damage. 　失敗 You gain the quickened condition for 2 rounds and can use the extra action each round only to Stride or Strike. You take 3 persistent electrical damage. 　大失敗 You take 2d6 electrical damage and 3 persistent electrical damage.

• ソード・ワールド2.0リンク集@wiki - トップページ

  https://w.atwiki.jp/sw2link/

  他のwikiへの転載禁止 リンク＆整理＆紹介記事を書いてくれる人、随時募集 2chで2.0wikiwikiの宣伝を繰り返す人を自重させるためこういうwikiを作ってみたが、wikiwikiの宣伝は相変わらず続くので諦めた。 ソードワールド2.0＠wiki http //www2.atwiki.jp/sw/ フェンサー道場 http //www12.atwiki.jp/sw2fencer/pages/1.html ソード・ワールド2.0Wiki http //hiki.trpg.net/SwordWorld2/ ソード・ワールド2.0DS攻略まとめwiki http //www19.atwiki.jp/sw2ds/pages/1.html 2ch過去ログまとめ http //2bangai.net/search_th/index.php?keyword=%E3%80%90sw2.0%E3%80%91 status= res= action=search ソードワールド2.0したらば http //jbbs.livedoor.jp/game/26335/ ソードワールド2.0したらば板キャラメイカー http //ssw.s243.xrea.com/db13_swc/dicebbs.cgi ソードワールド2.0情報まとめ http //sw2nd.seesaa.net/ ソードワールド2.0考察蜃気楼の塔 http //www.geocities.co.jp/Playtown/8112/ リューニウム・データベース http //www.d2.dion.ne.jp/~cap_ryu/link/link.html レビュー 黒鴉亭 2ch http //jfk.2ch.net/test/read.cgi/handygrpg/1249112054/ ソードワールド2.0　ルールブックⅠでの総括（仮） http //furutamasakazu.blog14.fc2.com/blog-entry-1320.html ゲームブックDSソードワールド2.0の攻略サイト http //www.swordworld2.com/ 1.0だけど期待値の話 http //silverwolf5218.blog55.fc2.com/blog-entry-111.html 「あき出張所」 http //www40.atwiki.jp/aki-dead/ SW2.WABI-AN.COM http //sw2.wabi-an.com/ ＳＷ2.0能力値表 http //spreadsheets.google.com/pub?key=pVrW2fw2QTDjCF0mKcBD7Bw SW2 Battler　（停止？） http //toppg.to/up/img/sw2battle.html ソードワールド2.0ルールの感想ページ http //www.ne.jp/asahi/hishidama/home/trpg/sw2/rule1.html 第１回何故何SW２,０ http //abgrundgeist.spaces.live.com/blog/cns!E672EF937DA03270!311.entry 『Replay Attackers！』　ソードワールド2.0リプレイコーナー http //k0k0n0ya.no.land.to/SW.html 冒険入門用 http //www7.plala.or.jp/tinkiri/sw/sinario/1.html ソードワールド2.0DS攻略 http //www19.atwiki.jp/sw2ds/pages/1.html ソードワールド2.0シナリオドッカノ遺跡探索 http //www29.atwiki.jp/sw2s/ やる夫でSW2.0のようです http //crescentmoon.gozaru.jp/trpgyaruo.html 竜の篭 http //swordworld20.hp.infoseek.co.jp/ 二次裏オンラインセッション http //onlinesession.dtiblog.com/blog-entry-217.html R R http //www.arclight.co.jp/r_r/ SW2.0CharacterSheet http //www.vector.co.jp/soft/winnt/game/se455846.html 清松みゆきLotROブログ http //k-miyuki.lotroblog.jp/ Ｓｅｓｓｉｏｎｇｅｒ！　（セッションじゃぁ！） http //shibekun.s5.xrea.com/software/readme.html SW2.0キャンペーン第一話　シナリオソース　1 http //blog.livedoor.jp/call_of_c/archives/50574179.html TRPGのなにか　LimeChat2 (2.25以降)用のダイスマクロツール http //hyouka2c.hp.infoseek.co.jp/swdice/ SW2.0 XMLキャラシートβ http //trismegistuslabo.com/blog/archives/trpg/xml/08050905.php SW2.0シナリオ「まさに遺跡」 http //banashi.blog123.fc2.com/blog-entry-272.html 富士見公式 ソード・ワールド2.0wikipedia http //ja.wikipedia.org/wiki/%E3%82%BD%E3%83%BC%E3%83%89%E3%83%BB%E3%83%AF%E3%83%BC%E3%83%AB%E3%83%892.0 ブロッコリー公式 http //www.broccoli.co.jp/game/gamebook/swordworld/ ついに2chテンプレ改変荒らしを止めてくれなかったね、あのwiki ソードワールド2.0withアイドルマスター http //www.nicovideo.jp/mylist/9793785 鹿児島でTRPG・ボードゲーム暮らし http //trpg.chesuto.jp/e192613.html ソードワールド2.0 http //blog.talerpg.net/rpg/archives/tag/%e3%82%bd%e3%83%bc%e3%83%89%e3%83%bb%e3%83%af%e3%83%bc%e3%83%ab%e3%83%8920 リプレイ http //blog.livedoor.jp/tukasa316/archives/50699568.html ゲームブックDS絵師のブログ http //mushimaro.com/blog/?cat=49 TRPGサーチ http //trpg.me/m/playermap/RpgView/rpg_id/141 はてなキーワードソードワールド2.0 http //d.hatena.ne.jp/keyword/%a5%bd%a1%bc%a5%c9%a1%a6%a5%ef%a1%bc%a5%eb%a5%c92.0 ブログ http //gluhwein.blog.so-net.ne.jp/archive/c2300201626-1 リプレイ http //trpggallery.hp.infoseek.co.jp/replay/SW2_01.html TRPGリンク集 - ソード・ワールドRPG http //www.rpg.ne.jp/modules/weblinks/viewcat.php?cid=84 リプレイ http //kokuatei.web.fc2.com/play/replay/ ルールブックⅠ感想 http //catslair.sakura.ne.jp/2008/10/20.html#more ルールブック2感想 http //it.kndb.jp/amazon/4829145293/%E3%82%BD%E3%83%BC%E3%83%89%E3%83%BB%E3%83%AF%E3%83%BC%E3%83%AB%E3%83%8920++%E3%83%AB%E3%83%BC%E3%83%AB%E3%83%96%E3%83%83%E3%82%AFII+(%E5%AF%8C%E5%A3%AB%E8%A6%8B%E3%83%89%E3%83%A9%E3%82%B4%E3%83%B3%E3%83%BB%E3%83%96%E3%83%83%E3%82%AF)/%E3%82%B0%E3%83%AB%E3%83%BC%E3%83%97 ルールブックⅠ付属シナリオのリプレイ http //trpg.chesuto.jp/e44883.html リプレイ http //hypothetic.exblog.jp/8968883/ ミスキャ攻略 http //sw2nd.seesaa.net/category/6308162-1.html キャラ管理CGI http //trpg.maruchips.net/swV20/ キャラ管理cgi http //allunofficial.net/trpg/swordworld2_pc_making.html IRCセッション http //wiki.livedoor.jp/sw2may/d/ ＭＦＧ　ＴＲＰＧ支部wiki http //wiki.livedoor.jp/sw_mfg/

• speculativemedia @ ウィキ - Hybrid Art, Speculative Design, Narrative Architecture - Ryota Matsumoto

  https://w.atwiki.jp/speculativemedia/

  "We need to transcend the de facto dichotomy of empiricism and rationalism that is immanent in embedded and embodied entities. Hybrid media is one trajectory to make a rapture for becoming or to draw a line of flight that breaks the mold of the preconceived hylomorphic notion of existentialism, but there are still uncharted territories and new areas for creative exploration, particularly in terms of the affect-driven epistemology of perception." Ryota Matsumoto As an artist, designer, and architect, Ryota Matsumoto is internationally recognized as one of the progenitors of the postdigital art movement. Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s. Over the years, he has studied with Manuel DeLanda, Vincent Joseph Scully Jr., Cecil Balmond, and Giancarlo De Carlo, among others. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, and MIT Media Lab.​ Matsumoto's multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Czong Institute for Contemporary Art, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gallery, and Arts and Heritage Centre Altrincham. He had solo exhibitions at BYTE Gallery Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). https //www.ryotamatsumotostudio.com 美術　デザイン　アーバニズム　

• 東方同人CDの歌詞＠Wiki - 02 Recite Love＆Peace！

  https://w.atwiki.jp/touhoukashi/pages/4065.html

  【登録タグ A-One R TOHO EUROBEAT VOL.21 星蓮船 あやぽんず＊ 感情の摩天楼　～ Cosmic Mind 曲 法界の火】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*

• マッチムーブ@ wiki - Exporting to Your Animation Package

  https://w.atwiki.jp/matchmove/pages/74.html

  Exporting to Your Animation Package Once you are happy with the object paths and tracker positions, use the Export menu items to save your scene. The following options are currently available (note that this list is constantly being expanded; check the web site) ·        3ds max 4 or later (Maxscript). Should be usable for 3D Studio MAX 3 as well. Separate versions for 3dsmax 5 and earlier, and 3dsmax 6 and later. ·        After Effects (via a special maya file) ·        Bentley Microstation ·        Blender ·        Carrara ·        Cinema 4D (via Lightwave scene) ·        Combustion ·        ElectricImage (less integrated due to EI import limitations) ·        FLAIR motion control cameras (Mark Roberts Motion Control) ·        Flame (3-D) ·        Fusion 5 ·        Hash Animation Master. Hash 2001 or later. ·        Houdini ·        Inferno 3-D Scene. ·        Lightwave LWS. Use for Lightwave, Cinema 4D ·        Maya scene file ·        Mistika ·        Motion – 2-D ·        Nuke (D2 Software, subsidiary of Digital Domain) ·        Particle Illusion ·        Poser ·        Realsoft 3D ·        Shake (several 2-D/2.5-D plus Maya for 3-D scenes) ·        SoftImage XSI, via a dotXSI file ·        Toxik ·        trueSpace ·        Vue 5 and 6 Infinite ·        VIZ (via 3ds Max scene) SynthEyes offers a scripting language, SIZZLE™, that makes it easy to modify the exported files, or even add your own export type. See the separate SIZZLE User Manual for more information. New export types are being added all the time, check the export list in SynthEyes and the support site for the latest packages or beta versions of forthcoming exporters. General Procedures You should already have saved the scene as a SynthEyes file before exporting. Select the appropriate export from the list in the File/Exports area. SynthEyes keeps a list of the last 3 exporters used on the top level of the File menu as well. Hint SynthEyes has many exports. To simplify the list, clickScript/System Script Folder, create a new folder “Unused” in it, and move all the scripts for applications you do not use into that folder. You will have to repeat this process when you later install new builds, however. There is also an export-again option, which repeats the last export performed by this particular scene file, with the most-recently-used export options, without bring up the export-options dialog again to save time for repeated exports. When you export, SynthEyes uses the file name, with the appropriate file extension, as the initial file name. By default, the exported file will be placed in a default export folder (as set using the preferences dialog). In most cases, you can either open the exported file directly, or if it is a script, run the script from your animation package. For your convenience, SynthEyes puts the exported file name onto the clipboard, where you can paste it (via control-V or command-V) into the open-file dialog of your application, if you want. (You can disable this from the preferences panel if you want.) Note that the detailed capabilities of each exporter can vary somewhat. Some scripts offer popup export-control dialogs when they start, or small internal settings at the beginning of each Sizzle script. For example, 3ds max does not offer a way to set the units from a script before version 6 and the render settings are different, so there slightly different versions for 3dsmax 5 and 6+. Settings in the Maya script control the re-mapping of the file name to make it more suitable for Maya on Linux machines. If you edit the scripts, using a text editor such as Windows’ Notepad, you may want to write down any changes as they must be re-applied to subsequent upgraded versions. Be aware that not all packages support all frame rates. Sometimes a package may interpret a rate such as 23.98 as 24 fps, causing mismatches in timing later in the shot. Or one package may produce 29.96 vs 29.97 in another. Handle image sequences and use frame counts rather than AVIs, QTs, frame times, or drop-frame time codes wherever possible. TheCoordinate System control panel offers an Exportable checkbox that can be set for each tracker. By default, all trackers will be exported, but in some cases, especially for compositors, it may be more convenient to export only a few of the trackers. In this case, select the trackers you wish to export, hit control-I to invert the selection, then turn off the checkbox. Note that particular export scripts can choose to ignore this checkbox. Setting the Units of an Export SynthEyes uses generic units a value of 10 might mean 10 feet, 10 meters, 10 miles, 10 parsecs—whatever you want. It does not matter to SynthEyes. This works because match-moving never depends on the overall scale of the scene. SynthEyes generally tries to export the same way as well—sending its numbers directly as-is to the selected animation or compositing package. However, some software packages use an absolute measurement system where, for instance, Lightwave requires that coordinates in a scene file always be in meters. If you want something else inside Lightwave, it will automatically convert the values. For such software, SynthEyes needs to know what units you consider yourself to be using within SynthEyes. It doesn’t care, but it needs to tell the downstream package the right thing, or pre-scale the values to match your intention. To set the SynthEyes units selection, use the Units setting on the SynthEyes preferences panel. Changing this setting will not change any numbers within SynthEyes; it will only affect certain exports. The exports affected by the units setting are currently these ·        After Effects (3-D) ·        Hash Animation Master ·        Lightwave ·        3ds max ·        Maya ·        Poser Before exporting to one of these packages, you should verify your units setting. Alternatively, if you observe that your imported scene has different values than in SynthEyes, you should check the units setting in SynthEyes. Hint if you will be exporting to acompositing package, they often measure everything, including 3-D coordinates, in terms of pixels, not inches, meters, etc. Be sure to pick sizes for the scene that will work well in pixels. While you might scale a scene for an actor 2m tall, if you export to a compositor and the actor is two pixels tall that will rarely make sense. Image Sequences Different software packages have different conventions and requirements regarding the numbering of image sequences whether they start at 0 or 1, whether there are leading zeroes in the image number, and whether they handle sequences that start at other numbers flexibly. For example, if you have a shot that originally had frames img1.tif-img456.tif, but you are using only images img100.tif-img150.tif of it, SynthEyes will normally consider it as a 51 frame shot, starting with frame 0 (img100.tif) or, withFirst frame is 1preference on, as frame 1 at img100.tif. Other software sometimes requires that their frame numbers match the file number, so img100.tif must always be frame 100, no matter what frame# they normally start at. SynthEyes gives you the option to pad the beginning of IFLs with extra copies of the first frame, so that the SynthEyes frame number matches the image frame number, by turning on the Match frame# s preference. While this sounds simple, it will cause trouble for many of the exports. It is especially a problem if you do not have the unused frames, as is often the case. By being aware of these differences, you will be able to recognize when your particular situation requires an adjustment to the settings—typically when there is a shift between the camera path animation and the imagery. Generic 2-D Tracker Exporters There are a number of similar exporters that all output 2-D tracker paths to various compositing packages. Why 2-D, you protest? For starters, SynthEyes tracking capabilities can be faster and more accurate. But even more interestingly, you can use the 2-D export scripts to achieve some effects you could not with the compositing package alone. For image stabilizing applications, the 2-D export scripts will average together all the selected trackers within SynthEyes, to produce a synthetic very stable tracker. For corner-pinning applications, you can have SynthEyes output not the 2-D tracker location, but the re-projected location of the solved 3-D point. This location can not only be smoother, but continues to be valideven if the tracker goes off-screen. So suppose you need to insert a painting into an ornate picture-frame using corner pinning, but one corner goes off-screen during part of the shot. By outputting the re-projected 3-D point (Use solved 3-D points checkbox), the corner pin can be applied over the entire shot without having to guess any of the path. Taking this idea one step further, you can create an “extra” point in 3-D in SynthEyes. Its re-projected 2-D position will be averaged with any selected trackers; if there are none, its position will be output directly. So you can do a four-corner pin even if one of the corners is completely blocked or off-screen. By repeating this process several times, you can create any number of synthetic trackers, doing a four-corner insert anywhere in the image, even where there are no trackable features. Of course, you could do this with using a 3-D compositing environment, but that might not be simplest. At present, there are compatible 2-D exporters for AfterEffects, Digital Fusion, Discreet (Combustion/Inferno/Flame), Particle Illusion, and Shake. Note that you will need to import the tracker data file (produced by the correct SynthEyes exporter) into a particular existing tracker in your compositing package. There is also a 2-D exporter that exports all tracker paths into a single file, with a variety of options to change frame numbers and u/v coordinates. A similar importer can read the same file format back in. Consequently, you can use the pair to achieve a variety of effects within SynthEyes, including transferring trackers from SynthEyes file to SynthEyes file, as described in the section onMerging Files and Tracks. This format can also be imported by Fusion. Generic 3-D Exporters There are several 3-D exports that produce plain text files. You can use them for any software SynthEyes don’t already support, for example, non-visual-effects software. You can also use them as a way to manipulate data with little shell, AWK, or Perl scripts, for example. Importantly, you can also use them as a way to transfer data between SynthEyes scene files, for example, to compute some tracker locations to be used by a number of shots. There are several ways to do this, see the section onMerging Files and Tracks. The generic exports are Camera/Object Path for a path, Plain Trackers for the 3-D coordinates of trackers and helper points, and corresponding importers. You can import 3-D locations to create either helper points, or trackers. This latter option is useful to bring in surveyed coordinates for tracking. After Effects 3-D Procedure 1.   Export to After Effects in SynthEyes to produce a (special) .ma file. 2.   In After Effects, do a File/Import File 3.   Change Files of Type to All File Formats 4.   Select the .ma file 5.   Double-click the Square-whatever composition 6.   Re-import the original footage 7.   Click File/Interpret Footage/Main and be sure to check the frame rate and pixel aspect. 8.   Rewind to the beginning of the shot 9.   Drag the re-imported footage from the project window into the timeline as the first layer 10.Tracker nulls have a corner at the active point, instead of being centered on the active point as in SynthEyes. After Effects 2-D Procedure 1.   Select one or more trackers to be exported. 2.   Export using the After Effects 2-D Clipboard. You can select either the 2-D tracking data, or the 3-D position of tracker re-projected to 2-D. 3.   Open the text file produced by the export 4.   In the text editor, select all the text, using control-A or command-A. 5.   Copy the text to the clipboard with control-C or command-C. 6.   In After Effects, select a null to receive the path. 7.   Paste the path into it with control-V or command-V. Bentley MicroStation You can exporter to Bentley s Microstation V8 XM Edition by following these directions. Exporting from SynthEyes MicroStation requires that animated backgrounds consist of a consecutive sequence of numbered images, such as JPEG or Targa images. If necessary, the Preview Movie capability in SynthEyes s Perspective window can be used to convert AVIs or MOVs to image sequences. Perform tracking, solving, and coordinate system alignment in SynthEyes. (Exporting coordinates from MicroStation into SynthEyes may be helpful) File/Export/Bentley MicroStation to produce a MicroStation Animation (.MSA) file. Save the file where it can be conveniently accessed from MicroStation. The export parameters are listed below. SynthEyes/MicroStation Export Parameters Target view number. The view number inside MicroStation to be animated by this MSA file (usually 2) Scaling. This is from MicroStation s Settings/DGN File Settings/Working Units, in the Advanced subsection the resolution. By default, it is listed as 10000 per distance meter, but if you have changed it for your DGN file, you must have the same value here. Relative near-clip. Controls the MicroStation near clipping-plane distance. It is a “relative” value, because it is multiplied by the SynthEyes world size setting. Objects closer than this to the camera will not be displayed in MicroStation. Relative view-size.Another option to adjust as needed if everything is disappearing from view in MicroStation. Relative far-clip. Controls the MicroStation far clipping-plane distance. It is a “relative” value, because it is multiplied by the SynthEyes world size setting. Objects farther than this from the camera will not be displayed in MicroStation. Importing into MicroStation Open your existing 3-D DGN file. Or, create a new one, typically based on seed3d.dgn Open the MicroStation Animation Producer from Utilities/Render/Animation File/Import .MSA the .msa file written by the SynthEyes exporter. Set the View Size correctly—this isrequiredto get a correct camera match. Settings/Rendering/View Size Select the correct view # (typically 2) Turn off Proportional Resize Set X and Y sizes as follows. Multiply the height(Y) of your image, in pixels, by the aspect ratio (usually 4 3 for standard video or 16 9 for HD) to get the width(X) value. For example, if your source images are 720x480 with a 4 3 aspect ratio, the width is 480*4/3 = 640, so set the image size to X=640 and Y=480, either directly on the panel or using the “Standard” drop-down menu. This process prevents horizontal (aspect-ratio) distortion in your image. Hit Apply Turn Proportional Resize back on Close the view size tool On the View Attributes panel, turn on the Background checkbox. Bring up the Animation toolbar (Tools/Visualization/Animation) and select the Animation Preview tool. You can dock it at the bottom of MicroStation if you like. If you scrub the current time on the Animation Preview, you’ll move through your shot imagery, with synchronized camera motion. Unless you have some 3-D objects in the scene, you won’t really be able to see the camera motion, however. If desired, use the Tools/3-D Main/3-D Primitives toolbar to create some test objects (as you probably did in SynthEyes). To see the camera cone of the camera imported from SynthEyes, bring up Tools/Visualization/Rendering, and select the Define Camera tool. Select the view with the SynthEyes camera track as the active view in the Define Camera tool, and turn on the Display View Cone checkbox. Transferring 3-D Coordinates If you would like to use within MicroStation the 3-D positions of the trackers, as computed by SynthEyes, you can bring them into MicroStation as follows. You have the option of exporting only a subset of points from SynthEyes to MicroStation. All trackers are exported by default; turn off the Exportable checkbox on the coordinate system panel for those you don’t wish to export. You may find it convenient to select the ones you want, then Edit/Invert Selection, then turn off the box. In SynthEyes, File/Export/Plain Trackers with Set Names=none, Scale=1, Coordinate System=Z Up. This export produces a .txt file listing all the XYZ tracker coordinates. In MicroStation, bring up the Tools/Annotation/XYZ Text toolbar. Click the Import Coordinates tool. Select the .txt file exported from SynthEyes in Step 1. Set Import=Point Element, Order=X Y Z, View=2 (or whichever you are using). Transferring Meshes SynthEyes uses two types of meshes to help align and check camera matches mesh primitives, such as spheres, cubes, etc; and tracker meshes, built from the computed 3-D tracker locations. The tracker meshes can be used to model irregular areas, such as a contoured job site into which a model will be inserted. Both types of models can be transferred as follows In SynthEyes, select the mesh to be exported, by clicking on it or selecting it from the list on the 3-D panel. Select the File/Export/STL Stereolithography export, and save the mesh to a file. In MicroStation, select File/Import STL and select the file written in step 2. You can use the default settings. Meshes will be placed in MicroStation at the same location as in SynthEyes. You can bring up its Element/Information and assign it a material. To Record the Animation Select the Record tool on the Animation toolbar (Tools/Visualization/Animation) Important Be sure the correct (square pixels) output image size is selected, the same one as the viewport size. For example, if your input is 4 3 720x480 DV footage, youMUSTselect640x480output to achieve 4 3 with square pixels (ie 640/480 = 4/3). MicroStation always outputs square pixels. You can output images with any overall aspect you wish, as long as the pixels are square (pixelaspect ratio is 1.0). Note that HD images already have square pixels. Don’t clobber your input images! Be sure to select a different location for your output footage than your input. Blender Directions Blender has a tendency to change around frequently, so the details of these directions might best be viewed more as a guide than the last word. When working with image sequences and blender, it will be a good idea to ensure that the overall frame number is the same as the number in the image file name. Although you can adjust the offset, Blender incorrectly eliminates a frame number of zero. 1.   In SynthEyes, export to Blender (Python) 2.   Start Blender 3.   Delete the default cube and light 4.   Change one of the views to the blender Text Editor 5.   In the text editor, open the blender script you exported in step 1. 6.   Hit ALT-P to run the script 7.   Select the camera (usually Camera01) in the 3-D Viewport 8.   In a 3-D view, select Camera on the View menu to look through the imported, animated, SynthEyes camera 9.   Select View/Background image 10.Click Use Background Image 11.Select your image sequence or movie from the selection list. 12.Adjust the background image settings to match your image. Make sure the shot length is adequate, and that Auto Refresh is on. If the images and animation do not seem to be synced correctly, you probably have to adjust the offset. 13.Decrease the “blend” value to zero, or you can go without the background, and set up compositing within blender. 14.On the View Properties dialog, you might wish to turn off Relationship Lines to reduce clutter. 15.Use a Timeline view to scrub through the shot. Cinema 4D Procedure 1.   Export from SynthEyes in Lightwave Scene format (.lws) — see below. 2.   Start C4D, open the .lws file 3.   From the Objects menu, add a Background 4.   Create a new Texture with File/New down below. 5.   At right, click on “…” next to the file name for texture. 6.   Select your source file. 7.   Click on the right-facing triangle button next to the file name, select Edit. 8.   Select the Animation panel 9.   Click the Calculate button at the bottom. 10.Drag the new texture from the texture editor onto the “Background” on the object list. Background now appears in the viewport. DotXSI Procedure 1.   In SynthEyes, after completing tracking, do File/Export/dotXSI to create a .xsi file somewhere. 2.   Start Softimage, or do a File/New. 3.   File/Import/dotXSI...  of the new .xsi file from SynthEyes. The options may vary with the XSI version, but you want to import everything. 4.   Set the camera to Scene1.Camera01 (or whatever you called it in SynthEyes). 5.   Open the camera properties. 6.   In the camera rotoscopy section, select New from Source and then the source shot. 7.   Make sure “Set Pixel Ratio to 1.0” is on. 8.   Set “Use…” pixel ratio to “Camera Pixel Ratio” (should be the default) 9.   In the Camera section, make sure that Field of View is set to Horizontal. 10.Make sure that the Pixel Aspect Ratio is correct. In SynthEyes, select Shot/Edit Shot to see the pixel aspect ratio. Make sure that XSI has the exact same value 0.9 isnota substitute for 0.889, so fix it! Back story XSI does not have a setting for 720x480 DV, and 720x486 D1 causes errors! 11.Close the camera properties page. 12.On the display mode control (Wireframe, etc), turn on Rotoscope. ElectricImage The ElectricImage importer relies on a somewhat higher level of user activity than normal, in the absence of a scripting language for EI. You can export either a camera or object path, and its associated trackers. 1.   After you have completed tracking in SynthEyes, select the camera/object you wish to export from the Shots menu, then select File/Export/Electric Image. SynthEyes will produce two files, an .obm file containing the trajectory, and an .obj file containing geometry marking the trackers. 2.   In ElectricImage, make sure you have a camera/object that matches the name used in SynthEyes. Create new cameras/objects as required. If you have Camera01 in SynthEyes, your camera should be Camera 1 in EI. The zero is removed automatically by the SynthEyes exporter. 3.   Go to the Animation pull-down menu and select the Import Motion option. 4.   In the open dialog box, select All Files from the Enable pop-up menu, so that the .obm file will be visible. 5.   Navigate to, and select, the .obm file produced by SynthEyes. This will bring up the ElectricImage motion import dialog box which allows you to override values for position, rotation, etc. Normally, you will ignore all these options as it is simpler to parent the camera/object to an effector later. The only value you might want to change is the start time to offset when the camera move begins. Click OK and you will get a warning dialog about the frame range. This is a benign warning that sets the range of frames rendering option to match the length of the incoming camera data. Hitting cancel will abort the operation, so hit OK and the motion data will be applied to the camera. 6.   Select Import Object from the Object pull-down menu. 7.   Enable All Files in the pop-up menu. 8.   Select the .obj file produced by SynthEyes. 9.   Create a hierarchy by selecting one tracker as the parent, or bringing in all trackers as separate objects. 10.If you are exporting an object path, parent the tracker object to the object holding the path. Fusion 5 There are several Fusion-compatible exporters. The main exporter is the Fusion 5 composition export, which can be opened directly in Fusion. The Tracker 2-D Paths export can write all the exportable trackers to a text file, which can then be read in Fusion with the Import SynthEyes Trackers script and assigned to any Point-type input on a node. Select a node and start the Import script from its right-click menu. At present, it appears that you should animate the desired control before importing, then tell the script to proceed anyway when it notices that the control is already animated. There is also a generic 2-D path exporter for Fusion. Houdini Instructions 1.   File/New unless you are addding to your existing scene. 2.   Open the script Textport 3.   Typesource c /shots/scenes/flyover.cmd or equivalent. 4.   Change back from COPs to OBJs. Lightwave The Lightwave exporter produces a lightwave scene file (.lws) with several options, one of them crucial to maintaining proper synchronization. As mentioned earlier, Lightwave requires a units setting when exporting from SynthEyes. The SynthEyes numbers are unitless by changing the units setting in the lightwave exporter as you export, you can make that 24 in SynthEyes mean 24 inches, 24 feet, 24 meters, etc. This is different than in Lightwave, where changing the units from 24 inches would yield 2 feet, 0.61 meters, etc. This is the main setting that you may want to change from scene to scene. Lightwave has an obscure preferences-like setting on its Compositing panel (on the Windows menu) named “Synchronize Image to Frame.” The available options are zero or one. Selecting one shifts the imagery one frame later in time, and this is the Lightwave default. However, for SynthEyes, a setting of zero will generally be more useful (unless the SynthEyes preferenceFirst Frame is 1is turned on). The Lightwave exporter from SynthEyes allows you to select either 0 or 1. We recommend selecting zero, and adjusting Lightwave to match. You will only have to do this once, Lightwave remembers it subsequently. In all cases, you must have a matching value on the exporter UI and in Lightwave, or you will cause a subtle velocity-dependent error in your camera matches in Lightwave that will drive you nuts until you fix the setting. The exporter also has a checkbox for using DirectShow. This checkbox applies only for AVIs, and should be on for most AVIs that contain advanced codecs such as DV or HD. If an AVI uses an older codec and is not opened automatically within Lightwave, export again with this checkbox turned off. Nuke The nuke exporter produces a nuke file you can open directly. The pop-up parameter panel lets you indicate if you have a slate frame at the start of the shot, or select renderable or non-rendering tracker marks. The renderable marks are better for tracking, the non-rendering marks better for adding objects within Nuke s 3-D view. Poser Poser struggles a little to be able to handle a match-moved camera, so the process is a bit involved. Hopefully Curious Labs will improve the situation in further releases. The shot must have square pixels to be used properly by Poser; it doesn t understand pixel aspect ratios. So if you have a 720x480 DV source, say, you need to resample it in SynthEyes, AfterEffects or something to 640x480. Also, the shot has to have a frame rate of exactly 30 fps. This is a drag since normal video is 29.97 fps, and Poser thinks it is 29.00 fps, and trouble ensues.  One way to get the frame rate conversion without actually mucking up any of the frames is to store the shot out as a frame sequence, then read it back in to your favorite tool as a 30 fps sequence. Then you can save the 640x480 or other square-pixel size. Note that you can start with a nice 720x480 29.97 DV shot, track it in SynthEyes, convert it as above for Poser, do your poser animation, render a sequence out of Poser, then composite it back into the original 720x480. One other thing you need to establish at this time---exactly how many frames there are in your shot. If the shot ranges are 0 to 100, there are 101; from 10 to 223, there are 214. 1.   After completing tracking in SynthEyes, export using the Poser Python exporter. 2.   Start Poser. 3.   Set the number of frames of animation, at bottom center of the Poser interface, to the correct number of frames. It is essential that you do this now, before reading the python script 4.   File/Run Python Script on the python script output from SynthEyes. 5.   The Poser Dolly camera will be selected and have the SynthEyes camera animation on it. There are little objects for each tracker, and also SynthEyes boxes, cones, etc are brought over into Poser. Open Question How to render out of Poser with the animated movie background. The best approach appears to be to render against black with an alpha channel, then composite over the original shot externally. Shake SynthEyes offers three specific exporters for Shake, plus one generic one 1.   MatchMove Node. 2.   Tracker Node 3.   Tracking File format 4.   3-D Export via the “AfterFX via .ma” or Maya ASCII exports. The first two formats (Sizzle export scripts) produce shake scripts (.shk files); the third format is a text file. The fourth option produces Maya scene files that Shake reads and builds into a scene using its 3-D camera. We’ll start with the simplest, the tracking file format. Select one tracker and export with the Shake Tracking File Format, and you will have a track that can be loaded into a Shake tracker using the load option. You can use this to bring a track from SynthEyes into existing Shake tracking setups. Building on this basis, #2, Tracker Node, exports one or more selected trackers from SynthEyes to create a single Tracker Node within Shake. There are some fine points to this. First, you will be asked whether you want to export the solved 3-D positions, or the tracked 2-D positions. These values are similar, but not the same. If you have a 3-D solution in SynthEyes, you can select the solved 3-D positions, and the export will be the “ideal” tracked (predicted) coordinates, with less jitter than the plain 2-D coordinates. Also, since you might be exporting from a PC to a Mac or Linux machine, the image source file(s) may be named differently perhaps X \shots1\shot1_#.tga on the PC, and //macmachine/Users/tom/shots/shot1_#.tga on the PC. The Shake export script s dialog box has two fields, PC Drive and Mac Drive, that you can set to automatically translate the PC file name into the Mac file name, so that the Shake script will work immediately. In this example, you would set PC Drive to “X \\” and Mac Drive to “//macmachine/Users/tom/”. Finally, the MatchMove node exporter looks not for trackers to export, but for SynthEyes planes! Each plane (created from the 3-D panel) is exported to Shake by creating four artificial trackers (in Shake) at the corners of the plane. The matchmove export lets you insert a layer at any arbitrary position within the 3-D environment calculated by SynthEyes. For example, you can insert a matte painting into a scene at a location where there is nothing to track. You can use a collection of planes, positioned in SynthEyes, to obtain much of the effect of a 3-D camera. The matchmove node export also provides PC to Mac/Linux file name translation. trueSpace Directions Warning trueSpace has sometimes had problems executing the exported script correctly. Hopefully Caligari will fix this soon. 1.   In SynthEyes, export to trueSpace Python. 2.   Open trueSpace. 3.   Right-click the Play button in the trueSpace animation controls. 4.   Set the correct BaseRate/PlayRate in the animation parameters to match your source shot. 5.   Open the Script Editor. 6.   From inside the Script Editor, Open/Assign the python script you created within SynthEyes. 7.   Click Play (Time On) in the Script Manager. 8.   When the Play button turns off, close the ScriptManager. 9.   Open the Object Info panel. 10.Verify that the SynthEyes camera is selected (usually Camera01). 11.Change the Perspective view to be View from Object. 12.Select the Camera01Screen. 13.Open the Material Editor (paint pallete). 14.Right click on Color shaders button. 15.Click on (Caligari) texture map, sending it to the Material Editor color shader. 16.Open the subchannels of the Material Editor (Color, Bump, Reflectance). 17.On the Color channel of the Material Editor, right click on the Get Texture Map button and select your source shot. 18.Check the Anim box. 19.Click the Paint Object button on the Material Editor. 20.Click on File/Display Options and change the texture resolution to 512x512. 21.You may want to set up a render background to overlay animated objects on the background, or you can use an external compositing program. Make the Camera01Screen object invisible before rendering. 22.In trueSpace, you need to pay special attention to get the video playback synchronized with rest of the animation, and to get the render aspect ratio to match the original. For example, you must add the texture map while you are at frame zero, and you should set the pixel aspect ratio to match the original (SynthEyes s shot panel will tell you what it is). Vue 5 Infinite The export to Vue Infinite requires a fair number of manual steps pending further Vue enhancements. But with a little practice, they should only take a minute or two. 1.   Export from SynthEyes using the Vue 5 Infinite setting. The options can be left at their default settings unless desired. You can save the python script produced into any convenient location. 2.   Start Vue Infinite or do a File/New in it. 3.   Select the Main Camera 4.   On its properties, turn OFF Always keep level 5.   Go to the animation menu, turn ON the auto-keyframe option. 6.   Select the Python/Run python script menu item, select the script exported from SynthEyes, and run it. 7.   In the main camera view, select the Camera01 Screen object (or the equivalent if the SynthEyes camera was renamed) 8.   In the material preview, right-click, select Edit Material. 9.   The material editor appears, select Advanced Material Editor if not already. 10.Change the material name to flyover or whatever the image shot name is. 11.Select the Colors tab. 12.Select Mapped picture 13.Click the left-arrow Load icon under the black bitmap preview area 14.In the Please select a picture to load dialog, click the Browse File icon at the bottom --- a left arrow superimposed on a folder  15.Select your image file in the Open Files dialog. If it is an image sequence, select the first image, then shift-select the last. 16.On the material editor, under the bitmap preview area, click the clap-board animation icon to bring up the Animated Texture Options dialog 17.Set the frame rate to the correct value. 18.Turn on Mirror Y 19.Hit OK on the Animated Texture dialog 20.On the drop-down at top right of the Advanced Material Editor, select a Mapping of Object- Parametric 21.Turn off Cast shadows and Receive shadows 22.Back down below, click the Highlights tab 23.Turn Highlight global intensity down to zero. 24.Click on the Effects tab 25.Turn Diffuse down to zero 26.Click the Ambient data-entry field and enter 400 27.Hit OK to close the Advanced Material Editor 28.Select the Animation/Display Timeline menu item (or hit F11) 29.If this is the first time you have imported from SynthEyes to Vue Infinite, you must perform the following steps a.   Select File/Options menu item. b.   Click the Display Options tab c.   Turn off Clip objects under first horizontal plane in main view only , otherwise you will not be able to see the background image. d.   Turn off Clip objects under first horizontal plane (ground / water) e.   Turn off Stop camera going below clipping plane (ground / water) if needed by your camera motion. f.    Hit OK 30.Delete the Ground object 31.If you are importing lights from SynthEyes, you can delete the Sun Light as well, otherwise, spin the Sun Light around to point at the camera screen, so that the image can be seen in the preview window. 32.You may have to move the time bar before the image appears. Vue Infinite only shows the first image of the sequence, so you can verify alignment at frame zero. 33.You will later want to disable the rendering of the trackers, or delete them outright. 34.Depending on what you are doing, you may ultimately wish to delete or disable the camera screen as well, for example, if you will composite an actor in front of your Vue Infinite landscape. 35.The import is complete; you can start working in Vue Infinite. You should make probably save a copy of the main camera settings so that you can have a scratch camera available as you prepare the scene in Vue Infinite. Vue 6 Infinite Export from SynthEyes using the Vue 6 Infinite option, producing a maxscript file. Import the maxscript file in Vue 6 Infinite Adjust the aspect ratio of the backdrop to the correct overall aspect ratio for your shot. This is important since Vue assumes square pixels, and if they aren’t (for all DV, say), the camera match will be off badly

• Galactic Field ～ハスカップからエスカロップまで～ - Galactic Blog/2006年08月11日

  https://w.atwiki.jp/galacticfield/pages/458.html

  Galactic Blog/2006年08月11日/おのろけイブニング Galactic Blog/2006年08月11日/へっぽこアフタヌーン Galactic Blog/2006年08月11日/がっかりモーニング #blognavi

• cohstatsjp @ ウィキ - Vehicle_Funkwagen_X27VampireX27_Halftrack

  https://w.atwiki.jp/cohstatsjp/pages/286.html

  Vehicle Funkwagen Vampire Halftrack       Contents 1   Funkwagen Vampire Halftrack Veterancy 2Info 3Tactics 4History 5Built From 5.1   Logistik Kompanie 6Vehicle Abilities 6.1   Vehicle Cover 6.2   Divert Supplies 6.3   Goliath Drop Funkwagen Vampire Halftrack Health 285 Max Speed 6.5 Sight 35 Cost 220 Acceleration 6 Detection 0/0 Time 45 Deceleration 3     Hotkey V Population 2 Rotation 50 Target Type vehicle_22x   Upkeep 4.032 Crush Human   Critical Type supply_truck       Crush Mode   Rear Damage Enabled false      Funkwagen Vampire Halftrack Veterancy [Expand][Hide] Received Damage Received Accuracy Maximum Speed Maximum Health 0.9 0.9 1.15 1.15 8 Vet-Exp Received Damage Received Accuracy Maximum Speed Maximum Health 0.95 0.95 1.05 1.15 22 Vet-Exp Received Damage Received Accuracy Maximum Speed Maximum Health 0.95 0.95 1.05 1.15 38 Vet-Exp   Info The Funkwagen Vampire is a complicated unit. Divert Supplies is a toggled ability that actually causes many different effects, at the cost of mobility. In summary, Divert Supplies allows the Vampire to steal resources, deny enemy resources, spot enemy infantry units through the Fog of War with extended sight , and act as a detector unit. In addition, the Vampire is the only Panzer Elite unit capable of producing Goliaths. Refer to this guide made byRelicNews forummemberYurdleTheTurtlefor more information and detailed explanation of how the Vampire works (2.502) Funkwagen Vampire Halftrack Guide.   Tactics The Vampire can be used to deny a large amount of resources from the enemy, and can be used as a powerful reconnaissance unit. Finding the right places to deploy the Vampire can be difficult however. For recon work, have the Vampire deployed in areas so its extended sight provides coverage over as much possible routes/entrances as possible, while also keeping the Vampire relatively hidden from view. Hiding behind obstacles and away from regular traffic routes is also a good idea. Due to complicated mechanics, resource denying and stealing is not as simple as it seems. The Vampire not only steals resources from one sector, but is also capable of denying a large amount of resource income to the enemy overall. Refer to theVampire Guidefor detailed explanation. Using thetactical mapwith a deployed Vampire allows it to see the unit type (by unit symbols) and the health bars of approaching enemy infantry. This will allow you to use the intelligence gained from the Vampire in order to plan ahead of the enemy - for example, preventing sneaky attempts to decap your resources/strategic points, or to bring your forces to bear before large attacks arrive. Remember, a Vampire can only detectinfantryunits through the fog of war. Also note that even camouflaged (Snipers, etc.) units are also detected through the fog of war - however, they cannot be physically targeted unless detected normally through detection range. A Vampire with the Tank Awareness perk from the Panzer Elite Tank Destroyer doctrine has extended sight against both infantry and vehicles units. Note that Anti-Tank guns (51mm AT Gun, etc.) count as vehicle units, not infantry. A deployed Vampire increases its detection range from 0 to 30. This means the Vampire has the highest detection range out of any unit, although it is hampered by its immobility. Deployed Vampires gain a 50% increase in health. This bonus is removed when the Vampire is mobile again. Deployed Vampires cannot move. Vampires are the only Panzer Elite units that can produce Goliaths. They can build them regardless of whether or not that are deployed. History The SdKfz 250/3 (SdKfz 250 model, third variant) was a radio-equipped 250 series half-track. They were primarily used by the headquarters of reconnaissance forces, and as Forward Air Controllers by the Luftwaffe. The large bed frame antenna was a distinctive trait of this vehicle.   Built From      Logistik Kompanie [Expand][Hide] Health 1000 Target Type building Cost 22020 Critical Type building Time 115     Hotkey L Effects Makes available the Scout Car, Munitions Halftrack and 250/3 Funkwagen Vampire Halftrack. Upgrades will equip squads with Anti Tank Grenades and increase the size of infantry squads.  ESeeStructure Logistik Kompaniefor details.   Vehicle Abilities      Vehicle Cover [Expand][Hide] Cost   Activation always_on Duration _ Target tp_any Recharge 0     Hotkey Effects $0 no key  ESeeAbility Vehicle Coverfor details.      Divert Supplies [Expand][Hide] Cost   Activation toggle Duration 3 Target tp_any Recharge 10     Hotkey S Effects Enables the Funkwagen Vampire to divert resources produced from an enemy sector. It will also deny the enemy resources in a connected supply line. When deployed, infantry can be detected in the Fog of War.  ESeeAbility Divert Suppliesfor details.      Goliath Drop [Expand][Hide] Cost 125 Activation targeted Duration _ Target tp_position Recharge 90     Hotkey G Effects Halftrack can drop a Goliath Remote Controlled Bomb.  ESeeAbility Goliath Dropfor details.         Retrieved from http //coh-stats.com/Vehicle Funkwagen_%27Vampire%27_Halftrack    

• MONOSEPIA - BODYBOSS2.0

  https://w.atwiki.jp/monosepia/pages/11374.html

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• cadencii_en @ wiki - Cadencii version 3.0.1

  https://w.atwiki.jp/cadencii_en/pages/36.html

  English 日本語 Release Note Release Date 　27 Sep., 2009 Notes       Cadencii requires ".NET Framework Runtime(version 2.0 or later)". Installer of this rumtime is available from the link below. .NET Framework Runtime Download .NET Framework 3.5 SP1       Cadencii can be launched with the latest version of mono. This enable you to use Cadencii with many platforms supported by mono. (Note Several functions using VOCALOID2 VSTi are not available in this case.) Mono is available from the link mono download Download 　Cadencii version 3.0.1 (1015KB) How to get source codes       Source code is available on SourceForege.JP. Please follow the instruction below for checking out the SourceForge.JP s SVN repository. svn checkout -r 495 http //svn.sourceforge.jp/svnroot/cadencii/branches/3.0 ./ These svn command is for checiking out "THIS" version of Cadencii. In order to get the latest source codes, please remove "-r" option.